WIMAYA: Interdisciplinary Journal of International Affairs   Vol.04/No.01, January-June 2023 
(e-ISSN: 2272-3760)   

 

 
 

64 

Book Reviews 
 

Sensible Politics: Visualizing International 
Relations. By William A. Callahan. New York: 
Oxford University Press, 2020, xvi + 303pp. 
ISBN: 978-0-19-007174-5   
 
International politics are influenced by a lot of 

factors that constantly change along with the 

evolution of the society. In this post-literate 

age, media plays an important role in 

delivering international affairs to us. Even 

more with the widespread of social media 

usage, it is relatively easier for us to shape our 

view of the world through videos and images 

that we see. We are affected by visuals more 

than we ever anticipated. Thus, it is important 

to dig deeper on how visuals can have an 

important role in shaping a better 

understanding of the dynamic in international 

relations.  

 

William A. Callahan, in his new book Sensible 

Politics, attempts to develop our 

understanding of international politics through 

visuals. This book focuses on what the visual 

can do in helping us to understand the 

complexity of social theory and world orders. 

Callahan argues ‘visual international politics is 

important and different’ (p.1). It is important 

because visuals play an important role in this 

digital era, and it is different as visuals can 

viscerally move people in terms of how it can 

make them feel which then resulting in 

“affective communities of sense” (p.2). 

Callahan also explains in this book that the 

visuals he discusses is not limited to only 

painting or photography, but it also includes 

other form of visuals such as film, video, and 

even walls and gardens.       

 

There are a total of 11 chapters in this book 

that Callahan divides into 3 parts: a framework 

for analysis, visual images, and visual artifacts 

and sensory spaces. There are two things that 

make this book intriguing and worth to read for 

students or researchers of IR. First is the fact 

that visual IR remains an under-studied field 

(p.6). Second is how this book explores visual 

images and artifacts that come from non-

Western countries. In addition to that, it is 

worth noting that this book highlights the 

value of comparative approach to provide an 

alternative explanation of some recent 

international affairs such as the Islamic State’s 

utopian Caliphate, the tension that always 

arises between Japan and China whenever 

public figures visit Yasukuni Shrine, and even 

about participatory surveillance on the World 

Wide Web. 

 

One thing that Callahan keeps mentioning in 

this book is how visuality can provoke new 

social relations in a form of affective 

communities of sense. On chapter 1, Callahan 

mentions that this affective communities of 

sense ‘complicate what can (and cannot) be 

seen, said, thought, and done’ (p.44). In 

addition to that, he also mentions on chapter 2 

that aside from the importance of thinking 

visually, there is also the need for us to 

understand the feeling visually in international 

politics. It is important to keep in mind that 

both are equally important to understand how 

images can create a strong positive or negative 

effect within a community where a certain 

image is being presented to. 

 

For many IR students, IR tends to highlight 

classical and traditional issues of IR through 

the lenses of realism. However, as the world 

orders have gone through changes, IR 

approach also needs to evolve along with that. 

Thus, Callahan through Sensible Politics 

provides a new approach to understand 

modern security, order, and war through 

visualization. This can be seen from chapter 5 

where he elaborates how the visible is 

essential for thinking about war and waging it 

in the twenty-first century and what can 



WIMAYA: Interdisciplinary Journal of International Affairs   Vol.04/No.01, January-June 2023 
(e-ISSN: 2272-3760)   

 

 
 

65 

visuals tell us about security, social-ordering, 

and world ordering (p.90). He provides the 

explanation by exploring the examples of the 

feature film The Interview (2014) that 

provoked the North Korea-US national security 

event and the use of images on media by the 

Islamic State’s (p.90). Such examples open a 

new perspective that can be used by students 

of IR to explore security, social-ordering, and 

world ordering. 

 

Another thing that is discussed in this book is 

the role Maps, Space, and Power that are 

always essential in IR. Many conflicts occurred 

among world orders often time are affected by 

maps, space, and power relations in the area. 

Chapter 7 in this book talks about the need ‘to 

understand maps as active interventions that 

can shape global politics’ (p.149). Intriguing 

arguments are presented through the 

examination of Chinese maps that contain a U-

shaped line that digs deep into the South China 

Sea abutting the littoral states of maritime 

Southeast Asia (p.149). In this chapter, there 

are explanations regarding how maps play a 

key role in the South China Sea disputes and 

why Beijing is pushed to “rejuvenate China” by 

recovering “lost territories” (p.149). 

 

As a Professor of International Relations that 

studies visual IR, Callahan invites students or 

scholars of IR to shift the understanding of 

social theory and international politics by 

expanding IR’s comparative scope. First, the 

scope is broadened to incorporate not only 

spoken words but also visual elements and 

visual senses. Second, moving the focus 

beyond Eurocentric examinations of visual IR 

by considering Asia and the Middle East. 

Finally, emphasizing shifts from critical IR’s 

concentration on dividing concepts such as 

inside/outside and self/other, to view politics 

in terms of innovate mechanism for organizing 

societies and shaping global order. 

 

Reading this book will evoke wider questions 

regarding the influence of visual artifacts on 

world politics. Sensible Politics applies critical 

thinking to analyze what visuals can do and the 

result is shown by Callahan through visual 

examples he provides in all chapters in this 

book. This book also sets the groundwork for 

future developments in theories of world 

order, shaping the direction of future thinking 

on the subject. 

 
  
Natasia Rumondang 
Master of International Relations 
Graduate School of Asia Pacific Studies, 
Waseda University, Japan 
Email: natasiarumondang@gmail.com  

mailto:natasiarumondang@gmail.com