114 MOORE OR LESS HOUSE COTTESLOE, WESTERN AUSTRALIA Simon Anderson The Round House, a small prison, is the oldest extant building in Western Australia. It was designed by Henry Reveley and is pre- sumed to be inspired by his father's well-known design for Jeremy Bentham's panoptic prison. It is an architecture of sheer and smooth wall surfaces and fluid space, built by the unskilled in an expan- sive new world to confine the lawless. Durable and robust, not particularly repressive, an ideal gesture in a pragmatic world, soon too small for its purpose-altogether a perfect model for a modest house to be built by the clients themselves in a topographically similar location. The Moore or Less House was designed for a photographer and design couple-two bedrooms and two studies to permit work- ing from home in the future. It was designed as a compromised Round House, but instead of concentrating vision within, its voids allow the House to capture views to the west above neighbours (without overlooking) to Norfolk Island pines and the Indian Ocean. The house is built in the manner of the commercial vernacu- lar, so much so that a garage tilt-a-door was included. Brick piers give the House a certain agedness, their disengagement an ageless uncertainty. During the design stage, the clients became interested first in the Oriental, and then in the Price/O'Reilly House by Engelen Moore (George St, Redfern, 1995). So further compromises were made: an Islamic porch or talar was added, an uneasy symmetry emerged and a monochromatic interior developed. However the articulated structural piers and flayed service areas give the House sufficient life to accommodate stylistic modification. HENRY REVELEY. Round House, 1829. Office warehouse, East Perth. 115 1 Entry 2 Powder 3 Study 1 4 Laundry 5 Kitchen 6 Living/dining 7 Study 2 8 Bathroom 9 Dressing 10 Bedroom 1 11 Balcony 12 Bedroom 2 13 Garage 116 Basement plan EB Ground floor plan Longitudinal section : I ! : I ' i ---- -..J 13 First floor plan -- -: 6 I I I I I ___ J Exterior photographs by Robert Frith. Interior photographs by Gaylene Trethewey. 117