Substantia. An International Journal of the History of Chemistry 3(2) Suppl. 5: 29-48, 2019
Firenze University Press
www.fupress.com/substantia
ISSN 2532-3997 (online) | DOI: 10.13128/Substantia-582
Citation: J. H. Maar, A. Maar (2019)
The Periodic Table and its Iconicity: an
Essay. Substantia 3(2) Suppl. 5: 29-48.
doi: 10.13128/Substantia-582
Copyright: © 2019 J. H. Maar, A.
Maar. This is an open access, peer-
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Competing Interests: The Author(s)
declare(s) no conflict of interest.
The Periodic Table and its Iconicity: an Essay
Juergen Heinrich Maar1, Alexander Maar2
1 Retired, Chemistry Department, Federal University of Santa Catarina
2 Department of Philosophy, State University of Londrina, Paraná
E-mail: juergen.maar@gmail.com, alexander.maar@web.de
Abstract. In this essay, we aim to provide an overview of the periodic table’s origins
and history, and of the elements which conspired to make it chemistry’s most rec-
ognisable icon. We pay attention to Mendeleev’s role in the development of a system
for organising the elements and chemical knowledge while facilitating the teaching of
chemistry. We look at how the reception of the table in different chemical communities
was dependent on the local scientific, cultural and political context, but argue that its
eventual universal acceptance is due to its unique ability to accommodate possessed
knowledge while enabling novel predictions. Furthermore, we argue that its capacity
to unify apparently disconnected phenomena under a simple framework facilitates our
understanding of periodicity, making the table an icon of aesthetic value, and an object
of philosophical inquiry. Finally, we briefly explore the table’s iconicity throughout its
representations in pop art and science fiction.
Keywords. Dmitri Mendeleev, the periodic table of elements, philosophy of chemistry,
science and pop art, science fiction.
The Periodic Table was incredibly beautiful, the most
beautiful thing I had ever seen.
(Oliver Sacks)
An exposition of all that matters in matter.
(Bruce Greenhalgh)
INTRODUCTION
The periodic table of elements is chemistry’s most universal ‘tool’, used
both as a teaching method and research instrument. But it is also a sign and
icon that unites all chemical knowledge. In philosophy of language, ‘iconic-
ity’ is the name given to a certain similarity relation between the form and
the meaning of a sign. The lack of similarity is arbitrariness, which means
that there is nothing in the form of the sign that resembles its meaning, and
simple convention associates the two. We borrow such terminology to claim
that the periodic table is truly an icon, not just convention. Each of the little
‘squares’ in any of the table’s representations encloses the totality of chemi-
30 Juergen Heinrich Maar, Alexander Maar
cal and physical knowledge about a given element. In
this sense the table is truly iconic: it is perceived as being
so closely similar to that which it represents (the totality
of chemical knowledge), that form and meaning become
intrinsically bounded.
Since its first formulation, the table has become a
universally accepted icon which transits in many places
of knowledge. It transits in classrooms and books as a
didactic tool, it transits through research laboratories as
a reference source, and it transits in annals and records
of chemistry as a repository of scientific information
and interpretations collected over time. Considering its
widespread presence, we believe the table parades a dual
nature: it is the consolidation of current chemical knowl-
edge, but also a heuristic tool used by chemists in their
attempts to expand and consolidate such knowledge.
Surprisingly perhaps, the ‘tool’ has not changed much
since its conception.
In the words of Scerri:
The periodic table of elements is one of the most powerful
icons of science: a single document that consolidates much
of our knowledge of chemistry [and] despite the dramatic
changes that have taken place in science in the last hun-
dred years [relativity and quantum mechanics] there has
been no revolution in the basic nature of the periodic sys-
tem.1
Let us next say a few things about how the table
came about, from early attempts to find analogies
among chemical elements, to more refined views on
periodicity.
ANALOGIES
The practice of classifying is an important task in
any science. It is a task that involves obtaining the par-
ticulars (objects) to be classified, finding non-spurious
similarity relations – analogies – between the object
and other entities thought to be of the same kind, and
drawing empirical and logical conclusions from the
way entities are organised. Scientific disciplines often
make great efforts to divide particulars into kinds and
theorise about the nature of these kinds. If one has real-
ist inclinations regarding scientific knowledge, one will
often think of a kind as being ‘natural’, i.e. a grouping of
particulars that is made possible by how nature is (and
not by one’s interests or actions). If this is the case, then
scientific taxonomies correspond to real natural kinds.
And, as Bird and Tobin put it, “the existence of these
real and independent kinds of things is held to justify
our scientific inferences and practices.”2
A classic example is Carl von Linné’s (1707-1778)
botanical and zoological classification in his Systema
Naturae (1735), which became a ‘model’ of classifica-
tion for other sciences as well. It inspired, for instance,
Johann Beckmann (1739-1811) to classify technological
activities in his Entwurf einer allgemeinen Technologie
(1806).
Chemists too felt the need to classify elements and
substances. Lavoisier himself, in presenting his table
of elements in 1789, classified them. Each of the four
groups of ‘simple substances’ presents similar or even
identical qualities. If we look more closely at a Table of
Affinities, such as that of Torbern Bergman (1735-1784)
from 1775, we will find a classification: each group of
substances presents qualitatively equal and quantitatively
decreasing properties.
After Lavoisier, the concern of chemists in clas-
sifying became more evident, and we can cite classi-
ficatory attempts of Richter (1792), Döbereiner (1817,
1829), Meinecke (1819), Thenard (1813), Ampère (1816),
Gmelin (1842), Gibbs (1845), among many others. All
these attempts are analogical in form, i.e., elements are
grouped together based on how the author ‘perceives’
similarities and differences among the elements’ proper-
ties. There is an obvious challenge for objectivity here,
as similarity relations of one kind will often take pri-
ority over other similarity relations, depending on the
authors’ theoretical preferences. None of these attempts
was a periodic classification, however.
The concept of analogy was important to the pre-
vailing Naturphilosophie at the time, especially in Ger-
many. Associated with Romanticism, such classificatory
attempts were motivated by a desire to formulate a sys-
tem of thought capable of encompassing both empirical
knowledge and a priori, deductive reasoning. Natural
philosophy has been gradually eliminated from scien-
tific thought; thanks to the rise of empiricism. John
Locke, for example, argued that the prior formulation of
hypotheses and the use of analogical reasoning played
a minor role in science – a view consistent with that of
experimental philosophy.3 With the decline of specula-
tive philosophy, early classificatory attempts – except
maybe Döbereiner’s and Gmelin’s – became of little phil-
osophical relevance. Furthermore, there is an element
of subjectivity motivating the formulation of such clas-
sificatory systems. An author’s philosophical preferences
will often play a decisive role in what counts as relevant
in analogical arguments, and therefore on how the ele-
ments are classified. Let us see how.
For Jeremias Benjamin Richter (1762-1807), once
a student of Kant, some mathematical relations are a
priori hypotheses – a view he formulated based on his
31The Periodic Table and its Iconicity: an Essay
studies of ponderal and stoichiometric relations. For
him, any chemical classification had to consider the
laws (such as the law of definite proportions, which says
that the ratio by weight of the compounds consumed
in a chemical reaction stays always the same) according
to which substances unite to form compounds. Eduard
Farber4 and Georg Lockemann5 consider Richter to be
the first chemist to consider mathematical aspects in his
theories.
Johann Ludwig Meinecke (1781-1823) reasoned
from analogy by giving priority to the notion of chemi-
cal affinity, i.e., the tendency exhibited by atoms or
compounds to combine (chemically react) with certain
atoms or compounds (of unlike composition) in prefer-
ence to others. This is, of course, a well-established the-
ory today, but during his time ‘affinity’ referred only to
bodies who reacted intensively, perhaps ‘unavoidably’,
one with the other. It was this older conception of affin-
ity that inspired Goethe to write his metaphorical novel
Elective Affinities, in which human passions appear to
be governed by the laws of chemical affinities, with the
potential to undermine social institutions such as mar-
riage.
André-Marie Ampère (1775-1836), criticising what
he saw as an exaggerated importance given to oxygen,
attempted a natural classification or order, or even in the
words of Jean-Baptiste Dumas (1800-1884), “a classifica-
tion of bodies into groups based on primary properties
capable of determining all secondary properties.” Ampere
used an experimental criterion for the classification of the
elements, as he focused on “associations and products to
which elements are known to be committed.”6
Johann Wolfgang Döbereiner (1780-1849), in his “An
Attempt to Group Elementary Substances according to
Their Analogies” (1829), ascribed great importance to
numbers representing the atomic weights of the elements
forming the four “Döbereiner Triads”. Döbereiner iden-
tified a pattern with the elements of the triads: if you
order them according to their atomic masses, the aver-
age of the molar mass of the first and third element of
the triad equals the molar mass of the second element
(sulphur, selenium and tellurium, for example). On a
modern periodic table, these elements are stacked verti-
cally. His work started on the same insight that would
later result in the formulation of the periodic law and
classification of the elements.
For Leopold Gmelin (1788-1853), another forerun-
ner of the periodic table, physical and chemical relations
among simple substances ( = elements) are important,
but the structural basis for their classification lies in
their electronegativity or positivity, as defined by Jöns
Jacob Berzelius (1779-1848) in his Lehrbuch (1823).
Getting into the details of such early classificatory
attempts falls outside the scope of this article. But we
wish to highlight the motivation that guides them all:
to find a form of representing observations of similari-
ties and order among elements that could be universally
accepted while containing all the relevant information
known about the elements, their ‘kinds’ (grouping) and
ordering.
This desire for universality sometimes surpasses the
limits of chemistry. John Alexander Newlands (1837-
1898) formulated in 1864 his “Law of Octaves”, accord-
ing to which the ordering of the elements accruing to
increasing atomic weight reveals a periodic pattern of
similarity after each interval of seven elements. New-
lands’ detection of periodicity was overlooked possibly
because of the analogy he drew between chemistry and
the musical scale, thought to be naïve and distracting.
Striving for universality, Newlands tried to force all
known elements to fit into his octaves – but some new
discoveries (heavy elements) escaped the pattern. Also,
James Blake (1815-1893) went beyond chemistry when he
attempted to classify some elements based on their phar-
macological effects (1848).7 While such attempts were
not well received, if one thinks of kinds as being natu-
ral, and not socially constructed, there is no reason to
assume any periodicity would confine itself to conven-
tional disciplinary boundaries.
THE PERCEPTION OF THE PERIODIC TABLE
Let us now focus on the mainstream periodic tables
of Dimitri Mendeleev (1834-1907) and Lothar Meyer
(1830-1895). Mendeleev ordered the elements accord-
ing to their increasing atomic mass. He placed elements
underneath other elements with similar chemical behav-
iour. For example, he placed sodium underneath lithi-
um because both exhibited similar chemical behaviour:
shiny and soft metals which react promptly with oxygen
and violently with water.
Sometimes the atomic mass of an element would not
be in the right order to put it in the group of elements
with similar behaviour. He placed a question mark
(?) next to its symbol to indicate he was uncertain the
atomic mass had been measured correctly. Some other
times the next heaviest element would not display the
properties expected of the next element in the table, and
he thought important to only group together elements
with similar properties. He postulated the existence
of an unknown element to occupy that place, and left
blanks, allowing for (temporary) holes for undiscovered
elements in the table. Mendeleev used dashes (-) to indi-
32 Juergen Heinrich Maar, Alexander Maar
cate the predicted mass of the element to be discovered.
It was precisely this abductive reasoning that allowed for
the future discovery of gallium (1875) and germanium
(1882), for example, to be accommodated by the table.
Germanium’s fit in its group and its behavioural contrast
with neighbouring elements gave Mendeleev’s classifica-
tion strong empirical support. As Kemp puts it: “Mende-
leev’s periodic table permitted him to systematise crucial
chemical data. But its real triumph was as an exercise in
theoretical modelling, allowing the prediction of the dis-
covery of previously unknown elements.”8
The table formulated by Mendeleev is a tour de force
in terms of resilience. Since its first appearance 150
years ago the table has been able to accommodate the
discovery of new elements (lanthanides), and groups of
elements (noble gases, transuranic and transfermic ele-
ments). New theories and philosophical positions did not
affect the solidity of Mendeleev’s formulation, nor did
the revolutionary empirical discoveries since the end of
the nineteenth century: the discoveries of atomic divis-
ibility and subatomic particles, radioactivity, artificial
transmutation, and innovations generated by quantum
mechanics. It is certainly this capacity to accommodate
(and help predict) novelties, and withstand theoretical
criticism, that gave Mendeleev’s periodic table its iconi-
city and universal appeal. Eventually, it became a defini-
tive representation of elemental periodicity.
It is interesting to note that none of the previous
proposals for classifying the elements had more reper-
cussion outside their context of creation than Mend-
eleev’s. Its high degree of empirical adequacy gave Men-
deleev’s systematization the status of scientific law (Men-
deleev’s Periodic Law). Such status was later corroborat-
ed by what is now known as Moseley’s Law (1913). Up
until Moseley’s work, the atomic number of an element
was just its place in the table, and it was not associated
with, or determined by, any known measurable physical
property. But Moseley demonstrated that the frequen-
cies of certain characteristic x-rays emitted by atoms
are approximately proportional to the square of the ele-
ment’s atomic number. This discovery also supported
Antonius Van den Broek’s (1870-1926) and Niels Bohr’s
atomic model, according to which the atomic number is
the same as the number of positive charges in the atom’s
nucleus. It is precisely this degree of consilience, i.e. this
‘jumping together’ (convergence) of evidence originated
from different, unrelated sources, that help explain Men-
deleev’s success in formulating a definitive and universal
representation of elemental periodicity.
The motivation for drawing a table of the elements
was to find a way of representing them that could be
universally accepted. Representations that were only
based on analogies – and did not constitute scientific
laws – did not achieve this objective. The discovery of
periodicity, followed by Mendeleev’s insight when group-
ing the elements according to their similar properties
while allowing for gaps, did achieve universality and,
ultimately, iconicity. In part, such iconicity is derived
from the table’s widespread use as a teaching tool. It is
widely used by teachers to aid students with the abstrac-
tions necessary for a proper understanding of chemistry.
Abstractions such as the ordering of a periodic system,
systematization of possessed knowledge, prediction and
projections involving new discoveries, chemical proper-
ties, correction of data, and finally understanding of the
macro and microcosmos in terms of atoms, molecules
and substances.
So, what we mean by the universality of the periodic
table goes beyond geographic universality. It is endur-
ance in time and space, and unity of meaning and form,
of sign and concept. The universality of the periodic
table of the elements is so pervading, that it is even capa-
ble of connecting intellectual ideas and human passions.
In the words of S. Alvarez: “The periodic table of ele-
ments is the agora where art, science and culture meet to
dialogue about matter, light, history, language and life. It
is an extraordinary tool that allows us to find the con-
nections between humanistic culture and science.”9
The iconic table has a variety of uses:
- as a teaching tool;
- as a heuristic method for scientific practice;
- as an aid to classify and preserve chemical knowl-
edge;
- as a theoretical foundation for the understanding of
chemistry;
- as a research tool for other sciences, such as miner-
alogy;
- as a tool for the popularisation of chemistry;
- as an aesthetic component in the corpus of chemical
knowledge;
- as a factor of integration between science and the
Humanities;
- as a pop-cultural object.
MEYER’S AND MENDELEEV’S DIDACTIC PURPOSES
Both Mendeleev and Meyer developed their periodic
tables confessedly for didactic purposes – the ordering
of the contents - in writing their textbooks Principles
of Chemistry (1869) and The Modern Theories of Chem-
istry (1864), respectively. Lothar Meyer’s Die modernen
Theorien der Chemie und Die Bedeutung für die Chemis-
che Statik (Maruschke & Berendt, Breslau, 1864) is very
33The Periodic Table and its Iconicity: an Essay
concise. From the outset, the author makes it clear that
he intends to systematise and order, among all avail-
able knowledge, those he considers more fundamental
(greater reliability and precision). The starting point is
the Berthollet Essai de statique chimique (1804). Meyer
also accepted Dalton’s atomic theory and some reduc-
tionism. As he writes: “The development followed by
chemistry has brought with it the necessity of abstract-
ing every theoretical point of view from a great deal of
widely scattered detail.”10
Speculations about the cause and essence of phe-
nomena are various, and often conflicting points of view
coexist.
What theories that remain and which ones will be
rejected is a decision that belongs only to the opinion
of today’s active chemists, and only exceptionally and
fragmentary in their writings [as the literature overesti-
mates the amount of disagreement]. The struggle for the
systematic ordering of chemistry’s body of knowledge
seems to be long over.11
In Meyer’s view, the long-lasting dispute on whether
the properties of a compound depend on its nature or on
the arrangement of its components seems to be solved
to the satisfaction of both parties, for probably no one
in the right mind would categorically reject the atomic
theory. The didactic aspect to which we refer in the
text of Meyer is the systematisation in function of the
choice of the most appropriate hypotheses for a rational
exposition of the problems of chemistry. Meyer keeps a
hypothesis only so long as it is useful.
Let us now focus on the didactic purpose that led
Mendeleev to elaborate his classification to better order
the contents of his Principles of Chemistry (1869/1871).
When in 1867 he succeeded Alexander Voskresensky
(1808-1880) as Professor of Inorganic Chemistry at the
University of St. Petersburg, Mendeleev wrote: “I began
to write [the Principles] when I started to lecture on
inorganic chemistry at the university after Voskresen-
sky and when, having looked through all the books, I
did not find anything to recommend to students.”12 This
direct association between Mendeleev’s Table and his
Principles of Chemistry was carefully examined by Boni-
faty M. Kedrov (1903-1985).
In another analysis, Masanori Kaji (1956-2016) also
considered social and scientific factors as motivations for
the table’s formulation. Kaji identified a close relation-
ship between the periodic law and Mendeleev’s concept
of ‘element’. Mendeleev participated in the Congress of
Karlsruhe in 1860, and the ideas of Stanislao Canniz-
zaro (1826-1910) exposed there exercised great influence
on his chemical thought. He accepted the atomic theory
(with certain exceptions, for there were exceptions to the
law of constant proportions), allowing him to establish
a relation between the properties of the elements and
the atomic masses, the origin of the “periodic law”. Fol-
lowing in the footsteps of Cannizzaro, Mendeleev dis-
tinguished between “simple bodies” (material entities)
and “element” (abstract entity). He would later refer to
an element as a “chemical individual”, highlighting the
existence of multiple elements, consistent with his view
of natural diversity (as opposed to there being a unity of
matter).
In his “Faraday Lecture” (1889), Mendeleev claimed
that the periodic law had been arrived at by inductive
reasoning, i.e. “a direct outcome of the stock of gener-
alisations and established facts which had accumulated
by the end of the decade 1860-1870: it is an embodiment
of those data in a more or less systematic expression.”13
Clearly, the more data the better basis for any generali-
sation. And “sound generalisations – together with the
relics of those which have proved to be untenable – pro-
mote scientific productivity, and ensure the luxurious
growth of science under the influence of rays emanat-
ing from the centres of scientific energy [scientific socie-
ties].”14
As for those who at the time hoped the periodic law
would lend support to the notion of a unity of matter
(such as Berthelot), Mendeleev showed little sympathy:
…the periodic law, based as it is on the solid and whole-
some ground of experimental research, has been evolved
independently of any conception as to the nature of the
elements; it does not in the least originate in the idea of
a unique matter; and it has no historical connection with
that relic of the torments of classical thought (…) None of
the advocates of a unique matter has ever tried to explain
the law from the standpoint of ideas taken from a remote
antiquity when it was found convenient to admit the exist-
ence of many gods – and of a unique matter.15
In this lecture, Mendeleev also defended the use of
conceptual structuring as an important complement
to the experimental method, foreshadowing much of
the 20th century preoccupation in placing “agreement
between theory and experiment” at the centre of sci-
entific thought and method. Much of the iconicity of
Mendeleev’s table lies of course in its success in visually
representing an agreement between an inductively iden-
tified regularity of nature and vast empirical chemical
data. If properly used as a teaching tool, as Meyer and
Mendeleev intended, the very same conceptual structur-
ing would help rid the scientific world of obsolete meta-
physical notions, and guide scientists towards scientific
progress.
34 Juergen Heinrich Maar, Alexander Maar
THE RECEPTION OF THE TABLE
About the reception of the Periodic Table by differ-
ent scientific communities, Stephen Brush mentions that
at the end of 19th century there were few and irregular
citations of the Table. It is therefore difficult to say if it
was widely accepted by chemists, or if only a specialised
circle of chemists showed interest in the novelty. Brush
mentions 236 citations of the Table during the period
1871-1890: 20 from 1871 to 1875, 72 from 1875 to 1880,
61 from 1881 to 1885 and 83 from 1885 to 1890. Con-
cerning textbooks, we should not forget that usually
many years elapse from the original inception of a new
idea by the author and its inclusion in a textbook: 244
textbooks were published from 1871 to 1890, but only 76
of them mention the Periodic Table.16
First “modern” Periodic Tables were presented in
Russia and in Germany, and we could suppose that in
these countries such a powerful instrument would be
accepted without any restrictions. History shows many
drawbacks in accepting periodic classification because
of singularities related to the scientific milieu of the two
countries. In Russia, as Kaji and Brooks observe, the
main difficulty was just the fact that the Periodic Table
was presented by a Russian, deeply immersed in Russian
intellectual and scientific atmosphere.17 Despite a dispute
about priorities between Mendeleev and Lothar Meyer
(caused by Wurtz’s criticism of a German translation of
one of his books), Russian chemists of German descent
(Friedrich Beilstein, Victor von Richter, Felix Wreden)
did much towards the recognition of Mendeleev’s sys-
tem. An early presentation of Mendeleev’s first paper at
the St. Petersburg Academy of Sciences by Nikolai Men-
shutkin (1842-1907) was largely ignored. Nikolai Zinin
(1812-1880) suggested that Mendeleev should devote
himself to actual chemical lab work. After months of
silence, Mendeleev’s ideas began to be discussed in sci-
entific meetings by important Russian chemists: Marko-
vnikov, Butlerov and even Zinin. The first Russian text-
book to include a Periodic Table was Victor von Richter’s
(1841-1891) “Textbook of Inorganic Chemistry, based
on most recent theories” (1874). Most later textbooks
included Mendeleev’s classification.
In Germa ny, where precursors li ke R ichter,
Döbereiner, Gmelin, Kremers, Pettenkofer, among oth-
ers, worked on classification before Mendeleev, the
adoption of a Periodic Table was delayed.18 Karl Seubert
(1851-1942), Meyer’s colleague in Tübingen, explains this
delay by a generalised lack of interest by most chemists
in Inorganic Chemistry, especially issues like “periodic
classification”: Meyer’s explanations were too short and
succinct, while Mendeleev’s were deemed too complex
and included non-chemical knowledge. Rudolf Fittig
(1835-1910) in Tübingen and Eugen von Gorup-Besanez
(1817-1878) in Erlangen mention the Periodic Table in
1873: Fittig in an encyclopaedia article, Gorup-Besanez
in the 5th edition of his “Lehrbuch der Arnorganischen
Chemie”. G. Boeck considers Victor von Richter’s Ger-
man translation (1874) as the first German textbook to
present a Periodic Table. Brush takes the third edition
of Carl Rammelsberg’s (1813-1899) Grundriss der Che-
mie (Lüderitz, Berlin, 1873; Brush mentions erroneously
1874) as the first textbook outside Russia to discuss peri-
odicity.19 August Michaelis’ (1847-1916) Ausführliches
Lehrbuch der Chemie (1878) and Karl Arnold’s (1853-
1929) Repetitorium der Chemie (1885) deserve mention.
Most of the nineteenth-century college-level textbooks
don’t include Classification, the famous “Schule der Che-
mie” by Adolph Stoeckhardt (1809-1896), and not even
the last editions from 1881 (19th) and 1919 (22nd).20
The introduction of Mendeleev’s table in different
scientific contexts, in central as well as in peripheral sci-
ence, met some degree of opposition or reluctance. In
many places, there were already prior classifications and
tables, some of them with a long tradition and success-
ful in their task in organising the content of textbooks.
More pragmatic or theoretical scientific schools consid-
ered the efforts of looking for a periodic classification
as useless. It is necessary to say that before Mendeleev’s
classification, other classifications, e. g. Thenard’s “arti-
ficial” classification, or “classifications” not even taken
as such, like that of Berzelius, entered the scientific lit-
erature of several countries: Thenard in the Latin world,
and Berzelius in Germany. And, finally, some local sci-
entific communities produced their own classifications,
like those of Lewis Reeve Gibbes (1810-1894) in the Unit-
ed States (published in 1884) or of the Catalan pharma-
cist Josep Antoni Balcels (1777-1857) in Spain (1838).
In Great Britain, not even classifications suggested
by English chemists, like William Odling (1829-1921), in
1865, or John Alexander Newlands (1837-1898), in 1864,
were taken seriously.21 There was little interest in Men-
deleev or Lothar Meyer. But the discovery of gallium
(1875) by Lecoq de Boisbaudran (1838-1912) changed
the situation. After the awarding of the Royal Society’s
Davy Medal to Mendeleev and Meyer (1882) there was
some revival of “Newland’s octaves” (Newland’s Davy
Medal in 1887), but English scientists had little interest
in “classifications”, although they produced very impor-
tant empirical data to confirm the “periodic law” as a
scientific law (the discovery of noble gases, Moseley’s
work). First texts to include a Periodic Table were those
of William Allen Miller (1817-1870), “Elements of Chem-
istry” (6th edition, 1876) and George Fownes (1815-1849),
35The Periodic Table and its Iconicity: an Essay
revised by his assistant Henry Watts (1815-1884) in 1877.
S. Brush mentions Thomas Edward Thorpe (1845-1925)
as author of the first English language textbook inclu-
ding Mendeleev’s Table (1877).22
Also in France Mendeleev’s table remained almost
unnoticed, a “non-event” in the history of French chem-
istry in the opinion of B. Bensaude-Vincent.23 But in the
period of precursors of a classification we must remem-
ber contributions of Thenard (1813) and Ampère (1816),
Dumas’ numeric table (1851), as well as the exotic “tellu-
ric screw” of Chancourtois (1862) – the “screw” connects
chemistry and geology, another example of the univer-
sality of the periodic table. The strong influence of Posi-
tivism and refusal to accept atomism by influential sci-
entists like Marcellin Berthelot (1827-1907) explain why
most French chemists looked for alternative classificato-
ry systems, ignoring Mendeleev (the “equivalentists”).24
Berthelot agrees that Mendeleev’s Table may have some
practical utility, but for him, it is not a “law” or a theo-
retical argument, as this would undermine the empiri-
cal, logic and positive bases of science,25 and could also
lead to a return to mysticism. In 1885, in his Les Origi-
nes de l’Alchimie, Berthelot discusses the periodic sys-
tem as an “artificial construction based on vague theo-
retical arguments”.26 Among the exceptions are notables
like Charles Adolphe Wurtz (1817-1884), who dedicates
an entire chapter of his “Atomic Theory” to Mendeleev,
Edouard Grimaux (1835-1900) and Paul Sabatier (1854-
1941). After 1890, Mendeleev’s system began to gain
some sympathy: Paul Schutzenberger (1829-1897) pub-
lished the first French textbook containing the peri-
odic classification (Traité de Chimie Générale, 1880).
Georges Urbain (1872-1938) was perhaps the first to try
to explain the opposition of equivalentists and atomists
(1934).27 Mendeleev himself was not truly an atomist, he
used “equivalent weight” instead of “atomic weight”.28 In
France, there was not only the opposition between posi-
tivists-rationalists but also the opposition between “nat-
ural” classifications (Ampère, Dumas) and “artificial”
classifications (Thenard). Differently from what hap-
pened in Great Britain and in the United States, the dis-
covery of gallium did not contribute to the acceptance of
Mendeleev’s ideas: Lecoq insisted that his discovery was
due only to his skills as a spectroscopist and had noth-
ing to do with Mendeleev’s table ‘blanks’.29
A recently unified Italy presented a fertile soil for
the introduction of new scientific ideas. In the case of
the Periodic Table this is exemplified by the almost
immediate acceptance of Mendeleev’s system by impor-
tant Italian chemists, such as Augusto Piccini (1854-
1905), who translated Richter’s textbook into Italian
(1885), and Giacomo Ciamician (1857-1922). It was
accepted that former classifications were based on less
reliable properties.30
In Spain, Thenard’s text (Traité de Chimie Élémen-
taire, 1813) and classification were largely used. The-
nard’s classification was also present in other French
textbooks translated into Spanish, like that of Mateo
Orfila (1787-1853). There is no reference to Mendeleev in
the extensive text published in 1875 by Rafael Sáez Pala-
cios (1808-1883), but there is such reference in a book
(1880) by Santiago Bonilla Mirat (1844-1899).31 Eugenio
Mascareñas (1853-1934) published in 1884 in Barce-
lona “Introdución al estudio de la Química”, discussing
Mendeleev’s work and presenting his own table.32 Theo-
retical and speculative studies on periodicity were done
by Ángel del Campo y Cerdán (1881-1944), suggesting
interactions of protons with protons and with neutrons
as the origin of periodicity (1927): “The properties of the
elements seem to be simultaneously a periodic function
of the masses of their atoms and the electric charge of
their nuclei, that is, of the atomic masses and the atomic
numbers.”33 As a consequence of Bohr’s studies, Miguel
Catalán Sanudo (1894-1957) presented a table relating
periodicity to spectra (1923).34
Modern Portuguese science has its beginnings with
the renovation of the University of Coimbra by the Mar-
quis de Pombal (1699-1782) in 1772. A new reform fol-
lowed in 1841, and since 1870 a strong influence of posi-
tivistic thought in scientific practice can be observed.
Antônio Luís Ferreira Girão (1823-1876) did not men-
tion Mendeleev in his Teoria dos Átomos e os Limites
da Ciência (published 1879), but his student Agostinho
de Sousa published (1880) in French La Loi Périodique,
the first reference to Mendeleev in Portugal. This was
later repeated in the 2nd edition (1895) of a textbook by
Antônio Joaquim Ferreira da Silva (1853-1923).35
In Northern Europe, the reception of Mendeleev’s
Table occurred in different contexts. In Sweden, Berze-
lius’ Treatise on Chemistry (1818) presented a classifica-
tion of the elements based on their electronegative or
electropositive character. In Denmark Julius Thomsen
(1826-1909) worked out his own table (1887, 1895), in
which he tried to turn more visible the relation between
periodicity and atomic structure – a subject studied lat-
er by another Danish scientist, Niels Bohr (1885-1962).
Lundgren suggests that in Sweden the reception of Men-
deleev’s system was by no means dramatic: no opposi-
tion, but also no enthusiasm.36
Swedish chemistry shows no difference before and
after Mendeleev, it was a pragmatic and practical chem-
istry, with a reduced theoretical component (a theoreti-
cal revival took place with Svante Arrhenius after 1884).
According to Lundgren, Sweden’s only contribution to
36 Juergen Heinrich Maar, Alexander Maar
periodicity and the classification of the elements, Lars
F. Nilson’s (1840-1899) discovery of scandium (1879),
was seen as an analytical problem. In Denmark, the
situation was similar – a pragmatic, practical chemistry,
some theory (Thomsen).37 In Kragh’s opinion, Thomsen
presented in 1865 one of the “many incomplete anticipa-
tions of the periodic system”, but in 1880 most Danish
chemists already knew Mendeleev’s and Meyer’s sys-
tems. Odin Christensen (1851-1914) wrote the first Dan-
ish paper (1880) and textbook about the Periodic Sys-
tem (Elements of Inorganic Chemistry, 1890). The case
of Norway is in some sense sui generis – linked to Swe-
den since 1814 but de facto independent since 1905, the
country used its own chemical terminology and had a
small but important scientific community (Peter Waage,
Kristian Birkeland). Mendeleev’s system had little effect
on chemical practice and was introduced relatively late,
with a textbook (1888) by Thorstein Hallanger Hiortdahl
(1839-1925).38
A situation which deserves a wider and detailed
study, even outside chemistry, is the reception of Men-
deleev’s periodic system in scientific communities
which used their own language and had their own sci-
entific evolution but were not independent nations at
Mendeleev’s times. This is the case of Czech and Croa-
tian chemical communities, politically and economi-
cally linked to Austria-Hungary until 1918. Somewhat
different is the Polish chemical community, spread
throughout Russia, Austria and Germany, they did not
constitute a united group of chemists. Using their own
languages, terminologies and nomenclatures, not only
in science but also in literature, philosophy and the
humanities, Czech and Croatian scientists saw in Rus-
sia a leader, and positive reception of Mendeleev’s system
was an a priori decision.39
Use of one’s own language in intellectual activities
created and fortified emerging nationalisms in the 19th
century. In the present Czech Republic,40 until 1918 Aus-
tria’s Kingdom of Bohemia, nationalism forced the crea-
tion in 1869 of a Polytechnic School (independent from
the German Polytechnic) and the separation of the old
Prague University (1348) into a German and a Czech
University (1882). A textbook authored by Vojtech Safa-
rik (1829-1902) was the first to mention the Periodic
Table in the Czech language, but in Strbanova’s opinion,
the most important defender of Mendeleev’s system in
Czech lands was his personal friend Bohuslav Braun-
er (1855-1935). In the face of growing russophylia and
anti-German sentiment, Brauner defended Mendeleev’s
ideas and vindicated the replacement of German scien-
tific influence in Czech lands by Slavic influence. This
case illustrates how nationalism and xenophobia may
constitute a threat to the autonomy of science. There
was some resistance to the acceptance of Mendeleev’s
work by Safarik (a Slovak), and by Jaroslav Formanek
(1864-1936). Both wanted a ‘natural’ classification of Ele-
ments. Ambiguous behaviour of Czech intellectuals may
be seen in Cermak ’s germanisation of his name, Gus-
tav von Tschermak (1836-1927). Tschermak presents his
own periodic table (1859), the first to draw attention to
‘blanks’.41
In Croatia, until 1918 part of the Austro-Hungarian
Empire, the reception of the Periodic Table was more
straightforward.42 Since 1861 school textbooks were pub-
lished in Croatian, and since 1873 there was a University
in Zagreb (then called Agram), but only in 1901, an aca-
demic textbook by Julije Domac (1853-1928) presented
Mendeleev’s system. A former text by Pavao Zulic (1831-
1922), even in his second edition from 1877, omitted the
periodic classification. The acceptance of Mendeleev’s
system in Croatia is largely due to the Czech chemist
Gustav Janecek (1848-1929), whose text on the subject
(1914) goes back to Döbereiner and other precursors.
Not only Czechs and Croats, but also other nation-
alities lived in polyethnic Austria-Hungary, maintaining
their language, traditions and many centuries of their
own cultural activities, like Hungarians. Since the Aus-
gleich from 1867, between the Emperor and the Hungar-
ian government, Hungarian became the official language
in schools, and Karoly Than (1834-1908) was designated
chemistry professor at Budapest University. Than was
the author of the most popular chemistry textbook in
Hungary, Elements of Experimental Chemistry (1898), in
which he presented Mendeleev’s classification and sys-
tematisation.43
At the same time, in Serbia, a Slavic country de facto
independent since 1867, with a University in Belgrade
(1905), there was modest chemical activity. Frequently
repeated information about a first non-Russian textbook
on a Periodic System written by Serbian chemist Sima
Lozanic (1846-1935) in 1874 (Chemistry as Viewed by
Modern Theories) is incorrect. Lozanic included Men-
deleev’s System only in the second edition of his book
(1897).44
Like Serbia, Bulgaria, another Slavic nation de fac-
to independent since 1876 (Treaty of San Stefano) had
modest scientific activity. A recent essay by Borislav
Toshev suggests that all Bulgarian publications on Men-
deleev are hagiographic, with the only exception being
professor Dimitar Balarev’s (1885-1964) Significance of
the Periodic System, 1950).45 Balarev himself designed a
three-dimensional form of the Periodic Table.46
It is difficult to state precisely which Latin-American
country first received the periodic system. Latin Ameri-
37The Periodic Table and its Iconicity: an Essay
can historiography rarely refers to science, and when it
does, it pays close attention to institutional history, or bio-
graphical data. Equally difficult to obtain information on
Latin American contributions to the periodic system. It
is however easy to ascertain that from the 1940s interest
in the periodic table of the elements has spiked. It’s great
potential as a teaching tool was the main driving factor, as
can be seen in Ceccon and Berner’s monograph.47
The first record of the periodic system in Latin Amer-
ica is probably due to Álvaro Joaquim de Oliveira (1840-
1922), professor at the Rio de Janeiro Polytechnic School.
In his textbook Apontamentos de Química (1883) he criti-
cally examines the table under the influence of positivist
dogmas.48 Oliveira was one of the founders of the Brazil-
ian Positivist Society (1876), but his views and interpreta-
tion of Mendeleev’s work met strong opposition from his
peers,49 prompting another leading Brazilian positivist,
Raimundo Teixeira Mendes (1855-1927), to publish an
alternative textbook, La Philosophie Chimique (1898).50
There were different versions of the periodic table
in use by Brazilian teachers. We mention, because of its
originality, a contribution presented in 1949 by Alcindo
Flores Cabral (1907-1983), professor of chemistry at the
School of Agriculture in Pelotas. Cabral’s spiral classifi-
cation, elegant in its symmetry and use of colours, made
use of what he called the ‘differentiating electron’.51
Another formulation of the table (1950) worth mention-
ing was made by professor Werner Gustav Krauledat
(1908-1990), from Rio de Janeiro State University.
In Spanish speaking Latin America, a very success-
ful table was designed in 1952 (and revised in 1962) by
Gil Chaverri Rodrigues (1921-2005), a physicist and
chemist from Costa Rica. His table follows a logical
sequence derived from the sequence of atomic numbers
and has done well in presenting lanthanides and acti-
nides without disrupting the sequence of elements.52
Like Cabral, Chaverri lectured at an agricultural school,
which showed a widespread interest in periodic classifi-
cations.
Another successful table was that of Peruvian chem-
ist Oswaldo Baca Mendoza (1908-1962), from Cuzco
University, Generic Laws of the Chemical Elements. A
New Periodic System (1953), inspired by the theories
of his Spanish teacher A. del Campo y Cerdán.53 Julio
António Gutierrez (b. 1955) continued Mendoza’s work
(Sistema Periódico Armônico and Leyes Genéticas de los
Elementos, 2004) on the ‘quantification’ of Mendeleev’s
table. Spaniard António García-Banús (1888-1955), crea-
tor of the great mural table in Barcelona, immigrated
in 1938 to Colombia (1938) and lectured at the Bogotá
National University, where he got involved with the peri-
odic system.
In Uruguay, a chemical institute was created at the
Faculty of Medicine in Montevideo (1908), where stud-
ies on periodicity largely focused on using the table as
a teaching tool. During the decades of 1930 and 1940,
there were some original ideas about the best position
for the actinides in the table, and during the seventies,
there were discussions about a new spiral design of the
periodic system, but without a successful outcome.54
Western science found its way to Japan through
Dutch textbooks used in “Dutch Studies”: before the
Meiji period, the Netherlands were the only western
nation to have consistent contact with Japan. The first
Japanese chemistry textbook, Seimi Kaiso, was written
by Utagawa Yoan (1798-1846) around 1830 and included
parts from Lavoisier’s treatise.55 Robert William Atkin-
son (1850-1929), an English chemist, the first western
chemistry teacher in Japan, was interested in periodic
classification but preferred Lothar Meyer’s table. Naoki-
shi Matsui (1857-1911), a professor in Tokyo, was the first
to mention Mendeleev in a paper (1882), and Toyokichi
Takamatsu (1852-1931) was probably the first to mention
it in a textbook. Research on the subject was also done
by Kikunae Ikeda (1864-1936) and Masataka Ogawa
(1865-1930), the former from a theoretical point of view,
and the latter in an empirical context.56
Of notable interest was the difficult introduction of
the periodic table in Turkey. Two problems contributed
to making this task complicated: an absolute lack of
modern chemistry texts and the use of Arabic symbols
for letters and numbers – Arabic texts are written from
right to left, which turns writing formulas, equations
and reactions even more difficult. Despite these diffi-
culties, Vasil Naum (1856-1915) included Mendeleev’s
system in his book Medical Chemistry, with names of
elements and numbers in Arabic characters (the official
language of the Ottoman Empire). In 1914, the Turkish
government decided to modernise its higher education
system, and from 1915 to 1918 a group of German chem-
ists lectured in Constantinople, headed by Fritz Arndt
(1885-1969) – Gustav Fester (1886-1975) and Kurt Hoe-
sch (1882-1932) were the other members of the mission.
After facilities and equipment, Arndt’s priority was the
production of textbooks in Turkish language (Arndt was
fluent in Turkish), and in his First Medical Experiments
(1917) we find the second Turkish periodic table, with
Latin characters used for the elements and their sym-
bols, but with the text itself remaining in Arabic, read
from right to left.57
In the United States, we distinguish between the
reception of Mendeleev’s system and the reception of
several other classifications, some of them proposed by
American chemists, a situation similar to that observed
38 Juergen Heinrich Maar, Alexander Maar
in Great-Britain and France. In 1854, Harvard profes-
sor Josiah Parsons Cooke (1827-1894) presented before
the American Academy of Arts and Sciences in Boston
a lecture Numeric Relations between Atomic Weights
and some Ideas about Classification of Elements, con-
sidered by Edgar Fahs Smith (1854-1928) as the first
serious attempt in studying this subject (1914).58 Gus-
tavus Hinrichs (1836-1923) published his textbook in
1874, but instead of Mendeleev’s system he included
his own spiral classification (worked out in 1867), not
even mentioning Mendeleev’s formulation.59 Lewis
Reeves Gibbes (1820-1896) published in 1886 a Synopti-
cal Table of Chemical Elements, using an ‘inverted’ pro-
cedure with respect to Mendeleev’s, arranging a great
number of chemical proprieties and deriving from
them a periodicity of atomic weights.60 Stephen Brush
could not find a single American textbook discussing
Mendeleev’s ideas until Lecoq’s discovery of gallium
in 1875. In 1877, Ira Remsen (1846-1927), from Johns
Hopkins University, published his Principles of Theo-
retical Chemistry, the first text in the United States to
mention Mendeleev.61
THE TABLE AS A RESEARCH TOOL
Mendeleev`s Periodic Table contains ‘ blanks’
(though he was not the first to postulate their existence);
all periodic tables presented after Mendeleev’s also con-
tained ‘blanks’. The desire to replace such blanks with
new discoveries strongly motivated chemical research.
The increasing number of elements discovered
since 1800 (thanks to improved analytical techniques),
the degree of uncertainty associated with many physi-
cal properties (such as atomic weights), the dispute on
what properties to use as criteria of periodisation, and
the inability to forecast how many elements remained
to be discovered, all illustrate how the study of the
‘blanks’ became a powerful centraliser of experiments
and discoveries. In one way or another, research activity
revolved around the question: How many elements are
there, and how can we best order them?
Let us detail two recent events in the history of
chemistry related to ‘blanks’ in the periodic table: the
troubled hunt for mysterious Element 43 (technetium,
masurium), and the controversial discovery (1923) of
hafnium, Element 72. It was precisely the discovery
of three of the elements foreseen by Mendeleev (three
‘blanks’) which promoted the acceptance of Mendeleev’s
system: (eka-aluminium or gallium by Lecoq de Boisba-
udran in 1875, ekaboron or scandium by Nilson in 1879,
and ekasilicon or germanium by Winkler in 1886).
The epistemological status of these discoveries is still
a matter of contention among philosophers of chemistry.
Mendeleev considered the existence of nine unknown
elements (including gallium, scandium and germanium),
as well as the need to correct the atomic weights of five
elements (including beryllium, tellurium and uranium).
And as put by Mendeleev himself, “the confirmation of
a law is possible only by deducing consequences from it,
and by justifying those consequences by experimental
proof.”62 But as highlighted by Scerri, the number of ver-
ified predictions equals the number of predictions which
turned out to be false, so not a good score for the con-
firmation of the law of periodicity.63 However, despite
fewer than optimal numbers, Mendeleev’s table had a
predictive ability which was lacking in alternative for-
mulations, such as the tables by Odling, Newlands, and
Lothar Meyer, hence Mendeleev’s eventual widespread
acceptance.
How can the periodic table guide research? A simple
example: by the position of the ‘gaps’ predicted by Men-
deleev in the Table, one can predict in which minerals
these new elements should be sought. In the 10th series,
Group VII, from his second table (1872), Mendeleev
predicted the existence of two elements still unknown
below manganese, that would have atomic masses 100
and 190, respectively. He named them ekamanganese
and dwi-manganese; eka- and dwi- are Sanskrit prefix-
es, meaning ‘first’ and ‘second’. Mendeleev was a friend
of German Indologist and Sanskrit scholar Otto von
Böhtlingk (1815-1904), his colleague in St. Petersburg,
which may explain his use of Sanskrit (Mendeleev did
not know the language). Speculations on a possible anal-
ogy between the periodicity of the elements and the pho-
nemes of Sanskrit are fantasies.
Elements with atomic masses 100 and 190 were
really discovered: technetium (atomic Number 43) and
rhenium (atomic number 75). For over two centuries
chemical literature accumulated innumerable cases of
spurious, never confirmed discoveries, i.e. ‘discoveries’
of already known elements or of mixtures of elements.64
Unguided research rarely led to new discoveries. But the
discoveries mentioned above were achieved by using the
positions of the missing elements in Mendeleev’s table
as a guide. The most striking example of such a ‘guided’
discovery is the discovery of hafnium (1923) by Gyorgy
de Hévesy (1885-1966) and Dirk Coster (1889-1950).
Hafnium was Mendeleev’s ekazirconium and was effec-
tively obtained from zirconium silicate (ZrSO4) extract-
ed from the mineral alvite. Mendeleev’s prediction was
in this case strengthened by Bohr’s theoretical argu-
ments, and by the discovery of the new metal by miner-
alogist Victor Goldschmidt (1888-1947) in 1925.
39The Periodic Table and its Iconicity: an Essay
The association between prediction and discovery is
not obvious in the case of elements 43 and 75. Although
Walther Noddack (1893-1960), Ida Tacke (1896-1978) and
Otto Berg (1873-1939) published an article “Die Manga-
nelemente” (1925), rhenium was actually discovered in
the minerals molybdenite (MoS2, today the most impor-
tant source of rhenium), columbite [(Fe,Mn)(Nb,Ta)O6]
and gadolinite, and in platinum minerals.65 Masurium,
the supposed element 43, was never obtained from nat-
ural sources (there is a recent controversy on this issue),
but allegedly identified spectroscopically in molybdenite.
Properties of technetium and rhenium are more simi-
lar to molybdenum (element 42) than to manganese, but
there are diagonal relations in the periodic table.
Chemists, historians and philosophers of science
questioned the predictive capacity of the periodic table.
Lothar Meyer doubted the possibility of making pre-
dictions based on classification. After the formulation
(1913) by Henry Moseley (1887-1915) of what would be
known as ‘Moseley’s Law’, some have questioned wheth-
er these predictions had heuristic status since Mend-
eleev’s times, or if it was Moseley’s Law that was respon-
sible for any heuristic value ascribed to the periodic
system. Moseley predicted the existence of only 14 rare
earths, one of them still unknown (element 61), and of
six elements to be discovered – six ‘blanks’, in the peri-
odic system (elements with atomic numbers 43, 61, 72,
75, 85 and 87). The ‘criticism’, while reasonable, seems
exaggerated. One can justifiably say that Moseley’s law
and the discoveries that followed from it added to the
stock of empirical data that ultimately offers support to
the prior discovery of elemental periodicity.
The periodic table has also seen many uses in non-
strictly chemical research. It is employed in fields such
as mineralogy, geology and geochemistry.66 The table
itself benefited from the search for new minerals and still
unknown elements in these minerals. Before ionic rays
were known, isomorphism and so-called isomorphic sub-
stitutions were important for the ‘periodisation’ in min-
eralogy. This can be seen in the table by Vladimir Ver-
nadsky (1863-1945), of the University of Moscow, consid-
ered one of the ‘fathers’ of geochemistry. The introduc-
tion of magnitudes such as atomic mass, atomic number
and ionic radius allowed Norwegian mineralogist Victor
Goldschmidt (1888-1947) to establish the substitutions in
mineral series, such as the feldspars (Goldschmidt’s rule).
PERIODICITY AND SOME PHILOSOPHICAL
CONSIDERATIONS
In 1869, Mendeleev’s Periodic Table, the model of all
tables to come, appeared. Mendeleev’s representation is
not only the prototype, so often modified, of the record
of all subsequent tables, but its own theoretical basis (the
periodic law) – is the basis for all later tables. Mend-
eleev’s classification should not be regarded, however, as
the crowning of precursor classifications – the Russian
chemist’s table is grounded, malgré lui, on philosophi-
cal assumptions. Mendeleev initially did not consider
philosophy important for the formation of chemists, but
during his professional life, especially after the Congress
of Karlsruhe (1860), he became himself a philosopher of
chemistry.
His intellectual positions are original and difficult
to fit into some philosophical school. But it is general-
ly accepted that later in life, as an old man, Mendeleev
would accept something like Kantian epistemology:
the belief that humankind, even when well-equipped
with the tools of science, was unable to comprehend the
“thing-in-itself ”, i.e. substances as mind-independent
entities. In fact, he would say that substances can only
ever be studied by “their properties or by their relations
to our organs of sense and to other substances and bod-
ies” although he clearly accepted substances’ independ-
ent existence “for there is something in its nature which
is self-existent.”67
Such a view was also dear to Goethe, namely, that
experience is, to an important extent subjective – every
scientist experiences phenomena in a way that is only
his/her, not being able to see through the eyes of some-
one else. It is according to this Kantian framework that
Mendeleev considers himself to be a realist (although it
must be said that there is a less prominent interpretation
of Kantian ontology which places the German philoso-
pher closer to idealism). According to Vucinich:
To Mendeleev being a realist meant denying the onto-
logical unity of the universe and rejecting revolution as a
source of natural and social change. It also meant recognis-
ing not only the powers of science but also its limitations.
But above all, it meant adopting a philosophical outlook
untrammelled by metaphysics.68
So, despite being a self-declared realist of some sort,
positivists, nihilists and Marxists alike all attempted,
in vain, to exhibit Mendeleev’s ideas were in agreement
with their intellectual frameworks (and political agen-
das) and count him as one of their own.
Several of the periodical classifications presented
during the nineteenth-century show relations with phi-
losophy, relations only sometimes explicit. But it was
Mendeleev’s periodic system that most aroused the
attention of philosophers of science, not forgetting the
‘philosophy of science’ implicit in the work of Mend-
eleev himself – which for some is empirical, for others
40 Juergen Heinrich Maar, Alexander Maar
theoretical, or even empirical/theoretical). Also, his table
is sometimes considered just a classification based on
experimental data, and sometimes a representation of a
law or theory.
It is necessary to separate the theoretical bases of
chemical periodicity together with experimental data
from the experimental data of the philosophical aspects
involved in the periodic law and the resulting table. A
supposed dialectical materialism that would perme-
ate Mendeleev’s science is a fiction by Friedrich Engels
(1820-1895), for whom the periodic classification was a
victory of dialectical materialism, an unconscious appli-
cation of Hegel’s law of transformation (though Marx
explicitly states that his dialectic differs and opposes
that of Hegel) concerning the transformation of quantity
into quality. Engels’s analysis of 1890 was made in the
absence of Mendeleev himself, who never accepted this
interpretation by Engels and Marx, or even Heraclitus’s
principle of transformation as a universal principle.
For Mendeleev, and in accordance with leading ideas
from his time, “the elements are constituents of nature,
essentially unique, permanently fixed and genetically dis-
crete, irreducible to a primary matter.”69 Richard Feyn-
man (1918-1988) would later say about something seem-
ing permanently fixed: “To our eyes, our crude eyes,
nothing is changing, but if we could see it a billion times
magnified, we could see that from its own point of view
it is always changing: molecules are leaving the surface,
molecules are coming back.”70
Mendeleev, after the discussions at the Karlsruhe
Congress, approaches the issue later raised by Feynman
with surprising insight, solving the problem inherent in
atoms and molecules in three stages; at the macroscop-
ic level, at the microscopic level, and in the relationship
between the macroscopic and the microscopic. On the
macroscopic level, it is necessary to distinguish in cur-
rent chemical language between ‘body’ and ‘substance’;
at the microscopic level, to distinguish between ‘atom’
and ‘molecule’; and finally, to establish a relationship
between the two levels.” He expands on this:
It is evident that water does not contain gaseous oxygen or
oxygen in the form of ozone; it contains a substance capa-
ble of forming oxygen, ozone and water… It is necessary
to distinguish the concept of a simple body from that of an
element. A simple body substance, as we already know, is
a substance, which taken individually, cannot be altered
chemically by any means produced up until now or be
formed through the transformation of any other kinds of
bodies. An element, on other hand, is an abstract concept;
it is the material that is contained in a simple body and
that can, without any change in weight, be converted into
all the bodies that can be obtained from this simple body.
A similar definition of an element and the same argument
for the need to distinguish clearly between an element and
simple body were later presented in the first part of Princi-
ples.”71
An immediate perception by the senses refers to
macroscopic phenomena, it is a perception of the trans-
formations that occur in ‘bodies’. But ‘bodies’, necessary
to understand the transformations that occur, refer to
the idea of ‘substance’ (= element). As Gaston Bachelard
(1884-1962) would later say, the experiment never puts
us in contact with the ‘substance’, but without the notion
of ‘substance’ it is impossible to understand experiments
(which refer to ‘bodies’). It proceeds at the microscopic
level, differentiating atom from molecule:
We call a ‘molecule’ the quantity of ‘substance’ that reacts
with other molecules, and which occupies in the vapor state
volume equal to two weights of hydrogen [...] ‘atoms’ are
the smallest quantities of chemical masses indivisible from
the elements, which form the molecules of simple and com-
pound bodies.72
For more than 60 years our high school teachers,
capturing the essence of Mendeleev’s argument, taught
students that ‘atom’ is the smallest part of an element
that conserves its properties, and ‘molecule’ is the small-
est amount of a substance that retains its properties.
In a similar fashion, ‘element’ is the set of all atoms of
the same atomic number (atomic weight, in the time of
Mendeleev): the simple substances coal, graphite and
diamond are formed by atoms of the element carbon.
Mendeleev’s simple but ingenious innovation related
macroscopic and microscopic levels:
A simple body is something material endowed with physi-
cal properties and capable of chemical reactions. The term
‘simple body’ corresponds to the idea of ‘molecule’ ... The
name ‘element’ should be reserved for the particles which
form the simple and compound bodies, and which deter-
mine how they behave from the point of physical and
chemical view.73
Fritz Paneth (1887-1958), one of the few chemists
to philosophise, rationalised these concepts along with
ontological and epistemological considerations. The
word ‘element’ refers to the idea of ‘atom’. The element,
the Grundstoff, belongs to the transcendental world and
is not observable. The simple substance, einfacher Stoff,
is observable because it belongs to the world of ‘primi-
tive’ or ‘naive’ realism. The Grundstoffe are, therefore,
the entities that fill the ‘squares’ of the periodic table.
Still on this subject, American chemist Benjamin Har-
row (1888-1970) offered much earlier (1930) a very sim-
ple, perhaps too simple, anthropomorphic explanation:
41The Periodic Table and its Iconicity: an Essay
This periodic Law is really more complicated than our
exposition would lead the reader to believe; but for our
purpose [diffusion of scientific knowledge] all complications
can here be discarded. For us the important lesson that
the periodic law teaches is that since there are family rela-
tionships among, since there are brothers and sisters, there
must be fathers and mothers, from which we conclude that
there must be a ‘something’ in the universe simpler and still
more fundamental than the elements – a ‘something’ out of
which the elements themselves are built.
This ‘something’, recent studies have shown, is the
proton and the electron, the positive and the negative
particles of electricity. All atoms are made up of protons
and electrons. The atoms of any element, such as gold,
are practically alike, but an atom of gold is different
from an atom of chlorine. On the other hand, the pro-
tons and electrons, so far as we can tell, are the same,
whether they are found in an atom of gold, in an atom
of chlorine, or in any atom of the 92 elements.74
Harrow certainly knew Moseley’s law: there is
no direct evidence of this, but reference to anthropo-
morphic “ brothers” and “mothers” must have been
inspired by the radioactive decay series. Mendeleev him-
self explained Harrow’s ‘something’ in 1869 when he
referred to carbon, diamond and coal. In the following
quote, we can identify Paneth’s classification of Grundst-
off and einfacher Stoff:
It does not matter how the properties may change, some-
thing remains unchanged, and when these elements form
compounds, this something acquires a material value and
establishes the properties of the element containing com-
pounds. With respect to this, we know only one property
characteristic of each element, the atomic weight. The mag-
nitude of the atomic weight, according to the very essence
of matter, is a number unrelated to the degree of division
of simple bodies but related to the material part common
to the simple body and its compounds. The atomic weight
does not refer to coal or diamond, but to carbon.75
Finally, it may prove useful to verify if the concept
of the element has remained unchanged over the years,
or whether it has undergone some sort of ‘reconceptual-
ization’. Going to back to Lavoisier, we can see that the
French chemist introduced a pragmatic concept of ele-
ment: a substance which cannot be further subdivided
by any chemical means. This pragmatic, empirical and
operational approach to the definition of ‘element’ can be
traced back to Condillac and even to Locke, and it can
be singled out as one of the probable causes of Lavoisier’s
inability in elaborating a philosophy of chemistry.
The alternative to the pragmatic approach can be
found in classic metaphysics: the element is a ‘substance’
(from the Greek ousia = being). Substantia (Latin) is that
which ‘grounds’ things like attributes or properties. Sub-
stances, in generic philosophical terms, can therefore, be
said to be the fundamental entities of reality. Accord-
ing to this definition, if atoms are the basic things from
which all else is constructed, then atoms are (or are like)
substances. There is an obvious realist interpretation of
reality here, substances – the basic building blocks of
reality – are real, and so are all instantiated properties.76
Philosophical schools such as logical positivism or
pragmatism (i.e. those which consider metaphysics a
simple matter of convention) would deny the reality of
substances. For the antirealist there can be no fact of the
matter about the foundation of reality, so substances,
atoms, elements, or any candidate to what can be onto-
logically basic, lose their objective status. It must also
be said that one can coherently think of a substance in
different terms. It can be said to be a kind of entity, like
an object. And an object can perhaps be thought of as a
bundle of properties, in which case ‘object’ is not basic,
or simple. The same reasoning could be applied to an
atom or even element.
Mendeleev’s views, according to Martin Labarca and
Alfio Zamboni, seem to somehow combine pragmatism
with a metaphysical approach to substance, what they
call a dual sense.77 Elements are foundational, abstract
and real, but deprived of properties. ‘Operational’ ele-
ments are ‘simple’ substances (like atoms) which possess
properties. One could think of such a hybrid approach
used by Mendeleev – in contrast to other classifications
– as vulnerable to challenges originating from Soddy’s
definition of isotope. But Paneth, in the 1930s, sus-
tained that isotopy does not modify chemical proper-
ties (hydrogen being the exception), so no revision of the
chemical periodic table would be necessary. Each new
isotope would be a new ‘simple substance’, and not a
new abstract element. Paneth’s arguments convinced the
IUPAC to substitute the atomic mass as characteristic of
each element by the atomic number (1923), a property of
the abstract (real) element.
But with the discovery of the neutron (Chadwick,
1932) some adaptations were indeed necessary: for each
element, there is an upper and lower limit of the num-
ber of neutrons, and of atomic mass, to ensure the
atom’s stability. An up-to-date representation of periodi-
city would be based not just on the atomic number, but
also on the number of neutrons. Labarca and Zamboni
propose to reconceptualise the element as: “a certain
class of entity constituted by a ‘fundamental substance’
[metaphysical concept] which exhibits two representa-
tive properties, the atomic number and the limits for
the atomic mass, with contingent proprieties varying
42 Juergen Heinrich Maar, Alexander Maar
case-by-case.”78 The primary criterion for the classifica-
tion of the elements, they propose, would be the num-
ber of neutrons, whereas the second criterion would be
the electronic distribution – and not the atomic number.
Nevertheless, even under such a reconceptualisation, the
periodic system maintains most of Mendeleev’s concep-
tion.
THE PERIODIC TABLE AND AESTHETICS
Georges Urbain (1872–1938), a chemist interested
in so many arts and involved in filling the “blanks” or
“voids” left by Mendeleev in his table, said in one of his
non-chemical works: “from an intellectual point of view,
the sage and the creative artist are twin brothers.”79
It is also often the case that scientists regard the
products of their work (theories, models, proofs) as hold-
ing aesthetic value. But the precise nature of the rela-
tionship between science and aesthetics is difficult to
grasp, and often involves confusion of categories. As an
example, one could refer to a rather cryptic quote from
the engineer who turned physicist and philosopher,
Abraham Moles (1920-1992):
In the act of creation, the scientist does not differ from the
artist: in principle, there is no difference between artistic
creation and scientific creation, they work with different
materials of the Universe [ … ] creation is an act of spir-
ituality, which, using all ‘ dimensions’ of spirituality, all its
planes of freedom and phenomenological apprehension,
cannot be limited to a logical Universe, to a ludic Universe
of gratuity, but must include all aspects of spiritual free-
dom, [ … ] there is only one unique intellectual creation.80
It is one thing to say there can be beauty in the
products of scientific investigation, or in the tools used
to represent scientific knowledge (such as the periodic
table), quite another to say there is beauty in the ‘act’ of
creation. Intermingling aesthetics with spirituality does
not do Moles any favours either. Furthermore, in sci-
ence, there is often talk of discovery, instead of creation,
so where and when scientific creation occurs must be
specified.
Several aspects of science may hold aesthetic value.
It is possible that aesthetic considerations play a role in
theory choice – for example, in a situation of empirical
underdetermination of theories: when having to choose
between empirically equivalent rivals, one could appeal
to aesthetic properties of one theory to favour it over
the other. Or, it could be said that valuing simplicity as
a heuristic guide is yet another instance of science inter-
mingling with aesthetics.
More importantly, as singled out by Ivanova, “beau-
ty is also often taken to stand in a special epistemic link
to truth. Many scientists argue that a beautiful theory
is more likely to be true.”81 To assign an epistemic role
to aesthetics is difficult. Can we ever justify confidence
in the truth of a theory as arising from its beauty? Any
aesthetic judgement is secondary to empirical adequa-
cy, which remains to this day the main criterion theory
acceptance.
Furthermore, it seems unlikely that beauty can ever
be a predictor of scientific success. One could easily
challenge the association between aesthetics and scien-
tific progress (or truth, or empirical adequacy) and claim
it to be arbitrary and misleading. One could do so by
pointing out cases of ‘beautiful’ theories that turned out
to be false (such as Newtonian mechanics), while high-
lighting the success of theories which lack any aesthetic
appeal. As Ulianov Montano points out, aesthetic values
such as simplicity and unity are not [usually] instanti-
ated by highly successful theories.82
However, if one considers not truth but understand-
ing to be the aim of science, then it may be easier to
assign an epistemic role to aesthetics. For Henri Poin-
caré (1854-1912) aesthetic values, Ivanova reminds us,
reduced in the case of science to simplicity and unity,
work as “regulative ideals to be followed because they
are linked to the ultimate aim of science, namely, gain-
ing an understanding of the relations that hold among
the phenomena.” Therefore, aesthetic value gains an
epistemic role because it shows how, given a certain
theory, “apparently disconnected phenomena are unified
under a simple framework.”83
We may now return to the case of the periodic table.
While its acceptance is clearly owed to its success in pre-
dicting the discovery of a few elements, our appreciation
of it as an object possessing important aesthetic value
can be said to be the result of its excellent capacity to
unify phenomena under a simple framework, therefore
facilitating our understanding of, among other things,
periodicity.
It falls outside the scope of this essay to address
the question of whether aesthetic judgements in chem-
istry or science in general, may have objective validity.
We wish to highlight, however, that there is consensus
among the scientific community that the periodic table
exhibits aesthetic properties that are widely regarded
as desirable, such as unity and simplicity. This helps
explain why different representations of the table exist
outside chemistry or academia.
So, let us now focus on less abstract digressions,
and briefly survey the periodic table’s existence outside
chemistry books. It can be found in works of art around
43The Periodic Table and its Iconicity: an Essay
the world, ranging from gigantic murals or monuments
to postal stamps.
In fact, the first homage of the Periodic Table on
a postal stamp was issued by the Spanish mail in 2007
(centenary of Mendeleev’s death). Created by inorganic
chemist, Javier Garcia-Martinez (Alicante University), it
was designed to transmit a “modern and positive image
of chemistry” and “to catch the attention of stamp users
and collectors alike with a colourful and highly geo-
metric design.” Garcia-Martínez was inspired by Dutch
painter Piet Mondrian (1872-1944), whose abstract
expressionism, geometric expression, and judicious use
of colours help detail the ‘voids’ in the table.84 On the
verse of the stamp, there are mural tables and printed
tables in laboratories and classrooms.
Over the years, some representations of the periodic
table acquired notoriety or made the news – like the one
recently discovered at St. Andrews University, printed
in Vienna (1885) and brought to Scotland by Thomas
Purdie (1843-1916). The oldest preserved printed table
(1876) can be found in the Museum of the University of
St. Petersburg. The historically most interesting case of
mural tables is the large mural (2,2 x 2,7m) existing in
an auditorium in the old building of the University of
Barcelona (Taula de García-Banús), painted in 1934 by
commission of professor Antonio Garcia-Banús (1888-
1955). Historians later discovered that it was a repro-
duction of the table conceived in 1926 by Bonn pro-
fessor Andreas von Antropoff (1878-1956), a popular
table at the time,85 but abandoned in 1945 because of
Antropoff ’s ideological positions. Some historians refer
to Bauhaus and de Stijl influences in Antropoff ’s table.
Recently rediscovered by Philip Stewart (b. 1939), the
table was carefully restored in 2008 by professor Claudi
Mans i Teixidó.86 Mans would say this is a unique case
in the history of chemistry: a republican and socialist
professor adopted a table created by a national-socialist
professor, which was restored during a fully democratic
government, after surviving Franco’s dictatorship. J.
Marshall suggests Antropoff ’s table was situated halfway
between Mendeleev’s classic short table and Alfred Wer-
ner’s (1866-1919) “long” table from 1905, and that the
resulting practicality was responsible for the popularity
of Antropoff ’s table, even in the United States.87
It would probably be best if ideologies never inter-
vened in the progress of science. But ideologies often
accompanied Mendeleev’s career: his prestige in tsa-
rist Russia was enormous, malgré lui a national hero
of the Soviet Union, although he did not see himself as
socialist and despite his criticism of popular demonstra-
tions after failure of the 1905 Revolution. Mendeleev, in
Brooks’ opinion, was always loyal to the tsarist regime,
although there were frequent disagreements between the
scientist and lower-ranked bureaucrats.88
Another classic table, very popular in the 1920s and
30s, was the one designed by American chemist Henry
David Hubbard (1870-1943), from 1901 to 1938 secre-
tary of the United States National Bureau of Standards.
Hubbard modified Mendeleev’s table (1924), giving it a
more compact form, suitable for use in class. It has been
updated several times, 12 editions until 1936, 18 until
1963, sponsored by Sargent & Welch, Buffalo, manu-
facturers of teaching material. Hubbard’s was the most
widely used periodic wall table in American schools. It
was also well received in Brazil during the 1930s, the
so-called “Hubbard’s Brazilian Table” from the former
Escola Nacional de Engenharia (now the Polytechnic
School of the Federal University of Rio de Janeiro), a
table ‘rediscovered’ by Sir Martyn Poliakoff, of Notting-
ham University. Hubbard’s Brazilian Table includes dat-
ed symbols, like Cb (columbium 41, instead of niobium),
Ma (masurium 43), Il (illinium 61), Ab (alabamine 85),
and Vi (virginium 87), among other curiosities, none of
which were recognized discoveries.89 In an era of ata-
vistic nationalism, Hubbard’s table clearly illustrates the
reluctance to abandon elements ‘discovered’ in the Unit-
ed States, even though these were not recognised by the
international chemical community and would later have
to be removed from the table.
In past centuries chemists had different, often sub-
jective, views on the structure of matter, which reflected
on their teaching of chemistry. The same can be said of
chemistry teachers and their subjective views on how
best to present the periodic table. In some cases this per-
sonal exploration of the table by teachers was incredibly
creative, and quoting Bertomeu-Sanchez (et al):
The most creative books were not necessarily the great trea-
tises written by creative academic chemists. Obscure chem-
istry teachers, who were not necessarily active in scientific
research, attempted innovative and ambitious systems of
elements in order to satisfy both didactic and scientific con-
straints. Textbook writing remained a creative activity. By
creative, we do not necessarily imply innovation or great
discovery. They were creative in a more modest way as they
expressed original and ambitious interpretations of the
foundations of chemistry.90
This idea is exemplified by one of the few Brazilian
contributors to represent the periodic system, Alcindo
Flores Cabral (1907-1982), professor at the School of Agri-
culture Eliseu Maciel (nowadays part of the Federal Uni-
versity of Pelotas), in 1946. Examining a mysterious mural
at the entrance of the chemistry building in Pelotas, pro-
fessor Eder Lenardão rediscovered his table (2001).91
44 Juergen Heinrich Maar, Alexander Maar
In the case of a few talented chemists the necessity
to write more engagingly and creatively – often inspired
by episodes from their personal and professional lives –
was responsible for the production not just of textbooks,
but high-quality, transcendent or poetic literary pieces.
Two examples deserve special attention: “Il Sistema Peri-
odico” by Primo Levi (1919-1987), published in 1975,
and the biographical “Uncle Tungsten – Memories of a
Chemical Boyhood” (2001) by neurologist Oliver Sacks
(1933-2015). For Sacks:
The Periodic Table is incredibly beautiful, the most beauti-
ful thing I had ever seen. I could never adequately analyze
what I meant here by beautiful – simplicity? Coherence?
Rhythm? Inevitability? Or perhaps it was its symmetry,
the comprehensiveness of every element firmly locked into
its place, with no gaps, no exceptions, everything implying
everything else.92
The elements in Primo Levi’s “Il Sistema Periodico”
become symbols and metaphors for the various phas-
es of the author’s life, so that a summation of elements
becomes his life story or a memoir. On such metaphori-
cal usage Luigi Dei (b. 1956) concluded that “we can say
that the properties of the elements often reflect the prop-
erties of life itself: volatile, inert, lustrous, precious, poi-
sonous, brittle, explosive...”93
In the chapter dedicated to iron, Levi thus refers to
the Periodic Table:
That the nobility of Man, acquired in a hundred centuries of
trial and errors, lay in making himself the conqueror of mat-
ter, and that I had enrolled in chemistry because I wanted
to remain faithful to this nobility. That conquering matter
is to understand it, and understanding matter is necessary
to understanding the universe and ourselves: and that there-
fore Mendeleev’s Periodic Table, which just during those last
weeks we were laboriously learning to unravel, was poetry,
loftier and more solemn than all the poetry we had swal-
lowed down in liceo, and come to think of it, it even rhymed!
That if one looked for the bridge, the missing link…94
Most of such literary pieces portray the periodic sys-
tem in a positive light. This need not always be so. In the
poem “The Periodic Table of Elements”, Australian poet
Bruce Greenhalgh shows his disenchantment with the
table:
…that it listed more/and less/than earth, wind, fire and
water, [but 118 elements are] arranged by atomic number/
in an obscure scheme/of electrons and abbreviations, [with-
out any] reflect/on sodium/or potassium/or Byzantium [in
reference to Yeats’s poem], no flair, no mystery, no poetry,
nothing for me”, [poet and periodic table] have gone our
separate ways.95
Chilean poet Nicanor Parra (1914-2018), professor
of theoretical physics in Santiago, has a similar, if more
ironic, take on the table. In his long poem “Los Profe-
sores” (“The Teachers”), he speaks of “teachers turning
us mad/with questions which do not matter” – including
the periodic table.
One may be tempted to explain why, given the suc-
cess of the table in systematizing existing knowledge and
predicting new elements, a chemist would react nega-
tively to it. One could speculate that the table, for some
people, may fall victim to its own success. It would be
very difficult for a chemist to attempt any different form
of systematisation today, which some would see as a lim-
itation to creativity. The table also indicates what pos-
sible new chemical discoveries may be like, which may
lessen our sense of amazement when progress is indeed
achieved.
Finally, some chemical elements, isolated or classi-
fied by the table, inspired musical compositions as well.
Edgar Varèse (1883-1965) honoured platinum with a
piece for flute solo (1936), “Density 21.5” (the density of
the metal), and the composer and theorist Andrew Still-
er (b. 1946) composed in 1988 “A Periodic Table of the
Elements” for 14 wind and percussion instruments.96
This brief survey of the table’s presence in non-
chemical or academic contexts goes to show that some
scientific achievements, when consolidated through a
universally accepted form of representation, have the
tendency, or at least the potential, to become iconic – in
the sense defined at the beginning of this essay. More on
this in the next section.
THE PERIODIC TABLE AND POP CULTURE
The periodic table is the object of this essay, so let
us define less rigorously what after all is ‘popular cul-
ture’. Also, the definition of “science fiction” differs from
author to author; let us adopt here the definition given
by Darko Suvin (b. 1930): “... a literary genre or verbal
construct whose necessary and sufficient conditions are
presence and interaction of estrangement and cognition,
and whose main device is an imaginative framework
alternative to the author’s empirical environment.”97
Science Fiction does not necessarily deal with the
actual Periodic Table, but often invents (sometimes even
foresees) fantastic and fanciful imaginary elements in an
environment artificially constructed, but still plausible
and credible. Hans Dominik (1872-1945), engineer, in
his time famous as author of many science fiction stories
and novels conceived in Atomgewicht 500, published in
1934, artificial elements with very high atomic weights.
45The Periodic Table and its Iconicity: an Essay
At the time he wrote it uranium had the highest atom-
ic weight, 238. Dominik’s scientific views are no longer
valid, but the author’s utopian vision with respect to the
future of nuclear chemistry is worthy of note. Some lines
from the book: “The most important! You know what
I mean. Atomic weight? Two hundred and forty-two!
Four unities more than the atomic weight of uranium.
Congratulations, Slawter! You were the first to obtain a
substance non-existent on Earth and in terrestrial con-
ditions”98. Transuranic and transfermic elements exceed
this weight; the heaviest known element to date is
oganesson (Og, atomic number 118 - first synthesised in
2002 at the Joint Institute for Nuclear Research in Dub-
na, Russia, by Russian and American scientists), with an
atomic weight of 294.
With the probable completion of the ninth series
of the table, we will surpass the value 300 ... will these
imaginar y elements one day become reality? Suze
Kundu wrote in Nature: “scientists and non-scien-
tists alike have long been dreaming of elements with
mighty properties. Perhaps the fictional materials they
have conjured up are not as far from reality as it may
at first seem.”99 In face of “Atomic Number 500” and
the ongoing study (a reality) of the Periodic Table, may
we expect an upper limit for this “expanded” Periodic
Table? Or a lower limit? What will this limit be? Sima
Lozanic speculated about a limit already in 1906. Niels
Bohr (1885-1962) in 1922 expanded electronic configu-
ration to element 118, but in 1924 he concluded theo-
retically that it would be difficult to surpass atomic
number 137.100 Beyond the “island of stability” around
atomic masses 290 – 300, perhaps atomic number 128
will be the limit, or, for Albert Khazan (b. 1934), this
figure would be 155.101 Pekka Pyykkö (b. 1941) and Bur-
khard Fricke, on the basis of mathematical calculations,
suggest a limit of Z = 172 (suggesting a noble gas)102,
and for Walter Greiner (1935-2016) there is no limit for
the Periodic Table.
On the chemical properties of aluminium (an ele-
ment already known but still unused at the time),
Charles Dickens (1812-1870) wrote in 1856:
Within the course of the last two years [...] a treasure has
been divined, unearthed and brought to light [...] what
do you think of a metal as white as silver, as unalterable
as gold, as tough as iron, which is malleable, ductile, and
with the singular quality of being lighter than glass? Such a
metal does exist and that in considerable quantities on the
surface of the globe.103
Dickens’ ‘treasure’ element did become reality.
Another contemporary of Dickens, English chemist and
industrialist John Carrington Sellars (1840-1916), in an
attempt to popularise chemistry and find connections
with Christianity, published in 1873 a curious and rath-
er long poem titled Chemistianity, “an oratorical verse,
in poetic measure, on each known chemical element [
... ] in the universe.”104 Each of the 63 then-known ele-
ments received symbolic names. Dickens’s wonder metal
aluminium, for instance, was called ‘Ktyon’, and about
it Sellars says: “Aluminium, the Bright Star of Metals,/
The principal metal in common clay/In extremely light,
bright, and silver-like/It does not oxidise in exposure
to Air...”105 Sellars described in ‘oratorical verse’ the
properties of the element. According to van der Krogt,
Sellar’s book (today very rare and collectable) was well-
received at the time of publication.106
On the other hand, there is a perceptible trend in
more recent fictional writing in which plausibly imag-
ined chemical knowledge gives way to fantastic, far-
fetched chemical worlds – as can be seen in superhero
comics (Captain America, Wolverine), or in Tolkien’s
fantasy books, and even in Janet Kuypers’ poetry: “I
wracked my brain, ‘wait a minute,/I know osmium, it’s
the densest metal/in the Periodic Table. But Diburni-
um?”107
J. Ober and T. Krebs include amongst their favour-
ite fictional elements the mithril of the Hobbit, by J. R.
Tolkien (1892-1973), the dilithium from the universe
of Star Trek, and the vibranium of Captain America’s
shield.108 Mithril, made by dwarves, resembles silver, but
it is lighter and stronger than steel. Dilithium, a miner-
al found on different planets of the Star Trek universe,
regulates the reaction between matter and antimatter.
Vibranium, originating from Wakanda (Africa) exhib-
its a powerful capacity to absorb, store, and release vast
amounts of kinetic energy. One cannot help but won-
der whether reality will meet fiction at some point, and
whether we will be able to say of a new element some-
thing similar to what Dickens said of aluminium.
Still, in the genre of popular culture, the musician,
comedian and Harvard professor of mathematics Tom
Lehrer (b. 1928) authored a song containing all the ele-
ments of the periodic table. The song was based on com-
ic opera “The Pirates of Penzance” (aka “The Slave of
Duty”), by Sir Arthur Sullivan (1842-1900).
In the case of cinema, probably one of the most effi-
cient vehicles of mass communication, there has been
little interest in the periodic table and its creator, Men-
deleev. He has not been the subject of any movies, fig-
uring only in documentaries such as “The Mystery of
Matter” (2014). This is in sharp contrast to the cinema’s
interest in the lives and works of many notable scien-
tists, such as Pasteur, Marie Curie, Ehrlich, Paracelsus,
Copernicus, and even Julius Robert Mayer.
46 Juergen Heinrich Maar, Alexander Maar
FINAL REMARKS
On November 2nd, 2017, the 39th General Conference
of UNESCO in Paris proclaimed 2019 the International
Year of the Periodic Table. This is, of course, a result of
the table’s iconicity and universal appeal. Such recog-
nition does not mean that the table itself, or even the
discovery of periodicity, are the most important inno-
vations in the history of chemistry. One could think of
Dalton’s quantitative atomic theory, or Lavoisier’s oxygen
theory, as better candidates for most important break-
through moments. Yet, most are quick to recognise the
table as chemistry’s most important icon.
Michael Mingos (b. 1946), from Oxford University,
resumes the real possibilities of the Periodic Table:
The Periodic Table is neither a biblical tablet of rules nor
a monolithic Rosetta Stone, which provides accurate trans-
lations of chemical trends and properties. It does, however,
offer a flexible two-dimensional mnemonic for recalling the
important characteristics of the 118 known elements and
the structure of their constituent atoms. […] It thereby pro-
vides a way of thinking for chemists which also reflects the
individual’s unique history and personality.109
The table has undoubtedly been the most successful
tool for the popularisation of chemistry and, by exten-
sion, scientific knowledge and practice. This cannot be
explained just as a response to the discovery of periodic-
ity. But perhaps it can be explained by the table’s suc-
cess in both, accommodating and systematizing existing
knowledge (theories and data) and predicting new discov-
eries. As is always the case in science, empirical adequacy
was the primary reason for the table’s worldwide adoption
as the best representation of what is known about the ele-
ments, atoms and their structure. But there were also oth-
er reasons for its positive reception in different countries.
Finally, we hope to have shown that it is the dual
nature of the table – its capacity to enclose the totality
of chemical and physical knowledge about the elements,
and its usefulness as a research and teaching tool – that
give it iconicity. And such iconicity is revealed by the
table’s appeal in domains outside of chemistry, such as
the arts. By quickly surveying such domains, it shall
be clear that the table’s role as a main vehicle of scien-
tific communication to the broad general public remains
unchanged.
ACKNOWLEDGEMENTS
The authors wish to express their gratitude to René
and Peter van der Krogt, Delft; Eduardo Kremer, Monte-
video; Santiago Alvarez, Barcelona; and the anonymous
reviewers, for their valuable suggestions .
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Substantia
An International Journal of the History of Chemistry
Vol. 3, n. 2 Suppl. 5 - 2019
Firenze University Press
Setting the Table: A Retrospective and Prospective of the Periodic Table of the Elements.
Mary Virginia Orna1, Marco Fontani2
The Development of the Periodic Table and its Consequences
John Emsley
The Periodic Table and its Iconicity: an Essay
Juergen Heinrich Maar1, Alexander Maar2
Discovering Elements in a Scandinavian Context: Berzelius’s Lärbok i Kemien and the Order of the Chemical Substances
Ferdinando Abbri
Mendeleev’s “Family:” The Actinides
Mary Virginia Orna1, Marco Fontani2
Controversial Elements:
Priority Disputes and the Discovery of Chemical Elements
Helge Kragh
Carl Auer von Welsbach (1858-1929) - A famous Austrian chemist whose services have been forgotten for modern physics
Gerd Löffler
A Book Collector’s View of the Periodic Table: Key Documents before Mendeleev’s Contributions of 1869
Gregory S. Girolami
A Brief History of Early Silica Glass: Impact on Science and Society
Seth C. Rasmussen
Mendeleev at Home1
Mary Virginia Orna