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U R B A N  H I S T O R I C A L

Interstices: Journal of                
Architecture and Related Arts 
is an open forum for the 
dissemination of architecture and 
thought. It is a non-profit journal 
published once a year. To remain 
independent, Interstices relies 
upon institutional and private 
support to fund its editorial 
production. Annual individual 
sponsorship is available from 
$500; corporate sponsorship 
from $1,000; and institutional 
sponsorship from $3,000. 
Sponsors will receive 
acknowledgement of their 
contribution on the Journal’s 
website (https://interstices.ac.nz/
index.php/Interstices).

This issue is supported by 

School of Art + Design, 
Auckland University of 
Technology Te Wānanga 
Aronui o Tāmaki Makau Rau, 
and School of Architecture 
+ Planning, University of 
Auckland Waipapa 
Taumata Rau
(Institutional Sponsors)

Executive Editors
Andrew Douglas, Julia Gatley, 
Susan Hedges

Issue Editors
Julia Gatley, Elizabeth Aitken Rose

Contributors this issue
Tom Collins, Olivia Daw, Andrew 
Douglas, Julia Gatley, Carolyn 
Hill, Susan Holden, Ella Jones, 
Hamish Lonergan, ‘Ōkusitino 
Māhina, Anoma Pieris, Sēmisi 
Fetokai Potauaine, Luke Tipene, 
Athanasios Tsakonas, Simon 
Twose, Samer Wanan

Design and typography
Catherine Griffiths

Typefaces
Founders Grotesk, Tiempos Text 
Klim Type Foundry 

Production
Louise Belcher, Julia Gatley, 
Catherine Griffiths, Susan Hedges

Published by 
enigma : he aupiki, Auckland,  
New Zealand 

August 2023

ISSN 1170-585X (Print)                
ISSN 2537-9194 (Online)

This work is entitled to the full 
protection given by the Copyright 
Act 1962 to the holders of the 
copyright and reproduction of 
any substantial passage from the 
work except for the educational 
purposes therein specified is a 
breach of the copyright of the 
author and/or publisher. This 
copyright extends to all forms of 
photocopying and any storing of 
material in any kind of information 
retrieval system. Interstices: 
Journal of Architecture and 
Related Arts takes a non-
exclusive copyright in the papers 
submitted and accepted, i.e., we 
reserve the right to publish and 
republish the paper (for instance, 
electronically). Authors are 
welcome to upload their papers 
in published form into their 
institution’s research repository. 
They retain the right to republish 
their papers elsewhere, provided 
that they acknowledge original 
publication in Interstices. All 
applications by third parties, for 
reproduction in any form, should 
be made to the Executive Editors.

Submissions
The Editors invite submissions of 
articles, reports, book and project 
reviews, and translations. 

All correspondence should 
be addressed to The Editors, 
Interstices, School of Art + 
Design, AUT University, Private 
Bag 92006, Auckland 1020, New 
Zealand. Books for review and 
advertising should be forwarded 
to the Executive Editors, above.

Notes and guidelines for 
contributors can be found at 
https://interstices.ac.nz/index.
php/Interstices/information_ 
for_contributors 

Acknowledgements
We gratefully acknowledge 
the support of the very many 
people who have contributed 
to the realisation and quality 
of Interstices Issue 22 : Urban 
Historical in various ways—
including all those who supported, 
participated in, and refereed 
papers for the Ngā Pūtahitanga / 
Crossings conference held at the 
University of Auckland Waipapa 
Taumata Rau in November 2022. 
This was the first joint conference 
of the Society of Architectural 
Historians, Australia and New 
Zealand / Ngā Pou Whare / 
Wangkalangkalarna Wardlirnaitya 
(SAHANZ) and the Australasian 
Urban History Planning History 
Group (AUHPH). Many thanks to 
Amber Anahera Ruckes for the 
design of the Ngā Pūtahitanga / 
Crossings conference graphic.

Many thanks to Andrew Douglas 
for leading and editing the 
postgraduate creative design 
research section. Thanks  to 
Catherine Griffiths and Louise 
Belcher for designing and copy 
editing this issue of Interstices.      
If we have inadvertently over-
looked anyone, we apologise. 
Thanks also to the School of Art 
+ Design at Auckland University 
of Technology, and the School 
of Architecture and Planning at 
the University of Auckland. And, 
finally, a big thank-you to all the 
contributors to Interstices 22: 
Urban Historical.

www.interstices.ac.nz

Editorial Advisory Board 

Aotearoa/New Zealand
Mike Austin (retired), Gavin 
Hipkins (University of Auckland), 
Ross Jenner (University 
of Auckland), Dan Fleming 
(University of Waikato), Robert 
Jahnke (Massey University), 
Moana Nepia (James Henare 
Centre, University of Auckland), 
Anthony Hoete (University of 
Auckland), Sally Jane Norman 
(Victoria University of Wellington)

Australia
Suzie Attiwill (RMIT University), 
Jillian Hamilton (Queensland 
University of Technology), 
Stephen Loo (UNSW Sydney), 
Mirjana Lozanovska (Deakin 
University), John Macarthur 
(University of Queensland), Jeff 
Malpas (University of Tasmania), 
Jules Moloney (Deakin 
University), Vivian Mitsogianni 
(RMIT Design Research Institute), 
Deborah van der Plaat (University 
of Queensland), Sam Spurr 
(UNSW Sydney), Paul Walker 
(University of Melbourne), Hélène 
Frichot (University of Melbourne)

Germany
Uta Brandes (Köln International 
School of Design), Ursula Baus 
(frei04-publizistik, Stuttgart),       
A. Chr. (Tina) Engels-Schwarzpaul 
(Auckland University of 
Technology)

Italy
Renato Rizzi (Università Iuav 
di Venezia, Architect Trento),      
Nigel Ryan (Architect, Rome)

Tunisia
Bechir Kenzari (United Arab 
Emirates University) 

UK
Mark Dorrian (Edinburgh College 
of Art), Jonathan Hale (University 
of Nottingham), Peg Rawes (The 
Bartlett School of Architecture), 
Joseph Rykwert (University of 
Pennsylvania)

USA
Peggy Deamer (Yale University), 
Mark Goulthorpe (MIT, deCoi 
Architects Paris), Jonathan Lamb 
(Vanderbilt University), David 
Leatherbarrow (University of 
Pennsylvania)

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          HISTORICAL

http://interstices.ac.nz