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Leanne Betasamosake Simpson. As We Have Always Done: Indigenous Freedom Through 
Radical Resistance. Minneapolis: University of Minnesota Press, 2017. 320 pp. ISBN 978-1-
5179-0386-2.  
 
https://www.upress.umn.edu/book-division/books/as-we-have-always-done.  
 
Michi Saagiig Nishnaabeg scholar, writer, and artist Leanne Betasamosake Simpson’s latest 
book continues the work of Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, 
Resurgence, and a New Emergence in articulating and recentering Indigenous radical resurgence.  
As We Have Always Done holds Indigenous freedom as a guiding vision and manifesto, initially 
posing the brilliantly human question “what does it mean for me, as an Nishnaabekwe, to live 
freedom?” (7). Simpson goes on to detail the powerfully complex and multifaceted relational, 
ethical, reciprocal, procedural, and embodied answers that come from a deep engagement with 
Nishnaabewin, the “lived expression of Nishnaabeg intelligence” (25) or Nishnaabeg ways of 
being, and Biiskabiyang, the decolonial, resurgent, and embodied processes of return, 
reengagement, reemergence, and unfolding from the inside out. In her own words, “This is a 
manifesto to create networks of reciprocal resurgent movements with other humans and 
nonhumans radically imagining their ways out of domination, who are not afraid to let those 
imaginings destroy the pillars of settler colonialism” (10). Simpson recenters Indigenous political 
resistance, not as a response to the settler colonial state, but instead as an act and process of 
Indigenous nation-building. 
  
Simpson enacts Nishnaabewin in her writing by reinscribing kwe (woman within a spectrum of 
gender variance) as method, refusing to separate body and life from research or “be tamed by 
whiteness or the academy” (33). The knowledge she shares is generated from different practices 
than those centered in the academy. She instead centers Nishnaabewin knowledge generated 
through the kinetics of place-based practices that produce both heart and mind intelligence. She 
seamlessly weaves together Nishnaabeg stories, teachings from her Elders Doug Williams and 
Edna Manitowabi, lived experiences and realities, relationality to other Indigenous theorists, and 
examples of resurgence. In this way, the experience of reading is cyclical and generative as ideas 
appear, reappear, and overlap in various contexts and modes in relationship to each other, 
navigating the reader through interconnected networks of Nishnaabewin knowledge. 
 
Through this journey, two main principles of Indigenous radical resurgence emerged for me: the 
practice of reciprocal recognition and the practice of generative refusal. Reciprocal recognition 
starts with knowing and expressing “who we are” (67) as Nishnaabeg and Indigenous peoples, 
through Nishnaabewin and grounded normativity. Simpson recurrently draws upon 
Yellowknives Dene scholar Glen Coulthard’s concept of grounded normativity as a procedural, 
lived, and engaged nation and place-based ethical framework. From this place of internal and 
grounded intelligence and ethics, Simpson presents a simple but radical act of love when she 
advocates for collective reciprocal self-recognition: “the act of making it a practice to see 
another’s light and to reflect that light back to them” (184). This act of reflection and recognition 
becomes a radical tool of resistance in the context of settler colonialism, because colonialism 
strategically employs shame as a mode of dispossession.  
 



Adar Charlton  Review of As We Have Always Done 
 
 

	
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One of the most powerful images of recognition that Simpson puts forth in the book comes from 
her “favourite part” of Mohawk scholar Audra Simpson’s work Mohawk Interuptus, where 
Audra interviews a fellow Mohawk about his definition of community membership. His response 
is simply, “When you look in the mirror, what do you see?” “Genius,” Simpson remarks (179). 
The image of the mirror reminded me of work done on settler colonial cognitive imperialism and 
the insidious effects of shame on Indigenous self-identification within colonial structures and 
institutions, particularly in education. James Sákéj Youngblood Henderson describes the effect 
of Eurocentric education on Indigenous students as “the realization of their invisibility […] 
similar to looking into a lake and not seeing their images” (59). This also echoes what Adrienne 
Rich has famously described as physic disequilibrium, “as if you looked in a mirror and saw 
nothing” (199). In a complete refusal of the position of victim, Simpson, instead of merely 
looking for a reflection, embodies the whole mirror: “So at the same time I am looking into the 
mirror, I also am the mirror” (181). I will assume that Simpson would also advocate for 
reclaiming the whole lake as part of an intact Indigenous land base, where grounded normativity 
and Nishnaabewin emerge from and are practiced on. She asks, “What if the driving force in 
Indigenous politics is self-recognition rather than a continual race around the hamster wheel of 
settler colonial recognition?” (180).  
 
Refusing settler colonial recognition becomes integral to radical resurgence because, as Simpson 
explains, colonialism begins from a want for land, but materializes in a series of complex and 
overlapping processes that maintain expansive dispossession of Indigenous bodies and lands 
(45). In Nishnaabeg thought the opposite of dispossession is not possession, but consensual 
attachment – reestablishing reciprocal recognition, reconnecting to networks of relationships to 
the land, and reenacting Indigenous relationality and thought. Refusing dispossession through 
attachment generates the alternative to capitalist, white supremacist and heteropatriarchical state 
control beyond the structures of that control. 
 
This brings us to the second main principle, the embodied act of generative refusal: refusal to 
participate in colonial structures and processes, and stepping outside or simply leaving as 
resistance. Through various interwoven threads, Simpson shares the Nishnaabeg story of the 
Hoof Nation leaving Nishnaabeg territory in reaction to being disrespected and overhunted. They 
retreat in order to recover, and rebuild before renegotiating terms of treaty with the Nishnaabeg. 
Actualizing teachings from this story, Simpson asks, “What if no one sided with colonialism?” 
(177).  
 
The day I was writing this review, I was able to see this type of generative refusal in action. On 
Feb. 28th, 2018 the Indigenous Students’ Council at the University of Saskatchewan released an 
official statement calling for Indigenous student non-participation in all of the university’s 
administrative indigenization and reconciliation efforts. The students are asking for support for 
Indigenous student autonomy through the creation of an Indigenous Student Union and the 
renaming of the current Indigenous student centre to the Gordon Oakes Red Bear Indigenous 
Student Union Building. These students are enacting precisely what Simpson is calling for – 
generative refusal and reciprocal recognition by building an alternative system outside of the 
settler colonial structure of the university (and reclaiming space to do so). In part this action is in 
response to the inaction of the university following the unjust not-guilty court rulings in the 
deaths of Coulten Boushie (Red Pheasant Cree First Nation) and Tina Fontaine (Sagkeeng First 



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Nation). While the Boushie and Fontaine families necessarily, strongly, and resiliently fight to 
seek justice within a system not meant to serve Indigenous peoples, but to uphold the settler 
colonial state, these students recognize and are putting into action their capacity to envision what 
it means to refuse recognition from the university and strive for self-recognition outside of the 
system. As they state, “the greatest resource we have on campus is each other” in this “step toward 
building a decolonial future.” The work they are doing is inspirational and I stand in full support 
and solidarity with them. 
 
To pull only these two principles out of the interwoven complexity they are situated within in As 
We Have Always Done does them a great disservice for the purposes of summary. Simpson 
carefully enmeshes critical interventions and critiques of colonial capitalism, heteropatriarchy, 
and white supremacy into the unfolding of these two concepts. She also stresses the necessity of 
recentering and recovering woman, two-spirit queer, and child identities, because 
heteronormative policing of sexuality and gender, and the implementation of heteropatriarchy is 
at the heart of colonial dispossession. Heteronormativity is a tool of colonization used to control 
bodies and sexualities as sites of sovereignty and political governance that threaten settler claims 
to land. Simpson also recognizes accountability to the Black communities within Kina Gchi 
Nishnaabeg ogamig and beyond in a shared struggle against domination. 
 
Ultimately, Simpson beautifully imagines constellations of coresistance – clusters and relational 
networks of local artistic and political resurgence that “create mechanisms for communication, 
strategic movement, accountability to each other, and shared decision-making practices” (218). 
And she encourages what she terms flight paths out of colonial shame and violence that include 
everyday practices at home, being on the land regardless of colonial divisions of reserve, rural, 
and urban spaces, claiming collective and private physical space to think, and simply acting with 
Indigenous presence. In other words, radical resurgence is also normal: “just Indigenous life […] 
as we have always done” (247). 
 
Though a necessarily fully immersive read, Simpson’s cerebral and multifaceted theories 
continually emerge, clarify, and, then slip from grasp, reinforcing process over fixity. The book 
requires a read, and a reread, and then maybe a reread with friends, but in my opinion is essential 
for anyone studying any aspect of Indigenous decolonization, politics, law, and settler 
colonialism, and signals a vital shift away from current neoliberal discussions and policies of 
indigenization and reconciliation in order to rebuild and recover Indigenous nationhoods. 
 
Adar Charlton, University of Saskatchewan 
 
 
A Note to White Readers: I purposefully put this note outside of the main review, because it is a 
position we need to get used to being in. We do not need to see ourselves in this book. Simpson 
works to decenter whiteness as a necessary part of working outside of settler colonialism. She 
offers the humbling and somewhat underhanded advice that real white allies will “show up in 
solidarity anyway” (231). So, show up anyway - read this book and educate yourself! 
 
 
 



Adar Charlton  Review of As We Have Always Done 
 
 

	
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Henderson, James Sákéj Youngblood. “Postcolonial Ghost Dancing: Diagnosing European 
  Colonialism.” Reclaiming Indigenous Voice and Vision, edited by Marie Battiste, UBC 
  Press, 2000, pp. 57-76. 
 
Indigenous Students’ Council. Official Statement of the Indigenous Students’ Council.  
 Facebook, 28 Feb. 2018, 3:20pm, 
 https://www.facebook.com/iStudentsCouncil/posts/1649172661784694. Accessed 28 
 Feb. 2018. 
 
Rich, Adrienne. “Invisibility in Academe.” Blood, Bread, and Poetry: Selected Prose 1979- 
 1985. Norton, 1986, pp. 198-201.