114 bios MARTIN BRYANT Martin Bryant is the Professor and Programme Director of Landscape Architecture at Victoria University of Wellington. He is a mul- ti-award winning practitioner with numerous built land- scape architectural projects in Australia and New Zealand over 30 years. His academic work includes publications concerning the role of landscape architecture on resilience, including the UN Habitat III Policy Paper on Urban Ecology and Resilience. PATRICK CLIFFORD Patrick Clifford was a fellow student of Rewi Thompson at the University of Auckland School of Architecture in the late 1970’s. Together with Malcom Bowes, Michael Thomson and Tim Nees they have collaborated on numerous projects over the many years since. Patrick is a founding principal and design director of Australasian archi- tectural practice Architectus. MICHAEL DAVIS Michael Davis is Director of Architecture programmes at the University of Auckland’s School of Architecture and Planning. He teaches and researches in the areas of architectural design and architectural media. Mike holds a PhD from RMIT in Melbourne and a Master of Architecture in Architecture and Urbanism from London’s famed Architectural Association. Davis co-founded architecture and design practice ‘Ark’ with Vanessa Ceelen in 2004 and has practiced his trade in New Zealand, Canada and the Netherlands, while being involved in projects from Ethiopia to New Caledonia. ANDREW DOUGLAS Dr Andrew Douglas is a Senior Lecturer in Spatial Design at the School of Art+Design at Auckland University of Technology. He is coordinator of the Urban Practices under- graduate minor, a member of the TurnSpace Collective, and contributor to the Making Public research cluster. He is also an Executive Editor of Interstices: Journal of Architecture and Related Arts, and a trustee of the enigma: he aupiki Trust, and the Greg Bowron Trust, along with being a director of the Interior Design Educators Association and an editorial advisor to the IDEA Journal. He has practiced architecture in both Auckland and London and maintains specialty skills in critical urban thinking and design particularly. He has pursued postgraduate studies at The University of Auckland and Goldsmiths, University of London. His research ranges across fields associated with urban and Greek philoso- phy and history, aspects of poststructuralist thinking— particularly the work of Gilles Deleuze and Felix Guattari— critical perspectives on socio-spatial practice, and gender and sexuality as these pertain to literature, cinema and the urban imaginary. His doctoral research investigated observation and reflectivity in modernity and its linkag- es with human motility in European urbanism since the seventeenth century. His cur- rent research includes the role of affect in emerging forms of publicness and governance, colonial-urban formations in New Zealand, and various aspects of an urban-interior synthesis GRAHAM FARMER Graham is Professor of Architecture and Director of the Architecture Programmes. Graham’s diverse research and teaching interests encompass sustainable design, materials, tectonics and architectural pedagogy. A key theme in his work is the social production of the built environment, with an emphasis on understanding how the built environment is socially sustained. Graham is interested in the ethics of sustainability, and in particu- lar how environmental values relate to the specifics of place and the pragmatics of design practice. PENELOPE FORLANO Penelope Forlano is a PhD student at Curtin University with a special interest in inalienable public and private artefacts, design anthropol- ogy and object agency. She has over 20 years practice as an award-winning artist, fur- niture designer and interior designer. Her work has been exhibited widely, including a coveted spot at London’s 100% Design, CraftACT, The John Curtin Gallery, FORM, and a solo show in 2004 at the esteemed Salone Satellite, Milan’s International Furniture Fair. Receiving the prestigious Australian Design Award in 2006, her ‘Terrain’ table was acquired for per- manent collection by the Art Gallery of Western Australia in 2011. SUE GALLAGHER Sue Gallagher is a Senior Lecturer in Spatial Design, and previous Associate Head of School Academic in the School of Art & Design at AUT University. Trained as an architect (Bachelor of Architecture First Class Honours, The University of Auckland) and as a perfor- mance designer (Master IN T E R S T IC E S 1 7 115 bios / abstracts R E T U R N T O O R I G I N S of Arts Scenography with Distinction, Central Saint Martins London and in part- nership with the Hogeskool van Kunsten), Sue has explored performance based spatial practice in various projects including; the NZ national pavilion at the Prague Quadrennial of Performance Design and Space in 2007, 2011, 2015, the Auckland Arts Festival; set design for the inaugural performance of the New Zealand Dance Company, and is a past Chair of IDEA: Interior Design Educators Association. ROSS JENNER Ross Jenner teaches at the University of Auckland. He has a PhD from the University of Pennsylvania, has prac- tised in the UK, Finland, Switzerland, and New Zealand, taught at various institutions in Australia and the US, was Commissioner for the NZ Section of the XIX Triennale di Milano, pub- lished in several books and journals, and is an editor of Interstices. SAM KEBBELL Sam Kebbell is a senior lecturer at Victoria University of Wellington and a founding director of Kebbell Daish. Architects. He is currently working on his Ph.D. at RMIT University in Melbourne, and in 2015 was an ADAPTr Research Fellow at the University of Westminster in London. He graduated from Victoria University of Wellington with a B.Arch (1st class Hons), and complet- ed his Masters of Design in History and Theory at the Graduate School of Design (Distinction) at Harvard (Cambridge, USA) in 1999. Sam worked in Boston, New York, and Amsterdam before returning to practice and teach in Wellington. ASHLEY MASON Ashley Mason is a PhD candidate in Architecture by Creative Practice at Newcastle University, UK. Her work engages the potentials of textual-spatial practice in addition to exploring absent-present narratives within architecture. Along- side her research, she is also Editorial Assistant for the journal arq: Architectural Research Quarterly. YASSER MEGAHED Yasser is currently in the writing up phase of a PhD in Creative Practice at Newcastle University’s School of Architecture, Planning and Landscape. He is one of the team comprising Design Office—a design research practice operating out of the university. Previously, Yasser worked as a senior architect and design team leader with the Architecture and Urbanism Group in Cairo. Yasser has a BA and MSc in Architecture from the Architecture Department of Cairo University. His research interests include questions of quality in architecture, modes of practice in archi- tecture, and shifting relations between theory and practice in architecture. MICHAEL MILOJEVIC Michael Milojevic is a pro- fessional teaching fellow at the University of Auckland’s School of Architecture and Planning. Growing up in the Little Italy area of Toronto, he designed event installations for large multicultural events on fifty sites across the city, also overseeing Balkan related projects in his hometown, as well as abroad in Chicago and Auckland. SEAN PICKERSGILL Dr Sean Pickersgill teach- es architecture within the University of South Australia’s School of Art, Architecture and Design. With a focus on developing innovative design approaches at all levels of the undergraduate and graduate curriculum, his work on the inter-relationship between modes of critical thinking in philosophy and design practice has been published internationally, alongside literature on the consequenc- es of contemporary digital technology in the practice and understanding of archi- tectural design. GRACE SALISBURY MILLS Grace Salisbury Mills is an architect and urban designer, originally from Wellington but currently based in Brooklyn, New York. Having recently finished a MSc. in Architecture and Urban Design at Columbia University on a Fulbright Scholarship, she now works as a designer at WXY Studio in Manhattan, focusing efforts on the interface between public space, urban infra- structure and architecture. She is also a Teaching Fellow in the Urban Design program at Columbia University. Grace completed her M.Arch between Victoria University of Wellington and The Royal Danish Academy of Fine Arts in Copenhagen. RACHEL SARI-DEWI MURRAY Rachel Sari-Dewi Murray is a recent graduate of the M.Arch (Prof ) programme at Victoria University of Wellington. Having completed a 5-month IN T E R S T IC E S 1 7 116 bios / abstracts R E T U R N T O O R I G I N S exchange programme at Paris’ École Spéciale d’Architec- ture in 2013, she is currently rounding off an architecture internship in Helsinki, where her residence just so happens to overlook a swampland. ADAM SHARR Adam Sharr is the Head of the School of Architecture, Planning and Landscape and Professor at Newcastle University. He is Editor-in- Chief of Cambridge University Press’ international architec- ture journal arq: Architectural Research Quarterly, Series Editor of Thinkers for Architects, published by Routledge, and principal of Adam Sharr Architects. Adam is author or editor of six books on architecture including Heidegger’s Hut (MIT Press, 2006), Reading Architecture and Culture (Routledge, 2012) and Demolishing Whitehall: Leslie Martin, Harold Wilson and the Architecture of White Heat (co-written with Stephen Thornton, Ashgate, 2013). Alongside his own architec- tural practice, Adam works with APL’s Design Office research consultancy. DIANNE SMITH Dianne Smith is Associate Professor and Director of Research and Graduate Research Studies at Curtin University’s School of the Built Environment. Dianne’s research focuses on discrimi- natory design (with particular reference to everyday design for the cognitively impaired), environmental meaning and experience, as well as the impact of colour. Additionally, she is interest- ed in how creative practices enable alternative ways to see situations and associated problems. Recently she co-ed- ited and co-authored M2: Models and Methodologies for Community Engagment (Springer, 2014), Perspectives on Social Sustainability and Interior Architecture: Life from the Inside (Springer 2014); Occupation: Ruin, Repudiation and Revolution (2015) and has been a core member of the Lakhnu Sustainable Development Project in northern rural India (2011–2016). Dianne has also undertaken leadership posi- tions with the Design Institute of Australia (DIA) and IDEA (Interior Design/Interior Architecture Educators association). MARK SOUTHCOMBE Mark Southcombe studied Architecture at the University of Auckland and Victoria University of Wellington. He is Architecture Programme Director at the School of Architecture Victoria University of Wellington, an award winning Director of Southcombe Architects in Wellington, and a fellow of the NZIA. He teaches design studio and research meth- odologies courses at Victoria University of Wellington. His current design and re- search is focused on collective urban housing. JEREMY TREADWELL Jeremy Treadwell is a senior lecturer at the School of Architecture and Planning within the University of Auckland. He teaches design, architectural history, and building technology. His current areas of study focus on the tectonics of Polynesian architecture. SARAH TREADWELL Sarah Treadwell is an Associate Professor at the University of Auckland’s School of Architecture and Planning. Her research investigates the representa- tion of architecture through consideration of ground and spatiality. She focusses on turbulent ground, both politically and literally, as well as on the atmospheric and the allusive, specifical- ly grounds which are not contained by conventional categories of site or founda- tion. Her work is carried out across both written and visual practice, with much attention afforded to the relationships between text and image. With a longstanding interest in gender related issues, Sarah has written on the work of contemporary artists and on representations of motels, suburbs and interiority. Her work has been published in various books and journals in- cluding Architectural Theory Review, Space and Culture and Interstices. Sarah’s visual work has been exhibited at Te Tuhi, Pakuranga, the Gus Fisher Gallery, University of Auckland and the Adam Art Gallery—Te Pātaka Toi in Wellington. SIMON WEIR Simon Weir is a lecturer of architecture at the University of Sydney, Australia. Seen most prominently in his study of surrealism, Weir’s theoret- ical research focusses on the foundational mythologies of architectural culture and the philosophy, art and architec- ture of classical antiquity.