# bib

id: transcultural-24112
author: Moniz Bandeira, Egas
title: The Secret Joys of a Scholar: A Tribute to Rudolf G. Wagner
date: 2020-01-29
pages: 2
extension: .pdf
mime: application/pdf
words: 856
sentence: 26
flesch: 53
cache: cache/transcultural-24112.pdf
txt: txt/transcultural-24112.txt
summary:
  The Secret Joys of a Scholar: A Tribute to Rudolf G. Wagner As a matter of fact, Rudolf Wagner oozed a rarefied form of classical Gelehrtentum (scholarliness). Living in a world of learning, Professor Wagner expected from his students the same level of devotion to it as he had himself.


id: transcultural-7320
title: Editor’s Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 813
sentence: 25
flesch: 36
cache: cache/transcultural-7320.htm
txt: txt/transcultural-7320.txt
summary:
  While such exchanges have dramatically increased in volume, speed, and diversity over the last two hundred years, cultures have, from the earliest times, continuously enriched themselves and others through these exchanges. Gennifer Weisenfeld’s contribution is the first in a series called “Multi-centred modernisms—reconfiguring Asian art of the twentieth and twenty-first centuries,” introduced by Monica Juneja, the Cluster’s professor of global art history.


id: transcultural-9117
author: Hacker, Andrea
title: Cover 2011/1
date: 2011-06-30
pages: 2
extension: .pdf
mime: application/pdf
words: 523
sentence: 31
flesch: 43
cache: cache/transcultural-9117.pdf
txt: txt/transcultural-9117.txt
summary:
  She specializes in Byzantine visual theory and art history with a focus on Byzantine transcultural interaction. She specializes in Asian art history, Buddhist and Islamic art, and illuminated manuscripts.


id: transcultural-9247
title: Editor's Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 996
sentence: 34
flesch: 46
cache: cache/transcultural-9247.htm
txt: txt/transcultural-9247.txt
summary:
  The vast field of the particular methodologies required for transcultural studies needs to be further explored. We have to explore the potential of an on-line publication for transcultural studies and encourage our contributors to make the best use of it.


id: transcultural-24111
author: Michaels, Axel
date: 2020-01-29
pages: 3
extension: .pdf
mime: application/pdf
words: 994
sentence: 56
flesch: 61
cache: cache/transcultural-24111.pdf
txt: txt/transcultural-24111.txt
title:
  Erinnerungen an einen, der auszog, das Große zu wagen: Nachruf auf Rudolf Wagner (3. November 1941–25. Oktober 2019)

summary:
  Am Vorabend der Verkündigung des Ergebnisses der Exzellenzinitiative saßen Madeleine, Catherine, Rudolf und ich in seinem Haus in Ziegelhausen und bereiteten mit einem schönen abendlichen Jeder, der Rudolf kannte, weiß, wie scharfsinnig er bei diesen intellektuellen Auseinandersetzungen war.


id: transcultural-24289
author: Florence, Sophie
title: Cover and Front Matter
date: 2021-03-05
pages: 5
extension: .pdf
mime: application/pdf
words: 1072
sentence: 42
flesch: 32
cache: cache/transcultural-24289.pdf
txt: txt/transcultural-24289.txt
summary:
  She is co-editor of Negotiating Difference: Contemporary Chinese Art in the Global Context (Weimar: VDG, 2012) and author of Die “chinesische Avantgarde” und das Dispositiv der Ausstellung: Konstruktionen chinesischer Towards a Critical Contemporaneity (London: Bloomsbury Publishing, 2019), and Contemporary Chinese Art: A Critical History (London: Reaktion Books, 2014).


id: transcultural-24028
author: Florence, Sophie
title: English
date: 2019-08-21
pages: 5
extension: .pdf
mime: application/pdf
words: 1715
sentence: 59
flesch: 45
cache: cache/transcultural-24028.pdf
txt: txt/transcultural-24028.txt
summary:
  : Bicentenary Reflections on Christian Beginnings and Developments in Aotearoa New Zealand, ed. The attack 1 Megan Specia, “The New Zealand Shooting Victims Spanned Generations and Nationalities,” New York Times, March 19, 2019, https://www.nytimes.com/2019/03/19/world/asia/new-zealand- shooting-victims-names.html. 2 Eva Nisa and Faried F. Saenong, “New Zealand has been Home to Muslims for Centuries and will Remain so,” March 18, 2019, accessed June 12, 2019, https://www.middleeasteye.net/opinion/ new-zealand-has-been-home-muslims-centuries-and-will-remain-so.


id: transcultural-24654
author: Florence, Sophie
title: Cover and front matter
date: 2022-10-24
pages: 6
extension: .pdf
mime: application/pdf
words: 1472
sentence: 48
flesch: 39
cache: cache/transcultural-24654.pdf
txt: txt/transcultural-24654.txt
summary:
  Before joining the GMF, Ohlberg worked as an analyst at the Mercator Institute for China Studies (MERICS), where she focused on China’s media and digital policies as well as the Chinese Communist Party’s influence campaigns in Europe. ISSN: 2191-6411 iv Contributors Contributors to this Issue Rudolf G. Wagner† was Senior Professor in Chinese Studies at Ruprecht- Karls-Universität Heidelberg and an Associate at the Fairbank Center, Harvard University.


id: transcultural-7290
title: Imaging Byzantium and Asia | Stephan-Kaissis | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1847
sentence: 68
flesch: 42
cache: cache/transcultural-7290.htm
txt: txt/transcultural-7290.txt
summary:
  Visual artifacts, along with oral and written information, reflecting a variety of cultural concepts, also travelled along these routes. Byzantines not only continually embraced foreign artistic ideas and cultural concepts and adapted them to their own culture, they also seem to have been involved in a process of long-distance cultural communication, sharing genuine Byzantine concepts with other visual communities and thus contributing to their cultural enrichment as much as Byzantium benefitted from the rich cultural input from Asia.


id: transcultural-24107
author: Sejrup, Jens
date: 2020-01-29
pages: 5
extension: .pdf
mime: application/pdf
words: 1976
sentence: 68
flesch: 28
cache: cache/transcultural-24107.pdf
txt: txt/transcultural-24107.txt
title:
  Adding Value: Recent Trends in Museum Exhibitions of Asian-Pacific Artifacts. Guest Editor’s Introduction

summary:
  Based on fieldwork in Asmat communities in southern New Guinea and in a Jakarta edutainment park featuring displays of Asmat objects, Costa describes the challenges and dilemmas facing Asmat wowipitsj as the traditional ethos underlying their woodcarving practice is confronted with increasing commodification and global-market adaptation of Asmat material culture. This process effectively bends customary practice to churn out value- added commodities referring to traditional objects rather than representing social life and local functions in increasingly disadvantaged Asmat communities.


id: transcultural-24574
author: Juneja, Monica; Panagiotopoulos, Diamantis
title: Editorial Note
date: 2022-06-17
pages: 5
extension: .pdf
mime: application/pdf
words: 1942
sentence: 52
flesch: 27
cache: cache/transcultural-24574.pdf
txt: txt/transcultural-24574.txt
summary:
  This points us to broader questions about whether transculturation processes and effects might also differ by sensory domain (is there a domain-specific “transculturation of/by taste,” for example?), and prompts us to question the ways that our theories of transculturation— like other domains—might be subject to a kind of hegemony of sight or hearing, and could be enriched by considered extension to the domains of other senses. Her account of the history of glass making in the workshops of the Venetian island of Murano draws our attention to processes of “Venetianization” of these coveted objects: a conflation of matter and meaning cemented the prestige of glass objects produced there, as the fabled material qualities of finished glass came to be equated with a single locality, Venice, perceived as self-contained.


id: transcultural-24241
author: Panagiotopoulos, Diamantis; Radich, Michael
title: Editorial Note
date: 2020-12-02
pages: 4
extension: .pdf
mime: application/pdf
words: 1800
sentence: 58
flesch: 32
cache: cache/transcultural-24241.pdf
txt: txt/transcultural-24241.txt
summary:
  Beyond this primarily filmographic approach, the paper explores notions of transcultural memories rooted in the city’s post-independence history and geography. They create a new dialogical frame, in which the long-standing divisions, ruptures, and fragmentations of collective memory can be re-negotiated.


id: transcultural-24648
author: Ohlberg, Mareike
title: Rudolf Wagner’s Work on the Politics of Modern Chinese Literature
date: 2022-10-24
pages: 9
extension: .pdf
mime: application/pdf
words: 4094
sentence: 107
flesch: 41
cache: cache/transcultural-24648.pdf
txt: txt/transcultural-24648.txt
summary:
  Harvard University Press, 1992), 274. 4 Rudolf G. Wagner, “Liu Binyan and the Texie,” Modern Chinese Literature 2, no. 1 (Spring 1986): 63–98; 63. 5 Rudolf G. Wagner, The Contemporary Chinese Historical Drama: Four Studies (Berkeley: University of California Press, 1990), x. 6 Wagner, The Contemporary Chinese Historical Drama, ix. 7 Wagner, The Contemporary Chinese Historical Drama, ix. 8 Wagner, The Contemporary Chinese Historical Drama, 5; Wagner, Inside a Service Trade, 498−504. Rather than focus on periods that have commanded much of the attention of Chinese literary studies, such as the apogee of the Hundred Flowers Campaign (百花齐放) in 1956−1957, Wagner chose more ambiguous time- periods when the power balance in China was unclear and no one faction was able to force its ideological interpretations onto everyone else.


id: transcultural-6129
title: How Histories Make Geographies | Appadurai | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 3990
sentence: 165
flesch: 46
cache: cache/transcultural-6129.htm
txt: txt/transcultural-6129.txt
summary:
  This dual structure of global cultural forms also generates what we may call the “bumps” or obstacles in regard to many cultural flows. But other cultural forms, uch as ballet, animation, fashion photography, and grassroots political activism create circuits of circulation, which did not exist before.


id: transcultural-9122
title: Editor’s Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 805
sentence: 31
flesch: 41
cache: cache/transcultural-9122.htm
txt: txt/transcultural-9122.txt
summary:
  Editor’s Note | Transcultural Studies Editor’s Note Since we launched our first issue in December 2010, Transcultural Studies has received a large number of visits, new submissions, and not least invaluable feed-back from readers, reviewers and authors. Transcultural Studies 1/2011 opens with a contribution by Rudolf G. Wagner.


id: transcultural-24646
author: Shaughnessy, Edward
title: Rudolf Wagner and Wang Bi
date: 2022-10-24
pages: 13
extension: .pdf
mime: application/pdf
words: 6072
sentence: 180
flesch: 53
cache: cache/transcultural-24646.pdf
txt: txt/transcultural-24646.txt
summary:
  One of the first things I did was to encourage Rudolf to submit his work on the textual 78 Rudolf Wagner and Wang Bi history of the Wang Bi Laozi, one of the topics related to Wang Bi that he had told me about that fateful first afternoon in Berkeley. Rudolf Wagner and Wang Bi Edward L. Shaughnessy I first met Rudolf Wagner in the spring of 1985.


id: transcultural-24110
author: Michaels, Axel
date: 2020-01-29
pages: 3
extension: .pdf
mime: application/pdf
words: 1104
sentence: 50
flesch: 65
cache: cache/transcultural-24110.pdf
txt: txt/transcultural-24110.txt
title:
  Memories of a Man Who Dared to Attempt Great Things: Obituary for Rudolf Wagner (November 3, 1941–October 25, 2019)

summary:
  Memories of a Man Who Dared to Attempt Great Things: Obituary for Rudolf Wagner (November 3, 1941 –October 25, 2019) Axel Michaels Rudolf Wagner, co-editor of this journal, passed away on October 25, 2019, after a long and serious illness. He was often our guiding light and driving force, and, in his own unique way, sharpened 2 Obituary for Rudolf Wagner all our conversations.


id: transcultural-24650
author: Brady, Sabina; Yeh, Catherine
date: 2022-10-24
pages: 16
extension: .pdf
mime: application/pdf
words: 6326
sentence: 253
flesch: 42
cache: cache/transcultural-24650.pdf
txt: txt/transcultural-24650.txt
title:
  Lifeworld in the Anthropocene Age: An Imaginary Interview with Rudolf G. Wagner, His Thoughts on the Trees/Forest Metaphor, and the Culture of Nature in Transcultural Studies

summary:
  When reading Wohlleben’s book, my first thought was to use the relationship between the forest and trees as a model and metaphor to conceptualize, on a concrete level, what in human culture is the more diffuse process of an interaction of cultures within the framework of culture. Like human nature, human culture partakes in a continuous flow across the human world, where transcultural interaction is the lifeline of culture, and every cultural item is transcultural.


id: transcultural-7321
author: Hacker, Andrea
title: 2010/1 Cover
date: 2010-12-16
pages: 2
extension: .pdf
mime: application/pdf
words: 380
sentence: 19
flesch: 38
cache: cache/transcultural-7321.pdf
txt: txt/transcultural-7321.txt
summary:
  Monica Juneja is Professor of Global Art History at the Ruprecht-Karls-Universität Heidelberg’s Cluster of Excellence „Asia and Europe in a Global Context. “ James Elkins is E.C. Chadbourne Chair of the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.


id: transcultural-9248
author: Hacker, Andrea
title: Cover 2011/2
date: 2011-12-21
pages: 3
extension: .pdf
mime: application/pdf
words: 573
sentence: 25
flesch: 40
cache: cache/transcultural-9248.pdf
txt: txt/transcultural-9248.txt
summary:
  Franziska Koch is assistant to the Chair of Global Art History at the Cluster of Excellence „Asia and Europe in a Global Context“of Ruprecht- Karls-Universität Heidelberg. He researches and teaches Korean history, contemporary Korean language, society, and politics, and modernity and nationalism in East Asia.


id: transcultural-24117
author: Pizzi, Katia
title: The Granular Texture of Memory: Trieste between Mitteleuropa and the Mediterranean
date: 2020-12-02
pages: 14
extension: .pdf
mime: application/pdf
words: 6283
sentence: 228
flesch: 44
cache: cache/transcultural-24117.pdf
txt: txt/transcultural-24117.txt
summary:
  Variably identified with the Balkans and the Eastern side of the Iron Curtain, Trieste became, in other words, the container of “the dark side 44 Pizzi, “Cold War Trieste on Screen,” 84–85. 45 Sleeping Car to Trieste, directed by John Paddy Carstairs (London: Two Cities Films, 1948). 52 Pizzi, “Cold War Trieste on Screen”; Katia Pizzi, “Memorial Dissonance and the City: Trieste and Translation Interrupted,” in The Routledge Handbook of Translation and the City, ed.


id: transcultural-6175
title: Reinscribing Tradition in a Transnational Art World | Weisenfeld | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 6654
sentence: 236
flesch: 38
cache: cache/transcultural-6175.htm
txt: txt/transcultural-6175.txt
summary:
  The extended eroticization of the Japanese nation through the figure of Edo and the body of the courtesan is not new, and the eroticization of Japan is evident in many areas of contemporary Japanese art: from the naked contortionism of Butoh to the techno-spiritual shamanesses of Mori Mariko. While I hesitate to claim that these artists represent any kind of norm in such a heterogeneous sphere of visual culture production, their immense success in a range of markets and their highly influential writings have certainly framed the reception of Japanese art around the world in the past decade by constructing a critical benchmark for discussions of contemporary identity politics in art.


id: transcultural-7332
extension: .htm
mime: application/xhtml+xml
words: 7194
sentence: 253
flesch: 56
cache: cache/transcultural-7332.htm
txt: txt/transcultural-7332.txt
title:
  The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period | Suzuki | Transcultural Studies

summary:
  Consequently, the Meiji government’s almost simultaneous, but probably unrelated, introduction of the incompatible concepts of koki kyûbutsu and bijutsu suspended a thorough evaluation of Buddhist statues until they came to be regarded as sculptural artworks in the late 1880s. We can safely surmise that the discovery of naturalistic works, such as the pair of Niô of Kôfuku-ji temple, facilitated a new way to evaluate Buddhist statues in the late 1870s.


id: transcultural-24573
author: Florence, Sophie
title: Cover and Front Matter
date: 2022-06-17
pages: 5
extension: .pdf
mime: application/pdf
words: 936
sentence: 34
flesch: 32
cache: cache/transcultural-24573.pdf
txt: txt/transcultural-24573.txt
summary:
  Editors: Monica Juneja, Global Art History Joachim Kurtz, Intellectual History Diamantis Panagiotopoulos, Classical Archaeology Michael Radich, Buddhist Studies Rudolf G. Wagner†, Chinese Studies Managing Editor: Sophie Florence Editorial Board: Christiane Brosius, Antje Fluechter, Madeleine Herren, Birgit Kellner, Axel Michaels, Barbara Mittler, Vladimir Tikhonov, and Roland Wenzlhuemer Editorial Assistants: Gundė Daukšytė, Kush Depala, Anja Lind, Mhairi Montgomery, and Judhajit Sarkar The Journal of Transcultural Studies is edited at the Heidelberg Centre for Transcultural Studies (HCTS) and published by Heidelberg University Publishing. She completed her MA in Transcultural Studies from Heidelberg University within the focus area “Visual, Media, and Material Cultures.”


id: transcultural-24287
author: Koch, Franziska
date: 2021-03-05
pages: 18
extension: .pdf
mime: application/pdf
words: 8003
sentence: 251
flesch: 27
cache: cache/transcultural-24287.pdf
txt: txt/transcultural-24287.txt
title:
  Transculturation and Contemporary Artistic Collaboration: Pushing the Boundaries of Histories, Epistemologies, and Ethics: Introduction

summary:
  These approaches have as a common feature an emphasis on art history as a modern discipline that came into being in the age of (European) nation building and in contexts that saw (earlier) art objects, practices, and agents as circulating in an increasingly connected world marked by on-going colonialism and imperialism. Consequently, as Monica Juneja has recently remarked, much scholarly work remains to be done: Art history as a form of world-making—of grappling with the past and of glimpsing the contours of emerging possibilities as embodied in art production—is dependent on the criticality of a transcultural approach to rethink its epistemic foundations.


id: transcultural-23813
author: Van Lieu, Joshua
title: Korean Translations of Vietnam: Relocating the Great Han Empire in World-Historical Precedent
date: 2018-12-20
pages: 19
extension: .pdf
mime: application/pdf
words: 9141
sentence: 340
flesch: 56
cache: cache/transcultural-23813.pdf
txt: txt/transcultural-23813.txt
summary:
  Most existing scholarship has identified Wŏllam mangguk sa as a call to Korean patriotism in the face of imminent annexation. More recent scholarship has convincingly identified Wŏllam mangguk sa as part of a new international consciousness among younger Korean intellectuals at the turn of the twentieth century that was coeval with the emergence of early Korean nationalist ideologies.4 The circulations of the Vietnam case in general and Wŏllam mangguk sa in particular in the rhetorical praxes of the Korean imperial court, however, speak to a more nuanced intellectual dynamic in which an existing historical consciousness of East Asian states and statesmen integrated the fall of Vietnam and the processes of global imperialism which it represented into a hybrid historical consciousness that removed the Great Han Empire and its predicament from a national or regional history and relocated it in a global history that was unfolding in the early twentieth century.


id: transcultural-24113
author: Yeh, Catherine V.
title: Rudolf Wagner, The Making of a Scholar of His Time
date: 2020-01-29
pages: 9
extension: .pdf
mime: application/pdf
words: 3388
sentence: 116
flesch: 47
cache: cache/transcultural-24113.pdf
txt: txt/transcultural-24113.txt
summary:
  16 Rudolf Wagner, The Making of a Scholar of His Time For Rudolf, the benefits of this new paradigm for transcultural studies include the forest/trees metaphor as the model of processes driven by internal dynamics rather than the exercise of “power.” Rudolf Wagner, The Making of a Scholar of His Time Catherine V. Yeh Acceptance speech on behalf of Rudolf G. Wagner on his award of the Karl Jaspers Prize, November 14, 2019, reworked November 25, 2019 Dear Mr. President, dear Mayor, dear members of the Heidelberg Academy and the University, the awarding of the Karl Jaspers Prize to Rudolf Wagner is a great honor.


id: transcultural-24245
author: Florence, Sophie
title: Cover and Front Matter
date: 2020-12-02
pages: 5
extension: .pdf
mime: application/pdf
words: 818
sentence: 25
flesch: 30
cache: cache/transcultural-24245.pdf
txt: txt/transcultural-24245.txt
summary:
  Katia Pizzi is the Director of the Italian Cultural Institute in London and Senior Lecturer in Italian Studies at the Institute of Modern Languages Research, School of Advanced Study, University of London. (Routledge, 2019), the co-edited anthology The Culture of Migration: Politics, Aesthetics and Histories with Sten P. Moslund and Moritz Schramm (I.B. Tauris, 2015), as well as the monographs Migration into Art: Transcultural Identities and Art-making in a Globalised World (Manchester University Press, 2017) and Installation Art: Between Image and Stage (Museum Tusculanum Press, 2015).


id: transcultural-24119
author: McGonagle, Joseph
title: Sites of Transcultural Exchange: Algiers in the Cinema of Merzak Allouache
date: 2020-12-02
pages: 21
extension: .pdf
mime: application/pdf
words: 9861
sentence: 336
flesch: 43
cache: cache/transcultural-24119.pdf
txt: txt/transcultural-24119.txt
summary:
  Indeed, out of all Algerian cities, it is surely unrivaled in this regard, and due to the global notoriety of films such as La Bataille d’Alger (The battle of Algiers),7 Although research on the role of cities in film now covers a multitude of countries and continents, the ways in which Algerian cities have been depicted on screen have been comparatively overlooked.


id: transcultural-9073
title: Introductury Essay | Abu-Er-Rub, Altehenger, Gehrig | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 9746
sentence: 607
flesch: 53
cache: cache/transcultural-9073.htm
txt: txt/transcultural-9073.txt
summary:
  In fact, as is suggested throughout, transcultural trends have been the norm rather than the exception, both in the past and today. Claiming global validity for a restricted scope of research might fail to take into account regional specificities that are characteristic of transcultural trends.


id: transcultural-24031
author: Juneja, Monica; Kurtz, Joachim
title: English
date: 2019-09-10
pages: 7
extension: .pdf
mime: application/pdf
words: 2572
sentence: 76
flesch: 33
cache: cache/transcultural-24031.pdf
txt: txt/transcultural-24031.txt
summary:
  Even as Prosser reminds us of the historiographic contribution of Roth’s writings to latter-day critical memory studies, he draws our attention to the polarity between culturally homogenizing forces and transculturally formed modes of remembering the past that structures Roth’s narrative, implicitly suggesting that privileging normativity could become a methodological trap for transcultural studies. The normative powers of memory are not the only methodological challenge for transcultural studies addressed in this issue.


id: transcultural-24643
author: Yeh, Catherine
title: Introduction
date: 2022-10-24
pages: 5
extension: .pdf
mime: application/pdf
words: 2176
sentence: 88
flesch: 50
cache: cache/transcultural-24643.pdf
txt: txt/transcultural-24643.txt
summary:
  Marianne Bastid-Bruguière’s article “Rudolf Wagner as Historian” offers a detailed analysis of Rudolf’s intellectual journey and scholarly contribution spanning many decades. William Sax’s article “Transculturalism Beyond Dualism: In Memory of Rudolf Wagner,” discusses Rudolf’s critique of the tendency towards binarity in transcultural studies.


id: transcultural-10812
title: Editor’s Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 964
sentence: 28
flesch: 31
cache: cache/transcultural-10812.htm
txt: txt/transcultural-10812.txt
summary:
  The intersection between visual knowledge of natural history and narratives of universal rulership continues to be a relatively neglected theme in the study of early modern court cultures. Japanese encounters with and translations of materials of European provenance up to the mid-nineteenth century were mediated through Dutch sources, a circumstance that for a long time came to serve as a shorthand for the diffusion of “Western” knowledge in Japan.


id: transcultural-9263
title: Performing the Practice Turn in Archaeology | Stockhammer | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 11826
sentence: 823
flesch: 58
cache: cache/transcultural-9263.htm
txt: txt/transcultural-9263.txt
summary:
  The appearance of both shapes at the Southern Levant has long been taken as an indicator for the take-over of Aegean drinking practices in this region. In line with what was found in room 1817 in Megiddo, drinking vessels are also missing in room thirty-six in Ugarit,[14]


id: transcultural-6181
title: Multi-Centred Modernisms | Juneja & Koch | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1584
sentence: 54
flesch: 39
cache: cache/transcultural-6181.htm
txt: txt/transcultural-6181.txt
summary:
  Multi-Centred Modernisms | Juneja & Koch | Transcultural Studies Multi-Centred Modernisms—Reconfiguring Asian Art of the Twentieth and Twenty-First Centuries Monica Juneja and Franziska Koch, University of Heidelberg This section of Transcultural Studies features the proceedings of a lecture series entitled “Multi-centred modernisms—reconfiguring Asian art of the twentieth and twenty-first centuries.” As a result, the average museum visitor in the West associates Asian art with traditional forms that go back many centuries and which can be easily identified as expressions of “Indian” or “Chinese” or “Japanese” culture. 


id: transcultural-24247
author: Olalde, Katia
title: Stitching Critical Citizenship during Mexico’s War on Drugs
date: 2021-03-05
pages: 27
extension: .pdf
mime: application/pdf
words: 12377
sentence: 394
flesch: 37
cache: cache/transcultural-24247.pdf
txt: txt/transcultural-24247.txt
summary:
  In light of the ethics of nonviolence hand embroidery has been associated with and the connections the groups that joined the EPI have established with other textile memory projects involving survivors (mostly women) of armed conflicts and authoritarian regimes,76 I would argue that fuerzas sociales que permanecen movilizadas a lo largo y ancho del país, en defensa de sus derechos: a quienes luchan contra los megaproyectos y defienden sus culturas, sus territorios y sus recursos naturales; a las comunidades zapatistas que ejercen y construyen su autonomía; ... y, por su puesto, que incluya a todos los ciudadanos sin organización que luchan día a día por mantener una vida digna, en medio de un sistema que impone la corrupción, la avaricia, la desigualdad, la falta de democracia y la pérdida de derechos en todos los ámbitos.” An exploration of how “community” resonates within the framework of the EPI was further developed in Katia Olalde, “Bordar por la paz y la memoria en México: desfasar de la racionalidad https://youtu.be/2itRcVQ4JJM https://www.diagonalperiodico.net/movimientos/25949-preservar-la-autonomia-es-algo-fundamental.html https://alice.ces.uc.pt/news-old/%3Fp%3D3013 31The Journal of Transcultural Studies 11, no. 2 (Winter 2020)


id: transcultural-24108
author: Radich, Michael; Panagiotopoulos, Diamantis
title: Editorial Note
date: 2020-01-29
pages: 9
extension: .pdf
mime: application/pdf
words: 3762
sentence: 111
flesch: 38
cache: cache/transcultural-24108.pdf
txt: txt/transcultural-24108.txt
summary:
  Journal of Transcultural Studies 10, no. 2 (Winter 2019) Fig. 1: Axel Michaels and Rudolf Wagner, pictured at the Second Centre for Asian and Transcultural Studies Open Forum: China and the World, the World and China, in Honor of Rudolf G. Wagner, June 26, 2019. 2: Catherine V. Yeh and Rudolf Wagner, pictured at the Second Centre for Asian and Transcultural Studies Open Forum: China and the World, the World and China, in Honor of Rudolf G. Wagner, June 26, 2019.


id: transcultural-24649
author: Sax, William
title: Transculturalism Beyond Dualism: In Memory of Rudolf Wagner
date: 2022-10-24
pages: 9
extension: .pdf
mime: application/pdf
words: 4059
sentence: 155
flesch: 45
cache: cache/transcultural-24649.pdf
txt: txt/transcultural-24649.txt
summary:
  He argued that the paradigms of both “culture” and “transculture” share the “prison cell of binarity”— the former because culture implies “difference from the other,” the latter because it deals perforce with both the origins and destinations of material objects, with the dualistic perceptions of historical actors, etc. Culture as an analytical term for understanding human life-worlds was introduced in a paradigmatically transcultural way from Germany to America by Franz Boas in the early twentieth century.4 Eventually it became so dominant that many practitioners 1 Rudolf G. Wagner, “Of Trees and the Wood, Cultures and CULTURE” (lecture, international workshop “Recalibrating Culture—Reconfiguring the (Trans)Cultural,” University of Heidelberg, Heidelberg, Germany, November 23, 2018).


id: transcultural-24286
author: Juneja, Monica
title: Editorial Note
date: 2021-03-05
pages: 3
extension: .pdf
mime: application/pdf
words: 1245
sentence: 30
flesch: 19
cache: cache/transcultural-24286.pdf
txt: txt/transcultural-24286.txt
summary:
  The available critical frameworks for interpreting collaborative art projects—discussed by Koch in her Introduction to this issue—have all grown out of specific contexts and respond to their exigencies.1 From a transcultural perspective it becomes necessary to ask whether our conceptual lexicon for collaborative art practices can be made to transcend the parochialism that comes from the intellectual location of existing theoretical models, and to take into account the constitutive role of mobility and engagement with cultural difference for art making. While the essays take us into the realms where the “local” is embedded, each of the studies of collaborative art brought together in this issue moves between scales and signals to connections to other times, other places, and other worlds.


id: transcultural-23961
author: Raina, Dhruv
date: 2019-08-21
pages: 34
extension: .pdf
mime: application/pdf
words: 14323
sentence: 406
flesch: 35
cache: cache/transcultural-23961.pdf
txt: txt/transcultural-23961.txt
title:
  Jesuit Missionary Societies as the “Itinerant” Academies of Catholic Orientalism in Sixteenth- to Eighteenth-Century India

summary:
  This world of Jesuit knowledge comprised certain areas of Jesuit specialisation, ranging from the study of languages to botany, medicine, philology, habits and customs, history, and jurisprudence. The world of Jesuit learning during the period concerned was capacious enough to embrace several discourses about knowledge, and Jesuit knowledge stands in for the cosmography of the Jesuits stationed abroad.


id: transcultural-9127
title: From East Lynne to Konggu Lan | Huang | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 14181
sentence: 868
flesch: 65
cache: cache/transcultural-9127.htm
txt: txt/transcultural-9127.txt
summary:
  The trajectory from East Lynne, A Woman’s Error to No no hana and Konggu lan showcases the mechanism of transcultural flows for popular cultural products within the increasingly globalised, industrialised and commercialised mediascapes. In a similar vein, I argue that from East Lynne, A Woman’s Error, to No no hana and Konggu lan, it is the story with its main plot evoking sensation and sentiment that mattered/matters for the historical audience around the globe and for our understanding of the big picture of its transcultural travels.


id: transcultural-24645
author: Bastid-Bruguière, Marianne
title: Rudolf Wagner as Historian
date: 2022-10-24
pages: 32
extension: .pdf
mime: application/pdf
words: 14419
sentence: 439
flesch: 39
cache: cache/transcultural-24645.pdf
txt: txt/transcultural-24645.txt
summary:
  This was prompted by the fact that on important issues, Huiyuan’s terminology and pattern of thought appeared connected to the Zhuangzi 4 Wagner Interview, 13. 5 Rudolf G. Wagner, “The Original Structure of the Correspondence between Shi Hui-yüan and Kumārajīva,” Harvard Journal of Asiatic Studies 31 (1971): 28−48. 48 Rudolf Wagner as Historian 莊子 or the Laozi. Nonetheless, he concluded that these: 19 Rudolf G. Wagner, Reenacting the Heavenly Vision, 118. 54 Rudolf Wagner as Historian Enclaves or niches … were not subject to the homogenizing pressure that was strongly felt elsewhere in the country.


id: transcultural-23922
author: Wagner, Rudolf G.
title: Editorial Note
date: 2018-12-20
pages: 5
extension: .pdf
mime: application/pdf
words: 1941
sentence: 49
flesch: 32
cache: cache/transcultural-23922.pdf
txt: txt/transcultural-23922.txt
summary:
  As the field of transcultural studies moves from broader border- crossing issues to include microhistorical analyses, the three studies in this group make an important contribution to a set of agenda now also pursued by a specialized Society for Cultural Interaction in East Asia (http://www.sciea.org/en/). Central Asian studies is in an unusually complex situation.


id: transcultural-24647
author: Lee, Leo Ou-fan
title: Bringing a Global Perspective to Chinese Studies: A Tribute to Rudolf Wagner’s Scholarship
date: 2022-10-24
pages: 11
extension: .pdf
mime: application/pdf
words: 5317
sentence: 198
flesch: 54
cache: cache/transcultural-24647.pdf
txt: txt/transcultural-24647.txt
summary:
  In her November 14, 2019 acceptance speech on behalf of Rudolf for the Karl Jaspers Prize (Karl- Jaspers-Preis) at Heidelberg University, Catherine Yeh openly states that “Rudolf was intensely anti-nationalistic” and always advocated a position that emphasizes transcultural engagement as a condition underlying the flow of knowledge and literary forms, and that he refused to study Chinese culture through an exclusively 1 Rudolf had since published a long article on the subject, see Rudolf G. Wagner, “Liu Binyan and the Texie,” Modern Chinese Literature 2, no. 1 (Spring 1986): 63–98. For Rudolf’s underlying thesis is that the new public sphere was constructed by Westerners, specifically English missionaries and entrepreneurs like Ernest Major, following the model 7 Rudolf G. Wagner, “Introduction,” in Joining the Global Public, 1–11; 3. 8 Wagner, “Introduction,” 1. 9 Rudolf G. Wagner, “Joining the Global Imaginaire: The Shanghai Illustrated Newspaper Dianshizhai huabao,” in Joining the Global Public, 105–173.


id: transcultural-9089
extension: .htm
mime: application/xhtml+xml
words: 16620
sentence: 943
flesch: 64
cache: cache/transcultural-9089.htm
txt: txt/transcultural-9089.txt
title:
  Coffee, Fast Food, and the Desire for Romantic Love in Contemporary China | Henningsen | Transcultural Studies

summary:
  Secondly, because coffee consumption is connected with aesthetic and cultural experiences, it is not astonishing to find it connected in the novel and in real life to notions of romantic love. [50] For a Chinese perspective on European traditions and practices of coffee consumption, see Xu Zemin 余泽民, Looking at Europe from the Café (咖啡馆里看欧洲) (Jinan: Shandong huabao chubanshe, 2007).


id: transcultural-10861
author: Hacker, Andrea
title: Cover 2013/1
date: 2013-06-27
pages: 3
extension: .pdf
mime: application/pdf
words: 585
sentence: 25
flesch: 39
cache: cache/transcultural-10861.pdf
txt: txt/transcultural-10861.txt
summary:
  Barbara Mittler holds the Chair in Chinese Studies at the Ruprecht-Karls- Universität Heidelberg and is a director of the Cluster of Excellence “Asia and Europe in a Global Context.” Transcultural Studies is an open-access e-journal published bi-annually by the Cluster of Excellence, “Asia and Europe in a Global Context: The Dynamics of Transculturality” at the Ruprecht-Karls-Universität Heidelberg.


id: transcultural-11817
author: Hacker, Andrea
title: Cover 2013/2
date: 2013-12-19
pages: 3
extension: .pdf
mime: application/pdf
words: 613
sentence: 21
flesch: 36
cache: cache/transcultural-11817.pdf
txt: txt/transcultural-11817.txt
summary:
  Zhuang Yue is a postdoctoral research fellow and Marie Curie fellow at the URPP Asia and Europe, University of Zurich, and a lecturer at the School of Architecture, Tianjin University. Mio Wakita is an art historian who specializes in Japanese photography and nineteenth-century Japanese visual arts, and teaches Japanese art history as an Assistant Professor at the Institute of East Asian Art History, Ruprecht- Karls-Universität Heidelberg.


id: transcultural-17445
title: Cultural Brokerage | Jaspert | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 220
sentence: 10
flesch: 47
cache: cache/transcultural-17445.htm
txt: txt/transcultural-17445.txt
summary:
  Cultural Brokerage | Jaspert | Transcultural Studies Cultural Brokerage: A Medieval Mediterranean Perspective Nikolas Japert, Ruprecht-Karls Universität Heidelberg The following podcast is of a keynote lecture given by Nikolas Jaspert on October 09th, 2014. Fig. 1: Nikolas Jaspert during his lecture in the Karl Jaspers Centre at the Ruprecht-Karls-Universität Heidelberg This lecture focuses on the Mediterranean, the meeting point between Africa, Asia, and Europe—an area attributed with a higher propensity to cultural mediation than most other regions.


id: transcultural-15105
title: Editorial Note | Issue 1, 2014 | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1881
sentence: 42
flesch: 31
cache: cache/transcultural-15105.htm
txt: txt/transcultural-15105.txt
summary:
  It would seem self-evident that transcultural interaction is a process driven by human beings; that these human beings act not as stand-alone monads but within and through highly structured networks that link actors with different motivations and interests; and that it is through such networks that concepts, institutions, practices, and goods that incorporate them reach a different cultural environment. Editorial Note | Issue 1, 2014 | Transcultural Studies Editorial Note The contributions presented here address a number of important issues in the study of transcultural interaction: space, networks, agency, and media.


id: transcultural-24651
author: Yeh, Catherine
title: Rudolf Wagner List of Publications
date: 2022-10-24
pages: 18
extension: .pdf
mime: application/pdf
words: 5621
sentence: 705
flesch: 64
cache: cache/transcultural-24651.pdf
txt: txt/transcultural-24651.txt
summary:
  In Mapping Meanings: The Field of New Learning in Late Qing China, edited by Michael Lackner and Natascha Vittinghoff, 129–142. In Encyclopedia of Modern China, vol.


id: transcultural-9066
extension: .htm
mime: application/xhtml+xml
words: 17716
sentence: 854
flesch: 56
cache: cache/transcultural-9066.htm
txt: txt/transcultural-9066.txt
title:
  Tracking Trends and Brands in the International Children’s Book Market | Thiel | Transcultural Studies

summary:
  On taking a look at a Taiwanese comic edition of Sun Wukong stories for children, it is striking that the editors not only wrote a short exposition appropriate for its young audience in order to explain the Xiyou ji’s classification within the history of literature in China.[90] [13] The illustrated series of Sun Wukong stories was published by the Verlag für fremdsprachige Literatur Peking (Foreign Languages Press Beijing, Beijing waiwen chubanshe 北京外文出版社).


id: transcultural-17681
author: Hacker, Andrea
title: Cover 2014/2
date: 2014-12-16
pages: 3
extension: .pdf
mime: application/pdf
words: 591
sentence: 23
flesch: 37
cache: cache/transcultural-17681.pdf
txt: txt/transcultural-17681.txt
summary:
  Nikolas Jaspert is Professor of Medieval History of the Institute of History at the Centre for the Study of European History and Culture, Ruprecht-Karsl- Universität, Heidelberg. For more information see: www.transculturalstudies.org CONTRIBUTORS TO THIS ISSUE: Bernd Schneidmüller is Professor of Medieval History at Heidelberg University, Director of the “Marsilius-Kolleg.


id: transcultural-23936
author: Eberhard, Susan
title: Concessions in “The Silver Age”: Exhibiting Chinese Export Silverware in China
date: 2020-01-29
pages: 45
extension: .pdf
mime: application/pdf
words: 19255
sentence: 700
flesch: 44
cache: cache/transcultural-23936.pdf
txt: txt/transcultural-23936.txt
summary:
  As evidence for growing interest in Chinese export silverware as an area of collecting, Christie’s auction house has published a guide to collecting Chinese export silverwares online in English to accompany an online sale dated August 15–22, 2019, Jill Waddell, “Chinese Export Silver—A Guide for New Collectors,” Christie’s Asian Art, August 6, 2019, accessed November 5, 2019, https://www.christies.com/features/Collecting- Guide-Chinese-Export-Silver-10018-1.aspx. 8 Chinese Museums Association, “Changsha bowuguan ‘Baiyin shidai.’” 9 Guolong Lai has written that “cultural heritage” or wenhua yichan 文化遗产 was a neologism imported to Chinese from English in the 1980s, but the concept of a “national cultural heritage” has been debated from the beginning of the modern Chinese state. This class of consumer brought to objects such as porcelains, bronzes, and carved lacquerware a set of material, sensory, and narrative associations based on connoisseurial knowledge.53 The Silver Age proposed a different ideal consumer of Chinese objects: cosmopolitan treaty port residents and export markets. 53 Hay, Sensuous Surfaces. Fig.


id: transcultural-6173
title: Searching for Mani’s Picture Book | Gulácsi | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10304
sentence: 403
flesch: 52
cache: cache/transcultural-6173.htm
txt: txt/transcultural-6173.txt
summary:
  This line of reasoning would also present an explanation as to why the collection of Manichaean didactic paintings featured so prominently during the fourth century in both Ephrem’s Mesopotamian Syriac polemical accounts, and the Coptic translations of Mesopotamian Manichaean literature, but was unknown to Augustine of Hippo (354-430 CE) only a century later in Roman North Africa. Accordingly, while the overall repertoire of Manichaean didactic paintings looked different from one another in Sassanid Iran, Byzantine West Asia, Uygur Central Asia, and Song- or Yuan-dynasty China, it did preserve a distinctly Manichaean religious content.


id: transcultural-10073
title: Material versus Design | Panagiotopoulos | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10626
sentence: 683
flesch: 56
cache: cache/transcultural-10073.htm
txt: txt/transcultural-10073.txt
summary:
  The Mediterranean as cultural region, field of study, and analytical category At the turn of the 21st century, the Mediterranean experienced a remarkable revival both in international politics and the social sciences.[18] As far as the social sciences are concerned, this boom in Mediterranean studies is evidenced by a significant increase in the number of academic journals dealing to a greater or lesser extent with the archaeology, history, society, and culture(s) of the Mediterranean.[19] [19] As is aptly mentioned on the book cover of Harris 2005 a: “The sun never seems to set on Mediterranean studies.”


id: transcultural-24118
author: Mancosu, Gianmarco
date: 2020-12-02
pages: 19
extension: .pdf
mime: application/pdf
words: 9083
sentence: 282
flesch: 38
cache: cache/transcultural-24118.pdf
txt: txt/transcultural-24118.txt
title:
  Sardinian, Italian, Mediterranean: the significance of Cagliari’s liminality in post-war documentaries and newsreels

summary:
  44 “Cagliari onora sant’Efisio,” La Settimana INCOM 1916 (Rome: INCOM, May 6, 1960), newsreel. 45 Sandro Ruju, La Sardegna e il turismo: sei testimoni raccontano l’industria delle vacanze (Sassari: Edes, 2012). The Sardinian inland can finally be inserted into the national system at the “livello delle altre regioni italiane” (level of the other Italian regions), as the voiceover of the film La Sardegna è al lavoro (Sardinia is working) asserts.67 INCOM 696 (Rome: INCOM, December 28, 1951), newsreel; “Lo sviluppo economico in Sardegna,” La Settimana INCOM 1707


id: transcultural-9060
title: Imagining Transcultural Fandom | Annett | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10029
sentence: 534
flesch: 52
cache: cache/transcultural-9060.htm
txt: txt/transcultural-9060.txt
summary:
  But frictions can also prove productive, as they open up opportunities for media fans to reflexively discuss the ongoing social issues that pervade online media through the very channels of communication those media themselves open up. Though Betty Boop had Japanese fans (some of whom were quite active in producing their own films), there could be no Western fans of Japanese animation in a system of distribution which largely ran from West to East.


id: transcultural-11362
title: Friendship among Literati | Hosne | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 11956
sentence: 481
flesch: 60
cache: cache/transcultural-11362.htm
txt: txt/transcultural-11362.txt
summary:
  Breadth of learning, so prized by seventeenth-century minds, fostered the inclusion of what David Mungello calls a sometimes exotic interest in China within their range of interests without disrupting the non-sinological thrust of their work.[12] Matteo Ricci was among the first, if not the first, to understand the importance of ties of friendship among the Chinese literati, and this is how he communicated it to his potential European readers in his account: It is noteworthy that these doctors, and also the bachelors, of the same year establish such a strong friendship among themselves that they become like brothers, and they help one another, and also their relatives, until their death.[13] As I aim to show in this article, Ricci regarded friendship as an attribute of the Chinese literati, and the importance of this male bonding helped him shape the notion of literatus in Ming China that he communicated to a European readership. Saussy views the echo of the Zhuangzi as strategic, in that it might help Ricci establish himself in the world of Chinese letters; see Haun Saussy, Matteo Ricci the Daoist.


id: transcultural-6127
title: The World According to Cosmas Indicopleustes | Faller | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 13766
sentence: 733
flesch: 66
cache: cache/transcultural-6127.htm
txt: txt/transcultural-6127.txt
summary:
  [15] For a closer look at Cosmas’ language see Josef Wittmann, Sprachliche Untersuchungen zu Cosmas Indicopleustes (Borna-Leipzig: Noske, 1913). For astronomical and geographical writings, Cosmas references Aratus, Cleomedes, Ephorus, Eratosthenes, Eudoxus of Cnidus, Geminus, Hipparchus, Marinus of Tyre, Moses of Chorene, Pappus of Alexandria, Pliny the Elder, Posidonius, Ptolemy and Strabo.


id: transcultural-9128
title: The Korean Images of Tibet and Sirhak Scholars | Tikhonov | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 6457
sentence: 258
flesch: 56
cache: cache/transcultural-9128.htm
txt: txt/transcultural-9128.txt
summary:
  Buddhist Tibet was seen as a land of “evil heresy” (sasul)—frightening, but also fascinatingly exotic. Although superficially direct in the sense of direct contacts between Koryô court, monks and Tibetan religious figures, it appears that the interaction between Koryô and Tibet was still essentially mediated by the regional centre, Yuan China.


id: transcultural-12313
title: A Mathematic Expression of Art | Gasparini | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 9132
sentence: 450
flesch: 57
cache: cache/transcultural-12313.htm
txt: txt/transcultural-12313.txt
summary:
  Aside from patterns and compositions woven within the grounds, embroidering (in different stitches) and tie-dyeing or clamp-resist dyeing were also among the techniques used for patterning Central Asian textiles; they were often made in plain structures or in gauze and kesi 刻絲 tapestry. [Treasures in silk: an illustrated history of Chinese textiles], (Hangzhou: Yishatang.


id: transcultural-24153
author: Skrefsrud, Thor-André
date: 2022-06-17
pages: 20
extension: .pdf
mime: application/pdf
words: 8270
sentence: 274
flesch: 27
cache: cache/transcultural-24153.pdf
txt: txt/transcultural-24153.txt
title:
  A Transcultural Approach to Cross-cultural Studies: Towards an Alternative to a National Culture Model

summary:
  From a corporate perspective, Markus Hofelich notes that to act as if one is above national cultural differences is to give the impression that one is systematically working against them.24 Hofstede sought to mitigate against these issues, writing that “the study of national cultures is stimulated by a need for better international understanding and cooperation and is made possible by the availability of more systematic and more objective information. A Transcultural Approach to Cross- cultural Studies: Towards an Alternative to a National Culture Model Thor-André Skrefsrud Introduction Processes of globalization and international migration are changing societies across the world.


id: transcultural-13009
title: The Chinese Commission to Cuba (1874) | Ng | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 9539
sentence: 367
flesch: 50
cache: cache/transcultural-13009.htm
txt: txt/transcultural-13009.txt
summary:
  During his tenure in Peking, the British government signed the Emigration Convention of Peking (1860), which provided safeguards for the well-being of Chinese coolies contracted by British firms.[20] At around the same time, the already abysmal conditions among Chinese coolies became so serious that the coolies themselves appealed to the American consul in Lima for help; he in turn forwarded their petitions to the US State Department, where they were turned over to Samuel Wells Williams.


id: transcultural-24261
author: Amideo, Emilio
title: Language, Memory, and Affect in Diasporic Food Discourse: Austin Clarke’s Barbadian Culinary Memoir
date: 2022-06-17
pages: 18
extension: .pdf
mime: application/pdf
words: 8202
sentence: 274
flesch: 44
cache: cache/transcultural-24261.pdf
txt: txt/transcultural-24261.txt
summary:
  On the other, it allows a sense of relationality to develop in the (figurative or material) act of preparing and sharing a meal, inasmuch as the audience is figuratively invited to dinner in a domestic environment—one that is intimate, or at least informal, making them an intimate confidant/e. The performative gesture of figuratively inviting readers to dinner assumes even greater relevance in a diasporic context, where food enables the creation of a sort of “imagined community” that unites people relationally across the diaspora.30 In this sense, Clarke’s narrative representations of food memories serve as snapshots of his childhood and pivotal life experiences—and, by extension, of experiences shared by the Caribbean immigrant community in Canada—that both he and his readers can savor as part of a Canadian “imagined commensality. While the Canadian edition’s subtitle, “Rituals of Slave Food, A Barbadian Memoir,” additionally emphasizes the connection between the text, slave food, and the Barbadian tradition,23 the subtitle of the US edition focuses more specifically on the text’s subgenre: “A Culinary Memoir.


id: transcultural-22963
title: Editorial Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1888
sentence: 59
flesch: 35
cache: cache/transcultural-22963.htm
txt: txt/transcultural-22963.txt
summary:
  The five articles in this issue, one of which is a translation of a path-breaking article first published in Italian, underline the fertility of transcultural approaches in areas as diverse as the history of science, art history, archaeology, visual anthropology, and literary studies. Even casual readers will easily understand why the magisterial essay on narrative art between India and the Hellenistic world by the late Maurizio Taddei (1936–2000) seemed so important to our concerns that we decided to translate it more than twenty years after its initial publication in 1993.


id: transcultural-11548
title: Combat and Collaboration | Zhang | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 12692
sentence: 767
flesch: 60
cache: cache/transcultural-11548.htm
txt: txt/transcultural-11548.txt
summary:
  As a result, depictions of the real human cost of war were very rare in Japanese propaganda posters. The simple colors, moreover, provided an antithesis to the flamboyant designs of Japanese propaganda posters.


id: transcultural-15674
title: Crossing Boundaries | Brodsky | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10262
sentence: 405
flesch: 49
cache: cache/transcultural-15674.htm
txt: txt/transcultural-15674.txt
summary:
  3).[29] Fig. 3: Rohini Devasher, Hybrid I, 2007, color pencil, archival pigment print on Hahnemuhle photo rag paper, 44″x 44″ (Copyright Rohini Devasher and Project 88 Mumbai). 4: Rohini Devasher, Aboreal, 2011, video still, single channel video, duration 16 minutes (Copyright Rohini Devasher and Project 88 Mumbai).


id: transcultural-23812
author: Gadkar-Wilcox, Wynn
title: Universality, Modernity and Cultural Borrowing Among Vietnamese Intellectuals, 1877–1919
date: 2018-12-20
pages: 20
extension: .pdf
mime: application/pdf
words: 9183
sentence: 319
flesch: 49
cache: cache/transcultural-23812.pdf
txt: txt/transcultural-23812.txt
summary:
  Levenson’s critique focuses not on Western texts or Western ideas at all, but on how modernist epistemologies caused Chinese thinkers to think through elements of Chinese tradition particularistically, as a defined tradition of a national state among particular national states needed to be made equivalent with other European nations. Regardless of whether new knowledge about technology or modernity emanated from Chinese texts or French ones, these texts had the same epistemological result.


id: transcultural-17446
title: Fitting Medieval Europe into the World | Schneidmüller | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10467
sentence: 547
flesch: 59
cache: cache/transcultural-17446.htm
txt: txt/transcultural-17446.txt
summary:
  It came into being through various research forays into the constant swings between integration and disintegration in the cultures of medieval Europe. What is still lacking at present is a suitably broad research platform for the history of migrations as a believed-in normality in medieval Europe.


id: transcultural-15114
author: Hacker, Andrea
title: Cover 2014/1
date: 2014-07-04
pages: 3
extension: .pdf
mime: application/pdf
words: 701
sentence: 25
flesch: 41
cache: cache/transcultural-15114.pdf
txt: txt/transcultural-15114.txt
summary:
  Transcultural Studies is an open-access e-journal published bi-annually by the Cluster of Excellence, “Asia and Europe in a Global Context: The Dynamics of Transculturality“ at the Ruprecht-Karls-Universität Heidelberg. She has held positions as a visiting scholar and research fellow at various institutions, including the Center for Chinese Studies in Taipei, Taiwan, Harvard University, and the European University Institute.


id: transcultural-10950
title: From Theology’s Handmaid to the Science of Sciences | Sela | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 16919
sentence: 624
flesch: 50
cache: cache/transcultural-10950.htm
txt: txt/transcultural-10950.txt
summary:
  The first book entitled Zhongguo zhexue shi 中國哲學史 (History of Chinese Philosophy) was published in 1916 by Xie Wuliang (謝無量, 1884–1964), who also mentioned the Japanese origin of the term zhexue, and stressed, like Cai and others before him, that “all the principles of science derive from philosophy […] Philosophy is in fact the source of science” (凡科學之原理無不出於哲學[...]哲學實為科學之原矣).[121] That the history of Chinese philosophy was written, however, did not mean that a consensus existed about the very idea that there ever was such a thing called “Chinese philosophy.” The publication of other Jesuit works on “Chinese philosophy,” the most famous of which was the Confucius Sinarum Philosophus (published in Paris in 1687),[45] brought new ideas from China to Europe.


id: transcultural-1927
title: Japanese Neutrality in the Nineteenth Century | Howland | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 10867
sentence: 396
flesch: 47
cache: cache/transcultural-1927.htm
txt: txt/transcultural-1927.txt
summary:
  This essay examines Japanese neutrality in the context of the history of neutrality during the nineteenth century. Thus, no solution was achieved during the war, and only when Prussia became generous after its victory over France did it forgive Japan’s inability to force France to obey Japanese neutrality regulations.


id: transcultural-23510
title: Editorial Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1790
sentence: 44
flesch: 23
cache: cache/transcultural-23510.htm
txt: txt/transcultural-23510.txt
summary:
  Art history’s move away from a history of style into the more amorphous field of visual culture can be seen as an attempt to make space for different media—prints, posters, video, film, and digital images. Diverse in terms of disciplinary background (ranging from intellectual and missionary history to media studies, art history, and anthropology) and regional focus (including Japan, China, West- and Central Asia as well as the United States), the four studies highlight, each in their own way, the complex ways in which individual and collective agency is distributed in the contested creation of inescapably entangled worlds.


id: transcultural-23490
title: Re-thinking Artistic Knowledge Production | Koch | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 2800
sentence: 88
flesch: 29
cache: cache/transcultural-23490.htm
txt: txt/transcultural-23490.txt
summary:
  Both texts zoom into complex phenomena of collaborative creative knowledge production as they reflect on the methodological decision to limit their scope to one region or an even narrower urban locale. [2] and hosted by the chair of global art history at Heidelberg University.[3] An investigation of distributed forms of artistic, or more generally of aesthetic, knowledge production in times of global connectivity calls for a transcultural perspective.


id: transcultural-22969
author: Hacker, Andrea
title: Cover 2015/1
date: 2015-08-03
pages: 3
extension: .pdf
mime: application/pdf
words: 699
sentence: 28
flesch: 40
cache: cache/transcultural-22969.pdf
txt: txt/transcultural-22969.txt
summary:
  Her research focuses on large art events and emerging contemporary art scenes in Delhi and Kathmandu as well as mediatised affection and politics of affect in urban India. Lisa Bixenstine Safford is professor of art history and chair of the art department at Hiram College in Ohio.


id: transcultural-11816
title: Editorial Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1053
sentence: 31
flesch: 24
cache: cache/transcultural-11816.htm
txt: txt/transcultural-11816.txt
summary:
  One reason for this intransigence may, paradoxically, lie in the remarkable growth of “comparative philosophy.” Since its modest beginnings in mid-twentieth-century North America, comparative philosophy has established itself as a sizeable sector of the global philosophical economy, with a sustainable infrastructure of dedicated chairs, specialised journals, and professional associations.


id: transcultural-10072
title: “Luxury” and “the Surprising” | Zhuang | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 13504
sentence: 717
flesch: 54
cache: cache/transcultural-10072.htm
txt: txt/transcultural-10072.txt
summary:
  In Britain, the Chinese garden, known for its irregularity and its capacity to please the senses and imagination, was evoked by various people, including Sir William Temple (1628–1699) and Joseph Addison (1672–1719), in order to articulate and legitimate their own interests and pursuits in society.[3] In the late eighteenth century, a book entitled Dissertation on Oriental Gardening (1772)[4] by Sir William Chambers (1723–1796),[5] an architect to King George III (r. 1760–1801), marked yet a new representation of Chinese gardens. To Which Is Added, an Heroic Epistle [by William Mason], in Answer to Sir William Chambers ...


id: transcultural-9083
title: Krishna and the Plaster Cast | Falser | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 13521
sentence: 486
flesch: 44
cache: cache/transcultural-9083.htm
txt: txt/transcultural-9083.txt
summary:
  Ten years after the final removal of plaster casts from Delaporte’s Musée indochinois, the small-scale Pavillon de l’Indo-Chine,executed by Paul Sabrié, architecte des batiments civils indo-chinoises, in a verticalized Bayon-style (compare the horizontalized version of 1906), marked the silent and unspectacular end in the career of colonial plaster cast translations of Angkor (Fig.36). Fig. A Motivational History of Modern Cast Collections The history of museums with originals and plaster casts as well as plaster cast museums (musées de moulage)carries within it a fundamental contradiction: the general concept of a museum as a protective temple of and site for the cultural education of a larger public through original works of art would not, at first glance, seem to include cast copies.


id: transcultural-20205
extension: .htm
mime: application/xhtml+xml
words: 5937
sentence: 328
flesch: 56
cache: cache/transcultural-20205.htm
txt: txt/transcultural-20205.txt
title:
  The People's Choice: Transcultural Collectivity and the Art of Shared Knowledge Production | Schramm | Transcultural Studies

summary:
  The People's Choice: Transcultural Collectivity and the Art of Shared Knowledge Production | Schramm | Transcultural Studies The People’s Choice: Transcultural Collectivity and the Art of Shared Knowledge Production Samantha Schramm, University of Konstanz On January 10, 1981, the New York-based artistic collective Group Material opened the show The People’s Choice (Arroz con Mango) in a room on 13th Street in New York, which the artists had rented as a space apart from the common institutions of art.[1] The name of the exhibition points to the collective’s agenda; it invites the predominantly Spanish-speaking local residents to participate by choosing the objects to be displayed, including personal everyday objects as well as works specifically created for the exhibition. What does it mean for personal objects to receive a broader cultural meaning in a public exhibition?


id: transcultural-23789
author: Howland, Douglas R.
title: The Territorial Foundations of the Sovereign State in East Asia
date: 2018-12-20
pages: 23
extension: .pdf
mime: application/pdf
words: 10469
sentence: 326
flesch: 38
cache: cache/transcultural-23789.pdf
txt: txt/transcultural-23789.txt
summary:
  Two centuries later, when imperial Japan was interested in expanding and solidifying its position against Russia, as well as developing a “Northeast Asian transportation corridor” through the region, newly corrected maps and Martitz’s legal proposal to define terra nullius as “land without sovereignty” provided a dubious means to demonstrate that the Kando area belonged to Korea—and hence to Japan. 32 Kevin M. Doak, A History of Nationalism in Modern Japan (Leiden: Brill, 2007), 6–11, 32–35; and Stefan Tanaka, New Times in Modern Japan (Princeton University Press, 2004), 48–53, 83–84.


id: transcultural-9361
author: Hacker, Andrea
title: Cover 2012/1
date: 2012-07-02
pages: 3
extension: .pdf
mime: application/pdf
words: 511
sentence: 19
flesch: 40
cache: cache/transcultural-9361.pdf
txt: txt/transcultural-9361.txt
summary:
  Christine Guth is Tutor in Asia Design History at the Royal College of Art and Victoria and Albert Museum. His research interests focus on colonial history but also extend to theories and methods of history from an interdisciplinary perspective.


id: transcultural-17634
title: Editorial Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1865
sentence: 57
flesch: 39
cache: cache/transcultural-17634.htm
txt: txt/transcultural-17634.txt
summary:
  Joyce Brodsky has cooperated with two artists, one, Rohini Devasher, sojourning in New Delhi, the other, Anjali Deshmukh, in New York, to explore transculturality as a lived process of crossing boundaries. And, last but not least, how can we explain the place of Hitler’s Mein Kampf at the top of the Indian bestseller list in our days? Crossing boundaries,as Brodsky’s article shows, is a provocative, creative, and liberating act.


id: transcultural-23985
author: Hye Lim, Joy Nam
title: Conceptualizing Sorrow and Hope: The Discourse of Han in South Korea
date: 2019-08-21
pages: 35
extension: .pdf
mime: application/pdf
words: 14182
sentence: 517
flesch: 49
cache: cache/transcultural-23985.pdf
txt: txt/transcultural-23985.txt
summary:
  Ko repeatedly critiques suggestions that current han is conducive to revolution: It is claimed that this han can birth a new historical will through its accumulated strength, but the logic that the accumulation of han can develop into revolutionary willpower is incorrect. Ko’s perspective on current han is more individualistic compared to the united, collective sense of han as argued by Han and Kim.


id: transcultural-19773
title: Repercussions from the Far East | Ertl | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 11257
sentence: 487
flesch: 53
cache: cache/transcultural-19773.htm
txt: txt/transcultural-19773.txt
summary:
  The situation of Christian communities all over Central and East Asia had already been weakened by the spread of the plague a few decades prior to the shift of power in China.[17] Despite its demise in the late Middle Ages, the Christian presence in the Far East had lasting consequences for the monks’ and traders’ societies of origin. In East Asia, there was a metropolitan see within the northern bow of the Yellow River, which was part of the territory of the partially Christianized Öngüt people.[44] The Nestorians once again secured a foothold in the Chinese heartland—in numerous cities along the Yellow River, in the southeastern Chinese coastal area up to Zayton (Quanzhou),[45] and along the lower course of the Yangzi River.[46]


id: transcultural-18605
title: Translating the “Exact” and “Positive” Sciences | Raina | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 11143
sentence: 487
flesch: 47
cache: cache/transcultural-18605.htm
txt: txt/transcultural-18605.txt
summary:
  The passage is replete with markers of indigenism as well as images of a triumphant Baconian science that are projected onto the past.[4] The methods of observation and experimentation in the sciences of ancient and medieval India had been elaborated upon in the book of Seal; and Sarkar repeatedly turns to Seal’s work (eight times in his book) to justify several of the historical claims in favour of the scientificity and mature stature of Indian science. He starts out in the TPSH by suggesting that the necessity for studying the methodology of the sciences of India derives from the need to arrive at “a right understanding of Hindu positive sciences,” and as a philosopher attempts to take on board “its strength and its weakness, its range and limitations” (Seal 1915, 244).


id: transcultural-23511
author: Hacker, Andrea
title: Cover 2015/2
date: 2015-12-21
pages: 3
extension: .pdf
mime: application/pdf
words: 798
sentence: 25
flesch: 26
cache: cache/transcultural-23511.pdf
txt: txt/transcultural-23511.txt
summary:
  Global Media Cultures—Distributed Creativity” (Heidelberg University, 2013). mailto:david.mervart@uam.es 3Transcultural Studies 2015.2 Franziska Koch is assistant professor to the chair of Global Art History at the Cluster of Excellence “Asia and Europe in a Global Context” at Heidelberg University.


id: transcultural-9116
title: Tomonaga Sanjūrō’s Epistemology of International Relations | Shibasaki | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 13056
sentence: 451
flesch: 48
cache: cache/transcultural-9116.htm
txt: txt/transcultural-9116.txt
summary:
  Introduction The purpose of this article is to explore the historical significance of the life and thought of Tomonaga Sanjūrō (1871-1951), a scholar of the history of western philosophy active from the end of the nineteenth century to the middle of the twentieth.[1] There are two broad reasons for studying Tomonaga. [4] For general descriptions of Tomonaga and his literary works, see “Tomonaga Sanjūrō” in Kindai Nihon tetsugaku shisōka jiten, eds Nakamura Hajime and Takeda Kiyoko (Tokyo:


id: transcultural-9129
title: China on Display for European Audiences? | Koch | Transcultural Studies
extension: .htm
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words: 31580
sentence: 1178
flesch: 48
cache: cache/transcultural-9129.htm
txt: txt/transcultural-9129.txt
summary:
  China/Avant-Garde (literally translated: Chinese modern art exhibition) in 1989.[22] Another route for the reception of Chinese art within the medium of twentieth-century Western exhibition space has been its display in museums dedicated to the presentation of artifacts and the art of “foreign civilizations,” or in museums that specialized in (East) Asian art in particular.


id: transcultural-9620
title: Editor’s Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1496
sentence: 43
flesch: 36
cache: cache/transcultural-9620.htm
txt: txt/transcultural-9620.txt
summary:
  Subrata Mitra explores the dynamics of the interaction between post-colonial national governments with a strong commitment to maintain the unity of the “national” realm inherited from the colonial power, and sub-national movements who vie for greater autonomy or even independence and mobilize resentments by regional groups against their marginalization. That the focus for this second round will be broader becomes apparent in the Cluster’s new subtitle “The Dynamics of Transculturality,” which shows that it intends to test the bold hypothesis that “transcultural interaction is the lifeline of all culture.”


id: transcultural-23582
author: Hacker, Andrea
title: Cover 2016/1
date: 2016-07-21
pages: 3
extension: .pdf
mime: application/pdf
words: 727
sentence: 26
flesch: 36
cache: cache/transcultural-23582.pdf
txt: txt/transcultural-23582.txt
summary:
  Transcultural Studies is edited at the Heidelberg Center for Transcultural Studies (HCTS) and published by Heidelberg University Publishing. She received her doctorate from the School of Oriental and African Studies, University of London in 2014 for her thesis “Charles Bell’s collection of ‘curios:’ Negotiating Tibetan material culture on the Anglo-Tibetan borderlands, 1900–1945.” Kalzang Dorjee Bhutia is currently a lecturer in the Department of Religious Studies at Grinnell College.


id: transcultural-23937
author: Park, Ji Young
title: Representing the Republic of Korea in Europe: The Sarangbang display in Copenhagen and London
date: 2020-01-29
pages: 23
extension: .pdf
mime: application/pdf
words: 9592
sentence: 385
flesch: 49
cache: cache/transcultural-23937.pdf
txt: txt/transcultural-23937.txt
summary:
  With the growing economic and political power of East Asian countries since the 1980s, museographic devices and Korean art-historical research paradigms developed in and for Korean museums increasingly mediate the way Korean art is presented in European and North American museums, where installations receive financial and scholarly support from the South Korean government. Representing the Republic of Korea in Europe: The sarangbang Displays in Copenhagen and London Park Ji Young Mise en exposition as a knowledge communication device Displays depicting traditional Korean houses or room interiors are a frequent occurrence in museums possessing Korean art and culture exhibits.


id: transcultural-9362
title: On the Occasion of the Editor’s 70th Birthday | Juneja | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 143
sentence: 5
flesch: 44
cache: cache/transcultural-9362.htm
txt: txt/transcultural-9362.txt
summary:
  On the Occasion of the Editor’s 70th Birthday | Juneja | Transcultural Studies On the Occasion of the Editor’s 70th Birthday This issue of Transcultural Studies features a first contribution to an untitled series of essays that we have put together to felicitate Rudolf G. Wagner, the journal’s editor and one of the Cluster’s directors during its first phase. In the first offering of this series Roland Wenzlhuemer tells the story of a particular and fascinating genre: ship newspapers produced during long intercontinental journeys, which offer us an unexpected glimpse of this social microcosm in transit.


id: transcultural-1938
title: Imaging Byzantium and Asia | Stephan-Kaissis | Transcultural Studies
extension: .htm
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words: 15704
sentence: 723
flesch: 63
cache: cache/transcultural-1938.htm
txt: txt/transcultural-1938.txt
summary:
  In the same way that anthropomorphic Buddha images have been used as an aid for contemplation and the generation of mental Buddha images, sutra passages and Buddha names were suitable for recitation and invocation, another kind of mental contemplation that would take the believer closer to the Enlightened One, not via the image, but via the word or language. This is true for early Indian Buddhism, which had not yet developed representations of the Buddha in human form, as well as for Chinese Buddhism, which learned about Buddha images when the new religion spread to its territory during the first two centuries CE.


id: transcultural-11454
title: Whaling, Science, and Trans-Maritime Networks, 1910-1914 | Schladitz | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 11625
sentence: 397
flesch: 48
cache: cache/transcultural-11454.htm
txt: txt/transcultural-11454.txt
summary:
  While gray whales had once populated the American west coast, migrating from the northern Pacific to the Baja California peninsula annually, whalers had decimated the regional stocks so dramatically that by the beginning of the twentieth century the species was considered extinct.[50] Andrews' predecessor in gray whale research, Charles S. Scammon, had already written about the possible extinction of the whales in 1874 and, with the disappearance of gray whales and other species, a large portion of the American whaling industry had followed.[51] Not only did this make the acquisition of new specimens and the observation of whales around California impossible, very few animal artifacts had been secured for scientific research during the period of whaling activity. Andrews wanted to improve upon an older systematic description of gray whales that had been published by the whaling captain Charles M. Scammon in 1874.


id: transcultural-9621
author: Hacker, Andrea
title: Cover 2012/2
date: 2012-12-19
pages: 3
extension: .pdf
mime: application/pdf
words: 475
sentence: 16
flesch: 38
cache: cache/transcultural-9621.pdf
txt: txt/transcultural-9621.txt
summary:
  2 Editor's NotE Rudolf G. Wagner .04 ArticlEs Neil MacGregor Trajectories of Meaning: the Shifting Power of Things .07 Subrata Mitra Sub-National Movements, Cultural Flow, and the Malleability of Political Space: From Rational Choice to Transcultural Perspective and Back Again .08 themed section: the transcultural travels of trends Xuelei Huang From East Lynne to Konggu Lan: Transcultural Tour, Trans-Medial Translation .48 Petra Thiel Tracking Trends and Brands in the International Children’s Book Market .85 2 Contributors to this Issue Transcultural Studies, No 2, 2012, ISSN: 2191-6411 Editors: Rudolf G. Wagner, Ruprecht-Karls-Universität Heidelberg Monica Juneja,Ruprecht-Karls-Universität Heidelberg Managing Editor: Andrea Hacker Editorial Board: Christiane Brosius, Antje Fluechter, Madeleine Herren, Monica Juneja, Birgit Kellner, Joachim Kurtz, Axel Michaels, and Roland Wenzlhuemer. Transcultural Studies is an open-access e-journal published bi-annually by the Cluster of Excellence, “Asia and Europe in a Global Context: Shifting Asymmetries in Cultural Flows“ at the Ruprecht-Karls-Universität Heidelberg.


id: transcultural-16507
title: Emplacing and Excavating the City | Brosius | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 17521
sentence: 816
flesch: 54
cache: cache/transcultural-16507.htm
txt: txt/transcultural-16507.txt
summary:
  Focus 2: State and non-state contestations The second part of this paper explores public art as inhabiting the space between institutionalised, national venues and informal, open infrastructures––particularly with respect to the issue of public urban space controlled by the state versus vernacular space managed by subaltern or civil forces from (often) bourgeois backgrounds (Deutsche 1996, XXI). This slippage between what might also be termed official and unofficial, dominant and demotic, allows us to further excavate aspects of how urban public space is constituted.


id: transcultural-23583
title: Editorial Note
extension: .htm
mime: application/xhtml+xml
words: 2064
sentence: 58
flesch: 27
cache: cache/transcultural-23583.htm
txt: txt/transcultural-23583.txt
summary:
  Her unrivalled personal experiences and profound knowledge, combined with a strong impetus for intellectual self-staging as well as reliance on spiritual guidance, provide a powerful example for the role of transcultural interaction among individual agents in the emergence of global Buddhism. Eschewing a reductionist account of colonial domination, the themed section uncovers the “hidden histories” and significance of local elites while also exploring the complex motivations, loyalties, and networks of the foreigners congregating here, highlighting connections and intersections within the broader narratives of global history.


id: transcultural-23644
author: Hacker, Andrea
title: Cover 2016/2
date: 2017-04-07
pages: 3
extension: .pdf
mime: application/pdf
words: 764
sentence: 27
flesch: 36
cache: cache/transcultural-23644.pdf
txt: txt/transcultural-23644.txt
summary:
  Transcultural Studies is edited at the Heidelberg Center for Transcultural Studies (HCTS) and published by Heidelberg University Publishing. Tracing the Emergence of Medieval Western Europe (Oxford: Oxford University Press, 2015), and currently holds the position of Start-up Professor for Transcultural Studies at the Cluster Asia and Europe in a Global Context.


id: transcultural-15554
title: A Voluntary Gleichschaltung | Zachariah | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 18558
sentence: 676
flesch: 50
cache: cache/transcultural-15554.htm
txt: txt/transcultural-15554.txt
summary:
  A Voluntary Gleichschaltung | Zachariah | Transcultural Studies A Voluntary Gleichschaltung? Perspectives from India towards a non-Eurocentric Understanding of Fascism Benjamin Zachariah, Ruprecht-Karls-Universität Heidelberg Introduction Using historical material from India, this essay is part of a larger attempt to rethink the Eurocentrism, explicit or implicit, which marks our understanding of fascism; and also to rethink Indian fascism using (often Eurocentric) theories of fascism.[1] This is not the place to reprise the debates about modernity and modernism in relation to Indian fascism.


id: transcultural-22215
title: Narrative Art Between India and the Hellenistic World | Taddei | Transcultural Studies
extension: .htm
mime: text/html
words: 15931
sentence: 605
flesch: 55
cache: cache/transcultural-22215.htm
txt: txt/transcultural-22215.txt
summary:
  —Th. Duret The Gandharan School is not an example of Hellenistic influence upon Indian art, but the reverse [...] —E. B. Havell [...] the Gandhāra School was merely a branch of the cosmopolitan Graeco-Roman art of the early empire. —V. A. Smith[1] For the last century and more, the study of Indian art has been investigating the most formal, or rather morphological aspects of the ancient production, coming to a stylistic classification that is fairly accurate, though not as sophisticated as that of Greek art; at the same time, efforts were made to pursue an analysis of the images that made the most of the literary tradition, in an endeavor to decipher and classify or, in other words, label, the figurative scenes.


id: transcultural-23514
extension: .htm
mime: application/xhtml+xml
words: 12082
sentence: 709
flesch: 54
cache: cache/transcultural-23514.htm
txt: txt/transcultural-23514.txt
title:
  Art as Refuge: Jewish Publishers as Cultural Brokers in Early 1920s Russian Berlin | Susanne Marten-Finnis | Transcultural Studies

summary:
  Art as Refuge: Jewish Publishers as Cultural Brokers in Early 1920s Russian Berlin | Susanne Marten-Finnis | Transcultural Studies Art as Refuge: Jewish Publishers as Cultural Brokers in Early 1920s Russian Berlin Susanne Marten-Finnis, University of Portsmouth Berlin as the chief centre of Russian publishing During the years 1921 to 1924, Berlin saw the rise of a vibrant Russian publishing landscape that was largely based on the mediation of agents from the metropolitan centres Moscow and St. Petersburg. The endeavours of these agents to maintain the dialogue between creative forces in Russia and in Berlin during the years 1921−24, and the strong interaction they facilitated between what was eventually to crystallize into two divergent branches of Russian cultural production[48] —Soviet and émigré—represent the most prominent feature of “Russian Berlin.”


id: transcultural-9072
title: (Re-)Configuring Mao | Gehrig | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 18003
sentence: 1255
flesch: 62
cache: cache/transcultural-9072.htm
txt: txt/transcultural-9072.txt
summary:
  These methods would later be enlivened with catchy Mao slogans, taken from the Chinese Foreign Language Press’ German version of the “Little Red Book” available in West Germany since 1966.[54] Provocative instances of “direct action,” first developed by the American student association Students for a Democratic Society (SDS), which despite the identical abbreviation based its actions on a very different theoretical basis than its West German counterpart mentioned above, now captivated also the imagination of West German activists. For a short while during the years of 1967-72, a variety of subcultural groups, ranging from militants and terrorists to cadre parties, used Mao slogans.


id: transcultural-9275
title: Instituting Artists’ Collectives | Sawant | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 9847
sentence: 357
flesch: 45
cache: cache/transcultural-9275.htm
txt: txt/transcultural-9275.txt
summary:
  [46] Today, Karnataka has the largest number of art schools in India. But it is precisely this kind of practice that has come to dominate the art worlds of Mumbai and Delhi in the last few years where works are being tailor-made for transaction as peripatetic objects with signature value in the “big top” of the art fair.[3] Even more baffling are the recent explanations offered by critics who now speak of a “post-critical” turn in art.[4] Yet there are art worlds that thrive on the periphery of the art fair and auction house circuits.


id: transcultural-23642
extension: .htm
mime: application/xhtml+xml
words: 4708
sentence: 152
flesch: 25
cache: cache/transcultural-23642.htm
txt: txt/transcultural-23642.txt
title:
  The Transcultural Approach Within a Disciplinary Framework | Daniel G. König and Katja Rakow | Transcultural Studies

summary:
  So far, this relationship has rarely been addressed and, if it has, then with concerns about challenges of interdisciplinary cooperation rather than the formation and education of transcultural scholars from an early stage onwards.[22] The problem of cross-disciplinary cooperation constitutes an important challenge to all disciplines and fields of research as well as to transcultural studies as such: as already sketched out above, the diversity of interpretations associated with the transcultural paradigm also results from the fact that each scholar using the paradigm reacts to a very specific range of ideas, tenets, methods, and discussions that are characteristic of his or her field of specialization. Many also taught in a master’s programme in transcultural studies, a new and exciting transdisciplinary degree programme that introduces students from various disciplinary backgrounds to the transcultural paradigm and its associated methods and fields of investigation.


id: transcultural-23539
title: A Space That Has Been Labored On | Jayeeta Sharma | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 12078
sentence: 527
flesch: 49
cache: cache/transcultural-23539.htm
txt: txt/transcultural-23539.txt
summary:
  At the Darjeeling hill station of British India, high altitudes and temperate climes promised to alleviate bodily ills and nurture modernity through the plantation, missionary, military, and mountaineering enterprises that had taken root. [82] “The Wernicke-Stolke story,” photocopy of a history of a family of Darjeeling planters, 1841–1937, Wernicke-Stolke Family papers, Mss.


id: transcultural-23708
author: Hacker, Andrea
title: Cover 2017/1
date: 2017-10-10
pages: 3
extension: .pdf
mime: application/pdf
words: 777
sentence: 32
flesch: 37
cache: cache/transcultural-23708.pdf
txt: txt/transcultural-23708.txt
summary:
  Transcultural Studies is edited at the Heidelberg Center for Transcultural Studies (HCTS) and published by Heidelberg University Publishing. As senior research fellow of the Leibniz-Zentrum Moderner Orient in Berlin, he is researching Muslim actors and institutions in South Asia and their impact in other regions of the world.


id: transcultural-10747
title: Ono Azusa and the Meiji Constitution | Takeharu | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 18787
sentence: 919
flesch: 59
cache: cache/transcultural-10747.htm
txt: txt/transcultural-10747.txt
summary:
  Civil law which set up and defended legal civil rights could only be established in a political society rooted in the ethos of independence and self-government. We may find the background to this idea in the historical context of the codification of civil law that occurred in the Netherlands in the nineteenth century.[22]


id: transcultural-1928
extension: .htm
mime: application/xhtml+xml
words: 13280
sentence: 528
flesch: 52
cache: cache/transcultural-1928.htm
txt: txt/transcultural-1928.txt
title:
  Writing About Modernist Painting Outside Western Europe and North America | Elkins | Transcultura Studies

summary:
  But that world does not yet exist, and the proof is very simple: Clark’s Modern Asian Art is a work of Western art history, shot through with Western postcolonial theory, Western protocols for the writing and research of art history, Western interpretive methods, and a very Western concern with modernism. Clark wants to change the terms of the conversation in modernist art history so that works like Naked Beauty will not be devalued or ignored, but there is a severe obstacle in the way of that entirely admirable goal: the very structure of art history and modernism.


id: transcultural-23787
author: Juneja, Monica; Kurtz, Joachim; Wagner, Rudolf G.
title: Issue 2017/2
date: 2018-04-19
pages: 3
extension: .pdf
mime: application/pdf
words: 1363
sentence: 42
flesch: 41
cache: cache/transcultural-23787.pdf
txt: txt/transcultural-23787.txt
summary:
  What does the reliance on family members to manage these dependencies say about the Tashiroya family’s (lack of) trust in legal institutions in other treaty ports or states to secure its rights? Are the successful ones among them primarily part of the geographical and political entity where they are situated, or primarily part of a network of treaty ports and other international hubs with which they share a substantial degree of independence from the government?


id: transcultural-9359
title: Editor’s Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 927
sentence: 31
flesch: 45
cache: cache/transcultural-9359.htm
txt: txt/transcultural-9359.txt
summary:
  This is good news for the growing field of transcultural studies. Recent months have seen a lively discussion in academic circles and the press about the heavy financial burden that subscriptions to scholarly journals pose on universities.


id: transcultural-10769
title: Images, Knowledge, and Empire | Lai | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 33490
sentence: 1878
flesch: 67
cache: cache/transcultural-10769.htm
txt: txt/transcultural-10769.txt
summary:
  The following is a reconstruction of the production of emo bird paintings by the court workshops. This choice is very much at odds with all of China’s traditional genres: bird paintings, encyclopaedia figures, and illustrations of herbal materia medica.


id: transcultural-9940
extension: .htm
mime: application/xhtml+xml
words: 11106
sentence: 646
flesch: 44
cache: cache/transcultural-9940.htm
txt: txt/transcultural-9940.txt
title:
  Global Mobility, Transcultural Literature, and Multiple Modes of Modernity | Dagnino | Transcultural Studies

summary:
  In this light, we might thus imply that early twenty first-century expressions of transcultural literature—by creating, re-creating, interlacing and, most importantly, negotiating diverse cultural landscapes—contribute to open up new worlds, new modernities connected to the present age of global mobility, and show us the strengths and at the same time the limits and the illusory perception of single bounded cultures/civilisations and monocultural/monological identities. Rather, it must be located, immanently within the temporality of a modernity embracing new cultural forms that have been and are still developing in what used to be the non-West and that now offer an occasion for dialectical encounter.[44] In this light, modernity becomes, in all its modes, negotiations, translations, and declinations, “a commonly shared condition.


id: transcultural-9363
extension: .htm
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words: 12966
sentence: 710
flesch: 61
cache: cache/transcultural-9363.htm
txt: txt/transcultural-9363.txt
title:
  Ship Newspapers and Passenger Life Aboard Transoceanic Steamships in the Late Nineteenth Century | Wenzelhuemer & Offermann | Transcultural Studies

summary:
  So far, ship newspapers have been almost completely overlooked by historians—despite the fact that they are unique, almost unsurpassable sources for life on passenger ships in the late nineteenth century. Ship newspapers as source material Studying ship newspapers as historical sources can be one way to gain more direct access to such interaction on ship passages at least as far as nineteenth- and twentieth-century steamer passages are concerned.


id: transcultural-16061
title: Art at the Crossroads | Safford | Transcultural Studies
extension: .htm
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words: 16615
sentence: 718
flesch: 51
cache: cache/transcultural-16061.htm
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summary:
  The present collection of Vietnamese art in the Vietnam Fine Arts Museum gives us a clue to the disparaging stance of the French towards traditional Vietnamese arts. We are witnessing the impulse of an entire people whose sole and most profound desire is to adopt our culture and, indeed, our language.[23] The French art teachers Tardieu and Inguimberty explored other East Asian artistic traditions and Vietnamese folk arts and endeavored to educate pupils about their own history.


id: transcultural-23587
title: Weapon of the Discontented? | Jeanine Dagyeli | Transcultural Studies
extension: .htm
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words: 10724
sentence: 592
flesch: 61
cache: cache/transcultural-23587.htm
txt: txt/transcultural-23587.txt
summary:
  Like other border regions in the Pamir and Karakoram region, Eastern Bukhara and its less important provinces like Kūlāb were conceived as marginal from the viewpoint of their respective political and economic centres like Bukhara or Kabul, yet these regions were spaces in their own right in that they were “inhabited by a diversity of often-fluid communities, as well as shifting identity formations” (Marsden et al. 2011, 4). In border regions like Kūlāb, the trans-river orientation created a space of continuously shared culture and economy even under different political regimes.


id: transcultural-23792
author: Fessler, Susanna
title: Anesaki Masaharu's Reception of Leo Tolstoy and His Failed Attempt at Finding the Faith
date: 2018-12-20
pages: 23
extension: .pdf
mime: application/pdf
words: 10164
sentence: 425
flesch: 54
cache: cache/transcultural-23792.pdf
txt: txt/transcultural-23792.txt
summary:
  Fessler_Design_3_12_2016.indd Anesaki Masaharu’s Reception of Leo Tolstoy and His Failed Attempt at Finding the Faith Susanna Fessler, University at Albany Most of the British and American newspapers have reprinted Tolstoy’s passionate, prophetic, and masterful essay. He argued that his 12 James Edward Ketelaar, Of Heretics and Martyrs in Meiji Japan: Buddhism and Its Persecution (Princeton: Princeton University Press, 1990), 132. 13 See Anesaki Masaharu, “How Christianity Appeals to a Japanese Buddhist,” Hibbert Journal 4 (October 1905–July 1906), 1–18. 14 Of particular note is his treatise Shūkyōgaku gairon 宗教学概論


id: transcultural-23788
author: Ó Ríagáin, Russell
title: Cover 2017/2
date: 2018-04-19
pages: 3
extension: .pdf
mime: application/pdf
words: 489
sentence: 14
flesch: 26
cache: cache/transcultural-23788.pdf
txt: txt/transcultural-23788.txt
summary:
  Egas Moniz Bandeira is a PhD candidate at the Cluster of Excellence “Asia and Europe in a Global Context” at Heidelberg University, as well as at the School of Law of Tohoku University in Sendai (Japan). He studied 3Transcultural Studies 2017.2 Law and East Asian Studies at Heidelberg University and is licensed to practice law in Germany.


id: transcultural-23590
extension: .htm
mime: application/xhtml+xml
words: 10779
sentence: 808
flesch: 65
cache: cache/transcultural-23590.htm
txt: txt/transcultural-23590.txt
title:
  Engaged Ephemeral Art: Street Art and the Egyptian Arab Spring | Saphinaz-Amal Naguib | Transcultural Studies

summary:
  Street art, graffiti, and calligraffiti are perhaps the most striking forms of art from this short period. In Egypt, street art has its well-known and established artists and writers.


id: transcultural-23541
extension: .htm
mime: application/xhtml+xml
words: 17339
sentence: 709
flesch: 58
cache: cache/transcultural-23541.htm
txt: txt/transcultural-23541.txt
title:
  On the Threshold of the “Land of Marvels:” Alexandra David-Neel in Sikkim and the Making of Global Buddhism | Thévoz | Transcultural Studies

summary:
  [36] Alexandra David, “Quelques écrivains bouddhistes contemporains,” Mercure de France 82, no. 300 (16 December 1909): 637–647 and David, Le modernisme bouddhiste et le bouddhisme du Bouddha (Paris: Alcan, 1911). Alexandra David-Neel as a writer and a committed Buddhist David-Neel’s trajectory before specializing in Asian and Buddhist topics from 1909 onward is both strikingly singular and deeply telling of the cultural background from which Western Buddhism emerged in the nineteenth century’s fin de siècle intellectual circles: She had been a journal writer on feminist and anarchist topics[46] from 1893 onward under the pen names Alexandra David and Mitra—a mythological name from the Vedas—and an opera singer under the stage name Alexandra Myrial, presumably after Victor Hugo’s fictional character Mr. Myriel in Les Misérables (1862).


id: transcultural-23603
extension: .htm
mime: application/xhtml+xml
words: 10423
sentence: 395
flesch: 42
cache: cache/transcultural-23603.htm
txt: txt/transcultural-23603.txt
title:
  Religious Studies and Transcultural Studies: Revealing a Cosmos Not Known Before? | Esther Berg & Katja Rakow | Transcultural Studies

summary:
  Such transformations, syncretisms, or hybrid traditions, once considered exceptions or aberrations of “the one true teaching,” now came to be understood as the historical norm, a typical pattern of the dynamics of religious history in general. Many claimed to have been profoundly impacted by what they experienced and left to establish missions and new Pentecostal centres in their own countries of origin, or wherever their missionary zeal called them to go.[79] Based on this transcultural way of re-reading the Azusa event, and following Adogame and Shankar’s call to “decenter” the North Atlantic as a reference frame for the narration of religious histories, we thus suggest that the revival at Azusa Street was less an “American event” than an inherently transcultural and translocal moment.


id: transcultural-23706
title: Ukiyo-e between Pop Art and (Trans)cultural Appropriation | Srđan Tunić | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 7601
sentence: 378
flesch: 54
cache: cache/transcultural-23706.htm
txt: txt/transcultural-23706.txt
summary:
  For me, this metaphor illustrates the scope of Japanese art and culture’s influence on Kafedžić’s work.[2] Example: The Appropriation and Reproduction Process of 100 Great Waves The Great Wave off Kanagawa (神奈川沖浪裏 Kanagawa Oki Nami Ura), by Katsushika Hokusai, is one of the most recognizable icons of Japan, a visual emblem referring to both Ukiyo-e and Japanese art in general.


id: transcultural-23643
title: Editorial Note | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 3695
sentence: 107
flesch: 31
cache: cache/transcultural-23643.htm
txt: txt/transcultural-23643.txt
summary:
  As such, they can be read, like many articles in our previous issues, as exemplifying, and at the same time embracing, the potential of transcultural studies. The field of transcultural studies, systematically researched during the past years not only at the Heidelberg Cluster “Asia and Europe in a Global Context,” now resonates in multiple directions.


id: transcultural-11067
title: Sites of Disconnectedness | Wakita | Transcultural Studies
extension: .htm
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words: 17394
sentence: 932
flesch: 57
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txt: txt/transcultural-11067.txt
summary:
  This paper will thus explore the multifaceted and changing aspects of Yokohama photography and its image-making practices in constant dialogue with the changing conditions of the photographers themselves, as well as of the port city, of travel, and of photographic technology.[7] The souvenir photography industry in Yokohama After Commodore Perry’s arrival in 1853 and the subsequent end of Japan’s policy of national seclusion, the United States–Japan Treaty of Amity and Commerce was signed in 1858 with the stipulation that Japan would open five Treaty Ports for foreign commerce and settlement in the following year. [The world of Yokohama photography] in.


id: transcultural-9543
title: Trajectories of Meaning | MacGregor | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 102
sentence: 4
flesch: 44
cache: cache/transcultural-9543.htm
txt: txt/transcultural-9543.txt
summary:
  Trajectories of Meaning | MacGregor | Transcultural Studies Trajectories of Meaning: the Shifting Power of Things Neil MacGregor, British Museum, London The following podcast is based on a keynote lecture given by Neil MacGregor on October 10th, 2012.  1: Neil MacGregor during his lecture in the Alte Aula of the Ruprecht-Karls-Universität Heidelberg


id: transcultural-23509
extension: .htm
mime: application/xhtml+xml
words: 16478
sentence: 710
flesch: 55
cache: cache/transcultural-23509.htm
txt: txt/transcultural-23509.txt
title:
  The Reception of Max Weber's Cubist Poems (1914) in Taishō Japan | Pierantonio Zanotti | Transcultural Studies

summary:
  According to scholars of modern Japanese poetry, Weber’s poems (especially as read along the interpretive lines of Matsuura Hajime in Bungaku no honshitsu) actually influenced two other earlier experimenters in avant-garde poetry: Hirato Renkichi (1893‒1922)[77] and, to a greater degree, Kanbara Tai.[78] A full analysis of Hirato’s poetry is well beyond the scope of this paper,[79] but even though he pledged allegiance to Futurism with a manifesto distributed in late 1921, Hirato also wrote two poems that he himself labelled as “cubist.” The Reception of Max Weber's Cubist Poems (1914) in Taishō Japan | Pierantonio Zanotti | Transcultural Studies The Reception of Max Weber’s Cubist Poems (1914) in Taishō Japan Pierantonio Zanotti, Ca’ Foscari University of Venice In this paper,[1]


id: transcultural-23584
title: Mediating Mobile Traditions | Dietrich Reetz | Transcultural Studies
extension: .htm
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words: 15939
sentence: 861
flesch: 50
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txt: txt/transcultural-23584.txt
summary:
  Some actors in these states also responded to the charm offensive by Pakistan religious actors and institutions,[14] often seeking support in their political contestation with the post-Soviet bureaucratic elite, the nomenklatura. [52] For the structure of state religious institutions of Islam, see Schmitz 2015.


id: transcultural-9155
extension: .htm
mime: application/xhtml+xml
words: 14928
sentence: 524
flesch: 43
cache: cache/transcultural-9155.htm
txt: txt/transcultural-9155.txt
title:
  Sub-National Movements, Cultural Flow, the Modern State and the Malleability of Political Space | Mitra | Transcultural Studies

summary:
  The standard approach of comparative politics is to depict sub-national movements as political movements that arise typically from a conflation of identity and material interests. , this article juxtaposes two methods of analysing the phenomenon of sub-national movements (a special type of ethno-national movement) within the larger framework of the challenge of state-formation and nation-building in multi-ethnic, post-colonial states.[1]


id: transcultural-23601
extension: .htm
mime: application/xhtml+xml
words: 15371
sentence: 516
flesch: 37
cache: cache/transcultural-23601.htm
txt: txt/transcultural-23601.txt
title:
  Sinology: Chinese Intellectual History and Transcultural Studies | Pablo A. Blitstein | Transcultural Studies

summary:
  Such an approach to global history, explicitly or not, has had a definite impact in Chinese history at large, and Chinese intellectual history is no exception.[41] Sinology: Chinese Intellectual History and Transcultural Studies | Pablo A. Blitstein | Transcultural Studies Sinology: Chinese Intellectual History and Transcultural Studies Pablo A. Blitstein, Ruprecht-Karls-Universität Heidelberg The guest editors of this journal issue have kindly asked me to provide a short overview of the relation between transcultural studies and Chinese intellectual history in Euro-American academia.


id: transcultural-23707
title: Editorial Note | Rudolf Wagner and Diamantis Panagiotopouos | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 1992
sentence: 55
flesch: 32
cache: cache/transcultural-23707.htm
txt: txt/transcultural-23707.txt
summary:
  Their topics cover the activities of South Asian Muslim networks in the context of transregional interaction with actors and institutions from Post-Soviet Central Asia (Reetz); the transregional character of the Panj and Amu river regions in Eastern Bukhara and the increased leeway coming with marginality (Dağyeli); processes of territorialisation in Gilgit-Baltistan by the Pakistani state and the counter-force of local responses (Bouzas); and the history of the Soviet Union’s engagement in northern Afghanistan as a turn of the region from a socialist borderscape to a “postcolony” (Nunan). They did so in an environment characterized by dramatic change, which reframed inter-state relations as much as it impacted local governments and communities: the dissolution of the Soviet Union, the re-emergence of older connections between South and Central Asia, the introduction of market economies, and the rising concerns about radical Islam.


id: transcultural-23542
extension: .htm
mime: application/xhtml+xml
words: 4362
sentence: 135
flesch: 33
cache: cache/transcultural-23542.htm
txt: txt/transcultural-23542.txt
title:
  Global Encounters, Local Places | Harris, Holmes-Tagchungdarpa, Sharma, Viehbeck | Transcultural Studies

summary:
  It is largely inspired by Sanjay Subrahmanyam’s call for “connected histories” that explore how local and regional places, transactions, and encounters constitute global histories through the circulation of people, ideas, and commodities into and across such spaces.[1] Contributors seek to develop this model as an alternative to the dominant historiographies and area studies scholarship that privileged nation state-centred histories and Cold War political formations over connective and transnational ones. This themed section of the journal Transcultural Studies engages with such multiple journeys and crossings around Darjeeling and Kalimpong and offers alternative approaches which connect and intersect the history of local places and spaces with broader narratives of global history.


id: transcultural-23669
author: Yamamoto, Takahiro
title: Privilege and Competition: Tashiroya in the East Asian Treaty Ports, 1860–1895
date: 2018-04-19
pages: 24
extension: .pdf
mime: application/pdf
words: 10095
sentence: 433
flesch: 59
cache: cache/transcultural-23669.pdf
txt: txt/transcultural-23669.txt
summary:
  Multiple entries on a single passport had been allowed since 1878 between China and Japan, specifically for the convenience of people like Tashiroya employees.57 In Tianjin, the import of foreign porcelain (which effectively meant Japanese porcelain) surged tenfold in 1885 from the previous year (chart 1).39 However, this boom lasted for just two years.


id: transcultural-13129
extension: .htm
mime: application/xhtml+xml
words: 24166
sentence: 1502
flesch: 64
summary: Disc 1 of Landmarks of Early Soviet Film. Disc 3 of Landmarks of Early Soviet Film.
cache: cache/transcultural-13129.htm
txt: txt/transcultural-13129.txt
title:
  The Ideological Antecedents of the First-Series Renminbi Worker-and-Peasant Banknote | Schwartz | Transcultural Studies


id: transcultural-22765
title: The Republic of Letters Comes to Nagasaki | Mervart | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 12758
sentence: 435
flesch: 49
cache: cache/transcultural-22765.htm
txt: txt/transcultural-22765.txt
summary:
  It was Dutch books, which often meant Dutch translations from other European vernaculars or Latin, that provided Japan’s own community of the learned with snippets of not only Newton and Kepler, but also Grotius, Justinian, and Virgil. III. By contrast, other instances of conversations, those consisting of, say, Latin texts in Dutch translations entering Japanese debates, or Chinese texts in French translations entering English debates, are kept out of the range of what is supposed to be typical or representative.


id: transcultural-7315
title: China “Asleep” and “Awakening.” | Wagner | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 47100
sentence: 2015
flesch: 61
cache: cache/transcultural-7315.htm
txt: txt/transcultural-7315.txt
summary:
  An opera performance with the leading male role sung by a character called “the youth of new China” (新中國之少年) evokes in detail the history of the revolutionary wars through which the renovated China was created. It unfolds when the narrator has a vision of future China, an obvious reference to the first Chinese political novel, A Future Record of New China written in 1902 by none other than Liang Qichao.[179]


id: transcultural-20202
extension: .htm
mime: text/html
words: 16609
sentence: 888
flesch: 54
cache: cache/transcultural-20202.htm
txt: txt/transcultural-20202.txt
title:
  Indigenous Knowledge in the Production of Early Twentieth Century American Popular Culture | Bender | Transcultural Studies

summary:
  Later, the split between anthropologists who focused on what until the 1970s was considered “real tradition” and those concerned with the victimizing effects of acculturation, especially Christianization, pauperization, and cultural loss, contributed to the pervasive perception that Native American cultures underwent a serious break, if not complete extinction, around the turn of the 20th century. 1: Typical example for an image of Native American culture areas The culture area was a dominant culture concept and an ambitious intellectual endeavor.


id: transcultural-23538
title: Translating Tibet in the Borderlands | Emma Martin | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 13987
sentence: 564
flesch: 54
cache: cache/transcultural-23538.htm
txt: txt/transcultural-23538.txt
summary:
  Translating Tibet in the Borderlands | Emma Martin | Transcultural Studies Translating Tibet in the Borderlands: Networks, Dictionaries, and Knowledge Production in Himalayan Hill Stations Emma Martin, University of Manchester Borderland texts No country in the world has exercised a more potent influence on the imagination of men or presented such fascinating problems for solution to the explorer as Tibet; and this influence has been active amongst all the generations which have exploited the byways of the earth from the days of Herodotus to those of Younghusband. — Thomas Holdich[1] Introducing his account on Tibet and exploration, Thomas Holdich (1843–1929), a British India government geographer decorated for his map and boundary making, pinpointed a problem that has troubled those wanting to know something of Tibet since the first accounts of giant gold-digging ants appeared in the pages of Herodotus’ Contested forms of colonial knowledge In times of old it was not considered that the mere knowledge of language sufficed to make a man a “translator” in any serious sense of the word; no one would have undertaken to translate a text who had not studied it for long years at the feet of a traditional and authoritative exponent of its teaching [...]. — Lama Anagarika Govinda[14] In his introduction to The Tibetan Book of the Dead, Lama Anagarika Govinda, a German-born devotee and teacher of Tibetan Buddhism and meditation, uses a passage from Hindusim and Buddhism by the Sri Lankan philosopher and historian Ananda Kentish Coomaraswamy (1877–1947) to articulate the complexities and pitfalls of doing research and writing on a culture that was not one’s own.[15]


id: transcultural-23540
title: Local Agency in Global Movements | Kalzang Dorjee Bhutia | Transcultural Studies
extension: .htm
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words: 12374
sentence: 455
flesch: 48
cache: cache/transcultural-23540.htm
txt: txt/transcultural-23540.txt
summary:
  Many students from the school went on to have distinguished civil service careers.[44] Another point in which the YMBA school differed from other local schools was its distinctly Buddhist character. He died around the turn of the century, leaving two young sons, one of whom was Pak Tséring.


id: transcultural-23638
author: Roche, Sophie
title: Knowledge Production on Central Asia: Transcultural Approaches in Central Asian Studies
date: 2018-12-20
pages: 17
extension: .pdf
mime: application/pdf
words: 7434
sentence: 236
flesch: 34
cache: cache/transcultural-23638.pdf
txt: txt/transcultural-23638.txt
summary:
  One of the reasons for these conflicting approaches is the lack of research institutes that fund and investigate the diversity of contemporary Central Asia, and that would provide not only a solid linguistic education, but research into historical and contemporary research independent of political interests. 103The Journal of Transcultural Studies 2018, Issue 1–2 Bert Fragner’s suggestion to look at the role of the Persian language in shaping education, empires, religious orientations, and economic dynamics.22 Soviet document-based approaches such as the book by Yaacov Ro’i23 are also valuable if the documents are properly contextualized, and even the much-criticized notion of the “Silk Road” can be productive for the research of cultural transfers, as demonstrated by Michel Espagne et al.24 Another focus of interest has been taken by projects that depart from within Central Asia, such as the project on religious lineages and their heritage by Ashirbek Muminov, in cooperation with the French IFEAC (French Institute for Central Asian Studies) and Japanese scholars from Tokyo University, which resulted in a series of publications over a period of fifteen years.25 Gender studies historians have also been leading the way, for example, with Marianne Kamp’s work based on the method of oral history.26 While such historical research necessarily cuts across the boundaries between contemporary nation-states that came into being only at the beginning of the twentieth century, disciplines working on contemporary Central Asia face the much greater challenge of having to take the Soviet past into consideration while respecting the different paths the five independent republics have taken since the 1990s.


id: transcultural-23602
title: Japanese Studies | Hans Martin Krämer | Ruprecht-Karls-Universität Heidelberg
extension: .htm
mime: application/xhtml+xml
words: 5546
sentence: 195
flesch: 44
cache: cache/transcultural-23602.htm
txt: txt/transcultural-23602.txt
summary:
  The significance of its historically close entanglement, especially with China and Korea, was downplayed in the quest to understand modern Japan. However, by applying a transcultural approach which is open to the multiplicity of forces that have shaped modern Japan and which also looks for Japanese interactions with other societal actors from Asia and the rest of the world, Islam in Japan may for the first time constitute a research object, given its relevance to the global conjuncture of a spiritualized pan-Asianism.


id: transcultural-10798
title: “Enjoying the Four Olds!” | Mittler | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 15196
sentence: 649
flesch: 57
cache: cache/transcultural-10798.htm
txt: txt/transcultural-10798.txt
summary:
  Yet because it produced a cultural experience that allowed for individual agency and pluralistic reception, even as it served as an instrument for maintaining power and control, the experience of Cultural Revolution culture as a whole meant many different things in different places to different people, and even to one and the same person. It probably would not have come into being without him, for it was he who once prompted me to pursue the study of Cultural Revolution culture almost 20 years ago, an adventure which has culminated in a recently published book: Barbara Mittler A Continuous Revolution.


id: transcultural-23786
author: Lutz, Barbara
title: Learning from Crisis? On the Transcultural Approach to Curating documenta 14
date: 2019-08-21
pages: 32
extension: .pdf
mime: application/pdf
words: 14264
sentence: 462
flesch: 37
cache: cache/transcultural-23786.pdf
txt: txt/transcultural-23786.txt
summary:
  Thus, in the framework of the intercultural dialogue, documenta’s historically established, cultural-political position of host, which for Szymczyk “becomes ideologically difficult to maintain if the host never 80 According to art educator Carmen Mörsch, even at the beginning of the twenty-first century, the concept of intercultural dialogue is still a dominant approach in German-speaking areas in discussions of appropriate guiding principles for cultural institutions in a migration society. See “About documenta,” documenta Archive, accessed April 12, 2019, http://www.documenta-archiv.de/en/documenta/51/about-documenta.


id: transcultural-23588
title: The Violence Curtain | Timothy Nunan | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 14467
sentence: 616
flesch: 54
cache: cache/transcultural-23588.htm
txt: txt/transcultural-23588.txt
summary:
  In terms of sources, this paper draws on the archives of the All-Union Leninist Young Communist League (abbreviated as Komsomol) as well as memoirs and interviews of Soviet border guards who served in northern Afghanistan during the 1980s. In addition to these reports, this article draws on the memoirs of Soviet border guards who served in the extension of the Soviet Union’s border regime into northern Afghanistan in the 1980s.


id: transcultural-9268
title: The Legal Adaptation of British Settlers in Turkey | Bayır and Shah | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 14477
sentence: 711
flesch: 58
cache: cache/transcultural-9268.htm
txt: txt/transcultural-9268.txt
summary:
  General ignorance and inability to find out about Turkish legal rules also leads to information being passed around the circle of British people who know each other either personally or through internet chat-rooms. Meanwhile, we often heard from British interviewees that other British people wanted to recreate a “little England” in Turkey although none of those we interviewed would class themselves among that group.


id: transcultural-23585
extension: .htm
mime: application/xhtml+xml
words: 10808
sentence: 402
flesch: 45
cache: cache/transcultural-23585.htm
txt: txt/transcultural-23585.txt
title:
  Territorialism, Ambivalence, and Representational Spaces in Gilgit-Baltistan | Antía Mato Bouzas | Transcultural Studies

summary:
  [35] The use of “Baltistan division” or “Gilgit division” refers to the administrative separation of Gilgit-Baltistan above the district level. [34] Anna Grieser and Martin Sökefeld, “Intersections of Sectarian Dynamics and Spatial Mobility in Gilgit- Baltistan,” in Mobilizing Religion: Networks and Mobility, eds.


id: transcultural-23793
title: The "charnel house of historic memories" | Prosser | The Journal of Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 23045
sentence: 859
flesch: 48
cache: cache/transcultural-23793.htm
txt: txt/transcultural-23793.txt
summary:
  Ottoman Jewish Salonica comprised a representative cross-section of Sephardim that remained unchanged. [131] Devin E. Naar, “Fashioning the ‘Mother of Israel’: The Ottoman Jewish Historical Narrative and the Image of Jewish Salonica Jewish History,” Jewish History 28 (2014): 344.


id: transcultural-23600
extension: .htm
mime: application/xhtml+xml
words: 15485
sentence: 526
flesch: 36
cache: cache/transcultural-23600.htm
txt: txt/transcultural-23600.txt
title:
  Islamic Studies: A Field of Research Under Transcultural Crossfire | Daniel G. König | Transcultural Studies

summary:
  Part three shows that a historical master narrative, which highlights cultural diversity as well as processes of transculturation as an integral part of Islamic history, has been widely accepted in the field of Islamic studies, even before the transcultural paradigm was explicitly formulated. Its aim is to reflect upon the consequences of applying the methodological requirements of the transcultural paradigm, as described in the introductory article, to the particular field of Islamic studies.


id: transcultural-22205
title: Recasting the Chinese Novel | Yeh | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 36531
sentence: 1603
flesch: 61
cache: cache/transcultural-22205.htm
txt: txt/transcultural-22205.txt
summary:
  In literary terms, this emphasis on the “extraordinary”, qi 奇, rejects the long, often tediously predictable romances between talented scholars and beauties that had dominated the scene since the eighteenth century.[145] The second aesthetic criterion for Shenbaoguan novel publishing was jishi 紀實, what we have called above “realistic” in the sense either of a reference to actual events and circumstances, or a realistic mode of description that could also be used for invented and fantastic persons and occurrences.[146] In other words, the Shenbaoguan did not change tack when it switched to the publication of rare older and unpublished new Chinese novels.


id: transcultural-23700
title: Dividing up the [Chinese] Melon | Rudolf Wagner | Transcultural Studies
extension: .htm
mime: application/xhtml+xml
words: 43765
sentence: 1758
flesch: 58
cache: cache/transcultural-23700.htm
txt: txt/transcultural-23700.txt
summary:
  The writers and cartoonists had used the concept of “partition” and the images of the territorial delicacies to be shared or fought over as tools to explain the concrete conditions of the moment, but switched to others once the situation had changed.[168] With the beginning of the Qing court’s “reform of governance,” (xinzheng 新政) in 1901, the main focus quickly became the threat of an “awakening” China with its huge, laborious, and cheap labor force that might translate into military might (figure 22).[169] About to divide the fruits on the table—the Boxer indemnity payments—among each other rather than partition China, the Powers are suddenly concerned not about the balance of power but about the Damocles Sword of a suddenly “awakening” gigantic China. Scholarship has largely overlooked this as in the frequent rendering of the element xin Zhongguo 新中國 in the title of Liang’s novel Xin Zhongguo weilaiji as The Future of New China instead of Future Record of China’s Reform.


id: transcultural-23701
author: Moniz Bandeira, Egas
date: 2018-04-19
pages: 39
extension: .pdf
mime: application/pdf
words: 16725
sentence: 596
flesch: 48
cache: cache/transcultural-23701.pdf
txt: txt/transcultural-23701.txt
title:
  China and the Political Upheavals in Russia, the Ottoman Empire, and Persia: Non-Western Influences on Constitutional Thinking in Late Imperial China, 1893-1911

summary:
  The commentary of every paragraph discusses the legal situation in various countries, and gives parallel norms in other constitutions. [The development track of constitutions in modern China], Henan keji daxue xuebao (Shehui kexue ban) 河南科技大学学报 (社会科学版) 29, no. 5 (2011): 93; Zhai Guoqiang 翟国强, “Zhongguo yujing xia de ‘xianfa shishi’:


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domain: www.theguardian.com
url:
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url:
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id: transcultural-24247
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url:
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id: transcultural-23539
domain: press.anu.edu.au
url:
  http://press.anu.edu.au/publications/aboriginal-history-monographs/indigenous-intermediaries/download


id: transcultural-23539
domain: www.kew.org
url:
  http://www.kew.org/learn/library-art-archives/joseph-hooker/letter-hooker-sir-joseph-dalton-hooker-sir-william-jacks-73


id: transcultural-23539
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id: transcultural-11067
domain: ocw.mit.edu
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url:
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domain: news.tj
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id: transcultural-23584
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url:
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id: transcultural-23584
domain: www.creativeassociatesinternational.com
url:
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id: transcultural-23584
domain: www.facebook.com
url:
  https://www.facebook.com/avicenna-tajik-state-medical-university-dushanbe-tajikistan-266671463441921/)


id: transcultural-20202
domain: www.today.com
url:
  http://www.today.com/id/44929941/ns/today-today_style/t/urban-outfitters-line-sparks-protest-navajo/#.vl7ha3artme


id: transcultural-23786
domain: hyperallergic.com
url:
  https://hyperallergic.com/371252/the-messy-politics-ofdocumentas-arrival-in-athens/?utm_medium=email&utm_campaign=the


id: transcultural-9268
domain: www.todayszaman.com
url:
  http://www.todayszaman.com/news-218452-reciprocity-proves-sticking-point-for-real-estate-acquisition-in-turkey.html


id: transcultural-23793
domain: www.commentarymagazine.com
url:
  https://www.commentarymagazine.com/articles/the-last-days-of-jewish-salonicawhat-happened-to-a-450-year-old-civilization/


id: transcultural-23793
domain: www.leeds.ac.uk
url:
  https://www.leeds.ac.uk/arts/info/20045/leeds_humanities_research_institute/3216/the_archive_after_cecil_roth_jewish_studies_cultural_history_and_the_cecil_roth_collection


id: transcultural-23793
domain: jewishstudies.washington.edu
url:
  https://jewishstudies.washington.edu/sephardic-studies/telling-untold-stories-sephardic-jews-and-the-holocaust/


id: transcultural-23793
domain: www.commentarymagazine.com
url:
  https://www.commentarymagazine.com/articles/were-the-sephardim-hidalgoshistory-disputes-their-claim-to-aristocracy/


id: transcultural-22205
domain: erf.sbb.spk-berlin.de
url:
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id: transcultural-22205
domain: erf.sbb.spk-berlin.de
url:
  http://erf.sbb.spk-berlin.de/han/shenbao2/shunpao.egreenapple.com/detail?record=444&channelid=31792&randno=28027&resultid=351


id: transcultural-23642
domain: www.meijigakuin.ac.jp
url:
  http://www.meijigakuin.ac.jp/en/academics/faculty/international/global_and_transcultural_studies.html


id: transcultural-23590
domain: www.perspectivia.net
url:
  http://www.perspectivia.net/publikationen/orient-institut-studies/2-2013/galerie/abaza_satire/abbildung-14


id: transcultural-23590
domain: www.facebook.com
url:
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id: transcultural-23590
domain: cle.ens-lyon.fr
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id: transcultural-23590
domain: cle.ens-lyon.fr
url:
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id: transcultural-23590
domain: www.bjp-online.com
url:
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id: transcultural-23590
domain: www.theguardian.com
url:
  https://www.theguardian.com/commentisfree/2011/dec/18/egypt-military-beating-female-protester-tahrir-square


id: transcultural-23590
domain: static.guim.co.uk
url:
  http://static.guim.co.uk/sys-images/guardian/pix/gweekly/2012/10/8/1349714335744/egypt-graffiti-009.jpg


id: transcultural-23590
domain: suzeeinthecity.wordpress.com
url:
  http://suzeeinthecity.wordpress.com/2012/06/05/the-presidential-elections-revolutionary-graffiti-continues/?relatedposts_hit=1&relatedposts_origin=816&relatedposts_position=2


id: transcultural-23590
domain: www.facebook.com
url:
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url:
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id: transcultural-16061
domain: commons.wikimedia.org
url:
  https://commons.wikimedia.org/wiki/file:mice%27s_wedding,_dong_ho_picture,_paper_-_vietnam_national_museum_of_fine_arts_-_hanoi,_vietnam_-_dsc05290.jpg


id: transcultural-16061
domain: webdoc.sub.gwdg.de
url:
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id: transcultural-16061
domain: www.pressherald.com
url:
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id: transcultural-16061
domain: www.metmuseum.org
url:
  http://www.metmuseum.org/toah/hd/elac/hd_elac.htm">http://www.metmuseum.org/toah/hd/elac/hd_elac.htm


id: transcultural-16061
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url:
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id: transcultural-16061
domain: english.vietnamnet.vn
url:
  http://english.vietnamnet.vn/fms/art-entertainment/68179/folk-woodcut-printing-awarded-national-heritage-status.html


id: transcultural-16061
domain: www.vietnam-beauty.com
url:
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id: transcultural-16061
domain: www.vietvisiontravel.com
url:
  http://www.vietvisiontravel.com/vietnam/guide_81_history_of_traditional_vietnamese_water_puppetry_1757.html


id: transcultural-16061
domain: legacy.anthropology.utoronto.ca
url:
  http://legacy.anthropology.utoronto.ca/people/faculty-1/faculty-profiles/hy-van-luong-1/luong-festivals%20in%20north%20-%20south%20vietnam.pdf


id: transcultural-16061
domain: english.vietnamnet.vn
url:
  http://english.vietnamnet.vn/fms/art-entertainment/94752/exhibition-highlights-history-of-folk-paintings.html


id: transcultural-16061
domain: english.vietnamnet.vn
url:
  http://english.vietnamnet.vn/fms/special-reports/11427/imitation-paintings-challenge-genuine-art.html


id: transcultural-9940
domain: www.independent.co.uk
url:
  http://www.independent.co.uk/arts-entertainment/books/reviews/burnt-shadows-by-kamila-shamsie-1643530.html


id: transcultural-7315
domain: zh.wikipedia.org
url:
  http://zh.wikipedia.org/zh-tw/file:politcal_map_of_19th_century_china%ef%bc%88%e6%99%82%e5%b1%80%e5%85%a8%e5%9c%96%ef%bc%89.jpg


id: transcultural-23588
domain: fakty.ua
url:
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id: transcultural-23588
domain: www.businessinsider.com
url:
  http://www.businessinsider.com/r-russia-mulls-re-establishing-control-of-tajik-afghan-border-2015-10?ir=t


id: transcultural-23585
domain: pamirtimes.net
url:
  http://pamirtimes.net/2015/12/05/committee-submits-report-on-history-and-aspirations-of-the-people-gilgit-baltistan/


id: transcultural-23585
domain: www.thethirdpole.net
url:
  https://www.thethirdpole.net/2016/01/28/the-china-pakistan-economic-corridor-winds-through-gilgit-baltistan/


id: transcultural-23700
domain: upload.wikimedia.org
url:
  https://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/world_around_1900.jpg/1280px-world_around_1900.jpg


id: transcultural-23700
domain: www.sothebys.com
url:
  http://www.sothebys.com/zh/auctions/ecatalogue/2013/40th-anniversary-evening-sale-hk0488/lot.48.html


# ent

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sid: 34
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id: transcultural-9127
sid: 679
eid: 1
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entity:
  shangyan yanmu yilan http://pub.idisk-just.com/fview/wlq4qsijxnyjavg__fqlzv2hoy4w1og8g_d0lboi7fvbpfnt2yu6nfx5mqum3tykka2hp1qlxqq/5paw5rcr56s-5lik5ryu5ryu55uu5lia6kan.pdf


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sid: 114
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id: transcultural-9089
sid: 71
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entity:
  我又听见了她的笑声。古人常用“黄莺出谷“和“乳燕归巢“来形容声音的甜美。但这两种鸟叫我都没听过，所以用来形容她的声音是不科学的。还是脆而不腻的麦当劳薯条比较贴切的。她的笑声，就像蘸了番茄酱的薯条，清脆中带点酸甜。[27


id: transcultural-9089
sid: 203
eid: 1
type: PERSON
entity:
  基本上我对麦当劳还是有点感情的，刚认识高原那会儿，我还是一小报记者，高原同志一天给我买一份麦当劳巨无霸套餐跟我的胃套近乎，没多久，我这不争气的胃就扛不住了，一天吃不着麦当劳就就鼓动我的脑神经罢工，满脑子都是高原。那时候对高原的感情还很单纯，就发自内心地觉得高原真是舍得给我花钱啊，一天一份麦当劳，三十多块钱呢！[115


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entity:
  https://paremosbalaspintemosfuentes.wordpress.com/2011/05/18/propuesta-de-dia-de-accion-por-la-paz-rumbo-al-pacto-nacional/


id: transcultural-24153
sid: 168
eid: 1
type: PERSON
entity:
  https://doi.org/10.1080/00393380410012736 https://doi.org/10.1080/00393380410012736 https://doi.org/10.1080/13603116.2016.1145263


id: transcultural-24261
sid: 8
eid: 1
type: PERSON
entity:
  https://www.timeshighereducation.co.uk/features/edible-ecriture/104281.article https://doi.org/10.1177/053901888027002005


id: transcultural-23937
sid: 172
eid: 5
type: PERSON
entity:
  https://natmus.dk/historisk-viden/verden/asien/korea/. https://natmus.dk/historisk-viden/verden/asien/korea


id: transcultural-1938
sid: 312
eid: 2
type: ORG
entity:
  爾時閻浮提內國王、大臣、并四部眾，皆以所持種種供具，供養於佛。時優陀延王頂戴佛像，并諸上供珍異之物，至如來所而以奉獻。佛身相好具足端嚴，在諸天中殊特明顯，譬如滿月離眾雲曀。所造之像而對於佛，猶如堆阜比須彌山不可為喻。但有螺髻及以玉毫少似於佛，而令四眾知是佛像。爾時優陀延王白佛言。世尊，如來過去於生死中為求菩提，行無量無邊難行苦行，獲是最上微妙之身無與等者。我所造像不似於佛。竊自思惟深為過咎。(t#694


id: transcultural-23542
sid: 116
eid: 3
type: ORG
entity:
  columbia university: http://www.columbia.edu/cu/lweb/digital/collections/cul/texts/ldpd_6981643_000/


id: transcultural-11067
sid: 260
eid: 8
type: GPE
entity:
  http://ocw.mit.edu/ans7870/21f/21f.027/beato_people/beato_people_gal_small/pages/bjs49_executioner.htm


id: transcultural-23590
sid: 674
eid: 1
type: PRODUCT
entity:
  http://www.bjp-online.com/2016/10/street-art-in-iran-and-egypt-on-show-at-new-art-exchange-nottingham/


id: transcultural-10769
sid: 147
eid: 3
type: PRODUCT
entity:
  。 於十七日，艾啟蒙起得黑猿、猴兒、山貓、睡虎、額摩鳥紙稿五張呈覽，奉旨睡虎高添五寸，寬添二寸，著楊大章畫梧桐樹，地景多畫些花卉，黑猿高一尺，寬五寸，黑猿、猴兒、山貓、額摩鳥樹石俱著方琮畫，其他地景並花卉，亦著楊大章畫，欽此。


id: transcultural-23701
sid: 411
eid: 4
type: ORG
entity:
  briefe und sonstige zeugnisse über tolstois beziehungen zu den vertretern orientalischer religionen (zürich:


id: transcultural-9129
sid: 778
eid: 1
type: PERSON
entity:
  selbst wenn sich bei der betrachtung der werke chinesischer kunst formale analogien zu uns vertrauten künstlerischen stilrichtungen wie pop art


id: transcultural-9129
sid: 795
eid: 3
type: ORG
entity:
  unsere wertung und reflexion ihrer arbeit auch als ausdruck unseres dankes und unserer wertschätzung verständlich und zugänglich zu machen


id: transcultural-23793
sid: 602
eid: 6
type: PERSON
entity:
  https://jewishstudies.washington.edu/sephardic-studies/telling-untold-stories-sephardic-jews-and-the-holocaust/.


id: transcultural-23793
sid: 685
eid: 11
type: DATE
entity:
  march 17, 2019, https://referenceworks.brillonline.com/browse/encyclopedia-of-jews-in-the-islamic-world


id: transcultural-23584
sid: 606
eid: 3
type: ORG
entity:
  academia edu/2401344/conflicts_in_islam_on_the_asian_and_african_periphery_ doctrines_cultures_and_politics


id: transcultural-23584
sid: 807
eid: 2
type: PERSON
entity:
  http://www.creativeassociatesinternational.com/projects/tajikistan-school-dropout-prevention-pilot-program/


id: transcultural-22205
sid: 612
eid: 1
type: NORP
entity:
  雜劇院本已無當於大雅，降至彈詞末矣。然婦女輩針黹餘閑，往往束女箴闔訓於高閣。而最好取彈詞閱之。蓋以其文理淺近，易以通曉也。惟語近穢褻如《倭袍》等書，實足傷風敗俗，理宜禁絕。若情雖[?]，而務出於正，語雖誕而弗背乎經，如淮陰心如女史所著之筆生花一書，洵為別開生面，獨運將心者矣。此書共計三十二囘，訂成十六本其中事實頗覺可驚可喜，可歌可無湂。而仍能擺脫凡庸，獨澀俊旨。據聞女史積三十年心力，撰成是書，因窘於[？]未付剞劂，氏即抄本流傳亦不多見。本館今特購取稿本，用活字排印問世


id: transcultural-23700
sid: 677
eid: 1
type: ORG
entity:
  西人之議瓜分中國也，數十年於玆矣。中國有識者，知瓜分而自憂之也，十年於茲矣。顧此一二之識者，且汗且喘走天下，疾呼長號，以徇於路，而彼嗤嗤鼾睡者，褎然充耳，而無所聞矣，而一笑置之，不小介意，而彼西人者亦復深沈審慎，處心積慮，不輕於一發。雖有刲割，亦不過境外之屬土，於堂堂大國


id: transcultural-23700
sid: 677
eid: 2
type: PERSON
entity:
  ， 曾不足以損其毫末。於是此鼾睡者亦復囂然，自安自大，謂西人曷嘗有此心。有此事，不過莠言亂政之徒，為危詞以以聳聽耳。嗚呼痛哉！此一二有識者唇舌俱敝，血淚俱盡，曾不足以醒群夢於萬一，久之久之，亦漸覺其言為老生常談，司空見慣，不欲復以置於齒頰間矣。乃曾幾何時，而有膠州之事，有旅順、大連灣、威海衛、廣州灣之事，一年之內要害盡失，而鐵路、礦務、內治種種之權利，盡歸他國之手。曾幾何時，而意大利區區之國，且有三門灣之請，奧大利、比利時、丹麥彈丸黑子，皆思染指，眈眈逐逐，岌岌泯泯，以至於日，驚魂未定。


# pos

id: transcultural-9089
sid: 75
tid: 8
pos: PROPN
token:
  即使全是咖啡。。。也会因烘焙技巧和香、甘、醇、苦、酸的口感而有差异。。。我的鞋袜颜色很深，像是重度烘焙的炭烧咖啡。。。焦、苦不带酸。。。小喇叭裤颜色稍浅，像是风味独特的摩卡咖啡。。。酸味较强。。。毛线衣的颜色更浅，像是柔顺细腻的蓝山咖啡。。。香醇精致。。。而我背包的颜色内深外浅，并点缀着装饰品，则像是cappuccino咖啡。。。表面浮上新鲜牛奶，并撒上迷人的肉桂分。。。既甘醇甜美却又浓郁强烈。。。[29

lemma:
  即使全是咖啡。。。也会因烘焙技巧和香、甘、醇、苦、酸的口感而有差异。。。我的鞋袜颜色很深，像是重度烘焙的炭烧咖啡。。。焦、苦不带酸。。。小喇叭裤颜色稍浅，像是风味独特的摩卡咖啡。。。酸味较强。。。毛线衣的颜色更浅，像是柔顺细腻的蓝山咖啡。。。香醇精致。。。而我背包的颜色内深外浅，并点缀着装饰品，则像是cappuccino咖啡。。。表面浮上新鲜牛奶，并撒上迷人的肉桂分。。。既甘醇甜美却又浓郁强烈。。。[29


id: transcultural-9089
sid: 215
tid: 1
pos: X
token:
  那时候，我最喜欢星巴克，我常常在周末的时候精心将自己装扮成刚刚打完网球的样子去星巴克喝倒霉的咖啡，那些出门之前的琐碎情节直到现在还常常回荡在我的脑子里，我想到这些的时候总是忍不住暗暗发笑。现在谁还会背着网球拍穿着白色的鞋袜专门去星巴克喝咖啡呢？中间还要佯装很感兴趣地翻翻看不懂的英文报纸。[121

lemma:
  那时候，我最喜欢星巴克，我常常在周末的时候精心将自己装扮成刚刚打完网球的样子去星巴克喝倒霉的咖啡，那些出门之前的琐碎情节直到现在还常常回荡在我的脑子里，我想到这些的时候总是忍不住暗暗发笑。现在谁还会背着网球拍穿着白色的鞋袜专门去星巴克喝咖啡呢？中间还要佯装很感兴趣地翻翻看不懂的英文报纸。[121


id: transcultural-24247
sid: 121
tid: 25
pos: PROPN
token:
  facebook.com/notes/fuentes-rojas/bordando-por-la-paz-y-la-memoria-una-v%c3%adctima-unpa%c3%b1uelo/350825251672719

lemma:
  facebook.com/notes/fuentes-rojas/bordando-por-la-paz-y-la-memoria-una-v%c3%adctima-unpa%c3%b1uelo/350825251672719


id: transcultural-24247
sid: 278
tid: 108
pos: PROPN
token:
  https://www.iaa.uni-rostock.de/forschung/laufende-forschungsprojekte/american-antiquities-profmackenthun/project/theories/transculturation/.

lemma:
  https://www.iaa.uni-rostock.de/forschung/laufende-forschungsprojekte/american-antiquities-profmackenthun/project/theories/transculturation/.


id: transcultural-24247
sid: 284
tid: 1
pos: PROPN
token:
  https://www.iaa.uni-rostock.de/forschung/laufende-forschungsprojekte/american-antiquities-prof-mackenthun/project/theories/transculturation/

lemma:
  https://www.iaa.uni-rostock.de/forschung/laufende-forschungsprojekte/american-antiquities-prof-mackenthun/project/theories/transculturation/


id: transcultural-24247
sid: 316
tid: 67
pos: PROPN
token:
  http://enlacezapatista.ezln.org.mx/2011/04/28/communique-from-the-indigenous-revolutionary-clandestine-committee-general-command-of-the-zapatista-army-for-national-liberation/

lemma:
  http://enlacezapatista.ezln.org.mx/2011/04/28/communique-from-the-indigenous-revolutionary-clandestine-committee-general-command-of-the-zapatista-army-for-national-liberation/


id: transcultural-11362
sid: 305
tid: 1
pos: PROPN
token:
  http://www.egs.edu/library/thomas-aquinas/articles/summa-theologica-part-ii-ii-secunda-secundae-translated-by-fathers-of-the-english-dominican-province/treatise-on-the-cardinal-virtues-qq-47-170/question-115of-flattery/

lemma:
  http://www.egs.edu/library/thomas-aquinas/articles/summa-theologica-part-ii-ii-secunda-secundae-translated-by-fathers-of-the-english-dominican-province/treatise-on-the-cardinal-virtues-qq-47-170/question-115of-flattery/


id: transcultural-23490
sid: 49
tid: 1
pos: VERB
token:
  http://ku-linz.at/universitaet/aktuelles/details/article/gobal-art-history-ringvorlesung-im-wintersemester-201516/

lemma:
  http://ku-linz.at/universitaet/aktuelles/details/article/gobal-art-history-ringvorlesung-im-wintersemester-201516/


id: transcultural-23937
sid: 145
tid: 18
pos: PROPN
token:
  http://hanok.org/index.php?_filter=search&mid=carpenter&search_keyword=%eb%8d%b4%eb%a7%88%ed%81%ac&search_target=title_content&document

lemma:
  http://hanok.org/index.php?_filter=search&mid=carpenter&search_keyword=%eb%8d%b4%eb%a7%88%ed%81%ac&search_target=title_content&document


id: transcultural-23937
sid: 202
tid: 27
pos: PROPN
token:
  korea.kr/archive/governmentview.do;jsessionid_korea=jhn9s8jhjqy2xxjwtpjkmprsscpwh55gss112sc65mffd1jnyyvr!618259598!832012722?newsid=148746933

lemma:
  korea.kr/archive/governmentview.do;jsessionid_korea=jhn9s8jhjqy2xxjwtpjkmprsscpwh55gss112sc65mffd1jnyyvr!618259598!832012722?newsid=148746933


id: transcultural-10769
sid: 135
tid: 7
pos: X
token:
  二十二日庫掌四德五德筆帖式福慶來說，太監胡世傑交絹畫額摩鳥大畫一張（安瀾園），絹畫西洋畫十二張（諧奇趣西八方樓下九屏峯背面），宣紙姚文瀚節畫二張（重華宮），傳旨將絹畫西洋畫並姚文瀚節畫一張，俱托貼，其餘姚文瀚畫一張，配錦邊璧子，年節掛，欽此

lemma:
  二十二日庫掌四德五德筆帖式福慶來說，太監胡世傑交絹畫額摩鳥大畫一張（安瀾園），絹畫西洋畫十二張（諧奇趣西八方樓下九屏峯背面），宣紙姚文瀚節畫二張（重華宮），傳旨將絹畫西洋畫並姚文瀚節畫一張，俱托貼，其餘姚文瀚畫一張，配錦邊璧子，年節掛，欽此


id: transcultural-10769
sid: 147
tid: 11
pos: PROPN
token:
  於十七日，艾啟蒙起得黑猿、猴兒、山貓、睡虎、額摩鳥紙稿五張呈覽，奉旨睡虎高添五寸，寬添二寸，著楊大章畫梧桐樹，地景多畫些花卉，黑猿高一尺，寬五寸，黑猿、猴兒、山貓、額摩鳥樹石俱著方琮畫，其他地景並花卉，亦著楊大章畫，欽此

lemma:
  於十七日，艾啟蒙起得黑猿、猴兒、山貓、睡虎、額摩鳥紙稿五張呈覽，奉旨睡虎高添五寸，寬添二寸，著楊大章畫梧桐樹，地景多畫些花卉，黑猿高一尺，寬五寸，黑猿、猴兒、山貓、額摩鳥樹石俱著方琮畫，其他地景並花卉，亦著楊大章畫，欽此


id: transcultural-10769
sid: 1423
tid: 103
pos: PROPN
token:
  西洋人所記額摩鳥圖説云：額摩鳥古今圖藉未載，西洋舊無此種，於其國一千五百九十七年，當明萬厯二十五年丁酉，紅毛國人始得自嘠拉巴海島，携來西洋，云即彼國亦罕覯也。後六年，紅毛國人復於嘠拉巴得二鳥，皆不能畜。當本朝康熙十年辛亥，有勝老楞佐海島頭目，自印度國估舶購得，獻之佛朗機亞國王，畜之，四年死

lemma:
  西洋人所記額摩鳥圖説云：額摩鳥古今圖藉未載，西洋舊無此種，於其國一千五百九十七年，當明萬厯二十五年丁酉，紅毛國人始得自嘠拉巴海島，携來西洋，云即彼國亦罕覯也。後六年，紅毛國人復於嘠拉巴得二鳥，皆不能畜。當本朝康熙十年辛亥，有勝老楞佐海島頭目，自印度國估舶購得，獻之佛朗機亞國王，畜之，四年死


id: transcultural-23793
sid: 502
tid: 40
pos: PROPN
token:
  https://www.commentarymagazine.com/articles/the-last-days-of-jewish-salonicawhat-happened-to-a-450-year-old-civilization/.

lemma:
  https://www.commentarymagazine.com/articles/the-last-days-of-jewish-salonicawhat-happened-to-a-450-year-old-civilization/.


id: transcultural-23793
sid: 681
tid: 22
pos: PROPN
token:
  https://www.commentarymagazine.com/articles/were-the-sephardim-hidalgoshistory-disputes-their-claim-to-aristocracy/.

lemma:
  https://www.commentarymagazine.com/articles/were-the-sephardim-hidalgoshistory-disputes-their-claim-to-aristocracy/.


id: transcultural-16061
sid: 451
tid: 40
pos: PUNCT
token:
  http://www.pressherald.com/2014/03/02/_art_of_the_shaman__at_bates__decidedly_non-western__eminently_accessible_/

lemma:
  http://www.pressherald.com/2014/03/02/_art_of_the_shaman__at_bates__decidedly_non-western__eminently_accessible_/


id: transcultural-23584
sid: 390
tid: 1
pos: VERB
token:
  http://news.tj/ru/news/asomuddinzoda-deyatelnost-islamskoi-gimnazii-polnostyu-ne-ostanovlena[accessed

lemma:
  http://news.tj/ru/news/asomuddinzoda-deyatelnost-islamskoi-gimnazii-polnostyu-ne-ostanovlena[accesse


id: transcultural-23584
sid: 840
tid: 25
pos: X
token:
  https://www.facebook.com/avicenna-tajik-state-medical-university-dushanbe-tajikistan-266671463441921/

lemma:
  https://www.facebook.com/avicenna-tajik-state-medical-university-dushanbe-tajikistan-266671463441921/


id: transcultural-23585
sid: 305
tid: 1
pos: PROPN
token:
  http://pamirtimes.net/2015/12/05/committee-submits-report-on-history-and-aspirations-of-the-people-gilgit-baltistan/.

lemma:
  http://pamirtimes.net/2015/12/05/committee-submits-report-on-history-and-aspirations-of-the-people-gilgit-baltistan/.


id: transcultural-23585
sid: 335
tid: 1
pos: PROPN
token:
  https://www.thethirdpole.net/2016/01/28/the-china-pakistan-economic-corridor-winds-through-gilgit-baltistan/.

lemma:
  https://www.thethirdpole.net/2016/01/28/the-china-pakistan-economic-corridor-winds-through-gilgit-baltistan/.


id: transcultural-22205
sid: 190
tid: 20
pos: NOUN
token:
  本館自創設以來，兼印各種書籍發售日以爲常。歷年來共積至五十餘部。蒙遠近諸君子，時來取閱。而書目闕如見書名者，常以不知是書所言何事，所作何人，故購買或多袖手。今特撮其大要因縷馨仙史潤色而成書目一卷。其中開陳明晰於各書之精蘊無不闡發而表彰之。瀏覽之餘，亦可為消遣書之一种也

lemma:
  本館自創設以來，兼印各種書籍發售日以爲常。歷年來共積至五十餘部。蒙遠近諸君子，時來取閱。而書目闕如見書名者，常以不知是書所言何事，所作何人，故購買或多袖手。今特撮其大要因縷馨仙史潤色而成書目一卷。其中開陳明晰於各書之精蘊無不闡發而表彰之。瀏覽之餘，亦可為消遣書之一种也


id: transcultural-22205
sid: 391
tid: 8
pos: PROPN
token:
  啟者：本舘館所排印之昕夕閒談一書，係從英國小說而譯出者也。其間描摹豪士之風懷，縷述美人之情意，寫山水亭臺之狀，記蟲魚草木之形，無不色色俱新，栩栩欲活；是以遠近諸君，爭願得以先覩為快，并欲窺其全豹。茲已裝訂成册。計每部三本收回紙價工洋四角。準於月之初七日出書。如家賜閱，祈向本舘或賣申報人購取。若在外埠，則仍專關賣報者出售也。此佈本舘告白

lemma:
  啟者：本舘館所排印之昕夕閒談一書，係從英國小說而譯出者也。其間描摹豪士之風懷，縷述美人之情意，寫山水亭臺之狀，記蟲魚草木之形，無不色色俱新，栩栩欲活；是以遠近諸君，爭願得以先覩為快，并欲窺其全豹。茲已裝訂成册。計每部三本收回紙價工洋四角。準於月之初七日出書。如家賜閱，祈向本舘或賣申報人購取。若在外埠，則仍專關賣報者出售也。此佈本舘告白


id: transcultural-22205
sid: 469
tid: 15
pos: PROPN
token:
  女才子一書為鴛湖煙水散人所著。共十二卷。每卷述一人之事。計馮小靑，楊碧秋，張小蓮，崔淑，張畹香，陳霞如，盧雲鄉，郝湘娥，王琰，謝彩，鄭玉姬，宋琬，計十有二人。皆敍其性情，述其容貌，記其事實。生香活色，湧現豪端。且諸人生平之撰著，擇其尤者，悉載於篇。閱之者，如入衆香國，如遊羣玉山。雖掩卷而餘芬未散也。特向無刊板，故不傳於世。本館特從友人處覓得，仿聚珍板排印之。十日之間便已竣事。且校對詳細，裝訂整齊，尤可悅目

lemma:
  女才子一書為鴛湖煙水散人所著。共十二卷。每卷述一人之事。計馮小靑，楊碧秋，張小蓮，崔淑，張畹香，陳霞如，盧雲鄉，郝湘娥，王琰，謝彩，鄭玉姬，宋琬，計十有二人。皆敍其性情，述其容貌，記其事實。生香活色，湧現豪端。且諸人生平之撰著，擇其尤者，悉載於篇。閱之者，如入衆香國，如遊羣玉山。雖掩卷而餘芬未散也。特向無刊板，故不傳於世。本館特從友人處覓得，仿聚珍板排印之。十日之間便已竣事。且校對詳細，裝訂整齊，尤可悅目


id: transcultural-22205
sid: 484
tid: 15
pos: PROPN
token:
  西游記一書，本屬寓言。說者謂其養性明心，頗有解悟。然而眞經雖獲，索解無從尋妙義於先天，究莫識眞詮於後起。此後西遊記一書，所由作也。記中所載類近嬉笑怒罵；以詼諧之筆為捧喝之經。亦未始非喚醒痴愚之一法也。是書坊本，漫漶兼多訛誤。本館倣用活字板，重為排印，校對詳愼，裝訂精工，定於本月初十日出書

lemma:
  西游記一書，本屬寓言。說者謂其養性明心，頗有解悟。然而眞經雖獲，索解無從尋妙義於先天，究莫識眞詮於後起。此後西遊記一書，所由作也。記中所載類近嬉笑怒罵；以詼諧之筆為捧喝之經。亦未始非喚醒痴愚之一法也。是書坊本，漫漶兼多訛誤。本館倣用活字板，重為排印，校對詳愼，裝訂精工，定於本月初十日出書


id: transcultural-22205
sid: 496
tid: 20
pos: NUM
token:
  本館近從東洋購得快心編，全帙計共十六冊。原自中國流傳而去，但其板早經毀失，卽東洋亦無翻刻，故特携回，用活字版排印縮成十本。按此書分上，中，下三集，共三十二回。所述之事，俱新奇可喜，幾令人拍案呌絕，而又無淫亂等詞，是以無論何人均可披閱

lemma:
  本館近從東洋購得快心編，全帙計共十六冊。原自中國流傳而去，但其板早經毀失，卽東洋亦無翻刻，故特携回，用活字版排印縮成十本。按此書分上，中，下三集，共三十二回。所述之事，俱新奇可喜，幾令人拍案呌絕，而又無淫亂等詞，是以無論何人均可披閱


id: transcultural-22205
sid: 525
tid: 61
pos: NOUN
token:
  宜為海內仕商所賞鑑。本舘前用活字版排印千部，曾不浹句而便卽銷罄。在後購閱者俱以來遲，弗獲為憾。是以近又詳加讐校重印一千五百部，幷附以上元金君跋語，俾共知作者之姓名，而幷知書中所述之人，亦皆歷歷可考，非同憑空臆造也

lemma:
  宜為海內仕商所賞鑑。本舘前用活字版排印千部，曾不浹句而便卽銷罄。在後購閱者俱以來遲，弗獲為憾。是以近又詳加讐校重印一千五百部，幷附以上元金君跋語，俾共知作者之姓名，而幷知書中所述之人，亦皆歷歷可考，非同憑空臆造也


id: transcultural-22205
sid: 664
tid: 57
pos: NOUN
token:
  近來裨官小説幾于汗牛充棟。然，文人同此心同此筆而所撰之書，各有相同；是足以開拓心胸為消閒之助。但所閱諸小説其卷首或有圖或無圖，從未有圖而無說者。玆見本報後寓滬遠客所登之請撰小説告白，似即徵文之。遺意文人雅士於酒後睡餘，大可藉此消遣功夫，行見奇情壯采奔赴腕下，而諸同人又得擊節欣賞矣

lemma:
  近來裨官小説幾于汗牛充棟。然，文人同此心同此筆而所撰之書，各有相同；是足以開拓心胸為消閒之助。但所閱諸小説其卷首或有圖或無圖，從未有圖而無說者。玆見本報後寓滬遠客所登之請撰小説告白，似即徵文之。遺意文人雅士於酒後睡餘，大可藉此消遣功夫，行見奇情壯采奔赴腕下，而諸同人又得擊節欣賞矣


id: transcultural-23700
sid: 677
tid: 3
pos: PROPN
token:
  曾不足以損其毫末。於是此鼾睡者亦復囂然，自安自大，謂西人曷嘗有此心。有此事，不過莠言亂政之徒，為危詞以以聳聽耳。嗚呼痛哉！此一二有識者唇舌俱敝，血淚俱盡，曾不足以醒群夢於萬一，久之久之，亦漸覺其言為老生常談，司空見慣，不欲復以置於齒頰間矣。乃曾幾何時，而有膠州之事，有旅順、大連灣、威海衛、廣州灣之事，一年之內要害盡失，而鐵路、礦務、內治種種之權利，盡歸他國之手。曾幾何時，而意大利區區之國，且有三門灣之請，奧大利、比利時、丹麥彈丸黑子，皆思染指，眈眈逐逐，岌岌泯泯，以至於日，驚魂未定

lemma:
  曾不足以損其毫末。於是此鼾睡者亦復囂然，自安自大，謂西人曷嘗有此心。有此事，不過莠言亂政之徒，為危詞以以聳聽耳。嗚呼痛哉！此一二有識者唇舌俱敝，血淚俱盡，曾不足以醒群夢於萬一，久之久之，亦漸覺其言為老生常談，司空見慣，不欲復以置於齒頰間矣。乃曾幾何時，而有膠州之事，有旅順、大連灣、威海衛、廣州灣之事，一年之內要害盡失，而鐵路、礦務、內治種種之權利，盡歸他國之手。曾幾何時，而意大利區區之國，且有三門灣之請，奧大利、比利時、丹麥彈丸黑子，皆思染指，眈眈逐逐，岌岌泯泯，以至於日，驚魂未定


