the sea-mans compass or a dainty new ditty composed and pend the deeds of brave sea-men to praise and commend, 'twas made by a maid that to gravesend did pass, now mark, and you quickly shall hear how it was. to the tune of, the tyrant hath stoln. l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription b04822 of text r182076 in the english short title catalog (wing p3382d). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04822 wing p3382d estc r182076 47012597 ocm 47012597 174565 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04822) transcribed from: (early english books online ; image set 174565) images scanned from microfilm: (early english books, 1641-1700 ; 2691:50) the sea-mans compass or a dainty new ditty composed and pend the deeds of brave sea-men to praise and commend, 'twas made by a maid that to gravesend did pass, now mark, and you quickly shall hear how it was. to the tune of, the tyrant hath stoln. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. printed for f. g. ..., london : [1650?] signed at end: l. p. attributed to laurence price by wing (2nd ed.) date of publication taken from wing (2nd ed.) contains 2 illustrations. right half-sheet contains: the second part to the same tune. reproduction of original in: university of glasgow. library. eng ballads, english -17th century. sailors -poetry. broadsides -england -17th century. b04822 r182076 (wing p3382d). civilwar no the sea-mans compass or a dainty new ditty composed and pend the deeds of brave sea-men to praise and commend, 'twas made by a maid that to l. p 1650 737 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the sea-mans compass or a dainty new ditty composed and pend the deeds of brave sea-men to praise and commend , 't was made by a maid that to gravesend did pass , now mark , and you quickly shall hear how it was : to the tune of , the tyrant hath stoln . as lately i travelled , towards gravesend , i heard a fair damosel a sea-man commend and as in a tilt-boat we passed along in praise of brave sea-men she sung this new song come tradesman or merchant , whoever he be there 's none but a sea-man shall marry with me , a sea-man in promise is faithful and just honest in carriage and true to his trust kind in behaviour and constant in love as firm in affection as the turtle-dove , valiant in action in every degree there 's none but a sea-man , &c , the sea-men adventures their lives at the seas whilst land men on shore takes pleasure and ease the sea-men at all times their businesse must ply in winter and summer in wet and in dry from toyl and pains taking they seldome are frée there 's none but a sea-man , &c , moreover i de have you for to understand that sea-men brings treasure and profit to land above and beneath ground for wealth they have sought and when they have found it to england 't is brought with hazard of lives by experience we see there 's none but a sea-man , &c. sea-men from beyond seas bring silver and gold with pearls and rich jewels most rare to behold with silks and rich velvets their credits to save or else you gay ladies could not go so brave this makes my heart merry as merry may be there 's none but a sea-man shall marry with me . the second part to the same tune , the sea-men brings spices and sugar so fine which serve the brave gallants to drink with their wine with lemonds and orenges all of the best to rellish their pallats when they make a feast sweet figs , prunes & raisons by them brought home be there 's none but a sea-man shall marry with me . to comfort poor people , the sea-men do strive and brings in maintainance to keep them alive as raw silk and cotten wool to card and to spin and so by their labours their livings comes in most men are beholding to sea-men we sée with none but a sea-man i married will be . the mercer's beholding we know well enough for holland , lawn , cambrick , and other gay stuffe that 's brought from beyond seas by sea-men so bold , the rarest that ever mens eyes did behold god prosper the sea-men where ever they be there 's none but a sea-man shall marry with me . the merchants themselves are beholding also to honest sea-men that on purpose do go to bring them home profit from other strange lands , or else their fine daughters must work with their hands the nobles and gentry of every degree are also beholding to sea-men we see . thus for rich men & poor men , the sea-men does good and sometimes comes off with loss of much blood if they were not a guard and defence for our land our enemiee soon would get the upper hand and then in a woful case strait we should be there 's none but a sea-man shall marry with me . to draw to conclusion and so make an end i hope that great neptune my love will befriend and send him home safely with health and with life then shall i with joyfulness soon be his wife you maids wives , and widdows that sea-mens loves be with hearts and with voices joyn prayers with me . god blesse all brave sea men from quicksands and rocks from loss of their blood and from enemies knocks from lightning and thunder . and tempests so strong from ship wrack and drowning and all other wrong and they that to these words will not say , amen . 't is pitty that they should ever speak words agen . l. p. finis . london printed for f. g. on snow-hill : entred according to order . alas poore scholler, whither wilt thou goe: or strange altrations which at this time be there's many did thinke they never should see. to the tune of, halloo my fancy, &c. wild, robert, 1609-1679. this text is an enriched version of the tcp digital transcription a15348 of text s102153 in the english short title catalog (stc 25632). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a15348 stc 25632 estc s102153 99837952 99837952 2303 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a15348) transcribed from: (early english books online ; image set 2303) images scanned from microfilm: (early english books, 1475-1640 ; 1049:06) alas poore scholler, whither wilt thou goe: or strange altrations which at this time be there's many did thinke they never should see. to the tune of, halloo my fancy, &c. wild, robert, 1609-1679. 1 sheet ([1] p.) : ill s.n., [london : 1641] by robert wild. imprint from stc. (written in early 1641 and very possibly printed before the end of the legal year 1640 on 24 march.)--stc. a ballad. in two parts. woodcut illustrations at head of each part. reproduction of original in the british library. eng ballads, english -17th century. a15348 s102153 (stc 25632). civilwar no alas poore scholler, whither wilt thou goe: or strange altrations which at this time be; there's many did thinke they never should see. to t wild, robert 1641 658 2 0 0 0 0 0 30 c the rate of 30 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2003-08 tcp assigned for keying and markup 2003-09 spi global keyed and coded from proquest page images 2003-12 daniel haig sampled and proofread 2003-12 daniel haig text and markup reviewed and edited 2004-02 pfs batch review (qc) and xml conversion alas poore scholler , whither wilt thou goe : or strange altrations which at this time be ; there 's many did thinke they never should see . to the tune of , halloo my fancy , &c. in a melancholly studdy none but my selfe , me thought my muse grew muddy , after seaven yeares reading and costly breeding , i felt , but could finde no pelfe : into learned raggs i 'ue rent my plush and sattin , and now am fit to begg in hebrew , greeke and lattin , iu●●●●d of aristotle , would i had got a patten : alasse poore scholler whither wilt thou go ? cambridge now i must leave thee and follow fate , colledge hopes doe deceiue me , i oft expected to haue beene elected , but desert is reprobate : masters of colledges have no common graces , and they that have fellowships have but common places , and those that schollers are , they must haue hansome faces : alas poore scholler whither wilt thou goe ? i haue bow'd , i haue bended , and all in hope , due day to be befrended , i haue preach'd , i haue printed what ere i hinted , to please our english pope ; i worshipt towards the east , but the sunne doth now forsake me , i finde that i am falling , the northerne winds doe shake me , would i had beene upright , for bowing now will breake me : alas poore scholler , whither wilt thou goe ? at great preferment i aymed witnesse my silke , but now my hopes are maimed , i looked lately , to liue most stately , and haue a dairy of bell-ropes milke : but now alasse , my selfe i must not flatter , bygamy of steeples is a laughing matter , each man must have but one , and curates will grow fatter . alas poore scholler , whither wilt thou goe ? the second part , to the same tune . into some country uillage now i must goe , where neither tith nor tillage ▪ the greedy patron and parched matron , sweare to the church they owe : yet if i can preach and pray too on a sudden , and confute the pope at adventure without studdying , then ten pounds a yeare besides a sunday pudding . alas poore scholler whither wilt thou goe ? all the arts i haue skill in , divine and humane , yet all 's not worth a shilling , when the women heare me , they doe but ieare me , and say i am profane : once i remember , i preached with a weaver , i quoated austine , he quoated dodd and cliver , i nothing got , he got a cloke and bever . alas poore scholler whither wilt thou goe ? shipps , shipps , shipps i discover , crossing the maine , shall i in and goe over turne iew or atheist , turke or papist , to geneva or amsterdam : bishoppricks are voyde in scotland , shall i thither , or follow windebanke and finch to see if either doe want a preist to shrive them , o no tis blustring weather . alas poore scholler whither wilt thou goe ? ho , ho , ho , i have hit it , peace goodman foole , thou hast a frame will fit it , draw thy indenture , be bound at adventure , an apprentice to a free-schoole ; there thou may'st command by william lillies charter , there thou mayst whipp , stripp and hang and draw and quarter , and commit to the red rod , both will . and tom. and arthur . i , i , 't is thither , thither will i goe . finis . the [f]aithful lovers of the west. come joyn with me all you that love, and faithful to each other prove: example take by this my song, all you that stand within this throng. to the tune of, as i walkt forth to take the air. / by william blundun. blunten, william. 1680-1685 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a76932 wing b3363 estc r233064 45578161 ocm 45578161 172117 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a76932) transcribed from: (early english books online ; image set 172117) images scanned from microfilm: (early english books, 1641-1700 ; 2615:13) the [f]aithful lovers of the west. come joyn with me all you that love, and faithful to each other prove: example take by this my song, all you that stand within this throng. to the tune of, as i walkt forth to take the air. / by william blundun. blunten, william. 1 sheet ([1] p.) : ill. printed for p. brooksby near the hospital-gate in vvest smithfield., [london] : [between 1680-1685] "the second part, to the same tune." place and date of publication from wing. includes 4 engraved illustrations. imperfect: cropped with some loss of print. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng love poetry, english. ballads, english -17th century. broadsides -england -london -17th century. 2008-07 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the ●aithful lovers of the west . come joyn with me all you that love , and faithful to each other prove : example take by this my song , all you that stand within this throng . to the tune of , as i walkt forth to take the air. by william blundun . why should i thus complain of thee ? so cruelly thou murderedst me : for unto thee it is well known , thou art the maid i love alone . in none but thee i take delight , i think on thee both day and night : i give to thee my heart away , do not with hatred me repay . when first thy sweet face i did see , i● seemed none was like to thee : i wish i had not seen the day , when first thou stol'st my heart away . hard is thy heart , harder then steel , colder then ice , that frost congeal : how many thousand times doth make , my heart to bleed for thy sweet sake . i was forewarned by thine eyes , of thy most killing cruelties : but cupid had so blinded me , now i shall dye for love of thee . but o how good had been my case , that i had never seen thy face : my captive heart had then been free , but now i can love none but thee . when i am dead , this thou wilt say , that i have cast my love away : too late 't will be then to complain , if that you do , it 's all in vain . therefore my dearest love comply , and ease me of this cruelty : let not me dye in this dispair , but grant thy love to me , my dear , the second part , to the same tune . the maids answer . doubt not my love , nor do not fear thou art the man that i love dear i did but try thy constancy , for i do love no man but thee . then grieve no more , nor yet complain , thy love to me is not in vain : for constant i will ever be , and i do love no man but thee . why shouldst thou say thy heart will break and all for love of my sweet sake ? i constant to thee still will prove , as ever was the turtle-dove . nothing shall part my love and i , vntil the very day we dye : we 'l live in love , and so agree , as man and wife they ought to be . the young-mans answer . oh thanks be to the heaven above , now i have gain'd my dearest love : thy words doth me so much revive , i am the happiest man alive . come let us to the church away , and married be without delay : although our portions be but small , true love is better worth then all . so hand in hand away they went , and had their parents free consent : the musick then most sweet did play , and thus did end their wedding day . young-men and maids in love agree , and let this song a pattern be : the price you know it is but small , a penny a piece , and take them all . einis . printed for p. brooksby near the hospital-gate in vvest-smithfield . the northern ditty: or, the scotch-man out-witted by the country damsel. to an excellent new scotch tune, of cold and raw the north did blow, &c. a song much in request at court. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1692 approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02826 wing d2757 interim tract supplement guide c.20.f.8[374] 99887839 ocm99887839 183501 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02826) transcribed from: (early english books online ; image set 183501) images scanned from microfilm: (early english books; tract supplement ; a5:2[292]) the northern ditty: or, the scotch-man out-witted by the country damsel. to an excellent new scotch tune, of cold and raw the north did blow, &c. a song much in request at court. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby, j. deacon, j. blare, j. back., [london] : [1692?] attributed to thomas d'urfey by wing. verse: "cold and raw the north did blow ..." place and date of publication suggested by wing. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the northern ditty : or , the scotch-man out-witted by the country damsel . to an excellent new scotch tune , of cold and raw the north did blow , &c. a song much in request at court. this may be printed , r. p. cold and raw the north did blow bleak in the morning early ; all the trees were hid with snow , cover'd with winters yearly : as i came riding o'er the slough , i met with a farmers daughter ; rosie cheeks , and bonny brow , g●●d faith made my mouth to water . down i vail'd my bonnet low , meaning to show my breeding , she return'd a grateful bow , her visage far exceeding ; i ask'd here where she went so soon , and long'd to begin a parley ; she told me to the next market-town , a purpose to sell her barley . in this purse , sweet soul , said i , twenty pound lies fairly , seek no farther one to buy , for i 'se take all thy barley : twenty more shall purchase delight , thy person i love so dearly , it thou wilt lig by me all night , and gang home in the morning early . if forty pound would buy the globe , this thing i 'de not do sir , or were my friends as poor as job , i 'd never raise 'em so sir : for shou'd you prove to night my friend , we'se get a young kid together , and you 'd be gone e'er nine months end , and where shall i find the father ? pray what would my parents say , if i should be so silly , to give my maidenhead away , and lose my true love billy ? oh , this would bring me to disgrace , and therefore i say you nay , sir ; and if that you would me embrace , first marry , and then you may sir. i told her i had wedded been , fourteen years and longer , else i 'd chuse her for my queen , and tye the knot yet stronger . she bid me then no farther come , but manage my wedlock fairly , and keep my purse for poor spouse at home , for some other should have her barley . then as swift as any roe , she rode away and left me ; after her i could not go , of joy she quite bereft me : thus i my self did disappoint , for she did leave me fairly , my words knock'd all things out of joint , i lost both the maid and barley . printed for p. brooksby , j. deacon , j. blare . j. back . the hasty wedding; or, william's patience rewarded: with the consent of pretty nancy. to the tune of, the man of fashion, or, the doubting virgin. bowne, tobias. 1670-1696? approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01738 wing b3893 interim tract supplement guide c.20.f.8[206] interim tract supplement guide c.20.f.10[50] 99884541 ocm99884541 183370 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01738) transcribed from: (early english books online ; image set 183370) images scanned from microfilm: (early english books; tract supplement ; a5:2[161]; a6:2[50]) the hasty wedding; or, william's patience rewarded: with the consent of pretty nancy. to the tune of, the man of fashion, or, the doubting virgin. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts) printed for, p. brooksby, at the golden-ball in pye-corner., [london] : [between 1670-1696] attributed to tobias bowne by wing. place and date of publication suggested by wing. verse: "sitting with my dearest dear ..." also identified as wing (2nd ed.) h1139. copies cut and mounted. item at a6:2[50] imperfect: heavily stained. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. marriage -early works to 1800. broadsides -england -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the hasty wedding ; or , william's patience rewarded . with the consent of pretty nancy . to the tune of , the man of fashion , or , the doubting virgin. sitting with my dearest dear , by a little purling spring , in the pleasant time o' th year , when the little birds do sing , straight i was resolv'd to move her , for to know how she inclin'd , and to tell her that i lov'd her , and desire to know her mind . then quoth i , my prety nancy , well thou know'st thou hast my heart ; thou alone art she i fancy , and can only cure my smart : tell me then my pretty fair one , when you mean to change your life , tell me quickly then my dear one , when you will be willy's wife . truly william then quoth nancy , men they say are grown so strange , every one they 'l swear they fancy , so they may perhaps for change : you may freely say your pleasure , i can hear without distast , marriage should be done with leisure , and i 'm sure i 'm not in hast . will you be a peevish creature , and deny your self a cure , who could teach you such ill nature , not your mother i am sure : she was scarce arriv'd at fourteen , when she lost a single life , and was pleas'd so well with courting that she soon became a wife . this i know is her confession , but i 've heard her oft to pray , that i might have more discretion , and to wait a longer day : therefore i do tell you fairly , some years more i mean to wast , tho' indeed i love you dearly , yet i am not so much in haste . well quoth he have , you consented , gave me hope , though very cold , if you have not again repented , i shall have you when you 'r old : i have patience and you know it , still to wait on you whilst life , and will never think much to do it , if that you will be my wife . now quoth she , i 'm sure you love me , since you are content to stay , and your patience does so move me , i will marry you this day : now i see you love me dearly , we no longer time will wast , and i do declare it clearly , that i am as much in hast . hand in hand these lovers walked , many a kiss she did exchange , many a vow pass as they talked that their hearts should never range to te church he did conduct her , whhre the priest did end the strife , and so well he did instruct her , she that day was william's wife printed for , p. brooksby , at the golden-ball in pye-corner . the two faithful lovers. to the tune of, franklin is fled away, etc. bowne, tobias. 1695 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01745 wing b3899 estc r170734 47012332 ocm 47012332 174296 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01745) transcribed from: (early english books online ; image set 174296) images scanned from microfilm: (early english books, 1641-1700 ; 2682:9) the two faithful lovers. to the tune of, franklin is fled away, etc. bowne, tobias. 1 sheet ([1] p.) : ill. printed for a.m. w.o. and t. thackery, london : [1695?] author and date of publication suggested by wing (2nd ed.). includes 3 engraved illustrations. reproduction of original in: university of glasgow library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the two faithful lovers . to th● tune of , franklin is fled away , &c. man. ] farewel my heart's delight , ladies adieu , i must now take my flight , what e'er ensue ; my country-men i see , they cannot yet agree ; since 't will no better be , england farewel . maid . ] o be not so unkind , heart , love and joy , to leave me here behind , breeds my annoy : o have a patient heart , i 'll help to bear the smart , e'er i from thee will part , my turtle dove . m. ] i 'll leave thee gold good store , thee to maintain ; what can'st thou wish for more ? do not complain : servants shall wait on thee , i 'll give thee jewels three , that thou maist think on me when i am gone . m. ] your gold i count but dross , when you are fled , your absence is my loss , 't will strike me dead ; servants i will have none , when you are from me gone , i 'd rather lye alone , from company . m. ] i am resolv'd to go , fortnue to prove ; advise me what to do , my dearest love : for here i will not ' bide , what e'er doth me betide ; heavens now be my guide , and lead the way . m. ] then let me go with you , heart , love and joy ; i will attend on you , and be your boy : if you will go to sea , i 'll serve you night and day , for here i will not stay , if you go hence . m. ] the seas are dangerous , strangers unkind , the rocks are perillous , so is the wind : my care is all for thee , as thou maist plainly see , dear heart go not with me , but stay behind . m. ] tho' seas do threaten death , my heart's delight , with thee i 'll spend my breath , nought shall affright : with thee i 'll live and dye , in thy sweet company , though dangers shall be nigh , both day and night . in man's apparel now to sea she went , because with him she 'd be , her heart 's content ; she cut her lovely hair , and no mistrust there were , that she a maiden fair was at that time . to venice they were bound with full consent , with sorrows compast round away they went : on an unhappy day the ship was cast away , which wrought their lives decay , friends discontent . the ship being cast away , fortune so frown'd , he swam to land that day , but she was drown'd : oh! his true love was drown'd , and never after found , and he encompast round with grief and care . o cruel seas ( quoth he ) and rocks unkind , to part my dear and me , in love combin'd : o cast her on this shore , i may her death implore , and mourn for evermore until i dye . you loyal lovers all that hear this ditty , sigh and lament my fall , let 's move you to pitty : she lies now in the deep , in everlasting sleep , and left me here to weep in great distress . dear love , i come , quath he , heaven's me guide , i long to be with thee my only bride : in venice he did dye , and there his corpse doth lye , and left his friends to cry , o hone. o hone. london : printed for a. m. w. o. and t. th●ckery , at the angel in duck l●●e . oates's bug---bug --boarding-school, at camberwell. a song. : to the tune of, my lord russels farewell. / writ by j. dean ... dean, j. (john), fl. 1679-1685. 1684 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a37306 wing d494a estc r174459 19617932 ocm 19617932 109199 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a37306) transcribed from: (early english books online ; image set 109199) images scanned from microfilm: (early english books, 1641-1700 ; 1685:5 or 1792:8) oates's bug---bug --boarding-school, at camberwell. a song. : to the tune of, my lord russels farewell. / writ by j. dean ... dean, j. (john), fl. 1679-1685. 1 sheet ([1] p.). printed for j. dean, bookseller in cranborn-street, in leicester-fields, near newport-house., [london?] : 1684. without music. item at reel 1792:8 identified as wing d494c ("no entry" in wing 2nd ed., 1994). reproductions of originals in the bodleian library and harvard university library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. bawdy poetry. 2006-01 tcp assigned for keying and markup 2006-03 spi global keyed and coded from proquest page images 2006-04 andrew kuster sampled and proofread 2006-04 andrew kuster text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion oates's bug — bug — boarding-school , at camberwell . a song . to the tune of , my lord russels farewell . writ by j. dean , author of the wine-cooper . the hunting of the fox . the badger in the fox-trap . the lord russel's farewell . the loyal conquest . the dutch miller , &c. rouse , rouse my lazy mirmidons , and muster up our tribe ; see how the factious fancies stands , to trim or cross the tyde : invite 'em to my vaulting school , the saints for freedome tell : how they may live without controul , with me at camberwell . there all provision shall be made to entertain the best , old mother creswel of our trade , for to rub down our guests ; three hundred of the briskest dames , in park or field e're fell : whose amorous eyes shall charm the flames o' th saints at camberwell . for my own spending i will keep of boys three hundred more , they are to my appetite , more sweet then bawd or bucksome whore : the turks seraglio we 'l revive , he sinks so fast for hell : our english turks may plot and thrive , with me at camberwell . that sacred place shall tempt his grace , once more from friends to fall : he 'l leave these new-found sweets to trace both more-park and white-hall ; for gray and tom ' tshall be their home , to kiss secure and dwell : where e'ry lass shall have his grace , in my sweet camberwell . patience shall from the cock-loft creep , and here have free access : to swear and drink , to whore and sleep , such vertues we profess ; waller his pots of venison , he took for priests , may sell : his amber-necklaces make known our saints at camberwell . player may meet his mistris here , sometimes sir robert's wife ; they free from care in joys may share , it may prolong ones life : that daring gibbet 'fore my gate . i 'le tear him down to rights ; because no emblems of ill fate , shall fright our amorous nights . argile and lob , and ferguson , and all absconding saints ; may safely to their saviour come , and taste our sweet contents : our largest rooms to frisk and sport , beds round , and curtains drawn ; the life and sceen of venus court , excelling englands throne . all naked round the room we 'l dance , fine limbs and shapes to show : in pairs by candle-light advance , in dazeling postures go ; here every man obtains his choice , sister , madam , or nell : we 'l have papilion and duboyce , to my sweet camberwell . finis . printed for j. dean , bookseller in cranborn-street , in leicester-fields , near newport-house . 1684. the huntsmans delight, or, the forresters pleasure. [...] tune of, amongst the leaves so green. / by j.m. martin, joseph, ballad writer. 1693 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04476 wing m844 interim tract supplement guide c.20.f.8[218] 99887719 ocm99887719 183377 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04476) transcribed from: (early english books online ; image set 183377) images scanned from microfilm: (early english books; tract supplement ; a5:2[168]) the huntsmans delight, or, the forresters pleasure. [...] tune of, amongst the leaves so green. / by j.m. martin, joseph, ballad writer. 1 sheet ([1] p.) : ill. (woodcuts). printed by and for a.m., [london] : [1693?] verse: "come all you young [...] & lend an ear ..." place and date of publication suggested by wing. imperfect: trimmed and stained affecting legibility. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the huntsmans delight , or , the forresters pleasure . the dear are wounded , but they are not sl●in , yet so they 're wounded , that they are or'e tain ; and in their taking pitty it is shown : for why , 't was thought that some there was with fawn . the keepers swore great oaths , upon their lives , they 'd be as kind to them , as men are to their wivess , the pleasant sport this ditty doth declare , of the huntsmen , and the fallow dear . by i. m. tune of , amongst the leaves so green a. come all you young maidens & lend an ear come listen a while and you shall hear how the keepers did sport with the fallow deer amongst the leaves so green a. hey down derry derry down , hey down down , ho down down , hey down , ho down , derry derry down amongst the leaves so green a. the keepers would on a hunting go , and under their coats each carried his bow , and all for to shoot the bonny bonny doe , amongst the leaves so green a. hey down derry derry down , hey down down , ho down down , hey down , ho down , derry derry down , amongst the leaves so green a. they spyed five does upon a hill , and to shoot at them was their good will , but none of them they meant for to kill , amongst the leaves so green a. hey down , &c. at the first doe they shot at and they mist , the second doe they clipt and they kist , and they laid them down where no 〈◊〉 a wist amongst the leaves so green a. the one cried out unto the other , i am serv'd as my father serv'd my mother . all the fear of their taking this joy did smother amongst the leaves so green a. hey down , &c. the third doe she made great moan , bcause that she was big with fawn . which made her to go weeping home , from among the leaves so green a. hey down , &c. the fourth doe could no longer stay , but she must be gone her way , for fear that the keepers should her lay amongst the leaves so green a. hey down , &c. but soon after she did repent , and to turn again she was full bent , to lie down and take her hearts content , amongst the leaves so green a. hey down , &c. the fifth doe leapt over the stile , but the keeper he got her by the heel , and there he did both kiss and feel amongst the leaves so green a. hey down , &c. he pricked her streight with his dart but she cried out she felt no smart , and therein lay the keepers art , amongst the leaves so green a. hey down , 〈…〉 these fair does they leapt and they skipt , till leaping along , at length they were tript , no sooner they fell , but the keepers they clipt , amongst the leaves so green a. hey down , &c. these bold huntsmen were all agreed , and by consent these fair does did bleed , but after that came often to feed amongst the leaves so green a. hey down , &c. great crowds came running over the plain , expecting to see these fair does slain , but like fools as they came they return'd again from amongst the leaves so green a. hey down , &c. if it be true as old wives say , take a doe in the month of may , and a forresters courage she soon will allay amongst the leaves so green a. hey down , &c. these huntsmen were so gentle inclin'd they set them●elfe their courage to find , but away they tript , so swift as the wind , from among the leaves so green a. hey down derry derry down ; hey down down , ho down down , hey down , ho down , derry derry down , amongst the leaves so green a. printed by and for a. m. the frantick lover: or, the wandring young-man. 1685-1688 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a84873 wing f2091 estc r227182 45097788 ocm 45097788 171376 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a84873) transcribed from: (early english books online ; image set 171376) images scanned from microfilm: (early english books, 1641-1700 ; 2572:25) the frantick lover: or, the wandring young-man. n. p. 1 sheet ([1] p.) : ill. printed for j. deacon, at the angel in guilt-spur-street, without newgate., [london] : [between 1685-1688] "this may be printed, n.p." date of publication suggested by wing. in verse. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2007-09 tcp assigned for keying and markup 2007-10 apex covantage keyed and coded from proquest page images 2007-12 mona logarbo sampled and proofread 2007-12 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the frantick lover : or , the wandring young-man . with grief and care he is opprest , no comfort can he find ; in nights he is disturb'd of rest , caus'd by his love unkind . to an excellent new play-house tune . this may be printed , r. p. you are so fair and cruel too . i am amaz'd what i shall do to purchase my desire ; sometimes your eyes doth me invite . but when i enter you kill me quite , and the more encrease my fire . long i have lov'd ▪ and am abus'd , and when i offer , i am refus'd , can any suffer more ? be coy be cruel , do your worst though for your sake i am accurst , i must and will adore . was you as kind , as sweet and fair , no creature could with thee compare , to love i am inclin'd ; but yet i understand and see . that your'e resol●'d to torture me , o are you not unkind ? can you forget the vow you made , when as in solemn sort you said , i was your only joy : yet now you will no favour show , but prove my final overthrow , and would my life destroy . sometimes in dreams i do behold your tresses like fair threads of gold , likewise your beauty bright ; but when i waken from my rest , and find that i am dispossest , it proves my ruine quite . when first i did thy beauty see , o then thou didst appear to be an angel in my ' eye : like lambs together we did play , but now thine heart is drawn away tell me the reason why ? was i not only just and true , pray let me here be try'd by you , then what may be the ▪ cause that you unworthily forsake your love and like a tyrant break , the bonds of cupids laws . what grief of heart do i endure ? 't is the alone can kill or cure , send me one gentle smile ; or else i through the world will range , for why my love can never change , o do not me revile . for sure i am ▪ my love is true , where e're i range i 'll honnour you ▪ in sounding forth thy praise ; if i may not enjoy the bliss , bestow on me a pa●ting kiss , i 'll wander on ●… my days . he● answer . am i so fair and cruel too , as has reported been by you ? 't is faulse , pray don't revile : in one you seem to flatter me , then charge me with much cruelty , where is your love the while . you tell me that you loved long . and through me have received wrong pray is this false or true ? when did the darts of my disdain , give any reason to complain ? i will be judg'd by you . when first to me you did make suit , if then i held you in dispute , was this disloyalty ? i must confess it would be brave , if young men could but ask and have , maids soon would slighted be . 't is not the mode for maids to wooe , yet when we find men iust and true , then , then we often yield : this is no more then modesty , but he that would hade more of me , shall never win the field . but if thy heart so loyal be , as not to fancy none but me , in all the world beside : then i will willingly comply , in loyal love to live and dye whatever may betide . i 'le make it all my study still , to be obedient to thy will , true blessings to restore : here in my armes i 'll the infold , and prize the more then all the gold , on the rich indian shore . the moan you made my heart did move , thou shalt not wander from thy love , whom you so much adore : and therefore now no more repine , take hand and heart , i will be thine , what canst thou wish for more ? finis . printed for i. deacon , at the angel in guilt-spur-street , without newgate . the winchester wedding: or, ralph of reading and black bess of the green. to a new country dance: or, the king's jigg. d'urfey, thomas, 1653-1723. 1685-1692? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02835 wing d2792b interim tract supplement guide ebb65h[151] 99887355 ocm99887355 182068 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02835) transcribed from: (early english books online ; image set 182068) images scanned from microfilm: (early english books; tract supplement ; a2:4[151]) the winchester wedding: or, ralph of reading and black bess of the green. to a new country dance: or, the king's jigg. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts), music. printed for j[onah]. deacon, at the angel in guilt-spur-street, without newgate., london: : [between 1685-1692] verse: "at winchester was a wedding ..." author, publication date and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the winchester wedding : or , ralph of reading and black bess of the green. to a new country dance : or , the king's jigg . at winchester was a wedding , the like was never seen , 'twixt lusty ralph of reading , and bonny black bess of the green ; the fidlers were crowding before , each lass was as fine as a queen , there was an hundred and more , for all the whole country came in ; brisk robin led rose so fair , she look'd like a lilly o' th' vale ; and ruddy fac'd harry led mary , and roger led bouncing ●●ll . with tommy came smiling katy , he help her over the stile , and swore there was none so pritty , in forty and forty long mile ; kit gave a green gown to betty , and lent her his hand to rise ; but jenny was jeer'd by watty , for looking blew under the eyes : thus merrily chatting all day , they past to the bride-house along , with iohnny and p●ity fac'd nanny , she fairest of all the throng . the bridegroom came out to meet 'em , afraid the dinner was spoil'd , and usher'd 'em into to treat 'em , with bak'd , and roast , and boyl'd : the lads were frollick and jolly , for each had a lass by his side ; but willy was melancholly , for he had a mind to the bride : then phillip began her health , and turn'd a beer-glass on his thumb ; but ienkin was reckon'd for drinking , the best in chrill endom . and now they had din'd , advancing into the midst of the hall , the fidlers struck up for dancing , and ieremy led up the brawl ; but margery kept a quarter , a lass that is proud of her pelf , ' cause arthur had stolen her garter , and swore he would tye it himself ; she strugled , she blush'd , and frown'd , and ready with anger to cry , ' cause arthur with tying her garter , had slipt up his hands too high . and now for throwing the stocking , the bride away was led , the bridegroom got drunk , was knocking , for candles to ●ight him to bed ; but robin that found him silly , most kindly took him aside , while that his wife with willy was playing a whooper's hide : and now the warm game begins , the critical minute was come , and chatting , and billing , and kissing went merrily round the room . pert stephen was kind to betty , as blith as a birde in the spring ; and tommy was so to katy , and wedded her with a rush-ring ; sukey that danc'd with the cushion , an hour from the room had been gone , and barnaby knew by her blushing , that some other dance had been done : and thus of fifty fair maids , that went to the wedding with men , scarce five of the fifty was le●t ye , that so did return agen . brisk dolly and prity-fac'd kate , this merriment they did adore ; each lass had been pleas●d with her mate , as they never had been before : nay , susan was pleased at heart , she sa●d it , and said it again ; the young men have play'd their part , and no one had cause to complain . the day was in merriment spent , the pipers and the fidlers they play , before all the throng , as they went ; thus they made an end of the day . london : printed for j. deacon , at the angel in guilt-spur-street , without newgate . the politick maid. or, a dainty new ditty, both pleasant and witty vvherin you may see, the maides policie. to a pleasant new tune. crimsal, richard. 1637 approx. 5 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-10 (eebo-tcp phase 1). a19011 stc 5428 estc s108786 99844441 99844441 9252 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19011) transcribed from: (early english books online ; image set 9252) images scanned from microfilm: (early english books, 1475-1640 ; 1627:18) the politick maid. or, a dainty new ditty, both pleasant and witty vvherin you may see, the maides policie. to a pleasant new tune. crimsal, richard. 1 sheet ([1] p.) : ill. for thomas lambert, at the signe of the hors-shoe in smithfield, printed at london : [1637?] signed at the end: r.c., i.e. richard crimsal. publication date suggested by stc. verse "there was a knight was wine drunke,". in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-08 tcp assigned for keying and markup 2006-09 aptara keyed and coded from proquest page images 2006-10 jonathan blaney sampled and proofread 2006-10 jonathan blaney text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion the politick maid . or , a dainty new ditty , both pleasant and witty : vvherein you may see , the maides policie . to a pleasant new tune . there was a knight was wine drunke , as he rode on the way , and there he spide a bonny lasse , among the cocks of hay : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale , with hey tro nonney nonney . this gallant knight vnto the lasse , did present take his way , but it séem'd he had a shame face , he did not court and play : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale , with hey tro nonney nonney . when he came to this bonny lasse , he found she was not coy , his courtesie she did imbrace , and did not say him nay : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale with hey tro nonney nonney . if we should sit vs downe here , vpon the grasse so gréene , here 's neither shéet nor couering , to kéepe our cloathes cleane : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale , with hey tro nonney nonney . and if we should sit downe quoth he , among the cockes of hay , then would come forth the kings pinder , and take our stéedes away : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale , with hey tro nonney nonney . i haue rings on my fingers , made of the purest gold , that will release our stéedes againe out of the kings pinfold : sing loud , whistle in the winde , blow merry merry , vp and downe in yonder dale , with hey tro nonney nonney . the second part to the same tune . sir knight if you will goe with me , into my fathers bowers , there may you sit and talke with me , this thrée or foure houres : sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . when she came to her fathers bowers , they were moted round about , then she slipt in at a wicke . and left sir knight without : sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . now i am here a maide within , and you sir knight without , you may lay straw vnder your féete to kéepe you from the gout : sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . henceforth when you doe méet a maide a mile out of the towne , sir knight you must not be affraid , of soyling of her gowne : sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . and if you chance to méet a maid , amongst the cockes of hay , sir knight you must not be affraid , with her to court , and say sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . it is a prouerb many say , and truth it is in tryall , he that will not when as he may , shall after haue denyall : sing loud , whistle in the winde , blow merry merry , up and downe in yonder dale , with hey tro nonney nonney . and thus sir knight now fare you well , to you i bid adieu , now you hereafter wards may tell how i haue serued you . sing loud , whistle in the winde , blow merry merry merry , up and downe in yonder dale , with hey tro nonney nonney . finis . r. c. printed at london for thomas lambert , at the signe of the hors-shoo in smithfield . iohn and ioan: or, a mad couple well met. to the tune of the paratour. m. p. (martin parker), d. 1656? 1634 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00499 stc 19246.5 interim tract supplement guide c.20.f.7[168] 99884253 ocm99884253 183008 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00499) transcribed from: (early english books online ; image set 183008) images scanned from microfilm: (early english books; tract supplement ; a5:1[90]) iohn and ioan: or, a mad couple well met. to the tune of the paratour. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for tho: lambert., printed at london : [1634] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "you nine castalian sisters ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion iohn and ioan : or , a mad couple well met . to the tune of the paratour . you nine castalian sisters that kéep parnassus hill , come down to me , and let me bée inspired with your skill , that well i may demonstrate , a piece of houshold stuffe , you that are wed mark what is sedd , beware of taking snuffe . a mad phantastick couple , a yong man and a lasse , with their content and friends consent resolu'd their times to passe as man and wife together , and so they marry'd were , of this mad match i made this catch , which you that please may hear . they both had imperfections , which might haue caused strife the man would sweare , and dominéere , so also would his wife . if iohn went to one alehouse , ioan ran vnto the next , betwixt them both they made an oath , that neither would be next . what euer did the good man his wife would doe the like , if he was pleas'd she was appeas'd , if he would kick , shée'd strike . if queane or slut he cal'd her , shée call'd him rogue and knaue , if he would fight , shée'd scratch and bite , he could no victory haue . if iohn his dog had beaten , then ioan would beat her cat , if iohn in scorne his band would burn , ioan would haue burnt her hat . if iohn would breake a pipkin , then ioan would break a pot , thus he and she did both agrée to waste all that they got . if iohn would eate no victuals , then ioan would be as crosse , they would not eat but sau'd their meat , in that there was no losse . if iohn were bent to feasting . then ioan was of his mind , in right or wrong both sung one song , as fortune them assignd . the second part to the same tune . in tauerne or in alehouse , if iohn and ioan did méet , who ere was by in company , might tast their humors swéet : what euer iohn had cal'd for , ioan would not be out-dar'd , those that lack'd drink through want of chink for them the better far'd . thus would they both sit drinking , as long as coine did last , nay more then this , ere they would misse good liquor for their taste , io●n would haue damm'd his doublet , his cloak or any thing , and ioan would pawne her coife of lawne , her bodkin or her ring . if iohn were drunk , and reeled , then ioan would fall i' th fire , if iohn fell downe i' th midst o' th towne , bee wraid in dirt and mire , ioan like a kind co-partner , scorn'd to stand on her féet , but down shée'd fall before them all , and role about the stréet . if iohn had cal'd his host knaue , ioan cal'd her hostis whore , for such like crimes they oftentimes were both thrust out of dore . if iohn abus'd the constable , ioan would haue beat the watch thus man and wife , in peace or strife , each other sought to match . but mark now how it chanced . after a yeare or more , this couple mad all wasted had , and were grown very poore , iohn could no more get liquor , nor ioan could purchase drink , then both the man and wife began vpon their states to thinke . thus beat with their own wepons , iohn thus to ioan did say , swéet heart i sée we two agrée the cleane contrary way , henceforth let 's doe in goodnesse . as we haue done in ill , i le doe my best , doe thou the rest : a match quoth ioan , i will. so leauing those mad humors which them before possest , both man and wife doe lead a life in plenty , peace , and rest : now iohn and ioan both iointly , doe set hands to the plough . let all doe so in weale or woe , and they 'l do well enough . m.p. finis . printed at london for tho : lambert . a monstrous shape. or a shapelesse monster a description of a female creature borne in holland, compleat in every p[arte] save only a head like a swine, who hath travailed into many parts, and is now to be seene in london, ... to the tune of the spanish pavin. l.p. (lawrence price), fl. 1625-1680?. 1639 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-08 (eebo-tcp phase 1). a10066 stc 20317 estc s100874 99836701 99836701 987 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10066) transcribed from: (early english books online ; image set 987) images scanned from microfilm: (early english books, 1475-1640 ; 1183:10) a monstrous shape. or a shapelesse monster a description of a female creature borne in holland, compleat in every p[arte] save only a head like a swine, who hath travailed into many parts, and is now to be seene in london, ... to the tune of the spanish pavin. l.p. (lawrence price), fl. 1625-1680?. 1 sheet ([1] p.) : ill. printed by m. f[lesher] for tho: lambert, and are to be sold at the signe of the horse shooe in smithfield, [london?] : [1639] printer's name and publication date from stc. both parts have woodcut illustrations at head. signed: l.p. [i.e. lawrence price]. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng monsters -netherlands -early works to 1800. ballads, english -17th century. 2004-01 tcp assigned for keying and markup 2004-03 apex covantage keyed and coded from proquest page images 2004-04 mona logarbo sampled and proofread 2004-04 mona logarbo text and markup reviewed and edited 2004-07 pfs batch review (qc) and xml conversion a monstrous shape . or a shapelesse monster . a description of a female creature borne in holland , compleat in every part , save only a head like a swine , who hath travailed into many parts , and is now to be seene in london , shee s loving , courteous , and effeminate , and nere as yet could find a loving mate . to the tune of the spanish pavin . of horned uulcan i haue heard , his téeth were longer thē his beard , whose monstrous looks made all afeard which did that night behold him : and of transformed acteon , which like a hart in forest ran , and how faire lidia like a swan transformed . of robin goodfellow also , which was a seruant long agoe , the quéen of fairies doth it know , and hindered him in fashion : she knew not what she did her selfe , she chang'd him like a fairie elfe , for all his money , goods , and pelfe , she gull'd him . but yet be brisk you yonkers bold , and list to what i shall vnfold , such newes afore was neuer told , as i will now relate : my subiect is of such a girle , that hath both siluer , gold , and pearle , yet neuer will be for an earle right fitted . this urokin as i vnderstand , is now arriued from dutchland , and hath as much gold at command that she would wish or craue : her portion thréescore thousand pound , both corn and cattell on her ground , as good as any may be found in holland . besides , a dainty lasse is she , a boores daughter in the low-country , her mother is in her degrée a very proper fro , and all the tribe from whence she came call her faire pigs nye by her name , you 'l say they haue reason for the same hereafter . to describe her from top to toe , i purpose now for to doe so , and shew how neatly she doth goe when young men come a wooing : she shews her pretty heele and foot , a dainty leg adioyning to 't , her stockins stik , if that will do 't she cares not . the second part , to the same tune . her person it is straight and tall , a lilly white hand , her fingers small makes her the handsomest wench of all that euer her father got : in handsomnesse she doth excell both bouncing kate , and bonny nell , in dancing she doth beare the bell of many . so choice of fare she is indéed , as oft as she doth stand in néed , a siluer trough she hath to féed , when euer she wants victuall : the siluer trough is straight brought out wherein she puts her dainty snout , and swéetly sucks till all is out of action . and to speak further for her grace , she hath a dainty white swines face , which shews that she came of a race that loued fat porke and bacon : yet would i not her kindred wrong , her nose i think is two foot long , also her breath is very strong and fulsome . yet let no party her despise , she is furnished with two pigs nies , though something of the largest size ▪ they doe become her neatly , her ears hang lolling toward the ground more fairer then a mastie hound , thus are her fortunes still renown'd by hearesay . great store of suters euery day , resort vnto her as they say , but who shall get this girle away , as yet i doe not know : but thus much i dare vndertake , if any doe a wife her make , it is onely for her moneyes sake he loues her . if any young man long to sée this creature wheresoere she be , i would haue him be rul'd by me , and not to be too forward , lest ye at last should fare the worse , although she haue a golden purse , she is not fit to be a nurse in england . l. p. finis . printed by m. f. for the : lambert , and are to be sold at the signe of the horse shooe in smithfield . the three merry coblers when tell how the case with them doth stand, how they are still on the mending hand. to the tune of the spanish gipsie. m. p. (martin parker), d. 1656? 1634 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08982 stc 19270 estc s119385 99854592 99854592 20019 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08982) transcribed from: (early english books online ; image set 20019) images scanned from microfilm: (early english books, 1475-1640 ; 1607:28) the three merry coblers when tell how the case with them doth stand, how they are still on the mending hand. to the tune of the spanish gipsie. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for f. groue, printed at london : [1634] signed: m.p., i.e. martin parker. verse "come follow follow me,". publication date from stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 judith siefring sampled and proofread 2008-01 judith siefring text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the three merry coblers , who tell how the case with them doth stand , how they are still on the mending hand . to the tune of the spanish gipsie . come follow fellow me , to th' alehouse wee le march all thrée , leaue aule last threed , and lether , and let 's goe altogether . our trade excells most trades ith'land , for we are st●ll on the mending hand . come tapster fill vs some ale , then hearken to our tale , and try what can be made of our renowned trade ; we haue aule at our command , and still we are on the mending hand . though shoomakers vs disdaine , yet t is approued plaine , our trade cannot be mist , let them say what they list , though all grow worse quite through the land , yet we are still on the mending hand . when shoomakers are decayed : then doe they fall to our trade , and glad their mindes they giue by mending shooes to liue , when in necessity they stand , they striue to be on the mending hand . although there 's but few of us rich , yet brauely we go thorow stich . were 't not for this barley broth ( which is meat , drinke and cloth ) we sure should purchase house and land , at worst we are still on the mending hand . we deale most vprightly , our neighbours that goe awry we easily set vpright , the broken we vnite , when all men out of order stand ; then we are most on the mending hand : we cannot dissemble for treasure , but giue euery one iust measure , if bakers kept size like vs , they need not be frighted thus , we feare not to haue our doings scann'd , for we are still on the mending hand . what euer we doe intend we bring to a perfect end . if any offence be past , we make all well at last , we sit at worke when others stand , and still we are on the mending hand . we bristle as well as the best , all knauery we doe detest , what we haue promised wee le doe vnto a thred , we use waxe but to seale no band , and still we are on the mending hand . our wiues doe sit at the wheele , they spin , and we doe reele , although we take no farmes , yet we can show our armes , and spread them at our owne command . thus still we are on the mending hand . the second part. to the same tune . poore weather-beaten soles , whose case the body condoles , we for a little gaine can set on foot againe . we make the falling stedfast stand , and still we are on the mending hand . you 'd thinke we were past sence , for we giue pieces for pence , iudge , is 't not very strange we should make such exchange , yet so wee le doe at your command , and yet wee le be on the mending hand . our hands doe show that we liue not by taking a fee , we pull a liuing forth of things but little worth , our worke doth th'owners vnderstand , thus still we are on the mending hand . all day we merrily sing , and customers doe bring , or vnto vs doe send , their boots and shooes to mend , we haue our money at first demand , thus still we are on the mending hand . when all our money is spent , we are not discontent , for we can worke for more , and then pay off our score , we drinke without either bill or band , because we are still on the mending hand . while other callings great , for fraud and foule deceit , are lookt vnto by law , we need not weigh't a straw , our honesty spreads through the land , for we are still on the mending hand . therefore let 's be of good chéere , though lether be something deare , the law some course will take amends for all to make , and by their care we vnderstand , the world is now on the mending hand , we pray for durty weather , and money to pay for lether , which if we haue , and health , a fig for worldly wealth , till men vpon their heads doe stand , we shall be still on the mending hand . finis . m. f printed at london for f. groue . a fairing for young-men and maids. if you'l take my advice, this i would have you do, then every young-man take his lass, and drink one pot or two. to the tune of, the winchester wedding. this may be printed, r.p. / by tobias bowne. bowne, tobias. 1670-1696? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01737 wing b3892 interim tract supplement guide ebb65h[98] interim tract supplement guide c.20.f.8[162] 99887129 ocm99887129 183342 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01737) transcribed from: (early english books online ; image set 183342) images scanned from microfilm: (early english books; tract supplement ; a2:3[98]; a5:2[133]) a fairing for young-men and maids. if you'l take my advice, this i would have you do, then every young-man take his lass, and drink one pot or two. to the tune of, the winchester wedding. this may be printed, r.p. / by tobias bowne. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby, at the golden ball in pye-corner., [london] : [between 1670-1696] verse: "as thomas and mary did meet ..." place, date of publication suggested by wing. item at reel a5:2[133] trimmed. reproduction of original in the harvard university, houghton library (reel a2) and the british library (reel a5). created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -early works to 1800. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a fairing for young-men and maids : if you 'l take my advice , this i would have you do , then every young-man take his lass , and drink one pot or two . to the tune of , the winchester wedding . by tobias bowne . this may be printed , r. p. as thomas and mary did meet , it was on a summers day , with words they began to greet each other upon the way : pray what are you bound for the fair this young-man unto her did say , and if that you be going there , i 'le be glad of your company ; he said that he did love her . as a young-man a maid should do , and every stile they went over , he gave her a kiss or two . but when they came to the fair , they merrily spent the day , but me●ting with william and betty , thus thomas to them did say , we 'l drink before we part , come give us a bottle of wine , since thou art with thy sweet-heart , and i am come here with mine : the maids were not unwilling , as far as i understand , but will was for kissing and feeling a maid upon every hand . and when they were full of canary , their stomachs began for to rise then thomas began to court mary , with hand upon one of her thighs : said he art thou willing to wed , for i have some goods before hand , besides when my father is dead , he promis'd me all his land , and this is a good beginning , besides i have more at home , you may get a little by spinning , and i can both weave and comb. my mother will give me a little , if i get an honest young-man , she saith i shall have the kettle , and likewise the warming-pan : my granum will give me a cradle , which is both firm and strong , sister margery will give me a ladle , these goods comes in ding dong : and this is a good beginning , besides i have more at home , i may get a little by spinning , and you can both weave and comb. then william struck up to betty , and thus unto her did say , since thou art a girl that 's pritty , i 'le give thee a fairing this day , why sit you so melancholly , my pretty sweet betty my dove , though thomas be all for molly , it 's thou art the maid that i love , and this unto thee i will promise , then hang sorrow cast away care , we 'l be as far forth as thomas , before we get out of the fair. if that you will change your condition , and that you do fancy a man , i pray bett● have no suspicion , t●at you i do seek to trappan , my tongue and my heart is united , i scorn for to tell thee a lye , sure i have no cause to be slighted , then prethee love do not deny , though we have a small beginning , as little as nothing i know , you may get a little by spinning , and i can both reap and mow. and thus we may live in content , as they that had a great deal more , then out of the door they went , and walked the fair all o're , to buy each other a fairing , as young-men and maids should do , and when they were home repairing , they walked away two and two , it was thomas and mary together , with william and betty so rare , pray what man can say any other , but that they had made a good fair. what maid can there be so hard hearted , an honest young man to deny , that is the cause many are parted , without any reason why , i would have you strive to prevent it , or else it may be to your loss , i know that you are not contented , when you one the other do cross , and now my new song it is over , for i have no more to say , but wish every maid a true lover , that i have seen here to day . printed for p. brooksby , at the golden ball in pye-corner . englands honour, and londons glory. with the manner of proclaiming charles the second king of england, this eight of may 1660. by the honourable the two houses of parliament, lord generall monk, the lord mayor, alderman, and common councell of the city. the tune is, vi vel a roy [sic]. i. w. this text is an enriched version of the tcp digital transcription b06716 of text r186089 in the english short title catalog (wing w41a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b06716 wing w41a estc r186089 47012700 ocm 47012700 174667 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06716) transcribed from: (early english books online ; image set 174667) images scanned from microfilm: (early english books, 1641-1700 ; 2694:7) englands honour, and londons glory. with the manner of proclaiming charles the second king of england, this eight of may 1660. by the honourable the two houses of parliament, lord generall monk, the lord mayor, alderman, and common councell of the city. the tune is, vi vel a roy [sic]. i. w. 1 sheet ([1] p.) : ill. printed for william gilbertson., london, : [1660] contains 1 illustration: royal arms with crowned initials "c r." signed at end: i. w. date of publication taken from wing (2nd ed.) reproduction of original in: university of glasgow. library. eng charles -ii, -king of england, 1630-1685 -poetry. ballads, english -17th century. broadsides -england -17th century. b06716 r186089 (wing w41a). civilwar no englands honour, and londons glory. with the manner of proclaiming charles the second king of england, this eight of may, 1660. by the honou w., i 1660 1092 2 0 0 0 0 0 18 c the rate of 18 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-02 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion englands honour , and londons glory . with the manner of proclaiming charles the second king of england , this eight of may , 1660. by the honourable the two houses of parliament , lord generall monk , the lord mayor , aldermen , and common-counsell of the city . the tune is , vi vel a roy . cr diev et mon droit honi soit qvi mal y pense royal blazon or coat of arms come hither friends and listen unto me , and hear what shall now related be , for joy and comfort is now come to yea , and happy dayes in england you 'l sée : the king and parliament now are agréed , to ease our sadnesse , with joy and gladnesse , and for to frée us from all our annoy as by the parliament now is decréed , then let us sing boyes , god save the king boyes , drink a good health and sing vi vel a roy . the first of may to our great comfort , by our good king a message was sent , the which ye parliament receiv'd with concord and sent abroad the land to content . for so lords and commons together agréed with their frée consent , and being well bent , for they will suffer none us to destroy , the which doth both our joy & comfort bréed . then let , &c : the eight of may as my muse doth here sing , royall king charles with a full consent was then proclaimed englands fair king . by lords and commons of parliament . and by the heavenly powers divine , and in londons citty the cause of this ditty vnto all this nation now tel of this joy the which unto the same did incline . then let , &c. the two houses in the pallace yard general monk himselfe being by , proclaimed the king with great regard , their acclamation reached the skye , from thence they marched along the strand , vnto temple-barr , whereas they met there the citizens all with exceeding joy . they generally without command cry'd god save the king boyes , the earth did ring boyes , they cast up their hats and cry'd vi vel a roy . the lord mayor and aldermen in velvet gowns , and over their heads their hats they did wave , not caring at all the spending their crowns rejoycing that charls his birth-right should have the city horse and their trained bands this tryumph did grace , each man in his place , did shout for the good wée now shall enjoy , the people shouted and clapt their hands , crying god save the king , &c. through fair london city we wel understand ye loud sounding trumpets ye sam did proclaim the like eccho never hath bin in this land then let these thrée nations rejoyce for ye same , and all good people that in them remain all men did rejoyce with heart and with voyce which all our sorrow at once did destroy for joy that charles his right he shall gain . then let us sing boyes god save the king boyes drink a good health and cry vi vel a roy . the bells in the city did answer them then , such gallant musick hath seldome bin heard , the trumpets returned their ccco again , no heart from rejoycing at that time was har'd , for the greatest number were all of one mind , at every stand , the mayor did command the founding trumpets to proclaim the joy , the city in this great comfort did find , then let , &c. the city so high'y did prize the same , and for to shew their ardent desire , the city séemed all in a flame , the which thousands then did admire , such vast charges men did then bestow , the truth for to tell , the city did excell , so great was their expressions of their joy , no greater ioy could be here below . then let , &c. the lords and commons likewise were glad , to sée the people so soon to comply , many were reviv'd that were sad , for there were none that to joyn did deny . this glorious sight was most tryumphant , so great wa● the noyse expressing their joyes , and the peoples hearts were fil'd with such joy , not one was heard to make any complaint . then let , &c. many brave gallents are gon to the king to bear such a present as never was sent heretofore , and wée hope they him will bring for to be crowned by this parliament : chéer up fair england rejoyce and be glad , the rights they 'l restore , as was here-to-fore , and all offences they quite will destroy , and no one shall then have cause to be sad , then let , &c. this famous city great jove defend them , their grave messengers from them are gone , vnto the king for to recommend them unto him the citizens every one , heaven blesse those messengers that faithfull be , trust is reposed , their minds inclos●d for his subjects welfare is all his joy , by his declaration at large you sée . then let , &c. and now to conclude the eight of may , caused all english-men loud for to sing , it was a joyfull and happy day . bon-fires did burn and the bells did ring , then let us praise our great god above , he hath brought to passe , the like never was , such great acclamations of excéeding joy , by fame performed and the god of love . then let us sing boyes , god save the king boyes , cast up your caps and cry vi vel a roy . i. w. finis , the true manner of proclaiming charles the second king of england , &c. by the two houses of parliament , lords and commons from westminster , through all the streets of london , and accompanied by the lord mayor , aldermen , and common-counsell of the city of london : with all the city trained bands for their guard , and many thousands of citizens on horse-back . london , printed for william gilbertson . a newe ballad composed in commendation of the societie or companie of the porters to the tune of in edenbrugh, behold / tho. brewer. brewer, thomas. 1605 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a16821 stc 3721 estc s1827 22785433 ocm 22785433 25740 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a16821) transcribed from: (early english books online ; image set 25740) images scanned from microfilm: (early english books, 1475-1640 ; 1788:21) a newe ballad composed in commendation of the societie or companie of the porters to the tune of in edenbrugh, behold / tho. brewer. brewer, thomas. 1 broadside : ill. t. creed, imprinted at lon[don : 1605] imprint faded; publisher and date of publication suggested by stc (2nd ed.). without music. imperfect: tightly bound and faded, with loss of print. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-07 tcp assigned for keying and markup 2002-09 aptara keyed and coded from proquest page images 2002-10 emma (leeson) huber sampled and proofread 2002-10 emma (leeson) huber text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a newe ballad , composed in commendation of the societie , or companie of the porters . to the tune of , in edenbrugh , behold . at the first went we , as here you see . but since our corporation , on this fashion . and to our hall , thus we goe all . thrise blessed is that land where king and rulers bee . and men of great command that carefull are to sée , 〈…〉 〈…〉 is ●nto all extended rich , poore , both great and small , are by his care defended . as plainly doth appeare , by that was lately done , for them that burthens b●are , and doe on businesse runne : the porters of this cittie , so●e being men of trade , but now the more , the more the pitty by crosses are decayde . yet bearing honest mindes , their charge for to maintaine , as gods command them ●indes , with trauell and with paine : they all haue wisely ioynd , for that they haue effected , their company to linde and make it more respected . now they that were before of meanest estimation , by suite haue sa●ude that sore , and gainde a corporation : excludes , and shuts out many that were of base esteeme , and will not suffer any such person bide with them . but such as well are knowen , and honest acts imbrace : among them thei le haue none that haue no biding place : among them thei le haue none ( as neare as they can finde ) but such as well are knowen to beare an honest minde . for now vnto their hall they pay their quarteridge ●owne , attending maisters call , and fearing maisters frowne , there seeking for redresse and right if they haue wrong , there , they that doe trangresse haue that to them doth long . 〈…〉 〈…〉 then that they had before , when as the malefactor was on a coultstaffe bore : for th' owner t is much better , but for th' offender worse , to taste this newe made order , then ride a wooden horse . that shame was soone slipt ouer , soone in obliuion drownde , and then againe , another would in like fault be found : not caring for their credit , and trust another time , this orders therefore as a bit to hold them from that crime . they that are rash , and rude , and obstinately runne as their owne willes conclude , and cannot well be wonne to condescend , and stand to orders they haue made , by the rulers out of hand , haue f●●es vppon them laide . all iarres and braules are bard that mongst them might arise , first commer , first is serude , where as a burthen lyes , if one be ready there he must his profite take : all other must forbeare and no resistance make . such as haue long bin knowen to vse this bearing trade , and into yeares are growen , ( so that their strengths decayde ) they can no longer labour as they haue done before , the companie doth succo●r and maintaine euermore . these and a many moe good orders they haue , sure , to make rude fellowes know their stoutnesse , doth procure . but their owne detriment 〈…〉 〈…〉 but things will be amiss as oft it hath bin knowen , the number of them is , a thousand fortie one . they all mette together . m●st hansomely arayde , at christ church , to heare there a sermon , for them made . there markes of admittaince made out of tinne , they ba●e about their neckes in ribbons : the chiefe , of siluer weare . to haue seene them so , you'● wonder , so many should maintaine themselues , by such a labour , but that , that 's got with paine , god doth increase and blesse : for good himselfe hath sed , with paine and wearinesse , we all should get our bread . thus therefore i conclude , more happie men are they , then many that delude the world , and beare away the swéete of poore mens labour their chests to cram and stuffe , not caring for gods fauour , so they haue golde enough . our royall king and quéene thou king of kings defend , as thou to them hast béene most mercifull and kinde : thy loue to them increase , blesse all they vndertake : his counsels counsell , blesse , euen for thy deare sons sake . tho. brewer . finis . imprinted at london by thomas cre●● , and are to be solde at the signe of the eagle and childe , in the olde chaunge . 〈◊〉 the geneva ballad to the tune of 48. butler, samuel, 1612-1680. 1674 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a30741 wing b6291c estc r205888 99825376 99825376 29757 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a30741) transcribed from: (early english books online ; image set 29757) images scanned from microfilm: (early english books, 1641-1700 ; 1756:05; 21241:87) the geneva ballad to the tune of 48. butler, samuel, 1612-1680. 1 sheet ([1] p.) printed for henry brome, at the gun at the west-end of st. pauls, london : mdclxxiv. [1674] attributed to samuel butler. verse "of all the factions in the town,". a variant of the edition with "printed for r. cutler" in imprint. l (luttrell) copy identified as wing (2nd ed.) g517 on umi microfilm set "early english books, 1641-1700", reel 2124.1. reproduction of the original in the henry e. huntington library and art gallery (reel 1756) and the british library (reel 2124.1). created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. great britain -religion -17th century -poetry -early works to 1800. 2002-04 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (oxford) sampled and proofread 2002-05 emma (leeson) huber text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion the geneva ballad . to the tune of 48. of all the factions in the town , mov'd by french springs or flemish wheels , none treads religion upside down , or tears pretences out at heels , like splay-mouth with his brace of caps whose conscience might be scan'd perhaps by the dimensions of his chaps . he whom the sisters so adore , counting his actions all divine , who when the spirit hints , can roar , and if occasion serves can whine ; nay he can bellow , bray or bark . was ever sike a beuk-larn'd clerk , that speaks all lingua's of the ark. to draw in proselytes like bees , with pleasing twang he tones his prose , he gives his hand-kerchief a squeez , and draws john calvin through his nose . motive on motive he obtrudes , with slip-stocking similitudes , eight uses more , and so concludes . when monarchy began to bleed , and treason had a fine new name ; when thames was balderdash'd with tweed , and pulpits did like beacons flame ; when jeroboam's calves were rear'd , and laud was neither lov'd nor fear'd , this gospel-comet first appear'd . soon his unhallowed fingers strip'd his sov'reign liege of power and land , and having smote his master , slip'd his sword into his fellows hand . but he that wears his eyes may note , oftimes the butcher binds a goat , and leaves his boy to cut her throat . poor england felt his fury then out-weigh'd queen mary's many grains ; his very preaching slew more men , than bonner's faggots , stakes and chains . with dog-star zeal and lungs like boreas , he fought and taught ; and what 's notorious , destroy'd his lord to make him glorious . yet drew for king and parlement . as if the wind could stand north-south ; broke moses's law with blest intent , murther'd and then he wip'd his mouth . oblivion alters not his case , nor clemency nor acts of grace can blanch an aethiopian's face . ripe for rebellion he begins to rally up the saints in swarms , he bauls aloud , sirs , leave your sins , but whispers , boys , stand to your arms , thus he 's grown insolently rude , thinking his gods can't be subdu'd , money , i mean , and multitude . magistrates he regards no more than st. george or the kings of colen ; vowing he 'l not conform before the old-wives wind their dead in woollen . he calls the bishop , grey-beard goff , and makes his power as mere a scoff , as dagon , when his hands were off . hark! how he opens with full cry ! halloo my hearts , beware of rome . cowards that are afraid to die thus make domestick broils at home . how quietly great charles might reign , would all these hot-spurs cross the main , and preach down popery in spain . the starry rule of heaven is fixt , there 's no dissension in the sky : and can there be a mean betwixt confusion and conformity ? a place divided never thrives : 't is bad where hornets dwell in hives , but worse where children play with knives . i would as soon turn back to mass , or change my phrase to thee and thou ; let the pope ride me like an ass , and his priests milk me like a cow : as buckle to smectymnuan laws , the bad effects o' th' good old cause , that have dove's plumes , but vultur's claws . for 't was the haly kirk that nurs'd the brownists and the ranters crew ; foul errors motly vesture first was oaded in a northern blue . and what 's th' enthusiastick breed , or men of knipperdoling's creed , but cov'nanters run up to seed ? yet they all cry , they love the king , and make boast of their innocence : there cannot be so vile a thing , but may be colour'd with pretence . yet when all 's said , one thing i 'll swear , no subject like th' old cavalier , no traitor like jack — . london : printed for henry brome , at the gun at the west-end of st. pauls church-yard . mdclxxiv . [n]eptune's raging fury: or, the gallant seaman's sufferings. being a relation of their perils and dangers, and of the extraordinary hazards they undergo in their noble adventures. together with their undaunted valour and rare constancy in all their extremities: and the manner of their rejoycing on shore, at their return home. tune of, when the stormy winds do blow, &c. m. p. (martin parker), d. 1656? 1695 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04899 wing p442 99887965 ocm99887965 183631 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04899) transcribed from: (early english books online ; image set 183631) images scanned from microfilm: (early english books; tract supplement ; a5:2[422b]) [n]eptune's raging fury: or, the gallant seaman's sufferings. being a relation of their perils and dangers, and of the extraordinary hazards they undergo in their noble adventures. together with their undaunted valour and rare constancy in all their extremities: and the manner of their rejoycing on shore, at their return home. tune of, when the stormy winds do blow, &c. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. (woodcuts). printed for a.m. w.o. and t. thackeray at the angel at duck-lane., london: : [1695?] date of publication suggested by wing. verse: "you gentlemen of england ..." printed on verso: the westminster frolick (wing w1465). reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the vvestminster frolick : or , the cuckold of his own procuring . being a true relation of a vintener , who for a considerable quantity of guinnies undertook to perswade his servant maid to prostitute her self to a young spark , pretending to her that it was no other but himself ; whereupon she seemingly complying , discovered it to her mistriss , who supplying her place , grafted her husbands head. thus may we see how scurvy ill-star'd fate does cross some men , nay how they do create their own misfortunes , yet for to be bold the vintener got his horns well tipt with gold. tune of , hey boys up go we . a frolick strange i 'le to you tell , the like you ne'r did hear : a vintener at westminster ( as is will plain appear ) a handsome servant maid did keep , which makes him now to rue , for by mistake his head was horn'd ; this story it is true . this beautious maid inflam'd a spark both comely , rich , and gay , who her in vain solicited with him to go astray , and offer'd her great store of gold bu● all that would not do , she would not yield to lawless love : which he perceiving , was the more desirous of his will , and many waies he cast about his purpose is fulfill : at length he thought her master might oblige her to come to , tho by it he did horn his head : this story it is true . to him he then reveal'd his mind with promises of wealth ; if that he could his maid perswade to yield him love by stealth . after some pause and gold in hand he undertook to do the thing that after horn'd his pate : then kindly to his maid he spoke , and after on her smil'd , that 〈◊〉 the better by such means might quickly be beguil'd ; watching his time he undertakes then for himself to wooe , by which design he horn'd his pate : ●his story it is true : at first she mighty strange did séem , as coy as coy could be ; but after many tempting words ●he seemed to agree : but what he did it was resolv'd in darkness he should do ; and there alas he horned was : the story it is true . for whilst he to the gallant went to tell him how he sped , the crafty lass her mistriss told what proffers he had made ; who highly did commend her for 't , and undertook to do the thing which hornd her husbands head the story it is true . the room appointed private was , and made exceeding dark , when at the hour appointed came the over-joyful spark his long-wisht joys for to possess , and pleasure to pursue ; but by mistake the vintener horn'd ; the story it is true . for why ? the mistriss was conveyed upon the bed there placed ; and feigned the virgins voice so well , that kindly he embrac'd his suppos'd lovely charmer fast , and sport did oft renew , he bravely horned the vinteners head , the story it is true . whilst in one corner of the room the virgin she did stand and heard what past , the vintener eke was ready there at hand to keep the door but little thought what after he did rue ; which was the horning of his pate : the story it is true . for why ? with oft embraces tired , at last they taking rest , the lady who had sported long . her self in words exprest : i plainly see , said she aloud , you if you list can do the feats of love , though not with me : the story it is true . i find you can ; ungrateful man , see how you are deeciv'd : you thought your maid was in your arm● when you so closely cleav'd , but you 'r mistaken it is plain ; at this the gallant knew that he the vintener horned had : the story it is true . when between pleasd and vexd he caste him straitway in to see how he had finely fool'd himself in such a high degree ; at which horn-mad he curst and swore and much distracted grew , because he by mistake was horn'd the story it is true . but seeing that his horns were tipt he rested satisfied , and pocketed them instantly his infamy to hide ; and vowed he 'd never more procure , what ever he did do , since by his own procurement horns upon his forehead grew . fayre warning, or, happy is he whom other mens harmes can make to beware, and to shun satans charmes to the tune of packingtons pound. m. p. (martin parker), d. 1656? 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08955 stc 19234 estc s119369 99854576 99854576 20003 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08955) transcribed from: (early english books online ; image set 20003) images scanned from microfilm: (early english books, 1475-1640 ; 1607:16) fayre warning, or, happy is he whom other mens harmes can make to beware, and to shun satans charmes to the tune of packingtons pound. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for richard harper, london : [ca. 1635] signed: m. p., i.e. martin parker. in two parts; woodcuts at head of each part. publication date estimated by stc. verse "the world is orerun with enormous abuse,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-05 tcp assigned for keying and markup 2002-07 apex covantage keyed and coded from proquest page images 2002-08 mona logarbo sampled and proofread 2002-08 mona logarbo text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion fayre warning , or , happy is he whom other mens harmes can make to beware , and to shun satans charmes . to the tune of packingtons pound . the world is orerun with enormous abuse , pure vertue and honesty do now decrease , one vice on the neck of another pursues , t is growne to a custome that hardly will cease , but blessed is he who when he doth sée such vices in others , reformed will be , for happy is he whom other mens harmes can make to beware , and to shun satans charmes . then be well advisd whoever thou art , by other mens danger their wayes to forsake , and when thou seest any for his folly smart , then sée that good use of the same thou dost make : and when thou dost sée how bad others bée , say thou to thy selfe , here 's example for mée . o happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou sée a man who is proud and ambitious , like searing phaeton striue to aspire , presuming his fated will be ever auspicious , he boldly will clime till he can go no higher : if fortune should frowne , he may tumble downe , then hée le be derided of every clowne , thus happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou sée a gentleman striue for the wall , and hazard his life for a phantasie vaine , this is the occasion of many a brawll , but he that 's a wiseman from that will refraine : t is better giue place to one that 's more base , then hazard thy life in so desperate a case : o happy is he whom other mens harmes can make to beware , and to shun satans charmes . the second part. to the same tune . if thou sée a whoremonger passing at leasure , halfe fearfull his legs will drop off by the knées , when every iustle may do him displeasure , he hath béen so stung with y e turnbull-stréet bées . when thou séest his case , beware of that place , which brings a man nothing but shame and disgrace : o happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou sée a man who hath béen an ill liuer , by hanging himselfe , to kill body and soule , t is fit his example should make thée endeauour that thy heart nere harbour a proiect so foule , o what a vile shame he brings on his name , his children will after be twit with the same : o happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou séest a iudge malefactors condemne for rapine or murder , or such haynous acts , t is fit thou shouldst take an example by them , who must by the law suffer death for their facts : their wayes thou mayst flée , because thou dost sée the reason , and therefore they hanged must be : o happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou séest a drunkard come réeling ' i th' street , and cutting crosse capers oft times through the durt , still ready to quarrell with all he doth méet , whereby he goe●● seldome to bed without hurt : o then thou mayst think comes all this through drink ; sare i from the alehouse in good time will shrink . o happy is he whom other &c. if thou sée a rogue to the pillory brought for periury or else some cousening feat , to looke on his panishment thou mayst be taught to liue more vprightly , and vse no deceit . if thou loue thine eare , then do not come there to looke vpon him may make thée to feare . o happy is he whom other mens harmes can make to beware , and to shun satans charmes . if thou sée a wealthy man grow very poore by passing his credit for other mens debts , whereby he 's constrayned to kéepe within doore for feare lest a sergeant in s clutches him gets , be therefore aware of this cruell snare : by suretiship many men beggerd are : but happy is he whom other mens harmes can make to beware , and to shun satans charmes . thus euery man who is willing to learn , of other mens follies may make a good vse , and by their iust punishment he may return from vice vnto vertue , reforming abuse , the which if he can , he is a blest man , and thus i le conclude with the same i began , that happy is he whom other mens harmes can make to beware , and to shun satans charmes . m. p. finis . london , printed for richard harper . the cock-crowing at the approach of a free-parliament, or, good newes in a ballat more sweet to your palat, then figge, raison or stewed prune is a countrey wit made it who ne'r got by th' trade yet, and mad tom of bedlam the tune is. countrey wit. this text is an enriched version of the tcp digital transcription a33537 of text r39988 in the english short title catalog (wing c4795). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a33537 wing c4795 estc r39988 18579173 ocm 18579173 108081 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a33537) transcribed from: (early english books online ; image set 108081) images scanned from microfilm: (early english books, 1641-1700 ; 1648:10) the cock-crowing at the approach of a free-parliament, or, good newes in a ballat more sweet to your palat, then figge, raison or stewed prune is a countrey wit made it who ne'r got by th' trade yet, and mad tom of bedlam the tune is. countrey wit. 1 broadside. s.n., [s.l. : 1659] in verse. date of publication suggested by wing. imperfect: creased, with slight loss of print. reproduction of original in the bodleian library. eng ballads, english. a33537 r39988 (wing c4795). civilwar no the cock-crowing at the approach of a free-parliament, or, good newes in a ballat more sweet to your palat, then figge, raison or stewed pru countrey wit 1659 1155 5 0 0 0 3 0 303 f the rate of 303 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2006-08 tcp assigned for keying and markup 2006-08 apex covantage keyed and coded from proquest page images 2006-10 mona logarbo sampled and proofread 2006-10 mona logarbo text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion the cock-crowing at the approach of a free-parliament or good newes in a ballat more sweete to your palat then figge , raison , or stewed prune is . a countrey wit made it who ne'r got by th' trade yet . and mad tom of bedlam the tune is . [ 1 ] more wine boy ; to be sober is sottish , in my opinion , when so ne●●e we doe see the day that will free three kingdomes and a dominion . chorus . then of with your pots , english , irish , and scots , and loyall cambro-brittains , from lobster like jump and the head-playing rump you 'l some have an acquittance . [ 2 ] though monck's minde ly's not open to ev'ry eye that 's busy , a free parliament is in his intent no noll , nor lambert is he . cho. then of with , &c. [ 3 ] a parliament untainted , ( away with secluded members : new flames it might make , cho. then of with , &c. [ 4 ] a parliament of members that in bloud and estate are no small boyes ; the divellish rump-elves are for none but themselves , those will be ( like god ) for us all boyes . cho. then of with , &c. [ 5 ] such a parliament more happy then fishes will create you , though no trade you do drive but to tipple and swive , you 'l be plump in flesh and estate too . cho. then of with , &c. [ 6 ] no canaan to old england , were it rid of the red-coate philistian good wine and a cunny exceed milk and honey in the sence of cavalier christian . cho. then of with , &c. [ 7 ] a hound and a hawk no longer shall be tokens of a disaffection , a cock-fight shall cease to be breach of the peace , and a horse race an insurrection . cho. then of with , &c. [ 8 ] the stages to their freedom shall be restor'd soon after , and poets like lictors shall scurge our afflictors and make our old suffrings our laughter , cho. then of with , &c. [ 9 ] will , pryn shall be the master o' th' revells ( for 's contrition , ) his histrio-mastyx was one of his rash-tricks e'r his earely circumcision . cho. then of with , &c. [ 10 ] wee 'l preach and pray 'thout canting in a language heau'n know's better then ah lord repeating and hum and ha bleating with calves of the lips in the letter . cho. then of with , &c. [ 11 ] wee 'l no more to enslave us weare chaines , but to boast our riches , wee lobsters will eate , and not be their meate , when the right rump weare's the breeches . cho. then of with , &c. [ 12 ] all nations shall adore us ▪ 〈…〉 〈…〉 ble , the dutch-men shall feare us , and all to mi 〈…〉 here us ; and the french cry votre tres-humble . cho. then of with , &c. [ 13 ] the cittizens shall flourish , lord mayors , when th' office expires , shall a knight-hood obtaine , if they 're not of the straine of excise , nor church-land buyers . cho. then of with , &c. [ 14 ] this london had effected e'r now , and honour had got so , but for knaves ireton and tichburn were known , when the drugster's son was not so . cho. then of with , &c. [ 15 ] each yeare shall bring a harvest to th' plough-man , who was vext ill when but e'ry fourth yeare by the tax-calendar it came like the bissextile . cho. then of with , &c. [ 16 ] his rent he shall pay duly , nor to spend shall he want his groat e'r . his landlord shall be of his beere to him free , and of 's flesh to his wife and his daughter . cho. then of with , &c. [ 17 ] but now my serious fancyes , a project is concocting , when god shall have sent a true parliament , what a rope we shall doe with this mockthing cho , then of with , &c. [ 18 ] like mare with dock to th' manger , to shew it no cheat at all is . it like one doth appeare , but it is none and where the head should have been the taile is , cho. then of with , &c. [ 19 ] or we 'l send for the god of lorrell , who cook't so neatly the peak-feast , and hell carbonado it with little a-doe to make the devill a break-fast cho. then of with , &c. [ 20 ] we read of a rump in saint austin which ( before this of ours ) out-went all ; it sounds did let fly as articularly as it had had in it a lenthall , cho. then of with , &c. [ 21 ] but ne'r poor rum was firked like this by wits , and by no wits . nor ever was game so fit as this same to enter and flesh young poets . cho. then of with , &c. [ 22 ] more good things i could utter but now i find by a token , that the play will begin , and good fortune come in e'r the prologue be quite spoken . cho. then of with , &c. [ 23 ] charles waine's ore the new chimnie , the sun 's neare our horizon , the fowles of the night are taking their flight , e'r cheshire prey they seiz on . cho. then of with , &c. [ 24 ] we 'l drink and pray no longer for the king in misticall fashions but with trumpet 's sound his health shall go round , and our prayers be proclamations . cho. then of with , &c. [ 25 ] now jockey , teag , and shenkin , pray no more to st. andrew to patrick , or davie , but st. george , who , to save 'ee , 'gainst dragon rump like a man-drew . cho. then of with your pots english , irish , and scots and loyall cambro-brittaines , from lobster-like jump , and the head-playing rump you 'l soon have an acquittance . finis . [...] or, cupids wrongs vindicated wherein he that cupids wiles did discover, is proved a false dissembling lover. the mayd shewes such cause that none can her condemne, but on the contrary the fault's layd on him. to the tune of cupids cruell torments. cupids wrongs vindicated. m. p. (martin parker), d. 1656? 1633 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08948 stc 19225 estc s119366 99854573 99854573 20000 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08948) transcribed from: (early english books online ; image set 20000) images scanned from microfilm: (early english books, 1475-1640 ; 1607:12) [...] or, cupids wrongs vindicated wherein he that cupids wiles did discover, is proved a false dissembling lover. the mayd shewes such cause that none can her condemne, but on the contrary the fault's layd on him. to the tune of cupids cruell torments. cupids wrongs vindicated. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for f. g[rove], printed at london : [1633] signed: m. p., i.e. martin parker. in two parts, with woodcut at head of each part. printer's name and publication date from stc. entered as "the faire maides appology or cupids .." to f. grove may 29, 1633--stc. verse "the guilefull crocodile". imperfect; margins cropped, first words of title lacking. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-03 spi global keyed and coded from proquest page images 2002-04 tcp staff (michigan) sampled and proofread 2002-04 olivia bottum text and markup reviewed and edited 2002-05 pfs batch review (qc) and xml conversion 〈◊〉 cupids wrongs vindicated : wherein he that cupids wiles did discover , is proved a false dissembling lover . the mayd shewes such cause that none can her condemne , but on the contrary the fault 's layd on him . to the tune of cupids cruell torments the guilefull crocodile when he his prey would gain , that none may spie his wile , a mournfull noyse doth feigne : so thou false hypocrite thy foule deceipt to couer , dost act the part aright of a distracted louer . but raile no more on loue , nor doe young cupid wrong , for thou didst never proue what doth to love belong . hienna , like thou feign'st words of a dying man , but falsely thou complain'st with woe i proue it can : for like a cheating wretch , thou dost on me exclaime , but this is but a fetch . for thou deseru'st the blame . why dost thou raile on loue , or doe , &c. thou knowst i lou'd thée well , and purposd thee to haue , thy conscience this can tell , thou false dissembling knaue , but when i did perceiue thy fickle wauering mind , t was time to take my leaue , and serue thee in thy kind . then raile no more on loue , nor cupids cruell wrong , for thou didst neuer proue what doth to loue belong . let any one that will be judge twixt thee and mee , why should i loue thee still , when thou lou'st two or three . dost thinke i le stand at stake , to helpe at the last cast ? when all doe thee forsake , then i must serue at last . o raile no more on loue , nor cupids cruell wrong , for thou didst never proue what doth to loue belong . thou com'st to me i th morne , and goest to madge at night , thy mind will quickly turne to which comes next in sight . thou 'lt promise and protest thou wilt haue none but me , but when thou seest the rest those vowes forgotten bee . then raile no more on love , nor cupids , &c. dost thinke i cannot heare how thou playst fast and loose , long mall gaue thee good cheere . both cony hen and goose : alas man i haue friends that note thy actions well , thou lou'st for thine owne ends , but i thy knauery smell . then raile no more on loue , nor cupids cruell wrong , for thou didst neuer proue what doth to loue belong . the second part , to the same tune . i saw last thurseday night , when thou wentst to the swan , with kate and winifrite , and after you came nan , i know what wine you had , and also what was payd , alas poore harmelesse lad , wilt thou dye for a mayd ! fye raile no more on loue , nor cupids cruell wrong , for thou didst neuer proue what does to loue belong . i cannot choose but smile to thinke how cunningly thou wouldst the world beguile with foule hypocrisy : for i the wrong sustaine , and thou from griefe art free , yet still thou dost complaine that i am false to thee . fye neuer raile on love , nor cupids cruell wrong , for thou didst never proue what doth to loue belong . to either man or mayd for censure i le appeale , which of us may be sayd disloyally to deale ; did euer i seeme nice till i was told for truth , more oft then once or twice , thou was 't a faithlesse youth . fye doe not raile , &c. thou mak'st the world beleeue thou for my loue dost pine , indeed thou sore dost grieue with wenches , cakes , and wine , for my part t is my lot to pray for patience still , untill i have forgot thy ouer-reaching skill . then doe not raile , &c. yet though i suffer wrong i needs must prayse thy art , sure thou hast study'd long to act the mad-mans part , thou canst not sleep nor wake for fancies in thy head , now i doe thee forsake i muse thou art not dead . fye doe not raile , &c. that lasse which shall haue thee who ere has that ill hap , let her learne this of me , shee 's caught in follies trap . he that dissemble can with one in such a way . hee 'l nere proue honest man , beleeue me what i say . then doe not raile on loue , nor cupids cruell wrong , for thou didst neuer proue what doth to loue belong . finis . m.p. printed at london for f.g. the gowlin: or, a pleasant fancy for the spring being a brisk encounter betwixt a scotch leard, and a buxome begger-wene he captivated was at the first sight, not with her gay attire, but beauty bright: he woo'd and won her for to serve his will, yet he's a leard, and she a begger still. to a new play-house tune: or, see the gowlin my jo, &c. with allowance. d'urfey, thomas, 1653-1723. 1681-1684? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a36982 wing d2731 estc r234425 99834579 99834579 39081 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a36982) transcribed from: (early english books online ; image set 39081) images scanned from microfilm: (early english books, 1641-1700 ; 2952:3, 1810:4) the gowlin: or, a pleasant fancy for the spring being a brisk encounter betwixt a scotch leard, and a buxome begger-wene he captivated was at the first sight, not with her gay attire, but beauty bright: he woo'd and won her for to serve his will, yet he's a leard, and she a begger still. to a new play-house tune: or, see the gowlin my jo, &c. with allowance. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. printed for f. coles, t. vere, j. wright, and j. clarke, [london] : [1683?]. by thomas d'urfey. place and date of publication from wing cd-rom, which gives a range of dates: 1681-1684. verse "abroad as i was walking,". in four columns each headed with an illustration. reproduction of the original in the bodleian library (reel 1810:4) and beinecke rare book and manuscript library (2952:3). created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2003-08 tcp assigned for keying and markup 2003-09 aptara keyed and coded from proquest page images 2003-10 emma (leeson) huber sampled and proofread 2003-10 emma (leeson) huber text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion the gowlin : or , a pleasant fancy for the spring . being a brisk encounter betwixt a scotch leard , and a buxome begger-wen●● he captivated was at the first sight , not with her gay attire , but beauty bright : he woo'd and won her for to serve his will , yet he 's a leard , and she a begger still . to a new play-house tune : or , see the gowlin my jo , &c. with allowance . a broad as i was walking , upon a summers day , there i met a begger wench cloathed all in gray : her cloaths they were so torn , you might a seen her skin , she was the first that taught me to see the gowlin : ah! to see the gowlin my jo , to see the gowlin ; she was the first that taught me to see the gowlin . you gallants of delight pray take it not in scorn , she came of adams seed , though she was basely born ; and though her cloaths were ragged she had a milk white skin , she was the first that taught me to see the gowlin : ah! to see the , &c. she had a pritty little foot , and a moist hand ; for which she might compare with any lady in the land : ruby lips , cherry cheeks , and a dimpled chin ; she was the first that taught me to see the gowlin ah! to see the , &c. : her features did so tempt me , i could not be at rest ; but i must fall aboard on her , although she was undrest : i bid her take it quietly and not make any din , she was the first that taught me to see the gowlin : ah! to see the gowlin my jo , to see the gowlin ; she was the first that taught me to see the gowlin . the second part , to the same tune . at first she seemed squemish , and blusht to see me smile ; but i began to sweeten her , and pause a little while : at length i told her plainly 't was but a venial sin , she was the first that taught me to see the gowlin : ah! to see the gowlin my jo , to see the gowlin ; she was the first that taught me to see the gowlin . hen that i had wooed her , and wed her to my will ; i could not then devise a way to keep the baby still : she bid me be at quiet , she valued not a pin , she was the first that taught me to see the gowlin : ah! to see the , &c. i found her free and frolick , and ready for to sport ; my arms i then did handle , with speed to storm the fort : quo i my blith and bonny lass , it 's time for to begin , she was the first that taught me to see the gowlin : ah! to see the gowlin my jo , &c. then she took her bern up and wrapt it wee l in cloaths , and then she took a gowlin and stuck between her toes ; and ever as the lurden cry'd , and made any din , she shook her foot , and sung to 't , see the gowlin : ah! see the gowlin my jo , &c. hen as we came to the embrace , i made not many brags ; but with all the skill i had , i folded up her raggs : and then no matter what i did , or what she did again , she was the first that taught me to see the gowlin : ah! to see the gowlin my jo , &c. when i had satisfied my sense , by doing of the feat , she motions made to me again , my lesson to repeat : but i began to have enough of play , at in , and in , she was the first that taught me to see the gowlin : ah! to see , &c. i bid her to be silent , and gave her a gold ring , becase she was a bonny lass , and fit to do the thing ; and so i left the begger wench , that had so white a skin , who was the first that taught me to see the gowlin : ah! to see , &c. the gowlin is a yellow flower that grows upon the plains , which often times is gathered by nimphs , and shepherd swains ; when youngsters walk upon the downe they think it a fine thing , to give their sweet-hearts a green gown and see the gowlin : ah! to see the gowlin my jo , to see the gowlin ; to give their sweet-hearts a green gown , and see the gowlin . printed for f. coles , t. vere , i. wright , and i. clarke . a merry dialogue betwixt a married man and his wife, concerning the affaires of this carefull life to an excellent tune. 1628 approx. 6 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a20399 stc 6809 estc s117121 99852336 99852336 17652 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a20399) transcribed from: (early english books online ; image set 17652) images scanned from microfilm: (early english books, 1475-1640 ; 1135:06) a merry dialogue betwixt a married man and his wife, concerning the affaires of this carefull life to an excellent tune. m. p. (martin parker), d. 1656?, attributed name. 1 sheet ([1] p.) : ill. printed by the assignes of thomas symcocke, [london] : [1628] by martin parker?. verse "i have for all good wives a song,". attribution to parker and suggested place and date of publication from stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion a merry dialogue betwixt a married man and his wife , concerning the affaires of this carefull life . to an excellent tune . i have for all good wives a song , i doe lament the womens wrong , and i doe pittie them with my heart , to think upon the womens smart , their labour 's great and full of paine , ye for the same they have small gaine . in that you say cannot be true , for men doe take more paines then you , we toile , we moile , we grieve and care , when you sit on a stoole or chaire , yet let us do all what we can , your tongues will get the upper hand . we women in the morning rise , as soone as day breaks in the skies , and then to please you with desire , the first we doe , is , make a fire , then other worke we straight begin , to sweep the house , to card , or spin . why men doe worke at plough and cart , which soone would break a womans hart : they sow , they mow , and reape the corne , and many times doe weare the horne . in praise of wives speake you no more , for these were liles you told before . we women here do beare the blame , but men would seeme to ●ave the fame● but trust me , i will never yeeld , my tongues mine 〈◊〉 , i thereon build , men may not in this case compare with women for their toyle and care fie , idle women how you prate , t is men that get you all your state , you know t is true in what i say , therefore you must give men the w●y , and not presume to grow too hie , your speeches are not worth a fly . you men could not tell how to shift , if you of women were bereft , we wash your cloathes , & dresse your diet , and all to keep your mindes in quiet , our work 's not done at morne nor night , to pleasure men is our delight . women are called a house of care : they bring poore men unto dispaire , that man is blest that hath not bin inlured by a womans sin , they 'l cause a man , if hee le give way , to bring him to his lives decay . the second part . to the same tune . if we poore women were as bad as men report being drunk or mad , we might compare with many men , and count our selves as bad as them . some oft are drunk and beat their wives , and make them weary of their lives . why , women they must rule their tongues that bring them to so many wrongs , sometimes their husbands to disgrace , they 'l call him knaue and rogue to 's face say , worse then that they 'l tell him plain , his will he shall not well obtaine , we women in childbed take great care , i hope the like sorrow wil fal to your share then would you thinke of womens smart , and seeme to pity them with your heart , so many things to us belong , we oftentimes doe suffer wrong . though you in childbed bide some paine , your babes renue your ioyes againe , your gossips comes unto your ioy . and say , god blesse your little boy , they say , the childe is like the dad when he but little share in 't had . you talke like an asse you are a cuckoldly fool , i 'l break thy head with a 3 legd stool will you poore women thus abuse : our tongues and hands we need to use . you say our tongues do make men fight , our hands must serve to do us right . then i to you must give the way , and yeeld to women in what they s●●● all you that are to chuse a wife . be carefull of it as your life . you see that women will no yeeld , in any thing to be compeld . you maides , i speak the like to you , there 's many dangers doe ensue : but howsoever fortunes serve , see that my rules you doe observe , if men once have the upper hand , they 'l keepe you downe do what you c●●● i will not séeme to urge no more , good wiues , what i did say before , was for your good , and so it take , i loue all women for my wives sake . and i pray you when you are sick and d●●● call at my house and take my wife wy● . well , come sweete heart let us agree● content , sweet wife so let it be , where man and wife doth liue at hat● . the curse of god hangs ore the gat● but i will love thee as my life . as every man should love his wife . printed by the assignes of thomas symcocke . the two inseparable brothers. or a true and strange description of a gentleman (an italian by birth) about seventeene yeeres of age who hath an imperfect (yet living) brother, growing out of his side, having a head, two armes, and one leg, all perfectly to be seen. they were both baptized together, the imperfect is called iohn baptist, and the other lazarus. admire the creator in his creatures. to the tune of the wandring iewes chronicle. m. p. (martin parker), d. 1656? 1637 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08987 stc 19277 estc s120570 99855766 99855766 21268 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08987) transcribed from: (early english books online ; image set 21268) images scanned from microfilm: (early english books, 1475-1640 ; 897:15) the two inseparable brothers. or a true and strange description of a gentleman (an italian by birth) about seventeene yeeres of age who hath an imperfect (yet living) brother, growing out of his side, having a head, two armes, and one leg, all perfectly to be seen. they were both baptized together, the imperfect is called iohn baptist, and the other lazarus. admire the creator in his creatures. to the tune of the wandring iewes chronicle. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. [by m. flesher] for thomas lamb[ert at] the signe of the hors-shooe in smithfield, printed at london : [1637] verse "to england lately newes is come,". signed: martin [parker]. printer's name and publication date from stc. in two parts; woodcuts at head of each part. imperfect; corners torn, affecting text, imprint and signature. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 mona logarbo sampled and proofread 2008-01 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the two inseparable ▪ brothers . or a true and strange description of a gentleman ( an italian by birth ) about seventeene yeeres of age , who hath an imperfect ( yet living ) brother growing out of his side , having a head , two armes , and one leg , all perfectly to be seen . they were both baptized together ; the imperfect is called iohn baptist , and the other lazarus . admire the creator in his creatures . to the tune of the wandring iewes chronicle . to england lately newes is come , which many parts of christendome haue by experience found to be the strangest and most rare , that same did to the world declare , since man first walkt o' th ground . i many prodigies haue seene , creatures that haue preposterous béene , to nature in their birth , but such a thing as this my ●●eame , makes all the rest séeme but a dreame , the like was nere on earth . a gentleman well qualifide , 〈◊〉 beare his brother at his side , 〈…〉 ably knit , 〈…〉 e you may see , 〈…〉 liuing be , 〈…〉 t it . this yong-man doth compleatly walk ▪ he can both read , write , sing , or talke , without paine or detraction , and when he speakes the other head , doth moue the lips both ruby red , not speaking but in action . this head and face is rightly fram'd , with euery part that can be nam'd , eares , eyes , lips , nose , and chin . his vpperlip hath some beard on 't , which he who beares him yet doth want , this may much wonder win . oue arme's about his brother cast , that doth embrace his body fast , the other hangeth by , these armes haue 〈◊〉 fingers all , yet as a childs they are but small , pinch any part hee 'l cry . onely one legge with foot and toes is to be séene , and some suppose , the other is contain'd ●●thin his brothers body , yet 〈…〉 hath him so to it , the second part , to the same tune . yet nothing doth the lesser eate , he 's onely nourish'd with the meate wherewith the other féede , by which it seemes though outward parts they haue for two , yet not two hearts , this admiration bréeds . for sicknesse and infirmities , i meane quotidian maladies , which man by nature hath , sometimes one 's sicke , the other wel this is a story strange to tell , but he himselfe thus saith . th imperfect once the small poxe had ▪ which made the perfect brother sad , but he had neuer any , and if you nip it by the arme , or doe it any little harme , ( this hath beene tride by many , ) it like an infant ( with voyce weake ) will cry out though it cannot speake , as sensible of paine , which yet the other féeleth not , but if the one be cold or hot , that s common to both twaine . some seauenteene yeares of age they be , a perfect proper youth is he to which the lesse doth cleaue , they were baptized being young , few then did think they 'd liue so long , as few would now beleeue . but that to ratifie this truth ▪ a 〈…〉 in the strand this wondrous youth is pre●ent to be seene , and be with his strange burden , hath bin shewne ( with maruaile ) as he saith to our good king and quéene . iohn baptist is th' imperfect nam'd , who through the christian world is fam'd , his brother which him beares was called lazarus at the font , and if we well consider an t a mystery in t appeares . from italy their natiue place , they haue some certaine late yeares space , gone one still with another , indeed they cannot other wi●e doe , he that see 's one must needs see two , the brother beares the brother . through germany , through spain & france . ( deuoyd of danger or mischance ) and other christian lands they trauell'd haue , nay rather one for both , so many miles hath gone , to shew th' work of gods hands . and now in england they haue béene about a moneth although vnseene , till now obtaining leaue , in séeing this or such strange things , let vs admire the king of kings , and of his power conceaue . that just opinion which is doe , to him who is all good all true , whose works we can't find out , let admiration then suffice , sith there 's no man that is so wise , but of s owne wit may doubt . and so doe i martin 〈…〉 finis . printed at london for thoma● 〈◊〉 〈◊〉 the ●igne ●f the h 〈…〉 in smithfield a new song, called jacke doues resolution by which he doth show, that he cares not a rush how ere the world goe. to the tune of, to driue the cold winter away. jacke doves resolution g. b., fl. 1592-1597. 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a00235 stc 1030 estc s113442 99848676 99848676 13787 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a00235) transcribed from: (early english books online ; image set 13787) images scanned from microfilm: (early english books, 1475-1640 ; 733:07) a new song, called jacke doues resolution by which he doth show, that he cares not a rush how ere the world goe. to the tune of, to driue the cold winter away. jacke doves resolution g. b., fl. 1592-1597. 1 sheet ([1] p.) : ill. for iohn wright and are to be sold at his shop in giltspur-street at the signe of the bible, printed at london : [ca. 1635] signed at end: g. b. in two parts; woodcuts at head of each part. verse "to all my good friends, these presents i send,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 olivia bottum text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion a new song , called jacke doues resolution , by which he doth show , that he cares not a rush how ere the world goe . to the tune of , to driue the cold winter away . o all my good friends , these presents i send , yet neyther to beg nor to craue , though some haue store , and i am but poore , i me content with that little i haue ; i le nere for my want , turne sycophant , though many there be that doe so ) ●●t ile honest bée , loue them that loues mée , and care not how ere the world goe . though fortune frowne , i le not cast my selfe downe but mildly beare what doth fall ; ●re will make me but worse , and nere fill my purse , ●ut the day may come will mend all , ●●en t is but a folly , for that to be sorry , which must be whether i will or no ; ●●t impatience in rest , then i le hope for the best and care not how ere the world goe . why should a man care , or drowne in despaire , though his fortunes be nere so vnkind ? why should i be sad , for what i nere had , ●r foolishly trouble my mind ? 〈◊〉 i doe hate , to pine at my fate , ●here is none but fooles will doe so , 〈◊〉 and be fatte , for care kils a catte , and i care not how ere the world goe . to sigh and to waile , what will it preuaile , or any whit better my fare , when a little good mirth , mong'st friends , is more worth , and better then a great deale of care ; then i le chéere vp my selfe , for content is great wealth let sighing and sorrowing goe , i le laugh and be merry , with a cup of old sherry , and care not how ere the world goe . though many a chuffe , hath more then enough , why should i repine at their blisse ? if i am content with what god hath sent , i thinke i doe not amisse : let others haue wealth , so i haue my health , and money to pay what i owe , i le laugh and be merry , sing downe a downe derry , and care not how ere the world goe . i le make much of one , for when i am gone , then what 's all the world unto mée ? i le not be a slaue , to that which i haue , but mong'st my friends let it flée , and least there rise debate , about my estate , when my heads laid full low , or some knaues circumuent it , to whom i nere meant it i le spend it , how ere the world goe . the second part , to the same tune . some men doe suppose , to goe in braue cloathes , doth purchase a great deale of respect ; though i am but poore , i run not on score , i thinke my selfe honestly deckt : let others goe braue t is my owne that i haue , and i thinke they can not say so . and i like that i weare , though it cost not so deare , and i care not how ere the world goe . i 'de rather goe meane , then be like to them , which liuing in pompe and state , maintaine all their brauerie , with priuate knauerie , getting gold at any rate : such conscience professe , but vse nothing lesse , deceiuing the world with a show , but the time it may com will pay such knaues home . but i care not how ere the world goe . your delicate cates your hippocrites eates , and wine of the best doe drinke much money they spend , but to little end , and ne're on their end they thinke . low shrubbes be secure , when cesars endure all stormes and tempests that blow , let others rise high , but so will not i , for i care not how ere the world goe . for ambitions best sceane , is but a fine dreame , which for a time tickles the minde , and the hap of an houre , with such enuy may lowre , as may turne all ones hope into winde , then worse then before , they may sigh and deplore to ●●e themselues cast off so low . when i all the while , doe sit and smile , and care not how ere the world goe . the flattering curres , which fawne vpon surres , and hang on the noble-mans becke , that crouch at their héele , whilst their bounty they féel professing al loue and respect , yet when they doe fall , they runne away all , but i hate to dissemble so what i doe for my part , shall come from my heart , and i care not how ere the world goe . i le wrong none not i , but if some through enuy , doe wrong me without a cause , or if me they disdaine , i le slight them againe , and reckon not of it two strawes ; dissembling i scorne , for i am frée borne , my happinesse lies not below , though my words they want art , i speake from m● hear● and i care not how ere the world goe . g. b. finis . printed at london for iohn wright and are to be sold at his shop in giltspur-street at the signe of the bible an excellent medley, which you may admire at (without offence) for every line speaks a contrary sense. the tune is, tarletons medley. m. p. (martin parker), d. 1656? 1663-1674? approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04895 wing p437 interim tract supplement guide ebb65h[94] interim tract supplement guide c.20.f.8[364] 99887123 ocm99887123 183495 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04895) transcribed from: (early english books online ; image set 183495) images scanned from microfilm: (early english books; tract supplement ; a2:3[94]; a5:2[286]) an excellent medley, which you may admire at (without offence) for every line speaks a contrary sense. the tune is, tarletons medley. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. (woodcuts). printed for f. coles, t. vere, and j. wright, london, : [between 1663-1674] date of publication suggested by wing. verse: "in summer time when folks make hay ..." reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion an excellent medley , which you may admire at ( without offence ) for every line speaks a contrary sense . the tune is , tarletons medley . in summer time when folks make hay , all is not true that people say , the fool 's the wisest in the play , tush take away your hand . the fidlers boy hath broke his base , sirs is not this a pitious case , most gallants loath to smell the mace of wood-street . the city follows courtly pride , jone swears she cannot john abide , dick wears a dagger by his side , come tell us what 's to pay . the lawyers thrives by others fall , the weakest always goes to th' wall , the shoo-maker commandeth all at 's pleasure . the weaver prays for huswives store , a pretty woman was jane shore , rick the base rascal out o' th door , peace , peace , you brawling curres . a cuckold's band wears out behind , 't is safe to beguile the blind , all people are not of one mind , hold carman . our women cut their hair like men , the cock's o're-mastered by the hen , there 's hardly one good friend in ten , turn there on the right hand : but few regard the cries o' th poor . will spendeth all upon a whore , the souldier longeth to go o're brave knocking . what shall we do in these sad days ? will not the wicked mend their waies , some lose their lives in drunken frays . the pudding burns to 'th pot : the cooper says the tub's be-pist , the cobler preaches what he list , their knavery now is manifest , hold halter . when the fifth henry sail'd to france , let me alone for a country dance , nell doth bewail her luckless chance , fie on false-hearted men : dick tarleton was a merry wag . hark how that prating ass doth brag , john dory sold his ambling nag . for kick-shaws . the saylor counts the ship his house , i 'le say no more but dun 's the mouse , he is no man that scorns a louse , vain pride undoes the land : hard-hearted-men makes corn so dear , few french-men love well english bear , i hope e're long good news to hear , hey lustick . now hides are cheap the touner thrives , hang those base knaves & beat their wives , he needs must go that the devil drives , god bless us from a gun : the beadles make the lame to run , vaunt not before the battel 's won , a cloud sometimes may hide the sun , chance medley . the surgeon thrives by fencing schools some for strong liquor pawn their tools , for one wise-man there 's twenty fools , oh when shall we be married ? in time of youth when i was wild , who toucheth pitch shall be defil'd , mol is afraid she is with child , peace peter . the poor still hopes for better days , i do not love these long delays , all love and charity decays , in the daies of old : i 'm very loath to pawn my cloak , meer poverty doth me provoke , they say a scald head is soon broke ; poor trading . hark , mother hark , there 's news in town , what tell you me of half a crown , now the exise is going down , thou pratest like an ass : i scorn the coyn give me the man , pray pledge the health sir i began , i love king charles say what you can . god save him . the dutch-men thrive by sea and land , women are ships and must be man'd , let 's bravely to our colours stand , courage my hearts of gold : i read in modern histories , the king of swedens victories , at islington there 's pudding pies , hot custards . the tapster is undone by chalk , tush 't is in vain to prate and talk , the parrat prattles , walk knaves walk , duke humphrey lies in pauls : the souldiers hath but small regard , there 's weakly news in pauls-church yard the poor man crys the world grows hard , cold winter . heigh for new england hoyse up sail , the truth is strong and will prevail . fill me a cup of nappy ale , hang care the kings a comming . this egg hath long a hatching been , when you have done then wee 'l begin , oh what an age do we live in , hang pinching . from long-lane cloath , & tarn-stile boots , o fie upon these scabbed coots , the cheapest meat is reddish roots , come all for a penny . light my tobacco quickly here , there lies a pretty woman near , this boy will come to naught i fear , proud coxcombe . the world is full of odious sins , 〈◊〉 is ten to one but this horse wins , fools set stools to break wise mens shins , this man 's more knave then fool , jane oft in private meets with tom , husband thou art kindly welcome home , hast any mony ; lend me some , i 'me broken . in antient times all things were cheap , 't is good to look before you leap . when corn is ripe , 't is time to reap , once walking by the way , a jealous man the cuckow loaths , the gallant complements with oaths , a wench will make you sell your cloaths , run broker . the courtiers and the country man let 's live as honest as we can : when arthur first in court began his men wore hanging sléeves . in may when grass and flowers green , the strangest sight that are was seen , god send our gracious king and queen , to london . finis . london , printed for f. coles , t. vere , and j. wright . the most rare and excellent history, of the dutchess [sic] of suffolks callamity. to the tune of, queen dido. deloney, thomas, 1543?-1600. 1665-1674? approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02920 wing d958b estc r174586 47012387 ocm 47012387 174357 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02920) transcribed from: (early english books online ; image set 174357) images scanned from microfilm: (early english books, 1641-1700 ; 2686:5) the most rare and excellent history, of the dutchess [sic] of suffolks callamity. to the tune of, queen dido. deloney, thomas, 1543?-1600. 1 sheet ([1] p.) : ill. printed for f. coles, t. vere, and j. wright., london, : [between 1665 and 1674] contains 2 illustrations. author and date of publication taken from wing (2nd ed.) reproduction of original in: university of glasgow library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng suffolk, katharine willoughby brandon, -duchess of, 1519-1580 -poetry. bertie, richard 1517-1582 -poetry. ballads, english -17th century. broadsides -england -17th century. 2008-05 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-12 mona logarbo sampled and proofread 2008-12 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the most rare and excellent history , of the dutchess of suffolks callamity . to the tune of , queen dido . when god had taken for our sin , y t prudent prince k. edward away , then bloody bonner did begin his raging malice to be wray : all those that did gods word profess , he persecuted more or less . thus whilst the lord on us did lowre , many in prison he did throw , tormenting them in lollards tower , whereby they might the truth forego : then cranmer , ridley , and the rest , were burning in the fire , that christ profest . smithfield was then with fagots fill●d , and many places more besides , at coventry was sanders kill'd , at wooster eke , good hopper dy'd ; and to escape this bloody day , beyond-sea many fled away . amongst the rest that sought release , and for their faith in danger stood , lady elizabeth was chief , king henries daughter of royal blood ; which in the tower did prisoner lye , looking each day when she should dye . the dutchess of suffolk séeing this , whose life like wise the tyrant sought : who in the hopes of heavenly bliss , within gods word her comfort wrought : for fear of death was faint to fly , and leave her house most secretly . that for the love of god alone , her land and goods she left behind , séeking still for that precious stone , the word and truth so rare to find : she with her nurse , husband , and child , in poor array their sighs beguil'd . thus through london they passed along each one did take a several stréet , thus all along escaping wrong , at billinsgate they all did méet , like people poor in gravesend-barge , they simply went with all their charge . and all along from gravesend-town , with journeys short on foot they went , vnto the sea-coast came they down , to pass the seas was their intent : and god provided so that day , that they took ship and sayld away . and with a prosperous gale of wind , in flanders they did safe arrive , this was to their great ease of mind , and from their heavy hearts much wo did drive , and so with thanks to god on high , they took their way to germany . thus as they travel'd still disguis'd , upon the high-way suddenly , by cruel thieves they were surpriz'd , assayling their small company : and all their treasures and their store , they took away and beat them sore . the nurse in midst of their fight , laid down the child upon the ground , she ran away out of their sight , and never after that was found : then did the dutches make great moan , with her good husband all alone . the thieves had there their horses kill'd , and all their money quite had took , the pretty baby almost spoil'd , was by the nurse like wise forsook : and they far from their friends did stand and succourless in a strange land. the sky likewise began to scowl , it haild and raind in pitious sort , the way was long and wondrous foul , then may i now full well report , their grief and sorrow was not small , when this unhappy chance did fall . sometimes the dutches bore the child , as wet as ever she could be , and when the lady kind and mild was weary , then the child bore he : and thus they one another eas'd , and with their fortunes well was pleas'd . and after many a weary step , all wet-shod both in dirt and mire , after much grief their hearts yet leaps , for labour doth some rest require : a town before them they did sée , but lodged there they could not be . from house to house then they did go , séeking that night where they might lye , but want of money was their wo , and still their babe with cold did cry ; with cap and knée they courtesie make but none of them would pity take . lo here a prince of great blood , doth pray a peasant for releif , with tears bedewed as she stood , yet few or none regard her grief : her spéech they could not understand , but gave her money in her hand . when all in vain her spéeches spent , and that they could not house-room get , into a church-porch then they went , to stand out of the rain and wet : then said the dutches to her dear , o that we had some fire here . then did her husband so provide ; that fire and coals he got with spéed : she sat down by the fire side to dress her daughter that had néed : and whilst she drest it in her lap , her husband made the infant pap . anon the sexston thither came , and finding them there by the fire , the drunken knave , all void of shame , to drive them out was his desire : and spurn'd forth the noble dame , her husbands wrath she did inflame . and all in fury as he stood , he wrung the church-keys out of his hand and struck him so that all the blood , his head ran down as he did stand : wherefore the sexston presently , for help and aid aloud did cry . then came the officers in hast , and took the dutches and her child , and with her husband thus they past , like lambs beset with tygers wild ; and to the governor were brought , who understood them not in ought . then master bertue brave and bold , in latine made a gallant spéech , which all their misery did unfold , and their high favour did beseech ? with that a doctor sitting by , did know the dutches presently . and thereupon arising streight , with words abashed at this sight , vnto them all that there did wait , he thus brake forth in words aright : behold within your sight , quoth he , a prince of most high degree . with that the governour and all the rest , were all amazed the same to hear , who welcomed this new come guest , with reverence great and princely chear , and afterwards convey'd they were , vnto their friend , prince cassimere . a son she had in germany , pergrine bartue call'd by name , surnam'd the good lord willoughby , of courage great and worthy fame : her daughter young with her went , was afterwards countess of kent . for when queen mary was deceast the dutches home return'd again who was of sorrow quite releast , by queen llizabeths happy raign : whose godly life and piety , we may praise continually . london , printed for f. coles , t. vere , and j. wright . an example for all those that make no conscience of swearing and forswearing shewing gods heauy iudgement vpon a maid-seruant in london, who forswore her selfe, and now lies rotting in s. bartholomewes hospitall in smithfield, where many resort daily to see her. to the tune of, aime not too high. h. i., fl. 1625. 1600 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a03945 stc 14050a estc s106260 99841978 99841978 6601 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a03945) transcribed from: (early english books online ; image set 6601) images scanned from microfilm: (early english books, 1475-1640 ; 639:17) an example for all those that make no conscience of swearing and forswearing shewing gods heauy iudgement vpon a maid-seruant in london, who forswore her selfe, and now lies rotting in s. bartholomewes hospitall in smithfield, where many resort daily to see her. to the tune of, aime not too high. h. i., fl. 1625. 1 sheet ([1] p.) : ill. [g. purslowe] for j. w[right?], lon[don pri]nted at : ca. 1625] printer's and publisher's names and publication date from stc. woodcut illustration at head of each part. verse "let wicket swearers all example take,". imperfect; torn and stained, with some loss of print. reproduction of the original in the folger shakespeare library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-10 mona logarbo sampled and proofread 2007-10 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion an example for all those that make no conscience of swearing and forswearing ▪ 〈◊〉 shewing gods heauy iudgement vpon a maid-seruant in london , who forswore her selfe , and now lies rotting in s. bartholomewes hospitall in smithfield , where many resort daily to see her . to the tune of , aime not too high . lo wiicked swearers all example take , ●● they of god a mocking stocke do make , although he sits in heauen and nothing sayes , yet he doth sée and marke our wicked wayes . he se●rches in the closet of our hearts , where he suruayes our good and euill parts : the soule he made to be the bodies guide , that it should rule vs when we went aside . but when we let the duill enter in , who still doth tempt vs vnto wicked sin , then grace is fled , and god on vs doth frowne , who with a glory vs in heauen would crowne . our soule must answer for our bodies déed , as in thesacred scriptures you may read , 〈◊〉 euery sinner must receiue their hyre , without gods mercy in eternall fire , the lord hath said , that he reuenge will take , vpon such sinners as do him forsake : and t is most sure for god he will not lie , but vengeance take for our iniquity . 〈◊〉 late in london and in other parts , swearers and lyers they haue felt his smarts , one that commited had an euill crime , 〈…〉 e forsweare it at the very time , and wisht that she might sinke into the ground , or that bright heauen might her soule 〈…〉 nd , yf she had done it , and did séeme to cry , and then the ground did open presently . two others that the like had done in sight , wisht that gods iudgement might vpon thē light , and is it did , for straight they fell starke dead , the lord aboue knowes where their souls are fled but now a story to you i will shew , of a poore wretch that is distrest in woe , that did the like , and did her selfe forsweare , which sore example let each christian heare . she being in an honest seruice plac't , hath wrought her shame , & all her friends disgrac't , did steale and pilfer many things away , which now hath wrought her to this déepe decay , when things were mist , she did deny the same , and with great impudence , deuoyd of shame , wisht before god and men that she might rot , it that such things she euer saw or got . yet she to prison straight way wa● conuey'd , and presently before she long had laid : she did begin to rot , and stinke so sore , that they were forst to turne her out of dore . to smithfield hospitall she then was led . where hundreds flocke to s●●● 〈◊〉 in her bed , her toes and fingers do fal● 〈…〉 ●●d rot , with other ioynts , such is her heauy lot . the surgeons striue to do their chiefest art , and do apply their skill to euery part , but still she rots , her ioynts do fall away , and god knowes when , shall be her dying day . she is repentant for her wicked sinne , which in her former time she liued in , she cals to god for mercy euery day , and to the lord most earnestly do pray . she doth confesse that she that fact did do , for which she now doth feele such griefe and wo : wishing each seruant might example take , that she may be a warning for their sake . and all forsworen wretches in that kind . when then do , ill to beare her in their mind , for feare the lord doth giue to them their hyre , as she did instly of our great god require . gods mercie 's great when sinners do repent , when in their soule they truly do recent , christ dy'd to saue those that the truth beléeue , and in his mērcy will them sure relieue . as i to hope that he will saue her souls , although her crime was very bad and foule , for she repentant is , and craues for grace , and hopes in heauen to haue a resting plece . could we but thinke of gods all-séeing eyes , that nere were blind to our iniquities : our earthly minds of heauen will haue a part , our tongs would speake from trunesse of our heart though we may thinke to blind the eyes of men , committing sins , forswering them agen : yet them at last our conscience shall report , before a wiser iu●●●●nd higher court. let no forswearer 〈…〉 ke themselu●● 〈…〉 re , though with their only tongues t●●● 〈…〉 all 〈…〉 oh let them not presume , but let 〈◊〉 know , gods hand is heauy , though i● 〈…〉 t flow . oh may this néedlesse swearing be forborne , oathes are the plagues for which a land doth mourn oh let vs mourne 〈◊〉 oathes , and mourne our fill , oh may we do it now , not sweare we will. wish not for euill falsly on thy brest , thinking that god will spare with thée the rest , god pardons sins that no man might despaire , god scourges some , that all men may beware . who knoweth whether himselfe the person be , that god will punish for iniquity : oh with what face can men for mercy craue , that wish themselues ill , and their wishes haue . gehezi did of naaman once require , gold , and two shifts of raiment for a hyre : they that will séeke for profit by a lye , shall lose their gaines , and gaine a leprosie . yet is the lord to those that do conuert , more kind then our desire , or our desert : and in the midst of our iniquities , his iudgement doth but go , his merce flyes , looke downe , o lord , on his distressed one , that doth not looke to thée but with a groane : and for her wisht affliction , if you please , comfort her soule and giue her body ease . or if the iustice farther will porcéed , to punish her for her periorious déed : lord grant her sins , may thr 〈…〉 be forgiuen , giue her affliction here , her 〈…〉 ●●auen . let seruants that are often pu● i● trust , fly dealing false , and follow dealing inst : although your ill got goods , may seeme full faire , your seeming substance proues infectious ayre . h. i. finis . lon●●● 〈…〉 ted at for i. w. a most pleasant ballad of patient grissell to the tune of the brides good morrovv. deloney, thomas, 1543?-1600. 1600 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a02251 stc 12384 estc s118558 99853765 99853765 19160 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a02251) transcribed from: (early english books online ; image set 19160) images scanned from microfilm: (early english books, 1475-1640 ; 1205:10) a most pleasant ballad of patient grissell to the tune of the brides good morrovv. deloney, thomas, 1543?-1600. boccaccio, giovanni, 1313-1375. 1 sheet ([1] p.) s.n., [london : 1600] attributed to thomas deloney. based on book 10, novel 10 of: boccaccio, giovanni. decamerone. imprint from stc. a ballad. verse "a noble marques as he did ride on hunting hard by a forrest side:". reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-08 tcp assigned for keying and markup 2002-09 aptara keyed and coded from proquest page images 2002-10 judith siefring sampled and proofread 2002-10 judith siefring text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a most pleasant ballad of patient grissell . to the tune of the brides good morrovv . a noble marques as he did ride on hunting hard by a forrest side : a proper mayden as she did fit a spinning his gentle eye espide . most faire & louely , and of curteous grace was she , although in simple attire : she sung full sweet with pleasant voyce melodiously , which set the lords hart on fire . the more he looked the more he might , beautie bred his hartes delight . and to this dainty damsell then he went : god speede quoth he , thou famous flower , faire mistres of this homely bower , where loue & vertue liues with sweete content . with comely iesture & curteous milde behauiour she bad him welcome then : she entertaind him in faithful friendly maner and all his gentlemen . the noble marques in his hart felt such a flame which set his sences at strife : quoth he , faire maiden shew me soone what is thy name ? i meane to make thee my wife . grissell is my name quoth she , farre vnfit for your degree , a silly mayden and of parents poore . nay grissell thou art rich he sayd , a vertuous faire and comely mayd , graunt me thy loue , and i wil aske no more . at length she consented , & being both contented they married were with speed : her contrey russet was changd to silk & veluet as to her state agreed . and when she was trimly tyred in the same , her beauty shined most bright , far staining euery other braue & comly dame , that did appeare in her sight . many enuied her therefore , because she was of parents poore , and twixe her lord & the great strife did raise some sayd this , and some sayd that , some did call her beggers brat , and to her lord they would her soone dispraise o noble marques ( quoth they ) why doe you wrong vs thus bacely for to wed ? that might haue gotten an honorable lady , into your princely bed . who will not now your noble issue still deride which shall hereafter be borne : that are of blood so base by their mothers side the which will bring them in scorne : put her therefore quite away , take to you a lady gay , whereby your linage may renowned be : thus euery day they seemde to prate , that malist grisselles good estate , who tooke all this most milde and patiently . when that the marques did see that they were bent thus against his faithfull wife , whom he most deerely , tenderly , and entirely , beloued as his life . minding in secret for to proue her patient hart therby her foes to disgrace : thinking to play a hard vncurteous part , that men might pittie her case . great with childe this lady was , and at length it came to passe , two goodly children at one birth she had : a sonne and daughter god had sent , which did their father well content , and which did make their mothers hart full glad . great royall feasting was at these childrens christnings and princely triumph made : sixe weeks together , al nobles that came thither were entertaind and staid : and whē that al those pleasant sportings quite were done the marques a messenger sent : for his yōng daughter , & his prety smiling son declaring his full intent : how that the babes must murdred be , for so the marques did decree , come let me haue the children then he sayd : with that faire grissell wept full sore , she wrung her hands and sayd no more , my gracious lord must haue his wil obaid . she tooke the babies euen from their nursing ladies betweene her tender armes : she often wishes with many sorrowful kisses that she might helpe their harmes . farewel farewel a thousand times my childrē deere , neuer shall i see you againe , t is long of me your sad & woful mother heere . for whose sake both must be slaine . had i been borne of royall race , you mighe haue liu'd in happy case , but you must die for my vnworthines : come messenger of death said shee , take my despised babes to thee , and to their father my complaints expres . he tooke the children , and to his noble maister he brings them both with speed : who secret sent them vnto a noble lady , to be nurst vp in deed : thē to faire grissel with a heauy hart he goes where she sate mildly alone : a pleasant iesture & a louely looke she showes , as if this griefe she neuer had knowen . quath he , my children now are slaine , what thinkes faire grissell of the same , sweet grissell now declare thy mind to mee ; sith you my lord are pleasd in it , poore grissell thinkes the action sit , both i and mine at your command will be , my nobles murmur faire grissell at thy honor and i no ioy can haue : til thou be banisht both frō my court and presence as they vniustly craue : thou must be stript out of thy costly garments all . and as thou camest to me : in homely gray in steed of bisse & purest pall now all thy cloathing must be . my lady thou shalt be no more , nor i thy lord , which grieues me sore , the poorest life must now content thy minde . a groat to thee i must not giue , to maintaine thee while i doe liue , against my grissel such great foes i finde . when gentle grissell did heare these wofull tidings , the teares stood in her eyes : she nothing answered , no words of discontent did from her lips arise . her veluet gown most patienely she slipped off , her kirtles of silke with the same : her russet gown was broght again with many a scoffe to beare them all her selfe she did frame : when she was drest in this array , and ready was to part away , god send long life vnto my lord quoth shee let no offence be found in this , to giue my lord a parting kisse , with watry eyes , farewel my deere quoth he . from stately pallace vnto her fathers cottage poore grissell now is gone : full sixteene winters she liued there contented no wrong she thought vpon : and at that time through all the land the speaches went : the marques should married be : unto a lady of high and great discent : to the same all parties did agree . the marques sent for grissell faire , the brides bed chamber to prepare , that nothing therein should be found awrye the bride was with her brother come , which was great ioy to all and some : and grissell tooke all this most patiently . and in the morning when they should to the wedding , her patience now was tride : grissel was charged her self in princely maner for to attire the bride . most willingly she gaue consent to do the same the bride in her brauery was drest : and presently the noble marques thither came with all his lords as her request . o grissel i would aske quoth he , if she would to this match agree . me thinkes her lookes are waxen wondrous coy , with that they all began to smile , and grissell she replide the while , god send lord marques many yeres of ioy the marques was moued to see his best beloued thus patient in distresse : he stept vnto her , and by the hand he tooke her these wordes he did expresse : thou art my bride , & all the brides i meane to haue : these two thine owne children be : the youthfull lady on her knees did blessing craue her brother as willing as she , and you that enuied her estate , whom i haue made my louing mate , now blush for shame , & honor vertuous life : the chronicles of lasting fame , shall euer more extoll the name , of patient grissell my most constant wife . finis . turners dish of lentten stuffe, or, a galymaufery to the tune of watton townes end. turner, w. 1612 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a14045 stc 24350 estc s4462 24449854 ocm 24449854 27681 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a14045) transcribed from: (early english books online ; image set 27681) images scanned from microfilm: (early english books, 1475-1640 ; 1825:4) turners dish of lentten stuffe, or, a galymaufery to the tune of watton townes end. turner, w. [2] p. : ill. printed for [j.w., at london : 1612?] caption title. title of second part at head of p. [2]: the second part, or, you are welcome my guest to your lentten fare if you come when lent is gone, you shall haue better cheere, to the same tune. signed on p. [2] at bottom: w. turner. imprint faded; name of publisher and date of publication suggested by stc (2nd ed.). colophon at bottom of p. [1]: imprinted at london for i.w. without music. imperfect: faded with some loss of print. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-07 tcp assigned for keying and markup 2002-09 spi global keyed and coded from proquest page images 2002-10 john latta sampled and proofread 2002-10 john latta text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion turners dish of lentten stuffe , or a galymaufery . to the tune of watton townes end . my masters all attend you , 〈…〉 to heare : and i will tell you what ●hey cry , in london all the yeare , 〈◊〉 please you if i can , i will not be too long , i pray you all attend a while , and listen to my song . 〈…〉 the fish-wife first begins , 〈◊〉 , sprats , or pleace , or cockles for delight . 〈…〉 ve flat oysters : then she doth change her note she had néed to bake her tongue b● grease for she rattles in the throat . for why they are but ●●●tish , to ●ell you out of doubt : 〈…〉 sure is to little , go be ate th 〈…〉 bottom out . halfe pecke for two pence , i doubt it is a ●odge , , 〈◊〉 people they do do●ge . 〈…〉 car came running , 〈…〉 her greasie tub , and away that she did run . but she did give a blessing , to some hat not to all : to bea●es loade to ●●●urne , and there to let it fall , the miller with his golden thumbe , and his dusty necke : if that he grind but two bushels , he néeds must steale a peck . the weauer and the tayler , 〈◊〉 they be sure : they cannot worke but they must steale , to kéepe their hands in vre , for it is a common prouerbe , throughout all the towne , the taylor he must cut thrée sléeues , for euery womans gowne . marke but the water man , attending for hie fare : of hot and could , of wet and dry , he alwaies takes a share , he carrieth bony lasses , ouer to the plaies , and here and there he gets a bit , and that his stomake staies . there was a stinging boy , did write to ride to rumford : when i go to my 〈◊〉 stoole , i will put him in a comfort : but what i leaue behind , shall be no priuate gaine : but all is one when i am gone . let him take it for his paine . ould shoes for new broomes , the broome man he doth sing : for hats or caps or buskins , or any ●uld pooch rings , 〈…〉 mat a bed mat , 〈…〉 a pas , a bigger or a lesse . ripe chery ri●● , the coster 〈…〉 , pipins fine , or peares , another after hies , with basket on his head , his liuing to aduance , and in his purse a paire of dice , for to play at mumchance . hot pippin pies , to sell vnto my friends : or pu●ing pies ●n pans , well stuft with candles ends , will you by any milke , i heare a wench to cry , with a pa●●e of fresh chéese and , creame another after hies . oh the wench went neately , my thought it did me good : to sée her chéery chéekes , so dimpled ●re with blood , her wastecoate washed white : as any lilli-flower , would i had time to talke with her the space of halfe an houre . buy blacke , saith the blacking man the best that ere was séene : t is good for poore men cittizens to make their shooes to shine , oh t is a rare comodity , it must not be for-got , it wil make them glister gallantly and quickly make them rot . the world is ful of thred bare poets , that liue vpon their pen : but they will write too eloquent , they are such witty men . but the tinker with his budget , the begger with his walled , and turners turnd a gallant man , at making of a ballet . finis . imprinted at london for i.w. the second part , or you are welcome my guest to your lentten fare if you come when lent is gone , you shall haue better cheere , to the same tune , that 's the fat féele of the curtin , and the leane féele of the full : since shanke did haue to sing his rimes , he is counted but a gu●l . the players of the banke side , the round globe and the swan , will reach you ●●●e ●●●kes of loue , but the ●uil will play the man. but what do i stand tattling , of such idle ●●yes : i had better go to smith-field , to play among the boyes , 〈◊〉 you skeeting and decoying lads , with your base art-ti●l●re : i would wish you 〈◊〉 newgate , and withall the pillary . and some there be in patcht gownes , i know not what they be : they pinch 〈…〉 contry men , with nimming of a fée . for where they get a 〈◊〉 , they le make him pay so déere , they le entertaine more in a day , then he shall in a yeere . which wakes them trimme vp houses , made of brick , and stone : and poore men goe a begging , when house and land is gone . some there be with both hands , will sweare they will not dally , till they haue turnd all vpsie downe , as mnay vse to sa●ley , you per●ers giue good measure , when as your wares you sell : though your pa●● be 〈◊〉 your th●●● wil slip , your trickes i know 〈…〉 , and you that 〈…〉 wares by waight , and liue vpon the trade : some beames 〈…〉 waits to light such trikes there haue bin plaid . buy smale 〈◊〉 great coles , i haue them one 〈◊〉 barke : the goose 〈…〉 you may 〈◊〉 quacke , thus 〈◊〉 the blacke c●●●●r , whose liuing is so loose , as he doth 〈…〉 ore , sometimes he 〈◊〉 a goose . thou 〈◊〉 with thy money bags , that liueth so at ease : by gaping after gould thou doest , thy mightty go 〈…〉 and for 〈…〉 and thy 〈…〉 except thou doest repent thy sinnes , hel fire wil be thy portion . for first i came to hounds-dich , then round about i crept : where cruelty is crowned chiefe , and piety fast a sleepe , where usury gets profit , and brokers beare the bel , oh fie vpon this deadly sinne , it sinkes the house to hel . the man that swéepes the chimneys , with the bunsh of thornes : and one his necke a trusse of peles , tipped al with hornes . with care he is not cumbred , he liueth not in dread : for though he wear●s them on his pele , some weare them one there head . the landlord with his racking rents , turne poore men out of doore : there children goe a begging , where they haue spent their store , i hope none is offended : at that which is indited , if any be , let him go home , and take a pen and write it . buy a trap a mouse trap , a tormentor for the fleas : the hang-man workes but halfe the day , he liues too much at ease . come let vs leaue this boyes play , and idle prittle prat , and let vs goe to nine holes , to spurne point or to cat . oh you nimble fingured lads , that 〈◊〉 vpon your wits : take héed of tyburne ague , for they be daungerous fits . for many a proper man , for to supply his lacke : doth leape a leape at tyburne , which makes his neck to crack . and to him that writ this song , i giue ●his simple lot : let euery one be ready , to giue him halfe a pot . and thus i doe con●ude , wishing both health and peace , to those that are laid in their bed , and cannot sléepe for fleas . finis . w. turner . at london printed for i. w. a choice collection of new songs and ballads the words made to several pleasant tunes / by mr. d'urfey ; with tunes transpos'd for the flute. d'urfey, thomas, 1653-1723. 1699 approx. 20 kb of xml-encoded text transcribed from 7 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-11 (eebo-tcp phase 1). a36960 wing d2708 estc r228841 12341229 ocm 12341229 59890 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a36960) transcribed from: (early english books online ; image set 59890) images scanned from microfilm: (early english books, 1641-1700 ; 209:16) a choice collection of new songs and ballads the words made to several pleasant tunes / by mr. d'urfey ; with tunes transpos'd for the flute. d'urfey, thomas, 1653-1723. playford, henry, b. 1657. [2], 10 p. : music. printed by william pearson ... for henry playford and sold by him at his shop ..., london : 1699. the composers of the songs are not named. reproduction of original in harvard university libraries. imperfect: pages 9-10 misbound following t.p. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng songs, english -england -17th century. ballads, english -england -17th century. recorder music. songs, unaccompanied. 2003-08 tcp assigned for keying and markup 2003-08 apex covantage keyed and coded from proquest page images 2003-09 judith siefring sampled and proofread 2003-09 judith siefring text and markup reviewed and edited 2003-10 pfs batch review (qc) and xml conversion the last new scotch song . could and raw the north did blow , bleak in the morning early , all the trees were hid with snow dagled in winters yearly : as i come riding on the slow i met with a farmers daughter , with rosie cheeks and a bonny brow , good faith made me mouth to water . down i veld my bonnet low , thinking to show my breeding , she return'd a graceful bow , a village far exceeding , i ask'd her where she went so soon , i long'd to begin a parley ; she told me to the next market town on purpose to sell her barley in this purse sweet soul said i twenty pounds lye fairly , seek no further one to buy , for i le take all thy barley , twenty more shall purchase delight , thy person i love so dearly , if thou wot lig with me this night and go home in the morning early . if forty pounds would buy the globe , this thing i wou'd not do sir , or were my friends as poor as iob i would not raise them so sir , for if this night you prove my friend , we's get a young kid together , and you 'l be gon at the nine months end , and where shall i find a father . i told her i had wedded been fourteen years or longer , else i would take her for my queen and tye the knot much stronger , she bid me then no further come but manage my wedlock fairly , and keep purse for poor spouse at home , for some other should have her barley . a choice collection of new songs and ballads . the words made to several pleasant tunes , by mr. d'urfey . with the tunes transpos'd for the flute . london : printed by william pearson , next door to the hare and feathers , in aldersgate-street , for henry playford , and sold by him at his shop in the temple-change fleet-street ; and at all other musick shops in town . 1699. price six-pence . to the steward in being , and the rest of the worthy society meeting on wednesdays , at the st. alban's tavern in st. alban's street ; this first collection of new songs , made to several pleasant tunes , is dedicated by , gentlemen , your most oblig'd and humble servant , t. d'urfey . the franck lover , a new song . dearest believe without a re╌servation , what neither time nor fate shall e'er controul ; be you but kind and constant to your passion , no stormy chance shall e'er disturb my soul : jealousie , the bane to lovers pleasures , far from our hearts for e╌ver we 'll remove , my full joy , what mortal then can measure , happy in my charming mu╌si╌do╌ra's love . ii. when with a friend abroad i take a bottle , over your tea regale with who you can ; or if you find me with a vizard prattle , do you the same with any other man : for chloe's face when ogling i shew passion , 't is all but seign'd , i can ne'er inconstant be ; and when at large i tope the red potation , 't will but more inflame my heart with love of thee . gillian of croyden , a new ballad : the words made to the tune of a country dance , call'd mall peatly . one ho╌li╌day last summer , from four to se╌ven by croy╌den chimes ; three lasses toping rummers , were set a prating of the times , a wife call'd ioan of the mill ; a maid they call'd bon╌ney brown nell , a widow mine hostess , gillian of croy-den , gillian of croyden , gillian , young gillian , iol╌ly gillian of croyden , take off your glass , cry'd gillian of croyden , a health to our ma╌ster will. ah! ioan cry'd the maiden , this peace will bring in mill'd money store , we now sha'n't miss of trading ; and sweet-hearts will come on thick , ye whore . no more will they fight and kill , but with us good liquour , will swill : these will be rare tymes cry'd gillian of croyden , gillian of croyden , gillian , young gillian , plump gillian of croyden , take off your glass cry'd gillian of croyden , a bumper to master will. iii. we 've now right understanding , hans dick , and monsieur shake hands i' th' streets ; dragoons too are disbanding , gadzookes then nelly let 's watch our sheets , for a redcoat you know that has will , can plunder and pilfer with skill , i 'll look to my smocks cry'd gillian of croyden , gillian of croyden , gillian , bold gillian , wary gillian of croyden , take off your glass cry'd gillian of croyden , a health to our master will. iv. nel , then with arms a kembo , cry'd news from sea not so well does come ; for want of captain bembo , the chink and poynti are safe got home : tho' he could not help that ill , the fault lies in some body still , would that rogue were hang'd cry'd gillian of croyden , gillian of croyden , gillian , plump gillian , loyal gillian , of , &c. v. strange lords will now come over , and all our bells will ring out for joy ; the czar of muscovor , who is , lord bless him , some ten foot high : i 'll see him what e'er comes o' th mill , would our lads were like him cry'd nell , great pity they ant cry'd gillian of croyden , gillian of croyden , gillian , young gillian , tall gillian of croyden , nevertheless cry'd gillian of croyden , a bumper to master will. vi. strange news the jacks of the city , have gott cry'd ioan , but we mind no tales ; that our good king through wonderfull pity , will give his crown to the prince of wales , that peace may the stronger be still , and that they may no longer rebell . pish ! pox t is a jest cry'd gillian of croyden , gillian of croyden , gillian , bold gillian , witty gillian , gillian of croyden , take off your glass cry'd gillian of croyden , a health to our master will. vii . so long top'd these lasses , till tables , chairs , and stools went round ; strong wine and thumping glasses , in three short hours their senses drown'd : then home to her grannum reel'd nell , and ioan no more brimmers could fill , and off from her chair drop'd gillian of croyden , gillian of croyden , gillian , plump gillian , drunk gillian of croyden , here 's the last drop cry'd gillian of croyden , a bumper to master will. the national quarrel ; a new ballad : the words made to the tune of lilly burlero . shone a welch , runt , and hans a dutch boor , as they one ev'ning for aire did enploy ; found tague and sawney just walking be╌fore , a bon╌ny scotch loon and an i╌rish dear joy : they all four ne'er saw a win╌mill , nor had they hear'd of a╌ny such name , but as they were walking , and merre╌ly talking it happed'd by chance to a win╌mill they came . the chorus goes to the last part of the tune . cho. hoy down derry hoa dowon derry , mirth is better than sorrow by halfe ; listen to my ditty , 't is merry , 't is witty ; and if you an 't sullen 't will make ye laugh . bread cry'd sawney what do ye caw that , to tell its good name i am at a loss . tegue then readily answer'd the scot , by chreesht , my dear joy , 't is st. patrick's cross. woons cry'd sawney y' are mistaken , for 't is st. andrew's cross that i swear ; for there is his bonnet , and plad lying on it , the muckle gud saint did at edinborough wear . cho. sawney , sawney , wee l sayd sawney , this affair sawney's notably hit , let aw discover that pass the tweed over , if scotland e'er bred so bonny a wit. iii. hans with a belch gave vent in his turn , * jck fall now spraeken den vaght it dos mean ; et ben ods sacrament a grought dutch churne , and they are now making the butter within : this device so tickled his fancy , he swore by the states he 'd go in for some ; and sell his blew jerkin , but he 'd have a firkin , to carry his wife and his family home . cho. hogan , hogan , mogan , mogan , sooterkin hogan herring vandunck , for as it happen'd the miller with 's cap on he thought a fat froe , a white dairy punk . iv. hot pated shone cry'd splut and look'd pig , you fools was alter your minds when hur speaks ; st. taffy cawd this her crete whirligig , and made it to scare away crows from her leeks : proof to shew , see where they crow , then pointed his finger over the hedge , where nettles and thistles , with prickles and bristles , grew thick in a field grown over with sedge , cho. shone ap shinkin ▪ rice ap tavy , shentlemen kindred aw come away , tomas ap morgan swear loud as an organ , and pawn all your honours to what hur does say . v. by good st. patrick tegue once more replies , i say 't is his cross for there is his coat ; i met him in dublin a buying the frize , and gud i will swear , 't is the same that he bought : he 's a better shaint than ever holland , or , walsh , or scotland , can breed , and by my showlwasion he was my relation , and had for stout tegue great kindness indeed . cho. lero , lero , lero , lero , lilly burlero bullen a-la , by my showlwasion he was my relation , chreesht save thy sweet face st. patrick agra . vi. each gave his mind , but neither agreed , the welsh man grows hot , and the irish man huffs ; the bonny bold scot told the dutch man he ly'd , a word and a blow , and so all went to cuffs : coats were torn , and heads were broken , noses were mawlt , and thumping went round ; but in a while after were forc'd to give quarter , and so went four fools well beaten to town . cho. coats were torn , &c. puss in a corner : a new song . the words made by mr. durfey , to a pretty new tune made by a man of quality . to cullies and bullies of country and town , to wearers and tearers of manteau and gown ; all christian good people , that live round paul's steeple , i 'll tell you a pleasant case : hot headed i wedded at age of threescore , a flanting young wanton , eighteen and no more ; of parents i sought her , and money soon bought her , i well might have had more grace ; for dai╌ly at table she 'd pout and she 'd squabble , and this still was all i got , when e'er i ask'd why , she 'd cry pish fye , for gold nor apparel i never did quarrel , but on╌ly you starve my cat. ii. a pretty young kitty , she had that could purr ; 't was gamesome and handsome , and had a rare furr ; and straight up i took it , and offer'd to stroke it , in hopes i should make it kind ; but lowting and powting , it still was to me , tho' nature , the creature , design'd should be free . i play'd with its whiskers and would have had discourse , but ah ! it was dumb and blind : when cloris unquiet , who knew well its diet , and found that i wanted that , cry'd pray , run , fetch iohn , he 's the man that can , when it does need it , best know how to feed it , or gad you will starve my cat. iii. as fleet as my feet could convey me i sped ; to iohnny who many times pussey had fed . i told him my errand , he wanted no warrant , but hasted to shew his skill : he took it to stroak it , and close in his lap he laid it to feed it , and gave it some pap ; and with such a passion it took the collation , its belly began to fill , and now within door is , so merry my cloris , she laughs and grows wonderous fat , and i run for iohn , who 's the man that can , tho' i 'm at distance , give present assistance , to please her , and feed her cat. the loyal scot : or , the king ' s new health . a new song . the words made to a pretty scotch tune . now the ground is hard froze , and cawd winter is come , and our master great wil╌ly from holland's got home . now the parliament leards are sat down to command , i 'se gang o'er the tweed in╌to hampton court . a new song . the words made by mr. d'urfey , to a pretty new tune made by a person of quality . where divine glo╌ri╌a╌na , her palace late rear'd ; and the choicest delights , art and nature prepar'd , on the bank of sweet thames , gent╌ly gliding a╌long ; the love╌sick phi╌lan╌der sate down and thus sang : more happy than yet a╌ny place was be╌fore , thou dear blest re╌semblance of her i a╌dore ; all eyes are de╌light╌ed with prospect of thee , thou charm'st ev╌'ry sense thou charm'st ev╌ry sence , ah ! just so does she . ii. as the river's claer waves zephyr softly does rowl , so her breath moves the passions , that flow in my soul ; as the trees by the sun , feel a nourishing joy ; so my heart is refresh'd , by a glance from her eye : the birds pretty notes , we still hear when she speaks ; and the sweetest of gardens , still blooms in her cheeks ; had i that dear bliss , for no other i 'd sue ; who enjoys this sweet eve , who enjoys this sweet eve , has all paradise too . the song tunes for the flute . where divine gloriana , now the ground is hard froze , and cawd winter is come ; books lately printed for , and sold by , henry playford at his shop in the temple-change fleet-street . wit and mirth : or , pills to purge melancholy , being a collection of the best old and new ballads , and songs , containing near 200 , with the tunes to each . price 2 s. 6d . in calf 3 s. printed for henry playford at his shop in the temple-change . orpheus britannicus , being the choicest songs of one ; two and three voices , by the late mr. henry purcell in folio . price bound 18 s. an introduction to the skill of musick , the thirteenth edition , to which is added the whole art of composition by the late mr. henry purcell . price bound 2 s. the dancing-master , the 10th . edition in two parts , price bound 3 s. dr. blow's choice collection of lessons , for the harpsichord , or spiunett , engraven . price stitcht 1 s. 6 d. mercurius musious : for ianuary , and february being a monthly collection of new teaching songs , with the tunes transpos'd for the flute at the end of the book . price six-pence . apollos banquet , being the easiest and best instructions for young beginners yet publish'd , containing above a hundred of the choicest tunes , for the violin ; the 7th . edition . price 1 s. 6 d. the division violin in 2 books , being all the best grounds and divisions , the 4th . edition ; price of both 4 s. 6d . a sheet of cotches sett by the late mr. henry purcell . price 3 d. a sheet engraven on copper , being directions for the bass viol. price . 6 d. finis . notes, typically marginal, from the original text notes for div a36960-e2390 pointing to the winmill . * mimicks dutch. the dolefull dance and song of death; intituled; dance after my pipe to a pleasant new tune. hill, thomas, fl. 1680. this text is an enriched version of the tcp digital transcription a43810 of text r219945 in the english short title catalog (wing h2013b). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a43810 wing h2013b estc r219945 99831390 99831390 35853 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a43810) transcribed from: (early english books online ; image set 35853) images scanned from microfilm: (early english books, 1641-1700 ; 2049:38) the dolefull dance and song of death; intituled; dance after my pipe to a pleasant new tune. hill, thomas, fl. 1680. 1 sheet ([1] p.) : ill. printed for f, [sic] coles , t. vere, and w. gilbertson, [london] : [1664] verse "can you dance the shaking of the sheets,". by thomas hill. woodcut illustration at head. wing gives a range of dates: 1658-64. place and date of publication from wing. reproduction of the original in the bodleian library, oxford. eng ballads, english -17th century. a43810 r219945 (wing h2013b). civilwar no the dolefull dance and song of death; intituled; dance after my pipe. to a pleasant new tune. hill, thomas 1658 662 6 0 0 0 0 0 91 d the rate of 91 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2005-03 tcp assigned for keying and markup 2005-05 spi global keyed and coded from proquest page images 2005-09 jonathan blaney sampled and proofread 2005-09 jonathan blaney text and markup reviewed and edited 2005-10 pfs batch review (qc) and xml conversion the dolefull dance and song of death ; intituled , dance after my pipe . to a pleasant new tune . can you dance the shaking of the shéets , a dance that every one must do ? can you trim it up with dainty swéets , and every things that 'longs thereto ? make ready then your winding shéet , and sée how ye can bestir your féet , for death is the man that all must méet . bring away the begger and the king , and every man in his degrée , bring away the old and youngest thing , come all to death and follow me . the courtier with his lofty looks , the lawyer with his learned books , the banker with his baiting hooks marchants , have you made your mart in france in italy and all about ? know you not that you and i must dance , both our héels wrapt in a clout . what mean you to make your houses gay , and i must take the tenant away , and dig for your sake the clods of clay , think you on the solemne sizes past , how suddenly in oxfordshire , i came and made the iudges all agast , and iustices that did appear . and took both bell , and baram away , and many a worthy man that day , and all their bodies brought to clay . think you that i dare not come to schools , where all the cunning c●erks be most , take i not away both wise and fools ? and am i not in every coast . assure your selves no creature can , make death affraid of any man , or know my coming where or whon . where be they yt make their leases strong , and joyn about them land to land , do you make account to live so long to have the world come to your hand . no foolish nowle , for all thy pence , full soon thy soul must néeds go hence . then who shall toyl for thy defence . and you that lean on your ladies laps , and lay your heads upon their knée , think you for to play with beautis paps , and not to come and dance with me , no , fair lords and ladies all , i will make you come when i no call , and find you a pipe to dance withall . and you that are busie-headed fools , to brabble of a pelting straw , know you not that i have ready fools , to cut you from your crafty law . and you that falsely buy and sell , and think you make your markets well , must dance with death wheresoe'r you dwel , p●●●e must have a pretty shéet , i sée , for properly she loves to dance , come away my wanton wench to me , as gallantly as your eye doth glance . and all good fellows that flash and swash , in rods and yellows of revell dash , i warrant you néed nor be so rash . for i can quickly cool you all , how hot or stout soever you be , both high and low , both greet and small ▪ i nought do fear your high degrée . the laidies faire the beldames old ▪ the champion stout , the souldier bold , must all with me to earthly mold . therefore take time while it is lent , prepare with me your selves to dance , forget me not , your lives lament ▪ i come often times by sudden chance , be ready therefore watch and pray , that when my minstrell pipe doth play , you may to heaven dance the way . finis . printed for f , coles , t. vere , and w. ●i●bertson . a character of a true christian. written by abiezar copp. the tune is, the fair nimphs.. coppe, abiezer, 1619-1672. 1680 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b01989 wing c1996 interim tract supplement guide c.20.f.4[35] 99889854 ocm99889854 182705 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01989) transcribed from: (early english books online ; image set 182705) images scanned from microfilm: (early english books; tract supplement ; a4:2[35]) a character of a true christian. written by abiezar copp. the tune is, the fair nimphs.. coppe, abiezer, 1619-1672. 1 sheet ([1] p.). printed by t.d: sold by la. curtiss., london, : 1680.. verse: "a christian true doth love ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. christian life -poetry -early works to 1800. 2008-03 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 john pas sampled and proofread 2008-06 john pas text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a character of a true christian . written by abiczar copp . the tune is , the fair nimphs . love a christian true doth love his father that 's above , his brother that 's below . his friends , and eak his foe , the rich , the poor , the great , the small , the strong , the weak , he loveth all . self-denyal he still denyes himself , not greedily gripes for pelf , doth neither pole nor pill , his chests or barns to fill , his neighbours good , not goods , doth seek , he 's honest , harmless , loving , meek . humility . not pust in mind is he : all those of low degree , do never taste his scorn , the base , the vile , forlorn : he 's bounteous ; courteous , loving and kind ; to all he bears a gentle mind . stability . he still at home doth keep ; and his own door doth sweep ; doth not debase his mind , in seeking faults to find : he picks no hole in neighbours coat ; nor strives in 's ey to finde a mote , forbearance . his lamb-like spirit doth bear , he doth not fight nor tear , nor flounce , nor sling , nor fume ; but meekness doth perfume his soul , when he is injured ; captivity is captive led . mercy . his burning bowels yern ; from thence his eye doth learn ; to still some oyl of right into the wretched weight . his hand is fired by his heart , his substance to the poor to impart . charity . his charity is not small , it doth extend to all , the bad and eke the good : not like the formal mode , who none but their own sect endure , this is from the fountain pure . wisdom . he wisely walks to all , and to prevent a fall , he look before he leaps : a narrow watch he keeps ; when to speak , he well doth see ; and when silent he 's to be . peace . his principle is peace , in him all wars do cease , the sword and gown may stand , both distant from his land , he is endear'd to great and small , he lives in love and peace with all . obedience . he marcheth in the van , to each decree of man , for god's sake he subjects ; to all he yields respects , the prince of peace doth peace impart , he hates all plots with all his heart . freedom . the son hath made him free from aegypts slavery , from daily brick and task ; he needs no religious mask , through christ he all things doth and can ; he 's wholy the lords free man. patience . he bravely bears the cross , and sits down by the loss , when sabeans on him fall , and caldees take his all . not theie nor those , but god in heav'n ; he saith , hath taken as well as giv'n . content . soul-killing discontent , where by pure life is spent , and marrow melts away , with him it cannot stay : his soul in patience doth possess , for , evil and good the lord doth bless , resignation . for wholly he 's resign'd unto the unconfin'd ; god's pleasure is his law. of that he stands in aw . when self is swept away and gone , he sayes and lives , god's will be done . london printed by t. d : sold by la : curtiss . 1680. the youngmans careless wooing; and the witty maids replication; all done out of old english proverbs. : to the tune of, mars and venus. / this may be printed. r.p. 1680 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06774 wing y112 estc r186956 49521042 ocm 49521042 174257 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06774) transcribed from: (early english books online ; image set 174257) images scanned from microfilm: (early english books, 1641-1700 ; 2679:24) the youngmans careless wooing; and the witty maids replication; all done out of old english proverbs. : to the tune of, mars and venus. / this may be printed. r.p. r. p. 1 sheet ([1] p.) : ill. printed for p. brooksby at the golden ball in pye-corner, [london] : [1680?] date and place of publication suggested by wing. right side of sheet has title: the witty maids answer. contains 3 woodcut illustrations. reproduction of original in: bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-02 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-09 mona logarbo sampled and proofread 2008-09 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the youngmans careless wooing : and the witty maids replication ; all done out of old english proverbs . to the tune of , mars and venus . this may be printed . r. p. down in an arbour devoted to venus , unseen i heard , two fond lovers contend ; noting how cupid from business can wean us and yet their love , come to an unhappy end the blinded boy no victory wins , as you shall hear he now begins . i prethee sweetheart grant me my desire , for i am thrown as the old proverb goes , out of the frying-pan into the fire : and there is none doth pitty my woes , then hang or drown'd himself my muse for there is not a t — to choose . most maids are false tho some seem holyer yet i believe they are all of one mind , like unto like , quoth the dee'l to the collier : and they 'l prove true when the devil is blind , let no man yield to their desire for the burn'd child doth dread the fire . tell me not my love , as white as the dove is for you would say so if you saw her within shitten come shites the beginning of love is , and for her favour i care not a pin , no love of mine , she ever shall be , sirreverence of her company . i will no more in love by her hands shake let her go seek one that fits for her mind , you know what 's good for a sow as a pancake : and under such dirt , i 'le ne're be confin'd and he that hopes her love to win , resolves to run through thick and thin . tho' her disdainfulness my heart hath cloven yet am i of so gallant a mind i 'le ne'r creep in her arse to bake in her oven . for 't is an old proverb , cat after kind , and this i le say until i dye , farewel a be hang'd that 's i wis good buy . the witty maids answer . the silly maid drown'd in tears of vexation , sending to him whom she lov'd best of all ; such a sad sonnet so pester'd with passion tearing her hair to the ground she did fall , but rising up undauntedly she unto him made this reply . if i should grant unto thee thy desire without obtaining my mother good will then i 'm sure all the fat 's in the fire : i know what i think , and think i will still , my muse and yours are paltry elves they may go hang and drown themselves . thou may'st go follow thy sweetheart to norwich she is a lass that 's fit for your tooth , a sluts good enough to make slovens porridge and that was the reason yea left me forsooth ; but this i say , and will do still , 't is a good iack makes a good jill . i must confess that i loved thee well one day , but e're that thou sindst me do so again , thou shalt come kiss me where i sat on sunday we foolish maids put to much trust in men , for when we think we are in our heaven , you leave us all at sixes and seavens . thou only seekest to know where my stock is but stay by my troth , some are wiser than som● near is my petticoat , nearer my smock is , and thy entertainment shall be like iack drum for when my portion thou hast got , 't is need that makes the old wife trot . and thus to conclude upon our conferring , most men are as false , very few men are true they are neither fish , flesh , nor yet good red herring we must speak truth , give the devil his dew and this shall be my last reply go walk up out knave what care i. printed for p. brooksby at the golden ball in pye-corner . hickledy-pickledy: or, the yorkshire curates complaint. to the tune of alas, poor scholar, &c. t. p. 1665 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04663 14988994 wing p110a interim tract supplement guide c.20.f.4[97] estc r35088 99889998 ocm99889998 182767 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04663) transcribed from: (early english books online ; image set 182767) images scanned from microfilm: (early english books; tract supplement ; a4:2[98]) hickledy-pickledy: or, the yorkshire curates complaint. to the tune of alas, poor scholar, &c. t. p. 1 sheet ([1] p.). s.n., [london : 1665?] signed: by t.p. imprint suggested by wing. verse: "hush, poetaster, that abuse ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. pamphleteers -poetry -early works to 1800. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion hickledy-pickledy : or , the yorkshire curates complaint . to the tune of alas , poor scholar , &c. hush , poetasters , that abuse apollo , and blaspheme the muse ; that ( like the senator of worth ) conceive , and yet bring nothing forth : or , like that lyon-seeming ass , who ( in the name of hudibras ) fool of his penny hath beguil'd , and plaid at hot-cockles with wild : or like those pamphleteers , who ( last week ) canted in tone of prynne and bastwick ; filling the change with false tradition of chelmsford's vicar's circumcision , who lost his tithes , ( as story tells ) for he was guelt of nothing else . nor need we gouty doctor 's tongue , who got a pars'nage for a song ; chirping in phrase of robert wisdome , but since the first of august is dumb : whose antler fair as chimny-stock , whose cheeks as smoothe as punching-block ; whos 's shanks like dog-horse farsie-legs , whose teeth like crispins holly-pegs , and leather-ears , were all retainers to the right worshipful cordwainers : and besides this , his noping pate that speaks him famous huson's mate , ( this in the church , that in the state , did text as well as shooes translate ) we scorn . now fie of his unsav'ry drolls , with which he flie-blow'd bumpkins souls . but if the vertue of small-beer , christ'nings , and twen̄ty marks a year , can brain with fancy rich inspire , and teach an ass to tune a lyre , who felt for poetry , but mist her , laying his clutches on her sister hight poverty : and since that time , borrow'd in prose , and paid in rime : then listen , lordlings , unto one at gossipings yclep'd sir john ; who is no better nor no worse then lazy doctor 's stalking-horse ; tne lazy priest , who ( like to criple ) supports each arm with crutch of steeple ; and ( when his crazy bulk grows sick ) stumbles into a bishoprick . religious man ! who more condoles the want of tithes , then loss of souls ; and when both men and corn are mown , seeks not gods harvest , but his own : who plays with simoniack doxy , and in the pulpit speaks by proxy ; whilst curate poor , that bears the heat of morning , and the evening sweat ; and doth his congregation foster with ' postles creed , and pater noster ; dispensing ( in these times of dotage ) that which blind sectaries call pottage ; is slave to avaritious master , for rector rides on back of pastor . had i been presbyter , perhaps i might have wash'd my zealous chaps with blood of grape , and left the county to taste th' unconstant city's bounty ; and ( as to calamy it happens ) been strange decoy-bird to dead capons . thus might i graze ( like royal beast ) and never taste the wisemans feast : but tedious is the curate's way , for he must fast as well as pray : but if the parliament will smother one priest with cures , and starve another , the tott'ring clergy must submit to presbyter or jesuit : for liturgy will loose her glory 'twixt mass-book and the directory . by t. p. enfield common: or, the young damsel cured of the green sickness by a lusty gallant, vvho happen'd to meet her in the mid'st of enfield common. to an excellent new tune. lusty gallant. 1695 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b03301 wing e731 interim tract supplement guide c.39.k.6[35] 99887414 ocm99887414 182121 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03301) transcribed from: (early english books online ; image set 182121) images scanned from microfilm: (early english books; tract supplement ; a3:1[35]) enfield common: or, the young damsel cured of the green sickness by a lusty gallant, vvho happen'd to meet her in the mid'st of enfield common. to an excellent new tune. lusty gallant. 1 sheet ([1] p.). printed for charles bates at the sun and bible in pye-corner., [london] : [1695?] place and date of publication from wing. verse: "on enfield common i met a woman ..." printed in two columns. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 megan marion sampled and proofread 2008-10 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion enfield common : or , the young damsel cured of the green sickness by a lusty gallant , vvho happen'd to meet her in the mid'st of enfield common . to an excellent new tune . on enfield common i met a woman , a bringing of her water to the town , said i fair maiden , you 're heavy laden , i 'll light and give you ease in a green gown , says she , 't is good sir , to stir the blood sir , for the green-sickness , friend , will make me like it , then in a minute i left my ginnet , and went aside with her into a thicket , then with her leave there , a dose i gave her , she straight confess'd her sickness i did nick it . i went to leave her , but this did grieve her , for panting on the grass she did , complain , saying physician , my sick condition , i fear will suddenly return again , if you deny me , and don 't supply me , with many potions of your sweetest pleasure , then prithee gallant improve thy tallant , since we have opportunity and leisure , with such like greeting my pritty sweeting , she seem'd to press upon me out of measure . 't was summer weather , we sat together , and chatted all the pleasant afternoon , no one was near us , to over hear us , at length i said i 'd put my pipes in tune , to give a glister , with that i kiss'd her , she cry'd another fit does round me hover , with the green rushes i 'll vail my blushes , for in my cheeks i know you may discover , what 's my desire ; love never tire , for oh! i long , i long to be a mother . with that i told her , that i would hold her a guinea to a groat it should be so , in nine months after , a son or daughter , will be your lucky lot dear love i know , quoth she you vapour , and draw your rapour , but yet methinks too soon you seem to tire , i 'll lay a shilling if you are willing , that nine months hence i have not my desire , except you 'll venter , once more to enter , alas ! the name of mother i admire . because i 'd ease her , and fully please her , i took a lodging for my enfield lass , who was a beauty and knew her duty , the night we did in youthful pleasures pass , with melting blisses and charming kisses , on downy beds secure from wind or weather , and in the morning by days adorning , we ' rose and drank a glass of wine together , with joys i crown'd her , for then i found her , to have a heart far lighter than a feather . i having cur'd her , likewise assur'd her , if e're it was my luck to come that way , i 'd pawn my honour to call upon her , but for that time i could no longer stay ; the loving creature , of pure good nature , she gave me twenty kisses when we parted , because she never had found such favour , in loves soft pleasures to be so diverted , then straight i mounted , for why i counted , 't was time i had her company deserted . printed for charles bates at the sun and bible in pye-corner . the lovers battle, being a sore combat fought between mars and venus, at a place called cunney castle, under belly-hill. bold mars like to a warrier stout great brags did make in field but venus she gave him the rout. [sic] and forc't him for to yeild [sic], then mars drew out his rapier strong thinking to win the day but venus charg'd him so sore he was glad he got away. the tune is, the chorals delight. robins, thomas, fl. 1672-1685. 1676 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b05016 wing r1650b interim tract supplement guide c.20.f.8[302] 99887786 ocm99887786 183447 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05016) transcribed from: (early english books online ; image set 183447) images scanned from microfilm: (early english books; tract supplement ; a5:2[238]) the lovers battle, being a sore combat fought between mars and venus, at a place called cunney castle, under belly-hill. bold mars like to a warrier stout great brags did make in field but venus she gave him the rout. [sic] and forc't him for to yeild [sic], then mars drew out his rapier strong thinking to win the day but venus charg'd him so sore he was glad he got away. the tune is, the chorals delight. robins, thomas, fl. 1672-1685. 1 sheet ([1] p.) : ill. (woodcuts). printed for thomas passinger, [london : ca. 1676] signed: t.r. [i.e. thomas robins]. imprint suggested by wing. verse: "as i by chance abroad was walking ..." imperfect: trimmed, affecting imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-10 tcp assigned for keying and markup 2008-12 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the lovers battle , being a sore combat fought between mars and venus , at a place calle cunney castle , under belly-hill . bold mars like to a warrier-stout great brags did make in field but venus she gave him the rout . and forc't him for to yeild , then mars drew out his rapier strong thinking to win the day but venus charg'd him so sore he was glad he got away . the tune is , the chorals delight . as i by chance abroad was walking , under a pleasant shadow trée , there mars and venus i heard talking not thinking i had been so nigh , then i drew near and sate down by them they not thinking i had been so nigh them , for to hear their complementing and to see some jovial sport how mars fair venus there did court . said mars i am the god of battle i and master of the field , i love to hear the musquets rattle i am well armed with lance & sheild , oh i can make the world to wonder , and break the bands of peace asunder , i can conquer towns and nations , be they ne're so stout or strong bold mars can lay them all along . the stoutest he which ever drew rapier ; if mars do meet him in the field : though like a warrier he doth vapor i care not for his sphear or sheild , for i can make loud cannons thunder and i can cut his troops asunder , if my granad●'s i let fly sir , i will make the proudest foe to yeild or else by mars he dies in field . there is no town which in this nation no hall , nor tower , castle , nor fort , but i can soon make alteration if they delight with me to sport , for the strongest castle , town or tower i can conquer in an hour if close seige i once do lay too 't , my men will to me stoutly stand and soon the same we can command . bold mars i think you do but vapor a challenge with you i will make a castle i know defies your rapier your men and you cannot it take , if that you please but for to try it your men and you must dearly buy it e're you do gain the fort or castle , you will be fore't for to retreat for 't is thrée to one you will be beat . venus come show to me that favor , to let me know where this castle doth stand i will not rest till won i have her and make her yield at my command , this castle i pray thee let me know it and the ready way to go unto it , and i will thank you for your pain , for close siege i will lay out right and i vow to storm it day or night . the ready way unto this castle i can direct you very well , for through thigh alley you must rattle if i the truth to you must tell , hard by bum-lane if you do but mind it vnder belly hill there you may find it this castle is well fortifi'd if you against it siege do lay it is three to one you't heat away . then in a rage mars drew his rapier and vowed this castle he would take , so up thigh alley he did viper , and towards bum-lane he strait did make , vnder belly-hill he found a center where his lance soon did enter , clap to clap to mars then cry'd , and close siege with his men he lay but in the end bold mars did loose the day . for venus boldly did so charge him with service hot in open field , by her valor stout she almost scar'd him which made him and his men to yeild , how now bold mars stout venus cry'd the battle is mine who dare deny it i thought bold mars you did but vapor , for no such courage i can see so she kickt mars out of her centere . when mars he see he was so beaten he took his leave with venus fair , in a rage these words he fell a speaking my lance is spoyl'd i greatly fear , farewel thigh la●e where i first did enter farewel bum alley and belly hill center , and farewel venus castle fair , i never will come at thée again for i have lost my labor and my pain . by t. r. the popes pedigree: or, the twineing of a wheelband, shewing the rise and first pedigrees of mortals inhabiting beneath the moon. being a most pleasant and new song. it is a well twined wheelband, the like whereof you never heard, but now shall plainly understand the twineing of the wheelband. to a pleasant new tune, or, london is a brave town. m. p. (martin parker), d. 1656? 1679-1691? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04901 wing p444 interim tract supplement guide c.20.f.8[256] interim tract supplement guide c.20.f.10[67] 99888148 ocm99888148 183409 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04901) transcribed from: (early english books online ; image set 183409) images scanned from microfilm: (early english books; tract supplement ; a5:2[200]; a6:2[67]) the popes pedigree: or, the twineing of a wheelband, shewing the rise and first pedigrees of mortals inhabiting beneath the moon. being a most pleasant and new song. it is a well twined wheelband, the like whereof you never heard, but now shall plainly understand the twineing of the wheelband. to a pleasant new tune, or, london is a brave town. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. (woodcuts) printed for j. conyers in duck-lane [near the hospital-gate, in west-smithfield, [london] : between 1679-1691] attributed to martin parker by wing. place and date of publication suggested by wing. verse: "a beggar got a beadle ..." item at a5:2[200] imperfect: trimmed and lacking imprint. item at a6:2[67] imperfect; stained. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the popes pedigree : or , the twineing of a wheelband , shewing the rise and first pedigrees of mortals inhabiting beneath the moon ▪ being a most pleasant and new song . it is a well twined wheelband , the like whereof you never heard , but now shall plainly understand . the twineing of the wheelband . to a pleasant new tune , or , london is a brave town . a begger got a beadle , a beadle got a yeomen , a yeoman got a prentice a prentice got a freeman , a freeman got a master , a master got a lass , on her was got a gentleman a justice of the peace . so twin'd the wheelband , the well twin'd wheelband , the like whereof you never heard the twineing of the wheelband the justice he was rich and noble in desire , he married with a lady , and so begat a squire , the squire got a knight who is country quire forsook , to travel into france and there begat a duke . so twin'd the wheelband , the well twin'd wheelband , the like whereof you never heard , the twineing of the wheelband . the duke begat a prince , the prince a king of hope , the king begat the emperor , the emperor got the pope . the pope begat a fryer , the fryer begot the nun , and so you may hear how their pedigrees begun , 't is a well twin'd wheelband , the like whereof you never heard , but now shall plainly understand , the twineing of this wheelband . the nun she chanc'd to slumber , and laying bare her rump , the ball'd pate fryer bob'd her , and so begat a monk. the monk begat a daughter who could both lye and huff , she married to a barrister , and quickly got a ruff. so twin's &c , the ruff it took good counsel , good counsel got a fee , the fee begot a serjant , thus runs the pedigree . the serjant got a triple cap which a good lawyer spoil'd , by getting ease and gout , he once more got a child . so twin's &c. a dog he got a bayliff , who cerbrus like could roar , and dayly hunt a bout the town to terrify the poor , the bayliff got a turnkey , the turnkey got a jaylor , who hell-hound like do suck the blood of those the bums do hail there . so twines &c. the jaylor got an under sheriff , the under got an upper , who can fright a country town by shaking of his crupper , he married to a virgin that was of some renown , and plying on her briskly begot a scarlet gown , so twin'd &c. the gown is got a merchant who sending ships to sea , by bringing o're uncustom'd goods , grew rich immediately , he strideing of a boat swains wife , wo became a captain by sighting very hot , so twin'd &c. the captain got a collonel , the collonel he was tall , and by leaping trenches became a general the general was eager in pursuit of fame , and in a little space begat a dreadful name , so twined &c. and thus may you see now how are since adams time the pedigrees ran round as the wheelband did twine , from the lowest to the highest and then back again , in continual motion this wheelband does remain , so merrily twin'd the wheelband the well twined wheelband , by this you may plainly understand the twineing of this wheelband . a true relation of a notorious cheater one robert bullock lately done in oxford, to prevent the like. to the tune of, and for my offence i shall die, or, for the losse of my goods. 1663 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a59654 wing s3101 estc r221106 99832475 99832475 36948 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a59654) transcribed from: (early english books online ; image set 36948) images scanned from microfilm: (early english books, 1641-1700 ; 2059:11) a true relation of a notorious cheater one robert bullock lately done in oxford, to prevent the like. to the tune of, and for my offence i shall die, or, for the losse of my goods. shenton, francis, attributed name. [4] p. : ill. (woodcut) s.n., [london : 1663] imprint from wing. in verse. signed at end: by one of oxford = francis shenton. with woodcut illustrations on pages [2] and [4]. wood notes that the writer was 'francis shenton a drunken and broken apothecary living in the parish of s. pet.-in-the-baylie. this cheat was committed in nov. 1663 & in the same month this ballad was published' -cf. madan. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng bullock, robert, fl. 1663 -early works to 1800. ballads, english -17th century. 2008-01 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a true relation of a notorious cheater one robert bullock , lately done in oxford , to prevent the like . to the tune of , and for my offence i shall die , or , for the losse of my goods . oh fine cheat. come listen all good people , and here what i can tell , my name is robert bullock , at che●tington i dwell , for rougery in oxford , all others i 'le excell , and for mine offence i did flie . that famous ancient city , i lately entered in , to cheat them by the dozens , i thought it no great sin : and to relate particulars , i 'le willingly begin . and for , &c. a wife and a great portion i did pretend to have , and thereupon i must have all things fine and brave : i did dissemble with them much like a cheating knave , and for , &c. i took of a rich widdow , a house and shop so fair , that workmen of all sorts ●nto me did repair , and for their best contrivance , i left it to their care , and for , &c. spoons and plates , all silver , of a goldsmith i procured , and a great silver tankard , which ban●ers booke assured , my yes and nays , were not to be endured . and for &c. a shute and a fair cloak , i am sure i had of one , whose name i have forgot ; no matter let it alone , to me hereafter , let them make their moan , and for , &c. a good man a rich sadler , for my custome courted me , both pillion-cloth and bridle , were at my service free , with combes , for boots & shoos i quickly did agrée , and for mine offence i did flie . my wedding gloves i bought , of honest t homas bland , my brass and eke my pewter i had serv'd me out of hand , and all poor prices bodis●… were at my own command . and for mine offence i did flie , my empty rooms were furnisht , with all upholdsterers ware , both beds and all things else i left to thurstons care , and when i pay my debts , then he shall have his share , and for , &c. bedsteds , and tables , and many a days work to , i had of a wooden ioyner , who for the same did sue as most that i have cheated , and now they have time to rue , and for , &c. i had of cox the matt man , of several sorts , five chairs , and r●ggs of bridewel kéeper , mixt with the finest hairs , and blankets from a wit●y man who had rather lost his ears , and for , &c. i was a general marchant , for buttons i did trade , i cheated brother jennings , and a pure virgin maid , my carriage was so wary , th●re's none could me upbraid , and for , &c. all sorts of several workmen , that i in his employ'd , i paid them all alike , diss : ention to avoid : if they no better master masters have , they 'l quickly be ststroy'd , and for , &c. there 's two that did escape , from my intended plot , that 's honest roger frye , and gardiner the s●ot , i am contented with it , séeing it was their lot , and for , &c. i gave each what the asked , for their commodity , a made what rrady monies , i could at banbury , and then with edward bartlet for carriage did agree , and for , &c. i hired a good horse , in holly-well of one , may add a great repentance ( unto his penance done ) that such a rogue and villain , with his horse away is run , and for , &c. and when i came to london , that noble and great city , i cheated all my carriage ; it being not much pity that all should loose by me , so ends my ditty . and for mine offences i did flie . by one of oxford . a pleasant new song between a seaman, and his love. shewing, though at the first in misery his time he spent he met his love at last, with joy and sweet content. the tune is robin the devil. birket, cuthbert. 1670 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01662 wing b2974 interim tract supplement guide c.20.f.7[481] 99884557 ocm99884557 183171 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01662) transcribed from: (early english books online ; image set 183171) images scanned from microfilm: (early english books; tract supplement ; a5:1[255]) a pleasant new song between a seaman, and his love. shewing, though at the first in misery his time he spent he met his love at last, with joy and sweet content. the tune is robin the devil. birket, cuthbert. 1 sheet ([1] p.) : ill. s.n., [london : 1670?] signed: by cuthbert birket. imprint suggested by wing. verse: "when sol could cast no light ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a pleasant new song between a seaman , and his love. shewing , though at the first in misery his time he spent he met his love at last , with joy and sweet content . the tune is robin the devil . when sol could cast no light , but darkned over , and the dark vayles of night the sky doth cover : a river running by where ships were sayling , a pretty maid i spy'd , weeping and wailing . i stept unto her , and said , sweet-heart what grieves thee ? she quickly answer made , none can relieve me : my dear by force , quoth she , in wars doth wander , long absence makes me mourn , death is commander . this seven long years and more he me affected , we parted on the shore with hearts contracted : he promised to turn again , if god life lent him , which makes me sigh and mourn death hath prevent him . a man then comming by , struck her amazed , gave her a token rare , on which she gazed : is my love come , quoth she , doth he come near me ? but still the man reply'd , be pleased to hear me . your love and i did fight under one banner , maintaining england's right , purchasing honour : till he receiv'd a blow , your hopes being ●ur●ed , there he got his deaths stroke , not to be cured . witness i can afford , no man stood néerer , i saw him singled out , here stands the bearer : pressing among the throng , with resolution ; his enemies so strong wrought his confusion . 〈…〉 dear receiv'd a stroke , and his brain broken , these words then he spoke , carry this token ●o she whom i affect , and none more dearer , 〈…〉 shing her to respect , and love the bearer . ●our dear in grave doth lye in sumptuous manner , where we will let him lye , in beb of honour : 〈…〉 his right i am sent , ●our love to crave it , his last testament , sweet shall i have it . mad , like one in despair , fuming and fretting , she mourns and tears her hair , on her breast beating : my d●steny i may ban , and all that hears me , still crying to the man , do not come near me . this for an answer take , what ever chances , i will mourn for his sake , and mine offences : sad black shall be my weed , like to my fortune , ●ence it doth cut the thread , and my life shorten . like to phenelephe's joy , or the sad queen of troy , so she cry'd out this day , i am bereft of joy , and never man again , shall company bear me , still crying with disdain , do not come near me . of all his former love , he me assured , by all the powers above , he me conjured : of all his promise made , when we last parted , to me he gave his right , be not faint-hearted . his garments he threw off , which him disguised , that when she knew her love , lord how she praised : betwixt sad joy and mirth rose such a passion , which caus'd no great deni●● unto the question . sweet heart come tell m● since our first meeting , how i did act my part in counterfeiting ? neat and brave , sir , you might gain ri●●● if you could dol● as well as spe●● thrice happy be the w 〈…〉 that hither broug●● more happy be the 〈…〉 on shore did land 〈…〉 welcome to me , she 〈◊〉 then fair alexander , or ever hero was unto leander . like to penelope 〈…〉 to wanton venus , my love , kind heart , to thee shall be ingenious : welcome to me , she said , then fair amarillis , or ever worthy guy was to fair phillis . when pastime it was done , and all things neatly , with joy they came along , s●inging this ditty ; singing most jovely till they were weary , thou hast been long away , wellcome home deary , by cuthbert birket . finis . the wandring jews chronicle: or the old historian his brief declaration made in a mad fashion of each coronation that past in this nation since william's invasion for no great occasion but meer recreation to put off vexation to the tune of, our prince is welcome out of spain. wandring jews chronicle. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08988 of text s119915 in the english short title catalog (stc 19279). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08988 stc 19279 estc s119915 99855121 99855121 20594 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08988) transcribed from: (early english books online ; image set 20594) images scanned from microfilm: (early english books, 1475-1640 ; 1525:24) the wandring jews chronicle: or the old historian his brief declaration made in a mad fashion of each coronation that past in this nation since william's invasion for no great occasion but meer recreation to put off vexation to the tune of, our prince is welcome out of spain. wandring jews chronicle. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for francis grove on snow-hill, london : [1660?] signed: m.p., i.e. martin parker. a ballad. suggested publication date from stc. not an stc item--stc. verse "when william duke of normandy". reproduction of the original in the bodleian library. eng ballads, english -17th century. a08988 s119915 (stc 19279). civilwar no the wandring jews chronicle: or the old historian his brief declaration made in a mad fashion of each coronation that past in this nation si m. p 1655 1051 4 0 0 0 0 0 38 d the rate of 38 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the wandring jews chronicle : or , the old historian his brief declaration made in a mad fashion of each coronation that past in this nation since williams's invasion for no great occasion but meer recreation to put off vexation . to the tune of , our prince is welcome out of spain . william conq. portrait of william the conqueror will : rufus . portrait of william rufus henry ●… . portrait of king henry i stephen . portrait of king stephen henry 2. portrait of king henry ii richard 1. portrait of king richard i john . portrait of king john henry 3. portrait of king henry iii edward 1. portrait of king edward i edward 2. portrait of king edward ii edward 3. portrait of king edward iii richard 2. portrait of king richard ii henry 4. portrait of king henry iv henry 5. portrait of king henry v henry 6. portrait of king henry vi edward 4. portrait of king edward iv edward 5. portrait of king edward v richard 3. portrait of king richard iii henry 7. portrait of king henry vii henry 8. portrait of king henry viii edward 6. portrait of king edward vi q. mary portrait of queen mary i q. elizabeth . portrait of queen elizabeth i k. james . portrait of king james i k. charles . portrait of king charles i q. mary . portrait of queen henrietta maria (wife of charles i) when william duke of normandy with all his normans gallantly this kingdome did subdue ; full fiftéen years of age i w●s , and what ere since hath come to pass i can report for true . i can remember since he went from london for to conquer kent , where with a walking wood the men of kent compassed him and be for aye confirm'd to them k●ng edward laws for good . likewise i william rufus knew and saw the arrow that him slew hard by a forrest side : 〈◊〉 well could tell you if i list , or better tell you if i wist , who next to him did ride . 〈◊〉 henry i , and stephen knew ●…hen no man here but i did view ; i saw them crown'd and dead i can remember well also the second henries royal show that day that he was wed . i likewise was at woodstock bowre , and saw that swéet and famous flower quéen elenor so did spight . i found the clew of thréed again , after that worthy knight was slain 'twas gréen , blew , red and white . i saw king richard in his shirt pull out a furious lions heart whereby his strength was tryd , i saw king john when as the munk gave him the poyson which he drunk , and then forsooth he died . i marke the barons when they sent for the french dolphin , with intent to put third henry down : i saw the earl of leicester stout ( call'd simon mounford ) with his tent besiege fair london town . and i have the first edward séen whose legs i still thought to have béen a yard and more in length : with him i into scotland went and back again incontinent which hée subdued by strength . i knew canarvans minion déer , and saw the fall of mortimeer , with all the barons wars : and likely was to have béen shent at burton battel upon trent , where i receiv'd these skars . third edward and his valiant son by whom such feats of arms were done i saw on cressey plain , which day when bows and arrows kéen grew scant , with migh'y stones i wéen were many french-men slain . i knew wat tyler , and jack straw , and i the mayor of london saw in smithfield which him slew , i was at pomfreet castle when the second richard there was slain , whose death ere since i rue . i saw when henry bullenbrook the crown and scepter on him took which he became full well ; i saw when henry hotspur he and many lords at shrewsbury were slain in battel fell . i saw the brave victorious prince ( whose death i have bewail'd ere since ) henry the fifth i mean , and i can give you just report how many french at agencourt were in one battel slain . i saw the white and red rose fight and warwick great in armour bright in the sixth henries raign and present was that very hour when henry was in london tower by crookt-backt richard slain . i in a gold-smith shop have séen fourth edwards famous concubine whose name was fair jane shore ; i saw when richard truelly did put her to great misery , and i was griev'd therefore . also i was at bosworthfield well armed there with spear and shield , meaning to try my force : where richard losing life and crown was naked born to leicester town upon a colliers horse . to the seventh henry then i was a servant , as it came to pass , to serve him at his néed ; and while i did in court remain , i saw in the eighth henries raign fully many great men bléed . i as a souldier bold with him o're neptunes curled breast did swim unto the realm of france ; i help'd to ransack bulloin town and many places of renown , yet home i came by chance , i knew sixth edward of a childe whose countenance was very milde , a hopeful prince hee was . i knew quéen mary in her raign put protestants to mickle pain , and re-set up the mass . and ( to my comfort ) i have séen elizabeth that maiden quéen , quéen maries onely sister , though she raign'd four and forty years her subjects shewed well by their tears that they too soon had mist her . i saw king james come from the north , like to a star that shineth forth to glad the peoples fight , he brought a salve to cure our wound , and made great britain safe and sound through equity and right . hee was in truth a prince of peace and made all former jars to cease 'twixt english men , and scots ; the english men sung merry sonnets , the scots did throw up their blew bonnets , for joy of their good lots , from him by lineal right did spring this happy charles our royal king and now to make conclusion i wish him and his gracious quéen and princely off-spring may be séen until earths dissolution . m. p. finis . london printed for francis grove on snow-hill . entered according to order . neptunes raging fury, or, the gallant sea-mens sufferings. being a relation of their perils and dangers, and of the extraordinary hazards they undergo in their noble adventures. together with their undaunted valor, and rare constancy, in all their extremities. and the manner of their rejoycing on shore at their return home. to the tune of, when the stormy windes doe blow. / by j.p. j. p. this text is an enriched version of the tcp digital transcription b04898 of text r181454 in the english short title catalog (wing p441f). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04898 wing p441f estc r181454 47012566 ocm 47012566 174533 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04898) transcribed from: (early english books online ; image set 174533) images scanned from microfilm: (early english books, 1641-1700 ; 2691:18) neptunes raging fury, or, the gallant sea-mens sufferings. being a relation of their perils and dangers, and of the extraordinary hazards they undergo in their noble adventures. together with their undaunted valor, and rare constancy, in all their extremities. and the manner of their rejoycing on shore at their return home. to the tune of, when the stormy windes doe blow. / by j.p. j. p. 1 sheet ([1] p.) : ill. printed by t. mabb, for ric. burton ..., london, : [between 1650 and 1665] contains 3 illustrations. date of publication suggested by wing (2nd ed.) right half-sheet contains: the second part, to the same tune. reproduction of original in: university of glasgow. library. eng ballads, english -17th century. sailors -great britain -poetry. broadsides -england -17th century. b04898 r181454 (wing p441f). civilwar no neptune's raging fury, or, the gallant sea-mens sufferings. being a relation of their perils and dangers, and of the extraordinary hazards t [parker, martin] 1650 821 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion neptunes raging fury , or , the gallant sea-mens sufferings . being a relation of their perils and dangers , and of the extraordinary hazards they undergo in their noble adventures . together with their undaunted valour , and rare constancy , in all their extremities . and the manner of their rejoycing on shore at their return home . to the tune of , when the stormy windes doe blow . by j.p. you gentle men of england that lives at home at ease , full litle doe you think upon the dangers of the seas ; give ear unto the marriners , and they will plainly show , the cares and the feares , when the stormy windes doe blow . all you that will be sea-men , must bear a valiant heart , for when you come upon the seas you must not think to start ; nor once to be faint hearted in haile , rain nor snow ; nor to shriek , nor to shrink , when the stormy winds doe blow , the bitter storms and tempests poore sea-men must endure , both day & night , with many a fright we seldome rest secure : our sléep it is disturbed , with visions strange to know , and with dreams on the streams , when the stormy winds doe blow . in claps of roring thunder , which darknesse doth enforce , we often finde our ships to stray beyond our wonted course , which causeth great distractions , and sincks our hearts full low ; t is in vain to complain when the stormy winds do blow . sometimes in neptunes bosome , our ships is tost with waves ; and every man expecting the sea to be their graves . then up aloft she mounteth , and down again so low : t is with waves , o with waves ! when the stormy winds doe blow . then down we fall to prayers , with all our might and thought when refuge all doth faile us , t is that must bear us out : to god we call for succour , for he it is we know that must aid us , and save us when stormy windes doe blow . the second part , to the same tune . the lawyer and the usurer , that sits in gowns of firr , in closets warm , can take no harm , abroad they need not stirre , when winter fierce with cold doth pierce and beats with haile and snow , we are sure to endure , when the stormy windes doe blow . we bring home costly merchandize and iewels of great price , to serve our english gallantrie , with many a rare device , to please the noble gentry our pains we freely show , for we toyle , and we moyle , when the stormy windes doe blow . we sometimes saile to th' indies , to fetch home spices rare : sometimes again , to france & spain for wines beyond compare , whilest gallants are carousing in taverns on a row ; then we sweep o're the deep , when the stormy windes do blow . when tempests are blown over and greatest fears are past ; in weather faire , and temperate aire we straight lye down to rest ; but when the billows tumble , and waves doe furious grow : then we rowse , up we rowse , when the stormy windes doe blow . if enemies oppose us , when england is at wars with any forreign nations we fear not wounds and scars : our roring guns shall teach them our valour for to know , whilest they reele , in the keele , when the stormy winds doe blow . we are no cowardly shrinkers , but english-men true bred we 'le play our parts , like valiant hearts and never fly for dread : we 'le ply our busines nimbly when ere we come or go , with our mates , to the straits , when the stormy winds doe blow . then courage all brave marriners , and never be dismaid , whilest we have bold adventurers we ne're shall want a trade : our merchants will imploy us , to fetch them wealth i know : then to be bold , work for gold , when the stormy winds doe blow , when we return in safety , with wages for our pains : the tapster and the vintener will help to share our gains : wee 'le call for liquor roundly , and pay before we goe ; then we 'le rore , on the shore , when the stormy windes doe blow . finis . london , printed by t. mabb , for ric. burton , at the horse-shoe in smith-field the mad mans morrice wherin you shall finde his trouble and grief, and discontent of his minde, a warning to yong men to have a care, how they in love intangled are. to a pleasant new tune. crouch, humphrey, fl. 1635-1671. 1637 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a19648 stc 6074a estc s116442 99851658 99851658 16944 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19648) transcribed from: (early english books online ; image set 16944) images scanned from microfilm: (early english books, 1475-1640 ; 1601:03) the mad mans morrice wherin you shall finde his trouble and grief, and discontent of his minde, a warning to yong men to have a care, how they in love intangled are. to a pleasant new tune. crouch, humphrey, fl. 1635-1671. 1 sheet ([1] p.) : ill. printed for richard harper in smithfield, london : [1637?] verse "heard you not lately of a man,". signed at end: humfrey crowch. publication date conjectured by stc. in two parts; woodcut illustration at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion the mad mans morrice . wherein you shall finde his trouble and grief , and discontent of his minde , a warning to yong men to have a care , how they in love intangled are . to a pleasant new tune . heard you not lately of a man , that went beside his wits , and naked through the stréets he ran . wrapt in his frantick fits ? my honest neighbours it is i , hark how the people flout me : sée where the mad man comes they cry , with all the boyes about me . into a pond stark nak'd i ran and cast my clothes away sir , without the help of any man made shift to run away sir. how i got out , i have forgot , i do not well remember , or whether it was cold or hot , in iune , or in december , tom bedlam's but a sage to me , i speak in sober sadnesse , for more strange vistons do i sée . then he in all his madnesse . when first this chance to me befell , about the market walkt i. with capons feathers in my cap. and to my self thus talkt i. did you not sée my loue of late , like titan in her glory ? do you not know she is my mate , and i must write her story , with pen of gold on silver leafe , i will so much befriend her ; for why , i am of this belief , none can so well commend her . saw you not angels in her eys , while that she was a speaking , smelt you not smels like paradise , betwéen two rubies breaking ? is not her hair more pure then gold , or finest spiders spinning ? me thinks , in her i do behold , my ioys and woes beginning . is not a dimple in her chéek , each ●ye a star that● starting , is not all grace install'd in her , each step all ioys imparting ? me thinks i see her in a cloud , with graces round about her : to them i cry and call alowd i cannot live without her . the second part to the same tune . then raging towards the skie i rore , thinking to catch her hand , o then to love i call and cry , to let me by her stand , i look behind and there i sée my shadow me beguile , and wish she we●e as néer to mée , which makes my worship smile . there is no creature can compare with my beloved nancy . thus i build castles in the aire , this is the fruits of fancy . my thoughts mount high above the skie , of none i stand in aw , although my body here do lie upon a pad of straw . i was as good a harmlesse youth before base cupid caught me , or his own mother with her charms into this cage had brought me . stript and whipt now must i be in bedlam bound with chains : good people all , now you may sée what love hath for his pains . when i was yong as others are with gallants did i flourish . o then was i the properest lad that was in all the parish ! the bracelets which i us'd to weare about my arme so tender are turned now to iron plates , about my body slender . my silken sates do now decay . my caps of gold are vanisht . and all my friends do west away , as i from them were banisht , my silver cups are turn'd to earth , i 'm séer'd by every clown , i was a better man by birth , till fortune cast me down . i 'm out of frame and temper too , though i am somthing chéerfull , oh this can love and fancy do , if that you be not carefull ! o set a watch before your eyes , lest they betray your heart , and make you slaves to vanities , to act a mad mans part . declare this to each mothers sonne , unto each honest lad , let them not do as i have done , lest they like me grow mad , if cupid strike , be sure of this , let reason rule affection , so shalt thou never do amisse , by reasons good direction . i have no more to say to you , my kéeper now doth chide me , now must i bid you all adew , god knows what will betide me , to picking straws now must i go , my time in bedlam spending . good folks you your beginning know but do not know your ending . humfrey crowch . finis . london , printed for richard harper in smithfield . an excellent sonnet of the unfortunate loves, of hero and leander tune of, gerards mistris. crouch, humphrey, fl. 1635-1671. 1674 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b02508 wing c7278 estc r216113 99827865 99827865 174343 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02508) transcribed from: (early english books online ; image set 174343) images scanned from microfilm: (early english books, 1641-1700 ; 21232:150-151; 2685:10) an excellent sonnet of the unfortunate loves, of hero and leander tune of, gerards mistris. crouch, humphrey, fl. 1635-1671. 1 sheet ([1] p.) : ill. printed for f. coles, t. vere, and j. wright, [london] : [ca. 1674] verse "how fares my fair leander, i vouchsafe to speak,". singed at end: h. crouch. place of publication from wing, which estimates 1663-1674 as publication date. reproduction of the originals in: british library (reel 2123.2:150-151); university of glasgow library (reel 2685:10). created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-06 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-08 mona logarbo sampled and proofread 2008-08 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion an excellent sonnet of the unfortunate loves , of hero and leander . tune of , gerards mistris . hero how fares my fair leander , o vouchsafe to speak , lest my heart break , i banisht am from thy sweet company , t is not thy fathers anger can abase my love , i still will prove thy faithful friend until such time i dye , though fate and fortune doth conspire , to interrupt our love in spight of fate and fortunes hate , i still will constant prove , and though our angry friends in malice , now our bodies parts nor friends nor foes , nor scars nor blows , shall seperate our hearts . leander . what voice is this that calls leander from her bower , from yonder tower , the eccho of this voice doth sure proceed , hero. leander . t is thy hero fain would come to thee , if it might be , thy absence makes my tender heart to bleed , but oh this pleasant river hellisponce , which is the peoples wonder those waves so high doth injury , by parting us asunder . and though there 's ferry men good store yet none will stand my friend , to waft me o●re to that fair shore , where all my grief shall end . leander . hero , though i am thy constant lover still and ever will , my angry father is thy enemy , he still doth strive to keep 's asunder now and then , poor ferry men they dare not waft thee over lest they dye , nor yet dare they convey me unto my dear ●ero now my fathers rage will not asuage , nor will the same allow , be patient then dear hero now as i am true to thee , even so i trust thou art as just , and faithful unto me . hero. is there no way to stay an angry fathers wrath , whose fury hath bereav'd his child of comfort and content , leander . o no , dear hero there 's no way that i do know , to ease my woe , my days of joy and comfort now is spent , you may , as well go fame a lyon in the wilderness , as to perswade my fathers aid , to help me in distress , his anger and his river hath kept us asunder long , he hath his will , his humour still , and we have all the wrong . hero. t is not thy fathers anger , nor this river déep , the which shall keep , me from the imbracements of my dearest friend for through this silver stream , my way i mean to take , even for thy sake , for thy dear sake my dearest life i 'le spend , though waves and winds should both conspire , mine enemies to be , my lov 's so strong , i fear no wrong can happen unto me : o meet me in thy garden , where this pleasant river glides , lend me thy hand , draw me to land , what ever me betides . now must i make my tender slender arms my oars , help watry powere , yea little fishes teach me how to swim , and all ye sea-nimphs guard me unto yonder banks , i 'le give you thanks bear up my body , strengthen every limb , come leander now prepare thy lovely arms for me , i come dear love , assist me love , i may so happy be , but oh ! a mighty tempest rose , and he was drown'd that tide , in her fair sight , his hearts delight , and so with grief she dy'd . but when her aged father these things understands , he wrings his hands , and tears his hoary hair from off his head , society he shuns and doth forsake his meat , his grief 's so great , and oft doth make the lowly ground his bed , o my leander would that i had dy'd to save thy life , or that i had when i was sad , made thee brave hero's wife , it was my trespass , and i do confess i wronged thee ; posterity shall know hereby , the fault lay all in me . but since the waves have cast his body on the land , upon the sand , pis corps shall buried be in solemn wise , one grave shall serve them both , and one most stately tomb , she 'l make him rome , although her corps be breathless where she lies ye fathers have a special care now , whatsoe'r you do , for those that parts true loyal hearts , themselves were never true . though fate and fortune cresse poor lovers , sometimes as we know , pray understand , have you no hand even in their overthrow . h. crouch . finis . printed for f. coles , t. vere , and j. wright . seldome cleanely, or, a merry new ditty, wherein you may see, the tricke of a huswife, in every degree ... : to the tune of, vpon a summers time. l. p. (laurence price), fl. 1625-1680? 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a10071 stc 20322 estc s1646 20243677 ocm 20243677 23917 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10071) transcribed from: (early english books online ; image set 23917) images scanned from microfilm: (early english books, 1475-1640 ; 1712:14) seldome cleanely, or, a merry new ditty, wherein you may see, the tricke of a huswife, in every degree ... : to the tune of, vpon a summers time. l. p. (laurence price), fl. 1625-1680? 1 broadside : ill. printed for iohn wright junior, dwelling at the upper end of the old baily, london : [1635?] signed at end: l.p. date of publication suggested by stc (2nd ed.). without music. reproduction of original in the university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 emma (leeson) huber sampled and proofread 2007-09 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion seldome cleanely or , a merry new ditty , wherein you may see , the tricke of a huswife , in every degree : then lend your attention while i doe unfold , as pleasant a story as you have heard told , to the tune of , vpon a summers time . draw néere you countrey girles , and ●●ssen unto me , i le tell you here a new conceit concerning huswifery , concerning huswifery , thrée aunts i had of late , good huswifes all were they : but cruell death hath taken the best of them away , o the best of them away . o this was one of my aunts , the best of all the three : and surely though i say it my selfe a cleanly woman was she , a cleanly woman was she . my vncle carelesse was , in wasting of his store : which made my aunt to have a care to looke about the more , to looke , &c. ●hen winter time drew on , nee●e to ●lthollon day : my aunt did cash her wits about to save her straw and hay , to save , &c. and like a provident woman , as plainely did apeare : she starv'd her bullockes to save her hay , vntill another yeare , o this was one of my aunts , the best of all the three , and surely though i say 't my selfe a provident woman was shee . but as shée went to fée her cattell in the fields : when shee comes home two pound of durt , hang d●ngling at her heeles , o this was one of my aunts , &c. and there shée let it hang from candlemas till may : and then shée tooke a hatchet in hand , and chopt it cleane away , o this was one of my aunts , &c. in making of a chéese my aunt shewed her cunning : such perfit skill shée had at will , shée never used running , o this was one of my aunts , &c. for having strained her milke . in turning once about , shée had the best curd that ever you saw , by the sent of the strayning clout , o this was one of my aunts , the , &c. the second part , to the same tune . shée was the choysest nurse , that lived in all the west : her face was white as the charcoale flower so was her neck and brest , o this was one of my aunts , the best of all the three and surely though i say 't my selfe , a cleanly good nurse was she . the garments which she did weare , did shine like the br●zen crock ▪ and where shée went she bore such a sent , that ●he flyes b●ew in her frock , o this was one of my aunts , &c. my aunt so cu●ious was , as i to you may tell ▪ shee u●ed to make ●at puddings , in markets for to sell o this was one of my aunts , &c. the smallest candles end , my aunt would never loose : it would helpe to make her puddings fat , with the droppings of her nose , o this was one of my aunts , &c. another trick she had , as i shall ●ow declare , shée never swept the house , about some times a yeare , o this was one of my aunts , &c. and when shée swept the hall , the parlor or the spence : the dust was worth to her at least , a shilling or 14. pence o this was one of my aunts , the , &c. one day my aunt was set by the fier si●e a spi●ning : as she knew well what was to doe , to wollen or to linnen , o this was one of my aunts , &c. a change came in her minde , her worke being in great hast : she burn'd her tow her whéele and all , because she would make no wast , o this was one of my aunts , &c. my aunt so patient was , of this i dare be bold that with her neighbours shée was never knowne to scold , o this was one of my aunts , &c. her lips with lothsome words , shee seldome would defile : but sometimes she would whisper so loud , you might heare her halfe a mile , o this was one of my aunts , &c. yet one condition more , unto you i will thow : shee washt her dishes once a moneth , and set them on a row , o this was one of my aunts , &c. if other wise she had , but of a dishclout faile , she would set them to the dog to lick . and wipe 〈◊〉 with his tayle . o this was one of my aunts , &c , but to conclude in hast , i hold it not amisse : i love a cleanly huswife well , as may appeare by this , o this was one of my aunts , the best of all the three and surely though i say 't my selfe , a cleanely woman was she . l. p. finis . london printed for iohn wright junior , dwelling at the upper end of the old baily . a man cannot lose his money, but he shall be mockt too, or, suttle mals loue to simple coney, to make him an asse to spend his money to the tune of oh no, no, no, not yet / [by] m.p. m. p. (martin parker), d. 1656? 1625 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08967 stc 19252.5 estc s5122 38160683 ocm 38160683 29292 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08967) transcribed from: (early english books online ; image set 29292) images scanned from microfilm: (early english books, 1475-1640 ; 1933:3) a man cannot lose his money, but he shall be mockt too, or, suttle mals loue to simple coney, to make him an asse to spend his money to the tune of oh no, no, no, not yet / [by] m.p. m. p. (martin parker), d. 1656? 1 sheet ([1] p.). : ill. printed for f. groue, dwelling on snow-hill, london : [ca. 1625] date of publication from stc (2nd ed.). contains 4 woodcut illustrations. right half of sheet contains "the second part. to the same tune", author's initials, and imprint. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-09 tcp assigned for keying and markup 2002-10 spi global keyed and coded from proquest page images 2002-11 mona logarbo sampled and proofread 2002-11 mona logarbo text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a man cannot lose his money , but he shall be mockt too , or , suttle mals loue to simple coney , to make him an asse to spend his money . to the tune of oh no , no , no , not yet . a proper hansome young man , that dwelt in london citie , did woo a pretty damsell , who was for him too witty : the youngman he had wealth good store , the lasse was poore , though bonny , she pleas'd his minde , with spéeches kinde , and all was for his money . a simple silly coxcombe , he shew'd himselfe to be : all which the crafty damsell , did well perceiue and sée ; she pleased still his humour well , with words as swéet as honey , she shew'd him still , most kind good will , to make him spend his money . he was with loue inchanted , and led into such folly , he neuer would be merry , but with his pretty molly . to whom when he was come , she still would welcome say , swéet honey : which words in mind , he tooke so kinde , he car'd not for-his money . she rolled him , she clipt him , she did his corpes imbrace : and said her onely pleasure , was viewing his swéet face . she told him that his breath and lips , more swéeter were then honey , yet her mind ran , not on the man , so much , as on his money . and at their merry méetings , the youth would send for wine , and many pleasant iunkets , for them to sup aud dine : as lambe , and ueale , and mutton store , with chickens , larkes , and coney . thus with her wiles , and tempting smiles , she made him spend his money . he gaue her gownes and kirtles , and many costly things , as girdles , gloues , and stockings , fine bracelets , and gold rings . for which he ne'r had naught from her , but thanks mine owne sweet honey , a kisse or twaine was all his gaine , for all his cost and money . and if he ere did offer , to doe the thing you wot , when they two were in priuate , to him she yeelded not . she told him 't was vnlawfull , i prethee sweet and honey , urge me not too 't , for i le not doo 't , introth for any money . now what should be the reason ▪ thinke you , she was so coy ? it was because another man her fancy did inioy , and none but he alone , she swore , should haue this wench so bonney , yet this fond asse , so simple was , to foole away his money the second part . to the same tune . although she had another , whom she had vow'd to marry , yet to this silly woodcocke , her selfe she still did carry , as though she had intent at last , to make him her swéet honey , yet all her drift , was by this shift , to get good cloathes and mony . and when she was supplied , with all that she did lacke , and he had put braue raiment , all new vpon her backe , him carelesly she slighted then , her heart to him was stony , she grew so proud , she scarce alow'd a smile for all his money . so getting vp one morning , she could no longer tarry , but sending for her other loue , with him she straight did marry . now had she what she look't for , and so farewell my tommy , my wedding ring , and euery thing thou boughtst me with thy mony . thus in deriding manner , at him she laught and fléer'd , which vexed sore the youngman , when to his shame he heard , how he was for his kindnesse showne , accounted simple tommy , and had disgrace , in euery place . for spending of his money . he durst not walke for 's pleasure , among other youngmen , but he was sure to heare on 't , before he came agen . and one would play with t'other in sport , with words as swéet as honey , to act the part of his swéet heart , who made him spend his money . this did so vexe and grieue him , he vow'd to be reuenged , quoth he , my gowne and kirtle , ere long i le haue new fring'd , take héed you subtill queane , quoth he , for it i light vpon yée , i le make you rue , that ere you knew one penny of my money . these words the damsell heard on , and being alwayes cunning , she spide him as he walkt i' th stréet , and to him she came running . she call'd him rogue and rascall base , you slaue quoth she , i le stone yée ; and you clowne , i le cracke your crowne , a pox of you and your money . thus with her scolding spéeches , his voyce she ouercame , he seeing of no remedy , did let it rest for shame . let euery honest youngman then , example take by tommy , lest they repent , when they haue spent , vpon a wench their money . finis . m.p. printed for francis groue , dwelling on snow-hill . the valiant hearted sea-man; declaring a late skirmish fought between our english fleet and the dutch. wherein the dutch was worsted, two of the dutch ships sunk, and two taken as lawful prize, with a very small loss on the english side. the tune is, lusty stukely. j. r. fl. 1665. 1665 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b05092 wing r35a estc r182331 47012601 ocm 47012601 174569 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05092) transcribed from: (early english books online ; image set 174569) images scanned from microfilm: (early english books, 1641-1700 ; 2691:54) the valiant hearted sea-man; declaring a late skirmish fought between our english fleet and the dutch. wherein the dutch was worsted, two of the dutch ships sunk, and two taken as lawful prize, with a very small loss on the english side. the tune is, lusty stukely. j. r. fl. 1665. 1 sheet ([1] p.) : ill. printed for s. tyus ... london, : [1665] signed at end: j. r. contains 3 illustrations. "with allowance." date of publication taken from wing (2nd ed.) reproduction of original in: university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. anglo-dutch war, 1664-1667 -poetry. naval battles -great britain -17th century -poetry. broadsides -england -17th century. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the valiant hearted sea-man ; declaring a late skirmish fought between our english fleet and the dutch. wherein the dutch was worsted , two of the dutch ships sunk , and two taken as lawful prize , with a very small loss on our english side . the tune is , lusty stukely . brave gallants now of england chear up your hearts , and firmly stand against all people which oppose our king let us sight with hearts lusty and stout , to keep all forraign nations out , let valour still the same of england ring . the hol ander as i am fold adventure new to be so void as to oppose our gracious king to fight . for truth it is i understand they have some english in their land that right or wrong would do england a spite in histories we all may read brave england nere was conquered , but in five hundred seventy years ago by william duke of normandy , yet kent held out most valiantly and met that duke so gallantly their foe . brave england then he not dismay'd , the lord above will send you aide if hand in hand you all together joyn 't is not the turk nor spaniards pride nor butter box which traitors guide shall ever daunt this valiant heart of mine , the duke of york himself is pleas'd chief admiral upon the seas to venture life and limb for englands right , therefore our valiant sea-men hold doth now while life and limb doth hold they will ingage the hollanders to fight . there is now a subject in this land but willing is with helping hand to venture still for englands liberty . therefore prepare you hollander which now is bent to civil war we do intend to make you fight or flye . in fifty two , ful well you know england gave you an over-throw how bare you now for to resist again ? your service then was not so hot , as now shal be our cannon shot we wil make you yeild or sink into the pain a gallant fleet we have at sea wel arm'd , and bravely man'd they be and men of courage , valiant , hold and stout fear not in england but we shal give all our enemies the fall ere long , of it you need not make a doubt . an● now you valiant sea-men all thear up i hear the bowson cal see where the fleet of enemies do lye . let drums now beat , and trumpets sound and canoniers turn your guns round brave english hearts wil scorn a foot to fly . see where our tygre rides amain , the dolphin and the pellican . the charls , the james , the lion , and the boar , with many a gallant ship beside , hoping to cool the dutch-mans pride see how they fly along the holland shore . see valiant hearts , we are for battle harke how the thundring guns do rattle . the lord above , i hope is on our side stand to it now brave hearts so stout see how the dutch-men wheels about they cannot long this service hot abide . me thinks i see a top sail fal before our noble general some losse is sure within the enemy . i hope ere long we all shal see brave england get the victory , that we may live in peace and unity , two dutch ships sunk as we hear say and two is carryed quite away the rest no longer would abide our shot our guns so rattles in their ear i hope ere long we all shal hear they wil repent that they begun the plot . j. r. finis . so the lord preserve little england , convert o god , her foes that we may live in quietness , our enemies plots disclose . london , printed for s. tyus on london-bridge with allowance . the west-country maids advice; here is a song i send to you, fair maidens every one; and you may say that it is true, when i am dead and gone. to the tune of, hey boys, up go we. bowne, tobias. 1670-1696? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01746 wing b3901 interim tract supplement guide ebb65h[145] 99887349 ocm99887349 182062 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01746) transcribed from: (early english books online ; image set 182062) images scanned from microfilm: (early english books; tract supplement ; a2:4[145]) the west-country maids advice; here is a song i send to you, fair maidens every one; and you may say that it is true, when i am dead and gone. to the tune of, hey boys, up go we. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby, at the golden-ball, near the hospital-gate, in west-smithfield, [london] : [between 1670-1696] verse: "fair maids draw near to me a while ..." date, place of publication and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. single women -england -early works to 1800. ballads -england -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the west-country maids advice ; here is a song i send to you , fair maidens every one ; and you may say that it is true , when i am dead and gone . to the tune of , hey boys , up go we . fair maids draw near to me a while and i 'le my mind declare , this song i hope will make you smile , when once you do it hear : for young-men are so fickle grown , and false in every way , their whole delight is day and night , fair maids for to betray . thus i would have fair maidens all , for to be rul'd by me , although your portions be but small , to them do not agree : for if a husband once you you get , that should be cross to thee , you 'l then repent that e're you went to church to married be . therefore keep close your maiden-head , which now you have in store , for if you once should be misled , you 'l not enioy it more : and then such troubles comes apace , as you ne'r thought upon , and this will be your woful case , by taking of a man. there was a maid which well i knew , was lately made a bride , her father gave her goods , 't is true , she a portion had beside ; yet this poor lass did meet an ass , would always scold and brawl , the other day he ran away , and left wife , child , and all . therefore observe young maidens all , take heed how you do wed , for you may quickly take a fall , and bring a knave to bed : for young-men are so fickle grown , as i have here exprest , it 's good to let them all alone , a single life is best . i say , by chance that you may meet , a young-man that is true , then you may count your fortune great , because there are so few : not one in ten , amongst young-men , is true i do protest , i 'le keep my self as i have been , a single life is best . why should a maid confined be , to any man alive , you shall have snaps and flouts you 'l fin● when once you 'r made a wife : for husbands are so hoggish grown , there wives shall take no rest , therefore let all young-men alone , a single life is best . and now i have declar'd my mind , i hope you 'l not me blame , for to a woman i am kind , and toby is my name ; and i do live in devon-shire , to many 't is well known , i wish all maids that do me hear , be sure to hold their own . and so i do conclude and end , having no more to say , pray take the author for your friend , and for this ballad pay : a penny is the price of it , you 'l say it is not dear , and say it is a ballad true , came out of devon-shire . finis . printed for p. brooksby , at the golden-ball , near the hospital-gate , in west-smithfield the bleeding lover. young men that do promise make, in your performance be not slack. for well you know, 'tis often so. ingratitude makes all things black. to the tune of, the doubting virgin. duffett, thomas. 1684-1686? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02796 wing d2445 interim tract supplement guide c.20.f.8[33] 99887609 ocm99887609 183237 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02796) transcribed from: (early english books online ; image set 183237) images scanned from microfilm: (early english books; tract supplement ; a5:2[28]) the bleeding lover. young men that do promise make, in your performance be not slack. for well you know, 'tis often so. ingratitude makes all things black. to the tune of, the doubting virgin. duffett, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for j. clarke, w. thackeray, and t. passenger, [london] : [between 1684-1686] verse: "lovers all come hear my story ..." place and date of publication suggested by wing. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the bleeding lover . young men that do promise make , in your performance be not slack . for well you know , 't is often so . ingratitude makes all things black . to the tune of , the doubting virgin. lovers all come hear my story , which to you i shall relate , he on whom i fix'd my glory , me requites with mortal hate , in my anguish , here i languish , wasting in my lingring pain , i 'm delected , and rejected , yet delighted with my chain . love , o love , is of such power , all my sences it confounds , it my vitals doth devour , all my joys in sorrow drowns : yet by nature , i poor creature , ever was to love inclin'd , constant proving , dearly loving , those who were to me unkind . now my life is near an ending , for i feel my strength decay , hopes no longer are depending , my fierce passion to allay , waking , sleeping , always we eying , comforts are quite from me fled , o 't will pleasure when he sees me fainting on my love-sick bed . surely he must needs be troubled , my condition for to see , and his sorrows will be doubled , at my sad perplexitee : when i'm lying fainting , dying , on his name i 'le surely call , oft repeating , and relating , that he was the cause of all . down my cheeks when tears do trickle , freely flowing from mine eyes , it will trouble him a little , that my love he did despise : unrelieved , being grieved , to himself he thus will say , o deceitful and ungrateful , then hast cast a maid away . in my tomb i 'le have inserted , here lyes one that was forlorn , by her lover quite deserted , which did cause her for to mourn : broken hearted , she departed , that in love did all excell , then the fainted , and lamented , saying cruel love farewel . thou shalt get but little by it , wherefor 〈◊〉 thou dost go , thou shalt never be at quiet , but opprest with care and woe : i will follow , through each hollow , where thou goest thy self to hide , i 'le come to thee , and pursue thee , saying 't was for thee i dy'd . in thy dreams i will affright thee , and appear in ugly shape , care and sorrow shall betide thee , there 's no hope for to escape : you misused , and abused one that lov'd you too too dear , pray now mind it , you shall find it , you shall ne're be quiet here . with sighs & grounds i 'le fill thine ears too , in the middle of the night , which shall much encrease thy fears too , and thy treacherous soul affright : i for ever will endeavour , for to be a plague to thee , t will be pleasure beyond measure , to encrease thy misery . false young-men that hear this ditty , and to royalty pretend , of poor maidens take some pitty , unto them some comfort lend : maids forsaken , are o're-taken , with such dreadful mortal pain , can't be cured , nor endured , so by love are often stain . printed for j. clarke , w. chackeray , and c. passenger . a caveat for young men. or, the bad husband turn'd thrifty. this caveat may serve both for old and yong [sic], for to remember that old age will come; if you these verses do minde and read, i hope hereafter you will take better heed: this song it was set forth and penn'd, to teach bad husbands to amend. therefore bad husbands mend your lives. and be more kinder to your wives. to the tune of, hey ho my honey. wade, john, fl. 1660-1680. 1670-1677? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06546 wing w162 interim tract supplement guide ebb65h[25] interim tract supplement guide c.20.f.8[54] 99887048 ocm99887048 183253 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06546) transcribed from: (early english books online ; image set 183253) images scanned from microfilm: (early english books; tract supplement ; a2:3[25]; a5:2[44]) a caveat for young men. or, the bad husband turn'd thrifty. this caveat may serve both for old and yong [sic], for to remember that old age will come; if you these verses do minde and read, i hope hereafter you will take better heed: this song it was set forth and penn'd, to teach bad husbands to amend. therefore bad husbands mend your lives. and be more kinder to your wives. to the tune of, hey ho my honey. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. (woodcuts). printed for w. thackeray, t. passinger and w. vvhitw.ood [sic], london, : [between 1670-1677] signed: by john wade. date of publication suggested by wing. verse: "all you young ranting blades ..." reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a caveat for young men. or , the bad husband turn'd thrifty . this caveat may serve both for old and yong , for to remember that old age will come ; if you these verses do minde and read , i hope hereafter you will take better heed : this song it was set forth and penn'd , to teach bad husbands to amend . therefore bad husbands mend your lives , and be more kinder to your wives . to the tune of , hey ho my honey . all you young ranting blades , that spend your time in vain , remember that old age , you cannot it refrain : and whilst that you are young , this caveat take of me , be ruled by no tempting tongue , to bring you to poverty . i have been a bad husband long and have spent store of silver and gold , yet now i le save something whilst i am yong , to keep me when i am old . i had good store of means , and i liv'd most gallantly : but yet upon whores and queens , i spent it by and by : my hoastis she was full of laughter , so long as i had money good store ; and my children must drink fair water , whilst i in the ale-house did roar . i have been , &c. my wife would me intreat , the ale , house to refrain ; then i with anger great , made answear straight again : if you begin to scold , then i will bang thy coat ; what woman her tongue can hold , when a man swallows all down his throat i have been , &c. my children and i must sit , until we starve and pine , whilst you your guts full get , of tobacco , béer , and wine . half that you spend in vain , and méerly throw away , our family would maintain , and our house-rent it would pay , i have been a bad husband long , and have spent store of silver and gold ; yet now i le save something whilst i am yong , to keep me when i am old . but yet i 'de not be rul'd by these words she did say , my self i often fool'd , which brought me to decay : i no sooner had sold a cow , but straight to the ale-house i ran ; my hoastis unto me would bow , until all my money was gone . i have been , &c. she 'd chuck me under the chin , and perhaps would give me a kiss , as venus drew adonis in , my hoastis would never miss : she 'd tell me it was too early , or else it was too late , until by the oyl of barley , they had gotten my whole estate , i have been , &c. thus day and night i ranted , and no company did refuse , whilst my wife and children wanted , i did my self abuse : i could not scarce afford my children clothes to wear ; nor my wife one good word , such was her grievous care . i have been , &c. the more my wife did speak , the worser i would be , i 'de drink till my brains did ake , onely to anger she , so long as i had a penny ; i 'de never give out for gain ; but since i have found by many , a good fellow 's a costly name . i have been , &c. at last i did perceive , my estate was almost gone , then it was time to leave , and some words i thought upon : i went into an ale-house , where all my coyn i had drown'd ; in company with good fellows , i had spent an hundred pound , i have been , &c. i then these words replied , hoastis , money i have none , a flagon she me denied , and bid me straight be gone : what , will you not trust me a flagon , those words replied i , no , quoth she not a nogging , if you should starve and dye . i have been , &c. i then went sighing home , and a vow straightway did make . they should sit whilst day of doom , before one penny of me should take : a new life i will now begin , the ale-wives shall sit like elves ; they shall both card and spin , or else go hang themselves . i have been , &c. now i all men advise , this caveat think upon , be ruled by your wives , for old age it will come . if they know you have money , the ale-wives with you will crack , they 'l suck you as bees suck honey , then hang you behind your back , i have been , &c. therefore in time be ruled , save something whilst you have it , by no ale-wives be you fooled , and then repent too late : for when that all is gone , and you have but little stock , if to the ale-wives you make moan , they will you but jear and mock . i have been a bad husband long , and have spent store of silver and gold ; yet now i le save something whilst i am yong , to keep me when i am old . finis . by john wade . london , printed , for w. thackeray , t. passinger and w. vvhitw●ood the spanish lady's love to a pleasant new tune, &c. deloney, thomas, 1543?-1600. 1688 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-08 (eebo-tcp phase 1). a37525 wing d969 estc r41089 19618614 ocm 19618614 109205 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a37525) transcribed from: (early english books online ; image set 109205) images scanned from microfilm: (early english books, 1641-1700 ; 1685:11) the spanish lady's love to a pleasant new tune, &c. deloney, thomas, 1543?-1600. 1 broadside : ill. printed by and for w.o. for a.m. and sold by j. conyers ..., [london] : [between 1688 and 1691] attributed to thomas deloney by wing. place and date of imprint suggested by wing. "licensed and entered according to order." without music. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2004-03 tcp assigned for keying and markup 2004-03 apex covantage keyed and coded from proquest page images 2004-04 mona logarbo sampled and proofread 2004-04 mona logarbo text and markup reviewed and edited 2004-07 pfs batch review (qc) and xml conversion the spanish lady's love. to a pleasant new tune , &c. licensed and entered according to order . will you hear a spanish lady , how she woo'd an english man , garments gay as rich as may be , bedekt with jewels had she on ; of a comely countenance and grace was she ; both by birth and parentage of high degree . as his prisoner there he kept her , in his hands her life did lye ; cupid's hands did tye them faster by the liking of an eye : in his courteous company was all her joy ; to savour him in any thing she was not coy . but at last there came commandment for to set all ladies free , with their jewels still adorned , none to do them injury . o then said this lady gay , full woe is me ; o let me still sustain this kind captivity . gallant captain , take some pitty on a woman in distress ; leave me not within this city , for to dye in heaviness ; thou hast set this present day my body free , but my heart in prison still remains with thee . how shouldst thou , fair lady , love whom thou know'st thy country ? thy fair words make me suspect thee , serpents lye where flowers grow . all the harm i think on thee , most courteous knight , god grant upon my head the same may fully light . blessed be the time and season that thou came on spanish ground ; if you may our foes be termed , gentle foes we have you found : with our city you have won our hearts each one , then to your country bear away that is your own . rest you still , most gallant lady , rest you still and weep no more , of fair flowers you have plenty , spain doth yield you wondrous store . spaniards fraught with jealousie we oft do find , but english men throughout the world are counted kind . leave me not unto a spaniard , thou alone enjoy'st my heart , i am lovely , young and tender , love is likewise my desart : s●ill to save thee day and night , my mind is prest ; the wife of every english man is counted blest . it would be a shame fair lady , for to bear a woman hence , english souldiers never carry any such without offence . i will quickly change myself , if it be so , and like a page will follow thee where e'er thou go . i have neither gold nor silver to maintain thee in this case , and to travel is great charges , as you know in every place . my chains and jewels every one shall be thy own , and eke an hundred pound in gold , that lies unknown . on the seas are many dangers , many storms do there arise , which will be to ladies dreadful , and force tears from watry eyes . well in worth i shall endure extreamly , for i could find in heart to lose my life for thee . courteous lady , leave this folly , here comes all that breeds the strife , i in england have already a sweet woman to my wife ; i will not falsifie my vow for gold nor gain . nor yet for all the fairest dames that live in spain . o how happy is that woman that enjoys so true a friend , many happy days god send her , and of my suit i 'll make an end ▪ on my knees i pardon crave for my offence , which love and true affection did first commence : commend me to that gallant lady , bear to her this chain of gold , with these bracelets for a token , grieving that i was so bold ; all my jewels in like sort take thou with thee , for they are fitting for thy wife , but not for me . i will spend my days in prayer , love and all her laws defie , in a nunnery i will shrew'd me , far from any company : but e'er my prayer have an end , be sure of this , to pray for thee and for thy love , i will not miss . thus farewel most gallant captain , farewel to my heart 's ●ontent ; count not spanish ladi●s w●nton ▪ though to thee my 〈◊〉 〈◊〉 〈◊〉 ioy and true prosperity remain with th●e ▪ the like fall unto thy sh●re , most fair lady . printed by and for w. o. for a. m. and sold by i. conyers in leicester-field . robin and kate: or, a bad husband converted by a good wife in a dialogue betweene robin and kate. to the tune of blew cap. robin and kate. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08977 stc 19265 estc s119382 99854589 99854589 20016 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08977) transcribed from: (early english books online ; image set 20016) images scanned from microfilm: (early english books, 1475-1640 ; 1607:26) robin and kate: or, a bad husband converted by a good wife in a dialogue betweene robin and kate. to the tune of blew cap. robin and kate. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for thomas lambert, london : [1634] signed: m.p., i.e. martin parker. verse "farre in the north countrey (as i haue heard tell)". publication date from stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion robin and kate : or , a bad husband converted by a good wife , in a dialogue betweene robin and kate. to the tune of blew cap. farre in the north countrey ( as i haue heard tell ) there lines a blithe couple cau'd robbin and kate : this robbin doth loue nappy liquor so well , that hée 'll be at th'alehouse both early and late the wife to her husband i' th morning doth say , i prethée swéet robin at home with me stay , thou wastest thy time , and spendest thy chinke , turne backe agen robin , and ga not to drinke man. i prethee swéet honey be patient and quiet , i 'me sure thou want'st nothing that 's fit for thy state , thou lackst neither money , apparell , nor diet , if any thou dost , doe but speake and thou 'st ha'te : thou hast all the good that a wife can desire , tha 'st seruants to ' tend thée , and i pay their hire : then for my good-fellowship doe not thou prate , for i must and i will have my humour sweet kate. wife . t is chiefly thy company that i doe want , besides , though we now haue sufficient to liue , yet if thou the alehoule thus dayly doe haunt , we may become fitter to take than to giue : swéet husband consider and take my aduice , let not thy companions thus lewdly intice thy heart from thy kate , but vpon my words thinke , turne back agen robin , and ga not to drinke . out , out , hold thy twattle and doe not thus preach , i le not be ruld by thée whateuer thou say , séeke not by perswastons my minde to ouer-reach , for i le to the ale-house as fast as i may ▪ if thither thou follow , thou welcome shalt be , so thou wilt be quiet and pleasant with me , stay here or ga with me , t is both of a rate , but i must , and i will have my humour sweet kate. wife . waes me bonny robin , that ere i was marrids , vnto sike a husband that séekes my vndoing , i wou'd with my mother at home i had tarryde , or thought vpon this when thou first cam'st a wooing ▪ i thinke in my conscience , ( and i haue cause why , ) that thou lou'st some other , farre better than i : thou hat'st to stay with me , then what may i thinke , turne back agen robin and ga not to drinke . man. nay now i finde kate whereabout thy shooe wrings , by this i perceiue that of me thou art iealous , but i for my part neuer dreame of sike things , i séek not for wenches , but honest good fellowes : a pipe of tabacco , a pot or a iugg , these are the swéet honies that i kisse and hugg : all wenching delights are with me out of date , but i must and i will have my humour sweet kate. the second part to the same tune . wife i prethée my ioy doe not take at the worst the words that i speake in the heat of affection , no euill conceit in my bosome is nurst , i de haue thee be rul'd by my louing direction : it thinke thou art honest to me in thy heart , but company ill may draw thee apart : to wastefull expences thy minde doe not linke : turne back agen robin , and ga not to drinke . man. gude wife be perswaded , and let me alone , forall thy vaine prattle will proue but mere folly , i tell thee my heart will be cold as a stone , if i stay at home i shall be melancholy i le make my selfe merry as long as i 'ue store tush kate neuer thinke on 't wee'st neuer be poore : shall i stay at home on thy fancy to waite , no i must and i will have my humor sweet kate. wife . why robin when first thou didst marry with me , thou thoughtst thy self best whē thou ●●…idst with me lōgest , how comes the case thus to be alter'd with thée , true loue by much usage will grow to be strongest : but now thou art weary of my company , and canst not be merry , i prethée loue why ? thou giu'st me occasion strange matters to thinke , turne backe agen robin , and ga not to drinck . man. oh who wou'd be troubled thus with a foole , i prethée swéet-heart take one word for thy learning , i scorne that my wife ouer me should beare rule : why kate , doe i sp●nd any thing of thy earning ? i loue thée as well as i did the first day , and yet when i list i will goe or i le stay , to be at command of my wife , i doe hate , for i must and i will , haue my humor sweet kate. wife alas my deare lui● thou mistakest me much , i doe not command thee , that 's not my intention , for my humble duty vnto thee is such , that one word of anger to thée i le not mention examine thy heart , and thou shalt vnderstand i giue thee good counsell , i doe not command : then with due discretion , vpon my words thinke , turne backe agen robin , and ga not to drinke . man. ah now my sweet kate i perceiue very well , thy words doe procéed from a hearty affection , now all my delight in thy bosome ▪ shall dwell , i le euer be orderd by thy direction my former ill husbandry , i will repent , and in thy swéet company , rest well content : strong liquor no more , shall impaire my estate , now i le stay at home with my bonny sweet kate. m. p. finis . london printed for thomas l 〈…〉 the desperate damsells tragedy. or the faithlesse young man to the tune of dulcina. m. p. (martin parker), d. 1656? 1630 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08950 stc 19227 estc s119367 99854574 99854574 20001 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08950) transcribed from: (early english books online ; image set 20001) images scanned from microfilm: (early english books, 1475-1640 ; 1607:13) the desperate damsells tragedy. or the faithlesse young man to the tune of dulcina. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for h. g[osson], london : [1630?] signed: m. p., i.e. martin parker. in two parts; woodcuts at head of each part. printer's name and suggested publication date from stc. verse "in the gallant month of iune,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-07 tcp assigned for keying and markup 2002-08 aptara keyed and coded from proquest page images 2002-09 emma (leeson) huber sampled and proofread 2002-09 emma (leeson) huber text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion the desperate damsells tragedy . or the faithlesse young man. to the tune of dulcina . in the gallant month of iune , when swéet roses are in prime , a●d each bird with a seuerall tune , harmoniously salutes the time : then to delight , my appetite i walkt into a meddow faire , and in a sh●de i spyed a maide whose loue had brought her to dispaire . shée her hands sate sadly wringing making piteous exclamation , upon a false young man for bringing her into this great vexation : quoth she false youth , is there no truth , in thée , of faith hast thou no share ? no thou hast none , t is to well knowne : by me poore wretch now in despaire how oftentimes hast thou protested that thou louest me well indéed ? and i performed what was requested , tw● much trust my woe doth bréed : i let thée haue what thou didst craue , ●educed by thy spéeches faire , and hauing had , thy will false lad , at last thou left'st me in despaire . my dearest iewell thou hast taken , which should stand me in great stead , a●d now thou hast me quite forsaken , and art like false aeneas fled , from dido ●●ue : what can insue , this faithles déed ● but to end my care , like her a knife , must end my life for i like her am in despaire . then sith t is so , come gentle death , i yeeld my selfe vnto thy power . most willing to resigne my breath , i am this instant time and howre : let thy kéene dart , such force impart that i may die , o● doe not spare , from earth i came , and willing a● , hence to returne with grim despaire : when she these bitter words had spoken from her minde so fraught with woe , her heart was in her bosome broken teares aboundantly did flow , from h●r faire eyes , then to the skies , she did direct her hands with prayer , and séem'd to moue , the pow'rs aboue , to scourge the cause of her despaire . the second part , to the same tune . you gods ( quoth she ) i inuocate , that as your iudgements still are iust , my wrongs i pray you vindicate , oh may no mayde that young man trust : henceforth may he so wretched be , that none for him at all shall care , but that he may for his foule play , be brought like me to grim despaire . hauing made an end of praying , suddenly shee drew a knife , a●d i that néere vnséene was staying , ran in hast to saue her life , but ere that i to her could cry , that her o●ne life she might forbeare , shee dido-like her heart did strike , thus dyde the damsell in despaire . with such force her selfe she stabbed , blood ranne out abundantly , my heart within my bosome throbbed , to behold this tragedy ; yet though she bled , she was scarce dead , but gasping lay with her last ayre , and vnto me shee spake words thrée , which shewed the cause of her despaire . sir ( quoth she ) muse not to sée me desperatly my selfe to slay , for his fatall stroake doth free me from disgrace another way : my honours dead , my credits fledd , why therefore should i liue in care : this being spoke , her heart strings broke , thus dyed the damsell in despaire . when death had done his worst vnto her , i did wishly on her looke , and by her fauour i did know her . therefore i my iourney tooke unto the towne , where shée was knowne , and to her friends i did declare what dismall fate had hapt of late , vnto this damsell in despaire . with brinish teares her friends lamented , to heare of her timelesse end , and euery one in griefe consented , and with me along did w●nd unto the place where lay that face , that late aliue was fresh and faire , now wanne and pale cause life did faile , her life she ended in despaire . when this was told to her false louer , he was of his wits bestraught , and wildly ran the country ouer , home hée'd by no meanes be brought : let this tale then warne all young men , unconstancy still to forbeare , for he betraide this harmelesse mayde vnto her death through grim despaire , m. p. finis . london printed for h. g. tom and rogers contract: or what devon-farmers use to act. two farmers lately met in devon-shire. and since it was within the month of may, and so by chance they drank a pot of beer; i will declare to you what they did say. : tune of, hey boys up go we. / by tobias bowne. bowne, tobias. 1672-1696 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a77164 wing b3897b estc r233894 45578172 ocm 45578172 172128 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a77164) transcribed from: (early english books online ; image set 172128) images scanned from microfilm: (early english books, 1641-1700 ; 2615:23) tom and rogers contract: or what devon-farmers use to act. two farmers lately met in devon-shire. and since it was within the month of may, and so by chance they drank a pot of beer; i will declare to you what they did say. : tune of, hey boys up go we. / by tobias bowne. bowne, tobias. 1 sheet ([1] p.) : ill. printed for p. brooksby in py-corner., [london] : [between 1672-1696] place and date of publication suggested by wing. includes 3 engraved illustrations. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion tom and rogers contract : or what devon-farmers use to act . two farmers lately met in devon-shire , and so by chance they drank a pot of beer ; and since it was within the month of may , i will declare to you what they did say . tune of , hey boys up go we . by tobias bowne . as tom met roger upon the road said he how dost thou do ? i am pretty well , and walking abroad , i hope the same by you . pray have you took your mornings drink , if not come go with me , here is good ale just by i think , come let us go and see . come , come roger let us go , we 'l drink one pot or two , i , said tom , i 'd have it so , i 've something to say to you ; but first we 'l drink a flaggon of beer , and thou shalt know my mind ; my son shall have thy daughter dear , and then we two'l be kind . said roger , what will you give your son , and he shall have my daughter ? i have two pots , he shall have one , beside what may come after ; he shall have to 't a thumping ladle that is both fresh and new , and more , he shall have our old cradle , i think my wife hath a doe . beside my son can hold the plough , and other things i can name ; he 's able to go and milk the cow , and if his wife be lame : i think they two may live as brave as did their mother or father ; come tell me what your daughter shall have , we 'l marry them up together . why then said roger my daughter shall have , a portion as good as thy son , i never yet was counted a knave but always an honest man : i have a good old kettle at home my grandam did give to me ; a white-pot bag , and a two penny broom , my daughter shall have them all three . besides i 'le give her a lumping calf , that came of our brown cow , that 's more than thee giv'st thy son by half , old tom , i speak it to thou : my daughter is so well brought up , she can both spin and zow , she hath of her own a drinking cup ; that 's more than thou dost know . when shall we marry them together old roger , then said tom ? i 'le tell my zon that thou art his father , as soon as i come home . and that thy daughter must be his wife , and he must have no other ; next time they meet i 'le lay my life , they 'l jumble it up together . when young tom met with his sweetheart , old rogers daughter joan ; said he , we 'l drink before we part , and with thee i 'le go home ; we 'l take a doune thy fathers dish , and box about the whey , zo there we will both hug and kiss , we care not what folk say . then tom he took joan by the hand , as lovers use to do ; said he , sweetheart come pin my band , for 't doth belong to you . sweetheart i 'le do it if i can , for i do love thee dear ; methinks you be the handsomest man that is in devon-shire . but if you had but seen them both when they tript o'r the green , a pretty couple of one growth , and both did look a squeen . i stood and looked them upon till they were out of sight ; if you had seen how their buttocks had gone ▪ 't would a made you laugh outright . printed for p. brooksby in py-corner . the married-womans case, or, good counsell to mayds, to be carefull of hastie marriage by the example of other married-women : to the tune of the married-mans case / [by] m.p. m. p. (martin parker), d. 1656? 1627 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a72984 stc 19254.5 estc s5218 39960680 ocm 39960680 150519 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a72984) transcribed from: (early english books online ; image set 150519) images scanned from microfilm: (early english books, 1475-1640 ; 1950:15) the married-womans case, or, good counsell to mayds, to be carefull of hastie marriage by the example of other married-women : to the tune of the married-mans case / [by] m.p. m. p. (martin parker), d. 1656? 2 leaves : ill. printed for h.g., london : [ca. 1625] attributed to martin parker by stc (2nd ed.). imprint information from stc (2nd ed.). single sheet cut in two parts. right half contains "the second part. to the same tune." contains three cuts. imperfect: torn, with loss of text. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the married-womans case : or good counsell to mayds , to be carefull of hastie marriage , by the example of other married-women . to the tune of the married-mans case . 〈…〉 maidens all , that are willing to wed , 〈…〉 before you are we 'l aduised , make not too much haste to the mariage bed , 〈…〉 est the sheetes be too dearely prized : 〈…〉 urs to try before you doe trust , 〈…〉 any loue not but only for lust ; 〈…〉 make their po●re wiues to leape at a crust : 〈…〉 us liues a woman that 's marry'd , is marry'd , 〈…〉 ues a poore woman that marry'd . 〈…〉 liues single has little to care for , 〈…〉 ent and ●●et'● prov●●●d ; 〈…〉 nceithen wherfore 〈…〉 est to be brided ▪ 〈…〉 rest , 〈…〉 be possest ; 〈…〉 udge at the best : 〈…〉 marry'd , is marry'd , 〈…〉 t 's marry'd . 〈…〉 rich man , 〈…〉 ion , 〈…〉 ●he can , 〈…〉 and his shooes , 〈…〉 flatly refuse ; 〈…〉 chuse : 〈…〉 , is marry'd , 〈…〉 y'd a woman that marries a quarelling coxcombe , hath cause enough to ●●sta●●e her : for when f●d the alehouse be bringeth a fox home , hee 'l finde some occasion to bas●e her : she seldome shall goe without her face blacke , she shall not want blowe● , though ville she lacke , although from a man hée'l perhaps turne his backe : and thus liues a woman that 's marry'd , is marry'd , thus liues a poore woman that 's marry'd . not only at home hée 's giuen to quarrell , but also in other places : where now and then , to his wonderfull peril , he mée●es with knocks and disgraces ; and then his poore wife his surgeon must bee , to cure his infirmities ready is shee ; yet for her endeauour ingratefull is hee : and thus liues a woman that 's marry'd , is marry'd , thus liues a poore woman that 's marry'd . a woman that to a whore-monger is wed , is in a most desperate case : she scarce dares performe her duty in bed , with one of condition so base : for sometimes hee 's bitten with turnbull-stréet fleas , the pox , or some other infections disease ; and yet , to her perill , his mind she must please : oh , thus liues a woman that 's marry'd , is marry'd , thus liues a poore woman that 's marr'yd . the second part , to the same tune . a woman that marries a drunken sot , must looke for no competent liuing ; for he all the day will sit at the pot , and neuer takes thought for thriuing : from alehouse to alehouse all day he will come , while she sits with bread and faire water at home ; what-euer he gets , he giueth her none : and thus liues a woman that 's marry'd , is marry'd , thus liues a poore woman that 's marry'd . and if she haue children , her griefe is the more , to heare them complaine for vittle , while their wretched father i th' alehouse doth rore , and thinke of their want but little : too many such husbands there be , the lord knowes , that will haue good liquor , how ere the world goes : but she that has such a one , néeds no more woes : yet thus liues a woman that 's marry'd , is marry'd . oh , thus liues a woman that 's marry'd . a woman that is to a gamster espoused , her ease is to be lamented : for he from his gaming can hardly by rouzed , by any meanes can be inuented : hée 's either at ●●●ide thrifth , at tables or dice , where while he sits wishing for kator and size , his money consumeth away with a thrice : and thus liues a woman that 's marry'd , is marry'd . oh , thus liues a women that 's marry'd . as long as his purse with monies is lin'd , he neuer has power to giue ouer ; and if he haue lost , t is still in his mind , that he shall his losses recouer : and thus night and day with vaine foll●y hée s led and wasts what should maintain his houshold with bread , who oft are constrain'd to goe fasting to bed . and thus liues a woman that 's marry'd , &c. a woman who 's ty'de to a iealous asse , is a slaue to his doub●full condition : she hardly dares looke any man in the face , but still it produceth suspition ; he marketh her steps with so watchfull an eye : and though she all basenesse doth scorne and dresse , yet he dreams of hornes , when he knowes no ca●●●● why ▪ and thus liues a woman that 's marry'd , &c. and thus it is difficult , doe what you can , a perfect good husband to light on : then let do faire maiden be in loue with a●●a● that she hath but onely set sight on : for marriage must not be accounted a toy , one houre brings much sorrowes or ioy : then do not ( swéet damsels ) your fortunes 〈◊〉 by being too hasty of marriage , of marriage , thinke first how to liue when y' are marry'd . and thus i le conclude , as i began , with this friendly admonition : let no woman heedlesly marry a man , before she has tri'de his condition : for time will bring euery action to view , and try whether louers be faithlesse or true : and thus , gentle maidens i bid you adieu ; desiring you well to be marry'd , be marry'd , or else may you neuer be marry'd . m.p. finis . london printed for h. g. saint bernards vision. or, a briefe discourse (dialogue-wise) betweene the soule and the body of a damned man newly deceased laying open the faults of each other: with a speech of the divels in hell. to the tune of, fortune my foe. noctis sub silentio tempore brumali. english. this text is an enriched version of the tcp digital transcription a08813 of text s115289 in the english short title catalog (stc 1910). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 10 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08813 stc 1910 estc s115289 99850508 99850508 15716 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08813) transcribed from: (early english books online ; image set 15716) images scanned from microfilm: (early english books, 1475-1640 ; 1537:08) saint bernards vision. or, a briefe discourse (dialogue-wise) betweene the soule and the body of a damned man newly deceased laying open the faults of each other: with a speech of the divels in hell. to the tune of, fortune my foe. noctis sub silentio tempore brumali. english. bernard, of clairvaux, saint, 1090 or 91-1153, attributed name. fulbert, saint, bishop of chartres, ca. 960-1028, attributed name. 1 sheet ([1] p.) for i. wright, dwelling in gilt-spur street, printed at london : [ca. 1640] not in fact by st. bernard; an english verse translation of the anonymous medieval latin poem "noctis sub silencio tempore brumali", sometimes referred to as "visio sancti bernardi", "visio fulberti", or "debate of the body and the soul". verse -"as i lay slumbring in my bed one night,". publication date conjectured by stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. eng ballads, english -17th century. body and soul in literature -poetry -early works to 1800. meditations -poetry -early works to 1800. a08813 s115289 (stc 1910). civilwar no saint bernards vision. or, a briefe discourse (dialogue-wise) betweene the soule and the body of a damned man newly deceased, laying open th [no entry] 1640 1603 1 0 0 0 0 0 6 b the rate of 6 defects per 10,000 words puts this text in the b category of texts with fewer than 10 defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 mona logarbo sampled and proofread 2008-01 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion saint bernards vision . or , a briefe discourse ( dialogue-wise ) betweene the soule and the body of a damned man newly deceased , laying open the faults of each other : with a speech of the divels in hell . to the tune of , fortune my foe . the writer speaketh . as i lay slumbring in my bed one night , a fearefull vision did me fore affright : me though i saw a soule departed late , by it the body , in a poore estate . wailing with sighes , the soule aloud did cry vpon the body , in the coffin by : and thus the soule to it did make her moane , with grievous sobs , and many a bitter groane . the soule speaketh . o sinfull flesh , which now so low doth lye , whom yesterday the world estéem'd so hye ; it was but yesterday the world was thine , thy sunne is set , which yesterday did shine . where is that traine that did attend on thée ? where is thy mirth ? where is thy iollitie ? where are thy sumptuous buildings , and thy treasure ? thy pleasant walks , in which thou took'st such pleasure ? gone is thy traine , thy mirth to mourning turn'd , thou in a coffin in thy shrine art vrn'd : for thy rich clothes , thou hast a winding-shéet , thy high-built roofe now with thy nose doth méet . but i ( poore soule ) was fram'd a noble creature , in likenesse to my god , of heavenly feature : but by thy sinne , whil'st we on earth aboade , i am made fouler than a loathsome toade . o wretched flesh , with me that art forlorne , that well may'st wish thou never hadst bin borne ; thou never would'st to any good agrée , for which we evermore shall damned bée . i am and must forever be in paine , no tongue can tell the torment i sustaine ; both thou and i , we must descend to hell , ●●ere we in frying flames for aye must dwell . it was thy pride , deceit , and luxurie , hath brought these torments both on me and thée ; thy wife , thy children , friends , which thou didst trust , doth loath thy carcas , lying in the dust . the booke of god , which is both true and sure , witnesse at large what sinnes shall endure : thou that within thy bed of earth art layd , arise , and answer to these things i sayd . the body answereth . i know thée well , my soule , which from me fled , which left my body senselesse , cold , and dead : cease then to say , the fault was all in mée , when i will prove the fault was most in thée . thou say'st , that i have led thée oft astray , and from well-doing drawne thée quite away , but if the flesh the spirits power can move , the fault is thine , as i will plainly prove . god you doe know , created thée most faire , and of celestiall knowledge gave you share : i was your servant , form'd of durt and clay ; you to command , and i for to obay . 't was in your power for to restraine my will , and not to let me doe those things were ill . the bodies workes be from the souse derived , and by the soule the body should be guided . the body of it selfe none ill hath knowne : if i did what thou bidst , the guilt 's thine owne : for without thée , the body resteth dead ; the soule commands it rests upon thy head . so to conclude , thy guilt excéedeth mine ; oh , how the wormes doe teare me in my shrine ! and therefore fare thou well , poore sinfull soule , whose trespasses passe mine , though they are foule . the second part . to the same tune . the soule answereth . most wretched flesh , which in thy time of life wast foolish , idle , vaine , and full of strife ; though of my substance thou didst speake to me , i doe confesse i should have bridled thée . but thou through love of pleasure foule and ill , still me resisted and would have thy will : when i would thée ( o body ) have control'd , straight the worlds vanities did thée with-hold . so thou of me didst get the upper hand , inthralling mée in worldly pleasures band , that thou and i eternall shall be drown'd in hell , when glorious saints in heaven are crown'd , but flatt'ring fancies did thy mind so please , thou never thought to dye , till death did seaze : this was thy fault , and cursed is our fate , which we repent , but now alas too late . the body speaketh . oh now i weep being scourg'd with mine owne rod , wée both stand guilty 'fore the face of god : both are in fault , and yet not equally , the greatest burthen ( soule ) on thée doth lye . no wit so meane , but this for truth it knowes , that where most gifts of vertue god bestowes , there most is due , and ought repayed bée ; and unto this there 's none but will agrée . but foolishly thou yéeldedst unto mée , and to my vaine desires didst soone agrée ; but ( oh ) i know that at the latter houre , both thou and i shall find a death most soure . i greatly feare an everlasting fire , yet one thing more of thée i doe desire : hast thou béen yet amongst the fiends of hell ? is no hope left , that we with christ may dwell ? the soule answereth . fond flesh , remember dives was denay'd , when for one drop of water so he pray'd : thy question ( senslesse body ) wanteth reason , redemption now is hopelesse , out of season . vile body goe , and rot in bed of clay , vntill the great and generall iudgement day : then shalt thou rise and be with me condemn'd , to hells hot lake , for ever without end . so fare thou well , i must no longer stay , harke how the fiends of hell call mée away : the losse of heavenly ioyes tormenteth mée more than all tortures that in hell can be . the divells speake . ho , are you come , whom we expected long ? now we will make you sing another song : howling and yelling still shall be your note , and molten lead be powred downe your throat . such horror wée doe on our servants load , now thou art worse than is the crawling toad : ten thousand thousand torments thou shalt bide , when thou in flaming sulphure shalt be fride . thou art a souldier of our campe enrol'd , never henceforth shalt thou the light behold : the paines prepard for thée no tongue can tell , welcome , o welcome to the pit of hell . the writer speaketh . at this the groaning soule did weepe most sore , and then the fiends with ioy did laugh and roare : these divells séem'd more blacke than pitch or night , whose horrid shapes did sorely me affright . sharpe steely forkes each in his hand did beare , tusked their teeth , like crooked mattocks were , fire and brimstone then they breathed out , and from their nostrils snakes crawl'd round about . foule filthy hornes on their blacke browes they wore , their nayles were like the tushes of a bore : those fiends in chaines fast bound this wretched soule , and drag'd him in , who grievously did howle . then straight me thought appeared to my sight a beautious young man , cloathed all in white , his face did shine , most glorious to behold , wings like the raynebow , and his hayre like gold . with a sweet voyce , all haile , all haile ( quoth he ) arise and write what thou didst heare and sée : most heavenly musicke séemed then to play , and in a cloud he vanisht quite away . awaking straight , i tooke my pen in hand , to write these lines the yong man did command , and so into the world abroad it sent , that each good christian may in time repent . then let us feare the lord both night and day , preserve our soules and bodies wée thee pray , grant that we may so run this mortall race , that wée in heaven may have a resting place . preserve the king , the queene and progeny , the clergy , councell , and nobility , preserve our soules , o lord , we doe thée pray , amen , with me let all good christians say . finis . printed at london for i. wright , dwelling in gilt-spur street . a lovers teares: or, the constancy of a yong mans mind, although his choyce be too unkind. all you yong men who heare this ditty, a lovers teares bemoane with pitty. to the tune of sigh, sob, and weepe. m. p. (martin parker), d. 1656? 1634 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00504 stc 19251.7 interim tract supplement guide c.20.f.7[188] 99884305 ocm99884305 183019 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00504) transcribed from: (early english books online ; image set 183019) images scanned from microfilm: (early english books; tract supplement ; a5:1[101]) a lovers teares: or, the constancy of a yong mans mind, although his choyce be too unkind. all you yong men who heare this ditty, a lovers teares bemoane with pitty. to the tune of sigh, sob, and weepe. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for tho: lambert, at the sign of the hors-shoo in smithfield., printed at london : [1634] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "you who haue run in cupids maze ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a lovers teares : or , the constancy of a yong mans mind , although his choyce be too unkind . all you yong men who heare this ditty , a lovers teares bemoane with pitty . to the tune of sigh , sob , and weepe . you who haue run in cupids maze , and on fond beauties vainly gaze , attend while i explaine my moane , and think my case may be your owne . then learne to pitty lovers teares , for love is full of cares and feares . the bitter swéets that i did taste , and borrowed hours consum'd in wast , makes me my friends with counsell arme that they in time may shun like harm . and learne &c. a curious beauty i adore , and must though she hate me therefore , for now i am within the net , at liberty i cannot get . then learne &c. ill hap had i to sée her face , vnlesse her heart would yéeld me grace : her eyes had such attractiue force , i néeds must loue without remorse . then learne , &c. her haires were cupids chains to tie me vnto her perpetually , for i must loue her , t is my fate , and be repaid with mortall hate . then learne to pitty louers teares , for love is full of cares and feares . i thinke on her both night and morne , which when she hears , she saies in scorn if you be foolish , sir , must i be bound your mind to satisfie ? and thus my sad complaints she jeeres , for love is full of cares and feares . she thinks her selfe too high in bloud , and for to match with me too good , fond foole sayes she , art so vnwise , to thinke that eagles strike at flyes ? o yong men pitty lovers teares , for love is full of cares and feares . such vnequality she makes , no pitty on my moane she takes , the more i wéepe , the more doth she , insult ouer my misery . o yong men , &c. if i to her a letter frame , she saith she hates to reade my name , and therefore to preuent that paine , in scorne she sends it back againe : then learne &c. if i doe méet with her by chance , my captiu'd heart ( for ioy ) doth dance , but to suppresse that ioy again , she turnes her face with coy disdaine . then yong men , &c. the second part to the same tune . she shuns my presence with hast , then ere one word from me is past , shee 's out of sight or out of call , and will not heare me speake at all . o yong men pitty lovers teares , for love is full of cares and feares . sometimes unto her maid i speake , and she my mind to her doth breake , away thou silly foole quoth she , hée 's hardly good enough for thée . o yong men , &c. tha 's she doth striue to viliste my name with hatefull infamy , o note the haughty insolence of maids in fortunes eminence . and learne , &c. wer 't not a shame it should be said i woo'd the mistresse , yet the maid i am estéem'd scarce worthy of , what man could beare so foule a scoffe ? yet i with patience take these jeeres , for love is full of cares and feares . i would my fancy could disswade me from the mistresse to the maid , but ● alasse that may not be , if ere i marry't must be she . o yong men , &c. i wish i could my heart reclaime , from doting on this scornfull dame , for all my sighs and all my care are like to arrows shot i' th aire . o yong men &c. suppose she be in her degrée , ( as she pretends ) too good for me , in loue the begger and the king , coequally doe féele the sting . o yong men &c. it is her proud fastidious thought , that only hath this difference wrought for in a true impartiall eye , there 's no great odds twixt her and i. o yong men &c. well , if i die as néeds i must , cupid grant me one boone that 's iust , that ere she wed she may be faine a worse then i to entertaine . o yong men &c. and so farewell thou cruell faire , come gentle death and end my care , kind yongmen learne by my behest , to loue your enemies that 's the best . and learne to pitty lovers teares , for love is full of cares and feares . m. p. finis . printed at london for tho : lambert , at the sign of the hors-shoo in smithfield . houshold talke or, good councell for a married man deliuered in a prittie dialogue, by roger a batchelor, to simon, a (iealous) married-man. to the tune of buckle and thong-a. m. p. (martin parker), d. 1656? 1629 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08961 stc 19246 estc s119370 99854577 99854577 20004 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08961) transcribed from: (early english books online ; image set 20004) images scanned from microfilm: (early english books, 1475-1640 ; 1607:17) houshold talke or, good councell for a married man deliuered in a prittie dialogue, by roger a batchelor, to simon, a (iealous) married-man. to the tune of buckle and thong-a. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for the assignes of thomas simcocks, and are to bee sold by francis grove, dwelling vpon snow-hill, london : [1629] signed: m. p., i.e. martin parker. in two parts; woodcuts at head of each part. stc has publication date 1628-1629. verse "neighbor roger woe is me,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-06 tcp assigned for keying and markup 2002-06 aptara keyed and coded from proquest page images 2002-08 emma (leeson) huber sampled and proofread 2002-08 emma (leeson) huber text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion houshold talke , or ; good councell for a married man. deliuered in a prittie dialogue , by roger a batchelor , to simon , a ( iealous ) married-man . to the tune of buckle and thong a. simon . neighbour roger woe is me , i am sorely discontented , no redresse at all i see . more and more i am tormented , night and day , i piue away . whilst my dearest friends doe scoffe me , to , my face they ( boldly ) say , my cosen makes a cuckold of me . roger. neighbour simon be not sad , let not passion ouer-sway thee , if thy wife will be so bad , that in such false coine shee 'le pay thee , why therefore , shouldst thou deplore , or weare stockings that are yellow , tush be blith ( man ) grieue no more , a cuckold is a good mans fellow . simon . ah , how can i chuse but be , grieu'd and vexed out of measure , when with mine owne eyes i see , him a riuall in my pleasure , with sore sobs , my bosome throbs when i heare my neighbours scoffe me , of all ioy my heart it robs , my cosen makes a cuckold of me . roger. iealousie 's a mad disease , and vpon the braine it worketh , like tormenting lice or fleas , it in secret corners lurketh , but that he , who ere he be . shewes himselfe in wit but shallow , to be vext with iealousie , a cuckold is a good mans fellow . simon . t is a saying long agoe , vs'd by those that know it truely , euery man can tame a shroe , but he who hath a wife vnruly , and he that weares , the shooe declares , best where it wrings him : doe not scoffe me , this report still fills mine eares , my cosen makes a cuckold of me . roger. tush , then it seemes t is bare report , not apparant by probation , neighbour i am sorry for 't , that on such a weake foundation , you should frame , such a fame , of your wife , 't is nought i tell you , yet suppose she were to blame , a cuckold is a good mans fellow . simon . alas deare neighbour you mistake , 't is not on meere supposition , that i this relation make , i haue grounds for my suspition , he and shee , so agree , that vnto my face they scoffe me , any man may ea●●ly see . my cosen makes a cuckold of me . roger. presuppose that all be true , ( as i hardly can beleeue it , ) yet it is but vaine for you , in the worst sence to conceiue it , i dare say , ( as i may ) it 's but flammes some gossips tell you , yet if she haue gone astray , a cuckold is a good mans fellow . the second part , to the same tune , simon . truely neighbour roger now , i perceiue that you are leaning , to defend ( if you knew how ) the knaue and queane , i find your meaning , i suppose , y' are one of those , that behind my backe will scoffe me , now i finde the game how 't goes , my cosen makes a cuckold of me . roger. iealous coxcombe leaue thy prate , doe not thus bewray thy folly , if cornuting be thy fate , be not mad with melancholy , i doe scorne , to subborne , he , or she in vice to wallow , yet i' de haue thee hide thy horne , a cuckold is a good mans fellow . simon . neighbour roger when you come , into th'row of neighbours married , i beleeue you'ie not be dumbe , if things be no better carried , then they be , now with me , farre and neere the people scoffe me , like you i wish that i were free . my cosen makes a cuckold of me , roger. neighbour sim i doe not know , what my fate may be in choosing ; but if i'ere come i'th'row , i 'me resolu'd not to be musing , whether she , be true to me , i will not shew my selfe so shallow , for if i be like to thee . a cuckold is a good mans fellow , simon . honest roger by my troth , thou ha●● giuen me satisfaction , from henceforth vpon my oath , ( vnlesse i take them in the action ) i will not my selfe besot , with iealousie that made some scoffe me , yet 't will hardly be forgot , my cosen makes a cuckold of me . roger. prethee sim forget it quite , thinke thy wife is constant to thee , this is one thing , marke it right , many good turnes it will doe thee , if thou seeke , her vse to breake , rather striue to stop a billow of the sea ; tush neuer speake , a cuckold is a good mans fellow . simon . now i am resolu'd to'th full , neuer more i will be iealous , nor will i mistrust my scull , i le be merry with good fellowes , home i le hie , by and by , kisse my wife ( with due submission ) thankes sweete roger heartily , for thy holsome admonition . m. p. finis . london , printed for the assignes of thomas simcocks , and are to bee sold by francis grove , dwelling vpon s●●● . hill. the coaches ouerthrow. or, a ioviall exaltation of divers tradesmen, and others, for the suppression of troublesome hackney coaches to the tune of, old king harry. 1636 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a19034 stc 5451 estc s118366 99853573 99853573 18963 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19034) transcribed from: (early english books online ; image set 18963) images scanned from microfilm: (early english books, 1475-1640 ; 1199:03) the coaches ouerthrow. or, a ioviall exaltation of divers tradesmen, and others, for the suppression of troublesome hackney coaches to the tune of, old king harry. taylor, john, 1580-1653, attributed name. 1 sheet ([2] p.) printed for francis grove, london : [1636] verse "as i pass'd by this other day,". possiby by john taylor--stc. publication date and printer from stc. in two parts; woodcuts at head of each part. imperfect; cropped, affecting some text and imprint. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2007-10 mona logarbo sampled and proofread 2007-10 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the coaches ouerthrow . or , a ioviall exaltation of divers tradesmen , and others , for the suppression of troublesome hackney coaches . to the tune of , old king harry . as i pass'd by this other day , where sacke and clarret spring ; i heard a mad crew by the way , that lowd did laugh and sing , high downe , dery dery downe , with the hackney coaches downe ; t is cry'd aloud they make such a crowd , men cannot passe the towne . the boyes that brew strong ale , and care not how the world doth swing ; so bonny , blith , and iouiall are , their liues are drinke and sing , hey downe , dery dery downe , with the hackney coaches downe , to make them roome , they may freely come , and liquor the thirsty towne . the collier he 's a sack of mirth , and though as black as soote , yet still he tunes , and whistles forth , and this is all the note . heigh downe , dery dery downe , with the hackney coaches downe : they long made fooles of poore carry-coales , but now must leave the towne . the carriers of euery shire , are as from cares immune : so iouiall is this packe horse quire , and this is all their tune . hey downe , dery dery downe , with the hackney coaches downe , farewell , adew , to the iumping crew , for they must leave the towne . although the carman had a cold , he strein'd his march-bird voice , and with the best a part did hold to sing and to reioyce . heigh downe , dery dery downe , with the hackney coaches downe : the carmens cars , and the merchants wares may passe along the towne . the very sings did pipe for ioy , that coachmen hence should hye , and that the coaches must away a mellowing up to lye . hey downe , dery dery downe , with the hackney coach-men downe , passe they their scope , as round as a rope , wee 'l logge them forth of towne . permonters , and the informes , that oft offences hatch ; in all our times the money-wormes , and they are for the catch . heigh downe , dery dery downe , with the hackney coaches downe , for these restraints , vvill with complaints . the second part to the same tune . the world no more shall run on whéels , with coach-men as 't has done ; but they must take them to their héeles , and try how they can run . heigh downe , dery dery downe , with the hackney coaches downe : wee thought they 'd burst , their pride since first swell'd so within the towne . the sedan does ( like atlas ) hope to carry heauen pick-pack : and likewise since he has such scope to beare the towne at 's back . heigh downe , dery dery downe , with the hackney coach-men downe : arise sedan , thou shalt be the man to beare vs about the towne . i loue sedans cause they doe plod , and amble euery where , which prancers are with leather shod , and néere disturbe the eare . heigh downe , dery dery downe , with the hackney coaches downe : their iumpings make the pauement shake , their noyse doth mad the towne . the elder brother shall take place , the youngest brother rise : the middle brothers out of grace , and euery tradesman cryes . heigh downe , dery dery downe , with the hackney coaches downe , 't would saue much durt , spare dust , and durt , were they cleane out of towne . the sick , the weake , the lame also , a coach for ease might beg : when they on foot might lightly goe , that are as right 's my leg. heigh downe 〈◊〉 〈◊〉 downe ▪ with the hackney coaches downe : let 's foot it out , ere the yeare comes about , t will saue vs many a crowne . what though we trip ore boots and shoes , t will ease the prise of leather : we shall get twice , what once we loose , when they doe fall together . heigh downe , dery dery downe , with the hackney coaches downe ; though one trade fall , yet in generall , t is a good to all the towne . t is an vndoing vnto none that a profession vse : tts good for all , not hurt to one , considering the abuse . then heigh downe , dery dery downe , with the hackney coaches downe : t is so decreed by a royall deed , to make 't a happy towne . coach-makers may use many trades , and get enough of meanes : and coach-men may turue off their iades , and helpe to draine the fens . heigh downe , dery dery downe , with the hackney coaches downe : the sythe , and flayle , cart , and plow-tayle doe want them out of towne . but to conclude , t is true , i heare they 'l soone be out of fashion , t is thought , they very likely are to haue a long vacation . heigh downe , dery dery downe , with the hackney coaches downe : their terme's neere done , and shall be begun no more in london towne . finis . london printed for francis 〈◊〉 a good wife is a portion every day. or a dialogue discovering a good wife from a bad. and happy is that man that hath such a one. the tune is, pockingtons pound. / by j. wade. wade, john, fl. 1660-1680. 1670-1696? approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06552 wing w165 interim tract supplement guide c.20.f.8[191] 99887710 ocm99887710 183360 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06552) transcribed from: (early english books online ; image set 183360) images scanned from microfilm: (early english books; tract supplement ; a5:2[151]) a good wife is a portion every day. or a dialogue discovering a good wife from a bad. and happy is that man that hath such a one. the tune is, pockingtons pound. / by j. wade. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby at the golden ball neer t[he] hospital gate in west smithfield., [london] : [between 1670-1696] place and date of publication suggested by wing. verse: "come youngmen & listen to what i'le you show ..." imperfect: trimmed, affecting text and imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a good wife is a portion every day . or a dialogue discovering a good wife from a bad . and happy is that man that hath such a one . the tune is , pockingtons pound . by j. wade . come youngmen & listen to what i 'le you show then william , and harry , and robin , & john when as you are minded a wooing to go , for these lines do concern you every one : and what i declare , i 'le make it appear , from eve it sprang out , and has last till this year , for though she was man's fall , mark what i say , a good wife is a portion every day . for a good wife will be saving and fearful to waste , but keep all things together so near as she can , when that a spend : thrift will let fly as fast , and séeks by all means to undo her good man : though he carps and doth care , she 'l not pinch nor spare , but junket abroad , and must have her fine cheer , she thinkes what she brought will never decay , when a good wife is a portion every day . a wife that is vertuous and civil beside will honour her husband , his words she 'l obey , she 'l not strive to cross him what ever betide , but make all things well when there should be a with fair words she 'l him draw to submit to her law , though his beard it be frozen , in time she 'l it thaw although he be given to wander and stray . a good wife will lead him into the right way . but she that takes no care but only for pride how buckle and thong together to hold , she will have her humour whatever betide , or else day and night at him she will scold , for let a man starve , as i am alive , first he must ask his wife is he shall thrive : and if she says no , his estate will decay ; when a good wife is a portion every day . if a youngman hath but little withal to begin , if he lights of a good wife his stock will increase , what he gets without doors she 'l save it within , and if he be froward she 'l strive to keep peace : when a cross-grained wife that 's given to strife , will seek to make a man weary on 's life : what e're he says to her she 'l not him obey , when a good wife is a portion every day . therefore young batchellors wherever you be , let not this money your hearts so bewitch , for 't ' ant that which makes a good husband you sée nor means altogether don't make a man rich : the reason i le show you why , you shan't say i lye , she that brings a great deal looks to be maintained high her costly attire an estate will decay , when a good wife &c. i heard of two brothers , the one was the heir , the other had little at all to begin , he married a wife that was both rich and fair , then for his poor brother ●e car'd not a pin : for he did live high , and his wife she let flye his means , till she brought him to poverty , then to his poor brother he sigh'd and did say , a good wife &c. thus you may see how some are made poor , and some that hath but little to fortune doth rise , then he that has a good wife make much of her therefore and do not against her no mischief devise : but some men cannot see when as they well be , but seeks for to ruin their family : then all the blame on the poor woman they lay , when a good &c. he that has a good wife , happy is that man , if he does his indeavour his living to get , and not spend it abroad in pot nor in can , she 'l arive alwaies to keep him out of debt ; good counsel she 'l him give , if he 'l it receive , and set him all times in a way for to live : but a wife that is froward his estate will decay but a good &c. but youngmen you 'l say how should a man kno● how to choose a good wife from a bad , in few lines i here will you show , and teach you that will make your hearts glad chuse one that is civil , and strives to shun evil , for some are too cunning i think for the devil , but she that means honest will keep the right w●● when a good &c. be sure don't take a wife that will swear and lye , nor one that is given to flout or to jeer , though she has ne'r so much means , she 'l make all fl● & spend more in a week then thou'lt get in a ye●● nor do not take one that 's too fluent in tongue , she 'l always be tattling of that she knows none though it be nonsence she will have her way , when a good &c. but if thou art minded for to have a mate , chu●e one that is vertuous and civil beside , although thou art poor she 'l live at the same rate . and with patience will wait till thou canst bet●● provid● for content is a thing , that comfort doth bring , it makes a poorman as well as a lord to sing : then let the red shank or dane deny what i say if a good wife &c. concluding my ditty of what i have told , make much of thy wife tho thou' rt never so poor and if thou 'st got children esteem them as gold , then thou 'lt find a salve for to cure thy sore : to work do thou strive , to keep them alive , as thy charge grows up thy stock it will thrive : then youngmen remember th●●e words that i s●● a good wife is a portion every day . finis . printed for p. brooksby at the golden ball neer t●● hospital gate in west smithfield . a wonder in kent of the admirable stomacke of one nicholas wood, dwelling at harrison in the county of kent : the like of him was neuer heard, as on this ditty is declar'd : to the tune of, the maunding souldier / r.c. r. c. 1630 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a17480 stc 4298 estc s1840 22830399 ocm 22830399 25769 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a17480) transcribed from: (early english books online ; image set 25769) images scanned from microfilm: (early english books, 1475-1640 ; 1789:7) a wonder in kent of the admirable stomacke of one nicholas wood, dwelling at harrison in the county of kent : the like of him was neuer heard, as on this ditty is declar'd : to the tune of, the maunding souldier / r.c. r. c. 1 broadside : ill. for h.g., printed at london : [1630?] date of imprint suggested by stc (2nd ed.). without music. imperfect: faded, with loss of print. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-09 tcp assigned for keying and markup 2002-12 aptara keyed and coded from proquest page images 2003-01 judith siefring sampled and proofread 2003-01 judith siefring text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion a wonder in kent : of the admirable stomacke of one nicholas wood , dwelling at harrisom in the county of kent . the like of him was neuer heard , as in this ditty is declar'd . to the tune of , the maunding souldier . all you that valiant fell●wes be , i pray giue eare a while to me , i tell you of a champion bold , that fights not for the fame of gold , but for good belly cheare , as well it doth appeare , the like wherof you nere did heare . none may with him compare , as i will here declare , the like liues not i dare to sweare . in kent this fellow now doth liue , at harrisom as report doth giue , his name is called nicholas wood , as i for truth haue vnderstood , well knowne by men of fame , his worth and nome , that well can iustifie the same , some gentlemen and knights , to ●●●sfie delights , haue sent for wood to see his sleights . ●e is not like these puling ones , 〈…〉 an houre picking bones , a shéepe or calfe that 's worth a marke , on them hée le brauely fall to worke , or if a hogge it be , all 's ●ne quoth he , in one houres space you 〈◊〉 shall sée , his stomacke is so strong , nothing will doe him wrong , the deuill 〈◊〉 sure his guts among . what talke i of a shéepe or calfe , a●as these exploits are not halfe , a hogs a thing that much will eate , fish , flesh , fowles , frogges , or such like meat , yet wood is of such power , that he within an houre a good fat hogge he did deuoure , his like was neuer none as plainely may be shone , not one like him was euer known . after that he had eat this hogge , i doe not meane to lye nor cogge , thrée pecks of d●msons he did eat , for to digest his swinish meat , another time beside , he being tride : seuen dozen of rabbets he 〈◊〉 , likewise he tooke in hand , to eat a flea●h of browne as soone as from the bore t was drawne , at sir william sidleyes house he eat , as men of credit doe repeat , as much as thorowly would suffice , full thirty men , oh gurmudize , but then vnto the fire , he did retire , and for some grease be did desire , thinking his belly he would breake immediately vnlesse he had speedy remedy , a quarter of a good fat 〈◊〉 , and thrée score egges he ouerc●me , and right●ene parts of blacke pudding , and a raw ducke all but bill and wing , and after he had din'd , as i doe find , he longed for cherries y t brauely shined then thréescore pound they brought , which he could 〈◊〉 to nought , a thing vnpossible me thought , his mighty paunch doth harbour all , sheepe , hoggs or calues , 〈…〉 stall , a pa●kett is likewise for deare , and c●nneyes gray , or siluer haire a 〈…〉 t is besides whereas he hides all kind of fruits that him besides cheese , buttermilke and whey , he bringeth in that way , thus he brings all quite to decay , the second part . to the same tune . the norfolke dumpling he ore came , the deuonshire white-pot he made ●ame the bag-pudding of glocester the blackepudding of wostershire , the shrop-shire pan-pudding , and such gutting , and somersetshire white-pudding , or any other shire , their puddings hée le not feare none may w t nicholas wood compare : the clothiers that in kent doe dwell , in sussex of this man did tel , to some o' th' chiefest yeomen there , who greatly mused when they did heare , and ofred presently that they would lay , a hundred pound of good money , that he could not deuoure , a wh●le calfe in an houre , they thought it was not in his power , 〈◊〉 wager thus betwixt them laid , the sussex men grew sore afraid , ●od of their match they did repent , desiring that they might recant , the kentish men did say , that they should pay , ten pounds or stand the match and day , then so they did agrée , and spent it merrily , but wood mist of their company . a gentleman by chance did come , where friends of his was in the roome and they were all at diner set . but he with them eate not a bit , when the reckoning was paid , the tapster said that twelue pence more most be defraid , by him that l●st come in , which had not at diner ben whereat the gentleman in spleene . did pay the same and said no more , but after plagued them therefore , an other time he did come there , and brought wood with him to a faire then to the inne he went , whereas he spent , a shilling once by ill consent and telling wood his mind , being thus 〈◊〉 , to call much meat & leaue wood behind come hostes quickly let be brought as much good meat as may be thought to satisfie a dozen men , the hastes quickly sent it in come sit downe wood quoth he , and i le goe sée , for some more of our company , but ere hee came agen , the tayster he came in thinking the deuill there had ben . the tapster did his mistris call , and said the man had eat by all , then into th' roome she came with spéed , and found the same was true indeed , then she began to sweare and pull and teare with wood for money for his fare and he said he was willing , to pay her downe a shilling he ●●tted her for former dealing . two citizens from london went , to see this wood was their intent , and being come to harrisom , they sent for him into the roome , for all the victuals they did call and pay , that was within the house that day , and wished goodman wood , to fall 〈◊〉 his food i marry quoth he that is good . these citizens found him to be , so ●●range the like they eu'r did see , desiring him that he would go● , to london , he resolued so , then at the last he said , he was a fraid the same to 'th king should be beraid ; and so he hang'd might be , therefore this thought had he , t is best staying in kent for me . his porrige boule is full two perks , he is not of the weakest sexe , good ale graines some times he doth eate , for want of other sort of meat , i doe not tell no lye , those that will forther try , a booke of him likewise may buy , where much more is declared , as i haue read and heard none like to him may be compared . r. c. finis . printed at london for h. g. a warning-piece for all wicked livers: or, a cavat [sic] for all people to remember their latter end. being very good instructions for old and young, rich and poor, to amend their lives, and repent before it be too late. to the tune of, the rich merchant man. lanfiere, thomas. 1681-1684? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04282 13516696 wing l362a interim tract supplement guide ebb65h[138] interim tract supplement guide c.20.f.8[488] estc r179340 99890938 ocm99890938 183593 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04282) transcribed from: (early english books online ; image set 183593) images scanned from microfilm: (early english books; tract supplement ; a2:4[138]; a5:2[384]) a warning-piece for all wicked livers: or, a cavat [sic] for all people to remember their latter end. being very good instructions for old and young, rich and poor, to amend their lives, and repent before it be too late. to the tune of, the rich merchant man. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for i. wright, i. clarke, w. t and t. passenger., [london] : [between 1681 and 1684] author, place and date of publication suggested by wing. verse: "to you both old and young ..." reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a warning-piece for all wicked livers : or , a cavat for all people to remember their latter end. being very good instructions for old and young , rich and poor , to amend their lives , and repent before it be too late . to the tune of , the rich merchant man. to you both old and young , these lines i do indite , desiring you them to observe , and not good counsel slight : take notice well i pray , what 's here pen'd in this song , vnto the general iudgement-day , i think the time 's not long : then fear god and repent , spend not your time in waste , for old and young , both rich and poor , must yield to death at last . how many wicked sins , are reigning in our land ? which are by men & women us'd against the lords command : hateful pride is in use , and also blasphemy , many run on in wickedness , and think they ne'r shall dye : then fear , &c. o would man did but think upon their latter end , then they would flye all vanity , and strive their lives to mend : o wretched mortal man , keep still , and bear in mind , though thou tak'st pleasure in this life , yet thou 'lt leave them behind : then fear , &c. mind not this worldly wealth , on it set not thy heart , for when that death doth stop thy breath , thy gold and thee must part , mans life is like a flower , that groweth fresh and brave , we are here to day , to morrow we may be laid within our grave : then fear , &c. abhor and also shun , from drunkenne●ss alway , 't will bring thy soul & body both to ruine and decay : abomination it is , before the sight of god , then use it not , lest that he scourge thee with his heavy rod : then fear , &c. swear thou not by the lord , take not his name in vain , in moses law it is forbid , as scripture shews it plain : some men now in these days , will upon their sins boast , he is counted the bravest blade that can curse and swear most : then fear god and repent , spend not your time in waste , for old and young , both rich and poor , must yield to death at last . let thy mind be bent , to do thy neighbour wrong , but see thou give all men their due which doth to them belong : pray love the fatherless , to the widdow be a friend , relieve those that are in distress , then god will thee defend : then fear god and repent , spend not your time in waste , for old and young , both rich and poor , must yield to death at last . a covetous mind don't bear , if thou art blest with store , but spare some part of what thou hast , for the help of the poor : although that wealth thou hast , yet it is but lent to thee , then comfort and give alms to those that are in misery . then fear , &c. now to young people likewise , good counsel i will give , if thou 'lt it take , 't will do thee good , so long as thou dost live ? neglect not gods holy word , but keep his laws truly , mind not the pleasure of this world , for it is but vanity . then fear , &c. forget not you this rule , bear it in mind alway , vnto your parents reverence give , and duely them obey : for those children that do ; their father and mother scorn , the curse of god hangs on their head , better they 'd ne'r been born : then fear , &c. idleness and sloth shun , labour as god allows ; strive always for to get your bread by the swear of your brows indeavour and get in youth , to keep you when you are old for if poverty doth come you 'l find , that charity will be cold , then fear , &c. refuse no good counsel that 's given unto thee ; but shew respect unto all men , and not high-minded be : remember that thou keep , the sabbath of the lord , for that 's a day ordain'd for us , to meditate on his word : then fear , &c. every one that doth these verses hear or see example take , and learn by them , for to live righteously : enter not into sin , repent without delay ; for time and tide doth slip along , it will for no man stay : then fear god and repent , spend not your time in waste , for old and young , both rich and poor must yield to death at last . finis . printed for i. wright , i. clarke , w. t and t. passenger . a true subiects wish for the happy successe of our royall army preparing to resist the factious rebellion of those insolent covenanters (against the sacred maiesty, of our gracious and loving king charles) in scotland. to the tune of, o how now mars, &c. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08984 of text s119914 in the english short title catalog (stc 19274). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08984 stc 19274 estc s119914 99855120 99855120 20593 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08984) transcribed from: (early english books online ; image set 20593) images scanned from microfilm: (early english books, 1475-1640 ; 1525:23) a true subiects wish for the happy successe of our royall army preparing to resist the factious rebellion of those insolent covenanters (against the sacred maiesty, of our gracious and loving king charles) in scotland. to the tune of, o how now mars, &c. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. by e. g[riffin] and are to be sold [by t. lambert] at the horse-shoe in smithfield, printed at london : [1640] signed: m.p., i.e. martin parker. a ballad. in two parts. printer's and bookseller's names and publication date from stc. verse "if ever england had occasion,". reproduction of the original in the bodleian library. eng ballads, english -17th century. covenanters -poetry -early works to 1800. a08984 s119914 (stc 19274). civilwar no a true subiects wish. for the happy successe of our royall army preparing to resist the factious rebellion of those insolent covenanters (ag m. p 1640 840 16 0 0 0 0 0 190 f the rate of 190 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 mona logarbo sampled and proofread 2008-01 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a true subiects wish . for the happy successe of our royall army preparing to resist the factious rebellion of those insolent covenanters ( against the sacred maiesty , of our gracious and loving king charles ) in scotland . to the tune of , o how now mars , &c. 〈◊〉 ever england had occasion , her ancient honour to defend , 〈◊〉 let her now make preparation , 〈…〉 honourable end : the ●actious scot is very hot , 〈…〉 ent spléene is néer ' forget 〈…〉 hath bin about this plot . 〈◊〉 the colour of religion , 〈…〉 i th hypocriticall pretence ) 〈…〉 e a fraction in that region , 〈…〉 against their native prince , 〈◊〉 heaven blesse with 〈…〉 nesse , 〈◊〉 all his enemies represse , ●●●st be he that wisheth lesse . 〈◊〉 gratious soueraigne very mildely , 〈◊〉 them what they did desire , 〈…〉 ingratefully and vildly , 〈◊〉 still continued the fire 〈◊〉 discontent ●gainst gouernment , 〈◊〉 england now is fully bent , proud iocky's bosting to preuent . 〈◊〉 importeth englands honour 〈◊〉 blesse rebels to oppose , 〈…〉 saint georges banner , 〈…〉 them as our countries foes , and they shall sée , how stoutly we , ( for royall charles with courage frée ) will fight if there occasion be . vnto the world it is apparent , that they rebell i th' high'st degrée , no true religion will giue warrant , that any subiect arm'd should be , against his prince in any sence , what ere he hold for his pretence , rebellion is a souls offence . nay more to aggrauate the euill , and make them odious mongst good men , it will appeare , that all their levell , is change of gouernment , and then , what will insue , amongst the crew , but iocky with his bonnet blew , both crown and scepter would subdue . why of these men will take compassion , that are disloyall to their king , among them borne in their owne nation , and one who in each lawfull thing , doth séeke their weale , with perfect zeale , to any good man i 'le appeale , if with king charles they rightly deale . the second part , to the same tune . the lord to publish their intentions , did bring to light a trecherous thing , for they to further their inventions , a letter wrote to the french king , and in the same , his aide to claime , with subtlety their words they frame , which letter to our soueraigne came . then let all loyall subiects iudge it , if we haue not a cause to fight , you who haue mony doe not grudge it , but in your king and countries right , freely disburse . both person purse , and all you may to auoyd the curse , of lasting warre which will be worse . if they are growne so farre audacious , that they durst call in forraine aide , against a king so milde and gratious , haue we not cause to be afraid , of life and blood , we then had stood , in danger of such neighbourhood , in time to quell them t will be good . then noble country-men be armed , to tame these proud outdaring scots , that englands honour be not harmed , let all according to their lots , couragiously their fortune try , against the vaunting enemy , and come home crownd with victory . the noble irish good example , doth give of his fidelity , his purse , and person is so ample . to serve his royall maiesty , and gladly he the man will be , to scourge the scots disloyalty , if englands honour would agree . then we more merely interessed , i th ●●nture danger that might chance , if that against our soveraigne blessed , those rebels had got aide from france , should not be slacke , nor ere shrinke backe , or let king charles assistance lacke , to tame in time this saucy iacke . we have a generall so noble , ( the great earle of northumberland ) that t will ( i trust ) be little trouble , those factious rebels to withstand ▪ his very name séemes to proclaime , and to the world divulge the same , his ancestors there won such fame . the god of host's goe with our army my noble hearts for you i le pray , that neuer any foe may harme ye ▪ nor any stratagem betray your braue designe , may beames divine , upon your ensignes brightly shine , amen say i , and every friend of mine finis . m. p. printed at london by e. g. and are to be sold at the horse-shoe in smithfield . the good-fellow's resolution: or, the bad husbands return from his folly, being a caveat for all spend-thrifts to beware of the main chance. here in this ballad you may see, the vain-ness of bad husbandry: good advice here is to be found, the which may save you many a pound. to the tune of, the plow-mans honour made known. / by t. lanfiere. drink t'other bowl, i'le follow thee. lanfiere, thomas. 1678-1681? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04278 wing l359 interim tract supplement guide c.20.f.8[200] 99887713 ocm99887713 183366 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04278) transcribed from: (early english books online ; image set 183366) images scanned from microfilm: (early english books; tract supplement ; a5:2[157]) the good-fellow's resolution: or, the bad husbands return from his folly, being a caveat for all spend-thrifts to beware of the main chance. here in this ballad you may see, the vain-ness of bad husbandry: good advice here is to be found, the which may save you many a pound. to the tune of, the plow-mans honour made known. / by t. lanfiere. drink t'other bowl, i'le follow thee. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for f. coles, t. vere, j. wright, j. clarke, w. thackeray, and t. passinger., [london] : [between 1678-1681] place and date of publication suggested by wing. verse: "i have been a bad husband this full fifteen year ..." trimmed at head. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 megan marion sampled and proofread 2008-12 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the good-fellows resolution : or , the bad husbands return from his folly , being a caveat for all spend-thrifts to beware of the main chance . here in this ballad you may see , the vain ness bad husbandry : good advice here is to be found . the which may save you many a pound . by t. lanfiere . to the tune of , the plow-mans honour made known . drink t'other bowl , i 'le follow thee . i have been a bad husband this full fifteen year , and have spent many pounds in good ale , & strong beer i have ranted in ale-houses day after day , and wasted my time and my money away : but now i 'le beware , and have a great care , left at the last poverty falls to my share : for now i will lay up my money in store , and i never will play the bad husband no more . too long i have lived in this idle course , in spending my money , which hath made me the worse ; when as i had got silver plentifully , i did not regard how fast i let it flye : for sometimes i 've spend , and sometimes i've lend , but the longest day now i see must have an end : for now , &c. sometimes in the ale-house a week i would sit , if i with good-fellows did chance for to meet ; vntill all my money was wasted and gone , then it was high time to turn out and go home : my proud hostis she , would look scornful on me , and tell me she did not love such company : but now , &c. doll cleanly that lives in the middle of the town , hath first and last of me had many a crown ; if then i did come to her and bring store of money , and call apace for drink , on me she 'd look bonny : both early and late a boozing i have sat , but my hostis and i now is in great debate : for now , &c. too much unto gameing my self i would use , there was no kind of exercise i did refuse ; a crown or an angle i have lost on a day , which would have been better kept then thrown away : then beer it was plenty , no flaggons stood empty , sometimes on the board stood full eighteen or twenty : but now , &c. such idle courses i us'd always to take , for little account of my money i 've make ; i would call for strong tipple and make my heart merry , but now of such actions truly i am weary : though thred-bare i went , with my cloaths torn & rent yet i to the ale-house would always frequent : but now , &c. my landladys they would seem loving to be , if that they saw money was plenty with me ; but if that i had none at all for to show , they would look coy on me , as if they did not me know and if so be that i was never so dry , to trust me a flaggon some whores would deny : but now i will lay up my money in store , and i will never play the bad husband no more . i went to an hostis where i us'd to resort , and i made her believe that money was short ; i aske her to trust me , but she answered nay , enough of such guests i can have every day : then quoth she , pray forbear there 's no staying here , except you have money you shall have no beer . but now , &c. i pull'd out a handful of money straightway , and shew'd it unto her , to hear what she 'd say ; quoth she , you shall have beer and ale of the best , you are kindly welcome , i did speak but in jest : o no , no , said i , your words i defie . i 'le see you hang'd e're with you i 'le spend a penny : but now , &c. thus here you may see and observe it full plain . the ale-wives and inn-keepers all are for gain ; if a man on them spends all that e're he hath got , he shall have no thanks , but be counted a sot : to you they 'l seem kind , whilst you can them cash find , but when you have spent all they will change their mind but now , &c. if i had but sav'd half the money i have spent , how it would rejoyce my heart with much content ; but since 't is all gone , farewel unto it , henceforth i 'm resolved for to learn more wit : my folly i see , in spending so free , the ale-wives no more my purse-bearers shall be : for now , &c. then bad husbands of the main chance have a care , left poverty comes on you e're you are aware : take heed how idly your money you spend , make much of that little which god doth you lend . endeavour always your stock for to raise , then of honest people you will have the praise : strive for , &c. to conclude , take my counsel do not it restrain , you 'l find it will be for your profit and gain , whilst you are young and lusty strive to get and save , then things necessary in old age you 'l have : be sure do not waste , left you want at last , those that plays in summer in winter must fast : then learn for to lay up your money in store , resolve for to play the bad husband no more . printed for f. coles , t. vero , j. wright , j. clarke . w. thackeray , and t. passinger . the hasty bride-groom: or, the rarest sport that hath of late been tri'd, between a lusty bride-grome and his bride. to the tune of, bass his carreer: or. bow bells. hesselwood, henry. this text is an enriched version of the tcp digital transcription b03610 of text863 in the english short title catalog (wing h1134aa). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b03610 wing h1134aa interim tract supplement guide br f 821.04 b49[10] 99887535 ocm99887535 182268 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03610) transcribed from: (early english books online ; image set 182268) images scanned from microfilm: (early english books; tract supplement ; a3:3[12]) the hasty bride-groom: or, the rarest sport that hath of late been tri'd, between a lusty bride-grome and his bride. to the tune of, bass his carreer: or. bow bells. hesselwood, henry. 1 sheet ([1] p.) : ill (woodcuts). printed for francis grove dwelling on snow-hill, london, : [1650?] author and date of publication from wing. verse: "come from [the] temple away to the bed ..." in two parts, printed side by side. at head of second part: the second part, to the same tune. reproduction of original in the british library. eng ballads, english -17th century. b03610 863 (wing h1134aa). civilwar no the hasty bride-groom: or, the rarest sport that hath of late been tri'd, between a lusty bride-grome and his bride. to the tune of, bass hi hesselwood, henry. 1650 933 2 0 0 0 0 0 21 c the rate of 21 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the hasty bride-groom : or , the rarest sport that ha●h of late been tri'd , between a lusty bride-grome and his bride . to the tune of , bass his carreer : or. bow bells come from ye temple away to the bed . 〈◊〉 ye marchant transports home his treasure be not so coy lady since we are wed , t is no sin to tast of the pleasure : then come let us be , blith merry and frée ; vpon my life all the waiters are gon : and 't is so that they know where you go , say not no , for i mean to make bold with my owne . what is 't to me though our hands joyned be , if our bodies be still kept assunder . shall it be said , their goes a married maid , indéed we will have no such wonder ; therefore let 's jmbrace , there 's non sées thy face , the bride-maids that waited are gone : non can spy , how you lye nere deny , but say i for indeed i le make bold with my own . then come let us kiss & let us tast of that bliss which brave lords and ladies enjoy'd , if all maids should bée of the humour of thée , generation would soon be destroy'd ; then where are those joys the g●rls and the boys , wouldst thou live in the world all alone , don't distroy , but enjoy , séem not coy , for a toy , for indeed i le make bold with my own . sweet love do not frown , put off thy gown , t is a garment unfit for the night , some say that black hath a relishing smak , i had rather be dealing with white : then be not afraid , for you are not betray'd , since we two are together alone : i invite , you this night , to do right , my delight , is forthwith to make bold with my own prethée begin don't delay but unpin , for my humour i cannot prevent it , you are too straight lac'd & your gorget's so fast , undo it or i straight way will rend it or to end all the strife , i l'e cut it with my knif , t is to long to stay til it is undone : let thy wast , be unlac'd , and in half , be imbrac't , for i long to be bold with my own . the second part , to the same tune . feel here on my hand , how you make me to stand even ready to starve in the cold ; o why shouldst thou be , so hard-hearted to me that loves the more dearer then gold : and as thou hast béen , like fair venus the quéen , most compleat in thy parts every ane : let me find , that thy mind , is inclin'd to be kind ; so that i may make with my own . as thou art fair , and more swéet then the air that dallies on julies brave roses , now let mée be , to that garden a key , which the flowers of virgins incloses , and i will not bée , too rough unto thée , for my nature unto mildness is prone ; do no lesse but undresse and unlace , all a pace . for this night i le make bold with my own . when i have found , thée temprate and sound thy swéet breast i will take for my pillow t is great pitty yt we which newly married be should be forc'd to wear the gréen-willow : we shall be blest , and live swéetly at rest , when we two are vnited in one . with content , and consent , i am bent , my intent , is this night to make bold with my own . the ladies loving reply . welcome dear love all ye powers above , are well pleased at our happy meeting ; the heavens have decrée , & ye earth is agréed that i should imbrace my own swéeting : at bed and at board both in déed and in word . my affection to thée shall shown : thou art mine , i am thine , let us joyne , and combine , i le not bar thee from what is thy own . our brid-bed is made , yu shalt be my comrade for to lodge in my arms all night , where thou shalt inioy being frée from anoy all the sport wherein love takes delight : our mirth shall be crown'd , and our triump renownd : then swéet-heart let thy valour be shown , take thy fill , do thy will , use thy skill , welcome still why shouldst thou not make bold with thy own the bride-groom & brid wt much joy on each side then togeather they to bed both 〈◊〉 go but what they did there i did neither sée nor hear , nor i do not desire to know , but by cupids aid , they being well laid , they made sport by themselves alon : being plac'd , she unlac'd , he uncas'd , she imbrac'd , then he stoutly made bold with his own . finis . london , printed for francis grove dwelling on snow-hill vvonder of vvonders being a true relation of the strange and invisible beating of a drum, at the house of john mompesson, esquire, at tidcomb, in the county of wilt-shire ... : to the tune of bragandary / by abraham miles. miles, abraham. 1662 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a50850 wing m2045 estc r41805 31360738 ocm 31360738 110786 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a50850) transcribed from: (early english books online ; image set 110786) images scanned from microfilm: (early english books, 1641-1700 ; 1747:13) vvonder of vvonders being a true relation of the strange and invisible beating of a drum, at the house of john mompesson, esquire, at tidcomb, in the county of wilt-shire ... : to the tune of bragandary / by abraham miles. miles, abraham. 1 sheet ([1] p.) : ill. printed for william gilbertson, [london] : [1662?] in verse. includes one illustration. place and date of publication from wing (2nd ed.); date also appears in ms. at end of sheet, "mense februar: 1662." reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. poltergeists -england. broadsides -london (england) -17th century. 2003-09 tcp assigned for keying and markup 2003-10 spi global keyed and coded from proquest page images 2003-12 jonathan blaney sampled and proofread 2003-12 jonathan blaney text and markup reviewed and edited 2004-02 pfs batch review (qc) and xml conversion a vvonder of vvonders ; being a true relation of the strange and invisible beating of a drum , at the house of iohn mompess●n , esquire , at tidcomb in the county of wiltshire , being about eight of the clock at night , and continuing till four in the morning , several dayes one after another , to the great admiration of many persons of honour , gentlemen of quality , and many hundreds ▪ who have gone from several parts to hear this miraculous wonder , since the first time it b●gan to beat roundheads and cuckolds , come dig , come dig . also the burning of a drum that was taken from a drummer : likewise the manner how the stools and chair● danced about the rooms . the drummer is sent to glocester gaol : likewise a g●●a● conflict betwixt the ●vil spirit and anthony a lusty country fellow . to the tune of , br●gandary . all you that fear the god on high amend your lives and repent , these latter dayes shew dooms-days nigh such wonders strange are sent . of a strange wonder shall you hear at tidcomb within fair wilt-shire . o news , notable news , ye never the like did hear . of a drummer his use was so at great houses for to beat , he to one certain house did go and entered in at gate : at the house of master mompesson he began aloud to beat his drum. o news , notable news , ye never the like did hear . alarum , march , and troop likewise he thundered at the gate , the children frighted at the noise forwarned he was to beat : but he refused , and his drum did rattle as if he had bin in some battle . o news , notable news , ye never the like did hear . he said he would not be forbid , neither by his bick nor brall , and had power for what he did , they did him rascal call : no sir ▪ i am no such quoth he two iustices hands in my p●sse be . o news , notable news , ye never the like did hear . 't was counterfeit he did understand , and then without delay , he gave his servants then command to set this fellow away , and likewise took away his drum , this you 'l repent the time will come . o news , notable news , ye never the like did hear . about ●ight a clock that present night a drum beat in every room which put them in amaze or fright , not knowing how it did come : the first it beat was this old iig , roundheads & cuckolds come dig , come dig . o wonders , notable wonders , ye never the like did hear . from eight till four in the morn with a rattling thundering noyse the eccho as loud as a horn , and frights them many wayes , to appeale the noyse i understand they burned the drum out of hand . o wonders , notable wonders , ye never the like did hear . but still about the same time this noyse continued , yet little hurt they did sustain but children thrown from bed , and then by the hair of the head they were plucked quite out of bed . o wonders , notable wonders , ye never the like did hear . from one room to another were they tost by a hellish fiend , as if he would them quite destroy or make of them an end , and t●en some ease after their pain they'd be placed in their beds again . o wonders , notable wonders , ye never the like did hear . the gentleman did give command to have th● children away unto a friends house out of hand them safely to convey : what ever they did it made them wonder a ratling drum was heard like thunder . o wonders , notable wonders , ye never the like did hear . a minister being devout at prayer unto the god on high , a bed-staff was thrown at him there with bitter vehemency , he said the son of god appear to destroy the works of satan here . o wonders , notable wond●rs , ye never the like did hear . there 's one they call him anthony that carried a sword to bed , and the spirit at him will fly , hard to be resisted , if his hand out of the bed he cast , the spirit will unto it fast . o wonders , notable wonders , ye never the like did hear . both rooms , stables , and orchard groun● a drum was heard to b●at . and sometimes in the chymney sound by night make cattle sweat , both chears and stools about would gig and often times would dance a iig . o wonders , notable wonders , ye never the like did hear . so powerful were these motions all by satan sure appointed , the chamber floor would rise and fall and never a board disjoynted : then they heard a show from high thrée times a witch a witch did cry . o wonders , notable wonders , ye never the like did hear . finis . by abraham miles . printed for william gilbertson . love in the blossome: or, fancy in the bud. containing a pretty, pleasant and delightful courtship, betwixt two very young (but truly amorous) lovers, being persons of very eminent quality, (at their first entrance into cupid's school.) to the tune of, amarillis told her swain. / j.p. playford, john, 1623-1686? 1670 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04714 wing p2487a interim tract supplement guide c.20.f.8[315] 99887799 ocm99887799 183459 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04714) transcribed from: (early english books online ; image set 183459) images scanned from microfilm: (early english books; tract supplement ; a5:2[250]) love in the blossome: or, fancy in the bud. containing a pretty, pleasant and delightful courtship, betwixt two very young (but truly amorous) lovers, being persons of very eminent quality, (at their first entrance into cupid's school.) to the tune of, amarillis told her swain. / j.p. playford, john, 1623-1686? 1 sheet ([1] p.) : ill. (woodcuts). s.n., [london : 1670?] attributed to john playford by wing. verse: "one summers evening fresh and fair ..." imprint suggested by wing. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng love poetry, english -early works to 1800. ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion love in the blossome : or , fancy in the bud. containing a pretty , pleasant and delightful courtship , betwixt two very young ( but truly amorous ) lovers , being persons of very eminent quality , ( at their first entrance into cupids school . ) to the tune of , amarillis told her swain . j. p. one summer evening fresh and fair , walking out to take the ayre , near to the court , where gallants sport , i carefully did wander , vvhereas in state , two lovers sate like hero and leander . it was under a pleasant shade , vvhere this prety couple plaid they did not fear to be betray'd nor had not yet espi'd me , to hear them prattle down i laid , and closely i did hide me . they were both of tender age , in loves affairs for to ingage , yet cupids craft , with feather'd shaft had wounded them at distance , no humane art can cure the smart , in vain was their resistance . this young gallant ▪ stripling sate by his loving lady-mate , and amorously began to prate he had both time and leisure , vvith kisses sweet , their lips did meet , vvherein they took great pleasure . she in cloth of gold did shine , and her beauty seem'd divine , i often wisht she had been mine fain would i be his taster ; but not one bit , that i could get , t was meat fit for my master . having now both time and place lovingly for to imbrace , this gallants care , was to prepare the art of love to show her : then near i stept and closely crept , and thus i heard him woe her . dearest love and lady mine , let our hearts in one combine , vvithin your brest , my soul doth rest great cupid hath betray'd me : to kill or cure , 't is in your power your captive he hath made me . at your mercy now i lie , grant me love or else i die , by virtue of your eye ; dear heart in love i languish , then be not coy my only joy but heal me of my anguish . then she made this sweet reply a stranger unto love am i , good sir forbear , let me not hear of bondage at this season : the ciprian boy shall not destroy my freedome and my reason . but if ever i should prove , subject to the god of love , methinks my mind is so inclin'd your courtship is so moving , no one but you , whom i do know , shall teach me th' art of loving , then he was quick to speak again , whilest his hopes afresh remain ; he sometimes kist , and sometimes mist according as she strugled . but had they stai'd , i 'me half afraid his ●o●es he would have doubled . now to break off their delight they saw coming in their sight another pair , both fresh and fair of spruce and amorous lovers ; and being met , they made no let but all their love discovers . then they walked hand in hand , subject all to loves command : i could not lye but up got i to see some further sport sir , 't was almost dark , when ore the park i see them pass toth ' court sir. then i wisht that i had there such a pretty lady near to court and kiss , to hit and miss , as others had been wooing ; but all in vain i might complain , for i could not be doing . an excellent new play-house song; called, the bonny gray-ey'd morn; or, jockie rouz'd with love. to an excellent new tune. d'urfey, thomas, 1653-1723. 1700 approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02819 wing d2721a estc r217680 52614627 ocm 52614627 175843 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02819) transcribed from: (early english books online ; image set 175843) images scanned from microfilm: (early english books, 1641-1700 ; 2752:29) an excellent new play-house song; called, the bonny gray-ey'd morn; or, jockie rouz'd with love. to an excellent new tune. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. s.n., [scotland : 1700?] caption title. contains one woodcut illustration. attributed to d'urfey by wing (2nd ed.). place and date of publication suggested by national library of scotland. reproduction of original in: national library of scotland. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, scots -17th century. broadsides -scotland -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion an excellent new play-house song ; called , the bonny gray-ey'd morn ; or , jockie rouz'd with love. to an excellent new tune . the bonny gray-ey'd morn began for to peep when jockie rouz'd with love came blithly on ; and i who wishing lay depriv'd of sleep , abhor'd the lazy hours that flow did run . but meikle were my joy's whe● in my view i from the vvindow spy'd my only dear ; i took the vvings of love and to him flew , for i had fancy'd all my heaven was there . upon my bosom jockie laid his head , and sighing told me pretty tales of love my yielding heart , at every vvord he said , did flutter up and down , and strangely move : he sighing , kiss'd my hand , and vow'd and swore , that i had o'er his heart a conquest gain'd . then blushing begg'd , that i would grant him more which he alas ! too soon , too soon obtain'd . nor that i do repent , i did comply ; but this i needs must own , my yielding heart vvas quickly overcome by jockie's eye , which gave a deeper vvound than cupids dart , his cheeks were cherry red , his lips the same , his tongue so many charms could still express : t●at every word he said did raise new flames , and kindled , kindled fire in my breast . my jockie does a thousand vvays beside , express himself in tender love to me : vvith arms about my vvaste , he sighing cry'd , oh give me thy consent or i must die , then with a gentle kiss doth beg again , that his poor wounded h●art i would but cure , nor thinking that i felt his love-sick pain , for alas ! 't was his , 't was his before . and now ! i could no longer hide my pain , but let my dearest jockie know my heart . oh , how he hugg'd me in his arms again ! and ev'ry kiss he gave did ease my smart ; then vowing o'er and o'er betwixt each kiss , he constant would remain while l●e did last ; now tell me lovers ; where 's the hurt of this , for to enjoy , when that the knot 's ty'd fast ? finis . the subtile damosel: or, good counsel for maids. wherein she shews to every maiden fair, to take heed of false young men wherever they are: for frummety dick doth love well the kettle, and porrige pot will is a man of great mettle. to the tune of, the new made gentlewoman, wade, john, fl. 1660-1680. 1681 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06564 15077991 wing w172 interim tract supplement guide ebb65h[98] estc r35231 99890014 ocm99890014 182015 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06564) transcribed from: (early english books online ; image set 182015) images scanned from microfilm: (early english books; tract supplement ; a2:4[98]) the subtile damosel: or, good counsel for maids. wherein she shews to every maiden fair, to take heed of false young men wherever they are: for frummety dick doth love well the kettle, and porrige pot will is a man of great mettle. to the tune of, the new made gentlewoman, wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. (woodcuts). printed for richard hardy at the horshoe in west smithfield., london, : [1681] verse: "i once had a servant ..." signed: by j. wade. date of publication suggested by wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-09 mona logarbo sampled and proofread 2008-09 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the subtile damosel . or , good counsel for maids . wherein she shews to every maiden fair , to take heed of false young men wherever they are : for frummety dick doth love well the kettle , and porrige pot will is a man of great mettle . to the tune of , the new made gentlewoman , i once had a servant , as other maids have that pretented to love me but he proved a knave : he thought by his tricks to overcome me , but i was as cunning and crafty as he . his tongue was so tipt with temptations that i out of his presence or sight could not lie ; he call'd me his hony , his duck and his dear : but now his words to me he doth them forswear , but now i am frée from him , i 'm glad in my heart : its never be said , i will mourn when we part : but unto all maids now the truth i will show to take héed of false young men wherever they go . i' th' first place take heed , and beware what i say ▪ for when you are bound , they 'l force you to obey : nere trust a man that hath a red nose , before he 'l want his liquor he 'l pawn your best cloaths : there 's dick came and harry : both robin and will have showed themselves clowns , and so they 'l be still : for peter at dancing he put them all down but john kist the best of all men in the town . but though i did promise him and count him the best yet he can dissemble as well as the rest : from eightéen to thirty these young men i mind loves a wench in a corner , if they can them find . for this i 'm resolved , and so i say still , there 's not one amongst twenty but he both prove ill : search every city and town you shan't see a man that proves constant and faithful to be though john of good mettle , and counted so civil , at a frumme●y kettle he 'l fight with the devil : or at long spoon and custard he 's a right honest man : but i have forsook him then love him who can . there 's bob a good fellow to give him his due : such a young man again i think there is but few : yet with one disease he is troubled i smell , if he méet with a wench , he can't kiss her but tell . also came the taylor and the weaver i discern , the one is for shreds , the others for yarn : these two boon companion● work hard i do see , and they 'r striving which of them the best thief will be , last valentines day i met with my dear , he took me by the hand , and lead me to the fair : he gave me fine fairings , to kiss me was bold : but at last i do give him the dog for to hold , his eloquent spéeches could do him no good , i can give him fair words , and then leave i' th' mud : he talkt of déep learning , but i did him tell that he went to school in some bottomless well . the world now adaies it is come to that pass , that every boy now doth look for a lass : there 's bacon-fac'd harry as short as my thumb , all arse and no body , sing come pudding come . these young men & more of them which i could name , to wrong pretty maidens they think it no shame . but what shou'd we speak on 't ? it oft has been tri'd , that honest young men they cannot abide . thus maids have i told you some part of my mind , how 't is very heard a good husband to find . though my love hath left me , to grieve i ne'er shall : if the rest prove no better , old nick take them all by j. wade finis . london , printed for richard hardy at the horshoe in west smithfield . roaring dick of douer, or, the iouiall good fellow of kent that ne'r is willing to giue ouer, till all his money be spent : to the tune of fuddle, roare and swagger / [by] r.c. crimsal, richard. 1632 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a19012 stc 5429.5 estc s3323 33143325 ocm 33143325 28382 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19012) transcribed from: (early english books online ; image set 28382) images scanned from microfilm: (early english books, 1475-1640 ; 1873:14) roaring dick of douer, or, the iouiall good fellow of kent that ne'r is willing to giue ouer, till all his money be spent : to the tune of fuddle, roare and swagger / [by] r.c. crimsal, richard. 1 sheet ([1] p.) : ill. for h.c., printed at london : [1632?] contains four illustrations. date of publication from stc (2nd ed.). bound as two leaves. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-10 tcp assigned for keying and markup 2002-11 apex covantage keyed and coded from proquest page images 2003-01 emma (leeson) huber sampled and proofread 2003-01 emma (leeson) huber text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion roaring dick of douer : or , the iouiall good fellow of kent , that ne'r is willing to giue ouer , till all his money be spent . to the tune of fuddle , roare and swagger . heere 's a health to all good fellowes , that intend with me to ioyne , at the tauerne , or the ale-house , and will freely spend their quoyne . but for such as hate strong liquor , are not for my company , o it makes my wits the quicker , when i taste it thorowly . i can fuddle , roare and swagger , sing and dance in seuerall sort , and giue six peuce to a begger , in all this there 's little hurt . whilst some churle that 's worth a million , will giue nought in charity , but to himselfe he proues a villaine : iudge who 's better he or i. there 's many men get store of treasure , yet they liue like very slaues : in this world they haue no pleasure , the more they haue , the more they 〈◊〉 . hang such greedy-minded misers , that will ne'r contented be , i haue heard by good aduisers , that con●ent liues merrily . wherefore should we liue in sorrow , since we may imbrace true ioye to day aliue , and dead to morrow , as most commonly they 'll say . he is a foole that pin●s his carkais ▪ if he haue to s●rue his turne , and perhaps sometimes in darkenesse , grafted is his head with horne . hée 's no right true-hearted fellow , that in company will drinke , till such time as he is mellow , and not fréely spend his chinke . let such sharking base companions . be kickt out of company ▪ for they be but beastly hang on●s ; and will call , but we must pay . come my lads , be blythe and merry , sing and drinke and trace your ground , and let 's haue a cup of sherry ; that ( me think● ) ●oes kindly downe . le ts not spare whilst we haue money , for ●o pay for what ●e call , we needs must spa●e when we haue not any , that 's the greatest plague of all . the second part , to the same tune . honest hugh , tom , will and harry , they will ioyne their money round , kate , nan , besse and bouncing mary , will no● shrinke , but still are sound . they are lads and honest lasses , that to each others are kinde , they 'l sing & roare , breake pots and glasses , when their heads are tipt with wine . some mens wiues will brawle & wrangle , if their husbands spend a pot , but my selfe i will intangle , with a lasse to pay my shot . i doe hate these base conditions of a deuillish scolding queane , iealous heads haue bad suspition , you may thinke o● 〈◊〉 〈◊〉 meane . women 〈◊〉 let me intrea● you , that you will not brawle 〈◊〉 scold , for it makes your husbands beat you , some men will not be contrould , therefore rest your selues contented : best i hold it so to be : in your minds be not tormented : but take part as well as he . me thinkes it is a worldly pleasure , for to haue a wife proue kind , t is a ioy beyond all measure ▪ 〈◊〉 ●y 〈◊〉 the same doe finde . if i had a scolding creature , i should neuer merry be , 〈◊〉 i many times should beat her , with her i could not agree . tapster , come and take thy reckoning , tell me k●●●ly what 's to pay , yet peeces in my pockets rattling , bidde me longer ●hr● to stay , come bring a pipe of good tobacco , let it be the very best , that 's the thing that here we take so , then come drinke with vs thy guests . hang vp sorrow , i can borrow money for to buy two pots , who can say to liue to morrow ? then let 's neuer sit like sots . when i haue spent away my money , i will goe and worke for more , and i haue a kinde swéet hony that sometimes will pay my score . he that hath aboundant treasure , hence shall nothing beare away : then let 's take some part of pleasure , drinke and sing and fréely pay . whilst our time and money lasteth , let 's not proue curmudgeon boores , time indéed away it hasteth : come let 's goe and pay our scores , thus for to conclude my ditty , héere 's a health to all true blades , remembring , kate , nell , sis , and betty , and all other kinde true maides : i loue meg , nan , alice , and mary , iane , and ione , and my fine doll , with winifred , and my swéet sara . thus , kinde hearts , i leaue you all . finis . r. c. printed at london for h. c. hang pinching, or the good fellowes observation, mongst a ioviall crew, of them that hate flinching, but is alwayes true blew to the tune of drive the cold winter away. blunden, william. 1636 approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a16216 stc 3141 estc s119260 99854467 99854467 19890 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a16216) transcribed from: (early english books online ; image set 19890) images scanned from microfilm: (early english books, 1475-1640 ; 1195:13) hang pinching, or the good fellowes observation, mongst a ioviall crew, of them that hate flinching, but is alwayes true blew to the tune of drive the cold winter away. blunden, william. 1 sheet ([1] p.) for thomas lambert at the sign of the hors-shoo in smithfield, printed at london : [1636?] verse "all you which lay clame,". signed at end: w.b., i.e. william blunden. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-06 tcp assigned for keying and markup 2006-06 aptara keyed and coded from proquest page images 2006-07 derek lee sampled and proofread 2006-07 derek lee text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion hang pinching , or , the good fellowes observation , mongst a ioviall crew , of them that hate flinching , but is alwayes true blew . to the tune of drive the cold winter away . all you which lay clame , to a good fellowes name , and yet doe not proue your selues so , give eare to this thing , the which i will sing , wherein i most plainly will show with proofe and good ground , those fellowes profound , that vnto the alewiues are true , in drinking their drinke , and paying their chinke , o such a good fellow 's true blew , but otherwise bée , that brabling will be , about any trifle to pay , when that he doth know he so much doth owe , yet basely will shrinke his way , or bring the summe lesse , disparaging guesse , which willing would pay al that 's due , his company i , detest and defie , because that he is not true blew . somes chaps are so nimble , they 'l sit and lick the wimble , but when that the reckning's to pay , away they will sneake , and not a word speake , all which is approued each day , the which hauing séene , doth draw me with spléene , to lay open vnto your view . the honest good fellow , who though hée bée mellow , in every kind is true blew . he 's of the right mould , that spares not his gold , amongst those good fellowes that lack , if that they will drinke , he 'l part with his chinke , and lookes not for any on 't back , but is well content , his money is spent , among such a iouiall crew , and these are the parts , and chéefest desarts , that showes a good fellow true blew . such difference i doe daily discry , amongst the conditions of men , some given are to fight , some in singing delight , pray what shall be censured then , why truely my mind , to him is inclinde , by whom vnto mirth i am drew . for much i doe hate , he that breedeth debate , but giue me a fellow true blew , there 's some of that mind , when that they doe find a man that is iouiall and frée , they 'l drinke and they 'l call , but he must pay all , or else undischarg'd it must be . once being seru'd so , no more will i goe , into such a frivilous crew , and so i 'le aduise all those that are wise , because that they are not true blew . the good fellovvs consideration. or the bad husbands amendment. here in this ballad you may see, what 'tis a bad husband to be, for drunkenness most commonly brings many unto poverty. and when a man is mean and bare, friends will be scarce both far and near, then in your youth keep money in store, lest in old age you do grow poor. to the tune of, hey boys up go we, &c. / lately written by thomas lanfiere, of watchat town in sommerset shire. lanfiere, thomas. 1685 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04275 wing l357 interim tract supplement guide c.20.f.8[195] interim tract supplement guide c.20.f.10[48] 99887712 ocm99887712 183363 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04275) transcribed from: (early english books online ; image set 183363) images scanned from microfilm: (early english books; tract supplement ; a5:2[154]; a6:2[48]) the good fellovvs consideration. or the bad husbands amendment. here in this ballad you may see, what 'tis a bad husband to be, for drunkenness most commonly brings many unto poverty. and when a man is mean and bare, friends will be scarce both far and near, then in your youth keep money in store, lest in old age you do grow poor. to the tune of, hey boys up go we, &c. / lately written by thomas lanfiere, of watchat town in sommerset shire. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby at the golden ball in vvest-smithfield., [london] : [1685?] verse: "good fellows all come lend an ear ..." place and date of publication suggested by wing. copy trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the good fellovvs consideration . or the bad husbands amendment . here in this ballad you may see , what 't is a bad husband to be , for drunkenness most commonly brings many unto poverty . and when a man is mean and bare , friends will be scarce both far and near , then in your youth keep money in store , lest in old age you do grow poor . lately written by thomas lanfiere , of watchat town in sommersetshire . to the tune of , hey boys up go we , &c. good fellows all come lend an ear , and listen to my song , to you in brief i will declare how i have done my self much wrong by spending of my money too free , it brought me low and poor , but now a good husband i will be , and keep my money in store . it is well known the fudling-school i have haunted many year ; i wasted my money like a fool both in wine and strong beer : with my companions day and night i 'de both drink , sing , and roar , but now bad company i 'le slight , and keep my money in store . in the morning sometimes to an alehouse i 'de hye , and tarry there all day , perhaps a crown or an angel i at one recconing would pay : my pocket of money i 'de empty make , e're that i would give ore , but now such actions i 'le forsake , and keep my money in store . my hostess she would smile in my face when i did merrily call , for why , she knew i would not be base , but freely pay for all : before the flaggon was quite out she 'd be ready to fill more , but now i mean to look about , and keep my money in store . the second part , to the same tune . sometimes she in a merry vein would sit upon my knee , and give me kisses one or twain , and all to sweeten me , she 'd vow i was welcome indeed , and should be evermore , but now i mean for to take heed , and keep my money in store . thus i frequented the ale bench so long as my money would hold ; whilst my wife & children at home did pinch with hunger and with cold ; so i had my guts full of ale and beer , i look after nothing more , but now i mean to have a care , and keep my money in store , my wife would often me perswade and mildly to me say , good loving husband follow your trade , and go not so astray : but with soule words i ▪ de her abuse , and call her bitch and whore , but now her counsel i will chuse , and keep my money in store . at last through my lewd wicked vice i had consumed all , by drunkenness , with cards and dice my stock it was brought small : by keeping of bad company i was grown mean and poor , but now i 'le leave bad husbandry , and keep my money in store . to my hostess one time i did repair , and desired one courtesie , to trust me for half a dozen of béer , but she did me deny : she told me she had made a vow to draw no drink on score , but i am fully resolved now to keep my money in store . qd. she , the mault-man his money must have also i must pay excise , if i should trust every drunken knave where will my money rise ? but if you have think you may have drink , if you 've none turn out of door , but now from the alehouse i will shrink , and keep my money in store . thus all good fellows you may see what 't is to be in want , a man shall not regarded be if money is with him scant : but if money you have , they 'l tend you brave , if you 've none they will give o're , then he careful your money for to save , and lay it up in store . by experience 't is plainly seen in england far and nigh , those that rich wealthy men has been , at last come to poverty by spending too much in wine and beer there is many doth grow poor , then good fellows have a special care , to keep your money in store . if all bad husbands were of my mind in country and in town , the ale-wives a new trade should find , to pull their fat-sides down : they shou'd work hard , both spin and card , we would keep them so poor , and we wou'd be careful our money to save , and lay it up in store . now all you married men that are , and batchelours so gay , of the main chance pray have a care , lest you fall in decay : be sure you time do highly prize 't wil not stay for rich nor poor , good fellows all i you advise to keep your money in store , printed for p. brooksby at the golden ball in west-smithfield . the lovers joy and grief, or, a young mans relation, in pittiful fashion. being from his love hindred, by locks, bolts, and kindred. to the tune of young men and maids. parker, martin, fl. 1674 1674-1679? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04897 wing p441a estc r181451 47012565 ocm 47012565 174532 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04897) transcribed from: (early english books online ; image set 174532) images scanned from microfilm: (early english books, 1641-1700 ; 2691:17) the lovers joy and grief, or, a young mans relation, in pittiful fashion. being from his love hindred, by locks, bolts, and kindred. to the tune of young men and maids. parker, martin, fl. 1674 1 sheet ([1] p.) : ill. printed for f. coles, t. vere, j. wright, and j. clarke., london, : [between 1674 and 1679] attributed to martin parker by wing (2nd ed.) contains 2 illustrations. dates suggested by wing (2nd ed.) reproduction of original in: university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the lovers joy and grief , or , a young-mans relation , in a pittiful fashion . being from his love hindred , by locks , bolts , and kindred . to the tune of young men and maids . amongst the nine , of nymphs divine that haunt the forked mountain : if any will , bring me a quill dipt in castalia's fountain . i le shew in brief , my joy and grief and her due praises render : to whom i would , come if i coould but locks and bolts do hinder . my joy , in that i had the fate to chuse so rare a jewel , by greif in this , that she my bli●s is kept by kindred cruel out of my sight , which day and night doth pierce my heart so tender , 't is she to whom , i fain would come but locks and bolts , &c. she is a lasse that doth surpass her neighbours round about her : her worth is such , it grieves me much to live so long without her : with strong desire , in cupids fire my heart burns to a cinder . i would posses my happinesse but locks , &c. as t●isbe fair by parents care fro● pyramus was hidden , so she to come abroad from home i● 〈…〉 ●●●bidden : she dare not stir , nor i to her so closely they have pin'd her she would come out , i make no doubt but locks , &c. as danae was , i' th tower of brasse inclosed by her father so thée ( my swéet ) lest we should meet art kept more closely rather yet as great jove got to his love though walls did comprehend her , so i did hope to have free scope but locks , &c. i' th interim i , most patiently expect that happy season , i dare not think , that she will shrink for in truth i have no reason : i find that she is true to me in that i must commend her : she would not be , so long from me but locks , &c. it grieves my heart , to think what smart ( poor creature ) she endureth , what means her kindred use to win her heart w●ich she assureth is fixed fast , while life doth last no policy can bind her , to any course love hath such fo●ce but locks and bolts do hinder . she hath t is true , to speak what 's due too great a marriage portion : this may i vow , for cupid now is bent into extortion : i would therefore , her friends were poor , or else in heart more tender ; for poor or rich , wéed go through stitch but locks and bolts do hinder . although my self want worldly pelf unto their expectation , yet if i may the truth display , without any ostentation ; by birth & parts , and due deserts , are not so weak and slender ; but that i might , earn any delight though locks , &c. were i a prince of eminence and she a peasants daughter , had she more , of learnings store then what wise nature taught her ; her péerlesse face and in ward grace shews in my heart such splendor she mine should be , the like sayes she but locks , &c. t is not her pelf , but her sweet self , that i in heart do covet : necess●ty , let wealth supply for nothing else i love it : her only love , is that doth move my heart and make it tender : i mourn in grief , without relief but locks , &c. no ease of mind , at all i find but only this assurance : that my dear wench will never flinch though she be kept in durance ; she hath her share of woe and care , for which i must commend her , on me she hath bestowed her faith , though locks , &c. continue still in thy good will , thou paragon of beauty . and i to thée as true will be so am i bound in duty : though fortune frown , yet the renown of our affections tender , abroad is flown , we two are one though locks , &c. with patience weéel expect to feel the fruit of all this sorrow : though sorrow may , endure this day i shall have joy to morrow : in the mean while , i in exile will be thy true defender and spread thy name , which is my claim though locks , &c. oh cruel fate , expire the date of two dear lovers trouble . if once our grief do find relief our joyes will then be double : and all our tears our cares and fears will to our names add splendor , thy heart is mine , and mine is thine though locks and bolts do hinder . london printed for f. cole , t. vere , j. wright , and j. clarke . the scotch wedding: or, a short and pretty way of wooing. when as complexions do agree, and all things they are fitting; why should the time prolonged be, be quick and mind your knitting. to a new northern tune, much us'd at the theatres. with allowance. d'urfey, thomas, 1653-1723. 1676-1695? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02832 18767083 wing d2774 interim tract supplement guide c.20.f.8[414] 99890583 ocm99890583 183534 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02832) transcribed from: (early english books online ; image set 183534) images scanned from microfilm: (early english books; tract supplement ; a5:2[325]) the scotch wedding: or, a short and pretty way of wooing. when as complexions do agree, and all things they are fitting; why should the time prolonged be, be quick and mind your knitting. to a new northern tune, much us'd at the theatres. with allowance. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby, at the golden-ball, in west-smith field., [london] : [between 1676-1695] attributed to d'urfey by wing. place and date of publication suggested by wing. verse: "in january last, upon ..." trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. courtship -scotland -early works to 1800. weddings in literature -early works to 1800. ballads -england -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the scotch wedding : or , a short and pretty way of wooing . when as complexions do agree , and all things they are fitting ; why should the time prolonged be , be quick and mind your knitting . to a new northern tune , much us'd at the theatres . with allowance . in january last , upon a munday on the morn ; as along the fields i past , to view the winter corn : i ligged me behind the bray , and i saw come o're the slow , yean glenting in an apron , with a bonny brant brow . i had good morrow fair maid , and she right courteously , by fe and tro , geud sir , she said , geud day agen to ye ; i said to her , fair maid , quo i , how far intend you now , quo she geud sir a mile or two , to yonder bonny brow. fair maid i 'm wée l contented , to have like company , for i am ganging on the gate , where you intend to be ; when we had walkt a mile or two , i said to her my dow ; may i not lift your apron , and kiss your bonny brow. nay geud sir you 'r mistaken , for i am na'ne of theise ; i wot you ha mare bréeding , then lift a wemans clearhes : ye kn●w we mun for modesty , nea at the first time bow , but if we like your company : we are as kind as you . i teuk her by the hand so smaw , an i led her o're the lawn , i gave her many a glancing leuk , so did she me again ; i led her in amang the bent , where nean of awe cu'd see , and then quo i my bonny lass , now wilt thou mow with me . i dare not deathat déed , quo she , for fear i prove with bearn , and then may i sing lullabee , and live in mickle scorn ; tush fye , quo i , tack thou ne care , fear not with bearn to be , for wee l i wat next holliday , that i will wed with thee . i laid htr down upon the green , and said prove kind my dear ; we now are safe from being seen , thou néeds nea danger sea● : she blush and smiled in my face , my bonny lad , quo she , since we are in this uncouth place , deal kindly now with me . i used all my skill and art , her humour for to please ; i prickt her , but she felt no smart , but still lay at her ease ; at length i put her to the squeak , and claw'd her bonny weam ; quo she , my heart with joy will break , pray let me now gang heam . when we had ●ane of love our fill , sea wee l she pleas'd my mind ; i vow'd i wad be constant still , since that she was so kind ; quo i my onely duck , my dear , now let us twa agree ; how to provide cur bridal chéer , against we wedded be . the warft on 't is , my love , quo she , we want a king i trow , ne'r rack , quo i , leave that to me , i 'le sell my dodded yow ; miss john the vicar is my friend , who will be rul'd by me ; an hour or twa with us to spend , when we shall wedded be . wee l ha beath bak'd , & boil'd , & roast , upon our weddding day , and will the weaver at my cost shall on the bag-pipes play ; the lads and lasses in the town , shall at our nuptials be , and thou shalt have a tawny gown , sea wee l thou pleases me . now when the wedding day was come as they did beath conclude , the dinner was in readiness , the liquor it was brew'd ; and so they went unto the kirk , wee l wedded for to be ; and made a mickle merry feast , and now lives lovingly . printed for p. brooksby , at the golden-ball , in west-smith field . iohn hadlands advice: or a warning for all young men that have meanes advising them to forsake lewd company cards, dice, and queanes, to the tune of the bonny bonny broome. crimsal, richard. 1635 approx. 6 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-10 (eebo-tcp phase 1). a19005 stc 5422 estc s116826 99852042 99852042 17342 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19005) transcribed from: (early english books online ; image set 17342) images scanned from microfilm: (early english books, 1475-1640 ; 1374:09) iohn hadlands advice: or a warning for all young men that have meanes advising them to forsake lewd company cards, dice, and queanes, to the tune of the bonny bonny broome. crimsal, richard. 1 sheet ([2] p.) : ill. for francis coules, printed at london : [ca. 1635] verse "to all men now ile plainely show,". signed at end: r.c., i.e. richard crimsal. publication date estimated by stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-08 tcp assigned for keying and markup 2006-09 aptara keyed and coded from proquest page images 2006-10 jason colman sampled and proofread 2006-10 jason colman text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion iohn hadlands advice : or a warning for all young men that have meanes , advising them to forsake lewd company cards , dice , and queanes , to the tune of the bonny bonny broome . to all men now . i le plainely show , how i have spent my time , for i have wrought my overthrow with drinking béere and wine : i had no grace for to foresée my folly , 'till 't was too late , but still did follow lewd company , i meane each drunken mate . but now i may with sorrow sadly say , my heart is filled with woes , had it not beene for the good ale-tap , i had gone in better clothes . my meanes is spent and all is gone , and friendship now is growne cold , alas , i 'm comfortlesse alone , now i thinke o' th proverb old , which saies as long as men have means they shall regarded be : but having none they lose their friends , and then comes misery . for now i may , &c. so long as i had money store , i had much pleasure indéed , but now alas i am growne poore , and doe want to serve my néed : but there is none will doe for mée , as i for others have done , for i was alwaies kind and frée , and that is plainely knowne . but now , &c. i have béene drinking oftentimes , amongst the roaring brave boyes , of béere and ale , and choice of wines , which i have thought much ioyes . but now i finde it was not good to use such company . for now alas i have understood , it hath caused my misery . and now . &c. i had no power for to give o're , when once i did begin , i 〈◊〉 my money and run o' th store , to allow that deadly sinne : alas i did not thinke that i should e're have suffered want , for i did cry hang 't let money ●lie , 't is vaine to thinke upon 't . but now , &c. whilst i had meanes i stil found friends which made a very faire show , but now i want , their friendship ends , and me they will not know . which striketh terrour to my poore heart to thinke what i have béene ; but now i suffer woe and smart even for my former sinne . and now , &c. my host and hostestes where i came , they would bid me welcome still , i was the man that had the fame , to call and bid them ●ll : if i bid goe then they would runne , to tend on me they were willing : and many a time it was well knowne , for two groates i paid a shilling . but now i may with sorrow sadly say , my heart is filled with woes , had it , &c. the second part , to the same tune . their words were swéet & i might gréet , my hostes and her fine maid , with a kisse or two when as none did sée't , but i have full dearely paid . for they would crave fine knacks to have , and i did give it them still . my meanes maintain'd them fine & brave , their minds i did fulfill . but now i may with sorrow sadly say , my heart is filled with woes : had it not bin for the good ale-tap , i had gone in better clothes . sometimes an ell of lawne or two , cambrick or holland most fine , for a favour on a lasse i did bestow , to walke with me tot'h wine , and there i have consum'd my meanes , in a most shamefull sort , amongst those caterpiller queanes , which grieves me to report . but , &c. you gallants all , to you i cry and call , learne by me for to be wise . for i did climbe till i had catcht a fall ; and now i cannot rise : therefore i'm in a wofull estate , as all men plainely may sée : now i repent but 't is too late , for there is no remedy . and , &c. now must i stand with my cap in my hand , and of a clowne favour crave , whereas formerly i have had command of those were fine and brave : but now brave gallants me despise , because that i have no meanes , once more young men learne to be wise , hate cards , dice , whores , and queanes . for , &c. iohn had-land now some doe me call , and that name well i may have : i being poore they will chide and braule , and doe call me rogue and slave : which is much griefe unto my mind , to thinke they should use me so , they 'r harsh to me to whom i was kind , my friend is growne my foe . therefore , &c. thus have i told to young and old , that they may warning now take , for hereby me you may well behold , that friends will you forsake : when once that you grow poore and bare , and have no money to pay , then followes misery griefe and care , and your friends depart away . therefore i may with sorrow sadly say , my heart is filled with woes : had it not bin for the good ale-tap , i had gone in better clothes . r. c. finis . printed at london for francis coules . the praise of london, or, a delicate new ditty which doth invite you to faire london cit[y] i cannot rightly speake but in her praise, because shee is the flower of earthly ioyes : to the tune of the second part of hide parke / [by] r.c. crimsal, richard. 1632 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a19010 stc 5428.5 estc s3305 33143295 ocm 33143295 28364 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19010) transcribed from: (early english books online ; image set 28364) images scanned from microfilm: (early english books, 1475-1640 ; 1873:13) the praise of london, or, a delicate new ditty which doth invite you to faire london cit[y] i cannot rightly speake but in her praise, because shee is the flower of earthly ioyes : to the tune of the second part of hide parke / [by] r.c. crimsal, richard. 1 sheet ([1] p.) : ill. printed for f.c., london : [1632?] contains five illustrations. date of publication from stc (2nd ed.). right half of sheet contains: the second part, to the same tune. imperfect: tightly bound with loss of text. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2007-10 emma (leeson) huber sampled and proofread 2007-10 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the praise of london : or , a delicate new ditty , which doth invite you to faire london cit● i cannot rightly speake but in her praise , because shee is the flower of earthly ioyes . to the tune of the second part of hide parke . all you that delight in pastime and pleasure , now list to my ditty wherein i will show ; in london they 'l say there is good store of treasure and that for a certaine there is many doth know , great store of siluer and gold you may see , with all things else pleasing as euer can be : there are sine shewes and glistering sights , then come to the citie for your delights . and yet there is many a countrey farmer , perhaps in obiection this prouerb may say , the country fruits they doe helpe to adore her , and make her séeme like to the flowers in may : true is the countrey london doth féed , with such commodities as there doth néed : but as for renowne true honour fights , so london towne is the chiefe for delights . you sée how the chiefest are thither resorting , and chiefly are there in the cold winter time : the citty in winter is better for sporting , than t is in the country in the summer prime : the lords and the knights and the ladies so gay , may there take their pleasure and go to a play , pleasure it flowes there day and nights , then come to the city for your delights . the country gentles and swagering gallants , will not spare there mony to sée this braue place , and if they want means they 'l sel their whole talents , to see this braue city that is of such grace , with a braue gelding , a hawke and a ho●●● will brauely come riding into this faire 〈◊〉 meaning to sée all the famous sights , thus they come to th' citty for their delights ▪ likewise there is many a country miser , that will spare an angell , a marke or a po●●● and bring vp his wife with him for to suffice 〈◊〉 and happily on her bestow a new gowne : from one place to another about they will go● , and many braue pleasures his wife he will 〈◊〉 this is the humors of country wights they 'l come to the city for their delights . the weauer , the baker , the brewer , the 〈◊〉 the glouer , the tanner the butcher , the 〈◊〉 the ioiner , the cooper , the sawyer , the 〈◊〉 the tapster , the hostler , the clothier , the 〈◊〉 and many more trades that here i might name , that heare of braue londons renowned high fa●● all these prepare both day and nights , to come to the city for their delights . the spanish , the french , the turke , and i●●●●● and so doe the gretians come thither also ; and likewise they do come from al parts of holl●●● but seldome there any will back againe goe , the germanes come thither to vault and to da●●● , whose names in the city doe highly aduance , the outlandish lords with ladies and knights , doe come to the city for their delights . the second part . to the same tune . ●●kewise you haue many that catch some mischances as they in the countrey are at their play : ●he maids and the yongmen they loue to haue dances , and yet without musicke they 'l passe time away : ●he maidens indéed sometimes by mishap , with playing and toying doe soone catch a clap , ●hen to void blame and for their rights , they come to the city for their delights . ●●ll well it is knowne such chanses come many ▪ the carriers indeed bring vp maids to the city , 〈◊〉 when they come there it is vnknowne to any , these country lasses , oh they are so witty : ●heres enow beside taylors that serue for a cloke , and helpe limping vulkan to beare up the yoke , ●apid he binds fast in mens sights , ●●en come to the city for your delights . 〈…〉 ●●●nt kept a maid and she called her mary , and she was beloued of the miller tom ; 〈◊〉 as she went out in an euening with sary , this miller by chance vnto her did come , 〈◊〉 the whole night vntill it was day , mary and thomas together did play , but thought it were night the moone shined bright , whereby tom and mary did take their delight . within short time after her téeth fell to aking , and she doubted thomas had got her with child , 〈◊〉 was the poore lasse in a pittifull taking , and in her doubt she was no whit beguild , ●he safe was deliuered and thomas he fled , this maid was churched and the child was dead , ●he scapt all punishment by her fine flights , ●nd came to the city for her delights . my ladies fine waiting maid met in the darke with iohn bould the coachman who caused her to stay and she was inuited by this gallant sparke , to learne a pretty canceited fine play , what game they call it i cannot well tell , but in short time after her belly did swell , it made her offen fetch grieuous sighes , yet she came to the city for her delights . thus you sée plainely how that here is many a gallant yong lasse to the city doth come , although they be broken what is that to any , there 's some maids come with thē altho a small sum , they fit for the city as bels for a stéeple , for in london dwelleth many sorts of people , then come away you noble wightes , oh come to the city fit for your delights . faire london is ready to entertaine many , you kindly are welcome and so you shall find , but pray take my counsell and bring with you mony , and then you shall sée they will proue very kind , the kind hearted lasses will welcome you all , and if you haue money to pay what you call ; come noble hearts where pleasure inuites , oh come to the city for your delights . thus in my conclusion all you that are willing , to buy this new ditty whereby you may learne ; perhaps you spend many a penny or shilling , vpon many trifles which little concerne , oh london is praised by all that her knowes , to be a place where ioy and pleasure it flowes ; you that haue wits may liue by your slights , then come to the city for your delights . finis . r. c. london , printed for f. c. doubtful robin; or, constant nanny. a new ballad. tune of, wou'd you be a man of fashion, or, doubting virgin. bowne, tobias. 1670-1696? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01734 wing b3890 interim tract supplement guide c.20.f.8[116] 99887678 ocm99887678 183308 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01734) transcribed from: (early english books online ; image set 183308) images scanned from microfilm: (early english books; tract supplement ; a5:2[99]) doubtful robin; or, constant nanny. a new ballad. tune of, wou'd you be a man of fashion, or, doubting virgin. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby at the golden ball in pycorner., [london] : [between 1670-1696] verse: "dearest nanny prithee tell me ..." attributed to tobias bowne. place and date of publication suggested by wing. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -early works to 1800. jealousy -early works to 1800. ballads -england -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion doubtful robin ; or , constant nanny . a new ballad . tune of , wou'd you be a man of fashion , or , doubting virgin. dearest nanny prithee tell me , be so just as tell me true what hard fate was that befell me to be slighted so by you : i that thought your vows so lasting did imagine no deceit , but i find all your protesting to be nothing but a cheat . but i find &c. tell me then thou faithless woman why thou dost so ill with me , thou that did protest that no man ever was so dear to thee : tho' in vain i should perswade thee once thy promise to renew , yet i pitty to upbraid thee that thou art so much untrue . yet &c. her answer . dearest robin pray believe me , from my heart i freely speak , i did never yet deceive thee , nor my vows will never break ; i did alwaies love you dearly , and no other man but you , my poor heart does shew it clearly , that i never was untrue . my poor heart &c. tell me pray why you are frighted that i should unconstant prove , or to think that you are slighted , or the least suspect my love ; tell me pray that i may mend it , if that any cause be due ; i am sure i can defend it , for i never was untrue . i am sure &c. take this kiss and take my heart too if that will confirm my dear , if you think i do not smart too , will you then believe this tear : iealousie indéed may wrong us , and our sorrows may renew , if your fears bring that among us , 't is in vain for to be true . if your fears &c , yet my dearest ne'r shall find it that i e're will prove unkind , for i never yet design'd it ever for to change my mind ; since you once believ'd i lov'd you , know i still shall do so too , let no jealous fancy move you for to think i am untrue . let no jealous &c. dearest nanny i 'le believe thee , and reserve thee to my heart , for my jealous thoughts forgive me and we never more will past : all the day i will embrace thee , to my fears i 'le bid adieu , vvhen at night i shall unlace thee , thou shalt say that i am true . when at night &c. but i hope that we are friends too , now thy patience i have try'd : this i 'le do for thy amends too whensoe're you are my bride , there 's my heart & there 's my hand too , to all sorrows bid adieu , all i have you shall command too , since i find that you are true . all i have &c. so they seal'd up their indentures with a loving kiss or two , married straight at all adventures , never couple lov'd so true ; so i wish they may persevere in this happy way of life , then true cause she will have never to repent she was a wife . then true cause &c. printed for p. brooksby at the golden ball in py-corner . the recantation of a penitent proteus; or, the changling as it was acted with good applause in st. maries in cambridge, and st. pauls in london, 1663. the first part. to the tune of the second part, and by the same hand. to which is added, the poring doctor, or the gross mistake of a reverend son of the church, in bowing at the name of judas, at st. pauls, novemb. 5. 1663. wild, robert, 1609-1679. 1663 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a66013 wing w2148 estc r490125 99831821 99831821 103200 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a66013) transcribed from: (early english books online ; image set 103200) images scanned from microfilm: (early english books, 1641-1700 ; 1581:25 or 21241:177) the recantation of a penitent proteus; or, the changling as it was acted with good applause in st. maries in cambridge, and st. pauls in london, 1663. the first part. to the tune of the second part, and by the same hand. to which is added, the poring doctor, or the gross mistake of a reverend son of the church, in bowing at the name of judas, at st. pauls, novemb. 5. 1663. wild, robert, 1609-1679. 1 sheet ([1] p.) s.n., [london : 1663] attributed to wild by wing and nuc pre-1956 imprints. imprint from wing. verse "oh i am almost mad, 'twould make". a satire on richard lee who adhered to the parliament untill 1663 when he recanted his anti-royalist opinions in his 'cor humiliatum et contritum'(wing l888). reproductions of the originals in the harvard university library and british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng lee, richard, 1611-1684. -cor humiliatum et contritum -early works to 1800. ballads, english -17th century. great britain -history -restoration, 1660-1688 -early works to 1800. 2003-08 tcp assigned for keying and markup 2003-09 spi global keyed and coded from proquest page images 2003-10 john latta sampled and proofread 2003-10 john latta text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion the recantation of a penitent proteus or the changling , as it was acted with good applause in st. maries in cambridge , and st. pauls in london , 1663. to the tune of doctor faustus . attend good people , lay by scoffs and scorns , let roundheads all this day pull in their horns , but let conformists and brave caviliers unto my doleful tone prick up their ears . take from my neck this robe , a rope's more fit , and turn the surplice to a penance-sheet , this pulpit is too good to act my part , more fit to preach at tyburn in a cart : there i deserv'd t' have taken my degree , and doctor dun should have presented me , there with an hempen hood i should be sped , and his three-cornered cap should crown my head . here i am come to hold up guilty hand , and of the beast to give my self the brand , here by confessing i have been i' th wrong , i come to bore my self through my own tongue . in learning my poor parents brought up me , and sent me to the universitie , there i soon found bowing the was to rise : and th' only logick was the fall'cies . in stead of aristo●les organon , anthens and organs i did study on , if i could play on them , i soon did find , i rightly had p●eferment in the wind , i followed that hot sent without controul , i bow'd my body , and i sung fa sol ; i cozen'd doctor couzens , and e're long a fellowship obtained for a song . then by degrees i clim'd until i got good friends , good cloths , good commons , and what not i got so long , until at length i got a wench with child , and then i got a blot . before the consistorie i was try'd , where like a villaine i both swore and ly'd , and from the whore i made , i was made free , by purging of my self incontinent lee . b●t as i scorn'd to father mine one brat , 't was done to me as i had done with that . the doctors all when a doctor i would be , as a base son , refus'd to father me , with much adoe , at length by art and cunning , my tears and vows prevail'd with peter gunning , me to adopt and for his love and care , i will devout my self to peter's chaire . cambridge i left with greif and great disgrace , to seek my fortune in some other place ; and that i might the better save my stake ▪ i took an order and did orders take . amongst conformists i my self did list a son o' th church as good as ever pi●t . but though i bow'd , and cring'd , and crost and all , i only got a vicaridge very small . e're i was warm ( and warm i ne're had been in such a starved hole as i was in ) a fire upon the church and kingdom came ; which i strait help't to blow into a flame . the second part. my conscience first like balaams ass , was shie , boggled , and winc'd , which when i did espie ; i cudgel'd her , and spur'd her on each side , until the jade her paces all could ride . when first i mounted on her tender back she would not leave the protestant dull rack . till in her mouth the covenant bitte i got , and made her learn the presbyterian trot. 't was an hard t●ot , and freted her ( alas ' t●e ●ndeo●nd●● amble easier was , i●●●ght her that , and out of that to fall to the ●●ntroy of prelaticall . i rode her once to rumford with a pack of arguments for covenant on her back . that journey she perform'd at such a rate the committee gave me a rich peice of plate . from hatfield to st. albans i did ride , the army cal'd for me to be their guide , there i so spur'd her that i made her fling not only dirt but blood upon my king. when cromwell turn'd his masters out by force ; i made the beast draw like a brewers horse , under the rump i made her were a crooper , and under lambert she became a trooper . when noble monk the king did home conveigh , shee ( like darius steed began to neigh. i taught her since to organ pipes to prance , as bankes his horse could to a fiddle dance , now with a snaffle or a twyned thred to any government shee 'l turn her head i have so broke her she doth never start , and that 's the meaning of my broken heart . i have found out a cunning way with ease to make her cast her coat when e're i please ; and if at rack and manger she may be , her colts tooth shee will keep most wanton-lee . i le change as often as the man i' th moon ; his frequent changing makes him rise so soon , to eat church plum-broth e're it all be gone , i 'le have the , devils spoon but i le have one. for many years my tongue did lick the rump ; but when i saw a king was turn up trump , i did resolve still in my hand to have one winning card , although 't were but a knave . if the great turk to england come , i can make gospel truckle to the alchoran ; and if their turkish saboaths should take place . i have in readiness my friday face . if lockt in iron chest ( as we are told ) a loadstone their great mahomet can hold : the loadstone of preferment ( i presage ) to mahomet may draw this iron age. the congregation way best pleas'd my mind ; there were most shee s , and they most free and kind . by chamber practise i did better thrive then all my livings though i skimmed five . mine eyes are open now my sins to see , with tears i cry good people pardon me , my reverend fathers pardon i do crave , and hope my mothers blessing yet to have . my cambridge sins , my bugden sins are vile , my essex sins , my sins in ely-isle , my leicester sins , my hatfield sins are many , but my st. albans sins more red then any . to charles the first i was a bloudy foe , i wish i do not serve the second so , the onely way to make me leave that trick , is to bestow on me a bishoprick this is st andrews eve and for his sake a bishoprick in scotland i could take ; and though a metropolitan there be ; i 'de be as sharpe and full as arch as he . now may this sermon never be forgot , let others call 't a sermon , i a plot , a plot that takes if it believed be , if not i shall repent unfeigned lee i must desire the crack-fart of the nation , with reverence to let fly this recantation , our names ty'd taile to taile make a sweet change mine onely is stange lee , and his le-strange . finis . match me this vvedding. or, a health that was drunke in sider and perrie. and good strong beere to, which did make the lads mery to a new court tune. j. s. this text is an enriched version of the tcp digital transcription a11242 of text s102976 in the english short title catalog (stc 21503). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a11242 stc 21503 estc s102976 99838735 99838735 3123 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a11242) transcribed from: (early english books online ; image set 3123) images scanned from microfilm: (early english books, 1475-1640 ; 1153:02) match me this vvedding. or, a health that was drunke in sider and perrie. and good strong beere to, which did make the lads mery to a new court tune. j. s. 1 sheet ([1] p.) : ill. for tho: lambert at the signe of the hors-shoe in smithfield, printed at london : [1640?] signed: i.s. publication date conjectured by stc. verse "of late there was a wedding,". in two parts; woodcuts at head of each part. reproduction of the original in the british library. eng ballads, english -17th century. a11242 s102976 (stc 21503). civilwar no match me this vvedding. or, a health that was drunke in sider and perrie. and good strong beere to, which did make the lads mery. to a new c j. s 1640 982 1 0 0 0 0 0 10 c the rate of 10 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 pip willcox sampled and proofread 2008-01 pip willcox text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion match me this vvedding . or , a health that was drunke in sider and perrie . and good strong beere to , which did make the lads mery . to a new court tune . of late there was a wedding , kept in faire gloster towne , where lads to drinke their lasses healsh , did brauely sit them downe , and first bespake the bride-groome , here 's a health vnto my bride , and to all the sweet-hearts eu'ry one , young men you haue befide . then first spake kind toby , a welch-man i protest , here 's vnto young guintlin , a lasse that i loue best , there 's not her like for beauty , search all your english shires , and be that dares denie it , wée'l haue him by the eares . with that bespake young samuel , pretty bessee is my déere , for true loue and for constance , none can my loue come néere , and therefore kind toby , if thou 'lt maintaine thy word , beare witnesse all that heares me speake , i 'le make thée eate my sword . with that bespake honest john , my nan's of beauty frée , though not so faire as others are , yet that ne'r troubles me , her loue was euer constant , and so shall mine be still , therefor my nannies health i le pledge , with none and true good will . then thomas he tooke vp the cup , being the fourth in place , my turne is come quoth he to drinke , a health to my swéete grace , her friends did euer loue me , as if i were their owne , therefore my constant loue to her , for euer shall be showne . then william tooke the cup in hand , and thus began to say , faire bridget i haue wooed oft , but still she sayes me nay . her friends were euer willing that married we should be , therefore my bridgets health i le drink in hope she will loue me . with that spake bould joseph , if a man had house and land , a woman to consume it , would helpe him out of hand , and for to get a swéet-heart , i neuer tooke no care : therefore braue gallants of your healthes i meane to drinke no share . with that spake trusty roger , this man 's not of my minde , for i haue swéet-hearts thrée or foure . of nature good and kinde , but yet my péerelasse peggy is a diamond in my eye , therefore my peggies health i le drinke , and loue her till i dye . the second part to the same tune . then philip tooke the cup in hand , quoth he as others doe , with all my heart this health i le drinke , vnto my owne swéete sue . for beauty and for constancy , i know she has a share , but for her huswifery , my susan shall with best compare . then francis tooke the cup in hand , and said , friends doe you beare , this health is to faire maudlin , a lasse that i loue néere , not london , nor faire bristow , nor yorke that merry towne , for true loue and for constancy , can put my maudlin downe . then henry tooke the cup in hand , and then these words be said , here 's a health vnto my mary , but truth is she 's no maid , she is a widow gallants , that hath both house and land , bestoes a handsome woman too , i le haue you vnderstand . then charles tooke vp the cup , and said these words most bold , here 's a health vnto my rachell . which must not be controld , though morgan said rachell was his , and challeng'd me the field , proud morgan knowes i brauely there made him his sword vp yéeld . then laurence he tooke vp the cup , quoth he to make an end , here 's a health vnto faire isabell , my constant louing friend , her friends and mine haue talked , and thereon are agréed . therefore faire isabell i intend , to marry with all spéed . when all this strife was ended , i tooke the cup in hand , and drinke a health vnto my friends , in order as they stand , first to my louing host is , that loues a pot and a toste , and to her honest husband , call'd my red nose host . next health is to all tailors , where euer they doe dwell , that neuer boild their cabage , within a pit cald hell . a health vnto the baker , that neuer was misled , nor yet put in the pillorie , for sizing of his bread . a health vnto the widow , that ne're did braule nor scold , that hath a faire young daughter , of ninety nine yeares old . a health to all good huswiues , that ne're did sweare nor curse , nor neuer did picke money , out of their husbands purse . and thus they broke vp company , all friends for ought i know , and euery one most willingly , vnto their home did goe . had not young samuel at first , all ●id the welch-mans heat , he would haue sworne them cowards all , and said he did them beat . i. s. finis . printed at london for tho : lambert , at the signe of the hors-shoo in smithfield . the scornful maid, and the constant young-man. with mocks and taunts she doth him jear, as in this ditty you may hear; yet no denyal he would have, but still her favour he did crave: yet at the last she granted love, and vowed she would constant prove; yet in this ditty you may find, it is money that doth a bargain bind. tune of, times changling i will never be: or, sawny, or, a fig for france. robins, thomas, fl. 1672-1685. 1685 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b05020 wing r1659 interim tract supplement guide ebb65h[81] 99887288 ocm99887288 181998 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05020) transcribed from: (early english books online ; image set 181998) images scanned from microfilm: (early english books; tract supplement ; a2:4[81]) the scornful maid, and the constant young-man. with mocks and taunts she doth him jear, as in this ditty you may hear; yet no denyal he would have, but still her favour he did crave: yet at the last she granted love, and vowed she would constant prove; yet in this ditty you may find, it is money that doth a bargain bind. tune of, times changling i will never be: or, sawny, or, a fig for france. robins, thomas, fl. 1672-1685. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby, at the golden-ball, in west smithfield., [london] : [1685?] signed: t. robins. place, date of publication and publisher's name from wing. in two parts. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. man-woman relationships -early works to 1800. ballads -england -17th century. 2008-10 tcp assigned for keying and markup 2008-12 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the scornful maid , and the constant young-man . with mocks and taunts she doth him jear , as in this ditty you may hear ; yet no denyal he would have , but still her favour he did crave : yet at the last she granted love , and vowed she would constant prove ; yet in this ditty you may find , it is money that doth a bargain bind . tune of , times changling i will-never be : or , sawny , or , a fig for france . all hail , all hail , thou lady gay , the glory of the world to me , more beautious in mine eyes i say , then venus in her prime could be : one smile from thee i now do crave , if so much favour i could have : one smiling glance from that twinkling eye , will save my life , or else i dye . stand back , good sir , what would you have your speeches let me understand , what is the thing that you do crave , do not you think me to trappan : what beauty here sir can you spy , hands off , i pray come not me nigh : either a smile , or else a frown , i think will serve for such a clown : what ails my dearest hearts delight , sweet lady now be not so coy , thou seem'st to be an angel bright , in thee is all my earthly joy : then do not seek my life to spill , but grant me love for my good will : one glance from that bright twinkling eye , will make me for to live or dye . the second part , to the same tune . o fie away , thou fondling now , my very heart thou vexest sore , i scorn such py'd-nose iacks as thou , pack , pack , i say , come here no more : that maid which sets her love on thee , may say she is blind and cannot see : the durtiest drabin all the town , may prove too good for such a clown . oh say not so , my only joy , i am the man which loves thee dear , thy speeches doth me sore annoy , but yet thy love i do not fear : in time i hope thou wilt change thy mind , for all thou seem'st at first unkind : one smiling glance , &c. good sir , i pray this answer take , you spend your time in vain on me , i pray you seek some other mate , my heart doth scorn thy base degree : what do you think i am so blind , to have a clown by birth or kind ? oh no , i pray you come not me nigh , for i scorn my shooes thou should'st untye . vvell lady , now if it be so , that i no favour here can have : but now by force from thee must go , some other maidens love to crave : this gold and silver i will let flie , before the next shall me deny : for all thou termest me such a clown , i have a year five hundred pound . t is not your gold , good sir , that shall tempt me to yield unto your will , that maid which comes when you do call , will find you have but little skill : in this same case , you do profess to please a maid , i do protest i see no skill that you can have , to give a maid what she doth crave . if that be all my dearest dear , if that thou please me but to prove , then of my skill thou needst not fear , lo , i have here what maids do love : here is gold and silver , come and see , vvith all delights to pleasure thee : therefore some favour to me show , before that i from hence do go . vvhat dost thou think i am so fond , to yield my freedom here for gold , or dost thou think i dote on means , o no , it never shall be told that money shall my master be , therefore come thou no more at me : be gone , be gone , stand not to prate , for fear i break thy clownish pate . then fare you well thou scornful dame , for seeing it won't no better be , yet i must needs set forth thy fame , of all the maids that e're i see , for beauty rare within mine eyes , no man can win a rarer prize : if thou would yield to me thy love , i constant always vow to prove . well sir , if you will constant prove , as now you do profess to me , then i do grant to thee my love , and i vow to prove as true to thee : here is hand and heart to thee i give , and i vow to love thee while i live : vvhat more can you desire of me , for a constant wife i will prove to thee . if it be so my dearest dear , thou shalt never have cause to repent , for costly cloathing , with iewels rare , i have to give my love content : here is my hand , my heart is thine , and blessed be the hour and time : that thou didst grant thy love to me , come now we will go and married be . by t. robins . finis . printed for p. brooksby , at the golden-ball , in west smithfield . the distressed virgin: or, the false young-man, and the constant maid, the qualities of them both displaid to an excellent new tune. m. p. (martin parker), d. 1656? 1633 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08951 stc 19228 estc s112529 99847778 99847778 12839 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08951) transcribed from: (early english books online ; image set 12839) images scanned from microfilm: (early english books, 1475-1640 ; 1607:14) the distressed virgin: or, the false young-man, and the constant maid, the qualities of them both displaid to an excellent new tune. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for f. coules, printed at london : [1633] signed: m. p., i.e. martin parker. verse "a thousand times my love commend,". in two parts; woodcuts at head of each part. publication date from stc. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-05 tcp assigned for keying and markup 2002-07 apex covantage keyed and coded from proquest page images 2002-08 emma (leeson) huber sampled and proofread 2002-08 emma (leeson) huber text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion the distressed virgin : or , the false young-man , and the constant maid , the qualities of them both displaid . to an excellent new tune . a thousand times my love commend , to him that hath my heart in hold , i tooke him for my dearest friend , his love i more estéem'd than gold. when that mine did eyes see his face , and that mine eares had heard his voyce , his love i fréely did embrace , my heart told me he was my choice . o had he still continued true , and in affection permanent , had hée performed what was due , then had i found true hearts content : but hee , regardlesse of his vow , which he did make to me before , hath thus in sorrow left me now , my former follies to deplore . would i had never séene those eyes , that ( like attractive adamants ) did my poore heart with love surprize , the power of love so me enchants . i have no power to leave his love , though with sterne hate he me pursue . to him i will most constant prove , though he be faithlesse and untrue . i put my finger unto the bush , thinking the sweetest rose to find , i prickt my finger to the bone , and yet i left the rose behind : if roses be such prickling flowers , they must be gathered when tha 're gréen , but she that loves an unkind love , alas , she rowes against the streame , oh , would he but conceive aright , the griefe that i for him sustaine , he could not chuse but change his spight to faithfull love , and leave disdaine . i love to have him still in place , his too long absence makes me mourne , yet he disdaines to sée my face , and holds my company in scorne . it grieves my heart full sore to thinke , that he whom i so dearely love , should thus refuse with me to drinke , yet can my passion ne're remove : though he , i know , could wish my death , so great is his inveterate hate , yet i could sooner lose my breath , than see him wrong'd in name or state . ill haphad i to come in place , where first i saw his tempting looke , as soone as i beheld his face , i cupids prisoner straight was tooke : and never since that fatall houre i have enioyed one minutes rest , the thought of him is of such power , it never can forsake my brest . then was i strucke with cupids dart , then was my fancie captivated , then did i vow that still my heart should rest with him though me he hated : then did he make a shew of love , which did much more my heart enflame , but now he doth perfidious prove , and gives me cause his love to blame . the second part , to the same tune . nay more , he made a vow to me , that i should be his wedded wife , and he forsakes me now i sée , which makes me weary of my life : i little thought what now i finde , that youngmen could dissemble so , sure he 's the falsest of his kinde , ill hap have i to prove him so . could any man be so hard hearted , to leave a harmelesse maid in griefe : from me all comfort cleane is parted , unlesse his favour grant reliefe . hée is the man that bred my paine , he is the man whose love alone must be the salve to cure my paine , or else my life will soone be gone . o faithlesse wretch , consider well that heaven abhorreth periury : great torments are prepar'd in hell for them that thus will sweare and lye . oh hadst thou never made a show of love , thou hadst excus'd thy blame : but thy false heart full well doth know what oaths thy periur'd tongue did frame . that obstacle that hinders me is that which i suspect full sore : his fruit growes on some other trée , and he 's seduced by some whore : or else he hath some other lasse , perhaps like me , a harmlesse maid , whom he may bring to such a passe , as i am brought by cupids aide . oh heavens forbid that any one , that beares an honest loving mind , should thus have cause to grieve and moan , for such a knave that shames his kind . but why should i as passions move , with bitter words upon him raile , whom i am ever bound to love , untill my vitall spirits faile . swéet love forgive my lavish tongue , if i offend in any sort : to recompence thée for that wrong , i le alwayes give thee good repo●t , although to me thou art unkind , who never gave thee any cause : yet i am still resolv'd in mind , never to breake god cupids lawes . and if i never be thy wife , ( which is the thing i iustly claime ) i vow to live a single life , and never thinke of lovers game . but why speake i of life , when death doth every minute claime his due ? i cannot long retaine my breath , having a lover so untrue . let all true lovers iudge aright , in what a case poore soule am i : come gentle death , and worke thy spight , for now i am prepar'd to dye : o heaven forgive my love his wrong , done unto me a maiden pure , who for his sake must dye erelong . for long my life cannot endure . m. p. finis . printed at london , for f. coules . the merry old vvoman: or, this is a good old woman, this is a merry old woman, her counsell is good ile warrant, for shee doth wish ill to no man. to the tune, this is my grannams deedle. [guy, robert, writer of ballads.] this text is an enriched version of the tcp digital transcription b00113 of text478 in the english short title catalog (stc 12546). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00113 stc 12546 interim tract supplement guide c.20.f.7[268] 99884358 ocm99884358 183059 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00113) transcribed from: (early english books online ; image set 183059) images scanned from microfilm: (early english books; tract supplement ; a5:1[143]) the merry old vvoman: or, this is a good old woman, this is a merry old woman, her counsell is good ile warrant, for shee doth wish ill to no man. to the tune, this is my grannams deedle. [guy, robert, writer of ballads.] 1 sheet ([1] p.). for f. coules dwelling in the old baily., printed at london : [ca. 1640?] publication date suggested by stc. verse: "come hither good-fellowes, come hither ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. eng ballads, english -17th century. b00113 478 (stc 12546). civilwar no the merry old vvoman: or, this is a good old woman, this is a merry old woman, her counsell is good ile warrant, for shee doth wish ill to n [guy, robert, writer of ballads.] 1640 996 4 0 0 0 0 0 40 d the rate of 40 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the merry old vvoman : or , this is a good old woman , this is a merry old woman , her counsell is good i le warrant , for shee doth wish ill to no man . to the tune , this is my grannams deedle . come hither good-fellowes , come hither , good counsell if you will learne it , i heere in a song will shew it , if you have but wit to discerne it . o this is a good old woman , o this is a merry old woman , her counsell is good i le warrant , for she doth wish ill to no man . he that doth woo a maiden , must use sometimes to flatter , and he that would woo a widdow , must seriously speake good matter . o this is a good old woman , &amp;c. he that would have a woman dificious unto his humour , must alwaies be loving unto her , and be no vaine consumer . o this is a good old woman , &amp;c. she that would please her parents , must her affections bridle , and still have a care however , to shun all company idle . o this is a good old woman , &amp;c. and she that would have a husband , merry to sing , with a fadding , no cause of distaste must give him abroad for to goe gadding . o this is a good old woman , &amp;c. he that would gaine true honour , must hate to be a coward : and he that would live in quiet , must marry no widdow that 's froward . o this is a good old woman , &amp;c. and he that would eate , must labour , and carefully follow his calling : and he that a scold doth marry , shee 'll vex him all day with her brawling . o this is a good old woman , &amp;c. she that would faine be married , and wants both ●ortion and beauty , must unto her master and mistresse owe good respect and duty , o this is a good old woman , &amp;c. to gaine their loves and favour , then may she hope the better , to get a kinde husband will love her , to toyle then , he will not let her . o this is a good old woman , &amp;c. he that would séeke preferment , must neatly usher a lady , and weare good cloathes for his credit , and still at a call be ready . o this is a good old woman , o this is a merry old woman , her counsell is good i le warrant , for she doth wish ill to no man , the second part , to the same tune . and he that would be a courtier , must be with good parts adorned , to please his masters humour , or else he shall be scorned . o this is a good old woman , o this is a merry old woman , her counsell is good i le warrant , for shee doth wish ill to no man . she that would have no scandall or imputation on her , must not frequent a burdello , but chaste diana honour . o this is a good old woman , &amp;c. brave girles ● there be a many goe richly in their apparell , which makes the roring gallants , about them so to quarrell . o this is a good old woman , &amp;c. he that would be no cuckold , then let him never marry , it were a horne-plague unto him , a jealous minde to carry . o this is a good old woman , &c. and he that would raise his fortunes , being poore left by his dady : he must be stout and valiant , faint heart ne'r won faire lady . o this is a good old woman . he that would be a scholler , must hate your drinks that is muddy : but a cup of good canary will make him the better t● study . o this is a good old woman , &amp;c. and he that would be a poet , must no wayes be stocke-pated : his ignorance i● he shew it , he shall of all schollers be hated . o this is a good old woman , &amp;c. he that would be a goodfellow , of meanes must be prepared : if that he love drinke and tobacco , or else he shall be feared . o this is a good old woman , &amp;c. he that would be a taylor , must active be and nimble : and he that would be a goodliver , most hate to lye and dissemble . o this is a good old woman , &amp;c. he that would be a musician , must neatly run division , to humour each joviall gallant , or else he is held in derision . o this is a good old woman , &amp;c. and he that would strive for riches , or how to get a good marriage , must still in his carriage be wary , that nothing his credit disparage . o this is a good old woman , &amp;c. and he that would learne true goodnesse , must daily himselfe endeavour , to hate all wicked lewdnesse , and still in all grace persever . oh this is a good old woman , o this is a merry old woman , her counsell is good i le warrant , for she doth wish ill to no man . robert guy . finis . printed at london for f. coules dwelling old baily . [t]he true hearted l[over], or, a young-man sent a letter to his love to the tune of, i fancy none but thee alone. trusswell, william. this text is an enriched version of the tcp digital transcription a13985 of text s2937 in the english short title catalog (stc 24299.5). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a13985 stc 24299.5 estc s2937 29527955 ocm 29527955 27995 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a13985) transcribed from: (early english books online ; image set 27995) images scanned from microfilm: (early english books, 1475-1640 ; 1859:24) [t]he true hearted l[over], or, a young-man sent a letter to his love to the tune of, i fancy none but thee alone. trusswell, william. 1 sheet ([1] p.) : ill. printed by r. oulton for iohn [wright] t[he] younger, and are to be sold a[t his] shop in the old-baily, [london] : [1640?] signed at end: william trusswell. right half of sheet contains: the second part, to the same tune, or, the kind maid[en]s answer. imperfect: stained and wormholed, with loss of print. bracketed information supplied from stc (2nd ed.). reproduction of original in the harvard university library. eng ballads, english -17th century. broadsides -london (england) -17th century. a13985 s2937 (stc 24299.5). civilwar no [t]he true hearted l[over], or, a young-man sent a letter to his love to the tune of, i fancy none but thee alone. trusswell, william 1640 936 24 0 0 0 0 0 256 f the rate of 256 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2007-10 mona logarbo sampled and proofread 2007-10 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the true hearted l●●●● or a young-man sent a letter to his love , shewing to her his mind could not remove : but for true love he love againe doth crave , if false she prove , then he must to the grave . to the tune of , i fancy none but thee alone . my loving friend i doe commen● my selfe most kindly unto you , wishing your health your joy and wea●●h most like unto a lover true , for cupids dart , hath struck my he●●●… and i no remedy can finde , your love it is , the cause of this , therefore sweet love proue not unkind . your love so soone , my heart did woun● that i no longer can forbeare . ●ill you my love , with it be mou'd , and that an answere i doe heare , i shall not rest , for i protest , that i doe love you as my heart , therefore my deare , let love appeare , to love againe it is thy part . if thou should'st not what were my lot the time and day i should repent that ever my love , to thée i mo 〈…〉 my heart with sorrow ●●●ld be spent , because my love , cannot remoue . but it will bréeve my deadly paine , then swéet prove kind , that i may find , for love , fou●e love of thée againe . or else my paine will still remaine , no joy nor comfort i can have . vntill that death hath stopt my breath , and brought my body to the grave , thy lovely lookes , are bayteing hookes , and they so fast have catcht my heart , that none but thée , can remedy , my griefe , my woe , my paine and smart . séeing in thy hands , my life if stands , consider well my griefe and mone , if thou didst knowe , the griefe and woe , that i suffer for thée alone , thy heart i thinke , if it were flint , it could not chuse but grant me love , for i love thée , most faithfully , and till i die i le not remoue . so love adue , thy lover true , ●●ll he doth heare from thée againe , praies for thy health , thy joy and wealth , hopeing thou will not bréed his paine , so i will pray both night and day the lord to have thée in hi● 〈…〉 so till i heare , from thée my d●●●● adue my love , and onely swéet 〈…〉 the second part ▪ to the same tune . or 〈…〉 kind mai●… answer 〈◊〉 〈◊〉 true to thee as hero to leander , i le be thy love , thou shalt be my commander , as in my answer plainely shall be showne , let hymen joyne , and then i am thy owne . thankes love for thy commendations , unto me so kindly sent , i it receive with kind embracing , i 'le not breed thee discontent , though cupids shaft with a ful draught , did ayme aright and pierce thy heart , the wound i le cure i thée assure . and ease thee of that grievous smart . if it be i thy heart have wounded , 't was a thing to me unknowne , be not then in sorrowes drowned , for ver that vowed to vs thy owne , but rest in peace , let love increase , i will thée love while i have breath , i will not part , from thée sweet heart , untill that i am forc'd by death . thy lot 's according to thy wishing , to repent thou hast no cause , with kind embraces and with hissing , i will kéep god cupids lawes , ere false i l'e prove , to thée my love or doe thée wrong by day or night , i rather chuse , my life to loose , then wrong my love and hearts delight . 〈…〉 paine i 'le strive to ease thée , 〈…〉 t love good comfort take , 〈…〉 ●ight shall be to please thée , i 'le dye ere i will thée forsake , but unto thée as true i 'le be , as is the turtle to his mate , whilst life thou hast , my love is plat'st , if life thou loose , my life i le hate . thy plaints and moane i have regarded , my hand and heart be ever thine . i have thy love with love rewarded , as thy hand and heart is mine , so shall it rest , within my brest , i 'le entertainment give unto it , i 'le it relieve , i 'le not it grieve ; 〈…〉 ●ather lose my life then doe it . so with my love and true affection , i doe now my love commend , vnto the hands and the protection , of him that doth all blessings send , and so i end , thy loving friend , hath now her love to thée made knowne in hymens bands , let us joyne hands , and then my love i am thine owne . finis . william trusswell . printed by r. oulton , for iohn 〈◊〉 〈◊〉 younger , and are to be sold 〈◊〉 〈◊〉 shop in the old-baily 〈…〉 a discription of plain-dealing, time, and death, which all men ought to mind whilst they do live on earth. abuse not plain-dealing, but keep your conscience clear, spend well your time also, then death you need not fear. plain-dealing is grown out of date because he is poor, many him hate: conscience likewise is laid aside, 'cause he base actions can't abide. to the tune of, a letter for a christian family. / written by thomas lanfire. lanfiere, thomas. 1674-1679? approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04274 wing l355 interim tract supplement guide ebb65h[73] 99887098 ocm99887098 181823 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04274) transcribed from: (early english books online ; image set 181823) images scanned from microfilm: (early english books; tract supplement ; a2:3[73]) a discription of plain-dealing, time, and death, which all men ought to mind whilst they do live on earth. abuse not plain-dealing, but keep your conscience clear, spend well your time also, then death you need not fear. plain-dealing is grown out of date because he is poor, many him hate: conscience likewise is laid aside, 'cause he base actions can't abide. to the tune of, a letter for a christian family. / written by thomas lanfire. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for f[rancis]. coles, t[homas]. vere, j[ohn]. vvright, and j[ohn]. clarke., [london] : [between 1674-1679] verse: "i am plain-dealing which all men ought to use ..." place, date of publication, and publisher's names from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 megan marion sampled and proofread 2008-12 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a discription of plain-dealing , time , and death , which all men ought to mind whilst they do live on earth . abuse not plain-dealing , but keep your conscience clear , spend well your time also , then death you need not fear . plain-dealing is grown out of date because he is poor , many him hate : conscience likewise is laid aside , ' cause he base actions can't abide . written by thomas lanfire . to the tune of , a letter for a christian family . plain-dealing loves honesty , conscience hates knavery . plain-dealing . i am plain-dealing which all men ought to use , but many now a days doth me abuse : dissemulation is esteemed best , poor plain-dealing is grown out of request . in city , town , and likewise in country , they say plain-dealing will a beggar dye : gallants they at me do both mock and flout , because that i go in a thread-bare coat . the reason that so many doth me slight , is because i am honest and down-right : i use no deceit , fraud , nor flattery , but does to all men as i 'de be done by . i am not covetaus nor worldly wise , i crave no more then what will me suffice : i hate vain pride which now too much doth reign , therefore plain-dealing they 'l not entertain . in days of old i was a welcome guest , and had good entertainment with the best : i was esteemed amongst rich and poor , but now plain-dealing is turn'd out of door . for now dissemulation hath got the day , and in this nation bears a mighty sway : plain-dealing is held in scorn and disgrace , alack , when shall i find a resting-place . conscience . my name is conscience , poor plain-dealing's mate although like him , i 'm old and out of date : many with their whole hearts doth me defie , ' cause conscience can't agree with knavery . but if i within their bosoms once do creep , with their base a●ions i prick their hearts deep : i mind them of their covetousness and pride , therefore poor conscience they cannot abide . the lawyer and vsurer hath forgot me , they gripe poor men vnconscionably : i hey study only how to keep up gold , conscience and plain-dealing they quite have sold . and many others in these times there are , that of their conscience do not take no care : they pawn their conscience for lucre of gain , which conscience will to them at last make plain . so many are inclin'd to cruelty , and doth conscience and plain-dealing defie : tell them of conscience they 'l count you their foe , quoth they conscience was hangd long time ago . but i wish such men they folly would refuse , lest conscience at the last should them accuse : in a good conscience a man may put trust , then see you keep your conscience right and just . time it doth pass away full fast , yet many doth spend time in waste : vvhen time is gone then cometh death , and puts a stop to mortal breath . time doth stay for none . ☞ death cuts down every one . time . i am the antient standard of great fame , which all men ought to prize , time is my name : but this vain world doth now so many blind , so that i am almost grown out of mind . for why , i am slighted by many a one , who ne'r thinks on me till i 'm past and gone : and then too late they do mourn and complain , wishing they could recall back time again . some spendeth their whole time most wickedly , in drunkenness , whoredom , and blasphemy : and some again sets their delight in pride , not thinking how their precious time doth slide . time is a stately jewel of great gain , if it be well priz'd and not spent in vain : those that their time bestows in doing well , in happiness no doubt but they shall dwell . and those that spends their time in idleness , shall one day want it in their great distress : the whole world can't lost time restore , yesterday's gone and will ne'r return more . time's last speech to the world. like to an arrow shot out of a bow , like to the tide he which doth ebb and flow : like is a bird full swift i flye away , for rich nor poor i 'le not make any stay . death . i am the chief commander captain death , i fight against all mortals upon earth : when i amongst them chance to have a care , i conquer all , none dare with me hold war. i fear not the bravest champions that be , though they are stout , yet they can't conquer me : 't is not manhood nor valour can them save , i make them stoop and yield unto the grave . the chiefest prince that in the world doth live , when i him strike , he up the ghost must give : his whole kingdom can't him from me retain , from dust he came , and shall to dust again , of rich mens power i do not stand in fear , nor for their loftiness i do not care : their pride and honour in the earth i lay , when their glass is out , with me they must away . thus rich and poor , with old and young also , both wise and simple to the grave must go : there 's no respect of persons , worst or best , all must at last by me lye mortu us est . when i on mortals lay my fatal stroke , they can't in no wise slip out my yoak : i came suddenly and unawares to all , then see you are prepar'd when death doth call . finis . printed for f. coles , t. vere , j. vvright and j. clarke . , there's nothing to be had without money, or hee that brings mony in his hand is sure to speed by sea or land but he that hath no coyne in's purse his fortune is a great deale worse, then happy are they that alwayes haue a penny in purse their credit to saue. to a new northerne tune, or the mother beguil'd the daughter. 1633 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08374 stc 18699 estc s119971 99855175 99855175 20650 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08374) transcribed from: (early english books online ; image set 20650) images scanned from microfilm: (early english books, 1475-1640 ; 1250:11) there's nothing to be had without money, or hee that brings mony in his hand is sure to speed by sea or land but he that hath no coyne in's purse his fortune is a great deale worse, then happy are they that alwayes haue a penny in purse their credit to saue. to a new northerne tune, or the mother beguil'd the daughter. m. p. (martin parker), d. 1656?, attributed name. 1 sheet ([1] p.) : ill. [by a. mathewes] for h. g[osson., printed at london : 1633?] verse "you gallants and you swagring blades". possibly by martin parker. printer's name from and publication date conjectured by stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 elspeth healey sampled and proofread 2007-09 elspeth healey text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion there 's nothing to be had without money , or hee that brings mony in his hand is sure to speed by sea or land , but he that hath no coyne in 's purse his fortune is a great deale worse , then happy are they that alwayes haue a penny in purse their credit to saue . to a new northerne tune , or the mother beguil'd the daughter . you gallants and you swagring blades giue care unto my ditty , i am a boone companion knowne in country , towne , and city , i alwayes lou'd to weare good cloathes , and euer scorned to take blowes , i am belou'd of all me knowes , but god a mercy penny . my father was a man well knowne that vs'd to hoard vp money , his bags of gold he said to him more swéeter were than bony , but i his sonne will let it sly , in tauerne , or in ordinary , i am beloued in company , but god a mercy penny . all sorts of men both farre and néere where euer i resorted , my fellowship estéemed deere , because i was reported to be a man of noted fame , some said i well deseru'd the same , thus haue i got a gallant name , but god a mercy penny . all parts of london i haue tride where merchants wares are plenty , the royall exchange and faire cheapeside with speaches fine and dainty , they bring me in for to behold their shops of siluer and of gold , there might i chuse what wares i would but god a mercy penny . for my contentment once a day i walkt for recreation , through pauls , ludgate , & fleet-street gay . to raise an eleuation : sometimes my humour is to range , to temple , strand , and new exchange to see their fashions rare and strange ; but god a mercy penny . i haue béene in westminster hall where learned lawyers plead , and shewne my bill among them all which when they sée and read , my action quickly hath beene tride no party there my suit deuide , each one spake brauely on my side ; but god a mercy penny . the second part . to the same tune . the famous abbey i haue seene and haue the pictures view'd , of many a noble king and queene which are by death subdu'd , and hauing seene the sights most rare , the water men full ready were mm●s ore the riuer of thames to heare ; but god a mercy penny . ●eare garden when i doe frequent ●r'th globe on the bankeside , ●h'afford to me most rare content as 〈◊〉 full oft haue tride , the best pastime that they can make they instantly will vndertake , for my delight and pleasure sake , but god a mercy penny . in euery place whereas i came both i and my sweet penny , got entertainement in the same and got the loue of many : both tapsters , cookes , and vintners fine with other toutall friends of mine , will pledge my health in beere or wine , but god a mercy penny . good fellowes company i vs'd as also honest women , the painted drabs i still refus'd and wenches that are common , there luring lookes i doe despise they seeme so lothsome in mine eyes , yet one a protect did deuise to gull me of my penny . one euening as i past a long a lasse with borrowed ●…aire , was singing of a tempting song , kind sir quoth she , draw néere , but he that bites this rotten crab may after chance to catch the scab . no pander , baud , nor painted drab , shall gull me of a penny . but curled haire and painted face i euer haue refrained , all those that get their liuing base in heart i haue disdained , my conscience is not staind with pitch , no tempting tongue shall me bewitch , i l'e make no puncke nor pander rich , i l'e rather keepe my penny . yet will i neuer niggard be while i remaine on earth , but spend my money frolickely in friendship loue and mirth . i 'le drinke my beare , i 'le pay my score and eke dispense some of my store , and to the needy and the poore , i 'le freely giue my penny . thus to conclude as i began i wholly am inclin'd , wishing that each true hearted man a faithfull friend may finde : you that my verses stay to heare draw money for to buy me beere , the price of it is not too deere t' will cost you but a penny . finis . printed at london for h. g. times alteration: or, the old mans rehearsall, what braue dayes he knew a great while agone, when his old cap was new. to the tune of, ile nere be drunke againe. m. p. (martin parker), d. 1656? 1628-1629? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00520 stc 19271 interim tract supplement guide c.20.f.7[406] 99892174 ocm99892174 183131 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00520) transcribed from: (early english books online ; image set 183131) images scanned from microfilm: (early english books; tract supplement ; a5:1[215]) times alteration: or, the old mans rehearsall, what braue dayes he knew a great while agone, when his old cap was new. to the tune of, ile nere be drunke againe. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed by the assignes of thomas symcocke, [london] : [1628 or 9] signed: m.p. [i.e martin parker]. verse: "vvhen this old cap was new ..." place and date of publication suggested by stc. in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion times alteration : or , the old mans rehearsall , what braue dayes he knew a great while agone , when his old cap was new . to the tune of , i le nere be drunke againe . vvhen this old cap was new , t is since two hundred yeere , no malice then we knew , but all things plentie were : all friendship now decayes , ( beleeue me , this is true ) which was not in those dayes , when this old cap was new . the nobles of our land were much delighted then , to haue at their command a crue of lustie men , which by their coats were knowne , of tawnie , red , or blue , with crests on their sleeues showne , when this old cap was new . now pride hath banisht all , vnto our lands reproach , when he whose meanes is small , maintaines both horse and coach : in stead of an hundred men , the coach allowes but two ; this was not thought on then , when this old cap was new . good hospitalitie was cherisht then of many ; now poore men starue and die , and are not helpt by any : for charitie waxeth cold , and loue is found in few : this was not in time of old , when this old cap was new . where euer you trauel'd then , you might meet on the way braue knights and gentlemen , clad in their countrey gray , that courteous would appeare , and kindly welcome you : no puritans then were , when this old cap was new . our ladies in those dayes in ciuill habit went , broad-cloth was then worth prayse , and gaue the best content : french fashions then were scorn'd , fond fangles then none knew , then modestie women adorn'd , when this old cap was new . the second part. to the same tune . a man might then behold , at christmas , in each hall , good fires , to curbe the cold , and meat for great and small : the neighbors were friendly bidden , and all had welcome true , the poore from the gates were not chidden , when this old cap was new . blacke iackes to euery man were fill'd with wine and beere , no pewter pot nor kanne in those dayes did appeare : good cheare in a noble-mans house was counted a seemely shew , we wanted no brawne nor sowse , when this old cap was new . we tooke not such delight in cups of siluer fine , none vnder the degree of a knight , in plate drunke beere or wine : now each mechanicall man hath a cup-boord of plate , for a shew , which was a rare thing then , when this old cap was new . then briberie was vnborne , no simonie men did vse , christians did vsurie scorne , deuis'd among the iewes , then lawyers to be feed , at that time hardly knew , for man with man agreed , when this old cap was new . no captaine then carowst , nor spent poore souldiers pay , they were nor so abus'd , as they are at this day : of seuen dayes they make eight , to keepe from them their due ; poore souldiers had their right , when this old cap was new . which made them forward still to goe , although not prest : and going with good will , their fortunes were the best , our english then in fight did forraine foes subdue , and forst them all to flight , when this old cap was new . god saue our gracious king , and send him long to liue , lord , mischiefe on them bring , that will not their almes giue ▪ but seeke to rob the poore of that which is their due : this was not in time of yore , when this old cap was new . m. p. finis . printed by the assignes of thomas symcocke . [the lamentation of] john musgrave who was execued [sic] at kendal for robbing the king's receiver, and taking away from him great store of treasure : to the tune of, wharton. musgrave, john, fl. 1654. 1683 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a51657 wing m3151 estc r1857 12959154 ocm 12959154 96055 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a51657) transcribed from: (early english books online ; image set 96055) images scanned from microfilm: (early english books, 1641-1700 ; 363:3) [the lamentation of] john musgrave who was execued [sic] at kendal for robbing the king's receiver, and taking away from him great store of treasure : to the tune of, wharton. musgrave, john, fl. 1654. 1 sheet ([2] p.) : ill. printed for j. wright, j. clark, w. thackeray and t. passenger, [london] : [1683?] place and date of publication from wing. reproduction of original in british library. "the second part of the lamentation of john musgrave: to the same tune": p. [2]. imperfect: title on p. [1] partially cropped. title information from p. [2]. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. songs, english -texts. broadsides -england -17th century. 2003-09 tcp assigned for keying and markup 2003-10 spi global keyed and coded from proquest page images 2003-12 mona logarbo sampled and proofread 2003-12 mona logarbo text and markup reviewed and edited 2004-02 pfs batch review (qc) and xml conversion the lamentation of iohn musgrave , who was executed at kendal , for robbing the king's receiver , and taking awa● from him great store of treasure . to the tune of , wharton . to lodge it was my chance of late , at kendal in the sizes week , uuhere i saw many a gallant state was walking up and down the street , down plumpton park as i did pass , i heard a bird sing in a glen : the chiefest of her song it was , farewell the flower of serving-men . sometimes i heard the the musick sweet , which was delightfull unto me : at length i heard one wail and weep , a gallant youth condemn'd to dye : down plumpton park , &c. a gentleman of courage bold , his like i never saw before , but when as i did him behold , my grief it grew still more and more : down plumpton park , &c. of watery eyes there were great store , for all did weep that did him see , he made the heart of many sore , and i lamented for company : down plumpton park , &c. to god above ( quoth he ) i call , that sent his son to suffer death : for to receive my sinful soul , so soon as i shall loose my breath , down plumpton park , &c. o god i have deserved death , for deeds that i have done to thee : yet never liv'd i like a thief , till i met with ill company . down plumpton park , &c. for i may curse the dismal hour , first time that i did give consent : for to rob the king's receiver and to take away his rent : down plumpton park , &c. you gallants all be warn'd by me , learn cards and dice for to refrain , fly whores , eschew ill company , for these ; thing will breed you pain : down plumpton park , &c. all earthly treasures are but vain and worldly wealth is vanity : search nothing else but heaven to gain remember all that we must dye : down plumton park , &c. farewell goodfellows less and more , be not dismaid at this my fall : i never did offend before , john musgrave , all men did me call : down plumton park as i did pass , i heard a bird sing in a glen , &c. the second part of the lamentation of iohn musgrave . to the same tune . the bait beguiles the bonny fish , some care not what they swear or say the lamb becomes the foxes dish when as the old sheep runs away : down plumpton park as i did pass , i heard a bird sing in a glen , thé chiefest of her song it was , fare well the flower of serving-men . the fowlers that the plovers get , take glistering glass their net to set : the ferret when the mouth is cop't . doth drive the coney to the net : down plumton park , &c. the pike devours the salmon free , which is a better fish than himself : some care not how whos 's children cry , so that themselves may keep their pelf : down plumpton park , &c. farewell good people less and more , both great and small that did me ken : ●●rewell rich , and farewell poor , and farewell all good serving-men ; ●●wn plumpton park , &c. now by my death i wish all know , that this same lesson you may teach , of what degree , of high , or low , climb not i say above your reach : down plumpton park , &c. good gentlemen i you intreat , that have more sons than you have land● in idleness do not them keep , teach them to labour with their hand● down plumpton park ; &c. for idleness is the root of evil , and this sin never goes alone : but theft and robbery follows after , as by my self is plainly shown : down plumpton park , &c. for youth & age , will not understand , that friends in want , they be but cold , if they spend their portions and lack land they may go beg when they are old : down plumpton park , &c. farewell , farewell my bretheren dear , sweet sisters make no doal for me : my death 's at hand i do not fear , we are all mortal and born to dye : down plumpton park , &c. i know that christ did dye for me , no earthly pleasures would i have : i care not for the world a flye , but mercy lord of thee i crave . down plumpton park , &c. come man of death and do me right , my glass is run i cannot stay : with christ i hope to lodge this night and all good people for me pray : down plumpton park , &c. the man of death his part did play , which made the tears blind many an ey he is with christ , as i dare say , the lord grant us that so we may : down plumpton park , &c. finis . printed for i. wright , i. clark , w. thackeray , and t. passenger . the king and kingdoms joyful day of triumph. or, the kings most excellent majesties royal and triumphant coming to london, accompanied by the ever renowned, his excellenct the lord general monck ... to the tune of, the scottish lady, or, ill tide that cruel peace that gain'd a war on me. wade, john, fl. 1660-1680. this text is an enriched version of the tcp digital transcription b06558 of text r186131 in the english short title catalog (wing w168a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b06558 wing w168a estc r186131 47012704 ocm 47012704 174671 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06558) transcribed from: (early english books online ; image set 174671) images scanned from microfilm: (early english books, 1641-1700 ; 2694:11) the king and kingdoms joyful day of triumph. or, the kings most excellent majesties royal and triumphant coming to london, accompanied by the ever renowned, his excellenct the lord general monck ... to the tune of, the scottish lady, or, ill tide that cruel peace that gain'd a war on me. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. printed for john andrews ..., london, : [1660] contains 3 illustrations. right half-sheet contains: the second part, to the same tune. date of publication taken from wing (2nd ed.) reproduction of original in: university of glasgow. library. eng charles -ii, -king of england, 1630-1685 -poetry. ballads, english -17th century. broadsides -england -17th century. b06558 r186131 (wing w168a). civilwar no the king and kingdoms joyful day of triumph. or, the kings most excellent majesties royal and triumphant coming to london, accompanied by th wade, john 1660 779 2 0 0 0 0 0 26 c the rate of 26 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-02 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-09 mona logarbo sampled and proofread 2008-09 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the king and kingdoms joyful day of triumph . or , the kings most excellent majesties royal and triumphant coming to london , accompanied by the ever renowned , his excellency the lord general monck , and an numerous company of his royal peers , lords , knights , citizens , and gentry , who conducted his royal majesty in honour and triumph from dover to london . to the tune of , the scottish lady , or , ill tide that cruel peace that gain'd a war on one . king charles he now in landed , to ease his subjects moan ; those that are faithful handed he takes them for his own : oh he is our royal sovereign king , and is of the royallest off spring , peace and plenty with him he 'l bring , and will set us frée from all vexations , and great taxations , woe and misery , and govern all these nations with great tranquility . lord general of fair england marcht forth to méet the king , to entertain him when he did land , and to london him did bring ; he is the worthy man of might that doth both king and countrey right , in whom god and man taketh delight : for surely he well doth understand what he doth take in hand ; and most discreetly he doth his warlike troops commmand , renown'd to posterity . the trumpets bravely sounded , the kings return again . with joy their hearts abounded the king to entertain : aloud they sounded forth his praise , englands glory for to raise ; for god is just in his wayes assuredly : most hearts then were glad , no man seeming sad , the bravest day that ever came , we happy by our king are made , to his eternal fame , the citizens of london with a most pompous train , for evermore hath praise wone , his favour for to gain , gallantly marched out of the town to king charles's royal renown , in peace to bring him to the crown richly attired : by the lords perswasion after the richest fashion greatly admired ; the chiefest in this nation , whose hearts with joy are fired . the second part , to the same tune . then many brave noblemen all most gallant and brave , marched out of the town then ; both valiant , wise , and grave , counting it a most delightful thing for to honour charles our royal king , and to the crown him in peace to bring : desiring he now might be crowned , and still renowned to posterity , on whom fortune had frowned for his sincerity . many thousands of horsemen , then marched o're the plain , for to defend king charles then , and him to entertain : their horses went prancing along , when they were the rest among , and seem'd to dance amidst the throng so merrily ; seeming to be glad , they that journey had : they ma●cht on most , they were neither heavy nor sad , but went delightfully . their riders richly tired in costly cloth of gold , their journey so required , most rich for to behold : oh it was the most glorious sight , and did my heart so much delight , that i could not forbear but write . they were such gallant blades , and so richly drest , as cannot be exprest , they were most bonny lads , all malice they did d●test , they were such brave comrades . each regiment from other known by their sev'ral notes , as plainly it did appear , and was all in buff-coats : and in silken scarfs all of gréen , with hats and feathers to be séen , most rich as well i ween , were these brave men : england did never sée the like ever but may again they marched most courageous , the king to entertain and this doth these lands rejoyce , and all that in them live , even both with hearts and voice , and thanks to god do give , which restored unto us our king , and vsurpers down did fling : freedom unto us to bring ; we shall be frée from all exilements and ill revilements , we and our posterity shall have our full enjoyments , and happy dayes shall sée . j. w. finis . london , printed for john andrews , at the white lion near pye-corner . the lamentation of master pages wife of plimmouth who being enforced by her parents to wed him against her will, did most wickedly consent to his murther, for the love of george strangwidge; for which fact she suffered death at barstable in devonshire. vvritten with her owne hand a little before her death. to the tune of fortune my foe. deloney, thomas, 1543?-1600. 1635 approx. 12 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a20119 stc 6557.4 estc s118059 99853268 99853268 18638 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a20119) transcribed from: (early english books online ; image set 18638) images scanned from microfilm: (early english books, 1475-1640 ; 1637:08) the lamentation of master pages wife of plimmouth who being enforced by her parents to wed him against her will, did most wickedly consent to his murther, for the love of george strangwidge; for which fact she suffered death at barstable in devonshire. vvritten with her owne hand a little before her death. to the tune of fortune my foe. deloney, thomas, 1543?-1600. 1 sheet ([1] p.) s.n., [london : ca. 1635?] 3 ballads. by thomas deloney. imprint from stc. also includes "the lamentation of george strangwidge, who for consenting to the death of master page of plimmouth, suffered death at barstable" and "the sorrowfull complaint of mistris page, for causing her husband to be murdered, for the love of george strangwidge, who were executed together.". in this edition, the heading of the second ballad is undated. formerly stc 19095; identified as stc 19095 on umi microfilm reel (early english books, 1475-1640) reel 1637. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng page, ulalia -poetry -early works to 1800. strangwidge, george -poetry -early works to 1800. ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 olivia bottum text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion the lamentation of master pages wife of plimmouth , who being enforced by her parents to wed him against her will , did most wickedly consent to his murther , for the love of george strangwidge ; for which fact she suffered death at barstable in devonshire . vvritten with her owne hand a little before her death . to the tune of fortune my foe . vnhappy she whom fortune hath forlorne , despis'd of grace , that proffered grace did scorn : my lawlesse loue that lucklesse wrought my woe , my discontent content did ouerthrow . my loathed life too late i doe lament , my hatefull déed with heart i doe repent : a wife i was that wilfull went awry , and for that fault am here prepar'd to die . in blooming yeares my fathers gréedy mind , against my will a match for me did find : great wealth there was , yea gold and mony store , but yet my heart had chosen long before . my eye mislik't my fathers liking quite : my heart did loath my parents fond delight : my grieued mind and fancie told to me , that with his age my youth could not agrée . on knées i crau'd they would not me constraine , with teares i cride their purpose to refraine : with sighs and sobs i did them often moue , i might not wed whereas i could not loue . but all in vaine my spéeches still i spent , my fathers will my wishes did preuent : though wealthy page possest ny outward part , george strangwidge still was lodged in my heart . i wedded was , but wrapped in all woe . great discontents within my heart did grow , i loath'd to liue , yet liu'd in deadly strife , because perforce i was made pages wife . my chosen eyes could not his sight abide , my tender youth did scorne his aged side , scant could i taste the meat whereon he fed , my legs did loath to lodge within his bed . cause knew i none i should despise him so , that such disdaine within my mind did grow saue onely this that fancie did me meue , and told me still george strangwidge was my loue . but here began my downfall and decay , in mind i mus'd to make him straight away , i that became his discontonted wife , contented was he should be rid of life . me thinkes that heauen cries vengeance for my fact , me thinkes the world condemnes my monstrous act , me thinkes within , my conscience tells me true , that for that déed hell fier is my due . my pensiue life doth sorrow for my sinne , for this offence my soule doth bléed within , yet mercy lord for mercy doe i cry , saue thou my soule , and let my body dye . well could i wish that page enjoy'd his life , so that he had some other to his wife , but neuer would i wish of low or hie , a longer life , and sée swéet strangwidge die . ah woe is me that had no better grace , to stay till he had run out natures race : my déed i rue , but more i doe lament , that to the same my strangwidge gaue consent . you parents fond that gréedy-minded be , and séeke to graft vpon a golden tree : consider well , and rightfull iudges be , and giue your doome twixt parents loue and me . i was their child and bound for to obey , yet not to wed where i no ioue could lay : i married was to muck and endlesse strife , but faith before had made me strangwidge wife . ah wretched world which cancred rust doth blinde , and cursed men that beare a greedy minde : and haplesse i whom parents did force so , to end my dayes in sorrow , shame and woe . you devonshire dames , and courteous cornwall knights , that here are come to visit wofull wights : regard my griefe , and marke my wofull end , and to your children be a better friend . and thou my deare which for my fault must dye , be not afraid the fore of death to try , like as we liu'd and lou'd together true , so both at once let 's bid the world adue . ulalia thy friend doth take her last farewell , whose soule with thine in heauen shall euer dwell , swéet sauiour christ doe thou my soule receiue , the world i doe with all my heart forgiue . and parents now , whose mournfull minds doe show your hearts disease and inward heauy woe : mourne you no more , for hope my heart doth tell , ere day be done , that i shall be full well . and plimmouth proud , i bid thee eke farewell , take heed you wiues , let not your hands rebell : and farewell life wherein such sorrow showes , and welcome graue which must my corps inclose . and now sweet lord forgiue me my misdeeds , repentance cries for soule that inward bleeds : my soule and body i commend to thee , that with thy blood from death redeem'd it free . lord blesse our king with long and happy life , and send true loue betwixt each man and wife : and giue all parents wisedouie to foresee , the match is marr'd where minds doe not agree . the lamentation of george strangwidge , who for consenting to the death of master page of plimmouth , suffered death at barstable . the man that sighes and sorrowes for his sinne , the corps which care and woe hath wrapped in , in dolefull sort records his swan-like song , that waits for death , and loathes to liue so long . o glandfield , cause of my committed crime , shared in wealth , as birds in bush of lime : what cause hadst thou to beare such wicked spight against my good , and eke my loues delight ? i would to god thy wisedome had beene more , or that i had not entred in thy doore : or that thou hadst a kinder father beene , unto thy child , whose yeares are yet but greene : the match vnméete which thou for muck didst make , when aged page thy daughter home did take : well maist thou rue with teares that cannot dry , which was the cause that foure of vs must dye . ulalia faire , more bright than summers sunne , whose beauty had my heart for euer won , my soule more sobs to thinke of thy disgrace , than to behold mine owne vntimely race . the déed late done in heart i doe lament , but that i lou'd , i cannot yet repent : thy séemely sight was euer swéet to me , would god my death would thy excuser be . it was for me ( alas ) thou didst the same , on me of right they ought to lay the blame : my worthlesse loue hath brought my life in scorne , now woe is me that euer i was borne . farewell my loue , whose loyall heart was séene , would god thou hadst not halfe so constant béene : farewell my loue the pride of plimmouth towne , farewell the flower whose beauty is cut downe . for twenty yeares great was the cost i know , thy vnkind father did on thée bestow : yet afterward so sore did fortune lowre , he lost his joy and child within an houre . my wrong and woe to god i doe commit , his was the fault , by matching them vnfit : and yet my guilt i cannot so excuse , i gaue consent his life for to abuse . wretch that i am that i consent did giue , had i denied , ulalia still should liue : blind fancy said , her suite doe not denie , line thou in blisse , or else in sorrow die . o lord forgiue this cruell déed of mine , upon my soule let beames of mercy shine : in justice lord doe thou no vengeance take , forgiue vs both for jesus christ his sake . finis . the sorrowfull complaint of mistris page , for causing her husband to be murdered , for the love of george strangwidge , who were executed together . if euer woe did touch a womans heart , or griefe did gall for sinne the inward part : my conscience then and heauy heart within , can witnesse well my sorrow for my sinne . when yéeres were young my father forc't me wed , against my will , where fancy was not led , i was content his pleasure to obey , although my heart was linkt another way . great were the guifts they proffered to my sight , with wealth they thought to win me to delight : but gold nor guift my heart could not remoue , for i was linkt whereas i could not loue . me thought his sight was loathsome to my eye , my heart did grudge against him inwardly : this discontent did cause my deadly strife , and with his wealth i liu'd a loathsome life . my constant loue was on young strangwidge set , and woe to them that did our welfare let : his loue to me so déepe a roote did take , i could haue gone a begging for his sake . wronged he was euen through my parents plaine , wronged he was through fond desire of gaine , if faith and troth a perfect iudge might be , i had béene wife vnto no man but he . eternall god forgiue my faithlesse déed , and grant all maidens to take better héed , if i had constant béene vnto my friend , i had not matcht to make so bad an end . but wanting grace , i sought my owne decay , and was the cause to cast my friend away : and he in whom my earthly joyes did lie , through my amisse , a shamefull death must die . farewell swéet george , my louing faithfull friend , néedes must i laud and loue thée to the end , and albeit that page possest thy due , in sight of god thou wast my husband true . my watry eyes vnto the heauens i bend , crauing of christ his mercy to extend : my bloody déed , o lord , doe me forgiue , and let my soule within thy kingdome liue . farewell false world , and friends that fickle be , all wiues farewell , example take by me : let not the deuill to murder you entice : seeke to escape each soule and filthy vice . and now , o christ , to thée i yéeld my breath , strengthen my faith in bitter pangs of death . forgiue my faults and follies i thée pray , and with thy blood wash thou my sinnes away , finis . death's loud allarum: or, a perfect description of the frailty of mans life with some admonitions to warne all men and women to repentance. to the tune of, aime not too high. crimsal, richard. 1635 approx. 7 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a19003 stc 5420 estc s108761 99844417 99844417 9228 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19003) transcribed from: (early english books online ; image set 9228) images scanned from microfilm: (early english books, 1475-1640 ; 1627:13) death's loud allarum: or, a perfect description of the frailty of mans life with some admonitions to warne all men and women to repentance. to the tune of, aime not too high. crimsal, richard. 1 sheet ([1] p.) : ill. for iohn wright the young[er] and are to be sold at his shop at the upper end of the old-bayley, printed at london : [1635?] signed at the end: r.[c.]., i.e. richard crimsal. publication date and fact that john wright is the younger from stc. verse "lament your sinnes, good people all lament,". in two parts; woodcuts at head of each part. formerly also stc 20568. imperfect: trimmed affecting author's initials and publisher's name. identified as stc 20568 on umi microfilm set "early english books, 1475-1640". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-05 tcp assigned for keying and markup 2002-07 apex covantage keyed and coded from proquest page images 2002-08 mona logarbo sampled and proofread 2002-08 mona logarbo text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion death's loud allarum : or , a perfect description of the frailty of mans life , with some admonitions to warne all men and women to repentance . to the tune of , aime not too high . lament your sinnes , good people all lament , you plainely fee the messenger is sent , i meane grim death and he doth play his part , he stands prepar'd to strike you to the heart : how suddenly alas there 's none doth know , we all must yéeld to death ' this death we owe. our time is short we have not long to stay , we are not sure to live one night nor day , no , nor one houre or minut which is lesse , as god doth please our time is more or lesse : we are all mortall that live here below , and all must dye , that is the debt we owe. no strength nor valour can this death prevent , nor can faire beauty hinder his intent , both rich and poore must all prepare to dye , no king nor subject can proud death denye : death feares no friend nor doth he dread a foe , we all must dye that is the debt we owe. behold and sée all you that smile at death , you plainely sée how fickle is your breath , to day alive , to morrow clad in clay , therefore prepare , repent , wéep , fast and pray : our sinnes doe cause the lord to send us woe , we all must die , that is the debt we owe. thy brother's dead and buryed in the ground , prepare thy self , the mournfull bell doth sound , the grave stands open ready to receive , whom death doth strike , prepare to take thy leave . the day nor houre there is none that doth know , we all must die , that is the debt we owe. then why doe we so vainely spend our time , and unto wickednesse so much incline ? we live as though we never meant to die , spending our dayès most lewd and wantonly : all wickednesse doth daily in us grow , yet all must die , that is the debt we owe. in pride and lust we daily doe abound , what wicked sinnes but in us may be found ? wrath and revenge , with beastly gluttony , with drunkennesse deceit and flattery : all this appeares apparantly in show . yet all must die , that is the debt we owe. the hearts of men are growne as hard as stone , they 'l not give eare unto the griefe and mone , which their poore brethren make being opprest , take héed hard heart , for death will thee arrest : and then 't is doubtfull will begin thy woe , for all must die , that is the debt we owe. the second part , to the same tune . it is our sinnes doth cause gods wrath to fall , for we offend ev'n generally all , both rich and poore with yong and old also : let us repent , least god increase our woe . if we repent the lord will mercy show , we all must die , that is the debt we owe. some séeme to murmur and to make complaint , but they are those whose faith is weake and faint , they doe not truly feare nor serve the lord , nor doe they note his blessed holy word , upon repentance he will mercy show : but all must die , that is the debt we owe. gods mercy goes before his justice still , he 's alwayes sure to punish us for ill , he lets us scape in hope we may amend , thus he 's to us a father and a friend : but we to him ungracelesse children grow , yet all must die , that is the debt we owe. what can a father doe more for a sonne , then our good father and our god hath done ? he made us from the brittle earth and clay , and gave vs breath , yet him we disobay : o wretched creatures why should we doe so , we all must die , that is the debt we owe. over all creatures man a ruler is , hath not the lord done much in doing this ? o thinke on this and praise him for the same , give laud and glory to his holy name , all men that 's living ought for to doe so , we all must die , that is the debt we owe. but we forget our duties to our god , wherefore he now doth scourge us with his rod , his punishment we now are like to féele , he shoots his arrowes from his bow of stéele : which bow doth séeme to strike a deadly blow , we all must die , that is the debt we owe. what father alwayes will forgive his child , that disobays his will and is most vild ? correction doth befit a wicked son , 't is true we must confesse the same each one : now god correct's us by one blow , in hope thereby , that we will better grow . then let 's amend our lives most spéedily , we may live long or suddenly may die , let us prepare our selves for to repent , it cannot long ti●e ere our glasse be spent : our time is short , for certaine it is so , we all must die , that is the debt we owe. happy 's that man that is for death prepar'd , although he die heaven is his reward , he lives to die , and dies to live againe , in joyes eternally for to remaine : thrice blessed's he that lives and dieth so , we all must die , that is the debt we owe. then séeing all must die as that we must , while we live here , in god lets put our trust , then we shall die to live with him in joy , and happinesse which never will decay : let all true christians wish it may be so , for all must die , that is the debt we owe. looke not upon thy pleasures and thy pride , but for thy silly soule doe thou provide , minde not this world 't is vaine and transitory , minde heaven on high which is a place of glory unto which place lord grant that we may goe , when we doe die : amen , let all say so . r. finis . printed at london for iohn wright the young and are to be sold at his shop at the upper end of the old-bayley . the lavvyers plea, in the behalf of young tom of lincoln. being an answer to a late scandalous ballad, entituled, merry news from lincolns-inn. adrest to the author of the said ballad, by tom of lincoln. to the tune of, help lords and commons, &c. tom of lincoln. 1665 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04307 wing l743 interim tract supplement guide c.20.f.4[111] 99884977 ocm99884977 182780 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04307) transcribed from: (early english books online ; image set 182780) images scanned from microfilm: (early english books; tract supplement ; a4:2[112]) the lavvyers plea, in the behalf of young tom of lincoln. being an answer to a late scandalous ballad, entituled, merry news from lincolns-inn. adrest to the author of the said ballad, by tom of lincoln. to the tune of, help lords and commons, &c. tom of lincoln. 1 sheet ([1] p.). s.n., [london : 1665?] imprint suggested by wing. verse: "lord help us all! what story's this ..." "merry news from lincolns-inn" has not been found. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng merry news from lincolns-inn. ballads, english -17th century. adultery -england -early works to 1800. dissenters, religious -england -controversial literature -early works to 1800. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the lavvyers plea , in the behalf of young tom of lincoln . being an answer to a late scandalous ballad , entituled , merry news from lincolns-inn . adrest to the author of the said ballad , by tom of lincoln . to the tune of , help lords and commons , &c. lord help us all ! what story 's this , that makes so great a stir ? forsooth who ever keeps a miss , must fear this barking cut ; as if no place but lincolns-inn , did harbour she destroyers , with puritans he might begin , they wench as well as lawyers : you nonconformist crop-ears , peace , and rail not against wenchers , vvith you , fanatick babes encrease , far more than with the benchers . thou who want'st judgement talk'st of it , like a vile canting varlet , and exercisest thy no-wit against an honest harlot , out of our house should she depart , she 'l learn to be more fickle , lifting up whorish eyes with art , at zealous conventicle . you , &c. she went up stairs thou sayest at ten , and what of that you tony , at twelve the learned'st of your men tip'd over the balcony : to this so strange a sight there came a hundred pious sticklers , but all went off again with shame , like crop-ear'd conventiclers : you , &c. it seems he call'd himself a cat , and would have been a gibing , her husband understanding that , came in and spoil'd his nibing : says he , cats fall upon their feet , when downwards they are tumbled , so down he threw him in the street , till his proud flesh was humbled : you , &c. but for the wench and laundress ruth , i must confess the story , that there was something in 't of truth , but all is for our glory : we keep the child we have begot , and able are to bear it , whilst others , do , or do it not , are ready to forswear it : you , &c. is not this better than to go at night to the peatches , reeling and rambling to and fro , in danger of the vvatches : and meet at last a drab or so , with petticoats bedagled , or with a pocky barren-doe , that from the park has stragled : you , &c. vvoe and alas ! your rudder's spoil'd , i pitty your mishap , and though you get not her with child , you get your self with clap : then you go home and curse the whore , with all her art-full dry-blows , finding one pox to cost you more , than keeping twenty by-blows : you nonconformist crop-ears , peace , and rail not against vvenchers , vvith you , fanatick babes encrease , for more than with the benchers . thus you abroad with hazard roam , to find out harlots fulsome , vvhile we more safely prey at home , upon a girl that 's wholsome : look to your selves , your case is worse , dry up your slubbring ink-horn , i 'le warrant you we 'l find a nurse , for our young yom-a-lincoln ; you , &c. a bencher's grand-child ! you mistake , you silly rogue , i scorn ye , if a lawyers son a lawyer makes , his bastard's an attourney : and thus our tom in little time , shall grow to be our brother , as a bawds daughter whores betime , t' enrich her greasie mother ; you , &c. as for the woman , i confess we wrapt her in a gown , and whosoever had done less , had been an arrant clown ; for being to be call'd to 'th bar , and turn a female pleader , 't was reason we should have a care , she should not shame our reader ; you , &c. long may she live a merry crack , brisk , airy , gay , and fruitful , she never any thing shall lack , so long as she is youthful : grown old , her daughters shall turn up , to please our youthful vvenchers , as when we 've eat our commons up , we fall upon our trenchers ; you , &c. as for young tom i doubt is not , he 'l make some learned spark , more wit he has already got , then an attourneys clerk ; before that ever he could speak , he su'd for alimony , instead of mothers-milk , he 'd take no liquor but stipony ; you , &c. then blame not us of lincolns-inn , for what has hapned to us , such wenching is a gainful sin , that never will undoe us ; for we shall keep the bantling cheap , among so many purses , like citizens that take a leap amongst their country nurses . god bless the king and queen , likewise the house of lords and commons , but truly we shall ne'r despise some thing that is a womans , for should she laws cart every one , that loves a little cracking , the city would be quite undone , their vvives must all be packing . finis . the shepheards delight to the tune of frog galiard. w. t. 1617 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a73554 stc 3694.3 estc s125200 99898464 99898464 173378 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a73554) transcribed from: (early english books online ; image set 173378) images scanned from microfilm: (early english books, 1475-1640 ; 2039:1) the shepheards delight to the tune of frog galiard. w. t. deloney, thomas, 1543?-1600, attributed name. aut breton, nicholas, 1545?-1626? brittons bowre of delights. 1 sheet ([1] p.) : ill. (woodcut) for i. w[right]., imprinted at london : [c. 1617] two ballads, one column each, printed on a halfsheet. the first, attributed by stc to nicholas breton; a corrupt version of a poem in stc 3633 breton, nicholas. brittons bowre of delights. the second, attributed by stc to thomas deloney, has title "a pleasant new ballad of daphne. to a new tune". publisher's name and date of publication from stc. verse "on yonder hill there springs a flower". reproduction of original in the british library, london, england. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 john pas sampled and proofread 2009-01 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the shepheards delight . to the tune of frog galiar● on yonder hill there springs a flower faire befall those dainty swéetes : and by that flower there stands a bower , where all the heauenly muses méets . and in that bower there stands a chaire , fringed all about with golde , and therein sits the fairest face , that euer did mine eyes behold . it was philida faire and bright , and the shepheards on●ly ioy : she whom venus did most spight , and the blinded little boy . it was she the wisest rich , whom all the world did ioy to see , it was ipse qui the which , there was none but only shee . thou art the shepheards quéene , pitty me thy wofull swaine , for by thy vertue hath been séen dead men restorde to life againe . looke on me with thy faire eyes , one smiling looke and i am gon : looke on me for i am he , thy poore afflicted coridon . dead am i to all delights , except thy mercy quicken mee : graunt oh quéene of else i die , a psalme for this my melody . the while we sing with chearefull noise wood nymphes & satyres al may play with siluer sounding musickes voyce , reioysing at this happy day . w. t. finis . a pleasant new ballad of daphne . to a new tune . when daphne from fair phebu did flie , the west wind most sweetly did blow in her face : her silken scarfe scarse shadowed her eyes , the gods cride o pitty , & held her in chase : stay nymph , stay nymph cries apollo , larry and turne thee , sweet nymph stay , lyon nor lyger do 〈◊〉 thée follow . turne thy faire eyes and looke this way , o turne , o pretty swéet , and let our red lips meet : pitty o daphne , pitty o pitty me , pitty o daphne pitty me . she gaue no eare vnto his crie , but still did neglect him the more he did mone he still did entreate , she still did deny : and earnestly praies him to leaue her alone , neuer , neuer cries apollo , unlesse to loue thou doe consent , but still with my voyce so hollow , i 'le crie to thee while life be spent , but if thou turne to me , i will praise thy felicity , pitty o daphne , pitty , o pitty me , pitty o daphne pitty me . away like venus downe she flies , the red bloud her buskins did run all adown her plaintife loue she now denies , crying , helpe , helpe diana , & saue my renown wanton , wanton lust is neare me , would and chast diana heare , let the earth a virgin beare me , or deuoure me quicke a maid . summer pure heard her pray , pitty o daphe , pitty o pitty me , pitty o daphne pitty me . amazed stood apollo then , when he beheld daphne turnd as she desired accursed am i aboue gods and men , with griefe & laments my sences are tired , farewell false daphne most vnkind , my loue is buried in this graue , long haue i sought loue , yet loue could not finde , therefore this is my epithite , this trée doth daphne couer , that neuer pittied louer , farewell faise daphne that would not pitty nor be my loue , yet art thou my frée . me , finis , imprinted at london for i. w. the life and death of the piper of kilbarchan, or the epitaph of habbie simpson sempill, robert, 1595?-1665? this text is an enriched version of the tcp digital transcription b05793 of text r187429 in the english short title catalog (wing s2495c). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b05793 wing s2495c estc r187429 52615106 ocm 52615106 176128 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05793) transcribed from: (early english books online ; image set 176128) images scanned from microfilm: (early english books, 1641-1700 ; 2762:71) the life and death of the piper of kilbarchan, or the epitaph of habbie simpson sempill, robert, 1595?-1665? 1 sheet ([1] p.) s.n., [s.l. : 1690-1699] caption title. date of publication suggested by national library of scotland. reproduction of original in: national library of scotland. eng ballads, scots -17th century. broadsides -scotland -17th century. b05793 r187429 (wing s2495c). civilwar no life and death of the piper of kilbarchan or, the epitaph of habbie simpson, he made his cheeks as red as crimson, who on his dron bore bonn sempill, robert 1650 552 6 0 0 0 0 0 109 f the rate of 109 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2008-01 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion life and death of the piper of kilbarchanor , the epitaph of habbie simpson , he made his cheeks as red as crimson , who on his dron bore bonny flags , and babed when he blew the bags , kilbarchan now may say alas ! for she hath lost her game & grace both trixie and the maiden-trace b●● what rem●ed ? for no man can supply his place , h●● simphon's dead , now who shall play the day it daws or hunts up when the cock he craws or who can for our kirk town cause , stand us in stead ? on bag-pipes now no body blaws , for habbie's dead , or who shall cause our shearers shear who will bend up the brags of weir ? bring in the bells or good play meir , in time of need , hab simpson could what needs you spear but now he 's dead . so kindly to his neighbour neist , at belian and saint barchans feast he blew and then held up his breast , as he were weid , but now we need not him arrest ? for habbie's dead , at fairs he play'd before the spear-men all gayly graithed in their geer-men , steel bonners , jacts and swords so clear like any bead . now who will play before such weirmen then sen habbie's dead , at clark playes when be wont to come his pipe play'd trimly to the drum : like bikes of bees he gait it bum and turn his reed : now all our pipers my sing dum sen habbie's dead , and at horse-races many a day , before the black , the brown and gray he gart his pipe when he did play , both ski●l and sk●…ed : now all such pastime 's quite away sen habbie's dead , he counted was a wall'd wight man , and fiercely at foot-ball he ran ; at every game the gree he wan , for pith and speed the like of habbie was not then , but now he 's dead , and then beside his valiant acts , at brydels he wan many placks . he babbed ay behind folks backs , and shook his head , now we want many merry cracks sen habbie's dead . he was convoyer of the bride , with kittock hanging at his side , about the kirk he thought a pride the ring to lead but now she may go but a guide for habbie's dead . so well's he keeped his decorum . and all the steps of whip-meg morum , he slew a man and wae●s me for him and bare the seed . but yet the man wan hame before him and was not dead , ay when he play'd the lasses leugh , to sea him toothless , old and reuch he wan his pipes beside barcleugh withoutten dread , which after wan him gear enough but now he 's dead . alas for him my heart is sare , for of his springs i got a share , at every play , race , feast and fair , but guile or greed we need not look for piping mair , sen habbie's dead , finis the loyal and true hearted subjects good will to king and common-wealth. for all the merchants that with lead doth trade, and minors, i these verses here have made, for their sweet pleasure mirth, and great delight, i took the pains these verses to indite, but my good will to king and country here to all true subjects plainly shall appear. to the tune of, the dukes wish, or ile ask no more. houghton, thomas, gent. 1680-1682? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04157 wing l2931 interim tract supplement guide ebb65h[10] interim tract supplement guide c.20.f.8[564] 99887219 ocm99887219 183645 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04157) transcribed from: (early english books online ; image set 183645) images scanned from microfilm: (early english books; tract supplement ; a2:4[10]; a5:2[436]) the loyal and true hearted subjects good will to king and common-wealth. for all the merchants that with lead doth trade, and minors, i these verses here have made, for their sweet pleasure mirth, and great delight, i took the pains these verses to indite, but my good will to king and country here to all true subjects plainly shall appear. to the tune of, the dukes wish, or ile ask no more. houghton, thomas, gent. 1 sheet ([1] p.) : ill. (woodcuts). printed for thomas passenger at the three bibles on london-bridge, [london] : [between 1680-1682] signed: by thomas houghton. place and date of publication suggested by wing. verse: "minors of minervals where ere you be ..." item at a5:2[436] imperfect: trimmed at head affecting title. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 megan marion sampled and proofread 2008-10 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion 〈…〉 good 〈…〉 king and common-wealth . for all the merchants that with lead doth trade , and minors , i these verses here have made , for their sweet pleasure mi●ch , and great delight , i took the pains these verses to indite , but my good will to king and country here to all true subjects plainly shall appear . to the tune of , the dukes wish , or i le ask no more . minors of minervals where e're you be you lead merchants that trade by sea from the store , low down a while and give ear to me and he ask no more , i would have a grove with ore quick with a 〈…〉 ib of ore thirty foor thick , that 's great store , that would yield me ten thousand load a week and , &c. this ore i 'd have dooth sole and stool or else you 'd count me an unwise fool , of wit poor , and wind my workmens heat to cool , and , &c. this ore i 'd have from water frée , to the depth of seventy seven and thrée that 's fourscore , and ten thousand yards of length to be and , &c. then would i build up stately toes and would possess my ground with stoes , all men before , so that no ranglers could me oppose , and i 'de ask no more . then lead i would desire to see 〈…〉 at fifty pound a fodder to be , and never lower , likewise all trading good to be , and , &c. and then i would desire to see each man worth fifty pound to be ; none i' 〈…〉 have poor , and to live in peace and vnity , and , &c. likewise i would desire to see two sons born to his majesty , them i 'd adore , and the crown worn by the heir to be and , &c. and then a bride i 'de take to me , a virgin pure i 'de have her to be , her i 'de adore , and one to be come of honesty , and , &c. then if fortune of us smil'd i 'd have her to conceive with child , her death before , and to be delivered of two sons méek & mild and , &c. my sons i would bring my so well with learning high for to excel ten thousand score , and to obey the true gospel and &c. my heir i would desire to sée chief counsellor to his majesty my death before , and the youngest chief admiral of the sea and , &c. then i 'd desire the true gospel might increase and among us ovvel , they are finners poor , and then our souls by christ to be fréed from hell , then i 'd ask no more . by thomas houghton . printed for thomas passenger at the three bibles on london-bridge . a strange banquet, or, the devils entertainment by cook laurel at the peak in devonshire with a true relation of the severall dishes : the tune is, cook laurel. 1678 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a46229 wing j1014 estc r235695 27164704 ocm 27164704 110027 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a46229) transcribed from: (early english books online ; image set 110027) images scanned from microfilm: (early english books, 1641-1700 ; 1722:15) a strange banquet, or, the devils entertainment by cook laurel at the peak in devonshire with a true relation of the severall dishes : the tune is, cook laurel. jonson, ben, 1573?-1637. 1 sheet ([1] p.) : ill. printed for f. coles ..., [london] : [between 1678-1680] attributed by wing to ben jonson. place and date of publication suggested by wing. reproduction of original in bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2002-08 tcp assigned for keying and markup 2002-09 apex covantage keyed and coded from proquest page images 2002-10 chris scherer sampled and proofread 2002-10 chris scherer text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a strange banquet ; or , the devils entertainment by cook laurel at the peak in devonshire , with a true relation of the several dishes . the tune is , cook laurel . cook laurel would have the devil his guest , and bid him home to peak to dinner , ●here friend had never such a feast prepared at the charye of a sinner . with a hey down down a down down . his ●omack was que●c he came thither coacht , the joggiugs had caused his cruets to rise , to help which he cal'd sor a puritan po●rcht , that used to turn up the white of his eyes . with a hey , &c. and so he recovered unto his wish , he sate him down and began to eat : ●… prom●oter in plumb 〈◊〉 was the first dish , his own privy kitchin had no such meat , with a hey , &c. ●et though with this he much was taken upon a sudden he shifted his trencher , ●s soon as he spied the bawd and eaton , by which you may know the devils a wencher . 〈◊〉 a hey , &c. sir pickled taylors sliced and cut , with semsters and tire-women fit for his pillet with feathermen and perfumers put , some twelve in a charger to make a grand s●et with a hey , &c. a rich fat usurer 〈◊〉 in his marrow , with him a lawyers head and gi●n sawce , all which his bell● look like a barrel , as though till then he had never seen sawce . with a hey , &c. then 〈◊〉 and cookt with pains , whs brought up a cloven serjeants face , the sawce was made of a ●eamans brains that had been beaten out with his mace. with a hey , &c. two roasttd sheriffs came whole to the board , the feast had nothing been without them , both living and dead were foxed and fur'd , and their chains like saffages hung aboue them with a hey down down a down down . the next dish was the mayor of the town , with a pudding of maintainance put in his belly like a goose in her feathers in his gown , with a couple of hinch-boys boyl'd to a jelly . with a hey , &c. next came the overworn justice of peace , with clerks like gizzards stuck under each arm and warrants like sippits lay in his own grease set over a chaffing-dish to be kept warm . with a hey , &c. a london cuckold came hot from the spit and when the carver had broken him open , the devil chopt his head off at a ●…t , but the horns had almost like to choak him . with a hey , &c. a fair large pasty of a midwife hot , and for cold bak'd meat in this story , a reverend painted lady was brought long coffin'd in crust till now she`s grown hoary with a hey , &c. the loins of a letcher then was roasted , with a plumb harlots head and garlick , with a pandors petti-toes that had 〈◊〉 , himself for a captain that never was 〈◊〉 . with a hey , &c. then boiled and stuck upon a prick , the gizzard was brought of a holy 〈◊〉 , that bit made the devil almost so sick , that the doctor did think he had need of a gli●… with a hey , &c. the iowl of a taylor served for a fish , a constable 〈◊〉 pissed uinegar by , two aldermen lobsters laid in a dish , a deputy tart and a church-warden pye. vvith a hey , &c. all which devoured , then for a close he did for a draught of derby call , he heaved the vessel up to his nose , and tever left till he had drank up all , vvith a hey , &c. then from the table he gave a start , where banquet and wine was not to seek , all which he blew away with a fart , from whence it is cal'd the devils arse a peak . vvith a hey down down a down down . finis . printed for f. coles , in vine-street , on saffron-hill near h●ton-garden . the galant seamans return from the indies, or the happy meeting of two faithful lovers wherein is shewed the loyal constancy of a seaman to his love, with her kind salutation unto him for his welcome home. observe this song which is both neat and pretty tis on a seaman in his praise of betty. tune of five sail of frigots, or shrewsbury by t.l. with allowance. gallant seamans return from the indies. lanfiere, thomas. 1687 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a49519 wing l356a estc r216142 99827892 99827892 32316 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a49519) transcribed from: (early english books online ; image set 32316) images scanned from microfilm: (early english books, 1641-1700 ; 1852:28) the galant seamans return from the indies, or the happy meeting of two faithful lovers wherein is shewed the loyal constancy of a seaman to his love, with her kind salutation unto him for his welcome home. observe this song which is both neat and pretty tis on a seaman in his praise of betty. tune of five sail of frigots, or shrewsbury by t.l. with allowance. gallant seamans return from the indies. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts) printed for w. thackery, and t. passenger, [london] : [1687?] t.l. = thomas lanfiere. place of publication from wing; suggested publication date in wing = [1686-88]. verse "i am a stout seaman newly come on shore". reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-01 tcp assigned for keying and markup 2006-03 apex covantage keyed and coded from proquest page images 2006-05 mona logarbo sampled and proofread 2006-05 mona logarbo text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion the galant seamans return from the indies , or the happy meeting of two faithful lovers . wherein is shewed the loyal constancy of a seaman to his love , with her kind salutation unto him for his welcome home . observe this song which is both neat and pretty t is on a seaman in his praise of betty . tune of five sail of frigats , or , shrewsbury by t. l. with allowance . i am a stout seaman newly come on shore i have been a long uoyage where i nere was before but now i am returned i me resolved to see my own dearest honey whose name is betty . i have been absent from her full many a day but yet i was constant in every way though many a beautiful dame i did see yet none pleased me so well as pretty betty . now i am intended what ever betide fo● to go and see her and make her my bride if that she and i can together agree i never will love none but pretty betty . the gallant seamans song at the meeting of betty . well met my pretty betty my joy and my dear , i now am returned thy heart for to chear . nostra ·fraternitas · veritas · et · vnitas · though long i have béen absent yet i thought on thée o my heart it was alwayes with pretty betty then come my own dearest to the tavern le ts go , whereas wée 'll be merry for an hour or two lovingly together we both will agrée and i le drink a good health to my pretty betty . and when we have done to the church we will hy whereas wee 'l be joyned in matrymony , and alwayes i le be a kind husband to thee if that thou wilt be my wife pretty betty . i will kiss thee and hug thee all night in my arms , i le be careful of thee and keep thee from harms i will love thee dearly in every degree for my heart it is fixed on pretty betty . for thee i will rove and sail far and near the dangerous rough sea shall not put me in fear if i do get treasure i 'le bring it to thee , and i 'le venture my life for my pretty betty . and more then all this i le tell thée my dear . i will bring thee home rich iewels for to wear , and many new fashions i will provide thee so that none shall compare unto pretty betty . then come mine own dearest & grant me thy love both loyal & constant to thee i will prove , if that thou wilt put trust & beleif in me i vow nere to love none but pretty betty . betty's reply wherein she shows her love , promising him alwayes constant to prove . o welcome my dearest welcome to the shore thy absence so long hath troubled me sore but since thou art returned this i 'le assure thee it is thou art the man that my husband shall be although that some maids now adayes proves untrue yet i le never change my old love for a new , my promise i le keep while life remains in me for t is thou art the man that my husband shall be . i have been courted by many a proper youth if thou wilt beleive me i le tell thee the truth but all my affections i have set on thee for thou art the man that my husband shall be then dearest be not discontented in mind , for to thee i 'le alwayes prove loving & kind no lord nor knight i le have if they would have me for t is thou art the man that my husband shall ●e . if that i might gain a whole ship-load of money . i would not forsake my true love & hony , no wealth nor yet riches shall force or tempt me ●o forsake him who ever my true love shall be , this lusty brave seaman & his dearest dear was married full speedily as i did hear , now they both together do live happily and he vows to love his pretty betty . he is overjoy'd now he has gain'd his mate they do love and live without strife and debate . he is kind unto her in every degree so i wish him well to enjoy pretty betty . all you young men & maidens pray learn by my song to be true to your swéet hearts & do them no wrong prove constant and just and not false-hearted be and so i will now conclude my new ditty printed for w. thackery , and t. passenger . loves fierce desire, and hopes of recovery. or, a true and brief description of two resolved lovers; whose excellent wits, sutable minds, and faithful hearts one to another, shall heedfully be spoken of in this following new made paper of verses. to a delightful new tune, or, fair angel of england. l. p. (laurence price), fl. 1625-1680? 1678-1681? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04818 wing p3371 interim tract supplement guide ebb65h[167] 99887208 ocm99887208 181916 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04818) transcribed from: (early english books online ; image set 181916) images scanned from microfilm: (early english books; tract supplement ; a2:3[167]) loves fierce desire, and hopes of recovery. or, a true and brief description of two resolved lovers; whose excellent wits, sutable minds, and faithful hearts one to another, shall heedfully be spoken of in this following new made paper of verses. to a delightful new tune, or, fair angel of england. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts). printed for f[rancis]. coles, t[homas]. vere, j[ohn]. wright, j[ohn]. clarke, w[illiam]. thackeray, and t[homas]. passinger., [london] : [between 1678-1681] verse: "now the tyrant hath stolen ..." signed: l.p. [i.e. laurence price]. date, place of publication and publisher's names from wing. includes: celia her sweet reply to her faithful friend. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. love poetry, english -england -early works to 1800. ballads -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion loves fierce desire , and hopes of recovery . or , a true and brief description of two resolved lovers ; whose excellent wits , sutable minds , and faithful hearts one to another , shall heedfully be spoken of in this following new made paper of verses . to a delightful new tune , or , fair angel ofengland . now the tyrant hath stolen my dearest away ; and i am confined with mopsa to stay : yet let celia remember how faithful i 'le be , neither distance nor absence shall terrifie me . in volumns of sighs , i will send to my dear , and make my own heart correspond to my fear : till the soul of my life may be pleased to see , how delightful her safest return is to me . it cheers my sad heart to remember her love , though malice hath caused this sudden remove : and my mind is resolved what ever ensue , whether sunshine or thunder , to be constant and true . if my bark sail but safely through this rugged sea , though with contrary wind , much tossed it be : in the haven of rest , and long lookt for content , i 'le chaunt forth melodious songs of merriment . till then i 'le retreat to the forrest and mourn ; acteon shall eccho my hound and my horn. no reynard shall escape me that runs on the way , but patience perforce i will make him to stay . my heart hath enquired of every stone , what convoy the heavens hath bequeath'd to my moan : but for ought i can find , holy angels are agreed , to rival my hopes , and to slacken her speed . therefore i 'le sit down , and bewail my sad fate , like the turtle i 'le mourn for the loss of my mate : all the worlds greatest glories vexation to me , till my celia and i , in our loves may be free . celia her sweet reply to her faithful friend . thy speeches dear friend i have well understood , and how in exile thou hast wandred at the wood but i am resolved thy sorrows to free , to make thee amends , i 'le soon come unto thee . 't is neither the tyger , the wolf , nor the bear , nor shall nylus crocodile put me in fear : i 'le swim through the ocean upon my bare breast , to find out my darling , whom i do love best . and when i have found him , with double delight , i 'le comfort him kindly by day and by night : and i 'le be more faithful then the turtle-dove , which never at all did prove false to her love. the fierce basilisks that kills with the eye , shall not have the power once thee to come nigh : i 'le clip thee and hug thee so close in my arms , and i 'le venture my life for to save thee from harms . my lap for thy head love , a pillow shall be , and whilst thou dost sleep , i 'le be careful of thee : i 'le wake , and i 'le watch , and i 'le kiss thee for joy , and no venomous creature shall my love annoy . the satyrs shall pipe , and the syrens shall sing , the wood-nimphs with musick shall make the groves ring : the horn it shall sound , and the hounds make a noise , to recreate my love with ten thousand rare joys . so now i am comming to hasten the deed , pray heaven and gods angels to be my good speed : if fortune me favour , and seas quiet prove , i soon will arrive at the port which i love . now celia is gone to find out her dear , his heart that was sad to comfort and cheer : no doubt but each other they will lovingly greet , when as they together do lovingly meet . l. p. finis . printed for f , coles , t. vere , j. wright , j clarke , w. thackeray , and t. passinger . an exact description of the manner how his maiestie and his nobles went to parliament, on munday, the thirteenth day of aprill, 1640, to the comfortable expectation of all loyall subiects to the tune of triumph and ioy, &c. / m.p. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08953 of text s469 in the english short title catalog (stc 19230). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08953 stc 19230 estc s469 22458855 ocm 22458855 25561 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08953) transcribed from: (early english books online ; image set 25561) images scanned from microfilm: (early english books, 1475-1640 ; 1754:26) an exact description of the manner how his maiestie and his nobles went to parliament, on munday, the thirteenth day of aprill, 1640, to the comfortable expectation of all loyall subiects to the tune of triumph and ioy, &c. / m.p. m. p. (martin parker), d. 1656? 1 broadside : ill. and are to be sold at the horse-shooe in smithfield, printed at london : [1640] date of publication suggested by stc (2nd ed.). illustrated with woodcuts. without music. formerly also stc 5024. reproduction of original in bodleian library. eng ballads, english. a08953 s469 (stc 19230). civilwar no an exact description of the manner how his maiestie and his nobles went to the parliament, on munday, the thirteenth day of aprill, 1640. to m. p 1640 864 9 0 0 0 0 0 104 f the rate of 104 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2002-08 tcp assigned for keying and markup 2002-09 spi global keyed and coded from proquest page images 2002-10 judith siefring sampled and proofread 2002-10 judith siefring text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion an exact description of the manner how his maiestie and his nobles went to the parliament , on munday , the thirteenth day of aprill , 1640. to the comfortable expectation of all loyall subiects . to the tune of triumph and ioy , &c. come the merriest of the nine , and now unto my aid incline , i need a little helpe of thine for now i have intent unto the world to say and sing the praises of our royall king , who now this present hopefull spring hath call'd a parliament . this happy aprill will , i trust , give all fiue subjects reason just of joy to feele a pleasant gust , to yeeld them hearts content : for we may be assur'd of this , if any thing hath beene amisse , our king and state will all redresse in this good parliament . the order how they rode that day to you i will in briefe display , in the best manner that i may , for new my minde is bent to publish what my selfe did sée , that 〈◊〉 ( loyall ) hearts may be participants as well as wee i th' joy o th' parliament . the messengers 〈…〉 in their rich coats , on horses tall , rode formost as their places fall , and next in order went some gentlement of quality , that serve the king for annuall fée , thus every man in his degree rode to the parliament . heralds in rich coats did ride , whose proper office was to guide , and range the show on every side by place or by descent : the trumpets made a chéerfull sound , thus joy did every where abound , heaven blesse king charles , the word went round , and guide the parliament . the masters of the chancery the next present themselves to th' eye , the councell of his maiestie , all learn'd and eloquent : next came the iudges gr●ve in sight , in scarlet furr'd with miniver white , thus every one in order right rode to the parliament . the master of the r●ls i place rode next along with gen●●e pace , a fable uelvet gowne tha space he wore for ornament : the sons of our nobilitie each one according to 's degrée , in rich apparell brave to se , did ride to th' parliament . the barons of the kingdome all , in parliament ( robes as we them call ) each one iust as his place did fall , in noble order went by the antiquitie of blood ; the ●●●hops next made places good , each one in 's scarlet gowne and hood , rode to the parliament . the uiscounts next inorder past as due decorum did fore-cast , clad every one , both first and last , in fit acoutrement : our princely earles in rich attire , did cause spectators to admire the peoples hearts were set on fire for joy o th' parliament . the noble marquesse winchester , whose vertue doth on him confer such excellencie which all prefer most high and eminent , did ride alone with gallant grace , as was indeed his proper place , thus all rode on with stately pace vnto the parliament . earle marshall with a scepter of gold , the lord high chamberlain brave and bold , his staffe of office then did hold , and thus in state they went : lord treasurer , lord privie seale brave , lord keeper , and the archbishop grave , these next the prince their places have i th' court of parliament . then princely charles ( that hopefull lad ) whose sight made all true subiects glad , did ride ( as he good reason had ) in place most eminent : 〈…〉 the streame of honour bring 〈…〉 all to the head spring , 〈…〉 prince , fromth prince ●oth king in this high parliament . the next and last in honours seat was he who made the show compleat , our gracious king , our charles the great , our ioyes sweet complement , did ride in state to open sight , the royall band of pensioners wait about him with guilt polaxes bright vnto the parliament . the master of the horse did lead ( on horse-backe ) in his hand , a stéed , a horse of state t is call'd indeed : and last behinde him went the noble captaine , and the guard , all in rich coats ( for this prepar'd ) against this day no cost was spar'd to grace the parliament . besides all this which hath béen told ( to speake the same i dare be bold ) though corporall eyes could not behold , a legion did present celestiall service to attend king charles , and him from harm defend , the king of kings did's angels send t' assist our parliament . finis . m. p. printed at london , and are to be sold at the horse-shooe in smithfield . strange and true newes of an ocean of flies dropping out of a cloud, upon the towne of bodnam in cornwall. to the tune of cheevy chase. when kings have lost their reignes and power, then clouds upon us judgements showre. t. w. this text is an enriched version of the tcp digital transcription a96184 of text r210577 in the english short title catalog (thomason 669.f.11[52]). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a96184 wing w131 thomason 669.f.11[52] estc r210577 99869361 99869361 162701 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a96184) transcribed from: (early english books online ; image set 162701) images scanned from microfilm: (thomason tracts ; 246:669f11[52]) strange and true newes of an ocean of flies dropping out of a cloud, upon the towne of bodnam in cornwall. to the tune of cheevy chase. when kings have lost their reignes and power, then clouds upon us judgements showre. t. w. 1 sheet ([1] p.) s.n.], [london : printed in the yeare of miracles. 1647. imprint place from wing. verse "some talke of battailes in the aire,"... annotation on thomason copy: "july 27". reproduction of the original in the british library. eng ballads, english -17th century. great britain -history -civil war, 1642-1649 -poetry -early works to 1800. a96184 r210577 (thomason 669.f.11[52]). civilwar no strange and true newes of an ocean of flies dropping out of a cloud, upon the towne of bodnam in cornwall. to the tune of cheevy chase. when t. w 1647 577 6 0 0 0 0 0 104 f the rate of 104 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2007-06 tcp assigned for keying and markup 2007-07 apex covantage keyed and coded from proquest page images 2007-08 jason colman sampled and proofread 2007-08 jason colman text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion strange and true newes of an ocean of flies dropping out of a cloud , upon the towne of bodnam in cornwall . to the tune of cheevy chase . when kings have lost their reignes and power , then clouds upon us judgements showre . some talke of battailes in the aire , and comets in the skies , but now we 'll tell a tale more rare , of great and monstrous flies . in cornwall this strange sight was seen , at bodman towne by name , which will be iustified still by a lawyer of great fame . at mid-day ▪ when the skie was cleare , a thick cloud did arise , which failing downe upon the earth , dissolved into flies . the hell-bred cloud did look so big , so black and did so loure , it could not rest untill her panch those flies all out did poure . they in such mighty numbers fell upon the green grasse ground , and did so cover all the earth , that nought else could be found . their numbers did increase so fast , almost a whole houres space , that they a foot and more were seen , to cover all that place . no grasse , nor flowers for the time , were seen for to appeare , the like was not in england knowne , god knowes this many a yeare . their bodys green , their wings were white as it appeares most true , by letters sent from bodnam towne , by those we never knew . these flies as soon as they were borne fell dead upon the ground ; and to say truth ▪ they lay so thick , the like was never found . which made the people all to muse , to see that gastly sight , which did continue on the ground all that whole day and night . the second part , to the same tune . so when the lord was pleas'd to frowne , and shew his powerfull hand he rained frogs and lice upon all the aegyptian land . all which was for their sinnes so great , so wicked , fowle and dire , they did deserve the iudgement iust of brimstone and of fire . and yet they never did rebell against their king and crowne ▪ nor had such vices in their streets as hath our london towne , who hath maintain'd this bloudy warre against a cause so iust ; and have destroy●d their gracious prince for to maintaine their lust . wherefore repent you citizens , and take you warning all ▪ lest that the heavens in discontent in thunder on you fall . in lice and locusts wormes and frogs , in raine in haile and stormes ▪ in lightning plague and pestilence , in poxes and in hornes . now if these plagues you will prevent , which will your corne destroy , see that you presently repent , and sing vive le roy . god grant us peace , which will not be unlesse our gracious king enjoy his rights and dignities , his queen and every thing . god send sir thomas fairfax right , and send us our areares , and bring the king to towne againe sans jealousies and feares . t. w. finis . printed in the yeare of miracles . 1647. the longing shepherdess: or, lady lie neer me to the tune of, lady lie neer me, or, the green ganter. guy, richard, writer of ballads. 1674 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a42365 wing g2277a estc r215847 99827609 99827609 32031 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a42365) transcribed from: (early english books online ; image set 32031) images scanned from microfilm: (early english books, 1641-1700 ; 1849:7) the longing shepherdess: or, lady lie neer me to the tune of, lady lie neer me, or, the green ganter. guy, richard, writer of ballads. 1 sheet ([1] p.) : ill. (woodcuts) printed for f. coles, t. vere, and j. wright, [london] : [1674] signed at end: r.g., i.e. robert guy. place of publication and publication date from wing, which gives publication date of 1663-1674. verse "all in the moneth of may,". reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -early works to 1800. 2007-11 tcp assigned for keying and markup 2008-01 spi global keyed and coded from proquest page images 2008-02 mona logarbo sampled and proofread 2008-02 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the longing shepherdess : or , lady lie neer me . to the tune of , lady lie neer me , or , the green garter . all in the moneth of may , when all things blossom , as in my bed i lay sleep it grew loathsome : up i rose and did walk over yon mountains , through mountains & through dales over rocks and fountains , i heard a voice to say sweet-heart come chear me , thou hast been long away lady lye near me . down by yon river side and surgins billows , a pleasant grove i spide well set with willows ; in it a shepherdess singing most clearly , and still her note it was , lady lye néer me . come away do not stay , &c. swéet-heart thou stayst too lon● phebus is watching , aurora with her stéed , is fast approaching : she doth her chariot mount which much do fear me , each hour a year i count till you lye near me : come away do not stay sweet-heart and chear me , thou hast been long away lady lye near me . hymen keeps holy-day love take thy pleasure , cupid hath thrown away his bow and quiver ; boreas doth gently blow least i should fear him , yet dare i not to stay alone to hear him . come away , &c. did not adonis like sweet-heart fly from me for careful i will be as doth become me , both of my flock and thine whilst they are feeding dear is my love to thee as is exceeding . come away , &c. i may sing welladay my joys are ended , the hour of my approach is almost spended : my parents will me miss , and swains will iéer me , thus still her note it was , lady lye near me : come away , &c. she had no sooner spoke but her true lover , néer to her did approach her grief to smother : hearing thy mone my sweet , i came to chear thee , and will before i part , dearest lie near me : be not sad , i am glad that i did hear thee , and what as can be had thouse have to chear thee . no cost that i will spare , for to content thee , iunkets the best that are , they shall be sent thee : the chiefest i can get , and best canary , then do not swéet-heart sit so solitary . be not sad , &c. i hate to bear the mind of a base peasant , thou still shalt find me kind partridge and phesant , butchers meat is but gross fair that is dainty , for thee my loving lass we will have plenty , be not sad , &c. adonis like to prove that were so cruel , to one so dear i love the richest jewel ; i do not estimate like thee my swéeting , i in my heart will hate for to be fléeting . be not sad , &c. the time wée'l pass away , histories reading , whilst our flock day by day , gently are féeding : and on my oaten-reed love to requite thée , care away i will play for to delight thee . be not sad , &c. the birds with their sweet notes chearfully singing , also will thee delight , contentment bringing : whos 's pleasant harmony from them resounding , still will delightful be , most sweetly sounding . be not sad , &c. though i my self am absent , and sometimes leave thee , to work thy discontent let nothing grieve thee , but merry be swéet-heart till my returning . alone my dear thou art then cease thy mourning ; for i will still be kind always to chear thee . and so to cease thy mind , i will be neer thee . finis . r. g. printed for f. co●es , t. vere , and j. wright . a messe of good fellows: or, the generous spark who roundly, doth call, and sayes for his part, tush, we have and shall have abundance, come fill us the other od quart to the tune of, ragged and torne. messe of good fellows. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08971 stc 19256 estc s119375 99854582 99854582 20009 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08971) transcribed from: (early english books online ; image set 20009) images scanned from microfilm: (early english books, 1475-1640 ; 1607:21) a messe of good fellows: or, the generous spark who roundly, doth call, and sayes for his part, tush, we have and shall have abundance, come fill us the other od quart to the tune of, ragged and torne. messe of good fellows. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for thomas lambert neare the hospitall-gate in smithfield, [london] : [1634] signed: m. p., i.e. martin parker. place and date of publication from stc. verse "well met my iouiall blades,". in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (oxford) sampled and proofread 2002-05 judith siefring text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion a messe of good fellows : or , the generous spark who roundly , doth call , and sayes for his part , tush , we have and shall have abundance , come fill us the other od quart . to the tune of , ragged and torne . well met my iouiall blades , tom , anthony , dick , & james we haue béen all merry comrades , as all our acquaintance proclaims : now sith we are all met here , wée'l be merry before we goe , for paying let 's neuer feare , our credit is good we know . here 's 4 or fiue shillings good round ones i le spend them before we part , tush , we have & shal have abundance come fill us the other od quart . wée'l laugh and make good sport , and cry a fig for care , what though our means grows short , the world has enough to spare : when either of us was borne , we had as much wealth about us as those that are rich ( i le be sworne ) why then should they ieer and flout vs ? & though they haue since got ground on 's it doth nor much grieue my heart : tush , we have &c. let 's sing and make a noise , as best the time befits , wee shew our selues merry good boyes , when the world is beside her wits : the usurer with all his bags , is not so content in mind , as honest good fellows in rags , that are to each other kind . our hearts are all perfect & sound ones , we scorn from our friends to start , tush , we have and shall have abundance ; come fill us the other od quart . the mizer doth daily plod how he may his riches increase , he maketh his gold his god , but we liue at better hearts ease : let fortune frowne or smile , we do not for that much passe . the world shall not vs beguile , with her prospectiue glasse , if pouerty séeke to wound vs , wée'l cure't with the uintners art , tush , we have &c. he that doth inioy his health , and a competent means withall , what need he to pine for wealth , but take what to him doth befall ? a contented mind is worth gold , it is but a folly to striue , we all were at first of one mould , yet all are not borne to thriue , then let no ill thoughts confound vs , let euery one bear a good heart , tush , we have and shall have abundance , come fill us the other od quart . the second part , to the same tune . we scorn to spend mony on queanes , though sometimes we hunt the fox , for he that so wasteth his means , at last will be paid with a p — no surgeon nor any physitian , for mony their aid shall lend vs , when drinking hath chang'd our condition a hair o' th old dog will mend vs. grim sorrow can neuer wound vs , which maketh curmudgeans to smart , tush , we have , and shall have abundance , come fill us the tother odd quart . t is better far to be poore , and haue a contented mind , then to haue abundance of store , and with it no rest can find : the couetous man is not rich , he neuer is satisfide , his mony doth him bewitch , he thinks vpon nothing beside : such puddles shall neuer drowne vs , wée l be well content with our part , tush , we have &c. some idle companions there be , that rather then they will worke , upon such good fellows as we , the rascals will liue by the shirk , at last they are tane in the nick , ( for cheating can nere come to good ) and then they are taught a fine trick , to look through a peece of wood : and oftentimes when they are found thus with pain they do follow the cart tush , we have &c. he that hath a generous mind , will take any laudable course , what fortune to him hath assignd , he takes it for better for worse : and to recreate his senses , when labour hath tane off the edge , they weigh not a little expences . each other like us they will pledge . let our hearts be true and sound ones , tho fortune our meanings doth thwart , tush , we have , &c. such merry vaga●ies wée l play , when liquor hath captiv'd our wits , we thinke not how hard the next day we must work for these mad mery fits : yet wée l neyther quarrell nor chide , as fools in these humours do use , such folly wée cannot abide , if any way we can chuse . and if any man séek to wrong us , wée l one take anothers part . tush we have , &c. but amongst all our mery cheare , t were pity of all our lives , if all the while wée are here , wée neglect to drink to our wives . faith that was remembred well , t is better at last then never , though my share doe the rest excell , it shall go about howsoever . now left too much liquor shold drown us let 's know what 's oth score & depart , tush we have , and shall have abundance , come give us the other odd quart . m. p. finis . printed for thomas lambert neare the hospitall-gate in smithfield . advice to the ladies of london, in the choice of their husbands. to an excellent new court tune. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1686-1688? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02811 wing d2697a interim tract supplement guide c.20.f.8[5] 99887569 ocm99887569 183214 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02811) transcribed from: (early english books online ; image set 183214) images scanned from microfilm: (early english books; tract supplement ; a5:2[5]) advice to the ladies of london, in the choice of their husbands. to an excellent new court tune. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts). printed for j. back, at the black boy, [...] draw-bridge on london-bridge., london: : [between 1686-1688] attributed to thomas d'urfey. date of publication suggested by wing verse: "ladies of london both wealthy and fair ..." imperfect: cropped at edge affecting text and imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion advice to the ladies of london , in the choice of their husbands . to an excellent new court tune . this may be printed , r.p. ladies of london both wealthy and fair , whom every town fop is pursuing , still of your persons and purses take care the greatest deceit lies in wooing : from the first rank of the bonny brisk sparks their vices i here will discover down to the basest mechanick degree that so you may chuse out your lover . first for the courtier look to his estate before he to far be proceeding , he of court favours and places will prate , and settlements make of his breeding : nor wear the yoak of dull country clown , although they are fat in their purses ; brush you with brissles and toping full fowls . make love to their dogs and their horses . but above all , the rank citizen hate ; the court or the country chuse rather ; would you have a blockhead that gets an estate by sins of the cuckold his father ? the ●raking clown intreaging does mar , the prentices husting and ranting , cit ▪ puts on his sword , when without temple-bar and goes to whitehall a gallanting . let no spruce officer keep you in awe , the sword is a thing transitory ; nor be blown up by the lungs of the law , a world has been cheated before you : soon you will find your captain grow bold and then 't will be hard to get from him , but if the lawyer touch your copy-hold the devil can ne'r bring you from him . fly like the plague from the huffing brave boys that court you with many bravadoes , tyr'ing your sences with bumbast and noise and stories brought from the barbadoes : and besides , ever the doctor , that fool , who seeking to mend your condition , tickles your pulse , peeps in your close-stool , then sets up a famous physitian . chuse not a spark that has known the town , who makes it his practice to bully , you 'd better take up with a country clown he 'l make an officious cully ; you with a word may his passion appease and make him a cuckold at leasure ; give him but money to live at his ease , you may follow intregues at your pleasure . neither admire much a man that is wil 〈…〉 if e're you intend to deceive him , he cunning plots and intreagues will and trap you , e're you shall perceive h 〈…〉 therefore beware that he never disclose your tricks , if he do's he will slight he 'l keep a gay mistriss under your nos 〈…〉 if it be but on purpose to spight you . but if you 'd thrive , and grow wealthy a 〈…〉 then marry a doting old sinner ; what if you view there old time in hi 〈…〉 you will by that bargain be winner ; you may have lusty gallants good store , if you can produce but th' guinea , and those young coxcombs your face w 〈…〉 if this don't please , old nick is in y 〈…〉 london : printed for j. back , at the black boy , draw-bridge on london-bridge . the call to the races at new-market. to the tune of, to horse, brave boys. licensed according to order. d'urfey, thomas, 1653-1723. 1690-17uu? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b02813 estc r221428 wing d2704a estc r221428 interim tract supplement guide c.40.m.9.[94] 99882431 ocm99882431 182247 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02813) transcribed from: (early english books online ; image set 182247) images scanned from microfilm: (early english books; tract supplement ; a3:2[95]) the call to the races at new-market. to the tune of, to horse, brave boys. licensed according to order. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.). printed for c. bates, at the sun and bible in pye-corner., [london] : [not before 1690] attributed to thomas d'urfey by wing. place and date of publication suggested by wing. verse: "to horse brave boys to new-market to horse ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng horse-racing -england -newmarket -poetry -early works to 1800. ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the call to the races at new-market . to the tune of , to horse , brave boys . licensed according to order . i. to horse brave boys to new-market to horse , you 'l lose the match by longer delaying , the gelding just now was led over the coast , i think the devils in you for staying , run and endeavour to bubble the sporters , bets may be recover'd lost at the groom-porters ; follow , follow , follow , led down by the ditch , then take the odds , and then you 'l be rich , for i will have brown-bay if blew-bonnet ride , i 'll hold a thousand pound on his side sir , dragon could scower it , but dragon is old , he cannot endure it , he cannot he will not , now run it as lately he could , age , age hath hindr'd his speed sir , now , now , now see they come on , see , see , the horse leads the way , full three lengths before at the turn of the land , five hundred pound upon the brown-bay , but a pox of the devil i fear we have lost , the dog the blew-bonnet , has run it , ( a murrain light on it ) the wrong side the post , odds-bobs was ever such fortune . ii. make hast , make hast , to new-market away , you idly leave your sport by delaying , the race will be run e'er the heat of the day , we shall loose all our betts by our staying , run , run , and freely your guineas now venter upon the brisk brown-bay , when e'er she do'sentor follow , follow , follow on this side the ditch , and take most odds if you will be rich , as for me i 'll have sorrel , if blew-bonnet ride , and lay you fifty pound on his side , sir , sorrel runs swiftest since dragons grown old , you 'll find by and by that he cannot endure it , nor run it as lately he could years , years doth hinder his speed , sir , now , now , now see they come on , see sorrel still leads the way , a full furlong before at the turn of the land , five hundred pound 't is that gets the day . but fie on that jockey , i fear i have lost . with ease he had won it , had won it , if he had but run it , on this side the post , no man had ever such fortune . iii. to horse , we must not of fortune complain , nor loose our time in jockeys dispraising , the geldings are galloping over the plain , while we stand idle prating and gazing , run and attempt to retrive all our losses , and never stand railing at fortune and crosses , follow , follow , follow , i 'll lead on this side , and see if i can once be a guide , 't is the brown-bay i fancy she trouls it apace , i 'll hold an hundred on the race , sir , dragon does scour it , but brown-bay's before , and holds it , and holds it , and wins it and wins it he runs it , so merrily o'er , i 'll hold you now five hundred pound more . but now were undone and our guineas are lost , the rogue the blew-bonnet , ha run it , ( a vengeance light on it ) the wrong side the post , i never had such ill fortune . finis . printed for c. bates , at the sun and bible : in pye-corner . a new medley, or, a messe of all-together to the tune of tarltons medley. new medley. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08973 of text s119378 in the english short title catalog (stc 19258). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08973 stc 19258 estc s119378 99854585 99854585 20012 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08973) transcribed from: (early english books online ; image set 20012) images scanned from microfilm: (early english books, 1475-1640 ; 1607:23) a new medley, or, a messe of all-together to the tune of tarltons medley. new medley. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for h. gosson, london : [1640?] signed: m. p., i.e. martin parker. publication date suggested by stc. verse "strange news is come from hounslo heath,". in two parts; woodcuts at head of each part. reproductions of the original in the british library. eng ballads, english -17th century. a08973 s119378 (stc 19258). civilwar no a new medley, or, a messe of all-together. to the tune of tarltons medley. m. p 1640 928 3 0 0 0 0 0 32 c the rate of 32 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a new medley , or , a messe of all-together . to the tune of tarltons medley . strange news is come from hounslo heath , that all false théeues are put to death , nell collins has a stinking breath , i heard tom phillips say : the cobler and the broome-mans wife , haue made a match , i le lay my life , come drinke a cup and end all strife , sweet kester . they say that turnbull-street is cleane transform'd , there scant is left a queane , oh neghbour ralph what doe you meane , to pawne your shirt for ale : this drinking healths makes many sicke , nan wil●●●●s has deuis'd a tricke , to gull her husband , silly dicke , the miller . pease-porridge makes our mall breake winde , she makes vs thinke that shée is kinde , because she speaks to vs behind , as fréely as before : the butler is gone out o th' way , cause no man shall drinke here to day , his master bids him do 't they say , on purpose . will cooke and sisse the dairy maide , doe sit together in the shade , stealing would be an excellent trade , and t were not for this hanging : the hangman he leaues worke by noone , sweet heart goe not away so soone , a thinke there is a man i' th moone , star-gazer . there is more cloathes in birchin-lane i thinke , than would load charles his waine , king edward lou'd a gold-smiths iane , the best ware in the shop : the tanner made the king a feast , a mastiffe dog's a valiant beast , he oft thinks most that sayes the least , old hobson . dido wos a carthage quéene , as i walkt in a meddow greene , the fairest lasse that ere was séene , that was the flower of kent : looke to your forehead honest friend , the longest day must haue an end , good fortune unto thée , god send , young bridegroome . when as king henry rul'd this land , all things did in good order stand , then scarce a lawyer had a hand , to take a double fee : eele pyes are dainty meate in lent , i prethée roger be content , good land-lords doe not raise your rent so highly . the courtier scornes the countrey clowne , there dwels a widdow in our towne , pray mother lend me halfe a crowne to buy a wedding ring : tom taylor did not vse me well , to steale two yards out of one ell , my belly doth begin to swell , i 'me pepper'd . the second part , to the same tune . at battersey good turnips grow , there goes three milke-maids on a row , me thinks it is a séemely shew to sée three honest millers : the sea-man and the souldier hold , venter their liues for fame and gold , a slut , a strumpet , and a scold , three good wiues . king edgar hated drunkennesse , and iulius caesar loath'd excesse , i prethee tell me prety besse , who lay with thee last night : aeneas was a periur'd prince , too many haue done like him since , swéet-heart i le giue thée eighteene pence to kisse thée . to thinke how things are chang'd of late , that charitie 's quite out of date , would force a silent man to prate , oh the merry dayes of old , when knights and squires wore good broad-cloath , the poore had béefe as well as broth , oh doe not make vs pay for froth good tapster . our ladies now are like to apes , their mindes doe alter like their shapes , fie mistris , fie , your placket gapes , couer your flesh for shame : the pander quarrels with the whore , and sayes hée 'l bee their man no more , the shot is paide , wipe off the score kinde hostis . a vsurer and a broker be both brothers of a company , the deuill sure must make them frée when they haus seru'd their time : in old time bakers us'd to be , promoted to the pillory , now none , vnlesse for periury , péepe thorow . the carrier brings vp euery wéeke braue lasses , which the bawds doe séeke , what welchman will not were a léeke upon saint davids day ? saint george lies dead at coventrey , oh now for such a man as he , our capteines dy'd i' th ile of ree , ill tydings . quéene elinor built charing-crosse , which now is couer●●●re with mosse , the spanyards mourne for their late losse , i meane the rich plate fléet : the dutchmen grieue , and so do we , for th' death of young prince henry , alas ▪ there is no remedy , but patience . my merry medley here i end , which to young men and maids i send , to make them mirth , the same was pend , although it séeme non-sense : yet is there such variety of sense for each capacity , that old and young may pleased be to learne it . m. p. finis . london printed for h. gosson . the seaman's compass: or a dainty new ditty composed and pend the deeds of brave seamen to praise and commend twas made by a maid that to gravesend did pass, now mark and you quickly shall hear how it was. to the tune of the tyrant hath stolen. l. p. (laurence price), fl. 1625-1680? 1679 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a55795 wing p3382f estc r215661 99827461 99827461 31879 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a55795) transcribed from: (early english books online ; image set 31879) images scanned from microfilm: (early english books, 1641-1700 ; 1896:3) the seaman's compass: or a dainty new ditty composed and pend the deeds of brave seamen to praise and commend twas made by a maid that to gravesend did pass, now mark and you quickly shall hear how it was. to the tune of the tyrant hath stolen. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts) printed for f. coles, t. vere, j. wright, and j. clark, [london] : [1679] verse "as lately i travelled". signed at end: l.p. (i.e., laurence price). place of publication from wing, which suggests 1674-1679 as publication date. reproduction of the original in the harvard university library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the seaman's compass : or a dainty new ditty composed and pend , the deeds of brave seamen to praise and commend t was made by a maid that to gravesend did pass , now mark and you quickly shall hear how it was . to the tune of the tyrant hath stolen . as lately i travelled towards gravesend , i heard a fair damosel a seamman commend and as in a tilt-boat we passed along , in praise of brave sea-men she sung this new song : come tradesmen or merchant , whoever he be there 's none but a seaman shall marry with me . a sea-man in promise is faithful and just , 〈◊〉 in carriage 〈◊〉 true to his trust : kinde in behaviour and constant in love , is firm in affection as the turtle doue , valiant in action in every degrée there 's none , &c. the sea-man adventures their lives at the seas whilst land-men on shore takes pleasure and ease , the sea-man at all times their business must ply in winter and summer in wet and in dry , from toyl and pains-taking they seldome are free , there 's a one , &c. mo●eover i 'de have you for to understand that sea-men brings treasure and profit to land above and beneath ground so we●lth they have sought and when they have found it to england 't is brought with hazard of lives by experience we see ther 's none but a sea-man shall marry with me . sea-men from beyond seas bring silver & gold with pearls and rich jewels , most rare to behold with silks and rich velvets their credits to save , or else you gay ladies could not go so brave this makes my heart merry as merry may be there 's none but a sea-man shall marry with me . the sea-men bring spices , and sugar so fine which serve the brave gallants , to drink with their wine with lemmons & oranges all of the best , to relish their pallats when ehey make a feast , sweet figs prunes & raysins by them brought home be there 's none , &c. to comfort poor people the seamen do strive and brings in maintenance to keep them alive as row silk and cotten wooll to card and to spin and so by their labours their livings comes in : most men are beholding to sea-men we see with none but a sea-man i married will be , the mercer's beholding we know well enough for holland , lawn , cambrick , and other gay stuff that 's brought from beyond-seas by sea-men so bold the rarest that ever mens eyes did behold , god prosper the sea-men where ever they be there 's none &c. the merchants themselves are beholding ●lso to honest sea men that on purpose do go to bring them ho●e profit from other strange lands or else their fine daughters must work with their hands , the nobles and gentry in every degree are also beholding &c. thus for rich and poor men the seamen does good and sometimes comes off with loss of much blood : if they were not a guard and a defence for our land our enemies soon will get the upper hand . and then in a woful case straight should we be there 's none &c. to draw to conclusion and so make an end i hope that great neptune my love will befriend and send him home safely with health and with life , then shall i with joyfulness soon be his wife you maids , wives & widdowes that sea-mens loves be with hearts and with voices joyn prayers with me . god blesse all brave seamen from quick-sands & rocks from losse of their blood and from enemies knocks from lightning & thunder and tempests so strong from ship rack and drowning and all other wrong and they that to these words will not say amen t is pitty that they should ever speak word agen . l. p. printed for f. coles , t. vere j. wright , and j. clark. a most sweet song of an english merchant, borne at chichester to an excellent new tune. this text is an enriched version of the tcp digital transcription a00293 of text s120228 in the english short title catalog (stc 10413). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a00293 stc 10413 estc s120228 99855427 99855427 20920 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a00293) transcribed from: (early english books online ; image set 20920) images scanned from microfilm: (early english books, 1475-1640 ; 1235:18) a most sweet song of an english merchant, borne at chichester to an excellent new tune. deloney, thomas, 1543?-1600, attributed name. 1 sheet ([1] p.) : ill. for francis coules at the old-bayley, printed at london : [ca. 1640] the ascription to deloney in the jeffes entry to this in the stationer's register is a j. p. collier forgery--cf. stc. suggested date of publication from stc. verse "a rich merchant man,". in two parts; woodcuts at head of first part. reproduction of the original in the british library. eng ballads, english -17th century. a00293 s120228 (stc 10413). civilwar no a most sweet song of an english merchant, borne at chichester. to an excellent new tune. [no entry] 1640 1298 4 0 0 0 0 0 31 c the rate of 31 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2002-08 tcp assigned for keying and markup 2002-06 aptara keyed and coded from proquest page images 2002-08 emma (leeson) huber sampled and proofread 2002-08 emma (leeson) huber text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion a most sweet song of an english merchant , borne at chichester . to an excellent new tune . a rich merchant man , that was both graue and wise , did kill a man at e●●den towne , through quarrels that did rise . through quarrels that did rise , the german hee was dead , and for this fact the merchant man was iudg'd to lose his head . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . a scaffold builded was , within the market-place , and all the people farre and néere , did thither flocke apace . did thither flocke apace , this dolefull sight to sée , who , all in veluet blacke as iet , vnto the place came hee , a sweet thing is love , &c. bare-headed was hee brought , his hands were bound before , a cambricke ruffe about his necke , as white as milke hee wore : his stockings were of silke , as fine as fine might be of person , and of countenance , a proper man was hée . a sweet thing is love , &c. when hee was mounted vp , upon the scaffold high , all women said great pity 't was , so sweet a man should die . the merchants of the towne , from death to set him free , did proffer there two thousand pound , but yet it would not be . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . the prisoner hereupon , began to speake his mind , quoth hee , i haue deserued death , in conscience i doe find : yet sore against my will , this man i kild , quoth hee , as christ doth know , which of my soule must onely sauiour be . a sweet thing is love , &c. with heart i doe repent this most vnhappy deed ; and for his wife and children small , my very soule doth bleed : this deed is done and past , my hope of life is vaine , and yet the losse of this my life , to them is little gaine . a sweet thing is love , &c. unto the widow poore , and her two babes therefore , i giue a hundred pound a piece , their comfort to restore : desiring at their hands , no one request but this , they will speake well of english●●● though i haue done amisse . a sweet thing is love , &c. this was no sooner sp●ke● but that to stint his griefe , ten goodly maids did proffer him , for loue to beg his life : this is our law , quoth they , we may your death remoue , if you in lieu of our good will , will grant to vs your loue . a sweet thing is love , &c. braue englishman , quoth one , 't is i will beg thy life : nay , quoth the second , it is i , if i must be thy wife : 't is i , the third did say ; nay , quoth the fourth , 't is i : so each one after other said , still waiting his reply . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . the second part , to the same tune . faire maidens all , quoth hee , i must confesse and say , that each of you full worthy is , to be a lady gay : and i vnworthy farre , the worst of you to haue , though you haue offered willingly my loathed life to saue . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . then take a thousand thanks of mee a dying man : but speake no more of loue nor life , for why , my life is gone . to christ my loue i giue , my body vnto death : for none of you my heart can loue , though i doe lose my breath . a sweet thing is love , &c. faire maids lament no more , your country law is such , it takes but hold vpon my life , my goods it cannot touch : within one chest i haue in gold a thousand pound , i giue it equall to you all , for loue which i haue found . a sweet thing is love , &c. and now deare friends farewell , sweet england eake adieu , and chicester where i was borne , where first this breath i drew . and now thou man of death , unto thy weapon stand : ah nay another damsell cry'd , sweet headsman hold thy hand . a sweet thing is love , &c. now heare a maidens plaint , braue englishman , quoth shee , and grant her loue for loue againe , that craues but loue of thee : i wooe and sue for loue , that haue beene wooed ere this , then grant mee loue , and therewithall shee proffers him a kisse . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . and die within mine armes , if thou wilt die , quoth shee ; yea liue or die sweet englishman , i le liue and die with thee . but can it be , hee said , that thou dost loue mee so : 't is not by long acquaintance sir , whereby true loue doth grow . a sweet thing is love , &c. then beg my life , quoth hee , and i will be thine owne ; if i should seeke the world for loue , more loue cannot be showne . the people on that word , did giue a ioyfull cry , and said , it had great pitie been , so sweet a man should die a sweet thing is love , &c. i goe my loue , shee said , i run , i flye for thee ; and gentle headsman spare a while , my louers life for mee : unto the duke shee went , who did her griefe remoue ; and with an hundred maidens more , shee went to fetch her loue . a sweet thing is love , &c. with musicke sounding sweet , the ●ormost of the traine , this gallant maiden like a bride , did fetch him backe againe : yea hand in hand they went unto the church that day , and they were married presently in sumptuous rich array . a sweet thing is love , &c. to england came hee then , with this his louely bride , a fairer woman neuer lay by any merchants side : where i must leaue them now , in pleasure and delight ; but of their name and dwelling place , i must not here recite . a sweet thing is love , it rules both heart and mind ; there is no comfort in the world to women that are kind . finis . printed at london for francis coules in the old-bayley . a very godly song intituled, the earnest petition of a faithfull christian, being clarke of bodnam, made vpon his death bed, at the instant of his transmutation to a pleasant new tune. 1624 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a16276 stc 3194.5 estc s3904 33151156 ocm 33151156 28964 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a16276) transcribed from: (early english books online ; image set 28964) images scanned from microfilm: (early english books, 1475-1640 ; 1872:7) a very godly song intituled, the earnest petition of a faithfull christian, being clarke of bodnam, made vpon his death bed, at the instant of his transmutation to a pleasant new tune. clarke of bodnam. 1 sheet ([1] p.) : ill. for h.g., printed at london : [1624?] date of publication suggested by stc (2nd ed.). contains two illustrations. right half of sheet contains: the second part of the clarke of bodnam, to the same tune. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-08 tcp assigned for keying and markup 2002-09 spi global keyed and coded from proquest page images 2002-10 chris scherer sampled and proofread 2002-10 chris scherer text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a very godly song , intituled , the earnest petition of a faithfull christian , being clarke of bodnam , made vpon his death-bed , at the instant of his transmutation . to a pleasant new tune . now my painfull eyes are rowling , and my passing bell is towling : towling sweetly : i lye dying , and my life is from me flying . grant me strength , o gracious god , for to endure thy heauy rod : then shall i reioyce and sing , with psalmes vnto my heauenly king. simeon that blessed man , beleeued christ when he was come , and then he did desirs to dye , to liue with him eternally . christ wrought me a strong saluation , by his death and bitter passion : he hath washt and made me cleane , that i should neuer sinne againe . grieuous paines doe call and cry , o man , prepare thy selfe to dye . all my sinnes i haue lamented , and to dye i am contented . silly soule , the lord receiue thée , death is come , and life must leaue thée , death doth tarry no mans leasure , then farewell all earthly pleasure . in this world i nothing craue , but to bring me to my graue , in my graue while i lye sleeping ▪ angels haue my soule in keeping . when the bells are for me ringing , lord receiue my soule with singing : then shall i be frée from paine , to liue and neuer dye againe . whiles those wormes corruption bréed on , wayte my noysome corpes to féed on , my feruent loue ( this prison loathing ) craues a robe of angels cloathing . farewell world and worldly glory , farewell all things transitory , sion hill my soule ascendeth , and gods royall throne attendeth . farewell wife and children small , for i must goe now christ doth call , and for my death be ye content , when i am gone , doe not lament . now the bell doth cease to towle , sweet iesus christ receiue my soule ▪ the second part of the clarke of bodnam . to the same tune . o god which did the world create , heare a poore sinner at thy gate : thou that from death didst set me free , remit my sinns and shew mercy . oh thou that caus'dst thy blessed sonne , into this uniuerse to come , thy gospell true here to fulfill , and to subdue death , sinne , and hell . grant for his sake that dy'd on trée , on the blest mount of caluary : that i being grieued for my sin , may by repentance heauen win . the gospell saith , who so beléeue , to them wilt thou a blessing giue : amongst which number grant me faith , that to beleeue , thy gospell saith . which if i doe , ( as grant i may , though here i dye , i liue for aye : then sauiour swéet , remit my sin , and giue me grace that life to win . and since they death ( a price most great ) hath bought me , here i doe intreat , to giue me grace thy name to praise , both now , and euermore alwaies . for by thy death my soule is frée from hell , which still by thy decrée , to sinners all for sinn●● due , untill thy son our sauiour ●i●e , did vanquish by almighty power , death , hell , and all that could deuoure . my sinnes , o lord , i doe confesse , like sands in sea are numberlesse . yet though my sinnes as scarlet show , their whitenesse may exceede the snow ▪ if thou thy mercy doest extend , that i my sinfull life may mend . which mercy thy blest word doth say , at any time obtaine i may , if power and grace in me remaine , from carnall sin for to refraine . then giue me grace , lord , to refraine from sinnes , that i may still remain● with thee in heauen , where angels sing , most ioyfully to thee our king. and grant ( o christ ) that when i dye , my soule with thee immediately , may haue abode amongst the blest , and liue for euer in true rest . finis . printed at london for h. g. an excellent sonnet: or, the swaines complaint whose cruell doome, it was to love hee knew not whom. to the tune of, bodkins galiard. wither, george, 1588-1667. 1633 approx. 6 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2006-06 (eebo-tcp phase 1). a12603 stc 22925 estc s102999 99838758 99838758 3146 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a12603) transcribed from: (early english books online ; image set 3146) images scanned from microfilm: (early english books, 1475-1640 ; 1157:08) an excellent sonnet: or, the swaines complaint whose cruell doome, it was to love hee knew not whom. to the tune of, bodkins galiard. wither, george, 1588-1667. 1 sheet ([1] p.) : ill. for i. wright dwelling in gilt-spurre street neere new-gate, printed at london : [1633?] by george wither. verse "you gentle nimphs that on the meddowes play,". publication date from stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2005-06 tcp assigned for keying and markup 2005-12 spi global keyed and coded from proquest page images 2006-03 mona logarbo sampled and proofread 2006-03 mona logarbo text and markup reviewed and edited 2006-04 pfs batch review (qc) and xml conversion an excellent sonnet : or , the swaines complaint , whose cruell doome , it was to love hee knew not whom . to the tune of , bodkins galiard . you gentle nimphs that on the meddowes play , and oft relate the loves of shepheards young , come sit you downe , if that you please to stay , now may you heare an uncouth passion song : a lad there is , and i am that poore groome , that 's fal'n in love , and cannot tell with whom . oh doe not smile at sorrow as a jest , with others cares good natures moved be : and i should wéepe if you had my unrest , then at my griefe how can you merry be ? ah , where is tender pitty now become ? i am in love , and cannot tell with whom . i that have oft the rarest features view'd , and beauty in her best perfection séene , i that have laugh't at them that love pursu'd , and ever frée from such perfections béene , loe now at last so cruell is my doome , i am in love , and cannot tell with whom . my heart is full nigh bursting with desire , yet cannot tell from whence these longings flow , my brest doth burne , but she that light the fire , i never saw , nor can i come to know : so great a blisse my fortune kéepes me from , that though i dearely love , i know not whom . ere i had twice foure springs renewed séene , the force of beauty i began to probe , and ere i nine yéeres old had fully beene , it taught me how to frame a sound of love , and little thought i this day should have come , before that i to love had found out whom . for on my chin the mossy downe you sée , and in my vaines well heated blood doth gloe , of summers i have séene twice thrée times thrée , and fast my youthfull time away doth goe : that much i feare , i aged shall become , and still complaine , i love i know not whom . oh why had i a heart bestow'd on me , to cherish deare affections so inclin'd , since i am so unh●ppy borne to be , no object for so true a love to find , when i am dead it will be mist of some , yet now i live , i love i know not whom . i to a thousand beauteous nimphs am knowne , a hundred ladies favours doe i sweare , i with as many halfe in love am growne , yet none of them i find can be my deare , me thinkes i have a mistresse yet to come , which makes me sing , i love i know not whom . the second part , to the same tune . there lives no swaine doth stronger passion probe for her , whom most he covets to possesse , then doth my heart that being full of love , knowes not to whom it may the same professe , for he that is despis●d hath sorrow some , but he hath more , that loves , & knowes not whom . knew i my love , as many others doe , to some one object might my thoughts be bent , so they divided , wandring should not goe , untill the soules united force be spent , as he that séekes , and never findes a home , such is my rest , that love , and know not whom . those whom the frownes of jealous friends divide , may live to méet and descant of their woe , and he hath gain'd a lady for his bride , that durst not wooe his maide a while agoe : but oh what ends unto my hopes can come , that am in love , and cannot tell with whom . poore collin grieves that he was late disdain'd , and clores doth for willies absence pine , sad thirthes wéepes for his sicke phebe pain'd , but all their sorrowes cannot equall mine , a greater care on me , alas , is come , i am in love , and cannot tell with whom . narcissus-like did i affect my shade , some shadow yet i had to dote upon , or did i love some image of the dead , whose substance had not breathed long agoe , i might despaire , and so an end would come . but oh i love , and cannot tell with whom . once in a dreame me thought my love i view'd , but never waking could her face behold , and doubtlesse that resemblance was but shew'd , that more my tired heart torment it should . for since that time more griev'd i am become , and more in love , i cannot tell with whom . when on my bed at night to rest i lye , my watchfull eyes with teares bedew my chéekes , and then , oh would it once were day i cry , yet when it comes i am as farre to séeke , for who can tell , though all the earth he rome , or when or where , to finde he knowes not whom . oh if she be amongst the beauteous traines , of all the nimphs that haunt the severall kills , or if you know her ladies of the plaines , or you that have your bowers on the hills , tell , if you can , who will my love become , or i shall die , and never know for whom . printed at london for i. wright dwelling in gilt-spurre street neere new-gate . finis . the noble acts newly found, of arthur of the table round to the tune of flying fame. deloney, thomas, 1543?-1600. 1620 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2005-03 (eebo-tcp phase 1). a20122 stc 6558.5 estc s2568 24333769 ocm 24333769 27526 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a20122) transcribed from: (early english books online ; image set 27526) images scanned from microfilm: (early english books, 1475-1640 ; 1850:7) the noble acts newly found, of arthur of the table round to the tune of flying fame. deloney, thomas, 1543?-1600. 1 broadside. by w.i., imprinted at london : [ca. 1620] attributed to deloney by stc (2nd ed.) and nuc pre-1956 imprints. reproduction of original in the harvard university. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2004-03 tcp assigned for keying and markup 2004-04 spi global keyed and coded from proquest page images 2004-11 jonathan blaney sampled and proofread 2004-11 jonathan blaney text and markup reviewed and edited 2005-01 pfs batch review (qc) and xml conversion the noble acts n●wly found , of arthur of the table round . to th● tune of flying fame . wh●n arthur first in court b●gan , and was approued king : by force of armes great victories won , and conquest home did bring : then into brittaine straight he came , where fiftie good and able knights then repaired vnto him , which were of the round-table . and many iustes and turnaments , before him there were brest : wherein both knights did then excell , and far surmount the rest : but one sir lancelot du lake , who was approoued we● : he in his sight and deeds of armes , all other did excell . when he had rested him a while , to play and game and sport ; he thought he would approue himselfe , in some aduenturous sort : he armed rode in forest wide , and met a damsell faire , who told him of aduentures great : wherto he gaue good eare . why should i not ( quoth lancelot tho ) for that cause came i hither . thou seemist ( quoth she ) ● knight right good and i will bring thee thither , whereas the mightiest knights doth dwell that now is of great fame : wherefore tell me what knight thou art , and then what is thy name : my name is lancelot du lake . quoth shee , it likes me than : here dwels a knight that neuer was e're matcht of any man : who hath in prison threescore knights and foure , that he hath won ? knights of king arthurs court they be , and of the table-round ; she brought him to a riuer then , and also to a tree , whereas acopper bason hung , his fellowes shields to see , he stroke so hard , the bason broke ; when tarquin heard the sound , he droue a horse before him straight , whereon a knight lay bound , sir knight ( then said sir lancelot tho ) bring me that horse-load hither , and lay him downe , and let him rest , wee le try our force togeather : for as i vnderstand , thou hast , as farre as thou art able , done great despight and shame vnto the knights of the round-table , if thou be of the table-round , ( quoth tarquin speedily ) both thee and all thy fellowship , i vtterly defie . that 's ouermuch ( quoth lancelot tho ) defend thee by and by , they put their spurs , vnto their steeds , and each at other fly : they couch their speares , and horses run , as though there had bene thunder , and each stroke there amidst the shield , wherewith they brake in sunder : their horses backs brake vnder them , the knights were both astound : to voide their horses they made great haste to light vpon the ground : they tooke them to their shields full fast , their swords they drue out then : with mighty stroakes most eagerly , each one to other can , they wounded were , and bled full sore , for breath they both did stand ; and leaning on their swords a while , quoth tarquin hold thy hand and tell to mee what i shall aske . say on quoth lancelot tho . thou art ( quoth tarquin ) the best knight that euer i did know , and like a knight tha● did hate : so that that thou be not he , i will deliuer all the rest , and eke accord with thee . that is 〈…〉 ( quoth lancelot then ) but sith it so must be , what is that knight thou hatest so , i pray thee shew to mee : his name's sir lancelot du lake , he slew my brother deare : him i suspect of all the rest , i would i had him here . thy wish thou hast , but now vnknowne ▪ i am lancelot du lake , now knight of arthurs table-round , king hand ●onne of benwake : and i defie thee doe thy worst , ha , ha , ( quoth tarquin tho ) one of vs two shall end our liues , before that we doe goe : if thou be lancelot du lake , then welcome thou shalt be : wherefore , see thou thy selfe defend , for now i thee defie . they hurled them togeather so , like two wild bores , so rashing : and with their swords & shields they ran at one another lashing . the ground ●●s●rinkled was with blood : tarquin began to faint , for he gaue backe , and bore his shield so low he did repent . that soonee spide sir lancelot tho , he lept vpon him then : he puld him downe vpon his knee , and rushed-off his helmne : and then he strooke his necke in two , and when he had done so . from prison threescore knight and 〈◊〉 , lancelot deliuered tho . imprinted at london by w.i. a song in praise of the leather bottel ... to the tune of, the bottle-maker's delight, &c. wade, john, fl. 1660-1680. 1700 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06563 wing w170e estc r186135 52529361 ocm 52529361 179222 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06563) transcribed from: (early english books online ; image set 179222) images scanned from microfilm: (early english books, 1641-1700 ; 2780:23) a song in praise of the leather bottel ... to the tune of, the bottle-maker's delight, &c. wade, john, fl. 1660-1680. 1 sheet ([2] p.) : ill. s.n., london : 1700] in verse. caption title. imprint suggested by wing. in two columns. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-02 tcp assigned for keying and markup 2008-03 spi global keyed and coded from proquest page images 2008-04 elspeth healey sampled and proofread 2008-04 elspeth healey text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a song in praise of the leather bottel , shewing how glasses and pots are laid aside , and flaggons , and noggins they can't abide : and let all wives do what they can , 't is for the praise and use of man : and this you may very well be sure , the leather-bottle will longest endure , and i wish in heaven his soul may dwell , that first devised the leather-bottel . to the tune of , the bottle maker's delight , &c. god above that made all things , the heavens the earth , and all therein , the ships that on the sea do swim , to keep the enemies our that none come in ▪ and let them do all they can , 't is for the use and praise of man , and i wish in heaven his soul may dwell , that first devis'd the leather bottel . then what do you say to these cans of wood , in faith they are , and cannot be good ; for when a man he doth them send to be fill'd with ale , as he doth intend ; the bearer falleth down by the way , and on the gound the liquor doth lay , and then the bearer begins to ban , and swears it is long of the wooden can , but had it been in the leather-bottel , although he had fallen , yet all had been well , and i wish , &c. then what do you say to those glasses fine ? yet they shall have no praise of mine ; for when a company they are set for to be merry as we are met , then if you chance to touch the brim , down falls the glass and all therein , if your table-cloath be never so fine , there lies your beer , ale or wine . it may be for a small abuse , a young man may his service lose : but had it been in a leather-bottel , and the stopple in , then all had been well : and i wish , &c. then what do you say to those black pots three true , they shall have no praise of me , for when a man and his wife falls at strife , as many have done ( i know ) in their life ; they lay their hands on the pot both , and loath they are to lose their broath : the one doth tug , the other doth ill , betwixt them both the liquor doth spill ; but they shall answer another day , for casting liquor so vainly away , but had it been in the leather-bottle , they might have tug'd till their hearts did ake , and yet their liquor no harm could take ; then i wish , &c. then what do you say to the silver flaggons fine true , they shall have no praise of mine : for when a lord he doth them send to be filled with wine as he doth intend ; the man with the flaggon doth run away , because it is silver most gallant and gay ; o then the lord begins to ban , and swears he hath lost both flaggon and man ; there is never a lord serving man or groom , but with his leather-bottle may come , then i wish , &c. a leather-bottle we know is good , for better than glasses or cans of wood , for when a man is at work in the field your glasses and pots no comfort will yield , then a good leather bottle standing him by , he may drink always when he is a dry : it will revive the spirits [ and comfort the brain wherefore let none this bottle refrain : for i wish &c. also the honest sythe man to , he know not very well what to do , but for his bottle standing him near , that is fill'd with good hou●ehold beer , at dinner he sets him down to eat , with good hard cheese , and bread or meat , then his bottle he takes up amain , and drinks , and sets him down again ; saying , good bottle stand my friend , and hold till this day doth end , for i wish , &c. and likewise the hay-makers they , when as they are turning and making of hay in summer weather , when as it is warm , a good bottle full will do them no harm . and at noon time they sit them down , to drink in their bottles of ale nut brown then tho lads and the lasses begins to tattle , what should we do but for this bottle ? they could not work if this bottle were out for the day 's so hot with the heat of the sun then i wish , &c. also the leader , lader and the pitcher , the reaper , hedger and ditcher , the binder and raker and all about the bottles ears doth fall ; and if this liquor be almost gone , his bottle he will part with to none . but says , my bottle is but small , one drop i will not part withal ; you must go drink at some spring or well , for i will keep my leather bottel ; then i wish , &c. thus you may hear of a leather bottel , when it is filled with liquor full , though the substance be but small , yet the name of the thing is all , there 's never a lord , earl or knight , but in a bottle doth take delight ; for when he is a hunting of the deer , he often doth wish for a bottle of beer ; likewise the man that works at the wood , a bottle of beer doth oft do him good , then i wish , &c. then when this bottle doth grow old , and will good liquor no longer hold , out of the 〈◊〉 you may take a clout , will mend your shoes when there are worn out else take and hang it on a pin , it will serve to put odd trifles in , as hinges , awls and candle ends , for young beginners must have such things ; then i wish &c. faire fall all good tokens. or, a pleasant new song not common to be had, which will teach you to know good tokens from bad to a pleasant new tune. 1630 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a13799 stc 24098 estc s101986 99837789 99837789 2132 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a13799) transcribed from: (early english books online ; image set 2132) images scanned from microfilm: (early english books, 1475-1640 ; 1039:23) faire fall all good tokens. or, a pleasant new song not common to be had, which will teach you to know good tokens from bad to a pleasant new tune. m. p. (martin parker), d. 1656?, attributed name. 1 sheet ([1] p.) : ill. for for h. gosson, printed at london : [ca. 1630] sometimes attributed to martin parker. publication date suggested by stc. in two parts; woodcut illustrations at top of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-05 tcp assigned for keying and markup 2002-06 spi global keyed and coded from proquest page images 2002-07 mona logarbo sampled and proofread 2002-07 mona logarbo text and markup reviewed and edited 2002-08 pfs batch review (qc) and xml conversion faire fall all good tokens . or , a pleasant new song not common to be had , which will teach you to know good tokens from bad . to a pleasant new tune . to you that haue bad tokens , this matter i indight , yet nothing shall be spoken , that shall your minds afright : be silent therefore and stand still , marke what procéedeth from my quill : i speake of tokens good and ill , and such as are not right . but first i le haue you understand , before that i doe passe , that there are many tokens which are not made of brasse , it is a token of my loue , that i to you this matter moue ; for many tokens bad doe prooue , we see in euery place . yet by all signes and tokens , as i may iudge or thinke , the man that hath lost both his eyes , he cannot chuse but winke ; but some will winke when they may sée , but that is nothing vnto me : some shut their eyes to haue a fée , which are in loue with chinke . he that hath gain'd much siluer , and doth possesse much gold , it 's a token that he shall be rich , if he his substance hold : but he that hath but little store , and spendeth all and something more , it 's a token that he shall dye poore , to say 't you may be bold . he that is a very foole , and wisedome doth despise , it 's a token that he shall be old if he liue till he be wise : and he that hath great store of wit , and maketh no right vse of it , it 's a token that he is unfit in honour to arise . but this is a bad token , marke well what i shall say : when a young man hath a handsome wife and lets her run astray , it is a token she will be naught , and quickly vnto lewdnesse brought , if that she be no better taught , shee 'll bring him to decay . the second part , to the same tune . hee that hath a fiery nose , which lookes like claret red ; it 's a token then he doth consume in drinke more then in bread : for if his nose be fiery hot , it 's a token that he loues the pot : he hates small drinke and loues it not , he hath not so béene fed . then faire fall all good tokens , now it comes into mind : marke which way sits the wether-cocke , and that way blowes the wind : marke which w●y rowles a wantons eye , and something you may see thereby ; or if you please then you may trie , and so the trut●●●y finde . he that hath liu'd in wickednesse , and doth in vice , remaine , it is a token he hath no care to free his soule from paine : when conscience doth on crutches créepe its a token truth is lulld asleepe , which makes poore men in dangers déepe to call and cry in vaine . but this is a token of a truth , which doth betoken ill : an angry wife will worke much woe , but shee will haue her will : for if she chance to bend her browe , or seeme to looke i know not how it 's a token she will scold i vow , her tongue will not lye still . but this is a true token , then marke my word aright : when sol is setting in the west the world will lose her light . so when an old mans head growes gray , he may thinke on his dying day : for to the graue he must away and bid the world good night . he that hath a wandring eye , and loues lewd women deare , it 's a token that hée le proue a knaue : bust i le tell you in your eare for sure you neuer saw the like a souldier loues to tosse a pike : the capster drawes but dares not striks which doth betoken feare . then faire fall all good tokens and well fare a good heart : for by all signes and tokens t is time for to depart : and now it 's time to end my song i hope i haue done no man wrong : for he that cannot rule his tongue shall feele a greater smart . finis . printed at london for henry gosson . give me the willow-garland, or, the maidens former fear, and latter comfort. at first she for a husband made great moan, but at the last she found a loving one. to a dainty new tune, called, give me the willow-garland. l. p. (laurence price), fl. 1625-1680? 1674-1679? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04814 wing p3365b interim tract supplement guide ebb65h[119] 99887156 ocm99887156 181868 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04814) transcribed from: (early english books online ; image set 181868) images scanned from microfilm: (early english books; tract supplement ; a2:3[119]) give me the willow-garland, or, the maidens former fear, and latter comfort. at first she for a husband made great moan, but at the last she found a loving one. to a dainty new tune, called, give me the willow-garland. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts). printed for f[rancis]. coles, t[homas]. vere, j[ohn]. wright, and j[ohn]. clarke., [london] : [between 1674-1679] signed: l.p. [i.e. laurence price]. verse: "as i walked forth ..." place, date of publication, and publisher's names from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion give me the willow-garland , or , the maidens former fear , and latter comfort . as first she for a husband made great moan , but at the last she found a loving one . to a dainty new tune , called , give me the willow-garland . as i walked forth in the merry month of june , to hear the nightingale sing her best tune : i spy'd a young maid , which sighed and said , my time i have wasted in vain , much lov● i have spent , which makes me repent , do them that holds me in d●sdain : take pitty , quoth she , some gentle body , give me the willow-garland , for none will have me . i am in my conscience full sixteen years old , yet still go unmarried which makes my heart cold : there 's many you see that 's younger then me , that suckles sweet babes at the brest that lives at their ease , and carries the keys of many fair cupboard and chest : take pitty , &c. some men will give handkerchiefs some will give gloves , and some will give bodkins , to purchase maids loves : but i like a friend , my money did lend , and never did ask it again : and them that received , in whom i believed , have put me to sorrow and pain : take pitty , &c. when william at first , come a wooing to me , good lord then how jocond , and frolick was he ? he clip'd me , he kis'd me , he hug'd me in his arms , he promis'd to make me his wife : but he was mistaken , and i am forsaken , which causes much sorrow it strife : take pitty , quoth she , some gentle body , give me the willow-garland , for none will have me , the next that came to me was smirking fine thomas , and like sweet william , did make me a promise , but when this young lad , his will of me had he gave me a judas-like kiss , so parted away , the truth 't is to say , i ne'r saw him from that time to this : take pitty , quoth she , some gentle body ; give me the willow-garland , for none will have me . then john the brave gallant , with a sword by his side , came to me and told me , he 'd make me his bride : but in this brave youth . i found but small truth , although he did vow and protest , to me to prove true , yet he bad me adieu , and prov'd quite as bad as the rest : take pitty , &c. there was richard and robert , c●me both on one day , but they like the others soon vanish'd away : and since that time , whilst spring was in prime , i have had of suitors great plenty , i dare to be bold , if they were all told , that they were at least 3 & twenty , take pitty , &c. now seeing that fortune hath me so much crost , that all my old sweet-hearts , are quite gone and lost , my self i●●e commend to god cupid my friend , and to him will heartil● pray , to send me a love that constant will prove , and never to straggle away . take pitty , &c. there 's nothing at all that belongs to a man , but in a short warning well fit him i can : i have silver and gold , which my father never told , i have very good cloaths to my back i have house and land , and good goods at command , t is only a husband i lack ; take pitty , &c. you see how my visage , is grown pale and wan , you well may perceive 't is for want of a man : my pulses do beat , and my body doth sweat , and my sences are all at great strife my belly doth ake & my heart-strings will break if i cannot be made a wife . and therefore , quoth she , some gentle body , make me a willow-garland , or else marry me , at last came a young-man of courage most bold . saying , sweet-heart , i care not for silver nor gold : but if thou w●lt prove like the turtle-dove , right faithful & true to thy friend , then will i be thine , and thou shalt be mine , and i●le love thée unto my lives end your servant , quoth she , my true love , quoth he , clap hands on the bargain , and so w●'l agree . and now this young woman is eas●d of her pain , for she never after was known to compl●in : he made her his wife , and she lives a br●ve life , attyred in garments most brave , and all things at will her mind to fulfil , at every command she 'l now have , her husband is kind , they are both of a mind , according as nature , and love doth them bind , farewel now , quoth she , to the green willow-tree , i have got a husband that well pleaseth me . l. p. finis . printed for f. coles , t. vere , j. vvright , and f. clarke , impossibilities. or, a matter of no thing, yet some thing youle finde i know in the reading, will pleasure your minde, then heare it i pray, and when you have done, you'le say that the thread is handsomely spunne. to the tune of, i sigh, i sob, &c. e. f. (edward ford), fl. 1630?-1660. 1635 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00047 stc 11153 interim tract supplement guide c.20.f.7[164] 99893064 ocm99893064 183006 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00047) transcribed from: (early english books online ; image set 183006) images scanned from microfilm: (early english books; tract supplement ; a5:1[88]) impossibilities. or, a matter of no thing, yet some thing youle finde i know in the reading, will pleasure your minde, then heare it i pray, and when you have done, you'le say that the thread is handsomely spunne. to the tune of, i sigh, i sob, &c. e. f. (edward ford), fl. 1630?-1660. 1 sheet ([1] p.) : ill. printed for edward wright, dwelling at christs-church gate., london : [ca. 1635] signed: e.f. [i.e. edward ford]. verse: "imprimis, when men doe beginne ..." publication date suggested by stc. in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion impossibilities , or , a matter of nothing , yet some thing you le finde i know in the reading , will pleasure your minde , then heare it i pray , and when you have done , you 'le say that the thread is handsomely spunne . to the tune of , i sigh , i sob , &c. imprimis , when men doe beginne , to follow vertue , leaue off sinne : when women thinke it no disdaine , to doe indéede the very same , then you may say , and justly too , the old world now is turned a-new . when newgate is a place for nuns , and through cheapside a riuer runs , when charing-crosse has such a face , to iustle pauls out of her place : then you may say ; and not till then , the world is full of honest men . when wood doth hew into the sea , and coaches doe the horses draw : when darknesse doth out-shine the light , and snailes surpasse the arrowes flight : then you may say , &c. when lucipher an angell turnes , and when in hell no fire burnes : when stars as thicke as haile doe fall , and new bride well no hospitall : then you may say , &c. when men are proned to such good will , that they to no one doe no ill : when ships doe saile on rocks of stone , and when the whale has nere a bone : then you may say , &c. when what is worst doth turne to best , when crabs with swallows build their nest : and when musicians scornes to vse , such crotchets as they should refuse , then you may say , &c. when morning dew doth fall at night , and men lift crutches with a slight : when little children yet vnborne , doe say that many weares the horne : then you may say , and not till then , the world is full of honest men . when westminster doth eastward stand , and touches neither sea nor land : and when therein you cannot see , a lawyer that will take his fée , then you may say , and justly too , the old world now is turned a-new . when vsurers will gratis lend , and euery one their liues doe mend : when the moore has washt him cleane , and turnbull stréet has nere a queane : then you may say , &c. when hens tread cocks , & cocks tread géese , and ganders kitten like cats and mise : when as the earth doth beare no moles , and little foxes haue no holes : then you may say , ctc. when oyle and water doe agrée , and deadly foes attoned will bee : when smithfield is a field of grasse , and when the oxe doth ride the asse . then you may say , &c. when sorcerers doe leaue their charme , when spiders doe the fly no harme : and when the black-bird leaues to sing , and likewise serpents for to sting : then you may say , &c. the second part to the same tune . wwhen men their chiefest care doe make , to féed the poore for pitties sake : and when tradesmen doe apply , to doe as they would be done by : then you may say , and not till then , the world is full of honest men . when letchers they doe leaue their lust , and doe those things are good and iust : when harlots doe susanna's proue , and none but husbands dearely loue , then you may say , &c. when the blasphemer leaues to sweare , and vnto goodnesse doth repaire : when old men doe incounter youth , and lyers speake the very truth , then you may say , &c. when louers they doe constant proue , and neuer daine for to remoue : when little vailies top tall hills , and bad men leaue their wonted ills : then may you say , &c. when rich men doe estéeme the poore , and feast 'em till they cry no more : and when the stréets you may passe frée , and yet not scarce a begger sée : then you may say , &c. when seruants doe their masters sway , and blinde men lead the ready way : when dumb men talke with eloquence , and lame men run with eminence : then you may say , &c. when gunpowder doth leaue his force , and euery pharoah féeles remorse : and when no sessions néeds to be , because all men loues honestie : then you may say , &c. when all the prisons here about , haue iustled all their prisoners out : because indéede they haue no cause , to kéepe 'em in by common lawes : then you may say , &c. when birds in waters déepe doe lie , and fishes in the aire doe flie : when water burnes and fire doth fréeze , and oysters grow as fruits on trees : then you may say , and justly too , the old world now is turned a-new . when as the spruce and courtiour too , shall bid to complements a dew : when little bées shall castles beare , and flie so with 'em through the ayre : then you may say , &c. when as zacheus shall restore , his ill got goods vnto the poore : and when the camell shall espy , a way to passe the nedles eye : then you may say , &c. when snow falls blacke , and crowes be white , and all things that are wrong turne right : when silly lambs doe causes plead , and weare long gownes of melted lead : then you may say , &c. when turkes doe leaue their mahomet , and all day long in churches set : when pagans doe beléeue in god , and likewise feare his direfull rod : then you may say , &c. when men with pearle do fatten hogs , and coward déere doe menace dogs : when men on sands their séeds doe sow , and peare trées they doe downward grow : then you may say , &c. when phoebus spreads his beames by night , and cynthia doth by day giue light : when god in mercy is resolued , that this same world shall be dissolued : then you may say , and justly too , the old world now is turned a-new . e. f. finis . london printed for edward wright , dwelling at christs-church gate . the cooper of norfolke: or, a pretty iest of a brewer and the coopers wife: and how the cooper served the brewer in his kind to the tune of, the wiving age. cooper of norfolk. m. p. (martin parker), d. 1656? 1630 approx. 10 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08947 stc 19224 estc s119365 99854572 99854572 19999 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08947) transcribed from: (early english books online ; image set 19999) images scanned from microfilm: (early english books, 1475-1640 ; 1607:11) the cooper of norfolke: or, a pretty iest of a brewer and the coopers wife: and how the cooper served the brewer in his kind to the tune of, the wiving age. cooper of norfolk. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for francis grove, on snow-hill, printed at london : [1630?] signed: m. p., i.e. martin parker. in two parts. publication date suggested by stc. stanza 1, line 5 has: cry'd. verse "attend my masters, and listen well". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-03 spi global keyed and coded from proquest page images 2002-04 tcp staff (michigan) sampled and proofread 2002-04 mona logarbo text and markup reviewed and edited 2002-05 pfs batch review (qc) and xml conversion the cooper of norfolke : or , a pretty iest of a brewer and the coopers wife : and how the cooper served the brewer in his kind . to the tune of , the wiving age. attend my masters , and listen well unto this my ditty , which briefly doth tell of a fine merry iest which in norfolke befell : a braue lusty cooper in that countie did dwell , and there he cry'd worke for a cooper , maids ha'ye any worke for a cooper ? this cooper he had a faire creature to 's wife , which a brewer i' th towne lou'd as deare as his life , and she had a tricke , which in some wiues is rife : she still kept a sheath for another mans knife , and often cornuted the cooper , while he cry'd , more worke for a cooper . it hapned one morning the cooper out went , to worke for his liuing it was his intent : he trusted his house to his wiues gouernment , and left her in bed to her owne hearts content , while he cry'd , what worke for a cooper , maids ha'ye any worke for a cooper ? and as the cooper was passing along , still crying and calling his old wonted song , the brewer , his riuall , both lustie and yong , did thinke now or neuer to doe him some wrong , and lie with the wife of the cooper , who better lov'd him than the cooper . so calling the cooper , hée to him did say , goe home to my house , and make no delay , i haue so much worke as thou canst doe to day : what euer thou earnest , i le bountifully pay . these tidings well pleased the cooper , oh , this was brave newes for the cooper . away went the cooper to th' house of the brewer , who séeing him safe at his worke to indure : thought he , now for this day the cooper is sure , i le goe to his wife , her gréen-sicknesse to cure : take heed of your forehead , good cooper , for now i must worke for the cooper . so straightwaies he went to the coopers dwelling , the goodwife to giue entertainment was willing , the brewer & she like two pigeons were billing : and what they did else they haue bound mee from telling : he pleased the wife of the cooper , who better lov'd him than the cooper . but marke how it happened now at the last , the sun-shine of pleasure was soone ouer-past ; the cooper did lacke one of 's tooles , and in haste he came home to fetch it , and found the doore fast : wife , open the doore , quoth the cooper , and let in thy husband the cooper . now when the goodwife and the brewer did heare the cooper at doore , affrighted they were : the brewer was in such a bodily feare , that for to hide himselfe he knew not where , to shun the fierce rage of the cooper , he thought he should die by the cooper . the good wife perceiuing his wofull estate , she hauing a subtill and politicke pate , she suddenly whelm'd downe a great brewing fat , and closely she couer'd the brewer with that . then after shee let in the cooper , what 's under this tub ? quoth the cooper . the second part , to the same tune . she hearing her husband that question demand , she thought it was time to her tackling to stand : take héed how you moue it , qd she , with your hand , for there 's a liue pig was sent by a friend : oh , let it alone , good cooper : thus she thought to couzen the cooper . is it a sow pig , the cooper did say ? let me hau 't to my supper : the good wife said nay , it is sir , a bore-pig , quoth she , by my fay : t is for my owne diet , t was giu'n me to day : it is not for you , iohn coop●●● then let it alone , iohn cooper . i would it were in thy belly , quoth iohn , indéed , quoth the goodwife , so it shall be anon : what , ere i do with it , faith thou shalt haue none . why standst thou here prating ? i prethée be gone , make haste to thy worke , iohn cooper , worse meat 's good enough for a cooper . cannot a good wife haue a bit now and than , but there must be notice tane by the good man ? i le hau 't to my dinner , sir , doe what you can : it may be i long to haue all or none : then prethee content thy selfe cooper , oh goe to thy worke , iohn cooper . the cooper mistrusted some knauerie to be hid vnder the brewing fat , and therefore hée was fully resolu'd , for his mind-sake , to sée . alas , thought the brewer , now woe be to me , oh what shall i say to the cooper ? i would i were gone from the cooper . you whore , qd the cooper , is this your bore-pig ? he has béene well fed , for hée 's growne very big : i le either of him haue an arme or a leg ; i le make him vnable his taile for to wrig . before he gets hence from iohn cooper , i le make him remember the cooper . oh pardon me neighbour the brewer did say : and for the offence i haue done thee this day , i am well contented thy wrath to allay , and make restitution for this my foule play : o prethee forgive me , iohn cooper , and i le be a friend to iohn cooper . if from this offence thou wilt set me cléere , my bounty and loue to thée shall appeare : i le freely allow thée and thine all the yeare , as much as yée'l drink , either strong ale or béere : then prethee forgive me , iohn cooper , accept of my proffer , iohn cooper . oh no , quoth the cooper , i 'de haue thee to thinke , that i with my labour can buy my selfe drinke . i le geld thee , or lame thee , ere fram me thou shrink . these words made the brewer with feare for to stink ; he feared the rage of the cooper , yet still he intreated the cooper . the cooper by no meanes would let goe his hold , the brewer cry'd out to the cooper , and told him , there was the key of his siluer and gold and gaue him free leaue to fetch what he would : o then he contented the cooper , these tidings well pleased the cooper . if thou , quoth the cooper , wilt sweare with an oath , to doe all thou tell'st me , although i am loath , i will be contented to pardon you both : content , quoth the brewer , i will , by my troth , here take thou my key , iohn cooper . yea , with a good will , quoth the cooper . on this condition they both went their way , both iohn and the brewer , but iohn kept the key , which open'd the coffer where more money lay , than iohn the cooper had seene many a day : this is a brave sight , thought the cooper , i le furnish my selfe , thought the cooper . iohn was so farre in affection with that , that he tooke vp handfuls and filled his hat : i will haue my bargaine , quoth iohn , that is flat , the brewer shall pay well for vsing my fat : i le cry no more worke for a cooper , farewell to the trade of a cooper . thus money can pacifie the greatest strife : for iohn neuer after found fault with his wife . hée left off his adz his saw and his knife , and after liu'd richly all daies of his life ; hee cry'd no more worke for a cooper : oh he left off the trade of a cooper . and in his merry mood , oft he would say , if that i had hoop't twenty tubs in one day , i should not haue got so much wealth , by my fay : gramercie kind wife , for thy wit found the way to make a rich man of iohn cooper : oh what a good wife has iohn cooper . let no marry'd couple that heare this tale told , be of the opinion this couple did hold , to sell reputation for siluer or gold : for credit and honesty should not be sold. thus ended the song of the cooper . that cry'd , ha'ye any worke for a cooper . finis . m. p. printed at london for francis grove , on snow-hill . vvit's never good till 'tis bought: or, good counsell for improvident men fit to make use of now and then. to the tune of basses carreere. 1634 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a15604 stc 25869 estc s102190 99837987 99837987 2341 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a15604) transcribed from: (early english books online ; image set 2341) images scanned from microfilm: (early english books, 1475-1640 ; 1054:02) vvit's never good till 'tis bought: or, good counsell for improvident men fit to make use of now and then. to the tune of basses carreere. m. p. (martin parker), d. 1656?, attributed name. 1 sheet ([1] p.) : ill [by m. flesher] for thomas lambert, printed at london : [1634?] verse "once musing alone,". possibly by martin parker. printer's name from and publication date conjectured by stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2007-10 mona logarbo sampled and proofread 2007-10 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion wit 's never good till 't is bought : or . good counsell for improvident men . fit to make use of now and then . to the tune of basses carreere . once musing alone , vpon things many a one , well obseru'd and knowne by my selfe , especially how , that which late did flow , i haue wasted and now i want pelse : this vexed me sore , and made me deplore , that i had not before of it thought , from experience i learn'd , what i since haue discern'd , that tiue wit 's never good till 't is bought . full many a time , when i was in my prime , my ambition to climbe honor's hill , did me forward pricke , but my jade did so kicke , and dame fortune a trick found to kill , my hope in the bloeme , and debased my plume : i did further presume than i ought , then i wisht i had stayd , at my owne proper trade , but true wit 's never good till 't is bought . to fight and to brawle , and to quarrell with all , and my better 's miscall , i haue vsd , but with woe i did find , all are not of one minde , though i oft in some kinde was excus'd , yet sometimes i got , a knocke with a pot , when to speake and when not , thua i 'me taught , now where euer i come , i le kéepe peace in the rooms , thus true wit's never good till 't is bought . i vsed to roare , and to drinke on the score , and i neuer thought more on the shot come tapster said i , one tooth still is dry , then fill's ( by and by ) tother pot , i cal'd still apace , but within a short space , into a strong place , was i bought , then for eight houres wast , foure dayes i must fast , thus true wit's never good till 't is bought . i once had command , of houses and land , thus my case well did stand , among men : but moued with pride , and contention beside , i would wrangle or chide , now and then : if a horse i but found , to leape into my ground , straight away to the pound , he was brought : now i wish i had still , kept my neighbours good will , but true wit 's never good till 't is bought . this rancor and spléene , my ruine hath beene , as may plainly be séene , by my state : contention in law , did my purse empty draw , which i neuer sawfore til 't is too late , vpon euery slight thing , i my action would bring , but my hands now i wring , with the thought : now i wish i had that , which hath made others flat . but ttue wit 's never good till 't is bought . the second part ; to the same tune . in company base , that are boyd of all grace , i came often in place , by méere chance , but being with them , whom alone i de condemne , i 'de in presence estéeme , and aduance : but being apart , catechising my heart , it much sorrow & smart hath me brought : then with sad melancholly , i wéepe for my folly . thus wits never good till 't is bought . bestees now and then , i haue hapned with men , that too conning haue bin , at the catch : and then in my drinke , a with paper and inke , haue made i did thinke , a good match : but after when i , more deliberately , the businesse to try all had boought , i haue foynd my selfe cheated , and basely defeated , thus wit's never good till ' t is bought . moreouer i haue , told my mind to a knaue , thinking him truly graue , truly iust : i my heart haue expos'd , and my secrets disclos'd , as a friend i reposed , on his trust : but the rascall ignoble , his heart being double , mée much woe and trouble hath wrought but i 'ue learnd ere since that , to take héed of my chat , thus true wit's never good till 't is bought . when i was a lad , a good seruice i had , then my minde was to gadding 〈◊〉 though i nothing did lacke , nor for belly nor backe , yet i was not with that well content●… but vpon small distaste , my selfe i displast , thus my downfall in haste then shen 〈…〉 since i wisht to obtaine , what i oft did disdaine thus true wit's never good 〈◊〉 〈◊〉 〈◊〉 too willing i was my owne credit to passe , now i find it alas , to my paine , that with setting my hand , to another mans band , for to sell honse and land , i was fain● i haue passed my word , for what others haue scord , and i oft like a bird haue bin caught , in the prison to stay , where i sung lachrima , thus true wit's never good till 〈◊〉 〈◊〉 if any of those , that are ( causelesse ) my foe● should so rashly suppose , in them heart● that all in this song , to my selfe doth belong , their coniecture is wrong , for the 〈…〉 whoeuer they be , where they something way sée , by which euery degrée , may be taught , what ere 's thy profession , thou maist learne this lesson , that wit 's never good till 't is bought ▪ finis printed at london for thomas lambert . friendly counsaile. or, here's an answer to all demanders the which ile declare to all by-standers, thereby to teach them how to know a perfect friend from a flattering foe. to the tune of i could fancy pretty nancy. records, charles. 1633 approx. 7 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a10549 stc 20821 estc s103180 99838937 99838937 3328 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10549) transcribed from: (early english books online ; image set 3328) images scanned from microfilm: (early english books, 1475-1640 ; 1217:01, 1555:2b) friendly counsaile. or, here's an answer to all demanders the which ile declare to all by-standers, thereby to teach them how to know a perfect friend from a flattering foe. to the tune of i could fancy pretty nancy. records, charles. 1 sheet ([1] p.) : ill. printed for richard harper in smithfield, london : [1633?] signed: c.r. [i.e. charles records]. imprint from colophon; publication date and authorship conjectured by stc. verse "it was my chance not long time since,". in two parts. woodcut illustrations at head of each part. part 1 only filmed on reel 1555. reproductions of the original in the british library. item at reel 1555:2 bound and filmed with several other ballads. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 spi global keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion friendly counsaile . or , here 's an answer to all demanders the which i le declare to all by-standers , thereby to teach them how to know a perfect friend from a flattering foe . to the tune of i could fancy pretty nancy . it was my chance not long time since , to be where was much conference : and amongst their questions all , one did me to answer call , thus demanding how to know a faithfull friend from a flattering foe . being much amaz●ed in my minde , how this theame might be defind ; yet i answer'd thus againe , that i would resolue them plaine , in what kinde they well might know a faithfull friend from a flattering foe . if that thou haue a friend , be kinde , here in true loue thou so●ne may finde , hee 'l not leaue thée in dis●resse , but will helpe thée more or lesse : hereby you may plainely know a faithfull , &c. on the contrary , marke my words , flattering tongues are worse than swords , they 'l speake you fair while you them féed , but quite forsake thée in thy néed : these are perfect signes to know a faithfull , &c. if thou want meanes and haue a friend , hée 'le something giue and something lend , he will not sée thée for to perish , but will thée relieue end cherish : hereby you may finde and know a faithfull , &c. the flatterer whilst thou hast thinke , will proffer meate and giue thée drinke , but for it thou shalt dearely pay , for he will bring thée to decay : then i advise thee how to know a faithfull , &c. thy friend will grieue to sée thée lacke , hée'ls speake thée faire behind thy backe , in words and déeds hée'l still agrée , hée'l grieue to see thy misery : hereby you may plainely know a faithfull , &c. thy foe indéed is nothing so , for hée'l reioyce still at thy woe , and if thou once grow poore and bare , then for thée he no more will care : thus thou plainely here maist know a faithfull , &c. thy friend will wish thée kéep thy meanes , and not to waste it on lewd queenes , hée'l bid thée for to haue a care cards , dice and whores , are dangerous ware : hereby you may plainely know a faithfull , &c. the other he will thée intice to drunkennesse , cards , whores & dice , hée'l aduise thée for to roare , to spend thy meanes and so be poore : thus thou here maist plainely know a faithfull , &c. the second part. to the same tune , thy ●riend such lewdnesse soon wil check , and tell thée thou art like to lacke , hée'l bi● thee alwaies haue a care of that which thou dost little feare , and that is , pouerty will grow , which thy true friend would not haue so . the false and fained flatterer will séeke to trap thée in his snare , his words most swéet shall still appeare to get thy money , wine and béere : these are certaine signes to know a faithfull friend from a flattering foe . if that thy friend be true indéed , hée'l not forsake thée in thy néed , hee 'l take thy part in weale and woe , thy flattering friend will not doe so : these are certaine signes to know a faithfull , &c. now some perchance may this obiect , and say they are of the true sect , but such i le neuer trust till i their inward thoughts doe proue and try , then i certaine am to know a faithfull , &c. if that you want , then néeds of force , for your reliefe you 'l take some course , need stands behind and bids you goe , the kindnesse of mens hearts to know , and where once you have try'd it so , you 'l know your friend , &c. thy friend will wondrous sorry be to see thee fall to misery , and to his power hee 'l giue reliefe to ease thy dolour , woe and griefe : these are certaine signes to know a faithfull , &c. your faire tongu'd fawning hypocrite will say that you were void of wit , to spend your meanes so foolishly , and lacke so long before you dye . these are certaine signes to know a faithfull , &c. then this aduice take then of me , before need comes goe thou and see . try whilst thou hast of thine owne , and see where fauour may be showne : then thou soone shalt finde and know a faithfull , &c. and looke where thou didst fauour finde , there be not wauering like the winde , if that thy friend proue iust and true , then doe not change him for a new : thus to all men i doe show the difference twix a friend and foe . for my part i may plainely say , that friends are apt for to decay , in wealth a man shall haue great store , but very few if once growne poore : this i write for men to know a faithfull , &c. when i had meanes then i had friends , but now i want , their friendship ends , now but few will take my part , nor helpe release me of my smart : this i have writ for men to know a faithfull , &c. thus to conclude and end my song , let me aduise both old and young , if thou doe wish for many friends , then haue a care and get some meanes then you need not care to know a faithfull friend from a flattering foe . c. r. finis . london , printed for richard harper in smithfield . a fooles bolt is soone shot good friends beware, i'me like to hit yee, what ere you be heer's that will fit yee; which way soeuer that you goe, at you i ayme my bolt and bowe. to the tune of, oh no no no not yet. t. f., fl. 1630. 1636 approx. 7 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a00519 stc 10654 estc s114658 99849883 99849883 15055 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a00519) transcribed from: (early english books online ; image set 15055) images scanned from microfilm: (early english books, 1475-1640 ; 789:14) a fooles bolt is soone shot good friends beware, i'me like to hit yee, what ere you be heer's that will fit yee; which way soeuer that you goe, at you i ayme my bolt and bowe. to the tune of, oh no no no not yet. t. f., fl. 1630. 1 sheet ([1] p.) : ill [by e. allde?] for i. g[rismond], printed at london : [ca. 1630] in verse. a ballad; in two parts. signed at end: t.f. printer's name and publication date suggested by stc; publisher's name from stc. verse "stand wide my masters, and take heed,". reproduction of the original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-10 tcp assigned for keying and markup 2002-10 spi global keyed and coded from proquest page images 2002-11 mona logarbo sampled and proofread 2002-11 mona logarbo text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a fooles bolt is soone shot . good friends beware , i 'me like to hit yee , what ere you be heer 's that will fit yee ; which way soeuer that you goe , at you i ayme my bolt and bowe . to the tune of , oh no no no not yet . stand wide my masters , and take heed , for feare the foole doth hit yée , if that you thinke you shall be shot , i d'e wish you hence to get yee ; my bowe you see stands ready bent , to giue each one their lot , then haue amongst you with my bolts , for now i make a shot . he that doth take delight in lawe , and euer to be brangling , would he like to the bells were hang'd , that loues still to be iangling ; his lawyers purse he fills with coine , himselfe hath nothing got , and proues a begger at the last , at him i make a shot . who all the wéeke doth worke full hard , and moyle both night and day , will in a trice spend all his coine , and foole his meanes away , in drinking and in rioting , at pipe and at the pot , whose braines are like an adled egge , at him i make a shot . the prodigall that is left rich , that wastes his state away , in wantones and surfeting , in gaming and in play , and spends his meanes on whores and qeanes , doth make himselfe a sot , may in a spittle chance to dye , at him i make a shot . he that is apt to come in bands for euery common friend , may shake a begger by the hand , and pay the debt it 'h end , by selling goods and lands away , or in a prison rot , where none will pitty his poore case , at him i make a shot . the man that wedds for greedy wealth , he goes a fishing faire , but often times he gets a frog , or very little share ; and he that is both young and free , and marries an old trot , when he might liue at libertie , at him i make a shot . the second part. to the same tune . the miser that gets wealth great store , and wretc●edly doth liue , in 's life is like to starue himselfe , at 's death he all doth giue unto some prodigall , or foole , that spends all he hath got , with griping vsury and paine , at him i make a shot . he that doth early rise each morne , and worketh hard all day , when he comes home can not come in , his wife is gone to play ; and lets her to drinke and spend all the moneys which he got , shall weare my coxcombe and my bell , and at him heer 's a shot . an old-man for to dote in age vpon a wench that 's young , who hath a nimble wit and eye , with them a pleasing tongue , acteons plume i greatly feare will fall vnto his lot , that stoutely in his crest he 'le beare , at him i make a shot . a widow that is richly left , that will be ladifide , and to some gull or roaring-boy she must be made a bride , his cloathes at broakers he hath hir'd himselfe not worth a groat , that basts her hide and spends her meanes at her i make a shot . a mayden that is faire , and rich , and young , yet is so proud , that ●auour vnto honest men by no meanes can be low'd ; and thus she spends her chiefest prime , refusing her good lot , in youth doth scorne in age is scornd , at her i make a shot . but she that wanton is and fond , that fast and loose will play , when that her reconings are cast vp , must for it soundly pay , and may the father chance to séeke of that which she hath got , besides her standing in a shéete , at her i make a s●●t . who spends his time in youth away , to be a seruing-man , dotd seldome grow for to be rich , doe he the best he can ; and then when age doth come , god knows this man hath nothing got , but is turnd out amongst the dogges , at him i make a shot . he that doth sell his lands away , an office for to buy , may kéepe a quarter for a time , but will a begger dye ; for he hath sold his lambes good man , and younger shéepe hath got , although he thinke himselfe so wise , at him i make a shot . he that will goe vnto the sea , and may liue well on shore , although he venture life and goods , may hap to come home poore , or by the foe be made a slaue , with all that he hath got , whose limbes in péeces are all torne , at him i make a shot . those that their parents doe reiect , and makes of them a scorne , who wishes then with griefe and woe they neuer had béen borne ; for portion they may twelue-pence haue beside a heauy lot , for disobedience ordaind , at them i make a shot . the parents which their child brings vp to haue their owne frée will , the wise and antient salomon doth say they them will spill : and when correction comes too late , they wish they 'd nere béen got : but for their folly which is past , at them i make a shot . they that continue still in sinne , and thinke they nere shall dye , deferring off repentance still , and liues in iollitie , death quickly comes and ceases them , and then it is their lot in hells hot flame for to remaine , at them i make a shot . and so farewell my masters all , god send 's a merry méeting ; pray be not angry with the foole that thus to you sends gréeting : and if that any haue 〈◊〉 and saies i did not hit them , it is because my bolts are spent , but i le haue more to fit them . finis . t.f. printed at london for i. g. the doubting virgin, and the constant youngman. observe what here is put in print, all you that do love merriment: it's for young men and maids also, stay and hear't o're before you go. tune of, the repriev'd captive, by tobias brown [sic]. bowne, tobias. 1670-1696? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01735 wing b3891 interim tract supplement guide ebb65h[79] 99887106 ocm99887106 181829 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01735) transcribed from: (early english books online ; image set 181829) images scanned from microfilm: (early english books; tract supplement ; a2:3[79]) the doubting virgin, and the constant youngman. observe what here is put in print, all you that do love merriment: it's for young men and maids also, stay and hear't o're before you go. tune of, the repriev'd captive, by tobias brown [sic]. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby at the golden-ball in pye-corner., [london] : [between 1670-1696] verse: "oh my dearest do not slight me ..." place, date of publication, and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the doubting virgin , and the constant youngman . observe what here is put in print , all you that do love merriment : it 's for young-men and maids also , stay and hear 't o're before you go . tune of , the repriev'd captive , by tobias brown. oh my dearest do not slight me , for my love to thee is true , there is none but thee can right me , never change me for a new : you intrude me , and delude me , i think you cannot it deny , now you leave me and deceive me , but can show no reason why . i wonder young-men are so crossful , since virgins are so full of love ? that makes maids to be bashful , thinking how young men will prove but if in proving they were loving , as they formerly pretend ; then how neatly and compleatly should we live till life doth end . the mans answer . oh my dear , why dost thou doubt me , that to thee i 'le prove unkind i think my self not well without thee , thou art always in my mind ; if i do leave thee or deceive thee , then i wish nothing may thrive , for let never my endeavour prosper whilst i am alive . thou art she whom i love dearly , what can any man say more , this is my mind i speak it freely , i never said so much before : then sweet believe me , for it did grieve me to hear the moan my love did make , my dearest love i 'le constant prove , or beleive no man for my sake . the maids answer . my dear , what can there be expected , whilst that we on earth de dwell , let not true love be neglectted , then will every thing do well , this my speeches , though we have riches my sweet heart i you call , for all the mony my dear honey , true love is the best of all . suppose that we had all the treasure that 's in england to be seen , or if that we had all the pleasure that belongeth to a queen : observe my speeches , i mean the riches that upon some men do fall , for all their pleasure , and their treasure ; true love is the best of all . the man. why do you use such expression , unto me who am your own , my heart you have in your possession , unto you it is well known ; pray never doubt it , nor pause about it , my deatest love 't is thou art she , water shall burn , and wind ne'r turn , if that i prove false to thee , this full glass i hope to drink it , in remembrance of my dear , happy is the hour i think it , that i met my true love here ; now in pleasure without measure , we will pass the time away , come my sweet heart we 'l kiss and part , for now we can no longer stay . so they parted for that instant , they both then were firm and true , if all young people were so constant , what need there be so much ado , there needs no weeping , nor lost sleeping if they did in love agree , nor no shaking , nor heart breaking , pray observe this thing from me . finis . printed for p. brooksby at the golden-ball in pye-corner . the cunning age, or, a re-married woman repenting her marriage, rehearsing her husbands dishonest carriage being a pleasant dialogue between a re-married woman, a widdow, and a young wife : to the tune of the wiuing age. cart, john. 1625 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a18042 stc 4687 estc s1854 22836608 ocm 22836608 25789 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a18042) transcribed from: (early english books online ; image set 25789) images scanned from microfilm: (early english books, 1475-1640 ; 1789:20) the cunning age, or, a re-married woman repenting her marriage, rehearsing her husbands dishonest carriage being a pleasant dialogue between a re-married woman, a widdow, and a young wife : to the tune of the wiuing age. cart, john. 1 broadside : ill. for iohn trundle, printed at london : [ca. 1625] attributed to john cart by stc (2nd ed.). date of imprint suggested by stc (2nd ed.). without music. imperfect: faded, with loss of print. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-09 tcp assigned for keying and markup 2002-10 apex covantage keyed and coded from proquest page images 2002-11 emma (leeson) huber sampled and proofread 2002-11 emma (leeson) huber text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion the cunning age. or a re-married woman repenting her marriage , rehearsing her husbands dishonest carriage . being a pleasant dialogue between a re-married woman , a widdow , and a young wife . to the tune of the wiuing age. widdow . good morrow , kind gossip , why whither so fast ? i pray stay a while , i know ther 's no haste , and let 's chat a while o● some things that are past ; i heare say y' are marrie● since i saw you last ; o this is a hasty age , o this is a hasty age. mar. woman . 't is true , i am marry'd , which hath beene my bane , but if that i were now a widdow againe , i so would continue ; but griefe is in vaine , i must be contented to sing this sa● straine , oh fie on this coozening age , oh fie on this &c. wid. oh , doe you so quickly your bargaine repent and yet you th●ught long e're about it you went ? if marriage bring trouble in time i le preuent all future vnquietnesse , and be content to shun such a coozening age , to shun &c. mar. wo. oh , woe is me , gossip that e're i was borne , i marry'd a boy , that now holds me in scorne , he romes among whoores bo●●●u●ning and morne , while i sit at home , like a creature forlorne . oh , this is a coozening age , oh , &c. wid. oh , who would imagine that such a young lad , that scarce was worth twelue pence with al that he had , should wed a rich woman , and vse her so bad ? i trust i shall neuer be so doting mad , ●o match in this coozening age , &c. mar. wo. the griefe that i suffer can hardly be told , among whores and knaues he consumeth my gold , and if i reprooue him , he tels me i scold , i dare not dispose of mine owne as i would . oh fie on this doting age , oh fie on this doting age. wid. well , by your example i warning will take , with no s●ip-iacke boy a match i will make ; two sutors i haue , but i both will forsake , for some that are fond , as they brew let them bake ; i 'le take heed of this cunning age , i 'le take heed of this cunning age. mar. wo. well , doe so , good gossip , and so fare you well , 〈◊〉 ●oo●ly new husband will curse me to hell : 〈◊〉 iohn , ( god be with him ) my neighbours can tell , ●id n●uer in 's life gi●e me mouthfull of ill . oh fie on this doting age , oh fie on this doting age. wid. there is an old prouerbe . that oft hath bin try'd , set a beggar on horse-back , to 'th gallowes heel ●ide , so , 〈◊〉 a young boy , hee 's so poft vp with pride , they 'l marry rich widdowes , to scoffe and 〈◊〉 . oh this is a coozening age , o this is a coozening age. finis . john cart. the second part. to the same tune . married woman . but stay , who comes yonder ? 't is well y ● i tarry'd : my kinswoman katherin , 〈◊〉 lately was mary'd , shee had better gone to the church to be bury'd , with her 〈◊〉 , 〈◊〉 , things are otherwise carryd , she curseth this coozening age , she curseth this coozening age. young wife . what cousin and neighbour , are you met together ? 't is well that i hapned so luckily hither , i long haue desired to talke with you either ; come , stand not i' th street , let 's go trauel somwhither oh fie on this coozening age , oh fie on this &c. both to the young wife . well , how dost thou like of thy husband , good kate ? we heare of a certaine th' art marry'd of late with a wealthy old widdower , to better thy state , who loues thee as deare as the tur●le his ma●e : that 's rare in this cooz●ning age , that 's rare &c. yong wife . oh woe's me , cousin that euer 't was done , a beggarly slaue my aff●ction hath wonne ; he 〈◊〉 of his riches , whereof he had none , but fiue little children , foure girles , and a sonne , oh fie on this coozennig age , oh fie on this &c. when he came awooing he borrow'd a cloake , 〈◊〉 〈◊〉 his fingers , my loue to prouoke ; 〈◊〉 〈◊〉 a word of his children he spoke , but now we are marry'd , i find that hee 's broke , oh fie on this coozening age , oh fie on this &c. besides , hee 's so ielous , that if i but looke on any yong-man , hee 'l be sworne on a booke , that i make him cuckold by hooke or by crooke ; this doting suspition no woman can brooke oh fie on this doting age , &c. mar. wom. it seemes then , good kate , we are both alike sped . ill fortune had we , with such husbands to wed : for if all be true that heere thou hast sed , i would either we , or our husbands were dead . oh fie on this coozening age , oh fie on this coozening age. wid. your speeches will make me still willing to tarry , sith uuiddowes and batchelors both doe miscarry yet 't is said in london , that when we doe bu●y our husbands , next moneth we are ready to marry oh this is a lying age , oh this is &c. nay more , to abash vs , the poets o' th times , doe blazon vs forth in their ballads and rimes , uuith 〈◊〉 〈◊〉 satyricall lines , as thoug● we ●a●●●●e some notorious crimes . oh this is a scandalous age. oh this is &c. i ●woul● 〈◊〉 poet could get in my clutch●s , he were 〈◊〉 〈◊〉 ballads against y ● 〈◊〉 〈◊〉 there is 〈◊〉 〈◊〉 〈◊〉 that sorely vs 〈◊〉 , the 〈◊〉 〈◊〉 , 〈◊〉 〈◊〉 vpon crutches , doth roare out the wiuing age , doth ●oare out &c. but 't is no great matter let knaues say their word , ●n● swe●l with 〈◊〉 enuy vntill they doe burst . i 〈◊〉 you so long , i shall make you be curst , i could fin● in ●eart to stay still , if you durst : oh now comes the parting age , oh now comes the parting age. finis . printed at london for iohn trundle a bill of fare for, a saturday nights supper, a sunday morning breakfast, and a munday dinner, described in a pleasant new merry ditie. to the tune of cooke laurell, or, michaelmas terme. m. p. (martin parker), d. 1656? 1637 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08941 stc 19218 estc s119105 99854312 99854312 19726 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08941) transcribed from: (early english books online ; image set 19726) images scanned from microfilm: (early english books, 1475-1640 ; 1607:07) a bill of fare for, a saturday nights supper, a sunday morning breakfast, and a munday dinner, described in a pleasant new merry ditie. to the tune of cooke laurell, or, michaelmas terme. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed by m. p[arsons] for fr: grove, neere the sarazens head without newgate, london : [1637] signed at end: m.p., i.e. martin parker. verse "ile tell you a iest, which you'l hardly beleeue:". printer's name and publication date from stc. in two parts; woodcut illustrations at head of part 1. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-03 spi global keyed and coded from proquest page images 2002-04 tcp staff (oxford) sampled and proofread 2002-04 judith siefring text and markup reviewed and edited 2002-05 pfs batch review (qc) and xml conversion a bill of fare : for , a saturday nights supper , a sunday morning breakfast , and a munday dinner , described in a pleasant new merry ditie . to the tune of cooke laurell , or , michaelmas terme . i le tell you a iest , which you 'l hardly beleeue : no matter for that , you shall hear 't right or wrong , a hungry appetite may perhaps grieue , to heare such a banquet set forth in a song , he rather would haue it then heare on 't hée'l say , but i cannot promise him such a faire sight ; all that i can doe , is with words to display , what we had to supper on saturday night . inprimis , foure fancies , two boyld , and two roast , a large dish of en●imions ( good for one's drinke ) sir pelican chickens as hote as a toast , and six birds of paradise , bra●e meat i thinke , a couple of phenix , a cocke and a hen , that late from arabia had tan● their flight . i thinke such a banquet was ne're made for men , as wee had to supper on saturday night . two paire of elephants pettitoes boyld , a greene dragon spitchcock ( an excellent dish ) one messe by the cooke was like to be spoil'd , and yet by good hap 't was to euery one's wish : it was a rhenoceros boyld in alegant , to all who did taste it , gaue great delight : iudge whether we haue not occasion to vaunt of this our rare supper on saturday night . a calues head was roast with a pudding i' th belly , ( of which all the women did heartily feed ) a dish of irish harts hornes boyld to a ielly , ( which most men esteem'd as a good dish indeed ) i had almost forgotten to name a sowc'd owle , brought vp to the master o' th feast as his right , he lou'd it he said aboue all other fowle , and this was out supper on saturday night . the next in due course was foure golden horshooes , exactly dissolued through a woodcocks bill , six camelions in greene-sawce ( maids commonly chuse ) this dish euery day if they may haue their will , the chine of a lyon , the haunch of a beare , well larded with brimstone and quicksiluer bright : iudge gentlemen , was not this excellent cheere , that wee had to supper on saturday night . a whole horse sowst after the russian manner , twelue pigs of a strange capadocian bitch , six dozen of estridges rost , ( which a tanner did send out of asia by an old witch ) a leg of an eagle carbonadoed ( in snow ) the pluck of a grampoise stew'd till it was white , and thus in particular i let you know , what we had to supper on saturday night . then came in an ell of a iackanapes taile , seru'd in vpon sippits as dainty as may be : o that is a dainty , which rather then faile , might well serue to feast an utopian lady : twelue maids were stew'd in the shell of a shrimp , and cause it was meat that was held very light , they had for th●ir sawce a salt pickled pimpe , and this was our supper on saturday night . the second part , to the same tune . two beares sowst pig fashion sent w●ole to the ●●ard , and 4 black swans seru'd by 2 in a dish , with a lobster fried in steaks : take my word , i know not well whether it was flesh or fish , two cockatrices , and three baboones boyld , two dry salamanders , a very strange sight , a ioale of a whale soundly butter'd and oyl'd , and this was our supper on saturday night . a good dish of modicums , i know not what , in barbary uinegar boyld very soft , i mus'd how my hostis became so huge fat , i find t is with eating these modicums oft : a grosse of canary birds roasted aliue , that out of the dishes ( for sport ) tooke their flight , and euery one present to catch them did striue : this was our rare supper on saturday night . a shoale of red-herrings with b●ls 'bout their neekes , which made such rare sport that i neuer saw such , they leaped and danced with other fine tricks , a man may admire how they could doe so much . two porposes parboild in may-dew and roses , that vnto the smell yeelded so much delight i some ( fearing to lose them ) laid hold on their noses , all this was at supper on saturday night . three dozen of welsh embassadors bak't , which made such a nois it was heard through y e town some hearing the eccho their foreheads so ak●t , that many a smile was orecome with a frowne : a dish of bonitoes , or fish that can flie . that out of the indies came hither by flight , to close vp our stomacks , a gridiron pye we had to our supper on saturday night . but what commeth after must not be forgotten , the fruit and the cheese as they follow by course , a west-indian cheese ( not a bit of it rotten , that 's made of no worse then the milke of a horse ) a dish of pine-apples , two bushels at least , an hundred of cokernuts for our delight . the world may admire at this wonderfull feast , which we had at supper on saturday night . six pump●ans codled with exquisite art , to pleasure the palate of euery one there . then we at the last had a great cabbage tart ; thus haue i exactly described our cheere : what all this amounted to , i cannot tell , it cost me iust nothing , no faith not a mite , the master o' th feast ( whom i know very well ) did pay for this supper on saturday night . wee rose from our mirth with the 12 a clock chimes , went euery one home as his way did direct ; and i for my part on the morning betimes , had a breakfast prepar'd , which i did not expect : my wife , because she was not bidden to supper , ( it seemes by the story ) she bare me a spight : the breakfast she gaue me , to you i will vtter , it passed our supper on saturday night . sunday morning breakfast . first had i a dish of maundering broath , so scolding hote that i could not abide it , but i like a patient man ( though i was loath ) must swallow all down , cause my wife did prouide it , a many small reasons she put in the same , her nose yeelded pepper that keenly did bite ; thought i here 's a breakfast , i thank my good dame , that passes our supper on saturday night . a great carpe pye , and a dish of sad po●ts , with crocodile uinegar , sawce very tart , quoth she thou last night wast among thy sound tre●ts , now fall to thy breakfast , and comfort thy heart : then had i a cup full of stout wormwood beere , it seemes that in physicke she has good insight , this shew'd me the difference 'twixt the homely cheere and our dainty supper on saturday night . munday dinner . on this sorry fare all that day i did feed , and on munday morning on purpose to win her , i went and got money to furnish her need , and now you shall heare what i had to my dinner : a pye made of conies , with ducks and pigs eyes , with a deale of sweet hony my taste to delight : with sweet lambe and chicken my mind to suffice , these passed my supper on saturday night . another pye made with a many sheepes eyes , with sweet sugar candy that pleased my pallet , these seuerall banquets my muse did aduise , and with her assistance i made this mad ballet . there 's no man that 's wise will my paines reprehend for most married men will confesse i say right ; yet on no occasion this ditie was pend , but to shew our rare supper on saturday night . finis . m. p. london , printed by m.p. for fr : grove , neere the sarazens head without newgate . young jemmy, or, the princely shepherd. being a most pleasant and delightful new song. in blest arcadia, where each shepherd feeds his numerous flocks, and tunes on slender reeds, his song of love, while the fair nymphs trip round, the chief amongst 'um was young jemmy found: for he with glances could enslave each heart, but fond ambition made him to depart the fields to court, led on by such as sought to blast his vertues which much sorrow brought to a pleasant new play-house tune. or, in ianuary last, or, the gowlin. behn, aphra, 1640-1689. 1681 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01555 wing b1775 interim tract supplement guide c.20.f.8[567] interim tract supplement guide c.20.f.10[85] 99887372 ocm99887372 183648 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01555) transcribed from: (early english books online ; image set 183648) images scanned from microfilm: (early english books; tract supplement ; a2:4[163]; a5:2[431]; a5:2[439]; a6:2[85]) young jemmy, or, the princely shepherd. being a most pleasant and delightful new song. in blest arcadia, where each shepherd feeds his numerous flocks, and tunes on slender reeds, his song of love, while the fair nymphs trip round, the chief amongst 'um was young jemmy found: for he with glances could enslave each heart, but fond ambition made him to depart the fields to court, led on by such as sought to blast his vertues which much sorrow brought to a pleasant new play-house tune. or, in ianuary last, or, the gowlin. behn, aphra, 1640-1689. 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby, at the golden-ball, in west-smithfield., [london] : [ca. 1681] attributed to aphra behn by wing. in this edition there are four woodcuts. verse: "young jemmy was a lad ..." place and date of publication suggested by wing. reproduction of originals in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english, -17th century. broadsides -england -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion young jemmy or , the princely shepherd . being a most pleasant and delightful new song . in blest arcadia , where each shepherd feeds his numerous flocks , and tunes on slender reeds ; his song of love , while the fair nymphs trip round , the chief amongst 'um was young jemmy found : for he with glances could enslave each heart , but fond ambition made him to depart the fields to court , led on by such as sought to blast his vertues which much sorrow brought to a pleasant new play-house tune . or , in ianuary last , or , the gowlin . young jemmy was a lad , of royal birth and breeding : with every beauty clad , and every swain exceeding . a face and shape so wonderous fine , so charming every part : that every lass upon the green , for jemmy had a heart . in jemmy's powerfull eyes young gods of love are playing , and on his face there lies a thousand smiles betraying : but o he dances with a grace , none like him e're was seen : no god that ever fancied was , had so divine a meen . to jemmy every swain did lowly deft his bonnet : and every lass did strain , to praise him in her sonnet : the pride of all the youths he was , the glory of the groves : the pleasure of each tender lass , and theme of all their loves . bvt oh unlucky fate , ah curse upon ambition : the busie fops of state , have ruin'd his condition : for glittering hope he left his shade , his glorious hours are gone : by flattering fools and knaves betray'd , poor jemmy is undone . then jemmy none more kind , and courteous had been ever : thinking the like to find , but he as yet did never : for the false swains that led him forth to expectations high : design'd but to eclipse his worth , brave jemmy to out-vye . but jemmy saw not this , when in the groves delighting , nor thought to tread amiss , at such a fair inviting : but jemmy was mistaken there , for he wasted astray ; whilst each kind swain and nymph so fair , for jemmy sigh'd all day . for jemmy's loss the streams ran hoarse , as if with mourning ; the birds forgat their leams and flowers so late adorning . the pleasant plains hung down their heads as bearing part o' ch grief , and wishing he had longer staid , but jemmy'd no belief . for jemmy's strutting veins , with youthful blood were flowing , which made him raise his strains , to his almost undoing . though each kind villager did pray he would again return : and tread still in the pleasant way , but jemmy it did scorn . for jemmy in fierce arms , more then his crook delighting : dispis'd the wood-nymphs charms , that were so much inviting . and dreams of digging trenches deep , storming each fort and town ; ambition still disturb'd his sleep , whilst jemmy sought renown . but jemmy now may see , that he was led to ruin , by such as glad would be of his utter undoing . yet that his wandring he 'd retrive , the wish is of the swains : and in arcadia happy live , where his great father reigns . finis . printed for p. brooksby , at the golden-ball in west-smithfields the famous flower of serving-men, or, the lady turn'd serving-man. her lord being slain, her father dead, her bower robb'd, her servants fled; she drest herself in mans attire: she trimm'd her locks, she cut her hair; and therewithal she changed her name, from fair elise to sweet william. to a delicate new tune, or flora farewel. summer time. or, lovers tide. l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription b03424 of text r176942 in the english short title catalog (wing f369a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b03424 wing f369a estc r176942 47012439 ocm 47012439 174408 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03424) transcribed from: (early english books online ; image set 174408) images scanned from microfilm: (early english books, 1641-1700 ; 2687:25) the famous flower of serving-men, or, the lady turn'd serving-man. her lord being slain, her father dead, her bower robb'd, her servants fled; she drest herself in mans attire: she trimm'd her locks, she cut her hair; and therewithal she changed her name, from fair elise to sweet william. to a delicate new tune, or flora farewel. summer time. or, lovers tide. l. p. (laurence price), fl. 1625-1680? 1 sheet ([] p.) : ill. printed for john andrews ..., london, : [1663] right half sheet contains: "the second part, to the same tune." contains 3 illustrations. date of publication taken from wing (2nd ed.). "entered according to order." reproduction of original in: university of glasgow library. eng ballads, english -17th century. broadsides -england -17th century. b03424 r176942 (wing f369a). civilwar no the famous flower of serving-men. or, the lady turn'd serving-man. her lord being slain, her father dead, her bower robb'd, her servants fle [no entry] 1654 999 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the famous flower of serving-men . or , the lady turn'd serving-man . her lord being slain , her father dead , her bower robb'd , her servants fled ; she drest her self in mans attire : she trimm'd her locks , she cut her hair ; and therewithal she chang'd her name , from fair elise to sweet william . to a delicate new tune , or , flora farewel . summer time . or , loves tide . you beauteous ladies great and small , i write unto you one and all , whereby that you may understand what i have suffered in this land . i was by birth a lady fair , my fathers chief and onely heir . but when my good old father dy'd , then was i made a young knights bride . and then my love built me a bower , bedeckt with many a fragrant flower ; a braver bower you never did sée , then my true lover built for me . but there came thieves late in the night , they broke my bower , and slew my knight , and after that my knight was slain , i could no longer there remain : for my servants all from me did fly , i' th midst of my extremity , and left me by my self alone , with a heart more cold then any stone . yet though my heart was full of grief & care , heaven would not suffer me to despair , wherefore in haste i chang'd my name , from fair elise to sweet william . and therewithall i cut my hair , and drest my self in mans attire ; my doublet , hose , and beaver hat , and a golden band about my neck . with a silver raypier by my side , so like a gallant i did ride : the thing that i delighted on , was for to be a serving-man . thus in my sumptuous mans array , i bravely rode along the way ; and at the last it chanced so , that i unto the kings court did go . then to the king i bowed full low , my love and duty for to show , and so much favour i did crave , that i a serving-mans place might have . the second part , to the same tune . stand up brave youth the king reply'd , thy service shall not be deny'd : but tell me first what thou canst do , thou shalt be fitted thereunto . wilt thou be vsher of my hall , to wait upon my nobles all ? or wilt thou be taster of my wine , to wait on me when i do dine ? or wilt thou be my chamberlain , to make my bed both soft and fine : or wilt thou be one of my guard , and i will give thee thy reward . swéet william with a smiling face , said to the king , if 't please your grace , to shew such favour unto me , your chamberlain i fain would be . the king then did his nobles call , to ask the counsel of them all ; who gave consent sweet william he , the kings own chamberlain should be . now mark what strange things come to pass as the king one day a hunting was , with all his lords and noble train , sweet william did at home remain . sweet william had no company than with him at home , but an old man ; and when he saw the coast was clear , he took a lute which he had there . vpon the lute sweet william plaid . and to the same he sang and said , with a pleasant and most noble voice , which made the old mans heart rejoyce . sweet williams song . my father was as brave a lord , as any europe did afford ; my mother was a lady bright , my husband was a valiant knight . and i my self a lady gay , bedeckt with gorgeous rich array : the bravest lady in the land had not more pleasures to command . i had my musick every day , harmonious lessons for to play : i had my virgins fair and frée continually to wait on me . but now alas my husband is dead , and all my friends are from me fled : my former joyes are past and gone , for i am now a serving-man , the end of sweet williams song . at last the king from hunting came , and presently upon the same he called for the good old man : and thus to speak the king began . what news , what news , old man ( quoth he ) what news hast thou for to tell me ; brave news the old man then did say , swéet william is a lady gay . if this be true thou tellest me , i le make thée a lord of high degrée : but if thy words do prove a lye , thou shalt be hang'd up presently . but when the truth the king had found , his joyes did more and more abound ; according as the old man did say , swéet william was a lady gay . wherefore the king without delay put her on glorious rich array , and upon her head a crown of gold , which was most famous to behold . and then for fear of further strife , he took swéet william to his wife : the like before was never séen , a serving-man to be a quéen . l. p. finis . entred according to order . london , printed for john andrews , at the white lion near pye-corner . epithalamium on the auspicious match, betwixt the right honourable the earl of wigtoun and the truly vertous lasy margaret lindsay daughter to the right honourable the ear of balcarros. a. b. 1698 approx. 2 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b03124 wing e3174d estc r176746 52614663 ocm 52614663 175876 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03124) transcribed from: (early english books online ; image set 175876) images scanned from microfilm: (early english books, 1641-1700 ; 2753:19) epithalamium on the auspicious match, betwixt the right honourable the earl of wigtoun and the truly vertous lasy margaret lindsay daughter to the right honourable the ear of balcarros. a. b. 1 sheet ([1] p.) s.n., [edinburgh? : 1698] caption title. signed at end: a. b. reproduction of original in: national library of scotland created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, scots -17th century. epithalamia -scotland -early works to 1800. broadsides -scotland -17th century. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion epithalamium on the auspicious match , betwixt the right honourable . the earl of wigtoun and the truely vertuous lady margaret lindsay daughter to the right honourable , the earl of balcarros . now is the time the origin of light , doth equally divide our day from night . when the musicians of the air do sing melodious notes to welcome in the spring when each of them do choose their proper mate , and bill , and hugg , and closly copulate , more through the force of love than phoebus heat , this is the time when hymen choos'd to join this worthy pair , and to make one of twain ; they 're both descended of an ancient race which a long train of noble worthies grace , both in the flower of age , and venus spring , are equally adorn'd in every thing ; he is a stately personage and fair , endeu'd with each accomplishment that 's rare , of nature , or refined literature , her very name insinuats her praise , she is a pearl indeed , and of great price she 's frugal , chast , and beautious and wise , like the wise merchant in the gospel hee hath found the pearl and hid treasurie , which in true computation is far more then all the riches on the eastern shoor , and in requital doth himself bequeath , a greater prise then either india hath ; the conquest 's equal , equal is the prise , the acquisition's a sweet paradise on either side , it doth surpass my skill t' express the pleasure that they both shall feel , when he and she in hymens name shall bow , and pay to each the duty that they owe. a. b. the country-mans new care away to the tune of, loue will find out the way. guy, richard, writer of ballads. 1635 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a02413 stc 12543.7 estc s117717 99852928 99852928 18283 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a02413) transcribed from: (early english books online ; image set 18283) images scanned from microfilm: (early english books, 1475-1640 ; 1600:18) the country-mans new care away to the tune of, loue will find out the way. guy, richard, writer of ballads. 1 sheet ([1] p.) : ill. e. purslowe?, [london : ca. 1635?] attributed to robert guy by stc. imprint suggested by stc. verse "if there were imployments". formerly stc 5873; identified as stc 5873 on umi microfilm. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 aptara keyed and coded from proquest page images 2002-05 tcp staff (oxford) sampled and proofread 2002-05 judith siefring text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion the country-mans new care away . to the tune of , loue will find out the way . if there were imployments for men , as haue béene , and drummes , pikes , and muskets int h ' field to be séene , and euery worthy souldier had truely their pay , then might they be bolder , to sing , care away . if there were no rooking , but plaine dealing vsed , if honest religion were no wayes abused , if pride in the country did not beare sway , the poore , and the gentry might sing , care away . if farmers consider'd the dearenesse of graine , how honest poore tradesmen their charge should maintaine , and would b●te the price on 't to sing , care away . we should not be nice on 't , of what we did pay . af poore tenants land-lords , would not racke their rents , which oft is the cause of their great discontents : if againe good house kéeping int h ' land did heare sway , the poore that sits wéeping , might sing , care away . if to liue vprightly all men were concurring , if lawyers with clients would vse no demurring , but kindly would vse them , for what they did pay ; they néed not sit musing , but sing , care away . if spendthrifts were carefull and would leaue their follies , ebriety hating , cards , dice , bowling-alleyes , or with wantons to dally by night or by day , their wiues might be merry , and sing , care away . the second part . to the same tune . if children to parents , would dutifull be , if seruants with masters ; would deale faithfully , if gallants poore tradesmen would honestly pay , then might they haue comfort , to sing , care away . there is no contentment , to a conscience that 's cleare , that man is most wretched , a bad mind doth beare , to wrong his poore neighbour , by night or by day , he wants the true comfort to sing , care away . but he that is ready , by goodnesse to labour , in what he is able to helps is poore neighbour , the lord will euer blesse him by night and by day , all ioyes shall possesse him to sing , care away . would wiues with their husbands , and husbands with wiue , in loue and true friendship would so lead their liues , as best might be pleasing , to god night and day , then they with hearts easing , might sing , care away . no crosse can be greater , vnto a goodmind , than a man to be matched with a woman vnkind , whose tongue is never quiet , but scolds night and day , that man wants the comfort to sing , care away . a vertuous woman a husband that hath , that 's giuen vnto lewdnesse , to enuy and wrath , who after wicked women , does hunt for his prey , that woman wants comfort , to sing , care away . were there no resorting , to houses of vice , or were there no courting a wench that is nice , yet ere she will refuse it , the wanton will play , poore men might be merry , and sing , care away . like true subiects loyall , to god let vs pray , our good king so royall , to preserue night and day : with the quéen , prince and nobles , the lord blesse them aye : then may we all haue comfort , to sing , care away . a vvomans birth, or a perfect relation more witty then common set forth to declare the descent of a woman. to a pleasant new tune. [philo-balladus]. 1638 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a09605 stc 19881 estc s101182 99837004 99837004 1308 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a09605) transcribed from: (early english books online ; image set 1308) images scanned from microfilm: (early english books, 1475-1640 ; 970:08) a vvomans birth, or a perfect relation more witty then common set forth to declare the descent of a woman. to a pleasant new tune. [philo-balladus]. 1 sheet ([1] p.) : ill. for francis grove, dwelling upon snow-hill, printed at london : [1638?] verse "there is a certaine kind of sole creature,". attributed to philo-balladus (a pseudonym) by stc. publication date estimated by stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a womans birth , or a perfect relation more witty then common , set forth to declare the descent of a woman . to a pleasant new tune . there is a certaine kind of idle creature , the which by foolish name , we call a woman : i could fall out and rayle upon dame nature , that ere she fram'd such creatures to undoe man , many have wondered how it came to passe , but note , and i will tell you how it was . when nature first brought forth her son and heire , the gods came all one day to gossip with her , her husband hymen glad to sée them there , dranke healths apace to bid them welcome thither , till drunke , to bed he went , and in that fit , he got the second birth a femall chit . the privy counsell of the heavens and planets , whose counsell governes all affaires on earth : they held a consultation in their senats , what should become of this prodigious birth : these strange effects , and correspondent qualities , which are brought forth by course , & by formalities . saturne gave sullennesse , iove soveraignty , mars suddaine wrath , and unappeased hare , phoebus a garish looke and wandring eye , venus desire , and lust insatiafe , mercury craft , and déep dissembling gave her , luna unconstant thoughts , still apt to waver , iuno the wife of iove , gave iealousie , a pettish anger , and revengefull spirit , in which she will persist perpetually , as if her soule could boast no other merit : though love at first beare rule in her supremely , wanting her wil ther 's none hates more extremely . flora bestow'd upon her chéeke , a hue of red and white , to make her feature pleasant , that she the easier might the heart subdue , of king , prince , courtier , cittizen or peasant , but he that trusts her faith , it is so slacke , her red and white to willow turnes , and blacke . scornefull diana did her mind inspire with cruell coynesse , and obdurate passions , that man might thinke her soule had most desire , still to live single , without alterations , when heaven knows 't is but her pride of mind , that thinkes none good enough to court her kind . the second part , to the same tune . thus qualified , into the world was brought , this strang & uncought piece of earth call'd woman , nature afraid her husband should have thought that she had plaid the whore , or béene too common , besought lucina from old hymens sight , close to convey it unto venus bright . where being brought by venus she did learne to use loose gestures with her hand and eye , with fained sighs , false teares , not to discerne , and divers such loose tricks of levity , lisping of kisses , smilings and such fits , as well might dride a kind man from his wits . venus well skill'd and apt to make escape , sent it to be brought up among the fayries , thus finding it to prove a pretty ape , wanton and merry , full of mad fegaries , she brought it home and gave it to her son , to be his playmate and companion . mulciber envying that his wife had got , a nurcery contrary to his mind , he call'd the cyclopes , and with fire hot they forg'd her heart ( iust to it 's proper kind ) of stéele , i' th fashion of an anvill hard , that should no fire nor stroakes a whit regard . phaeton that while assuming phoebus seate , i' th time of 's raigne , imparted to this brat , mischievous fancies and a proud conceit . that should desire to doe she knows not what , and that donation did her so inspire , if wishes might prevayle , the world she 'd fire . the winged child no sooner did espy her . but he enamour'd of her feature grew , the god of love himselfe was set on fire , and néeds would change his mother for a new : if she on lov 's great power can worke such rape , how shall his subiects with their weaknesse scape ? he prank't it up in fardingals and muffs , in masks , rebato's shapperowns , and wyers , in paintings , powd●ing , perriwigs and cuffes , in dutch , italian , spanish , french attires : thus was it born brought forth & made loues baby , and this is that which now we call a lady . but you yong men to whom she may be sent , take some aduisementere you entertaine her , pray use her kindly for her high d●scent , courting and kissing is the way to gaine her , if she loue true . i le speake this in her praise , each houre shée'le blesse the number of your dayes . philo-balladus . finis . printed at london for francis grove , dwelling upon snow-hill . the mad-merry prankes of robbin good-fellow to the tune of dulcina. 1625 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a01877 stc 12018 estc s118283 99853490 99853490 18874 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a01877) transcribed from: (early english books online ; image set 18874) images scanned from microfilm: (early english books, 1475-1640 ; 888:09) the mad-merry prankes of robbin good-fellow to the tune of dulcina. jonson, ben, 1573?-1637, attributed name. 1 sheet ([2] p.) : ill. printed for h. g[osson], london : [1625?] printers name and suggested publication date from stc. sometimes attributed to ben jonson--stc. in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-06 tcp assigned for keying and markup 2002-06 aptara keyed and coded from proquest page images 2002-07 olivia bottum sampled and proofread 2002-07 olivia bottum text and markup reviewed and edited 2002-08 pfs batch review (qc) and xml conversion the mad-merry prankes of robbin good-fellow . to the tune of dulcina . from oberon in fairy land the king of ghosts and shadowes there , mad robbin i at his command , am sent to view the night-sports here . what reuell rout is kept about in euery corner where i goe , i will ore see . and mery be , and make good sport with ho ho ho. more swift then lightning can i flye , and round about this ayrie welkin soone , and in a minutes space descry each thing that 's done beneath the moone : there 's not a hag nor ghost shall wag . nor cry goblin where i do goe , but robin i their seats will spye and 〈◊〉 them home with ho ho ho. if any wanderers i méet that from their night sports doe trudge home with counterfeiting voyce i gréet , and cause them on with me to roame through woods ▪ through lakes , through bogs , through brakes ore bush and brier with them i goe , i call vpon them to come on , and wend me laughing ho ho ho. sometimes i méet them like a man , sometimes an oxe , sometimes a hound , and to a horse i turne me can , to trip and trot about them round . but if to ride my backe they stride , more swift then winde away i goe , ore hedge and lands , through pooles and ponds , i whirry laughing ho ho ho. when ladds and lasses merry be , with possets and with iunkets fine , unséene of all the company , i eate their cates and sip their wine : and to make sport , i fart and snort , and out the candles i doe blow , the maids i kisse , they shrieke who 's this i answer nought but ho ho ho. yet now and then the maids to please , a card at midnight up their wooll ; and while they sleep , snort , fart , and 〈◊〉 , with whéele to threds their hare i pull : i grind at mill their malt vp still , i dresse their hemp , i spin their towe if any wake , and would me take , i wend me laughing ho ho ho. the second part , to the same tune . vvhen house or harth doth sluttish lie , i pinch the maids there blacke & blew , and from the bed the bed-cloathes i pull off , and lay them naked to view : twixt sléepe , and wake i doe them take and on the key cold floore them throw , if out they cry then forth flye i , and loudly laugh i ho ho ho. when any néed to borrow ought , we lend them what they doe require . and for the vse demaund we nought , our owne is all we doe desire : if to repay they doe delay abroad amongst them then i goe , and night by night i them affright with pinching , dreames , and ho ho ho. when lazie queanes haue naught to doe , but studybate and mischiefe too twixt one another secretly : i marke their glose and doe disclose to them that they had wronged so , when i haue done i get me gone and leaue them scolding ho ho ho. when men doe traps and engins set in loope-holes where the vermine créepe , that from their foulds and houses set their ducks and géese , their lambs and shéepe , i spy the gin and enter in , and seemes a vermin taken so but when they there approach me neare i leape out laughing ho ho ho. by wels and gils in medowes gréene we nightly dance our heyday guise , and to our fairy king and quéene wée chant our moone-light harmonies when larkes gin sing away we fling . and babes new borne steale as we goe , an elfe in bed we leaue in stead , and wend us laughing ho ho ho. from hag-bred merlins time haue i thus nightly reueld to and fro : and for my pranks men call me by the name of robin good-fellow : fiends , ghosts , and sprites that haunt the nights , the hags and goblins doe me know , and beldams old my feats haue told , so vale. vale , ho ho ho. finis . london , printed for h. g. leader-haughs and yarow. to its own proper tune. burne, nicol. 1700 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01844 wing b5750d estc r176248 52614543 ocm 52614543 175778 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01844) transcribed from: (early english books online ; image set 175778) images scanned from microfilm: (early english books, 1641-1700 ; 2750:17) leader-haughs and yarow. to its own proper tune. burne, nicol. 1 sheet ([1] p.) s.n., [edinburgh? : 1700?] attribution from wing (2nd ed.). place and date of publication suggested by wing (2nd ed.). caption title. reproduction of original in: national library of scotland. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, scots -17th century. broadsides -scotland -17th century. 2008-07 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion leader-haughs and yarow . to its own proper tune . when phoebus bright the azure skies with golden rayes enlightneth , these things sublunar he espics , herbs , trees , and plants he quick'neth : among all those he makes his choise , and gladlie goes he thorow , with radiant beams , and silver streams , through leader-haughs and yarow . when aries the day and night in equal length divideth , old frosty saturn takes the flight no longer he abideth : then flora queen , with mantle green , casts off her deadly sorrow , and vows to dwell with ceres sell in leader-haughs and yarrow . pan playing with his oaten ●eed , with shepherds him attending , doth here resort their flocks to feed , the hills and haughs commending ; with bottle , bag , and staff with knag , and all singing good morrow ; they swear no fields more pleasure yields than leader-haughs and yarrow . one house there stands on leader side , surmounting my descryving , with ease-rooms rare , and windows fair , like daedalus contriving : men passing by , do often say , in south it hath no marrow ; it stands as fair on leader side , as new-wark does on yarrow . a mile below , who list to ride , they 'l hear the mavis singing ; into st. leonards bank she 'l bide , sweet birks her head o're-hinging : the linewhite loud , and progue proud , with tender throats and narrow , into st. leonards banks do sing as sweet●e as in yarrow . the lapwing lilteth o're the lee , with ●imble wings she sporteth ; but vows she 'l not come near the tree where philomel resorteth : by break of day the lark can say , she bid you all good-morrow ; i'l● you● and yell for● may dwell 〈◊〉 ●eader-haughs and yarow . park wanton-walls , and wooden-cleugh , the east and wester mainses , the forrest of lawder's fair enough , the corns are good in blainslies ; where oats are fine , and sold by kind , that if we search all thorow me●s , bnchan . marr , none better are , than leader-●aughs and yarow . in burn-miln boge , & white-slede shaws , 〈◊〉 fearful hare she haunteth ; bridge-haugh & broad-wood sheil she knaws to the chapel-wood frequenteth : yet when she irks , to kaiaslie birks she runs and sighs for sorrow , that she should leave sweet leader haughs and cannot win to yarow . what sweetet musick would you hear , than hounds and beigles crying ? the hare waits not , but flees for fear , their hard pursuits defying . but yet her strength it fails at length , no beilding can she borrow at haggs , cleckmae , nor sorlesfield , but longs to be at yarow . for rock-wood , rink-wood , rival , almer , still thinking for to view her . but o to fail her strength begins , no cunning can rescue her : o're dubb and dyke , o're seugh and syke , she i run the fields all thorow ; yet ends her days in ●eader-haughs , and bids farwell to yarow . thou erslingtouu and colding-knowes , where humes had once commanding and dry grange with thy milk white ews 'twixt tweed and leader standings the birds that flees through red-path trees and gledswood banke all thorow , may chant and ●ng , sweet leader-haughs , and the bonny banks of yarrow . but burn cannot his grief asswage , while as his days endureth , to see the changes of his age , which day and time procureth . for many a place stands in hard case , where burns was blyth beforrow , with humes that dwelt on leader side , and scots that dwelt in yarow . the words of burn the violer . what ? shall my viol silent be , or leave her wonted scriding ? but choise some sadder elegie , no sports and mirds deriding : it must be fain with lower strain , than it was wont beforrow , to sound the praise of leader-haughs , and the bonny banks of yarrow . but floods have overflown the banks , the greenish haughs disgracing , and trees in woods grows thin in ranks about the fields defacing . for waters waxes , woods doth waind , more , if could for sorrow , in rural verse , i could rehearse , of leader-haughs and yarow . but sighs and sobs o'rsets my breath , sore saltish tears forth sending . all things sublu●ar here on earth are subject to an ending ; so must my song , though somewhat long , yet late at even and morrow , i 'le sigh and sing , sweet leader-haughs , and the bo●y banks of yarow . hic terminus haeres . finis . a pleasant new dialogue: or, the discourse between the serving-man and the husband-man the lofty pride must bated bee, and praise must goe in right degree. to the tune of, i have for all good wives a song. crimsal, richard. this text is an enriched version of the tcp digital transcription a19009 of text s118364 in the english short title catalog (stc 5427). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a19009 stc 5427 estc s118364 99853571 99853571 18961 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19009) transcribed from: (early english books online ; image set 18961) images scanned from microfilm: (early english books, 1475-1640 ; 1199:01) a pleasant new dialogue: or, the discourse between the serving-man and the husband-man the lofty pride must bated bee, and praise must goe in right degree. to the tune of, i have for all good wives a song. crimsal, richard. 1 sheet ([1] p.) : ill. for f. coules dwelling in the old baily, printed at london : [ca. 1640] signed at the end: r. c., i.e. richard crimsal. publication date estimated by stc. verse "as i went through the meddowes greene,". in two parts; woodcuts at head of each part. reproductions of the original in the british library. eng ballads, english -17th century. a19009 s118364 (stc 5427). civilwar no a pleasant new dialogue: or, the discourse between the serving-man and the husband-man. the lofty pride must bated bee, and praise must goe crimsal, richard 1640 1187 7 0 0 0 0 0 59 d the rate of 59 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2006-01 tcp assigned for keying and markup 2006-03 spi global keyed and coded from proquest page images 2006-05 mona logarbo sampled and proofread 2006-05 mona logarbo text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion a pleasant new dialogue : or , the discourse between the serving-man and the husband-man . the lofty pride must bated bee , and praise must goe in right degree . to the tune of , i have for all good wives a song . as i went through the meddowes gréene , that are most lovely to be séene , i heard two men in great discourse o many things better or worse : the one a serving-man , and he stood much upon his bravery : the other was a husbandman , which no man speake against him can . the serving-mans speech . i am a serving-man that 's fine , and feed on dainties , and drinke wine , i am for ladies company , who can have pleasures more than i ? i have the love of maidens faire , that are their parents onely heire , although they goe in garments gay , with me they 'l yéeld to sport and play . the plough-man . though you in garments goe most brade , yet you must yeeld to what i crave , no serving-man shall make me yeeld , i le shew the cause whereon i build . a servingman cannot come nie to that which i will verifie : a young serving-man may compare to be an old beggar mans heire . the serving-man . i wait on ladies , lords , and knights , where pleasure flowes with much delights , my time i spend with venus nymphs , whose features rare desire attempts . we serving-men have pleasure at will : and plough-men they have labour still , then how can they with us compare , séeing we have pleasure , and they have care ? the plough-man . though you in pleasure do excéed , who is it that doth serve your need ? you might goe pine and starve with want , then at a plough man do not tant . we till the ground which brings increase : and all would lack if we should cease . such bragging ia●●s might doe full ill , then to a plough-man yéeld thee skill . the serving-man . our parell many times is silke , our shirts as white as any milke , our fare is of the very best , and that which is most neatly drest , and often when we sup or dine , we taste a dainty cup of wine : our masters cellars yéeld good béere , and in his hall we finde good cheare . the plough-man . 't is true : there many goes in silke , and have their linnen white as milke , and yet perhaps not worth a groat , but much like you , will lye and prate : the proverbe of a serving-man , as alwayes i doe understand . in prime of yéeres hee 'l roare and swagger , and being growne old he turnes a begger . the serving-man . why should a plough-man me deface , and urge me with such foule disgrace ▪ i dare to challenge you sir foole , to méet me at the fencing-schoole : i will not so out-braved be , nor ranke with such base pedigrée , i am a man of courage bold , by plough-men i le not be control'd , the second part . to the same tune . the plough-man . indeed you are of perfect mettle , your nose shines like a copper kettle , t is true you are of courage bold , the pipe and pot you will uphold , you hold it rare to drinke and smoake , all this is true which i have spoke : but 't is a husbandmans delight , to worke all day and sleepe all night . the serving-man . we have no labour toyle and care , we serving-men no drudges are , our care is for the chiefest pleasure , which seemes to us a daily treasure : my ladies waiting-maid most fine , with us doth often sup and dine , sometimes a courtesie we crave , a kisse or so , and this wee have . the plough-man . if you the proverb truly mark , ioan● is as good as my lady in'th dark , a country lasse in russet gray , with h●r i love to sport and play : o she will dance and sweetly sing , much like the nightingale in spring . she 's fresh and faire , and firme and sound . in her much pleasure may be found . the serving-man . well countrie-man my mind is brave , i will not yeeld to what you crave : no plough man ere shall make me yéeld , i will not so much be compeld : my youthfull dayes yeelds me much ioyes , my nights i passe with merry toyes : my time is pleasure and delight , which i doe spend with ladies bright . the plough-man . o hold thy peace , thy fond delight doth passe away like day or night . thy aged head appearing gray , then doth thy pleasure soone decay , then from thy service must thou packe , and all things quickly wilt thou lacke : then warning take ere it be long , and learne to worke while thou art young the serving man . why should i labour , toyle , or care , since i am fed with dainty fare ? my gelding i have for to ride , my cloake my good sword by my side , my bootes and spurres shining like gold , like those whose names are high inrold : what pleasure more can any crave , then such content as i now haue ? the plough-man . t is true indeed , thy pleasure 's great , and i have what i get by sweat , my labour gives my heart content , and i doe live in merriment . he that true labour takes in hand , doth farre surpasse the serving-man , he passeth some with house and lands , when that decayes , he cryes , helpe hands . the serving-man . thy reasons i have understood . and what thou speak'st is very good . i would i were a plough man now , and labour could at cart and plough , then would i work and till the land , and never more be serving man , for what they have is truly got , they are contented with their lot . thus to conclude and make an end , let none with husband-men contend : you see here yeelds a loftie mind , and to good counsell is inclin'd . thus will we all like lovers gree , the painfull man shall p●●ised be , for by the labour of the hand , we doe receive fruits from the land . r ▪ c finis ▪ printed at london for f. coules dwelling in the old baily . good ale for my money. the good-fellowes resolution of strong ale, that cures his nose from looking pale. to the tune of, the countrey lasse. l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription b04815 of text232 in the english short title catalog (wing p3366). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04815 wing p3366 interim tract supplement guide c.20.f.7[138] 99884230 ocm99884230 182993 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04815) transcribed from: (early english books online ; image set 182993) images scanned from microfilm: (early english books; tract supplement ; a5:1[75]) good ale for my money. the good-fellowes resolution of strong ale, that cures his nose from looking pale. to the tune of, the countrey lasse. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. [s.n., printed at london : 1645?] signed: lawrence price. publication date suggested by wing. verse: "be merry my friends, and list a while ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. eng ballads, english -17th century. b04815 232 (wing p3366). civilwar no good ale for my money. the good-fellowes resolution of strong ale, that cures his nose from looking pale. to the tune of, the countrey lasse l. p 1645 1005 6 0 0 0 0 0 60 d the rate of 60 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion good ale for my money . the good-fellowes resolution of strong ale , that cures his nose from looking pale . to the tune of , the countrey lasse . be merry my friends , and list a while vnto a merry iest , it may from you produce a smile , when you heare it exprest . of a young man lately married , which was a boone good fellow , this song in 's head he alwaies carried , when drinke had made him mellow , i cannot go home , nor i will not go home , its long of the oyle of barly : i le tarry all night for my delight , and go home in the morning early , no tapster stout , or vintner fine , quoth he shall euer get one groat out of this purse of mine to pay his masters debt : why should i deal with sharking rookes , that seeke poore gulls to cozen , to giue twelue pence for a quart of wine , of ale t will buy a dozen . t will make me sing , i cannot &c. the old renowned ipocrist and raspie doth excell , but neuer any wine could yet my honour please to swell . the rhenish wine or muskadine , sweet malmsie is too fulsome , no giue me a cup of barlie broth , for that is very wholesome , t will make me sing , i cannot &c. hot waters ar to me as death , and soone the head oreturneth , and nectar hath so strong a breath canary when it burneth , it cures no paine but breaks the braine , and raps out oathes and curses , and makes men part with heauie heart , but light it makes their purses , i cannot go home , &c some say metheglin beares the name , with perry and sweet sider t will bring the body out of frame . and reach the belly wider : which to preuent i am content with ale that 's good and nappie . and when thereof i haue enough . i thinke my selfe most happy . i cannot go home , &c. all sorts of men when they do meet both trade and occupation , with curtesie each other greet , and kinde humiliation : a good coale fire is their desire , whereby to sit and parly , they le drinke their ale and tell a tale , and go home in the morning early . i cannot go home , &c. your domineering swaggering blades , and caualiers that flas●es , that throw the iugs against the walls , and break in peeces glasses , when bacchus round cannot be found they will in merriment drinke ale and beere and cast of care , and sing with one consent . i cannot goe home , &c. the second part . to the same tune , here honest ●ohn , to thee i le drinke , and so to will and thomas , none of this company i thinke , will this night part from us : while we are here wée 'll ioyne for beere like liuely lads together , we haue a house ouer our heads , a fig for ranie weather . i canno● go home , nor will not go home , its long of the oyle of barly , i stay all night for my delight . and go home in the morning early . here 's smug the smith & ned the cook , and frank the fine felt-maker . here 's steuen with his silver hooke , and wat the lustie baker : here 's harry & dick , with greg & nicke , here 's timothy the tailor , here 's honest ●it , nere spoke of yet , and george the iouiall sayler . that cannot &c. wee 'll sit and bouse and merily chat , and freely we will ioyne for care neere paid a pound of debt , nor shall pay none of mine : here is but eighteen pence to pay , since euery man is willing , bring drinke with all the speed you may , wee 'll make it up two shillings . we cannot &c. let father frowne , and mother chide , and vncle seeke to find vs , here is good lap here will we bide wee l leaue no drinke behinde vs , a prouerhe old i haue heard told , by my deere dad and grandsire , he was hangd that left his drinke behinde therefore this is our answer , we cannot &c. iames the ioyner he hath paid , and anthony the glouer , our hostesse hath a pretty maid , i cannot chuse but loue her : her pot shee 'll fill , with right good will , here 's ale as browne as a berry , t will make an old woman dance for ioy , and an old mans heart full merry i cannot &c. t will make a souldier domineere , and brauely draw his rapier , su●●vertue doth remaine in beere t will make a cripple caper : women with men , will now and then sit round and drinke a little , tom tinkers wife on friday night for drinke did pawne her kettle , she could not come home , nor would not come home her belly began to rumble , she had no power to go nor stand , but about the street did tumble . thus to conclude my verses rude , would some good fellowes here would joyne toge●her pence a peece to buy the singer beere : i trust none of this company will be herewith offended , therefore call for your jugs a peece and drink to him that pend it . lawrence price . finis . printed at london a louers newest curranto, or, the lamentation of a young mans folly to a pleasant new tune. barnfield, richard, 1574-1627. 1625 approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a04735 stc 1487.5 estc s3240 33143214 ocm 33143214 28299 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a04735) transcribed from: (early english books online ; image set 28299) images scanned from microfilm: (early english books, 1475-1640 ; 1862:45) a louers newest curranto, or, the lamentation of a young mans folly to a pleasant new tune. barnfield, richard, 1574-1627. 1 sheet ([1] p.) : ill. for l.w., printed at london : [ca. 1625] attributed to richard barnfield by stc (2nd ed.) contains two illustrations. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-09 tcp assigned for keying and markup 2002-10 apex covantage keyed and coded from proquest page images 2002-11 mona logarbo sampled and proofread 2002-11 mona logarbo text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a louers newest curranto , or the lamentation of a young mans folly . to a pleasant new tune . as it fell vpon a day , in the merry moneth of may : sitting in a pleasant shade , with a gowne of mertle made ? beasts did leape and birds did sing , trées they grow and plants they spring ▪ euery bird sings bannish mone , saue the nightingale alone : she poore bird as all forlorne leanes her breast vnto a thorne : where she sung this mournefull ditty , that to héere it t was great pitty : fie , fie , fie , now can she cry . t●-ra-ra-ra-ra-tat●-by and by : for to heare her thus complaine . scarse from teares i could refraine , for her griefe so liuely showne , makes me thinke vpon my owne . o thought i thou monest in vaine , none takes pitty of thy paine : senselesse trées they cannot héere thée : retchles birds they will not chéere thée , king anoy he is dead , and all thy friends are clad in lead , all thy fellow birds do sing , carelesse of thy sorrowing : while that fickle fortune smiled , thou and i were both beguiled : euery one that flatters thée , is no ●●iend in misery , when that i was prodigall , bountifull they did me call : and with such flattering , pitty but i were a king , but when fortune chanced to frowne , then farewell thy high renown , he is thy friend and friend in deed , that stickes to thee in time of néed , when thou sorrowest he will weepe : when thou wakest he will not sleepe , thus with euery grefe in heart , he with thée will beare a part . first entised by many wiles , and by fortunes fickle smiles : griefe it is my chéefest song , sorrow to me doth belong , still i waite and moane to see , my hard hap and misery . when all my money it was spent , no credit vnto me be lent : but straight they turnd me out of doore , to beg my bread among the poore . thus fortune first on me did smile , and afterwards did me beguile , wherefore i wish all youthes that see , to take war●●ng héere by mee . how that they follow venus trace . feare least they come to great disgrace , for the like syrens will them intice , and afterwards will them despise , finis . printed at london for . i. w. a serious discourse between two lovers. this song will teach young men to wooe, and shew young maidens what to do; nay it will learn them to be cunning too. to the tune of, when sol will cast no light, or, deep in love. / by john wade. wade, john, fl. 1660-1680. 1670-1696? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06562 11781922 wing w170a interim tract supplement guide ebb65h[86] estc r31191 99889715 ocm99889715 182003 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06562) transcribed from: (early english books online ; image set 182003) images scanned from microfilm: (early english books; tract supplement ; a2:4[86]) a serious discourse between two lovers. this song will teach young men to wooe, and shew young maidens what to do; nay it will learn them to be cunning too. to the tune of, when sol will cast no light, or, deep in love. / by john wade. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. (woodcuts). ptinted [sic] for p[hilip]. brooksby at the golden-ball in west-smithfiled [sic]., [london] : [between 1670-1696] verse: "my pretty little rogue ..." date, place of publication and publisher's name from wing. in two parts. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-09 mona logarbo sampled and proofread 2008-09 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a serious discourse between two lovers . this song will teach young men to wooe , and shew young maidens what to do ; nay it will learn them to be cunning too . to the tune of , when sol will cast no light , or , deep in love . by john wade . my pretty little rogue do but come hither , with thee i 'le not collogue , if thou 'lt consider the pains for thee i 've took , cupid so wounds me . but now i 'me in the brook , if thou dost not love me . i 'le forsake all my kin , father and mother , i value not a pin , or any other ; t is only thy sweet face the which doth move me , and i think thou hast some grace , and thou 'lt love me . riches i 'le promise none , nor no great treasure , because i 'le do no wrong to thee my pleasure : but all that e're i have , thou shalt command it , and i 'le maintain thee brave , thou 'st understand it . my word nor yet my oath shall not be broken , then take this sugered kiss , in sign of loves token . my heart is firm and true , then let pitty move thee , i le not seek for a new , if thou 'lt but love me . the maid . good sir i thank you fine for what is spoken , but all 's not gold that shines , and as for your token , i shall not it receive , though you do prove me , my joy thou 'st ne'r bereave , for i cannot love thee . the second part , to the same tune . young-men can swear and lie , but who will believe them , all goodness they defie , and it ne'r grieves them , only to tempt a maid by their delusion , therefore i am afraid 't wil breed confusion . a maid had need beware that doth mean honest , lest she falls in a snare when they do promise : for they will vow and swear they 'l never leave you , but when they know your mind , then they 'l deceive you . therefore i will be wise , lest i be taken , in a fools paradise , and then be forsaken . i le put no trust in man , to one nor other , let them do what they can , if 't were my brother . the man. my dear you do but jest , i may boldly speak it , of all i love thee best , prithee so take it . there is no flesh alive ever shall move me , if thou wilt be my wife , i 'le dearly love thee . servants on thee shall tend , and come at thy pleasure , for i will be thy friend to bring thee treasure . what canst thou wish for more , then do but prove me , and thou shalt plainly find how dear i love thee . for means thou shalt not want , if i do gain thee , i have good house and land , for to maintain thee . i have good sheep i' th field , and beast's that's proving , all is at thy command , if thou 'lt be loving . i 'le give thee gold my dear , i 'le give thee money , then thou need'st not to fear , i 'le be thy honey : no lady in the land ever shall move me , thou 'st have my heart and hand if thou 'st but love me . the maid . your words are very fair , i much commend you , seeing you are so fair , thus i 'le befriend you : though at first i was coy , 't was but to prove thee , yet now i 'le be thy joy , and dearly love thee . the young man hearing this , by the hand took her , the bargain seal'd with a kiss , he ne'r forsook her . but strait to church they went things were so carried , he gave his love content , when they was married . thus all young maids may find young men are honest , if they bear the like mind , true to their promise , but if they falsifie , who can believe them ? and when they have lost their loves then it doth grieve them . printed for p. brooksby at the golden-ball , in west-smithfiled . a cruell murther committed lately upon the body of abraham gearsy who liv'd in the parish of westmill, in the county of harford; by one robert reeve, and richard reeve, both of the same parish: for which fact robert was prest to death, on munday the 16. of march, and the tuesday following richard was hang'd; and after both of them were hang'd up in chaines, where now they doe remaine, to the affrightment of all beholders. 1635. to the tune of fortune my foe. crimsal, richard. 1635 approx. 7 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-10 (eebo-tcp phase 1). a19001 stc 5418 estc s108708 99844364 99844364 9170 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19001) transcribed from: (early english books online ; image set 9170) images scanned from microfilm: (early english books, 1475-1640 ; 1627:12) a cruell murther committed lately upon the body of abraham gearsy who liv'd in the parish of westmill, in the county of harford; by one robert reeve, and richard reeve, both of the same parish: for which fact robert was prest to death, on munday the 16. of march, and the tuesday following richard was hang'd; and after both of them were hang'd up in chaines, where now they doe remaine, to the affrightment of all beholders. 1635. to the tune of fortune my foe. crimsal, richard. 1 sheet ([2] p.) : ill. for iohn wyright iunior, dwelling at the upper end of the old baily, printed at london : [1635?] verse "i pray give eare unto my tale of woe,". signed at end: r.c., i.e. richard crimsal. publication date conjectured by stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. murder -england -early works to 1800. 2006-08 tcp assigned for keying and markup 2006-09 aptara keyed and coded from proquest page images 2006-10 jonathan blaney sampled and proofread 2006-10 jonathan blaney text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion a cruell murther committed lately upon the body of abraham gearsy , who liv'd in the parish of westmill , in the county of harford ; by one robert reeve , and richard reeve , both of the same parish : for which fact robert was prest to death , on munday the 16. of march , and the tuesday following richard was hang'd ; and after both them were hang'd up in chaines , where now they doe remaine , to the affrightment of all beholders . 1635. to the tune of fortune my foe . i pray give eare unto my tale of wee , which i le declare that all may plainly knowe . neare harford lately was a murder done , o t was a cruell one , as ever was knowne , the good with evil herein was repaide , him that did good the evil hath betraid , the world is lately growne to such a passe , that one may feare another in this case . this money is the cause of manies death , as t was the cause that one late lost his breath , the devill and the money workes together , as by my subiect you may well consider . with teares of woe i am inforst to write , that which may cause a tender heart to sigh , and sighing say , this was a wofull case , that men should be so much voide of all grace . two brethren were there that did doe the same , the first calld robert reeve , the others name was richard reeve , these did a horrid déed , as in my following verses shall proceede . behold these lines , you that have any care , and from bloodshedding alwayes doe forbeare ; though murder be committed secretlye , yet for revenge to god it loud doth crye . and that sinne goes not long unpunished , therefore let all men of this sinne take héede : many are daily for such crimes accused , and yet alas too commonly t is used . one of these brothers was in debt i heare , vnto that man , which was his neighbour néere , but hée repaid him with a envious mind , as in the story you shall plainly find . abraham gearsie was his name , that was kild , by those two brothers , as the devill wild : he on a day demanded mony due , i pray give eare and marke what doth insue . they wish'd him to come home for to be paid , but for his life it s●●mes they wast had laid : for one day t was his chance for to come there , n●t dreading that his death had bin so néere . now these two brothers kild him instantly , no neighbour was there that did heare him cry : and being dead floung him in a sawpit , and coverd him with such as they could get . now having hid this murder in that kind , great search was made , but none this man could find his friends lamented for him very sore . and made inquiris all the country ore . the second part , to the same tune . six wéekes it was ere it was plainly knowne , and many were examin'd herevpon : but these two brothers much suspected were , and at the last the truth it did appeare . some murmured and sayd that they did owe him mony , and desired for to know whether they had giuen him satisfaction , who said , they had , and they did owe him none . about this mony all did come to light , now being put for to approue this right they could in no wise iustifie the same . when they to true examination came . now they were asked for a quittans made , but they had none , then others present said , where is your bond or witnes of the same ? this must be prou'd , or you will suffer blame . they being taxed on this wise confest , how they in bloody murder had transgrest : then were they sent to harford gaile with spéed , where they did answere , for this wicked déed . this lent on sises last their fact was tri'd , where they were cast , condemnd and for it di'd , robert was prest to death because that hée would not bée tride by god and the country . richard was hangd by his owne fathers dore , which did torment and grieue his friends full sore , now hée and 's brother both do hang in chains , this is a iust reward for murders gaines . i would intreat all men sor to beware , of ●hue this crying sinne and still for beare , good lord , me thinkes it is a cruell thing , of all sins else this may each conscience sting . this being done , what is hée can forbeare , with troubled conscience to shed many a feare ? 't is fearefull sure for to be thought upon , although that it be ners so secret done . our god is love , and he doth charg us all , to love each other , but we often fall from love and unity , to envious evill , thus leave we god , and runne unto the devill . this may be warning for all other men , that doe but heare of those vile bretheren : and more consider 't is a fearefull sight to see them hang'd , it would our hearts afright ▪ yet some there are that will not frighted be at all , the warnings that they dayly sée : too many doe estéeme such things as nought , or else there would not be such murther wrought . thus to conclude , pray le ts to god for grace , and alwaies have his feare before our face : fly bloody murther , and such horrid sinnes , then god will kéep you from such shamefull ends . finis . r. c. printed at london for iohn wright iunior , dwelling at the upper end of the old baily . the true-lovers holidaies: or, the wooing, winning, and wedding of a fair damosel; performed by a lusty souldier, being one of the auxiliaries. the souldier woo'd the maid with words most kind, she answered him according to his mind. to the tune of, no body else shall plunder but i. l. p. (laurence price), fl. 1625-1680? 1663-1674? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04824 wing p3384 interim tract supplement guide ebb65h[119] interim tract supplement guide c.20.f.8[462] 99887325 ocm99887325 183574 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04824) transcribed from: (early english books online ; image set 183574) images scanned from microfilm: (early english books; tract supplement ; a2:4[119]; a5:2[365]) the true-lovers holidaies: or, the wooing, winning, and wedding of a fair damosel; performed by a lusty souldier, being one of the auxiliaries. the souldier woo'd the maid with words most kind, she answered him according to his mind. to the tune of, no body else shall plunder but i. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts). printed for f. coles, t. vere, and j. wright., [london] : [between 1663-1674] signed: l.p. [i.e. laurence price]. date and place of publication suggested by wing. verse: "my sweetest, my fairest ..." item at a5:2[365] imperfect: trimmed, affecting imprint. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the true-lovers holidaies : or , the wooing , winning , and wedding of a fair damosel ; performed by a lusty souldier , being one of the auxiliaries . the souldier woo'd the maid with words most kind , she answered him according to his mind . to the tune of , nobody else shall plunder but i. my swéetest , my fairest , my rarest , my dearest , come sit thee down by me and let 's chat a while , it doth my heart good , when i see thee most nearest , that we with pleasant talk y e sad times may beguile if thou'lt have the patience to stay in this bower , that i may discourse with thee just half an hour , i 'le shew thee a ticket from cupids commision , which venus set hand to , upon this condition , that no body else shall enjoy thee but i. the summer is come , and the time is in season , that each pretty bird have made choise of his mate , now i being a young man of judgement and reason , have cause to be doing e're time 's out of date , hark , hark how i hear the swéet nightinga●s verses whose ecchoes records-what true-lovers rehearses ; the true-hearted turtle-doves now are a billing , and so will i do my love , if thou are willing that no body else shall enjoy thee but i. i pray thee love leave me not , though i am a souldier , and want skill in wooing to deal with a maid ; yet if thou wilt kisse me , and make me the bolder , mark well and consider what here shall be said , my hand and my sword shall from danger defend thee , my purse and my person shall stoutly attend thee ; i 'l buy thée a new kirtle , wrought wastcoat & beaver a dainty silk apron , my minde shall not waver , so no body else shall enjoy thee but i. if thou wilt consent , that things shall be so carried , before this day fortnight i 'l make thée my wife , and we in the church will be lawfully married , so shalt thou live bravely all dayes of thy life ; thou shalt have thy servants to wait on thy leisure , thy purse shall be cram'd with gold crowns , & rich tresure nothing shall be wanting y t i can procure thée , so thou wilt be constant and thus much assure me , that no body else shall enjoy thee but i. make answer swéet hony . to what i have spoken that i may the better know whereon to trust , receive this gold ring as an eminent token , my love shall be permanent , loyal and just ; one lovely look from thée , for aye will revive me , but a frown of thine will of life streight deprive me , then answer me kindly at this time dear sweeting that i may finde comfort by this happy meeting , and no body else shall enjoy thee but i. the second part to the same tune . being the maids loving answer to the souldier . i 'le leave all my kindred both father and mother , my vncle , my aunt , and my grandam also , my nearest acquaintance , my sister and brother , for 't is my desire with a souldier to go , in weal and in woe i will with my love travel , whilst some at my service and toyle do much marvel so long as my life lasts , if fortune will guide me i 'le march with thee bravely , what ever betide me . and i 'le be thy true-love until i dye . ● is not the great ordance when they do rattle ▪ shall make me fly from thee , 〈◊〉 minde is so stout , for when i perceive thee preparing for battel , i 'le clos●●● stick to thée of that make no doubt , and when thou hast drawn thy brave blade to befriend me for courage and valour and skill i 'le commend thée in peace and in warres if thou pleasest to prove me , by day and by night thou shalt finde how i love thee , i 'le still take thy part till the day that i dye . moreover sweet souldier thus much i must tell thee , when i understood you took mée for your choice , it made the very heart of me leap in my belly , and all the merry veins in my body rejoyce ; you also requested of me certain kisses , the which you accounted as true-lovers blisses , in stead of one kisse , now i 'le give thée full twenty , so thou wilt repay me again with like plenty . and i 'le be thy true love until i do dye , this ring which thou gavest me , shall serve for a token , i 'le keep it for thy sake whiles heaven lends me life , the promise betwixt us shall never be broken , be thou my swéet husband , i 'le be thy kinde wife : then serve cupids warrant upon me and spare not , for what thou canst do with thy ticket i fear not : let vulcan and venus with cupid conspire , to kindle loves fuel , or quench lovers fire , yet i 'le love my souldier until that i dye . you said in a fortnight that we should be married , but i am unwilling to stay for 't so long : besides in my minde i have over much tarried ; delayes amongst lovers doth oftentimes wrong . pray make all things ready 'twixt this and sunday , that we may be married on the next munday , so we in the holy-days may make us merry , with banquets and pastimes until we be weary . and i 'le be thy true-love until that i dye . l. p. finis . a pleasant new song of the backes complaint, for bellies wrong, or, a farwell to good fellowship to the tune of a,b,c / [edward cutler] cutler, edward. 1622 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a19690 stc 6109 estc s1875 22857303 ocm 22857303 25821 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19690) transcribed from: (early english books online ; image set 25821) images scanned from microfilm: (early english books, 1475-1640 ; 1790:13) a pleasant new song of the backes complaint, for bellies wrong, or, a farwell to good fellowship to the tune of a,b,c / [edward cutler] cutler, edward. 1 broadside : ill. by w.i., printed at [lond]on : [1622?] date of imprint suggested by stc (2nd ed.). without music. imperfect: faded, with loss of print. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-08 tcp assigned for keying and markup 2002-09 spi global keyed and coded from proquest page images 2002-10 emma (leeson) huber sampled and proofread 2002-10 emma (leeson) huber text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a pleasant new song , of the backes complaint , for bellies wrong : or a farwell to good fellowship . to the tune of a , b , c. good fellowes all to you i send , these verses which in loue i pend : desiring you will compasse keepe , and bid farwell good fellowship . i once did beare a good fellowes name , and still am counted for the same : but now my vow is ingaged deepe , to bid farwell good fellowship . i haue beene of that ●ett so long , till b●●ke complaines of bellies wrong : with great exclaimes in euery street , to make me leaue good fellowship . me thinkes i oft doe heare it say , mongst drunkards thou consumed away : thy 〈◊〉 ●emory and witt , all wasted by good ●el●●ship . of me thou takest but li●●le care , though b●●lies and yet backe is bare : and 〈◊〉 winter will thee 〈◊〉 , vnles thou leaue good fellowship . thou thinkest good fellowes be thy friends and what thou ha●t 〈◊〉 them thou spends : what 〈…〉 worke gainst all y ● weeke , comsumeth by good fellowship . but when that all thy money is gone , and score nor credit thou hast none : these friends from thee away will slipe , and farewe●l all good fellowship . when being gon , at thée they 'l laugh , t is bad to trust a broaken staffe : for feare thou fall in danger deepe , giue ouer in time good fellowship , for dayly doth attend the same , too sisters , call'd begery , and shame : whose hands & hearts full fast are knit , and ioyned to good fellowship . besides deseases that doth flow , from drunkennes as many know : who be their smart , haue felt the whipe that followeth good fellowship . surfetes , dropsies , and diuers paines , ach of the head , b●each of the braines : like festred ●i●●oile , foule and déepe , attendeth on good ●e●lowship . ten thousand misseries alacke , fail●s both on bodie and on backe : as ancient writters , large haue write , to warne vs from good fellowship . the second part , wherein is declared , the backes complaint , hath the bellie reformed : to bid farwell good fellowship . to the same tune . this sad complaint when i did heare uewing my back , i see it was beare ▪ and cheifest cause i knew of it , was kéeping of good fellowship . being much moued at the same , a solemne oath then did i frame : this hainious wrong , for to aquite , to bid farwell good fellowship . and therefore here i bid farwell , to that which once i lou'd to well : henceforth i will in compasse keepe , therefore farwell good fellowship . farwell all such as take delight , to drinke and go●sell day and night : their sole sicke healths , & healthles whiff and causes the ●a●e good fellowship . farwell all such that dayly vse , themselues and others to abuse : i● using all that they do ●eete , with them to keepe good fellowship . farwell all such that well are knowne , to haue a charge to keepe at ho●e : as wife , and child , yet from them flitt and fly out to good fellowship . farwell good fellowes more and lesse , no tongue is able to expresse , the wofull wants that dayly hitte , on them that kéepe good fellowship . some that were famous throw all parts , for workmanship and skill in arts : hath beggery cought vpon the hippe , for kéeping of good fellowship . so●e that haue had possessions store , lands , goods , and cattell , few had more : but lands , & goods , oxe , horse , and sheepe , were wasted by good fellowship . many examples are dayly séene . of such that haue good fellowes beene , bacchus braue souldiers , stout and stiffe , which now lament good fellowship . and to conclud the sin is such , the wise man sayes , none shall be ritch except he shun that bitter sweete , which drunkards call , good fellowship . then learne this vice for to refraine , the onely cause of griefe and paine : least yee like me in sorrow sit , lamenting of good fellowship . per me edward cuker . finis . printed at london by w. i. a letter for a christian family. directed to all true christians to read. which being sealed up in heart and mind, nothing but truth in it you'l find. [both] old and young, both rich and poor, beat it in mind, keep it in store: and think upon the time to come, for time doth pass, the grass doth run, therefore whilst thou hast time and space, call to the lord above for grace, then he will surely thee defend, and thou shalt make a happy end. to the tune of, the godly mans instruction. vicars, john, 1579 or 80-1652. 1684-1686? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06426 wing v315 99887272 ocm99887272 183403 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06426) transcribed from: (early english books online ; image set 183403) images scanned from microfilm: (early english books; tract supplement ; a2:4[64]; a5:2[194b]) a letter for a christian family. directed to all true christians to read. which being sealed up in heart and mind, nothing but truth in it you'l find. [both] old and young, both rich and poor, beat it in mind, keep it in store: and think upon the time to come, for time doth pass, the grass doth run, therefore whilst thou hast time and space, call to the lord above for grace, then he will surely thee defend, and thou shalt make a happy end. to the tune of, the godly mans instruction. vicars, john, 1579 or 80-1652. 1 sheet ([1] p.) : ill. (woodcuts). printed for j.c., w.t. and t.p., [london] : [between 1684-1686] signed: by me i.v. [i.e. john vicars]. date and place of publication suggested by wing. verse: "both young and old, both rich and poor give ear ..." printed on the verso of a5:2[194]: protestant unity, the best policy to defeat popery (wing p3846). reproduction of originals in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-03 spi global keyed and coded from proquest page images 2008-04 john pas sampled and proofread 2008-04 john pas text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion protestant unity , the best policy to defeat popery , all its bloody practices . or , englands happiness under such a blessing . a pleasant new song . would england ever blest and happy be , it must be done by perfect unity , let protestants in all things then agree . then rome shall fail like lightning from the sky , and all her plots shall soon expire and dye , whilst we do prosper , and her rage de●e . to the tune of , now new the fight 's done , &c. now plots upon plots makes the iesuits smile who do think our nation at last to beguile ; whilst divisions grow rise , and crowding come in whilst schismaticks clamour and rail at the sin which themselves have contriv'd , for here it is plain they were wheeling the kingdoms to forty again . whilst thus we 'r divided , the pope has his will , and thinks that at last he his goffers shall fill ; with protestant plunder to make him amends , for the infinite store that he yearly expends to raise war and blood-shed , and to carry on his private designs , to the devil best known . for he 's his grand counsellour , who so oft try'd the way for to conquer , is first to divide ; for england united , not rome , no nor hell , have the power for to shake , nor once for to quell ourselves are the causers still of all our woe , whilst protestants protestants , seek to o're throw . read but the scriptures , and there you will find , a kingdom divided could never yet stand ; then see all those whose brains they did s●me , with the hearts of sedition , or have har'd to presume to think ill of their king , let them do so no more , but a pardon of mercy , and goodness implore . which will grieve to the heart our blood seeking for , who for this hundred years has sought our woe by plots and devices , then let us agree , let presbyter yield unto just monarchy ; beneath whose protection they happy may live , and stiff-neck'd baptists their errors retrive . when a king that 's so gracious does over us reign , what good man has reason or cause to complain ? no there 's none , for all such may happily live , and enjoy peace and plenty which heaven does give : by union our church so firm founded will stand , that in vain all her foes then against her may band . let religious cavels that late have been bred , all cease that the feet they may joyn with the head ; and cordially let each his loyalty prove , by striving to conquer each other in love : and let kind union alleigeance create , that the king and his kingdoms may ever be great . then shall proud france no more 〈◊〉 to frown , least our bold armies should take her pride down ; we conquering ensigns to rome might extend , if each man was faithful and true to his friend ; there ●ounhive the old pope and his crew , and lead them in triumph new london to view . the object of envy at which they still aim , and wish that once more they cou'd see it in flame ; but in vain they might wish it once we agree , to support the great throne of true majesty : to maugre all christendom , as we have done , when by strict union the nation was one . then let each se● their pretenees lay down , and to him submit that does wear englands crown ; and let us like brethren in strict amity , to root out the pope and his agents agree : that the nations may happy remain and be blest whilst we are of plenty and pleasure possess . then that proud monarch past doubt we might awe , who undertakes to give christendom law ; and live in safety in spight of the power or that starlet whore who does seek to devour our lives and our fortunes , to which we make way , when our king and his laws we dare disobey . on such weak pretences as are not worth name then who but your selves have you reason to blame ? if popery thrives and the upper-hand get , whilst murmuring against a good king you do sit ; under whose reign you so happy might be , then cease such division , and let us agree . printed for f. coles , t. vere , j. wright , j. clarke w. thackeray , and t. passinger . a paire of turtle doves, or, a dainty new scotch dialogue between a yong-man and his mistresse, both correspondent in affection, &c. to a pretty pleasant tune, called the absence of my mistresse, or i live not where i love. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08975 of text s119379 in the english short title catalog (stc 19262). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08975 stc 19262 estc s119379 99854586 99854586 20013 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08975) transcribed from: (early english books online ; image set 20013) images scanned from microfilm: (early english books, 1475-1640 ; 1607:24) a paire of turtle doves, or, a dainty new scotch dialogue between a yong-man and his mistresse, both correspondent in affection, &c. to a pretty pleasant tune, called the absence of my mistresse, or i live not where i love. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for thomas lambert, at the signe of the hors-shooe in smithfield, printed at london : [1640?] signed: martin parker. publication date suggested by stc. verse "must the absence of my mistresse". in two parts; woodcuts at head of each part. reproduction of the original in the british library. eng ballads, english -17th century. a08975 s119379 (stc 19262). civilwar no a paire of turtle doves, or, a dainty new scotch dialogue between a yong-man and his mistresse, both correspondent in affection, &c. to a pr m. p 1640 968 1 0 0 0 0 0 10 c the rate of 10 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a paire of turtle doves , or , a dainty new scotch dialogue between a yong-man and his mistresse , both correspondent in affection , &c. to a pretty pleasant tune , called the absence of my mistresse , or i live not where i love . yong-man . mvst the absence of my mistresse gar me be thus discontent , as thus to leaue me in distresse , and with languor to lament : nothing earthly shall diuorce me from my déerest , but disdaine , nor no fortune shall enforce me , from my fairest to refraine . o my deerest , my heart neerest : when shall i so happy bee to embrace thee , and to place thee , where thou neré maist part from me . maide . since my absence doth so gréeue thée , it doth wound me to the heart : if my presence could reléeue thée , i would play a loyall part : but i prethée be contented , sith the fates will haue it so , though our méeting be preuented , thou my constancy shalt know . o my sweetest , the compleatest man alive in my conceite , lady fortune i le importune , soone to make our ioyes compleate . yong-man . since thy absence doth conjure me with perplexity and paine , what would thy presence then allure me , for to see thée once againe : as thy absence sends such sadnesse that it scarcely can be told : so thy presence yéeldeth gladnesse , to all eyes that thee behold . o my deerest , &c. maide . what reward then shall i render , to him that me doth so respect , but my constancy to tender , with like fauour to effect : and since thy loue to me is feruent , so my heart shall be to thee , and as thou prou'st my loyall seruant , thy true mistresse i will be , o my sweetest , the compleatest man alive in my conceite , lady fortune i le importune , soone to make our ioyes complate . yong-man . then my loue , my doue , my fairest , sith i may repose such trust , in my heart thou only sharest , none else craue a portion must : thou hast setled thy affection vpon me and none beside , and i of thée haue made election , thou alone shalt be my bride . come my deerest , my heart neerest , when shall i so happy bee , to embrace thee , and to place thee , where thou nere maist part from me . maide . my hearts ioy , more swéet than honey , or the odoriferous rose , i haue laid such hold vpon thée , as the world can nere vnlose the gordian knot , which though as yet is not by hymen tyed fast , yet heauen knowes my heart is set on thee my choice , while breath doth last . come my sweetest , &c. the second part to the same tune . young-man . when hyperion doth for euer from the skye obscure his rayes , when bright luna ( constant neuer ) leaues to seuer nights from dayes : when the sea doth cease from running , when all thus change preposterously , then that firme vow which i once made , ( and not till then ) i le breake with thée . come my deerest , my heart neerest , when shall i so happy be , to embrace thee , and to place thee , where thou nere maist part from me . maide . when rich mizers throw their mony in the stréetes , and hoord vp stones , when my fathers nagge so bonny , leaues good hay to picke dry bones : and when the dogge conforme to that , doth change his food for oates and hay , then shall my oath be out of dale , or else last till my dying day . come my sweetest , the compleatest man alive in my conceite , lady fortune , i le importune , soone to make our joyes compleate . young-man . when the bucke , the hare , or cony doe pursue the dogge to death , when a rocke so hard and stony , can dissolu'd be with man's breath : when furtles make a second chusing , then will i a new loue séeke , till then all but thée refusing , though i might change euery wéeke . come my deerest , &c. maide . when both toads , with snakes and adders , bréed vpon the irish ground , when men scale the skie with ladders , when two phoenixes are found : when the goose the for doth follow , or séeke to hunt him forth his den , or swine in dirt refuse to wallow , i le not forsake my loue till then . come my sweetest , &c. young-man . then swéet loue sith both agrée thus , hauing hearts reciprocall , long i hope we shall not be thus barred from the principall of all our joy , which is blest marriage , hymen haste to knit the knot , i' th meane time our constant carriage , will i' th world nere be forgot . come my deerest , my heart neerest , when shall i so happy be , to embrace thee ▪ and to place thee , where thou nere maist part from me . martin parker . finis . printed at london for thomas lambert , at the signe of the horse shooe in smithfield . the life and death of the famous thomas stukely an english gentleman in the time of queen elizabeth, who was kill'd in the battle of the three kings of barbary. life and death of famous thomas stukely johnson, richard, 1573-1659? 1701 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a87602 wing j804e estc n69685 99899663 99899663 134397 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a87602) transcribed from: (early english books online ; image set 134397) images scanned from microfilm: (early english books, 1641-1700 ; 2430:11) the life and death of the famous thomas stukely an english gentleman in the time of queen elizabeth, who was kill'd in the battle of the three kings of barbary. life and death of famous thomas stukely johnson, richard, 1573-1659? 2 sheets (versos blank) : ill. printed and sold by l. how, in petticoat-lane, london : [ca. 1701] by richard johnson. wing j804e cancelled by wing (cd-rom edition) which reports the date of publication as post 1700. verse "in the west of england,". in four columns with the title and woodcut above the first two; the columns are not separated by rules. reproduction of original in the folger shakespeare library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng stucley, thomas, 1525?-1578 -early works to 1800. ballads, english -18th century. broadsides -england 2007-09 tcp assigned for keying and markup 2007-11 aptara keyed and coded from proquest page images 2007-12 emma (leeson) huber sampled and proofread 2007-12 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the life and death of the famous thomas stukely an english gentleman in the time of queen elizabeth , who was kill'd in the battle of the three kings of barbary . in the west of england , born there was i understand , a famous gallant was he in his days , by birth a wealthy clothiers son , deeds of wonder he had done , to purchase him a long and lasting fame if i would tell you his story , pride was all his glory : and lusty stukely was he call'd in court he served a bishop in the west , and did accompany the best ; maintaining of himself in gallant sort being thus esteemed , and every where well deemed ; he gain'd the favour of a london dame daughter to an alderman , curtis she was called , to whom a suitor gallantly he came . when she his person ' spyed , he could not be denied ; so brave a gentleman he was to see . she was quickly made his wife ; in weal or woe to lead her life , her father willing thereto did agree . thus in state and pleasure , full many a day they measure ; till cruel death with his regardless spite bore old curtis to the grave , a thing that stukely wish'd to have , that he might revel in gold so bright . he was no sooner toombed , but stukely he presumed , te spend a 100 pound a day in waste , the greatest gallant in the land , had stukely's purse at his command ; thus merrily away the time he past . taverns and grdinaries , were his chief braveries , golden angels then flew up and down . riots were his best delight , with stately feasting day and night ; in court and city thus he won renown thus wasted lands and livings , by his lawless giving ; at length he sold the pavement of the yard , which covered was with blocks of tin , gur curtis left the same to him . which he consumed lately as ●ou heard whereat his wife sore grieved , desiring to be relieved ; make much of me dear husband she did say , i 'll make much more of thee , said he , than any one shall verily , i 'll fell thy cloaths and then go away , cruelly thus hard hearted , away from her he parted , and traveled into italy with speed , there he flourish'd many a day , in his silks and rich array , and did the pleasures of a lady feed , it was the lady's pleasure , to give him gold and treasure ; maintain him with great pomp & fame at last news came assuredly , of a battle fought in barbary , and he would willingly go see the same , many a noble gallant sold both land and talent ; to follow stukely in the famous fight . wheras three kings would , advent'rously with courage bold ; within this battle shew'd themselves in fight , stukely and his followers all , of the king of portugal , had entertainment like to gentlemen . the king affected stukely so , that he did his secrets know , and bore his royal standard now & then upon this day of honour , each man did shew his manner , morocco and the king of barbary pertugal and all his train , bravely glittering on the plain , and gave the onset there most valiently . the cannons thore rebounded . and thundering guns redounded , kill , kill , then was the soldiers cry . mangled men lay on the ground , and with blood the earth was drown'd the sun was likewise darken'd in the sky heaven was so displeased , and would not be appeased , but tokens of god's wrath did show , that he was angry at this war , he sent a fearful blazing star , thereby the king might his misfortune know bloody was the slaughter , or rather nruel murder , wher six score thousand fighting men were slain , three kings within this fight dyed , and forty lords and dukes beside , the like may never more be fought again . with woeful arms enfolding , stukely stood beholding , this cursed sacrafice of men that day . he sighing said i wicked wight , against my conscience here to fight , and brought my followers unto decay , being thus sore vexed , and with grief oppressed ; these brave itallians that sold their lands , witd stukely to venture forth , and hazard tife for nothing worth , upon him then did cast their cursed hands unto death thus wounded , his heart with sorrow swooned . unto them he made his moan , thus have i left my country dear , to be in this manner murder'd here , even in this place where i am not known . my wife i have much wronged , of what to her belonged , i did consume in wicked course of life . what i had is past i see , and brings nought but grief to me , therefore grant me pardon gentle wife , life i see consumeth , and death i see presumeth , to change this life of mine into a new . yet this my greatest comfort brings , i liv'd and dy'd in love of kings , and so bold stukely bids the world adieu stukely's life thus ended , was after death befriended , and like a soldier buried gallantly . where now there stands upon the grave a stately temple builded brave , with golden turrets piercing to the sky london : printed and sold by l. how , in petticoat-lane . all things be dear but poor mens labour; or, the sad complaint of poor people. being a true relation of the dearness of all kinds of food, to the great grief and sorrow of many thousands in this nation. likewise, the uncharitableness of rich men to the poor. this song was begun at worcester, the middle at shrewsbury, the end at coventry. / by l. w. to the tune of, hold buckle and thong together. l. w. 1680 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06749 wing w77a estc r186106 52529357 ocm 52529357 179218 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06749) transcribed from: (early english books online ; image set 179218) images scanned from microfilm: (early english books, 1641-1700 ; 2780:19) all things be dear but poor mens labour; or, the sad complaint of poor people. being a true relation of the dearness of all kinds of food, to the great grief and sorrow of many thousands in this nation. likewise, the uncharitableness of rich men to the poor. this song was begun at worcester, the middle at shrewsbury, the end at coventry. / by l. w. to the tune of, hold buckle and thong together. l. w. 1 sheet ([2] p.) : ill. printed for j. clark at the bible and harp in west-southfield, [london] : [1680] in verse. caption title. place and date of publication from wing. in two columns. imperfect: cropped and stained with slight loss of text. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng poor -england -17th century -poetry. ballads, english -17th century. broadsides -england -17th century. 2008-02 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion all things be dear but poor mens labour ; or , the sad complaint of poor people . being a true relation of the dearness of all kind of food , to the great grief and sorrow of many thousands in this nation . likewise , the uncharitableness of rich men to the poor . this song was begun at worcester , the midle at shrewsbury , the end at coventry . by l. w. to the tune of , hold buckle and thong together . kind country-men lissen i pray unto this my harmless ditty , observe these words which i shall say for it is true the more 's the pitty ; but chief to those that stand me by , whether stranger , or my neighbour i think here 's none that can deny . all things are dear but poor man's labour , we find that bread-corn now is dear , in every town throughout this nation , the rich now poor men will not bear because charity 's out of fashion , poor men do work all day and night for that which in it hath small sauour a loss of six pence is but 〈◊〉 . béef and mutton is so dear a mans weeks wages cannot buy it , there 's great complaints in every place , all things are dear who can deny it , but poor mens labour is too cheap , and trading's dead which makes times harder that all their pains wont find them meat all things , &c. chéese and butter is so dear you know it better than i can tell ye t would grieve a stony heart to hear the poor complain thus for their belly . and 〈…〉 dead , 〈…〉 t find them bread i 'll makes my very heart to ake , to hear poor people thus complaining , for all their care and pains they take , rich men the poor are still disdaining , but let rich misers consider well the poor , and show to them some favour or else their souls will hang in hell , all things , &c. in it not sad for parents now , to hear their children for bread crying , and has it not for them to give although for food they lye a dying , poor little babies they must fast , although it grieves mother and father , a bit of bread they cannot tast , all things , &c. to hear the many sad complaints , as i have heard in town and city , i think youd cry as well as i , the rich has for the poor no pitty for if they work now for rich men , there 's some will kéep their wages from them and make them run to and agen , which makes the poor cry fye upon them . farmers so covetous now they be , their corn they 'l hoard for better profit although the poor do fast we sée , their grain they 'l keep what ere comes of it whole ricks of corn stands in their yards and scorns to shew the poor some favour for some do swear they do not care , if things be dear , but poor mans labour . a rich man there was in stafford-shire , which is a knave , i 'me sure no better he hop'd to sell his corn so dear e're long as grocers do their pepper . when wheat was sold for shillings ten he would not thrash , fan , nor yet rake it let poor despair , he oft did swear . heed keep it for a better market . too many their is of such base men , all england round in town and city , they 'l see the poor starve at their door before they 'l shew them any pity ; for some will make poor men to work , all day and night for little favour , for rich men be , cruel we see , all things be dear but poor mens labour . but thanks to god ' corn falls apace , and all things else that 's for the belly , yet still it doth go bad with some although they work full hard i tell you , six-pence a day , is now the pay for a days work , and held a favour , this must maintain wife and babes , all thing be dear , &c. so to conclude , le ts be content with what the lord doth please to send us , let us our evil lives repent , then in our woes god will defend us : and let rich men be merciful unto the poor stranger or neighbour , for all do know , unto their woe all things be dear but poor mens labour . printed for j clark at the bible and harp in west-smithfield . bee patient in trouble: or, the patient mans counsell wherein is showne the great goodness of god towards them that beare the crosses and afflictions of this world patiently: as also a friendly instruction, whereby to advise us to forsake our wonted sinnes, and turne unto the lord by speedy repentance, very meete and necessary for the worldlings to marke, reade, heare, and make use of. to the tune of, bodkins galliard. l. p. (laurence price), fl. 1625-1680? 1636 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a10065 stc 20312 estc s112000 99847259 99847259 12286 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10065) transcribed from: (early english books online ; image set 12286) images scanned from microfilm: (early english books, 1475-1640 ; 1580:18) bee patient in trouble: or, the patient mans counsell wherein is showne the great goodness of god towards them that beare the crosses and afflictions of this world patiently: as also a friendly instruction, whereby to advise us to forsake our wonted sinnes, and turne unto the lord by speedy repentance, very meete and necessary for the worldlings to marke, reade, heare, and make use of. to the tune of, bodkins galliard. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. for iohn wright junior, dwelling at the upper end of the old baily, printed at london : [1636] verse "come, come, you greedy worldlings leave your toyle,". signed: l.p., i.e., laurence price. publication date from stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-09 tcp assigned for keying and markup 2002-11 aptara keyed and coded from proquest page images 2002-12 john latta sampled and proofread 2002-12 john latta text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion bee patient in trouble : or , the patient mans counsell , wherein is showne the great goodnes of god towards them that beare the crosses and afflictions of this world patiently : as also a friendly instruction , whereby to advise us to forsake our wonted sinnes , and turne unto the lord by speedy repentance , very meete and necessary for worldlings to marke , reade , heare , and make use of . to the tune of , bodkins galliard . come , come , you gréedy worldlings leave your toyle , lend me your approbation to my song : for i like you was troubled for a while , bout worldly matters which have done me wrong : now to re●●●e that life i am inclind , i le give god thankes and take what i doe finde . though on this earth i live as one so poore , that few or none regard● my company : yet hath the lord a blessing still in store for them that wait his leasure patiently : then let no men despaire though meanes be small , but in affliction give god thankes for all . when i remember iob that was so just , how he despised was of all his kin , and how from post to piller he was tost , and no man weighed his sorrowes not a pin : th●n unto memory i likewise call , that he in troubles gave god thankes for all . although of riches once he had great store , and was the chiefest man in all the east , yet was the lords deare sarvant brought so poore , and of his goods and cattell dispossest : then patient iob unto the earth did fall , and heartily did give god thankes for all . not onely all the wealth which he enjoyd was quite consum'd and tane from him away , his sons and daughters likewise were destr●yd , by a tempestuous weather fell that day , the house in peices on their heads did fall , and still poore iob did give god thanks for all . and further to increase his misery , his wife to him most wrathfully did say , husband quoth she curse god and yéeld to die , o no said iob , i know a better way , i le not offend my heavenly makers will , i le prayse his name and be contented still . the second part , to the same tune . thus being comfortlesse upon the earth , his day of birth began to call to mind , he also thought upon his houre of death , and with great griefe those spéeches he assignd , naked came i out of my mothers wombe , naked shall i returne unto my tombe . thus iob continued still so pure and holy , as holy writers doth of him approve , whom all the world could not entice to folly , for god lov'd iob , and iob his god did love . and afterward the lord his fortunes blest , with farre more wealth than he before possest . this swéet example may for great and small be a direction , how that we may guide our lives , when crosses doth to us befall , that from these precepts we may never slide : lord clothe us with that everlasting robe , true faith and patience like thy servant iob. and grant that ever we may put our trust in thée alone , which art our strength and stay , séeing , that earthly treasure is but dust , which soone will perish and consume away : let us desire our sinnes may be forgiven , and every day prepare ourselves for heaven . this world is full of vaine deluding snares , the divell also layes many cunning baites for to intrap our soules at unawares , he useth many policies and sleights : iust cause have we to flie to christ with spéed , and crave his ayd in this our time of neede . moreover let us now with spéede forsake , our wonted sinnes wherein we take delight , and of our lives and wayes a conscience make , and learne to serve the lord our god aright . o let us not our time too long delay , but put from us all wickednesse away . let the blasphemer now foregoe his othes , and bid the drunkard leave his swilling mates , for god himselfe the sinne of sweating lothes , and all good men a drunkards presence hates ; let foule extortion now be put to flight , and malice quite be banisht out of sight . let envie , pride and vile adultery , and murther , that fierce monster part from hence , both covetousnesse , and prodigality , no more be séene amongst our eminence : so will the lord our goods and cattell blesse , our land and all that ever we possesse . our noble king the father of our peace , the lord preserve and kéepe continually , and send the quéene and all their blest increase , the dew of thy swéet blessing from on high : so shall all english men rejoyce and sing , prayses be given to christ our heavenly king. l. p. finis . printed at london for iohn wright junior , dwelling at the upper end of the old baily . a pleasant history of a gentleman in thracia which had foure sonnes, and three of them none of his own; shewing how miraculously the true heire came to enioy his inheritance. to the tune of, chevy chace. 1633 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a13750 stc 24047 estc s101989 99837792 99837792 2135 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a13750) transcribed from: (early english books online ; image set 2135) images scanned from microfilm: (early english books, 1475-1640 ; 1039:16) a pleasant history of a gentleman in thracia which had foure sonnes, and three of them none of his own; shewing how miraculously the true heire came to enioy his inheritance. to the tune of, chevy chace. m. p. (martin parker), d. 1656?, attributed author. 1 sheet ([1] p.) : ill for h. g[osson], printed at london : [1633] sometimes attributed to martin parker. printer's name and publication date from stc. verse "in searching ancient chronicles,". in two parts. reproductions of the originals in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2007-10 emma (leeson) huber sampled and proofread 2007-10 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a pleasant history of a gentleman in thracia , which had foure sonnes , and three of them none of his own ; shewing how miraculously the true heire came to enioy his inheritance . to the tune of , chevy chace . in searching ancient chronicles , it was my chance to finde a story worth the writing out , in my conceit and mind ; it is an admonition good , that children ought to haue , with reuerence for to thinke vpon their parents laid in graue . in thracia liu'd a gentleman , of noble progeny , who rul'd his houshold with great fame and true integrity ; this gentleman did take to wife , a neat and gallant dame , whose outward shew and beauty bright did many hearts inflame . the luster that came from her lookes , her carriage and her grace , like beautious cynthia did outshine each lady in that place ; and being puffed vp in pride , with ease and iollity , her husband could not her content , she other men must try . lasciuiously long time she liu'd , yet bore it cunningly , for she had those that watcht so well , that he could nought espy ; with bribes and gifts she so bewitcht the hearts of some were néere , that they conceal'd her wickednesse , and kept it from her deare . thus spending of her time away in extreme wantonnesse , her priuate friends when she did please , vnto her had accesse ; but the all séeing eye of heauen , such sinnes will not conceale , and by some meanes at last will he the truth of all reueale . vpon a time sore sicke she fell , yea to the very death , and her physician told her plaine , she must resigne her brèath ; diuines did likewise visit her , and holy counsell gaue , and bade her call vpon the lord , that he her soule might saue . amongst the rest , she did desire they would her husband bring , i haue a secret to reueale , ( she said ) my heart doth s●ing ; then he came posting presently , vnto her where she lay , and wéeping , then he did desire , what she to him would say ? she did intreat that all might voyd the roome , and he would stay : your pardon , husband , i beséech , ( vnto him she did say ; ) for i haue wrong'd your marriage bed , and plaid the wanton wife , to you the truth i will reueale , ere i depart this life , foure hopefull sonnes you think you haue , to me it best is knowne , and thrée of them are none of yours , of foure but one's your owne ; and by your selfe on me begot , which hath so wanton béen , these dying teares forgiuenesse beg , let mercy then be seene . this stroke her husband in a dumpe , his heart was almost dead , but rouzing of his spirits vp , these words to her he said ; i doe forgiue thée with my heart , so thou the truth wilt tell , which of the foure is my owne sonne , and all things shall be well . o pardon me , my husband deare , vnto him she did say , they are my children euery one , and so she went away . away he goes with heauy heart , his griefes he did conceale , and like a wise and prudent man , to none did it reueale . not knowing which to be his owne , each of his loue did share , and to be train'd in vertues paths , of them he had a care ; in learning great and gentle grace , they were brought vp and taught , such deare affection in the hearts of parents god hath wrought . they now were grown to mens estates , and liu'd most gallantly ; each had his horse , his hawke , his hound and did their manhood try ; the ancient man did ioy thereat , but yet he did not know , which was his sonne amongst the foure that bred in him much woe . at length his glasse of life was run , the fates doe so decrée . for poore and rich they all must dye , and death will take no fée ; vnto some iudges he did send , and counsell that were graue , who presently to him did come , to know what he would haue . they comming then to his beds side , vnto them he did say , i know you all to be my friends , most faithfull euery way ; and now before i leaue the world , i beg this at your hands , to haue a care which of my sonnes shall haue my goods and lands . and to them all he did relate what things his wife had done ; there is but one amongst the foure that is my natiue sonne ; and to your iudgement i commit , when i am laid in graue , which is my sonne , and which is fit my lands and goods to haue . he dying , they in councell sa●e what best were to be done , for 't was a taske of great import , to iudge which was his sonne : the brothers likewise were at strife , which should the liuing haue ; when as the ancient man was dead , and buried in his graue . the iudges must decide the cause , and thus they did decrée , the dead mans body vp to take , and tye it to a trée ; a bow each brother he must haue , and eke an arrow take , to shoot at their dead fathers corps , as if he were a stake . and he whose arrow néerest hit his heart as he did stand , they 'd iudge him for to be right heire , and fit to haue the land : on this they all did streight agrée , and to the field they went , each had a man his shaft to beare , and bow already bent . now ( quoth the iudges ) try your skill vpon your father there , that we may quickly know who shall vnto the land be heire ; the eldest tooke his bow in hand , and shaft where as he stood , which pierc'd so déep the dead mans brest that it did run with blood . the second brother then must shoot , who straight did take his aime , and with his arrow made a wound , that blood came from the same : the third likewise must try his skill , the matter to decide , whose shaft did make a wound most déep into the dead mans side . vnto the fourth and youngest then , a bow and shaft was brought ; who said , dée thinke that are my heart could harbour such a thought , to shoot at my deare fathers heart , although that he be dead , for all the kingdomes in the world that farre and wide are spred ? and turning of him round about , the teares ran downe amaine , he flung his bow vpon the ground , and broke his shaft in twaine : the iudges séeing his remorse , they then concluded all , he was the right , the other thrée , they were vnnaturall . and so he straight possest the lands , being made the heire of all , and heauen by nature in this kind , vnto his heart did call ; his brothers they did enuy him , but yet he néed not care , and of his wealth in portions large , vnto them he did share . finis . printed at london for h. g. strange and wonderfull news of a woman which lived neer unto the famous city of london who had her head torn off from her body by the divell and her lymbs rent in peices and scattered about in the room where the mischief was done : which may serve to forewarn all proud and disloyall men and women to have a care how they behave themselves whilst they live in this sinfull world, that they fall not into the like temptations : the manner how shee made her bargain with the divil, shee confest to some of her neighbors before her death : the tune is summer time / l.p. l. p. (laurence price), fl. 1625-1680? 1630 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a10070 stc 20322.3 estc s4838 23951633 ocm 23951633 27003 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10070) transcribed from: (early english books online ; image set 27003) images scanned from microfilm: (early english books, 1475-1640 ; 1839:13) strange and wonderfull news of a woman which lived neer unto the famous city of london who had her head torn off from her body by the divell and her lymbs rent in peices and scattered about in the room where the mischief was done : which may serve to forewarn all proud and disloyall men and women to have a care how they behave themselves whilst they live in this sinfull world, that they fall not into the like temptations : the manner how shee made her bargain with the divil, shee confest to some of her neighbors before her death : the tune is summer time / l.p. l. p. (laurence price), fl. 1625-1680? 1 broadside : ill. for fran. grove on snow-hill, london printed : [ca. 1630] without music. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 emma (leeson) huber sampled and proofread 2007-09 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion strange and wonderfull news of a woman which lived neer unto the famous city of london , who had her head torn off from her body by the divell ; and her lymbs rent in peices and scattered about in the room where the mischief was done , which may serve to forewarn all proud and disloyall men and women , to have a care how they behave themselves , whilst they live in this sinfull world , that they fall not into the like temptations . the manner how shee made her bargain with the divil , shee confest to some of her neighbors before her death . the tune is summer time . dear lord what sad & sorrowfull times , are those the which wee now live in when men and women takes a pride , presumptuously to run in sin . the divill doth like a lyon go , and strives with all his might and power , of us to get the victory , our souls and bodies to devoure and where that hee can overcome , and bring the people to his lure , they are sure in processe of time , much miseries for to indure . as this relation shall make known . which now i am prepar'd to tell , concerning a proud woman which , did near the city of london dwel . which womans husband hee is gone , beyond the seas as it is said , and left his wife in england here , who long time lived without a guide . her husband when hee went from her , left means and mony to maintain , as hee suppos'd sufficiently his wife till hee return'd again . but shee being wild and wilfull given , and also of a haughty mind . to mallice , hatred lust and pride , and wantonnesse shee was inclyn'd . and in short time shee wasted had , the best part of her means away . her mony was spent and all her state , was like to go unto decay . where at shee fell into despair , and vext her self most grievously , and walking by her self one day , unseen of any company . the divil himself to her appear'd ▪ i th' likenesse of a tall black man , and afterwards with tempting words , to talk to her hee thus began . the second part , to the same tune . if thou quoth hee wilt yeild to mee , and do as i would have thee do , thou shalt have all things at command , as riches gold and silver too . now to be brief the devil and her , a bargin made at that same time , the like was never done on earth , since docter faustus cursed crime . the woman being then with child , made bargin that the divill should have , her soul when thee was brought to bed , so shee might at her pleasure live . what things soever shee desir'd , to which the feind full soon agreed , so hee might soul and body have , after shee was delivered . the covenant was between them made , the woman sea●'d it with her blood , and afterwards shee had her will ▪ and did whatever shee thought good . shee eate , shee drank , and merry was , and had of gold and silver store , she company was for the rich , and dealt her almes unto the poor . at last her painfull houre drew nigh that shee must needs delivered be , shee sent for women with all speed , to help her in her misery . the devill then streight came to the door like to a tall man all in black , the servant maid came neer to him , and asked him what hee did lack . t is with your mistris i must speak . the divil again to her replyd , go tell her again it must be so , i can nor will not be denyd . by the time that the maid came up , her mistris was delivered , and of a man child in the room . shee was most safely brought to bed . o now good women then quoth shee , my sorrows do a fresh beginne , wherefore i pray you to depart , the room the which you now are in . then from the room the women went , forthwith from her imediatly , and went into another place , whereas they heard a dolefull cry . her head was from her body torn , her lymbs about the room did ly , the blood run all about the place , as many folks can testify . it seems the devill his bargin had , wherefore i with that one and all . to have a care of what they do , and to take warning by her fall . finis lp . london printed for fran. grove on snow-hill . maister basse his careere, or, the new hunting of the hare, to a new court tune. the faulconers hunting, to the tune of basse his careere basse, william, d. ca. 1653. 1620 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a05386 stc 1554.7 estc s3219 33143186 ocm 33143186 28278 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a05386) transcribed from: (early english books online ; image set 28278) images scanned from microfilm: (early english books, 1475-1640 ; 1862:46) maister basse his careere, or, the new hunting of the hare, to a new court tune. the faulconers hunting, to the tune of basse his careere basse, william, d. ca. 1653. 2 leaves : ill. by e.a., printed at london : [ca. 1620] attributed to william basse by stc (2nd ed.). bound and filmed as two leaves. stc (2nd ed.) treats as single item. each leaf contains one illustration. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-08 tcp assigned for keying and markup 2002-09 apex covantage keyed and coded from proquest page images 2002-10 judith siefring sampled and proofread 2002-10 judith siefring text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion maister basse his careere , or the new hunting of the hare . to a new court tune . long ere the morne expects the returne of apollo from the ocean queene : before the creak of the croe or the breake of the day in the welkin is seene , mounted idelia cheerfully makes to the chase with his bugle cleere : and nimbly bounds to the cry of the hounds and the musicke of his careere . oft doth ha trace , through wood , parke and chase , when he mounteth his steed aloft : oft he doth runne beyond farre his home , and deceiueth his pillow soft : oft he expects , yet still hath defects , for still he is crost by the hare : but more often he bounds to the cry of his hounds , and doth thunder out his careere . hercules hunted and spoyled the game , wheresoeuer he made his sport : adon did hunt but was slaine by the same , through iunoes bad consort : nep●haly to , did the hart ouer goe , and he purged the forrests there , when his horne did rebound , the noise to the hound , he did thunder out his careere . now bonny bay with his foame waxeth gray , déepe gray waxeth bay with blood : white lilly tops doth send for their caps , blacke lady makes it good : sorrowfull watte , her widowes estate , forgets these delights to heare , and nimbly bounds to the cry of the hound , and doth thunder out his careere . hilles with the heate of the galloppers sweate , reuiues their fréezing tops : dales purple flowers , the spring from the showers , which downe from the rowels drops : swaines they repast , and strangers they hast , no neglect when our hornes they heare : to sée a fléete packe of hounds in a shéete , and the hunter in his caréere . thus he caréeres ore the moores , or the méeres , ouer déepes , ouer downes and clay : till he hath wonne , the day from the sunne , and the euening from the day , sports then he ends , and ioyfully wends home to his cottage , where frankely he feasts both himselfe and his guests , and carowseth to his caréere . finis . the faulconers hunting . to the tune of basse his careere . earely in the morne , when the night 's ouerworne , and apollo with his golden beames : the day-starre ouertakes , and cinthia forsakes , to frolike with his siluer streames . we with our delights , and the haggard in our flights , that afronts the celestiall spheare : with lures and with traines , we gallop ore the plaines , to beholde a cancecléere . from the fist shée goes , and her nimbly throwes , to out flye the whistling winde : onward still a●aine , ouer bush ouer plaine , till her gelding gen faintly she findes : an vpshot then she makes , till the cloudes she ouertakes , her ambition rests not there : but mounting still she flies , like a phoenix in the skies , and comes downe with a cancecléere . mounting in the skie , to the shape of a fire , like a sparke of elementall fire : upward then she tends to make good her place amends , till the retriefe giues her desire : no swallow , nor doue , their clipping wings can moue like her when i' the cloudes they appeare : she comes downe from aboue , like the thunderbolt of ioue , and doth st●●pe with a cancecleere . both young and olde prepare , to the sport that is so rare from their weary labour comming for to sée : lifting vp their eyes from the plaines to the skies , where the wonders of the welkins be : the spirits of the ayre in huddles doe repaire , the musicke of the bels for to hears , and quickly flye apart affrighted at the heart , when she stoopes to the cancecléere . the mallard with complaints in her golden feathers faints while the haggard with the coy disdaine : tryumphant in her prey , concludes the euening gray with a pleasant and a louely gaine : homeward then we wend , & the twilight then we spen● in discourse our delights to heare : we tast the quaile we kild , and carowse in what is fill● which goes round with a cancecleere . finis . printed at london by e. a. a warning for all lewd livers: by the example of a disobedient child, who rioutously wasted and consumed his father and mother's goods, and also his own, amongst vile strumpet[s], and other lewd livers, and died most miserably on a dunghil. to the tune of, sir andrew barton, &c. m. p. (martin parker), d. 1656? 1695 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04902 wing p448 interim tract supplement guide ebb65h[137] 99887342 ocm99887342 182054 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04902) transcribed from: (early english books online ; image set 182054) images scanned from microfilm: (early english books; tract supplement ; a2:4[137]) a warning for all lewd livers: by the example of a disobedient child, who rioutously wasted and consumed his father and mother's goods, and also his own, amongst vile strumpet[s], and other lewd livers, and died most miserably on a dunghil. to the tune of, sir andrew barton, &c. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. (woodcuts). printed by and for w[illiam]. o[nley]. for a[lexander]. m[ilbourn]. and sold by j[onah]. deacon, at the angel in guil-spur-street [sic]., london: : [1695] verse: "my bleeding heart with grief and care ..." author, date of publication and publishers' names from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a warning for all lewd livers : by the example of a disobedient child , who rioutously wasted and consumed his father and mother's goods , and also his own , amongst vile strumpets , and other lewd livers , and died most miserably on a dunghil . to the tune of , sir andrew barton , &c. my bléeding heart with grief and care , doth wish all young men to beware , that they no such like steps may tread , nor lead the life which i have led : my father was a gentleman , as many gallants witness can ; he had no son but only i , which made his gold and silver flye . when as my father had me sent , to sell his goods , or take up rent , i did consume and waste the same , in drinking or unlawful game , the cards and dice were my delight , i haunted taverns day and night ; lew'd woman were my chiefest joys , and my consorts were cut-purse-boys , god's holy word i disobey'd , i car'd not what the preacher said ; for quaffing cans of ale and beer , was all the service i would hear . then acting my ungracious part , i broke my aged father's heart , when ghastly death did on him seize , i thought myself in happy case . what he had left i thought well got , but now the shame falls to my lot ; five hundred pound of good red gold , for wine and beer i quickly sold . then was i prest to serve the king , that might my name to honour bring ; a souldier's life i held it base , and always took it in disgrace . and having thus consum'd my store , i to my mother went for more ; who sold and mortgaged her land , and put the mony in my hand : and then with tears these words she said , thou know'st my son thy father's dead , no more is left but i and thee , therefore dear son be good to me . if that thy love from me should fall , i have no friend on earth at all : therefore good son to me prove kind , and thou reward in heaven shalt find . then on my bended knees fell i , desiring of the lord on high , a shameful death might be his end , that would his mother once offend . all you that do no reckoning make , of swearing , when your words you speak , give ear to that which i will tell , lewd livers seldom dyeth well . you disobedient children all , draw near and listen to my fall , example take , repent in time , lest that your woes be like to mine . you fathers dear , and mothers kind , bear you this lesson in your mind , trust not too much a wicked child , for oft times men are so beguil'd : when twigs are green you may them ply , but let them grow while they be dry , they will so stiff and stubborn stand , you cannot bend them with your hand . so that i ran a wicked race , and to amend had not the grace , sixteen score pound in good red gold , into my hand my mother told . but in the compass of one year , i spent it all as may appear , and having left no means at all , i unto robbing straight did fall . thus did i steel my mother's rings , her brass , her pewter , and such things , the very bed whereon she lay , i like a villian stole away . what ever i could get or take , i thereof straight did mony make ; my flinty heart did feel no grief , to see my mother want relief . at last she grew exceeding poor , and beg'd relief from door to door : no infidel , nor pagan vild , could bring to light so bad a child . at last my mother lost her breath , as she constrained was by death ; who yields relief , when friends grow scant , and ease to them that are in want . from place to place then was i tost , by every man and woman crost , no harbour could i get , whereby i might at night in safe-guard lie . my dearest kinsfolks do me chide , my dearest friends mock and deride , those that were my conforts of late , their love is turned into hate . those that have feasted many a time , and fed upon that which was mine , despise at me along the street , as if they should a serpent meet . both old and young , both great and small , both rich and poor despise me all , no friend to take my part have i , but was constrain'd in fields to lie . in this my extream misery , by grief , and my necessity , no creature gave for my relief , one peice of bread to ease my grief . but like a poor despised wreatch , his latest gasp that he did fetch , was on a dung-hill in the night , when as no creature was in sight . bu in the morning he was found , as cold as clay upon the ground ; thus was he born in shame to dye , and end his days in misery . take warning young men by this vice , learn to avoid the cards and dice , lewd womans company forbear , they are the high-way unto care . all parents whilst your babes he young , look to their ways in hand and tongue , then wickedness will not abound , but grace in children will be found . london : printed by and for w.o. for a. m. and sold by j. deacon , at the angel in guil-spur-street . kind lady or, the loves of stella and adonis. a new court song much in request. to a new tune. or, hey boys up go we, the charming nymph, or jenny gin. d'urfey, thomas, 1653-1723. 1683 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02820 wing d2738 interim tract supplement guide c.20.f.8[240] 99887731 ocm99887731 183396 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02820) transcribed from: (early english books online ; image set 183396) images scanned from microfilm: (early english books; tract supplement ; a5:2[187]) kind lady or, the loves of stella and adonis. a new court song much in request. to a new tune. or, hey boys up go we, the charming nymph, or jenny gin. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts). printed for j. conyers, [london : 1683?] attributed to thomas d'urfey. imprint suggested by wing. verse: "the night her blackest sables wore ..." imperfect: trimmed, affecting imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion kind lady or , the loves of stella and adonis . a new court song much in request . to a new tune . or , heyboys up go we , the charming nymph , or jenny gin. the night her blackest sabled wore , all glooming were the skies , and glittering stars there were no more then those in stella's eyes : when at her fathers gate i knockt , where i had often been , and shrouded only in her & mock , the fair one let me in . fast lock'd within my close embrace she blushing lay asham'd ; her swelling breasts , and glowing face , and every touch inflam'd my eager passion ; i obey'd , resolving the fort to win , and her fond heart was soon betray'd : then , then , beyond expressing , immortal was the joy , i knew no greater blessing , so happy then was i : and she , transporter with delight , oft prayed me to come again , and kindly vow'd that e'ry night she 'd rise and let me in . but , ah ! at last she prov'd with bearn , and sighing sate , and dull ; and i , who had as much concern , lookt then just like a fooll : her lovely eyes with tears ran down , repenting her rash sin , she sigh'd and curst that fatal hour that e're she let me in . but who cou'd cruelty deceive , or from such beauty part ? i lov'd her so i could not leave . the charmer for my heart ; but wedded , and conceal'd the crime ; thus all was well again , and now she thanks the blessed time . that e're she let me in . such wanton youngsters seldom prove so true at heart as i , but when they gain a damsels love , too oft away they fly : whilest i such treachery abhor , for 't is a deadly sin , and now no cause she has to grieve that she did let me in . those rosie-blushes that did stain her cheeks , do now grow pale , her heart is now rewv'd again , sighs did with me prevail : she grieved was , and i perplext , but now rejoyce again , and stella now no more is vext because she let me in . when young adonis call'd to mind the tricks of wanton youth ; he cry'd , my stella she was kind : this is the very truth . do , she , thou now hast got the knack a tender heart to win , good lodging thou shalt never lack , for i will let thee in . with fiery eyes he then beheld stella , his hearts delight ; he bow'd to love he was compell'd by charms of beauty bright : a thousand times he did , her kiss , and then she did begin , and said , there is no joy like this : i 'me glad i have let thee in . a dialogue betweene master guesright and poore neighbour needy. or a few proofes both reall and true, shewing what men for mony will doe. to a pleasant new tune, called, but i know what i know. e. f. (edward ford), fl. 1630?-1660. this text is an enriched version of the tcp digital transcription b00046 of text150 in the english short title catalog (stc 11152.5). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00046 stc 11152.5 interim tract supplement guide c.20.f.7[74] 99884200 ocm99884200 182961 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00046) transcribed from: (early english books online ; image set 182961) images scanned from microfilm: (early english books; tract supplement ; a5:1[42]) a dialogue betweene master guesright and poore neighbour needy. or a few proofes both reall and true, shewing what men for mony will doe. to a pleasant new tune, called, but i know what i know. e. f. (edward ford), fl. 1630?-1660. 1 sheet ([1] p.). for f. cowles, printed at london : [ca. 1640?] signed: e.f. [i.e. edward ford]. verse: "vvell met neighbour needy, what walking alone ..." publication date suggested by stc. in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. eng ballads, english -17th century. b00046 150 (stc 11152.5). civilwar no a dialogue betweene master guesright and poore neighbour needy. or a few proofes both reall and true, shewing what men for mony will doe. to e. f 1640 880 4 0 0 0 0 0 45 d the rate of 45 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a dialogue betweene master guesright and poore neighbour needy . or a few proofes both reall and true , shewing what men for mony will doe to a pleasant new tune , called , but i know what i know . well met neighbour needy , what walking alone , fow comes it i pray that you thus sigh and groane , the cause by your physiognomie straight i can tell , and know by the same that all is not well . in truth master guesright you speake very true , for money i want , and beléeve so do you . and therefore éene say , and do what you please , i know you are sicke of my sore disease . for me neighbour needy , the world is so hard . that solely my selfe i now cannot guard besides young and old loves coyne so intire , that have it they will though out of the fire . nay , good neighbour needy , i pray say not so , for then you will wrong a many i know , besides i no way perswaded can be , that money is loved in the highest degrée . money if you thinke so i instant will prove , that few or none but money do love , and when i have done i know you will say , t is all reall truth , then harken i pray . inprimis your tailor , is loving and kind , nor doe i with him any fault find , but rest you assured , and take it from mée , that most he doth , he doth for his fée . your mercer in courtesie seldome forbeares . to show you the prime and best of his wares , but if that a reason you 'd have me to show , 't is cause he would get by the bargaine i know . your barber most nimbly will trimme ●ort fine patto , and if that you please turne up yorr mo●●●atto , but marke you what followes my kind loving neighbour , he lookes to be gratified well for his labour . your vintner will spread you his linnen most fine , and bring you both super , tobaco and wine , and having so done requires but this to pay him his shot , which you must not misse . againe this is true , as i know doe tell yée , a cooke in pye-corner will fill up your belly , and when you are satisfied he like an asse , desires no money but éene for his sawce . the second part , to the same tune . your taps●er is growne a right honest man , for he will misreckon no more than he ran , for by his iug , his pot , and his pipe , he has danc't himselfe an officer ripe . your out-landish doctour most ready will be , to cure you of your infirmity , which being effected , he for his skill , desires no more but a golden pill . nay , what makes your land-lord let housen by lease , that you may live in 'em daily peace , but that he imagines and has an intent , you will not faile for to pay him his rent . what makes your in-kéeper to harbour the poore , and unto all comers set open his dore , but that he intends if possible can , to have his reward of every man . what makes your vsurer ever your friend , and be so officious his money to lend , but that he intends to bring you in thrall , and get if he can , the devill and all . nay , what makes your hang-man , i tell you but so such a base office for to under-goe , but that he hopes , and ever pre●ages , to have all their cloathes as well as his wages . what makes your broker so often to cry , sée what you lacke friend what will you buy , but that he would as his neighbours all doe , get if he could for one penny two . what makes your carrier to traverse the land , nay , what makes your souldier fight while he ran stand , but that they intend my owne déerest honey , to gaine this same paultry thing called money . what makes your footh drawer to cut off your corne , what makes your sow-gelder to wind up his horne , nay , what makes the world to do as they doe , but that they would purchase this same mony too . nay , neighbour there 's more then all these are yet , which i for brevities sake doe omit , but these i hope will very well prove , that men doe more for money then love . well neighbour guesright if this same be true , then home we will straight without more adoe , and what we intend to none we will tell , but kéepe to our selves and so fare-you well . finis . printed at london for f. cowles . frauncis new iigge, betweene frauncis a gentleman, and richard a farmer to the tune of walsingham. attowell, george. 1617 approx. 13 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a22584 stc 903 estc s112369 99847623 99847623 12665 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a22584) transcribed from: (early english books online ; image set 12665) images scanned from microfilm: (early english books, 1475-1640 ; 484:06) frauncis new iigge, betweene frauncis a gentleman, and richard a farmer to the tune of walsingham. attowell, george. 1 sheet ([1] p.) : ill. printed for i. w[right], [at london : [1617?]] a ballad; in 2 parts. imprint from colophon; printer's name and publication date suggested by stc. signed: george attowell. reproduction of the original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, -17th century. 2002-07 tcp assigned for keying and markup 2002-08 apex covantage keyed and coded from proquest page images 2002-09 mona logarbo sampled and proofread 2002-09 mona logarbo text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion frauncis new iigge , betweene frauncis a gentleman , and richard a farmer . to the tune of walsingham . besse . as i went to walsingham , to the shrine with spéed , met i with a iolly palmer , in a pilgrims weede . now god you saue you iolly palmer . fran. welcome lady gay , oft haue i sued to thée for loue . b. oft haue i said you nay . f. my loue is fixed . b. and so is mine , but not on you : for to my husband whilst i liue , i will euer be true . f. i le giue thée gold and rich array . b. which i shall buy too deare . f. nought shalt thou want : then say not nay . b. naught would you make mee i feare . what though you be a gentleman , and haue lands great store ? i will be chaste doe what you can , though i liue ne're so poore . f. thy beauty rare hath wounded mee , and pierst heart . b. your foolish loue doth trouble mee , pray you sir depart . f. then tel mee swéet wilt thou consent vnto my desire : b. and if i should , then tel me sir , what is it you require ? f. for to inioy thee as my loue . b. sir you haue a wife : therefore let your sute haue an end . f. first will i lose my life . all that i haue thou shalt commaund . b. then my l●●e you haue . f. your weaning i well vnderstand . b. i yeeld to what you craue . f. but tel mee sweet when shall i enioy my hearts delight . b. i prethee sweete heart be not coy , euen soone at night . my husband is rid ten miles from home , money to receiue : in the euening sée you come . f. til then i take my leaue . ( exit : b. thus haue i rid my hands full well of my amorous loue , and my sweet husband wil i tell , how hee doth me moue . enter richard besses husband . to the tune of the iewish dance . rich. hey doune a doune , hey doune , a doune a doune , there is neuer a lusty farmer , in all our towne : that hath more cause , to lead a merry life , then i that am married to an honest faithfull wife . b. i thanke you gentle husband , you praise mee to my face . r. i cry thee mercy , bessee , i knew thee not in place . b. beleeue me gentle husband , if you knew as much as i , the words that you haue spoken , you quickly would deny : for since you went from home , a sutor i haue had , who is so farre in loue with mee , that he is almost madde . hée le giue me gold and siluer store , and money for to spend , and i haue promis'd him therefore , to be his louing friend . r. beleeue me , gentle wife , but this makes mee to frowne , there is no gentleman nor knight , nor lord of high renowne : that shall enioy thy loue , gyrle , though he were ne're so good : before he wrong my besses so , i le spend on him my blood . and therefore tell me who it is that doth desire thy loue . b. our neighbour master francis , that often did me moue . to ●hom i gaue consent , hi● mind for to fulfill , and promis'd him this night , that he should haue his will : nay doe not frowne , good dickie , but heare me speake my minde : for thou shalt see i le warrant thee , i le vse him in his kind . for vnto thee i will be true , so long as i doe liue , i le neuer change thee for a new , nor once my mind so giue . goe you to mistrisse frauncis , and this to her declare : and will her with all speed , to my house to repaire : where shee and i le deuise some pretty knauish wile : for i haue layd the plot , her husband to beguile . make hast i pray and tarry not , for long he will not stay . r. feare not , i le tell her such a tale , shall make her come away . b. now besse bethinke thée , what thou hast to doe ▪ thy louer will come presently , and hardly will he woo : i will teach my gentleman , a tricke that he may know , i am too craftie and too wise , to be ore reached so : but héere he comes now : not a word , but fall to worke againe . she sowes f. how now swéetheart , at worke so hard ▪ b. i sir , i must take paines . f. but say , my louely sweeting , thy promise wilt thou kéepe ? shall i enioy thy loue , this night with me to sleepe ? b. my husband rid from home , heere safely may you stay . f. and i haue made my wife beleeue , i rid another way . b. goe in good sir , what ere betide , this night and lodge with mee . f. the happiest night that euer i had , thy friend still will i bee . enter mistris frauncis with richard. to the tune of bugle boe. imprinted at london for i. w. the second part of attowels new iigge . to the tune of as i went to walsingham . w i thanke you neighbour richard , for bringing me this newes : r. nay , thanke my wife that loues me so , and will not you abuse . w. but see whereas shee stands , and waiteth our return ▪ r. you must goe coole your husbands heate , that so in loue doth burne . b. now dickie welcome home , and mistris welcome hither : grieue not although you finde your husband and i together . for you shall haue your right , nor will i wrong you so : then change apparrell with me straight , and vnto him doe goe . w. for this your kind goodwill , a thousand thankes i giue : and make account i will requite this kindnesse , if i liue . b. i hope it shall not need , dick will not serue me so : i know he loues me not so ill , a ranging for to goe . r. no faith , my louely besse , first will i lose my life : before i le breake my wedlock bonds , or seeke to wrong my wife . now thinks good master frauncis , he hath thee in his bed : and makes account he is grafting of hornes vpon my head . but softly stand aside , now shall wee know his minde , and how hee would haue vsed thee , if thou hadst beene so kind . enter master francis with his owne wife , hauing a maske before her face , supposing her to be besse . to the tune of goe from my window . f. farewell my ioy and hearts delight , til next wee meete againe : thy kindnes to requite , for lodging me al night , heere 's ten pound for thy paine : and more to shew my loue to thee , weare this ring for my sake . w. without your gold or fee you shal haue more of mee . f. no doubt of that i make . w. then let your loue continue still . f. it shall til life doth end . w. your wife i greatly feare . f. for her thou needst not care ▪ so i remaine thy freind . w. but you le suspect me without cause ▪ that i am false to you : and then you le cast mee off , and make mee but a scoffe , since that i proue vntrue . f. then neuer trust man for my sake , if i proue so vnkind : so often haue you sworn , sir , since that you were borne , and soone haue changde your minde . nor wife nor life , nor goods nor lands , shall make me leaue my loue , nor any worldly treasure make me forgoe my pleasure , nor once my mind remoue . w. but soft a while , who is yonder ? doe you see my husband ? out alasse . f. and yonder is my wife , now shal we haue alife how commeth this to passe ? r. com hither gentle besse i charge thée do confesse what makes master francis heere . b. good husband pardon me , i le tel the troth to thee . r. then speake and doe not feare . f. nay , neighbour richard harke to mee , i le tel the troth to you . w. nay tell it vnto me , good sir , that i may see , what you haue here to doe . but you can make no scuse to colour this abuse , this wrong is too too great . r. good sir i take great scorne you should profer me the horne w. now must i coole this heate . f. nay neighbour richard be content , thou hast no wrong at all : thy wife hath done thee right , and pleasurde me this night . f. this frets mee to the gall . good wife forgiue me this offence , i doe repent mine ill . w. i thank you with mine hart , for playing this kind part , though sore against your will. nay gentle husband frowne not so , for you haue made amends : i thinke it is good gaine , to haue ten pound for my paine : then let vs both be friends . f. ashamed i am and know not what to say , good wife forgiue this crime : alasse i doe repent . w. tut i could be content , to be serued so many a time . f. good neighbour richard be content , i le woo thy wife no more : i haue enough of this . w. then all forgiuen is , i thanke thée dick therefore . and to thy wife i le giue this gold , i hope you le not say no : since i haue had the pleasure , let her enioy the treasure . f. good wife let it be so . b. i thank you gentle mistris . r. faith & so do i. sir , learne your owne wife to know : and shoote not in the darke , for feare you mis the marke . b. he hath paid for this i trow . all women learn of me . f. all men by me take héed how you a woman trust . w. nay women trust no men . f. and if they do : how then ? w. ther 's few of them prooue iust . farewell neighbour richard , farewell honest besse i hope wée are all friends . w. and if you stay at home , and vse not thus to rome ▪ héere all our quarrell ends . finis . george attowell . at london printed for i. w. mans felicity and misery which is, a good wife and a bad: or the best and the worst, discoursed in a dialogue betweene edmund and dauid. to the tune of i haue for all good wives a song. m. p. (martin parker), d. 1656? 1635 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a08969 stc 19253.3 estc s103582 99839333 99839333 3742 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08969) transcribed from: (early english books online ; image set 3742) images scanned from microfilm: (early english books, 1475-1640 ; 1607:19) mans felicity and misery which is, a good wife and a bad: or the best and the worst, discoursed in a dialogue betweene edmund and dauid. to the tune of i haue for all good wives a song. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for francis grove, printed at london : [ca. 1635] signed: m. p., i.e. martin parker. publication date from stc. verse "kind couzen dauid prithée stay,". in two parts; woodcut illustrations at head of each part. another edition of stc 19253, published in 1632. identified as stc 19253 on umi microfilm set "early english books, 1641-1700", reel 2123. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-01 tcp assigned for keying and markup 2006-03 apex covantage keyed and coded from proquest page images 2006-05 mona logarbo sampled and proofread 2006-05 mona logarbo text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion mans felicity and misery : which is , a good wife and a bad : or the best and the worst , discoursed in a dialogue betweene edmund and dauid . to the tune of i haue for all good wiues a song . edmund . kind couzen dauid prethée stay . good newes to thée i will bewray , since last i saw thée i am married , now things with me are better carryed , i dare say that which few men can , i haue the best wife that euer had man. dauid . i am right ioyfull couzen ned , to heare that thou so well art sped : as thou mayst thy good fortune blesse , i may curse my vnhappinesse ; my torments none on earth can scan , i haue the worst wife that euer had man. edmund . my wife for beautie beares the name . from all i' th towne from whence she came , for shape she might a lady be , and so all say that doe her sée : her middle i can easily span , o shee 's the best wife that euer had man. dauid . my wife so l●thsome is to view , she euery morning makes me spew , for person shée 's scarce good enough to try , maids ha' ye auy kitchin-stuffe : she 〈…〉 dripping pan , o she 's the worst wife that euer had man. edmund . my wife is affable and méeke , to please my fancy she doth seeke . my humour she will neuer th'wart , but d●t my will with all her heart , we vse no words but ned and nan , she is the best wife that euer had man. dauid . my wise is obstinate and froward , shée 's sullen , péeuish , and vntoward ; shée 's glad at heart when she can finde , occasion to molest my minde : shée 'l i haue her will doe what i can , o she 's the worst wife that euer had man. edmund . my wife is carefull of her charge , she neuer romes abroad at large , her businesse she will ne're neglect , but brings all things to good effect : shée 's to her babes a pelican , o shee 's the best wife that euer had man. dauid . my wife among her gossips doth gad , as though nothing to doe she had , the children goe vndrest all day , unlesse i put on their array : i ●ot faint to make what shift i can , for she 's the worst wife that euer had man. edmund . my wife's 〈◊〉 constan chastity , like lucrece or penelope : she is so wary in her carriage , that if a kisse would wrong her marriage , no one should get that fauour than , for shee 's the best wife that euer had man. dauid . my wife is full of merry tricks , she hath béene naught with fiue or sixe , if she can get me out o' th doore , ere i returne shee le play the whore , shée 'l say though i can't others can , o shee 's the worst wife that euer had man. the second part , to the same tune . edmund . my wife so cleanely is and neate , she adds a goodnesse to my meate , i eate when i no stomacke haue , because 't is done as i doe craue , in sicknesse she is my physician , for she 's the best wife that euer had man. dauid . my wife is such a beastly slut , unlesse it be an egge or a nut , i in the house dare nothing eat , for feare there 's poyson in the meate , the dogs doe licke both dish and pan , o she 's the worst wife , &c. edmund . my wife will weare no yellow hose , no wench can make her swell ith'nose , she knowes that i to her am iust , and in my faith she puts her trust ; shée le not be vext say what i can , for she 's the best , &c. dauid . if i vpon a woman looke , my wife will sweare vpon a booke , that she is certainely a whore , though i ne're saw the woman before , shee le claw her eyes out if she can , o she 's the worst , &c. edmund . my wife will neuer follow me , goe where i will , at home stayes she , though i from morne till night doe rome , she smiling bids me welcome home . this makes me haste home to my nan , for she 's the best , &c. dauid . if i vnto the ale-house goe , to drinke a iugge of béere or so , though ne're so fast i thither hye , my wife is there as soone as i : at me and my friends she 'le curse and ban , for she 's the worst , &c. edmund . if any friends come home to me , my wife giues entertainment frée , but out o th' doores she will not stirre unlesse i goe along with her , she scrapes and saues what ere she can , o she 's the best , &c. dauid . my wife will at the ale-house sit , and waste away both money and wit , nay rather then shée le liquor lacks , shée 'l sell the smocke from off her backe , shée 'l steale from me all that she can , o she 's the worst edmund . kind cousen dauid i am very sorry , to heare thée tell so sad a story , marriage and hanging now i see , goe as they say by destiny i would thou couldst say as i can , i haue the best wife , &c. dauid . i thanke you cousen for your good will , long may your blessing continue still , my crosse i must with patience beare , till god or the deuill end my care , and thus i end as i began , i haue the worst wife that euer had man. author . you wiues who haue heard this discourse now shew who 's better and who 's worse . the best will freely buy this song , the worst will shew she hath a tongue . the head 's soone broken that is scald , and iades will kicke if they be gall'd . finis . m. p. printed at london for francis groue . [a cruel cornish murder] ... to the tune of the ladies daughter / m.p. m. p. (martin parker), d. 1656? 1624 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08946 stc 19224.7 estc s5091 38160593 ocm 38160593 29261 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08946) transcribed from: (early english books online ; image set 29261) images scanned from microfilm: (early english books, 1475-1640 ; 1933:2) [a cruel cornish murder] ... to the tune of the ladies daughter / m.p. m. p. (martin parker), d. 1656? 2 leaves : ill. printed for f. coules, london : [1624] title and date of publication from stc (2nd ed.). imprint and author's initials, m.p. appear at end of right half of sheet. contains one illustration. imperfect: cut in two, severely cropped, with loss of title and text, stained, and with print show-through. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-09 tcp assigned for keying and markup 2002-10 apex covantage keyed and coded from proquest page images 2002-11 mona logarbo sampled and proofread 2002-11 mona logarbo text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion 〈…〉 for which fact he , his wife , and the other woman , were executed at lanceston , last lent assizes , 〈◊〉 in chaines neere vnto the place where the murder was done . to the tune of the ladies daughter . a cruell cornish murder , i briefely will declare , ●●t your attention further my story wondrous rare , and doe not thinke t is fayned , because it séemeth strange , what hath not satan gained , when men from god doe range ? at crowen in that county , an old blind man doth dwell , who by good peoples bounty , did liue indifferent well , by name he 's ca'ld ca 〈…〉 wall , his house stood all alone where ●●pt this déed so cruell , the like was scarce ere knowne . he had a proper damsell that liu'd with him , his daughter to whom some suiters came still , and in true wedlocke saught her , because the newes was bruited , how that the blind man would , though he were poore reputed giue forty pounds in gold . oh , thou bewitching money , what mischiefe doth thou cause , thou mak'st men dote upon thée , contrary to gods lawes . what murder is so hainous , but thou canst find out those , who willingly for gaine thus , will venter life to lose . nay often soule and body , as in this story rare , by the sufferance of god , i will punctually declare : the fame of this mans riches , a uagrant chanc't to heare , in haste his fingers itches , away the same to beare . this bloody murderous uillaine , whose fact all manhood shames , did liue long time by stealing , his name was walter iames , who with his wife , and one more yong woman , and a boy , three innocents in purple gore , did cruelly distroy . the twenty sixth of iuly , when it was almost night , these wanderers vnruly , on this lone house did light , the old blind man was then abroad , and none but his old wife , and a little girle , i th' house abode , whom they depriu'd of life , at first they ask'd for uittle : quoth she , with all my heart , although i haue but little , of that you shall haue part ; he swore he must haue money . alas , here 's none she sed ; his heart then being stony , he straight cut off her head . and then he tooke her g 〈…〉 about some seuen yéer 〈…〉 which he ( oh monster b 〈…〉 by both the héeles did 〈…〉 and beate her braines o 〈…〉 oh barbarous cruelty , 〈…〉 the like of this i neuer 〈…〉 in any history . when they those two ha 〈…〉 and tane what they de 〈…〉 like people fully filled , 〈…〉 with ioy , they sate by t 〈…〉 and tooke tobacco mer 〈…〉 without all feare or dr 〈…〉 knowing no house nor to 〈…〉 and while these two 〈…〉 in came the blind mans d 〈…〉 who had beene workin 〈…〉 and séeing such a slaught 〈…〉 she wondrously was 〈…〉 no maruell , when her b 〈…〉 lay headlesse on the floor her zeale she could not s 〈…〉 but running out o th' doo 〈…〉 his sword which lay all 〈…〉 with her she tooke , an 〈…〉 as fast as she was able , she ran to call some folk to come and sée the murd 〈…〉 but after her he stept , and ere she went much fur 〈…〉 he did her intercept . 〈…〉 ( oh stony-hearted wretch ) and into th' house he brought her : ( what sighes alas i fetch , to thinke vpon this tragedy ) for he with mischiefe stor'd , cut off her head most bloodily , with th' piece o th' broken sword. thus did thrée harmlesse innocents by one vile caitiffes hand with both the counsell and consents o th' woman of his hand : their heads and bodies laid they all very close together , and being gone a little way , they did at last consider , that if the house were burned , the murder might be hid , with that they backe returned , and as they thought , they did , setting the house on fire , which burned till next day , full many did admire , as they went on the way . these murtherers suspected that people would haue thought , those thrée i th house enclosed , vnto their deaths were brought , by accident of fire , but god did then declare his power 〈◊〉 let 's admire his wondrous workes most rare . the murdered corps remained , as if no fire had beene , their clothes with blood besmeared not burnt , as might be séene : the leg and arme o th' maiden , were only burnt in sunder , full many people said then , i th' middest of their wonder . that surely there were murdered , by some that robd them had , and presently t was ordered , that for this déed so bad , all uagrants on suspicion , should apprehended be , and in this inquisition , one happened to sée , some clothes vpon the parties , that from this house were tane and soone before a iustice , the little boy told plaine , all things before that passed : also the boy did say , iames was i th mind to kill him , lest he should all betray , they taken were at meriwicke , forty fiue miles , or more , from crowen where the murther was about a moneth before , 〈…〉 where in the iayle they lay , untill the lent assize did come , which tooke their liues away ▪ the little boy was quitted , and sent vnto the parish , where he was borne , well fitted , with clothes and food , to cherish him , as he ought with honesty and leaues his wandering trade ▪ the other thrée were 〈…〉 ' d to dye , on that which he had said . but walter iames denyed , that ere he did that act , forswearing ( till he dyed and when he dy'd ) that fact his wife at her last ending , confest the bloody guilt , so monstrously offending when so much blood was spilt . the other woman after confest more plainely all : iames tooke his death with laughter and nere to god did call : thus as he liu'd a reprobate , and did god great re 〈…〉 t , his soule w c christ bought at deare rate , in death he did neglect . he was hang'd dead at lancestone , among the rest that 〈…〉 , then carried where the déed was done ▪ and by the high-way side , he hangeth for example , in chaines now at this time , thus haue i 〈◊〉 〈◊〉 〈◊〉 discourse of this foule crime . obiection may be framed , where was the old blind man , whom i haue neuer named since when i first beganne . he was abroad i th' interim , when this mischance befell , or else the like had hapt to him , but he is liuing still , and goes about the country . to begge , as he before did vse , among the gentry , and now his néed is more . all you that are kind christians , thinke on this bloody déed ▪ and craue the lords assistance , by it to take good héed . the names of certaine 〈◊〉 men of the countrey , for confirmation of the verity of this tragicall story . iohn albon . william beauchamp . william lanyon . william randall . iohn c●s. ezekiel trenton . iohn 〈…〉 e. iohn tr 〈…〉 . finis . m. p. ●ondon printed for f. coules . the marryed mans lesson: or, a disswasion from iealousie. to the tune of, all you that will wooe a wench. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00507 stc 19254 interim tract supplement guide c.20.f.7[510] 99892216 ocm99892216 183190 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00507) transcribed from: (early english books online ; image set 183190) images scanned from microfilm: (early english books; tract supplement ; a5:1[274]) the marryed mans lesson: or, a disswasion from iealousie. to the tune of, all you that will wooe a wench. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for iohn wright, the younger, dwelling at the signe of the sunne, at the lower end of snow-hill, neere unto holborne conduit., printed at london : [1634] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "you men who are marri'd come hearken to mee ..." in two parts, separated for mounting; woodcuts at head of each part. formerly stc 17233. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the marryed mans lesson : or , adisswasion from iealousie . to the tune of , all you that will wore a wench . you men who are marri'd come hearken to mée , i 'le teach you a lesson if wise you will bée , then take my advice that 's intended for good , and so 't is if it bee but well understood : 't will cause you to shun all contention and spléene , that daily betwixt man and woman are séene , i speake against iealousie that monster fierce . and wish i could conquer the fiend with my verse , o be not thou jealous i prethee deere lad , for jelousie makes many good women bad . if thou have a good wife then i shée advise to cherish her well for shée is a rare prize , if shee bee indifferent betweene good and bad , good meanes to reforme her may easily be had : if shee vee so evill that there is few worse , imagin thy sinnes have deserved that curse , then beare with true patience thy crosse as 't is fit , and thou to a blessing thereby maist turne it . but be not , &c. betwéene these 3. winds the good , bad , & the meane , i ground the whole argument of this my theme , for in them a mans humane blisse , or his woe , doth chiefly consist as experience doth show : thus is it not counsell that 's worthy regard , which teacheth to soften a thing that is hard , and what i intend is in every mans will , to turne to a vertue what séemeth most ill . then be , &c. a wife that is good béeing beautifull , may perhapps raise suspition that shée 'l goe astray , o note the fond humours that most men possesse , they 'r neither content with the more nor the lesse , for if shée bée homely , then her hée will slight , to such neither faire , nor foule , can yéeld delight , if once hée le bée jealous the other hée scornes , there 's no greater plagues then imagined hornes . then be not , &c. a wife that 's indifferent betwéene good and ill , is shée that in huswifery shewes her good will , yet sometimes her voyce shée too much elevates , is that the occasion for which her hée hates : a soveraigne remedy for this disease , is to hold thy tongue let her say what shée please : iudge , is not this better then to fight and scratch , for silence will soonest a shrew over match . however i pray thee shun jealousie lad , for jealousie makes many good women bad . a wife that 's all bad if thy lucke bée to have , seeke not to reclaime her by making her slave , if shée bee as bad as ever frod one ground , not fighting nor jealousie will heale that wound : for marke when a river is stopt in its course , it oreflowes the bankes then the danger is worse . thy owne good example and patience with all , may her from her vices much rather recall . then be not , &c. the second part . to the same tune . a wife that is vertuous in every respect , who doth her vow'd duety at no time neglect , shaes not free from censure , for fooles their bolts shoote as oft at the head as they doe at the foote : a kisse , or a smile , or a iest , or a dance , familior discourse or an amarous glance , all these as her witnesse envy doth bring , the credit of innocent women to sting . but be not thou jealous i pray thee deare lad , for jealousie makes many good women bad . a wife that 's indifferent if curb'd over much , will grow worse & worse for their nature is such , the more thou with rigor dost séeke her to mend , the more they 'l persist and grow desperat i' th end , and thus from indifferency wanting good meanes , some wel meaning women turn impudiēt queans , if goodnesse by beating thou séek'st to infuse , for breaking her flesh thou all goodnesse dost bruse . then be not , &c. a wife at the worst ( as i told you before ) a drunkard , a swearer , a scold , théefe , or whore , by gentle perswasions , reclaimed may bee , my selfe by experience , but lately did sée : a man that with jealousie plagued had béene , when hée the last labour and trouble had séene , hée cast off his care , and referd all to 's wife , who soone left her vices and led a new life . then be not , &c. i also have knowne a wife handsome and neate , of whom her fond husband did take a conceate , that other men lov'd her because shée was faire , though on the contrary , to him shée did sweare : hée watcht her , hée ey'd her , hée noted her wayes , and once hée in 's drink , he a scandall would raise , this usage irregular set her on fier , & so from thence foreward shée provd him no lyer , then be not , &c. consider each circumstance with good regard , how oft cause lesse jelousie wins due reward , and likewise i wish thée to beare in thy brest , that patience and quietnes still is the best . for if she benought she 'le grow worse with restraint but patience may make of a harlot , a saint , if faire meanes prevaile not , thou 'lt ne're do 't by foule for méekenesse ( if any thing ) must win a soule then be not , &c. now lastly to both men and women i speake , from this foolish fancy their humors to breake , bée loving and tractable each unto other , and what is amisse let affection still smother : so shall man and wife in a simpathy swéet , at boorde , and at bed ( as they ought to doe ) méete , all fighting and scratching , and scolding shall cease , where jelousies harbord there can bée no peace . then be not thou jaelous i pray thee deare lad , for jealousie makes many good women bad . finis . m. p. printed at london for iohn wright , the younger , dwelling at the signe of the sunne , at the lower end of snow-hill , neere unto holborne conduit . the complaint of the shepheard harpalus to a pleasant new tune. murray, david, sir, 1567-1629. 1628 approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a07924 stc 18295 estc s103116 99838873 99838873 3263 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a07924) transcribed from: (early english books online ; image set 3263) images scanned from microfilm: (early english books, 1475-1640 ; 1211:13) the complaint of the shepheard harpalus to a pleasant new tune. murray, david, sir, 1567-1629. 1 sheet ([1] p.) : ill. printed by the assignes of thomas symcocke, [london] : [1628] verse "poore harpalus, opprest with loue,". signed: d.m., i.e. sir david murray. place of publication from stc [1628-1629]. woodcut illustration at head. another edition of stc 18295.4, published in 1625. issued with stc 15.5: the tragedie of phillis (1628-1629). reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-10 tcp assigned for keying and markup 2002-12 aptara keyed and coded from proquest page images 2003-01 mona logarbo sampled and proofread 2003-01 mona logarbo text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion the complaint of the shepheard harp●●us . to a pleasant new tune . poore harpalus , opprest with loue , sate by a cristall brooke : thinking his sorrowes to remoue , oft times therein to looke : and hearing how on pibble stones , the murmuring riuer ran , as if it had bewaild his grones , vnto it thus began . faire streame ( quoth he ) that pitties me , and heare my matchlesse mone , if thou be going to the sea : as i doe now suppone , attend my plaints past all reliefe , wich dolefully i breath , acquaint the sea-nymphz with the griefe ▪ which still procures my death . who sitting in the cliffie rockes , may in their songs expresse , while as they combe their golden locks , poore harpalus distresse : and so parhaps some passenger , that passeth by the way , may stay and listen for to heare them sing this dolefull lay. poore harpalus , a shepheard swaine , more rich in youth then store : lou'd faire philena , haplesse man , phulena , oh therefore . who still , remorslesse hearted maid , tooke pleasure in his paine : and his good will poore soule , repaid with vndeseru'd disdaine . nere shepheard lou'd a shepheardesse more faithfully then he : nere shepheard yet beloued lesse of shepheardesse could be . how oft did he with dying lookes , to her his woes impart ? how oft his sighs did testifie the dolour of his heart ? how oft from uallies to the hils , did he his griefe rehearse ? how oft re-ecchoed they his ills , abacke againe ( alas ? ) how oft on barkes of stately pines , of beech of holly-greene , did he ingraue in mournefull lines , the griefe he did sustaine ? yet all his plaints could haue no place , to change philenas mind : the more his sorrowes did increase , the more she prou'd vnkind : the thought thereof with wearied care , poore harpalus did moue , that ouercome with high despaire , he lost both life and loue. d. m. finis . printed by the assignes of thomas symcocke . the ioviall broome man: or, a kent street souldiers exact relation, of all his travels in every nation his famous acts are all shewne here, as in this story doth appeare. to the tune of slow men of london. crimsal, richard. this text is an enriched version of the tcp digital transcription a19006 of text s108776 in the english short title catalog (stc 5423). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a19006 stc 5423 estc s108776 99844431 99844431 9242 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19006) transcribed from: (early english books online ; image set 9242) images scanned from microfilm: (early english books, 1475-1640 ; 1627:15) the ioviall broome man: or, a kent street souldiers exact relation, of all his travels in every nation his famous acts are all shewne here, as in this story doth appeare. to the tune of slow men of london. crimsal, richard. 1 sheet ([1] p.) : ill. printed for richard harper in smithfield, london : [ca. 1640] signed at the end: r.[c.]., i.e. richard crimsal. publication date suggested by stc. verse "roome for a lad that's come from seas,". in two parts; woodcuts at head of each part. imperfect; trimmed, affecting author's initials. reproductions of the original in the british library. eng ballads, english -17th century. a19006 s108776 (stc 5423). civilwar no the ioviall broome man: or, a kent street souldiers exact relation, of all his travels in every nation, his famous acts are all shewne here, crimsal, richard 1640 643 2 0 0 0 0 0 31 c the rate of 31 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion the ioviall broome man : or , a kent street souldiers exact relation , of all his travels in every nation , his famous acts are all shewnehere , as in this story doth appeare . to the tune of slow men of london . roome for a lad that 's come from seas , hey iolly broome-man , that gladly now would take his ease , and therefore make me roome man . to france , the netherlands , denmark , spaine , hey iolly broome man , i crost the seas , and backs againe , and therefore make me roome man . yet in these countries lived i , hey iolly broome man , and see many a valiant souldier dye , and therefore give me roome man . an hundred gallants there i kil'd , hey iolly broome man . and beside a world of bloud i spild , and therefore make me roome man . in germany i tooke a towne , hey iolly broome man , i threw the walls there up side downe , and therefore make me roome man . and when that i the same had done , hey iolly broome man , i made the people all to ran , and therefore make , &c. and when the people all were gone , hey , &c. i held the towne my selfe alone , and therefore , &c , when valiant aiax fought with hector , hey , &c. i made them friends with a bowle of nectar , and therefore , &c. the second part. to the same tune . vvhen saturne warr'd against the sun , hey , &c. then through my helpe the field he won , and therefore , &c. with hercules i tost the club , hey , &c. i rol'd diogenes in a tub , and therefore , &c , when tamberlaine overcame the turke , hey , &c. i blew up thousands in a worke , and therefore , &c. when , caesars pompe i overthrew , hey , &c. then many a roman lord i slew . and therefore , &c. when the ammorites besieg'd rome wals , hey , &c. i drove them backe with fiery balls , and therefore , &c. and when the gréekes besieged troy , hey , &c. i rescued off dame hellens ioy , and therefore , &c. and when that i had won this fame , hey , &c. i was honor'd of all men for the same , and therefore , &c. at tilbury campe with captaine drake , hey , &c. i made the spanish fléet to quake , and therefore , &c. at hollands leaguer there i fought , hey , &c. but there the service prov'd too hot , and therefore , &c , then from the leaguer returned i , hey , &c. naked , hungry cold , and dry , and therefore , &c. but here i have now compast the globe , hey , &c. i am backe return'd as poore as iob , and therefore , &c. and now i am safe returned backe , hey , &c. here● to you in a cup of canary sacke , and therefore , &c. and now i am safe returned here , hey , &c. here 's to you in a cup of english bé●r● , and therefore , &c. and if my travels yeu desire to sée , hey , &c. you may buy 't for a peny heere of mée , and hereafter make me roome man . finis . r.c. london , printed for richard harper in smithfield . a delectable new ballad, intituled leader-haughs and yarow. to its own proper tune. burne, nicol. 1690 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01840 wing b5749 interim tract supplement guide c.20.f.8[572] interim tract supplement guide c.20.f.9[725] 99884815 ocm99884815 183651 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01840) transcribed from: (early english books online ; image set 183651) images scanned from microfilm: (early english books; tract supplement ; a5:2[442]; a6:1[436]) a delectable new ballad, intituled leader-haughs and yarow. to its own proper tune. burne, nicol. 1 sheet ([1] p.). s.n., [london? : 1690?] attributed to nicol burne by wing. imprint from wing. verse: "when phoebus bright the azure skies ..." includes: the vvords of burn the violer. item at a5:2[442] imperfect: trimmed and heavily stained. item at a6:1 [436], rox.iii.725 imperfect: mutilated, affecting text. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-07 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a delectable new ballad , intituled , leader-haughs and yarow . to its own proper tune . vvhen phoebvs bright , the azure skies with golden rayes enlightneth , these things sublunar he espies ; herbs trees and plants , be quick'neth ; among all those be makes his choice and gladly goes he thorow , with radiant beams , and silver streams , through leader haughs and yarow . when aries , the day and night in equal length divideth , old frosty saturn takes the flight no longer he abideth : then flora queen , with mantle green , casts off her former sorrow , and vows to dwell with caeres sell in leader haughs and yarow . pan playing on his oaten reed , with sheepherds him attending , doth here resort their flocks to feed , the hill , and haughs commending ; with bottle , bag , and staff with knag , and all singing good morrow ; they swear no fields more pleasure yields , then leader haughs and yarow . one house there stands on leader side surmounting my destr●ing , with ease rooms raie , and windows fair , like daedalus contriving : men passing by , do often say , in south it has no marrow ; it stands as fair on leader side , as new wark does on yarow , a mile below , who list to ride , they 'l heare the mavis singing , into st. leonards bank she 'l bide , sweet birks her head o'r hinging : the lint white loud , and progne proud , with tender throats and narrow , into st. leonards banks do sing as sweetly as in yarow . the lapwing lilteth o'r the lie , with nimble wings she sporteth , but vowes she 'l not come near the tree where philomel resorteth : by break of day , the lark can say , l'e bid you all good morrow , i 'le yout and yell , for i may dwell in leader haughs and yarow . parke , wanton walls , and wooden cleugh , the east and vester mainses , the forrest of lawder's fair enough , the corns are good in blansties ; where oats are fine and sold by kind , that if ye search all thorow mearns , buchan , marr , none better are , then leader haughs and yarow . in burn milne boge , and whitstead shawes , the fearful hare she haunteth , bridge haugh and broad wood shiel she knawes to the chapel wood frequenteth : yet when she irks , to kaidstie birks , she runs and sighs for sorrow , that she should leave sweet leader haughs . and cannot win to yarow . what sweeter musick would y● hear , than hourids and beigles crying the 〈…〉 for fear 〈…〉 length 〈…〉 can she borrow 〈…〉 soreles-field 〈…〉 to be at yarow 〈…〉 rival , aimer 〈…〉 for to view her , 〈…〉 begins , 〈…〉 and dike o'r seugh and syke 〈…〉 the fields all thorow , yet ends her dayes in leader haughs , and bids farewell to yarow , thou e●ington and calden knowes , where humes had once commanding , and dry grange with thy milk white ewes , 'twixt tweed and leader standing : the birds that flees through rid path trees and gladswood banks all thorow , may chant and sing , sweet leader haughs , and the bony banks of yarow . but bvrn cannot his grief asswage , while as his days endureth , to see the changes of this age , which day and time procureth ; for many a place stands in hard case . where burns were blyth beforrow , with humes that dwelt on leader side , and scots that dwelt in yarow . the words of bvrn the violer . what ? shall my viol silent be , or leave her wonted scriding ? but choise some sadder elegie , not sports and mirds deriding . it must be fame with lower strain , then it was wont beforrow , to sound the praise of leader haughs , and the bony banks of yarow . but floods has overflown the banks , the greenish haughs disgracing , and trees in voods grow thin in ranks , about the fields defacing : for waters waxes , woods do waind ; more , if i could for sorrow , in rural verse i could rehearse , of leader haughs and yarow . but sighs and sobs o'rsets my breath , sore saltish tears forth sending , all things sublunar here on earth are subject to an ending : so must my song , though some what long , yet late at even and morrow , i 'le sigh and sing , sweet leader haughs , and the bony banks of yarow . hic terminus 〈◊〉 finis . a mery nevv iigge. or, the pleasant wooing betwixt kit and pegge. to the tune of strawberry leaues make maidens faire. hamdultun, valentine. 1630 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00128 stc 12725 interim tract supplement guide c.20.f.7[236] 99884352 ocm99884352 183044 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00128) transcribed from: (early english books online ; image set 183044) images scanned from microfilm: (early english books; tract supplement ; a5:1[127]) a mery nevv iigge. or, the pleasant wooing betwixt kit and pegge. to the tune of strawberry leaues make maidens faire. hamdultun, valentine. 1 sheet ([1] p.). for h. gosson, printed at london : [ca. 1630?] signed: written by valentine hamdultun. verse: "m. vvell met faire maid ..." publication date suggested by stc. in two parts, separated for mounting, each with woodcut at head; part 2 has caption title: now here doth follow a pleasant new song betweene two young louers that lasted not long. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a mery nevv iigge . or , the pleasant wooing betwixt kit and pegge . to the tune of strawberry leaues make maidens faire . m. well met faire maid , my chiefest ioy . w. alas blinde foole , deceiu'd art thou . m. i prethee sweet peg be not so coy . w. i scorne to fancy such a cow. m. thy beauty sweet peg , hath won my heart . w. for shame leaue off thy flattery . m. from thee i never meane to part . w. good lacke how thou canst cog and lie ! m. for peggies loue poore kit will dye . w. in faith what colour then shall it be ? m. in time my constant heart will try . w. then pluck it out , that i may see . m. my life i will spend to doe thee good : w. alas good sir , that shall not need . m. for thee i will not spare my blood . w. god send your goslings well to speed . m. yet faine would i be thy wedded mate . w. alas good sir i am already sped . m. what lucke had i to come so late ? w. because thou broughtst a calfe from ●ed . m. o pitty me , sweet peg i thee pray . w. so i have done long time god wo● . m. why dost thou then my loue denay ? w. because i see thou art a sot . now here doth follow a pleasant new song betweene two young lovers that lasted not long . or , the second part , to the same tune . m. why ich haue wealth and treasure store . w. and wit as small , as small may be . m. a chaine of gold i might have worne . w. a cocks-combe fitter had it beene for thee . m. thou lo●'st the miller of the glen . w. what if i doe , what is that to thee ? m. i will bang the millers loue from him . and therefore wend , and gang with me . w. great boast small roast such brags will make : but if tom miller he were nie , he would bang thee well for peggies sake , and like a puppy make thee cry . m. yet kisse me now for my good will , and if any life thou meanst to saue . w. to giue a kisse , i thinke it best , to rid me from a prating knaue . be packing hence you rusticke clowne . m. no haste but good i hope there be . w. take heed lest that i cracke your crowne for bussing pegge so sawcily . m. nay in friendly sort now let vs part , i pray thee sweet loue so let it be . w. adue kind kit with all my heart , i am glad i am rid of the company . m. all you young men take heed by me , that vnto women set your minde . see that your louers constant be , lest you be serued in like kinde . written by valentine hamdultun . printed at london for h. gosson . the good fellowes best beloved now if you will know what that should bee, ile tell you 'tis called good ipse hee: 'tis that which some people do love in some measure, some for their profit and some for their pleasure. to the tune of blew capp. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08794 stc 19237 estc s103435 99839188 99839188 10781 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08794) transcribed from: (early english books online ; image set 10781) images scanned from microfilm: (early english books, 1475-1640 ; 1251:7) the good fellowes best beloved now if you will know what that should bee, ile tell you 'tis called good ipse hee: 'tis that which some people do love in some measure, some for their profit and some for their pleasure. to the tune of blew capp. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for iohn wright iunior, dwelling on snow hill, at the signe of the sunne, london : [1634] verse "among the nine muses if any there be". signed at end: m.p., i.e. martin parker. publication date from stc. in two parts; woodcuts at head of each part. reproductions of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 elspeth healey sampled and proofread 2007-09 elspeth healey text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the good fellowes best beloved : now if you will know what that should bee , i le tell you 't is called good ipse hee : 't is that which some people do love in some measure , some for their profit and some for their pleasure . to the tune of blew capp . among the nine muses if any there be that unto good fellowship friendly adhere , let them give asistance this time unto me , for i in this ditty intend to preferre a thing that 's beloved of rich and of poore , it is well approoved , there 's reason therefore , my due approbation shall evermore be in the commendation of good ipse hee . all sorts and conditions the high and the lowe , although not alike yet all in some measure , vnto this my theame their affection will showe , according , as they have time , stomack , or treasure : there 's few live in purely , but they now and then will sip it demurely both women and men , both marryd and simple doe joyntly agrée , to fuddle their noses with good ipse he . both lawyers & cliants that come to the terme , how e're the case goes of one thing i am sure , before any businesse can be setl'd firme , good liquor & money the meanes must procure , a taverne barre often , makes peace ere they part , canary can soften a plaintiffes hard heart , their glasses they sup off , and make merry glée , such power hath a cup of good good ipse he . the taylor coms rubbing his hāds in the morn , and calls for a cup of the but next the wall , be it of the grape or the barley corne , hée 'le drinke out his breakfast his dinner & all , hée sayes call and spare not , i le goe thorough stitch , hang pinshing i care not for being too rich : iohn black 's a good fellow , and he alowes me to make my selfe mellow with good ipse hee . the merry shoo-maker when 't is a hard frost , sayes he cannot work for his waxe it is frozen , fayth what shall we doe , let us goe to our host and make our selves merry with each a halfe dozen , with this resolution , they purpose to thrive , but ere the conclusion , that number proves five , they sing merry catches , few frades men that be , are shoo-makers matches at good ipse hee . the second part , to the same tune . the mason and bricklayars are somer birds , the winter to them is a time of vacation : then they & their laborours live on their words , unlesse ( like the ant ) they have made preparation , and yet though they have not , they ne'rethelesse thinke , tush what if we save not , must we have no drinke , wée le pawne tray and shovle , and more if néede be , our noses to fuddle with good ipse hee . grim vulcā the black-smith is chief of all trades then think you that he 'l be in drinking inferiour no truely when hée 's with his merry comrades , hée le laugh and sing ditties you never heard merrier , he cryes out hée 's hot , and still this is his note come gi 's t'other pot : héer 's a sparke in my throate , hée calls and he payes , there is no man more frée , he seldome long stayes from good ipse hee . the tanner when he comes to leaden-hall , after a hard journey wil make himselfe merry , he will have good liquor and welcome with all , the bul for good béere and the naggs-head for shery , no bargaine shall stand , but what liquor doth seale , quite throughout the land , thus most tradesmen doe deale , in taverne or alehouse most matches made be , the first word's where shall us finde good ipse hee . the london shopkéepers that cry what doe lack when they have sold wares & money have taken , they 'l give their chapman a pint o' th best sacke , the price of it out of their money abating , the proverb observing they that money take must pay all the charges , this bargaine they make , thus liquor makes all men , most friendly agrée , both lowe men and tall men , love good ipse hee . the honest plain husbādman when that he goes to fayre or to market with corne or with cattle : when he hath dispatcht he remembers his nose , how that must be arm'd as it were to a battle , then like to a gallant to drinking he falls , yet though hée 's not valiant , he payes what he calls : he scornes reputation in that base degrée , his chiefe recreation is good ipse hee . the generous servingment méeting each other as wel as their masters somtimes wil be merry , he that 's a good fellow is lov'd like a brother , with making him welcom they nere are weary hee that is a clowne , as a clowne he may goe quite thoroughout the towne , such a fellow they le know : but those that are right will in union agrée , by morn or by night at good ipse hee . in briefe thus it is which both women and men , so déerely affect that before they will lack it : they le pawne all they have nay & so now & then , gown , kirtle , or wastcoate , cloake breeches and jacket , although they want victuall if they can get chinke , bée't never so little , 't is most on 't for drinke : the rich and the begger , the bond and the frée will oftentimes swagger at good ipse hee . london printed for iohn wright iunior , dvvelling on snow hill , at the signe of the sunne . m. p. finis . love in the blossome, or, fancy in the bud containing a pretty, pleasant and delightful courtship betwixt two very young (but truly amorous) lovers, being persons of very eminent quality (at their first entrance into cupid's school) : to the tune of amarillis told her swain / j.p. playford, john, 1623-1686? 1673 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a55073 wing p2488 estc r1840 12369207 ocm 12369207 60510 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a55073) transcribed from: (early english books online ; image set 60510) images scanned from microfilm: (early english books, 1641-1700 ; 221:16) love in the blossome, or, fancy in the bud containing a pretty, pleasant and delightful courtship betwixt two very young (but truly amorous) lovers, being persons of very eminent quality (at their first entrance into cupid's school) : to the tune of amarillis told her swain / j.p. playford, john, 1623-1686? 1 sheet ([1] p.) : ill. for w. thackeray, and w. whitwood, [s.l.] : [1672 or 1673] attributed to john playford. cf. wing. imprint from wing. two columns to the page. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng love poetry, english. ballads, english -texts. broadsides -england -17th century. 2003-09 tcp assigned for keying and markup 2003-10 apex covantage keyed and coded from proquest page images 2003-11 jonathan blaney sampled and proofread 2003-11 jonathan blaney text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion love in the blossome : or , fancy in the bud. containing a pretty , pleasant and delightful courtship , betwixt two very young ( but truly amorous ) lovers , being persons of very eminent quality , ( at their first entrance into cupids school . ) to the tune of , amarillis told her swain . j. p. one summer evening fresh and fair , walking out to take the ayre , near to the court , where gallants sport , i carefully did wander , vvhereas in state , two lovers sate like hero and leander . it was under a pleasant shade , vvhere this prety couple plaid they did not fear to be betray'd nor had not yet espi'd me , to hear them prattle down i laid , and closely i did hide me . they were both of tender age , in loves affairs for to ingage , yet cupids craft ▪ with feather'd shaft had wounded them at distance , no humane art can cure the smart , in vain was their resistance . this young gallant ▪ stripling sate by his loving lady-mate , and amorously began to prate he had both time and leisure , vvith 〈◊〉 sweet , their lips did meet , vvherein they took great pleasure . she in cloth of gold did shine , and her beauty seem'd divine , i often wisht she had been mine fain would i be his taster ; but not one bit , that i could get , i was meat fit for my master . having now both time and place lovingly for to imbrace , this gallants care , was to prepare the art of love to show her : then near i stept and closely crept , and thus i heard him woe her . dearest love and lady mine , let our hearts in one combine , vvithin your brest , my soul doth rest great cupid hath betray'd me : to kill or cure , 't is in your power your captive he hath made me . at your mercy now i lie , grant me love or else i die , by virtue of your eye , dear heart in love i languish , then be not coy my only ioy but heal me of my anguish . then she made this sweet reply a stranger unto love am i , good sir forbear , let me not hear of bondage at this season : the ciprian boy shall not destroy my freedome and my reason . but if ever i should prove , subject to the god of love , methinks my mind is so inclin'd your courtship is so moving , no one but you , whom i do know , shall teach me th' art of loving . then he was quick to speak again , whilest his hopes afresh remain ; he sometimes kist , and sometimes mist according as she strugled ▪ but had they stai ▪ d , i 'me half afraid his jo●es he would ha●e doubled . now to break off their delight they saw coming in their sight another pair , both fresh and fair of spruce and amorous lovers ; and being met , they made no let but all their love discovers . then they walked hand in hand , subject all to loves command : i could not lye but up got i to see some further sport sir , 't was almost dark , when ore the park i see them p●●s to th' court sir. then i wisht that i had there such a pretty lady near to court and kiss , to hit and miss ▪ as others had been wooing ; but all in vain i might complain , for i could 〈◊〉 be doing . the maidens nay, or, i love not you. to a pleasant new tune. r. h. 1663-1674? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b03608 wing h109a interim tract supplement guide c.20.f.8[336] 99891396 ocm99891396 183475 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03608) transcribed from: (early english books online ; image set 183475) images scanned from microfilm: (early english books; tract supplement ; a5:2[266]) the maidens nay, or, i love not you. to a pleasant new tune. r. h. 1 sheet ([1] p.) : ill. (woodcuts). printed for f. coles, t. vere, and j. wright., [london] : [between 1663-1674] verse: "i spied a nymph trip over the plain ..." place and date of publication suggested by wing. in two parts. woodcut illustrations at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the maidens nay , or , i love not you . to a pleasant new tune . i spied a nymph trip over the plain , i lur'd to her , she turned again , i woo'd her as a young man should do , but her answer was , sir , i love not you . i thought she séemed in every part so lovely fram'd by natures art , her beauty soon allured me to wooe , but her answer was , sir , i love not you . i told her all the sweet of love , and whatsoever her mind might move , to entertain a lover true , but her answer was , sir , i love not you . i told her how i would her deck , her head with gold , with pearls her neck she gave a frown , and away she flew , but her answer was , sir , i love not you . not me ( sweet-heart ) o tell me why ? thou should'st my proffered love deny : to whom my heart i have vowed so true , but her answer was , sir , i love not you . my swéet and dearest love , quoth i , art thou resolv'd a maid to die ? of such a mind i know but few , but her answer was , sir , i love not you . this is the pleasant maying time , this is the pleasant golden prime , but age will come and make you to rue , that e're you said , sir , i love not you . o do not thou my suit disdain , nor make me spend my time in vain , but kindly grant a lovers due : yet still she said , sir , i love not you . fair nymph , quoth i , but grant me this , to enrich my lips with one poor kiss , i grant you that which i grant but few , yet still she said , sir , i love not you . the young man proffering then to depart it griev'd this maiden then to the heart : for having kist , o then did she rue , that e're she said , sir , i love not you . wherefore with speed she thought it best , to stay him by her kind request : whose coyness thus hath caus'd her to rue that e're she said , sir , i love not you . but now at last she did begin with gentle words to lure him in : the second part shall plainly shew , she chang'd her note of , i love not you . the second part to the same tune . kind sir , quoth she , what néeds this hast , with that a smile on him she cast , shame curb'd her long , but affection drew these word , i love no man but you . i féel the force of cupids dart so deep hath pierc'd my tender heart : believe me then for my words are true , you will i love , sir , and none but you . do not deny my proffered love , nor think that i the wanton prove : though women seldom use to wooe , yet i will love , sir , and none but you . when women love they will it hide , vntil their lover they have try'd : though i say nay , as maidens do , you will i love , sir , and none but you . here is , quoth she , my heart and hand , my constant love thou shalt command : and i do vow to be ever true , you will i love , sir , and none but you . whilst golden titan doth display his beams unto the chearful day , whilst spring the winter doth ensue , you will i love , sir , and none but you . on thee my love is fixed fast , on thee my love is firmly plac'd , for thee i 'le bid the world adieu , you will i love , sir , and none but you . if hero should leander leave , fair lucrece collatine deceive , or syrinx prove to pan untrue , yet i love you , sir , and none but you . object no former thy reply , suspect no future constancy : accept my love as a tribute due onely to you , sir , and to none but you . the young man noting well her words , this courteous answer then affords : give me thy hand , take mine in lieu : my love i grant here , and so do you . to church with speed then let us hye , in marriage bands our selves to tye : where enterchanging hands and hearts , i 'le love thee deerly till death us parts . mark well my song you maidens coy , that count true love a foolish toy : do not disdain when young men wooe , but love them freely as they love you . finis . printed for f. coles , t. vere , and j. wright . the forc'd marriage. or, vnfortunate celia. when old fools do a wooing go to those who are young-girls, they court their cruel foes, the old man sees he can't prevail with tongue, but finds t[h]at young ones, love to sport with young: he to the virgins parents makes redress, and doth the n[u]mber of his bags express; which takes away her fathers heart by stealth, he weds her not to him, but to his wealth. vvhich being done, she loaths his weak embraces, and throws herself on ruinous disgraces. tune, since celia's my foe. pope, walter, d. 1714. 1676-1685? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04784 wing p2910 interim tract supplement guide c.20.f.8[158] 99887696 ocm99887696 183339 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04784) transcribed from: (early english books online ; image set 183339) images scanned from microfilm: (early english books; tract supplement ; a5:2[130]) the forc'd marriage. or, vnfortunate celia. when old fools do a wooing go to those who are young-girls, they court their cruel foes, the old man sees he can't prevail with tongue, but finds t[h]at young ones, love to sport with young: he to the virgins parents makes redress, and doth the n[u]mber of his bags express; which takes away her fathers heart by stealth, he weds her not to him, but to his wealth. vvhich being done, she loaths his weak embraces, and throws herself on ruinous disgraces. tune, since celia's my foe. pope, walter, d. 1714. 1 sheet ([1] p.) : ill. (woodcuts). printed for e. oliver, at the golden-key on snow hill, neer the sarazens-head., [london] : [between 1676-1685] verse: "to what great distress ..." signed: by vv.p. [i.e. walter pope]. place and date of publication suggested by wing. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. man-woman relationships -early works to 1800. marriage -early works to 1800. ballads -england -17th century. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the forc'd marriage . or , vnfortunate celia . when old fools do a wooing go to those who are young-girls , they court their cruel foes , the old man sees he can't prevail with tongue , but finds t●at young ones , love to sport with young : he to the virgins parents makes redress , and doth the n●mber of his bags express ; which takes away her fathers heart-by stealth , he weds her not to him , but to his wealth . vvhich being done , she loaths his weak embraces , and throws her self on ruinous disgraces . tune since celia's my foe . , to what great distress without hopes of redress , i am brought without thought of a better success . poor celia's undone , and all joys from her gone , by her mate came ill fate , which poor she could not shun . by parents unkind , and with wealth too much blind made me marry , and miscarry , against my own mind . i lov'd one before , but they thought him too poor , they forc'd me , and divorc'd me from seeing him more . i have now got a man i must love if i can , but i fear my first dear , i must love now and than . if i chance to transgress , as i shall you may guess , you may shame me , not blame me , for not loving him less . my husband 's a sot , deform'd , and what not , all day he 's at play , with his nose o're a pot. whilst i sit at home , like a poor silly mome , still crying , and dying , ti● my dearest doth come . when my fumbler's in bed , & has laid down his head , he lies with clos'd eyes , just though he was dead . why should he repine , if i spend store of coyn , to assist whom i list , in my pleasures to joyn . my friends are all mad , if at this they grow sad , why did they forbid , him that i would have had . 't is a dangerous disease , a young woman to displease , ill matching is catching , and is seldom at ease . i care not who knows , be they friends or false foes , i 'le delight , day and night , in spight of their nose . by first love has my heart , and from him i 'le ne'r start , though i 'm wed , yet in bed , he shall have the best part . if my father do chide , and his kindnesses hide , no anger nor danger my love shall divide . my mother does know , i have oft told her so , the old sot i lov'd not when he first came to wooe . 't is a thousand to one that before i have done , i 'le deceive him , and leave him , to himself all alone . i le venture the fame , of a scandalous name , before i 'le give o're , to love one of the game . i le be happy and poor , with the man i adore , since fate makes me hate , the old fop that hath sto●e . 't was the ignorant curse , of for better , for worse , did me tye , till i die , to be true to his purse . i le venture my lot , and get free from my sot , young blood does me good , now my spirits are hot . let parents conclude , i behave myself rude , their will to fulfil , did my reason delude . let each pritty maid , who hath heard what i 've said , take care and beware , lest by force she 's betraid . let parents provide , for each daughter a bride , that nothing of loathing , their loves may divide . finis . with allowance , r. l'estrange . by vv. p. printed for e. oliver , at the golden-key on snow hill neer the sarazens-head . well met neighbour, or, a dainty discourse betwixt nell and sisse, of men that doe use their wives amisse, then all you good women their cases pitty, the cause you shall heare if you list to this ditty to the tune of ragged and torne / m.p. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription a08990 of text s1616 in the english short title catalog (stc 19281). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a08990 stc 19281 estc s1616 20236017 ocm 20236017 23884 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08990) transcribed from: (early english books online ; image set 23884) images scanned from microfilm: (early english books, 1475-1640 ; 1711:28) well met neighbour, or, a dainty discourse betwixt nell and sisse, of men that doe use their wives amisse, then all you good women their cases pitty, the cause you shall heare if you list to this ditty to the tune of ragged and torne / m.p. m. p. (martin parker), d. 1656? 1 broadside : ill. for thomas lambert, printed at london : [1640?] date of imprint suggested by stc (2nd ed.) in four columns. without music. reproduction of original in the university of glasgow. library. eng ballads, english. a08990 s1616 (stc 19281). civilwar no vvell met neighbour: or, a dainty discourse betwixt nell and sisse, of men that doe use their wives amisse. then all you good women their ca m. p 1640 1001 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2008-01 pip willcox sampled and proofread 2008-01 pip willcox text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion vvell met neighbour : or , a dainty discourse betwixt nell and sisse , of men that doe use their wives amisse : then all you good women their cases pitty , the cause you shall heare if you list to this ditty . to the tune of ragged and torne . vvhither away good neighbour , what makes you to trudge so fast ? i 'm going to margeryes labour , i 'm sent for in very great hast : yet for all this your spéed , i pray you goe softly a while , for i haue a thing in my head that will hold us talking a mile : heard you not lately of hugh , how soundly his wife he bangd , he beat her black and blew o such a rogue would be hangd . i st possible neighbour sisse , that they doe no better agrée ? nay i haue more newes then this of others as bad as he : and séeing wée both goe one way , wée'l giue to our hast some scope , though you from the labour doe stay shée l doe well enough i hope : know you not laurence the miller . o he is as good as ere twangd , his wife sayes he threatens to kill her , o such a rogue would be hangd . o fye on these dastardly knaues , for those that will beate their wiues they dare not with swords or staues méet men in the field for their liues : but if that my husband should not vse mée so well as he ought , my hands i should hardly hold for i de giue him as good as he brought : but know you not kett the baker o he is as good as ere twangd , hée threatens his wife to forsake her . o such a rogue would be hangd . why what is his reason for that ? in troth neighbour i doe not know , but when hée s drunke as a rat , then shée l act the part of a shrow : tush , that 's such a catching disease few women their silence can kéepe , let euery one say what they please but a shrew 's better then a shéepe : but know you not ralph the plummer , i hée is as good as ere twangd : he walkes with a wench euery summer o such a rogue would be hangd . what does his poore wife the meane while ? at home she doth sadly remaine , and at his returne she will smile , and louingly him entertaine : in troth then he serues her but right , but if that it were my case , the wench that hée kept but one night , should goe with no nose on her face : but know you not sam the turner , o hée is as good as ere twangd , he throws his wife i' th fire to burn her o such a rogue would be hangd . the second part , to the same tune . i pray you how happened that , what should be the cause of this strife ? a man brought a new beauer hat , vnto his next neighbours wife , and she spoke vnto her good man , to buy such another for her , which made him to curse and to ban , and thus began all the stir . but know you not franke the glouer , o he is as good as ere twangd , his wife sayes he doth not loue her , o such a rogue would be hangd . but what doe you thinke's the occasion that separates them in affection ? hée s led by a queanes perswasion to bring his poore wife in subiection , should my good man vse me thus i 'de feritt both him and his minion , to loue them that loue not us is folly in my opinion : but know you not ned the painter ? o he is as good as ere twangd , hée s turnd a great tauern haunter o such a rogue would be hangd . this séemes a great wonder to mée , and a thing which i hardly can think for lately so strict was he , that you hardly could get him to drink tush , that 's a thing commonly séene , there 's many that séeme so ciuill : in a place conuenient haue béene as bad as who 's most euill : but know you not stephen the weauer o he is as good as ere twangd , has deceiu'd my maide , now héel leaue her o such a rogue would be hangd . why neighbour i hope you but iest , has he your maid nan beguild ? t is true neighbour nell i protest , and i doubt now she will run wild : t is pitty that maids are so kind to trust them that are so fickle , for now you may well vnderstand she is left in a very bad pickle : but know you not george the felmonger o he is as good as ere twangd , he let his first wife dye for hunger , o such a rogue would be hangd . in sadnesse neighbour sisse you haue made me my time oreslip , if margery should doe amisse 't would make mée to bite my lip : and therefore in hast farewell . o margery now i come , adiew swéet neighbour nell , hush , say no more but mum . for staying from madge t is true , i confesse i deserue to be bangd : and this is all long of hugh , o such a rogue would be hangd . m. p. finis . printed at london for thomas lambert . the ill fortune of a younger brother and i wish no mans fall by such another ... : to the tune of, if i should marry a young wife / by l.w. l. w. 1660 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a46055 wing i47 estc r43276 27125792 ocm 27125792 109980 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a46055) transcribed from: (early english books online ; image set 109980) images scanned from microfilm: (early english books, 1641-1700 ; 1721:16) the ill fortune of a younger brother and i wish no mans fall by such another ... : to the tune of, if i should marry a young wife / by l.w. l. w. 1 sheet ([1] p.). printed for f. coles, t. vere, j. wright, and j. clarke, [london] : [166-?] "with allowance." contains three woodcut illustrations. reproduction of original in bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2003-09 tcp assigned for keying and markup 2003-09 aptara keyed and coded from proquest page images 2003-10 mona logarbo sampled and proofread 2003-10 mona logarbo text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion the ill fortune of a younger brother , and i wish no mans fall by such another . here in this song you may behold and find , what plagues some men receive by women-kind ; and to be married young-mens fingers itches , although they loose their doublet & breeches . to the tune of , if i should marry a young vvife . with allowance . down in a garden green , as i abroad was walking ; where i could not be seen , i heard two brothers talking ; come prethy sit down by me , and hear what i shall say : dear brother now advise me . for long time have i lived , but loath i am to marry ; for fear of my ill chusing , which makes me long to tarry : for widdows they are wearisome , maidens they be wanton ; 't is very true , god mend ' am . if i should marry a young wife , i hold it as a bliss ; if i should marry a middle-ag'd wife , i doubt she has been kist : but if i marry an old wife , that store of moneys hath ; oh , happy man then were i. if i should marry a young wife , perhaps she 's given to pride ; if i should marry a middle-ag'd wife , perhaps she has been try'd : if i should take an old wife , she 'l freeze by the fire side : both old and young attend me . how goes it now dear brother , alas how do you fare ; now you 'r quite spoil'd in marriage , consum'd with grief and care : did not i give you warning , when you bid me beware : for all this would you marry . how goes she in apparel , delights she not in pride ? no more then birds on bushes , down by the river side : she sits triming in the looking-glass , and must not be deny'd , a whole fore-noon together . how goes she in her carriage , does she not pout and lowre ? oh the devil is so busie in her , she cannot hold an hour : canst thee not tame the devi● , i say ? o it lies not in my power : for alas i cannot conjure . if i go to an ale-house , she 's there as soon as i : and strait about my ears the pots and flagons flye ; then if i see her cuckold me , i durst it not deny : was ever man so crossed ? she calls me sot and logger-head , and says i am a fool ; she keeps me in obedience , more then a boy at school ; if i go to make water , she has me by the pole , and scolds six hours after . she lugs me by the ears , and pulls me by the nose ; i stand and tremble so in fear , till i befoul my hose : i am so sore i do declare , with stripes that she me give , i wish old nick might fetch her . no man by any woman , was made so much a sot , in frosty mornings i must rise , to do i know not what : and if i do but snort a bed , kicks do fall to my lot , she is so much my master . you young-men all beware , what mate you chuse to marry ; for if you han't a care , like me you may miscarry ; for widdows they be buckseme , maidens be false and wary , i wish i 'd not took any . by l. vv. printed for f. coles , t. vere , j wright , and j. clarke . labour in vaine, or an imperfect description of love. imperfect i well call it may, for who can all loves parts display? to a dainty new tune, called ienkinson. m. p. (martin parker), d. 1656? 1636 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00502 stc 19250.5 interim tract supplement guide c.20.f.7[192] 99884308 ocm99884308 183021 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00502) transcribed from: (early english books online ; image set 183021) images scanned from microfilm: (early english books; tract supplement ; a5:1[103]) labour in vaine, or an imperfect description of love. imperfect i well call it may, for who can all loves parts display? to a dainty new tune, called ienkinson. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for thomas lambert., printed at london : [1636] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "fie vpon loue, fond loue, false loue ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion labour in vaine . or an imperfect description of love. imperfect i well call it may , for who can all loves parts display ? to a dainty new tune , called ienkinson . fie vpon loue , fond loue , false loue , great are the torments that louers endure : it is a snare , brings care , bones bare , none can a remedy for it procure : of all the afflictions that are incident to vs while we march vnder times regiment , there 's nothing to man brings so much discontent as loue vnbeloued againe . it breaketh our sleep , it distracteth the wit , it makes vs doe things that for men are vnfit : if i may but giue it a true censure on it , shall be call'd labour in vaine . loue is a fire , hot fire , fierce fire , who can abide the extremity on 't ! it burnes the reines , great pains , small gaines shall a man get after beauty to hunt : t is that which the learned by right doe name ( as i doe coniecture ) the idalean flame , jove grant that i neuer doe féele the same . so néer as i can i le refrain : yet if the blind rascall at me shall shoot , i know to withstand him it were no boot , both young men and maidens with you look to 't , for this is right labour in vain . loue is a well , déepe well , stéep well , no man can sound its profundity right : the water in 't , melts ●int sets stint both to the pesant , the lord , and the knight : it is aganipe , or helicon , it giues him inuention that erst had none : it yéelds enough matter to worke vpon for euery illiterate swaine : t is like to that water where tantalus stood , a man may be staru'd among plenty of food , i had rather taste of the coole running flood , then drink at this labour in vain . the second part , to the same tune . loue is a hill , high hill , great hill , no man ere climb'd to the top of the same : he that aspires , it tyres , with bryers it is inuironed wilde men to tame . t is that against which poore sisiphus strives to roule up a stone , which downward driues , this restlesse foyle costs many mens liues , & few by the iourney do gain : the paths are so difficult to find out , the best cosmographer his skill may doubt , t will daunt him if he thinks himselfe most stout , and this is right labour in vain . loue is a chaine , strong chaine , long chaine , he who is bound in it seldome gets free , t will hold him fast , till th'last , houre 's past , though strong as hector , or aiax he be , t is that wherewith lusty aleides bound the thrée headed cerberus , that hell-hound , when he did don plutoes power confound , and got proserpina againe . t is that where with sampson , by 'th philistims was bound to the mill where he ground like an asse : t is stronger then iron , stéele , or brasse , and this is call'd labour in vain . loue is a whéele , round whéele , swift whéele , which when t is turning none 's able to stop : in circle wise , it flyes , and hyes swiftly to bring what was lowest to 'th top : t is that which vnfortunate ixion turnes , while at his nere ending labour he mournes , the axletrée of it perpetually burnes , because it no liquor can gaine : in briefe , loue is any thing that 's without rest , a passion that boileth and scaldeth the breast , yet he who loues lou'd againe ( so all this jest ) dwelsr not at the labour in vain . m. p. finis . printed at london for thomas lambert . a godly song, entituled, a farewell to the vvorld, made by a godly christian, named thomas byll, being the parish clerke of west-felton, as he lay vpon his death-bed shewing the vanitie of the world, and his desire to be dissolued. to the tune of, fortune my foe byll, thomas. 1630 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a17422 stc 4241 estc s118574 99853781 99853781 19177 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a17422) transcribed from: (early english books online ; image set 19177) images scanned from microfilm: (early english books, 1475-1640 ; 1091:14) a godly song, entituled, a farewell to the vvorld, made by a godly christian, named thomas byll, being the parish clerke of west-felton, as he lay vpon his death-bed shewing the vanitie of the world, and his desire to be dissolued. to the tune of, fortune my foe byll, thomas. 1 sheet ([1] p.) : ill. printed [by a. mathewes] for henry gossen, london : [1630?] printer's name and suggested publication date from stc. in two parts, each with woodcuts at head; part 2 has caption: the soules petition at heauen gate; or, the second part of the clerke of west-felton, being thomas byll. verse "behold o lord a sinner in distresse,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. death songs -early works to 1800. 2006-01 tcp assigned for keying and markup 2006-01 aptara keyed and coded from proquest page images 2006-06 jonathan blaney sampled and proofread 2006-06 jonathan blaney text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion a godly song , entituled , a farewell to the vvorld , made by a godly christian , named thomas byll , being the parish clerke of west-felton , as he lay vpon his death-bed , shewing the vanitie of the world , and his desire to be dissolued . to the tune of , fortune my foe . behold o lord a sinner in distresse , whose heart is vext with inward heauinesse ; remit my sinnes my god , and mercie showe , for here i liue in griefe , perplext with woe , all flesh is frayle , and brittle like to glasse , mans life like fading flowers away doth passe , my time is come that i from hence must goe , then for sweet iesus sake lord mercy showe . the day and houre is come that i must dye , i trust my souls shall strait ascend the skye , where saints and angells euer doe reioyce , giuing him praises due with heart and voice . oh sinfull man deferre not thou the time . up iacobs ladder father let me clime , where as thy angells vp and down descend , betwixt my soule and bodie at my end . i must not die neuer to rise againe , but i must die for to be fréed from paine ; my sauiour by his death hath bought my life , to raigne with him when finisht is this strife . my earthly spirits fayle , my time is run , my face is wan , thy messenger is come , a welcome guest that welcome is to mee , to heave me hence vnto felicitie . my sun is sette , i haue not long to stay , but ere the morning i shall see a day that shall outshine the splendor of the sun , when to the holy trinity i come . me thinks i ( casting vp my dying eyes ) behold the lord in glory on the skies , with all his heauenly angells in that place , smiling with ioy to sée his chéerefull face . both king and kesar euery one must die , the stoutest heart the sting of death must trie , the rich , the poore , the aged , and the babe , when sickle comes each flower then doth fade . then world farewell , i sée all is but vaine , from dust i came , to dust i must againe , no humane pompe our life from death can stay . when time is come we must forthwith away . for worldlie pleasure is but vanitie , none can redéeme this life from death i sée , nor cresus wealth , nor alexanders fame , nor sampsons strength that could deaths fury tame our father adam he for sin did fall , which brought destruction present on us all ▪ but heauenly father thou thy sonne 〈◊〉 send , vs to redéeme his déerest blood did spend . farewell déere wife and my 〈◊〉 children 〈◊〉 for i must goe when as the lord doth call ▪ the glasse is run , my time is past away , the trumpe doth sound , i can no longer 〈◊〉 . nothing but one i in this world doe craue , that is , to bring my corp●● dead to the 〈◊〉 and angells shall my soule in safetie kéepe , whilst that my bodie in the graue doth sleepe . the bells most swéetly ringing doe i 〈◊〉 , and now sterne death with spéed approcheth 〈◊〉 but the bell towling doe i heare at last , swéet lord receiue my soule when 〈…〉 . finis . thomas byl. the soules petition at heauen gate ; or , the second part of the clerke of west-felton , being thomas byll . to the same tune . o god which framedst both the earth and skye , with speed giue eare vnto my wofull crye , receiue my soule with thée for to remaine , in angells blisse , where thou o lord dost reigne . though i against thy lawes rebelled haue , for my rebellion lord i mercie craue , remit my sinnes though i haue don amisse , for iesus sake take me into true blisse . where ioyes are euermore without an end , and heauenly quiristers the time doth spend , in singing himnes and praises to the lord , lifting vp heart and voice with one accord . oh , what a comfort is it for to sée the sacred face of such a maistie as thou o god , amongst thy angells bright , the which no mortall can behold with sight . cast me not lord out from before that face . but with thy saints grant me a dwelling place , and from thy throane , o lord doe not expell my soule , but grant that it with thée may dwell . let me with dauid beg to kéepe a doore , in that the 〈◊〉 court where ioyes are euermore , in 〈…〉 father let me sit , 〈…〉 into the fierie pit . , , , 〈…〉 , but let me enter in . i 〈…〉 i thée offended haue , 〈◊〉 am not worthy pardon for to craue , but 〈◊〉 with thée all mercy is alone , to whom my soule for mercy now is flowne . take pitty then o lord for iesus sake , into thy tabernacle my soule take : remember how thy sonne for me hath 〈◊〉 , and for my sake deathes passions did abide . he is the key the gate for to vnlock , he makes me entrance when my soule doth knock , vnto repentant soules he promise gaue , that they with him a place in heauen should haue . thou open vnto me o lord thy gate , where thou as king dost reigne in high estate , confound me not with them that wicked are , but in thy mercies let me haue a share . deale not in iustice with my soule o lord , for thou a heauie sentence thou 'lt a●●rd if sinfull soules should haue their due desert , in hells hot flame they should for euer 〈◊〉 grant that my soule may enter in true blisse , condeme me not though i haue don amisse , but let my soule with heauenly angells sing most ioyfully to thée my lord and king. for there are ioyes which euer shall endure , the waters swéet of life flow there most pure , there shall no worldly cares our minds 〈◊〉 , but there shall we remaine in truest rest . which blest inheritance o lord i pray , giue to such christian in thy righteous way● grant that we all may gaine felicitie , in heauen to dwell aboue the starrie skie . finis . london printed for henry gossen . the cruell shrow: or, the patient mans vvoe. declaring the misery, and the great paine, by his vnquiet wife he doth dayly sustaine. to the tune of cuckolds all arowe. halliarg, arthur. this text is an enriched version of the tcp digital transcription b00127 of text094 in the english short title catalog (stc 12724). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00127 stc 12724 interim tract supplement guide c.20.f.7[28] 99884189 ocm99884189 182939 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00127) transcribed from: (early english books online ; image set 182939) images scanned from microfilm: (early english books; tract supplement ; a5:1[18]) the cruell shrow: or, the patient mans vvoe. declaring the misery, and the great paine, by his vnquiet wife he doth dayly sustaine. to the tune of cuckolds all arowe. halliarg, arthur. 1 sheet ([1] p.) : ill. printed by m.p. for henry gosson on london bridge neere the gate, london, : [1640?] signed: arthur halliarg. verse: "come batchelers and maried men ..." publication date suggested by stc. reproduction of original in the british library. eng ballads, english -17th century. b00127 094 (stc 12724). civilwar no the cruell shrow: or, the patient mans vvoe. declaring the misery, and the great paine, by his vnquiet wife he doth dayly sustaine. to the t halliarg, arthur. 1640 915 3 0 0 0 0 0 33 c the rate of 33 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the cruell shrow : or , the patient mans woe . declaring the misery , and the great paine , by his vnquiet wife he doth dayly sustaine . to the tune of cuckolds all arowe . come batchelers and maried men , and listen to my song ; and i will shew you plainely then , the iniury and wrong that constantly i doe sustaine , by the vnhappy life , the which does put me to great pains , by my vnquiet wife . shée neuer linnes her bauling , her tongue it is so loud , but alwaies shee 'le be railing , and will not be contrould : for shee the briches still will weare , although it breedes my strife , if i were now a batcheler , i 'de neuer have a wife . sometime i give i' the morning , about my dayly worke . my wife she will be snorting , and in her bed shy'le lurke : vntill the chimes doe goe at eight , then she 'le beginne to wake ; her mornings draught well spiced straight to cleare her eyes she 'le take . as soone as shee is out of bed , her looking-glasse she takes , so vainely is she dayly led her mornings worke shée makes in putting on her brane atyre , that fine and costly be . whilst i worke hard in durt and mire , alacke what remedy . then she goes foorth a gossiping , amongst her owne comrades . and th●n she falls a bowling , with her merry blades : when i come from my labour hard , then shee 'le begin to scould , and calls me rogue without regard , which makes my heart ●ull cold . when i come home into my house , thinking to take my rest : then she 'le begin me to abuse , before she did but 〈◊〉 : with out you raskall , you haue béene abroad to meet your whoore : then shee takes vp a cudgels end , and breaks my head full sore . when i for quietnesse sake desire , my wife for to be still ; she will not grant what i require , but sweares shee 'le haue her will : then if i chance to heaue my hand ; straight way she 'le murder cry : then iudge all men that here doe stand , in what a case am i. the second part , to the same tune . and if a friend by chance me call , to drinke a pot of beere ; then she 'le begin to curse and brall , and fight , and scratch , and teare : and sweares vnto my worke she 'le send me straight without delay , or else with the same cudgels end , shee will me soundly pay . and if i chance to sit at meat , upon some holy day , she is so sullen she will not eate , but vexe me euer and aye : she 'le pout , and loure , and curse & bann , this is the weary life that i doe leade , poore harmelesse man , with my most dogged wife . then is not this a pitteous cause , let all men now it trie , and giue their verdits by the lawes , betweene my wife and i , and judge the cause , who is to blame , i le to their iudgement stand , and be contented with the same , and put thereto my hand . if i abroad goe anywhere , my businesse for to doe , then will my wife a●o●e be there , for to encrease my woe : straight way she such a noise wil make , with her most wicked tongue , that all her mates her part to take , about me soone will thronge . thus am i now tormented still , with my most cruell wife , all through her wicked tongue so ill , i am weary of my life : i know not truely what to doe , nor how my selfe to mend ; this lingring life doth bréede my woe , i would t were at an ende o that some harmelesse honest man , whom death did so befriend , to take his wife from of his hand , his sorrowes for to end : would change with me to rid my care , and take my wife aliue , for his dead wife vnto his share , then i would hope to thriue . but so it likely will not be , that is the worst of all , for to encrease my dayly woe , and for to bréed my fall . my wife is still most froward bent , such is my lucklesse fate , there is no man will be content , with my vnhappy state . thus to conclude and make an ende , of these my verses rude , i pray all wiues for to amende , and with peace to be endude : take warning all men by the life , that i sustained long , be carefull how you 'le chuse a wife , and so i le ende my song . finis . arthur halliarg . london , printed by m. p. for henry gosson on london bridge neere the gate . flora's farewel: or, the shepherds love passion song. wherein he doth greatly complain because his love was spent in vain; to a delicate tune; or, a thousand times my love commend. 1695 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04813 wing p3365 interim tract supplement guide c.20.f.8[160] 99884793 ocm99884793 183340 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04813) transcribed from: (early english books online ; image set 183340) images scanned from microfilm: (early english books; tract supplement ; a5:2[131]) flora's farewel: or, the shepherds love passion song. wherein he doth greatly complain because his love was spent in vain; to a delicate tune; or, a thousand times my love commend. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts). printed for a. milbourn, w. onley, and t. thackeray, at the angel in duck-lane, [london] : [1695] attributed to laurence price by wing. place and date of publication suggested by wing. includes: "the second part to the same tune." and "fair flora's answer to the shepherd's song, vverein she shows that he hath done the wrong.". printed in four columns with woodcuts at head of first two. verse: "flora farewel, i needs must go ..." trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion flora's farewel : or , the shepherds love passion song . wherein he doth greatly complain because his love was spent in vain . to a delicate tune ; or , a thous●nd t●mes my love commend . flora farewel , i needs must go , for if with thee i longer stay , thine eyes prevail over me so , i shall grow blind and loose my way . fame of thy beauty and thy fame , to seek for love me hither brought , but when in thee i found no truth , it was no boot for me to stay . now i●m ingag'd by word and oath , a servant to anothers will , yet for thy sake would forgo both , wouldst thou be sure to love me still . but what assurance can i have , of thee who seeing my abuse , in that which love desires to crave , may leave me with a just excuse . for thou must say , 't was not thy fault , th●t thou didst so unconstant prove , thou wert by mine example caught , to break thy oath and leave thy love. no flora , no , i will recall the former words which i have spoke , and thou shalt have no cause at all , to hamper me in cupids yoak . but since thy honour is to range , and that thou bear'st a wavering mind , like to the moon with thee i l'e change . and turn i can with every wind . hence forth blind fancy i 'le remove , and cast all sorrow from my heart , young men to dye for doting love , i hold it but a foolish part . the second part to the same tune . why should i to one love be bound , and fix my thoughts on none but thee when as a thousand may be found , that 's far more fair and fit for me . though i am but a shepherd swain , my mind to me doth comfort bring , feeding my flock upon a plain , i triumph like a petty king. no female rat shall me deceive , nor catch me by a crafty wild , though i do love , yet i can leave , and will no longer be beguil'd . flora , once more , farewel adieu , i so conclude my passion song : to thy next love see that thou prove true , for thou hast done me double wrong . fair flora's answer to the shepherds song , vvherein she shows that he hath done the wrong fye shepherd , fye thou are to blame , to rail against me in this sort , thou dost di●grace a sweet-hearts name , to give thy love & false report . there was a proverb used of old , and now i find it is no lye , one tale is good till another's told , she that loves most is least set by . a brief description i will tell , of thy favour , love and flattery ; and how at first thou didst excel , with cunning tricks and pollicy . but o that flattering tongue of thine , and tempting eye fought to entice , and to ensnare the heart of mine , and bring me in fools paradice . vvhen thou at first began to vvooe , and with thy skill my patience try'd ; you thought there was no more to do , but presently to up and ride . thou said'st that i was fair and bright , and fitting for thy marriage bed ; thou fed'st my fancy with delight , thinking to have my maiden-head : but when thou saw'st thou could'st not get the jem that thou distrest to have , by company thou didst refrain , like to a false dissembling knave . where by i answered thus and said , to shun the cause of further strife ; i would contain my self a maid , until such time i was made a wife . and since you my mind have crost , you may bestow you as you will , shepherd farewel , there 's nothing lost , i am resolv'd to say so still . blind cupid with his wounding dart , could never make me sorrow feel , i 'le not lay that unto my heart . as others shake off with their heel . printed for a. milbourn , w. onley , and t. thackeray , at the angel in duck-lane a lamentable relation of a fearfull fight at sea, upon our english coast, between the spaniard and the hollander who after their first meeting and fight which was on friday the sixt of september last past, and the finall fight on friday being the eleventh of october following, the event whereof you may hear in this following ditty : to the tune of, let us to the wars againe / by martin parkin. m. p. (martin parker), d. 1656? 1639 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08965 stc 19250.7 estc s1615 20235983 ocm 20235983 23883 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08965) transcribed from: (early english books online ; image set 23883) images scanned from microfilm: (early english books, 1475-1640 ; 1711:27) a lamentable relation of a fearfull fight at sea, upon our english coast, between the spaniard and the hollander who after their first meeting and fight which was on friday the sixt of september last past, and the finall fight on friday being the eleventh of october following, the event whereof you may hear in this following ditty : to the tune of, let us to the wars againe / by martin parkin. m. p. (martin parker), d. 1656? 1 broadside. by m.f. for tho. lambert, printed at london : [1639] attributed to martin parker by stc (2nd ed.). date of imprint suggested by stc (2nd ed.) in double columns. without music. reproduction of original in the national library of scotland. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. spain -history, naval. netherlands -history, naval. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a lamentable relation of a fearfull fight at sea , upon our english coast , between the spaniard and the hollander , who after their first meeting and fight which was on friday the sixt of septembr last past : and the finall fight on friday being the eleventh of october following : the event whereof you may hear in this following ditty . to the tune of , let us to the wars againe . in every place where men did meet , the talk was of the spanish fleet , which the stout dutchmen with great boast , besieg'd upon our english coast : now every severall expectation is satisfi'd by this relation . great pitie t is that any pen should note such hate twixt christian men . it was a pittifull conclusion , of christian bloud so much effusion , that who the storie reads or hears , if he can scape the shedding tears , t is what the writter could not misse , when he the storie wrote of this . great pitie this that any pen , should note such hate twixt christian men . this spanish navie ( as t is said ) to th'cardinall infanto's aid , was carrying men and money store , hoping to land on flanders shore : but their intention now is voide , the dutch hath them almost destroy'd . great pitie t is that any pen , should note such hate tvvixt christian men . the hollender who long hath been against the spaniard armde with spléene , waits all occasions that he may , to circumvent him any way , as now for him he laid a traine to catch him far enough from spaine . great pitie t is that any pen , should note such hate tvvixt christan men . the spaniards being pestered sore , with what they could have wisht on shore , unarmed men for sea unfit , few of them being preparde for it , and lying long on our cold clime , many were thrown ore board that time : great pitie t is that any pen should note such hate tvvixt christian men . the hollender with fresh supply , insulteth ore his enemie , vowing the totall overthrow of th'spanish navie at one blow . to say the truth their odds was much ; fourescore spaniards , sixscore dutch. great pitie t is that any pen , &c. on friday morning that sad time , this bloudy battell was in prime , the stately admirall of spaine , weigh'd anchor , and put forth to th' main , the hollend admirall did the like , one did against another strike . great pitie t is that any pen should note such hate tvvixt christian men . a certain space they did abide , fighting all stoutly on each side , so that the ordinance of the dutch , hath lower deale spoild very much . out of the town the people fled , yet many cattle were struck dead . great pitie t is that any pen should note such hate tvvixt christian men . at last the spanish navie stout , ( orecome with force ) was put to rout , and of their ships full twentie foure , were gravelled on our english shore , at dover and at other ports , where ships for saftie oft resorts . great pitie t is that any pen should note such hate twixt christian men . eight of the spanish ships that day were burnt and utterly cast away , the admirall when he did see his ship perforce must taken be , he with a manly resolution , set it on fire in the conclusion . great pitie t is that any pen should note snch hate tvvixt christian men . it was a spictacle of woe , ( grant lord that time the like nere show ) to sée men from a fired ship . how they out of the port-holes scip , each one pronouncing this good word , have mercy on my soule o lord. great pitie t is that any pen should note such hate tvvixt christian men . what losse the hollander hath had , was not in this relation sad , mentiond at all , but at the last , will bring to memorie things forepast , but certainly we may coniecture , that canons preach a bloudy lecture . great pitie t is that any pen should note such hate tvvixt christian men . a thousand men or rather more , are of the spaniards swom on shore , at dover , deal , and waymouth , they are living all this present day , this was the fiercest fight at sea , that hath been fought this many a day . great pitie t is that any pen should note such hate tvvixt christian men . a multitude the sea cast up , which all had tasted of deaths cup , some without heads , some wanting armes , some legs , all shewing what great harmes proceed from that inveterate spléene , which hath long time inventing been . great pitie t is that any pen , &c. i oft have heard that winters thunder , to us produceth sommers wonder , the fourteenth of ianuary last , thunder and lightnings made us agast , and now this thundring on the main , hapt on our coast'twixt holland and spain great pitie t is that any pen , &c. o that all christians would accord , to fight the battell of our lord , against the infidel and turke , that upon our dissention worke , he counts it a most politicke matter , alwayes to fish in troubled water . but god grant peace , and right all vvrongs , by giving right , vvhere right belongs . finis . by martin parkin . printed at london by m. f. for tho. lambert . a looking-glass for a bad husband: or, a caveat for a spend-thrift. you that are guilty of that sinful crime of drunkenness, strive for to leave it off in time: lay up your money, do not it vainly spend; for in your greatest need, it will be your best friend. endeavour in your youth, left in old age you want; for when the poverty doth come, friends will be scant. to the tune of, the poor man's comfort: or, digby. / by t.l. lanfiere, thomas. 1670-1677? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04279 wing l360 interim tract supplement guide ebb65h[157] 99887198 ocm99887198 181906 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04279) transcribed from: (early english books online ; image set 181906) images scanned from microfilm: (early english books; tract supplement ; a2:3[157]) a looking-glass for a bad husband: or, a caveat for a spend-thrift. you that are guilty of that sinful crime of drunkenness, strive for to leave it off in time: lay up your money, do not it vainly spend; for in your greatest need, it will be your best friend. endeavour in your youth, left in old age you want; for when the poverty doth come, friends will be scant. to the tune of, the poor man's comfort: or, digby. / by t.l. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for vv[illiam]. thackeray, t[homas]. passenger, and vv[illiam]. vvhitwood., london, : [between 1670-1677] verse: "you that are bad husbands ..." date, place of publication and publisher's names from wing cd-rom, 1996. attributed to thomas lanfiere. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 megan marion sampled and proofread 2008-12 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a looking-glass for a bad husband : or , a caveat for a spend-thrist . you that are guilty of that sinful crime of drunkenness , strive for to leave it off in time : lay up your money , do not it vainly spend ; for in your greatest need , it will be your , best friend . endeavour in your youth , lest in old age you want ; for when that poverty doth come , friends will be scant . by t. l. to the tune of , the , poor man's comfort : or , digby . you that are bad husbands i pray you draw near , good counsel here 's for you , if you will give ear : then observe it rightly , and bear it in mind , a great deal of benefit in it you 'l find . here you may learn how to live gallant and brave , if you will endeavour for to get and save . then take care how in idle your mony you spend , for in time of need it will be your best friend . you see that the times are very hard grown , trading it is dead both in country and town : if a man he han't where withal him to maintain , to make his complaint it is all but in vain . for money is scarce , and charity 's cold : then save some-thing in youth against you are old , then take care , &c. now you that intend good husbands to be , observe well this rule in every degree : if you do get money don't spend it in wast , for when it is gone , you will want it last . to be careful and loving , you must always strive , o that is the right ready way for to thrive , then take care how in wast thou dost thy money spend , for in time of need it will be thy best friend . first at thy imployment and work be not slack . to get food for the belly , and cloaths for the back . when then thou half got money , don't spend it in vain : but keep it and save it , thy charge to maintain . take care and refrain from all bad company : for that is the high way unto poverty . then take care how in wast thou dost thy mony spend , for in time of need it will be thy best friend . refrain from the ale-house , and dont it frequent : to be thrifty and careful let thy mind be bent . but if thou dost chance with a friend for to méet , with a flaggon or two thou then maist him greet : and when thou hast done , then to work again fall : some thing hath some favour , though it be but small . then take , &c. if that thou art blest with a good careful wife , be loving unto her all dayes of thy life . if she gives thee good counsel , do not it refrain , thoult find at the last it will be for thy gain . shun the company of harlots , for they 'l thee betray , and bring both thy body and soul to decay . then take &c. also unto gameing do not thy self use , to hazard thy money , in danger to lose . for many by gaming confounds their estate , and then they repent it , when it is too late . such idle course besure always defye , endeavour for to follow good husbandry . then take &c. but some there be that will at an ale-house sit , and waste away credit , doth money and wit : vntil they have spent all , they will nere quiet rest , but makes themselves worser then is any beast . so they can have their fill of strong drink , they don't care tho she belly and back do go empty and bare . then take &c. i heard of a prodigal swaggering young heir , who spent six hundred pound in less than two year : he capor d and vapor'd , and took his delight ; he ranted in taverns both day and night : but when all his gold it was wasted and gone , o then he was slighted by every one . then take &c. and thus you may see that bad husbandry will bring a man at last unto beggary . for those that are spend-thrifts , alwayes thred-bare be , vvith their cloaths all torn , a sad fight for to see : but those that are careful their mony to save , they doth maintain their family gallant and brave . then take &c. to conclude , i advise all good fellows that are in time , of the main chance for to have a care . take heed , and be saving of that which thou haft , it is not good in plenty for to make waste . remember this proverb , and bear it in mind , vvhen poverty comes , friendship is hard to find . then take care how in wast thou dost thy money spend , for in time of need it will be thy best friend . finis . london printed for vv. thackeray , t. passenger and vv. vvhitwood . , , tobia's advice, or, a remedy for a ranting young-man. vvhile you are single you take but little care, therefore i say better you married were, perhaps there's some at this will make a jest, but i say still a married life is best. therefore young-men take this advice of me better take one than run to two or three. tune of, daniel cooper. / by tobias bowne. bowne, tobias. 1670-1696? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01741 wing b3896 interim tract supplement guide ebb65h[102] interim tract supplement guide c.20.f.8[451] 99887308 ocm99887308 183564 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01741) transcribed from: (early english books online ; image set 183564) images scanned from microfilm: (early english books; tract supplement ; a2:4[102]; a5:2[355]) tobia's advice, or, a remedy for a ranting young-man. vvhile you are single you take but little care, therefore i say better you married were, perhaps there's some at this will make a jest, but i say still a married life is best. therefore young-men take this advice of me better take one than run to two or three. tune of, daniel cooper. / by tobias bowne. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby in py-corner., [london] : [between 1670-1696] date and place of publication suggested by wing. verse: "on [sic] may morning as i walkt forth ..." item at a5:2[355] trimmed. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion tobia's advice , or , a remedy for a ranting young-man . vvhile you are single you take but little care , therefore i say better you married were , perhaps there 's some at this will make a jest , but i say still a married life is best . therefore young-men take this advice of me better take one than run to two or three . tune of , daniel cooper . by tobias bowne . on may morning as i walkt forth , i to my self was musing ; though● i what a fool am i intruth that i so long am chusing , for maids enough are to be had , i to my self was thinking , sure i will have one good or bad , to keep me out of drinking . yet some there be have said to me , a single life is gallant ; but where is he that i can see that lays up any talant ? they 'l say we 'l live so all our life , for marriage we 'l prevent it ; but where is he without a wife that can live well contented . for marriage is a thing ordain'd and what man can deny it ? if my true-love doth constant prove , i am resolv'd to try it : he that doth live a single life , i count a simple action , but if you get a loving wife , that will be satisfaction . i pray observe what i do speak , you 'l say these lines are witty ; how many hearts you cause to break in country , town and city , and then you think to cast it off , and turns it to a laughter ; you think that you do well enough , but pray mark what comes after . when i was young i did the like , then i was brisk and bonny ; sometimes walk abroad all night , and so spent all my money , but now i see it's vanity , i 'le strive for to prevent it , i 'le go no more to seek a whore , i 'm with my wife contented . all you stand by i ask you why that marriage should be slighted ; sure you may say as well as i youngmen are over-sighted : but here you run and there you run , and count your selves brave fellows , but if that one you had at home , she 'd keep you from the alehouse . a youngman said that he would wed but he aim'd at promotion ; he fain would have a wife in bed , but not without a portion : i call'd him fool unto his face , i did not like his speeches ; said i , take thou a virtuous lass , she 's better far than riches . if once you get a loving mate , and you abroad are ranting , you 'l think why shall i stay out late , my wife she finds me wanting ; i will haste home unto my choice , she shall not for me tarry : and if you will take my advice , i think it good to marry . and then you may live happily be but a little thrifty ; sure if you spend your time away till you do mount to fifty , and then a wife you chance to have , you may become a father ; you 'l say what money might i have sav'd , had i been married rather . and so i bid you all adieu , i hope you don't deny me , i do not speak to you or you , but all that stand here by me , it 's but a penny once your life , the ballad's ready for ye ; and so i wish you a good wife when that you chance to marry . printed for p. brooksby in py-corner . the cooper of norfolke, or, a pretty jest of a brewer and the coopers wife and how the cooper served the brewer in his kinde : to the tune of the wiving age. m. p. (martin parker), d. 1656? 1627 approx. 10 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a72981 stc 19223.5 estc s5217 39960678 ocm 39960678 150518 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a72981) transcribed from: (early english books online ; image set 150518) images scanned from microfilm: (early english books, 1475-1640 ; 1950:14) the cooper of norfolke, or, a pretty jest of a brewer and the coopers wife and how the cooper served the brewer in his kinde : to the tune of the wiving age. m. p. (martin parker), d. 1656? 2 leaves : ill. m. flesher, [london : ca. 1627] attributed to martin parker by stc (2nd ed.). imprint information from stc (2nd ed.). single sheet cut in two parts. right half contains "the second part. to the same tune." contains three cuts. imperfect: cropped, with loss of imprint. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the cooper of norfolke : or , a pretty iest of a brewer , and the coopers wife : and how the cooper served the brewer in his kinde . to the tune of the wiving age . attend my masters , and listen well vnto this my ditty , which briefly doth tell of a fine mery iest which in norfolke befell a braue lusty cooper in that county did dwell , and there he cride worke for a cooper , maids ha'y any worke for a cooper . this cooper he had a faire creature to 's wife which a brewer ith'towne lou'd as deare as his life , and she had a tricke , which in some wiues is rife , she still kept a sheath for another mans knife , and often conuted the cooper , while he cri'd , more worke for a cooper . it hapen'd one morning the cooper out w●nt , to worke for his liuing it was his intent , he trusted his house to his wiues gouernment , and left her in bed to her owne hearts content , while he cri'd , what worke for a cooper , maids ha'y any worke for a cooper . and as the cooper was passing a long , stil trying and calling his old wonted song , the brewer , his riuall , both lusty and yong , ●id thinke now or neuer to doe him same wrong , and lie with the wife of the cooper , who better lou'd him then the cooper , so calling the cooper , he to him did say , goe home to my house , and make no delay , i haue so much worke as thou canst doe to day , what euer thou earnest , ●le bountifully pay , these tydings well pleased the cooper , oh this was braue newes for the cooper . away went the cooper to th' house of the brewer , who séeing him hard at his worke to endure , thought he , now for this day the cooper is sure , i le goe to his wife the gréene sickenesse to cure , take heed of your fo●e-head , good cooper . for now i must worke for the cooper . so strait waies he went to the coopers dwelling , the good wife to giue entertainment was willing : the brewer & she like to pigeons were billing , & what they did else they haue bound me from telling● he pleased the wife or the cooper , who better lou'd him then the cooper . but marke how it happened now at the last , their sun-shine of pleasures was soone ouer-cast , the cooper did lacke one of 's tooles , and in hast , he came home to fetch it , and found the doore fast : wife , open the doore , quoth the cooper , and let thy husband the cooper . now when the good-wife and the brewer did heare , the cooper at doore , affrighted they were , the brewer was in such a bodily feare , that for to hide himselfe , he knew not where , to shun the fierce rage of the cooper , he thought he should die by the cooper . the good wife perceiuing his woefull estate , she hauing a subtill and politicke pate , she suddenly whelm'd downe a great brewing fat , and closely she couer'd the brewer with that , then after she let in the cooper , what 's vnder this tub , quoth the cooper , the second part , to the same tune . she hearing her husband that question demaund , she thought it was time to her tackling to stand , take heed how you moue it , qd . she , with your hand , for there 's a liue pig , was left by a friend , oh let it alone good cooper , thus she thought to coozen the cooper . it is a sow pig the cooper did say , let me ha' it to my supper : the good-wife said nay . it is sir a bore pig , quoth she , by my fay , t is for mine owne dyet , t was giuen me to day . it is not for you iohn cooper , then let it alone iohn cooper . i would it were in thy belly , quoth iohn , indéed then quoth she so it shall be anon , what ere become of it , faith thou shalt haue none , why standst thou here prating , i prethée be gone , make haste to thy worke iohn cooper , worse meate 's good enough for a cooper . cannot a good-wife haue a bit now and than , but there must be notice tane by the good man , i le ha' it to my dinner sir , doe what you can , it may be i long to haue all or none , then prethee content thee good cooper , oh goe to thy worke iohn cooper . the cooper mistrusted some knauery to be , hid vnder the brewing fat , and therefore he was fully resolued for his mindes sake to sée , alas said the brewer then woe be to me , oh what shall i say to the cooper , i vvould i vvere gone from the cooper . you whore quoth the cooper , is this your bore pig ? he has béene well fed , for hée s growne very big , i le eyther of him haue an arme or a leg , i le make him vnable his taile for to wrig . before he gets hence from iohn cooper , i le make him remember the cooper . oh pardon me neighbour the brèwer did say , and for the offence i haue done thée this day , i am well contented , thy wrath to allay , and make restitution for this my foule play , oh prethee forgiue me iohn cooper , and i le be a friend to iohn cooper . if for this offence thou wilt set me cleare , my bounty and loue to thée shall appeare , i le fréely allow thée and thine all the y●●re , as much as yee 'll drinke , eyther strong al 's or ●●●re , then prethee forgiue me iohn cooper , accept of my profer iohn cooper . oh , no , quoth the cooper , i le haue thée to thinke , that i with my labour can buy my selfe drinke , i le geld thée , or lame thée , ere from me thou shrinke , these words made the brewer with feare for to stincke , he feared the rage of the cooper , yet still he intreated the cooper . the cooper by no meanes would let goe his hold , the brewer cri'd out to the cooper and told him , there was the key of his siluer and gold , and gaue him frée leaue to fetch what he would , oh then he contented the cooper these tydings well pleased the cooper . if thou quoth the cooper , wilt sweare with and oath , to doe all thou telst me , although i am loath , i will be contented to pardon you both : content , quoth the brewer , i will be my troth , here take thou my key , iohn cooper , yea , with a good will , quoth the cooper . on this condition they both went their way , both iohn and the brewer , but iohn kept the key , which open'd the coffer where more money lay , then iohn the cooper had made many a day : this is a braue sight thought the cooper , i le furnish my selfe thought the cooper . iohn was so farre in affection with that , that he tooke vp handfuls and filled his hat , i wil haue my bargaine quoth iohn , that is flat , the brewer shall pay well for vsing my fat ; i le cry no more worke for a cooper , farewell to the trade of a cooper , thus money can pacifie the greatest strife , for iohn neuer after found fault with his wife , he left off his adz , his saw and his knife , and after liu'd richly all dayes of his life , he cri'd no more worke for a cooper , oh he left off the trade of a cooper . and in his mer●y mood , oft he would say , if that i had hoopt twenty t●●● in one day , i should not haue got so much wealth , by my say , gr●●●ercy kind wife , for thy wit found the wa● , to make a rich man of iohn cooper , oh what a good wife has iohn cooper , let no marri'd couple that heare this tale told , be of the opinion this couple did hold , to sell reputation for siluer or gold , for credit and honestie should not be sold , thus endeth the song of the cooper , that cri'd ha'y any worke for a cooper . finis . the kind hearted creature: or the prettest [sic] iest that er'e you knew yet il'e say nothing but what is true: i once heard of a cunning whore, but ner'e the like of this before. to the tune of the mother beguiled the daughter. crimsal, richard. 1630 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-10 (eebo-tcp phase 1). a19007 stc 5425 estc s117513 99852726 99852726 18067 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19007) transcribed from: (early english books online ; image set 18067) images scanned from microfilm: (early english books, 1475-1640 ; 1230:14) the kind hearted creature: or the prettest [sic] iest that er'e you knew yet il'e say nothing but what is true: i once heard of a cunning whore, but ner'e the like of this before. to the tune of the mother beguiled the daughter. crimsal, richard. 1 sheet ([1] p. printed [by a. mathewes] for f. coules, london : [1630?] verse "al you that are disposed now,". signed at end: r.c. printer's name from and publication date conjectured by stc. in two parts; woodcut illustrations at head of each part. a ballad. reproduction of the original in the british library. author's name sometimes given as richard climsell. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-07 tcp assigned for keying and markup 2006-08 apex covantage keyed and coded from proquest page images 2006-09 jason colman sampled and proofread 2006-09 jason colman text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion the kind hearted creature : or , the prettest iest that er'e you knew , yet i l'e say nothing but what is true : i once heard of a cunning whore , but ner'e the like of this before . to the tune of the mother beguiled the daughter : al you that are disposed now , to heare a merry iest , by me shall be disclosed how , a bonny lasse confest , that she had loued one or two , nay two or three and twenty , i cannot tell what they did doe , but she had louers plenty , sing boyes , drinke boyes , why should we not be merry : i 'le tell you of a bonny lasse , and her loue beyond the ferry . this bonuy lasse had caught a clap it seemes by some young shauer , she being match with such mishap the ladds began to leaue her , though she will of their company , some one made sure his bargaine but she was lou'd of so many , that it is worth regarding . yet she will sing , and alwayes say drinke round and let 's be meny , i haue a loue in lankeshire , and a litle beyond the ferry . she now being called to account , for to discribe aright , what young-man was the faster on 't and her owne hearts delight but she could not resolue the same , because there was so many , she knew not 's trade nor yet his name , for she was frée for any . sing boyes , &c. quoth she and if it haue a booke , then t was the man it 'h gowne , or other-wayes an 't haue a hooke , t was the shéephard on the down , or if it haue a whip in 's hand : then sure it was a carter , or if it cannot goe nor stand , i thinke t was drunken artor . sing boyes , &c. and if it haue a new fash'on , t was one came out of france , and if it be a musician : t was one taught me to dance , and if in 's hand a néedle be , then sure it was a taylor . or if it chance to crosse the sea , i thinke it was a saylor . sing boyes , drinke boyes , why should we not be merry , i haue a loue in lankeshire , and a litle beyond the ferry . the second part to the same tune . and if it haue a hammer , then sure a smith was he , and if it be full of maner , t was one of good degrée , or if it haue a shuttle , a weauer sure was he then , and if that it be wise and sutle , t was one of the baylifes yong-men . sing boyes &c. and if it haue a long locke , a courtier sure was he , and if it be a prety cocke , then that was william he , and if it haue a shooe in 's hand , it was the boone shoomaker , or if it haue a durty hand , t was sure a donghill raker . sing boyes &c. and if it haue a kettle , then sure he was a tinker : and if it be full of mettle , t was sure a good ale-drinker and if that it be gresie , then sure it was a butcher : and if that it be lowsie , then sure it was a botcher . sing boyes , &c. and if in s hand a flower be , a gardner was the man sure , and if it loue to take a fee , i thinke t was the pariture : and if it be in a gowne of gray , t was one that liues i th country , and if that it be fresh and gay , t was one the common gentry . sing boyes , &c. and if it haue a pen in s hand , then sure it was a scrivner , and if ith the tauern he loue to stand then sure it was a vintner : and if it haue a drowsie eye , t was him that they call sléeper , and if with bromes and hornes he cry t was sure the chimney-sweeper . sing boyes , &c. and if in s hand he haue a bunne , then sure it was a baker , and if he loue to drinke i th tunne , t was then the good alemaker : and if he loue to ride a horse , i thinke it was an ostler , or else it t was the man o th crosse , that was a valiant wrastler . sing boyes , &c. and if it haue a mealy face , t was him that grines the corne , and if a long note be in place , t is him that windes the horne , and many more i here might name , which lou'd me once most dearely , but that indéed it is a shame , for enough is shewen hereby . sing boyes &c. now all the hope i haue is this , my barne must haue a father , and i confesse i did amisse , would i had repented rather , yet ther 's a youngman loues me wel but i could nere abide him , i know of me hel 'e haue no feare , though many will deride him , sing boyes &c. r. c. london printed for f. coules . luke huttons lamentation: which he wrote the day before his death, being condemned to be hanged at yorke for his robberies and trespasses committed there-about. to the tune of wandring and wavering.. hutton, luke, d. 1596. this text is an enriched version of the tcp digital transcription b00199 of text s93101 in the english short title catalog (stc 14032.5). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00199 stc 14032.5 estc s93101 54532375 ocm 54532375 180806 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00199) transcribed from: (early english books online ; image set 180806) images scanned from microfilm: (early english books, 1475-1640 ; 2137:2) luke huttons lamentation: which he wrote the day before his death, being condemned to be hanged at yorke for his robberies and trespasses committed there-about. to the tune of wandring and wavering.. hutton, luke, d. 1596. 1 sheet ([1] p.) : ill. printed for h. gosson., london : [ca. 1640?]. in verse. contains three cuts, one of which appears to be only one half of a whole picture. date of printing suggested by stc (2nd ed.). right half of sheet contains "the second part, to the same tune." reproduction of original in: university of glasgow. library. eng hutton, luke, d. 1596 -early works to 1800. ballads, english -16th century. brigands and robbers -england -early works to 1800. criminals -england -early works to 1800. broadsides -england -london -17th century. b00199 s93101 (stc 14032.5). civilwar no luke huttons lamentation: which he wrote the day before his death, being condemned to be hanged at yorke for his robberies and trespasses co hutton, luke 1640 1270 3 0 0 0 0 0 24 c the rate of 24 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion luke huttons lamentation : which he wrote the day before his death , being condemned to be hanged at yorke for his robberies and trespasses committed there-about . to the tune of wandring and wavering . i am a poore prisoner condemned to die , ah woe is me , woe is me for my great folly : fast fettered in irons in place where i lie : be warned young wantons hemp passeth gréen holy . my parents were of good degrée , by whom i would not ruled be , lord jesus forgive me , with mercy relieve me , receive o sweet saviour , my spirit unto thee . my name is hutton , yea luke , of bad life : ah woe is me , &c. which on the high-way did rob man and wife , be warned , &c. intic'd by many a gracelesse mate , whose counsell i repent too late , lord jesus forgive me , with mercy relieve me , &c. not twenty yéeres old ( alas ) was i ah woe is me , &c. when i began this felony : be warned &c. with me went still twelve yeomen tall , which i did my twelve apostles call . lord jesus forgive me , with mercy relieve me , &c. there was no squire , nor baron bold ah woe is me , &c. that rode by the way with silver and gold , be warned , &c. but i and my apostles gay , would lighten their load ere they went away . lord jesus forgive me , with mercy relieve me , &c. this newes procur'd my kinsfolkes griefe , ah woe is me , &c. that hearing i was a famous thiefe , be warned , &c. they wept , they waild , they wrung their hands , that thus i should hazard life and lands . lord jesus forgive me , with mercy relieve me , &c. they made me a iailor a little before , ah woe is me , &c. to kéepe in prison offenders sore , be warned , &c. but such a iailor was never none , i went and let them oft every one . lord jesus forgive me , &c. i wis this sorrow sor● grieved me , ah woe is me , &c. such proper men shoud hanged be : be warned young wantons , &c. my office then i did ●efie , and ran away for company . lord jesus forgive me , &c. thrée yéeres i lived upon the spoyle , ah woe is me , &c. giving many an earle the foyle be warned &c. yet never did i kill man nor wife , though lewdly long i led my life . lord jesus forgive me , &c. but all too bad my déeds have béene , ah woe is me , &c. offending my country and my good quéene : be warned , &c. all men in yorkeshire talke of me , a stronger thiefe there could not be . lord jesus forgive me , &c. vpon s. lukes day was i borne , ah woe is me &c. whom want of grace hath made me scorne : be warned , &c. in honour of my birth day then , i rob'd ( in bravery ) nineteene men . lord jesus forgive me , with mercy relieve me , receive , o sweet saviour , my spirit unto thee . the second part , to the same tune . the country weary to beare this wrong , ah woe is me , &c. with hues and cries pursued me long : be warned &c. though long i scap't , yet loe at the last , at london i was in new-gate cast . lord jesus forgive me , &c. where i did lie with grieved minde , ah woe is me &c. although the kéeper was gentle and kind , be warned , &c. yet was he not so kind as i , to let me goe at liberty . lord jesus forgive me , &c. at last the shrie●e of yorkeshire came , ah woe is me , &c. and in a warrant he had my name , be warned , &c. quoth he , at yorke thou must be tride , with me therefore hence must thou ride . lord jesus forgive me , &c. like pangs of death his words did sound , ah woe is me , &c. my hands and armes full fast he bound , be warned , &c. good sir quoth i , i had rather stay , i have no heart to ride that way . lord jesus forgive me , &c. when no intreaty would prevaile , ah woe is me , &c. i called for wine , beare , and ale , be warned , &c. and when my heart was in woefull case , i drunke to my friends with a smiling face . lord jesus forgive me , &c. with clubs and staves , i was guarded then , ah woe is me . &c , i never before had such wayting men : be warned , &c. if they had ridden before me amaine , beshrew me if i had call'd them againe , lord jesus forgive me , &c. and when unto yorke that i was come , ah woe is me , &c. each one on me did cast his doome : be warned , &c. and whilst you live this sentence note , evill men can never have good report . lord jesus forgive me &c. before the iudges when i was brought , ah woe is me &c. but sure i had a carefull thought , be warned , &c. nine score inditements and seventéene , against me there were read and séene , lord iesus forgive me &c. and each of those was fellony found , ah woe is me , &c. which did my heart with sorrow wound , be warned , &c. what should i herein longer stay ? for this i was condemn'd that day . lord iesus forgive me , &c. my death each houre i did attend , ah woe is me , &c. in prayers & in teares my time i did spend , be warned , &c. and all my loving friends that day , i did intreat for me to pray , lord iesus forgive me , &c. i haue deserved death long since , ah woe is me , & c· a viler sinner lived not then i , be warned , &c. on friends i hoped life to save ; but i am fittest for the grave , lord iesus forgive me , &c. adieu my loving friends each one , ah woe is me , &c. thinke on me lords when i am gone , be warned &c. when on the ladder you doe me view . thinke i am néerer heaven than you . lord iesus forgive me , with mercy relieve me , receive , o sweet saviour , my spirit unto thee . l. hutton . finis . london printed for h. gosson . constant, faire, and fine betty being the young-mans praise, of a curious creature. faire shee was, and faire indeed, and constant alwayes did proceed. to the tune of, peggy went over sea, with a souldier. crimsal, richard. 1635 approx. 5 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a19000 stc 5417 estc s108774 99844429 99844429 9240 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19000) transcribed from: (early english books online ; image set 9240) images scanned from microfilm: (early english books, 1475-1640 ; 1627:11) constant, faire, and fine betty being the young-mans praise, of a curious creature. faire shee was, and faire indeed, and constant alwayes did proceed. to the tune of, peggy went over sea, with a souldier. crimsal, richard. 1 sheet ([1] p.) : ill. printed for iohn wright the yonger dwelling at the upper end of the old-baily, london : [1635?] signed at the end: r.c., i.e. richard crimsal. publication date suggested by stc. verse "now of my sweet bettie,". in two parts; woodcuts at head of each part. identified as stc 4517 on umi microfilm set "early english books, 1475-1640". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-05 tcp assigned for keying and markup 2002-07 apex covantage keyed and coded from proquest page images 2002-08 emma (leeson) huber sampled and proofread 2002-08 emma (leeson) huber text and markup reviewed and edited 2002-10 pfs batch review (qc) and xml conversion constant , faire , and fine betty . being the young-mans praise , of a curious creature . faire shee was , and faire in deed , and constant alwayes did proceed . to the tune of , peggy went over sea , with a souldier . now of my sweet bet●ie , i must speake in praise , i never did see such a lasse in my days , she is kind and loving , and constant to me ; wherefore i will speake , of my pretty betty . betty is comely , and betty is kind , besides shee is pretty , and pleaseth my mind : she is a brave bonny lasse , lovely and free , the best that ere was , is my pretty betty . her haire it doth glister , like to threeds of gold ; all those that doe meet her , admire to behold : her they take for iuno , so glorious seemes shee , ●●●e brighter then lun is pretty betty . her eyes they do twinkle , like starres in the skie , she is without wrinkle , her fore-head is high : faire venus for beauty , the like cannot be , thus i shew my duty , to pretty betty . she hath fine cherry cheekes , and sweet corall lips , there is many one seekes , love with kisses and clips , but she like diana , flies their company , she is my tytana , my pretty bettie . her chinne it is dimpled , her visage is faire , she is finely temp●ed , she is neat and rare . if hellen were living , she could not please me , i ioy in praise giving , my pretty betty . her skinne white as snow , her brest soft as doune , all her parts below . they are all firme and sound : shee 's chaste in affection as penelope . thus endes the complexion , of pretty bettie . the second part , to the same tune . now of her conditions , something i le declare , for some have suspitions , she 's false being faire : but shee 's not false hearted , in any degree , i 'm glad i consorted , with pretty betty . her words and her actions , they are all as one , and all her affection , is on me alone , she h●tes such as vary , from true constancy , long i must not tarry , from pretty betty . well met my sweet hony , my ioy and delight , o how hath my cony done ere since last night . oh what saies my dearest , what saist thou to me , of all maids the ra●est , is pretty bette . wo. kind love thou art welcome , to me day and night , why came you not home , i did long for your sight : my ioy and my pleasure , is onely in thee , thou art all the treasure , of pretty bette . hadst thou not come quickly , i thinke i should dye , for i was growne sickly , and did not know why . now thou art my doctor , and physicke to me , in love thou art proctor , for pretty bette . sweet when shall we marry , and lodge in one bed , long i cannot carry , not my maiden head . and there 's none shall have the same , but onely thee , t is thee that i crave , to love pretty bette . man. besse be thou contented , wee 'l quickly be wed , our friends are consented , to all hath bin sed , thou shalt be my wife , ere much older i be , and i le lead my life , with my pretty bette . these lovers were married , and immediately , and all was well carried , they liv'd lovingly : let faire maids prove constant , like pretty besse , fine besse hath the praise an 't , and worthy is shee . r. c. finis . london printed for iohn wright the yonger dwelling at the upper end of the old-baily . a friends aduice: in an excellent ditty, concerning the variable changes in this world. to a pleasant new tune. campion, thomas, 1567-1620. 1628-1629? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01018 stc 4541.7 interim tract supplement guide c.20.f.7[116] 99884214 ocm99884214 182982 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01018) transcribed from: (early english books online ; image set 182982) images scanned from microfilm: (early english books; tract supplement ; a5:1[64]) a friends aduice: in an excellent ditty, concerning the variable changes in this world. to a pleasant new tune. campion, thomas, 1567-1620. 1 sheet ([1] p.) : ill. printed by the assignes of thomas symcock, [london] : [1628 or 9] attributed to thomas campion. place and date of publication suggested by stc. verse: "what if a day or a month, or a yeare ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 john pas sampled and proofread 2009-01 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a friends aduice : in an excellent ditty , concerning the variable changes in this world. to a pleasant new tune ▪ vvhat if a day or a month , or a yeare , crown thy desires with a thousād wisht cōtentings cannot the chance of a night or an houre , crosse thy delights with as many sad tormentings ; fortunes in their fairest birth , are but blossoms dying , wanton pleasures , doting mirth , are but shadowes flying : all your toyes are but toyes , iole thoughts deceiuing ; none hath power of an houre , in our liues bereauing . what if a smile , or a becke , or a looke , féed thy fond thoughts with many a sweet cōceiuing may not that smile , or that beck or that looke , tell thée as well they are but vain deceiuings ; why should beauty be so proud , in things of no surmounting ; all her wealth is but shroud , of a rich accounting : then in this repose no blisse , which is so vaine and idle : beauties flowers haue their houres time doth hold the bridle . what if the world with assures of her wealth , raise thy degrée to a place of high aduancing ; may not the world by a check of that wealth , put thee again so as low despised chancing ; whilst the sunne of wealth doth shine , thou shalt haue friends plenty : but come waitt , then they repine , not one abides of ●●●enty : wealth and friends holds and ends , as your fortunes rise and fall , vp and downe , rise and frowne , certaine is no state at all , what if a grief , or a straine , or a fit , pinch thee with pain , or the feeling pangs of sicknes doth not that gripe , or that straine , or that fit , shew thée the form of thine own crue perfect líknes health is but a glimpse of ioy , subiect to all changes : mirth is but a silly ●oy , which mishap estranges . tell me than , silly man , why art thou so weak of wit , as to be in teopardy , when thou mayest in quiet sit ; then if all this haue deelar'd thine amisse , take this from me for a gentle friendly warning , if thou refuse , and good counsell abuse , thou maist hereafter dearely buy thy learning : all is hazard that we haue . there is nothing bideing , dayes of pleasure are like streams , through faire medows gliding , wealth or woe , time doth goe , there is no returning , secret faces guide our states , both in mirth and m● 〈◊〉 the second part. to the same tune . man 's but a blast , or a smoake , or a clowd , d●●●t in athought , or a moment is dispersed : life 's but a span , or a tale , or a word , that in a trice , or suddaine is rehearsed : hopes are chang'd , and thoughts are crost , will nor skill preuaileth , though we laugh and liue at ease , change of thoughts assayleth , though a while fortune smile , and her comforts crowneth , yet at length faile her strength : and in fine she frowneth . thus are the ioyes of a yeare in an hower , and of a month , in a moment quite expired . and in the night with the word of a noyse , crost by the day , of an ease your hearts desired : fairest blossoms soonest fade , withered foule and rotten ▪ and throvgh grief our greatest ioyes quickly are forgotten : seeke not then ( mortall men ) earthly fleeting pleasure but with paine striue to gaine heauenly lasting treasure , earth to the world , as a man the earth ; hath but a point , and a point soon defaced : flesh to the soule , as a flower to the sun , that in a storme or a tempest is disgraced : fortime may the body-please , which is onely carnall , but it will the soul● diseases that is still immortall , earthly ioyes are but ●oyes , to the soules election , worldly grace doth defate mans diuine perfection ▪ fleshly delights to the earth that is flesh , may be the cause of a thousand sweet ●oa●e●tings , but th● defaults of a fleshly desire brings to the soule many thousand sad tormentings , be not proud presumptious man , sith thou art a point so vase , of the least , and lowest element , which hath least and lowest place : marke thy fate , and thy state . which is onely earth and dust , and as grasse , which alasse shortly surely perish must . let not the hopes of an earthly desire , bar thee the ioyes of an endlesse contentation , nor let not thy eye on the world be so six● to hinder thy heart from unfained recantation , be not backward in that course , that may bring the soule delight , though another way may seem far more pleasant to thy sight : do not goe , if he sayes no , that knowes the secrets of they minde , follow this , thou shalt not misse and endlesse happinesse to finde , finis . printed by the assignes of thomas symcock a character of a true christian written by abiezar copp. coppe, abiezer, 1619-1672. 1680 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). a34467 wing c6086 estc r33398 13292087 ocm 13292087 98849 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a34467) transcribed from: (early english books online ; image set 98849) images scanned from microfilm: (early english books, 1641-1700 ; 1547:41 or 21241:35) a character of a true christian written by abiezar copp. coppe, abiezer, 1619-1672. 1 broadside. printed by t.d., sold by la. curtiss, london : 1680. "the tune is the fair nimphs." without music. reproductions of originals in the harvard university library and the british library. identified as wing number c6086 at position 1547:41; cancelled in wing (cd-rom). created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2008-06 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a character of a true christian . written by abiezar copp . the tune is , the fair nimphs . love. a christian true doth love his father that 's above , his brother that 's below . his friends , and eak his foe , the rich , the poor , the great , the small , the strong , the weak , he loveth all . self-denyal . he still denyes himself , not greedily gripes for pelf , doth neither pole nor pill , his chests or barns to fill , his neighbours good , not goods , doth seek , he 's honest , harmless , loving , meek . humility . not puft in mind is he : all those of low degree , do never taste his scorn , the base ; the vile ; forlorn : he 's bounteous ; courteous ; loving and kind ; to all he bears a gentle mind . stability . he still at home doth keep , and his own door doth sweep ; doth not debase his mind , in seeking faults to find : he picks no hole in neighbours coat ; nor strives in 's ey to finde a mote ; forbearance . his lamb-like spirit doth bear , he doth not fight nor tear ; nor flounce , nor fling , nor fume ; but meekness doth perfume his soul ; when he is injured ; captivity is captive led . mercy . his burning bowels yern , from thence his eye doth learn ; to ' still some oyl of right into the wretched weight . his hand is fired by his heart , his substance to the poor to impart . charity . his charity is not small , it doth extend to all ; the bad and eke the good : not like the formal mode , who none but their own sect endure , this is from the fountain pure . wisdom . he wisely walks to all , and to prevent a fall , he looks before he leaps : a narrow watch he keeps , when to speak , he well doth see , and when silent he 's to be . peace . his principle is peace , in him all wars do cease , the sword and gown may stand , both distant from his land , he is endear'd to great and small , he lives in love and peace with all . obedience . he marcheth in the van , to each decree of man , for god's sake he subjects , to all he yields respects , the prince of peace doth peace impart , he hates all plots with all his heart . freedom . the son hath made him free from aegypts slavery , from daily brick and task , he needs no religious mask , through christ he all things doth and can , he 's wholy the lords free man. patience . he bravely bears the cross , and sits down by the loss , when sabeans on him fall , and caldees take his all . not these nor those , but god in heav'n , he saith , hath taken as well as giv'n . content . soul-killing discontent , whereby pure life is spent , and marrow melts away , with him it cannot stay : his soul in patience doth possess , for , evil and good the lord doth bless . resignation . for wholly he 's resign'd unto the unconfin'd , god's pleasure is his law , of that he stands in aw . when self is swept away and gone , he sayes and lives , god's will be done . london , printed by t. d. sold by la. curtiss . 1680. the two faithful lovers, or, a merry song in praise of betty. young-men and maids i do intend to sing a song that's newly pen'd; and if you please to have it out 'twill please your fancies without doubt. / by t.b. tune of, the amorous damsel of bristol city. with allowance. bowne, tobias. 1681-1684? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01744 13058377 wing b3898 interim tract supplement guide c.20.f.8[480] 99883161 ocm99883161 183587 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01744) transcribed from: (early english books online ; image set 183587) images scanned from microfilm: (early english books; tract supplement ; a5:2[378]) the two faithful lovers, or, a merry song in praise of betty. young-men and maids i do intend to sing a song that's newly pen'd; and if you please to have it out 'twill please your fancies without doubt. / by t.b. tune of, the amorous damsel of bristol city. with allowance. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for j. wright, j. clark, w. thackery, and t. passinger., [london] : [between 1681-1684] authorship uncertain. generally attributed to t. bowne. cf. wing. place and date of publication suggested by wing. verse: "in a may morning as i was walking ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng folk songs, english -texts -early works to 1800. love poetry, english -early works to 1800. ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the two faithful lovers , or , a merry song in praise of betty . young-men and maids i do intend to sing a song that 's newly pen'd ; and if you please to have it out 't will please your fancies without doubt . by t.b. tune of , the amorous damsel of bristol-city . with allowance . in a may-morning as i was walking i heard two lovers together talking ; with words so sweet he spake unto her , and thus he did begin to wooe her : said he well met my dearest betty , thou art a girl that is wond●ous pretty ; if i could gain but your love and favour , i 'd b● thy dearest love fo● e●er . slight not sweetheart this loving motion , a hundred pound it is my portion , but if we never injoy one penny , true-love is better than b●ggs of money . the m●ids a●swer . good sir your words are kindly ●poken , but hasty love is soonest br●ken ; 't is good for you observe ●our doing , and be not you too , ●uick in wooing . if i should grant you my love to marry , perhaps you 'd wish you did longer tarry , and in one year begin to flout me , and wish that you had gone without me . some men do flout their wives , 't is certain and say they might had better fortune ; so thus they alwaies frown and lowre , and scarcely live one quiet hour . the mans answer . sweet-heart my love on thee is fixed , both night and day i am perplexed ; then prithee do not thou deny me , but come sweetheart and sit down by me . doubt not sweetheart i le ne'r offend thee , my love is true which i pretend thee , i le not forsake thee for gold nor money , then do not slight me my dearest honey . betty blame me not for my speeches , i do not aim for gold nor riches , my heart is fixed without moving ; sweet betty be thou kind and loving . grant but to me thy love and favour , both day and night i hard will labour if that i have but health my honey thou shalt not want for meat nor money . the maids answer . youngmen have such a way in wooing to vow a●d sw●●er the●'l still ●e lo●ing ; yet in one year there is small regarding which makes some maids repent their bargain . yet if i thought your love was constant which you pretend now at this instant , methinks i cannot well deny thee because with words you satisfie me . for what you said i do commend you , and in this cause i will befriend you ; ask but the good will of my father , and you and i will joyn together . the mans answer . oh now thy words it doth revive me , for i did fear thou wouldst deny me , while life doth last i le ne'r forsake thee , since for my wife i mean to take thee . there is never a maid in london city in my conceit is like my betty , she is so hand●ome in her favour , i think my self a blest to have her . so to conc●ude , i wish each lover to prove so constant to each other as those two did , of whom i 'me speaking : there need not be so much heart-breaking . printed for j wright . j. clark. w. t●ackery . a●● i. passing●r . the dutch-miller, and new invented wind-miller, or, an exact description of a rare artist newly come into england who undertake[illegible] to grind all sorts of women; whether old, decriped, wrinckled, blear-eyed, long nosed, blind, lame, scold [illegible]alous, angry, poor, or all others whatsoever: he'l ingage they shall come out of his mill, young, active, ple[ea]nt, handsome, wise, modest, loving, kind and rich, without any defect, or deformity, and just suitable to th[ei]r husbands humours, and dispositions, as he hath often experienced in other countries where he hath m[a]de practice of his art. the rich for money, and the poor for nothing. tune of, cook la[illegible]rel, &c. then bring your wives unto my mill, and young for old you shall have still. dean, j. (john), fl. 1679-1685. 1679 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-10 (eebo-tcp phase 1). a37304 wing d492aa estc r215382 99827276 99827276 31693 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a37304) transcribed from: (early english books online ; image set 31693) images scanned from microfilm: (early english books, 1641-1700 ; 1846:26) the dutch-miller, and new invented wind-miller, or, an exact description of a rare artist newly come into england who undertake[illegible] to grind all sorts of women; whether old, decriped, wrinckled, blear-eyed, long nosed, blind, lame, scold [illegible]alous, angry, poor, or all others whatsoever: he'l ingage they shall come out of his mill, young, active, ple[ea]nt, handsome, wise, modest, loving, kind and rich, without any defect, or deformity, and just suitable to th[ei]r husbands humours, and dispositions, as he hath often experienced in other countries where he hath m[a]de practice of his art. the rich for money, and the poor for nothing. tune of, cook la[illegible]rel, &c. then bring your wives unto my mill, and young for old you shall have still. dean, j. (john), fl. 1679-1685. 1 sheet ([1] p.) : ill. (woodcut) printed for f. coles, t. vere, j. wright, and j. clarke, [london] : [1679] by john dean. imprint place and suggested imprint date from wing, which gives publication date as 1674-1679. verse "i am a brave miller but newly come o'er". identified as wing d2902 (entry cancelled in wing 2nd ed.) on umi microfilm "early english books, 1641-1700". reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. husband and wife -songs and music -early works to 1800. women -humor -early works to 1800. 2006-09 tcp assigned for keying and markup 2006-09 aptara keyed and coded from proquest page images 2006-10 jason colman sampled and proofread 2006-10 jason colman text and markup reviewed and edited 2007-02 pfs batch review (qc) and xml conversion the dutch-miller , and new invented wind-miller , or , an exact description of a rare artist newly come into england , who undertake● to grind all sorts of women ; whether old , decriped , wrinckled , blear-eyed , long nosed , blind , lame , dcold●●alous , angry , poor , or all others whatsoever : he 'l ingage they shall come out his mill , young , active , plea●●nt , handsome , wise , modest , loving , kind and rich , without any defect , or deformity , and just suitable to their husbands humours , and dispositions , as he hath often experienced in other countries where he hath m●de practice of his art. the rich for money , and the poor for nothing . tune of , cook la●rel , &c. then bring your wives unto my mill , and young for old you shall have still . depiction of men bringing their wives to the wind-mill for grinding. i am a brave miller but newly come o're , of such a rare artist you ne'r heard before , for with my new mill such rare feats i have done , i le grind your old women , and make them all young . then stay a while gallants , and make not such hast , till you of my office have taken a taste ; 't is worth your attention , if that you will be , made free from all troubles , and live happily . there 's many a married man i dare to say , could wish that i sooner had come this way : for never a doctor in the whole land , can do such rare cures as you shall understand . for he that is married unto a cross scold , or to an old granny of ninety years old : they needs must commend me or else do me wrong , if i grind them bath till they 'r patient and young . the old , the decriped , the blind , and the lame , i 'le make them all active and fit for the game : nay , she that 's so old , that she 's bed-rid with age , i le make her young again , i will engage . he that hath a mind to a widdow that 's old , and fain would be married to finger her gold , bring her to my mill , and i 'le grind her so small , that she may be young again , handsome and all . the man that is troubled with a jealous wise , that 's cross and untoward , and weary of 's life : if once in my hopper i have her to grind , be sure she 'l come out in a far better mind . and she that 's deformed and hath a long nose , though crooked like mother shipton she goes , i le grind her until she be handsom and right , and fit for a gallant to play with all night . view here but my picture , and mark well my mill , and see how my customers flocketh in still : you may be assured i please them to 'th life , eaeh man is so ready to bring in his wife . here is an old woman i have on my back , i bear her up stairs , you may see , a pick pack ; when once i have ground her , i 'le pass you my word , that she shall be young 〈◊〉 and a bit for a lord. the second part , to the same tune . there 's honest jack doe-little to ease his sorrow , takes pains to put his wife in a wheel-barow , but yet he labours all for his own ends , because when she 's ground she will make him amends . the water-man hath got three in his boat , and each one hath promis'd to give him a groat , for they are resolved no money to spare , so they may but once again be market-ware . there is an old woman that sits by my stone , she is at her prayers and making her moan , let any one heave her but up to my mill , i le make her as young as the best of them still . there 's will he is hugging his wife by the middle , and he is resolved to find out the riddle , so she may be young again , for his own part , he cares not if she be ground until she fart . a coach full of ladies you here may behold , that now are deformed and grown very old , if i have but wind , i will miss of my aim , if they may not live to be fit for the game . you see there is monsieur hath got his new wife , she past from the mill , and is now come to life ; before she was crooked , and peevish and blind , but now she is beautiful , pleasant and kind . so taffie likewise doth bow to the ground , to see that a young for an old he hath found , kind complements he now to heo doth afford , who formerly never gave him a good word . by this you may see what an artist i am , to make an old scold be as meek as a lamb : you that have bad wives and do hear of my mill , if you will not come you may stay away still . and he that is poor , and hath got a bad wife , let him take my counsel to rid him of strife , bring her to my hopper , i 'le shake her about , and she shall be rich euough when she comes out . all this i 'le perform at a very small rate , the rich shall pay little , the poor not a groat : then say such a miller is now come ashore , that can do such feats as was ne'r done before . the come along customers , pray come away , make hast , for i have but a while for to stay : when once i am gone , 't is too late to repent , then lay out yonr money before 't is all spent . printed for f. coles , t. vere , j. wright , and j. clarke . good counsell for young vvooers shewing the way, the meanes, and the skill, to wooe any woman, be she what she will: then all young men that are minded to wooe, come heare this new ballad, and buy't ere you goe. to a dainty new tune, or else it may be sung to the tune of prettie bessie. m. p. (martin parker), d. 1656? 1635 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a08956 stc 19236 estc s119599 99854806 99854806 20252 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08956) transcribed from: (early english books online ; image set 20252) images scanned from microfilm: (early english books, 1475-1640 ; 1212:23) good counsell for young vvooers shewing the way, the meanes, and the skill, to wooe any woman, be she what she will: then all young men that are minded to wooe, come heare this new ballad, and buy't ere you goe. to a dainty new tune, or else it may be sung to the tune of prettie bessie. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. [by a. mathewes] for f. g[rove], printed at london : [ca. 1635] signed: m. p., i.e. martin parker. in two parts; woodcuts at head of each part. printer's and publisher's names and estimated publication date from stc. verse "come all you young pupils that yet haue no skill,". line 3 of title has: woman. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion good counsell for young vvooers : shewing the way , the meanes , and the skill , to wooe any woman , be she what she will : then all young men that are minded to wooe , come heare this new ballad , and buy 't ere you goe . to a dainty new tune , or else it may be sung to the tune of prettie bessee . come all you young pupils that yet haue no skill , in wooing to get a fine lasses good will. you will be ruled , and take my aduice , e teach you to wooe and spéed in a trice , ●●u must not be daunted what euer she say , ●●e may speed to morrow that 's cast off to day . if you will wooe a wench with a blacke brow , accept of my counsell , and i le tell you how , you must kisse h●r , & coll her vntill she doth yield : a faint hearted souldier will never win field . ●ou must set her beauty at the highest rate , ●nd neuer leaue wooing her early and late . ●ell her that her brow like a black loadst●ne drawes , ●hy iron heart to her , as iet will doe strawes , when she doth conceiue and perceiue thy respect , ●re long thy industry shall find an effect . then you that wil wooe a wench with a black brow , accept of my counsell , &c. for take this from me , a blacke w●nch is still proud , ●nd loues well to heare her praise set forth aloud , ●lthough she accuse thée of flattery of●t , and tell thée she cannot abide to be scoft . ) yet neuer leaue praysing her , for if thou dost , thy spéeches , thy pauies , and thy loue is all lost . t●●n if you will wooe a wench with black brow , a●●●●● of my counsell , &c. comply with her h●●our in euery thing right , for that 's the chiefe course that can giue her delight , if thou sée her merry , then laugh sing and i●●● , or tell some loue tales , this a maiden lik●● 〈◊〉 , and when she is sad then put ●●nger i' th eye . for wooers ( like women ) must oft feigne a cry . then if you will wooe a wench with a blacke brow , accept of my counsell , &c. if great be her portion , and thou be but poore , thy duty and paines must be so much the more , thou must vow good husbandry during thy life , what wilt thou not promise to get such a wife , gownes , kirtles , and toyes of the fashion all new , what though al thy words proue not afterward t●ue . then i● you will wooe a wench with a black brow , accept of my counsell , &c. if thou from her fight haue béene too long a●●ay then redéeme thy negligence with longer stay , and if she be angry be sure goe not thence , untill thou force her with thy fault to dispence , and tell her thou wilt not o●ely stay all day , but ( if she please ) thou wilt her all night ●bey . then if you will wooe a wench with a black brow , accept of my counsell , and i le tell you how , you must kisse her and coll her vntill she doe yield : for a faint-hearted souldier will neuer win field . the second part , to the same tune . haue her to weddings , playes , and merry méetings , where she may notice take of louers greetings , s●ch ob●cts often-times a motiue may be to make her loue th● if she were a lady , for when a maid sée's what 's done by another , it more will perswade then aduice from her mother . then if you will wooe a wench with a black brow , accept of my counsell , and i le tell you how , you must kisse her and coll her , vntill she doe yi●ld : for a saint-hearted souldier will neuer win field . if vnto a faire thou doe goe farre or nigh , although thou haue other great matters to buy , yet when thou com'st home againe be not thou sparing , to say thou went'st onely to buy her a fayring , by this she will thinke thou wilt be a kind wretch , that would'st goe so farre off a fayring to fetch . then you that will wooe a wench , &c. if she be in presence when others are by , where words must be wanting there wooe with thy eye , although it sée me strange yet experience doth proue , that the eye doth conuey the first motion of loue , and thou mai●t perceiue by her eye whether she , doe well correspond in affection with thée . then if thou wilt wooe a wench , &c. when by these meanes ( or by any of them ) thou hast got this fauour of thy precious gent , be carefull to hold and kéepe what thou hast got , the prouerbe sayes strike the iron while it is hot , for if thou protract and let slip thy occasion . she 's not so soone wonne with a second pers●asion . then if thou wilt , &c. thou well may'st perceiue by the words that are past that i doe aduise thee to marry in haste . a thing may be dasht when it comes to the push , and one bird in hand is worth two in the bush , one day , nay one houre , ( if thou ●ike thy wife ) may make thée or marre thée all the dayes of thy life then if you will wooe a wench , &c. although in my counsell i let others passe , and only haue mention made of a blacke lasse , yet be thy swéet heart , either blacke , browne or rudi these lessons kind wooer are fit for the study , be she fayre or foule , b● she widow or maid , in wooing , a man must doe as i haue said . all you that will wooe a vvench , &c. and now with this counsell my ditty i le end , and if any carper my skill discommend , hee 'le shew little wisedome my counsell to blame ; for the wisest wooer may follow the same , and if they will not for my part let them chuse , but once more i will them these lines to peruse . then if you will wooe a vvench with a black bro● accept of my counsell ; and i le tell you how , you must kisse her and coll her , vntill she doe yield , a faint-hearted souldier will neuer win field . m. p. finis . printed at london for f. g. a pleasant song made by a souldier whose bringing up had been dainty: and partly by those affections of his unbridled youth, is now beaten with his own rod; and therefore termeth this his repentance, or, the fall of folly, to an excellent new tune, called calino, 1658 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a43809 wing h2013a wing p2559a estc r218767 99830337 99830337 34788 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a43809) transcribed from: (early english books online ; image set 34788) images scanned from microfilm: (early english books, 1641-1700 ; 2035:29) a pleasant song made by a souldier whose bringing up had been dainty: and partly by those affections of his unbridled youth, is now beaten with his own rod; and therefore termeth this his repentance, or, the fall of folly, to an excellent new tune, called calino, hill, thomas, fl. 1680. doleful dance, and song of death. aut 1 sheet ([1] p.) : ill. (woodcuts) printed for f. coles, j. wright, t. vere, and w. gilbertson, [london] : [1655-1658] verse "in summer time when phœbus rayes". printed on same sheet with wing (2nd ed.) h2013a: hill. thomas. the dolefull dance and song of death. part 2 verse "can you dance the shaking of the sheets,". place of publication from and date conjectured by wing. woodcuts at head of each ballad. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-08 tcp assigned for keying and markup 2002-09 spi global keyed and coded from proquest page images 2002-10 john latta sampled and proofread 2002-10 john latta text and markup reviewed and edited 2002-12 pfs batch review (qc) and xml conversion a pleasant song made by a souldier , whose bringing up had been dainty : and partly by those affections of his unbridled youth , is now beaten with his own rod ; and therefore termeth this his repentance , or , the fall of folly , to an excellent tune , called , calino , in summer time when phoebus rayes did chéer each mortall mans delight , increasing of the chéerfull dayes , and cutting of the darksome nights : when nature brought forth every thing , by just return of april showers , to make the pleasant branches spring with sundry sorts of herbs and flowers . it was my chance to walk abroad , to view dame natures new come brood , the pretty birds did lay on load with sugred tunes in every wood : the gallant nightingale did set her speckled breast against a bryer , whose mournfull tunes bewail ( as yet ) her brother tereus false desire . the serpents having cast their coats , lay listning how the birds did sing , the pretty birds with sugred notes . did welcome in the pleasant spring : i drew me to the gréen-wood side , to hear this countrey harmony , whereas er'e long i had espy'd a woful man in misery . he lay along upon the ground and to the heavens he cast his eye , the bordering hills and dales resound the eccho's of his piteous cry : he wailing sore , and sighing said , oh heavens what endlesse grief have i ? why are my sorrows thus delaid ? come therefore death and let me die . when nature first had made my frame , and set me loose when she had done , steps fortune in that fickle dame , to end what nature had begun . she set my féet upon her knée , and blest my tender age with store , but in the end she did agrée to mar what she had made before . i could no sooner créep alone : but she forsook her fostered child , i had no lands to live upon , but trac'd abroad the world so wilde . at length i fell in company with gallant youths of mars his train , i spent my life in jeopardy , and got my labour for my pain : i watched on the sieged walls in thunder , lightning , rain and snow , and oft being shot with powdred balls , whose costly marks are yet to show . when all my kindred took their rest at home in many a stately bed , the ground and pavement ' was my nest , my flask a pillow for my head : my meat was such as i could get , of roots and herbs of sundry sorts , which did content my hungry mind , although my commons were but short . my powder serv'd to salt my meat , my murrion for a gilded cup , whereas such drink as i could get , in spring or ditch i drank it up : my rapier alwayes by my side , my piece lay charg'd with match & light , thus many a month i did abide to ward all day and watch by night . i lived in this glorious vain , untill my limbs grew stiffe and lame , and thus i got me home again , regarding no such costly fame : when i came home i made a proof what friends would do if néed should be , my nearest kinsfolks lookt aloof , as though they had forgotten me . and as the owl by chattering charms is wondred at of other birds , so they came wondring at my harms , and yéeld me no relief but words : thus do i want while they have store , that am their equall every way , though fortune lent them somwhat more , else had i béen as good as they . come gentle death and end my grief , yée pretty birds ring forth my knell , let robin red-breast be the chief to bury me and so farewell . let no good souldier be dismaid to fight in field with courage bold , yet mark the words that i have said , trust not to friends when thou art old . printed for f. coles , j. wright . t. vere , and w. gilbertson . the dolefull dance and song of death ; intituled , dance after my pipe. to a pleasant new tune . can you dance the shaking of the shéets , a dance that every one must do ? can you trim it up with dainty swéets , and every thing that 'longs thereto ? make ready then your winding shéet , and sée how yée can bestir your féet , for death is the man that all must méet . bring away the begger and the king , and every man in his degrée , bring away the old and youngest thing , come all to death and follow me : the courtier with his lofty looks , the lawyer with his learned books , the banker with his baiting hooks . merchants , have you made your mart in france , in italy , and all about ? know you not that you and i must dance , both our heels wrapt in a clout , what mean you to make your houses gay , and i must take the tenant away , and dig for your sake the clods of clay ? t●●●k you on the solemne sizes past , 〈◊〉 suddenly in oxfordshire i 〈◊〉 and made the iudges all agast , 〈◊〉 iustices that did appeare : and took both 〈◊〉 and ●aram away , and many a worthy man that day , and 〈◊〉 their bodies brought to clay , think you that i dare not come to schools , where all the cunning clerks be most ? take i not away both wise and fools ? and am i not in every coast ? assure your selves no creature can make death affraid of any man , or know my coming where or when . where be they y t make their leases strong , and joyn about them land to land ? do you make account to live so long , to have the world come to your hand ? no foolish nowle , for all thy pence , full soon thy soul must néeds go hence , then who shall toyl for thy defence ? and you that lean on your ladies laps , and lay your heads upon their knée , think you for to play with beautis paps , and not to come and dance with me ? no , fair lords and ladies all , i will make you come when i do call , and finde you a pipe to dance withall . and you that are busie-headed fools , to brabble for a pelting straw , know you not that i have ready tools to cut you from your crafty law ? and you that falsely buy and sell , and think you make your markets well , must dance with death wheresoe'r you dwel . pride must have a pretty shéet , i sée , for properly she loves to dance , come away my wanton wench to me , as gallantly as your eye doth glance : and all good fellows that slash and swash in reds and yellows of revell dash , i warrant you néed not be so rash . for i can quickly cool you all , how hot or stout soever you bée , both high and low , both great and small , i nought do feare your high degrée : the ladies faire , the beldames old , the champion stout , the souldier bold , must all with me to earthly mold . therefore take time while it is lent , prepare with me your selves to dance , forget me not , your lives lament , i come oft-times by sudden chance : be ready therefore . watch and pray , that when my minstrell pipe doth play , you may to heaven dance the way . finis . printed for f. coles , j. vvright , t. vere , and vv. gilbertson . the huntsman's delight, or, the forresetr's [sic] pleasant pastime to the tune of, amongst the leaves so green a, etc. 1700 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a52111 wing m844a estc r41773 31360621 ocm 31360621 110752 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a52111) transcribed from: (early english books online ; image set 110752) images scanned from microfilm: (early english books, 1641-1700 ; 1746:29) the huntsman's delight, or, the forresetr's [sic] pleasant pastime to the tune of, amongst the leaves so green a, etc. martin, joseph, fl. 1685-1700. 1 sheet ([1] p.) : ill. printed for w.o. and sold by the booksellers, london : [1700?] attributed by wing (2nd ed.) to joseph martin. date of publication suggested by wing (2nd ed.) contains one illustration. imperfect: cropped and stained. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2007-12 tcp assigned for keying and markup 2008-01 spi global keyed and coded from proquest page images 2008-02 emma (leeson) huber sampled and proofread 2008-02 emma (leeson) huber text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the huntsman's delight : or , the forresetrs pleasant pastime . to the tune of , amongst the leaves so green a &c. f●● wh● , 't was thought that some ther w●s withawn . the de●r are wounded , but they are not slain , yet so they 're wound●d , that they are or'etain ; and in their taking , pitty it is shown : the keepers swore great oaths , upon their lives , they 'd be as kind to them as men are to their wives , the pleasant sp●rt this ditty doth declare , of the kind huntsmen , and the fallow-deer . come all you young maidens and lend an ear , come listen a while , and you shall bear how the keepers did sport with the fallow-deer , amongst the leaves so green a : hey down , derry derry down , hey down down , ho down down , hey down , ho down , derry derry down , amongst the leaves so green a , the keepers they would an a hunting go , and under their coats each carried his bow , and all for to shoot the bonny bonny doe , amongst the leaves so green a : hey down , derry derry down , hey down down , ho down down hey down , hodown , derry derry , down , amongst the leaves so green a. they spyed five does upon a hill , and to shoot at them was their good will , but none of them they ment for to kill , amongst the leaves so green a. hey down , &c. at the first doe they shot , and they mist , the second doe they clipt , and they kist ; and they said them down where no man wist , amongst the leaves so green a. hey down , &c. the one cryed out unto the other , i 'm serv'd as my father serv'd my mother ; but yet these joys we cannot smother , amongst the leaves so green a : hey down , &c. the third doe she made great moan , because that she was big with fawn , vvhich made her to go weeping home , from amongst the leaves so green a : hey down , &c. the fourth doe could no longer stay , but she must be gone her way , for fear that the keepers should her lay amongst the leaves so green a : hey down , &c. but soon after she did repent , and to turn again she was fully bent , to lye down and take her heart 's content , amongst the leaves so green a : hey down , &c. the fifth doe leapt over the stile , but the keeper he got her by the heel , and there he did both kiss and feel , amongst the leaves so green a : hey down , &c. they drew forth their arrows once again , and they shot at another a-cross the plain ; she sigh'd , but it was with a pleasing pain , amongst the leaves so green a : hey down &c. he pricked her straightways with his dart but she cryed out she felt no smart , and therein say the keeper's art , amongst the leaves so green a. hey down , &c. these fair does , they leapt , and they ski●● till leaping along , at length they were t●i●● no sooner they fell , but the keepers them ● amongst the leaves so green a : hey down , &c. the keepers did tumble them o're and o're , though often they shot , they requir'd more they never had met with such sport before , amongst the leaves so green a : hey down , &c. these bold huntsmen were all agreed , and by consent these fair does did bleed ; but after that they came often to feed amongst the leaves so green a. hey down , &c. great crowds came running over the plain , expecting to see these fair does slain ; but like fools as they came , they return●d aga●● from amongst the leaves so green a : hey down , &c. if it be true as old vvives say , take a doe in the month of may , and a forrester's courage she soon will ally , amongst the leaves so green a. hey down , &c. these huntsmen were so gently inclin'd , they let them rise their courage to find ; but away they tript so swift as the wind , from amongst the leaves so green a : hey down derry derry down ; hey down down , ho down down , hey down , ho down , derry derry down , amongst the leaves so green a. london : printed for w. o. and sold by the bookseller the merry carelesse lover: or, a pleasant new ditty, called, i love a lasse since yesterday, and yet i cannot get her. to the tune of, the mother beguilde the daughter. guy, robert, writer of ballads. this text is an enriched version of the tcp digital transcription b00112 of text452 in the english short title catalog (stc 12545). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00112 stc 12545 interim tract supplement guide c.20.f.7[238] 99884353 ocm99884353 183045 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00112) transcribed from: (early english books online ; image set 183045) images scanned from microfilm: (early english books; tract supplement ; a5:1[128]) the merry carelesse lover: or, a pleasant new ditty, called, i love a lasse since yesterday, and yet i cannot get her. to the tune of, the mother beguilde the daughter. guy, robert, writer of ballads. 1 sheet ([1] p.). for f. coules, printed at london : [ca. 1640?] signed: by robert guy. publication date suggested by stc. verse: "oft have i heard of many men ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. naco eng ballads, english -17th century. b00112 452 (stc 12545). civilwar no the merry carelesse lover: or, a pleasant new ditty, called, i love a lasse since yesterday, and yet i cannot get her. to the tune of, the m guy, robert, writer of ballads. 1640 967 1 0 0 0 0 0 10 c the rate of 10 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the merry carelesse lover : or , a pleasant new ditty , called , i love a lasse since yesterday , and yet i cannot get her . to the tune of , the mother beguilde the daughter . oft have i heard of many men , which love have sore tormented , with griefe of heart , and bitter smart , and mindes much discontented . such love to me shall never be distastefull , grievous bitter . i have loved a lasse since yesterday , and yet i cannot get her . but let her chuse , if she refuse , and goe to take another : i will not grieve , but still will be the merry carelesse lover . i will no foolish lover be , to waste my meanes upon her : but if she doe prove firme to me , in heart i will her honour . and if she scorne my part to take , i know a way to fit her , my heart with griefe shall never ake , what man soever get her . then let her chuse , if she refuse , and goe to take another , &c. and yet i know not what to thinke , she makes a shew she loves me , what néed i feare from me she 'l shrinke , some foolish passion mooves me , sometimes to hope , sometimes to feare , it hangs upon a twitter , whether she hates or loves me deare , to lose her , or to get her . but let her chuse , if she refuse &c. some women they are in firme in love , and some they are uncertaine , scarce one in twenty loyall prove , yet if it were my fortune to get this lasse unto my wife , i know not one more fitter , in lawfull love to leade our lives , i● 't were my hap to get her . but let her chuse , &c. i am a man indifferent , whether she will or will not my sweet-heart be for to love me , if she do's not , it skills not . if she fancy me , i le constant be , this lasse she is a knitter . and i have her loved since yesterday , but yet i cannot get her . but let her chuse , if she refuse , and goe to take another , i le never grieve , but still will be the merry carelesse lover . the second part , to the same tune . this lasse she doth in yorkeshire live , there in a towne call'd forset , her minde to labour she doth give , she can knit silke or worset . i know not well what i should say , in spéech she 's sometimes bitter , and i have her loved since yesterday , and yet i cannot get he . but let her chuse , if she refuse , and goe to take another , i le never grieve , but still will be the merry carelesse lover . sometimes she will upon me smile , and sometimes she is sullen , as she doth sit , and stockins knits , of iarsie and of wollen , she gets the praise above the rest , to be a curious knitter : she loves me , as she doth professe , and yet i cannot get her . but let her chuse , &c. her portion is not very much , but for the same what care i , so she with me will but kéepe touch , and not in minde will vary , for pelfe i doe not passe a straw , her beauty likes me better , for i have her loved since yesterday , and yet i cannot get her . but let her chuse , &c. i will bethinke me what is best a way for to be taken , her love to gaine , and her obtaine , i would not be forsaken , nor would i have her say me nay , nor give me speeches bitter , for i have her loved since yesterday , and yet i cannot get her . but let her chuse , &c. i have her fathers frée consent , that she with me should marry : her mother likewise is content , and grieves that she should carry so proude a minde , or be unkinde to me in speeches bitter , for i beare to her a loving minde , and yet i cannot get her . but let her chuse , &c. with her i at a wedding was , where we did dance together , she is a curious handsome lasse , and yet like winde and weather , her minde doth change , she 's kinde , she 's strange , milde , gentle , cruell , bitter , yet howsoere i love her deare , and yet i cannot get her . but let her chuse , &c. yet will i hope upon the best , all foolish feares excluding , and at her faithfull service rest , thus here in briefe concluding , with some deare friend to her i le send , a kind and loving letter , and hope in time her love to gaine , and for my wife to get her . and then i le sing with merry cheere , this ditty and no other , whil'st breath doth last , and life be past , i will be a faithfull lover . finis . by robert guy . printed at london for f. coules . the constant lover, or, celia's glory exprest to the life a pleasant new song (as it's sung after the italian manner) and great in request at court and in the city : to the pleasant new tune of, why are my eyes still flo----------ing. d'urfey, thomas, 1653-1723. 1682 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a36968 wing d2717 estc r41942 19729238 ocm 19729238 109377 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a36968) transcribed from: (early english books online ; image set 109377) images scanned from microfilm: (early english books, 1641-1700 ; 1698:41) the constant lover, or, celia's glory exprest to the life a pleasant new song (as it's sung after the italian manner) and great in request at court and in the city : to the pleasant new tune of, why are my eyes still flo----------ing. d'urfey, thomas, 1653-1723. 1 broadside : ill. printed for j. conyers ..., [london] : [between 1685 and 1688] place and date of publication suggested by wing. without music. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2003-08 tcp assigned for keying and markup 2003-09 spi global keyed and coded from proquest page images 2003-12 daniel haig sampled and proofread 2003-12 daniel haig text and markup reviewed and edited 2004-02 pfs batch review (qc) and xml conversion the constant lover : or , celia's glory exprest to the life . a pleasant new song ( as it 's sung after the italian manner ) and great in request at court , and in the city . to a pleasant new tune of , why are my eyes still flow-ing this may be printed , r. p. why are my eyes still flow — ing ? why do's my heart thus trembling move ? why do i sigh when go — ing to see the darling-saint i love ? ah! she 's my heaven , and in my eye love's dei — ty : there is no life like to what she can give , nor any death like taking my leave . tell me no more of glo — ry , to courts ambition i 'ave resign'd ; but tell a long long sto — ry of celia's face , her shape and mind ; spake too of raptures that wou'd life destroy , to en — joy : had i a diadem , scepter and ball , for that dear minute i 'd part with 'em all . for that wou'd be a trea — sure , beyond what e'er the world can give ; a joy beyond all mea — sure , must needs in such endearments live : such tender blessing , who too much can prize ? which — arise beyond the reach of mortals tell , and in themselves all pleasures excell . tell her those roses blow — ing that in her face create a spring , those lillies that are grow — ing , at e'ery sight fresh raptures bring ; which breathe into my heart love's gentle fire make me — desire the dear enjoyment that i long is gain to which i wade even in a sea of pain . yet pain 's to me a plea — sure since 't is for her whom i adore i 'le wait till she 's at lea — sure her 's with thy captive heart restore i 'll scorn to think i suffer when such bliss such — happiness as with a glance can banish dispair , is still at hand my drooping soul to cheer . as when the sun by beam — ing upon the frozen earth unbinds ; her icey chains she seem — ing dead to mankind new life soon finds , kill'd by it● warmer rays , she pregnant grows , and be — stows , her plenty on the long expecting swain , to let him see his hopes were not in vain . go bear ye winds , my sigh — ing in gentle gales to her relate ; i languish , and am dy — ing , tell her , 't is she must stay my fate : tell her , her eyes have given me a wound , that — uncrown'd all happiness that the world did yield , and from the conqueror won the field . love's harvest is exceed — ing when his soft fires do gently move when his kindness is a breed — ing in the kind hearts of those we love : breathe , breathe , these fires into my celia's breast to make — me blest , but let the gentle flame move calmly there , calm as the thoughts of new born infants are . celia's answer to the constant lover . the second part , to the same tune . whilst strephon was bewail — ing , the absence of his charming fair , and thou 't was nought avail — ing , the beauteous celia she drew near : all gay as new blown roses are she did ap — pear ; and hearing from the cool grove his moan , she in pitty made this kind return . come cease your eyes from flow — ing , and let not my poor beauties move a shepherd that 's so know — ing in all the secret ways of love : ah! sigh not after me for i , no dei — ty can boast , nor give the pleasure you feign , nor make you feel a moment of pain . resine not then the glo — ry that blooming youth bids you embrace , for things more transi — tory to dote upon a fading face : great things pursue and lay raptures by which de — stroy what honours building in a mighty mind , cease then to love , to your fame be more kind . where merit is command — ing , and constancy do's bear it's part , alass there 's no withstand — ing for why they storm the hardest heart . long time i did a siege sustain , but all in — vain , for like the winter by the spring o'erthrown , i melt dear strephon and am thy own . if roses they are blow — ing for you they 're blooming in my face , for you they there are grow — ing for you the lillies all take place ; to please my strephon all conspire , to raise high — er love's charming power to ravish the mind , when to my dearest i strive to be kind . my strephon then leave sigh — ing to winds no more your passion breath ; nor speak as if a dy — ing be you but constant and still live ; live in your kindest celia's heart let there love de — clare the mighty empire you o'er her have gain'd and now a uirgins kind heart you have chain'd . printed for i. conyers at the black raven a little above st. andrews church in holbourn . buxom joan of lymas's love to a jolly sailer: or, the maiden's choice: being love for love again. to an excellent new play-house tune. congreve, william, 1670-1729. 1693-1695? approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b02347 wing c5846 interim tract supplement guide c.39.k.6[61] 99887440 ocm99887440 182147 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02347) transcribed from: (early english books online ; image set 182147) images scanned from microfilm: (early english books; tract supplement ; a3:1[61]) buxom joan of lymas's love to a jolly sailer: or, the maiden's choice: being love for love again. to an excellent new play-house tune. congreve, william, 1670-1729. 1 sheet ([1] p.) : music. printed for p[hilip]. brooksby, at the golden-ball, in pye-corner., london: : [between 1693-1695] attributed to william congreve by wing. date of publication and publisher's name from wing. verse: "a soldier and a sailer ..." printed in two columns. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-08 mona logarbo sampled and proofread 2008-08 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion buxom joan of lymas's love to a jolly sailer : or , the maiden's choice : being love for love again . to an excellent new play-house tune . a soldier and a sailer , a tinker and a tailer , had once a doubtful strife , sir to make a maid a wife , sir , whose name was buxome joan. whos 's name was buxome joan , for now the time was ended , when she no more intended to lick her lips at men , sir , and gnaw the sheets in vain , sir , and lye o'nights alone , and lye o'nights alone . the soldier swore like thunder , he lov'd her more than plunder ; and shew'd her many a scar , sir , which he had brought from far , sir , with fighting for her sake . with fighting , &c. the tailor thought to please her , with off'ring her his measure : the tinker too with mettle , said he could mend her kettle , and stop up e'ry leak . and stop , &c. but while those three were prating , the sailer slyly waiting ; thought if it came about , sir , that they should all fall out , sir , he then might play his part . he then , &c. and just e'en as he meant , sir , to logger-heads they went , sir , and then he let fly at her , a shot 'twixt wind and water , which won this fair maid's heart . which won , &c. the souldier being frustrate , like boreas lowdly bluster'd , and wou'd have satisfaction , for such a treach'rous action , done by the cunning tar , done by , &c. but he aboard his pinace , ne'er fear'd the bully's menace , but lustily he ply'd , sir , against both wind and tide , sir , like any man of war , like any , &c. the tailer holdly vows too , he 'll serve him like a louse too , and with his bloody shears , sir , will out off both his ears , sir , for stealing of his love , for stealing , &c. but he his end had compast , and laugh'd at bodkin's bombast ; still pointing right his needle , he launch'd into the middle ; she tost and heav'd ; he drove , she tost , &c. then , next , the man of mettle began to beat his kettle , and swore , that ( with a pox ) he would thump him and his doxy , if ever he came near , if ever , &c. but still the merry sailer , defy'd buff , brass , and tailer , whilst , in his jolly mood , her he manag'd with his rudder , and right his course did stear , and right , &c. london : printed for p ▪ brooksby , at the golden-ball , in pye-corner . an excellent new medley, which you may admire at (without offence) for euery line speakes a contrary sences to the tune of, tarletons medley. m. p. (martin parker), d. 1656? 1625 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00491 estc r214081 stc 19231 estc r214081 interim tract supplement guide c.20.f.7[112] interim tract supplement guide c.20.f.7[13] 99892860 ocm99892860 182980 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00491) transcribed from: (early english books online ; image set 182980) images scanned from microfilm: (early english books; tract supplement ; a5:1[8]; a5:1[61]) an excellent new medley, which you may admire at (without offence) for euery line speakes a contrary sences to the tune of, tarletons medley. m. p. (martin parker), d. 1656? 2 sheets ([2] p.) : ill. for h.g., printed at london : [ca. 1625] signed: m.p. [i.e. martin parker]. in two parts: part 2 is bound with part 1 of the batchelors feast (at reel position a5:1[8]). publication date suggested by stc. verse: "in summertime when solkes [sic] make hay ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion an excellent new medley , which you may admire at ( without offence ) for euery line speakes a contrary sences to the tune of , tarletons medley . in summer time when solkes make hay , all is not true which people say , the foole 's the wisest in the play , tush take away your band : the fidlers boy hath broke his base , sirs is not this a pittious case , most gallants loath to smell the mace of woodstréet . the citty followes courtly pride , ione sweares she cannot iohn abide , dicke weares a dagger by his side . come tell vs what 's to pay . the lawyers thriue by others fall , the weakest alwaies goes to 'th wall , the shoomaker commandeth all at 's pleasure . the weauer prayes for huswiues store , a pretty woman was iane shore . kicke the base rascalls out o' th doore : peace , peace , you bawling curres . a cuckolds band weares out behinde , t is easie to beguile the blinde , all people are not of one minde , hold carmen . our women cut their haire like men , the cocke's ore-mastred by the henne there 's hardly one goodfriend in ten , turne there on your right hand : but few regard the cryes o' th poore , will spendeth all vpon a whore , the souldier longeth to goe ore , braue knocking . when the fifth henry saild to france , let me alone for a countrey dance , nell doth bewaile her lucklesse chance , f●e on false hearted men : dicke tarleton was a merry wagge , harke how that prating asse doth bragge , iohn dory sold his ambling nagge , for kicke-shawes . the saylor counts the ship his house , i le say no more but dun 's the mouse , he is no man that scornes a louse , vaine pride vndoes the land : hard hearted men make corne so deare , few frenchmen loue well english beere , i hope ere long good newes to heare , hey lusticke . now hides are cheape , the tanner thriues , hang those basemen that beate their wiues . he néeds must goe that the deuill driues , god blesse vs from a gun : the beadles make the lame to runne , vaunt not before the battaile 's wonne , a cloud sometimes may hide the sunne , chance medley . the second part. to the same tune . thy friend such lewdnesse soon wil check , and tell thée thou art like to lacke , hée'l bid thée alwaies haue a care of that which thou dost little feare , and that is , pouerty will grow , which thy true friend would not haue so . the false and fained flatterer will séeke to trap thée in his snare , his words most swéet shall still appeare to get thy money , wine and béere : these are certaine signes to know a faithfull friend from a flattering foe . if that thy friend be true indéed , hée'l not forsake thée in thy néed , hée'l take thy part in weale and woe , thy flattering friend will not doe so : these are certaine signes to know a faithfull , &c. now some perchance may this obiect , and say they are of the true sect , but such i le neuer trust till i their inward thoughts doe proue and try , then i certaine am to know a faithfull , &c. if that you want , then néeds of force , for your reliefe you 'l take some course , need stands behind and bids you goe , the kindnesse of mens hearts to know , and where once you have try'd it so , you 'l know your friend , &c. thy friend will wondrous sorry be to see thee fall to misery , and to his power hee 'l giue reliefe to ease thy dolour , woe and griefe : these are certaine signes to know a faithfull , &c. your faire tongu'd fawning hypocrite will say that you were void of wit , to spend your meanes so foolishly , and lacke so long before you dye . these are certaine signes to know a faithfull , &c. then this aduice take then of me , before need comes goe thou and see , try whilst thou hast of thiue owne , and see where fauour may be showne : then thou soone shalt finde and know a faithfull , &c. and looke where thou didst fauour finde , there be not wauering like the winde , if that thy friend proue iust and true , then doe not change him for a new : thus to all men i doe show the difference twix a friend and foe . for my part i may plainely say , that friends are apt for to decay , in wealth a man shall haue great store , but very few if once growne poore : this i write for men to know a faithfull , &c. when i had meanes then i had friends , but now i want , their friendship ends , now but few will take my part , nor helpe release me of my smart : this i have writ for men to know a faithfull , &c. thus to conclude and end my song , let me aduise both old and young , if thou doe wish for many friends , then haue a care and get some meanes : then you need not care to know a faithfull friend from a flattering foe . c. r. finis . london , printed for richard harper in smithfield . the coy shepherdess or, phillis and amintas. fair phillis in a wanton posture lyes not thinking to be seen by mortall eyes till accidentally amintas came, and see her lie, which made her blush for shame he cast himself down by her on the hay and won her love, before he went away. tune of, phillis on the new made hay, or, amarillis. j.p. j. p. 1660-1670? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04903 wing p48 interim tract supplement guide c.20.f.8[85] 99887655 ocm99887655 183280 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04903) transcribed from: (early english books online ; image set 183280) images scanned from microfilm: (early english books; tract supplement ; a5:2[71]) the coy shepherdess or, phillis and amintas. fair phillis in a wanton posture lyes not thinking to be seen by mortall eyes till accidentally amintas came, and see her lie, which made her blush for shame he cast himself down by her on the hay and won her love, before he went away. tune of, phillis on the new made hay, or, amarillis. j.p. j. p. 1 sheet ([1] p.) : ill. (woodcuts). printed for r. burton at the horse-shoe in west-smithfield., [london] : [between 1660-1670] verse: "phillis on the new made hay ..." place and date of publication suggested by wing. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the coy shepherdess or , phillis and amintas . fair phillis in a wanton posture lyes not thinking to be seen by mortall eyes till accidentally , amintas came , and see her lie , which made her blush for shame he cast himself down by her on the hay and won her love , before he went away . tune of , phillis on the new made hay , or , amarillis . phillis on the new made hay on a pleasant summers day , she in a wanton posture lay thinking no shephard nigh her till amintas came that way and threw himself down by her . at the first she was amaz'd and with blushes on him gaz'd h●r beau●y bright , did him invite her shape he did admire . her wanton dress , could do no lese , then set his heart on fire . then amintas mildly said phillis be not now afraid but entertain , thy shepherd swain . now we are met together , then i shall prize thy sparkling eyes . that did invite me hither . i have rang'd the plains about for to find my phillis out my flocks i left of joys bereft whilst i for thée did languish t is in thy will my heart to fill with joy , or else with anguish then fair phillis frowning said , my privacy thou hast betraid therefore be gone , let me alone do not disturb my pleasure , nor do not move thy sute of love , but leave me to my leasure . never yet did shepheards swain on this smooth scicilian plain once dare to move my déep disdain by such like bold intrusion . then cease thy suit 't is but in vain i scorn such fond delusion . when amintas sée her frown hoping still his joys to crown quoth he my dear , as i am here i like not this behavior , t is lovers bliss , to toy and kiss it wins a maidens favor . let us like the ivy twine . and our loves in one combine grim pluto loved proserpine her beauty did him fetter ; when thou art mine , & i am thine , i 'l please thée ten times better fye for shame fond boy she said im re●olv'd to live a maid thou a●t too young , to do me wrong be not so b●ld to venture , whilst he ●oor youth , to speak the truth still aimed at the centre phillis blusht as red as blood when his mind she understood his bold intent for to prevent she us'd her best endeavor , his resolution it was bent for he was loath to leave her . hotly he persued the game . whilst his heart was on a flame she cry'd pish nay fye for shame in faith you shall not do it but the youth her overcame and eagerly fell to ●t . thus she strived all in vain whilst she felt a pleasing pain , yet he , by no means would refrain but kindly did imbrace her , he kist his love and told her plain he never would disgrace her . in great rage she flung away tumbling ore the new made hay whilst he asham'd & breathless lay although he then displeas'd her he rally'd and renew'd the fray . and manfully appeas'd her . thus they spent this christal day in such wanton sports and play , amintias there , imbrac't his dear . and bid her be light-hearted but night being come they hasted home . and kindly kist and parted ▪ printed for r. burton at the horse-shoe in west-smith field . tobies experience explain'd: good fellows all, whatever you be, i pray take this advice of me: strength will decay old age will come, therefore save something while your yong [sic] to the tune of, that dill doul bowne, tobias. 1670-1696? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01743 wing b3897a interim tract supplement guide c.20.f.8[450] 99887915 ocm99887915 183563 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01743) transcribed from: (early english books online ; image set 183563) images scanned from microfilm: (early english books; tract supplement ; a5:2[354]) tobies experience explain'd: good fellows all, whatever you be, i pray take this advice of me: strength will decay old age will come, therefore save something while your yong [sic] to the tune of, that dill doul bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby, in west-smithfield [london] : [between 1670-1696] attributed to tobias bowne. place and date of publication suggested by wing. verse: "good fellows all i pray draw near ..." trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion tobies experience explaind : good fellows all , whatever you be , i pray take this advice of me : strength will decay old age will come , therefore save something while your yong to the tune of , that dill doul good fellows all i pray draw near , to what i here have lately pend . you 'l say 't is true i do not fear , and take the author for your friend : for by experiance i have seen ; how landladys , draw good fellows in , with pray come in , will not you stay , i have not seen you this many a day . come joan , where is our maid gone ? bring a chair for this honest man , come pray sit down you 'l stay so long , to smoak a pipe e'er you are gone ; such tricks they have , and ten times worse , to draw the coyn out of your purse with pray sir stay will you go away , i have not seen you this many a day . and then she 'l whisper in your ear , pray sir , will you drink ale or beer , ioan fill a flaggon , of the best , this is my friend , and my old guest : and something more i will you tell , you are a man that i love well , and you shall stay , you shall not goe away , i have not seen you this many a day . and then perhaps a maid may be , will come and smile up in your face , and she 'l sit down upon your knee , to keep you longer in that place : then you may kiss , and something more , so long as you have money in store , these are the bates which they do lay , poore honest men for to betray . some landladys have got the gout , they scarce can turn their arss about , they are so lasy , and so fat , their money is so easily got : some do complain of the excise , but i am sure that poor trades men pays ; their measure now is made so short . that we may pay full three pence a quart . a labouring man must work all day , for meat and one poor sixpence pay , if in an ale house once he went , how quickly is that sixpence spent : therefore go not into their dore , for they are fat enough before , but mind your wife if you have one , and let these fat arse dames alone . good fellows all that stand here by , will you say this my songs a lye , i think you may confess 't is true , and so i say as well as you . it is so publick to be seen , what tricks they have to draw men in , with pray come in , will not you stay , pray call when you do come this way , how happy might we live and brave , if we our money did but save , and not maintain those lasy queens , that never doth take any pains : nor toyl , nor wag out of their chear , to draw a man a pot of beer , but call the maid , where is she gone , draw some beer for this honest man. and so i do conclude and end , i pray observe what here is pend , bye one of them both great and small . and put them up against your wall : the price a penny , and that 's not dear , 't will save you two pence in a year . and so i hope you i gain thereby , i end having no more to say . finis . printed for p. brooksby , in west-smithfield a vvord in season: or, now or never. tis ne'r too late to be advised well regard it then you beauties that excel both in external and internal parts and do not triumph over captive hearts: least you ingrateful being left to time bereft of charmes, be punisht that black crime. a pleasant new tune, of sweet use your time, &c. d'urfey, thomas, 1653-1723. 1681-1684? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02837 wing d2794 interim tract supplement guide ebb65h[160] interim tract supplement guide c.20.f.8[528] 99887368 ocm99887368 183619 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02837) transcribed from: (early english books online ; image set 183619) images scanned from microfilm: (early english books; tract supplement ; a2:4[160]; a5:2[410]) a vvord in season: or, now or never. tis ne'r too late to be advised well regard it then you beauties that excel both in external and internal parts and do not triumph over captive hearts: least you ingrateful being left to time bereft of charmes, be punisht that black crime. a pleasant new tune, of sweet use your time, &c. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts), music. printed for j. wright, j. clark, w. thackery, and t. pass[i]nger., [london] : [between 1681-1684] author, date and place of publication suggested by wing. verse: "sweet use your time, abuse your time ..." reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a vvord in season : or , now or never . t is ne'r too late to be advised well regard it then you beauties that excel both in external and internal parts and do not triumph over captive hearts : least you ingrateful being left to time bereft of charmes , be punisht that black crime . a pleasant new tune , of sweet use-your time , &c. sweet use your time , abuse your time no longer , but be wise , your lovers now discover you , have beauty to be priz'd ; but if you 'r coy you 'l lofe the joy , so curst will be the fate ; the flower will fade , you 'l die a maid , and mourn your chance too late . at thirteen years , and fourteen years , a virgins heart may range ; twixt fifteen years and fifty years , you 'l find a wondrous change . then whilst in tune , in may or june , let love and youth agree ; for if you stay till christmas day the devil shall wooe for me . for then loves fire it will expire , and beauty he no more ; you of each charm love will disarm , though now , 't is true , you 've store . o then be wise , and be not nice , lest coyness does undoe you : those blushes hide that have defy'd the passions that pursue you . away with folly , come be jolly , shame not your creation , for we were made in love to trade , love is our cheif vocation . time is hasting , beauty's wasting , grasp the happy moment ; do not shun and be undone , rashly be not so bent . the blushing rose , your cheeks disclose and lillyes that are blooming , though fragrant now to time must bow , which all things is consuming , each windy blast does beauty wast which gone your hopes are lost then don't disdain a lovers flame least you at last are crost . proud beauties still do want their will when kind ones have content t is fate does blind th' ambitious mind and makes it oft repent : your virgin-prime then use in time send bashful fear away let not a blush destroy your wish but loves loud call obey . least the youth to tell you truth grows angry by delay , and you are forc'd to be divorc'd from pleasures many a day you are deceived if t is believed 't is alwayes in your power to be beloved , which many 'ave proved in an unlucky hour . for cruelty makes passion dye ambition is its grave like wandring fires , it still retires whilst you your selves deceive , with hopes your chaine does strong remain with which you link'd our hearts but it does prove too weak for love when scornd for its deserts . open your eyes then and he wise 〈…〉 happy ●e if joyes you 'd tast that never wast let youth and love agree t is past dispute , age does not suite with love , nor can it strive with due desire to rouse that fire which keeps the word alive . then use your time pass not your prime but with inchanting smiles and killing eyes our heart surprise but taken in your toiles , be full as free to love as we to make your bliss compleat then joyes will flow which those ne'r know who coyly make retreat . printed for j. wright , j. clark , w. thackery , and t. pass●nger . a lesson for all true christians. which being well observed by old and young, and practiced with hand and heart, and tongue: great comfort in it at the last you'll find, then mark it well, and bear it in your mind. tune of, the letter for a christian family. / by j.c. j. c. 1695 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b02370 wing c59 interim tract supplement guide c.20.f.8[271] 99887760 ocm99887760 183423 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02370) transcribed from: (early english books online ; image set 183423) images scanned from microfilm: (early english books; tract supplement ; a5:2[214]) a lesson for all true christians. which being well observed by old and young, and practiced with hand and heart, and tongue: great comfort in it at the last you'll find, then mark it well, and bear it in your mind. tune of, the letter for a christian family. / by j.c. j. c. 1 sheet ([1] p.) : ill. printed by and for a.m. and sold [by] the booksellers of pye-corner and lond[on ...], london. : [1695?] publication date suggested by wing. verse: "all you whose minds be high & heavenly bent ..." trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-03 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 emma (leeson) huber sampled and proofread 2008-06 emma (leeson) huber text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a lesson for all true christians . which being well observed by old and young , and practised with hand and heart , and tongue : great comfort in it at the last you 'll find , then mark it well , and bear it in your mind . by j. c. tune of , the letter for a christian family . bee faithfull vnto death & i will give thee a crowne of life . reu 2. 10 all you whose minds be high & heavenly bent , observe god's laws , and strive for to repent , bear thou in mind these lines i shall unfold and prize them better far then pearl or gold . bear thou in mind that christ dy'd for thy sin vpon the cross , thy precious soul to win ; be frequent still in reading of his word , vvhich cuts down sin as with a 2 edg'd sword . consider well the bitter pains and death . our saviour christ hath suffered on the earth vnto the cross they nail'd his hands and feet , so for our sins he shed his blood most sweet . defer no time , but pray continually , thy sins against the still for vengeance cry : pray to thee lord thy sins may be forgiven , and that thy soul may live with christ in heaven . eternal god if it be thy blessed will , comfort all those that now are sick or ill ; by land or sea relieve them of their pain , restore them to their former health again . forbear to swear you children that are young , you parents pray correct them for their wrong , and bring them up in fear to serve the lord , for fear he scourge them with his heavy rod. great oaths in vain too many people swear , the lord in pieces willfully they tear : strange imprecations they too common use , vvith such delights they do themselves abuse . how many false reports abroad do flie , people likewise are given much to lie : likewise dissemble so with one another , vve cannot tell how for to trust our brother . in many places people sudden dye , others again fore sick in bed do lye , lord give them grace in time for to repent , and for their grievous sins for to lament . keep thou in mind the iudgment day will come , when thou shalt answer for what thou hast done , vvhilst thou remainest here on the earth , therefore prepare thee for the hour of death . let not malicious thoughts possess thy breast , nor wicked actions in thy conscience rest ; in any case do not thy neighbour wrong , neither by thought , word deed , nor yet by tongue . many there be that follow drunkenness , and make themselves for worse then any beast and many when that they should go to church , do in an ale-house or a tavern lurch . nor do they heed , but spend their means in vain which should their wives & children maintain , vntil they have consum'd their whole estate , and ne'r repent before it be to late . otheres there be likewise doth rob and kill , and many a man and womans blood do spill ; for money to maintain their grievous sin , and think not on the errors they run in . pity it is they have no better care , but bring their souls and bodies in a snare ; their bodies here to dye in woful shame , their souls to suffer in eternal flame . qvire thou after gods , word , which is so pure also the gospel which will still indure ; seek thou the place whereas thy soul may rest , amongst the angels whom the lord hath bless . regard not thou the sin of covetausness , seek for to right the widow & the farther help to relieve those that in prison lye , also remember man that thou must dye . set not thy mind upon adultery , but from the beauty of lewd women flye ; vve find in scripture that it is forbid , then mind it well when as you do stread . take heed that you do not false measures use , vvith such deceit do not thy self abuse ; to many use it now , the more is the pity , in every place , in country , town , and city . undone are many by this false deceit , let me advise such people , and entreat to leave it off , and mark what i shall say , 't will rise against them at the judgment day . vvhen thou before thy maker shall appear . to give account , and eke thy self to cle●● if well thou 'st done , then happy shalt thou be , and live with christ in ioy eternally . xample take i pray both old and young , by these few lines that 's penned in this song bear it in your mind i pray now everyone , and think ●n it when i am dead and gone . young-men & maidens love your parents dear honour them still , and seek the lord to fear , o mind your bibles more than all your pride , and then before the lord will be your guide . zealous and faithful to each other prove , line not in hatred , but in perfect love , peace is a vertue passeth gold so pure , lord grant it may amongst us still endure , & now at last for to conclude and end , these lines to all true christians i do send , to read them o're and of them take a view vvhat here is pen'd you 'l find for to be true . london . printed by and for a. m. and 〈…〉 the booksellers of pye-corner and london 〈◊〉 a friends advice, in an excellent ditty, concerning the variable changes in this life. : to pleasant new tune,. campion, thomas, 1567-1620. 1663-1674 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a79653 wing c409 estc r228233 45097599 ocm 45097599 171209 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a79653) transcribed from: (early english books online ; image set 171209) images scanned from microfilm: (early english books, 1641-1700 ; 2567:15) a friends advice, in an excellent ditty, concerning the variable changes in this life. : to pleasant new tune,. campion, thomas, 1567-1620. 1 sheet ([1] p.) : ill. printed by e.c. for f. coles, t. vere, and j. wright., london, : [between 1663-1674] attributed to thomas campion by wing. date of imprint suggested by wing. right half of sheet contains "the second part to the same tune." without music. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. broadsides -england -17th century. 2007-10 tcp assigned for keying and markup 2007-10 apex covantage keyed and coded from proquest page images 2007-11 mona logarbo sampled and proofread 2007-11 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a friends advice , in an excellent ditty , concerning the variable changes in this life . to pleasant new tune , what if a day , or a moneth , or a year crown thy delights , with a thousand wisht contentings ? cannot the chance of a night , or an hour cross thy delights with as many sad tormentings ? fortune in her fairest birth are but blossoms dying , wanton pleasures doting mirth , are but shadows flying ; all our joyes are but toys . idle thoughts deceiving , none hath power of an hour , in our lives bereaving . what if a smile , or a beck , or a look , féed thy fond thoughts with many a swéet conceiving ? may not that smile , or that beck , or that look tell thée as well they are but vain deceiving ? why should beauty be so proud , in things of no surmounting ? all her wealth is but a shrowd of a rich accounting ; then in this , repose no bliss , which is so vain and idle , beauties flowers , have th●ir hours ▪ time doth hold 〈◊〉 b●●●●●… what if the world with allures of her wealth raise thy degrée to a place of high advancing ? may not the world by a check of that wealth put thée again to a low despised changing ? whilst the sun of wealth doth shine , thou shalt have friends plenty , but come want then they repine , not one abides of twenty ; wealth and friends , holds and ends , all your fortunes rise and fall , vp and down , rise and frown , certain is no state at all . what if a grief , or a strain , or a fit , pinch thée with pain , or the féeling pangs of sickness ? doth not that gripe , or that strain , or that fit shew thée the form of thy own true perfect likeness ? health is but a glimpse of joy , subject to all changes . mirth is but a silly toy with mishap estranges , tell me then silly man , why art thou so weak of wit , as to be in jeopardy when thou mayest in quiet sit ▪ the second part to the same tune ▪ then if all this , have declar'd thine amiss take it from me as a gentle friendly warning ; if thou refuse , and good counsel abuse thou mayst hereafter , dearly buy thy learning ; all is hazard that we have , there is nothing biding , days of pleasure are like streams , through fair meddows gliding , wealth or wo , time doth go , there is no returning , secret fates , guides our states , both in mirth and mourning , man 's but a blast , or a smoak , or a cloud that in a thought or a moment he is dispersed : life 's but a span , or a tale , or a word , that in a trice , on suddain is rehearsed , hopes are changed , & thy thoughts are crost will nor skill prevaileth though we laugh and live at ease , change of thoughts assaileth , though a while , fortune smile , and her comforts frowneth , yet at length , fails her strength and in fine she frowneth . thus are the joys of a year in an hour , and of a moneth , in a moment quite expired ; but in the night , with the word of a noyse , crost in the day of an ease our hearts desired ; fairest blossoms soonest fade , withered , foul and rotten , and through greatest joyes , quickly are forgotten : seek not then ( mortal men ) earthly fleeting pleasure , but with pain , strive to gain heavenly lasting treasure . earth to the world ▪ as man to the earth , hath but a point , and a point is soon defaced , flesh to the soul , as flower to the sun , that in a storm or a tempest is disgraced ; fortune may the body please which is only carnal , but it will the soul disease , that is still immortal , earthly joys , are but toys , to the souls election , worldly grace , doth deface , mans divine perfection . fleshly delight to the earth that is fleshly may be the cause of a thousand swéet contentings ; but the defaults of a fleshly desire brings to the soul many thousand sad tormentings ; be not proud presumptuous man , sith thou art a point so base , of the least and lowest element , which hath least and lowest place , mark thy fate , and thy state , which is only earth and dust , and as grass , which alass shortly surely perish must . let not the hopes of an earthly desire barr thee the joys , of an earnest contentation , nor let not thy eye on the world be so fixt to hinder thy heart ▪ from unfeigned recantation ; be not backward in that course that may bring thy soul delight , although another war may seem farre more pleasant to thy sight ; do not go , if he says do , that knows the secrets of thy mind , follow this , thou shalt not miss , an endless happiness to find . london , printed by e. c. for f. coles . ● . vere . and j. wright . 'tis money makes a man: or, the good-fellows folly. here in this song good fellow that mayst find, how money makes a man, if thou'rt not blind? therefore return e're that it be too late, and don't on strumpets spend thy whole estate, for when all is gone, no better thou wilt be: but laught to scorn in all thy poverty. to a pleasant new tune: bonny black bess: or, digby. / by j. wade. wade, john, fl. 1660-1680. 1674-1679? approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06565 wing w173 interim tract supplement guide ebb65h[32] 99887239 ocm99887239 181949 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06565) transcribed from: (early english books online ; image set 181949) images scanned from microfilm: (early english books; tract supplement ; a2:4[32]) 'tis money makes a man: or, the good-fellows folly. here in this song good fellow that mayst find, how money makes a man, if thou'rt not blind? therefore return e're that it be too late, and don't on strumpets spend thy whole estate, for when all is gone, no better thou wilt be: but laught to scorn in all thy poverty. to a pleasant new tune: bonny black bess: or, digby. / by j. wade. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. (woodcuts). printed for f[rancis]. coles, t[homas]. vere, j[ohn]. wright, j[ohn]. clarke, [london] : [between 1674-1679] verse: "oh what a madness 'tis to borrow or lend ..." date, place of publication and publishers' names from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. money -poetry -early works to 1800. ballads -england -17th century. 2008-02 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion 't is money makes a man : or , the good-fellows folly. here in this song good-fellow thou mayst find , how money makes a man , if thou' rt not blind ? therefore return e're that it be too late , and don 't on strumpets spend thy whole estate , for when all is gone , no better thou wilt be : but laught to scorn in all thy poverty . to a pleasant new tune : bonny black bess : or , digby . by j. wade . oo what a madness 't is to borrow or lend , or for strong liquor thy money to spend ; for when that is wanting thy courage to cool , thou most sta●d cap in hand to every fool : but if thy pock●ts can sing & they will take thy word oh then thou art company for knight or yet lord : then make much of a penny as near as you can , for if that be wanting thou' rt counted no man. then listen a while and i 'le tell you in brief , the most of my sorrow , my care , and my grief ; i had an estate i le make it appear , besides all my stock , was worth fifty a year : but so soon as i to drinking then fell , my land i then morgaged , my cattle did sell ; no sooner the money i for them had took , but it went to the ale-house i 'le swear on a book . thus in a short time my money did waste , and i found my self not a pin better at last ; whilst other tradesmen were working full hard , i f●om an ale-house could not be debar'd : there would i sit tipling day after day , and my wife she unto me full often would say , make much of a penny as near as you can , for if that be wanting thou'lt be counted no man. but the words that she spoke i 'd regard not a straw but would kick her , & beat her , & kéep her in awe ; my children at home might eat the bare wall , whilst i in an ale-house for strong liquor did call : and my hostis forsooth must needs sit on my knée though my wife she hath twice more beauty then she yet that would not please my letcherous mind , because for my money my hostis was kind . but in the conclusion here comes all my care , my back it grew thin , and my pockets grew bare ; then i told my hostis my pittiful tale , in hopes that my sorrows she would be wail : but she turn'd up her nose , and she looked a squoy , you might have been wiser she straight did reply ; this was all the comfort that i got from she , that always pretended my friend for to be . therefore all young-men that loves the ale-bench some counsel i 'le give them before they go hence ; if thou sit'st day and night , & drink'st never so fast yet thou'lt find thy own home is the best at last ; it is but for your money they wait you upon , and when that is wanting you'r lightly look't on ; if she sees but two-pence you run on the score , she 'l swear by her troth she will trust you no more ●hen have a care young-men , be ruled in time , lest drink overcome thee , in old days you pine ; for you see good-fellows how thread-bare they go and what good-husbandry brings a man to ; for some lives most bravely tho means they have small , and some that has hundreds do quickly spend all ; then make much of a penny as near as you can , for if that be wanting thou' rt counted no man. 't is money you see makes a lord , or yet ea●l , 't is money you see that sets out a young girl ; likewise 't is money makes the lawyer to prate , & t is money doth make the man love his wife kate and 't is money bréeds love where never was none , although she be old , yet money makes her young : a knight or a begger , whatever they be if they have but money they 'r welcome to me . thus money you see , and do well understand , if a poor man can but get it , he buys house and land but it must not be those that works hard all day , and at night in an ale-house doth throw it away . nay , that will not serve , but twice as much more , if his word it will pass , he runs on the score ; then all the week after , though then he don't ●eed he wanteth bread-corn his poor children to feed , therefore he advised boon companions all , for you see the worlds so they laugh at a mans fall with speed your old haunts pray begin for to shun , take warning by others the which are undone : you 'l say a good fellow it is a brave name , but many a man doth pay dear for the same : the which hath all spent , now in goal he doth lye , and none will relieve him in his poverty . but some men have got such a spark in their throat that i would not be him that should quench't for a groat ; all the fair words his wife can him give , yet he 'l not be ruled though poor he doth live : hang money he c●ys , till all ●●'t is gone ; as for house ●nd land i mean to buy none ; i must see my hostis to go neat and fine , although that my family doth starve and pine . and thus have i told you the conditions of some , that all long of strong liquor will never keep home his stock it d●cays , although his wife cries , and in the conclusion a begger he dies : but a good husband's means you see doth increase he maintains his houshold in joy and in peace ; then make much of a penny as near as you can , for if that be wanting , thou 'lt be counted no man finis . with allowance , ro. l'estrange . printed for f. coles , t. vere , j. wright , and j. clarke . the lovers ioy and griefe: or a young mans relation in a pitifull fashion, being from his loue hindred by locks, bolts, and kindred. to the tune of, yongmen and maids. m. p. (martin parker), d. 1656? 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00503 stc 19251.5 interim tract supplement guide c.20.f.7[194] 99884309 ocm99884309 183022 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00503) transcribed from: (early english books online ; image set 183022) images scanned from microfilm: (early english books; tract supplement ; a5:1[104]) the lovers ioy and griefe: or a young mans relation in a pitifull fashion, being from his loue hindred by locks, bolts, and kindred. to the tune of, yongmen and maids. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for tho: lambert and are to be sold at the signe of the hors-shoo in smithfield., printed at london : [1635?] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "among the vine, all nymphes diuine ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the lovers ioy and griefe : or a young mans relation in a pitifull fashion , being from his loue hindred by locks , bolts , and kindred . to the tune of yongmen and maids . among the uine , all nymphes diuine , that haunt the forked mountaine , if any will bring me a quil , dipt in castalia's fountain i le shew ( in briefe ) my ioy and griefe , and her due praises render , to whom i would come if i could , but locks and bolts doe hinder . my ioy , in that i had the fate , to chuse so rare a iewell , my griefe in this , that she ( my blisse ) is kept by kindred cruell , out of my sight , which day and night doth pierce my heart so tender , t is she to whom i faine would come , but locks and bolts doe hinder . she is a lasse that doth surpasse , her neighbours round about her , her worth is such , it grieues me much , to liue so long without her : with strong desire in cupids ●ire , my heart burnes to a cinder , i would possesse my happinesse but locks and bolts doe hinder . as thisbe faire by parents care from pyramus was hidden , so she to come abroad from home is earnestly forbidden : she dares not stir , nor i to her , so closely they haue penn'd her , she would come out i make noe doubt , but locks and bolts doe hinder . as danae was i' th tower of brasse , inclosed by her father , so she ( my sweet ) lest we should meet , is kept more closely rather : yet as great loue got to his loue , though walls did comprehend her , so i doe hope to haue frée scope , though locks and bolts doe hinder . i' th interim i must patiently expect that happy season , i dare not thinke that she will shrinke , for intruth i haue no reason , i find that she is true to me , in that i must commend her , she would not be so long from me . but locks and bolts doe hinder . it grieues my heart to think what smart ( poore creature ) she endureth , what meanes her kindred vse to winne her heart , which she assureth is fixed fast , while life doth last , no policie can bend her , to any course loue hath such forcs , but locks and bolts doe hinder . the second part to the same tune . shée hath ( t is true to speake what 's due ) too great a marriage portion , this may i vow , for cupid now , is bent vnto extortion ? i would therefore her friends were poore , or else in heart more tender , for poor or rich wée'd go through stitch , but locks and bolts doe hinder . although my selfe want worldly pelfe , vnto their expectation , yet if i may the truth display , without any ostentation , my birth and parts and due deserts are not so weake and slender , but that i might earne my delight , though locks and bolts doe hinder . were i a prince of eminence , and shee a peasants daughter , had she no more of learnings store , then what wise nature taught her , her péerelesse face and inward grace , shewes in my heart such splendor , shée mine should be , the like sayes she , but locks and bolts doe hinder . t is not her pelfe but her swéet selfe , that i ( in heart ) doe couit necessity let wealth supply , for nothing else i loue it , her onely loue is that doth moue my heart and makes it tender , i mourne in griefe without reliefe , for locks and bolts doe hinder . no ease of mind at all i find , but onely this assurance , that my deare wench will neuer flinch , though she be kept in durance , shee hath her share of woe and care for which i must commend her , on me she hath bestow'd her faith , though locks and bolts doe hinder . continue still in thy good will. thou paragon of beauty , and i to thée as true will bee ( so am i bound in duty ) though fortune frowne , yet the renowne of our affections tender , abroad is flowne , we two are one , though locks and bolts doe hinder . with patience wee 'll expect to feele , the fruit of all this sorrow , though sorrow may indure this day , i shall haue ioy to morrow , in the meane while , i in exile will be thy true defender , and spread thy name which is my claime . though locks and bolts doe hinder . oh cruell fate , expire the date , of two deare louers trouble , if once our griefe doe finde reliefe , our ioyes wil then be double and all our teares , our cares and feares , will to our names add splender thy heart is mine , and mine is thine , though locks and bolts doe hinder . m.p. finis . printed at london for tho : lambers and are to be sold at the signe of the hors-shoo in smithfield . the new-found northerne deedle: or, mirth and wit according to the times, fancies to fit, are in these following rimes to the tune of this is my grannams deedle. guy, richard, writer of ballads. 1633 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a02415 stc 12547 estc s117903 99853112 99853112 18480 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a02415) transcribed from: (early english books online ; image set 18480) images scanned from microfilm: (early english books, 1475-1640 ; 1239:13) the new-found northerne deedle: or, mirth and wit according to the times, fancies to fit, are in these following rimes to the tune of this is my grannams deedle. guy, richard, writer of ballads. 1 sheet ([1] p.) : ill. [by m. flesher] for tho: lambert, printed at london : [1633?] printer's name and suggested publication date from stc. verse "my mother's a good old woman,". in two parts; woodcuts at head of each part. reproductions of the originals in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-10 aptara keyed and coded from proquest page images 2007-11 elspeth healey sampled and proofread 2007-11 elspeth healey text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the new-found northerne deedle : or , mirth and wit according to the times , fancies to fit , are in these followingrimes . to the tune of this is my grannams deedle . my mother 's a good old woman , beloued of knights and yeamen , that neuer did hurt to no man , her wits together wil summon : to call for the new-found deedle , to call for my grannams deedle , to call for the dadyes deedle , this merry conceit of the deedle . and also my sister nanny , so beautifull and cauny , content will giue to any , and please them though nere so many : in dancing the new found deedle . in dancing my grannams deedle , in dancing the dadyes deedle , this merry conceit of the deedle . my brother a swaggering gallant , knows gilderland , brabbant , zeland , and lately is comne out of holland , to england to spend his talant : and calls for the new found deedle , come play us my grannams deedle , my mammies and dadyes deedle , this merry conceit of the deedle . the courtiers wiues so dainty , of gold which haue great plenty : wil drink , carouse , and be merry , and sack it in pleasant sherry . and calls for the new found deedle , come play us my grannams deedle , the new found northern deedle , this merry conceit of the deedle . the lady which takes vpon her , the style of state and honour , wil ride in majestick manner , with gallants attending on her , and cals for the new found deedle , come play us my grannams deedle , the new found northerne deedle , this merry conceit of the deedle . the tradesmens wiues of the citty , so handsome , neat , and pretty , so vnder standing , witty , delight in no other ditty : but call for the new found deedle come play us my grannams deedle , the new found northerne deedle , this merry conceit of the deedle . the country lasses so bonny , with breaths as swéet as honey , for cost they care , not any , but fréely will spend their money , and cals for the new found deedle , come play us my grannams deedle , the new found northerne deedle , this merry conceit of the deedle . the second part , to the same tune . the yong men so neatly attired , whose braueries are admired , when any braue musick they heare it , most heartily doe desire it , this merry conceit of the deedle , to heare the new found deedle , come play us my grannams deedle the new found northerne deedle , the musicall skild musician , howeuer be his condition : to play it he hath an ambition , because vnto him they petition : to play the new found deedle , to play them my grannams deedle , the new found northern deedle this merry conceit of the deedle : the carpenter , mason , and glasser , the bonny blacksmith , the braster , and barber that trims with a razor , will merry be when they haue leasure : and call for the new found deedle to play them my grannams deedle , the new found northerne deedle this merry conceit of the deedle . the tanner and merry shoomaker , the maltman , the miller , and baker , and brewer with them is partaker , if boldly that truth may be speaker : to call for the new found deedle and call for my grannams deedle , the new found northerne deedle this merry conceit of the deedle . the lustie and well limbd sailor , the nimble and spruce neat taylor , agréed like good fellowes that present together they would be pleasant , and have the new found deedle , this merry conceit of the deedle , the new found northerne deedle , ô this is my grannams deedle . to sée thesé mad lads come réeling , hearing , séeing , and féeling , with pleasing smelling and tasting , crying out of spendthrisfts wasting . that spending , desires the deedle , the new found northerne deedle , my good old grannams deedle the mammy and daddies deedle . blind fortune following after , maued a hearty laughter , to sée polt-footed vulcan , tosting off many a full can , and singing the new found deedle , &c. mercury , mars , and venus , so witty and engenious , brought in the yong god cupid to jéere at poore mortalls so stupid , for learning the new found deedle , ô this my grannams deedle , the mammy and daddies deedle , a merry conceited deedle . finis . r. guy . printed at london for tho : lambert . the young mans resolution to the maidens request. a witty dialogue between a young man and a maid. wherein she asks him when he intends to marry, and he resolves her how long he will tarry. to the tune of, summer time. j. s. (john shirley), fl. 1680-1702. 1663-1664? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b05855 wing s3522a estc r184139 47012651 ocm 47012651 174616 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05855) transcribed from: (early english books online ; image set 174616) images scanned from microfilm: (early english books, 1641-1700 ; 2693:4) the young mans resolution to the maidens request. a witty dialogue between a young man and a maid. wherein she asks him when he intends to marry, and he resolves her how long he will tarry. to the tune of, summer time. j. s. (john shirley), fl. 1680-1702. 1 sheet ([1] p.) : ill. printed for eliz. andrews ... london, : [between 1663 and 1664] signed at end: j. s. attributed to john shirley by wing (2nd ed.) contains 3 illustration. right half-sheet contains: the second part, to the same tune. reproduction of original in: university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-01 tcp assigned for keying and markup 2008-02 spi global keyed and coded from proquest page images 2008-03 mona logarbo sampled and proofread 2008-03 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the young mans resolution to the maidens request . a witty dialogue between a young man and a maid . wherein she asks him when he inteads to marry , and he resolves her how long he will carry . to the tune of , in summer time . as i was walking under a grove , within my self as i supposed ; my minde did often times remove , and by no means could be disclosed : at lenght by chance a friend i met , which caused me long time to tarry , and th●n of me she did entreat , to tell her when i did mean to marry . ●wéet heart quoth i if you would know , that mark these works and i 'le reveal it ; since in your minde you bear it so , and in your heart you do consent it ; she promise me for to make no words , but of such things she would be wary , and thus in brief i did begin , to tell her when i mean't to marry , when shrove-tide falls in easter week and christmas in the mid'st of july . and lawyers for no fees will plead , and taylors they deal just and truly . when all deceits are quite put down , and truth by all men is prefered ; and indigo dies red and brown , o they my love and i 'le be married . when safron grows on every trée and every stream flows milk and hony , and sugar grows in karret fields , and usurers refuse good money : when countrey men for iudges fits , and lammas falls in february , and millers they their tole forgets , o then my love and i will marry . the second part to the same tune . when men and beasts i' th ocean flows and fishes in green fields are féed when musele shels i' th streets do grow , ( my , and swans upon dry rocks are bréeding , when cockle shells are diamond rings , and glass to pearls may be compared ; and gold is made of the gray goose wings , o then my love and i 'le be married . when summer doth not dry up mire , and men on earth do leave to flatter ; when bakers they do use no fire , and brewees they do use no water , when mountains ar● by men removed , and england into france is carried and all maids prove true to their loves , o then my love and i 'le be married . when hostesses do recken true , and dutch-men leave off drinking brandy . when cats do bark and dogs do mew , and brimstane's tok for sugarcandy , or when that whitsuntide doth fall , within the moneth of january , and a c●bl●r ● without an a●●le o then my love and i will marry . when women know not how to scold , and maids of sweethearts ne'ree ar thinking when men i th fire comlain of cold , and ships on salisbury plain fear sinking when horse-cours●rs turne bonest men , and london unto york is carried or when you out of one can take ten , o then my love and i 'le be married . when candlesticks do serve for bells , and frying pans are us'd for ladles , or when in the sea they dig for wells , and porrige pots they make for cradles , when maids forget to go a maying , and a man on his back an oxe can carry or when the mice with the cat be playing , 't is then my love and i will marry . good sir , since you have told me when ; you are res●lved for to marry ; i wish with all my heart till then , that for a wife you still might tarry : for if all young men were of your minde , and maids no better were preferred , i think it would be when the d●vil is blind that we and our lovers should be married . by j. s finis . london , printed for eliz. andrews , in little st. bartholomews court is west-smithfield . the life and death of the famous thomas stukely an english gentleman in the time of queen elizabeth, who ended his life in the baetle of the three kings of barbary. life and death of famous thomas stukely johnson, richard, 1573-1659? 1700 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a87603 wing j804f estc r231025 99896639 99896639 134686 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a87603) transcribed from: (early english books online ; image set 134686) images scanned from microfilm: (early english books, 1641-1700 ; 2430:12) the life and death of the famous thomas stukely an english gentleman in the time of queen elizabeth, who ended his life in the baetle of the three kings of barbary. life and death of famous thomas stukely johnson, richard, 1573-1659? 2 sheets (versos blank) : ill. (woodcuts) printed and sold in bow-church-yard, london, [london] : [ca. 1700] by richard johnson. verse "in the west of england,". in four columns with the title and woodcut above the first two; the columns are not separated by rules. place and date of publication from wing (cd-rom edition). reproduction of original in the folger shakespeare library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng stucley, thomas, 1525?-1578 -early works to 1800. ballads, english -17th century. broadsides -england 2007-05 tcp assigned for keying and markup 2007-05 apex covantage keyed and coded from proquest page images 2007-06 mona logarbo sampled and proofread 2007-06 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the life and death of the famous thomas stukely . an english gentleman in the time of queen elizabeth , who ended hi● life in the baetle of the three kings of barbary . in the west of england , born there was , i understand ; a famous gallant was he in his days ; by birth a wealthy clothier's son , deeds of wonder he hath done , to purchase him a lang and lasting praise . if i would tell you his story ; pride was all his glory ; and lusty stukely he was call'd in court ; he serv'd a bishop in the west , and did accompany the best ; maintaining of himself in gallant sort . being thus esteemed , and every where well deemed ; he gain'd the pavour of a london dame ; daughter to an alderman , curtis she was called then ; to whom 〈◊〉 suitor gallantly he came . when she his person spied , he could not be denied : so brave a gentleman he was to see . she was quickly made his wife , in weal and woe to lead her life ; her father willing thereto did agree , thus in state and pleasure , full many days thry measure ; 'till cruel death with his regardless spight , bore old curtis to his gtave , a thing that stukely wish'd to have , that he might revel then in gold so bright . he was no sooner tombed ; but stukely he presumed to spend a hundred pound a day in waste , the greatest gallant in the land had stukely's purse at their command . thus merrily away the time he past . taverns and ordinaries were his chief bravaries ; golden angels then flew up and down , riots were his best delight , with stately feasting day and night . in court and city thus he won renown ; thus wasting lands and living , by this lawless giving ; at length he sold the pavement of the yard . which cover'd was with blocks of tin , old curtis left the same to him , which he consumed lately as you 've heard . whereat his wife sore grieved , desiring to be relieved : make much of me dear husband she did say , i 'll make much more of thee ( said he ) than any one shall verily ; i 'll sell thy cloaths , anh then go my way . cruelly thus hard-hearted , away from her he parted ; and travel'd into italy with speed : there he flourish'd many a day , in his silks and rich array ; and did the pleasures of a lady feed . it was the lady's pleasure , to give him gold and treasure , to maintain him with great pomp and fame , at last news came assuredly , of a battle fought in barbary ; and he would valiantly go see the same , many a noble gallant . sold both land and talent ; to follow stukely in this famous fight ; whereas three kings would advent'rously with courage bold . within this battle shew'd themselves in fight stukely and his followers all , of the king of portugal , had entertainment like ro gentlemen . the king affected stukely so , that he did his secrets know ; and bore his royal standard now and then . upon this day of honour , each man did show his manner ; norocco , and the king of barbary ; portugal and all his train , bravely glittering on the plain ; and gave the onset there most valiantly . the cannons there rebounded , and thundering guns redounded : kill , kill , then was the soldiers cry ; mangled men lay on the ground , and with blood the earth was drown'd , the sun was likewise darken'd in the sky , heaven was so displeased , and would not be appeased ; but tokens of god's wrath did show : that he was angry at this war , he sent a fearful blazing star ; thereby the king might his misfortune know bloody was the slaughter ; or rather cursed murder ; where sixscore thousand fighting men be flain three kings within this fight dy'd , and forty lords and dukes beside ; the like may never more be fought again , with woeful arms , enfolding , stukely stood beholding this cursed sacrifice of men that day ▪ he sighing said , i wicked wight , against my conscience here to fight ; and brought my followers unto decay , being thus sore vexed , and with grief oppressed ; these brave italians that sold their lands , with stukely to ventuae forth , and hazard life sor nothing worth , upon him then did cast their cursed hands . unto death thus wounded , his heart with sorrow swooned ; unto them he made his heavy moan : thus have i left my country dear , to be in this manner murder'd here ? even in this place where i am not known , my wife i have much wronged , of what to her belonged . i did consume in wicked course of life . what i had is past i see : and brings nought but grief to me . therefore grant me pardon , gentle wife . life i see consumeth ; and death i see presumeth to change this life of mine into a new ; yet this my my greatest comfort brings , i liv'd and dy'd in love of kings , rnd so brave stukely bids the world adieu . stukely's ltfe thus ended , was after death befriended ; and like a soldier buried gallantly , where now there stands upon the grave a sta●●●y temple builded brave , with golden turrets piercing to the sky . printed and sold in bow-church-yard , london . the seamans folly in marrying one so quickly; and for which he has cause to repent at leisure. tune of, cloris awake. / written by joseph martin. martin, joseph, fl. 1685-1700. 1685-1690? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04477 wing m845 interim tract supplement guide c.20.f.8[416] interim tract supplement guide c.20.f.9[903] 99887883 ocm99887883 183536 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04477) transcribed from: (early english books online ; image set 183536) images scanned from microfilm: (early english books; tract supplement ; a5:2[327]; a6:1[533]) the seamans folly in marrying one so quickly; and for which he has cause to repent at leisure. tune of, cloris awake. / written by joseph martin. martin, joseph, fl. 1685-1700. 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby at the golden ball in w[est-smithfield], london : [between 1685-1690] date of publication suggested by wing. verse: "there was a stout seaman ..." imperfect: trimmed, affecting imprint; item at a6:1[533] mutilated and very dark. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-12 john pas sampled and proofread 2008-12 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the seamans folly in marrying one so quickly ; and for which he has cause to repent at leisure . tune of , cloris awake . written by joseph martin . there was a stout seaman as i understand , that lately came sayling into fair england , and for to be merry it was his intent and now you shall hear he has cause to repent . his mess-mates and he did together agree to go to the tavern some pastime to see , where he met with a lass that so pleased his mind that he vowed unto her he 'd be loving and kind . this maid being willing together they went. where some howrs in pleasure together they spent , but at last all the creame of the jest will appear when this couple in private together was there . he kindly imbrac'd her and thus to her said i greatly do fear that thou wilt dye a maid ; now i am resolved what ever betide if thou art but willing to make thee my bride . i 'le leave all the seas the rocks & the storms and kindly embrace thee all night in my arms , then pray thee sweet heart be thou not so coy for soon thou shalt see i will get thee a boy , the maids answer . for to marry kind sir i am loath to begin , for all sorts of charges comes tumbling in , yet i am resolved what ever betide i le have a stout seaman to lye by my side . a seaman i love him as dear as my life and i am resolv'd to be a seamans wife : then why should i stay now i am in my prime for we will be marryed now it is high time . the seamans answer . the young man at this began to rejoyce to think he had met with they straightway was married the truth for to say , but she made him a cuckold the very next day . he presently finding his wife's pollicy , he then was resolved a trick for to try and strait did disguise himself as some people say he pick'd her up walking in ratcliff high way . to the tavern they went where full merry they were but she little mistrusted her husband was there , come le ts drink a health without any delay my cuckold at home all the reckoning shall pay . her husband at this in a passion strait fell and with a good stick he lamfatted her well , so taking his leave he bid england adieu since one has proov'd false he did think had been true . london printed for p. brooksby at the golden ball in west smithfield the age & life of man. here you may see the frailty that's in men, till they have run the years threescore and ten. / tune of jane shore. fancy, p., fl. 1675. 1675 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a85112 wing f406a estc r232854 45097779 ocm 45097779 171367 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a85112) transcribed from: (early english books online ; image set 171367) images scanned from microfilm: (early english books, 1641-1700 ; 2572:16) the age & life of man. here you may see the frailty that's in men, till they have run the years threescore and ten. / tune of jane shore. fancy, p., fl. 1675. [2] p. : ill. printed for j. williamson in canon street and at the bible on london-bridge., [london] : [1675?] caption title. signed: by p. fancy. date of publication suggested by wing. contains one woodcut illustration. reproduction of original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-09 tcp assigned for keying and markup 2007-11 aptara keyed and coded from proquest page images 2007-12 emma (leeson) huber sampled and proofread 2007-12 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the age & life of man. here you may see the frailty that 's in men , till they have run the years threescore and ten . tune of jane shore 1. when man is born he in a cradle hides 7. at one time seven a hoby horse bestrides ; 14. at two times seven a book to read withal ; 21. at three times seven a bandy and a ball ; 28. at four times seven a wife he seeks and finds 35. at five times 7 the horn of strength he winds : 42. at six times seven , time standeth by him still , 49. at seven times seven , his bag begins to fill : 56. at eight times seven his house with riches shines , 63. at nine times seven , he to the earth inclines : 70. at ten times seven his glass & time is run , into the earth man falls , his story 's done . as i was wandring all alone a project then i thought upon : the which in my senses ran , that i should right the age of man : man he is clay , and came from earth and sinners live till day of death from one sin to another run , and never leaves till he 's undone . then fear your god make no delay for time and tide for none will stay . the first of seven years in a cradle , to stand or go he is not able , whiles other creatures making scorn tramples him down when he is born : so weak he is he cannot go and poor is born we all do know . into this world stark naked he came , and so shall go out of the same . then fear your &c. at two times seven his friends to rule provide for kéeping him at school : that what to him in youth is told may do him good when he is old : but he so given is to play he truants most his time a way : when age comes on , he 'l then repent , that he his time had so mispent . at thrée times seven he is very idle that all his friends cannot him bridle . then fear your god , make no delay , his thoughts run wandring too & fro , perswade him well , you are his foe : in other countreys he will rome and have no mind to stay at home : that all his friends are grieved still while he persues his headstrong will. then , &c. the second part to the same tune . at four times seven a wife he gets , using & mustring up his wits how he should thrive he takes great pains , alass for little or no gains . he then to bend his senses , rowse things most convenient for his house : which in time wasts & fades away , even so must man that is but clay . then fear , &c. at five times seven a charge comes on , which in the world few think upon : he labours hard with right good will , striving like stones against a hill : or like a fload that swiftly goes at one time ebbs , another flows : even so is man that 's rich to day to morrow god takes all away . then fear , &c. at six times seven then he should leave and for his former folly grieve : his heart is vert with sobs & sighs for all his former vain delights good husbandry he then home takes bad husbandry he then forsakes : and sober lives , and those defie such as do ●●te good husbandry then fear , &c. at seven times seven a covetous mind is all to which he is inclind covetous he is in himself to purchase up all worldly wealth . gathering up that which is but dross which may prove once to be a cross . except his talent he improve towards the poor by acts of love . then fear your god , make no delay , for time and tide for none will stay . at eight times seven his cunning skill striving with all his worldly will : in barganing & selling then making his children mighty men . leaving behind him that which he for it shall never thanked be as he did gather and lay it by , the prodigal doth make it fly . then fear , &c. at nine times seven he waxes old , his limbs benum'd , & veins are cold : his children glad with much content , their father have so good judgment : so knowing is in every cause his wit doth make young men to pause : yet all this world he now must leave and now prepare himself for grave . then fear , &c. at ten times seven his glass is run , and he poor soul can no way shun : no , he must leave children & wife , to give the world can't save his life . happy is he that liveth here , and kéeps his conscience pure & cléer , although in dust his body lye his soul shall mount up to the sky . then fear , &c. thus have i shown from stage to stage , the frail condition of mans age , from seven to seven we pass , till when we reach the years threescore & ten : let us all joyn with one accord , and with due reverence fear the lord. then may we all rejoyce and sing hallelujah to our heavenly king. by p. fancy . printed for j. williamson in canon street and at the bible on london-bridge . loves lunacie. or, mad besses fegary declaring her sorrow, care and mone, which may cause many a sigh and grone: a young-man did this maid some wrong, wherefore she writ this mournfull song. to the tune of, the mad mans morris. crimsal, richard. 1638 approx. 6 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-01 (eebo-tcp phase 1). a19008 stc 5426 estc s108784 99844439 99844439 9250 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a19008) transcribed from: (early english books online ; image set 9250) images scanned from microfilm: (early english books, 1475-1640 ; 1627:17) loves lunacie. or, mad besses fegary declaring her sorrow, care and mone, which may cause many a sigh and grone: a young-man did this maid some wrong, wherefore she writ this mournfull song. to the tune of, the mad mans morris. crimsal, richard. 1 sheet ([1] p.) : ill. printed for iohn wright the younger, and are to bee sold at the upper end of the old-bayley, at london : [1638?] signed at the end: richard climsull. publication suggested by stc. verse "poore besse, mad besse, so they call me,". in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2002-03 tcp assigned for keying and markup 2002-04 apex covantage keyed and coded from proquest page images 2002-05 tcp staff (michigan) sampled and proofread 2002-05 mona logarbo text and markup reviewed and edited 2002-06 pfs batch review (qc) and xml conversion loves lunacie . or , mad besses fegary . declaring her sorrow , care and mone , which may cause many a sigh and grone : a young-man did this maid some wrong , wherefore she writ this mournfull song . to the tune of , the mad mans morris . poore besse , mad besse , so they call me , i 'm metamorphosed ; strange sights and visions i doe sée , by furies i am led : tom was the cause of all my woe , to him i loudly cry , my love to him there 's none doth know , yet héere he lets me lie . this bethlem is a place of torment , héere's fearfull notes still sounding ; héere minds are fild with discontent , and terrors still abounding . some shake their chaines in wofull wise , some sweare , some curse , some roaring , some shrieking out with fearfull cries , and some their cloaths are tearing . o curst alecto that fierce fury , megara , tysiphon ! are governours of my late glory ; wise pa●las me doth shun : my jems , my sewels and my earings , are turnd to ●●on fetters ; they now doe serve for others wearings , such as are now my betters . orcades fairies now doe lead me , ore mountaines , hils and valleys , naiades doth through waters drive me , and brizo with me dallies : o sometimes i dreame of my tom , then with my folded armes i him embrace , saying welcome , but waking bréeds my harmes . adrastea now robbeth me , of all my wit and patience , angarona will not receive me , to live in peace and silence : my mind runs on my fine apparell , which once did fit my wearing : then with my selfe i séeme to quarrell , my rags i fall to tearing . o once i was as faire as briseis , and chast as was cassandra , but living voyd of joy and blisses , i 'm hero to leander : for as chast hero her selfe drowned , so i am droun'd in sorrow ; the fates on me hath sorely frowned , no patience i can borrow . the second part , to the same tune . i 'm like to faire philomela , by tereus basely ravished ; yet when his burning lust did thaw , he closely her imprisoned ; and even so i 'm quite defloured by tom of all my senses ; my love and meanes he hath devowred , making no recompences . you gods and all you goddesses , pray listen to my mourning , and grace me with this happinesse , to sée my toms returning . or if you will not grant me this , to send him hither to me , send me but word whereas he is , and tom , i le come unto thée . if that he be in god marses traine , where armour brightly glisters ; be sure i le fetch him home againe , in spight of the thrée sisters : or if he be in venus court , where cupid shoots his arrowes : i le fetch him thence from all his sport , onely to ease my sorrowes . stay , who comes here ? t is the sisters thrée , which lately i did mention , i doubt they come to chide with me and hinder my intention . clotho brings wool , lachesis doth spin , atropos cuts asunder ; now i le away and not be séene , each one is my commander . you maids and uirgins faire and pure note well my carefull calling , you cannot thinke what i endure , cupid hath caus'd my falling : when i was as now many be . frée from god cupids arrowes , i would have smil'd at any shée , that should tell me of sorrowes . my lodging once was soft and easie , my garments silke and sattin ; now in a locke of straw i lie , this is a wofull pattin : my diet once was choise and fine , all which did not content me ; now i drinke water , once good wine was naught unlesse t were sent mée . thus pride and love together joynd to worke my vtter ruine ; they wrought my discontent in mind , which causes my undoing . and thus good people all adue , perhaps you nere may sée me , farewell i bid once more to you , i 'm grieved sore believe me . but if you chance once more to come , bring tidings from my dearest , by all meanes bring my true love tom , hee 's welcomst when hée s néerest : the day is past , and night is come , and here comes our commander ; hée'l locke me into a darke roome , 't is sorrowes chiefest chamber . finis . richard climsull . at london , printed for iohn wright the younger , and are to bee sold at the upper end of the old-bayley . the geneva ballad. to the tune of 48. butler, samuel, 1612-1680. 1674 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b01875 wing b6291a interim tract supplement guide c.20.f.2[339] 99886992 ocm99886992 181660 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01875) transcribed from: (early english books online ; image set 181660) images scanned from microfilm: (early english books; tract supplement ; a1:1[342]) the geneva ballad. to the tune of 48. butler, samuel, 1612-1680. 1 sheet ([1] p.). s.n., [london : 1674] attributed to samuel butler. verse: "of all the factions in the town ..." imprint from wing. this edition has a dark-colored-leafed floreated initial and a double floreated decoration separating the two columns. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. great britain -religion -17th century -poetry -early works to 1800. 2008-07 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2008-08 john pas sampled and proofread 2008-08 john pas text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the geneva ballad . to the tune of 48. of all the factions in the town , mov'd by french springs or flemish wheels , none treads religion upside down , or tears pretences out at heels , like splay-mouth with his brace of caps whose conscience might be scan'd perhaps by the dimensions of his chaps . he whom the sisters so adore , counting his actions all divine , who when the spirit hints , can roar , and if occasion serves can whine ; nay he can bellow , bray or bark . was ever sike a beuk-larn'd clerk , that speaks all lingua's of the ark. to draw in proselytes like bees , with pleasing twang he tones his prose , he gives his hand-kerchief a squeez , and draws john calvin through his nose . motive on motive he obtrudes , with slip-stocking similitudes , eight uses more , and so concludes . when monarchy began to bleed , and treason had a fine new name ; when thames was balderdash'd with tweed , and pulpits did like beacons flame ; when jeroboam's calves were rear'd , and laud was neither lov'd nor fear'd , this gospel-comet first appear'd . soon his unhallowed fingers strip'd his sov'reign liege of power and land , and having smote his master , slip'd his sword into his fellows hand . but he that wears his eyes may note , oftimes the butcher binds a goat , and leaves his boy to cut her throat . poor england felt his fury then out-weigh'd queen mary's many grains ; his very preaching slew more men , than bonner's faggots , stakes and chains . with dog-star zeal and lungs like boreas , he fought and taught ; and what 's notorious , destroy'd his lord to make him glorious . yet drew for king and parlement . as if the wind could stand north-south ; broke moses's law with blest intent , murther'd and then he wip'd his mouth . oblivion alters not his case , nor clemency nor acts of grace can blanch an aethiopian's face . ripe for rebellion he begins to rally up the saints in swarms , he bauls aloud , sirs , leave your sins , but whispers , boys , stand to your arms , thus he 's grown insolently rude , thinking his gods can't be subdu'd , money , i mean , and multitude . magistrates he regards no more than st. george or the kings of colen ; vowing he 'l not conform before the old-wives wind their dead in woollen . he calls the bishop , grey-beard goff , and makes his power as mere a scoff , as dagon , when his hands were off . hark! how he opens with full cry ! halloo my hearts , beware of rome . cowards that are afraid to die thus make domestick broils at home . how quietly great charles might reign , would all these hot-spurs cross the main , and preach down popery in spain . the starry rule of heaven is fixt , there 's no dissension in the sky : and can there be a mean betwixt confusion and conformity ? a place divided never thrives : 't is bad where hornets dwell in hives , but worse where children play with knives . i would as soon turn back to mass , or change my phrase to thee and thou ; let the pope ride me like an ass , and his priests milk me like a cow : as buckle to smectymnuan laws , the bad effects o' th' good old cause , that have dove's plumes , but vultur's clawes . for 't was the haly kirk that nurs'd the brownists and the ranters crew ; foul errors motly vesture first was oaded in a northern blue . and what 's th' enthusiastick breed , or men of knipperdoling's creed , but cov'nanters run up to seed ? yet they all cry , they love the king , and make boast of their innocence : there cannot be so vile a thing , but may be colour'd with pretence . yet when all 's said , one thing i 'll swear , no subject like th' old cavalier , no traitor like jack — mirth for citizens. or, a comedy for the country shewing a young farmer his unfortunate marriage, his wife is so churlish & currish in carriage he married her for beauty, for's own delight now he repents it both day and night. by physiognomy adviseth young men that at: to be sure to look before that they leap, to leap at a venture, & catch a fall, raising the forehead break horns and all. tune of, ragged, torn, and true. miles, abraham. 1673 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a50849 wing m2043 estc r216316 99828049 99828049 32476 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a50849) transcribed from: (early english books online ; image set 32476) images scanned from microfilm: (early english books, 1641-1700 ; 1855:13) mirth for citizens. or, a comedy for the country shewing a young farmer his unfortunate marriage, his wife is so churlish & currish in carriage he married her for beauty, for's own delight now he repents it both day and night. by physiognomy adviseth young men that at: to be sure to look before that they leap, to leap at a venture, & catch a fall, raising the forehead break horns and all. tune of, ragged, torn, and true. miles, abraham. 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby at the golden ball in py-corner, [london] : [1673?] signed: abraham miles. place and date of publication from wing. verse "hey boys my fathers dead,". imperfect; trimmed at head affecting title. reproduction of the original in the harvard university library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-12 tcp assigned for keying and markup 2008-01 spi global keyed and coded from proquest page images 2008-03 mona logarbo sampled and proofread 2008-03 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion mirth for citizens . or , a comedy for the country : shewing a young farmer his unfortunate marriage , his wife is so churlish & currish in carriage he married her for beauty , for 's own delight now he repents it both day and night . by physiognomy adviscth young men that at : wenches-skip , to be sure to look before that they leap , to leap at a venture , & catch a fall , raising the forehead breaks horns and all . tune of , ragged , torn , and true . hey boys my fathers dead , and what used i to fear , vvith gold and silver i am sped , ●nd have fifty pound a year : then why should i be single , i will not lead the life ; my gold and silver doth gingle , a wooing i 'le go for a wife . sure thrice happy am i if i obtain this bride , there 's none can her come nigh in all the whole world beside . a dainty fine lass i know as ever england bred : her skin is as white as snow and her hair of a crimson red : she lives but in our town , she is vertuous , chaste , and wise , if i win her my joys are crown'd bes●des a matchless prize . sure thrice happy &c. i le get her fathers good will , and mothers too beside ; then next i'le-try my skill to win this lovely bride : i 'le hug her and buss her and kiss her ; in her lies all my pride : as conventicle dick served his sister , and tother thing too beside . sure thrice happy &c. she hath two hundred pound to her portion and i a great deal of land : thus shall i come quick to promotion , for love i take her by the hand : but when i went to be married , i was in the height of my pride ; brave gallants on horseback was carried , to accompany me and my bride . sure thrice happy am i that i have obtained this bride , there 's none can to her come nigh in all the whole world beside . o we had a gallant brave wedding indéed , and delicate dishes store , those were welcome which were of our ( biding , but little we minded the poor : o we had both sack and canary , and the musick bravely did play , o then i drank sack and sherry , i thought it would never be day : sure thrice happy &c. when i and my bride was in bed on my wedding-day at night , my fancies with pleasures she fed , for i had my full delight : she shewed me venus school and with me she did daddle , but i a young puny fool , did quickly fall out of the saddle . sure thrice happy &c. but then on the morrow morn , o she laughed me to scorn : o she drank sack and canary in silver , and made me drink out of a horn , but when our wedding did cease and our brave banquets were done , my joys did quickly decrease , and my sorrows soon after begun , sure thrice happy &c. she told me she would be master , and all the whole houshold guide , i told her it gave disaster , she said it should quickly be try'd : then against her i took stick , thinking she durst not come nigh , vvith a cudgel my bones she did lick , that for pardon i quickly did cry : sure thrice happy &c. she 's grown so devilish curst , and in it she takes a pride , makes nothing my head to burst and hang my bones beside : she makes me go to plough , ditch , hedge , and thrash beside , and jack come serve the jow , to this slavery i 'm ty'd . sure thrice happy &c. i do get up in a morn , and for her make a fire , i 'm a cuckold and laught to scorn , a holly-crab pays my hire : then her clothes she gets on her , sugar-sops must ready be , and i forsooth wait on her , with bowing on my knee : sure thrice happy &c. at dinner she is stout , that by her i must now stand , to wait with a napkin on my arm , and a trencher in my hand : some desire i may them pledge , and she is full of hate , if i kiss not my hand and make a leg , she lays me over the pate : another thing troubles my head and grieves me worse than this , vvhen her comrade is with her in bed i must reach her the pot to piss : i must draw her a cup of long tipple if it be a cold frosty night , or she beats me as same as a cripple , o the bulls pizel doth me fright . sure thrice happy &c. she kicks me about the house and puts me in bodily fears , i dare not say dun is the mouse , she pinches me through the ears . she makes horns at me & doth slight me , and makes me a jackanokes , she kicks me , she pricks me and bites me o i feel her devilish strokes . sure thrice happy &c. i wish young-men hereafter be not too quick in wooing their wives , and beware of red-hair disaster , or repent it all days of their lives : chuse a wench of a dark brown hair , and one of a middle size , cole black will fill thee with care , and ledge others betwixt her thighs . sure thrice happy am i if i obtain this bride , there 's none can her come nigh in all the whole world beside . by abraham miles . the pretty by-names this young woman hath for her husband . a simple simon , a tom nickols , jack adams , a muddy-brain'd cuckold , a hopping dick , a nicknindigo the devils turnspit . here follows his potion of dyet for several days of the week , of a monday , is he riseth not betimes in the morning , instead of posset she comes up with a holly crab , and pays him about in his shirt ; on tuesdays she bangs his back with a good cudgel ; on wednesdays she kicks his breech , and lugs his ears , instead of feeding him with beef and souce ; on thursdays , fridays , and saturdays , she pays his back with a bulls pizle , till he cries , o good wife , i will never do so no more . printed for p. brocksby at the golden ball in py-corner the catholick ballad: or, an invitation to popery, upon considerable grounds and reasons. to the tune of, eighty eight. pope, walter, d. 1714. 1689 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04782 wing p2909 interim tract supplement guide c.20.f.7[26] 99884188 ocm99884188 182938 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04782) transcribed from: (early english books online ; image set 182938) images scanned from microfilm: (early english books; tract supplement ; a5:1[17]) the catholick ballad: or, an invitation to popery, upon considerable grounds and reasons. to the tune of, eighty eight. pope, walter, d. 1714. 1 sheet ([1] p.) : music. s.n., [london : 1689] attributed to walter pope. verse: "since pop'ry of late is so much in debate ..." imprint suggested by wing. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng catholic church -poetry -early works to 1800. ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 john pas sampled and proofread 2008-07 john pas text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the catholick ballad : or , an invitation to popery , upon considerable grounds and reasons . to the tune of , eighty eight . since pop'ry of late is so much in debate , and great strivings have been to restore it , i cannot forbear openly to declare , that the ballad-makers are for it . we 'll dispute no more then , these heretical men , have exposed out books unto laughter , so that many do say , 't will be the best way , to sing for the cause hereafter . o the catholic cause ! now assist me my muse , how earnestly do i desire thee ! neither will i pray to st. bridget to day , but only to thee to inspire me . whence should purity come , but from catholic rome ? i wonder much at your folly ? for st. peter was there , and left an old chair , enough to make all the world holy . for this facted old wood , is so excellent good , if our doctors may be believ●d , that whoever fits there , needs never more fear , the danger of being deceived . if the devil himself should ( god bless us ) get up , though his nature we know to be evil , yet whilst he sat there , as divers will swear , he would be an infallible devil . now who sits in the seat , but our father the pope ? which is a plain demonstration as clear as neon-day , we are in a right way , and all others are doom'd to damnation . if this will not suffice , yet to open your eyes , which are blinded with bad education ; we have arguments plenty , and miracles twenty , enough to convince a whole nation . if you give but good heed , you shall see the host bleed . and if any thing can persuade ye , an image shall speak , or at least it shall squeak in the honour of our lady . you shall see without doubt , the devil cast out , as of old by erra pater ; he shall skip about and tear like a dancing bear , when he feels the holy water . if yet doubtful you are , we have reliques most rare , we can shew you the sacred manger ; several loads of the cross , is good as e're was , to preserve your souls from danger . should i tell you of all it would move a stone-wall , but i spare you a ●●●t●e for pity , that each one may prepare , and 〈◊〉 up his 〈◊〉 for the second p●r●● of my ditty . the second part. to the same tune . now listen again to those things that remain , they are matters of weight , i assure you ; and the first thing i say , throw your bibles away , 't is impossible else for to cure you . o that pestilent book ! never on it more look , i wish i could sing it out louder : it has done men more harm , i dare boldly ●ff●rm than th' invention of guns and powder . as for matters of faith , believe what the church saith , but for scripture , leave that to the learned ; for these are edge-tools , & you laymen are fools , if you touch them y' are sure to be harmed . but pray what is it for , that you make all this stir ? you must read , you must hear and be learned : if you 'll be on our part , we will teach you an art , that you need not be so much concerned . be the churches good son , and your work is half done , after that you may do your own pleasure : if your beads you can tell , and say ave mary well , never doubt of the heavenly treasure . for the pope keeps the keys , and can do what he please , and without all peradventure , if you cannot at the fore , yet at the back-door of indulgence you may enter . but first by the way , you must make a short stay at a place railed purgatory , which the learned us tell , in the builings of hell , is about the middlemost story . 't is a monstrous hot place and a mark of disgrace , in the torment on 't long to endure : none are k●pt there but fools , and poor pitiful souls who can no ready money procure . and a handsum round sum you may quickly begon , to the church has wisely ordein'd , and they who build crosses and pay well for masses , would not there be too long detein'd . and that 't is a plain c●se , as the nose on ones face , they are in the surest condition , since none but poor fools , & some niggardly owls , and can call into utter perdit on . and they faileth you then o ye great and rich men , for that you will not hearken to reason , and as long as y have pence , y'need scruple no of sence for murther , a●n●te●y , treason . and ye sweet natar'd women , who hold all things common , my addresses to you are most hearty , and to give you your due , you are to us most true , and we hope we shall gain the whole party . if you happen to fall , your pennance is small , and although you cannot forg● it , we have for you a cure , if of this you be sure , to con●ess before you go to it . there is one reason yet , which i cannot omit , to those who affect the french nation , hereby we advance the religion of france , the religion that 's only in fashion . if these reasons prevail , ( as how can they fail ? ) to have popery entertain'd , you cannot conceive , and will hardly believe , what benefits hence may be gain'd . for the pope shall us bless ( that 's no small happiness ) and again we shall see restored the italian trade , which formerly made this land to be so much adored . o the pictures and rings , the beads and fine things , the good words as sweet as honey , all this and much more , shall be brought to our door for a little dull english money . then shall iustice and love , and whatever can move , he restored again to our britain : and learning so common , that every old woman shall say her prayecs in latin. then the church shall bear sway , and the state shall obey , which is now lookt upon as a wonder , and the proudest of kings , with all temporal things , shall submit and trickle under . and the parliament too , who have tak'n us to do , and have handled us with so much terror ; may chance on that score ( 't is no time to say more ) they may chance to acknowledge their error . if any man yet , shall have so little wit , as still to lie refratory ; i swear by the mass , he is a meer ass , and so there 's an end of the story . finis . the nevv made gentlevvoman or, the dishonest lady. writen as true as she did relate how money made her every rascal's mate likewise she says she's gather'd riches store. by only playing of the private whore. and now in the country she's gone, and left me bebind [sic] to sing this song. to a new tune, or, the flatteries of fate. l. w. 1674-1679? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b06569 wing w1795a interim tract supplement guide c.20.f.8[380] 99887845 ocm99887845 183506 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06569) transcribed from: (early english books online ; image set 183506) images scanned from microfilm: (early english books; tract supplement ; a5:2[297]) the nevv made gentlevvoman or, the dishonest lady. writen as true as she did relate how money made her every rascal's mate likewise she says she's gather'd riches store. by only playing of the private whore. and now in the country she's gone, and left me bebind [sic] to sing this song. to a new tune, or, the flatteries of fate. l. w. 1 sheet ([1] p.) : ill. (woodcuts). printed for f. coles, t. veres, j. wright, and j. clarke, [london : between 1674-1679] signed: by l.w. verse: "come gallants and lisen unto me a while ..." imprint suggested by wing. imperfect: trimmed, affecting imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-04 spi global keyed and coded from proquest page images 2008-05 mona logarbo sampled and proofread 2008-05 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the nevv made gentlevvoman or , the dishonest lady . writen as true as she did relate how money made her every rascal's mate likewise she says she 's gather'd riches store . by only playing of the private whore. and now in the country she 's gone , and left me behind to sing this song . to a new tune , or , the flatteries of fate . come gallants and lisen unto me a while i 'll sing you a song that will make you smile of one that is pritty , in london fair city , and gentlemens humors she can beguile . my parents quoth she hath left me forlorn , and told me how i was begot in a barn , but since i am to elder years grown to be told of my parents i hold it in scorn . i got a few cloaths and to london i came , where quickly my beauty did get me a name ; i tell you the truth although you me blame , i now am become a girl of the game . the first that come to me he was a foot-boy , and he gave me a crown for to call him my ioy , i lov'd him and joy'd him and honey'd him so that it cost him an angel before he did go . a lawyers clerk was the next that did come , and made me believe that he was a lords son , i pleased his mind when i found out his play that it cost him a pound before he went away . and many more to me did strait ways resort , with gold and with silver my person to court , that riches i gather'd by using this trade after forty had used me i went for a maid . heart depiction of book with silks & with sattings now bravely i go , and waiting maids on me attend , you must know my justico and black-patches i were , which make all admire that on me doth stare . brave gallants i promise you doth me adore not taking me to be a vampified whore , they 'll give me a guinny if on them i smile , and two for a take-up , thus i them beguile . my smock it is cambrick i tell you the truth , and handled by many a prodigal youth i have a fine spring that runeth so clear , that it brings me as good as two hundred a year . now i have got treasure no longer i 'll stay but into the country strait i will away , where one of my lovers hath done me much wrong for in a weeks time he did send me this song . the gentleman's song that he sent his lady into the country . my lady is grown so bonny and gay she 's gone from the city in the country to play , and by her great fame , she 's got such a name , with singing and dancing it makes her go lame . she plaid in the city almost half a year and yet for her wages she's never the near , but a gallant did say this part you must play t is thought in some corner that he did her lay . i steering my coast one night in the dark i met with a frigot that sail'd towards the park she haisted up sail and away she did run i sée her cast anchor at the prince in the sun. i gave her a guinny to enter her fort she presently yielded to come to the sport , but finding me lasie strait bid me begone i gave her a shot , but she fir'd my gun. and thus i was conquer'd and forc't to retire for she gave me a clap against my desire she makes me go stradling with swelling my eggs you may drive a wheel-barrow betwéen my 2 legs . but now her beauty is almost decayd , which makes her to paint for to hold up that trade , with false locks & vizard masks she has great skil , but she 's known for a whore let her go where she will , by l.w. loyal constancy; or, the seamans love-letter written by john blay on board the henry and elizabeth riding at leghorn, to his dear mistris mary foart, now living near wapping, exhorting her to continue in her wonted love and constancy according to their mutual promises past between them, in order to their happy union and marriage, as soon as he shall return from this voyage to england. tune of, cloris full of harmless thoughts; jenny gin. the fair one let me in. 1680 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a49348 wing l3343 estc r216633 99828358 99828358 32785 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a49348) transcribed from: (early english books online ; image set 32785) images scanned from microfilm: (early english books, 1641-1700 ; 1928:11) loyal constancy; or, the seamans love-letter written by john blay on board the henry and elizabeth riding at leghorn, to his dear mistris mary foart, now living near wapping, exhorting her to continue in her wonted love and constancy according to their mutual promises past between them, in order to their happy union and marriage, as soon as he shall return from this voyage to england. tune of, cloris full of harmless thoughts; jenny gin. the fair one let me in. blay, john. aut foart, mary. aut 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby, at the golden-ball, in west-smithfield, [london] : [1680?] verse "till from leghorn i do return,". publication date conjectured by wing. the sheet includes another ballad, a response to the first one; the title reads: vertue the reward of constancy; or, mrs. mary foart's love-letter and answer to her dear heart john blay at leghorn:. both ballads are signed, the first: john bay [sic].; the second: mary fort [sic]. names are probably fictional. the two ballads printed in columns with woodcuts at head of each text. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng blay, john -poetry -early works to 1800. foart, mary -poetry -early works to 1800. ballads, english -17th century. courtship -england -early works to 1800. 2006-04 tcp assigned for keying and markup 2006-05 aptara keyed and coded from proquest page images 2006-06 derek lee sampled and proofread 2006-06 derek lee text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion loyal constancy ; or , the seamans love-letter : written by john blay on board the henry and elizabeth riding at leghorn , to his dear mistris mary foart , now living near wapping , exhorting her to continue in her wonted love and constancy according to their mutual promises past between them , in order to their happy union and marriage , as soon as he shall return from this voyage to england . tune of , cloris full of harmless thoughts ; jenny gin. the fair one let me in . depiction of man and his beloved separated by a ship. till from leghorn i do return , stil ! constant to me prove ; let none impart , or share thy heart , but only me thy love ; let no brisk boy thy love injoy , or rob me of my , treasure ; but may we kiss injoying bliss , possest of earthly pleasure . ah charming fair one of my heart , how wretched now am i ; since from thee i am forc'd to part , and leave felicity : all night i lye , i sigh and groan , still thinking of the bliss ; we oft times have injoy'd alone , with smile and amorous kiss . when night grows dark . i steer my bark , to loves long-wisht for port ; but still i find the winds unkind , i cannot reach the fort ; tempestuous waves my heart inslaves my troubled bark does roul ; nothing i see , unless 't be thee , can ease my troubled soul . with serious thoughts i spend my hours , still thinking of your charms , till sleep my drowsie sence o're-powers , and brings thee to my arms ; where in a dream i thee imbrace , and think the world 's my own , but when i wake , o then alas , my earthly joy is gone . with early look , when day appears , i rouse me up from sleep ; i find my pillow strew'd with tears , your absence caus'd me weep : thus never shall i be at ease , till like two turtles we may still be billing when we please , and live at liberty . ah mary foart thou lovely maid , writ in my heart most dear ; may storms and tempests me invade , when mary is not there : though london youths do seek the prize , to take and bare away ; yet she that 's vertuous , chaste , and wise , will own her love john bay. vertue the reward of constancy ; or , mrs. mary foart's love-letter and answer to her dear heart john blay at leghorn : wherein she protests her constancy and happiness in the injoyment of his love ; which she writ to him in verse , as his was to her : and showing the same to a friend of hers for his approbation , he caused both the letter and the answer to be publish'd . to vindicate the maids honour and constancy , which , some sly young-men living near , had endeavoured to traduce , and by that means to break off the match , which they had designed otherways . to the same tune . depiction of winds blowing the man's ship towards his lover her answer . my dear to thee i 'le surely be as chast as ice or snow ; i 'le wast the nights in our delights , till nilus over-flow : let not spains beauty gain thy duty , nor win thee by her charms ; but may i still , spight of all ill , imbrace thee in my arms . in shady grove made fit for love , i sit and waste my hours , sigh and cry tears from my eye , distill like pearly showres . nor can i rest , till i am blest , with thee whom i esteem , though fancy may my griefs betray , there 's nothing in a dream . like one in chains , tortur'd with pains , i dayly rave and tear , fearing some wave might be a grave , for to inclose my dear ; not all the gods that rules the seas , if i once see thy face , shall me betray , or beat away my love from my imbrace . may boreas be once kind to me , fill every troubled sail , may merchants leap , and seamen skip , since love does now prevail : may winds once bear to me my dear , and fix me on thy breast , then shall i be , injoying thee , of happiness possest . in sweet delights we 'l spend the nights , no storms shall cause us fear ; lockt in my arms , guarded from harms , i will secure my dear . then shall i surely be at ease , when like two turtles we , may bill and kiss even when we please , injoying liberty . remember me my dear john blay , as i thee on the shore , let not italian dames betray , thy heart keep well in score . no london youths shall e're persuade my love by false report ; for thee i 'le live or dye a maid , thy dear heart mary fort. printed for p. brooksby , at the golden-ball , in west-smithfield . the lamentation of mr. pages wife of plimouth who being forced to wed against her will, did consent to his murther, for the love of george strangwidge, for which fact they suffered death at barstable in devonshire. the tune is, fortune my foe. deloney, thomas, 1543?-1600. 1674 approx. 11 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-05 (eebo-tcp phase 1). a37514 wing d955e estc r213237 99825696 99825696 30082 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a37514) transcribed from: (early english books online ; image set 30082) images scanned from microfilm: (early english books, 1641-1700 ; 1792:10) the lamentation of mr. pages wife of plimouth who being forced to wed against her will, did consent to his murther, for the love of george strangwidge, for which fact they suffered death at barstable in devonshire. the tune is, fortune my foe. deloney, thomas, 1543?-1600. 1 sheet ([1] p.) printed for f. coles, t. vere, and i. wright, [london] : [1663-1674] by thomas deloney. cf. wing. range of suggested imprint dates from wing. verse "unhappy she, whom fortune hath forlorn,". "the lamentation of george strangwidge, who for the consenting to the death of mr. page of plimouth, suffered death at barnstable" and "the complaint of mis. page, for causing her husband to be murthered, for love of strangwidge, who were executed together" are each are at the head of single columns. identified as wing d597a on umi microfilm set "early english books, 1641-1700". reproduction of the original in the harvard university library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng page, ulalia -early works to 1800. strangwidge, george -early works to 1800. ballads, english -17th century. adultery -england -early works to 1800. 2003-12 tcp assigned for keying and markup 2004-01 spi global keyed and coded from proquest page images 2004-02 mona logarbo sampled and proofread 2004-02 mona logarbo text and markup reviewed and edited 2004-04 pfs batch review (qc) and xml conversion the lamentation of mr. pages wife of plimouth . who being forced to wed against her will , did consent to his murther , for the love of george strangwidge , for which fact they suffered death at barnstable in devonshire . the tune is , fortune my foe . unhappy she , whom fortune hath forlorn , despis'd of grace , that proffered grace did scorn , my lawless love , hath luckless wrought my woe , my discontent , content did overthrow . my loathed life too late i do lament , my woful deeds in heart i do repent : a wife i was that wilful went awry , and for that fault am here prepar'd to dye . in bloomy years my fathers greedy mind , against my will a match for me did find : great wealth there was , yea , gold and silver store , but yet my heart had chosen one before . mine eyes , dislikt my fathers liking quite , my heart did loath my parents fond delight : my greedy mind , and fancy told to me , that with his age my youth could not agree . on knees i crav'd they would not me constrain , with tears i cry'd their purpose to restrain , with fighs and sobs i did them often move , i might not wed whereas i could not love . but all in vain my speeches still i spent , my mothers will my wishes did prevent , though wealthy page possest my outward part , george strangwidge still was lodged in my heart . i wedded was and wrapped all in woe , great discontent within my heart did grow : i loath'd to live , yet liv'd in deadly strife , because perforce i was made pages wife . my chosen eyes could not his sight abide , my tender youth did loath his aged side , scant could i tast the meat whereon i fed , my legs did loath to lodge within his bed . cause knew i none , i should despise him so , that such disdain within my heart did grow , save only this , that fancy did me move , and told me still george strangwide was my love . but here began my downfal and decay , in mind i mus'd to make him strait away , i that became his discontented wife , contented was he should be rid of life . methinks the heavens crys vengeance for my fact , methinks the world condemns my monstrous act : methinks within , my conscience tells me true , that for that deed , hell fire is my due . my pensive soul doth sorrow for my sin , for which offence my soul doth bleed within : but mercy lord , for mercy still i cry , save thou my soul , and let my body dye . well could i wish that page enjoy'd his life , so that he had some other to his wife : but never could i wish of low or high , a longer life then see sweet strangwidge die , o woe is me that had no greater grace , to stay till he had run out natures race ; my deed i rue , but more i do repent , that to the same my stranwidge gave consent . you parents fond , that greedy minded be , and seek to graft upon the golden tree , consider well , and rightful judges be , and give your doom , 'twixt parents , love , and me , i was their child , and bound for to obey , yet not to love where i no love could lay : i married was in muck and endlesse strife , but faith before had made me strangwidge wife . o wretched world whom cankered rust doth blind , and cursed men who bear a greedy mind : and haplesse i , whom parents did force so , to end my days in sorrow , shame , and woe . you devonshire dames , & courteous cornwal kts. that are here come to visit woful wights , regard my grief , and mark my woful end , but to your children be a better friend . and thou my dear , which for my fault must die , be not afraid the sting of death to try : like as we liv'd and lov'd together true , so both at once let 's bid the world adieu . ulalia thy friend doth take her last farewel , whose soul with thine in heaven doth ever dwel : sweet saviour christ do thou my soul receive , the world i do with all my heart forgive . and parents now whose greedy minds do show , your hearts desire and inward heavy woe , mourn you no more , for now my heart doth tell , e're day be done my soul shall be full well . and plimouth proud i bid thee now farewel , take heed you wives , let not your hands rebel , and farewel life wherein such sorrow shows , and welcome death that doth my corps inclose . and now sweet lord forgive me my misdeeds , repentance crys for soul that inward bleeds , my soul and body i commend to thee , that with thy blood from death redeemed me . lord blesse our king with long and happy life , and send true peace betwixt each man and wife , and give all parents wisdom to fore-see , the match is mar'd where minds do not agree . the lamentation of george strangwidge , who for the consenting to the death of mr. page of plimouth , suffered death at barnstable . the man that sighs and sorrows for his sin , the corps which care and woe hath wrapped in , in doleful sort records her swanlike song , that waits for death and loaths to live so long . o glansfield cause of my committed crime , so wed in wealth , as birds in bush of lime : what cause hadst thou to bear such wicked spight , against my love and eke my hearts delight ? i would to god thy wisdom had béen more , or that i had not entred in thy door , or that thou hadst a kinder father been vnto thy child , whose yeare are but green . the match unmeet which thou for me didst make , when aged page thy daughter home did take , well mayst thou rue with tears that cannot dry , which is the cause that four of us must die . ulalia more brighter then the summers sun , whose beauty hath for ever my love won , my soul more sobs to think of thy disgrace , then to behold my own untimely race . the deed late done in heart i do repent , but that i lov'd i cannot yet relent : thy seemly sight was ever sweet to me , vvould god my death could thy excuser be . it was for me alas , thou didst the same , on me by right they ought to lay the blame : my worthlesse love hath brought thy life in scorn , and woe is me that ever i was born . farewel my love , whose royal heart was seen , i would thou hadst not half so constant been : farewel my love , the pride of plimouth town , farewel the flower , whose beauty is cut down . for twenty years great was the cost i know , thy unkind father did on thee bestow : yet afterwards so sower did fortune lower , he lost his joy and child within an hour . my wrong and woe to god i do commit , vvho was the cause of matching them unfit , and yet my guilt i cannot so excuse vve gave consent his life for to abuse . vvretch that i am , that my consent did give , had i deny'd ulalia still should live : blind fancy said , do not this suit deny , live thou in blisse , or else in sorrow die . o lord forgive this cruel deed of mine , vpon my soul let beams of mercy shine : in justice lord do thou no vengeance take , forgive us both , for jesus christ his sake . the complaint of mis. page for causing her husband to be murthered , for the love of strangwidge , who were executed together . if ever woe did touch a womans heart , or grief did gall for sin the outward part , my conscience then , and heavy heart within , can witnesse well the sorrow for my sin . when years were young my father forc'd me wed , against my will where fancy was not fed : i was content their pleasure to obey , although my heart was linkt another way . great were the gifts they proffered in my sight , with wealth they thought to win me to delight , but gold and gifts could not my mind remove , for i was link'd whereas i could not love . methought his sight was loathsom to my eye , my heart did grudge against him inwardly : this discontent did cause my deadly strife , and with this wealth did cause a grievous life . my constant love was on young strangwidge set , and woe to him that did our welfare let : his love so deep a root in me did make , i would have gone a begging for his sake . vvronged he was through fond desire of gain , vvronged he was , even through my parents plain , if faith and troth a perfect pledge might be , i had been wife unto no man but he . eternal god forgive my fathers deed , and grant all maidens may take better heed , if i had been but constant to my friend , i had not matcht to make so bad an end . but wanting grace i sought mine own decay , and was the cause to make my friend away : and he on whom my earthly joys did lye , through my amisse a shameful death must die . farewel sweet george , always my loving friend , needs must i laud and love thee to the end . and albeit that page possess thy due , in sight of god thou wast my husband true . my watry eyes unto the heavens i bend , craving of christ his mercy to extend : my bloody deed do me o lord forgive , and let my soul within thy kingdom live . farewel false world , and friends that fickle be , all wives farewel , example take by me , let not the devil to murder you intice , seek to escape such foul and sinful vice . and now o christ to thee i yeild my b●●●● strengthen my faith in bitter pangs of 〈◊〉 forgive my faults and folly i thee pr●● and with thy blood wash thou my sin● 〈◊〉 printed for f. coles ▪ t. vere , and i. wright ▪ a friends aduice in an excellent ditty, concerning the variable changes in this world : to a pleasant new tune. campion, thomas, 1567-1620. 1625 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a17874 stc 4541.5 estc s1852 22835581 ocm 22835581 25786 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a17874) transcribed from: (early english books online ; image set 25786) images scanned from microfilm: (early english books, 1475-1640 ; 1789:18) a friends aduice in an excellent ditty, concerning the variable changes in this world : to a pleasant new tune. campion, thomas, 1567-1620. 1 broadside : ill. printed for h. gosson, [s.l.] : [ca. 1625] attributed to thomas campion by stc (2nd ed.) and nuc pre-1956 imprints. date of imprint suggested by stc (2nd ed.). without music. reproduction of original in the pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2002-11 tcp assigned for keying and markup 2002-12 apex covantage keyed and coded from proquest page images 2003-01 mona logarbo sampled and proofread 2003-01 mona logarbo text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion a friends aduice : in an excellent ditty , concerning the variable changes in this world. to a pleasant new tune . vvhat if a day , or a month , or a yéere , crowne thy delights with a thousand wisht contentings , cannot the chaunce of a night or an houre , crosse thy delights , with as many sad tormentings ? fortunes in their fairest birth , are but blossomes dying , wanton pleasures , doting mirth , are but shadowes flying : all our ioyes are but toyes , idle thouhgts deceiuing ; none hath power of an houre , in our liues bereauing . what if a smile , or a becke or a looke , féede thy fond thoughts , with many a sweet conceiuing : may not that smile , or that becke , or that looke , tell thee as well they are but vaine deciuing ? why should beauty be so proud , in things of no surmounting ? all her wealth is but a shroud , of a rich accounting : then in this repose no blisse , which is so vaine and idle : beauties flowers haue their howers , time doth hold the bridle . what if the world with allures of her wealth , raise thy degree to a place of high aduancing ? may not the world by a check of that wealth , put thée againe to as low dispised chancing ? whilst the suune of wealth doth shine , thou shalt haue friends plenty : but come want , then they repine , not one abides of twenty : wealth and friends holds and ends , as your fortunes rise and fall , up and downe , rise and frowne , certaine is no state at all ▪ what if a griefe , or a straite , or a fit , pinch thée with paine , or the féeling panges of sicknes : doth not that gripe , or that straine , or that fit , shew thée the forme of thy owne true perfect likenesse ? health is but a glimpse of ioy , subiect to all changes : mirth is but a silly toy , which mishap estranges . tell me then , silly man , why art thou so weake of wit , as to be in ieopardy , when thou maist in quiet sit ? then if all this haue declar'd thine amisse , take it from me as a gentle friendly warning ; if thou refuse , and good counsell abuse , thou maist hereafter déerely buy thy learning : all is hazard that we haue , there is nothing byding , dayes of pleasure are like streames , through faire medowes gliding , wealth or woe , tune doth goe , there is no returning , secret fates guide our states , both in mirth and mourning . the second part. to the same tune . man 's but a blast , or a smoake , or a clowd , that in a thought , or a moment is dispersed : life 's but a span , or a tale , or a word , that in a trice , or sodaine is rehearsed : hopes are chang'd , and thoughts are crost , will nor skill preuaileth , though we laugh and liue at ease , change of thoughts assayleth , though a while fortune smile , and her comforts crowneth , yet at length failes her strength , and in fine she frowneth . thus are the ioyes of a yeare in an hower , and of a month , in a moment quite expired , and in the night with the word of a noyse , crost by the day , of an ease our hearts desired : fayrest blossoms soonest fade , withered , foule , and rotten , and through griefe , our greatest ioyes quickly are forgotten : séeke not then ( mortall men ) earthly fléeting pleasure , but with paine striue to gaine heauenly lasting treasure . earth to the world , as a man to the earth , hath but a poynt , and a poynt is soone defaced : flesh to the soule , as a flower to the sun , that in a storme or a tempest is disgraced : fortune may the body please , which is only carnall , but it will the soule disease , that is still immortall , earthly ioyes are but toyes , to the senses election , worldly grace doth deface mans diuine perfection . fleshly delights to the earth that is flesh , may be the cause of a thousand swéet contentings , but the defaults of a fleshly desire brings to the soule many thousand sad tormentings : be not proude presumtious man , sith thou art a poynt so base , of the least and lowest clement , which hath least and lowest place : marke thy fate , and thy state , which is only earth and dust , and as grasse , which alasse shortly surely perish must . let not the hopes of an earthly desire , bar thée the ioyes of an endlesse contentation , nor let not thy ●●e on the world be so fixt , to hinder thy heart from vnfeyned recantation : be not backward in that course , that may bring thy soule delight , though another way may seeme far more pleasant to thy sight ; doe not goe , if he sayes no that knowes the secrets of thy minde , follow this , thou shalt not misse an endlesse happinesse to finde . finis . printed for h. gosson . win at first, lose at last: or, a new game at cards: wherein the king recovered his crown, and traitors lost their heads. to the tune of; ye gallants take delight to play. l. p. (laurence price), fl. 1625-1680? 1680 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04828 wing p3390 interim tract supplement guide c.20.f.8[522] 99887953 ocm99887953 183616 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04828) transcribed from: (early english books online ; image set 183616) images scanned from microfilm: (early english books; tract supplement ; a5:2[407]) win at first, lose at last: or, a new game at cards: wherein the king recovered his crown, and traitors lost their heads. to the tune of; ye gallants take delight to play. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcuts). printed for fra. coles, tho; vere; io. vvright and io. clarke., london, : 1680. attributed to laurence price. verse: "you merry hearts that love to play ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. great britain -politics and government -1660-1688 -songs and music -texts. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion win at first , lose at last : or , a new game at cards : wherein the king recovered his crown , and traitors lost their heads . to the tune of ; ye gallants that delight to play . ye merry hearts that love to play at cards , see who hath won the day , you that once did sadly sing , the knave o' th clubs hath won the king : how more happy times ye have , the king hath overcome the knave ; the king hath overcome the knave . not long ago a game was play'd , when three crowns at the stake was lay'd , england had no cause to boast , knaves won that which kings had lost : coaches gave the way to carts , and clubs were better cards than hearts ; &c. old noll was the knave o' th clubs , and dad of such as preach in tubs : bradshaw , ireton , and pride , were three other knaves beside : and they play'd with half the pack , throwing out all cards but black ; &c. but the just fates threw these four out , which made the loyal party shout , the pope would fain have had the stock , and with these cards have whip'd his deck , but soon the devil these card snatches , to dip in brimstone and make matches ; to dip ; &c. but still the sport for to maintain , lambert , haslerige , and vain , and one-ey'd hewson , took their places , knaves were better cards then aces : but fleetwood he himself did save , because he was more fool than knave ; &c. cromwell , though he so much had won , yet he had an unlucky son : he sits still and not regards , whilst cunning gamesters set the cards , and thus alas , poor silly dick , he playd a while ; but lost the trick ; &c. the rumpers that had won whole towns , the spoyls of martyrs , and of crowns : were not contented but grew rough , as though they had not won enough ; they kept the cards still in their hands , to play for tithes and colledge lands ; to play ; &c. the presbyters began to fret , that they were like to loose the set , unto the rump they did appeal , and said it was their turns to deal , then dealt the presbyterians , but , the army sware that they will cut ; the army sware that they will cut . the forraign lands began to wonder , to see what gallants we lived under , that they which christmas did forswear , should follow gameing all the year : nay more , which was the strangest thing , to play so long without a king ; to play so long without a king. the bold phanaticks present were , like butlers , with their boxes there : not doubting but that every game some profit would redound to them : because they were the gamester's minions , and every day broacht new opinions ; &c. but cheshire men ( as stories say ) began to shew them gamesters play : brave booth , and all his army strives to save the stakes or lose their lives : but oh sad fate , they were undone , by playing of their cards too soon : &c. thus all the while a club was trump , there 's none could ever beat the rump : until a noble general came , and gave the cheaters a clear slam : his finger did out-wit their noddy , and screw'd up poor iack lamberts body , &c. then hasllrige began to scowl : and said the general plaid foul : look to him partners , for i tell ye , this monk has got a king in 's belly : not so , quoth monk , but i believe sir arthur has a knave in 's sleeve , &c. when general monk did understand the rump were peeping into 's hand : he wisely kept his cards from sight , which put the rump into a fright : he saw how many were betray'd . that shew'd their cards before they play'd , &c. at length , quoth he , some cards we lack , i will not play with half a pack : what you cast out , i will bring in , and a new game we will begin : with that the standers by did say , they never yet saw fairer play ; &c. but presently this game was past , and for a second knaves were cast ; all new cards , not stain'd with spots , as was the rumpers and the scots : here good gamesters plaid their parts , they turned up the king of hearts ; &c. after this game was done , i think : the standers by had cause to drink : and the loyal subjects sing , farewel knaves , and welcome king : for till we saw the king return'd , we wish'd the cards had all been burn'd ; we wish'd the cards had all been burn'd . l. p. finis . london , printed for fra. coles ; tho. vere ; io. vvright and io. clarke , 168● . tryall brings truth to light: or, the proofe of a pudding is all in the eating a dainty new ditty of many things treating, to the tune of the begger-boy. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2006-06 (eebo-tcp phase 1). a08986 stc 19276 estc s120568 99855764 99855764 21266 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08986) transcribed from: (early english books online ; image set 21266) images scanned from microfilm: (early english books, 1475-1640 ; 897:14) tryall brings truth to light: or, the proofe of a pudding is all in the eating a dainty new ditty of many things treating, to the tune of the begger-boy. m. p. (martin parker), d. 1656? 1 sheet ([2] p.) : ill. [by m. flesher] for thomas lambert, printed at london : [1634] verse "the world hath allurements and flattering showes,". signed at end: m.p., i.e. martin parker. printer's name and publication date from stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-01 tcp assigned for keying and markup 2006-01 aptara keyed and coded from proquest page images 2006-02 mona logarbo sampled and proofread 2006-02 mona logarbo text and markup reviewed and edited 2006-04 pfs batch review (qc) and xml conversion tryall brings truth to light : or , the proofe of a pudding is all in the eating . a dainty new ditty of many things treating , to the tune of the begger-boy . the world hath allurements and flattering showes , to purchase her louers good estimation , her tricks and deuices hée 's wise that well knowes , the learn'd in this science are taught by probation : this truth when i finde , it puts me in minde , among many matters which i am conceiting , of one homely adage , that 's vs'd in this mad age , the proofe of a pudding is all in the eating . although this my subiect séeme homely and meane , yet you that with iudgement wil confirme the matter , some eares of good documents from it may gleane , which i from this sheafe of inuention will scatter : now cunning and fraud winnes greatest applaude , and vnder wits cloake many shelter their cheating , but try and then trust , for the world is vniust , and the proofe of a pudding is all in the eating . the knaw and the honest man both are compleat , in gesture , in words , and in company kéeping , nay commonly they who doe meane most deceit , more easily into mens bosomes are creeping : with counterfeit tales , which too much preuailes , and proffers of courtesie often repeating , but speake as you finde , and still beare in minde , that the proofe of a pudding is all in the eating . mens promises may be compared to snow , or ice at the best , by cold weather congealed , they 're hard in the morning , at noone nothing so , though with protestations their minds are reuealed : yet when the hot beames , of disasterous streames , doth melt their intentions ▪ then they 'l be fléeting ▪ their words differ cleane , from what they doe meane , but the proofe of a pudding is all in the eating . there be of both sexes that haue faire outsides , like iayes with the feathers of peacocks adorned , a faire fute of scarlet , or plush , often hides a carkasse infirme with diseases deformed : and now in these times , men couer their crimes , with shadowes of vertue , their braines still beating , which way to doe naught , and yet hide their fault , but the proofe of a pudding is all in the eating . there 's many thrasonicall pratling jacks , that vpon their ale-bench will tell braue discourses , were ajax aliue they would not turne their backs , their tongues shall supply the defect of their purses : ●ut take them at their words , they 'l scant draw their swords , instead of brauadoes they fall to intreating : but giue me that blade , that does more than he said . for the proofe of a pudding is all in the eating the second part to the same tune . when i doe want nothing i haue store of friends , i mean friends in shadow but nothing substantiall : if i will beleeue euery one that pretends , i shal haue more courtesie than any man shall : but when i haue néed to vse them indéed , like cowardly souldiers they fall to retreating , but he is my friend , that helps me i' th end , for the proofe of a pudding is all in the eating . there 's many in company boast of their skill , in wonderfull misteries secret and hidden , you may giue beleefe to their words if you will , vpon winged pegasus oft they haue ridden : if any in place will vnto their face oppose them with boldnesse , their proiects defeating , their courage will quaile , and they i tel a new tale for the proofe of a pudding , &c. i haue séene a gallant attyr'd like a lord , yet often through want hée 's inforct to be spareing : hée 's daily a guest at duke humphryes bord , and sometimes he filleth his belly with swearing : i haue séne likewise , a plaine man in frize , or good mutton-veluet that glisters with sweating , hée cals and he payes , and he meanes as he sayes , thus the proofe of a pudding is all in the eating . there 's many that when they affliction doe féele , as pouerty , sicknesse , and other disasters , then vnto their friends they will humbly knéele . and say , vnder heauen they are their best masters : but when through those frends their misery ends , ingratefully all former kindnesse forgetting , they them doe disdaine , who did them maintaine , thus the proofe of a pudding , &c. there are many men when they first come a wooing to widowes or maidens with great protestations , such wonderfull courtesies they 'l then be showing , and they silly creatures beléeue their relations : their loue 's very hot , vntil they haue got the thing that they wish by their subtile intreating , then they proue vnkinde , and poore women doe finde that the proofe of a pudding is all in the eating . thus briefely and plainely i haue here expressed , my mind and conceit of this prouerbe so homely , wherein at the truth very n●●re i haue guessed , and deckt it in ornaments decent and comely : i hope it will sell abroad very well , with those who loue truth , and abhor all cheating , till tryall be made , no more can be said , for the proofe of a pudding is all in the eating . m. p. finis . printed at london for thomas lambert . the scotch lad's moan. or, pretty moggies unkindness. to an excellent new scotch tune. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1685-1688? approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02830 wing d2771 interim tract supplement guide ebb65h[82] interim tract supplement guide c.20.f.8[413] 99887289 ocm99887289 183533 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02830) transcribed from: (early english books online ; image set 183533) images scanned from microfilm: (early english books; tract supplement ; a2:4[82]; a5:2[324]) the scotch lad's moan. or, pretty moggies unkindness. to an excellent new scotch tune. this may be printed, r.p. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts), music. printed for p. brooksby at the gold[e]n ball in py-corner., [london] : [between 1685-1688] attributed to d'urfey by wing. verse: "a lad o'th' town that made his moan ..." date and place of publication suggested by wing. item at a5:2[324] imperfect: trimmed, affecting imprint. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the scotch lad's moan . or , pretty moggies unkindness . to an excellent new scotch tune . this may be printed , r. p. a lad o' th' town that made his moan one winters morning early , alas ! that i must lye alone , and moggies bed so near me ; all night i turn , and toss , and sigh , and never can i close my eyes , for thinking that i lig so nigh the lass i love so dearly . she 's all delight from foot to crown , and just sixteen her age is , and that she still must lye alone , my heart and soul enrag'd is : i 'd give the world i might put on each morn her stockings or her shoon ; if i were but her serving-loon , i 'd never ask for wages . gin moggy wou'd but he my bride , i 'd take no farther warning , nor value au the world beside , nor other lasses scorning ; my love is grown up to the height , i prize so much my own delight , i care not , had i her one night , so i was dead i' th morning . geud faith , she 's like a pretty lass , i never saw a sweeter ; she all her sex does far surpass in beauty and in feature : gin on her face i chanc'd to gaze , her pretty looks such charms displays , that i must ever speak her praise ; venus was not compleater . when ever moggy i espy , i lowly dof my bonnet ; and oft in her sweet company i sing a love-sick sonnet : yet she regardless of my pain , which i strive to express in vain , bids me forbear for to complain , and tell her no more on it . ah waes me ! moggy's to blame , not to grant my desire ; gin she did first create the flame which set my heart on fire . was i a king of great renown , and had a scepter and a crown , i at her feet wou'd lay them down , one night for to lig by her . gin she so mickle is unkind , my life is grown uneasie ; no rest nor quiet can i find , nor nothing that can please me . but if she still continues so , and no more kindness will bestow , to the elizium shades i go ; ah ! death will quickly seize me . finis . the two feruent louers. or a warlike kind of wooing as here at large is said betweene a braue young man, and a faithfull hearted maid. to the tune of the two louing sisters, or lulling beyond thee. l. p. (laurence price), fl. 1625-1680? 1632 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a10072 stc 20323 estc s103171 99838928 99838928 3319 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10072) transcribed from: (early english books online ; image set 3319) images scanned from microfilm: (early english books, 1475-1640 ; 1214:10) the two feruent louers. or a warlike kind of wooing as here at large is said betweene a braue young man, and a faithfull hearted maid. to the tune of the two louing sisters, or lulling beyond thee. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. printed for fr. coules, london : [1632] verse "as phebus in the lustrious aire,". signed: l.p., i.e. laurence price. publication date from stc. in two parts; woodcuts at head of each part. reproductions of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 emma (leeson) huber sampled and proofread 2007-09 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the two feruent louers . or a warlike kind of wooing as here at large is said , betweene a braue young man , and a faithfull hearted maid . to the tune of the two louing sisters , or lulling beyond thee . as phebus in the lustrious aire , the azure did adorne , diana with her virgins faire , vpon that chearefull morne , did dance and sing to see the spring , the chirping birds likewise , melodious sound made dales rebound , and ecchoes pierce the skies . this time a lad his darling had , my sweet said he , once proue me , and thou shalt finde in heart and minde , how dearely i doe loue thee . i drew me neare vnto the place , to heare the friendly greeting , a young man did his lasse imbrace , and blesse the time of meeting : quoth he , my heart by cupids dart , is now so sorely pierced , i dye , i dye vnlesse a salue , i haue to be redressed . therefore my deare , while we are here , in modesty once proue me , and thou shalt finde in heart and mind , how dearely i doe loue thee . as faithfull hero will i stand , to his penelope , leander like then shalt command my heart , so true i le be : my stormy eyes like winter skies , thou here maist well perceiue , my liuings , goods , my life and all , for thy content will leaue . therefore my deare , &c. like english george i will appeare , so valiant in behauiour , for sabrine bright , his chiefe delight , who sought to win her fauour : with sword and shield in dreadfull field , as ancient stories say , the firy dragon there he kil'd , and conquest brought away . therefore my deare , &c. if bold sir guy for cheualry , in countries farrs and neare , did venture life to get a wife , his phillis faire and cleare : when he came backe she was not flacke ; to fold him with imbraces , within her armes , with hymnes & charms bedewed each others faces . therefore my deare , &c. south hamptons earle to win his girle , incountred with a foe , mongst pagans , turkes and infidels , with many a bloody blow : the lions strong he layd along , and forc'd the serpent flye , great askipart with lofty heart , on ground he forc'd to lye . therefore my deare , &c. the second part , to the same tune . fiue yeares be sore i did indure , all for the sake of thee , in direfull warres with bleeding scars , as plainely thou maist see , the canon shot i dreaded not , when i in place did come , in stormes and wind with blasts vnkind , i march'd with sound of drumme . therefore my deare while we are here , in modestie once proue me , and thou shalt finde in heart and minde , how dearely i doe loue thee . in spaine and france i did aduance my warlike speare and shield , my trusty sword did me afford , great conquest in the field : while trumpets sound madd ●●irs rebound , my courage did not haile , the musketiers let bullets flie , like stormy drifts of baile . therefore my deare while we are here , in modestie once proue me ; and thou shalt finde in heart and minde , how dearely i doe loue thee . since from annoy my only ioy , i passe haue such trouble , doe not disdaine nor me refraine , to make my sorrowes double : one curteous word if thou afford , my woes are all subdewed , it scornefully thou answerest me , my griefes are fresh renewed , therefore my deare while we are here , in modestie once proue me , and thou shalt finde in heart and minde , how dearely i doe loue thee . she hearing of his louing talke , how firme his minde was fixt said she , my loue hath spoke his part , and mine shall be the next , this kinde reply then presently , in modesty she said , while thou art absent from my sight , my heart was sore afraid . that grisly death had tane the breath , of thee which so did loue me , my heart and hand thou shalt command the wold shall not remoue me . while neptune rules the raging seas , and keepes within her bounds , while flora with her fragrant flowers , bedeckes the dewy grounds : while shepheards keepe their feeding shéep , along the pleasant fountaines , while roses spring , and small birds sing , in valies , dales , and mountaines . my loue with thine shall freely ioyne , the world shall not remoue me , thou sure shalt finde in heart and minde , how dearely i doe loue thee . the golden sunne shall darkened be , the moone shall lose her light , the glistering starres no eye shall see , shine in the sable might : the turtle shall forsake her smate , the married wife a maide shall prove to be , ere i to thee , deny the words i said , then try and trust i will be iust , no creature shall remoue me , the world shall quite disolued be , ere i refuse to loue thee . now will we goe , the man replied , vnto the place with speed , to make of thee my louely bride , my word shall be my deed : so on they went with good intent , together to be married , hee liked or her , shee liked of him , nothing at all miscarried . so here i end , wishing each friend , may true and faithfull proue , ioue guide and blesse with good successe , those that doe truly loue . l. p. finis . london , printed for fr. coules . strange histories, of kings, princes, dukes earles, lords, ladies, knights, and gentlemen with the great troubles and miseries of the dutches of suffolke. verie pleasant either to bee read or sunge, and a most excellent warning for all estates. deloney, thomas, 1543?-1600. 1602 approx. 55 kb of xml-encoded text transcribed from 24 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-11 (eebo-tcp phase 1). a20131 stc 6566 estc s105282 99841011 99841011 5568 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a20131) transcribed from: (early english books online ; image set 5568) images scanned from microfilm: (early english books, 1475-1640 ; 1135:2) strange histories, of kings, princes, dukes earles, lords, ladies, knights, and gentlemen with the great troubles and miseries of the dutches of suffolke. verie pleasant either to bee read or sunge, and a most excellent warning for all estates. deloney, thomas, 1543?-1600. [48] p. : music printed by [i.e. for] william barley, the assigne of t. m[orley] and are to be sold at his shop in gracious streete, london : 1602. cum priuilegio. by thomas deloney. in verse. with music. morley's name from stc. signatures: a-c. reproduction of the original in the henry e. huntington library and art gallery. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -early works to 1800. 2004-03 tcp assigned for keying and markup 2004-05 spi global keyed and coded from proquest page images 2004-07 judith siefring sampled and proofread 2004-07 judith siefring text and markup reviewed and edited 2004-10 pfs batch review (qc) and xml conversion strange histories , of kings , princes , dukes earles , lords , ladies , knights , and gentlemen . with the great troubles and miseries of the dutches of suffolke . verie pleasant either to bee read or sunge , and a most excellent warning for all estates . london printed by william barley , the assigne of t. m. and are to be sold at his shop in gracious streete . 1602. cum priuilegio . the table . cant. i ▪ the kentishmen with long tayles . cant. ii. of king henrie the first and his children . the dutchesse of suffolkes calamitie . cant. iii. king edward the second crowning his sonne king of england . cant. iiii the imprisonment of queene elenor cant. v. the death of king iohn poisoned by a frier . cant vi. the imprisonement of king edward the second . cant. vii the murthering of king edward the second , being kild with a hot burning spit . cant viii . the banishment of the lord matreuers , and sir thomas gurney . cant ix . the winning of the yle of man. cant x the rebellion of vvat tilor and iacke straw . a speech betweene ladies , being shepheards on salsburie plaine . the valiant courage and policie of the kentishmen with long tayles , whereby they kept their ancient lawes and customes , which william the conquerer sought to take from them . cant. i. or to the tune of rogero . when as the duke of normandie , with glistering speare and shield ▪ had entred into faire england , and foild his foes in fielde . on christmas day in solemne sort , then was he crowned heere , by albert archbishop of yorke , with many a noble peere . which being done he changed quite , the customes of this land : and punisht such as daily sought , his statutes to withstand . and many citties he subdude , faire london with the rest : but kent did still withstand his force , which did his lawes detest . to douer then he tooke his way , the castle downe to fling : which ●ruiragus builded there , the noble brutaine king : which when the braue arch-bishop bolde , of canterburie knew : the abbot of ● . austines eke , with all their gallant crue . they set themselues in armour bright these mischiefes to preuent : with all the yeomen braue and bold , that wer in fruitfull kent . at canterburie did they meete , vpon a certaine day : with sword and speare with bill and bowe , and stopt the conquerers way . let vs not liue like bondmen poore , to frenchmen in their pride but keepe our ancient liberties , what chance so ear betide . and rather die in bloudie field in manlike courage prest : then to endure the seruile yoake , which we so much detest . thus did the kentish commons crie , vnto their leaders still : and so march foorth in warlike sort , and stand at swanscombe hill . where in the woods they hid themselues , vnder the shadie greene , thereby to get them vantage good , of all their foes vnseene . and for the conquerours comming there , they priuily laid waite : and thereby suddainely appald , his loftie high conceipt . for when they spied his approch , in place as they did stand : then marched they to hem him in , each on a bow in hand . so that vnto the conquerers sight , amazed as he stood they seemd to be a walking groue , or els a mouing wood . the shape of men he could not see , the bowes did hide them so : and now his hart with feare did quake , to see a forrest goe . before , behind , and on each side , as he did cast his eye : he spide these woods with sober pace , approch to him full nye . but when the kentishmen had thus , inclos'd the conquerer round : most suddenly they drew their swords , and threw the bowes to ground . there banners they displaid in sight , there trumpets sound a charge . there ratling drummes , strickes vp alarme , there troopes stretch out at large . the conquerour with all his traine were hereof fore agast : and most in perill when he thought , all perill had beene past . vnto the kentish men he sent , the cause to vnderstand : for what intent and for what cause , they tooke this warre in hand ▪ to whom they made this short replye , for libertie we fight : and to enioy s. edwards lawes . the which we hold our right . then said the dreadfull conquerer , you shall haue what you will : your ancient customes and your lawes , so that you will be still : and each thing els that you will craue , with reason at my hand , so you will but acknowledge me , chiefe king of faire england . the kentishmen agreed here on , and laid their armes aside : and by this meanes king edwards lawes , in kent do still abide , and in no place in england else , those customes do remaine : which they by manly pollicie , did of duke william gaine . finis . ¶ how king henry thé first had his children drowned in the sea , as they came out of france . cant. ii. or to the tune of the ladies daughter . after our royall king , had foild his foes in france : and spent the pleasant spring , his honor to aduance . into faire england he returnde , with fame and victorie : what time the subiects of his land , receiued him ioyfully . but at his home returne , his children left he still : in france for to soiourne to purchase learned skill . duke william with his brother deare , lord richard was his name : which was the earle of chester then , who thirsted after fame . the kings faire daughter eke , the ladie marie bright : with diners noble peeres , and manie a hardie knight . all those were left together there , in pleasure and delight : when that our king to england came , after the bloodie fight . but when faire flora had , drawne forth her treasure dri●t that winter colde and sad , with hoarie head drewe nie . those princes all with one consent , prepared all things meete : to passe the seas for faire england , whose sight to them was sweet . to england let vs hie , thus euerie one did say , for christmas draweth nie , no longer let vs stay . but spend the merrie christmas time , within our fathers court : where ladie pleasure doth attend , with manie a princely sport . to sea these princes wene , fulfilled with mirth and ioye , but this their meriment , did turne to deare annoy . the saylers and the shipmen all , through foule excesse of wine , were so disguisde that at the sea , they shewd themselues like swine . the sterne no man could guide , the master sleeping lay , the saylers all beside , went roelling euerie way . so that the ship at randle roode , vpon the foaming flood , whereby in pe●●ll of their liues , the princes alwayes stood . which made distilling teares , from their faire eyes to fall : their heartes were fild with feares , no helpe they had at all . they wisht themselues vpon the land , a thousand times and more . and at the last they came in sight , of englands pleasant shore . then euery one began , to turne their sighes to smiles : there coulours pale and wan , a cheerefull looke exciles . the princely lordes most louingly , their ladies do imbrace : for now in england shall we be , quoth they in little space . take comfort now they said , behold the land at last : then be no more dismaid , the worst is gone and past , but while they did this ioyfull hope , with comfort entertaine : the goodly ship vpon a rocke , on suddaine burst in twaine ▪ with that a grieuous screeke , among them there was made , and euery one did seeke . on something to be staid . but all in vaine such helpe they sought , the ship so soone did sinke : that in the sea they were constraind , to take their latest drinke . there might you see the lords , and ladies for to lie : amidst the salt sea foame , with manie a grieuous crie : still labouring for their lines defence , with stretched armes abroad : and lifting vp their lillie handes , for helpe with one accorde but as good fortune would , the sweet yong duke did get , into the cock-boat then , where safely he did sit . but when he heard his sister crie , the kings faire daughter deere . he turnd his boat to take her in , whose death did draw so neere . but while he stroue to take , his sweet yong sister in : the rest such shift did make . in sea as they did swimme . that to the boate a number got . to many that at last : the boate and all that were therein , was drownd and ouercast . of lords and gentlemen , and ladies faire of face : not one escaped then , which was a heauie case threescore and ten were drownd in all , and none escaped death , but one poore butchee which had swome , himselfe quite out of breath . this was most heauie newes , vnto our comly king : who did all mirth refuse , this word when they did bring for by this meanes no child he had , his kingdome to succeede : whereby his sisters sonne was king , as you shall plainely reede . the dutchesse of suffolkes calamitie , or to the tune of queene dido . when god had taken for our sinne , that prudent prince k. edward away : then , bloudie bonner did begin ▪ his raging mallice to bewray : al those that did the gospell professe , he persecuted more or lesse . thus when the lord on vs did lower , many in prison did he throwe : tormenting them in lollards tower , whereby they might the truth forgoe : then cranmer , ridlie , and the rest , were burnt in fire , that christ profest . smithfield was then with faggots fyld , and many places more beside : at couentry was sanders kild , at gloster eke good hooper dyed : and to escape this bloudie day , beyond seas many fled away . among the rest that sought reliefe . and for their faith in danger stood : lady elizabeth was cheefe . king henries daughter of royall bloud : which in the tower prisoner did lye , looking each day when she should die . the dutches of suffolke seeing this , whose life likewise the tyrant sought : who in the hope of heauenly blisse , which in gods word her comfort wrought : for feare of death was faine to flye , and leaue her house most secretly . that for the loue of christ alone , her landes and goodes she left behinde : seeking still for that pretious stone , the word of truth so rare to finde . she with her nurse , her husband and childe , in poore aray their sights beguild . thus through london they past along , each one did take a seuerall streete : thus all vnknowne , escaping wrong , at billinsgate they all did meete like people poore in grauesend barge , they simply went with all their charge . and all along from grauesend towne , with easie tournets on foote they went : vnto the sea coast they came downe , to passe the seas was their intent : and god prouided so that day , that they tooke ship and saild away . and with a prosperous gale of wind , in flaunders safe they did ariue . this was to their great ease of mind which from their harts much woe did driue , and so with thankes to god on hie , they tooke their way to germanie . thus as they traueld thus disguisde , vpon the hie waie sudainely : by cruell theeues they were supprisde , assailing their small company : and all their treasure and their store they tooke away , and beat them sore . the nurse in middest of their sight , laide downe the childe vpon the ground : she ran away out of their sight , and neuer after that was found : then did the dutches make great mone , with her good husband all alone . the thoenes had there their horses kilde , and all their money quite had tooke : the prettie babie almost spild , was by their nurse likewise forsooke : and they farre from friends did stand , all succourlesse in a strange land . the skies likewise began to scowle , it hailde and rainde in pittious sort : the way was long and wonderous foule , then may i full well report their griefe and sorrow was not small , when this vnhappy chance did fall . sometime the dutchesse bore the child , as wet as euer she could be , and when the ladie kinde and milde was wearie , then the childe bore he : and thus they one another casde , and with their fortunes were well pleasde . and after many wearied steppes , all wet-shod both in dyrt and myre : after much griefe their heart it leapes , for labour doth some rest require , a towne before them they did see . but lodgd therein they could not be . from house to house they both did goe , seeking where they that night might lie , but want of money was their woe , and still the babe with colde did crie . with cap and knee they courtsey make , but none on them would pitie take . loc here a princesse of great blood doth pray a peasant for reliefe : with teares be dewed as ▪ she stood , yet few or none regards her grief : her speech they could not vnderstand , but gaue her a penny in her hand . when all in vaine the paines was spent , and that they could not house-roome get : into a church-porch then they went , to stand out of the raine and wet : then said the dutchesse to her deare , o that we had some fier heere . then did her husband so prouide , that fire and coales he got with speede : shee sate downe by the fires side , to dresse her daughter that had neede : and while she drest it in her lap , her husband made the infant pay . anon the sexten thither came , and finding them there by the fire : the drunken knaue all voyde of shame , to driue them out was his desire : and spurning forth this noble dame , her husbands wrath it did inflame . and all in furie as he stood , he wroung the church keyes out of his hand : and strooke him so that all of bloud , his head ran downe where he did stand . wherefore the sexten presently , for helpe and aide aloud did crye , then came the officers in hast , and tooke the duchesse and her child , and with her husband thus they past , like lambs to set with tigers wilde : and to the gouernour were they brought , who vnderstood them not in ought then master bartue braue and bolde , in latine made a gallant speech , which all their miserie did vnfolde , and their high fauour did beseech : with that a doctor sitting by , did know the dutchesse presently . and therevpon arising straight , with minde abashed at this sight vnto them all that there did waight , he thus brake forth in words aright : beholde within your sight quoth he , a princesse of most high degree . with that the gouernour and the rest , were all amazde the same to heare , and welcomed these new come guests , with reuerence great and princely cheare : and afterwarde conueyde they were , vnto their friend prince cassemere . a sonne she had in germanie , peregrine bartue cald by name : surnamde the good lord vvi●lobie : of courage great and worthie fame . her daughter young which with her went , was afterward countesse at kent . for when queene marie was deceast , th●●utchesse home returnd againe : who ●as of sorrow quite releast . by queene elizabethes happie raigne for whose life and prosperitie , we may all pray continually . finis . how king henry the second crowning his sonne king of england , in his owne lifetime , was by him most grieuously vexed with warres : whereby he went about to take his fathers crowne quite from him . and how at his death he repented him thereof , and asked his father hartily forgiuenesse . cant. iii. or to the tune of wygmors galliard . you parents whose affection fond , vnto your children doth appeare : marke well the storie nowe in hand . wherin you shall great matters here . and learne by this which shal be tolde , to holde your children still in awe : least otherwise they prooue too bolde , and set not by your state a strawe . king henrie second of that name , for verie loue that he did beare : vnto his sonne , whose courteous fame , did through the land his credite reare . did call the prince vpon a day . vnto the court in royall sort : attyred in most rich aray , and there he made him princely sport . and afterward he tooke in hand , for feare he should deceiued be : to crowne him king of faire england , while life possest his maiestie . what time the king in humble sort , like to a subiect waited then : vpon his sonne , and by report swore vnto him his noble-men . and by this meanes in england now , two kings at once together liue . but lordly rule will not allow in partnership their daies to driue . the sonne therefore ambitiously , doth seeke to pull his father downe , by bloudie warre and subtiltie , to take from him his princely crowne . sith i am king thus did he say , why should i not both rule and raigne : my heart disdaines for to obay . yea all or nothing will i gaine . hereon he raiseth armies great , and drawes a number to his part : his fathers force downe right to beat . and by his speare to pearce his hart . in seuen set battles doth he fight , against his louing father deere : to ouerthrow him in despight , to win himselfe a kingdom cleere . but naught at all could he preuaile , his armie alwaies had the worst : such griefe did then his hart asaile , he thought himselfe of god accurst . and therefore falling wondrous sicke , he humbly to his father sent : the worme of conscience did him pricke , and his vile deedes he did lament . requiring that his noble grace , would now forgiue all that was past : and come to him in heauie case , being at poynt to breath his last . when this word came vnto our king , the newes did make him wondrous woe : and vnto vnto him he sent his ring , where he in person would not goe : commend me to my sonne he said , so sicke in bed as he doth lye : and tell him i am well apaide , to heare he doth for mercie crie : the lord forgiue his foule offence , and i forgiue them all quoth he : his euill with good i le recompence , beare him this message now from me , when that the prince did see this ring , he kissed it un ioyfull wise and for his faults his hands did wring , while bitter-teares gusht from his eys then to his lords that stood him nye , with feeble voyce then did he call : desiring them immediately , to strip him from his garments all . take off from me these roabes so rich , and lay me in a cloth of haire : quoth he my grieuous sinnes are such , hell fires flame i greatly feare . a hemp on halter then he tooke , about his neck he put the same : and with a grieuous pittious looke , this speech vnto them did he frame , you reuerend bishops more and lesse , pray for my soule to god on hye : for like a theefe i do confesse , i haue deserued for to dye . and therefore by this halter heere , i yeeld my selfe vnto you all : a wretch vnworthie to appeere , before my god celestiall . therefore within your hemptō bed , all strewd w t ashes as it is : let me be laid when i am dead , and draw me therevnto by this . yea by this halter strong and tough , dragge foorth my carcasse to the same : yet is that couch not bad inough . for my vile bodie wrapt in shame . and when you see me lye along , be powdered in ashes there : say there is he that did such wrong , vnto his father euerie where . and with that word he breath'd his last , wherefore according to his mind : they drew him by the necke full fast vnto the place to him assignd . and afterward in solemne sort , at roan in fraunce buried was he : where many princes did resort . to his most royall obsequie . ¶ the imprisonment of queene elenor , wife to king henrie the second . the argument . ¶ the imprisonment of queene elenor , wife to king henrje the second , by whose meanes the kings sonnes so vnnaturally rebelled agaīst their father . and her lamentation , being sixteene yeares in prison , whom her sonne richard when he came to be king , relesed , and how at her deliuerance , she caused many prisoners to be set at libertie . cant. iiii or come liue with me and be my loue . thrice wee is me vnhappy queene , thus to offend my princely lord : my foule offence too plaine is seene , and of good people most abhord : i doe confesse my fault it was , these bloudie warres cam this to passe . my iealous mind hath wrought my woe , let all good ladies shun mistrust : my enuie wrought my ouerthrow , and by my mallice most vniust . my sonnes did seeke their fathers life , by bloudie warres and cruell strife , what more vnkindnesse could be showne to any prince of high renoune : then by his queene and loue alone , to stand in danger of his crowne . for this offence most worthily in dolefull prison doe i lye . but that which most torments my mind , and makes my grieuous heart complaine is for to thinke that most vnkind , i brought my selfe in such disdaine : that now the king cannot abide i should be lodged by his side . in dolefull prison i am cast , debard of princely company : the kings good will quite haue i lost , and purchast nought but infamy : and neuer must i see him more , whose absence griues my hart full sore . full sixteene winters haue . i beene imprisoned in the dungeon deepe : whereby my ioyes are wasted cleane , where my poore eys haue learnd to weepe . and neuer since i could attaine , his kingly loue to me againe . too much indeed i must confesse . i did abuse his royall grace : and by my great malitiousnesse , his wrong i wrought in euerie place . and thus his loue i turnde to hate , which i repent but all too late . sweete rosamond that was so faire , out of her curious bower i brought , a poysoned cup i gaue her there , whereby her death was quickly wrought . the which i did with all despight , because she was the kings delight . thus often did the queene lament , as she in prison long did lie . her former deedes she did repent : with many a watrie weeping eye : but at the last this newes was spred . the king was on a suddaine dead : but when she heard this tydings tolde , most bitterly she mourned then : her wofull heart she did vnfolde , in sight of many noble men . and her sonne richard being king , from dolefull prison did he bring . who set her for to rule the land , while to ierusalem he went : and while she had this charge in hand , her care was great in gouernment . and many a prisoner then in holde , she set at large from yrons colde . ¶ the lamentable death of king iohn , how he was poysoned in the abbey at swinsted , by a false fryer . cant. v. or to the tune of fortune . a trecherous deede forthwith i shall you tell , which on king iohn vpon a sudden fell : to lincolneshire proceeding on his way , at swinestead abby , one whole night he lay . there did the king oppose his welcome good , but much deceit lyes vnder an abbots hood . there did the king himsel●e in safetie thinke , but there the king receiued his latest drinke . great cheare they made vnto his royall grace , while he remaind a guest within that place . but while they smiled and laughed in his sight , they wrought great treason , shadowed with delight a flat faced monke comes with a glosing tale , to giue the king a cup of spiced ●le : a deadliar or ●●ght was neuer offered man , yet this false monke vnto the king began . which when the king without mistrust did see , he tooke the cup of him most courteously : but while he held the poisoned cup in hand , our noble king amazed much did stand . for casting downe by chance his princely eye , on pretious iewels which he had full nye : he saw the colour of each pretious stone , most strangely turne and alter one by one . their orient brighnesse to a pale dead hue , were changed quite , the cause no person knew and such a sweat did ouerspread them all , as stood like dew which on faire flowers fall , and hereby was their pretious natures tride , for precious stones foule poyson cannot bide but though our king beheld their colour pale , mistrusted not the poyson in the ale. for why the monke the taste before him tooke nor knew the king how ill he did it brooke . and therefore he a hartie draught did take , which of his life a quicke dispatch did make . th' infectious drinke fumd vp into his head : and through the veines into the heart it spred , distempering the pure vnspotted braine , that doth in man his memorie maintaine . then felt the king an extreame grief to grow , through all his intrels being infected so : wherby he knew through anguish which he felt the monks with him most traiterously had delt . the grones he gaue did mak al men to wonder , he cast as if his heart would split in sunder , and still he cald while he thereon did thinke , for that false monke which brought y e deadly drinke . and thē his lords went searching round about in euerie place to find this traytor out : at length they found him dead as any stone , within a corner lying all alone . for hauing tasted of that poysoned cup , whereof our king the residue drunke vp , the enuious monk himself to death did bring that he thereby might kill our royall king . but when the king with wonder hard thē tel , the monks dead body did with poyson swel : why then my lords ful quickly now quoth he , a breathlesse king you shall among you see . behold he said my vaines in peeces cracke , a grieuous torment feele i in my backe : and by this poyson deadly and accurst , i feele my heart strings ready for to burst . with that his eyes did turne within his head : a pale dead colour through his face did spread , and lying gasping with a cold faint breath , the royall king was ouercome by death . his mournful lords which stood about him thē withal their force and troopes of warlike men : to worcester the corpes they did conueye , with drumbe & trumpet marching al y e waye . and in the faire cathedrall church i find , they buried him according to their mind : most pompiously best fitting for a king , who wer aplauded greatly for this thing . finis . of the imprisonment of king edward the second . the argument . ¶ the cruell imprisonment of king edward the second , at the castle of barkley , the 22. of september . 1327. cant. vj. or who list to lead a soldiers life . when isabell faire englands queene , in wofull warres had victorious beene : our comely king her husband deere , subdued by strength as did appeare . by her was sent to prison stronge , for hauing done his countrie wrong . in barkly castle cast was he , denied of royall dignitie : where he was kept in wofull wise , his queene did him so much dispise . there did he liue in wofull state , such is a womans deadly hate : when fickle fancie followes change , and iustfull thoughts delight to range . lord morcimer was so in minde the kings sweete loue was cast behinde : and none was knowne a greater foe , vnto king edward in his woe : then isabell his crowned queene , as by the sequell shall be seene . while he in prison poorely say , a parliament was helde straight way , what time his foes apace did bring , billes of complaint against the king : so that the nobles of the land , when they the matter throughly scand , pronounced then these speeches plaine , he was vnworthie for to raigne : therefore they made a flat decree , he should forthwith deposed be . and his sonne edward young of yeares , was iudged by the noble peares , most meete to weare the princely crowne , his father being thus pulde downe . which wordes when as the queene did heare : dissemblingly as did appeare : she wept , shee waild , and wrong her handes , before the lordes whereas she stands : which when the prince her sonne did see , he spoke these words most courteously . my sweete queene mother weepe not so , thinke not your sonne will seeke your woe : though english lords chuse me there king , my owne deere father yet liuing : think not i will thereto consent , except my father be content : and with good will his crowne resigne , and grant it freely to be mine . therefore queene mother think no ill , in me or them for their good will. then diuers lords without delay , went to the king whereas he lay : declaring how the matetr stood . and how the peeres did think it good : to chuse his sonne there king to bee , if that he would thereto agree : for to resigne the princely crowne , and all his title of renowne : if otherwise they told him plaine , a stranger should the same attaine . this dolefull tidings most vnkind , did sore afflict king edwards mind : but when he saw no remedie , he did vnto their wils agree : and bitterly he did lament saying the lord this plague had sent : for his offence and vanitie , which he would suffer patiently . beseeching all the lords at last . for to forgiue him all was past . when thus he was deposed quite , of that which was his lawfull right : in prison ws he kept full close , without all p●ttie or remorce . and those that shewd him fauour still , were taken from him with ill will : which when the earle of kent did here , who was in bloud to him full neere . he did intreate most earnestly , for his release and libertie . his words did much the queene displease , who said he liu'd too much at ease : vnto the bishop did shee goe , of ●ertford his deadly foe : and ●uell letters made him wright , vnto his keepers with dispight : you are to kind to him quoth shee , henceforth more straighter looke you bèe : and in their writing subtillie , they sent them word that he should die . the lord matreuers all dismaid , vnto sir thomas gourney said : the queene is much displeas'd quoth he , for edwards too much libertie , and by her letters doth bewray , that soone he shall be made away : t is best , sir thomas then replide , the queenes wish should not be denide : thereby we shall haue her good-will , and keepe our selues in credite still . of king edward the second , being poysoned . the argument . ¶ how the king was poisoned , and yet escaped and afterward , how when they saw that thereby he was not dispatched of life , they locked him in a most noysome filthie place : that with the stinke thereof , he might be choaked , and when that preuailed not , how they thrust a hot burning spit into his fundament , till they had burnt his bowels within his bodje , whereof he dyed . or how can the te●e : cant. vjj. the kings curst keepers ayming at reward , hoping for fauour of the furious queene : on wretched edward had they no regard , far from their hearts is mercie mooued cleene wherefore they mingle poyson with his meate , which made the man most fearefull for to eate . for by the taste he oftentimes suspected , the venome couched in a daintie dishe : yet his faire bodie was full sore infected , so ill they spiced hath his fleshe and fishe : but his strong nature all their craft beguiles , the poyson breaking foorth in blames and byles . an vgly scabbe ore spreds his lyllie skinne , foule botches breake vpon his manly face , this sore without and sorrowfull within : the dispisde man doth liue in loathsome case : like to a lazer did he then abide , that shewes his sores along the hiewaies side : but when this practise prooued not to their minde , and that they saw he liu'd in their dispight : another dam'd deuice then they finde , by stinking fauours for to choake him quight . in an od corner did they locke him fast , hard by the which their carrton they did cast . the stinch whereof might be compared well nie , to that foule lake where cursed sodome stood : that poysoned birdes which ouer it did flie , euen by the sauour of that filthie mud : euen so the smell of that corrupted den , was able for to choake ten thousand men . but all in vaine it would not doe god wot , his good complexion still droue out the same : like to the boyling of a seething pot . that castes the scumme into the fierce flame : thus still he liu'd , and liuing still they sought , his death , whose downefall was alreadie wrought . loathing his life at last his keepers came , into his chamber in the dead of night : and without noise they entred soone the same , with weapons drawne & torches burning bright where the poore prisoner fast asleepe in bed lay on his belly nothing vnder his head . the which aduantage when the murderers saw a heauie table on him they did throw : wherewith awakt , his breath he scant could drawe , with waight thereof they kept him vnder so , then turning vp the cloathes aboue his hips . to hold his legges , a couple quickly skips . then came the murtherers , one a horne had got , which far into his fundament downe he thrust another with a spit all burning hot , the same quite through y e horne he strongly pusht . among his intrels in most cruell wise , forcing hereby most lamentable cries . and while within his body they did keepe , the burning spit still rolling vp and downe : most mournefully the murthered man did weepe , whose wailefull noise wakt many in the towne , who gessing by his cries his death drew neere , tooke great compassion on that noble peere . and at each bitter skroeke which he did make , they praide to god for to receiue his soule : his gastly grones inforst their harts to ake yet none durst goe to cause the bell to towle ha me poore man alacke . alacke he cried , and long it was before the time he dyed . strong was his heart , a long it was god knowes ear it would sleepe vnto the streke of death : first was it wounded with a thousand woes , before he did resigne his vitall breath : and being murdered thus as you doe heare , no outward hurt vpon him old appeare . this cruell murder being brought to passe , the lord matreuers to the court doth hies to shew the queene her will performed was , great recompence he thought to get thereby . but when the queene the sequell vnderstands , dissemblingly shee weepes and wrings her handes . ah cursed traytor hast thou slaine quoth shee , my noble weded lord in such a sort : shame and confusion euer light on thee , o how i griefe to heare this vile reporte hence cursed catiue from my sight shee said , that hath of me a wofull widdow made . then all abasht matreuers goes his way , the saddest man that euer life did beare : and to sir thomas gurney did bewray , what bitter speech the queene did giue him there : then did the queene out-law them both together , and banisht them faire englands bounds for euer . thus the dissembling queene did seeke to hide , the heinous act by her owne meanes effected : the knowledge of the deed shee still denied , that shee of murder might not be suspected : but yet for all the subtiltie shee wrought , the truth vnto the world was after brought . of the lord matreuers and sir thomas gurney , being banished . the argument . ¶ the dolefull lamentation of the lord matreuers and sir thomas gurney , being banished the realme . cant. viii . or to the tune of light of loue . alas that euer that day we did see , that false smiling fortune so fickle should bee : our miseries are many our woes without end , to purchase vs fauour we both did offend . our deedes haue deserued both sorrow and shame , but woe worth the persons procured the same : alacke , and alacke , with griefe we may crie , that euer we forced king edward to die . the bishop of hereford ill may he fare , he wrote vs a letter for subtiltie rare : to kill princely edward , feare not it is good , thus much by his letter we then vnderstood . but curst be the time that we tooke it in hand , to follow such counsell and wicked command : alacke , and alacke , with griefe we may crie , that euer we forced king edward to die . forgiue vs sweet sauiour that damnable deed , which causeth with sorrow our harts for to bleed : and taking compassion vpon our distresse , put far from thy pretence our great wickednesse . with teares all be dewed for mercie we crie , and doe not the penitent mercie denie . alacke , and alacke , with griefe we may say , that euer we made king edward away . for this haue we last both our goods and our lands , our castles and towers , so stately that stands : our ladies and babies are turnd out of doore , like comfortlesse catiues both naked and po●re . both friendlesse and fatherlesse do they complaine , for gon are their comforts y t should thē maintaine : alacke , and alacke , and alas may we crie , that euer we forced king edward to die . and while they go wringing their hands vp & down . in seeking for succour from towne vnto towne : all wrapped in wretchednesse doe we remaine , tormented , perplexed in dolour and paine . despised , disdained and banished quite , the coasts of our countrie so sweete to our sight . alacke , and alacke , and alas may we crie , that euer we forced king edward to die . then farwel faire england wherin we were borne , our friends & our kindred which holds vs in scorn : our honours and dignities quite haue we lost , both profit and pleasure our fortune haue crost . out parkes and our chases , our mansions so faire ▪ our iemes and our iewels most precious & rare ▪ alacke , and alacke , and alas may we crie , that euer we forced king edward to die . then farwell deare ladies and most louing wiues , might we mend your miseries w t losse of our liues then our silly children which begs on your hand , in griefe and calamitie long should not stand , nor yet in their countrie dispised should bee , that lately was honoured of euerie degree : alacke , and alacke , and alas we may crie , that euer we forced king edward to die . in countries vnknowne we range too and fro , cloying mens eares with report of our woe : our tood is wild beries greene bankes is our bed , the trees serue for houses to couer our head . browne bread to our toste is most daintie & sweete , our drinke is cold water tooke vp at our feete : alacke and alacke and alas may we crie , that euer we forced king edward to die . thus hauing long wandred in hunger and cold , dispising liues safetie most desperate bold : sir e. gurney toward england doth goe , for loue of his ladie distressed with woe . saying how happie and blessed were i , to see my sweete children and wife ear i die . alacke , and alacke , and alas may we say , that euer we made king edward away . but three yeares after his wofull excile , behold how false fortune his thoghts doth begile : comming toward england was tooke by the way , & least that he should the chief murderers bewray . commandement was sent by one called lea , he should be beheaded forthwith on the sea : alacke , and alacke , and alas did he crie , that euer we forced king edward to die . thus was sir thomas dispatched of life , in comming to visite his sorrowfull wife : who was cut off from his wished desire , which he in his heart so much did require . and neuer his lady againe did he see , nor his poore children in their miserie . alacke , and alacke , and alas did he crie , that euer we forced king edward to die . the lord matreuers the storie doth tell , in germanie after long time he did dwell : in secret manner for feare to be seene , by any persons that fauoured the queene : and there at last in great miserie , he ended his life most penitently . alacke and alacke , and alas did they say , that euer we made king edward away . of the winning of the i le of man , by the earle of salisburie the argument . ¶ the winning of the yle of man , by the noble earle of salisburie . cant. ix . or the queenes goeing to the parliament . the noble earle of salsburie , with many a hardie knight : most valiantly preparde himselfe , against the scots to fight . with his speare and his shield , making his proud foes to yeeld : fiercely on them all he ran , to driue them from the i le of man : drummes stricking on a row trumpets sounding as they goe , tan ta ra ra ra tan . there silken ensignes in the field , most gloriously were spred : the horsemen on their prauncing steede , strucke many a scotchman dead : the browne bils on their corslets sing , the ●owmen with the gray goose wing ▪ the lustie launce the pearcing speare , the lost flesh of their foes doe teare . drummes stricking on a rowe , trumpets sounding as they goe . tan ta ra ra ra tan . the batell was so fearce and hot , the scots for feare did flie : and many a famous knight and squire , in gorie bloud did lie : some thinking to escape away . did drowne themselues within the sea : some with many a bloudy wound , lay gasping on the clayey ground . drummes stricking on a row , trumpets sounding as they goe , tan ta ra ra ra tan . thus after many a braue exployt , that day performd and donnet the noble earle of salsburie , the i le of man had wonne . returning then most gallantlie , with honour fame and victorie : like a conquerer of fame , to court this warlike champion came . drummes stricking on a row , trumpets sounding as they goe . tan ta ra ra ra tan . our king reioycing at this act , incont●nent decred to giue the earle this pleasant i le , for his most valiant deed : and forthwith did cause him than , for to be crowned king of man , earle of famous salsburie , and king of man by dignitie : drummes stricking on a row , trumpets sounding as they goe . tan ta ra ra ra tan . thus was the first king of man , that euer bore that name : knight of the princely garter blew , an order of great fame : which braue king edward did deuise , and with his person royallize : knights of the garter are they cald , and eke at winsor so instald . with princely royaltie , great fame and dignitie . this knight-hood still is held . how wat tiler and iacke straw , rebelled against king richard the second . the argument . ¶ the rebellion of wat tiler and iacke straw , with others , against king richard the se-second . cant. x. or the miller would a woing ride . wat tilor is from darford gon , and with him many a proper man : and he a captaine is become , marching in field with phife and drumme , iacke straw an other in like case , from essex flockes a mightie pace . hob carter with his stragling traine , iacke shepperd comes with him a maine : so doth tom miller in like sort , as if he ment to take some fort : with bowes and bils , with speare and shield , on blacke-heath haue they pitcht their field , an hundred thousand men in all , whose force is not accounted small . and for king richard did they send , much euill to him they did intend : for the taxe the which our king , vpon his commons then did bring : and now because his royall grace , denied to come within their chace , they spoyled southwarke round about , and tooke the marshals prisoners out : all those that in the kings bench lay , at libertie they set that day , and then they marcht with one consent , through london with a lewd intent : and for to fit their lewd desire , they set the sauoy all on fire , for the hate which they did beare , vnto the duke of lancastere . therefore his house they burned quite , through enuie malice and dispighte . then to the temple did they turne , the lawyers bookes there did they burne : and spoyld their lodgings one by one , and all they could lay hand vpon . then vnto smithfield did they hie , to saint iohns place that stands thereby . and set the same on fire flat , which burned seuen dayes after that . vnto the tower of london then , fast troped these rebellious men , and hauing entered soone the same , with hidious cries and mickle shame : the graue lord chauncelor thence they tooke , amas'd with fearefull pittious looke : the lord high treasurer likewise they , tooke from that place that present day : and with their hooting lewd and shrill , strucke off their heads on tower hill . into the cittie came they then , like rude disordered franticke men : they robd the churches euerie where , and put the priests in deadly feare . into the counters then they get , where men imprisoned lay for debt : they broke the doores and let them out , and threw the counter bookes about , tearing and spoyling them each one , and recordes all they light vpon . the doores of newgate broke they downe , that prisoners ran about the towne : forcing all the smithes they meete , to knocke the yrons from their feete : and then like villaines voide of awe , followed wat tylor and iacke straw . and though this outrage was not small , the king gaue pardon to them all , so they would part home quietly , but they his pardon did defie : and being all in smithfield then , euen threescore thousand fighting men , which there wat tylor then did bring , of purpose for to meete our king . and there withall his royall grace , sent sir iohn newton to that place : vnto wat tylor willing him , to come and speake with our young king . but the proud rebell in dispight , did picke a quarrell with the knight . the mayor of london being by , when he beheld this villanie : vnto wat tylor rode he then , being in midst of all his men : saying traytor yeelde t is best . in the kings name i thee arrest : and therewith to his dagger start , and thrust the rebbell to the heart . who falling dead vnto the ground , the same did all the hoast confound : and downe they threwe their weapons all and humbly they for pardon call . thus did that proud rebellion cease , and after followed a ioyfull peace . finis . a speeche betweene ladies , being shepheards on salisburie plaine . truely said the ladies , this was a most hardie & couragious mayor . that durst in the midst of so mightie a multitude of his enemies arrest so impudent and bold a traytor , and kill him in the face of all his friendes , which was a deed worthie to be had in euerlasting memory and highly to be rewarded : nor did his majestie forget , said the lady oxenbridge , to dignifie that braue man for his hardie deed , for in remembrance of that admired exploit , his maiestie made him knighte , and fyue aldermen more of the cittie , ordayning also , that in rememberance of sir vvil. vvalworthes deede , against vvatte tyler , that all the mayors that were to succeede in his place should be knighted : and further he granted , that there shoulde be a dagger added to the armes of the citie of london , in the right quarter of the shielde for an augmentation of the armes . you haue tolde vs ( quoth the ladies ) the end of vvat tylor , but i pray you what became of iacke strawe , & the rest of the rebellious rout . i will shew you ( quoth she ) iacke straw with the rest of that rude rabble , being in the ende apprehended ( as rebels neuer florish long ) was at last broght to be executed at london , where he confest that there intent was , if they could haue brought their vile purpose to passe , to haue murdered the king and his nobles , and to haue destroyed so neere as they coulde : all the gentilitie of the land , hauing especially vowed the death of all the bishops , abbots & monks , and then to haue inriched themselues , they determined to set london on fire , and to haue taken the spoyle of that honourable cittie , but the gallowes standing betwixt them & home , they were there trust vppe before they could effect any thing . and such ends said the ladies send all rebels , and especially the desperate traytors , which at this present vexeth the whole state . with that word , one of their seruants came running , saying : madam , the rebels are now marched out of vviltshire & hampshire , making hastie steppes towards london , therefore now you need not feare to come home , and commit the flockes to there former keepers . the ladies beeing ioyfull thereof , appointed shortly after a banquet to bee prepared , where they all met together againe , by which time the kings power hauing incountered the rebels on blacke-heath , ouerthrew their whole power where the lorde awdly was taken and committed to newgate , from whence hee was drawne to the tower-hill in a cote of his owne armes painted vpon paper , reuersed and all to torne , and ther was beheaded the 24. of iune . and shortly after thomas flamocke , and michaell ioseph the blacke smith were drawne , hanged & quartered after the manner of traytors , but when the husbands to these faire ladies , came home & heard how their wiues had dealt to saue themselues in this daungerous time , they coulde not chuse but heartily laugh at the matter , saying , that such shepheards neuer kept sheepe on salisburie plaine before . another ballad: called the libertines lampoone: or, the curvets of conscience. to the tune of, thomas venner, or 60. / written by the authour of the geneva ballad. butler, samuel, 1612-1680. 1674 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01384 11403485 wing a3249 interim tract supplement guide c.20.f.4[115] estc r30700 99889678 ocm99889678 182784 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01384) transcribed from: (early english books online ; image set 182784) images scanned from microfilm: (early english books; tract supplement ; a4:2[116]) another ballad: called the libertines lampoone: or, the curvets of conscience. to the tune of, thomas venner, or 60. / written by the authour of the geneva ballad. butler, samuel, 1612-1680. 1 sheet ([1] p.). printed for f.k. and edward thomas, and are to be sold at his shop at the adam [and eve in little-brittain], london : 1674. geneva ballad attributed to samuel butler by wing. verse: "as i examin'd my conscience ..." imperfect: cropped at foot with partial loss of imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng political ballads and songs -england -early works to 1800. conscience -early works to 1800. ballads, english -17th century. 2008-06 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion another ballad : called the libertines lampoone : or , the curvets of conscience . to the tune of , thomas venner , or 60. written by the authour of the geneva ballad as i examin'd my conscience , all by my self ; my head was full of nonsence : after seven times turning , worse then a burning , i found she was a way ward elf. ceremonious oaths , and humane laws offend her , she 's constant as a weather-cock , and as a milstone tender ; e'ne such another protestant , as the old witch of ender . halloo my conscience whither wilt thou go . treason she says is religion , sacriledge zeal ; a crow she calls a pidgeon : she tells you further , plundering and murther , do service to the common-weal . justice she esteemeth to be a very slow thing , power ecclesiastick , she reckons as a low thing , and for an act of parliament she counts it next to nothing ; halloo my conscience , &c. a nonconformist to please her , lately declar'd : she 's more a prince then caesar ; say what she will say , these fellows still say , she must and ought to be heard . though mallice can corrupt her , and avaric● can taint her , pride can blow her up , and hypocrisi can paint her , and when truth cryes her down sedition can saint her . halloo my conscience , &c. changes she can ring a hundred more then are good , else it might be wondred , in the mutations , of these three nations how upon her legs she hath stood . for under the old rumpers she was enfore'd to truckle , cromwel and his janisaries made her glad to buckle , and when the king came in , she got the trick to smuckle , halloo my conscience , &c. when smec and the independant began to clash : she could foresee the end on 't ; and as soon as the day first brake at breda , she kept her self out of the lash . although of the surplice she never had a rag on , of all her nimble tricks , this she hath cause to brag on , she pitcht upon her feet when bell fought with the dragon halloo my , &c. quite from bending and bowing , she is declin'd : to theeing , and to thouing , sects and perswasions all modes and fashions , of every sort and kind . she was a brownist lately , an anabaptist newly , and then she fell to plainly , verily and truly : but errors have no end , and factions want a thule . halloo my , &c. such is her intricate winding no man can trace , she loaths to hear of binding : she 's free and willing , although it be by killing to run the fanatick race . he that can restrain her , may fix the stars that wander , cure the sits of jealousie , or gag the mouth of slander : sail without a rudder , and rectifie meander . halloo my , &c. drunk with the doctrine of tub●men see how she reels , from men of law to club-men , this way and that way , no man knows what way , unsteadfast as phaetons wheels : in faith none more fervent , in charity none colder , as fiery as bucephalus , and then blind byard bolder : she 's too untame for earth , and none but hell can hold her . i , i , 't is thither , thither , she may go . london , printed for e. k. and edward thomas , and are to be sold at his shop at the adam a merry new song wherein you may view the drinking healths of a ioviall crew, to 'thappie [sic] return of the figure of two. the tune is, ragged and torn and true. c. h. this text is an enriched version of the tcp digital transcription b03633 of text443 in the english short title catalog (wing h14). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b03633 wing h14 interim tract supplement guide c.20.f.8[344] 99887825 ocm99887825 183480 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03633) transcribed from: (early english books online ; image set 183480) images scanned from microfilm: (early english books; tract supplement ; a5:2[271]) a merry new song wherein you may view the drinking healths of a ioviall crew, to 'thappie [sic] return of the figure of two. the tune is, ragged and torn and true. c. h. 1 sheet ([1] p.) : ill. (woodcuts). printed for william gilbertson, [london : between 1658-1660] imprint suggested by wing. verse: "i have beene a traveller long ..." imperfect: trimmed, affecting imprint. reproduction of original in the british library. eng ballads, english -17th century. b03633 443 (wing h14). civilwar no a merry new song wherein you may view the drinking healths of a ioviall crew, to 'thappie [sic] return of the figure of two. the tune is, ra c. h. 1660 818 2 0 0 0 2 0 269 f the rate of 269 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a merry new song wherein you may view the drinking healths of a ioviall crew , to ' thappie return of the figure of two the tune is , ragged and torn and true . i have béene a traveller long , and séen the conditions of all , i sée how each other they wrong , and the weakest still goes to the wall : and here i le begin ●to relate , the crosse condition of those , that hinder our happy state , and now are turned our foes . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrows adieu , when the figure of two shall be crown'd . i crossed the ocean of late . and there i did méet with a crosse , but having a pretty estate , i never lamented my losse , i never lamented my harmes , and yet i was wondrous sad , i found all the land up in armes , and i thought all the folk had bin mad , kind country-men , how fell you out , i left you all quiet and still , but things are now brought so about ; you nothing but plunder and kill : some doe seeme seemingly holy , and would be reformers of men , but wisdome doth laugh at their folly , and sayes , they 'l be children agen , here 's a health , &c. but woe to the figure of one , king solomon telleth us so , but he shall be wronged by none that hath two strings to his bow . how i love this figure of two , among all the figures that be , i le moke it appeare unto you , if that you will listen to me , here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adieu obseeve when the weather is cold , i weare a cap on my head , but wish , if i may be so bold the figure of two in my bed . two in my bed i doe crave , and that is my selfe and my mate , but pray doe not think i would have two great large hornes on my pate . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adue when the figure of two shall be crown'd , since nature hath given two hands , but when they are foule i might scorne them , yet people thus much understands two fine white gloves will adorn them : two féet for to be are up my body , no more had the knight of the sun , but people would thinke me a noddy if two shooes i would not put on . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adieu when the figure of two shall be crown'd the figure of two is a thing that we cannot well live without , no more then without a good king , though we be never so stout : and this we may well understand . if ever our troubles should cease , two needfull things in the land is a king , and a iustice of peace . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adieu when the figure of two shall be crown'd . and now for to draw to an end , i wish a good happie conclusion , the state would so much stand our friend to end this unhappie confusion : the which might be done in a trice , in giving of ceasar his due , if we were so honest and wise , to thinke on the figure of two . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adieu when the figure of tow shall be crown'd if any desire to know this riddle i now will unfold , it is a man wrapped in woe , whose father is wrapped in mould : so now to conclude my song , i mention him so much the rather , because he hath suff'red some wrong ; and beares up the name of his father . here 's a health to the figure of two , to the rest of the issue renown'd , wee 'l bid all our sorrowes adieu when the figure of two shall be crown'd . ●● the fovr-legg'd elder, or, a horrible relation of a dog and an elders maid to the tune of the lady's fall. birkenhead, john, sir, 1616-1679. this text is an enriched version of the tcp digital transcription a28206 of text r210623 in the english short title catalog (wing b2965a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a28206 wing b2965a estc r210623 99835008 99835008 39661 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a28206) transcribed from: (early english books online ; image set 39661) images scanned from microfilm: (early english books, 1641-1700 ; 1790:7) the fovr-legg'd elder, or, a horrible relation of a dog and an elders maid to the tune of the lady's fall. birkenhead, john, sir, 1616-1679. 1 sheet ([1] p.) s.n., [london : 1647] by john birkenhead. cf. wing. imprint from wing. verse "all christians and lay-elders too". annotation on thomason copy: "septemb. 1st". reproductions of the originals in the british library (reel 246) and in the harvard university library (reel 1790). eng presbyterianism -humor -controversial literature -early works to 1800. ballads, english -early works to 1800. great britain -history -puritan revolution, 1642-1660 -humor -early works to 1800. a28206 r210623 (wing b2965a). civilwar no the fovr-legg'd elder, or, a horrible relation of a dog and an elders maid to the tune of the lady's fall. birkenhead, john, sir, sir 1647 900 8 0 0 0 0 0 89 d the rate of 89 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2006-04 tcp assigned for keying and markup 2006-04 aptara keyed and coded from proquest page images 2006-05 andrew kuster sampled and proofread 2006-05 andrew kuster text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion the fovr-legg'd elder or , a horrible relation of a dog and an elders maid . to the tune of the lady's fall . all christians and lay-elders too for shame amend your lives , i 'le tell you of a dog-trick now , which much concernes your wives : an elder's maid neare temple-barre ( ah what a queane was she ) did take an ougly mastive cutte where christians use to be ; help house of commons , house of peeres , oh now or never help , th' assembly hath not sate four yeares , yet hath brought forth a whelp . one evening late she stept aside , pretending to fetch eggs , and there she made her selfe a bride to one that had foure leggs : her master heard a rumblement , and wonder'd she did tarry , not dreaming ( without his consent ) his dog would ever marry : oh house of commens , house of peeres , &c he went to peep , but was affraid and hastily did run to fetch a staffe to helpe his maid , not knowing what was done , he tooke his ruling elders cane , and cry'd out helpe , helpe here , for swash our mastive and poore jane are now sight dog sight beare . oh house of commons , house of peeres , &c but when he came he was full sorry , for he perceiv'd their strife , that 'cording to the directory they two were dog and wife : oh ( then said he ) thou errant queane , why hast thou me beguil'd , i wonderd swash was growne so leane , poore dog hee 's almost spoyl'd . oh house of commons , house of peeres , &c. i thought thou hadst no carnall sence but what 's in other lasses , and could have quench'd thy cupiscence according to the classes , but all the parish see it plaine since thou art in this pickle , thou art an independent queane , and lov'st a conve●ticle . oh house of commons , house of peeres , &c. alas now each malignant rogue will all the world perswade that she that 's spouse unto a dog may be an elders maid , they 'l jeere us if abroad we stirre , good master elder stay , sir , of what classis i● your curre ? and then what can we say ? oh house of commons , house of peeres , &c. they 'l many gracelesse ballads sing of a presbyterian , that a lay-elder is a thing made up halfe dog halfe man ; out , out , said he , and smote her downe , was mankind growne so scant ▪ there 's scarce another dog in towne had tooke the covenant . oh house of commons , house of peeres , &c. then swash began to looke full grim , and jane did thus reply , sir , you thought nought too good for him , you fed your dog too high , t is true , he tooke me in the lurch , and leapt into my arme , but as i hope to come to church i did your dog no harme . oh house of commons , house of peeres , &c. then she was brought to ne●gate gaole and there was naked stript , they whipt her till the cord did faile , as doggs use to be whipt ▪ poore city maids shed many a teare when she was lash'd and lang'd , and had she bin a cavalir surely she had been hang'd , oh house of commons , house of peeres , her's was but fornication doomd , for which she felt the lash , but his was buggary presumd , therefore they hanged swash : what had become of bishops then , or independency , for now we find both doggs and men stand for presbytery . oh house of commons , house of peeres &c. she might have tooke a sowgelder ▪ with synod-men good store , but she would have a lay-elder with two leggs and two more : go tell th' assembly of divines , tell adoniram blew , tell burgesse , marshall , case , and vines , tell now and-anon-too . oh house of commons , house of peeres , &c. some said she was a scotish girle , or else ( at least ) a witch , but she was borne in colchester , was ever such a bitch ▪ take heed all christian virgins now , the dog-star now prevailes , ladies beware your monkeys too , for monkeys have long tailes . oh house of commons , house of peeres , &c. blesse king & queen and send us peace as we had seven yeares since ▪ for we remember no dog-dayes while we enjoy'd , our prince : blesse sweet prince charles , two dukes , three git lord save his majestie , grant that his commons , lords & earles may lead such lives as he. oh house of commons , house of peeres , oh now or never helpe , th' assembly hath not sate four yeares , yet hath brought forth a whelp . finis . the taunton maids delight, or, hey for the honest woosted-comber. in taunton town a maid doth dwell, who loves a woosted-comber very well, in the praise of him she doth declare, no other tradesman can with him compare. all sweethe [sic] arts that doth come she does refuse, only a woosted-comber she doth chuse, to him she wisheth good prosperity, for 'tis a comber must her husband be. the tune is, i have a good old mother at home, &c. / t.l. lanfiere, thomas. 1680-1685? approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04280 wing l361 interim tract supplement guide ebb65h[100] 99887306 ocm99887306 182017 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04280) transcribed from: (early english books online ; image set 182017) images scanned from microfilm: (early english books; tract supplement ; a2:4[100]) the taunton maids delight, or, hey for the honest woosted-comber. in taunton town a maid doth dwell, who loves a woosted-comber very well, in the praise of him she doth declare, no other tradesman can with him compare. all sweethe [sic] arts that doth come she does refuse, only a woosted-comber she doth chuse, to him she wisheth good prosperity, for 'tis a comber must her husband be. the tune is, i have a good old mother at home, &c. / t.l. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby at the golden ball in vvestsmithfield, [london] : [between 1680-1685] verse: "you pretty maids where e're you are ..." date, place of publication and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-12 megan marion sampled and proofread 2008-12 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the taunton maids delight , or , hey for the honest woosted-comber . in taunton town a maid doth dwell , who loves a woosted-comber very well , in the praise of him she doth declare , no other tradesman can with him compare . all sweethearts that do'h come she does refuse , only a woosted-comber she doth chuse , to him she wisheth good prosperity , for 't is a comber must her husband be . t. l. the tune is , i have a good old mother at home , &c. you pretty maids where e're you are , come listen unto me , and briefly to you i 'l declare in every degree , my choice in choosing of a mate to you i will unfould , a woosted-comber is the man that i love better than gold : then hey for the woosted-comber brave , i love him as my life , ever i a husband have , i will be a comber wife . many youngmen to me doth resort , that of several callings be , with sugered words they doth me court , to gaine true love of me : but i don't regard what they do say , of them i make but a jest , no man shall steale my heart away from him whom i love best . then hey for &c. now a true description you shall have concerning of my sweet hearts , and how i fitted them most brave according to their deserts , although they strived with might and main yet i lay at per due , there 's never a one shall me constrain to change an old love for a new . then hey for the woosted-comber brave i love him as my life if ever i a husband have i will be a comber's wife . the first that to me did make suit , it was a barbor brave , he gave unto me a kind salute , and said 't was my love he did crave : but i made to him this reply , i will not be marryed yet , your rayzer and wishing b●lls truly for my bason is not fit . then hey for &c. then came a miller unto me , that was both strong and stout , he swore that i his wife must be , but i gave him the rout : quoth i , be gone mr. loggerhead , and take this answer in brief , when 't is my fortune for to wedd , it shall not be with a thief . then hey for the woosted-comber brave i love him as my life , if ever i a husband have i will be a comber's wife . then came a smith that was cole-black , and askt me if i would wedd , he said that a good wife he did lack , at night to warm his bed : but i answered him presently with words plain and downright , a blacksmith's hammer never shall upon my anvill smight . then hey &c. a prick-louse taylor he came in , with his bodkin , sheares , and thimble , to complement he did begin , with speeches quick and nimble ; he said if i would be his mate bravely maintain'd i should be , but i told him that cabbage i did hate , with my body 't would not agree . then hey &c. then came a cold shooemaker that was both neat and trim , he ask't if i could find in my heart to love and fancy him ; quoth i , march off with sir hugh's bones , your suit it is in vain , for it is not a shooemaker that shall my love obtain . then hey &c. an honest weaver came at last , and said he 'd constant prove , he said he would maintain me brave , if i would be his love : he was a handsome proper lad , exceeding all the rest , of all the six suitors i had the weaver was the best , except the woosted-comber brave , &c. of all sorts of tradesmen that are dwelling in taunton town , none with a comber can compare , for valour and renown : he is both couragious and stout , in battel to sight he is free , to his enemy he 'l face about , he scornes a coward so be , then hey &c. when he with his comrades doth meet , his money he 'l freely spend , with good strong beer his heart he 'l cheer , to the ale-wife he 's a good friend : and when he hath spent an hour or twain in merry company , at the come-pot again with might & maine , his work he then ply . then hey &c , sometimes in the fields with his true-love a progress he doth take , with kisses sweet he doth her greet , and much of her doth make : on the green grass the time they pass in sweet felicity , with heart and mind their loves they bind , ne'r parted for to be . then hey &c. and thus the woosted-comber's praise i have declared to you , in every part is his desert , i have described true , he is the man that i esteem , above rubies or pearle , i 'de rather chuse to lie by him then by a lord or earle . then hey &c. god bless the combers and weavers both that in taunton doth dwell , vnto them all both great and small i heartily with well ; to those in milverton so brave i also do commend , good trading i wish they still may have , and so i make an end . then hey for the woosted-comber brave i love him as my life if ever i a husband have i will be a comber's wife . printed for p. brooksby at the golden ball is vvest-smithfield . amintor's lam[en]tation [for celia's unkindness.] setting forth the passion of a young man, who falling in love with a coy lady that had no kindness for him, persued his inclinations so far, that she was forced to fly beyond the sea, to avoid the importunity of his address, whereupon he thus complains. both sexes from this song may learn, of what they should beware: how in extreams they may discern, unkindness and dispair. to a delicate new tune: or, since celias my foe. duffett, thomas. 1676 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02795 wing d2442 interim tract supplement guide c.20.f.8[9] 99887593 ocm99887593 183218 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02795) transcribed from: (early english books online ; image set 183218) images scanned from microfilm: (early english books; tract supplement ; a5:2[9]) amintor's lam[en]tation [for celia's unkindness.] setting forth the passion of a young man, who falling in love with a coy lady that had no kindness for him, persued his inclinations so far, that she was forced to fly beyond the sea, to avoid the importunity of his address, whereupon he thus complains. both sexes from this song may learn, of what they should beware: how in extreams they may discern, unkindness and dispair. to a delicate new tune: or, since celias my foe. duffett, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby, near the hospital-gate in west-smithfield., [london] : [1676] verse: "since celia's my foe ..." place and date of publication suggested by wing. imperfect: torn, with partial loss of title. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion amintor's lam●●tation 〈…〉 setting forth the passion of a young man , who falling in love with a coy lady that had no kindness for him , persued his inclinations so far , that she was forced to fly beyond sea , to avoid the importunity of his address , whereupon he thus complains . both sexes from this song may learn , of what they should beware : how in extreams they may discern , vnkindness and dispair . to a delicate new tune : or , since celias my foe . since celia's my foe , to a desart i le go , where some river for ever shall eccho my wo ! the trees will appear more relenting than her , in the morning , adorning , each leaf with a tear . when i make my sad moan , to the rocks all alone , from each hollow will follow some pittiful groan : but with silent disdain , she requites all my pain : to my mourning , returning , no answer again . o why was i born , to a fate so forlorn , to inherit , not merit her anger , or scorn : my affection is such , as no blemish can touch , yet i 'm flighted , and spighted for loving too much . perhaps cou'd i prove , more unjust to my love , i might find her , yet kinder , and pitty might move , but i 'le chuse to obey , tho' i dye by the way ; yet 't is better , than get her , by going astray . then why shou'd you fly , my fair celia ? o why ? when to please ye 't is casse , for amintas to dye . if your lover you 'd shun , you no danger shall run , him you banish will vanish , and from you he gone . stay celia unkind , will you leave me behind , let me enter , and venture my self with the wind. ah! from me will you part , who so love your desert , either tarry , or carry your slave with his heart . were you but secure , i 'de your absence endure , were all danger a stranger to virgins so pure : but some insolent wave , may your merit out brave , both regardless , and careless what vertues you have . yet storms shall not dare , to assault one so fair , to attend you i 'le send you , sighs softer than air : the nymphs of the deep , my dear celia shall keep , on a pillow , each billow shall lull you asleep . the seas they shall dance , and the winds shall advance , with your gally to dally , and guide you to france ; while i from the shore , my fair idol adore ; till that neptune your captain , hath wafted you o're . then celia adieu , when i cease to pursue , you 'l discover no lover was ever so true , your sad shepherd flies from those dear cruel eyes , which not seeing his being , decays and he dies . yet 't is better to run to the fates we can't shun , then for ever t'endeavor what cannot be won : what ye gods have i done that amintor alone , is thus treated , and hated for loving but one ? and thus i complain , tho 't is all but in vain , yet the trouble is double , to stifle my pain : the sea or the shore , i as well might implore , they 'r as moving , and loving as her i adore . then since 't is the fate of my wretched estate , without pitty , 't is fit i submit to her hate . for as winter comes on when apollo is gone , so declining , and pining , she leaves me alone . printed for p. brooksby , near the hospital-gate in west-smithfield . the scotch lasses constancy or jenny's lamentation for the death of jockey: who for her sake was unfortunately kill'd by sawney in a duel. being a most pleasant new song, to a new tune. d'urfey, thomas, 1653-1723. 1682 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02831 wing d2772b estc r174902 51784508 ocm 51784508 174920 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02831) transcribed from: (early english books online ; image set 174920) images scanned from microfilm: (early english books, 1641-1700 ; 2705:25) the scotch lasses constancy or jenny's lamentation for the death of jockey: who for her sake was unfortunately kill'd by sawney in a duel. being a most pleasant new song, to a new tune. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. printed for p. brooksby ..., [london] : [1682] contains one woodcut illustration. place and date of publication from wing (2nd ed.) attributed to thomas d'urfey. cf. bm. reproduction of original in: bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the scotch lasses constancy or jenny's lamentation for the loss of jockey : who for her sake was vnfortunately kill'd by sawney in a duel . being a most pleasant new song , to a new tune . twa bonny lads were sawny and jockey , but jockey was low'd and sawny unlucky ; yet sawny was tall , well-favour'd and witty , but i's in my heart thought jockey more pritty : for when he view'd me su'd me , woo'd me , never was lad so like to undo me , 〈…〉 , and almost dy'd , 〈…〉 would gang and come no mere to me . jockey would love , but he would not marry , 〈…〉 was afraid that i should miscarry ; 〈…〉 cunning tongue with wit as so guilded , 〈…〉 my heart would have yielded : daily he prest me , blest me , kist me , lost was the hour methought when he mist me crying denying , & sighing i woo'd him . and mickle ado i had to get from him . but unlucky fate robb'd me of my jewel , for sawney would make him fight in a duel ; then down in a dale with cyprus surrounded , oh! there in my sight poor jockey was wounded ; but when he thrill'd him , fell'd him , kill'd him , who can express my grief that beheld him ; raging i tore my hair to bind him , and vowed and swore i 'de ne'r stay behind him i'se shriek'd and i'se cry'd , wa'es me so unhappy , for i 'se now have lost mine nene sweet jockey , sawny i curst and bid him to flye me , i vow'd & i swore he should ne'r come nigh me : but i 'd spight him , hate him , fight him , and never again would jenny like him : though he did sigh and almost dye , he cry'd fie on me , cause i did slight him . and from me i 'se bid him straightway be ganging , when with arms across , and head down hanging ; whilst that my poor jockey was a dying , he to the vvoods then departed sighing : and his breath wanted , panted , fainted , vvhilst that for him many tears were not scanted : i 'se beat my breast , and my grief expressed , wae's me that death my joy had suppressed . at which my jockey a little reviving , and with his death as it were he lay then striving , open'd his eyes and looked upon me : and faintly sigh'd , ah! death has undone me : jenny my hony , i'se must part from thee , but when i 'm dead , sure there 's none will wrong thee , i did love thee , and that did move me , to fight , that so a man i'se might prove me . but ah cruel fate to death i am wounded , oh! and with that again he sounded ; whilst for to dress his wound i apply'd me , but wae alas his life was deny'd me , death had appaul'd him , gaul'd him , thrall'd him , so that he dy'd with grief i beheld him ; and left poor jenny all a mourning , and cruel sawny cursing and scorning . from jockies cold lips i often stole kisses , the which whilst he lived were still my blisses : a thousand times i did sob , sigh it ; and mickle ado i'se had to be quiet : for as i ey'd him , spy'd him , ply'd him , never a thought could then pass beside him : i 'se bann the fates that life denying , had robb'd me of jockey , and long i sat sighing . till i'se at last with cyprus crown'd him , and with my tears ; i 'se almost had drown'd him the turtles about us then came flying , and mourning coo'd to seem a sighing : i'se view'd him , ru'd him , with flowers strew'd him and with my love to the last persu'd him : resolving that i 'se not stay behind him , but sighing , do , and seek for to find him . finis , printed for p. brooksby in pyecorner . the great assize; or, christ's certain and sudden appearance to judgement. being serious considerations on these four things, death, judgment, heaven, and hell. by mr. stevens, minister. to the tune of, aim not too high, &c. licensed according to order. stevens, minister. 1680 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b05968 wing s5497 interim tract supplement guide c.20.f.7[132] 99884224 ocm99884224 182990 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05968) transcribed from: (early english books online ; image set 182990) images scanned from microfilm: (early english books; tract supplement ; a5:1[72]) the great assize; or, christ's certain and sudden appearance to judgement. being serious considerations on these four things, death, judgment, heaven, and hell. by mr. stevens, minister. to the tune of, aim not too high, &c. licensed according to order. stevens, minister. 1 sheet ([1] p.) : ill. printed for p. brooksby, at the golden-ball in pye-corner, near west-smithfield., [london] : [1680?] date and place of publication suggested by wing. verse: "here is presented, clearly to the eye ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-01 tcp assigned for keying and markup 2008-01 spi global keyed and coded from proquest page images 2008-02 robyn anspach sampled and proofread 2008-08 spi global rekeyed and resubmitted 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the great assize ; or , christ's certain and sudden appearence to judgm●nt . being serious considerations on these four things , death , judgment , heaven , and hell. by mr. stevens , minister . to the tune of , aim not too high , &c. licensed according to order . depiction of christ in glory depiction of hell mouth here is presented , clearly to the eye , a little world , new made most gloriously , to day here stands proud man like flowers sprite ; but look to morrow , and he 's weather'd quite . how happily might fallen man have liv'd , for ever , had he not his maker griev'd : his num'rous off-spring never would espy , thro' that black curtain of mortality . alas how fast the daies of man pass by , swifter than weaver's shuttle they do fly ; as soon as death does end his days so soon , man must appear before the great tribune . death will no succour to a king afford , for diff'rence make twixt begger and a lord ; for beauty , riches , favour shall obtain , he 'll take no bribes to linger out their pain . methusalem you see by death was told , that dye he must , tho' he was ne'er so old , like fruit , when almost ripe , storms can it shake ; so youth , when almost man , death may him take . the rich man trusting to his riches . and yet , how proud man is this side the grave ! as if he never should an exit have ; ( vaunting poor worm ) and up and down the world his busie carping thoughts with care is hurld . he 's wealthy grown , and proud of bags of treasure , trusting in riches ; raking all the pleasure his heart can wish for ; nay , he does controul the checks of conscience to his precious soul : says to himself , soul , take thine ease , and spend thy time in mirth , ne'er think it will have end : thus ! thus ! the sinner does abuse his god , and chooses vice , instead o' th' vertuous rod. he swears , & damns , & imprecates god's wrath , to strike him dead ; but ah ! to die he 's loath : he damns his very soul , were it not just that god should do so too , and say , be curst ? roaring and ranting is his hellish note , qauffing so long until his senses float , drunk , like a beast , he staggers up and down , sleeps like a hog , and is a devil grown . but oh! if god thus angred , ready be to say , thou fool , i do require of thee , thy soul , this night , come , give a just account to what thy stewardship does now amount . how dumb & senseless would he stand , to see hell ready to devour him presantly , calls to the rocks , and strives to get a place , therein to hide him from god's angry face . but yet , suppose god suffers him to live , adds mercy unto mercy , and does give him yet a longer time of life , and trys , if he 'll repent before death shuts his eyes . he sees that time runs round like to a wheel , and wrinckled years upon his brow does steal . besides gray hairs on 's crazy head doth grow , scatter'd it lies like to a drift of snow , skeleton in the grave a foggy dimness doth his sight assail , striking into his head , his eyes they fail , his tongue does faulter , and his hands they shake , and with the palsie every limb does quake . his glass most run , he 's even out of breath , ready to yield his life to conquering death , who will no longer favour his old age , but is resolved in his death ingage . if peeps behind the curtain in his face , then draws the schene , then breavful is his case , his tongue does quiver , and his veins does start , like sticks asunder ; nay his very heart ceases its motion , with his vitals , soon , and now alas ! he 's colder than a stone : his kinsfolks dear his dying eyes do shut , so from his bed he 's in a coffin put . thus ends his earthl'y splendour , and his pleasure ' wife , children , kinsfolk , and his bags of treasure , are left behind , enjoy the same estate a little while , but follow must his fate . nay , they 're not sure to keep it half a day , for death does oft sweep families away , the infants instantly bereav'd of mother , husband from wife , the sister from her brother . behold this figure , see the glass does run , therefore repent before thy time is gone , both young and old have this before your eyes , you 're born to happiness or miseries . o therefore wretched man this very day , strive by repenting tears to wash away thy sins , and then no doubt thy lord will be in love and mercy reconcil'd to thee . the manner of christ's coming at the day of judgment . serene , like as the days of noah were , so shall the coming of god's son appear , eating and drinking , men will merry make , and carnal souls security will take . and like the thief who cometh in the night , so will the son of man in glory bright , come down with numerous angels , and the sound , of trumpets shrill , whose voice unnerves the ground the dead arise , lord , what a horrour here is to the wicked , who must strait appear , and come to judgment , o how this begins , to bring to mind their many wretched sins . o what sad shrieks they make , and clam'rous cries , to see hell gaping just before their eyes , the heav'ns to melt away with fervent heat , the earth a burning underneath their feet . the blessed state of the godly . but happy , ever happy are the sheep of christ , who joy for evermore will keep , when he shall say to saints , come come thee hither , you of my chosen flock , blest of the father . the kingdom now enjoy for you prepar'd before the heav'ns were made or world was rear'd , oh what soul ravishing sweet news is this . angels attend them presently to bliss . the miserable state of the wicked . but dark ! what grief the damned does attend , who have no advocate to stand their friend , sentence must passed be , go , go to dwell in firey burnings in the lake of hell. depart with devils which did you entice to hate your saviour , and cleeve to vice , go to that everlasting pit , and lye howling with firey fiends perpetually . o what a wretched sight 't will be to see the devils dragging them to misery , husbands to see their wives convey'd to bliss , whilst they ' mongst damned , quite salvation miss . son from the father , father from the son , must partest be in the great day of doom , praising of god , and own it to be just , their own relations are with devils curst . the godly they to heaven take their flight , whilst wicked take their course to hell out-right , lord let us watch continually ; and pray that we may be prepar'd for that great day . give us repentance , that while here we live , we may the offers of thy son receive , then feed our souls , good god , with thy rich grace , that we may stand before our saviour's face . printed for p. brooksby , at the golden-ball in pye-corner , near west-smithfield . the countrey lasse. to a daintie new note, which if you can hit, there's another tune will as well fit. to the tune of, the mother beguild daughter. m. p. (martin parker), d. 1656? 1628-1629? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00486 stc 19224.5 interim tract supplement guide c.20.f.7[52] 99884196 ocm99884196 182949 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00486) transcribed from: (early english books online ; image set 182949) images scanned from microfilm: (early english books; tract supplement ; a5:1[30]) the countrey lasse. to a daintie new note, which if you can hit, there's another tune will as well fit. to the tune of, the mother beguild daughter. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed by the assignes of thomas symcocke, [london] : [1628 or 9] attributed to martin parker. place and date of publication suggested by stc. verse: "although i am a countrey lasse ..." reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the countrey lasse . to a daintie new note , which if you can hit , there 's another tune will as well fit . to the tune of , the mother beguild daughter . although i am a countrey lasse , a loftie minde i beare a , i thinke my selfe as good as those that gay apparrell weare a : my coate is made of comely gray , yet is my skin as soft a , as those that with the chiefest wines , do bathe their bodies oft a. downe , downe dery , dery downe , heigh downe a downe a downe a , a dery dery dery dery downe , heigh downe a downe a dery . what though i keepe my fathers shéep , a thing that must be done a , a garland of the fairest flowers shall shrewd me from the sunne a : and when i see them feeding be , where grasse and flowers spring a close by a crystall fountaine side i sit me downe , and sing a , downe &c. dame nature crownes us with delight , surpassing court or citie , we pleasures take from morne to night in sports and pastimes pretty : your city dames in coaches ride abroad for recreation , we countrey lasses hate their pride , and keepe the countrey fashion . downe &c. your city wiues lead wanton liues , and if they come i' th countrey , they are so proud , that each one striues for to outbraue our gentry we countrey lasses homely be for seat nor wall we striue not , we are content with our degree , our debtors we depriue not , downe &c. i care not for the fane or maske , when titans heat reflecteth , a homely hat is all i aske , which well my face protecteth : yet am i in my countrey guise , estéem'd lasse as pretty as those that euery day deuise new shapes in court or city . downe &c. in euery season of the yeare i vnder-goe my labour no showre nor winde at all i feare , my limbes i do not fauour : if summers heat my beauty staine , it makes me nere the sicker , sith i can wash it off againe with a cup of christmas liquor . downe , downe dery , dery downe , heigh downe a downe a downe a , a dery dery dery dery downe , heigh downe a downe a dery . the second part . to the same tune , at christmas time in mirth and glee , i dance with young men neatly , and who i' the city like to me , shall surely taste compleately : no sport , but pride and luxury i' th city can be found then , but bounteous hospitality i' th countrey doth abound then , downe &c. i' the spring my labour yeelds delight , to walke i' the merry morning , when flora is ( to please my sight ) the ground with flowres adorning : with merry lads to make the hay i goe , and doe not grumble , my worke doth seeme to be but play , when with young men i tumble . downe &c. the larke & thrush from bryar to bush do leape , and skip , and sing a , and all this then to welcome in the long-and lookt for spring a ▪ we feare not cupids arrowes keene , dame venus we defie a , diana is our honored queene , and her we magnifie a. downe &c. that which your city-damsels scorne , we hold our chiefest iewell , without , to worke at hay and corne , within to bake and brew well , to keepe the dayrie decently , and all things cleane and neatly , your citie-minions do defie , their scorne we weigh not greatly . downe &c. when we together a milking go , with pailes upon our heads a , and walking ouer woods and fields , where grasse and flowers spreds a , in honest pleasure we delight , which makes our labour sweet a , and mirth exceeds on euery side , when lads and lasses meete a. downe &c. then do not scorne a countrey lasse , though she be plaine and meanely : who takes the countrey wench to wife , ( that goeth neat and cleanely ) is better sped , then if he wed a fine one from the citty , for then they are so nicely bred , they must not worke for pitie . downe &c. i speake not this to that intent , ( as some may well coniecture ) as though to wooing i were bent , nor i nere learn'd louers lectuue : but what i sing is in defence of all plaine countrey lasses , whose modest honest innocence all city girles surpasses . downe , downe dery , dery downe , &c. finis . printed by the assignes of thomas symcocke . a briefe description of the triumphant show made by the right honourable aulgernon percie, earle of northumberland at his installation and intiation into the princely fraternitie of the garter, upon the 13. of may, 1635. to the tune of quell the pride, &c. m. p. (martin parker), d. 1656? 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08943 stc 19221 estc s112527 99847776 99847776 12837 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08943) transcribed from: (early english books online ; image set 12837) images scanned from microfilm: (early english books, 1475-1640 ; 1607:09) a briefe description of the triumphant show made by the right honourable aulgernon percie, earle of northumberland at his installation and intiation into the princely fraternitie of the garter, upon the 13. of may, 1635. to the tune of quell the pride, &c. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for francis coules, and are to be sould at his shop in the old-bayley, printed at london : [1635] verse "you noble buds of britaine,". signed: m. p., i.e. martin parker. publication date from stc. in two parts; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 elspeth healey sampled and proofread 2007-09 elspeth healey text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a briefe description of the triumphant show made by the right honourable aulgernon percie , earle of northumberland , at his installation and initiation into the princely fraternitie of the garter , upon the 13. of may , 1635. to the tune of quell the pride , &c. you noble buds of britaine , that spring from honors tree , who loue to heare of high designes , attend a while to me , and i le ( in briefe ) discouer what fame bids me take in hand , to blaze the praise of great northumberland . the order of the garter , ere since third edwards raign'd , vnto the realme of england hath a matchlesse honour gaind : the world hath no societie like to this princely band , to raise the praise of great northumberland . the honour of his pedegree doth claime a high regard , and many of his ancestors , for fame thought nothing hard , and he through noble qualities , which are exactly scand , doth raise the praise of great northumberland . against the day appointed , his lordship did prevare , to publish his magnificence , no charges he did spare , the like within mans memorie , was neuer tune in hand , to raise the praise of great northumberland . vpon that day it séemed , all britany did striue , and did their best to honour him , with all they could coutriue , for all our high nobility ioyn'd in a mutuall hand , to blaze , they praise , of great northumberland . the common eyes were dazeled , with wonder to behold , the lustre of apparell rich , all siluer pearle and gold which on braue coursers mounted , did glister through the strand . to blaze tho praise , of great northumberland . but are that i procéeded , this progresse to report i should haue mentioned the feast , made at salisbury court , almost siue hundred dishes , did on a table stand , to raise the praise , of great northumberland . the second part to the same tune . the mightyest prince or monarch , that in the world doth raigne , at such a sumptuous banquet might , haue din'd without disdayne . where sacke like conduit water was free euen at command . to blaze the praise of great northumberland . the famous fleet-street conduit , renown'd so long agoe . did not neglect to expresse what loue , shee to my lord did owe for like an ould proud woman shee painted fayre both stand . to blaze , the praise , of great northumberland . a number of braue gallants , some knights and some esquires , attended at this triumph great , clad in compleat attyres . the siluer halfe moone gloriousse , vpon their sléeues did stand , to blaze the praise , of great northumberland . all these on stately , horses , that til indur'd the bit , weare mounted in magniffique sort , as to the time was fit , their feathers white and red dit show , like to a martiall band , to blaze the praise , of great northumberland . the noble earles and vizco●tz , and barons rode in state , this great and high solemnity , all did congratulats , to honour braue earle pearcy , each put a helping hand , to blaze the praise , of great northumberland . king charles our royall soueraigne and his renowned mary , with ( britaines hope ) their progeny . all louingly did tarry . at noble vizcount wimbletons , ●ith fairest part 'o th strand , to blaze , &c. to famous winsor-castle , with all his gallant traine , earle pearcy went that afternoone , his honour to obtaine . and there he was installed , one of saint georges band , to blaze , &c. long may he liue in honour , in plenty and in peace , for him and all his noble friends , to pray i le neuer cease , this ditty ( which i now will end ) was onely fane in hand . to blaze the praise , of great northumberland . finis . m. p. printed at london for francis coules and are to be sould at his shop in the old-bayley . the countrey peoples felicity. or, a brief description of pleasure. shewing the ready way of sweet content ... to a dainty new tune, called the hay-makers mask. l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription b04811 of text r182058 in the english short title catalog (wing p3355c). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04811 wing p3355c estc r182058 47012592 ocm 47012592 174560 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04811) transcribed from: (early english books online ; image set 174560) images scanned from microfilm: (early english books, 1641-1700 ; 2691:45) the countrey peoples felicity. or, a brief description of pleasure. shewing the ready way of sweet content ... to a dainty new tune, called the hay-makers mask. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. printed for francis grove ... london, : [between 1641 and 1661] signed at end: l. p. attributed to laurence price by wing (2nd ed.) contains 4 illustrations. date of publication suggested by wing (2nd ed.) right half-sheet contains: the second to the same tune. reproduction of original in: university of glasgow. library. eng ballads, english -17th century. broadsides -england -17th century. b04811 r182058 (wing p3355c). civilwar no the countrey peoples felicity. or, a brief description of pleasure. shewing the ready way of sweet content, by them that ply their work with l. p 1641 701 1 0 0 0 0 0 14 c the rate of 14 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the countrey peoples felicity . or , a brief description of pleasure . shewing the ready way of sweet content , by them that ply their work with merriment , they eat , they drink , they work , and sport at pleasure they pipe and dance , when time and place give leasur , to a dainty new tune , called the hay-makers mask . down in a meadow the river running clear , all in the moneth of july , the prime of the year , where many a pretty little fish , within the brook bid play . and many a lad , and many a lass , abroad were making hay . in came the sithes-men , to mow the meddow down , with their bags and bottles , and ale that was so brown , the labouring men with courage bold , to each other did reply , let 's work , and blow , and stifly mow the grass cuts very dry . then nimble tib and thomas with pitchfork and with rake , came in the merry meddow gréen , the hay in cocks to make . where each one ply'd their labor , and did no whit repine , the gentle wind blew fair and cool , the sun did cléerly shine , mary , bess and nanny in scarlet petticoats . kept singing at their labors , with swéet and pleasant noats , swéet jug , jug , jug , jug jug , jug , jug , the nightingale did sing , whose noble voice made all rejoyce , as they were hay-making , then robin ned , and richard , being in a merry vain , to further the hay-making , run nimbly over the plain . and came into the meddow , with courage and delight . and ply'd their businesse stoutly , whilst phoebus shined bright , rowland and swéet william , and john upon that day , brought pretty kate and bridget , to help them make the hay . fair margret , sue and francis , they stayd not long behind , but for to todd and turn the hay , they were every one inclin'd . the second 〈◊〉 to the same tune now when those lads and lasses were all together that day , in that same gallant meddow , a making of the hay : they ply'd their work so closely . and labored so compleat , until the pretty maidens brows , did drop a pace with sweat . the young-men in like manner , drew forth handkerchiefs then , to wipe the maidens faces , like loving hearted men . no hurt was done amongst them , but now and then a kisse , the young-men gave their swét hearts you know no harm 's in this . at last when bright phoebus , the sun was going down , a merry disposed piper , approached from the town . and with his pipe and tabor , he did so trimly play . so that they all laid down their tools , and left off making hay . then each man took his swéet heart , their fortunes to advance , john with nell , and nan with will , and tib with tom did dance , no rare nor braver pastime ; could be under the sun , then from the morn to evening was in the meddow done : now thus much for the countrey folks i dare be bold to say , which in the merry meddow , that time were making hay , no ill act was committed , nor no ill bussnesse wrought . would every one in london were , as pure in déed and thought : some of you london lasses , fla●●is up and doown in jags , with copper lace , and painted face ; silk scarfs , and gay black bags : in my mind are not so wholsom , so handsome nor so fair : as are the countrey damsels plain that nere such toyes did wear . l. p finis . london , printed for francis grove on snow-hill . kind william, or constant betty. let maids beware, and shun the snare, i say berul'd by me; though you embrace, be perfect chaste, from stains of infamy. to the tune of the doubting virgin. bowne, tobias. 1684 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01739 wing b3894 interim tract supplement guide ebb65h[91] 99887118 ocm99887118 181841 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01739) transcribed from: (early english books online ; image set 181841) images scanned from microfilm: (early english books; tract supplement ; a2:3[91]) kind william, or constant betty. let maids beware, and shun the snare, i say berul'd by me; though you embrace, be perfect chaste, from stains of infamy. to the tune of the doubting virgin. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for j[onah] deacon in gilt-spur-street, [london] : [1684] attributed to tobias bowne by wing. verse: "constant betty that sweet creature ..." place, date of publication, and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng broadsides -england -london -early works to 1800. love poetry, english -england -early works to 1800. ballads -england -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion kind william , or , constant betty . let maids beware , and shun the snare , i say be rul'd by me ; though you embrace , be perfect chaste , from stains of infamy . to the tune of the doubting virgin. constant betty that sweet creature , she was william's hearts delight ; in the shades he chanc'd to meet her , when fair phoebus shined bright : in conclusion his delusion was to bring her to his bow , let 's not dally , shall i , shall i , but she answer'd , no , no , no. then his betty he embraced , hoping for to win the field , she with modesty was graced , and resolved not to yield : she denyed , he replyed , do not seek my overthrow , let 's not dally , shall i , shall i , but she answer'd no , no , no. thou hast set mine heart on fire , sweetest creature be not coy , grant me what i do desire , thou shalt be my only joy : thus he woo'd her to delude her , and to bring her to his bow , let 's not dally , shall i , shall i , but she answer'd no , no , no. love thou art my only treasure , then he took her by the hand , let me now enjoy the pleasure , i will be at thy command : don't abuse me , nor refuse me , lest it proves my overthrow , let 's not dally , shall i , shall i , but she , &c. now admit me , my sweet betty , to salute and lay thee down , none alive i think more prity , i will thee with pleasure crown : don't deny me , do but try me , from those charms such pleasures flow , let 's not dally , shall i , shall i , but she , &c. thy obliging eye hath won me , dearest i am not in jest , why should'st thou be coy and shun me , i am certainly possest with thy beauty for my duty is to bring thee to my bow. let 's not dally , shall i , shall i , but she , &c. dearest betty sit down by me , let us lovingly agree , sweetest creature don't deny me , cupid's dart hath wounded me : then come near me , love and chear me for my heart is sinking low , let 's not dally , shall i , shall i , but she , &c. betty's answer to william's request . william you are much mistaken , you shall never me ensnare , in your net i 'll not be taken , therefore now your suit forbear : i 'll deny it , and defie it , for i vow it shan't be so , while i marry , i will tarry , and will answer no , no , no. i from love will be excluded , e'er i 'll hear an idle tale , i will never be deluded , no , nor shall you e'er prevail , to embrace me , and disgrace me , thus to sink my heart full low , while i marry , i will tarry , and will , &c. william . now my loving constant betty , i will ever thee adore , for thy answer has been witty , i will never tempt thee more : when i try'd thee , thou deny'd me , all thy answer still was no , we 'll not tarry , but will marry , then it must and shall be so . finis . printed for i. deacon in gilt-spur-street . fancies favourite: or, the mirror of the times. being a young ladies commendation of a young gallant, which hath a long time shewed her much love; which by his civil carriage, and long patience in waiting on her, at last conquered her, who was once resolved to lead a single life, and therefore he termed her the phoenix of the times. to the tune of, francis phoenix. c. h. 1674-1679? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b03622 wing h12 interim tract supplement guide ebb65h[105] 99887137 ocm99887137 181855 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b03622) transcribed from: (early english books online ; image set 181855) images scanned from microfilm: (early english books; tract supplement ; a2:3[105]) fancies favourite: or, the mirror of the times. being a young ladies commendation of a young gallant, which hath a long time shewed her much love; which by his civil carriage, and long patience in waiting on her, at last conquered her, who was once resolved to lead a single life, and therefore he termed her the phoenix of the times. to the tune of, francis phoenix. c. h. 1 sheet ([1] p.) : ill. (woodcuts). printed for f[rancis]. coles, t[homas]. veres [sic], j[ohn]. wright, and j[ohn] clarke., london : [between 1674-1679] signed: c.h. verse: "come, come, away you maidens fair ..." place, date of publication, and publisher's names from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-09 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 mona logarbo sampled and proofread 2009-01 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion fancies favourite : or , the mirror of the times . being a young ladies commendation of a young gallant , which hath a long time shewed her much love ; which by his civil carriage , and long patience in waiting on her , at last conquered her , who was once resolved to lead a single life , and therefore he termed her the phoenix of the times . to the tune of , fancies phoenix . come , come , away you maidens fair this song to you i will indite , 't is of a young man i 'll declare . who in his praise i needs must write : the city if i search about , i scarce shall find his fellow out . he hath been constant now to me , the mirrour of the times is he . i must confess , i once did mind , a single life to live and dye ; but such rare parts in him i find , his civil suit i can't deny , but am resolved to set him free , and grant him love and libertie : so civil he hath been to me , &c. i once did think i never should so much as know what love should be , nor did i dream he ever could with patience so have conquered me : his comely gesture i did spie made me delight in 's company . that all may say that doth him see , &c. did you e'r see that glorious star that ushers in the morning bright , how he exceeds all other far by casting forth his sparkling light , so all do say as much by he , that e'r did keep his company . his carriage doth his gesture show , he is admired where-e'r he go . he bashful is , yet bold also , and shews it with a gallant grace , all vaporing blades he scorns to know , yet scorns he for to hide his face , he 'll take no wrong , nor quarrels bréed , but stick to 's friend in time of need : he 's civil , yet he 'll merry be , &c. if any where you should him spy , in maids or womens company , no wanton looks comes from his eye , at any time as you e'r shall see , he 'll court , he 'll kiss , he 'll sing or play , but it shall be in a modest way , for men or womens company , &c. bvt stay , my pen doth run too fast , in setting forth his gallantrie , for fear i lose him at the last , then cause you 'll have to laugh at me , when some do hear of him they may persuade his love from me away : but if they gain his love from me , none constant then i think there be . but his name i have not told , nor will not yet , you may be sure till of him i can get faster hold , there 's no one here shall it procure . you maidens all that hear my song , i would not have you for him long . but if you do , persuaded be , you may find some as good as he . a phoenix he hath termed me , because i thought to lie alone , but if that such a bird there be , out of this climate sure she 's flown , our land is cold , and therefore i , resolve no phoenix for to die . but though i don't his phoenix prove , yet i will be his turtle dove . there 's many maiden that doth say , a single life is best at ease , how oft i peay will you say nay , if once a young man doth you please , i must confess sometimes you 'll prove , most coy to him you most do love . what by experience i find true , pray blame not me to tell it you . let me advise you maidens fair , not to be coy , nor proud at all , for those that count themselves most rare most times doth get the greatest fall : you seldom see a scornful maid , but at the last she is betray'd : be courteous , yet be vertuous still , and let not young men have their will. chuse not a husband for estate , unless you fancy him beside , you may repent when 't is too late , 't is for a life time you are ty'd : no ranter take , if you be wise , nor yet none of the new precise : the one will rant and spend thy means , the other closely may love queans . but now my song grows to an end , i must be gone , my love doth stay , last night i did unto him send to meet me at a place to day ; where we intend so to agree , in what church we will married be : then phoenix like we 'll live and dye in the pure flames of chastity . one love , one faith , we do express , and therefore we one name will have , our love so great is i confess , we likewise do desire one grave ; to his desire i will incline , his ashes shall be joyned with mine , so phoenix like we mean to lie , and turtle like we 'll live and dye . c. h. london printed for f. coles , t. veres , j. wright , and j. clarke . pretty kate of edenborough: being a new scotch song, sung to the king at windsor. d'urfey, thomas, 1653-1723. 1672-1685? approx. 3 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02827 wing d2763 interim tract supplement guide c.20.f.8[253] 99887741 ocm99887741 183407 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02827) transcribed from: (early english books online ; image set 183407) images scanned from microfilm: (early english books; tract supplement ; a5:2[198]) pretty kate of edenborough: being a new scotch song, sung to the king at windsor. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts), music. printed for p. brooksby at the golden ball in pye-corner., [london] : [between 1672-1685] attributed to thomas d'urfey by wing. place and date of publication suggested by wing. verse from text: "willy was late at a wedding-house ..." verse from song: "just when the young and blooming spring had melted down the winter snow ..." with four lines of printed music at head of text. trimmed. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion pretty kate of edenborough : being a new scotch song , sung to the king at windsor . just when the young and blooming spring had melted down the winter snow , and in the grove the birds did sing their charming notes on ev'ry bough : poor willy sate bemoaning his fate , and woful state , for loving , loving , loving , and despairing too , alas ! he 'd cry , that i must dye , for pretty kate of edenbrough . willy was late at a wedding-house , where lords and ladies danc'd all arow , but willy none so pretty a lass , as bonny kate of edenborough ; her bright eyes , with smiling joys , did so surprize , and something , something , something , else that shot him through : thus willy lies entranc'd in joys , with pretty kate of edenborough . the god of love was willy's friend and cast an eye of pity down , and streight a fatal dart did send the cruel virgins heart to wound : now every dream is all of him , who still does seem more lovely , lovely , lovely , since the marriage vow : thus willy lies entranc'd in joys , with pretty kate of edenbrough . now willy thinks his happiness , all other creatures do exceed , his tongue cannot his joys express , since kate and he are well agreed : both day and night her beauty bright , is his delight , and nothing , nothing , nothing , else can willy do , but sound her fame , and praise the name of pretty kate of edenbrough . cupid with his love doth bless , granting him his hearts desire , he doth continually express , how that his heart is all on fire ; he feels no pains , amidst his chains , but still remains a wounded , wounded , wounded lover , firm and true ; and all his prate is now of late , of pretty kate of ededbrough . he swears her eyes are full of charms , enough to conquer all the world , her smiles secure him from all harms , her locks they are so nearly curl'd ; that in his mind he ne'er shall find , since she proves kind , a lover , lover , lover . like his katy true ; and doth express his happiness , in pretty kate of edenbrough , finis . printed for p. brooksby at the golden ball in pye-corner . a carrouse to the emperor, the royal pole, and the much-wrong'd duke of lorrain. to a new tune, at the play-house. d'urfey, thomas, 1653-1723. 1683 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b02815 wing d2706 interim tract supplement guide ebb65h[22] interim tract supplement guide c.20.f.8[582] 99887045 ocm99887045 183662 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02815) transcribed from: (early english books online ; image set 183662) images scanned from microfilm: (early english books; tract supplement ; a2:3[22]; a5:2[453]) a carrouse to the emperor, the royal pole, and the much-wrong'd duke of lorrain. to a new tune, at the play-house. d'urfey, thomas, 1653-1723. 1 sheet ([1] p.) : ill. (woodcuts). printed for p. brooksby in pye-corner, [london] : [1683] place and date of publication suggested by wing. verse: "hark! i hear the cannons roar ..." item at a5:2[453] imperfect: trimmed affecting imprint. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a proper nevv ballad , entituled , the granadeers rant . to its own proper new tune , hy the brave granadeers , ho. captain hume is bound to sea , hey boyes , to boyes : captain hume is bound to sea , ho : captain hume is bound to sea , and his brave companie ; hey the brave granadeers ho. we 'le drink no more irish beer hey boyes , ho boyes : we 'le drink no more irish beer ho : 〈…〉 drink no more irish beer , for we 're all bound for tangier , hey the brave granadeers ho. we 'le drink the spanish wine , hey boyes , ho boyes : we 'le drink the spanish wine ho : we 'le drink the spanish wine , and court their ladies fine , hey the brave granadeers ho. now we 're upon the sounds , hey boyes , ho boyes ; now we 're upon the sounds ho : now we 're upon the sounds , every mans health goes round , hey the brave granadeers ho. when we came to calls on shore , hey boyes , ho boyes ; when we came to calls on shore ho : when we came to calls on shore , we made the guns to roar , hey the brave granadeers ho. now we drink the spanish wine , hey boyes , ho boyes : now we drink the spanish wine ho : now we drink the spanish wine ; and kiss their ladies fine , hey the brave scottish boyes ho. when we do view tangier , hey boyes , ho boyes : when we do view tangier , ho now we do see tangier , we 'le make these proud morest● fear : hey the brave granadeers ho. when we come to tangier shore , hey boyes , ho boyes ; when we come to tangier shore ho : when we land on tangier shore , we 'le make our granads to roar ; hey the brave granadeers ho. when we come upon the mould , hey boyes , ho boyes ; when we come upon the mould ho : when we come upon the mould . we 'le make these proud mores to yeeld , hey the brave scottish boyes ho. when we come upon the wall , hey boyes , ho boyes ; when we come upon the wall ho : when we come upon the wall ; we 'le make these proud mores to fall ; hey the brave granadeers ho. there 's hacket , hume and hodge , hey boyes , ho boyes ; there 's hacket , hume and hodge , ho : there 's hacket , hume and hodge , in charles's fort shall lodge , hey the brave granadeers ho. hacket led on the van. hey boyes , ho boyes ; hacket led on the van , ho : hacket led on the van , where was kill'd many a man ; hey the brave scottish boyes ho. sixty brave granadeers , hey boyes , ho boyes ; sixty brave granadeers ho : sixty brave granadeers , beat the mores from tangiers , hey the brave scottish boyes ho. finis . a carrouse to the emperor , the royal pole , and the much-wrong'd duke of lorrain . to a new tune , at the play-house . hark i bear the cannons roar , ecchoing from the german shore , and the joyful news comes ore , that the turks are all confounded ; lorrain comes they run they run , charge with your horse through the grand half-moon and give quarter unto none , since starenberg is wounded . close your ranks and each brave soul fill a lu●●● flowing bowl , a grand carrouse to the royal pole , the emperors brave defender : let no man leave his post by stealth , plunder the barbarous vi●ers wealth : well drink a helmet full , the health . of second alexander . fill the helmet once again , to the emperors happy reign , and the much wrong'd duke lorrain . but when the ve beat the turks home , not a soul the field will leave , till they do again retrieve . what the moonster does detrieve , and fix him in his dukedom● then will be the schen of war , when such drinking crowns prepare , those that love the monsieurs fear , their courage will be shrinking ; loyal hearts insyir'd with hock , who can from a better rock ; the french will never stand the shock , for all their claret drinking , mahomet was a senseless dogg , a coffee-drinking drowsie rogue , the use of the grave so much in vogue , to deny to those adore him : had he allow'd the fruits of the vine , and gave them leave to carrouse in wine , they had freely past the rhine . and conquer'd all before them , coffee rallies no retreat , vind can only do the fear , had their force been twice as great , and all of ianazaries . tho he had drank the danube dry , and all their profit could supply , by his interest from the skie , brisk lang●4on ne'r miscarry'd . infidels are now ore , come , the most christian turk at home , watched the fate of christendom , but all his hopes are shallow : since the poles have led the dance . if englands monarch will advance . and if he 'l send a fleet to fr●●● he 's a whig that will not follow . finis . the good fellows frolick, or, kent street clubb. good people all come mind my merry tale, and you shall hear the vertue of good ale, whose charming power some mens humors (hitts, it robs them of their money & their witts: for he in time will surely money lack that minds his belly better than his back. tune of, hey boys up go we, seamans mournful bride, or the fair one let me in. lanfiere, thomas. 1682 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04277 wing l358 interim tract supplement guide ebb65h[122] interim tract supplement guide c.20.f.8[198] 99887159 ocm99887159 183365 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04277) transcribed from: (early english books online ; image set 183365) images scanned from microfilm: (early english books; tract supplement ; a2:3[122]; a5:2[156]) the good fellows frolick, or, kent street clubb. good people all come mind my merry tale, and you shall hear the vertue of good ale, whose charming power some mens humors (hitts, it robs them of their money & their witts: for he in time will surely money lack that minds his belly better than his back. tune of, hey boys up go we, seamans mournful bride, or the fair one let me in. lanfiere, thomas. 1 sheet ([1] p.) : ill. (woodcuts). printed for j. coniers in duck-lane, [london] : [1682] verse: "here is a crew of jovial blades ..." place and date of publication suggested by wing. attributed to thomas lanfiere. item at a5:2[156] imperfect: trimmed affecting imprint. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the good fellows frolick , or , kent street clubb . good people all come mind my merry tale and you shall hear the vertue of good ale , whose charming power some mens humors hitts , it robs them of their money & their witts : for he in time will surely money lack that minds his belly better than his back . tune of , hey boys up go we , seamans mournful bride , or the fair one let me in . here is a crew of jovial blades that lov'd the nut-brown ale : they in an alehouse chanc'd to meet , and told a merry tale : a bonny seaman was the first , but newly come to town ; and swore that he his guts could borst with ale that was so brown . see how the jolly carman he doth the strong liquor prize , he so long in the alehouse sate that he drank out his eyes : and gropeing to get out of door ( sott like ) he tumbled down , and there he like a mad-man swore he lov'd the ale so brown . the nimble weaver he came in , and swore he 'd have a little , to drink good ale it was no sin , though ' t made him pawn his shittle : quoth he , i am a gentleman , no lusty countrey-clown , but yet i love with all my heart , the ale that is so brown . then next the black-smith he came in , and said 't was mighty hot ; he sitting down did thus begin , fair maid bring me a pot : let it be of the very best , that none exceeds in town ; i tell you true and do not je● , i love the ale so brown . the prick-louse taylor he came in ; whose tongue did run so nimble , and said he would ingage for drink his bodkin and his thimble : for though with long thin iaws i look , i value not a crown , so i can have my belly full of ale that is so brown . the lusty porter passing by with basket on his back , he said that he was grievous dry , and needs would pawn his sack : his angry wife he did not fear , he valued not her frown ; so he had that he lov'd so dear , i mean the ale so brown . the next that came was one of them was of the gentle craft ; and when that he was wet within most heartily he laugh'd : caispin was ne'r so boon as he , tho' some kinn to a crown ; and there he sate most merrily with ale that was so brown . but at the last a barber he a mind had for to taste ; he called for a pint of drink , and said he was in haste : the drink so pleas'd , he carried there till he had spent a crown ; 't was all the money he could spare for ale that is so brown . a broom-man as he passed by his mornings-draught did lack ; because that he no money had he pawn'd his shirt from 's back : and said that he without a shirt would cry brooms up and down ; but yet , quoth he , i 'le merry be with ale that is so brown . but when all these together met oh what discourse was there ! 't would make ones hair to stand an end to hear how they did swear one was a fool and puppy dogg , the other was a clown ; and there they sate and swill'd their guts with ale that was so brown . the landlady they did abuse , and call'd her nasty whore ; quoth she , do you your reckoning pay , and get you out of door : of them she could no money get , which caused her to frown ; but loath they were to leave behind the ale that was so brown . tobias observation; a youngman came unto a fair, by chance he met his true love there said he, sweetheart thou are welcome here, invited her to drink some beer, but in the end prov'd ne'r the near, as in this song it will appear. tune of, the country farmer. / by tobias bowne. this may be printed, r.p. bowne, tobias. 1685-1688? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b01742 wing b3897 interim tract supplement guide ebb65h[103] 99887309 ocm99887309 182020 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b01742) transcribed from: (early english books online ; image set 182020) images scanned from microfilm: (early english books; tract supplement ; a2:4[103]) tobias observation; a youngman came unto a fair, by chance he met his true love there said he, sweetheart thou are welcome here, invited her to drink some beer, but in the end prov'd ne'r the near, as in this song it will appear. tune of, the country farmer. / by tobias bowne. this may be printed, r.p. bowne, tobias. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby at the golden ball in pye-corner., [london] : [between 1685-1688] date, place of publication and publisher's name from wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-07 tcp assigned for keying and markup 2008-09 spi global keyed and coded from proquest page images 2008-11 mona logarbo sampled and proofread 2008-11 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion tobias observation ; a youngman came unto a fair , by chance he met his true love there said he , sweetheart thou art welcome here , invited her to drink some beer , but in the end prov'd ne'r the near , as in this song it will appear . tune of , the country farmer . by tobias bowne . this may be printed , r. p. there was a youngman who lately exprest his love to a damsel that liv'd in the west ; and thus he began his mind to declare said he , thou art welcome unto this fair i have a great mind with thee to talk , come pray let us to the tavern walk i le do thee no harm thou needst not fear , for fairing i 'le give thee one flaggon of beer . pray how doth your father and mother at home , they were well this morning then answered joan said he if you please to walk with me we will be as merry as merry may be : to tell thee the truth i do love the dear , yet i am so doubtful my mind to declare for fear what i ask you should me deny and then for your love i shall surely die i hope you will not offended be though i make so bold to speak unto thee , for night nor day i can take no rest , for love that lies harbour'd within my breast and thou art she that canst ease my pain , then grant me love for love again : give me some kind answer my heart to ease , and let me not languish in loves disease . the maids answer . good sir , i do fancy you jeer at me , your riches and mine will never agree , for i am a poor mans daughter its known i work for my living abroad & at home sometimes i 'me at whom to spinning of yarn and sometimes abroad to reaping of corn sometimes in the feild to milk the cow i get what i have by the sweat of my brow . i live as well contented as any maid can , what need i intangle my self with a man , i walk where i please at my own command i need not say shall i , pray shall i husband , now i have my self to guide and to rule , in marrying some people have plaid the fool : methinks it is troublesome to be a nurse , when children are froward & husbands are worse yet for your love i have no cause to deny sure you deserve one that is better then i for you have a good estate of your own and i am a poor mans daughter it 's known , yet i am content , with what little i have , perhaps if i marry i may be a slave , therefore i 'le beware how i marry in hast , for fear i have cause to repent at the last . the mans answer . o prithee my dearest take pitty on me , no one in the world , i fancy but thee , and do not abuse me for loving thee dear , i 'le willingly tarry for thee one whole year nothing shall be wanting thy mind to fulfil so thou wilt but grant me thy love & good wil but if thou deny me and love thou hast none , then surely thy heart is as hard as a stone . sweetheart prethee tell me , i know you well can whether you do fancy another youngman pray pardon my boldness in asking so far , or to any other ingaged you are , my dearest resolve me if you 'l be so be kind , that will be great ease to my troubled mind , but if from all other men thou art free , i shall live in hopes that my bride thou wilt be . the maids answer . good sir , you pretend a great deal of good will yet i am not ready your mind to fulfil , for i have no fancy to be made a wife nor ne'r was concern'd with no man in my life and for to live single it is my delight and so honest youngman i wish you good night , pray by your leave let me pass by you youngman for now it is high time for me to be gone . the mans answer . and must thou begone and no longer wilt stay then i wish i had not a seen thee this day , for now i am troubled with doubt and with fear because i am slighted for loving so dear young-men i advise you where ever you be if cupid do hit you , then think upon me , although you love dearly yet never declare , unto any damsel the love that you bare . and so having ended i wish you all well each youngman & maid to the place where you dwell but yet i would have you one penny bestow amp ; that is the price of this ballad you know you know it is good to learn children to read , it 's fit for a youngman to sing to a maid it is good for pastime on each holy day , and here be the ballads come buy them away . printed for p. brooksby at the golden ball in pye-corner . cupids courtesie: or, the young gallant foild at his own weapon. he scorned cupid and his dart, until he felt a wounded heart. to a pleasant northern tune. / by j. p. j. p. this text is an enriched version of the tcp digital transcription b04904 of text r232967 in the english short title catalog (wing p48a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04904 wing p48a estc r232967 47012561 ocm 47012561 174528 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04904) transcribed from: (early english books online ; image set 174528) images scanned from microfilm: (early english books, 1641-1700 ; 2691:13) cupids courtesie: or, the young gallant foild at his own weapon. he scorned cupid and his dart, until he felt a wounded heart. to a pleasant northern tune. / by j. p. j. p. 1 sheet ([1] p.) : ill. printed for f. coles ..., london, : [1650?] date of publication suggested by wing (2nd ed.) contains 3 illustrations. "licensed and entred according to order." reproduction of original in: university of glasgow. library. eng ballads, english -17th century. broadsides -england -17th century. b04904 r232967 (wing p48a). civilwar no cupids corutesie [sic]: or, the young gallant foild at his own weapon. he scorned cupid and his dart, until he felt a wounded heart. to a pl j. p 1650 648 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion cupids courtesie : or , the young gallant foild at his own weapon . he scorned cupid and his dart , until he felt a wounded heart . by j. p. to a pleasant northern tune . though the cool shady woods , as i was ranging , i heard the pretty birds notes sweetly changing ; down by a meadow side , there runs a river , a little boy i espy'd with bow and quiver . little boy , tell me why thou art here diving , art thou some run-away , and hast no biding ? i am no run-away , venus my mother , she gave me leave to play when i came hither . little boy go with me , and be my servant i will take care to set for thy preferment ; if i with thee should go , venus would chide me , and take away my bow , and never abide me . little boy let me know , what 's thy name termed , that thou dost wear a bow , and go so armed , you may perceive the same , with often changing , cupid it is my name , i live by ranging . if cupid be thy name , that shoots at rovers , i have heard of thy fame , by wounded lovers : should any languish that are set on fire , by such a naked brat , i much admire . if thou dost but the least , at my laws grumble , i le pierce thy stubborn brest and make thee humble ; if i with golden dart , wound thee but surely , there 's no physicians art , that e're can cure thee . little boy with thy bow , why dost thou threaten ? it is not long ago since thou was beaten : thy wanton mother fair , venus will chide thee , when all thy arrows are gone , thou mayest go hide thee . of powerful shafts you see , i am well stored , which makes my diety , so much adored : with one poor arrow now , i le make thee shiver , and bend unto my bow , and fear my quiver . dear little cupid be courteous and kindly , i know thou canst not hit but shootest blindly . although thou calls me blind , surely i 'le hit thee , that thou shalt quickly find , i le not forget thee . then little cupid caught his bow so nimble , and shot a fatal shaft which made him tremble : go tell thy mistress dear , thou canst discover , what all the passions are , of a dying lover . and now this gallant heart , sorely was bleeding , and felt the greatest smart from love proceeding : he did her help implore , whom he affected , but found that more and more , him she rejected . for cupid with his craft quickly had chosen , and with a leaden shaft , her heart had frozen , which caus'd this lover , more sadly to languish , and cupids aid implore , to heal his anguish . he humble pardon crav'd for his offence past , and vow'd himself a slave , and to love stedfast ; his prayers so ardent were , whilst his heart panted , that cupid lent an ear , and his suit granted . for by his present plaint , he was regarded , and his adored saint , his love rewarded : and now they live in joy , sweetly imbraceing , and left the little boy in the woods chasing . finis . licensed and entred according to order . london , printed for f. coles , in wine-street , near hatten garden . a good workeman needes neuer want worke if this be true, heres a parsell of ten, all lustie able well qualified men, that scarse haue their equals to eate, drinke, and sleepe and some are farr better to hang then to keepe. to the tune of the nine maids. m. p. (martin parker), d. 1656? 1635 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08958 stc 19240 estc s120154 99855354 99855354 20841 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08958) transcribed from: (early english books online ; image set 20841) images scanned from microfilm: (early english books, 1475-1640 ; 1283:19) a good workeman needes neuer want worke if this be true, heres a parsell of ten, all lustie able well qualified men, that scarse haue their equals to eate, drinke, and sleepe and some are farr better to hang then to keepe. to the tune of the nine maids. m. p. (martin parker), d. 1656? 1 sheet ([2] p.) : ill. [by a. mathewes] for francis grove. and are to be sould at his shop on snow hill by the sarafens head, printed at london : [ca. 1635] verse "you that good houses keeps". signed: m.p., i.e. martin parker. printer's name and estimated publication date from stc. in two parts; part 2 has heading "the sceond" [sic] part"; woodcuts at head of each part. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a good workeman needes neuer want worke . if this be true , here 's a parsell of ten , all lustie able well quallified men , that scarse haue their equals to eate , drinke , and sleepe and some are fair better to hang then to keepe . to the tune of the nine maids . you that good houses kéeps and would good seruants hire , with proper men to eate and sleepe , i le furnish your desire , my owne experience hath . ( in a month or little more ) try'd all that 's mention'd vnderneath in number halfe a skore , marke h●w they stand i● ra 〈…〉 e all lusty a●le m●n , then you w 〈…〉 good workmen want , come take you● ch●yse of ten . come hither tospot tom. thou art the first in place . this fellow will not stay at home aboue an houres space , he●le at the alehouse stay , from breakef●st time till dinner from thence till supper hee ll be away , by this i was a winner . o this wa● 〈◊〉 of my men , the chief of halfe a score , all 〈…〉 good workemen then 〈…〉 my state . the next was retchgutt ralph , right he●…e to wood of kent , a yeareling pigg or else a calfe his stomack will content , with eight and fifty egges a lenten meale hee le make , and yet hee lookes like one that begs , so leane as any rake . o this was one of my men th● chi●fe of halfe a score ▪ you who do want good workmen then take choyce among my store . the third was slippery will , his trado he néede not learne , i had two maids and with his skill hée got them both with barne , and two more in the towne , all in a fortnights space , the like of him was seldome knowne , hée 's of a bréeding race . o this was one of my men , the chiefe of halfe a score , you who do want good workmen then take choyse among my store . the fourth was desperate dicke heed loss his shirt at dice , besides he hath another tricke , which hee esteemes no vice , what euer he can get by cozening or by stealing or running into honest mens debt , hee counts it lawfull dealing . o this was one of my men , the chiefe of halfe a score you who do want good workmen then , take choyse among my store . the second part to the same tune . the fifth was sam a thresher , the best i ere did keepe heede worke foure howres euery day , and the rest héede spend in sleepe . yf any did him blame , for taking so much paines , heede soone make answer to the same how can i thresh when 't raynes , o this was one of my men , the chiefe of halfe a score , you who doe want good workemen then take choyse among my store . the sixth was cogging watt hée us'd to lye and flatter and gossip-like hee 'd prate and that , of what it made no matter , what ere his fellowes said , ( though hee ●●ou'd them in show ) the tel-tale rascall more on t made , and that 's a good gift you know . o this was one of my m●n , the cheife of , &c. the seuenth was kit the butcher for him his sweet heart mournes . héed dresse a sheepe or a bullock well , and giue to his friends the hornes . of all i ere knew in my life , hee was a pr●tty youth , hee 'd with his candell l●oke his knife , when hee had it in his mouth . o this was one of my men the cheife , &c. the eighth was george the grome , a seruant good and able , because he would not wear out his broom . hee neuer swept the stable . his prouidence was such , to show his honest care . hée'd neuer curry the horses much , for feare they should lose their h●●●● o this was one , &c. the ninth to is painefull pierce , my honest husban●man , all his good quallities to 〈…〉 , to more th●n now i can . but one thing of great note , i here ( alone ) will tell because my hempe sheule take ●●●pe 〈◊〉 , hee cast it in the well , o this , &c. the tenth and last was n●d , the bailiffe of my land , those tenants that his 〈◊〉 fed , he dealt with vnder hand . for bribes and priuate guilts heede let out leases cheape , now iudge my masters by these 〈◊〉 , what benefit i might reape . o this was , &c. imagine now my friends , you to a place are come . where halfe a score good fellowes stand within a little rome , and all doe seruice craue , then doe not them refuse , to keepe them i no liking haue , if i can any way chuse . o these are my br●ue m●n , in number halfe a score , you who doe want good workmen then , take choyse among my store . m. p. finis . printed at london for francis groue . and are to be so●ld on snow hill by the sarazens head . a merrie ballad, called, christs kirk on the green this text is an enriched version of the tcp digital transcription a89092 of text r212157 in the english short title catalog (thomason 669.f.8[38]). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 10 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a89092 wing m1851 thomason 669.f.8[38] estc r212157 99870803 99870803 161089 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a89092) transcribed from: (early english books online ; image set 161089) images scanned from microfilm: (thomason tracts ; 245:669f8[38]) a merrie ballad, called, christs kirk on the green james i, king of england, 1566-1625, attributed name. 1 sheet ([1] p.) imprinted for patrick wilson, upon the malt mercat, [london] : anno 1643. verse "was never in scotland heard nor seen,". attributed to king james i of scotland by thomason. place of publication from wing. annotation on thomason copy: "nou: 25". reproduction of the original in the british library. eng ballads, scots -17th century. a89092 r212157 (thomason 669.f.8[38]). civilwar no a merrie ballad, called, christs kirk on the green. [james king of england] 1643 1607 3 0 0 0 0 0 19 c the rate of 19 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2007-07 tcp assigned for keying and markup 2007-08 apex covantage keyed and coded from proquest page images 2009-01 emma (leeson) huber sampled and proofread 2009-01 emma (leeson) huber text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a merrie ballad , called , christs kirk on the green . was never in scotland heard nor seen , such dauncing , nor deray : neyther at falkland on the green ; nor peebles at the play ; as was ( of wooers , as i ween ) at christs kirk on a day . for there came kittie washen clean , in her new gown of gray ; so gay that day . to daunce these damisels them dight ; these lasses light of laits . their gloues were of the raffall right ; their shooes were of the straits . their kirtles were of lincoln light , well prest with manie plaits . they were so nyce , when men them night , they squeald lyke anie gaits , full lowd that day . of all these maydens myld as meed , was none so gimp as gillie : as anie rose , her rude was reed : her lyre was lyke the lillie , but yealow , yealow , was her head , and shee of loue so sillie , though all her kin had sworn her dead , shee would haue none but willie , alone that day . shee scorned iock , and skripped at him , and murgeond him with mocks . hee would haue lov'd her , she would not let him , for all his yealow locks . hee cherisht her : shee bade goe chat him , shee counted him not two clocks : so shamfullie his short iacke set him , his legs were lyke two rocks , or rungs that day tom luter was their minstrell meet , good lord , how hee could launce : hee playd so shrill , and sang so sweet ; whyle towsie took a trance . old light-foot there hee could forleet , and counterfayted france . hee held him lyke a man discreet : and vp the morries dance , hee took that day . then stien came stepping in with stends : no rink might him arrest . play-foot did bob with manie bends . for masie hee made request . hee lap , whyle hee lay on his lends : and rysing , so was prest , whyle hee did hoast , at both the ends , for honour of the feast , and daunce that day . then robin roy began to revell . and towsie to him drugged . let bee ( quod iock ) and call'd him jevell ; and by the tayll him tugged . then kensie cleiked him to a kevell . god wots , if they two lugged . they parted there vpon a nevell . men sayd , that hayr was rugged , between them two . with that , a friend of his cryde ; fye ! and foorth an arrow drew . hee forged it so forcfullie , the bow in flinders flew . such was the grace of god , trow i : for had the tree been true , men sayd , who knew his archerie , that hee had slayn anew , belyue that day . a yape young man that stood him neist , soon bent his bow in yre : and etled the bairn in at the breist , the bolt flew over the byre : and cryde , fye ! hee had slayn a priest , a myle beyond the myre . both bow and bag from him hee keist , and fled as fast as fyre , from flint that day . an hastie kinsman , called harrie , that was an archer keen : tyde vp a taikell , withoutten tarrie ; i trow the man was tein . i wot not whether his hand did varie , or his fo , was his friend . but hee scaped by the might of marie , as men that nothing meand , but good that day . then lowrie , lyke a lyon lap : and soon a flayn can fedder ; hee heght to pierce him at the pap , thereon to wed a wedder . hee hit him on the womb a wap : it buft lyke anie bledder . hee scaped so , such was his hap , his doublet was of ledder , full fyne that day . the buff so bousteouslie abaist him , that hee to earth dusht down . the other man for dead then left him , and fled out of the town . the wyues came foorth , and vp they reft him , and found lyf in the lown . then with three routs there they raysd him , and cured him out of sown , fra hand that day . the millar was of manlie make , to meet with him , it was no mowes . there durst no ransom there him take ; so nowed hee their nowes . the bushment haill about him brake , and bickered him with bowes . then trayterouslie behind his back , they hacked him on the howe 's , behind that day . then hutchen , with an hazell ryce : to red , gan through them rummill , hee mudled them down , lyke anie myce , hee was no bettie bummill . though hee was wight , hee was not wyse , with such jutours to jummill : for from his thumb , there flew a slyce , whyle hee cryde , barlafummill : i 'm slayn this day . when that hee saw his blood so red , to flee might no man let him . hee trowd it had been for old fead ; hee thought , and bade ; haue at him . hee made his feet defend his head ; the far fayrer it set him : whyle hee was past out of their plead , they must bee swift that gat him , through speed that day . two that were headsmen of the heard , they rusht on other lyke rams . the other four which were vnfeard , beat on with barrow trams . and where their gobs were vngeard , they got vpon the gams : while al the blood-born was their beard , as they had wurried lambs , most lyke that day . they girnd , and glowred , all at ones : each gossop other grieved . some streiked stings , some gathred stones : some fled , and some relieved . their menstrill vsed quyet means ; that day hee wyselie prieved . for hee came home with vnbirsd bones , where fighters were mischieved , full ill that day . with forks , and flaylls , then let they flaps , and flew together with frigs : with bougers of barns they pierst blew caps , whyle of their beirns they made brigs . the reire rose rudelie with their raps , when rungs were layd on rigs . then wyues came foorth with cryes and claps , see where my lyking ligs , full low this day . the black sowter of briath was bowden , his wys hang by his waist : his bodie was in bleck , all browden : hee girned lyke a gaist . her glittring hayr , that was so gowden , his loue fast for him laist : that for her sake hee was vnyowden , whyle hee a myle was chaist , and more that day . when they had beird lyke bayted bulls : the bone-fyres burnt in baylls : they grew as meek as anie mules , that wearied were with mails . for tyrdness these forfoughten foolls ▪ fell down lyke flaughtring flaylls : fresh men came in , and haild their dules , and dang them down in daills , bedeine that day . the wyues then gaue an hiddeous yell , when all these younkers yocked : as fierce as flags of fyre-flaughts fell : friecks to the field they flocked . then karls with clubs did other quel ▪ on breast , whyle blood out bocked : so rudelie rang the common-bell , that all the steeple rocked , for dread that day . by this , tom taylor was in his geare ▪ when hee heard the common-bell : hee sayd , hee should make them all on steare , when hee came there him sell . hee went to fight with such a feare , whyle to the ground hee fell . a wyf then hit him on the eare , with a great knocking mell , feld him that day . the bryde-groom brought a pynt of aill ; and bade the pyper drink it . drink it ( quod hee ) and it so staill ? i shrow mee , if i think it . the bryde her maydens stood near by , and sayd , it was not blinked . and bartagasie , the bryde so gay , upon them fast shee winked , full soon that day . when all was done , dick with an ax , came foorth to fell a foother . quoth he , where is yon hoorson smakes , right now that hurt my brother ? his wyf bad him , goe home , gib glakes , and so did meg his mother . hee turn'd , and gaue them both their pakes : for hee durst ding none other , but them that day . finis . imprinted for patrick wilson , upon the malt-mercat . anno 1643. god's great and vvonderful vvork in somerset-shire the charitable farmer miraculously rewarded h[a]ppening at welling within three miles of the city of wells this last harvest, where an honest godly farmer having sold most part of this last summer and winter great quantities of corn to the poor in their distress at five or six shillings the bushel, when the market price was ten and eleven shillings; for which he was much derided and scoft at by his rich neighbours, he was recompensed by an extraordinary crop of wheat, the like was never before heard; of each stalk of straw having divers full large ears, some nine, ten and thirteen, but generally ten ears on every straw throughout the field which was ten acres and upwards; of which ears are to be seen at divers coffy-houses by the royal exchange, and at other places in london, published as a grateful acknowledgement to the goodness of providence, and to stir up all into faith in god, and charity towards their poor neighbours from the consideration of so remarkable an example. the tune i l. w. 1676 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a67544 wing w79 estc r217629 99829287 99829287 33724 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a67544) transcribed from: (early english books online ; image set 33724) images scanned from microfilm: (early english books, 1641-1700 ; 1940:15) god's great and vvonderful vvork in somerset-shire the charitable farmer miraculously rewarded h[a]ppening at welling within three miles of the city of wells this last harvest, where an honest godly farmer having sold most part of this last summer and winter great quantities of corn to the poor in their distress at five or six shillings the bushel, when the market price was ten and eleven shillings; for which he was much derided and scoft at by his rich neighbours, he was recompensed by an extraordinary crop of wheat, the like was never before heard; of each stalk of straw having divers full large ears, some nine, ten and thirteen, but generally ten ears on every straw throughout the field which was ten acres and upwards; of which ears are to be seen at divers coffy-houses by the royal exchange, and at other places in london, published as a grateful acknowledgement to the goodness of providence, and to stir up all into faith in god, and charity towards their poor neighbours from the consideration of so remarkable an example. the tune i l. w. 1 sheet ([1] p.) : ill. (woodcut) printed for f. coles, t. veres. j. wright. and john clarke, london : [1676] signed at end: by l. w. imprint date added in ms.: "1676". at foot of text: with allowance. a ballad adaptation of an anonymous pamphlet with a similar title published in 1674 (wing g958a). verse [lacking first stanza]; first line of stanza three: "some being put to such great want and need". includes "the second part to the same tune" on the same sheet. printed in columns with woodcut at head of first two; text in black letter. copy torn at left edge, with loss of text and part of illustration. reproduction of the original at the bodleian library, oxford. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-02 tcp assigned for keying and markup 2008-05 spi global keyed and coded from proquest page images 2008-06 mona logarbo sampled and proofread 2008-06 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion god's great and vvonderful vvork in somerset-shire , the charitable farmer miraculously rewarded happening at welling within three miles of the city of wells this last harvest , where an honest godly farmer having sold most part of this last summer and winter great quantities of corn to the poor in their distress at five or six shillings the bushel , when the market price was ten and eleven shillings ; for which he was much derided and scoft at by his rich neighbours , he was recompensed by an extraordinary crop of wheat , the like was never before heard ; of each stalk of straw having divers full large ears , some nine , ten , and thirteen , but generally ten ears on every straw throughout the field which was ten acres and upwards ; of which ears are to be seen at divers coffy-houses by the royal exchange , and at other places in london , published as a grateful acknowledgement to the goodness of providence , and to stir up all into faith in god , and charity towards their poor neighbours from the consideration of so remarkable an example . the tune is aim not too high. some being put to such great want and need on pease and beans like horses they did feed , poor little children stands with weeping eyes and few there is that doth regard their cryes , in somerset-shire an honest man do dwell who alwayes loved poor people very well , when some beguile widow and fatherless this man relieved many in distress . when wheat was sold at markets round about for ten or eleven shillings a strike throughout , vnto the poor this man be did not grudge to sel for five and six his love was such . the second part to the same tune . which made poor people flock to him a main for half their charge with bread he did maintain besides what he could spare he freely gave unto the poor they need not stand to crave . for which some rich men envied him full sore and said be simply parted with his store , and told him plainly if he 'd not given o're he might be forc't to beg from door to door to which this good samriitan did say i shall not want for this another day ; for when the lord doth send man blessings store he is no more then stuard for the poor . besides quoth he scripture it doth record he which gives to the poor lends to the lord , and god above will pay him ten times more then what in charity he gave the poor . and now to see the mercies of the lord what love he to his servants doth aford , a wonder strange i'm going now to name it will amaze ye all to hear the same . for this same man had such a crap of wheat the like no mortal man before did reap , nine , ten , eleven , and thirteen ears it yield on every stalk or straw throughout the field . ten akers and above of this same ground that bare this wheat the like not to be found . the corn is good and heavy in the head and eats as well as any 's made in bread . in threshing now they find so much in store as ere they did in ten years craps before , it makes all stand amazed for to see how god has blessed this mans charity . hundreds of people round about there came to sée this wonder that heard of its fame , both old and young both rich and poor doth cry the like was never seen with mortal eye . look on the picture and hear take a view of this same pattern which is carved true , it plainly shews the several ears that grew upon one straw believe for it is true . you covetous misers which doth grip & grind the poor , which can of you no favour find poor labourers that works hard day and night to stop their wages many takes delight . and you that has great yearly rents come in to love the poor t is high time to begin , do good with what the lord hath given to thee and god above will thy rewarder be . but pride & taverns now has all the gain and poor mens cryes in heart they do disdain , how many pounds do some spend on a whore and will not give one shilling to the poor . so to conclude of this here i have pen'd hoping the truth does no body offend , but keep in mind still what to you i say the king and begger both are lumps of clay . by l.w. finis . with allowance . london printed for f. coles , t. veres , j. wright and john clarke . , a new merry dialogue betweene john and bessee, the two lusty brave lovers of the country, or, a couragious way of vvooing l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription a55790 of text r35369 in the english short title catalog (wing p3379). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a55790 wing p3379 estc r35369 15265307 ocm 15265307 103320 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a55790) transcribed from: (early english books online ; image set 103320) images scanned from microfilm: (early english books, 1641-1700 ; 2968:19[6], 1192:10) a new merry dialogue betweene john and bessee, the two lusty brave lovers of the country, or, a couragious way of vvooing l. p. (laurence price), fl. 1625-1680? 1 broadside : ill. printed for william gilbertson, london : [1655?] in verse. signed: l.p. date of publication suggested by wing (2nd ed.). "the tune is, sweet george i love thee." illustrated with 4 woodcuts. item 2968:19[6] is 6 of 32 broadsides on reel 2968:19. reproduction of original in the british library. eng ballads, english. a55790 r35369 (wing p3379). civilwar no a new merry dialogue betweene john and bessee the two lusty brave lovers of the country. or, a couragious way of vvooing. the young-man very l. p 1655 1005 4 0 0 0 0 0 40 d the rate of 40 defects per 10,000 words puts this text in the d category of texts with between 35 and 100 defects per 10,000 words. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion a new merry dialogue betweene john and bessee the two lusty brave lovers of the country . or , a couragious way of vvooing . the young man very willing was to marry , the maid was loath a longer time to tarrie , but when this couple were agreed they married were with all the speed , then list and i will plainly tell how every thing in order fell . the tune is , sweet george i love thee , i am a batchelour bold and brave , sweet besse now i come to thee , thy love is the thing that i doe crave , which makes me thus for to wooe thee : my heart is inflamed with cupids hot fire , one drop of thy mercy to coole i desire , if thou wilt but grant unto what i require , i vow no harme to doe thee . ever since the first time that i did thee see , faire besse now i come to thee , my heart and affection was linked to thee , which makes me thus for to wooe thee : and now i am come for to tell thee my mind , as true loves strong fettered chains doth me bind , if thou unto me wilt be courteous and kind , i vow no harme for to doe thee . i le buy thee silk ribbons , i le buy the gold rings sweet besse now i come to thee , black-bag and silk apron and other rare things , see now how i doe wooe thee : new gown and new petticoat , new hose & shooes , a new beaver hat the best that i can chuse , prethre love doe not my proffers refuse , all this good will i doe thee . thou shalt have thy servants on thee to att●●● sweet besse now i come to thee , my purse and my person thy life shall defend , my suit is still for to wooe thee , my goods & my substance my house and my land , my mind and my sence & my heart and my hand , thou shalt every houre have at thy command . all this good i will doe to thee , thou shalt have varieties what thou wilt wish , swéet besse now i come to thee , served in at thy table of flesh and of fish , my suit is still for to wooe theer thou shalt have larks , chickens hens capon or coney , and any fine fare that can be bought for money if thou l't be my true-love , my joy & my honey , all this i will doe for thee . more over a faithfull promise i make , swéet besse now i come to thee , whilst breath 's in my body i le not thee forsake , as suro as now i doe wooe thee : then prethee faire besse ease me of my paine , and doe not repay my true love with disdain , but as i have lov'd thee so love me againe , and i le be faithfull unto thee . the second part , to the same tune kind iohn i protest thou art welcome to me , since thou art come for to wooe me ; ten thousand to one but wée two shall agrée , now thou com'st lovingly to me , thy love and thy labour is not lost in vaine , for thus in few words i will tell thee here plain , if thou com'st at midnight i le thee entertaine , i know no harme thou l't doe me . i have kept my maiden-head twenty long yeare , before you come to wooe me , and many a brave gallant that loved me deare . made suite often unto me : but i for my own part could love never a man , let them use the chiefest of skill that they can , untill the time came that i met with my iohn , i know no harme thou l't doe me . you promis●d me gold and you promis'd me fée , when you came first for to wooe me , because that i your true lover should be , these knacks you proffered unto me : you promis'd me scarffs & you promis'd mr rings , silk gown and silk apron and many brave things , the which to my presence much comfort it brings , i know much good you will doe me . gay garments are good sir of which i except , now you so lovingly wooe me , your silver is better i doe it respect , both those are welcome unto me , but your proper person excéeds all the rest , for you are the creature that i doe love best i had rather have you then have gold in my chest , for i know no harme you●l doe me . to bind up the bargaine and finish the strife , séeing you came hither to wooe me , i prethee come quickly and make me thy wife , i know no harme you 'l doe me , and when wée art married thou shalt have thy will to clip and to kisse and to use thine own will , i am thine own true love and so will be still , now i come merrily to thee . this lusty young couple being joyntly agréed , when he came for to wooe her , to church then they went and were married with speed , then he bravely came to her : together they went as true lovers should , he gave her gay garments & rings of rich gold , and when they their tales had so pleasantly told , he did no harme unto her . l , p. london printed for william gilbertson gil●-●pur-street have among you good women or, a high-way discourse betweene old william starket, and robin hobs, going to maydstone market: good women before hand let me you advise, to keepe your owne counsell, and so be held wise. if any one taken in ill part what's here said, sheel shew by her kicking that shee's a gauld jade. to the tune of, o such a rogue. m. p. (martin parker), d. 1656? 1634 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00497 stc 19242.5 interim tract supplement guide c.20.f.7[146] 99884235 ocm99884235 182997 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00497) transcribed from: (early english books online ; image set 182997) images scanned from microfilm: (early english books; tract supplement ; a5:1[79]) have among you good women or, a high-way discourse betweene old william starket, and robin hobs, going to maydstone market: good women before hand let me you advise, to keepe your owne counsell, and so be held wise. if any one taken in ill part what's here said, sheel shew by her kicking that shee's a gauld jade. to the tune of, o such a rogue. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for thomas lambert., printed at london : [1634] signed: m.p. [i.e. martin parker]. publication date suggested by stc. verse: "god morrow old father starket ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion have among you good women or , a high-way discourse betweene old william starket , and robin hobs , going to maydstone market : good women before hand let me you advise , to keepe your owne counsell , and so be held wise . if any one take in ill part what 's here said , shee l shew by her kicking that shee 's a gauld jade . to the tune of , o such a rogue . god morrow old father starket , whither goe you with such spéed , i me going to maidstone market , to buy such things as i need : i care not if i goe a long with you , if you goe no faster then i , i am very glad that i spide you , for i loue good company . what thinke you of alce that sels butter , her neighbors head clothes she off pluckt , and she scolded from dinner to supper , oh such a scold would be cuckt . there 's many such birds in our towne , whose fury no reason can swage , i de giue very gladly a crowne , to heare them all sing in a cage : poore men in subiection are held , so are modest women likewise , vnlesse their owne minde be fulfil'd , they 'll be ready to scratch out ones eies . what thinke you of ione the spinner , her husbands pocket she pickt , and she grudges her seruants their dinner oh such a queane would be kickt . nay kicking's too good for her , her husband of her stands in awe , out of doores he dares not stirre , for feare that he féele club law : if he to the ale-house steale , shée 'll goe as fast or faster , and there she will ring him a peale , that is worse then lord or master : what thinke you of ruth the seamstris , her tongue can no way be reclam'd , she rules o're poor tom like an empresse , oh such a proud wench would be tam'd . t is pitty that men are such fooles , to make themselues slaues to their wiues , for still where the foot the head rules , 't is wonder if any thing thriues : that man that will be his wifes drudge , of such a conceat i am , that if i might be his iudge , he should eat none o' th roasted ram : what thinke you of ione that cries pins , come eight rowes a penny cries shée , she has broken her husbands shins , and sweares shée 'll be drunke before hée . why , wherefore all this doth he suffer , why if he should giue her a check , she tels her friends how he doth cuff her , and threatens to break her neck : so he for feare shée 'll cry out , dares neither to strike nor chide her , for shée 'll giue the word all about , that his queans wil not let him abide her : what thinke you of drunken sue , for drinke she will sell all her smocks , i' th stréetes she will raile and spew , 't is fit she were tam'd in the stocks . the second part , to the same tune . nay sometimes besides her own getting , shée 'll pawne his shirt and his bréeches , which all shall be spent at a sitting , and thus she increaseth his riches : what thinks her poore husband of that , why , if he doe her reprehend , his face she will scratch like a cat , and sweares what she gets she will spend : what thinke you of peg the pie-woman , her nose hath béen cut and slasht , shée 's turnd now a dayes very common , oh such a queane would be lasht . last saturday noone at dinner , some spoke about her i suppose , how she was found nought with a ioyner , whose wife came and cut her nose : indéed no body can blame her , she has giuen her a mark to be knowne , and if all that will not shame her , the hangman has markt her for his own : what thinke you of snuffelling kate , by her many women haue smarted , she sels maidenheads at a rate , oh such a old trot would be carted . such cunning old sluts as she , indéed are the ruine of many , such fast holding lime-twigs they be , that if they get hold of any , there 's no spéech at all of dismissing , whiles money their turne can serue , thus whiles he his minion is kissing , his poore wife and children may starue : what thinke you of madge that cries wheat , she makes her poor husband shed teares , she vseth to cozen and cheat , but the pillory gapes for her eares . i heard lately how she did deale , with a butcher a notable blade , whom she guld of a quarter of veale , and thus she set vp her trade : since that she hath done many a sleight , as bad or rather worse , if you in her company light , i wish you take héed of you purse : what thinke you of quarrelling nan , that will to no goodnesse be turn'd , she threatens to kill her good man , oh such a queane would be burn'd . i me sorry to heare that newes , when man and wife are at strife : alas neighbour , how can you chuse , when a man goe in danger on 's life . loe thus we haue talkt away time , and nowe perforce must we part , the market is now in the prune , then farewell with all my heart : commend me to doll at the crowne , that message must not be mist , shée 's the kindest hostis in the towne , oh such a lasse would be kist . but stay neighbour , harke you one word , which i had forgotten before , what heare you of little kate bird , some say she is turnd arrant whore : indéed neighbour i thought no lesse , since that with her i was acquainted , a man can no otherwise guesse , her face is most basely painted : she ledges with mouldy fact nell , and i doubt they will neuer be parted , 'till the one get the lash in bridewell , and the other from newgate be carted . m. p. finis . printed at london for thomas lambert . a penny-worth of good counsell to widdowes, and to maides, this counsell i send free; and let them looke before they leape, or, that they married bee. to the tune of dulcima. m. p. (martin parker), d. 1656? 1638 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08976 stc 19263 estc s119380 99854587 99854587 20014 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08976) transcribed from: (early english books online ; image set 20014) images scanned from microfilm: (early english books, 1475-1640 ; 1607:25) a penny-worth of good counsell to widdowes, and to maides, this counsell i send free; and let them looke before they leape, or, that they married bee. to the tune of dulcima. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. for h. gosson?, [london : 1638] signed: m.p., i.e. martin parker. imprint suggested by stc. verse "of late it was my chance to walke". in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a penny-worth of good counsell . to widdowes , and to maides , this counsell i send free ; and let them looke before they leape , or , that they married bee . to the tune of dulcima . of late it was my chance to walke for recreation in the spring , where as the fethered quiristers , melodiously aloud did sing ; and at that tide , i there espide , a woman faire , her hands sate wringing ; shée wept apace , and cry'd ▪ alas ; my husband hath no fore-cast in him . quoth she , when as i was a mayden , i had store of suters brave , and i most coyly did reject them , to take the man that now i have ; but woe is me , that ere i sée the face of him , makes me thus singing , most heavily i sing , and cry , my husband hath no fore-cast in him . his flattering tongue it did bewitch me , faire promises to me he gave . and said i should have all things plenty , but no such thing i 'm sure i have ; his purse is light , nothing is right , although a portion i did bring him ; aye me poore soule , thus to condole , my husband hath no fore-cast in him . hée 's not the man i tooke him for , alas , who would be so much tyde ? i tell you friends now seriously , my husband he doth nought but chide : his lookes are sowre , and he doth lowre ; for nature no good parts hath gi'n him : for which i grieve , you may believe , my husband hath no fore-cast in him . when as he was a batcheler . then who but he amongst the maids ? he went most neat in his apparell ; but now i finde his glory fades : so spruce he went , would give content , to any maiden that could win him , hée'd dance , and sing , wrestle and ring ; but now he hath no fore-cast in him . some men vnto their wives are loving , and all content to them doe give ; but mine is lumpish sad and heavy , which is the cause wherefore i grieve : if i prove kind , some fault hée'l finde , and sayes he knowes where his shooe wrings him ; in darke , or light , by day or night , my husband hath no fore-cast in him . the second part , to the same tune . he kéepes me short of every thing , no money he will give or lend ; 't is fitting sometimes that a woman should with a friend some money spend : i must sit héere , with heavy chéere , although that i did something bring him ; which makes me thus to cry , alas , my husband hath no fore-cast in him . he doth not use me like a woman , and doth not care what clothes i have . when other mens wives weare each fashion , and are maintained rich and brave : thus to the wall , i may condole , although that this same song i sing him : some counsell give , me to relieve ; my husband hath no fore-cast in him . eringo-roots i doe provide him . which cawdles made of muscadine , yea , marrow-bones and oyster-pyes , which all are dishes good and fine : and lobsters great , for him to eat , and yolks of eggs ; these have i gin him : doe what i can , yet this same man by no meanes will have fore-cast in him . he will not have me goe abroad , yet seldome is himselfe at home ; he saith that i must be a house-dove , i must not flye abroad and come : when other wives , doe lead brave lives , they 'l goe to playes , heare fidlers singing , and spend their coyne , at ale or wine ; my husband hath no fore-cast in him . thus like the turtle i sit mourning , because i have an unkind mate ; and fickle fortune on me frowneth , it is my destiny and fate : i hope hée'l mend , and be more kinde , with swéet embraces i will cling him ; i le speake him faire to have more care ; that he may have more fore-cast in him . but if i sée hee will not mend , come tell me widdow , maid , or wife ; what shall i doe in this same woe ? for i am weary of this life : my tongue i le tune , it shall chime noone , and in his eares a peale i le ring him ; i am put too 't and i will doo 't , because he hath no fore-cast in him . m. p. finis . the spanish ladies love, to a pleasant new tune. deloney, thomas, 1543?-1600. this text is an enriched version of the tcp digital transcription b02925 of text r174591 in the english short title catalog (wing d967a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b02925 wing d967a estc r174591 49520874 ocm 49520874 174117 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b02925) transcribed from: (early english books online ; image set 174117) images scanned from microfilm: (early english books, 1641-1700 ; 2665:12) the spanish ladies love, to a pleasant new tune. deloney, thomas, 1543?-1600. 1 sheet ([1] p.) : ill. printed for f. coles, t. vere, and w. ilbertson [sic], [london] : [between 1658 and 1664] attributed to thomas deloney by wing. date and place of publication suggested by wing. reproduction of original in: bodleian library. eng ballads, english -17th century. broadsides -england -17th century. b02925 r174591 (wing d967a). civilwar no the spanish ladies love, to a pleasant new tune. deloney, thomas 1658 785 14 0 0 0 1 0 306 f the rate of 306 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2008-05 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-09 john pas sampled and proofread 2008-09 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the spanish ladies love , to a pleasant new tune . will you here a spanish lady , how she woo'd an english man , garments gay as rich as may be , deckt with iewels had she on , of a fair and comly countenance and grace was she . and by birth and parentage , of high degree . as his prisoner there he kept her , in his hands her life did lie cupids hands did tye her faster by the liking of an eye . in his courteous company , was all her joy to favour him in any thing , she was not coy . but at last there came commandment for to set all ladies frée , with their iewels still adorned , none to do them injury . o then said the lady gay , full wo is me , o let me still sustain this kind captivity . galiant captain take some pity on a woman in distresse , leave me not within this city for to dye in heavinesse . thou hast set this present day my body free , but my hear'ts in prison still remain with thée , how shouldst thou fair lady lovo me whom thou knowst thy countries foe thy fair word makes me suspect thée , serpents lie where flowers grow , all the harm i think on thee , most courteous knigh● god grant upon my life the same may fully light . blessed be the time and season , that you came on spanish ground , if you may our foes be termed , gentle foes we have you found , with our city you have won our hearts each one . then to your country hear away , that is your own , the second part. to the same tune . r ●span1● more , 〈…〉 there 〈◊〉 plenty , 〈…〉 wondrous store . spaniards 〈…〉 with 〈◊〉 we 〈◊〉 find , but english men throughout the world , are counted kind , leave me not unto a spaniard , thou alone enjoy'd my heart i am lovely young and tender , love is likewise my desert , still to serve thee day and night , my mind is pre●● , the wi●e of every english man , is counted blest . it would be a shame fair lady , for to bear a woman hence english souldiers never carry any such without offence , i will quickly change my self , if it be so , and like a page will follow thée where are thou go . i have neither gold nor silver , to maintain thee in this case , and to travel to great charges as you know in every place , my chains and jewels every one , shall be thine own . and eke a hundred pound in gold , that lies unknown . on the seas are many dangers , many storms do there arise , which will be to ladies dreadful , and force tears from watry eye● , well in worth shall i endure extremity . for i could find in heart to lose my life for thée . 〈…〉 this fancy here comes all that breeds the str●●s i in england have already , a sweet woman to my wife . i will not falsife my vow for gold nor gain , nor yet for all the fairest dames that live in spain . o happy is that woman that enjoys so true a friend , many happy dayes god send h●● of my suit i le make an end , on my knées i pardon cra●e for my offence , which love and true affection did first commence . commend me to that gallant lady bear to her this chain of gold , with these bracelets for a token , grieving that i was so bold , all my jewels in like sort take thou with thée , for they are fitting for thy wife but not for me . i will spend my days in prayer , love and all her laws de●●e , in a nunnery will i shrow'd me far from any company , but ere my prayer have all end be sure of this , i pray for thée and for my love i will not misse . thus farewell most gallant lady . and farewell my hearts content count not spanish ladies want of though to thée my mind was bent ioy and true prosperity remain with thée , the like fall unto thy share , most fair la●y . printed for f. coles , t. vere , and w. ilbertson . the honour of bristol. shewing how the angel gabriel of bristol, fought with three ships, who boarded us many times, wherein we cleared our decks, and killed five hundred of their men, and wounded many more, and made them flye into cales, where we lost but three men, to the honour of the angel gabriel of bristol. to the tune of, our noble king in his progress. l. p. (laurence price), fl. 1625-1680? 1681-1684? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). b04817 wing p3368b interim tract supplement guide c.20.f.8[214] 99884892 ocm99884892 183375 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04817) transcribed from: (early english books online ; image set 183375) images scanned from microfilm: (early english books; tract supplement ; a5:2[166]) the honour of bristol. shewing how the angel gabriel of bristol, fought with three ships, who boarded us many times, wherein we cleared our decks, and killed five hundred of their men, and wounded many more, and made them flye into cales, where we lost but three men, to the honour of the angel gabriel of bristol. to the tune of, our noble king in his progress. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. (woodcut). printed for i. wrigh[t, i. clark, w. thackeray, and t. passinger, [london] : between 1681-1684] attributed to laurence price. imprint suggested by wing. verse: "attend you and give ear a while ..." imperfect: cropped at foot, with partial loss of imprint. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. bristol (england) -poetry -early works to 1800. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the honour of bristol . shewing how the angel gabriel of bristol , fought with three ships , who boarded us many times , wherein we cleared our decks , and killed five hundred of their men , and wounded many more , and made them flye into cales , where we lost bus three men , to the honour of the angel gabriel of bristol . to the tune of , our noble king in his progress . bristol attend you and give ear a while , and you shall understand , of a battle fought upon the seas , by a ship of brave command : the fight it was so famous , that all mens hearts did fill , and make them cry to sea , with the angel gabriel . the lusty ship of bristol , sail'd out adventurously , against the foes of england , their strength with them to try : well victual'd , rig'd , and man'd and good provision still , which made them cry to sea with the angel gabriel . the captain famous netheway , so was he call'd by name , the masters name iohn mines , a man of noted fame : the gunner thomas watson , a man of perfect skill , with other valiant hearts , in the angel gabriel . they waving up and down the seas , upon the ocean main ; it is not long ago , quoth they , since england fought with spain , would we with them might meet , our minds for to fulfill , we would play a noble bout , with our angel gabriel . they had no sooner spoken , but straight appear'd in sight , three lusty spanish vessels , of warlike force and might ; with bloody resolution , they thought our men to spill , and how'd to make a prize . of our angel gabriel , then first came up their admiral , themselves for to advance , in her she bore full forty eight peices of ordinance : the next that then came near us , was their vice-admiral , which shot most furiously at our angel gabriel . our gallant ship had in her , full forty fighting men ; with twenty peices of ordinance , we play'd about them then : and with powder , shot , & bullets , we did imploy them still , and thus began the fight , with our angel gabriel , our captain to our master said , take courage master hold , the master to the seaman said , stand fast my hearts of gold : the gunner unto all the rest , brave hearts be valiant still ; let us fight in the defence of our angel gabriel . then we gave them a broadside , which shot their mast asunder , and tore the bolt-spret of their ship , which made the spaniards wonder : and caused them to try , with voices loud and shrill , help , help , or else we sink by the angel gabriel . yet desperately they boarded us for all our valiant shot , threescore of their best fighting men upon our decks was got . and then at their first entrance , full thirty we did kill . and thus we clear'd our decks of the angel gabriel . with that their three ships boarded us again with might and main , but still our noble english-men , cry'd out a fig for spain , though seven times they boarded us at last we shew'd our skill , and made them feel the force of our angel gabriel . seven hours this fight continued , and many brave men lay dead , with purple gore , and spanish blood , the sea was coloured red five hundered of their men , we there outright did kill , and many more were maim'd by the angel gabriel . they seeing of these bloody spoils , the rest made hast a way , for why they saw it was no boot , any longer for to stay , then they fled into cales , and there they must lye still , for they never more will dare to meet , our angel gabriel . we had within our english ship. but only three men slain , and five men hurt , the which i hope , will soon be well again : at bristol we were landed , and let us praise god still , that thus hath blest our men , and our angel gabriel . now let me not forget to speak , of the gift given by the owner , of the angel gabriel . that many years have known her , two hundered pounds in coyn & plate he gave with free good will. vnto them that bravely fought , in the angel gabriel . printed for 〈…〉 englands doubtfull hopes, or, long look't for may come at last which hath beene expected god grant that we may, once more in england see a ioyfull day. to the tune of, the princess bride. white, robert, fl. 1643. this text is an enriched version of the tcp digital transcription a65768 of text r222015 in the english short title catalog (wing w1804). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 a65768 wing w1804 estc r222015 99833254 99833254 37729 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a65768) transcribed from: (early english books online ; image set 37729) images scanned from microfilm: (early english books, 1641-1700 ; 2162:15) englands doubtfull hopes, or, long look't for may come at last which hath beene expected god grant that we may, once more in england see a ioyfull day. to the tune of, the princess bride. white, robert, fl. 1643. 1 sheet ([1] p.) : ill. (woodcuts) for nicholas gamage on london-bridge, printed at london : [1643?] verse "if faith and truth were joyned hand to hand,". in two parts; woodcuts at head of each part. signed at end: robert white. publication date conjectured by wing. blurred and stained. reproduction of the original in the bodleian library. eng ballads, english -17th century. a65768 r222015 (wing w1804). civilwar no englands doubtfull hopes, or, long look't for may come at last. which hath beene expected god grant that we may, once more in england see a white, robert 1643 842 2 0 0 0 0 0 24 c the rate of 24 defects per 10,000 words puts this text in the c category of texts with between 10 and 35 defects per 10,000 words. 2008-02 tcp assigned for keying and markup 2008-03 spi global keyed and coded from proquest page images 2008-04 elspeth healey sampled and proofread 2008-04 elspeth healey text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion englands doubtfull hopes or , long lookt for may come at last . which hath beene expected god grant that we may , once more in england see a joyfull day . to the tune of , the princes birth . if faith and truth were joyned hand in hand , and that our people would agree , to feare that god , that made both sea and land , our king and parliament would 〈◊〉 as one , o then , brave english men , how would your hearts be fil'd with joys what ever dap , 〈◊〉 panne my cap , and drink a health to god king charles , and to his faithfull lord and earles , upon this joyfull day . the gallant london citizens also , when are they see this happy time , will be at charges this for truth i kno●… , to make the cunduits run with wine : each man would part even with his heart , and bresse hinselfe in rich array , much like the spring when charles our king , returnes in peace to faire white-hall the bells shall totter great and small , upon this joyfull day . the country people that have beene opprest and also ready to dispaire , would all rejoyce and each men make 〈◊〉 〈◊〉 of which the poore should have a share , and never grutch nor yet think much , nay , i have heard a many say . this land to see from misery , and from the papists deadly hate , they 'd spend three quarters of their 〈◊〉 to see this joyfull day . the maidens that are like their lords to 〈◊〉 would all be jocund at this tide , and to contribute they will not refuse , but lay their doubtfull though is aside , and likewise joyne for beere and wine , and sing a merry round delay , to welcome home , dick , jack and tom , that have beene actors in this cause , returne to ●●nish cupids laws , upon this joyfull day . the second part , to the same tune . o what an alteration here will be , when these things are accomplished , the miser of his money will be frée , all will be metamorphosed ; the usurer old , that makes his gold his god , will straight without delay , for very joy , seeke to destroy his greedy mind , and cast of care , and drinke healths to our kings welfare , upon this joyfull day . all sort of tradesment would be over joy'd which now doe heavily complaine , for want of trading have not bin imploy'd , peace would revive their joys againe ; o such a change would seeme most strange , all subjects will their king ebey , then should we prove true friends with love , and not seek one anothers woe , london would make a gallant show , upon this joyfull day . what preparations would all people make to entertain his majesty , and to good government themselves betake , like subjects true with constancy ; o this would please , and yeild much ease , to king and state in every way , with friends or foes , i le sing old rose , and pay what ever is my lot , all hatred should be quite forgot . upon this joyfull day . nay more our late made widdowes will be glad ; though they have lost their husbands deare , the parents which of late young sons have had ; will all rejoyce of peace to heare ; the peoples griefe , finding reliefe , they le wipe all mournefull teares away , the mother mild . that lost her child , in wars will soone forget the same , and praise gods everlasting name , to see this joyfull day . though we are round beset with sorrowes déep , and every man oppressed sore , and peace the whilst that séemed for to sléep , can when she please our joyes restore : and set to rites , king lords and kinghts , then would all sorrowes passe away , with trmpets sound , joyes would abound , our london lads will play their parts , the which will breake the papists hearts , to see this joyfull day . whilst life doth last ther 's hope , thus i conclude as yet all is not over-run , our townes and cities that have bin subdu'd , there was no way the saine to shun ; to save the rest , i thinke t is best . from harme , o therefore let us pray , his royall grace , might take his place , in parliament to make all even , then would all nations under heaven . take notice of this day . finis . robert white . printed at london for nicholas gamage on london-bridge . the witty vvesterne lasse: or, you maids, that with your friends whole nights have spent, beware back-fallings, for feare of the event. to a new tune, called the begger boy. guy, robert, writer of ballads. 1635 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b00115 stc 12548 interim tract supplement guide c.20.f.7[450] 99884551 ocm99884551 183155 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00115) transcribed from: (early english books online ; image set 183155) images scanned from microfilm: (early english books; tract supplement ; a5:1[239]) the witty vvesterne lasse: or, you maids, that with your friends whole nights have spent, beware back-fallings, for feare of the event. to a new tune, called the begger boy. guy, robert, writer of ballads. 1 sheet ([1] p.) : ill. for i.w., printed at london : [ca. 1635?] verse: "sweet lucina lend my thy aid ..." signed: robert guy. publication date suggested by stc. in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-08 tcp assigned for keying and markup 2008-10 spi global keyed and coded from proquest page images 2008-11 john pas sampled and proofread 2008-11 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the witty vvesterne lasse : or , you maids , that with your friends whole nights have spent , beware back-fallings , for feare of the event . to a new tune , called the begger boy . swéet lucina lend me thy aid , thou art my helper and no other , pitty the state of a téeming maid , that never was wife , yet must be a mother : by my presage it should be a boy , that thus lyes tumbling in my belly , yéeld me some ease to cure my annoy , and lift to the griefe i now shall tell ye . i was beloued every where , and much admired for my beauty , young men though● they happy were , who best to me could shew their duty : but now alack , paind in my back , and cruell gripings in my belly , doe force me to cry , o sick am i , i feare i shall die , alack , and welly . instead of mirth now may i wéepe , and sadly for to sit lamenting , since he i loued , no faith doth kéepe , nor séekes no meanes for my contenting : but all regardlesse of my mone , or that lies tumbling in my belly , he into sweathland now is gone , and left me to cry , alack , and welly . it doth the prouerbe verifie , folly it were to complaine me , those that desired my company , scornfully they now they disdaine me : wanting his sight , was my delight , and cruell gripings in my belly , doe force me to cry , o sick am i , i feare i shall die , alack , and welly . thus am i to the world a scorne , my dearest friends will not come nigh me : shall i then for his absence mourne , that for his dearest doth deny me ? no , no , no , i will not doe so , with patience i my griefe will smother , and as he hath coozened me , so will i by cunning gull another . incontinent to troynovant , for my content i le thither hie me , where priuately , from company , obscurely i le lye , where none shall descry me : and when i am eased of my paine , and cruell gripings in my belly , i for a maid will passe againe , and néed not to cry , alack , and welly . the second part , to the same tune . some trades-man there i will deceiue , by my modesty and carriage , and i will so my selfe behaue , as by some trick to get a marriage : and when i am married , i will so carry it , as none shall know it by my belly , that euer i haue formerly had cause to cry , alack , and welly . and if he be a husband kind , i le true and constant be vnto him : obedient still he shall me find , with good respect i le duty owe him : but if he crabbed be , and crosse , and basely beat me , back and belly , as vulcans knight , i le fit him right , and scorne to cry , alack , and welly . a secret friend i le kéepe in store , for my content and delectation , and now and then in the taverne rore , with jouiall gallants , men of fashion : sacke , or claret , i will call for it , i le scorne to want , or pinch my belly , but merry will be in company , no more i will cry , alack , and welly . and if i cannot to my mind a husband get , that will maintaine me , i le shew my selfe to each man kind , in hope , that it some love will gaine me : but yet so warie i will be , i le shun from ought may wrong my belly , through misery , to cause me cry , as formerly , alack , and welly . had he i lov'd , but constant prou'd , and not haue béene to me deceitfull , no subtill sinon should haue mou'd me to these odious courses hatefull : but since that he proues false to me , not pittying that is in my belly , no more i will grieu● , but merry will be , and cry no more , alack , and welly . with resolution firmely bent , i le cast off care and melancholly , sorrow and griefe , and discontent : to fret , and vexe , it is but a folly , or séeke by woe to ouerthrow , or wrong the first fruits of my belly : no , no , no , no , i le not doe so , no more will i cry , alack , and welly . robert guy . finis . printed at london for i.w. shall i? shall i? no, no ... tune of the doubting virgin. 1684 approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a28920 wing b3895 estc r228547 26731345 ocm 26731345 109767 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a28920) transcribed from: (early english books online ; image set 109767) images scanned from microfilm: (early english books, 1641-1700 ; 1712:6) shall i? shall i? no, no ... tune of the doubting virgin. bowne, tobias. 1 broadside. printed for p. brooksby ..., [london] : [1684?] attributed by wing to tobias bowne. place and date of publication suggested by wing. contains three illustrations. ms. note following title: o that i had never married. reproduction of original in bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -london -17th century. 2003-09 tcp assigned for keying and markup 2003-10 apex covantage keyed and coded from proquest page images 2003-11 jonathan blaney sampled and proofread 2003-11 jonathan blaney text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion shall i ? shall i ? no , no. a wanton lad and comely lass did once together meet ; tho she seem'd coy her heart he won with complements most sweet . tune of , the doubting uirgin . pretty betty now come to me , thou hast set my heart on fire , thy denyal will undo me , grant me then what i desire : prithae try me , don't deny me lest it prove my overthrow , never dally , shall i ? shall i ? still she answered , no , no , no. in the fields they went a walking , he this maid did sweetly court , but the subject of his talking tended still to venus sport : he persuaded , she delay'd it , and would not be deluded so ; come let 's dally , shall i ? shall i ? but she answered no no no. he bestow'd on her sweet kisses , hoping thereby to obtain and to tast true lovers blisses , which he long time sought in vain with sighs , & sobs , & deadly throbs , he strove the damzels mind to know come let 's dally , shall i ? shall i ? still she answered no no no. to the tavern then he took her , feasting her vvith costly wine ; in the face did often look her , svvearing that she vvas divine : she told the youth it vvas untruth , i vvould not have you flatter so : come let 's dally , shall i ? shall i ? but she answered no no no. with fair words he did intreat her to him for to condescend ; as his passion waxed greater he her beauty did commend : she denied it and defy'd it , vowing it should ne'r be so : come let 's dally , shall i ? shall i ? but she answered no no no. thus he spent his time in wooing but found no encouragement , his fingers itch'd for to be doing , and she perceived his intent ; she still at tryal gave denyal , but maidens often times do so : come let 's dally , shall i ? shall i ? but she answered no no no. he continued still to wooe her , but she made him this reply : that his aim vvas to undo her , and would knovv his reason vvhy . he protested that she jested , his design vvas nothing so ; come le ts dally , shall i ? shall i ? but she answered no no no. but on hopes the youngster builded , hoping she at last would yield ; and at length the damzel yielded , with his charms he won the field : in the shade down her he layed , he himself lay smiling by ; come let 's dally , shall i ? shall i ? then she answered ay , ay , ay . then they fell to sweet imbraces , lovers you know what i mean , so close did joyn their blushing faces you could not put a straw between , in amorous chains there he remains till he for breath did panting lye ; come let 's dally , shall i ? shall i ? then she answered ay ay ay . she who stoutly first deny'd him , by his complements vvas won ; and she vowd when she had try'd him that the job vvas neatly done . maids beware , and have a care of flattering youths , vvho oft do try , and will dally shall i ? shall i ? till you cry out ay ay ay . printed for p. brooksby at the harp & ball in pye corner . the merry hoastess: or, a pretty new ditty, compos'd by an hoastess that lives in the city: to wrong such an hoastess it were a great pitty, by reason she caused this pretty new ditty. to the tune of, buff coat has no fellow. robins, thomas, fl. 1672-1685. this text is an enriched version of the tcp digital transcription b05019 of text949 in the english short title catalog (wing r1656). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b05019 wing r1656 interim tract supplement guide c.20.f.7[536] 99884571 ocm99884571 183203 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b05019) transcribed from: (early english books online ; image set 183203) images scanned from microfilm: (early english books; tract supplement ; a5:1[287]) the merry hoastess: or, a pretty new ditty, compos'd by an hoastess that lives in the city: to wrong such an hoastess it were a great pitty, by reason she caused this pretty new ditty. to the tune of, buff coat has no fellow. robins, thomas, fl. 1672-1685. 1 sheet ([2] p.) : ill. printed for john andrews, at the white lion near pye-corner., london, : [1660?] signed: t.r. [i.e. thomas robins]. publication date suggested by wing. verse: "come all that loves good company ..." in two parts, separated for mounting; woodcuts at head of each part. reproduction of original in the british library. eng ballads, english -17th century. b05019 949 (wing r1656). civilwar no the merry hoastess: or, a pretty new ditty, compos'd by an hoastess that lives in the city: to wrong such an hoastess it were a great pitty, robins, thomas 1660 921 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-10 tcp assigned for keying and markup 2008-12 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the merry hoastess : or , a pretty new ditty , compos'd by an hoastess that lives in the city : to wrong such and hoastess it were a great pitty , by reason she caused this pretty new ditty . to the tune of , buff coat has no fellow . come all that loves good company , and hearken to my ditty ; 't is of a lovely hoastess fine , that lives in london city : which sells good ale , nappe and stale , and alwayes thus sings she , my ale was tunn'd when i was young , and a little above my knee . her ale is lively strong and stout , if you please but to taste ; it is well brew'd you néed not fear , but i pray you make no waste : it is lovely brown , the best in town , and alwayes thus sings she , my ale was tunn'd when i was young , and a little above my knee . the gayest lady with her fan , doth love such nappy ale ; both city maids , and countrey girles that carries the milking pail : will take a touch , and not think much , to sing so merrily , my ale was tunn'd when i was young , and a little above my knee . both lord and esquire hath a desire unto it night and day ; for a quart or two , be it old or new , and for it they will pay : with pipe in hand they may her command to sing most merrily , my ale was tunn'd when i was young , and a little above my knee . you 'r welcome all brave gentlemen , if you please to come in ; to take a cup i do intend , and a health for to begin : to all the merry joval blades , that will sing for company , my ale was tunn'd when i was young , and a little above my knee . here 's a health to all brave english men that loves this cup of ale ; let every man fill up his can , and sée that none do fail , 't is very good to nourish the blood , and make you sing with me , my ale was tunn'd when i was young , and a little above my knee . the second part , to the same tune . the bonny scot will lay a plot , to get a handsom tutch of this my ale so good and stale ; so will the cunning dutch : they will take a part with all their heart , to sing this tune with me , my ale was tunn'd when i was young , and a little above my knee . it will make the irish cry a hone , if they but take their fill ; and put them all quite out of tune , let them use their chiefest skill : so strong and stout it will hold out in any company : for my ale was tunn'd when i was young , and a little above my knee . the welche-man on saint davids day will cry , cots plutter a nail , hur will hur ferry quite away , from off that nappy ale : it makes hur foes with hur red nose , hur seldom can agrée . but my ale was tunn'd when i was young , and a little above my knee . the spaniard stout will have about , 'cause he hath store of gold ; till at the last he is laid fast , my ale doth him so hold : his ponyard strong is laid along , yet he is good company . for my ale was tunn'd when i was young , and a little above my knee . there 's never a tradesman in england , that can my ale deny ; the weaver , taylor , and glover , delights it for to buy : small money they do take away , if that they drink with me . for my ale was tunn'd when i was young , and a little above my knee . there is smug the honest blacksmith , he seldom can pass by ; because a spark lies in his throat , which makes him very dry : but my old ale tells him his tale , so finely we agrée . for my ale was tunn'd when i was young , and a little above my knee . the brewer , baker , and butcher , as well as all the rest , both night and day will watch where they may finde ale of the best : and the gentle craft will come full oft to drink a cup with me . for my ale was tunn'd when i was young , and a little above my knee . so to conclude , good fellows all , i bid you all adieu ; if that you love a cup of ale , take rather old then new : for if you come where i do dwell , and chance to drink with me : my ale was tunn'd when i was young , and a little above my knee . t. r. finis . london , printed for john andrews , at the white lion near pye-corner . the three worthy butchers of the north i weep, i wail, and travel much in pain, now all my youthful days are past, they'l never come again; once i was a man, but now alas i am none, for all my companions are from me fled and gone. to a pleasant new tune. burges, paul. 1678 approx. 8 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a30294 wing b5721 estc r216004 99827759 99827759 32182 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a30294) transcribed from: (early english books online ; image set 32182) images scanned from microfilm: (early english books, 1641-1700 ; 21232:30) the three worthy butchers of the north i weep, i wail, and travel much in pain, now all my youthful days are past, they'l never come again; once i was a man, but now alas i am none, for all my companions are from me fled and gone. to a pleasant new tune. burges, paul. 1 sheet ([1] p.) : ill. printed for p. brooksby, in west-smithfield, [london] : [1678?] verse "did you never hear of worthy butchers three,". signed at end: paul burges. place of publication from and date conjectured by wing. identified on reel 2123 as wing (2nd ed.) s574. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2006-05 tcp assigned for keying and markup 2006-05 apex covantage keyed and coded from proquest page images 2006-07 derek lee sampled and proofread 2006-07 derek lee text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion the three vvorthy butchers of the north : i weep , i wail , and travel much in pain , now all my youthful days are past , they 'l never come again ; once i was a man , but now alas i am none , for all my companions are from me fled and gone . to a pleasant new tune . did you never hear of worthy butchers three , and how they spent their days in mirth and jollity , there was kitson , wilson , & johnson , mark me what i say , they took 300 pounds worth of goods upon a day . when as the day of payment began for to draw near , their money to their creditors intended for to bear ; and riding upon blankly-lane as fast as they cou'd trig be merry my hearts , said johnson , let us sing up a jig . with a hey down , down , with a down derry dee , god bless all true men out of thieves company . riding then on blankly-lane as fast as they could hie , be merry my hearts , said johnson , ; i hear a woman cry ; o help , help , help , o help , or else i dye , o help me some good christians for my torments they draw nigh . o hark , o hark , said johnson , i hear a woman cry , sure i came of a woman , and shall i see her dye ? no ride on neighbor iohnson , now kitson he did say , for that is some lewd woman will cast us all away . if you had but rid on this way as oft as we have done , you would have heard this cry before , & now let us be gone , then iohn . whipt into the wood with all his might & main , whereas he found the woman with cords fast ty'd in twain with cords was ty'd in twain , & hand & foot was bound , and found her there stark naked , with her hair pin'd to the ground . alas , said iohnson , what man hath us'd thee so , he came not of a woman that would work a womans woe : hast thou no lewd company now iohnson he did say , forhere we are come to save thy life , thou mayst cast us all away . no i have no lewd company the woman she did say , three ruffians came riding by , and rob'd me by the way ; they took my cloaths from me , & hand and foot me bound & left me here in woful sort , with my hair pin'd to the ground so iohnson he whipt out his sword with all his might & main and presently the womans cords , iohnson he cut in twain , a shirt out of his cloak-bag presently plucked he , and put it on the woman to cover her secresie . i have neither wife nor children , iohnson he did say , and thou shalt be the lady of all till death take life away : iohnson being a loving man , and bore a careful mind , he put his cloak about her to keep her from the wind . straight upon horse-back presently got he , and they rode all out of the wood , and rid on gallantly : riding then on blankly-lane as fast as they could trig , be merry my hearts , said iohnson , let us sing up a jigg ; with a hey down down , with a hey down derry dee , what if here were 10 thieves so we are true men three . riding then on blankly-lane as fast as they could hye , be merry my hearts , said iohnson , the land end draweth nigh the woman hearing him say so , presently by and by , she put her finger to her ear , and gave a squeaking cry . ten thieves then with weapons drawn in hand , they step'd before iohnson , and quickly bid him stand ; what is it so , said iohnson , since 't will no better be , i vow that some or you shall dye before i killed be : stand fast , fight men , see that ye be not idle , for i vow his hand shall off that lays hold on my bridle . alas , said kitson , to fight ●o heart 〈◊〉 〈◊〉 〈◊〉 no more have i said wilson , in faith 〈◊〉 〈◊〉 〈◊〉 : here is three hundred 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 , and you shall have it all , and lets 〈◊〉 〈◊〉 〈◊〉 the second part , to the same tune . vvhat is it so , said iohnson fight men , and be free , and stand but at my back , keep the back blows from me ? stand fast , fight men , fight me and be free , and by the help of god we shall win the victory . five of these thieves and the woman they did go to kitson and to wilson , and bound them fast in woe : as these 10 thieves play before him , & play'd upon the ground for iohnson had 5 pistols with bullets charged sound ; vvith bullets charged sound , presently he let fly , till five of these thieves upon the ground did lye . put up , said the other five , put up without delay , for if that he gets charged , he will kill us all this day . fight on , said the vvoman , fight on i say to ye , for if you five don 't kill him , i vow your priest to be . so iohnson he whipt out his sword with all his might & main , and play'd about him gallantly till 3 more of them were slain , put up , said the other two , put up without delay , for if that we continue fight , he 'l kill us all this day . fight on , said the woman , fight on i say to ye , for if you two don't kill him , i vow your priest to be ; as these 2 thieves play'd before him , alas he did not mind , for presently the vvoman knock'd him down behind ; oh wicked woman , wickedly hast thou done , thou hast kill'd the bravest butcher that ever england won , for had but my fellows , had they prov'd true to me , they were cowards , said the woman , & as cowards they shall dye . two of these thieves and the woman they did go to kitson and to wilson where they lay bound in woe : a club into her hand , as she got all the gains , went to kitson & to wilson & dasht out both their brains . how this murder was discovered , list and you shall hear , it was by a silly shepherd hid in the hedge for fear ; a gentleman and his man as they came riding by , seeing this woful murder straight sent forth hue and cry , i but do whate're they could , taken they could not be , for they got ship at yarmouth , and so went over sea ; this is the trick of thieves when they have murder done , when they have commited roguery , full fast away they run . god bless our royal k. & queen , & send them long to reign in health , wealth & prosperity , true justice to maintain , god bless all true men that travel by land or sea , and keep all true men out of thieves company . paul burges , finis . printed for p. brooksby , in west-smithfield . a mostpleasant [sic] dialogue, or, a merry greeting betweene two louers how will and nan did fall at strife, and at the last, made man and wife : to the tune of lusina / [by] c.r. records, charles. 1632 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a10550 stc 20822.5 estc s5124 38160688 ocm 38160688 29294 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10550) transcribed from: (early english books online ; image set 29294) images scanned from microfilm: (early english books, 1475-1640 ; 1933:9) a mostpleasant [sic] dialogue, or, a merry greeting betweene two louers how will and nan did fall at strife, and at the last, made man and wife : to the tune of lusina / [by] c.r. records, charles. 2 leaves : ill. for h.g., printed at london : [1632] date of publication from stc (2nd ed.). contains 2 woodcut illustrations. right half of sheet contains "the second part, to the same tune." and imprint. imperfect: stained, cropped, cut in two parts; loss of print. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -london (england) -17th century. 2002-10 tcp assigned for keying and markup 2002-11 apex covantage keyed and coded from proquest page images 2002-12 judith siefring sampled and proofread 2002-12 judith siefring text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion a mostpleasant dialogue : or a merry greeting betweene two louers , how will and nan did fall at strife , and at the last made man and wife . to the tune of lufina . good morrow faire nansie , whither so fast , i pray swéet , whither are you walking ? stand backe , iack-sauce , i like not your cast , i scorne with coxcombs to be talking . no rustick clowne within the towne , shall disturbe me , stop , stay , or hinder , to talke with such a foole as thée : no man shall thinke my wits so slender . thou knowst i am a gentleman borne , and come of no small reputation : my fame will neuer be out worne , whilst english men inioy this nation . in forraigne lands i haue beene proued to be the ●ader of the battel , of captaines knights and lords beloued , when thundring drums and cannons rattle . i heard indéed thou hast béene prest , and know the cause of it , beleeue me : onely to get a man releast , for which he 20. shillings gaue thee : but being come into the place , whilst others brauely shewed their cunning , thou like a coward didst hide thy face , and glad wert thou for to be cunning . i haue 3. hundred pounds a yéere , which shall be thine , if thou canst fansie , and loue thy friend as may appeare , all shall redound to my swéet nansie . my birth also thou dost wellknow , my parentage doth grace our méeting : grant me thy loue , and thou shalt be the mistris of my wealth , my swéeting . as for thy wealth , kéepe to thy selfe , for feare heere-after thou shouldst want it : i knew a foole bestowed his pelfe , and in small time he did recant it . but for thy birth , i thinke on earth the like was not by one nor other , long 7. yéeres together , through wind & weather , thou wast borne at the backe of thy mother . when i liued with my friends at home , i went in silke and rich arayment , with gallants i in tauernes board , ten pound at once in ready payment i did disburse out of my purse , vnto the uintner for good licker , and so my father allowd me to doe , to make my wits and spirits quicker . the second part , to the same tune . much like vnto a ruffian , rude , thou didst 'mongst puncks & panders wander , and commpany keptst with strumpets lude , as flockes of géese keepe with the gander . to tom of bedlam wouldst thou skip , all this is truth which i doe tell yet , and eate the meate out of his scrip , so glad wert thou to fill thy belly . why nan , me thinkes thou shouldst not chide , nor put thy will to these disgraces : many faire lasses i haue denyed , which sought to win me with imbraces . winny the witty and parnell the pritty , and sis of the city haue sought vnto me . besse , ioane , and isabell : sue , alce & bonny nell , thought of me passing well , & kate did woo me . since thou so many loues hast had , and euery one of them doe forsaké thée , i le show thée how thou maist soone be a dad , if thou with spéed away be take thée . goe to pickt-hatch , there is bouncsing kate , that for a good husband is like to miscarry , if thou goest vnto her , and soundly dost woo her , shee 'd make thée a dad the first day thou dost marry . wilt please you to the tauerne goe , and take a pint of sack or clarret : fine suger cakes wée le haue also , what-euer it cost i will pay for it . the good sack-bowle shall merrily trowle . in nectar shall your health goe roundly , then well-come lucke ; my dainty duck , may sit and sée her selfe pledg'd soundly . thou boystrous clowne , giue ouer thy sute , and leaue thy fabling complication : speake wiser words , or else be mute , t will be more for thy commendation , thy iolly red nose doth well disclose , and shew thée to be a man of mettle : thou 'lt sit in a house , to drinke and carouse , till thy nose looke like a copper-kettle . all these strange spéeches which here are past , shall neuer make me misdo●● my nancy : i trust to inioy thy fauour at last , the words in derision thou hast giuen me many i for thy sake will vnder take , to swim the ocean like leander . be thou to me like penelope , which in affection did neuer wander . then heere 's my hand , swéet , will at command my heart also shall still procure , like faithfull hero to thée i le stand , like dame venus will i indure , to kéepe my ioy from direfull annoy , i le leaue my life to doe thee pleasure . take all thy selfe , my only sweet boy , my iewels , rings , my gold and treasure . thankes gentle mistris of my heart , my brest hath now giuen ouer panting : to church let vs goe act the part , which yet betwixt us 〈…〉 in nuptiall bands giue 〈…〉 which neuer can be separated . great cresus gold twice ouertold , could neuer be so highly rated . finis . c. r. printed at london for h. g. the merry mans resolution or a lonon [sic] frollick. he goes a wooing yet the matters so, he cares not much whether he speeds or no, cause city wives and wenches are so common he thinks it hard to find an honest woman ben't angry with this fellow i protest that many a true word hath been spoke in jest, by degrees he layes a wager money's scant vntil five shillings out, then ends his rant. the tune is much in request, ile hold thee five shillings. t. j. 1665 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a46607 wing j40a estc r213893 99826148 99826148 30540 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a46607) transcribed from: (early english books online ; image set 30540) images scanned from microfilm: (early english books, 1641-1700 ; 1760:41) the merry mans resolution or a lonon [sic] frollick. he goes a wooing yet the matters so, he cares not much whether he speeds or no, cause city wives and wenches are so common he thinks it hard to find an honest woman ben't angry with this fellow i protest that many a true word hath been spoke in jest, by degrees he layes a wager money's scant vntil five shillings out, then ends his rant. the tune is much in request, ile hold thee five shillings. t. j. 1 sheet ([1] p.) : ill. (woodcuts) printed for j. williamson at the bible in canon street & on london bridge, [london] : [1665] verse "if young men & maidens". place and date of publication from wing. reproduction of the original in the harvard university library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-11 tcp assigned for keying and markup 2008-01 spi global keyed and coded from proquest page images 2008-02 elspeth healey sampled and proofread 2008-02 elspeth healey text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the merry mans resolution or a lonon frollick . he goes a wooing yet the matters so , he cares not much whether he speeds or no , cause city wives and wenches are so common he thinks it hard to find an honest woman ben't angry with this fellow i protest that many a true word hath been spoke in jest , by degrees he layes a wager money 's scant vntil five shillings out , then ends his rant . the tune is much in request , i le hold thee five shillings . if young men & maidens will listen a while i 'le sing you a sonnet will make you to smile then come my own dearest and be not so coy , whatever thou fearest i le get thée a boy . i le hold thee a six pence t is silver compleat if thou art but willing i can do the feat . then be not so scornful b●t loving anti kind if thou will but kiss me i le tell thee my mind for i am a gallant that 's vers'd in the trade i know what belongs to wife , widdow and maid i le hold thee a willing as round as a king those lasses that kiss well loves the rather thing . then dear let me feel if thy flesh it be warm for i vow and protest i will to thee no harm , but buddle and cuddle wee l toy and wee ll kiss what hurt honest neighbours can come of all this i le hold you three six-pences in ready coyn most g●●is when they 'r pleased with young men will joyn . but when they are sullin nere matter't a pin , but touze um and touz um t will please um again and when you have done it , this story is true if you do but kiss um they 'l straight wayes kiss you i le hold you two shillings lay with me that can the fairest ●…th nation will lye with a man. then why should young females continue sonice , when ladies of pleasure do count it no vice to be kind to their neighbours as well as the rest for kissing and courting is still in request , i le hold two and six pence that 's just half a crown highest girles in all europe . are easiest blown down . to talk of complexions too tedious it were , or to know their conditions by th'colour of hair , yet this i le assure you , either black , red or brown when they 'r in the humour they l freely ly down i le hold you three shillings who gainst me dare lay that women delight much with young men to play . there 's mary & betty , with nancy & jone , they 'l lye with a tinker ere they 'l lye alone , there 's peg , dol and bridget rebecca and kate they laugh when they hear on t but long till they hav 't i le hold thee three & six pence maids love men the best when they come a wooing in earnest not felt . fine susan and sarah brave lasses indeed yet they 'l lye with a broom man if they stand in need , likewise pretty parnel and simpering sisse when young men imbrace them how kindly they kiss i le hold you four shillings the nicest that be at one time or other makes use of a p — then bear be contented for thou shalt have one , and shalt be prevented of lying alone : for i 'm stout and lusty and fit for delight i le hug thee & kiss thee ten times in a night i le hold four & six pence i le hold thee no less i le here a hole through thy coat then by guess . for i am an archer , well skil'd in that art though i shoot at young damsels they nere feel it smart i le hold thee five shillings , i le hold thee no more . i le bore a hole through thy smock even before . this song throughout england on purpose i send to make young men merry , and there is an end . printed for j. williamson at the bible in canon street & on london bridge . newes from new-castle with an advertisement, to all englishmen that (for the safety of themselves, their king and country) they would abandon the fond opinion, (which too many doe conceave) of the scots good meaning to england, which our fore-fathers have ever experienced to the contrary; they having bin oftentimes found to bee circumventing machiavillians, and faythles truce breakers. this dity was written upon some occasion of newes from the north; containing the scots surprizing of new-castle, where they left three thousand men in garison, with a briefe touch of some of our brave cavaleirs who manfully fought in that conflict. the tune is, lets to the wars againe. m. p. (martin parker), d. 1656? this text is an enriched version of the tcp digital transcription b00511 of text238 in the english short title catalog (stc 19258.5). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b00511 stc 19258.5 interim tract supplement guide br f 821.04 b49[1] 99892871 ocm99892871 182258 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b00511) transcribed from: (early english books online ; image set 182258) images scanned from microfilm: (early english books; tract supplement ; a3:3[2]) newes from new-castle with an advertisement, to all englishmen that (for the safety of themselves, their king and country) they would abandon the fond opinion, (which too many doe conceave) of the scots good meaning to england, which our fore-fathers have ever experienced to the contrary; they having bin oftentimes found to bee circumventing machiavillians, and faythles truce breakers. this dity was written upon some occasion of newes from the north; containing the scots surprizing of new-castle, where they left three thousand men in garison, with a briefe touch of some of our brave cavaleirs who manfully fought in that conflict. the tune is, lets to the wars againe. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. (woodcuts). by e. g[riffin]. and are to be sold [by t. lambert] at the horse-shooe in smith-field, printed at london, : [1640] signed: m.p., i.e. martin parker. cf. stc. publication date and publishers' names from stc. line 1 of second part reads: "the illustrious vizcount conway stout,". in verse. in two parts, printed side by side. at head of second part: the second part, to the same tune. imperfect: mutilated, affecting woodcut and first four verses. reproduction of original in the british library. eng ballads, english -17th century. b00511 238 (stc 19258.5). civilwar no newes from new-castle with an advertisement, to all englishmen that (for the safety of themselves, their king and country) they would abando m. p 1640 851 13 0 0 0 2 0 388 f the rate of 388 defects per 10,000 words puts this text in the f category of texts with 100 or more defects per 10,000 words. 2008-08 tcp assigned for keying and markup 2008-11 spi global keyed and coded from proquest page images 2009-01 megan marion sampled and proofread 2009-01 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion newes from new-castle with an advertisement , to all english men that ( for the safety of themselves , their king and country ) they would abandon the fond opinion , ( which too many doe conceave ) of the scots good meaning to england , which our fore-fathers have ever experienced to the contrary ; they having bin oftentimes found to bee circumventing machiavillians , and faythles truce breakers . this dity was written upon some occasion of newes from the north ; containing the scots surprizing of new-castle , where they left three thousand men in garison , with a briefe touch of some of our brave cavaleirs who manfully fought in that conflict . the tune is , le ts to the wars againe . newcasstle scots english 〈…〉 time , 〈…〉 lime , 〈…〉 your owne , ) 〈…〉 knowne , 〈…〉 coaste 〈…〉 lie . 〈…〉 fooles faine , 〈…〉 e 〈…〉 n , 〈…〉 iefe of men ? 〈…〉 know , 〈…〉 so 〈…〉 faine , &c. how shall we dare to trust them now , vnlesse old time hath tane a course , to make them better and us wors ? o let not faire words , &c. how ever they for their owne ends , count some their foes , & some their friends , if we into their hands should fall , the sword no difference makes at all , deare country men then credit not , the promise of a flattering scot . o let not not faire words , &c. they are you see already come , to séeke us at our native home , but sure ( unlesse my wishes fayles ) they 'le ne'r returne to tell more tales , if god knit english hearts in one , jocky will wish that he were gone . then let not faire words , &c. new-castle they surprised have , where certaine of our gallants brave , both horse and foote yielding their breath , have ( with their dying ) conquered death , others likewise they prisoners tooke , for a reward they soone must looke . then let not faire words , &c. the second part , to the same tune . the illustrious vizcount conway stout , did what man could to keepe them out , his sword up to the hilts he ran , in a scots heart ( some noted man , ) yet he came off with little harme , only a little hurt i' th arme . then let not faire words , make fooles faine , but let us beate the scots againe . that valorous and worthy knight , ( whose fame through christendome shines bright , bold s. john digby's horse dead shot became a prisoner to the scot , the noble colonell willmot shard , with brave sir iohn ; both kept in ward . then let not faire words , &c. that hopefull bud of chevalry , valiant charles porter manfully , being cornet of a warlike troupe , ne'r yielded till death made him stoope , he seal'd his honor with his blood , dying for 's king and countries good , then let not faire words , &c. his broken sword in 's hand was found , ( when he say grovelling on the ground ) his cornet colors 'twixt his thighes , thus yielded he in sacrifice , his life and blood in 's countries right , making his same in 's death shine bright . then let not faire words , some other of our cavaleirs , were slaine and hurt , as it appears , about six hundred men outright , ( of horse and soote ) were kil'd i' th fight , and of the scots 't is iustify'd , as many if not more then dy'd ; then let not faire , &c. when they surprised had the towne , ( wherein their minds to us is knowne , ) three thousand men in garison : they left the towne to luke upon , they seas'd and seal'd th' warehouses all , is this the thing you friendship call ? then let not faire , &c. the country must the army finde , such charge the scots have left behind , ) with bread , cheese , butter , drink , and smoke , all this to doe they did provoke ; at their returne they will pay all , but that i trust they never shall . then let not faire , &c. our lord protect king charles ; and send . this war may bring a peacefull end , let palms of victory deck his brow , and having made his foes to how , bring him in safety home againe . alwayes in peace heere to remains , then let not faire words , &c. m. p. finis . printed at london , by e.g. and are to be sold at the horse-shooe in smith-field . the garland of good-will divided into three parts : containing many pleasant songs and pretty poems to sundry new notes : with a table to find the names of all the songs / written by t.d. deloney, thomas, 1543?-1600. 1678 approx. 131 kb of xml-encoded text transcribed from 65 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-03 (eebo-tcp phase 1). a37506 wing d946 estc r13235 12647608 ocm 12647608 65188 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a37506) transcribed from: (early english books online ; image set 65188) images scanned from microfilm: (early english books, 1641-1700 ; 350:8) the garland of good-will divided into three parts : containing many pleasant songs and pretty poems to sundry new notes : with a table to find the names of all the songs / written by t.d. deloney, thomas, 1543?-1600. [128] p. printed for j. wright ..., london : 1678. written by t. deloney. cf. bm. "some ballads in the third part were certainly by other hands"--dnb. reproduction of original in bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng songs, english -england -texts. ballads, english -england -texts. love poetry, english. 2003-09 tcp assigned for keying and markup 2003-10 spi global keyed and coded from proquest page images 2003-11 rina kor sampled and proofread 2003-11 rina kor text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion the garland of good-will . divided into three parts , containing many pleasant songs , and pretty poems to sundry new notes . with a table to find the names of all the songs . written by t. d. london , printed for i. wright , at the sign of the crown on ludgate-hill . 1678. the table . in the first part. 1. the fair lady rosamond . 2. shore's wife . 3. how king edgar was deceived . 4. how coventry was made free . 5. of the duke of cornwall's daughter . 6. a song of queen isabel. 7. the banishment of the two dukes . 8. the noble acts of arthur of the round table , and of lancelot du lake . 9. a song in praise of women . 10. a song in praise of a single life . 11. the widdows solace . 12. a gentlewomans complaint . 13. how a prince of england wooed the kings daughter of france , and how she was married to a forrester . 14. the faithful friendship of two friends , alphonso and ganselo . in the second part. 1. a pastoral song . 2. patient grissel . 3. a song between truth and ignorance . 4. iudeth and holofornes . 5. in praise of the english rose . in the third part. 1. a maidens choice 'twixt age and youth . 2. as i came from walsingham . 3. the winning of cales . 4. of edward and a countess . 5. the spanish ladies love to an english-man . 6. a farewel to love. 7. the lover by his gifts thinking to conquer chastity . 8. the womans answer . a mournful ditty on the death of rosamond , king henry the second's concubine . to the tune of , when flying fame . when as king henry rul'd this land , the second of that name ; besides the queen he dearly lov'd , a fair and princely dame : most peerless was her beauty found , her favour and her face , a sweeter creature in this world , did never prince embrace . her crisped locks like threads of gold , appear'd to each mans sight , her comely eyes like orient pearls , did cast a heavenly light : the blood within her christial ch●eks , did such a colour drive , as though the lilly and the rose , for mastership did strive . yea rosamond , fair rosamond , her named was called so ; to whom dame elinor our queen , was known a mortal foe : the king therefore for her defence , against the furious queen , at woodstock builded such a bower , the like was never seen . most curiously this bower was built , of stone and timber strong ; an hundred and fifty doors , did to this bower belong : and they so cunningly contriv'd , with turnings round about , that none ( but with a clew of thread ) could enter in or out . and for his love and ladies sake , that was so fair and bright ; the keeping of this bower he gave , unto a gallant knight : but fortune that doth often frown , where she before did smile ; the kings delight and ladies ioy , full soon she did beguile . for why the kings ungracious son , whom he did high advance ; against his father raised war , within the realm of france : but yet before our comely king , the english land forsook , of rosamond his lady fair , his farewel thus he took . my rosamond , the only rose that pleaseth best my eye ; the fairest rose in all the world , to feed my fantasie : the flower of my affected heart , whose sweetness doth excell ; my royal rose , a thousand times , i bid thee now farewel . for i must leave my fairest flower , my sweetest rose a space ; and cross the seas to famous france , proud rebels to abase : but yet my rose be sure thou shalt , my comming shortly see ; and in my heart whilst hence i am , i 'le bear my rose with me . when rosamond that lady bright , did hear the king say so , the sorrow of her grieved heart , her outward looks did show , and from her clear and christial eyes , the tears gush'd out apace , which like the silver pearled dew , ran down her comely face . her lips like to the coral red , did wax both wan and pale , and for the sorrow she conceiv'd , her vital spirits did fail : so falling down all in a swound , before king henries face , full oft betwixt his princely arms , her corps he did embrace . and twenty times with watry eyes , he kist her tender cheeks , until he had receiv'd again , her senses mild and meek : why grieves my rose , my sweetest rose , the king did ever say , because , quoth she , to bloody wars , my lord must part away . but sith your grace in forreign coasts , among your foes unkind ; must go to hazard life and limb , why should i stay behind ? nay , rather let me like a page , your shield and target bear , that on my breast the blow may light , that should annoy you there . o let me in your royal tent , prepare your bed at night , and with sweet herbs refresh your grace , at your return from fight : so i your presence may enjoy , no toyl i will refuse , but wanting you my life is death , which doth true love abuse . content thy self my dearest love , thy rest at home shall be ; in englands sweet and pleasant soyl , for travel fits not thee : fair ladies brook not bloody wars , sweet peace their pleasure breed ; the nourisher of hearts content , which fancy first did feed . my rose in woodstock-bower shall rest , with musick 's sweet delight ; while i amongst the pierceing pikes , against my foes do fight : my rose in robes of pearl and gold , with diamonds richly dight , shall dance the galliard of my love , while i my foes do tinite . and you sir thomas whom i trust , to be my loves defence ; be careful of my gallant rose , when i am parted hence : and there withal he fetcht a sigh , as though his heart would break , and rosamond for very grief , not one plain word could speak . for at their parting well they might , in heart be grieved sore ; after that day fair rosamond , the king did see no more : for when his grace had past the seas , and into france was gone , queen elinor with envious heart , to woodstock came anon . and forth she call'd this trusty knight , which kept this curious bower , who with his clew of twined thread , came from that famous flower : and when that they had wounded him , the queen his thred did get , and came where lady rosamond , was like an angel set . but when the queen with stedfast eyes , beheld her heavenly face , she was amazed in her mind , at her exceeding grace : cast off thy robes from thee , she said , that rich and costly be ; and drink thee up this deadly draught , which i have brought for thee . but presently upon her knees , sweet rosamond did fall : and pardon of the queen she crav'● , for her offences all : lake pitty on my youthful years , fair rosamond did cry : and let me not with poyson strong , enforced be to die . i will renounce my sinful life , and in a cloyster vide , or else be banisht if you please , to range the world so wide : and for the fault that i have done , though i was forc'd thereto , preserve my lif● , and punish me , as you think fit to do . and with these words her lilly hands , she wrung full often there ; and down along her comely cheeks , proceeded many a tear : but nothing could this furious queen , therewith appeased be ; the cup of deadly poyson fill'd , as she sat on her knee . she gave this comely dame to drink , who took it from her hand , and from her bended knees arose , and on her feet did stand : and casting up her eyes to heaven , she did for mercy call ; and drinking up this poyson strong , her life she lost withal . but when that death through every limb , had done his greatest spight ; her chiefest foes did plain confess , she was a glorious might : her body then they did entomb , when life was fled away ; at godstow , near to oxford town , as may be seen this day . finis . 2. a new sonnet , containing the lamentation of shore's wife , who was sometimes concubine to king edward the fourth ; setting forth h●r great fall , and withal her most miserable and wretched end . to the tune of , the hunt is up . listen fair ladies , unto my misery , that lived late , in pompous state , most delightfully : and now to fortunes fair dissimulation . brought in cruel and uncouth plagues , most pitiously . shore's wife i am , so known by name , and at the flower-de-luce in cheapside , was my dwelling : the only daughter of a wealthy merchant-man against whose counsel evermore , i was rebelling . young was i loved , no action moved , my heart or mind , to give or yield , to their consenting : my parents thinking strictly for to wed me , forcing me to take that which caused my repenting . then being wedded , i was quickly tempted , my beauty caused many gallants to salute me : the king commanded , i straight obeyed ; for his chiefest iewel then he did repute me . bravely was i trained , like a queen i reigned , and poor mens suits by me was obtained : in all the court , to none was such great report , as unto me , though now in s●orn , i be disdained . when the king died , my grief was tried , from the court i was expelled , with despight : the duke of glocester being lord protector , took away my goods , against all law and right . and a procession , for my transgression , bare-footed he made me go : for to shame me , a cross before me there was carried plainly , as a pennance to my former life , for to tame me . then through london , being thus undone , the lord protector published a proclamation : on pain of death , i should not be harbour'd , which further more encreas'd my sorrow , and vexation . i that had plenty , and dishes dainty , most sumptuously brought to my board , at my pleasure : being full poor , from door to door , i beg my bread with clack and dish ; at my leisure . my rich attire , by fortunes ice , to rotten rags and nakedness , they are beaten : my body soft , which the king embrac'd oft , with uermine vile annoy'd , and eat on . on stalls and stones , did lye my bones , that wonted was in bed of down , to be plac't : and you see , my finest pillows be , of stinking straw , with dirt and dung thus disgrac'd . wherefore fair ladies , with your sweet babies , my grievous fa●l bear in your mind , and behold me : vow strange a thing , that the love of a king , should come to dye under a stall , as i told ye . finis . 3. a new sonnet of edgar king of england , how he was deceived of a lady which he loved , by a knight of his own court. to be sung in the old way , or else to the tune of , lebandalashot . when as king edgar did govern this land a down , a down , down , down , down and in the strength of his years did ●tand , call him down 〈◊〉 such praise was spre●d of ●al●ant dame , which did through england 〈◊〉 great fame ; and she a lady of high degree , the earl of devonshire's daughter was she . the king which lately had 〈…〉 and not long time ● widowed had been ; ●earing this praise of a gallant maid , upon her beauty his love he laid : and in his sight he would often ●ay , i will send for that lady say : yea , i will send for thi● lady bright , which is my treasure and delight : whose beauty , like to phoebus b●a●s , doth glister through all christian realms ; then to himself ●he would reply , saying , how fond● prince am i , to cast my love , 〈◊〉 base and low , upon a girl i do not know ? king edgar will his fancy frame , to love some p●erle●s princely dame ▪ the daughter of a royal king , that may a dainty dolory bring , ● whose matchless beauty brought in place , may estrilds colour ●lean disgrace but senseless 〈◊〉 what do i mean , upon a broken need to lean ● or what 〈…〉 thus to abuse my dearest love whose ●i●ge grac'd with he●●enly hue , doth hellens honour quite su●due : the glory of her beautious pride , sweet estrilds favour ●oth 〈◊〉 ; then pardon my unseemly speech , dear love and lady , i beseech : for i my thoughts will 〈…〉 to spread the honour of thy dame : then unto him he call'd a ●●ight , which was most trusty in his ●●ht ; and unto him thus he did say , to earl orgator , ●o thy way : where ask for estrilds c●mely dame , whose beauty went so far by fame : and if you find her comely grace , as fame did spread in every place : then tell her father , she shall be my crowned queen , if she agree . the knight in ●●ssage 〈◊〉 and into devonshire ●ent with speed : but when he saw the lady bright , he was so ravis●t at her ●●ght ; that nothing ●o●do his passion move , except he might obtain her love : for day and night while there he ●laid , he courted 〈…〉 and in his suit he 〈◊〉 such skill , that at the length he gain'd her go●● 〈◊〉 : forgetting quite the duty though , which he unto the king did owe. then coming home unto his grace , ●● told him with ●●sembling face ; that those reports were to blame , that so advanc'd the maidens name ▪ for i assure your grace , s●●d he , she is as other women ●e : her beauty of such great report , ●o better then the common sort ; and far 〈◊〉 in every thing , to meet with such a noble king : but though her face be nothing fair , 〈◊〉 she is her ●ather●●●eir ; perhaps some lord of high degree , would ve●y ●ain her 〈…〉 : then if your grace would give consent , i would my self be well content : the d●msel for my ●●fe to take , for her great lands and livings sake ; the king ( whom thus he did dec●ive ) incontinent did give him leave ; for on that point he did not 〈◊〉 for why , he had no ne●● of land● then being glad , he went 〈◊〉 , and wedded straight this lady gay the fairest creature 〈◊〉 life had this false k●ight unto his wife and by that match of 〈◊〉 degree , an earl soon after that wa● he . e're he long time ▪ had married hee● , that many had her beauty seen ; her praise was spread both far and near ▪ the king 〈◊〉 thereof did ●ear ▪ uuho then in hear● did plainly prov● , he was betrayed of his love ; though therefore he was ●e●ed sore , yet seem'd he not ●o grieve therefore ; but kept his count●●●nce 〈◊〉 and kind as though he ●are ●o g●udge in mind . but on a day it ●ame to pass , uuhen as the king full merry was ; to ethlewood in s●ort ●e sa●d , i muse what c●ear th●re should be made ; if to thy house i should ●●sort , a nig●t or two for p●incel● sport : hereat the earl shew'd countenance glad , though in his heart he was full sad ; sa●ing , your g●ace shall welcome be , if so your grace will honour me . uuhen as the 〈◊〉 appointed was , before the king did thithe● pas● , the earl before hand did prepare , the kings coming ●● declare ; and with a countena●c● 〈…〉 ●e call'd his lady unto ●im ▪ saying with sad and 〈◊〉 hear , i pray you when the ●ing comes here , sweet lady as you 〈◊〉 me ▪ let your attire but homely he : nor wash not thou thy angels face ▪ but so ●hy beauty 〈◊〉 disgrace ; thereto thy g●esture so e●e it may seem loathso●e to the 〈◊〉 ; for if the king should there behold , thy glorious beauty so ertol'd ; then shall my life s●on ●hortned be , for my deserts and treachery . uuhen to thy father first ● came , though i did not declare the ●ame ▪ yet was i put in trust to bring , the joyful tydings to the king : who for thy glorious beauty seen , did think of thee to make ●is 〈◊〉 but when i had thy person found ; thy beauty gave me such a wound ▪ no rest nor comfort could i take ▪ till you , sweet love , my gri●f did ●●ke : and that though duty charged me ▪ most faithful to my lord to be ; yet love , upon the other side , bid for my self i should provide : then for my suit and 〈◊〉 ●hown , at length i won you for my ●wn ; and for my love in we●lock spent , your choice you need no whit repent : then since my grief i ●●ve exprest , sweet lady grant me my r●quest : good words she gave , with smiling chear , musing of that which she did he●● ; and casting many things in mind , great fault therewith she s●e●d to find ; but in her self she thought it ●●ame , to make that foul , which god did fr●me : most costly robes full rich therefore , in bravest sort that day she wore ; doing all that e're she might , to set her beauty forth to sight : and her best skill in every thing , she shew'd to entertain the king. wherefore the king so snared was , that reason quite from him did pass : his heart by her was set on ●●re , he had to her a great desire : and for the looks he gave her then , for every look she shewed him ten . uuherefore the king perceived plain , his love and looks were not in vain ; upon a time it chanced so , the king he would a ●unting go : and as they through ● wood did ri●e , the earl on h●r●e●back 〈◊〉 hi●●●de : for so the story tellet●●lai● , that with a shaft the earl was 〈◊〉 so that when he had lost his life , he took the lady unto wise ; uuho married her , all harm to shun , by whom he did bege● a ●●on : thus he that did the king deceive , did by de●ert his death receive : then to conclude and make an ●nd , be true and faithful to thy friend . finis . 4. how coventry was made free by godina , countess of chester . to the tune of , prince arthur died at ludlow . leofricus that noble earl , of chester as i read , did for the city of coventry , many a noble deed : great privilidges for the town , this noble man did get ; and of all things did make it so , that they tole-free did ●●t : save only that for horses still , and did som● custom pay ▪ uuhich was g●eat 〈◊〉 unto the town ▪ full long and many a 〈◊〉 uuherefore ●is wife 〈…〉 did of the earl reque●● ; that therefore he would make it fre● , as well as all the rest ▪ so when she long : had sued , her purpose to obtain ; her noble lord at length she look , within a pleasant vein : and unto him with smiling chear , s●e did forthwith proc●●d ; entreating greatly that he would , perform that godly deed . you move me much , my fair , ( quoth he ) your suit i fain would shun ▪ but what will you perform and do , to have this matter done ? uuhy , any thing my lord ( quoth s●e ) you will with reason cr●ve ; i will perform it with good will , if i my wish might have : if thou wilt grant the thing , he said , what i shall now require ; as soon as it is finished , thou shalt have thy desire : command what you think good , my lord , i will thereto agree ; on this condition , that the town for ever may be free : if thou thy cloaths strip off , and here lay them down ; and at noon-day on horse-back ride , stark naked through the the town : they shall be free for evermore ▪ if thou wilt not do so ; ●o●e liberty th●n , now the●●a●e , ● never will ●estow . the lady at this strange demand , was much abasht in mind ; and yet for to fulfil this thing ▪ she never a whit repin'd : uuherefo●e to all ●fficers of the town she sent ; that they perceiving her good will ; which for the weal was ●ent ; that on the day that she should ride , all persons through the town ▪ should keep their houses , shut their doors , and clap their windows do●●● : so that no creature young or old , should in the streets be seen ; till she had ridden all about , throughout the city clean : and when the day of riding ●ame , no person did her see , saving her lord , after which time , the town was ever set free . finis . 5. how the dukes daughter of cor●●al being married unto king locrin , was by him put away ; and a strange lady , whom he better loved , he married and made her his queen ; and how his wife was avenged . to the tune of , in creete . when humber in his wrathful rage , king albanack in field had slain , those bloody br●●●s for to aswage ▪ king locrin then apply'd his pain ; and with a host of brittans s●out , at length he found king humber out . at vantage great he met him then , and with his host beset him so ; that he destroy'd his warlike men , and humbers power did overthrow : and humber which for fear did ●ye , leapt into a river desperately . and being drown'd in the deep , he left a lady there alive , uuhich sadly did lamen● and w●p , for fear they should ●er li●e depr●●e , but by her face that was so fai● , the king was caught in cupids snare . ye took this lady to his love , who secretly did keep her st●●● ; so that the queen did quickly prove , the king did bear 〈◊〉 small good wi●● : uuhich though by we●lock late b●●un , he had by her a gallant son. queen guendoline was griev'd in mind , to see the ●ing was altered so ; at length the cause she than●'d to find , which brought her to most bitter woe : for estrild was his joy ( god-wo● ) by whom a daughter he beg●t . the duke of cornwal being dead , the father of that gallant queen ; the king with lust being overlaid , his lawful wife he cast off clean : uuho with her dear and tender ●on , for succour did in cornwal run . then locrin crowned estrild bright , and made of her his lawful wife ; uuith her which was his hearts delight , he thought to lead his life : thus guendo●me , as one forlorn , did hold her wretched life in scorn . but when the cornish men did know , the great abuse she did endure , uuith her a number great did go , which she by prayers did procure : in battel then they marcht along , for to redress this grievous wrong . and near a rider ▪ called store , the king with all his host she met , uuhere both the armies fought full sore , but yet the queen the field did get : yet ●'re they did the conquest gain , the king was with an arrow slain . then guendoline did take in hand , until her son was come to age , the government of all the land , but first her fury to asswage : she did command her souldirs wild , to drown both estrild and her child . inconti●e●tith●● 〈◊〉 they did brin● , fair estrild 〈◊〉 river si●e ; and ●abri●● daughter to a king , whom guendoline could not abide : who being bound 〈…〉 fast ▪ into the river there was cast . and ever since that running stream , wherein the ladies drowned were , i● called save●● ●hrough the realm ; because that ●abrine die● there ▪ thus they that did : to 〈…〉 ; were brought 〈◊〉 a woful end . finis . 6. a song of queen isabel , wife to king edward the second ; how by the spencers she was constrained secretly to go out of england with her eldest son , prince edward , to seek for succour in france , and what happened ●nto her in her journey . proud were the spencers , and of condition ill , all england and the king ●likewise ; they ruled at their will : and many lords and nobles of the land , through their occasions lost 〈◊〉 lives , and none did them withstand . and at the last they did encrease truth grief , between the king and israel , his queen and fall 〈◊〉 wise : do that her life she dreaded wandrous sor● and cast within her secret thoughts , some present help therefore . that she requests with counts nance grave and ( sage ) that she to thomas beckets youth , might go on pilgrimage : then being joyful to have that happy charice , her son and she took ship with speed , and sailed into france : and royally she was receiued then , by the king and all the rest , of ●aers and mohlemen : and unto him at last she did express , the cause of her areiv●● there , her cause and heaviness . when as her brother her grief did understand , he gave her leave to gather men , throughout his famous land , and made a promise to 〈◊〉 her eber●u●re , as oft as she should standin need of gold and silver 〈◊〉 . but when indeed she did require its same , he was as far 〈◊〉 it , as when she thither came ; and did proclaim , whilst matters were so , that none on pain of death should go , to 〈◊〉 the english 〈◊〉 . this alteration did greatly grieve the queen , that down along her lonely face , the bitter 〈◊〉 were s●en ! when she perceiv'd her friends for look her so , she knew not for her safety , which way to turn or go : but through good 〈◊〉 at last she then decreed , to seek in fruitful germany , some succour to this n●ed : and to sir john henault the 〈◊〉 she , who entertain'd this weful queen , with great sol●mnity . and with great sorrow to him she then complain'd , of all her 〈◊〉 and injuries , which she of last 〈◊〉 : so that with weeping 〈…〉 the sum whereof did greatly grieve that noble courteous knight : who made an oath he would her champion ●e , and in her 〈◊〉 spend his blood , from wrong to set her free and all my friends with 〈…〉 shall help for to advance your state , whose truth no time shall 〈◊〉 and in his promise most faithful he was found , and many lords of great account , was in his voyage bound so setting forward with a ●●odly train , at length , through gods special grace , into england they came . at harwich then , when they were ashore , of english lords and barrons bold , there came to her great state which did reioyce the queens afflicted hearts , that english lords in such sort , came for to take her part . when as king edward hereof did understand , how that the queen with such a power , was entred on his land : and how his nobles were gone to take her part he fled from london presently ; even with a heauy heart ▪ and with the spencers unto bristol go , to fortisle that gallant town , great cost he did bestow : leaving behind to govern london town , the stout bishop of exeter , whose pride was soon pull'd down . the mayor of london , with citizens great store the bishop and the spencers both , in heart they did a●●or ; therefore they took him without fear or dread , and at the standard in cheapside , they sino●e off his head : unto the queen then this message they sent , the city of london was at her commandment ; ●herefore the queen with all her company , did straight to bristol march amain ; whereas the king did lie . then she be●●teg'd the city round about , threatning sharp and cruel death , to those that were so stout ; wherefore the townsmen , their children , and their wives ; did yield the city to the queen . for safeguard of their lives : where was took , the story plain doth tell , sir hugh spencer , and with him , the carl arundel : this judgement just the nobles did set down , they should be drawn and hanged both , in sight of bristol town ; then was king edward in the castle there , and hugh spencer still with him , in dread and deadly fear ; and being prepar'd from thence to sail away ▪ the winds were found contrary , they were enforc'd to stay : but at last sir john beamount knight , did bring his sailing ship to shore , and so did stay their flight : and so these men were taken speedsly , and brought as prisoners to the queen , which did in bristoll●e . the queen by counsel of the lords and barons bold , to barkely sent the king , there to be kept in hold : and young hugh spencer that did much ill procure , was to the marshal of the post , sent unto keeping sure : and then the queen to hereford took her way , with all her warlike company , which late in bristol lay : and here behold how spencer was from town to town , euen as the queen to hereford did pass . upon a iade which they by chance had found , young spencer mounted was , with legs and hands fast bound : i writing paper along as he did go , upon his head he had to wear , which did his treason show : and to decide this traytor lewd and ill , certain men with reeden pipes , did blow before him still ; thus was he led along in every place , while many people did rejoyce , to see his strange disgrace . when unto hereford our noble queen was come , she did assemble all the lords , and knights both all and some ; and in their presence young spencer judgement had to be both hang'd and quartered , his treasons were so bad : then was the king deposed of his crown , from rule and princely dignity , the lords did cast him down ; and in his life his son both wise and ●age , was crown'd king of fair england , at fifteen years of age . finis . 7. a song of the banishment of the two dukes , of hereford and norfolk . two noble dukes of great renown , that long had lived in fame ; through hateful envy were cast down , and brought to sudden shame : the duke of hereford was the one , a prudent prince and wise ; 'gainst whom such malice there was s●own which soon in sight did rise . the duke of norfolk most untrue , declared unto the king , the duke of hereford greatly grew , in hatred of each thing : uuhich by his grace was acted still , against both high and low , now he had a traytorous will , his state to overthrow . the duke of hereford then in haste , was sent for to the king ; and by the lords in order plac'd , examin'd of each thing : uuho ● ing guiltless of this crime , which was against him laid , 〈◊〉 duke of norfolk at that time , these words unto him said . how can'st thou with a shameless face , deny a truth so stout ; and here before his royal grace , so falsly face it out ? did not these wicked treasons pass , when we together were ; how that the king unworthy was , the royal crown to hear ? wherefore my gracious lord , quoth he , and you his noble peers ; to whom i wish long life to be , with many happy years : i do pronounce before you all , this treacherous lord that 's here , a traytor to our noble king , as time shall shew it clear . the duke of hereford hearing that , in mind was grieved much ; and did return this answer flat , which did duke norfolk touch : the term of traytor , truthless duke , in scorn and great disdain ; with flat distance to thy face , i do return again . and therefore if it please your grace , to grant me leave ( quoth he ) to combat with my known foe , that here accuseth me : i do not doubt but plainly prove , that like a perjur'd knight , he hath most falsly sought my shame , against all truth and right . the king did grant this just request , and did there with agree ; at coventry in august next , this combat fought should be : the dukes on sturby steebs full stout , in coats of steel most bright ; with spears in rests , did enter lists , this combat flerce to fight . the king then east his warden down , commanding them to stay ; and with his lords he councel took , to stint that mortal fray : at length unto these noble dukes , the king of ●eraulds came , and unto them with losty speech , this sentence did proclaim . sir henry bullingbrook , this day , the duke of hereford here , and thomas maubry , norfolk duke , so valiant did appear : and having in honourable sort , repaired to this place , our noble king for special cause , hath altered thus the case . first henry duke of hereford , e're fifteen days be past , shall part the realm on pain of death , while ten years space doth last and thomas duke of norfolk thou , that hath begun this strife , and therefore no good proof can bring , i say for term of life . by judgement of our soveraign lord , which now in place doth stand , for evermore i vanish thee , out of thy native land : charging thee on pain of death , when fifteen days are past , thou never tread on english ground , so long as life doth last . thus were they sworn before the king , e're they did further pass , the one should never come in place , whereas the other was ; then both the dukes with heavy hearts , was parted presently ; their uncouth streams of froward chance , of forreign lands to try . the duke of norfolk coming then , where he should shipping take ; the bitter tears fell down his cheeks , and thus his moan did make : now let me sigh and sob my fill , e're i from hence depart ; that inward pangs , with speed may burst , my sore afflicted heart . ah cursed man ! whose loathed life is held so much in scorn , whose company is clean despis'd , and left as one forlorn : now take thy leave and last adieu , of this thy country dear ; which never more thou must behold , nor yet approach it near . now happy should i account my self , if death my heart had torn ; that i might have my bones entombd , where i was bred and born : or that by neptunes wrathful rage , i might be prest to dye : whilst that sweet englands pleasant banks , did stand before mine eye . how sweet a scent hath english ground , within my senses now ? how fair unto my outward sight , seems every b●anch and bough : the fields and flowers , the trees and stones , seem such unto my mind ; that in all other countries ●u●e , the like i shall never find . o that the sun with shining face , would stay his steed by strength ; that this same day might stretched be , to twenty years in length : and that the true pe●formed lyve , their hasty course would stay ; that eolus would never yield , to bear me hence away . that by the fountain of my eyes , the fields might watered be ; that i might grave my grievous plaints , upon each springing tree : but time i see with eagles wings , so swift doth flie away ; and dusky clouds begin to dim , the brightness of the day . the fatal hour it draweth on , the winds and tydes agree ; and now sweet england oversoon , i must depart from thee : the marriners have hoised sails , and call to catch me in ; and now in woful heart i feel , my torments to begin . wherefore farewel for evermore , sweet england unto thee ; but farewell all my friends , which i again shall never see : and england here i kiss thy ground , upon my bended knee , whereby to shew to all the world , how dearly i love thee . this being said , away he went , as fortune did him guide , and at the length with grief of heart , in venice there he dy'd : the noble duke in doleful sort , did lead his life in france , and at the last , the mighty lord did him full high advance . the lord of england afterwards , did send for him again ; while that king richard at the wars , in ireland did remain : who brought the vile and great abuse , which through his deeds did spring ; deposed was , and then the duke was truly crowned king. finis . 8. the noble acts of arthur of the round table . to the tune of , flying fame . when arthur first in court began , and was approved king ; by force of arms great victories won , and conquest home did bring : then into brittain straight he came , where fifty good and able knights , then repaired unto him , which were of the round table . and many justs and turnaments , before them that were drest , where valiant knights did then excel , and far surmount the rest : but one sir lancelot du lake , who was approved well , he in his fights and deeds of arms , all others did excell . when he had rested him a while , to play , to game , and sport , he thought he would to try himself , in some adventurous sort : he armed rode in forrest wide , and met a damsel fair , who told him of adventures great , whereto he gave good ear : why should i not , quoth lancelot tho , for that cause i came hither , thou seem'st ( quoth she ) a knight right good , and i will bring thee thither : whereas the mighty king doth dwell , that now is of great fame , therefore tell me what knight thou art , and then what is your name . my name is lancelot du lake , quoth she , it likes me than , here dwells a knight , that never was , e're matcht with any man : ●ho has in prison three score knights , and four that he has wound : ●nights of king arthurs court they be , and of his table round : 〈◊〉 brought him to a river-side , and also to a tree , thereon a copper bason hung , his fellows shields to see : 〈◊〉 struck so hard the bason , broke , when tarquin heard the sound , 〈◊〉 drove a horse before him straight , whereon a knight lay bound : sir knight , then said sir lancelot tho , bring me that horse-load hither ; and lay him down and let him rest , we 'l try our force together : and as i understand thou hast , so far as thou art able ; done great despite and shame , unto the knights of the round table . ●f thou be of the table round , ( quoth tarquin speedily ) both thee , and all thy fellowship , i utterly deste : that 's overmuch , quoth lancelot tho , defend thee by and by ; they put their spurs unto their steeds , and each at other slye . they couch their spears , and horses can , as though there had been thunder ; and each struck them amidst the shield , wherewith they broke in sunder : their horses backs brake under them , the knights were both aston'd , to hold their horses they made great haste , to light upon the ground : they took them to their shields full fast , thier swords they drew out then ; with mighty strokes most eagerly , each one at other ran : they wounded were , and bled full sore , for breath they both did stand ; and leaning on their swords a while , quoth tarquin , hold thy hand , and tell to me what i shall ask ; say on quoth lancelot , tho , thou art quoth tarquin , the best knight that ever i did know : and like a knight that i did hate , so that thou be not he ; i will deliver all the rest , and eke accord with thee : that is well said , quoth lancelot then , but sith it must be so ; what is the knight thou hatest so , i pray thee to me shew . his name is sir lancelot du lake , he slew my brother dear ; him i suspect of all the rest , i would i had him here : thy wish thou hast , but yet unknown , i am lancelot du luke , now knight of arthurs table round , king hauds son of suewake : and i desire thee , do thy worst , ho , ho , quoth tarquin tho , one of us two shall end our lives , before that we do go : if thou be lancelot du lake , then welcome shalt thou be ; wherefore see thou thy self defend , for now i thee defte . they buckled together so , like two wild boars rushing : and with their swords and shields they ran , at one another flashing : the ground be●winkled was with blood , tarquin began to faint : for he gave back , and bore his shield so low , he did repent : then soon spied sir lancelot tho , he leapt upon him then , he pull'd him down upon his knee , and rushing off his yelm : and then he struck his neck in ●●o , and when he had done so ; from prison , threescore knights and four , lancelot delivered tho . finis . 9. a song in praise of women , to a pleasant new tune : called , my vallentine . amongst all other things , that god hath made beneath the sky ; most glorious to satisfie the curious eye , of mortal men withal : the sight of eve , did soonest fit his fancy , whose courtesse and amity most speedily , had caught his heart in thrall : whom he did love so dear , a● plainly both appear , he made her queen of all the world , and mistris of his heart ; though afterwards she wrought his woe , his death and deadly smart . what need i speak of matters passed long ago , which all men know , i need not shew , to high or low , the case it is so plain , ●lthough that eve committed then so great , e're she went hence : a recompence in defence , she made mankind again : for by her blessed seed , we are redeem'd indeed , why should not then , all mortal men , esteem of women well ? and love their wives , even as their lives , as nature doth c●mpel . a vertuous wife the scripture doth commend , and say , that night and day , she is a stray , from all decay ; to keep her husband still , ●he useth not to give her self a wandring , or flattering , or pratling , or any thing , to do her neighbour ill : but all her mind is bent , his pleasures is con●●n● ; her faithful love , doth not remove , for any storm or grief : then is not he , well blest think ye , that meets with such a ●ife ? but now methinks , i hear some men do say to me , few such there be , in each degree , and quality , at this day to be found ; and now adays , some men do set their whole delight , both day and night , with all despite , to brawl and fight , their rage did so abound : but sure i think and say , here comes no such to day ; nor do i know of any she , that is within that place , and yet for fear , i dare swear , it is so hard a case : but to conclude , for maids , and wives , and virgins all , both great or small , in bowér or hall , to pray i shall , so long as life doth last ; that they may live , with hearts content , and perfect peace , that joys increase , may never cease , till death release , the care that crept so fast , for beauty doth me blind , to have them all in mind , even for her sake , that doth us make , so merry to be seen : the glory of the female kind , i mean our noble queen . finis . 10. a song in praise of a single life . to the tune of , the ghosts hearse . some do write of bloody wars , some do shew the several jars , 'twixt men through envy raised , some in praise of princes write , some set their whole delight , to her fair beauty blazed : some other persons are mov'd , for to praise where they are lov'd : and let lovers praise beauty as they will , other ways i am intended ; true love is little regarded , and often goes unrewarded : then to avoid all strife , i 'le resolve to lead a single life , whereby the heart is not offended , ● what suit and service too , is used by them that wooe : ● what grief in heart and mind , what for row we do find ; through womens fond behaviour : subject to suffer each hour , and speeches sharp and sower : and labour , love , & cost , perchance 't is but all lost and no way to be amended , and so purchase pleasure , and after repent at leisure ; then to avoid all strife , &c. to no man in wedded state , doth happen much debate , except gods special favour , if his wife be proudly bent , or secretly consent , to any lewd behaviour : if ●he be slothful or idle , or such as her tongue cannot bridle , o then well were he , of death his bane would be : no sorrow else can be amended , for look how long he were living , evermore he would be grieving , then to avoid all strife , &c. married folks we often hear , even through their children dear , have many causes of sorrow ; if disobedient they be found , or false in any ground , by their unlawful sorrows , to see such wicked fellows , shamefully come unto the gallows , whom parents with great care , nourished with dainty fare , from their cradle truly tended ; when as their mothers before them , doth curse the day that e're they bore them , then to avoid all strife , &c. do we then behold and see , when men and wives agree , and live together ; where the lord hath sent them eke , fair children mild and meek , like flowers in summer weather : how greatly are they grieved , and will not by joy he relieved , if that death doth call , either wife or children small , whom their vertues do command , their losses whom they thus added , from their hearts cannot be moved , then to avoid all strife , &c. who being in that happy state , would work himself such hate , his fancy for to follow : or living here devoid of strife , would take him to a wife ; for to procure his sorrow , with cárking and with caring , evermore must be sparing , were he not worse'then mad , being merry would be sad : were he to be commended . that e're would seek much pleasure , where grief is all his treasure : then to avoid all strife , &c. 11. the widdows solace . to the tune of , robinsons almain . mourn no more fair widdow , thy tears are all in vain ; 't is neither grief nor sorrow , can call the dead again : man's well enough compared , unto the summers flower , which now is fair and pleasant , yet withereth in an hour : and mourn no more in vain , as one whose faith is small ; be patient in affliction , and give god thanks for all . all men are born to dye , the scripture telleth plain , of earth we were created , to earth we must again , i was neither croesus treasure , nor alexanders fame : nor solomon by wisdom , that could deaths fury tame ; 〈◊〉 physick might preserve them , when nature did decay ; what man can hold for ever , the thing that will away ? then mourn no more , &c. though you have lost your husband , your comfort in distress ; consider god regardeth the widdows heaviness : and hath strictly charged , such as his children be , the fatherless and widdow , to shield from injury . then mourn no more , &c. if he were true and faithful , and loving unto thee ; doubt not but there 's in england , enough as good as he : but if that such affe●tion , within this heart was none ; then give god praise and glory , that he is dead and gone : and mourn no more , &c , receive such suitors friendly , as do resort to thee ; respect not the outward person , but the inward gravity : and with advised judgement , chuse him above the rest ; whom thou by proof hast tried , then mourn no more , &c. then shalt thou live a life , exempted from all annoy ; and whensoever it chanceth , i pray god give thee joy : and thus i make an end , with true humility ; in hope my simple solace , may well excepted be : then mourn no more , &c. finis . 12. a gentle womans complaint , in that she found her friend faithless , which should have continued constant. faith is a figure standing now for nought , faith is a fancy we ought to cast in thought : faith now adays , as all the world may see , resteth in few , and faith is fled from thee . is there any faith in strangers to be found , is there any faith lies hidden in the ground ? is there any faith in men that buried be ? no , there is none , and faith is fled from thee . fled is the faith that might remain in any , fled is the faith that should remain in many , fled is the faith that should in any be , then farewel hope , for faith is fled from thee . from faith i see that everyone is flying , from faith i see that all things are a dying ; they flye from faith that most in faith should be , and faithless thou that brake thy faith to me . thee have i sought , but thee i could not find , thou of all others was most within my mind ; thee have i left , and i alone will be , because i find that faith is fled from thee . 13. of the prince of england , who wooed the kings daughter of france , and how he was slain , and she afterwards married to a forrester . to the tune of , crimson velvet . in the days of old , when fair france did flourish , stories plainly told , lovers felt annoy ; the king a daughter had , beautious , bright , and lovely , which made her father glad , she was his only joy : a prince of england came , whose deeds did merit fame , he woo'd her long , and so at last , look what he did require , she granted his desire , their hearts in one were linkt so fast : which when her father proved , lord how he ws moved , and tormented in his mind ; he sought for to prevent them , and to discontent them , fortune crosseth lovers kind : when the princes twain , were thus barr'd of pleasure , through the kings disdain , which their joys withstood ; the lady got up her cloaths , her jewels , and her treasure ; having no remorse of state or royal blood : in homely poor array , she got from court away , to meet her joy and hearts delight ; who in a forrest great , had taken up his seat , to wait her comming in the night : but to see what sudden danger , to this princely stranger , chanced as he sat alone ; by out-laws he was robbed , and with poniard stobbed , uttering many a dying groan . the princess arm'd by him , and by true desire , mandring all the night , without dread at all ; still unknown she pass'd in her strange attire , comming at the last , in the ecchoes call : you fair woods , quoth she , honoured may you be , harbouring my hearts delight ; uuhich doth compass here , my joy and only dear , my trusty friend and noble right : sweet i come unto thee , sweet i come to woe thee , that thou may'st not angry be ; for my long delaying , and thy courteous staying , ' mends for all i 'le make to thee . passing thus along , through the forrest , many grievous groans , sounding in her ears : uuhere she heard a man , to lament the sorest , that was ever seen , forced by deadly fear : farewel my dear , quoth he , whom i shall never see , for why my life is at an end ; through villanies cruelty , loe here for thee i dye , to shew i am a faithful friend : here i lye a bleeding , uuhile my thoughts are feeding , on the rarest beauty found ; o hard hap that may be , little knows my lady , my heart blood lies on the ground● uuith that he gave a groan , uuhich did burst asundier , all the tender strings of his bleeding heart ; she which knew his voice , at his tale did wonder , all her former joy , did to grief convert : straight she ran to see , uuhom this man should be , that so like her love did speak ; and found when as she came , her lovely lord lay slain , all smeared in blood , which life did break . when this deed they spied , lord how sore she cried , her sorrows cannot counted be ; her eyes like fountains runing , while she cried out , my darling , i would that i had died for thee . his pale lips alas , twenty times she kissed , and his face did wash , with her trickling tears . every bleeding wound , her fair words bedewed , wiping off the blood with her golden hair : speak fair prince to me , one sweet word of comfort give , lift up thy fair eyes . listen to my crys , think in what great grief i live : all in vain she sued , all in vain she vicwed , the princess life was dead and gone ; there stood she still mourning , till the sun approaching , add bright day was coming on . in this great distress , quoth the royal lady , who can now express , what will become of me ? to my fathers court , will i never wander , but some service seek , where i might placed be , and thus she made her moan , uueeping all alone , all in dread and dreadful fear , a fo●rester all in green , most comely to be seen , ranging the woods did find her there : round beset with sorrow , maid , quoth he , good morrow , what hard hap brought you here ? harder hap did never , chance to maiden ever , here lies slain my brother dear . uuhere might i be plac'd , gentle forrester tell me , where should i procure , a service in my care ? pains i will not spare , and will do my duty , ease me of my care , help my extream need : the forrester all amazed , on her beauty gazed , till his heart was set on fire ; yes , fair maid , quoth he , you shall have your hearts desire . he brought her to his mother , and above all other he sets forth the maidens praise ; long was his heart inflamed , at last her love he gained , thus did his glory raise . thus unknown he married , with the kings fair daughter , children they had seven , e're he knew the same ; but when he understood , she was a royal princess , by this means at last , she shewed forth her fame : he cloth'd his children not like to other men , in party colours strange to see ; the left side cloth of gold , the right side now behold , of woollen cloth still framed he . men hereat did wonder , golden fame did thunder , this strange deed in every place ; the king of france came thither , being pleasant weather , in the woods the part to chase : the children then did stand , as their father wistled , where the royal king must of force come by ; their bother richly clad , in fair crimson velvet , their father all in gray , comely to the eye : then the famous king , noted every thing , asking how he durst be so bold , to let his wife to wear , and deck his children there , in costly robes and cloath of gold : the forrester thus reply'd , and the case de●crib'd to the king thus did say ; ●ell may they by their bother , wear rich gold like other , being by birth a princess gay . the king upon these words , more heedful beheld them , till a crimson blush , his conceit did crofs , the more i look , he said , on thy wife and children , the more i call to mind : my daughter whom i lost : i am the child ( quoth she ) falling on her knee , pardon me my soveraign leige , the king perceiving this , his daughter dear did kiss , and joyful tears did stop his speech : with his train he turned , and with her sojourned , straightway he dub'd her husband knight ; then made him earl of flanders , one of his chief commanders , thus was his sorrows put to flight . finis . of the faithful friendshid that lasted between two faithful friends . to the tune of , flying fame , in stately rome sometimes did dwell , a man of noble fame ; who had a son of seemly shape , alphonso was his name : when he was grown and come to age , his father thought it best , to send his son to athens fair , where wisdoms school did rest . and when he was to athens come , good lectures for to learn ; a place to board him with delight , his friends di● well disce●n : a noble knight of athens low● ▪ of him did take the charge , who had a son ganselo ca●'d , just of his pi●ch and age . in stature and in person both , in favour , speech , on● face ; in quality and condi●ions ●ke they 'greed in ●very place : so like they were in all resp●cts , the one unto the other ; they were not known but by their names , of father or of mother . and as in favour they were found , alike in all re●●●●s , even so they did most dearly l●ot , and probe , by 〈…〉 : ganselo loved a la●y fair , which did in athens ●well ; who was in beauty p●erless 〈◊〉 , so far ●he did excell . upon a time it chanced so , as fancy 〈…〉 ; that he would visit for delight , his lady and his love : and to his true and faithful friend , he declared the same : asking of him , if he would see , that fair and comely dame. alphonso did thereto agree , and with ganselo went ; to see the lady which he lov'd , which bred his discontent : but when he cast his chrystial eyes , upon her angels hue ; the beauty of that lady bright , did staight his heart subdue . his gentle heart so wounded was , with that fair ladies face ; that afterwards he daily liv'd , in sad and woful case : and of his grief he knew not how , therefore to make an end ; for that he knew his ladies love , was yielded to his friend . thus being sore perplext in mind , upon his bed he lay ; like one which death and deep despair , had almost worn away : his friend ganselo that did see , his grief and great distress ; at length requested for to know , his cause of heaviness . with much ad● at length he told , the truth unto his friend ; who did relieve his inward woe , with comfort to the end : take courage then , dear friend , quoth he , though she through love be mine ; my right i will resign to thee , the lady shall be thine . you know our favours are alike , our speech also likewise ; this day in mine apparel then , you shall your self disguise : and unto church then shall you go , directly in my stead ; loe though my friends suppose'tis i , you shall the lady wed . alphonso was so well appaid , and as they had decreed ; he went that day and wedded plain , the lady there indeed : but when the nuptual feast was done , and phoebus quite was fled ; the lady for gansela took alphonso to her bed . that night they spent in pleasant sport , and when the day was come , a poast for fair alphonso come , to fetch him home to rome : then was the matter plainly prov'd , alphonso wedded was , and not ganselo to that dame , which brought great woe , alas . alphonso being gone to rome , with this his lady gay , ganselo's friends and kind●ed all , in such a rage did stay : that they depriv'd him of his wealth , his land and rich attire : and banished him their country quite , in rage and wrathful ire . with sad and pensive thoughts alas , ganselo wandred then , who was constrain'd through want to beg , relief of many men : in this distress , oft would he say : to rome i mean to go , to seek alphonso , my dear friend , who will relieve my woe . to rome when poor ganselo came , and found alphonso's place ; which was so famous , huge , and fair , himself in such poor case ▪ he was asham'd to shew himself , in that his poor array , saying , alphonso knows me well , if he would come this way . therefore he staid within the street , alphonso then came by , but heeding not ganselo poor , his friend that stood so nigh : which griev'd ganselo to the heart , quoth he , and is it so ? doth proud alphonso now disdain his friend indeed to know . in desperate sort away he went , into a barn hard by , and presently he drew his knife , thinking thereby to dye : and bitterly in sorrow there , he did lament and weep , and being over weighed with grief , he there fell fast asleep . while soundly there he sweetly slept , come in a murthering thief ; and saw a naked knife lye by this man so f●ll of grief : the knife so bright , he took up straight , and went away amain ; and thrust it in a●● urehered man , which before he had slain . and afterwards he went with speed , and put this bloody knife ; into his hand that sleeping lay , to save himself from strife : which done , away in haste he ran , and that search was made , ganselo with his bloody knife , was for the murther staid : and brought before the magistrate , who did confess most plain ; that he indeed with that same knife , the murthered man had slain : alphonso sitting there as iudge , and knowing ganselo's face , to save his friend did say , himself was guilty in that case . none , quoth alphonso , kill'd the man , my lord but only i ; and therefore set this poor man free , and let me justly dye : thus while for death these faithful friends , in striving did proceed ; the man before the senate came , which did the fa●t indeed . who being moved with remorse , their friendly hearts to see ; did say befo●e the iudges plain , none did the fa●t but he : thus when the truth was plainly told , of all sides joy was seen ; alphonso did embrace his friend , which had so woful been . in rich array he cloathed him , as fitted his degree ; and helpt him to his lands ●ga●n , and former dignity : t●e murtherer for telling truth , had pardon at that time ; who afterwards lamented much , this foul and grievous crime . finis . the second part of the garland of good-will , 1. a pastoral song to the tune of , hey ho holy-day . upon a down where shepherd keep , piping pleasant lays ; two country maids were keeping sheep , and sweetly chanted round-delays : three shepherds each on daten reed , blaming cupids cruel wrong , unto these rural nymphs agreed , to keep a tuneful tunder-song . and so they were in number five , bus●cks number sweet , and we the like , let us contrive , to sing their song in order meet : fair phillis part i take to me , she 'gainst loving hinds complains ; and amarillis , thou shalt be , she defends the shepherds swains . ph. fye on the slights that men devise , sh. hey ho , silly slights : ph. when s●mple maids they would intice , sh. maidens are young-mens chief delights : am. nay , women they which with their eyes , sh. eyes like bean●s of bur●●ng sun : am. and men once caught they soon dispise , sh. so are shepherds oft undone . ph. if any young man win a maid , sh. happy man is he ; ph. by trusting him she is betray'd , sh. fye upon such treachery : am. if maids witch young-men with their guiles sh. hey ho , hey ho , guiters grief : am. they deal like weeping crocodiles , sh. that murther men without relief . ph. i know a silly country hind , sh. hey ho , hey ho , silly swain ! ph. to whom fair daphne proved kind , sh. was he not kind to her again : ph. he vow'd to pan with many an dath , sh. hey ho , hey ho , shepherds god is he , am. yet since he hath chang'd & broke his ruth , sh. troth plight broke , will plagued be . am. she had deceived many a swain , sh. fye upon false deceit : am. and plighted troth to them in vain , sh. there can be no grief more great , am. her measure was with measure paid , sh. hey ho , hey ho , equal need ? am. she was beguiled , that was betray'd , sh. so shall all deceivers speed . ph. if ever maid were like to me , sh. hey ho , hey ho , hard of heart ! ph. both love and lovers scorn'd should be , sh. scorners should be sure of smart : am. if every maid were of my mind , sh. hey ho , hey ho , lovely sweet ! am. they to their lovers should prove kind , sh. kindness is for maidens meet . ph. methinks love is an idle toy , sh. hey ho , hey ho , busie pain , ph. both wit and sense it doth annoy , ●h . both wit and sense thereby we gain : am. tush phillis , cease , be not so coy , ph. hey ho , hey ho , my disdain ! am. i know you love a shepherds boy , sh. fye on that woman so can feign . ph. well , amarillis , now i yield , sh. shepherd sweetly pipe aloud , ph. love conquers both in town and field , sh. like a tyrant fierce and proud : am. the evening-star is up we see , sh. vesper shines , we must away , ph. would every lady would agree , sh. so we endour round-delay . 2. of patient grissel and a noble marquess , tune is , the brides good morrow . a noble marquess as he did ride a hunting , hard by a river side , a proper maiden as she did sit a spinning , his gentle eye espy'd : ●ost fair and lovely , and of comely grace was she , although in simple attire , she sang most sweet with pleasant voice melodi-ously , which set the lords heart on fire , the more he look● the more he might , beauty bred his hearts delight , and to this dainty damosel he went : god speed ( quoth he ) thou famous flower , fair mistris of this homely bower , where love & vertue lives with sweet content . with comely gesture , & mod●st fine behaviour , she had him welcome then , she entertain'd him in faithful friendship manner and all his gentlemen : the noble marquess in his heart felt such fla●● which set his seases all at strife ; quoth he , fair maiden , shew me soon what is th● na●e i mean to take thee to my wife● grissel is my name , quoth she , for unfit for your degree , a silly maiden and of parents poor : nay grissel , thou art rich he said , a vertuous , fair , and comely maid , grant me thy love , and i will ask no more at length she consented , & being ●oth con●ented , they married were with speed ; her country russet was t●r● ? 〈◊〉 silk and 〈◊〉 as to her state agreed : and when that she was trinity tyrd● in the shine , her beauty shined most bright ; far staming every other brave & 〈…〉 that did appear in her sight : many env●●d her theref●re , because she 〈…〉 and ' 〈…〉 you great ●ti●e old 〈◊〉 some said th●● , and 〈…〉 that , some did call her beggers brat , and to her lord they would 〈◊〉 ●ispraise . ● noble ma●qu●s●●i●th they 〈…〉 wrong thus basely for to wed ; that might have gotten an honourable lady , into your princely bed : ●ho will not now your noble issue still deri●e , which shall be hereafter born ; that are of blood so base by the mothers side , the which will bring them to scorn . but her therefore quite away , take to you a lady gay , whereby your linage may renowned be ; thus every day they seem'd to prate , that mali●'d grissels good estate , who took all this most mild and patiently . when that the marquess did see that they ●er● bent thus against his faithful wife , who most dearly , tenderly , and intirely , he loved as his life : ●inding in secret for to prove her patient heart , thereby her foes to disgrace ; thinking to play a hard discourteous part , that men might pitty her case : great with child this lady was , and at length it came to pass , two goodly children at one birth she had ; a son and daughter god had sent , which did their father well content , and which did make their mothers heart 〈◊〉 glad . great royal feasting , were at these childrens christning , and princely triumph made , six weeks together , all nobles that came thither were entertain'd and staid : and , when that all these pleasant sportings quite were done , the marquess a messenger sent , for his young daughter , & his pritty smilling son declaring his full intent : now that th● babes must ●●●thered be , for so the marquess did decree , come let me have the children he said , with that fair grissel wept f●ll sore , she wrung her hands and said no more , my gracious lord must have his will obey'd . she took the babies , from the nursing ladies , between her tender arms , she often wishes , with many sorrowful kisses , that she might help their h●●●s farewel , quoth ●●e , my children dear , never shall i see you again , 't is long of me , your sad & wo●● mother dear , for whose sake you must 〈◊〉 had i been born of royal 〈◊〉 , you might have liv'd in happy 〈◊〉 , but now you must dye for my unworthiness . come messenger of death , 〈◊〉 take my despised babes to thee , and to their father my complained express . he took the children , and to his noble master he brought them forth with speed ; who secretly sent them unto a noble lady , to be nurst up indeed : then to fair grissel with a heavy heart he goes , where she sat mildly all alone , a pleasant gesture and a lovely look the shews , as if grief she had never known : ( 〈◊〉 he ) my children now are 〈◊〉 , what thinks fair grissel of the same sweet grissel now declare thy 〈◊〉 me , sith you my lord are pleas'd with it , 〈◊〉 grissel 〈…〉 both i and 〈…〉 my nobles 〈◊〉 , fair grissel at thy honour and i no joy can have ; till thou be 〈…〉 as they unjustly 〈◊〉 : thou must be 〈◊〉 out of the 〈◊〉 garments , and as thou came●● to me , ●n homely gray , 〈…〉 now all thy cloathing must be my lady 〈…〉 nor i thy lord 〈…〉 the poorest life must now content thy mind ; a great to thee i may not give , thee to maintain while i do live , against my grissel such great foes i find . when gentle grissel heard these woeful tydings the tears stood in her eyes ; she nothing said , no words of discontentment did from her lips arise : her velvet gown most patiently she stript off , her girdle of silk of the same ; her russet gown was brought again with many a scoff , to bear them all her self did frame : when she was drest in this array , and ready was to part away , god send long life unto my lord , quoth she ; let no offence he sound in this , to give my lord a parting kiss ; with watry eyes , farewel my dear , quoth he . from stately pallace unto her fathers cottage poor grissel now is gone ; full fifteen winters she liv'd there contented , no wrong she thought upon : and at that time through all the land the speeches went , the marquess should married be unto a noble lady of high descent , and to the same all parties did agree : the marquess sent for grissel fair , the brides bed-chamber to prepare , that nothing should therein he found awry : the bride was with her brother come , which was great joy to all and some , and grissel took all this most patiently . and in the morning when that they should be wedded her patience now was try'd , grissel was charged , in princely manner , for to attire the bride : ●ost willingly she gave consent unto the same , the bride in her bravery was drest , and presently the noble marquess thither came , with all the ladies at his request : oh grissel i would ask be thee , ●● to this match thou would'& agree , methinks thy looks 〈◊〉 wared wondrous coy : ●●ith that they all began to smile , and grissel she replies the while , god send lord marquess many years of joy . the marquess was moved , to see his best beloved thus patient in distress , ●● stept unto her , and by the hand he took her , these words he did express : ●●u art the bride , & all the brides i mean to have these two thy own children be , 〈◊〉 youthful lady on her knees did blessing crave , the brother as willing as she : and you that envy her estate , whom i have made my loving mate , now blu●● for shame , and honor vertusus life : the chronicles of lasting fame , shall evermore 〈…〉 of patient grissel my most constant wife . finis . a pleasant dialogue between plain truth , and blind ignorance . truth gd speed you aged father 〈…〉 what is 〈…〉 so sadly he●● you stay : and that you keep such 〈◊〉 on this decayed place ; the which for superstition , good princes down did raze . ignorance . i hill tell thee by my vazen , that ●omtimes she have known , a vair and goodly abbey , stand here of brick and stone , and many holy ●rier , as ich may zay to thee : within these goodly cloysters , che did vull often zee . truth . then i must tell thee , father , in truth and verity ; a sort of greater , hypocrites , thou could'st not likely see : deceiving of the simple , with false and feigned lies ; but such an order truly , christ did never devise . ignorance . ah , ah , che zmell thee now man , che know well what thou art ; a vellow of new learning , che wis not worth a vart : nor when we had the old law , a merry world was then ; and every thing was plenty , among all zorts of men . truth . thou givest me an answer , as did the jews sometimes , unto the prophet jeremy , when he accus'd their crimes : 't was merry ( said the people ) and joyful in our realm , which did offer spice cakes unto the queen of heaven . ignorance . 〈◊〉 tell thee what good vellow , before the vicars went hence , a bushell of the best wheat , was zould for vourteen pence : and vorty eggs a penny , that were both good and new ; and this zhe zay my zelf have zeen , and yet ich am no jew . truth . within the sacred bible , we find it written plain ; the latter days should troublesome and dangerous be certain : that we should be self lovers , and charity war cold , then 't is not true religion that makes the grief to hold . ignorance . i hill tell thee my opinion plain , and choul that well ye knew ; ich care not for the bible book , 't is too big to be true : our blessed ladies psalter , zhall for my money go ; zuch pritty prayers as there be , the bible cannot zhew . truth . now hast thou spoken truly , for in that book indeed , no mention of our lady , or romish saint we read : for by the blessed spirit , that book indited was , and not by simple persons , as is the foolish mass. ignorance . c ham zure they are not voolish , that made the pass the trow ; why man ? 't is all in latine , and vools no latine know : here not our wathers wise men , and they did like it well ? who very much rejoyced to hear the zoering bell. truth . but many kings and prophets , as i may say to thee ; have wisht the light that you have , and could it never see . for what art thou the better , a latine song to hear ; and understandest nothing , that they sing in the quire : ignorance . o hold thy peace , che pray thee , the noise was passing tr●● ; to hear the uriers zinging , as we did enter in : and then to see the roodlo●● zo bravely zet with zain●● and now to zee them wandring , my heart with zorrow●●●nce . truth . the lord did give commandment no image thou 〈…〉 nor that unto 〈◊〉 you should your self 〈◊〉 the golden cale of israel , moses did therefore 〈◊〉 and baals priests and 〈◊〉 , he brought to utter foil . ignorance . but our lady of walsingham , was a pure and holy 〈◊〉 and many men in pilgrimage , did shew to her complaint : yea zweet thomas becket and many others more , the holy maid of kent 〈◊〉 did many wonders zhew zor . truth . such saints are well agreeing , to your profession sure ; and to the men that made them , so precious and pure : the one was found a traytor , and judged worthy death the other eke for treason ; did end his hateful breath . ignorance . yea , yea , it is no matter , dispraise them how you will ; but 〈◊〉 they did much goodness , when they were with ●s still : we had our holy water , and holy bread likewise , and many holy reliques , we zay before our eyes . truth . and all this while they 〈◊〉 , with vain and sundry shows , which never christ commanded , as learned doctors knows : search then the holy scriptures , and thou shalt plainly se● , that headlong to damnation , they always trained th●e : ignorance . if it be true good vellow , as thou dost zay to me ; then to my zabiour iesus , alone then will i flye : believing in the gospel , and passion of his zon , and with the zubtile papists , ich for ever done . finis . 3. the overthrow of proud holofornes and the triumph of vertuous queen iudith . when king nebuchadnezzar was puffed up with pride ; we sent forth many men of war , by holofornes guide : to plague and spoil the world throughout , by fierce bellona's rod , that would not fear and honour him , and acknowledge him their god. which when the holy israelites did truly understand , for to prevent his tyranny , they fortisied their land : their towns and stately cities strong , they did with victuals store ; their warlike weapons they prepar'd , their furious foe to gore . when stately holofornes then , had knowledge of that thing , that they had thus prepar'd themselves , for to withstand the king : quoth he , what god is able now , to keep these men from me ? is there a greater then our king , whom all men fear to see ? come march with me , therefore he said , my captains every one ; and first unto bethulia , with speed let us be gone : i will destroy each mothers son that is within the land ; their god shall not deliver them , out of my furious hand . wherefore about bethulia , that little city then ; on foot he planted up and down , an hundred thousand men : twelve t●ousand more on horses brave about the town had he ▪ he stopt their springs and water-pipes , to work their misery . when four and thirty days they had , with wars besieged been ; the poor bethulians at that time , so thirsty then were seen : that they were like to starve and dye , they were both weak and faint , the people against the rulers cry , and thus was their complaint . better it is for us , quoth they , to yield unto our foe , then by this great and grievous thirst , to be destroyed so : o render up the town therefore , we are forsaken quite : there is no means to escape these hands , who might escape their might ? when as their grievous rulers heard , the clamours which they made ▪ good people be content , said they , and be no whit dismaid : yet five days stay in hope of health , god will regard your woe ; but if by then , no succour come , we 'l yield unto our foe . when judith ( prudent princely dame ) had tydings of this thing ; which was manasses beautous ●osse , that sometimes was their king ; why tempt ye god so sore , she said , before all men this day ; whom mortal men in conscience ought , to fear and eke obey ? if you will grant me leave , quoth she , to pass abroad this night , to holofornes i will go , for all his furious might : but what i there intend to do , enquire not now of me , go then in peace , fait dame , they said , and god be still with thee . when she from them was gotten ●ome , within her pallace gate , she called to her the chiefest maid , that on her then did wait : bring me my best attire , quoth she , and iewels of fine gold , and wash me with the finest balmes , that are of silver sold. the fairest and the richest robe , that then she did possess ; upon her dainty corps she put , and eke her hair did dress , with costly pearls , and precious stones , and ear-rings of fine gold ; that like an angel she did seem , most sweet for to behold . a pot of sweet and pleasant oyl , she took with her that time ; a bag of figs , and fine wheat flower , a bottle of ●ne wine ; because she would not eat with them , that woriship gods of stone , and from the city thus she went , with one poor maid alone . much ground alas , she had not gone , out of her own city ; but that the centinels espy'd , a woman wondrous pritty : from whence came you fair maid , quoth they , and where walk you so late ? from yonder town , good sir , quoth she , unto your lord of high estate . when they did mark and view her well , and saw her fair beauty ; and therewithal her rich array , so gorgeous to the eye : they were amazed in their minds , so fair a dame to see ; they set her in a chariot then , in place of high degree . an hundred proper chosen men , they did appoint likewise ; to wait on princely judith there , whose beauty clear'd their eyes : and all the souldiers running came , to view her , as she went ; and thus with her they past along , unto the generals tent. then came this stately guard in haste , fair judith for to me●t ; and to their high renowned lord , they brought this lady sweet : and then before his honour , upon her knee she fell ; her beauty bright made him to muse , so far she did excell . rise up renowned dame , quoth he , the glory of thy kind , and be no whit adasht at all , to shew me thy mind : uuhen she had uttered her intent , her wit amaz'd them all , and holoforness therewith , by love was brought in thrall . and bearing in his lofty breast , the flames of hot desire , he granted every thing to her , she did of him require : each night therefore he gave ●er 〈◊〉 , to walk abroad to pray : according to her own request , which she had made that day . uuhen she in camp had three days been , near holofornes tent , his chiefest friend lord treasurer , unto her then he sent : fair dame , quoth he , my lord commands this night your company , quoth she , i will not my lord in any thing deny . a very great and sumtuous feast , did holofornes make , amongst the lords and 〈◊〉 〈…〉 iudiths 〈◊〉 ▪ but of their dainties in 〈…〉 would pleasant iudith take ▪ ●et holofornes merry 〈◊〉 so near him she was 〈◊〉 and being very pleas●●●ly , disposed at that 〈◊〉 ye drunk with them 〈…〉 , of strong 〈…〉 so that his strength 〈…〉 , so far from 〈…〉 they laid him down , and judith their was brought unto his bed. when all the doors about were s●ut , and every one was 〈◊〉 hard by the pillow of his 〈◊〉 , his sword 〈…〉 dawn : then down she took 〈…〉 to 〈…〉 ; she cut his head from 〈…〉 quite , and gave it to her maid . the rich and golden canopy , that hung ●●er his bed ; she took the same with her likewise ▪ with holofornes head : and thus through all the court of guards , she escap'd clean away ; none did her stay , thinking that she had gone forth to pray . when she had past , escap'd quite the danger of them all , and that she was come , near unto the siedged cities wall ▪ come open me the gates , quoth she , our foe the lord hath slain ; see here his head within my hand , that bore so great a fame . upon a pole they pifcht his head , that all men might it spy ; and o're the city wall forthwith , they set it presently : then all the souldiers in the town , marcht forth in rich array ; but sure their foes spy'd their approach , for 't was at break of day . then running hastily to call , their general out of bed ; they found his liveless body there , but clean without a head : uuhen this was known , all in amaze , they fled away each man ; they left their tents full rich behind , and so away they ran . ●o here , behold , how god provides , for them that in him trust ; uuhen earthly hope is all in vain , he takes us from the dust : how often hath our judith sav'd and kept us from decay ; sainst holofornes and pope , as may he seen this day . finis . 5. a princely ditty , in praise of the english rose . translated out of french. amongst the princely paragons , bedeckt with dainty diamonds ; uuithin my eye , none doth come nigh , the sweet red rose of england : the lillies pass in bravery , in flanders , spain , and italy ; but yet the famous flower of france , doth honour the rose of england . a s i abroad was walking , i heard the small birds ●●l king : and every one did frau● her s●ng , in praise of the rose of england . the lillies , &c. caesar may vaunt of histories , and croesus of his happiness but he were blest , that may hear in his breast , the sweet red rose of england , the lillies , &c. the bravest lute bring hither , and let us sing together : whilst i do ring on every string , the praise of the rose of england . the lillies , &c. the sweet perfumes and spices , the wise-men brought to jesus : did never smell a quarter so well , as doth the rose of england . the lillies , &c. then fair and princely flower , that ever my heart doth power : none may be compared to thee , which art the fair rose of england . the lillies , &c. 6. a communication between fancy and desire . come hither ●hepherds swain , sir , what do you require● i pray thee shew thy name , my name is fond dellre . when wast thou ●ors● , desire ● in pomp and pride of may , by whom ( sweet child ) wast thou 〈◊〉 ? of fond conceit men say . tell me , who was thy nurse ? sweet youth , and sugre● joys , what was thy meat and dainty food ? sad sighs and great a●noys . what had'st thou for to drink ? unsavory lovers teares , what cradle wast thou rocked in ? in love devoid of fears . what lull'd thee then asleep ? sweet speech , which likes me best , tell me where is thy dwelling place ? in gentle hearts i rest . what thing doth please thee most ? to gaze on beauty still : uuhom dost thou think to be thy foe ? disdain of thy good-will . doth company displease , ye sure , many a one ; uuhere doth desire delight to live ? he loves to live alone : doth either time or age , bring him into decay ? no , no , desire both lives and dyes , ten thousand times a day . then fond desires farewel , thou art no meat for me ; i would loath to dwell , with such a one as thee . finis . the third part of the garland of good-will . song . 1. a maids choice , 'twixt age and youth . crabbed age and youth , cannot live together ; youth is full of pleasure , age is full of care : youth 's like summers morn , age like winters weather , youth is full of sport , age's breath is short ; youth is wild , and age is lame : youth is hot and bold , age is weak and cold , youth is wild , and age is tame ; age i do abhor thee , youth i do adore thee , o my love , my lord is young , age i do defie thee , o sweet shepherd hye thee , for methinks thou stay'st too long . here i do attend , arm'd by love and pleasure : uuith my youthful friend , joyful for to meet : 〈…〉 , for my onely treasure , genus sugred habit , fancy dainty sweet : like a loveing wife , so lead i my life , thirsting for my hearts desire : come sweet youth , i pray away old man , away , thou canst not give what i require : for old age i care not , come my love and spare not , age is feeble , youth is strong , age i do defie thee , o sweet shepherd hye thee , for methinks thou stay ? & too long . phaebus stay thy steeds over-swift running ; drive not on so fast , bright resplendant sun : for fair dapnes sake , now express thy running : pitty on me take , else i am undone ; your hours swift of flight , that waste with titans sight , and so consu●ie the chearful ●oy ; o stay a while with me , till i my love may see ; o youth thou dost so long delay : time will over slip us , and in pleasure trip us : come away therefore with 〈◊〉 : i would not lose an hour , for fair londons tower , genus therefore help my 〈◊〉 flora's banks are spread , in their rich attire , with their dainty uiolet , and the pri●●rose sweet : dazies white and red , fitting youths desire , whereby the daffadilly , and the cowslip meet : all for youths de●ire , their fresh colours move , in the meadows green an● 〈◊〉 : the birds with sweeter ro●ts ▪ do strain their pritty throats , to entertain my love this way . i with twenty wishes , and an hundred kisses , would receive him by the hand : if he gave not me a fall , i would him coward call , and all unto my word would stand . lo where he appears , like young adonis , ready to set on fire , the chasest heart alive , jewel of my life , welcome where thine own is : pleasant are thy looks , sorrows to deprive ; embrasing thy darling dear , without all doubtful fear ; on thy command i wholly rest , do what thou wilt to me , therein i agree , and be not strange to my request : to youth i only yield , age fits not venus field : though i be conquered what care i , in such a pleasant war , come meet me if you dare , who first mislikes , let them cry . finis . as you came from the holy land , of walsingham ; met you not with my true love , by the way as you came ? how should i know your true love , that have met many a one ; as i came from the holy land , that have come , that have gone . she is neither white nor brown , but as the heavens fair ; there is none hath a form so divine , on the earth , in the air : such a one did i meet ( good sir ) with angel-like face ; uuho like a queen did appear ; in her gate , in her grace . she hath left me here all alone , all alone and unknown , uuho sometimes lov'd me as her life , and called me her own : uuhat's the cause she hath left thee alone , . and a new way doth take , that sometime did love thee as her self , and her joy did thee make ? i loved her all my youth , but now am old as you see , love liketh not the falling fruit , nor the withered tree : for love is ● careless child , and forgets promise past ; he is blind , he is not deaf , when he 〈◊〉 , and in faith never fast . for love is a great delight , and yet a tru●●less joy , he is won with a word of despair ; and is lost with a ioy● such is the love of women-kind : or the word ( love ) abused , under which many childish desires , and conceits are excused . but love is a durable fire , in the mind ever burning ; never sick , never dead , never cold , from it self never turning . 4. the winning of cales . long had the proud spaniard , advanced to conquer us , threatning our country with fire and sword : often preparing their navy most sumptuous , with all the provision that spain could afford : dub , a dub , dub , thus strikes the drums , tan-ta-ra-ra , tan-ta-ra-ra , english men comes . to the seas presently , went our lord admiral ; with knights couragious , and captains full good : the earl of essex , a prosperous general , with him prepared , to pass the salt flood . dub , a dub , &c. at plymouth speedily , took their ships ●●tiantiy ; braver ships never were seen under sail : with their fair colours spread , and streams o're their head ; now braging spaniards take heed of your tayl. dub , a dub , &c. unto cales runningly , came we most happily ; uuhere the king's ruby , did secretly ride , being upon their backs , pierceing their buts of sack e're that the spaniard our coming discry'd : tan ta-ra-ra-ra , english-men tymes ; bounce-abounce , bounce-abounce ; off went the guns . great was the crying , running and riding ; uuhich at that season was made in that place : then beacons was fired , as need was required , to hide their great treasure , they had little space : alas they cryed english-men comes . there you might see the ships , how they were fired fast ; and how the men drowned themselves in the sea : that you might hear them cry , wail and weep piteously , uuhen as they saw no shift , to escape thence away : dub a dub , &c. the great saint phillip , the pride of the spaniards ▪ uuas burnt to the bottom , and sunk into the sea : but the saint andrew , and eke the saint matthew , uue took in fight manfully , and brought them away : dub a dub , &c. the earl of essex , most ualiant and hardy , uuith horse-men and foot-men , marcht towards the town the enemies which saw them , full greatly affrighted ; did fly for their safe-guard , and burst not come down : dub a dub , &c. now quoth the noble earl , courage my souldiers all , fight and he ualiant , the spoyl you shall have : and well rewarded all , from the great to the 〈◊〉 ▪ but look that the women and children you save . dub , a dub , &c. the spaniards at that 〈◊〉 , saw 't was in vain to 〈◊〉 , hung up their flags of 〈◊〉 yielding up the town we marcht in presently , decking the walls on hi●● with our english colours , which purchased renown . dub , a dub , &c. entring the 〈…〉 of the ●ichest men , for gold and trea●●●● we searched each day ; in some places we 〈…〉 , ●yes baking in the 〈◊〉 meat at the fire roasting , and men ran away . dub , a dub , &c. full of rich merchandize , every shop we did se● , damask and sattins , and velvet full fair : ●hich souldiers measure out by the length of their swo●ds of all commodities , and each one had a share , dub a dub , &c. thus cales was taken , and our brave general m●rcht to the market-place , there he did stand ; there many prisoners of good account were took , many crav'd mercy , and mercy they found : dub a dub , &c. when as our general , saw they delayed time , and would not ransom the town as they said : with their fair mains●ots , their presses and bed●●eads , their ioynt-stools and tables , a fire we made ; and when the town 〈◊〉 in a 〈◊〉 , with tan-ta-ra , tan-ta ar-rat : from thence we came . 4. of king edward the third , and the fair countess of salisbury ; setting forth her constancy and endless glory . when as edward the third did live , the valliant king ; david of scotland to rebel , did then begin : the town of barwick suddenly , from us he won , and burnt newcastle to the ground , thus strife begun : to roxbury castle marcht then , and by the force of warlike men , besieg'd therein a gallant fair lady , while that her husband was in france ; his countries honour to advance , the noble and famous earl of salisbury . brave sir william montague , rode then in haste , who declared unto the king , the scotish-mens ●oast : who like a lyon in a rage , did straightway prepare , for to deliver that fair lady , from woful care : but when the scotish-men did hear her say , edward our king was come that d●y : they raised their siege and ran away with speed so when th●t he did 〈◊〉 come with warlike trumpet , ●ife and ●rum , none but a gallant lady did him meet . who when he did with greedy eyes behold and see ; her peerless beauty inthral'd his majesty : and ever the longer that he lookt ; the more he might : for in her only beauty was his hearts delight . and humbly then upon her knees , she thankt his royal majesty , that he had driven danger from her gate : lady , quoth he , stand up in peace , although my war doth now encrease , lord keep ( quoth she ) all hurt from ●our ●state now is the king full sadin soul , and wots not why , and for the love of the fair countess of salisbury . she little knowing his cause of g●ief , did come to see , wherefore his highness sat alone so heavily , i have ●een wrong'd , fair dame ( quoth he ) since i came hithed unto th● ; no , god 〈◊〉 , my sov●raign , she said , if i were worthy for to kn●w , the cause and ground of this your woe ; you should be helpt , if it did lye in me . swear to perform thy word to me , thou lady gay ; to thee the sorrows of my heart , i will bewray : i swear by all the saints in heaven , i will ( quoth she ) and let my lord have no mistrust at all in me . then take thy self a●●de , he said , for why , thy beauty hath betray'd ; wounding a king with thy ●right shining eye , if thou ●● then some mercy show , thou shalt expel a princely woe : so shall i live , or else in sorrow ●ye . you have your 〈◊〉 , my ●overaign lord , effectually ; take all the leave that i can 〈◊〉 your majesty , but on thy beauty all my ioys have their above ; take thou my beauty from my face , my gracious lord. did'st thou not swear to grant my will , all that i may , i will ful●l : then for my love , let my true love be seen , my lord your speech i might reprove , you cannot give to me your love , for that belongs unto your queen . but i suppose your grace did this , only to try , whether a wanton tale might tempt dame salisbury . nor from your self therefore my liege my steps do stray ; but from your wanton tempting tale , i go my way : o turn again my lady bright , come unto me my hearts delight ; gone is the comfort of my ●ensive heart ; yere comes the earl of warwick he , the father of this fair lady , my mind to him i mean for to impart . ●hy is my lord and soveraign king , so griev'd in mind ? because that i have lost the thing i cannot find . what thing is that any gra●ious lord which you have lost ? it is my 〈◊〉 which to near 〈◊〉 betwixt fire and frost ? curst be that fire and frosttho , that caused this your highness wo● : o warwick ! thou 〈◊〉 wrong me very 〈◊〉 it is thy daughter noble earl , that heaven-bright-lamp , that peerless pearl , which kills my heart , yet do i her adore . if that be all ( my gracious king ) that works your grief , i will perswade the sco●nful dame to yield relief : never shall she my daughter be , if she refuse , the love and favour of a king , may her excuse : thus 〈◊〉 warwick went away , and quits contrary he did say , when as he did the beaut●ous countess meet ; well 〈◊〉 my daughter ( quoth ●● ) a message i must do to thee , our royal king most 〈…〉 thee gre●● . the king will dye , lest thou to him do grant thy love ; to love , my husband love i would remove . it is right charity to love my daughter dear , but no true love , so charitable , for to appear : his greatness may hear out the shame , but his kingdom cannot buy out the blame , he craves thy love , that may ●ereave thy life ; it is my duty to move this , but not thy honesty to yield , i wis , i mean to dye a true unspotted wife . now hast thou spoken my daughter dear , as i would have ; charity bears a golden name , unto the grave : and when to thy wedded lord thou provest untrue , then let my bitter curses still , thy soul pursue : then with a smiling chear go thou , as right and reason doth allow , yet shew the king thou bearest no strumpets mind i go dear father , with a trice , and by a slight of sine device , i 'le cause the king confess that i am unkind , here comes the lady of my life , the king did say , my father bids me soveraign lord , your will obey : and i consent , if you will gr●nt on● boon to me , i grant it thee , my lady fair , what e'rest be . my husband is alive you know , first let me kill him e're i go , and at your command i will ever be thy husband now in france doth rest , no , no , he lies within my breast ; and being so nigh , he will my fal●●od se● , with that she started from the king , and took her knife , and desperately she thought to rid , her self of life . the king he started from the chai● , her hand to stay , o noble king , you have broke your word with me this day . thou that not do this deed , quoth he , then never i will lye with thee ; ●o , then live still , and let me bear the 〈◊〉 ; live in honour and high estate , with thy true lord and wedded mate , i never will attempt this suit again . 5. the spanish ladies love to an english gentleman . will you hear a spanish lady , how she woo'o●m english-man , garments gay , as rich as may be , deckt with jewels had she on : of a comely countenance , and grace was ●he , and by birth and parentage , of high degree . as his prios●er there he kept her , in his hands her life did lye : cupids hands did tye her faster , by the likeing of her eye , in his courteous company , was all her joy ; to favour him in anything , she was not coy . at the last there raine commandment , for to set the ladies free ; with their jewels still ado●ned , none to do thein injury : alas then said the lady gay , full woe is me ! o let me still sustain this kind captivity . gallant captain shew some pitty to a lady in distress , leave me not within the city for to dye in heaviness , thou hast set this present day my body free : but my heart in prison strong , remains with thee . how should thou ( fair lady ) love me , whom thou know'st thy countries foe , thy fair words makes me sus●ect thee , serpents are where flowers grow : all the evil i think to thee , most gracious knight ; god grant unto my self the same may fully light . blessed be the time and season , that you came on spanish ground ; if you may our foes be termed , gentle foes we have you found : with our cities you have won , our hearts eath one ; then to your country bear away , that is your own . rest you still ( most gallant lady ) rest you still and weep no more ; of fair lovers there are plenty , spain doth yield a wondrous store : spaniards fraught with jealousse , we often find ; but english-men throughout the world are counted kind . leave me not unto a spaniard , you alone enjoy my heart ; i am lovely , young , and tender , love is likewise my desert : still to serve thee day and night , my mind is prest , the wife of every english-man is counted blest . it would be a shame , fair lady , for to hear a woman hence , english souldiers never carry and such without offence . i will quickly change my self , if it be so ; and like a page i 'le follow thee , where e're thou go . i have neither gold nor silver , to maintain thee in this case , and to travel 't is great charges , as you know in every place . my chains and jewels every one , shall be thine own ; and eke five hundred pounds in gold , that lies unknown . on the seas are many dangers , many storms doth there arise ; which will be to ladies dreadful , and force tears from watry eyes : well in worth , i could endure extremity ; for i could find in heart to lose my life for the● . courteous lady be contented , here comes all that breeds the ●●rise ; i in england have already , a sweet woman to my wife : i will not falsifie my vow , for gold or gain , nor yet for all the fairest dames , that live in spain . o how happy is that woman that enjoys so true a friend ; many days of joy god send you , and of my suit i 'le make an end : upon my knees i pardon crave , for this offence ; which love and true affection , did first commence . commend me to thy loving lady , bear to her this chain of gold , and these bracelets for a token , grieving that i was so hold : all my jewels in like sort , bear thou with thee , for these are fitting for thy wife , and not for me . i will spend my days in prayer , love and all her laws defies ; in a nunnery will i shrew me , far from other company : but e're my prayers h●●e 〈◊〉 and , be sure of this ▪ to pray for thee and for thy love , i will not miss . thus farewel gentle captain , and farewel my hearts concent , count not spanish ladies wanton , though to thee my love was bent : joy and true prosperity , go still with thee ; the like fall ever to thy share , most fair lady . 9. a farewel to love. farewel false love , the oracle of lies , a mortal foe , an enemy to rest , an envious boy , from whence great cares arise , a bastard vile , a beast with age possest : a way for errour , a tempest full of treason , in all respects contrary unto reason . a poysoned serpent cover'd all with flowers , mother of sighs , and murtherers of repose ; a sea of sorrows , whence run all such showers : as moisture gives to every grie●● that grows : a school of guile , a nest of deep deceit : a golden hook that holds a poysoned 〈◊〉 a fortress field , whom reason did defend , a syrens song , a server of the mind ; a maze wherein affections find no end , a raining cloud , that runs before the wind : a substance like the shaddow of the sun , a cole of grief , for which the wisest run : a quenchless fire , a rest of trembling fear , a path that leads to peril and mishap , a true retread of sorrow and despair , an idle boy , that sleeps in pleasures lap : a deep mistrust of that which certain seems , a hope of that which reason doubtful deems . then sith thy reign my younger years betray'd , and for my faith , ingratitude i find ; and such repentance hath the wrong bewray'd , whose crooked cause hath not been after kind : false love go back , and beauty frail adieu , dead is the root from which such fancies grew . finis . the lover by his gifts thinks to conquer chastity and with his gifts sends these verses to his lady . what face so fair , that is not crackt with gold ? what wit so worth that hath in gold his wonder ? what learning but with golden lines doth hold ? what state so high , but gold could lying it under , what thought so sweet , but gold doth better seafo● , and what rule better then the golden reason ? the ground was fat that yields the golden fruit the study high that sets the golden state : the labour sweet that gets the golden suit : the reckoning rich that scorns the golden rate : the love is sure that golden hoxe doth hold , and rich again , that serves the god of gold. finis . the womans answer . foul is the face whose beauty gold can raft , worthless the wit that hath gold in her wonder ; unlearned lines , puts gold in honours place , wicked the state that will to coin come under : base the conceit that seasoned is with gold , and beggers rule that such a reason hold . earth gives the gold , but heaven gives greater grace , men study wealth , but angels wisdom raise ; labour seeks peace , love hath an higher place , death makes the reckoning , life is all my race : the hope is here , my hope of heaven doth hald , god give me grace , let dives dye with gold . finis . the true lovers tragedy: being an incomparable ballad of a gentleman and his lady, that both killed themselves for love, under the disguised names of philander and phillis, phillis philanders scattered garments finds, and thinks him slain, for which with fate she joyns, and with her fatal poiard striketh deep, as life no longer can it's station keep, the crimson streams so fast flowd from her veins, yet dying, of her loves dear loss complains: no sooner death had closed up her starry eyes, but her return'd philander her espyes; and finding that for him she lost her breath, he kills himself, and crowns his love with death. to the tune of, ah cruel bloody fate. lee, nathaniel, 1653?-1692. 1680-1682? approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04310 wing l885 interim tract supplement guide ebb65h[120] 99887326 ocm99887326 182037 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04310) transcribed from: (early english books online ; image set 182037) images scanned from microfilm: (early english books; tract supplement ; a2:4[120]) the true lovers tragedy: being an incomparable ballad of a gentleman and his lady, that both killed themselves for love, under the disguised names of philander and phillis, phillis philanders scattered garments finds, and thinks him slain, for which with fate she joyns, and with her fatal poiard striketh deep, as life no longer can it's station keep, the crimson streams so fast flowd from her veins, yet dying, of her loves dear loss complains: no sooner death had closed up her starry eyes, but her return'd philander her espyes; and finding that for him she lost her breath, he kills himself, and crowns his love with death. to the tune of, ah cruel bloody fate. lee, nathaniel, 1653?-1692. 1 sheet ([1] p.) : ill. (woodcuts). printed for p[hilip]. brooksby, at the golden ball, near west-smithfield., [london] : [between 1680-1682] verse: "ah cruel bloody fate ..." author, date, place of publication and publisher's name suggested by wing. reproduction of original in the harvard university, houghton library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 john pas sampled and proofread 2008-10 john pas text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the true lovers tragedy : being an incomparable ballad of a gentleman and his lady , that both killed themselvels for love , under the disguised names of philander and phillis . phillis philanders scattered garments finds , and thinks him slain , for which with fate she joyns , and with her fatal poniard striketh deep , as life no longer can it's station keep , the crimsoe streams so fast flowd from her veins , yet dying , of her loves dear loss complains : no sooner death had closed up her starry eyes , but her return'd philander her espyes ; and finding that for him she lost her breath , he kills himself , and crowns his love with death . to the tune of , ab cruel bloody fate . ah cruel bloody fate , what canst thou now do more ? alas 't is now too late , philander to restore ; why shou'd the heavenly powers pedswade , poor mortals to believe , that they guard us here , and reward us there , yet all our joys deceive . her ponyard then she took , and held it in her hand , then with a dying look , cry'd thus i fate command : philander ! ah my love i come , to meet the shade below ; ah! i come she cry'd , with a wound so wide , there needs no second blow . then purple waves of blood , ran streaming down the floor , vnmov'd she saw the flood , and bless'd her dying hour : philander , and philander still , the bleeding phillis cry'd , she wept a while , and forc'd a smile , then clos'd her eyes and dy'd . vpon the blushing ground , stain'd with her virgin blood , she lay in deaths deep swound , close by the murmering flood : which for the lovely phillis sake , complan'd of cruel late , which had caus'd such care , as had wrought despair , i weep it to relate . when loe philander came , with joy to seek his love , and her dear promise claim , while moan-beams from above , did twincle through the thickest shade , and guild the flowry plain , when he espys , and ah phillis cries ( not thinking she was slain ) arise , arise from earth , shake off this dull repose , phillis my only mirth , to thee philander bows , sooner i would have come to thee , had not a lyon staid , my course to fight , for which exploit , he lifeless now is made . ah me what 's this ! she 's cold , ye gods quite breathless too , o death durst thou infold , this beauties not thy due : alas ? o cruel fate he cry'd , by her own hand 't is well oh the fatal blow , that did overthrow , by heavens for me she fell . behold my garments dy'd in phillis precious blood , which falling from my side , made her suppose me dead : and therefore fell for love of me , ah cruel destiny . and shall philander live to wander , no by the powers i 'le dye ? i come my phillis now , prepare , for in thy arms , i will perform my vow , a sleep like death now charms : these ciprus wreaths our crowns shall be we 'l triumph over death , from thy fair lip , i 'le nectar sip , then with my latest breath . with that his fatal sword , he plunged in his breast , and sigh'd with dying words , oh now i am at rest , now phillis now for ever mine , fate now no more shall part , then through the wound , life passage found , and left the lovers heart . finis . printed for p. brooksby , at the golden ball , near west-smithfield . loves paradice. shewing the admirable felicity that true-lovers enjoy in the chaste imbraces of their dearest loves, as this following example doth declare. to the tune of frances phoenix. / by j. p. j. p. 1663 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04911 wing p55a estc r181372 47012562 ocm 47012562 174529 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04911) transcribed from: (early english books online ; image set 174529) images scanned from microfilm: (early english books, 1641-1700 ; 2691:14) loves paradice. shewing the admirable felicity that true-lovers enjoy in the chaste imbraces of their dearest loves, as this following example doth declare. to the tune of frances phoenix. / by j. p. j. p. 1 sheet ([1] p.) : ill. printed for w. kendrick ..., london, : [1663] date of publication taken from wing (2nd ed.) contains 3 illustrations. right half sheet contains: the second part, to the same tune. reproduction of original in: university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion loves paradice . shewing the admirable felicity that true-lovers enjoy in the chaste imbraces of their dearest loves , as this following example doth declare . to the tune of fancies phoenix by j. p. all in a pleasant shady grove as i was passing time away , i chanc'd to see the god of love with bow and quiver , sport and play ; at randome he did shoot his darts to wound poor lovers tender hearts . but passing forward in a trice , i came to true-loves paradice . with admiration i beheld the beauty of so swéet a place , all earthly pleasures it doth yeild to them which do true love embrace , for all delights no place so rare with this elysium may compare . then lovers all take my advice , and hasten to loves paradice . the arbours stand in rich array , and gloriously appear in sight . bedeck'd with flowers and garlands gay , with roses , damask , red and white , the murmuring springs do make a noyse for to compleat true lovers joyes ; then lovers all take my advice , and hasten to loves paradice . to sée the lovers arme in arme , how they together walke and prate , frée from all danger , dread and harme , each one enjoyes his loving mate , o happy thrice , dear souls they be alwaies in such swéet company ; then lovers all take my advice , and hasten to loves paradice . their chaste embraces are so swéet , and all their actions innocent when ever their swéet lips do meet a message to the heart is sent , to stir affection chaste and pure , which shall perpetually endure , then lovers all take my advice , and hasten to loves paradice . their joyes abounded more and more to hear the birds so swéetly sing , i never heard the like before , they made the grove with ecchoes ring , thrice happy they , that have their choice of this , or that mellodious voyce ; then lovers all take my advice , and hasten to loves paradice . the second part , to the same tune , i sate mée on a flowry hill , near to an arbour fresh and green , where fair lucina mourn'd her fill , thinking she was not heard , nor seen , 't was for the absence of her dear that she did thus lament and fear . then lovers all take my advice , and hasten to loves paradice . shall i lament and mourn alone , whilst other lovers do rejoyce , o whither is my true-love gone that i cannot hear his sweet voyce , it would revive my love-sick-heart , and force all sorrows to depart ; then lovers all take my advice , and hasten to loves paradice . some strange disaster doth detain , my dearest love from mee this time , i 'm sure he constant will remain , his love is fix'd and so is mine , o why do i thus pine away since long from mee he cannot stay ? then lovers all take my advice , and hasten to loves paradice . it griev'd my heart , her plaint to hear how she did sigh and make her moan , at length her lover did appear , then all her grief was fled and gone , with great delight they did embrace when they beheld each others face ; then lovers all take my advice , and hasten to loves paradice . dear heart quoth he , i have conceal'd my self a while to hear thy plaint , but since thy love thou hast reveal'd i 'le n'ere adore another saint , take hand and heart , and all that 's mine , for thou mayest freely call mee thine ; then lovers all take my advice , and hasten to loves paradice . when they had joyn'd two hearts in one , with true affection in each breast , they could no longer stay alone , but walked out amongst the rest with hand in hand 't was rare to see , how mutually they all agree ; then lovers all take my advice , and hasten to loves paradice . in pleasures rare they passe the time , in choice delights and harmelesse sport , the summer it was in the prime , when as these lovers did resort , the warbling quire their sences chear'd enough to ravish all that heard ; then lovers all take my advice , and hasten to loves paradice . how happy are those lovers true , that do enjoy such perfect blisse , he that loves paradice will view , may taste of such delight as this , but he that doth unconstant prove . shall never know the sweets of love ; then lovers all take my advice , and hasten to loves paradice . finis . london , printed for w. kendrick at the black-spread eagle and sun in the old-bayly . strange histories, or, songs and sonnets, of kinges, princes, dukes, lords, ladyes, knights, and gentlemen and of certaine ladyes that were shepheards on salisburie plaine : very pleasant either to be read or songe, and a most excellent warning for all estates / by thomas delone. deloney, thomas, 1543?-1600. 1612 approx. 110 kb of xml-encoded text transcribed from 49 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2007-01 (eebo-tcp phase 1). a20133 stc 6568 estc s1079 20050353 ocm 20050353 23624 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a20133) transcribed from: (early english books online ; image set 23624) images scanned from microfilm: (early english books, 1475-1640 ; 1727:10) strange histories, or, songs and sonnets, of kinges, princes, dukes, lords, ladyes, knights, and gentlemen and of certaine ladyes that were shepheards on salisburie plaine : very pleasant either to be read or songe, and a most excellent warning for all estates / by thomas delone. deloney, thomas, 1543?-1600. [94] p. printed by r.b. for w. barley, and are to be sold at his shoppe ouer against cree-church neere all-gate, at london : 1612. in verse, without music. signatures: a-m⁴ (last leaf blank). "omits the new material in stc 6567 and adds 12 more songs, 3 of which (fair rosamund, king edgar, king edward iii) are reprinted from a lost ed. of stc 6553.5"--stc (2nd ed.). reproduction of original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english. 2006-01 tcp assigned for keying and markup 2006-05 spi global keyed and coded from proquest page images 2006-08 judith siefring sampled and proofread 2006-08 judith siefring text and markup reviewed and edited 2006-09 pfs batch review (qc) and xml conversion strange histories or , songs and sonnets , of kinges princes , dukes , lords , ladyes , knights , and gentlemen : and of certaine ladyes that were shepheards on salisburie plaine . very pleasant either to be read or songe , and a most excellent warning for all estates . by thomas delone . haud curo inuidiam . at london printed by r. b. for w. barley . and are to be sold at his shoppe ouer against cree-church neere all-gate . 1612. the table cant 1. a mournefull dittie on the death of faire rosamond , king henrie the seconds concubine . cant 2. the kentish-men with long tayles . cant 3. of king henrie the first , and his children . cant 4. the dutchesse of suffolkes calamitie . cant 5. king edward the second crowning his sonne king of england . cant 6. the imprisonment of queene elinor . cant 7. the death of king iohn poysoned by a frier . cant 8. the imprisonment of king edward the second . cant 9. the murthering of king edward the second , being kild with a hot burning spit . cant 10. the lamentation of the lord matreuers , and sir thomas gurney , being banished the realme . cant 11. a new song of king edgar . cant 12. of king edward the third , and the countesse of salisburie . cant 13. the winning of the i le of man , by the earle of salisburie . cant. 14. the rebellion of watte tiler and iacke straw against king richard the second . cant 15. a dialogue betweene troylus and cressida . cant 16. a mayde in prayse of her loue. cant 17. a louer bewayling the absence of his loue. cant 18. a speech betweene ladyes being shepheards on salisburie plaine . a mournefull dittie on the death of faire rosamond , king henrie the seconds concubine . cant. 1. to the tune of flying fame . when as king henrie rul'd this land , the second of that name , ( besides the queene ) he dearly lou'd a faire and princely dame : most pearelesse was her beautie found , her fauour and her face : a sweeter creature in this world , did neuer prince imbrace . her crisped lockes , like threedes of gold , appear'd to each mans sight : her comely eyes like orient pearles , did cast a heauenly light : the bloud within her christall cheekes , did such a collour driue , as though the lilly and the rose , for maistership did striue . yea rosamond , faire rosamond , her name was called so . to whom dame elinor our queene , was knowne a cruell foe : the king therefore for her defence , against the furious queene , at woodstocke buylded such a bower , the like was neuer seene . most curiously that bower was buylt , of stone and timber strong : a hundered and fiftie doores , did to that bower belong : and they so cunningly contriu'd with turnning round about , that none but with a clew of threed , could enter in or out . and for his loue and ladyes sake that was so faire and bright , the keeping of this bower he gaue vnto a valiant knight . but fortune that doth often frowne , where she before did smile , the kings delight , the ladyes ioy . full soone she did beguile . for why , the kinges vngratious sonne , whome he did high aduance , against his father raysed warres , within the realme of france : but yet before our comely king the english land forsooke , of rosamond his lady faire , his fare well thus he tooke . my rosamond , my onely rose , that pleaseth best mine eye : the fairest rose in all the world , to feed my fantacie : the flower of my affected heart , whose sweetnesse doth excell my royall rose a hundred times , i bid thee now farewell . for i must leaue my fairest flower , my sweetest rose a space , and crosse the seas to famous france , proud rebels to abase : but yet my rose be sure thou shalt my comming shortly see . and in my heart while hence i am , i le beare my rose with mee . when rosamond , that lady bright , did heare the king say so , the sorrow of her greeued heart , her outward lookes did show and from her cleare and christall eyes , the teares gusht out apace , which like the siluer pearled dew , ran downe her comely face . her lips like to a corrall red , did wax both wan and pale , and for the sorrow she conceiu'd her vitall spirits did fayle , and falling downe all in a sound , before king henries face , full oft betweene his princely armes , her corpes he did imbrace . and twenty times with waterie eyes , he kist her tender cheeke , vntill she had receiued againe her senses milde and meeke . why grieues my rose my sweetest rose ? ( the king did euer say ) because ( quoth she ) to bloudy warres my lord must part away . but sith your grace in forraine coastes , among your foes vnkind , must go to hazard life and limme , why should i stay behind ? nay rather let me like a page your shield and target beare , that on my breast that blow may light , which should annoy you there . o let me in your royall tent , prepare your bed at night , and with sweete bathes refresh your grace , at your returne from fight , so i your presence may enioy , no toyle i must refuse : but wanting you my life is death , which doth true loue abuse . content thy selfe , my dearest friend , thy rest at home shall bee : in englands sweete and pleasant soyle , for trauaile fits not thee . faire ladyes brooke not bloudy warres , sweete peace their pleasures breede , the nourisher of hearts content , which fancie first doth feede . my rose shall rest in woodstocke bower , with musickes sweete delight , while i among the piercing pikes , against my foes do fight , my rose in robes and pearle of gold , with diamonds richly dight , shall daunce the galiards of my loue , while i my foes do smite . and you sir thomas whom i trust , to beare my loues defence , be carefull of my gallant rose , when i am parted hence : the flowers of my affected heart , whose sweetenesse doth excell , my royall rose a hundred times , i bid thee now farewell . and at their parting well they might , in heart be grieued sore , after that day faire rosamond the king did see no more : for when his grace did passe the seas and into france was gone , queene elinor with enuious heart , to woodstocke came anone . and foorth she cald this trustie knight , which kept the curious bower , who with his clew of twined threed , came from that famous flower . and whē that they had wounded him , the queene his threed did get , and went where lady rosamond was like an angell set . but when the queene with stedfast eye , beheld her heauenly face , she was amazed in her minde , at her exceeding grace . cast off from thee thy robes ( she said ) that rich and costly bee , and drink thou vp this deadly draught which i haue brought for thee , but presently vpon her knees , sweete rosamond did fall , and pardon of the queene she crau'd , for her offences all . take pittie on my youthfull yeares , ( faire rosamond did cry ) and let me not with poyson strong , inforced be to dye . i will renounce this sinfull life , and in a cloyster bide : or else be banisht , if you please , to range the world so wide , and for the fault which i haue done , though i was forst thereto : preserue my life and punnish me , as you thinke good to doe . and with these words her lilly hands , shee wrongfull often there : and downe along her louely cheekes , proceeded many a teare . but nothing could this furious queene , therewith apeased bee . the cup of deadly poyson fild , as she sat on her knee . shee gaue the comely dame to drinke , who tooke it in her hand and from her bended knee arose , and on her feete did stand : and casting vp her eyes to heauen , she did for mercie call , and drinking vp the poyson then , her life she lost withall . and when that death through euery lim , had done his greatest spight . her chiefest foes did plaine confesse , she was a glorious wight , her body then they did intombe , when life was fled away , at godstow , neere oxford towne , as may be seene this day . finis . the valiant courage and policie of the kentishmen with long tayles , whereby they kept their auncient lawes and customes which william the conquerour sought to take from them . cant. 2. to the tune of rogero . whhen as the duke of normandie , with glistring speare and shield , had entred into faire england , and told his foes in fielde : on christmas day , in soleme sort , then was he crowned heere , by albert archbishop of yorke , with many a noble peere , which being done he changed quite , the custome of the land . and punisht such as dayly sought , his statutes to withstand : and many citties he subdude : faire london with the rest : and kent did still withstand his force , which did his lawes detest . to douer then he tooke his way , the castle downe to fling , which aruiragus builded there , the noble brittaine king : which when the braue arch-bishop bold , of canterburie , knew , the abbot of s. austins eke , with all their gallant crew . they set themselues in armour bright , these mischiefes to preuent with all the yeomen braue and bold , that were in fruitfull kent . at canterburie they did meet , vpon a certaine day , with sword and speare , with bill and bow and stopt the conquerors way . let vs not liue like bond men poore , to frenchmen in their pride : but keepe our auncient libertie , what chaunce so ere betide : and rather die in bloudy fielde , in manlike courage prest , then to indure the seruile yoake , which we so much detest . thus did the kentish commons cry , vnto their leaders still : and so marcht foorth in warlike sorte , and stood at swanscombe hill . where in the woodes they hid themselues , vnder the shady greene : thereby to get them vantage good , of all their foes vnseene . and for the conquerors comming there , they priuily layde waite and thereby sodainely appald his loftie high conceite : for when they spyed his approach , in place as they did stand , then marched they to hemme him in , each one a bough in hand , so that vnto the conquerours sight , amazed as he stood . they seem'd to be a walking groue , or else a moouing wood. the shape of men he could not see , the boughes did hide them so : and now his heart with feare did quake , to see a forest goe . before , behinde , and on each side , as he did cast his eye : he spide these woodes with sober pace , approch to him full nye . but when the kentishmen had thus inclosed the conquerour round , most sodainely they drew their swords , and threw their boughs to grownd . their banners they displaide in spight , their trumpets sound a charge : their ratling drummes strike vp alarume , their troopes stretch out at large the conquerour with all his traine , were hereat sore a gast : and most in perill , when he thought all perill had beene past . vnto the kentishmen he sent , the cause to vnderstand . for what intent , and for what cause , they tooke this warre in hand ? to whom they made this short reply , for libertie we fight : and to enioy k. edwards lawes , the which we hold our right . then sayd the dreadfull conquerour , you shall haue what you will : your auncient customes and your lawes , so that you will be still : and each thing else that you will craue , with reason at my hand : so you will but acknowledge mee , chiefe king of faire england . the kentishmen agreed hereon , and layd their armes aside : and by this meanes , king edwards lawes , in kent , doth still abide : and in no place in england else , those customes doe remaine , which they by manly pollicie , did of duke william gaine . finis . how king henrie the first , had his children drowned in the sea , as they came out of france . cant. 3. to the tune of the ladyes daughter . after our royall king , had foyld his foes in france , and spent the pleasant spring , his honour to aduance : into faire england he return'd , with fame and victorie : what time the subiectes of this land , receiu'd him ioyfully . but at his home returne , his children left he still in france , for to soiorne , to purchase learned skill . duke william his brother deare , lord richard was his name , which was the earle of chester then , who thirsted after fame . the kings faire daughter eke , the lady mary bright . with diuers noble peeres : and many a hardy knight . all those were left togeather there , in pleasure and delight , when that our king to england came , after the bloudy fight . but when faire flora had , drawne foorth her treasure dry , that winter cold and sad , with hoarie head drew ny : those princes all with one consent , prepared all things meete , to passe the seas for faire england , whose sight to them was sweete . to england let vs hie , thus euery one did say , for christmas draweth me , no longer let vs stay : but spend the merry christmas time , within our fathers court : where lady pleasure doth attend , with many a princely sport . to sea those princes went , fullfilled with mirth and ioy : but this their merriment , did turne to deare annoy : the saylers and the shipmen all , through foule excesse of wine , were so disguis'de that at the sea , they shewd themselues like swine . the sterne no man could guide , the maister sleepeng lay : the saylers all beside , went reeling euery way : so that the ship at randome rode , vpon the foaming flood : whereby in perill of their liues , the princes alwaies stood . which made distilling teares from their faire eyes to fall : their hearts were fild with teares , no helpe they had at all : they wish themselues vpon the land a thousand times , and more : and at the last they came in sight of englands pleasant shore . then euery one began , to turne their sighes to smiles : their colours pale and wan , a chearefull looke exiles : the princly lordes most louingly , their ladyes did imbrace : for now in england shall we be , ( quoth they ) in little space . take comfort now , they sayd , behold the land at last ; then be no more dismayde , the worst is gone and past . but while they did this ioyfull hope , with comfort entertaine , the goodly ship vpon a rocke , on sunder burst in twaine . with that a greeuous shreeke among them there was made , and euery one did seeke on something to be stayde : but all in vaine such helpe they sought , the ship so soone did sinke , that in the sea they were constrain'd , to take their latest drinke . there might you see the lords , and ladyes , for to lie , amidst rhe salt sea foame , with many a grieuous crie : still labouring for their liues defence , with stretched armes abroade and lifting vp their little hands for helpe with one accord . but as good fortune would , the svveet young duke did get . into the cocke-boate then , where safely he did sit : but when he heard his sister cry , the kinges faire daughter deere , he turnd his boat to take her in , whose death did draw so neere , but while he stroue to take , his sweete young sister in , the rest such shift did make , in sea as they did swimme , that to the boat a number got , so many , as at last , the boat and all that were therein , were drowned and ouercast . of lordes and gentlemen , the ladyes faire offace : not one escaped then ? which was a heauie case . three-score and ten , were drownd in all and none escaped death , but one poore butcher , which had swome himselfe quite out of breath . this was most heauie newes , vnto our comely king ; who did all mirth refuse , this word when they did bring : for by this meanes no child he had , his kingdome to succeed ▪ whereby his sisters sonne was king , as you shall plainely read . the dutchesse of suffolkes calamitie . cant. 4. to the tune of queene dido . when god had taken ( for our sinne ) that prudent prince king edward away then bloudy bonner did begin his raging malice to be wray : all those that did the gospell professe , he persecuted more or lesse . thus when the lord on vs did lower , many in prison did he throw , tormenting them in lolards tower , whereby they might the trueth forgoe . then granmer , ridley , and the rest , were burnt in fire , that christ profest . smithfield was then with fagots fild , and many places more beside . at couentrie was sanders kild , at glocester eke good hooper dide : and to escape this bloudy day , beyond-seas many fled away . among the rest that sought reliefe , and for their fayth in danger stood , lady elizabeth was chiefe , king henries daughter of royall bloud which the tower prisoner did lie , looking each day when she should die . the dutches of suffolke seeing this , ( whose life likewise the tyrant sought , who in the hope of heauenly blisse , which in gods word her comfort wrought , for feare of death , was faine to flie , and leaue her house most secretly . that for the loue of christ alone , her landes and goods she left behind : seeking still for precious stone , the word of trueth , so rare to finde : she with her nurse , her husband , and child , in poore aray their sightes beguild . thus through london they past along , each one did passe a seuerall streete . thus all vnknowne , escaped wrong , at billings gate they all did meete : like pleople poore in graue send barge , they simply went with all their charge . and all along from grauesend towne , with easie iournies on foote they went , vnto the sea-coast they came downe , to passe the seas was their intent : and god prouided so that day , that they tooke ship and sayld away . and with a prosperous gale of winde , in flaunders safe they did ariue : this was to their great ease of minde , which from their heartes much woe did driue : and so ( with thankes to god on hie ) they tooke their way to germanie . thus as they traueild thus disguisde , vpon the high way sodainely , by cruell theeues they were surprisde , assaulting their poore company : and all their treasure and their store , they tooke away , and beate them sore . the nursse in middest of their fight , laid downe the childe vpon the ground , and ran away out of their sight , and neuer after that was found . then did the dutches make great mone with her good husband all alone . the theeues had there their horses kild , and all their mony quite had tooke : the prettie babie almost spild , was by their nurse likewise forsooke : and they far from their friends did stand , all succourlesse in a straunge land. the skies likewise began to schoule , it hayld and raind in pitteous sort ? the way was long , and wondrous foule then may i now full well report . their griefe and sorrow was not small , when this vnhappy chance did fall . sometime the dutchesse bore the child , as wet as euer she could be : and when the lady kind and mild was wearie , then the child bore he : and thus they one another eas'd , and with their fortunes were well pleas'd . and after many weary steppes , all wet-shod both in durt and myre , after much griefe , their harts yet leapes , for labour doth some rest require : a towne before them they did see . but lodg'd therein they could not bee . from house to house they both did goe , seeking where they that night might lie . but want of mony was their woe , and still the babe with cold did cry , with cap and knee they courtsie make , but none on them would pittie take , loe heere a princesse of great bloud did pray a peasant for reliefe , with teares bedeawed as she stood , yet few or none regards her griefe her speach they could not vnderstand , but gaue her a penny in her hand , when all in vaine the paines was spent , and that they could not house-rome get , into a church-porch then they went , to stand out of the raine and wet . then said the dutchesse to her deere , oh that we had some fire heere . then did her husband so prouide , that fire and coales he got with speed : she sat downe by the fiers side , to dresse her daughter that had need : and while she drest it in her lap , her husband made the infant pap. a non the sexton thither came , and finding them there by the fire , the drunken knaue all voyd of shame , to driue them out was his desire : and spurning foorth this noble dame , her husbands wrath it did inflame . and all in furie as he stood , he wrong the keyes out of his hand , and stroke him so , that all of bloud his head ran downe where he did stand : therefore the sexton presently , for helpe and ayde aloude did cry . then came the officers in haste , and tooke the dutchesse and her childe , and with her husband thus they past , like lambes beset with tygers wilde : and to the gouernour were they brought , who vnderstood them not in ought . then maister bartue braue and bold , in latine made a gallant speech , which all their miserie did vnfold , and their high fauour did beseech : with that a doctor sitting by , did know the dutchesse presently . and thereupon arising straight , with minde abashed at this sight , vnto them all that there did waight , he thus brake foorth in wordes aright behold within your sight ( quoth hee ) a princesse of most high degree . with that , the gouernour and the rest , were all amaz'd the same to heare : and welcommed their new-come gueste , with reuerence great , and princely cheare : and afterward conueyd they were vnto their friend , prince cassemeer . a sonne she had in germanie , peregrine bartue cal'd by name : surnam'd the good lord willughbie , of courage great and worthie fame : her daughter young , which with her went , was afterward countesse of kent . for when queene mary was deceast , the dutchesse home return'd againe : who was of sorrow quite releast by queene elizabeths happy raigne for whose life and prosperitie : we may prayse god continually . finis . how king henrie the second crowning his sonne king of england in his owne life time , and was by him most grieuously vexed with warres . cant 5. to the tune of wigmores galliard . you parents whose affection fond , vnto your children doth appeare : marke well the storie now in hand , wherein you shall great matters heare , and learne by this which shall be told , to hold your children still in awe , least otherwise they prooue too bold , and set not by your state a strawe . king henrie , second of that name , for very loue that he did beare vnto his sonne , whose courteous fame did through the land his credite reare : did call the prince vpon a day , vnto the court in royall sort : attyred in most rich array , and there he made him princely sport , and afterward he tooke in hand , for feare he should deceiued be , to crowne him king of faire england , while life possest his maiestie . what time , the king in humble sort , like to a subiect waighted then vpon his sonne , and by report swore vnto him , his noble-men . and by this meanes in england now two kinges at once together liue : but lordly rule will not allow in partnership their dayes to driue . the sonne therefore ambitiously . doth seeke to pull his father downe , by bloudy warre and subtiltie , to take from him his princely crowne . sith i am king ( thus did he say ) why should i not both rule and raigne . my heart disdaines for to obey , yea all or nothing , will i gaine . hereon he rayseth armies great , and drawes a number to his part : his fathers force downe right to beate , and with his speare to pierce his heart in seauen set battles did he fight against his louing father deare : to ouerthrow him in despight to win himselfe a kingdome cleare : but nought at all could he preuaile , his armies alwayes had the worst : such griefe did then his heart assaile , he thought himselfe of god accurst . and therefore falling wondrous sicke , he humbly to his father sent : the worme of conscience did him pricke , and his vile deedes he did lament : requiring that his noble grace , would now forgiue all that was past : and come to him , in heauie case , being at poynt to breath his last : when this word came vnto our king , the newes did make him wondrous woe and vnto him he sent his ring , where he in parson would not goe . commend me to my sonne , he sayd , so sicke in bed as he doth lie : and tell him , i am well appaide , to heare he doth for mercie crie . the lord forgiue his foule offence , and i forgiue them all , quoth he , his euill , with good , i le recompence , beare him this message now from me when that the prince did see the ring he kissed it in ioyfull wise , and for his faultes his hands did wring while bitter teares gusht from his eyes and to his lords that stood him nie , with feeble voyce then did he call , desiring them immediatly to strip him from his garments all : take off from me these robes so rich , and lap me in a cloth of haire : quoth he , my grieuous sinnes are such , hell fiers flame . i greatly feare . a hempton halter then he tooke , about his necke he put the same : and with a grieuous pittious looke , this speech vnto them he did frame , you reuerend bishops more and lesse , pray for my soule to god on hie : for like a thiefe ( i doe confesse ) i haue deserued for to die . and therefore by this halter heere , i yeeld my selfe vnto you all : a wretch vnworthy to appeare before my god celestiall : wherefore within your hempton bed , all strew'd with ashes as it is , let me be lay'd when i am dead , and draw me there vnto by this . yea by this halter strong and tough , dragge foorth my carkas to the same : yet is that couche not bad enough for my vile body wrapt in shame : and when you see me lye along , be powdered in ashes there , say there is he that did such wrong vnto his father euery where . and with that word , he breath'd his last wherefore according to his minde , they drew him by the necke full fast , vnto the place by him assign'd : and afterward in solemne sort , at roan in fraunce buried was he , where many princes did resort , to his most royall obsequie . finis . the imprisonment of queene elinor , wife to king henrie the second , by whose meanes the king sonnes so vnnaturally rebelled against their father , & of her lamentation , being xvi . yeares in prison , whom her sonne richard when he came to be king , released : and how at her deliuerance , she caused many prisoners to be set at libertie . cant. 6. to the tune of come liue with me , &c. thrice woe is me vnhappy queene , thus to offend my princely lord : my foule offence to plaine is seene , and of good people most abhord : i doe confesse my fault it was , these bloudy warres came thus to passe . my iealous minde hath wrought my woe , let all good ladyes shun mistrust : my enuie wrought my ouerthrow , and by my mallice most vniust , my sonnes did seeke their fathers life , by bloudy warres and cruell strife . what more vnkindnesse could be showne , to any prince of high renowne , then by his queene and loue alone , to stand in danger of his crowne : for this offence most worthily , in dolefull prison doe i lie . but that which most tormentes my mind , and makes my grieuous heart complaine is for to thinke that most vnkind , i brought my selfe in such disdaine , that now the king cannot abide i should be lodged by his side . in dolefull prison i am cast , debard of princely companie : the kings good will quite haue i lost , and purchast nought but imfamie : and neuer must i see him more , whose absence grieues my heart full sore . full fifteene winters haue i beene , imprisoned in the dungion deepe , whereby my ioyes are wasted cleane , where my poore eyes haue learn'd to weepe , and neuer since i could attaine , his kingly loue to me againe . too much in deed ( i must confesse ) i did abuse his royall grace , and by my great malitiousnesse , his wrong i wrought in euey place : and thus his loue i turn'd to hate , which i repent , but all too late . sweete rosamond that was so faire , out of her curious bower i brought , a poysoned cup i gaue her there , whereby her death was quickly wrought , the which i did with all despight , because she was the kings delight , thus often did the queene lament and she in prison long did lie , her former deedes she did repent , with many a watery weeping eye : but at the last this newes was spread , the king was on a sodaine dead . but when she heard this tydinges told , most bitterly she mourned then : her wofull heart she did vnfold , in sight of many noble men . and her sonne richard being king , from dolefull prison did her bring . who set her for to rule the land , while to ierusalem he went : and while she had this charge in hand , her care was great in gouernment : and many a prisoner then in hold , she set at large from yrons cold . the lamentable death of king iohn , how he was poysoned in the abby of swinested , by a frier . cant. 7. to the tune of fortune . a trecherous deed foorth-with i shall you tell , which on king iohn on a sodaine fell : to lincoln-shire proceeding on his way , at swinsted abbey one whole night he lay . there did the king appose his wellcome good , but much deceipt lies vnder an abbots hood . there did the king himselfe in safety thinke , but there the king receiued his latest drinke . great cheare they made vnto his royall grace , while he remaind a guest within that place : but while they smilde and laughed in his sight , they wrought great treason shadowed with delight a flat fact monke comes with a glosing tale , to giue the king a cup of spiced ale a deadlier drought was neuer offered man : yet this false monke vnto the king began . which when the king ( without mistrust ) did see , he tooke the cup of him most couragiously : but while he held the poysoned cupe in hand , our noble king amazed much did stand . for casting downe by chance his princely eyes , on pretious iewels which he had full nye : he saw the culloure of each pretious stone , most strangely turne , and alter one by one . their orient brightnesse , to a pale dead hue , were changed quite , the cause no person knew : and such a sweate did ouer spread them all , and stood like dew which on faire flowers fall . and hereby was their pretious natures tride , for pretious-stones foule poyson cannot bide , but through our king beheld their colour pale , mistrusted not the poyson in the ale. for why , the monke the taste before him tooke , ( nor knew the king how ill he did it brooke ) and therefore he a harty draught did take , which of his life a quicke dispatch did make . th' infectious drinke fumde vp into his head , and throught the veines in the heart it spread : distempering the pure vnspotted braine , that doth in man his memorie maintaine . then felt the king an extreame griefe to grow , through all his intrails , being infected so : whereby he knew through anguish which he felt the monke with him most traiterously had delt . the grones he gaue did make all men to wonder ' he cast as if his heart would burst in sunder : and still he cald , while he thereon did thinke , for the false monk which brought y e deadly drinke . and then his lords went searching round about . in euery place to find the traytor out : at length they found him dead as any stone , within a corner lying all alone . for hauing tasted of that poysoned cup , whereof our king the residue drunke vp : the enuious monke himselfe to death did bring , that he thereby might kill our royall king , but when the king with ( wonder ) heard them tell , the monkes body did with poyson swell : why then my lords , full quickly now ( quoth he ) a breatlesse king you shall among you see . behold he said , my vaines in peeces cracke : a grieuous torment feele i in my backe : and by this poyson deadly and accurst , i feele my heart stringes ready for to burst . with that his eyes did turne within his head : a pale dead coulour through his face did spread : and lying gasping with a colde faint breath , the royall king was ouercome by death . his mournfull lords wich stood about him then , with all their force and troups of warlike men , to worcester the corpes they did conuey : with drum and trumpet marching all the way . and in the faire cathedrall chuch i finde , they buried him according to their minde : most pompeously best fitting for a king , who were applauded greatly for this thing . the cruell imprisonment of king edward the second , at the castle of barkeley the 22. of september . 1327. cant. 8. to the tune of , labandela shot . when isabell faire englands queene in wofull warres had victorious beene : our comely king , her husband deare , subdued by strength as did appeare , by her was sent to prison strong , for hauing done his crountry wrong , in barkeley castle cast was he , denyed of royall dignitie : where he was kept in wofull wise , his queene did him so much despise . there did he liue in vvofull state , such is a womans deadly hate ; vvhen fickle fancie follovves change , and lustfull thoughts delight to range , lord mortimer was so in minde , the kinges sweete loue was left behinde : and none vvas knovvne a greater foe , vnto king edvvard in his woe , then isabell his crowned queene , as by the sequell shall be seene . while he in prison poorely lay , a parliament was held straight way : what time his foes apeace did bring billes of complaint against the king , so that the nobles of the land , vvhen they the matter throughtly scand , pronounced them these speeches plaine , he was vnworthy for to raigne , therefore they made a flat decree he should foorthwith desposed be . and his sonne edward young of yeares was iudged by the noble peeres most meete to weare the princely crowne , his father being thus puld downe . which words when as the queene did heare , ( dissemblingly , as did appeare ) she wept , she waild , and wrong her hands , before the lords whereas she stands , which when the prince her sonne did see , he spake these words most curteously . my sweete queene mother weepe not so , thinke not your sonne will seeke your woe : though english lords choose me their king , my owne deare father yet liuing : thinke not thereto i will consent , except my father be content , and with good will his crowne resigne and graunt it freely to be mine : wherefore queene mother thinke no ill in mee , or them , for their good will. then diuers lordes without delay , went to the king whereas he lay , declaring how the matter stood , and how the peeres did thinke it good to choose his sonne , their king to be , if that he would thereto agree : for to resigne the princely crowne , and all the title of renowne : if otherwise , they told him plaine , a stranger should the same attaine . this dolefull tidinges ( most vnkind ) did sore afflict king edvvards minde , but vvhen he savv no remedie , he did vnto their vvilles agree : and bitterly he did lament , saying the lord this plague hath sent , for his offence and vanitie , which he would suffer patiently : beseeching all the lords , at last . for to forgiue him all was past , when thus he was depriued quite , of that which was his lawfull right in prison was he kept full close , without all pittie or remorce : and those that shewd him fauour still , were taken from him with ill will which when the earle of kent did heare , who was in bloud to him full neere , he did intreat most earnestly for his release and libertie . his wordes did much the queene displease , who sayd he liu'd too much at ease , vnto the bishop she did goe , of hereford , his deadly foe , and cruell letters made him write vnto his keepers with despight , you are to kind to him quoth she . hence foorth more straighter looke you be : and in their wrighting subtilly , they sent them word that he should die . the lord matreuers all dismayd , vnto sir thomas gurney said , the queene is much displeas'd quoth hee , for edwards too much liberty : and by her letters doth bewray , that soone hest all be made away . t is best ( sir thomas then replide ) the queenes wish should not be denide : whereby we shall haue her good will , and keepe our selues in credite still . how the king was poysoned , and yet hee escaped : and afterward how when they saw thereby he was not dispatched of life they locked him in a most noysome filthy place , that with the stincke thereof he might be choaked : and when that preuailed not , how they thrust a hotte burning spitte into his fundament till they had burnt his bowels within his body , whereof he dyed . cant. 9. to the tune of , how can the tree . the kings curst keepers ayming at reward , hoping for fauour of the furiours queene , on wretched edward had they no regard . far from their hearts was mercy mooued cleene , wherefore they mingle poyson with his meate , which made the man most fearefull for to eate . for by the state he often times suspected , the venome couched in a daintie dish : yet his faire body was full sore infected , so ill they spiced both his flesh and fish , but his strong nature all their craft beguiles , the poyson breaking forth in blaines and biles . an vgly scabbe ore-spreads his lilly skinne , foule botches breake vpon his manly face , thus sore without , and sorrowfull within , the dispis'd man doth liue in wofull case , like to a lazer did he then abide , that shewes his sores a long the high waies side . but when this practise proou'd not to their minde and that they saw he liu'd in their despight : an other damnd , deuice then did they finde , by stinking sauours for to choake him quite : in an odde corner did they locke him fast , hard by the which , their carrion they did cast . the stinck whereof might be compar'd wel-nie , to that foule lake where cursed sodome stood , that poysoned birdes which ouer it did flie , euen by the sauour of that filthy mudde : euen so the smell of that corrupted den , was able for to choake ten thousand men . but all in vaine , it would not doe ( god wot ) his good complexion still droue out the same : like to the boyling of a seething pot , that castes the scamme into the fiery flame , thus still he liu'd , and liuing still they sought , his death , whose downefall was already wrought . lothing his life , at last his keepers came , into his chamber in the dead of night , and without noyse , they entred soone the same , with weapons drawne , & torches burning bright , where the poore prisoner fast a sleepe in bed , lay on his belly , nothing vnder 's head . the which aduantage , when the murderers saw , a heauie table on him they did throw , wherewith awakt his breath he scant could drawe with vvaight thereof they kept him vnder so , and turning vp the cloathes aboue his hips , to hold his legges a couple quickly skips . then came the murtherers one a horne had got , which far into his fundament downe he thrust , an other with a spit all burning hot , the same quite through the horne he strongly pusht among his intrailes in most cruell wise , forcing heereby most lamentable cryes . and vvhile vvithin his body they did keepe , the burning spit still rovvling vp and dovvne , most mournefull the murthered man did vveepe . vvhose vvailefull noise vvakt many in the tovvne who gessing by his cries , his death drevv neere , tooke great compassion on the noble peere . and at vvhich bitter screeke vvhich did make , they praid to god for to receiue his soule : his ghastly grones inforst their hearts to ake , yet none durst goe cause the bell to towle . ha mee poore man , alacke , alacke he cryed , and long it was before the time he dyed . strong was his heart , and long it was god knowes , ere it would stoope vnto the stroke of death : first was it wounded with a thousand woes , before he did resigne his vitall breath : and beeing murdred thus as you do heare , no outward hurt vpon him did appeare . this cruell murder being brought to passe the lord matreuers to the court did hie : to shew the queene her will performed was . great recompence he thought to get thereby , but when the queene the sequell vnderstands , disembling she weepes and wrings her hands . accursed traytor , hast thou slaine ( quoth she ) my noble wedded lord in such a sort , shame and confusion euer light on thee , oh how i greeue to heere this vile report : hence cursed catiue from my sight ( she said ) that hath of mea wofull widdow made . then all a basht , matreuers goes his way , the saddest man that euer life did beare : and to sir thomas gurney did bewray , what bitter speech the queene did giue him there then did the queene outlaw them both together , and banisht them faire englands bounds for euer . thus the dissembling queene did seeke to hide , the heynous act by her owne meanes effected : the knowledge of the deed she still denide , that she of murder might not be suspected : but yet for all the subtilty she wrought . the trueth vnto the world was after brought . finis . the dolefull lamentation of the lord matreuers , and sir thomas gurney , being banished the realme . cant 9. to the tune of light of loue . alas that euer that day we did see , that false smiling fortune so ficke should be , our miseries are many , our woes without end : to purchase vs fauour we both did offend : our deedes haue deserued both sorrow and shame , but woe worth the persons procured the same , alacke , and alacke , with griefe may vve cry , that euer vve forced king edvvard to dye . the bishop of hereford , ill may he fare , he vvrot vs a letter rare to kill princely edvvard : feare not it is good , thus much by his letter vve then vnderstood , but curst be the time that we tooke it in hand , to follow such councell and wicked commaund , alacke and alacke , with griefe we may crye , that euer we forced king edward to dye , forgiue vs sweete sauiour tha● damnable deed , which causeth with sorrow our harts for to bleed and take compassion vpon our distresse , put farre from thy presence our great wickednes with teares all bedewed for mercy we cry , and do not the penitent mercy deny . alacke , and alacke , with griefe we may say , that euer we made king edward away . for this haue we lost our goods and our land , our castles and towers so stately that stand : our ladies and babies are turn'd out of doore , like comfortlesse caitiues both naked and poore , both friendlesse and fatherlesse do they complaine , for gone are their comforts that should them maintaine alacke , and alacke and alas may we cry , that euer we forced king edward to dye . & while they go wringing their hands vp & downe : in seeking for succour from towne to towne all wrapped in wretchednesse do we remaine , tormented , perplexed in dolour and paine ▪ despised , disdained and banished quite , the coaste of our country so sweete to our sight , alacke , and alacke alas may we cry , that euer we forced king edward to die . thē farevvell faire england vvherein vve vvere borne our friends & our kindred vvill hold vs in scorne , our honours and dignities quite haue vve lost , both profit and pleasuere , our fortune hath crost , our parkes and our chases our mansions so faire our iems and our ievxels most precious and rare , alacke , and alacke , and alas may vve cry , that euer vve forced king edvvard to die . then farevvell deere ladyes and most louing vviues might vve mend your miseries vvith losse of our liues then our silly children vvhich begs at your hand in griefe and callamities long should not stand : nor yet in their country despised should bee , that lately was honored of euery degree , alacke , and alacke , and alas we may crie . that euer we forced king edward to die . in countries vnknowne we range too and fro , cloying mens eares with report of our vvoe ▪ our food is vvild berries , greene banks are our beds , the trees serue for houses to couer our heads , brovvne bread to our tast is dainty and svveete , our drinke is cold vvater tooke vp at our feete : alacke , and alacke , and alas vve may crie . that euer vve forced king edvvard to die . thus hauing long vvandred in hunger and cold , despising liues safety most desperate and bould : sir t. gurney tovvard england doth goe , for loue of his lady distressed vvith vvoe , saying how happy and blessed were i , to see my sweet children and wife ere i die : alacke , and alacke and alas we may cry , that euer we forced king edward to die . but three yeares after his wofull exile , behold how false fortune his thoughts doth beguile comming toward england , was tooke by the way and least that he should the chiefe murderers bewray commaundement was sent by one called lea. he should be beheaded foorthwith on the sea , alacke , and alacke , and alas did he crie , that euer we forced king edward to die , thus was sir thomas dispatched of life , in comming to visit his sorrowfull wife : who was cut off from his wished desire , which he in his heart so much did require : and neuer his lady againe did he see , nor his poore children in their misery , alacke , and alacke , and alas did he cry , that euer we forced king edward to dye . the lord matreuers ( the story doth tell ) in germany after long time did he dvvell , in secret manner for feare to be seene , by any persons that fauoured the queene : and there at last in great misery , he ended his life most penitently , alacke , and alacke , and alas did he say , that euer vve made king edvvard avvay . finis . the second part of strange histories , or songs and sonnets . a new song of king eegar of england , how he was depriued of a lady which he loued by a knight of his court. cant 10. to be sung in the old ancient sort : or else to the tune of labandalashot . when as king edgar did gouerne this land , a downe , downe , downe , downe downe , and in the strength of his yeares did stand , call him a downe a. much praise was spread of a gallant dame , which did through england carry fame , and she is a lady of high degree , the earle of deuonshires daughter was she . the king which lately had buried the queene , and that long time had a widdower beene , hearing the praise of that gallant maide , vpon her beauty his loue he laid , and in his sighes he would often say , i will go send for that lady gay , yea i will send for that lady bright , which is my treasure and hearts delight . whose beauty like phoebus beames doth glister through all christian realmes then to himselfe he would reply , and say how fond a prince am i , to cast my loue so base and low : and on a girle i do not know : king edgar will his fancy frame , to loue some princely pearelesse dame . the daughter of some royall king. that may a worthy dowry bring : whose matchlesse beauty brought in place ▪ may estrelds colour quite disgrace . but sencelesse man what doe i meane , vnto a broken reede to leane , and what fond fury doth me mooue , thus to abase my dearest loue . whose visage grac'd with heauenly hue , doth helens honour quite subdue : the glory of her beauties pride , sweete estrelds fauour doth deride , then pardon my vnseemely speech , deere loue and lady i beseech . and i my thoughts henceforth will frame ▪ to spread the honour of thy name . then vnto him he called a knight , which was most trusty in his sight : and vnto him thus did he say , to earle orgarus goe thy way : and aske for estrild comely dame whose beauty runnes so farre by fame : and if thou finde her comely grace , as fame hath spread in euery place . then tell her father she shall be , my crowned queene if she agree : the knight in message did proceede , and into deuonshire went with speede , but when he saw the lady bright , he was so rauished at her sight : that nothing could his passions mooue , except he might obtaine her loue . and day and night while he there staid , he courted still that gallant maide , and in his suite did shew his skill , that at the length wonne her good will , forgetting quite the duty tho , which he vnto the king did owe : then comming home vnto his grace , he told him with dissembling face , that these reporters were too blame , that so aduanst the maidens name : for i assure your grace quoth he , she is as other women be , her beauty of such great report , no better then the common sort . and farre vnmeete in euerything , to match with such a noble king. but though her face be nothing faire , yet sith she is her fathers heyre , perhaps some lord of high degree , would very glad her husband be : and if your grace would giue consent : i could my selfe be well content , the damsell for my wife to take , for her great land and liuings sake , the king whom thus he did deceaue , incontinent did giue him leaue : for in that point he did not stand , for why he had no need of land . then being glad he went his way , and wedded straight that lady gay : the fayrest creature bearing life , had this same knight vnto his wife . and by that match of high degree , an earle soone after that was hee : ere they long time had married beene : others that had her beauty seene : her praise was spread both farre and neere the king thereof againe did heare : who then in heart did plainely prooue , he was betrayed of his loue . though therewith he was vexed sore , yet seemd he not to grieue therefore : but kept his countenance good and kinde , as though he bare no grudge in minde . but on a day it came to passe , when as the king full merrie was : to ethelwood in sport he said , i muse what cheere there should be made if to thy house i should resort a night or two for princely sport : hereat the earle shewed countenance glad though in his heart he was full sad , and said your grace should welcome be , if so your grace would honor me . when as the day appointed was , before the king did thither passe . the earle beforehand did prepare ▪ the kings comming to declare : and with a countenance passing grim , he cald his lady vnto him . saying with sad and heauy cheere , i pray you when the king comes heere , sweete lady if you tender mee , let your attire but homely bee . and wash not thou thy angels face , but doe they beauty quite disgrace , and to my gesture so apply , that may seeme loathsome in his eye , for if the king should heere behold , thy glorious beauty so extold : then should my life soone shortned be , for my desert and trechery . when to thy father first i came , though i did not declare the same , yet was put in trust to bring thee ioyfull tidings from the king. who for thy glorious beautie seene , did thinke of thee to make his queene , but when i had thy beautie found , thy beauty gaue me such a wound . no rest or comfort could i take , till your sweete loue my griefe did slake : and thus though duty charged me , most faithfull to our lord to be , yet loue vpon the other side , bad for my self i should prouide : then to my suit and seruice showne , at length i won thee for my owne . and for your loue in wedlock spent , your choyce i need no whit repent , and since my griefe i haue exprest , sweete lady grant me my request : good words she gaue with smiling cheare , musing at that , that she did heare : and casting many things in minde . great fault therewith she seem'd to finde . and in her selfe she thought it shame , to make that foule which god did frame : most costly robes full rich therefore , in brauest sort that day she wore . and did all thinges that ere she might , to set her beautie forth to sight and her best skill in euery thing , she shewed to entertaine the king. whereby the king so snared was , that reason quite from him did passe : his heart by her was set on fire , he had to her a great desire , and for the lookes he gaue her then , for euery one she sent him ten . whereby the king perceaued plaine , his loue and lookes were not in vaine . vpon a time it chanced so , the king he would a hunting goe , and into horse-wood he did ride , the earle of horse-wood by his side . and there the storie telleth plaine , that with a shaft the earle was slaine . and when that he had lost his life . the king soone after tooke his wife . and married her all shame to shunne , by whom he did beget a sonne : thus he which did the king deceaue , did by desert his death receaue . then to conclude and make an end , be true and faithfull to your friend . finis . of edward the third and the faire countes of salisburie , setting forth her constancie and endlesse glorie . cant. .11 when king edward the third did liue , that valiant king : dauid of scotland to rebell , did then begin . the towne of barwicke suddenly from vs he won : and burnt newcastle to the ground , thus strife begun . to rookes borrow castle marcht he then , and by the force of warlike men , besiedged therein a gallant faire lady , while that her husband was in france , his countries honour to aduance , the noble and famous earle of salisburie . braue sir william montague , rode then in post , who declared vnto the king , the scotchmans hoast , who like a lyon in a rage , did straight prepare . for to deliuer that faire lady from wofull care . but when the scotchmen did heare say , edward our king was come that day . they rais'd their siedge and ran away with speed , so that when he did thither come , with warlike trumpets fife and drume , none but a gallant lady did him grreete , which when he did with greedy eyes , beholde and see : her peareles beautie straight inthral'd , his maiestie . and euer the longer that he lookt . the more he might , for in her onely beautie was , his harts delight , and humbly then vpon her knee , she thankt his royall maiestie : that thus had driuen danger from the gate , lady ( quoth he ) stand vp in peace , although my warre doth now increase , lord keepe quoth she all hurt from your annoy . now is the king full sad in soule , and wot you why , all for the loue of the faire countesse , of salisburie . she little knowing his cause of griefe , doth come to see : wherefore his highnes sate alone , so heauily . i haue beene wronged faire dame quoth he , since i came hither vnto thee , now god forbid my soueraigne she said , if i were worthy for to know , the cause and ground of this your woe , it should be helpt , if it doe lie in me . sweare to performe thy words to me , thou lady gay , to thee the sorrow of my heart ▪ i will be wray i sweare by all the saints in heauen , i will quoth shee : and let my lord haue no mistrust , at all in mee . then take thy selfe aside he said , and say thy beauty hath betraid , and wounded a king with thy bright shining eye , if thou doe then some mercy shew , thou shalt expell a princes woe , so shall i liue or else in sorrow die . you haue your wish my soueraigne lord , effectually : take all the loue that i may giue , your maiestie , but in thy beauty all my ioyes , haue theire abode : take then my beauty from my face , my gratious lord. didst thou not sweare to graunt vnto my will ? all that i may i will fulfill . then for my loue let thy true loue be seene my lord your speech i might reproue , you can not giue to mee your loue for that alone belongs vnto your queene but i suppose your grace did this , onely to try , whether a wanton tale might tempt , dame salisbury , not from your selfe therefore my liege , my steps doe stray : but from your tempting wanton tale , i goe my way . o turne againe thou lady bright , come vnto me my hearts delight , gone is the comfort of my pensiue heart , here comes the earle of warwicke he , the father of this faire lady , my minde to him i meane for to impart . why is my lord and soueraigne king , so grieu'd in minde : because that i haue lost the thing , i cannot finde : what thing is that my gratious lord , which you haue lost ? it is my heart which is neere dead , twixt fire and frost , curst be that frost , and fire too , which causeth thus your highnes woe , o warwicke thou dost wrong me wondrous sore , it is thy daughter noble earle , that heauens bright lampe that peereles pearle , which kills my heart , yet doe i her adore . if that be all my gratious king , that workes your griefe , i will perswade that scornefull dame , to yeeld reliefe . neuer shall she my daughter be , if she refuse , the loue and fauour of a king , may her excuse , thus wylie warwicke went his way . and quite contrarie he did say , when as he did the beautious countesse meete , well met daughter deare quoth hee : a message i must doe to thee : our royall king most kindely doth thee greet . the king will die least thou to him , doe graunt thy loue . to loue the king my husbands loue , i should remooue it is true chastitie to loue , my daughter deare , but not true loue so charitably , for to appeare , his greatnes may beare out the shame , but his kingdome cannot buy out the blame , he craues thy loue that may bereaue thy life , it is my dutie to vrge thee this but not my honestie to yeild i wis , i meane to die a true vnspotted wife . now hast thou spoke my daughter deare , as i would haue : chastitie beareth a golden name , vnto her graue . and when vnto thy wedded lord. thou proue vntrue . then let my bitter curses still , thy soule pursue . then with a smilling cheere goe thou , as right and reason doth allow . yet show the king thou bearest no strumpets minde i goe deare father with a trice , and by a sleight of fine deuise , i le cause the king confesse that i am kinde . here comes the lady of my life , the king did say : my father bids me soueraigne lord , your will obey and i consent if you will graunt ▪ one boone to me . i graunt it thee my lady faire , what ere it be : my husband is a liue you know , first let me kill him ere i goe , and at your commaund i will euer be , thy husband now in france doth rest , no no , he lies within my breast , and being so nigh he will my falshood see with that she started from the king , and tooke her knife , and desperately she sought to rid , her selfe of life : the king vpstarted from his chaire , her hand to stay : o noble king you haue broke your worde , with me this day : thou shalt not doe this deede quoth he , then will i neuer lie with thee : no liue thou still and let me beare the blame . liue thou in honour and high estate , with thy true lord and wedded mate , i neuer will attempt this suite againe . the winning of the i le of man , by the noble earle of salisburie . cant 12. to the tune of the kings going to the parliament . the noble earle of salisbury , with many a hardy knight , most valiauntly prepar'd himselfe , against the scots to fight . with his speare and his shield . making his proud foes for to yeeld , fiercely on them all he ran , to driue them from the i le of man drumes stricking on a row , trumpets sounding as they goe , tan ta ra ra ra tan . theire silken ensignes in the field , most gloriously were spred the horsemen on their prauncing steedes strucke many a scotch-man dead , the browne-bils on their corstlets ring , the bowmen with the gray-goose whing the lustie launces the pierceing speare , the soft flesh of their foes doe teare , drumes stricking on a row . trumpets sounding as they goe , tan ta ra ra ra tan . the battell was so fierce and hot , the scots for feare did flie , and many a famous knight and squire , in goerie bloud did lie . some thinking to escape away , did drowne themselues within the sea , some with many a bloudy wound , lay gasping on the clayie ground : drumes stricking on a row , trumpets sounding as they goe , tan ta ra ra ra tan . thus after may a braue exployt , that day performd and done , the noble earle of salisburie , the i le of man had wonne , returning then most gallantly , with honour fame , and victorie , like a conquerour of fame , to court this warlike champion came , drumes stricking on a row trumpets sounding as they goe , tan ta ra ra ra tan . our king reioycing at this act , incontinent decreed , to giue the eearle this pleasant i le , for his most valiaunt deed , and foorthwith did cause him than , for to be crowned king of man , earle of salisburie . and king of man by dignitie . drumes stricking on a row . trumpets sounding as they go tan ta ra ra ra tan : thus was the first king of man , that euer bore that name , knight of that princely garter blew , and order of great fame : which braue king edward did deuise and with his person royally knights of the garter are they cald ; and eke at winsor so instald , with princely royaltie , great fame and dignitie , this knight-hood still is held . finis . cant. 13. of venus and adonis . to the tune of crimson veluet . venus faire did ride , siluer doues they drew her by the pleasant lawndes , ere the sunne did rise . vestaes beauty rich , opened wide to view her : philomel records pleasant harmony : euery bird of spring , chearefully did sing : papos goddesse they salute . her loues queene so faire , had of mirth no care , for her sonne had made her mute : in her brest so tender , he a shaft did render , when her eyes beheld a boy : adonis was he named , by his mother shamed , yet is he now venus ioy , him alone she meets . ready pre●● for hunting : him she kindly greetes , and his iourney stayes : him she seekes to kisse , no deuices wanting : him her eyes still woo'd , him her tongue still prayes : he with blushing red , hangeth downe his head , not a kisse can he afford : his face he turn'd away , silence sayd her nay ▪ still she woo'd him for a word , speake ( she sayd ) thou fairest , beauty , thou impayrest , see me , i am pale and wan ▪ louers all adore mee , i for loue implore thee : christall teares with that downe ran . him herewith she forst , for to sit downe by her ; she his necke embrac'd , gazing in his face : he like one transformed , stir'd no looke to eye her : euery hearbe did woe him , growing in that place . each bird with ditty , prayed him for pittie , in behalfe of beauties queene , waters gentle murmure craued him to loue his ; yet no liking could be seene . boy ( she sayd ) looke on me , still i gaze vpon thee , speake i pray thee , my delight , coldly he replyed and in briefe denyed , to bestow on her a sight . i am now to young , to be wonne by beauty : tender are my yeares , i am yet a bud . faire thou art ( she sayd ) then it is thy duety , wert thou but a bloome , to effect my good : euery beautious flower , boasteth in my power birds and beastes my lawes effect . mirrha thy faire mother , most of any other , did my louely hests respect . be with me delighted , thou shalt be requited , euery nimph on thee shall tend : all the gods shall loue thee , man shall not reproue thee , ioue himselfe shall be thy friend . wend then from me , venus , i am not disposed ; thou wringest me too hard , pray thee let me goe : fie , what a payne it is , thus to be inclosed : if loue begin with labour , it will end with woe , kisse me , i will leaue , here a kisse receiue , a short kisse i doe it finde . wilt thou leaue me so ? yet shalt thou not goe , breath once more thy balmy winde , it smelleth of the mirth-tree , that to the world did bring thee , neuer was perfume more sweete , when she had thus spoken , she gaue him a token , and their naked bosomes meete now ( said he lets goe : harke the hounds are crying , grisly bore is vp , huntsman follow fast , at the name of bore , venus seemed dying : deadly colour pale , roses ouer cast , speake ( said she ) no more ▪ of following the bore , th' art vnfit for such a chase : course the fearefull hare , venison do not spare , if thou wilt yeeld to venus grace , shunne the bore i pray thee . els i still will stay thee herein he vow'd , to please her mind , then her armes enlarged , loth she him discharged , foorth she went as swift as winde . thetis phoebus steedes , in the west retayned ; hunting sport was past : she her loue did seeke . sight of him to soone , gentle queene she gayned : on the ground he lay , bloud had left each cheeke . for an orped swine , smit him in the groyne , deadly wound his death did bring , which when venus found , she fell in a sound , and awakt her hands did wring . nimphs and satyres skipping , came together tripping , eccho euery cry exprest : venus by her power , turn'd him to a flower , which she weareth in her crest . the rebellion of wat tyler and iacke straw : with others against k. richard the second . cant 13. to the tune of the miller would a woing ride . wat tyler is from darford gan , and with him many a proper man , and hee a captaine is become , marching in field with phife and drumme , iacke straw , an other in like case , from essex flockes a mighty pace , hob carter with his strangling traine , iacke shepara comes with him amaine so doth tom miller in like sort , as if he ment to take some fort : with bowes and bils with speare and shield on blacke-heath haue they pitcht their field an hundred thousand in all whose forch is accounted small : and for king richard did they send : much euill to him they did intend for the taxe the wich our king vpon his commons then did bring : and now because his royall grace denyed to come within their chase , they spoyled south warke round about and tooke the marshalls prisoners out all those that in the kings bench lay , at libertie they set that day . and they marcht with one consent , through london with a lewd intent , and for to fire their lewd desire , they set the sauoy all on fire , and for the hate that they did beare vnto the duke of lancastere . therefore his house they burned quite : throuh enuie malice and despight then to the temple did they turne : the lawyeres bookes they did burne : and spoyld their lodgings one by one and all they could lay hand vpon then vnto smithfield did they hie , to saint iones place that stands thereby , and set the same on fire flat . which burned seauen dayes after that ▪ vnto the tower of london then , fast trooped these rebelious men , and hauing entred soone the sams , with hidious cryes and mickle shame , the graue lord chauncelor thence they tooke , amaz'd with fearefull pitious looke , the lord high treasurer likewise they , tooke from that place that present day : and with their hooping lowd and shrill strooke off their heads on towerhill . into the cittie came they then , like rude disordered franticke men . they rob'd the churches euery where . and put the priestes in deadly feare . into the counters then they get , where men in prison lay for debt : they broke the doores and let them out and threw the counter bookes about . tearing and spoyling them each one , and records all they light vpon the doores of newgate broke they downe , that prisoners ran about the towne : forcing all the smiths they meete , to knocke the irons from their feete , and then like villaines void of awe , following wat tylor and iacke straw . and though this outrage was not small , the king gaue pardon to them all , so they would part home quietly : but they his pardon did defie and being all in smithfield then . euen threescore thousand fighting men which there wat tyler then did bring , of purpose for to meete our king. and therewithall his royall grace , sent sir iohn newton to that place , vnto wat tyler willing him , to come and speake with our young king but the proud rebell in despight , did picke a quarrell with the knight . the maior of london being by . when he beheld this vilainie , vnto wat tyler rode he then , being in midst of all his men : saying traytor yeeld t is best , in the kings name i thee arrest , and there with to his dagger start , and thrust the rebell to the heart : who falling dead vnto the ground , the same did all the hoast confound : and downe they threw their weapons all : and humbly they for pardon call : thus did that proud rebellion cease , and after followed a ioyfull peace . finis . cant 14. a louers wonder . i muse how i can liue and lacke my heart : without my heart yet do i liue , and loue : louing the wound that procureth my smart and hartlesse liue in hopes forlorne be hoofe , and on this hope , my haplesse fancy feedeth , and with this wound my hartlesse bodie bleedeth . i muse how i can see and yet am blinde : blinded i am , yet see , and sigh to see , i sigh to see my mistres so vnkinde , and see no meanes my sighing sore to free , vnkindly blindnes thus doth aye dismay me , since that vntimely sight did first betray me . but when my sight shall see two hearts in one . both linke in loue , to liue in others brest . then shall no wound procure my sighs of mone , but hearts returne procure my happy rest : no blindnes ; sore , or sigh ; no wound shall grieue me , but hope , and life , and loue relieue me . finis . cant 15. the louer by gifts thinkes to conquer chastity , and with his gifts sends these verses to his lady . what face so faire , that is not crackt with gold ? what wit so worth , but hath in gold his wonder what learning , but with golden lines doth hold ; what state so high , but gold will bring it vnder ? what thought so sweete , but gold doth bitter season and what rule better , then a golden reason ? the ground is fat , that yeeldes a golden fruite : the studie high , that fits the golden state : the labour sweete , that gets the golden sute : the loue reckoning rich , that scornes the golden rate the loue is sure , that golden hope doth hold , and rich againe , that serues the god of gold. finis . a new dialogue betweene troylus and cressida . cant 16. to the tune of , lacaranto . troylus there is no pleasure voide of paine , faire lady now i see : fell fortune doth my state disdaine , the frowning fates agree , to banish my pleasure and that without measure , away that woe is me , that euer i see , this dolefull dismall day . cressida what is the cause my troylus true , of this thy inward smart ? what motions do thy minde molest what paines doe pearce thy heart ? then shew i request thee , what griefe doth molest thee so neare : i am thy ioy , thou prince of troy , thy loue and lady deare . troylus the greekes ●ue sent embassads ▪ by meanes of father thine : to craue a pledge for prisoners , in most vnhappie time , and as they demaunded counsell hath granted euen so : o greefe to heare , my lady deare , for authenor must go . cressida although the same accorded be , yet banisht care away , for what the king commands we see , the subiects must obey . then let it not grieue thee , but rather relieue thee from paine : sith that i may in halfe a day , come vnto troy againe . troylus the nearer that thou shalt remaine , the more t will breed my spight when i shall see an other obtaine , the thing that is my right . the greekes will flatter , and tell thee much matter . and say : the towne of troy they will destroy , ere they depart away . cressida . you know the talke doth dayly run , as likely it will be . while truce is held the greekes will come , with troyans to agree : and they with queene hellen will quickly be winding away then presently my father and i. will come to our friends in troy , troylus . now sith thy father calcas hath , so foolishly lost his name : he dares no more approach the walles , of troy for very shame , but he will thinke rather king priam my father indeed should him reward without regard , and giue him a traitors meede . cressida . in vaine these words we do but waste , since so it is decreed : that anthenor must here be plaste , and i for him proceed : what would you desire , your father a lyer to be ; then shew your minde what way could you find to hinder the greekes of me . troylus . alas my loue cressida cleare . you know you haue my heart and if thou fauourest me my deare , then let vs both depart : in secret manner away we must wander , from troy : for fathers lye , i passe not a flye , so i may haue my ioy . cressida . now god forbid my onely lord , thou shouldst vs so defame : in such a sort to blemish and blot , our honour and our good name , the world will heareafter , declare calcas daughter , vntrue and they will say you ran away , for feare of the grecian crue , troylus . what need you passe for peoples report , or ought that they can say : so i may passe the time in sport , with thee my lady gay . if greekes should attaine thee ; they soone would constraine thee to yeeld : and calcas he would sooner agree , for feare of their force in field . cressida . nay rather marke my troylus true . what meanes i minde to frame : how i may keepe my promise due , and garde vs both from blame . with grecians together , i meane to ride thither but you : ere fiue dayes twaine shall see me againe , as i am a lady true . troylus . alas my loue and diamond deare , what wayes could you deuise : to blind their sights that be so cleare , and wits that are so wise , if ten dayes they keepe you , they will shame to seeke you be sure : then troylus i in dolor must dye , past hope of any recure . cressida . he is not worthy for to haue , a lady to his loue : that for her sake will not vouchsafe , some bitter paine to proue . if ten dayes absenting you cannot be willing to take : then would you sure , small paines indure , for your false ladyes sake . troylus . for ten dayes space to loose thy sight , would grieue my heartfull sore , yet for thy sake my lady bright , i would bide ten times more . but thus much i feare mee , the greeke will deceiue thee , alone : then troylus he forgotten shall be , as one that had neuer beene borne . cressida . it hen perceiue thy lady and loue , thou doostfull sore mistrust : what doe you thinke the greekes could moue , to make me proue vniust ? nay then i desire the gods with wilde fire , and flame : consume me may without delay , or put me to greater shame . troylus . i doe not thinke my iewell of ioy , thou wouldst be found vntrue : but at thy parting out of troy , to giue thee warning due , remember thy promise , thy faith and assurance , to me : and thou shalt see , that i will be , as trusty a knight to thee . cressida . the sunne shall want his burning armes , the moone shall loose her light : and simois with her siluer streames , that runs through troy so bight shall backward be turning , where first it was springing againe . ere i to thee vnfaithfull will be , or faile of my promise so plaine . another . and thus at last they parted both , vnto their griefe and paine , but cressida she brake her oath , she neuer came againe , but as she deserued , so god he rewarded her pride : for shee full poore , from doore to doore , a loathsome leper dy'de . when troylus did perceiue and see , his lady was vntrue : and that she false rendered had , to diomed his due . with heart distressed , himselfe he addressed to fight : through her disdaine there was he slaine , by fierce achilles might . finis . cant 17. the gentle womans reply . bvshes haue tops , but the cedar higher , a haire casts shadow lesse then pharoes tower : the sparkes haue heat but greater heat the fire : a bee can sting , not like the scorpions power : seas haue maine course , & flouds haue little springs foords , rough are deepe seas , when smooth run shallow the lacke makes noyse before the diall moues , the firmest faith is still confirm'd with words , the turtles mourne in losing of their loues , if hearts haue eares and eyes then tongue to speake , they 'le heare , and see , and say before they breake . finis . cant 18. the louers thankes to his beloued , sent and inclosed in a cockle shell . sweete loue , the sweete despoyles of sweetest hand faire hand the fairest pledge of faithfull heart true heart , whose truth yeeldeth the truest band , chiefe band ( i say ) that binds my chiefest part : my chiefest part wherein doth chiefely stand , those secret ioyes which heauen to me impartes , vnite in one my state thus still to saue , you haue my thankes , let me your comfort haue . finis . a new sonnet made by a maiden in praise of her louer , in whose truth and constancy she doth triumphe . cant 19. to the tune of crimson veluet . welcome be the dayes , of my loue and liking , venus must i praise , for her fauours showne , where i set my heart , well it is rewarded : neuer will i start , for i am his owne , like the diamond pure so will i endure , neuer will i giue , while that i doe liue from my loue his proper right : faithfull shall he find me , as true loue doth binde me , so my promise i haue past , what in words i vowed , in my heart , i allowed , be true while life doth last , if i doe respect . fauour and affection , needs i must affect , such a proper man , if i way his wit , or his braue behauiour , pallas seemes to sit , all his deeds to scan , all the prudent sort , may full well report , what in him they doe behold : nature and the rest seated in his brest , all the graces crownd with gold , troylus may be stained , priamus ashamed , to behold his constancy : many sitteth sorry , onely i may glory , of my happy desteny . if that hellen faire , for her wanton paris : did not trauell spare , to possesse his sight : setting quite aside , both her fame and honour : for the beauties pride , of that gallant knight . bringing vnto troy , sorrow and annoy , by a long and weary warre so that priams reed may well rue the dead : that did cause so great a iarre . well may i with pleasure , for my ioyfull treasure ▪ suffer paines and hard distresse , seeing loue and honour , doth aduance their banner , ioyfull of my good sucesse . flora sitteth sweete , in her gallant coullour , ready for to greete , ceres doth present , gifts of store and plenty , hearts ease and content . grant a blessed end all the muses nine , with their musicke fine doth delight our sweete desire : cupid he doth dance , fortune , feare and chance , doth his company repaire , all the gods together , hand in hand comes thither , honoring our mariage day , himen standeth watching , for your happy matching ; in her golden rich aray . all you louers true , shew your ioy and gladnesse , take a pleasant view , of my sweet delight , in your dainty songs , sound my louers peaises , set aside the wrongs of each wofull wight . on your liuely lutes , shew the braue disputes , that contented louers binde , laud the faithfull heart , that will neuer start , gratifie the gentle minde , say that men are treasure , say that men are pleasure , say that men are womens ioyes wheresoere you mooue it , i my selfe will proue it : gainst the maides that are most coy . venus riding forth , valewing the worth , of my peerelesse praise ▪ from her gallant coach , sodainely she leaped : sweetely to paradice , flowers faire of hue , pleasant as they grew , did she gather speedily : roses white and red , which the spring had spred , on the branches franke and free , garlands thereof making , gilliflowers taking , to adorne my louers head , strewing hearbes most dainty , brought she also plenty , wherewithall the streetes she spread . well i may reioyce , and triumph in pleasure , lifting vp my voyce , to the lofty skies : iuno hath ordaind , welfare to my fancy , my desire is gaind , which may well suffice , maydens faire and free hearken vnto me , loue where you are loued againe : be not coy and nice , if that you be wise , mischiefe followes fond disdaine , try and prooue your fauours ; men of good behauiour , so will i for euer say , such as doe deceiue you . knaues they are i tell you , men they are not any way . a louer bewailing the absence of his loue cant 20. to the tune of where is the life that late . you louing wormes that linked be , in cupids clogging chaine , behold i poore and silly man , lye languishing in paine come helpe with dolefull tunes ▪ to waile my wofull state , and blame me not sith worthily , i curse my cruell fate , ah wo is me what hap , what hatefull hap haue i , sith i am seuered thus from her , that loues me tenderly . dame fortune brought me to a stand , where i espied a dame : that doth deserue to be beloued , the world will say the same , whom when at first i saw , so well she pleasd mine eye ▪ that fancy wild me yeeld my selfe , with her to liue and dye , and then the blinded boy , so grac'd me with his glee : that with a dart he wounded her , and forc'd her yeeld to me . dame pleasure in a moment then , gaue way to our repuest . and we enioy'd but ah not long , the thing which we likt best : for as the summers day , at length comes to an end , so he became our enemy , that whilom was our friend , the while that we possest , our pastime was but small , for when i cald for ipocras . the drawer brought me gall . god knowes the griefe my soule susteines , for her that is my deere : for since i saw my sweeting last , i thinke it twentie yeere , when i should walke abroad , to spend the lightsome day , huge heapes of care molest my minde , for her that is away . when darkesome night drawes on , to bed with teares i goe , and if i chance to sleepe a while , it doubleth then my woe . or when i walke i doe perceiue , my choyse to be away : remembring oft in folded armes , how we full sweetely lay , then rush forth sighing sobbes , then , then , renewes my care : i tosse and turne and tumble then , and mad-men like i fare , no world , nor wordly things , my sorrowes can appease : vntill mine eies shed streames of teares , and then i finde some ease . then rose i vp as one forlorne , and leaue my restles bed : a thousand fits of fancies then , torment my troubled head . each morning doe i pray , the gods vpon my knee , that i may neuer sheepe againe if fates would so decree : then put i on my clothes , as one bereft of ioy , and curse and ban most bitterly , the meanes of mine annoy . when i for sport should trudge abroad , the fearefull hare to traile : which was sometime my most delight , then gin my senses faile . when i should eate or drinke . my nature to sustaine : the meate receiu'd will not disgest , but turneth backe againe . then thinke i in my minde , all hope of helpe is past . and oft i say vnto my selfe , would god this were my last . you youthfull lads that know not yet , the force of cupids dart ; beware and wise , retire in time , for feare of further harme , consider well the end , before you ought begin : and then you may your selues assure , to finde no lacke therein , before you snared be , to flye you may be bold . but sure resistance will not serue , when once you are in hold . the valiant souldier when he doth , addresse him to the field : doth rather wish with fame to dye , then either flye or yeeld , euen so my faithfull heart , doth sickenesse so detest . liue or dye i will not change , while breath is in my breast . if i were sure to be of gods and men accurst , yet i will neuer change my choise , let fortune do her worst . finis . a speech betweene certaine ladies being shepheards on salisburie plaine . truly ( said the ladyes ) this was a most hardy and couragious mayor , that durst in the middest of so mighty a multitude of his enemies , arest so impudent and bold a traytor , and kill him in the face of all his friends : which was a deede worthy to be had in euerlasting memory , and highly to bee rewarded nor did his maiesty forget said the lady oxenbridge to dignifie that braue man for his hardy deede for in remembrance of that admired exployt his maiestie made him knight & 5. aldermen more of the city : ordaining also that in remembrance of sir william walworthes deede against wat tyler , that all the mayors that are to succeed in his place should bee knighted : and further hee graunted that there should bee a dagger added to the armes of the citty of london in the right quarter of the shield , for an augmentation of the armes . you haue told vs ( q. the ladies ) the end of wat tyler . but i pray you what became of iack straw and the rest of that rebellious route ? i will shew you ( quoth she ) iack straw with the rest of that rude rabble , being in the end apprehended ( as rebels neuer florish long ) was at the last brought to be executed at london , where he confessed that their intent ( was if they could haue brought their most vilde purpose to passe ) to haue murthered the king and his nobles , and to haue destroyed ( so neare as they could ) all the gentility of the land , hauing especially vowed the death of all the bishops abbots , and monkes : then to haue inriched themselues : they determined to set london on fire , and to haue taken spoyle of that honorable cittie , but the gallowes standing betwixt them and home , they were there trust vp before they could effect any thing . and such ends ( said the ladies ) send all rebels , and especially the desperate traytor , which at this present vext the whole state . with that word one of their seruants came running , saying , madam , the rebels are now marched out of wiltshire & hampshire , making hasty steps towards london , therefore now you neede not feare to come home , and commit the flockes to their former keepers . the ladies being ioyfull thereof appointed shortly after a banquet to be prepared , where they all met together againe : by which time the kings power ( hauing incountred the rebels on blackeheath ) ouerthrew their power , where the lord awdly was taken and committed to newgate from thence he was drawne to the tower-hill in a coate of his owne armes painted vpon a paper , reuersed and all to torne , and there was he beheaded the 24. of inne , & shortly after thomas flamocke and michael ioseph the blackesmith were drawne hanged and qurtered after the manner of traytors . but when the husbands to these faire ladies came home and heard how their wiues had dealt to saue themselues in this dangerous time they could not chuse but hartily laugh at the matter , saying that such shepheards neuer kept sheepe vpon salisbury plaine before . finis . an ansvvere to a romish rime lately printed, and entituled, a proper new ballad wherein are contayned catholike questions to the protestant, the which ballad was put foorth without date or day, name of authour or printer, libell-like scattered and sent abroad, to withdraw the simple from the fayth of christ, vnto the doctrine of antichrist the pope of rome / written by that protestant catholike, i.r. rhodes, john, fl. 1606. 1602 approx. 47 kb of xml-encoded text transcribed from 21 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-07 (eebo-tcp phase 1). a10684 stc 20959 estc s1295 22106022 ocm 22106022 25073 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a10684) transcribed from: (early english books online ; image set 25073) images scanned from microfilm: (early english books, 1475-1640 ; 1734:17) an ansvvere to a romish rime lately printed, and entituled, a proper new ballad wherein are contayned catholike questions to the protestant, the which ballad was put foorth without date or day, name of authour or printer, libell-like scattered and sent abroad, to withdraw the simple from the fayth of christ, vnto the doctrine of antichrist the pope of rome / written by that protestant catholike, i.r. rhodes, john, fl. 1606. [39] p. by simon stafford dwelling in hosier lane, neere smithfield, imprinted at london : 1602. in verse. "to the tune of labandalashot"--p. [5]. signatures: a² b-e⁴ f². without music. reproduction of original in the cambridge university. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of 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illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng anti-catholicism -england -poetry. ballads, english. 2003-01 tcp assigned for keying and markup 2003-02 spi global keyed and coded from proquest page images 2003-05 olivia bottum sampled and proofread 2003-05 olivia bottum text and markup reviewed and edited 2003-06 pfs batch review (qc) and xml conversion an answere to a romish rime lately printed , and entituled , a proper new ballad , wherein are contayned catholike questions to the protestant . the which ballad was put foorth without date or day , name of authour or printer , libell-like , scattered and sent abroad , to withdraw the simple from the fayth of christ , vnto the doctrine of antichrist the pope of rome . written by that protestant catholike , i. r. they that sit in the gate , speake against me , and the drunkards make songs vpon me , psal. 69.12 . dearely beloued , beleeue not euery spirit , but trye the spirits whether they be of god , or no : for many false prophets are gone out into the world , 1. iohn 4.1 . answere a foole according to his foolishnes , lest he be wise in his owne conceyte , prouerbs 26.5 . imprinted at london by simon stafford dwelling in hosier lane , neere smithfield . 1602. to the indifferent readers , be they protestants , papists , or neyther , i. r. catholike protestant , professour of iesus christ , wisheth all wisdome , and all constancie to hold the trueth being found . good readers whosoeuer , you shall vnderstand , that not many moneths ago , i , together with others in a search , found some good english bookes , and some two or three english pamphlets of another stampe and nature , viz. a popish rosary of prayers , and diuers popish pictures in it , circled about with the forme of beads , ( as if all were the holyer , that comes within that compasse . ) we found there amōg other things also , a toy in rime , entituled , a proper new ballad , wherein are certaine catholike questions ( for so he termeth them ) to the protestant . these two , with an other note booke , written of like argument , i keep by me : and , onely of zeale to the trueth , and of loue to such simple soules , as might be snared with such petty bayts as this ballad is , i haue taken a little paynes in answering the same as well as i could , being a man of small skill to meddle in greater matters . a minister of the citie told me of the same ballad , before i met with this , and desired me to vndertake the answering of it , & he would helpe me to it , but could not : and therefore till now , by this good occasion , i thought no more of it ; although i am perswaded , there are many such pāphlets , together with other like romish wares , that are sent abroad among the common people , both protestants and papists in london and in the countrey , & that , by certaine women brokers and pedlers ( as of late in staffordshire there was ) who with baskets on their armes , shal come and offer you other wares vnder a colour , and so sell you these , where they see and know any likelyhood to vtter them . god graunt , that all magistrates may haue the spirit of nehemias & zorobabel , to take and finde them out , and finding them , not to let them go , but to punish them according as the quality of their offence deserueth : for vnder the habit of such , many young iesuites , and olde masse-priests range abroade , and drawe disciples after them . but because i feare i may exceed the bounds of an epistle , i will draw towards an end : onely i will shewe you how i haue dealt and ordered things in the answering hereof . first , i found it set to no certaine tune : but because it goeth most neere to the olde tune of labandalashot , therefore i haue made , that all may be sung to that tune , if neede be . secondly , the authour of this ballad , his skill seemed to me , to be as bad in poetry , as in diuinity , and therefore i am herein driuen sometimes to adde and abbreuiate the authours particular words , but i faile him not a iote for his owne sense and false meaning : let this bee considered of therefore of all men . thirdly , this ballad-monger hath deuided his worke into 9. principall parts or heads : and i obserue them in a sort , as shall appeare by the figures set before euery part . fourthly , whereas the conclusion of the ballad is long , i giue him leaue to goe it through , and then i followe him with mine answere all together , and so with my epilogue , and a short song of popery , made long agoe in scorne of papists foolery , i end , referring the readers for further satisfaction in this poynt , to m. crowly his booke , which is an answere in prose to the like questions , printed 1588. yours in the lord , i. r. a pretty fine answere to a romish rime , entituled , a proper newe ballad , &c. to the tune of labandalashot . 1. the preface . the papists request . i pray thee , protestant , beare with me , to aske thee questions 2. or three : and if an answere thou cāst make , more of thy counsell i will take . if not , then must thou be content , that i remayne as i am bent , a romane catholike to bee , which was a protestant once with thee : but now am gone away from you , to those i take for christians true . the protestants answere . i am content , sir catholike , to heare & grant the thing you seek : but how should i assured be , that you will then be rulde by mee , when in your lawe it is set downe , you may break faith with king & clown ? well , yet if god and learned men will giue me leaue to vse my pen , i answere will ( though simply ) your questions drawne from popery . 2 the papists complaynt . many and sundry sects appeare , now in the world both farre and neere : the protestant , the puritan , the caluanist , and zwinglian , the brownist , and the family of loue , and many mo that i can proue : besides the romane faith truely , which protestants call , papistry . all these are christs true church , they say : but now on which shall my soule stay ? the protestants answere . strange sects there are , and so will be , the church to trye in eche degree : but for the most of them you name , they are not worthy of that blame . the brownist , he is punished : the familists from vs are fled : if we were rid of papists too , both kingdomes should haue lesse to doo . and you that will of sects complayne , shew which by law we doe maintayne . the papists further complaynt . all these with rome in very deede , rehearse all articles of the creede : and euery one of them still saith , theirs is the true catholike faith . but how should i amongst all these , know truth from falshood , god to please ? this is the thing that still i seeke , to know the true church catholike , the fellowship and company of holy men in vnity . the protestants answere . if these with rome , and thousands moe , receyue our creede , and yet will goe so many hundred steppes a wry , as willet dooth in you descry , they are not worthy once to beare the name of christians any where . returne agayne therefore , i say , to christ , and to gods word alway . then shall you see , that unity is nothing without uerity . 3 the church of rome catholike . the papist proceedes . i in your bibles thus haue read , the church must through the world be spred , for christ he his apostles sent : with power and with commandement , that to all nations they should goe , to preach and to baptize also . what company then tooke in hand , to winne and to conuert this land , with other countreyes farre and neere , but rome our mother-church most deere ? the protestants answere . our bibles teach all trueth in deede , which euery christian ought to reede : but papists thereto will say nay : because their deedes it dooth bewray . christ he the twelue apostles sent . but who gaue you commandement , to winne and gather any where , to binde by othe , to vowe , and sweare newe proselytes to popery , ' gaynst trueth , our prince & countrey ? the papist proceedes . saint paul in his epistle sayth , the romanes had the catholike fayth , and was so farre foorth renowmed , that none like it was published , throughout the world in places all , to be the trueth vniuersall . if yours in england had bene so , then to your churches i would goe . but till you proue your faith thus cleere , to yours i will no more come neere . the protestants answere . when rome returnes to christ againe , and be as once it did remaine : i meane , when paul to them did write , and when that fifteene popes in sight , did suffer for the gospell pure , england for truth you may be sure , will ioyne and ioy with rome againe , with italy , with fraunce and spaine : and antichrist shall be cast downe , which now doth weare y t triple crowne . the papist proceedes . we reade in prophet malachy , there shall be offrings farre and nye , a cleane oblation sacrifice , from place where now the sun doth rise , vnto the setting of the same . o what is that , i pray thee name ? if this be not the holy masse , i le be a protestant as i was : wherefore resolue me speedily , if thou wilt haue my company . the protestants answere . saint ierome and tertullian , or any other learned man , writing on this short prophecy , preached by prophet malachy , shall iudge in this for vs and you , who giues best sence and meaning true . we say it speakes of pure prayer , not of your masse , but christs supper . and you to make poore soules your asse , doe say , it 's meant of popish masse . the papist proceedes . in th'eighteenth psalme there it is found , that the world shall heare their sound , that is to say , shall vnderstand , in euery nation , realme , and land , that rome , and eke the fayth of rome , is vniuersall without doome . go where you will the world throughout , and rome is famous without doubt . and if this marke you doe not want , then presently i will recant . the protestants answere . the psalme for number you mistooke , eighteene for nineteene in your booke : the sense thereof first literall : is meant of creatures great and small . and to the romanes for the sound , is meant gods word , which doth aboūd : and not for popish doctrine taught , of which , in that age , no man thought . therefore your sound , glory , and fame , is now nought else but open shame . the church of romes continuance . the papist proceedes . this is another marke most sure , the fayth of christ must still endure : according as our sauiour sayd , when for saint peter once he prayd . simon , thy faith shall neuer fayle : the gates of hell shall not preuayle : the holy ghost your comforter , he shall remayne with you euer : and my selfe , your surest friend , will be with you to the worlds end . the protestants answere . vve graunt , the trueth must stil endure : but of this one thing let 's be sure : and that is , whether we , or you , doe hold the fayth of christ most true . * your doctrine is a doung-hill heape of mans traditions , which did creepe into the church , by some and some , vntil you had spoyled christs kingdome . christs words to peter you abuse : therefore your sense we doe refuse . the papist proceedes . saint paul doeth playnly write and say , there shall be in the church alway , apostles , prophets , and such like , that for the flocke of christ shall seeke , and by their preaching bring them home , of iewes & gentiles , where they roame . our church haue these , and many moe , which labour thus , and bide much woe . if this be false , and not at rome , then will i be conuerted soone . the protestants answere . saint paul in places three doeth showe , what men into the world should goe : and after those , of pastours all , that should bring men frō sathans thrall , in setled congregation still , there to be taught gods word and will. but as for munks , for priests , for fryers , for iesuites , and common lyers , they haue no warrant in gods word , although they reigne with fire & sword . 5 the church visible . the papist proceedes . this is another marke most cleare , the church of god must still appeare ; and as a city on a hill , so must we see it flourish still ; and as a candle shining bright , so must gods church appeare in sight . our sauiour saith , if one offend , and will not by rebukes amend , esteeme him as a wicked man , a heathen or a publican . the protestants answere . how long will papists blinded be , in that which euery eye may see ? the church is called militant , and troubles it doth neuer want : so that sometimes as sunne and moone , it is eclip'st and hath her doome , in mans conceit to shine no more : but god againe doth her restore , to shine and shew her beautie bright , to teach and censure men aright . 6 of succession . the papist proceedes . and is not that the church most true , wherein succeeded still in viewe , of bishops some two hundred three , as thou in histories mayest see ? saint peter first , and then the rest , which haue the people taught and blest ? shew me this marke once amongst you , and i will say your faith is true . if not , it is the church of rome , that i will cleaue vnto for doome . the protestants answere . for trueth , this your succession came from false prophets euery one , from balaams time vnto this day , with high priests and such like alway , and holy scripture doth describe the pope with his condemned pride : and though you say he doth excell , yet he and you may burne in hell . iohn in the reuelation , writes of romes desolation . 7 of their vnity . the papist proceedes . there is another marke also , by which the true church you may know , and that indeede is vnitie , set out in many a similie by christ our sauiour , who foretold , of one shepheard , and one sheepefold , one spowse , one husband her to loue , one darling deare , and one fayre doue : one fayth , one baptisme is heere , and no dissention dooth appeare . the protestants answere . the name of church , i know , you seeke , though euery way you be vnlike . by these your markes eche filth may proue , themselues to be christs church , & doue . eche sinne is spred vniuersall , it 's visible to great and small : idolaters haue unity , and hypocrites antiquity : but trueth , which euery one should bring , they and you want in euery thing . 8 their holinesse . the papist proceedes . you protestants doe daily read , in nicen and apostles creed , the church of god must holy bee , which we performe in each degree : most holy men and sacrifice , sweet seruice and fine ceremonies : seuen sacraments we haue alwaies , double and treble holy daies : virgins and saints , martyrs and all , be ours , and you haue none at all . the protestants answere . gods church , we know , is sanctifide , by christ his spirit , who is their guide , and holy dueties still they doe , on sabboth daies and other too . but your vaine seruice we detest , your may-game pastimes and the rest : your popish saints and votaries all , your traytrous martyrs great & small . nothing in you but holynesse , when none commit more wickednesse . 9 a speach touching heretikes , schismatikes , &c. the papist proceedes , and concludes with this speach . ovr sauiour warnes vs to haue care , and of false prophets to beware , which in his name to vs will come , not sent by him , and yet they runne : strong theeues , not entring in aright by christ the dore , but in the night they breake in at the windowe hie , and deale that none may them espie : their comming is not to doe good , but like to wolues they thirst for blood . yet in sheepes clothing these doe goe , because gods people should not knowe , but that they are his pastors sure , which christ hath sēt with doctrine pure , to teach , to preach , to set and sowe , that christ in th' end might reap & mow : but when their seeds are somewhat sprung , they proue but tares and darnell young , thistles and thornes so are they found , choking and cumbering the ground . the papist holds on his tale . these liue e'ne as they list truly , their god , we see , is their belly : like dogges and foxes so they range , sects they deuise , and schismes strange , heaping vpon themselues damnation , for liuing after such a fashion . these notes and marks we find in you , more then in any turke or iew , who doe deny the name of christ , and doe not make them any priest. you say , that your faith did appeare , to be the truth sixe hundred yeare : but tell me then , sir , if you can , when popery at first began ? where were the seruants of the lord ? durst none of them then speake a word ? where were the feeders of the sheep ? were they all dead , or fast asleepe ? did none of them defend the trueth , but was controld in age and youth ? did now s. peters strong faith fayle ? and did the gates of hell preuayle ? or did the salt his sauour lose ? did christ some other spouse then choose ? or was truths piller ouerthrowne ? by which all truth was to be knowne ? if this were so , christs word so playne , and promises must be but vaine : which was , that heauen and earth should quaile , before his word one iote should faile . where haue you byn so long a time ? and vnto whom did your light shine ? where did your chiefest pastor sit ? who kept your keies , your helme & ship ? shew vs some churches you haue built , as we can shew where you haue spilt . what , were all damn'd eternally , that were not of your company ? how might a man haue found you out , to heare and helpe in things of doubt ? when luther , like a lying fryer , one , whom the diuell did inspire , did breake his vowe to wed a nun , euen then your heresie begun , and fauoured was in saxony , by dukes that loued liberty : and in king edwards time agayne , it gan to grow and spread amayne ▪ a thousand yeeres you write and say , that papistry did beare the sway . and during all that time and space , we say , you durst not shew your face . who kept the holy scriptures then , from hands of vilde and wicked men ? who had authority to ordaine bishops , doctors , and priests againe ? for he that came in without order , comes as a theefe to steale and murder : he is a wolfe , and not a priest , an enemy , no friend to christ. and one thing more dooth make me muse , that our priests you did not refuse , to say your seruice , and to sing a psalme of dauid . note that thing . this man a benefice might haue , if he at any time did craue . like ieroboam , so dealt yee , and tooke all sorts of eche degree . a worthy mingle-mangle then was made of you , for lacke of men . how may your church make any priest , if she be not the church of christ ? answere these questions , if you can , and i will be a protestan . but while your answere you deuise , i counsell all men that are wise , to hold the fayth mayntayned heere , the space of fifteene hundred yeere , or of one thousand at the least : frō which who turnes , shal proue a beast . saint austin our apostle was , who came from rome , & here said masse : he first arriued here in kent , and so to other places went : his faith came from pope gregory ; which fayth was kept successiuely , by many bishops , as we read , from peters time , who was their head , who learn'd his fayth of christ , i say : to whom be prayse nowe and alway . amen . amend , papists , amend . the protestants answere to the papists large conclusion . by this time you are out of breath . such periods may breede your death : but i will set out with such pace , as shall , and may , i hope , winne grace with god , with christ , and all good men , that euer wrote with inke and pen : the goale i trust to winne at last , and when i haue it , hold it fast , unto the honour of his name , that gaue me power to winne the same . the most of these i might reuert vpon your selues , which can peruert both word and history of times , to cloke your lewd and open crimes . but some thing briefly i will say , for that which you cast in our way , as stumbling blocks for euery one , to stumble at , where you make mone . consider well , that you therefore , are euen those men whom ye abhore . you are false prophets , teaching lies , you weare sheepes clothing , to disguise : you runne and range , not being sent , for which you ought still to repent . you are those theeues that enter in to christ his church , and neuer lyn . till you haue stor'd your selues with good , & fild your selues , like wolues , with blood : you enter not by christ the doore , but by the pope , that romish whoore . you blind mēs eies with outward showes , and say that you are no mans foes : you fast from flesh , to eat good fish , with fruits and many a costly dish : you pray on beades , and prey on men , you doe deuoure maids and women : you seldome preach , and that but lies , the pope and popelings to suffice : your doctrine comes frō the popes schoole , where many a wise man proues a foole . your doctrine comes not from gods booke , but you on lyes and legends looke : on festiuals , and liues of saints , which you haue made with your owne paints : gods word you count of little force , and to the same haue small remorse : your people from it you disswade , because that like two-edged blade , it doth deuide , and eke descry , mans sinne and popish trechery . your doctrine is but darnell sure , vnto this graine , gods word so pure . what is the chaffe vnto the wheat ? what is mans wit to wisdome great ? your gold is brasse , your siluer tinne , your teaching drosse , your deeds but sinne . remember what you taught and did , before that your bad tricks were spi'd : remember persons , time and place , and so repent , and call for grace . whereas you charge our liues for bad , we grieue thereat , we are not glad : if you did rule , it would be so , and ten times worse , full well i knowe . this realme is very populous , and you like night-birds hinder vs. christ said , you know , that in each land , sinne it would get the vpper hand . let all men striue therefore , say i , against all sinne and popery . you liue at ease , and as you will , like epicures your selues you fill , your belly is your god in deed , your puffed cheekes your hands doe feede . the best of all things in eche land , by flights you got into your hand . thus did you fast , thus did you prey on men and women night and day . a thousand waies your gaines came in , through antichrist that man of sinne . you would no wiues , for that was ill , but whoores and harlots at your will : no woman must come in your sight , vnless it were some nun by night . your common stewes you still maintaine : for why ? they bring the pope much gaine . when monasteries brake vp here , then did your filthynesse appeare : thousands of infants heads were found in ponds and priuies , which you drownd . like dogges and foxes therefore , you did lead your liues ; it is your due : like swine , like wolues , like sathans brood , that neuer did gods people good : like hypocrites in euery place , you liued , and doe without gods grace : you make poore people to beleeue , that you can all their sinnes forgiue . it were too long to make relation , how you and yours deserue damnation . but where you say , that we doe write of this our faith , which you despite , that it was found , and did appeare , to be the trueth sixe hundred yeare : we say , that from christ his assension , for our fayth was no such contention , as papists make now at this day , nor in that space of yeeres we say : but this our faith it euer stood , euen since that abel lost his blood . on gods sweet word we doe depend : for it shall iudge vs in the end ; it is our wisdome and our ioy , and mans traditions are a toy . though some things hard doe there appeare , the rest we read in all the yeare : and find , that it sufficient is , to guide all men to heauenly blisse . what would you more , but that you stand , for popish trash in euery land ? now , where you aske of popery , when it began , and to sit hie ? i answere will to your demand , both readily and out of hand . it bred in the apostles time , and so increaste by many a signe : great strife then grew three hundred yeres , as in church stories it appeares , for many things , but chiefly one , who should be supreme head alone . all bishops wrote against this thing : no emperour would euer bring any one bishop to the same , till wicked phocas time , by name : but he a wicked murtherer , vnto this act was furtherer , that none might checke him for that deede , of killing father , mother , and seede . thus did proud bishop boniface , third of that name , set in highest place . and now the other bishops three , that made vp foure of one degree , were first made vassall vnto rome , from whence all popish trash doth come . when boniface was thus aloft , he playd his part , and wonders wrought : and so did all of rome beside , vntill they grew to their full pride ; and were of late vnhorst agayne . by christian kings that them disdayne . the true church was eclipsed then , and had in scorne of carnall men : the prophecies fulfilled were , of daniel , who prayd in feare : and those in reuelation , which god did giue vnto s. iohn : a thousand yeeres this held out so , that christs true flock you could not know , but by their persecution sharpe , which they endur'd with willing heart . yet still christ and his gospell stood , in persecution and in blood . the popes left off to preach and teach , and after wordly things to reach . in time they grew so fierce and fell , that no good man with them could dwell . they put down kings and princes hie , abusing them to slauery ; and what they said or did , was lawe : thus euery one was kept in awe . in all your popes , true faith did faile , and hell it selfe did much preuaile : the salt his sauor lost in them : christ was in trueth reiected then : yea , all his death and glorious passion , was turn'd into another fashion : each pope a new toy did deuise , to blind and bleare the peoples eyes : fooles , apes , and asses still they made , of gods poore people , by this trade . the second question that you make , i answere will for each mans sake , that cannot answere readily , your arguments and sophistry . where was our church , you say , that time ? where did the beauty of it shine ? where did our chiefest pastour sit ? who kept our keyes ? who rulde our ship ? you did vs shew you churches built , as you can shew those we haue spilt . to these in order as they lye , i will in few words now reply : where is the sun , the moone the stars , when clouds & darknes make them wars ? doe they not shine still where they be , vnder those clowdes ? euen so did we . our chiefest pastor he is christ , and he sits in the heauens highest : he hath the keyes and guides our ship , and laughs to scorne our little wit. for churches , first we answere you , by churches of another hiewe . how many churches hath christ built , and you the blood of them haue spilt ? of other churches that you speake , god in his iudgement doth them breake , euen as he did hierusalem , for killing of his prophets then : and as he did the hill alters , and groues of all idolaters . you aske what are become alway , of all that dyed to this day ? we are no iudges in this case , we leaue them to the throne of grace . idolaters may aske you so , of those that haue dyed long agoe . what answere can you make therein , but this , that god , for all their sinne , may iustly damne them , if he will , or saue , where he likes not to kill ? when abram was with cera he , his father deare , as children be , and god cald abraham away , what , should he not gods call obay ? or should he answere as you doe , as my friends did , i will doe too ? but you will say you be none such , when yet you vse like things too much : try by the scriptures well , and see , who comes neer'st idoles , you or we . you aske how you might find vs out , to answere things that were in doubt ? i say , that euen as wolues by kinde , the sheepe and lambes in field can finde ; so you did find vs to our cost , or else how were our liues so lost ? first , in the persecutions ten , and in the rest succeeding them . in england , scotland , & in fraunce , and euery place you taught that daunce . but when the day of count shall come , that you shall answere all and some , when christ the master of the sheepe , shall reckon vs , as it is meet : then from the blood of abelstime , vnto the last of such like crime , you and the rest shall answere all , vnto your sorrow , griefe and thrall : unlesse you doe repent with speed , your count will fearefull be indeed . till luthers time , you say that we heard not of christ : but you shall see , that we , not you , haue heard of him , as onely pardoner of our sinne . thrise happy luther and the rest , ( except some faults which we detest ) and ten times happy euery land , that hath receiued with strong hand , the gospell pure of christ on hie , and haue put downe all popery . you aske , who kept all scripture then ? who made our priests , & all church-men ? we answere , that our god , of loue , did saue and keepe it from aboue , as in the time of ieremy , when it was burnt by iehudy . and as the arke deliuered was , from philistims , as came to passe . and finally , as god can make all creatures serue his church and quake . now for our churchmens ordination , we know the scriptures good relation : and so were made our bishops all , our ministers both great and small . salomon made sadock he , priest in abiathars roome to be : so in the stead of popish priests , our queene sent ministers for christ : and though a time some were but weake , yet now a number can well speake . and where you say , you maruell , how we did receyue such , as did vow themselues your priests of popish order , to serue with vs in any border ? my answere is , that you might see , what men of mercy protestants be , which would receiue all to saluation , and not condemne them in your fashion . you did deuise , you know , to keepe all men from feeding of our sheepe . an ordination may be good , though some men , guilty of soules blood , unworthy be in church to serue , for punishment that they deserue . some thing tooke ill in hand also , at first , may yet in time , we know , proue good againe , and so may this : the church-mens calling is for blisse . if yours not so , or be not right , amend your fault , beare vs no spight . and to conclude , you bragge , and say , that austin first did here bewray the trueth of christ : but it 's not so , true histories doe name vs moe : but graunt , that hee first taught this land : were all things good came from his hand ? no , no , he taught much popery , but not so much as now doth fly : simon zelotes and saint paul , are said to teach vs first of all . till you these things doe well disproue , i wish all men in tender loue , to note what i haue sayd herein , to turne to god , and leaue their sinne . to trust no popish iesuite , nor yet in masse-priests to delight : for certainely their hierarchy , their kingdome and their policy , shall , will , and must , of force fall downe : for christ abhorres the triple crowne . this christ in mercy therefore saue our queene and vs , with that we haue , our children and posterity , and keepe vs from all popery : his holy gospell graunt vs still , and frame vs to his holy will : that we may know and loue the same , vnto the glory of his name . pray , heare , and read continually , that from this truth we neuer flye . amen . the epilogue . thus ( good readers ) hauing postingly run ouer this romish rime , as a priest doeth his masse and mattens , whē he hath haste another way , i will come to an end . in this pamphlet , you haue rather seene my loue and good will , then my wisdome or great skill : but ( i trust ) you that are well minded , will take the same in good part , ( howsoeuer others doe ) considering my chiefest purpose herein was , that the simple and ignorant might haue benefit thereby , whom papists abuse by sending vnto them , such like trumpery , by popish pedlers , men and women . the which pedlers are as ready to do the papists seruice herein , as the women and merchants were , of whom we read , ier. 7.16 , to 20. & 44.15 , to 24. reue. 18.11 , 12 , 13. their popes wares i call these things : pardons , agnus deies , beades , holy candels , paxes , crosses , crucifixes , with sundrie sorts of bookes ; as iesus psalter , ladies psalter , rosaries , &c. which they preferre before the holy bible and booke of god , and before dauids psalter or psalmes , when yet these bookes of theirs , are most blasphemous and wicked , yea , bold and presumptuous , as is d. loarts booke and others , in leauing out the second commaundement , and making two of the last , to fill vp the number of ten . but more of this , at some other time , and vpon some further occasion , when i shall haue a little leysure to propoūd the papists some true catholike questions . and so i end , beseeching god to blesse vs , our queene and realme , from all popery , and popish gouernment , now and for euer , amen . finis . a merry song , and a very song . sospitati pickt our purse with popish illusio , purgatory , scala coeli , pardons cum iubilio , pilgrimage-gate , where idoles sate with all abominatio , channons , fryers , common lyers , that filthy generatio , nunnes huling , pretty puling , as cat in milke-pannio : see what knauerie was in monkerie , and what superstitio : becking , belling , ducking , yelling , was their whole religio , and when women came vnto them , fewe went sine filio . but abbeyes all are now downe fall , dei beneficio , and we doe pray day by day , that all abominatio may come to desolatio . amen . notes, typically marginal, from the original text notes for div a10684-e280 a verse added , to make the matter full in the papists spéech of sects . 1. cor. 11.19 . that is , england , & ireland . in synopsis papismi , printed 1600. where 500. heresies are sound in popery . ier. 14.14 ma. 28.19 20. iesuits doctrine . ma. 23.15 . ro. 1.7 , 8. looke the pagent of popes made by io. studly reue. 18. mal. 1.11 . ro. 10.18 . * mat. 15.1 , to 10. & 23. to the end . looke m. beacons booke , entituled , the reliques of rome . rom. 1● . 6 1. cor. 12.2 ephe. 4.11 note well . act. 20.20 this is spoken of the ministers of y e church , and not of the church it selfe . zac. 13.7 . 1 ki. 19.14 mat. 2.16 , 17. read for disproofe of this , y t council of hippo , & the 3. councill of carthage . numb . 22. & 23. note , i pray you . pro. 27.2 . teacheth you another lesson . it is no better , if you marke it well . and like vilde ruffians , swash bucklers or cauiliers . ma. 13.3 , 4 we are not iudges in this matter , we leaue them to god. note this his impudency and slaunder . god did preserue his word at all times , ier. 37.23 . iohn . 10. it is more thē euer he did challēge faith is y e gift of god , no man can giue it , ia. 1.17 . note the line of amen . mat. 7.15 . ier. 23.21 . ioh. 10.8 . ma. 23.14 2. tim. 3.6 iosua . 9.2 . ma. 23.25 note . heb. 4.12 . that is , when you wallowed in y e sinnes of popery . ma. 24.12 . lu. 12.19 . phil. 3.19 . am. 6.1 , 2. note well . 1. cor. 7.1 , 2 si non caste , &c. was your doctrine . look bales votaries . looke bels motiues . looke synopsis papismi . cant. 2.15 1. pe. 2.22 luke 11.39 , 40 , 41 , 42. as appeareth by your pardons extāt . the papists would haue vs say y t our fayth was but 600. yeres old : but we say , it is frō adams time , & not interrupted till phocas time . io. 6.68 . & 12.48 . mat. 23. psal. 19.7 . 2. tim. 3.15 , 16 , 17. in y e apostles time , & in phocas the emperors time more fully . read the acts & monuments , with other stories . looke beda , eusebius , iewel & foxes book 2. tim. 3.9 1. ki. 19.14 . dan. 9.1 . reue. 12.1 . acts. 8. mat. 2.27 . acts. 4. the first 10 persecutiōs and others since . 2. the. 2. mat. 5. looke beacons booke of the reliques of rome . the answere is made by another question . esay . 9.7 . reue. 2.27 1. co. 15.25 ioh. 10.16 . psal. 2.9 . papists cā burne y e bodies of mē , & yet make complaynt for their superstitious temples of lyme & stone . deut. 7.5 . lu. 13.34 . 2. kin. 18.4 gen. 12.1 . note this ye papists . we are bound to praise god for y e light of his truth , whatsoeuer our fathers did . the wolfe doth aske of the sheep , where he is , when he hath the shéep in his clawes . lu. 11.47 , 48 , to 52. mat. 25. reue. 20. & 2.4 , 20. & 6.9 , 10. & 3.16 , 17 , 18 , 19. god kept y e scripture , as in ieremies time , when iehudi the king burnt it , ier. 37.23 . 1. sam. 5.1 , 2. acts. 20. tit. 1.5 . 1. kin. 2.35 not by giuing imposition of hands : but by commaunding some that were in y e function , to doe it . those that forsooke popery , & were contēt to labor in y e gospel to their powers , they had place only , & not all without respect of gifts or repentance . d.w. pag. 143 , & 144 to t. c. in this poynt . printed 1574. read iewels reply to h. pag. 167. ro. 15.19 . an admonition to all y t wauer and halt betwéene two opinions . a prayer necessary for al to vse . the heavy heart, and a light purse. being the good fellows vindication to all his fellow companions ... tune of, my lord monks march to london, or, now we have our freedom, &c. / this song it was composed and made by a loyal heart that is called john wade. wade, john, fl. 1660-1680. 1681-1686? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06556 wing w166a estc r186128 47012703 ocm 47012703 174670 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06556) transcribed from: (early english books online ; image set 174670) images scanned from microfilm: (early english books, 1641-1700 ; 2694:10) the heavy heart, and a light purse. being the good fellows vindication to all his fellow companions ... tune of, my lord monks march to london, or, now we have our freedom, &c. / this song it was composed and made by a loyal heart that is called john wade. wade, john, fl. 1660-1680. 1 sheet ([1] p.) : ill. s.n. [london : between 1681 and 1686] contains 1 illustration. place and date of publication taken from wing (2nd ed.) imperfect: cropped at bottom with loss of text. reproduction of original in: university of glasgow. library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. broadsides -england -17th century. 2008-02 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 mona logarbo sampled and proofread 2008-10 mona logarbo text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the heavy heart , and a light purse . being the good fellows vindication to all his fellow companions , wishing them all to have a care , and keep out of the ale-wives snare , for when they are out you may get in , but when you are in , you can't get out , this by experience he hath found true , but now he bids them all adieu . tune of , my lord monks march to london , or , now we have our freedom , &c. this song it was composed and made by a loyal heart that is called john wade . fvll fifty winters have i seen , yet nine and forty too many , except that i had better been , and not spent my means so vainly : far i did rore and spend my store , no company could shun me , but now i find , and bear in mind , my kind heart hath undone me . once i had means , and lived well , my neighbours all they know it , but by the ringing of the ale-wives bell , i quickly did forgo it . my land i sold for silver and gold , they then so easily won me , which makes me say , as well i may my wife she would me intreat for to be more wiser ; then i told her with anger great , it 's rare to be a miser , hang it ( quoth i ) let money fly , sorrow shalt ne'r o'rerun me ; but now i see , i was so free , that my kind heart hath undone me . before i 'd give one penny to my wife , i 'd spend two with my fellows ; my children must fast , which bred much strife , whilst i sate in the alehouse ; whilst i drank sack , they small beer did lack , no grief could over-run me , they lived in want whilst i did rant so long as i had store of coyn , i 'de never leave my ranting , whilst i did with good fellows joyn , my wife she sate a wanting . though they did cry , yet what car'd i , sorrow should ne'r o'rerun me , let who wou'd call , i de pay for all , till my kind heart had undone me . here would i trust , there would i lend , and spend my money vainly , for strong liquor i oft would send , now i must tell you plainly . my children they would to me pray , good father let company shun ye , yet i de not spare , nor for them care , till my kind heart had undone me , i had good house , i had good land , and lived in good behaviour , but i spent it all at their command now jeers me for my labour . my hostis she woald wait on me , my host then easily won me , cause they did see that i was free till my kind heart had undone me . run tap , run tapster , i would cry , hang sorrow let 's be merry , my gold and silver i let fly in both white-wine and sherry , for my own part , i ne'r will start , no company will shun me , good fellows all i in wou'd call till my kind heart had undone me . my hostis she would still provide for me larks , chickens and cony ; to bed at night she would me guide , but 't was for the sake of my money , she would mehap , my head would cap , th●● by their tricks they won me , thus with a pin they drew me in , till my kind heart had undone me . my hostis she was very wise , if that my head grew adle , i' th' morn as soon as i could rise she would provide me a caudel then comes my host strait with a toast , saying boy i 'le not shun thee , thus by their wile , they me beguile , till my kind heart hath undone me . but when that i no money had , to call i could not leave it , to be rid of me then they was glad , at last they did perceive it . then where i spent and money lent , they strait began to shun me , my hostis brown began to frown , when my kind heart hath undone me . i sent my child thought to prevail , a shilling for to borrow , or else to trust me two quarts of ale , lo thus began my sorrow , she 'd send me none , bid her be gone , thus grief did over-run me , full fourty pound with her i drown'd , till my kind heart hath undone me . so by that means i strait grew wise , and quickly left my ranting , you 'l say 't was time to be precise , when every thing was wanting . for i scarce had to buy me bread , grief did so over-run me , they did not care though poor i were when my kind heart had undone me . now i wish good fellows every one in time for to be ruled , let ale wifes sing a mournful song , and never by them be fooled . you that do spend in time amend , before grief over-run ye , those that do rant in time may want , for my kind heart hath undone me . if i had but half that i spent in vain , methinks i should live bravely , for i lived once and paid no rent , though now i am bound to slavery , for i am poor , turn'd out of door , grief doth so over-run me , so farewel all , both great and small , the merry mans resolution or, his last farewell to his former acquaintance, declaring how hee rambled up and down, through all the suburbs of fair london town, where pretty wenches hee did plenty find, but some of them agreed not with his mind, till at the last by chance hee found out one, which pleas'd him best, so left the rest alone, to her hee then cling'd close as i heard tell, made her his mate and bid the rest farewell. to a gallant new tune, called the highlanders new rant. l. p. (laurence price), fl. 1625-1680? this text is an enriched version of the tcp digital transcription b04821 of text887 in the english short title catalog (wing p3376a). textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. the text has been tokenized and linguistically annotated with morphadorner. the annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). textual changes aim at restoring the text the author or stationer meant to publish. this text has not been fully proofread approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. earlyprint project evanston,il, notre dame, in, st. louis, mo 2017 b04821 wing p3376a interim tract supplement guide br f 821.04 b49[27] 99887556 ocm99887556 182285 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04821) transcribed from: (early english books online ; image set 182285) images scanned from microfilm: (early english books; tract supplement ; a3:3[29]) the merry mans resolution or, his last farewell to his former acquaintance, declaring how hee rambled up and down, through all the suburbs of fair london town, where pretty wenches hee did plenty find, but some of them agreed not with his mind, till at the last by chance hee found out one, which pleas'd him best, so left the rest alone, to her hee then cling'd close as i heard tell, made her his mate and bid the rest farewell. to a gallant new tune, called the highlanders new rant. l. p. (laurence price), fl. 1625-1680? 1 sheet ([1] p.) : ill. printed for f. grove on snow-hill, london : [1650?] signed: l.p. [i.e. laurence price]. date of publication suggested by wing. verse: "now farewell to saint gileses ..." in two parts, printed side by side. imperfect: cropped, affecting title. reproduction of original in the british library. eng ballads, english -17th century. b04821 887 (wing p3376a). civilwar no the merry mans resolution or, his last farewell to his former acquaintance, declaring how hee rambled up and down, through all the suburbs o l. p 1650 786 0 0 0 0 0 0 0 a this text has no known defects that were recorded as gap elements at the time of transcription. 2008-04 tcp assigned for keying and markup 2008-06 spi global keyed and coded from proquest page images 2008-07 mona logarbo sampled and proofread 2008-07 mona logarbo text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion the merry mans resolution or , his last farewell to his former acquaintance , declaring how hee rambled up and down , through all the suburbs of fair london town , where pretty wenches hee did plenty find , but some of them agreed not with his mind , till at the last by chance hee found out one , which pleas'd him best , so left the rest alone , to her hee then cling'd close as i heard tell , made her his mate and bid the rest farewell . to a gallant new tune , called the highlanders new rant . now farewell to saint gileses that standeth in the fields and farewell to turnbull-street for that no comfort yeilds , farewell unto the grey-hound , and farewell the bell , and farewell my land-lady , whom i do love so well with a come love , stay love , go not from mee , for all the world i le forsake for thee . farewell to long acre , that stands neer to the mews and farewell unto drury-lane where pretty wenches use , and farewell unto sodom and all her painted drabs , and farewell unto bloomsbury and all their vapouring scabs and come love , stay love , go not from me , for all the world i le forsake for thee , farewell to crose-lane . it here lives some babes of graces farewell to common-garden , and all her wanton places , farewell unto west-minster and farewell to the strand where i had choyce of mopseis even at my own command , sing come love , stay love , go a long with mee , for all the world i le forsake for thee . farewell to the bank side farewell to black-mans street , where with my bouncing lasses , i oftentimes did meet , farewell to kentstreet garrison , farewell to horsey-down , and all the smirking wenches , that dwells in redrif town , and come love , stay love , go a long with mee , for all the world i le forsake for thee . the second part to the same tune . now farewell unto wapping and farewell to blackwall , farewell to ratclife high-way , rosemary lane and all , and farewell unto shore-ditch , and more-fields eke also , where mobs to pick up cullies , a night walking do go , then come love , stay love , go along with mee , for all the world i le forsake for thee . in white-crose street and goldenlane do straping lasses dwell , and so there do in every street twixt that and clarken well , at cowcrose and smithfield , i have much pleasure found , where wenches like to fayeries , did often trace the round , yet come love , stay love , go not from mee , for all those girles i le forsake for thee . yet something more i le speak off which seems to many strange . there 's store of pretty wenches , lives neer to the exchange ; and many more there are sure , that dwelleth in cheapside , and other streets in london , which are both broad and wide , yet come love , stay love , go not from mee , for all those girles i le forsake for thee . to all the country mopseis where ever they do dwell , in this my last conclusion , i like wise bid farewell , though they were used in former time to come when i did call , i take thee for the boldest , and best among them all , then come love , stay love , go not from mee , for all the world i le forsake for thee . at bristoll and at glocester i had of loves great store : but now i find enough of thee , i will desire no more . and what i have said to thee thou shalt find true and right : he do thee trusty service at morning and at night then come love , stay love , go not from mee , for all the world i le forsake for thee . farewell black patches , and farewell powdered locks , and farewell luthners ladies for they have got the pox , farewell the cherry-garden , forevermore adue and farewell to spur-alley , and all that wanton crew , and come love , stay love , go not from mee , for all those girles i le forsake for thee . i. p. finis london printed for f. grove on snow-hill , a description of a strange (and miraculous) fish cast upon the sands in the meads, in the hundred of worwell, in the county palatine of chester, (or chesshiere. the certainty whereof is here related concerning the said most monstrous fish. to the tune of bragandary. m. p. (martin parker), d. 1656? 1635 approx. 5 kb of xml-encoded text transcribed from 2 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-05 (eebo-tcp phase 1). a08949 stc 19226 estc s120132 99855332 99855332 20819 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08949) transcribed from: (early english books online ; image set 20819) images scanned from microfilm: (early english books, 1475-1640 ; 1553:28) a description of a strange (and miraculous) fish cast upon the sands in the meads, in the hundred of worwell, in the county palatine of chester, (or chesshiere. the certainty whereof is here related concerning the said most monstrous fish. to the tune of bragandary. m. p. (martin parker), d. 1656? 1 sheet ([2] p.) : ill. for thomas lambert, at the signe of the hors-shoo in smithfield, printed at london : [1635?] signed: m. p., i.e. martin parker. a ballad. in two parts. suggested publication date from stc. verse "of many maruels in my time". also erroneously listed as wing d1143. reproduction of the original in the bodleian library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. monsters -england -early works to 1800. 2004-01 tcp assigned for keying and markup 2004-02 spi global keyed and coded from proquest page images 2004-03 mona logarbo sampled and proofread 2004-03 mona logarbo text and markup reviewed and edited 2004-04 pfs batch review (qc) and xml conversion a description of a strange ( and miraculous ) fish , cast upon the sands in the meads , in the hundred of worwell , in the county palatine of chester , ( or chesshiere . the certainty whereof is here related concerning the said most monstrous fish. to the tune of bragandary . of many maruels in my time i'us heretofore , but here 's a stranger now in prime that 's lately come on shore , inuites my pen to specifie what some ( i doubt ) will think a lie . o rare beyond compare , in england nere the like . it is a fish , a monstrous fish , a fish that many dreads , but now it is as we would wish , cast vp o' th sands i' th meads , in chesshire ; and t is certaine true , describ'd by those who did it view . o rare beyond compare , in england nere the like . full twenty one yards and one foot this fish extend in length , with all things correspondent too 't , for amplitude and strength : good people what i shall report , doe not account a fained sport . o rare beyond compare , in england nere the like . it is almost fiue yards in height , which is a wondrous thing , o mark what maruels to our sight our potent lord can bring . these secrets neptune closely kéeps within the bosome of the déeps . o rare beyond compare , in england nere the like . his lower jaw-bone's fiue yards long , the vpper thrice so much , twelue yoak of oxen stout and strong , ( the weight of it is such ) could not ones stir it out o' th sands thus works the all-creating hands . o rare beyond compare , in england nere the like . some haue a project now in hand , ( which is a tedious taske ) when the sea turnes , to bring to land the same with empty cask : but how i cannot well conceiue , to each mans judgement that i leaue . o rare beyond compare , in england nere the like . the lower jaw-bone nam'd of late ▪ had téeth in 't thirty foure , whereof some of them are in weight two pounds , or rather more : there , were no teeth i' th vpper jaw , but holes , which many people saw , o rare beyond compare , in england nere the like . the second part , to the same tune . his pistle is in length foure yards , big as a man i' th wast , this monster he who well regards , from th' first vnto the last , by euery part may motiues find , to wonder at this wondrous kind . o rare beyond compare , in england nere the like . his cods are like two hogsheads great , this séemeth past beléefe , but men of credit can relate what i describe in briefe : then let 's with charity confesse gods works are more then man can guesse . o rare , &c. the tongue on 't is so mighty large , i will it not expresse , lest i your credit ouer-charge , but you may easlly guesse , that sith his shape so far excels , the tongue doth answer all parts else . o rare , &c. a man on horseback as t is try'd may stand within his mouth , let none that hears it this deride , for t is confirm'd for truth : by those who dare auouch the same , then let the writer beare no blame . o rare , &c. his nerues or sinewes like bulls pissles , for riding rods some vse : of spermaceti there 's some vessels : if this be the worst newes , that of this monster we shall heare , all will be well i doe not feare . o rare , &c. already sixtéene tuns of oyle is from this fish extracted and yet continually they 〈◊〉 no season is protracted : it cannot be imagin'd how much 't will yéeld , the vastnesse on 't is such . o rare , &c. when he vpon the sands was cast aliue , which was awhile : he yell'd so loud , that many ( agast ) heard him aboue sixe mile : t is said the female fish likewise was heard to mourne with horrid cryes : o rare , &c. the mariners of chester say a herring-hag t is nam'd : what ere it be , for certaine they that are for knowledge fam'd , affirme , the like in ages past vpon our coast was neuer cast . o rare beyond compare , in england nere the like . m. p. printed at london for thomas lambert , at the sign of the hors-shoo in smithfield . there is a book to satisfie such as desire a larger description hereof . saylors for my money a new ditty composed in the praise of saylors and sea affaires ... to the tune of the joviall cobler / [by] m.p. m. p. (martin parker), d. 1656? 1630 approx. 5 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2003-03 (eebo-tcp phase 1). a08979 stc 19267.5 estc s5147 38160748 ocm 38160748 29317 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08979) transcribed from: (early english books online ; image set 29317) images scanned from microfilm: (early english books, 1475-1640 ; 1933:4) saylors for my money a new ditty composed in the praise of saylors and sea affaires ... to the tune of the joviall cobler / [by] m.p. m. p. (martin parker), d. 1656? 2 leaves : ill. for c. wright, printed at london : [ca. 1630?] date of publication from stc (2nd ed.). right half sheet contains "the second part. to the same tune."; imprint and author's initials, m.p., appear at end. contains 3 illustrations. imperfect: cropped, cut in two, and stained. reproduction of original in: pepys library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. sailors -poetry. seafaring life -poetry. broadsides -london (england) -17th century. 2002-10 tcp assigned for keying and markup 2002-12 aptara keyed and coded from proquest page images 2003-01 mona logarbo sampled and proofread 2003-01 mona logarbo text and markup reviewed and edited 2003-02 pfs batch review (qc) and xml conversion saylors for my money . a new ditty composed in the praise of saylors and sea affaires , breifly shewing the nature of so worthy a calling , and effects of their industry . to the tune of the iouiall cobler . countrie men of england , who liue at home w t ease : and litle thinke what dangers , are incident o' th seas : giue eare vnto the saylor who vnto you will shew : his case , his case : how ere the winde doth blow . he that is a saylor ▪ must haue a valiant heart : for when he is vpon the sea , he is not like to start : but must with noble courage , all dangers vndergoe . resolue , resolue : how ere the wind doth blow . our calling is laborious , and subiect to much woe : but we must still contented be : with what falls to our share . wee must not be faint hearted ▪ come tempest raine or snow : nor shrinke : nor shrinke : how ere the winde doth blowe . sometimes one neptunes bosome our ship is tost w t waues and euery minite we expect , the sea must be our graues somtimes on high she moūteth then falls againe as low : with waues : with waues : when stormie winds do blow . then with vnfained prayers , as christian duty bindes , wée turne vnto y e lord of hosts , with all our hearts and minds , to him we flée for succour , for he we surely know , can saue : can saue , how ere the wind doth blow . then he who breaks the rage : the rough & blustrous seas ▪ when his disciples were afraid will straght y e stormes apease . and giue vs cause to thanke on bended knees full low : who saues : who saues , how ere the wind doth blow . our enemies approaching , when wée on sea espie , wée must resolue incontinent to fight , although we die , with noble resolution wee must oppose our foe , in fight , in fight : how ere the wind doe blow . and when by gods assistance , our foes are put to 'th foile , to animate our courages , wée all haue share o' th spoile , our foes into the ocean , wee back to back do throw , to sinke , or swimme , how ere the wind doth blow . the second part . to the same tune . thus wée gallant seamen , in midst of greatest dāgers , doe alwaies proue our valour , wée neuer are no changers : but what soe ere betide vs , wée stoutly vndergoe , resolu'd , resolu'd , how ere the wind doth blow . if fortune doe befriend vs. in what we take in hand , wée proue our selues still generous whē ere we come to land , ther 's few y t shall out braue vs though neere so great in show , wée spend and lend , how ere the wind doth blow . we trauell to the indies , from them we bring som spice here we buy rich marchandise at very little prize ; and many wealthy prises , we conquer from the foe : in fight : in fight , how ere the wind doth blow . into our natiue country , with wealth we doe returne : and cheere our wiues & childrē , who for our absence mourne . then doe we brauely flourish , and where so ere we goe : we roare : we roare : how ere the wind doth blow . for when we haue receiued ▪ our wages for our paynes : the uintners & the tapsters ▪ by vs haue golden gaines . we call for liquor roundly , and pay before we goe : and sing : and drinke , how ere the wind doth blow . wée brauely are respected , when we walke vp & downe , for if wée méete good company , wée care not for a crowne , ther 's none more frée then saylrrs where ere he come or goe , th'elle roare o' th shore , how ere the wind● doth blow . then who would liue in england and norish vice with ease , when hée that is in pouertie , may riches get o' th seas : le ts saile vnto the indies , where golden grasse doth grow to sea , to sea , how ere the wind doth blow . m. p. finis . printed at london for c. wright . a fayre portion for a fayre mayd: or, the thriftie mayd of worstersheere who liues at london for a marke a yeare; this marke was her old mothers gift, shee teacheth all mayds how to shift. to the tune of, gramercy penny. m. p. (martin parker), d. 1656? 1633 approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08954 stc 19233 estc s119368 99854575 99854575 20002 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08954) transcribed from: (early english books online ; image set 20002) images scanned from microfilm: (early english books, 1475-1640 ; 1607:15) a fayre portion for a fayre mayd: or, the thriftie mayd of worstersheere who liues at london for a marke a yeare; this marke was her old mothers gift, shee teacheth all mayds how to shift. to the tune of, gramercy penny. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for f. g[rove], london : [1633] signed: m. p., i.e. martin parker. in two parts; woodcuts at head of each part. printer's name and publication date from stc. verse "now all my friends are dead and gone,". reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion a fayre portion for a fayre mayd : or , the thriftie mayd of worstersheere , who liues at london for a marke a yeare ; this marke was her old mothers gift , shee teacheth all mayds how to shift . to the tune of , gramercy penny , now all my friends are dead and gone , alas what shall betide me , for i poore maid am left alone without a house to hide me : yet still i le be of merry chéere , and haue kind welcome euery where though i haue but a marke a yeare , and that my mother gaue me . i scorne to thinke of pouerty , or wanting food or cloathing , i le be maintayned gallantly , and all my life-want nothing ; a frolicke minde i le alwayes beare , my pouerty shall not appeare , though i haue but a marke a yeare , and that my mother gaue me . though i am but a silly wench of countrey education , yet i am woo'd by dutch and french , and almost euery nation : both spaniards and italians sweare that with their hearts they loue me deare , yet i haue but a marke a yeare , and that my mother gaue me . the welch the irish and the scot , since i came to the citie , in loue to me are wondrous hot , they tell me i am pretty : therefore to liue i will not feare , for i am sought with many a teare , yet i haue but a marke a yeare , and that my mother gaue me . this london is a gallant place to raise a lasses fortune ; for i that came of simple race , braue roarers doe importune : i little thought in wostersheere to find such high preferment here , for i haue but a marke a yeare , and that my mother gaue me . one giues to me perfumed gloues , the best that he can buy me , liue where i will i haue the loues of all that doe liue nigh me : if any new toyes i will weare , i haue them cost they ne'rs so deare , and this is for a marke a yeare , and that my mother gaue me . my fashions with the moone i change , as though i were a lady ▪ all quaint conceits , both new and strange , i le haue as soone as may be ; your courtly ladies i can féere , in cloaths but few to me come neare , yet i haue but a marke a yeare , and that my mother gaue me . the second part to the same tune . french gownes with sléeues like pudding-bags i haue at my requesting : now i forget my countrey rags , and scorne such plaine inuesting : my old acquaintance i cashéere , and of my kin i hate to heare , though i haue but a marke a yeare , and that my mother gaue me . my petty-coats of scarlet braue , of veluet , silke and sattine : some students oft my loue doe craue , that speake both gréeke and latine , the souldiers for me dominéere , and put the rest into great feare , all this is for a marke a yeare , and that my mother gaue me . the precisian sincerely woes , and doth protest he loues me , ho tires me out with ies and noes , and to impatience moues me : although an oath he will not sweare , to lye at no time he doth feare , all this is for a marke a yeare , and that my mother gaue me my coach drawne with foure flanders mares each day attends my pleasure , the water-men will leaue their fares to waite vpon my leasure : two lackies labour euery where , and at my word run farre and néere , though i haue but a marke a yeare , and that my mother gaue me . i' th pleasant'st place the suburbs yéelds , my lodging is prepared : i can walke forth into the fields , where beauties oft are aired ; when gentlemen doe spy me there , some complements i 'me sure to heare , though i haue but a marke a yeare , and that my mother gaue me . now if my friends were liuing still , i would them all abandon , though i confesse they lou'd me well , yet i so like of london , that farewell dad and mammy deare , and all my friends in worstershire : i liue well with a marke a yeare , which my old mother gaue me . i would my sister sue at home , knew how i liue in fashion , that she might vp to london come to learne this occupation : for i liue like a lady here , i weare good cloaths and eate good cheare yet i haue but a marke a yeare , and that my mother gaue me . now blessed be that happy day that i came to the citie : and for the carrier will i pray , before i end my ditty . you maidens that this ditty heare , though meanes be short , yet neuer feare , for i liue with a marke a yeare , which my old mother gaue me . m. p. finis . london printed for f. g. the life and death of the famous thomas stukely an english gallant in time of queen elizabeth, who ended his life in a battel [o]f three kings of barbary. tune is, king henry's going to bulloign, &c. life and death of famous thomas stukely johnson, richard, 1573-1659? 1701 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a87601 wing j804d estc n69684 99896492 99896492 134396 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a87601) transcribed from: (early english books online ; image set 134396) images scanned from microfilm: (early english books, 1641-1700 ; 2430:10) the life and death of the famous thomas stukely an english gallant in time of queen elizabeth, who ended his life in a battel [o]f three kings of barbary. tune is, king henry's going to bulloign, &c. life and death of famous thomas stukely johnson, richard, 1573-1659? 2 sheets (versos blank) : ill. printed by and for c.b. and sold by j. walter, at the hand and pen in holborn, [london] : [ca. 1701] by richard johnson. wing j804d cancelled by wing (cd-rom edition) which reports the date of publication as post 1700. verse "in the west of england,". in four columns with the title and woodcut above the first two; the columns are not separated by rules. reproduction of original in the folger shakespeare library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng stucley, thomas, 1525?-1578 -early works to 1800. ballads, english -18th century. broadsides -england 2007-09 tcp assigned for keying and markup 2007-11 aptara keyed and coded from proquest page images 2007-12 emma (leeson) huber sampled and proofread 2007-12 emma (leeson) huber text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion the life and death of the famous thomas stukely : an english gallant in time of queen elizabeth , who ended his life in a battel three kings of barbary . tune is , king henry's going to bulloign , &c. in the west of england , born there was , i understand , a famous gallant was he in his days , by birth , a wealthy clothier's son , deeds of wonders he hath done , to purchase him a long and lasting praise . if i would tell his story , pride was all his glory , and lusty stukely , he was call'd in court , he serv'd a bishop in the west , and did accompany the best , maintaining of himself to gallant sort . being thus esteemed , and every where well deemed , he gain'd the favour of a london dame , daughter to an alderman , curties she was called then , to whom a suitor gallantly he came , when she his person spyed , he could not be denyed , so brave a gentleman he was to see ; she was quickly made his wife , in weal or woe to lead her life ; her father willing ; thereto did agree . thus in state and leasure , full many days they measure , till cruel death with his regardless spight , bore old curtis to the grave , a thing that stukely wisht to have , that he might revel all in gold so bright . he was no sooner tombed , but stukely he presumed , to spend a hundred pound a day in waste ; the greatest gallants in the land had stukely's purse at their command , thus merrily the time away he past . taverns and ordinaries , were his chief braveries , golden angels there flew up and down ; ryots were his best delight , with stately feasting day and night , in court and city thus he won renown . thus wasting lands and living , by this lawless giving , at length he sold the pavements of the yard , which cover'd were with blocks of tin , old curtis left the same to him , which he consumed lately as you have heard . whereat his wife sore grieved , desiring to be relieved . ' make much of me dear husband , she did say . ' i 'll make much more of thee ( said he ) ' than any one shall verily , ' i 'll sell thy cloaths , and so i 'll go my way . truly thus hard hearted away from her he parted , and travell'd into italy with speed ; there he flourisht many a day , in his silks and rich array , and did the pleasures of a lady feed , it was the lady's pleasure , to give him goods and treasure , for to maintain him in great pomp and fame ; at last came news assuredly , of a fought battel in barbary , and he would valiantly go see the same . many a noble gallant . sold both land and talent to fallow stukely in his famous fight ; whereas three kings in person would adventurously with courage bold , within this battel shew themselves in fight . stukely , and his followers all of the king of portugal , had entertainment like to gentlemen ; the king affected stukely so , that he his sacrets all did know , and boar his royal standard now and then . upon this day of honour , each man did shew his banner , morocco , and the king of barbary : portugal , and all his train , bravely glittering on the plain , and gave the on●ct there most valiantly . the cannons they rebounded , thundring guns relounded , kill , kill , then was all the souldiers cry ; mangled men lay on the ground , and with blood the earth was drown'd , the sun likewise was darkned in the sky . heaven was so displeased , and would not be appeased , but tokens of god's wrath did show , that he was angry at this war , he sent a fearful blazing-star , whereby the kings might their misfortunes know . bloody was the slaughter , or rather wilful murder , where six score thousand fighting men were slain : three kings within this battle dy'd , with forty dukes and earls beside , the like will never more be fought again . with woful arms infolding , stukely stood beholding this bloody sacrifice of souls that day : he singing said , ' i woful wight , ' against my conscience here do fight , ' and brought my followers unto decay . being thus molested and with grief oppressed , those brrave italians that did sell their lands , with stukely for to travel forth , and venture life for little worth , upon him all did lay their murdering hands . unto death thus wounded his heart with sorrow swounded : and to them thus he made his heavy moan , thus have i left my country dear , to be so vilely murthered here . e'en in this place whereas i am not known . my wife i have much wronged of what to her belonged , i vainly spent in idle course of life ; whaat i have had is past i see , and bringeth nought but grief to me , therefore grant me pardon gentle wife . life i see consumeth , and death i see presumeth , to change this life of mine into a new : yet this my greatest comfort brings , i liv'd and dy'd in love of kings : and so brave stukely bids the world adiu . stukely's life thus ended , was after death befriended , and like a souldier buried gallantly : where now there stands upon the grave , a stately temple builded brave , with golden turrets piersiing to the sky . printed by and for c. b. and sold by j. walter , at the hand and pen in holborn . the dub'd knight of the forked order. or, the old wanton lady as i will recite, and sen john the serving-man her hearts delight, their doings and actions, if you will attend, in meeter, they are by a poet pen'd. the subitlity of women either old or young, and what cunning excuses they have with their tongue. that will play with their husbands and laugh them to scorn, stroke up there brows, and there place a horn. the tune is, i am fallen away. miles, abraham. 1666-1670? approx. 6 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b04360 wing m2042 interim tract supplement guide ebb65h[82] interim tract supplement guide c.20.f.8[114] 99887109 ocm99887109 183307 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b04360) transcribed from: (early english books online ; image set 183307) images scanned from microfilm: (early english books; tract supplement ; a2:3[82]; a5:2[98]) the dub'd knight of the forked order. or, the old wanton lady as i will recite, and sen john the serving-man her hearts delight, their doings and actions, if you will attend, in meeter, they are by a poet pen'd. the subitlity of women either old or young, and what cunning excuses they have with their tongue. that will play with their husbands and laugh them to scorn, stroke up there brows, and there place a horn. the tune is, i am fallen away. miles, abraham. 1 sheet ([1] p.) : ill. (woodcuts). printed for w. whitwood at the golden bell at duck-lane end in west-smithfield., [london] : [between 1666-1670] verse: "twas a lady born ..." place and date of publication suggested by wing. item at a5:2[98] imperfect: trimmed. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2008-04 tcp assigned for keying and markup 2008-08 spi global keyed and coded from proquest page images 2008-10 megan marion sampled and proofread 2008-10 megan marion text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the dub'd knight of the forked order . or , the old wanton lady as i will recite , and son john the serving-man her hearts delight , their doings and actions , if you will attend , in meeter , they are by a poet pen'd . the subtilty of women either old or young , and what cunning excuses they have with their tongue , that will play with their husbands and laugh them to scorn , stroke up there brows , and there place a horn . the tune is , i am fallen away . t was a lady born of high degrée , in her aged days was youthful , yet she , so youthful was at thréescore years old , a young man she estéemed more pretious then gold : so old , so old , so wondrous old , till threescore years and ten old women are willing to play with young men. this lady one day in her parlor did walk , vnto her head-serving-man she began to talk , she told him his feature was comely and rare , few men that she lookt on might with him compare , so old , &c. a lilly-white hand fair face and a nose hair crisping and curled his breath like a rose streight leg and a foot and his body tall , but that in the middle is the rarest of all , so old &c. madam he said , as i am alive , vnto an antient lady 't is a present revive : it will make them merry either at night or by day , and clear every vain like the dew of may. so old , so old , so wondrous old , till threescore years and ten , old women are willing to play with young men. then note what i say and obey my command , for i 'le make use of thée , now straight out of hand , the bargain was made unto their own will , the serving-man had and the lady her fill : so old , &c. when the iig was ended , the lady threw down , vnto her good serving-man , sevenscore pound : she gave this gold freely , his courage to maintain , that he will but ride in the saddle again : so old , &c. then the wanton lady to her knight she did hye , and like to ameretrix she did reply , that she was much alter'd , and she had caught harm , why then quoth the knight ; lady keep thy self warm ; so old , &c. i 'le send for a doctor the grief for to find , for to ease thy body , and troubles mind ; i will have no doctor my grief for to ease , but only one man swéet-heart if you please : so old , &c. let me see this artist , the knight did reply , o quoth the lady , loe here he stands by ; that can give me cure with a syrup that he , brought front the venetian and from italy ; so old , &c. how came you acquainted with your mans rarity ? sir , in a sad passion , being ready to dye , i dream'd that his judgement was right i do find , and his physick was healthful to old woman kind . so old , &c. and if by the vertue thou pleasure do find , i doubt then by venus that i am made blind , i dream'd i was hunting and pleasure did see , but a vision mine eyes much troubleth me , so old , &c. the déer did run swiftly , and hounds after rang'd and i like action most strangely was chang'd i though that my lower part séem'd like a man. my head like a buck , and horns like a ram , so old , &c. and riding on swiftly , sweet pleasure to find , an oke burst my horns & his blood made me blind , the huntsman did hollow , and great shouts did make , and forth of my dream , i strait did awake : so old , &c. i told my fair lady of my dream so strange , quoth she 't is the better when thy life doth change ; for the forked order the evil doth expel , and being a dub'd knight , thou nead'st not fear hell. so old , &c. from the poor to the rich , even to the ladies gay , young women are wanton old women will play : and mumble their husbands and jéer them to scorn , and point them a breaker and give them a horn : so old , so old . so wonderous old , till threescore years and ten , old women are willing to play with young men. by abraham miles . printed for w. whitwood at the golden bell at duck-lane end in west-smith-field . a worthy mirror, wherein you may marke, an excellent discourse of a breeding larke by reading whereof, perceiue well you may, what trust is in friends or in kinsfolke to stay. to the tune of rogero. worthy myrrour, wherin ye may marke, an excellent discourse of a breeding larke. bourcher, arthur. 1630 approx. 9 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-03 (eebo-tcp phase 1). a16499 stc 3412 estc s116480 99851696 99851696 16987 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a16499) transcribed from: (early english books online ; image set 16987) images scanned from microfilm: (early english books, 1475-1640 ; 1540:08) a worthy mirror, wherein you may marke, an excellent discourse of a breeding larke by reading whereof, perceiue well you may, what trust is in friends or in kinsfolke to stay. to the tune of rogero. worthy myrrour, wherin ye may marke, an excellent discourse of a breeding larke. bourcher, arthur. 1 sheet ([1] p.) : ill. for i. w[right, imprinted at london : ca. 1630?] verse "a larke some time did breed,". by arthur bourcher. an edition of: bourcher, arthur. a worthy myrrour, wherin ye may marke, an excellent discourse of a breeding larke. publisher's name from and publication date conjectured by stc. in two parts; woodcuts at head of first part. stained. reproductions of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-09 apex covantage keyed and coded from proquest page images 2008-03 elspeth healey sampled and proofread 2008-03 elspeth healey text and markup reviewed and edited 2008-09 pfs batch review (qc) and xml conversion a worthy mirror , wherein you may marke , an excellent discourse of a breeding larke : by reading whereof , perceiue well you may , what trust is in friends or in kinsfolke to stay . to the tune of rogero . a larke some time did bréed , wi●hin a field of corne : and had increase when as the grains was ready to be shorne , she wary of the time , and carefull of her nest : debated wisely with her selfe , what thing to do were best . for to abide the rage , of cruell reapers hand : 〈◊〉 〈◊〉 was to perillous , with safety for to stand . and to dislodge her brood , vnable yet to flye : not knowing whether to remoue , great harme might hap thereby . therefore she meant to stay , till force constraind her fléete : and in the while for to prouide , some other place as méete . the better to prouide , the purpose of her minde : shée would forthwith go séek abroad and leaue her yong behinde . but first shée ●ad them all , attend their mothers will : which carefull was for to eschew , each likely-hood of ill . this corne is ripe quoth she , wherin we ne●●ly dare : the which if ●eads preuent not harme might cause our mortall care . therefore to sence with skill , the sequell of mishaps : we will prouide some other place , for feare of after cla●s . whilst i for this and food , am flowen hence away : with héedfull eares attentiue be , what commers by do say . thus said , shée vaunst her selfe , vpon her longest toe : and mounted vp into the sky , still singing as shée ●low . anon shée home return● , full fraught with choise of meate : but loe a suddaine chance , hir birds for feare could nothing eate . therewith agast she cride , what hoe , what meaneth this : i charge you on my blessing tell , what thing hath chanst amisse . is this the welcome home , or thankes for food i haue : you wonted were with chirping théere to gape before i gaue . but now such qualmes oppresse , your former quiet ●ind● : that quite transform'd ●●m mo●e things 〈◊〉 〈◊〉 soules i ●●●e . the 〈◊〉 and eldest bird , thus chirpt began to say : alas 〈◊〉 dame , such news we herd since you were flowne away that were it not the trust , that we repose in you : our liues were lost remedilesse , we know it well enough . the owner of the plot , came hither with his sonne : and said to him this corne must 〈◊〉 〈◊〉 t is more then time t were done . goe get thée to my friends , and bid them come to morne : and tell them that i traue their 〈◊〉 to reape a péece of corne . the larke that was the dame , stood in a dump a while , and after said , his friends quoth she and then began to smile . tush , friends are hard to finde , true friendship 〈◊〉 appeares : a man may misse to haue a friend , that liues old nestors yeares , true damond and his friend , long ere our time were dead : it was in gréece a great way he●● where such true loue was bred . our countrey is too cold , to 〈◊〉 vp a friend : till proofe be made each one w●●●●… still yours vnto the end . but trie in time of néed , and all your friends are flowne such fruitlesse séeds , such ●●ckle 〈◊〉 in faithlesse friends be s●wen . the second part of the breeding larke . to the same tune . therefore be of good cheere , ●ea●●e your dulled spirits : 〈◊〉 the care that caus●es thus , bercanes you of delights : let not 〈◊〉 〈◊〉 feare , depriue your eyes of sleepe . my selfe will be amo●gst you still , th●… safely will you keepe . and sweare euen by the 〈◊〉 , that growes vpon my crowne : if al his trust be in his frends , this corne shall not goe downe . the young assa●ed by her , that such an oth did sweare : did passe the night in wonted sléepe , and banisht former feare . and when the drousy night , was fled from gladsome day : she had them wake and looke about for she must goe her way . and said i warrant you , his friends will not come heare : yet not withstanding listen wel , and tell me what you heare . anon the farmer came , me●ged wel ●y mad : and said who so dep●nds on friends , his case is worse then bad . i must go fetch my kin , to help me with this geare : in things of greater waight then this their kindred shall appeare . the larkes their dame returnd : informed her of all : and how that he himselfe was gone : his kindred for to call . but when she heard of kin , she laughing cryd amaine : a pin for kin a figge for fre●nds , yet kin the worst of thtwaine . this man himselfe is poore , though wealthy kin he haue : and kindred now a dayes doth faile , when néed compells to craue . no no he shall returne , with ill contented mind : his pains shal yéeld but losse of time no comfort shall he find . they all are so adi●t , vnto their priuat gaine : that if you lack power to requite , your suites are all in vaine . my selfe a●… o●●charg'd , with haruest as you sée : and nearer is my skin then shirt , thus shall their answer be . therfore as erst of frends , so say i now of kin : we shall receiue no hurt by this , nor he no profit winne . yet listen once againe , what now his refuge is : for kindred shall be like to friends , be wel assurd of this . i must goe furnish vp , a nest i haue begun : i will returne and bring you meat , as soone as i haue done . then vp she came the clay , with such a lusty lay : that it reioyc'd her yonglings harts as in their nest they lay . and much they did commend , their lusty mothers gate : and thought it long till time had brought themselues to such a state . thus as their twinckling eyes , were roving to and fro : they saw whereas the farmer came who was their mortall foe . who after due complaints , thus said he in the end : i will from henceforth●trust my selfe and not to kin or frends . who giues me glossing words , and failes me at my néed : may in my pater noster be , but neuer in my créed . my selfe will haue it done , sith it must néeds be so : for proofe hath taught me so much witt to trust to any moe . the birds that listning lay , attentiue to the same : informed their mother of the whole , as soone as ere she came . yea marry then quoth she , the case now altred is : we will no longer heere abide , i alwaies feared this . but out she got them all , and trudgd away apace , and through the corne she brought them al vnto another place . god send her luck to scape , the hauk● and foulers g●●●e : and me the hap to haue no néed , of neither friend nor kin , finis . imprinted at london for i. w. the courtiers health; or the merry boyes of the times he that loves sack, doth nothing lack, if he but loyal be, he that denyes bacchus supplyes shows meere hypocrisie. to a new tune, come boyes fill us a bumper, or my lodging is on the cold ground. taubman, matthew, d. 1690? 1681-1682? approx. 4 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2009-10 (eebo-tcp phase 1). b06211 wing t238 interim tract supplement guide c.20.f.10[38] 99887063 ocm99887063 183283 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. b06211) transcribed from: (early english books online ; image set 183283) images scanned from microfilm: (early english books; tract supplement ; a2:3[39]; a5:2[74]; a6:2[38]) the courtiers health; or the merry boyes of the times he that loves sack, doth nothing lack, if he but loyal be, he that denyes bacchus supplyes shows meere hypocrisie. to a new tune, come boyes fill us a bumper, or my lodging is on the cold ground. taubman, matthew, d. 1690? 1 sheet ([1] p.) : ill. (woodcuts) printed for p. brooksby at the golden ball in west-smithfield, [london] : [1681 or 2] verse: "come boyes fill us a bumper ..." place and date of publication suggested by wing. attributed to matthew taubman. cf. wing. item at a5:2[74] imperfect: cropped. item at a6:2[38] imperfect: stained. reproduction of original in the harvard university, houghton library and the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. great britain -history -civil war, 1642-1649 -poetry -early works to 1800. broadsides -england -17th century. 2008-01 tcp assigned for keying and markup 2008-07 spi global keyed and coded from proquest page images 2009-01 emma (leeson) huber sampled and proofread 2009-01 emma (leeson) huber text and markup reviewed and edited 2009-02 pfs batch review (qc) and xml conversion the courtiers health ; or the merry boyes of the times he that loves sack , doth nothing lack , if he but loyal be , he that denyes bacchus supplyes shows meere hypocrisie . to a new tune , come boyes fill us a bumper , or my lodging is on the cold ground . here she stands and fills it out amain , says they let 's have the 'tother bout agan . come boyes fill us a bumper , we 'l make the nation roare , she 's grown sick of a rumper that sticks on the old score . pox on phanatticks rout 'um , they thirst for our blood , we 'l taxes raise without 'um , and drink for the nations good . fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king . round around , fill a fresh one , let no man bawk his wine , we 'l drink to the next in succession , and keep it in the right line , bring us ten thousand glasses , the more we drink we 'r a dry , we mind not the beautiful lasses , whose conquest lyes all in the eye . charge the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king vve boyes are truly loyal , for charles we 'l venture all , we know his blood is royal , his name shall never fall . but those that seek his ruine may chance to dye before him , while we that sack are woeing , for ever will adore him ; fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king , i hate those strange dissenters that strives to bawk a glass , he that at all adventures will see what comes to pass : and let the popish faction disturb us if they can , they ne'r shall breed distraction in a true hearted man. fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king . let the phanatticks grumble to see things cross their grain , we 'l make them now more humble or ease them of their pain : they shall drink sack amain too as else they shall be choak't , we 'l tell 'um 't is in vain too for us to be provok't . fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king . he that denyes the brimmer shall banish't be in this isle , and we will look more grimmer till he begins to smile : we 'l drown'd him in canary and make him all our own , and when his heart is merry he 'l drink to charles in 's throne ; fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king . quakers and annabaptist we 'l sink them in a glass , he deals most plain and flattest that sayes he loves a lass : then tumble down canary and let your brains go round , for he that won't be merry he can't at heart be sound ; fill the pottles and gallons and bring the hogshead in , we 'l begin with a tallen a brimmer to the king . printed for p. brooksby at the golden ball in west-smithfield ▪ westminster-drollery, or, a choice collection of the newest songs & poems both at court and theaters by a person of quality ; with additions. westminster drollery. 1671 approx. 268 kb of xml-encoded text transcribed from 130 1-bit group-iv tiff page images. text creation partnership, ann arbor, mi ; oxford (uk) : 2004-05 (eebo-tcp phase 1). a65514 wing w1457 wing w1462 estc r8083 12710144 ocm 12710144 66089 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a65514) transcribed from: (early english books online ; image set 66089) images scanned from microfilm: (early english books, 1641-1700 ; 371:10) westminster-drollery, or, a choice collection of the newest songs & poems both at court and theaters by a person of quality ; with additions. westminster drollery. person of quality. 2 pts. ([3], 124, [4], 132 p.) printed for h. brome ..., london : 1671-1672. the second part has special t.p.: westminster drollery, the second part : being a compleat collection of all the newest and choicest songs and poems at court and both the theaters by the author of the first part, never printed before. london : printed for willian gilbert [and tho. sawbridge, 1672]. dedication of 2nd pt. signed: ric. mangie. reproduction of original in bodleian library. imperfect: last line of imprint on t.p. of 2nd pt. cropped. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng english wit and humor. english poetry -early modern, 1500-1700. ballads, english -texts. 2003-09 tcp assigned for keying and markup 2003-10 spi global keyed and coded from proquest page images 2003-11 john latta sampled and proofread 2003-11 john latta text and markup reviewed and edited 2003-12 pfs batch review (qc) and xml conversion westminster-drollery . or , a choice collection of the newest songs & poems both at court and theaters . by a person of quality . with additions . london , printed for h. brome at the gun in st. paul church yard , near the west end. mdclxxi . westminster-drollery . the first song in the ball at court. 1. i pass all my hours in a shady old grove , and i live not the day that i see not my love : i survey every walk now my phillis is gone , and sigh when i think we were there all alone . o then 't is , o then i think there 's no such hell , like loving , like loving to well . 2. but each shade and each conscious bow'r that i find , where i once have been happy , and she has been kind , and i see the print left of her shape in the green , and imagine the pleasure may yet come agen , o then 't is , o then i think no joy's above the pleasures , the pleasures of love . 3. while alone to my self i repeat all her charms , she i love may be lock'd in another mans arms : she may laugh at my cares , and so false she may be , to say all the kind things she before said to me . o then 't is , o then i think there 's no such hell , like loving , like loving too well . 4. but when i consider the truth of her heart , such an innocent passion , so kind , without art , i fear i have wrong'd her , and hope she may be so full of true love , to be jealous of me . o then 't is , o then i think no joys above the pleasures , the pleasures of love. the second song in the masque at court. 1. a lover i am , and a lover i 'le be , and hope from my love i shall never be free . let wisdom be blam'd in the grave woman-hater , yet never to love , is a sin of ill nature : but he who loves well , and whose passion is strong , shall never be wretched , but ever be young . 2. with hopes and with fears , like a ship in the ocean , our hearts are kept dancing , and ever in motion . when our passion is pallid , and our fancy wou'd sail , a little kind quarrel supplies a fresh gale : but when the doubt's clear'd , and the jealousi's gone , how we kiss , and embrace , and can never have done . a song at the king's house . 1. how hard is a heart to be cur'd that is once overwhelm'd with despair , 't is a pain by force is endur'd , despises our pity , and scoffs at our fear : but if nothing but death shall untie those fetters wherewith you enslave me , for your sake i am ready to try if you are unwilling to leave me , then i am not unwilling to die . 2. how much were it better complying with the tears , the sighs , and the groans of a poor distrest lover dying , and list to the cries of his pitiful moans : when your slave shall in triumph be led to see the effects of good nature , it shall for your honour be sed , 't is true you have kill'd a poor creature , yet have rais'd him again from the dead . 3. though your heart be as cold as the ice is , at one time or other you 'l find , that love has a thousand devices to banish could thoughts from your scrupulous mind . thy aid mighty iove i implore , that thou to the fair one discover , the joys i have for her in store , which she to her passionate lover will say , shee 'll be cruel no more . a song at the kings house . 1. cloris , let my passion ever , be to you as i design : flames so noble , that you never saw the like till you knew mine . 2. not a breath of seigned passion from my lips shall reach your ears ; nor this love that 's now in fashion ; made of modest sighs and tears . 3. in my breast a room so sitting for your heart i will prepare , that you 'l never think of quitting , were you once but harbour'd there . 4. the rent's not great that i require from your heart , mine to repay : fortitude's all i desire to keep your lodging from decay . 5. fairest saint , then be not cruel , nor to love me count i● sin ; since a smile from you is fewel , for to keep this fire in . 6. when i am forc'd by death or age , from your flames for to retire , all true lovers i 'll engage still my passion to admire . the last song at the kings house . 1. a wife i do hate , for either she 's false , or she 's jealous ; but give me a mate that nothing will ask or tell us : she stands on no terms , nor chaffers by way of indenture ; her love 's for your farms , but takes the kind man at a venture . 2. if all prove not right , without act , process , or warning , from a wife for a night you may be divorc'd in the morning . where parents are slaves their brats cannot be any other ; great wits and great braves have alwayes a p●nk to their m●ther . a song . 1. wer'● thou but half so wise as thou art fair , thou would'st not need such courting , 't will prove a loss you 'll ne'er repair , should you still defer your sporting . this peevish shall i , shall i , you 'll repent , when your spring is over , beauties after — math — no kind friends hath to gratifie a lover . 2. perhaps you may think 't is a sin to deal , till hymen doth authorize you : though the gods themselves sweet pleasure steal , that to coyness thus advise you . pox upon the link-boy and his taper , i 'll kiss , although not have you , 't was an eunuch wrote all the text that you quote , and the ethicks that inslave you . 3. i am sure you have heard of that sprightly dame that with mars so often traded , had the god but thought she had been to blame , she had surely been degraded . nor is blind cupid less esteemed for the sly tricks of his mother , for men do adore that son of a whore , as much as any other . 4. 't is plain antiquity dothlie which made lucretia squeamish ; for that which you call chastity . upon her left a blemish : for when her paramour grew weak , her passion waxed stronger , for the lecherous drab her self did stab 'cause ●arquin staid no longer . 5. then away with this bugbear vice , you are lost if that you fly me , in ell●ium ( if you here are nice ) you never shall come nigh me : hell for v●stals is a cloyster i don't run doting thither , for the pleasant shades are for her that trades : let 's truck and go together . a late song by a person of quality . 1. alas , what shall i do ? i have taken on me now to make a song , i vow ; o wo is me : i am commanded to 't , i dare nor stand it out , though i am put to th' rout , it must be : thou shalt do 't , then stand to 't , i 'll set my muse 〈◊〉 fo● with a good chirping cup , there may some hidden mine , spring from the jui●● of wine ▪ then take 't and drink it up . 2. pox on 't , it will not do , i must have t'other too , i claim it as my due , and must love't ; for where the land is dry , the good husband he doth hi● to bring the water nigh to improve't . he●e's the use of the juice , open me then the sluce , and deny my wit in grain ; that skull 's ne'er empty that takes it in plenty , it 's the only spring of the brain . 3. madam now you may see what obedience is in me , i have done what may be to obey , i have set my muse on foot , with the sprightly grape to boot , your commands made me do 't , they must sway : if my pate soon or late , shall bring forth some conceit , to you my wit i owe. if i do fall flat , it s because , mark you that , i am a cup to low . if i spake sense enough , or did speak but stuff , all is alike to me ; i 'll never pause upon 't , you were the cause on 't , and that 's my apologie . silvia . made by a person of honour . but the answer and reply lately added . silvia , tell me how long it will be before you will grant my desire : is there no end of your crueltie , but must i consume in this fire ? you 'll not tell me you love me , nor yet that you hate , but take pleasure in seeing me languish ah silvia pity my desperate state , for you are the cause of my anguish : her answer . damon , i tell thee i never shall be in a humour to grant thy desire ; nor can i be tax'd with crueltie , having one that i more do admire . for 't is him that i love , and thee that i hate , yet i find you fain would be doing ; no , damon , you never shall be my mate , then prethee , friend , leave off thy wooing . his reply . silvia know , i never shall more be a suitor to pride and disdaining , nor can my respects be as heretofore , being now in the time of their waining : for i prize not thy love , nor i fear not thy hate , then prethee take it for a warning , whenever you meet with another mate , faith silvia leave off your scorning . a song at the kings house . 1. where-ever i am , and whatever i do , my phillis is still in my mind : when angry , i mean not to phillis to go , my feet of themselves the way find . unknown to my self , i am just at her door , and when i would rail , i can bring out no more . than , phillis too fair and unkind . than , phillis too fair and unkind . 2. when phillis i see , my heart burns in my brest , and the love i would stifle is shown , but asleep or wake , i am never at rest , when from mine eyes phillis is gone . sometimes a sweet dream does delude my sad mind , but alas when i wake , and no phillis i find , then i sigh to my self all alone , then i sigh to my self all alone . 3. should a king be my rival in her i adore , he should offer his treasure in vain , o let me alone to be happy and poor , and give me my phillis again : let phillis be mi●e , and ever be kind , i' could to a desart with her be confin'd , and envy no monarch his reign , and envy no monarch his reign . 4. alas ! i discover too much of my love , and she too well knows her own power ; she makes me each day a new martyrdom prove , and makes me grow jealous each hour . but let her each minute torment my poor mind , i had rather love phillis both false and unkind , then ever be freed from her power , then ever be freed from her power . the coy lady slighted at last . 1. poor celia once was very fair , a quick bewitching eye she had , most neatly look'd her braided hair , her lovely cheeks would make you mad● upon her lips did all the graces play , and on her breasts ten thousand cupids lay . 2. then many a doting lover came , from seventeen unto twenty one : each told her of his mighty flame , but she forsooth affected none ; this was not handsome , t'other was not fine ; this of tobacco s●elt , and that of wine . 3. but t'other day it was my fate to pass along that way alone : i saw no coach before her gate , but at her door i heard her moan , and dropt a tear , and sighing seem'd to say , young ladies marry , marry while you may . a song at the kings house . 1. world thou art so wicked grown , that thy deceits i must disown , since knaves from honest men cannot be known , so general is distraction : 2. men that are grave and should be wise , in their opinions are so precise , that always they turn up the whites of their eyes , when plotting some other faction . conventicles are grown so rife , whose followers are so many , there 's so much gathered for their relief , poor cavaliers cannot get any . wit without money is such a curse , no mortal would be in its clutches : and he that hath one without t'other is worse than a cripple without his crutches . a song by a person of quality . hold , hold , and no further advance , for i 'm cast i● a trance , if an inch more you give , i 'm not able to live , then draw back your lance. so now 't is pretty well my love , yet if you will , you may somewhat further shove , but do not kill . i die , i die , my breath 's almost gone ; pray let me sleep , and i 'll wake anon . a rhodomantade on his cruel mistress . seek not to know a woman ; for she 's worse than all ingredients cram'd into a curse . were she but ugly , prevish , proud , a whore , perjur'd or painted , so she were no more , i could forgive her , and connive at this , alledging still she but a vvoman is : but she is worse , and may in time forestal , the devil , and be the damning of us all . a song . a dialogue between two friends . tune , how severe is forgetful old age . r. how unhappy a lover am i , vvh●lst i sigh for my phyllis in vain , all my hopes of delight are another mans right , vvho is happy whilst i am in pain . w. 2. since her honour affords no relief , as to pity the pains which you bear , it 's the best of your fate in a helpless estate , to give over betimes to despair . r. 3. i have tried the false medicine in vain , yet i wisht what i hope not to win , from without my desires has no food to its fires , but it burns and consumes me within . w. 4. yet at best it 's a comfort to know that you are not unhappy alone ; for the nymph you adore is as wretched or more , and accounts all your sufferings her own . r. 5. o you powers let me suffer for both , at the feet of my phyllis i 'll lie , i 'll resign up my breath , and take pleasure in death , to be pitied by her when i die . w. 6. what her honour deny'd you in life , in her death she will give to her love : such a flame as is true after fate will renew , for the souls do meet freely above . a song call'd the injur'd lady . 1. o you powerful gods , if i must be an injur'd offering to loves deity , grant my revenge , this plague on men , that women ne'r may love agen . then i 'll with joy submit unto my fate , which by your iustice gives your empire date . 2. depose that great insulting tyrant boy , who most is pleas'd when he does most destroy : o let the world no longer govern'd be by such a blind and childish deity . for if you gods are in your power severe , we shall adore you not for love but fear . 3. but if you 'l his divinity maintain , ( 't is men , false men , confirm his tott'ring re●gn ) and when their hearts loves greatest torment prove let that no pity , but our laughter move . thus scorn'd and lost to all their wisht for aim , let rage , despair , and death consume their flame . the wooing rogue . the tune ●s , my freedom is all my ioy. 1. come live with me , and be my whore , and we will be● from door to door , then under a hedge we 'l sit and louse us , until the beadle comes to rouse us , and if the●'l give us no relief , thou shalt turn whore and i 'l turn thief . thou shalt turn whore and i 'l turn thief . 2. if thou canst rob , then i can steal , and we 'l eat roast-meat every meal : nay , we 'l eat white-bread every day , and throw our mouldy crusts away , and twice a day we will be drunk , and then at night i 'l kiss my punk . and then at night i 'l kiss my punk . 3. and when we both shall have the pox , we then shall want both shirts and smocks , to shift each others mangy hide , that is with itch so pockifi'd ; vve 'l take some clean ones from a hedge , and leave our old ones for a pledge . and leave our old ones for a pledge . a song at the kings house . 1. how severe is forgetful old age , to confine a poor lover so , that i almost despair to see even the air , much more my dear damon , hey ho. 2. though i whisper my sighs out alone , yet i am trac'd where-ever i go , that some treacherous tree keeps this old man from me and there he counts every hey ho. 3. how shall i this argus blind , and so put an end to my wo ? but whilst i beguile all his frowns with a smile , i betray my self with a hey ho. 4. my restraint then , alas , must endure ; so that since my sad doom i know , i will pine for my love like the turtle-dove , and breath out my life in hey ho. a song at the king's house . 1. never perswade me to 't , i vow i live not : how canst thou expect a life in me , since my soul is sled to thee ? you suppose because i walk , and you think talk , i therefore breath , alas , you know shades as well as men do so . 2. you may argue i have heat , my pulses beat , my sighs have in them living fire . grant your argument be truth , such heats my youth in●lame , as poysons do only prepare to make death their follower . a song . farewel , farewel fond love , under whose childish whip i have serv'd out a weary prenticeship . farewel , thou that hast made me thy scorn'd property , to dote on those that lov'd not , and to sly those that woo'd me : go bane of my content , and practise on some other patient . 2. my woful monument shall be a cell , the murmur of the purling brook my knell ; and for my epitaph the rocks shall groan eternally : if any ask this stone , what wretched thing doth in this compass lie , the hollow echo shall reply , 't is i , 't is i. the hollow echo shall reply , 't is i. farewel , farewel . a song at the king's house . 1. have i not told thee , dearest mine , that i destroy'd should be ? unhappy , though the crime was thine , and mine the misery : thou art not kind , ther 's none so blind as those that will not see . 2. have i not sigh'd away my breath in homage to thy beauty : what have i got but certain death , a poor reward for duty . well , when i 'm gone you 'l ne'r have one that will prove half so true t' ye . 3. have i not steep'd my soul in tears , when thou didst hardly mind it ? but rather added to my fears , when love should have declin'd it ? vvhich in this breast , i hope for rest , but now despair to sind it . 4. o that i could but sound thy heart , and fathom but thy mind : then would i search thy better part , and force thee to be kind : but now i 'm lost , and here am crost , 't is they that hide must find . 4. if pity then within thy heart doth own a residence , vouchsafe to read my tragick part , and plead my innocence : then when i 'm dead , it may be said , 't was love was my offence . 5. but since thy will is to destroy , i dare not mercy crave , but kindly thank my fate , and joy i liv'd to die thy slave : then exercise those killing eyes , and frown me to my grave : a song . love , fare thee well , since no love can dwell in thee , that in hatred dost all excel . 2. all love is blind , yet none more unkind , than those that repay love with a proud mind . 3. love that 's divine , is not love like to mine , since she doth laugh , when i do repine . then gent●e love for loves own sake , sigh loving soul , and break heart , break . a song . 1. many declare what torments there are , yet none ever felt so much of despair : no love can tell how high my griefs swell . o curs'd be the pride that reduc'd me to hell. 2. my heart is on fire , whilst i do admire that you with disdain requite my desire : all must cease , that my flames may increase , and curs'd be the pride that murther'd my peace . a song at the kings house . bright celia , know 't was not thine eyes alone that first did me surprize ; the gods use seldom to dispense to your sex beauty and conscience ; if then they have made me untrue , the fault lies not in me , but you : sure 't is no crime to break a vow , when we are first i know not how . 2. you press me an unusual way , to make my song my love betray : yet fear you 'l turn it to a jest , and use me as y 'ave done the rest of those sad captives which complain , yet are enamour'd of their slame : and though they die for love of you , dare neither love nor you pursue . 3. if love be sin , why live you then to make so many guilty men ? since 't is not in the power of art to make a brest-plate for the heart : since 't is your eyes loves shafts convey into our souls a secret way ; where if once sixt , no herb nor charm can cure us of our inward harm . a song . 1. all the flatteries of fate , and the glories of state , are nothing so sweet as what love doth create : if love you deny , 't is time i should die ; kind death 's a reprieve when you threaten to hate . 2. in some shady grove will i wander and rove , with philomel and the disconsolate dove : with a down-hanging wing will i mournfully sing the tragick events of unfortunate love. 3. with our plaints we 'l conspire for to heighten loves fire , still vanquishing life , till at last we expire : but when we are dead , in a cold leafy bed be interr'd with the d●rge of this desolate q●ire . a song at the kings house . 1. love that is skrew'd a pitch too high , may speak , but with a squeeze will die : the solid lover knows not how to play the changeling with his vow : small sorrows may find vent , and break , great ones will rather burst than speak . such is my fortune when my flora frowns , not only me , but she the world will drown . 2. thus am i drench'd in misery , yet hope she may be kind to me : i , but 't is long first , could she but restrain those kindnesses which i 'd be glad to gain , she 'l surely do'● : if so , it shall be known i lov'd her for her own sake , not my own . thus will i live and die , and so will be exemplary to all posterity . a song . 1. what care i though the world reprove my bold , my over-daring love : ignoble minds themselves exempt from int'rest in a brave attempt . 2. the eagle soaring to behold the sun aray'd in flames of gold , regards not though she burns her wings , since that rich sight such pleasure brings . 3. so feel i now my smiling thought to such a resolution brought , that it contemns all grief and smart , since i so high have plac'd my heart . 4. and if i die , some worthy spirits to future times shall sing my merits , that easily did my life despise , yet ne'r forsook my enterprise . 5. then shine bright s●n , and let me see the glory of thy majesty : i wish to die , so i may have thy look , my death ; thine eye , my grave . a song . 1. burn and consume , burn wretched heart , unhappy in extremes thou art : if dying looks serve not thy turn , to say thy beauty makes me burn , 2. from thoughts inslam'd pale colours fume into my face , and it consume : o my poor heart , what charms thee so , that thy afflicted face lets know , 3. yet will not tell who murthers thee , but yet will still a lover be : who hides my phenix eyes , that she , whom i adore thus cannot see , 4. how i for her am made a prey to sorrow : and do pine away : o foolish c●stom and vile use , my silence now deserves no truce . a song at the dukes house . o fain would i before i die bequeath to thee a legacy : that thou maist say , when i am gone , none had my heart but thee alone : had i as many hearts as hairs , as many lives as lovers fears , as many lives as years have hours , they all and only should be yours . dearest , before you condescend to entertain a bosom friend , be sure you know yo●r servant well , before your liberty you sell : for love 's a fire in young and old , 't is sometimes hot , and sometimes cold ; and men you know that when they please , they can be sick of loves disease . then wisely chuse a friend that may last for an age , and not a day ; who loves thee not for lip or eye , but for thy mutual sympathy . let such a friend thy heart engage , for he will comfort thee in age , and kiss thy furrow'd wrinkled brow vvith as much joy as i do now . a song called , and to each pretty lass we will give a green gown . 1. thus all our life long we are frolick and gay , and instead of court-revels , we merrily play at trap , at rules , and at barly-break run : at goff , and at foot-ball , and when we have done these innocent sports , we 'l laugh and lie down , and to each pretty l●ss we will give a green gown . 2. we teach our little dogs to fetch and to carry : the partridge , the hare , the pheasant's our quarry : the nimble sqirrils with cudgels we 'l chase , and the little pretty lark we betray with a glass . and when we have done , &c. 3. about the may-pole we dance all in a round , and with garlands of pinks and roses are crown'd ▪ our little kind tribute we chearfully pay to the gay lord and the bright lady o' th' may. and when we have done , &c. a song . 1. on the bank of a brook as i sa●e fishing , hid in the oziers that grew on the side : iover-heard a nymph and shepherd wishing , no time nor fortune their love might divide . to cupid and venus each offer'd a vow , to love ever as they lov'd now . 2. o , said the shepherd , and sigh'd , what a pleasure is love conceal'd betwixt lovers alone ? love must be secret , for like fairy treasure , when 't is discover'd 't will quickly be gone . for envy and iealousie , if it will stay , would , alas soon make it decay . 3. then let us leave this world and care behind us , said the nymph , smiling , and gave him her hand all alone , all alone , where none shall find us , in some fair desart we 'l seek a new land , and there live from envy and iealousie free , and a world to each other we 'll be . a song . 1. cellamina , of my heart none shall e'●e bereave you : if by your good leave i may quarrel with you once a day i will never leave you . 2. passion 's but an empty name , where respect is wanting ; damon , you mistake your aim , hang your heart , and dam your slame , if you must be ranting . 3. love as pale and muddy is , as decaying liquor : anger sets it on the lees , and resines it by degrees , till it w●rks it quicker . 4. love by anger to beget , wisely you endeavour , with a grave physician wit , who to cure an ague fit , puts me in a feavour . 5. anger rowseth love to fight , and its only bait is , 't is the guide to dull delight , and is but an eager bite when desire at height is . 6. if such drops of heat do fall , in our wooing weather , if such drops of heat do fall , we shall have the devil and all , when we come together . a song at the kings house . beneath a mirtle shade , which none but love for happy lovers made , i slept , and streight my love before me brought phillis , the object of my waking thought . undrest she came , my flames to meet , whilst love strew'd flowers beneath her feet : flowers , that so prest by her , became more sweet . 2. from the bright virgins head , a careless veil of lawn was loosely spread ▪ from her white temple fell her shady hair , like cloudy sun-shine , not too brown nor fair , her hands , her lips did love inspire , her every grace my heart did fire , but most her eyes , that languish with desire . 3. ah charming fair , said i , how long can you my bliss deny ? by nature and by love this lovely shade was for revenge of suffering lovers made silence and shades with love agree . both shelter you and favour me : you cannot blush , bec●use i cannot see . 4. no , let me die , she said , rather than lose the spotless name of maid . faintly methought she spoke ; for all the while she bid me not believe her , with a smile . then die , said i : she still denied , and yet , thus , thus she cry'd , you use a harmless maid , and so she died . 5. i wak'd , and straight i knew i lov'd so well , it made my dream prove true . fancy the kinder mistris of the two . i fancy i had done what phillis would not do ▪ ah cruel nymph , cease your disdain , whilst i can dream you scorn in vain , asleep or waking , i must ease my pain . the disconsolate lover . 1. as i lay all alone on my ●ed slumbring , thinking my restless soul to repose , all my thoughts they began then to be numbring up her disdainings , the cause of my woes ; that so encreast my dolour and pain , i fear i never shall see her again : which makes me sigh , and sobbing cry , o my love , o my love , for thee i die . 2. when this fair cruel she i first saw praying within the temple unto her saint , then mine eyes every look my heart betraying , which is the cause of my doleful complaint , that all my joys are quite sled and gone : and i in sorrow am now lef● alone : which makes me sigh , and sobbing cry , o my love , o my love , for thee i die . 3. then farew●l ev'ry thing that sounds like pleasure , and welcome death the cure of my sma●t . i deem'd first sight of her , i grasp'd a treasure ; but wo is me , it has broken my heart : for now my passing-bell calls away , and i with her no longer must stay : which makes me sigh , and sobbing cry , o my love , o my love , for thee i die . the subtil and coy girl . the tune , silvia tell me how long it will be . 1. why should my celia now be coy , in denying to yield me those graces which we did formerly both enjoy in our amorous mutual embraces ? she 'l not give me a reason , but shews me a frown is enough to destroy a poor lover . ah celia , once i did think thee mine own , but now i my folly discover . 2. is it because i have been so kind at all times to feed thy desire in presents and treats , thou hast chang'd thy mind , and left me like dun in the mire ? or else is't because thou dost think my estate is too mean to uphold thee in brav'ry ? know celia , 't is not so much out of date to force me endure so much slav'ry . 3. or is 't because thou wilt follow the mode , since most are addicted to changing , thou 'dst only get thee a name abroad , i being more famous for ranging . nay celia , more this truth thou woo'●●ind , i therefore advise thee be wary , when ever thou ge●st thee a mate to thy mind , he 'l play thee the same fagary . the drawing of valentines the tune , madams iig . 1. there was , and there was , and i ma●●y was there , a crew on s. valentines eve did meet together , and every lad had his particular lass there , and drawing of valentines caused their coming thither . then mr. iohn drew mrs. ione f●●st , sir. and mrs. ione would fain a drawn iohn an' she durst , sir. so mr. william drew mrs. gillian the next , sir ; and mrs. gillian not drawing of william , was vex't , sir , 2. they then did jumble all in the ha● together , and each did promise them to draw 'em fair sir : but mrs. hester vow'd that she had rather draw mr. kester then any that was there sir : so mr. kester drew with mrs. hester then sir : and mrs. hester drew mr. kester agen sir : and mr. harry drew mrs. mary featly , and mrs. mary did draw mr. harry as neatly . 3. they all together then resolved to draw sir , and every one desir'd to draw their friend sir ; but mr. richard did keep 'em so in aw sir , and told 'em then they ne're should make an end sir , so mr. richard drew mrs. bridget squarely , and mrs. bridget drew mr. richard as fairly : but mr. hugh drew mrs. su but slily , and mrs. su did draw mr. hugh as wily . 4. thus have you heard o' th' twelve that lately drew sir : how every one would fain their friend have drawn and now there 's left to draw but four o'●h crew sir , and each did promise his lass an ell of lawn sir. so mr. watty drew mrs. katy but slightly , and mrs. katy did draw mr. watty as lightly : but mr. thomas in drawing of annis too fast sir. made mrs. annis to draw mr. thomas at last sir. 5. and there is an ●nd , and an and , and an end of my song , sir , of ionne and iony , and william and gillian too sir , to kester and hester , and harry and mary belong sir , both richard and bridget , and hugh , and honest sue , sir , but watty and katy , and thomas and annis here , sir. are the only four that now do bring up the rear sir : then ev'ry one i'●h ' tavern cry amain sir , and staid till drawing there had fill'd their brain , sir. a late and true story of a furious scold , served in her kind . the tune , step stately . 1. was ever man so vex'd with a trull , as i poor anthony since i was wed , for i never can get my belly full , but be●o●e i have supp'd , i must hasten to bed : or else she 'l begin to scold and to brawl , and to call me puppy and cuckold and all yet she with her cromes must trole it about , whilest i in my kennel must snore it out . 2. i once did g● to drink with a friend , but she in a trice did fetch me away : we both but two pence a piece did spe●d , yet it prov'd to me execution day ; for she flew in my face , and call'd me fool , and comb'd my head with a three-legg'd stool : nay , she furnisht my face with so many scratches . that for a whole month 't was cover'd with patches 3. whatever money i get in the day , to keep her in quiet i give her at night , or else shall license her tongue to play for two or three hours just like a spright . then to the cupbord pilga●lick must hie , to seek for some crusts that have long lain dry : so i steep 'um in ●kim-milk until they are wet , and commonly this is the supper i get . 4. and once a month , for fashion sake , she gives me leave to come to her bed ; but most that time i must lie awake , left she in her fits should knock me o'th'hea● . but for the bed i do lie on my self , you 'd think ' ●were as soft as an oaken shelf ; for the tick it is made of hempen-hurds : and yet for all this i must give her good words . 5. we commonly both do piss in a pan , but the cullender once was set in the place : she then did take it up in her hand , and floune't it out on my stomach and face . i told her then she urin'd beside , but she cay'd me rogue , and told me i lied , and swore it was not up to her thumb , then threw she the pan in the middle of the room . 6. then a maid that was my sweet heart before did come to the house to borrow a pail : i kist her but once , and i thought on'● no more , but she flew in her face with tooth and nail : but the wench she stood to her , and claw'd her about , that for a whole fortnight she never stirr'd out ; for her eyes were so swell'd , and her face was so ●ore that i never saw jade so mangled before . 7. she then did bid me drop in her eyes a sovereign water sent her that day , but i had a liquor i more did prize , made of henbane and mercury s●eep'd in whey : i dropt it in and nointed her fa●e , which br●ught her into a most devillish case : for she ●ore and she ranted , and well she might ; for a●ter that time she 〈◊〉 had sight . 8. i then did get her a dog and a bell , to lead her about from place to place : and now 't is , husband , i hope you are well ; but before it was cucko●d and rogue to my face ; then blest be that henbane and mercury strong , that made such a change in my wives tongue . you see 't is a medicine certain and sure , for the cure of a scold , but i 'le say no more . a song on the declensions . the tune is , shackle de hay . my mistris she is fully known to all the five declensions , she 'l seize 'em singly one by one , to take their true dimensions . she ne'er declin'd yet any man , yet they 'l decline her now and then , in spight of her inventions . 2. first musa is her mothers name , and haec does still attend her : she is a hujus burley dame , though huic be but slender : yet she 'l have a hanc on every man , and hac him to do what he can , unless they do befriend her . 3. magister was her father too , and hic is still his man sir , nay si●ius is her son also , and dominus her grandsire : nay lucus , agnus , and that lamb-like crew , she 'l call 'em hunc's , i and hoc●s 'em too , do all that e'er they can sir. 4. next she 's to lapis very kind , as honest hic has sed sir ; for she 's to precious stones inclin'd full long before she was wed sir ▪ which made her parents often say , that hic and haec both night and day , was forc'd to watch her bed sir. 5. she beat poor manus with a cane , though he did often hand her from whetstones-park to parkers-lane , and was her constant pandor . yet give him man● busses when that she could get no other men , that he could not withstand her . 6. 'bout noon she 'd with meridies dine , and sup , and bed him too sir : she 'd make poor facies to her incline , in spight of all he could do sir. she day by day would dies pledge , which set poor acies teeth an edge , and often made him spew sir , 7. thus have i shew'd her kindred here , and all her dear relations , as musa , lapis , magister , and all their antick fashions . meridies , manus , and felix too are happy that they never knew any of all her station● . a song of the three degrees of comparison . the tune , and 't is the knave of clubs ●ears all the sway . my mistris she loves digni●ies , for she has taken three degrees : there 's no comparison can be made with her in all her subtile trade . she 's positively known a whore , and superlatively runs on score . 2. and first i positive her call , 'cause she 'l be absolute in all : for she 's to du●us very hard , and with sad tristis often jan'd : which happily made felix say ▪ sweet dulcis carried all away . 3. next she 's call'd comparative , for she 'l compare to any alive , for scolding , whoring , and the rest : of the illiberal sciences in her breast : she 'l drink more hard than durlor . though he would harder drink before . 4. then she 's call'd superlative ; 'cause she 'l her pedigree derive , not from potens or potentior , the mighty , or the mightier : but from potentissimus , not bonus , melior , but optimus . 5. thus have i shew'd my mistress t' ye , and gradually in each degree : how shew is positive to some , comparative when others come , superlative even over all , yet underneath her self will fall . the kind husband , but imperious wife . the first part of the tune his , and the latter part hers . m. 1. wife , prethee come give me thy hand now , and sit thee down by me : there 's never a man in the land now shall be more loving to thee . w. 2. i hate to sit by such a drone , thou li●st like a hog in my bed : i had better a lain alone , for i still have my maiden-head . m. 3. wife , what wouldst thou have me to do now , i think i have plaid the man : but if i were ruled by you now , you 'd have me do more than i can . w. 4. i make you do more than you can ? you lie like a fool god wot : when i thought to have found thee a man. i found thee a fumbling sot. m. 5. wife , prethee now leave off thy ranting , and let us both agree ; there 's nothing else shall be wanting , if thou wilt be ruled by me . w. 6. i will have a coach and a man : and a saddle horse to ride ; i also will have a sedan , and a footman to run by my side . m. 7. thou shalt have all this , my dear wife , and thou shalt bear the sway , and i 'l provide thee good chear , wife , 'gainst thou com'st from the park or a play : w. 8. i 'll have every month a new gown , and a peticoat dy'd in grain , of the modishest silk in the town , and a page to hold up my train . m. 9. thou shalt have this too , my sweet wife , if thou'dst contented be , or any thing else that is meet wife , so that we may but agree . w. 10. i will have a gallant or two , and they shall be handsom men : and i 'll make you to know your cue , when they come in and go out agen . m. 11. methinks a couple's to few , wife , thou shalt have three or four , and yet i know thou'dst be true , wife , although thou hadst half a score . w. 12. i will have as many as i please , in spite of your teeth , you fool , and when i 've the pocky disease , 't is thou shalt empty my stool . m. 13. why how now you brazen-fac'd harlot , i 'l make you to change your note , and if ever i find you snarl at my actions , i 'l bang your coat . 14. nay , i 'l make you to wait , you flaps , at table till i have din'd , and i 'll leave you nothing but scraps , until i do find you more kind . w. 15. sweet husband , i now cry peccavi , you know we women are frail ; and for the ill words that i gave ye , ask pardon , and hope to prevail . for now i will lie at your foot . desiring to kiss your hand : nay , cast off my gallants to boot , and still be at your commnad . a song at the dukes house . 1. make ready , fair lady , to night , and stand at the door below : for i will be there to receive you with care , and to your true love you shall go . 2. and when the stars twinkle so bright , then down to the door will i creep , to my love will i fly , ere the jealous can spy , and leave my old daddy asleep . a song at the kings house . 1. to little or no purpose have i spent all my days in ranging the park th' exchange , & the plays , yet ne'r in my ramble till now did i prove so happy , to meet with the man i could love . but o how i 'm pleas'd when i think of the man that i find i must love , let me do what i can ! 2. how long i shall love him , i can no more tell , than had i a feaver , when i should be well : my passion shall kill me before i will show it , and yet i would give all the world he did know it , but , o how i sigh , when i think , should ●e woo me , that i cannot deny what i know will undo me ! a song , the tune , robin rowser . my name is honest harry , and i love little mary : in spight of cis , or jealous bess , i 'll have my own vagary . 2. my love is blithe and bucksome , and sweet and fine as can be : fresh and gay as the flowers in may , and looks like iackadandy . 3. and if she will not have me , that am so true a lover , i 'l drink my wine , and ne'r repine , and down the stairs i 'l shove her . 4. but if that she will love , i 'l be as kind as may be ; i 'l give her rings and pretty things , and deck her like a lady . 5. her peticoat of satin , her gown of crimson taby , lac'd up before and spangled o're , just like a bartlemew baby . 6. her wastcoat is of scarlet , with ribbons tied together , her stockins of a bow-dy'd hue , and her shoes of spanish leather . 7. her smock o' th' ●inest holland , and lac'd in every quarter : side and wide , and long enough , and hangs below her garter . 8. then to the church i 'l have her , where we will wed together : so come home when we have done , in spight of wind and weather : 9. the fidlers shall attend us , and first play , iohn come kiss me ; and when that we have danc'd a round , they shall play , hit or miss me . 10. then hey for little mary , 't is she i love alone sir : let any man do what he can , i will have her or none sir. these following are to be understood two ways . i saw a peacock , with a fiery tail i saw a blazing comet , drop down hail i saw a cloud , with ivy circled round i saw a sturdy oak , creep on the ground i saw a pismire , swallow up a whale i saw a raging sea , brim full of ale i saw a venice glass , sixteen foot deep i saw a well , full of mens tears that weep i saw their eyes , all in a flame of fire i saw a house , as big as the moon and higher i saw the sun , even in the midst of night i saw the man that saw this wondrous sight . on the sea-sight with the hollanders in the r●mps time . my wishes greet the navy of the dutch , the english fleet i all good fortune grutch , may no storm toss van trump and his sea-forces , the harp and cross shall have my daily curses , smile gentle fates on the dutch admiral , upon our states the plagues of egypt fall ; attend all health the cavaliering part , this commonwealth i value not a fart . thus i my wishes and my prayers divide between the rebels and the regicide : backwards and forwards thus i break my mind , and hope the fates at last will be so kind , that the old proverb may but wheel about , true men might have their own , now knaves fall out . the answer to ask me no more whither doth stray . 1. i 'll tell you true whither doth stray the darkness which succeeds the day ; for heavens vengeance did allow it still should frown upon your brow. 2. i 'l tell you true where may be found a voice that 's like the screech-owls found : for in your false deriding throat it lies , and death is in its note . 3. i 'l tell you true whither doth pass the smiling look seen in the glass , for in your face't reflects and there false as your shadow doth appear . 4. i 'l tell you true whither are blown the angry wheels of thistle-down : it flies into your mind , whose care is to be light as thistles are . 5. i 'l tell you true within what nest the cuckow lays her eggs to rest ; it is your bosom , which can keep nor him nor them : farewel , i 'l sleep . a dialogue between william and harry riding on the way . h. 1. noble , lovely , virtuous creature , purposely so fram'd by nature , to inthral your servants wits . w. 2. time must now unite our hearts , not for any my deserts , but because methinks it fits . h. 3. dearest treasure of my thought , and yet wert thou to be bought , with my life , tho● wert not dear . w. 4. secret comfort of my mind , doubt no longer to be kind , but be so , and so appear . h. 5. give me love for love again , let our loves be clear and plain , heaven is fairest , when it is clearest . w. 6. lest in clouds and in deserring , we resemble seamen erring , farthest off when we are nearest . h. 7. thus with numbers interchanged , william's muse and mine have ranged , verse and journy both are spent . w. 8. and if harry chance to say , that we well have spent the day , i for my part am content . a gentleman on his beautiful mistress . 1. you meaner beauties of the night , that poorly satisfie our eyes more by your number than your light , you common people of the skies , what are you when the sun shall rise ? 2. you curious chanters of the wood , that warble forth dame natures lays , thinking your voices understood by their weak accents , what 's your praise when philomel her voice shall raise ? 3. you violets that first appear , by your purple mantles known , like the proud virgins of the year , as if the spring were all your own , what are you when the rose is blown ? 4. so when my mistris shall be seen in form and beauty of her mind , she cannot less be than a queen ; and i believe she was design'd t' eclipse the glory of her kind . a description of the spring . and now all nature seem'd in love , the lusty sun began to move : now juyce did stir th' embracing vines , and birds had drawn their valentines ; the jealous trout that low did lie , rose at a well-dissembled flie ; then stood my friend with patient skill , attending of his trembling quill . already were the eaves possest with the swift pilgrims dawbed nest ; the groves already did rejoyce , in philomel's triumphing voice ; the showrs were short , the weather mild , the morning fresh , the evening smil'd : ione takes her neat rub'd pail , and now she trips to meet the sand-red cow , where for some sturdy foot-ball swain ione stroaks a syllabub or twain : the fields and gardens were beset vvith tulip , crocus , violet : and now , though late , the modest rose did more than half a blush disclose : thus all lookt gay , all full of chear , to welcom this new liv'ried year . on a shepherd losing his mistris . tune , amongst the myrtles as i walk'd . 1. stay shepherd , prethee shepherd stay : didst thou not see her run this way ? where may she be , canst thou not guess ? alas ! i 've lost my shepherdess . 2. i fear some satyr has betray'd my pretty lamb unto the shade : then wo is me , for i 'm undone , for in the shade she was my sun. 3. in summer heat were she not seen , no solitary vale was green : the blooming hills , the downy meads , bear not a flower but where she treads . 4. hush'd were the senseless trees when she sate but to keep them company : the silver streams were swell'd with pride , when she sate singing by their side . 5. the pink , the cowslip , and the rose strive to salute her where she goes ; and then contend to kiss her shoo , the pancy and the daizy too . 6. but now i wander on the plains , forsake my home , and fellow-swains , and must for want of her , i see , resolve to die in misery . 7. for when i think to find my love within the bosom of a grove , methinks the grove bids me forbear , and sighing says , she is not here . 8. next do i fly unto the woods , where flora pranks her self with buds , thinking to find her there : but lo ! the myrtles and the shrubs say , no. 9. then what shall i unhappy do , or whom shall i complain unto ? no , no , here i 'm resolv'd to die , welcome sweet death and destiny . the soldiers resolution . here stands the man that for his countreys good has with couragious arms in sweat and blood ran through an host of pikes : he , he i was out-dar'd the thunder of the roaring brass , kickt my black stars , spurn'd balls of fire with sco● like to a foot-ball in a frosty morn ; made death to tremble , and have bid my drum beat a defiance to the cowardly scum . and shall i now like a pedantick stand , scraping and crouching with my cap in hand to base-born peasants ? no , he 's but a worm that strikes his top-sail to a little storm . here then i 'l fix , that nothing shall controul the resolutions of a gallant soul. on the golden cross in cheapside . two fellows gazing at the cross in cheap , says one , methinks it is the rarest heap of stone that e're was built ; it ought , i see , one of the wonders of the world to be , no , says the other , and began to swear , the crosses of the world no wonders are . on a pretender to gentility , suspected to be a highway-man . a great pretender to gentility , came to a herald for his pedigree : beginning there to swagger , roar , and swear , requir'd to know what arms he was to beat : the herald knowing what he was , begun to rumble o'r his heraldry ; which done , told him he was a gentleman of note , and that he had a very glorious coat . prethee , what is 't ? quoth he , and here 's your fees . sir , says the herald , 't is two rampant trees , one couchant ; add to give it further scope , a ladder passant , and a pendant rope : and for a grace unto your blue-coat sleeves , there is a bird i' th' crest that strangles thieves . a song . 1. a blith and bonny country lass sate sighing on the tender grass , and weeping said , will none come woo her ? a dapper boy , a lither swain , that had a mind her love to gain , vvith smiling looks straight came unto her . 2. when as the wanton girl espied the means to make her self a bride , she simper'd much like bonny nell . the swa●n that saw her very kind , h●s arms about her body twin'd , and said , fair lass , how fare ye , well ? 3. the country lass said , well forsooth , but that i have a longing tooth , a longing tooth , that makes me cry . alas , says he , what ga●s thy grief ? a wound , says she , without relief , i fear that i a maid shall die . 4. if that be all , the shepherd said , i 'l make thee wive it , gentle maid , and so ●ecure thy malady : on which they kist , with many an o●th , and ' sore god pan did plight their troth ; so to the church away they hie . 5. and iove send every pretty peat , that fears to die of this conceit , so kind a friend to help at last : then maids shall never long again , when they find ease for such a pain : and thus my roundelay is past . a song on love. 1. if love be life , i long to die ; live they that list for me , and he that gains the most thereby . a fool at least shall be . but he that feels the forest fits , scapes with no less than loss of wits . unhappy life they gain , which love do entertain . 2. in day by feigned looks they live , by lying dreams in night : each ●rown a deadly wound doth give , each smile a false delight . if 't hap their lady pleasant seem , it is for others love they deem : if void she seem of joy , disdain doth make her coy . 4. such is the peace that lovers find , such is the life they lead , blown here and there with every wind , like flowers in the mead. now war , now peace , then war again , desire , despair , delight , disdain , though dead , in midst of life ; in peace , and yet at strife . a song . i serve amynta whiter than the snow , streighter than cedar , brighter than the glass , more sine in trip than foot of running roe , more pleasant than the field of flow'ring grass ; more gladsom to my with'ring joys that fade , than winters sun , or summers cooling shade . 2. sweeter than swelling grape of ripest vine , softer than feathers of the fairest swan , smoother than jet , more stately than the pine , fresher than poplar , smaller than my span , clear●r than phoebus fiery pointed beam , or icy crust of crystals frozen streams . 3. yet is she curster than the bear by kind , and harder-hearted than the aged oak : more glib than oyl , more sickle than the wind , more stiff than steel , no sooner bent but broke . lo thus my service is a lasting sore ; yet will i serve , although i die therefore . the description of love , in a dialogue between two shepherds , will and tom. tom. 1. shepherd , what 's love , i prethee tell ? will. it is that fountain and that well where pleasure and repeutance dwell : it is perhaps that fauncing bell that toles all-in to heaven or hell , and this is love , as i heard tell . t. 2. yet what is love , i prethee say ? w. it is a work on holy-day : it is december match'd with may , when lusty bloods in fresh array , hearten months after of their play ; and this is love , as i hear say . t. 3. yet what is love , i pray be plain ? w. it is a sun-shine mixt with rain ; it is a tooth-ach , or worse pain ; it is a game , where none doth gain , it is a thing turmoils the brain : and this is love , as i hear sayen . t. 4. yet shepherd , what is love , i pray ? w. it is a yea , it is a nay , a pretty kind of sporting fray ; it is a thing will soon away , for 't will not long with any stay : and this is love , as i hear say . t. 5. yet what is love , good shepherd show ? w. a thing that creeps , it cannot go ; a prize that passeth to and fro , a thing for one , a thing for moe , and he that loves shall find it so : and shepherd , this is love , i trow . a song call'd loves lottery . at the dukes house . run to loves lottery , run maids , and rejoice , whilst seeking your chance , you meet you own choice , and boast that your luck you helpt with design , by praying cross-legg'd to s. valentine . hark , hark , a prize is drawn , and trumpets sound tanta , ra , ra , tanta , ra , ra , tanta , ra , ra . hark maids , more lots are drawn , prizes abound ; dub a dub , the drum now beats , and dub , a dub , a dub , echo repeats , as if the god of war had made loves queen a skirmish for a serenade . haste , haste , fair maids , and come away , the priest attends , the bridegrooms stay : roses and pinks will we strow where you go , whilst i walk in shades of willow . when i am dead , let him that did slay me be but so kind , so gentle to lay me there where neglected lovers mourn , where lamps and hallowed tapers burn , where clerks in quires sad dirges sing , where sweetly bells at burials ring . on a gentleman . tune , my freedom , which is all my ioy. 2. poor clori● wept , and from her eyes the liquid tears came trickling down ; such wealthy drops may well suffice , to be the ransom of a crown : and as she wept , she sigh'd , and said , alas for me unhappy maid , that by my folly , my folly am betray'd . 2. when first these eyes , unhappy eyes , met with the author of my wo , methoughts our souls did sympathize , and it was death to say him no. he su'd , i granted ; o then befel my shame , which i 'me afraid to tell ! ay me that i had never lov'd so well . 3. o had i been so wise as not t' have yielded up my virgin-fort , my life had been without a blot , and dar'd the envy of report ; but now my guilt hath made me be a scorn for time to point at me , as at the but and mark of misery . 4. here now in sorrow do i sit , and pensive thoughts possess my breast ! my silly heart with cares is split , and grief denies me wonted rest : come then black night and screen me round , that i may never more be found , vnless in tears , in tears of sorrow drown'd . on men escap'd drowning in a tempest . 1. rocks , shelves , and sands , and all farewel : fie , who would dwell in such a hell as is a ship ; which drunk doth reel , taking salt healths from deck to keel . 2. up we are swallowed in wet graves , all sous'd in waves , by neptune's slaves : what shall we do , being tost to shore , milk some blind tavern , and there roar ? 3. 't is brave , my boys , to sail on land ; for being well mann'd , we can cry , stand : the trade of pursing ne're shall fail , until the hangman crys , strike sail. on a great heat in egypt . i formerly in countreys oft have been under the aequinoctial , where i 've seen the sun disperse such a prodigious heat , that made our sieve-like skins to rain with sweat : men would have given for an eclipse their lives . or one whisper of air : yet each man strives to throw up grass , feathers , nay , women ●oo , to find the wind : all falls like lead , none blew . the dog-star spits new fires , till 't come to pass , each man became his neighbours burning glass : lean men did turn to ashes presently , fat men did roast to lean anatomy : young womens hea● did get themselves with child for none but they themselves , themselves defil'd . old women naturally to witches turn'd , and only rubbing one another , burn'd : the beasts were bak'd , skin turn'd to crust they say , and fishes in the river boil'd away : birds in the air were roasted , and not burn'd ; for as they fell down , all the way they turn'd . on a mighty rain . heaven did not weep , but in its swelling eye whole seas of rheum and moist catarhs did lie , which so bespawl'd the lower world , men see corn blasted , and the fruit of every tree : air was condens'd to water , 'gainst their wish , and all their fowl were turn'd to flying fish : like watermen they throng'd to ply a fare , and thought it had been navigable air : beasts lost their natural motion of each limb ; forgot to go , with practising to swim . a trout now here , you would not think how soon ta'ne ready drest forth ' empress of the moon : the fixed stars , though to our eyes were missing , we knew yet were , by their continual hissing . women seem'd maremaids , sailing with the wind , the greatest miracle was fish behind : but men are all kept short against their wish , and could commit but the cold sin of fish. the blunt lover . madam , i cannot court your sprightly eyes with a base-viol plac'd betwixt my thighs : i cannot lisp , nor to the guittar sing , and tire my brains with simple sonnetting , i am not fashion'd for these amorous times , and cannot court you in lascivious rhimes : nor can i whine in puling elegies , and at your feet lie begging from your eyes a gracious look : i cannot dance nor caper , nor dally , swear , protest , lie , rant , and vaper , i cannot kiss your hand , play with your hair , and tell you that you only are most fair : i cannot cross my arms , nor cry , ay me poor forlorn man ! all this is foppery . nor can i masquerade , as th' fashion 's now , no , no , my heart to these can never bow : but what i can do , i shall tell you roundly , hark in your ear ; by iove i 'le kiss you soundly . on a watch lost in a tavern . a watch lost in a tavern ! that 's a crime ; then see how men by drinking lose their time . the watch kept time ; and if time will away , i see no reason why the watch should stay . you say the key hung out , and you forgot to lock it , time will not be kept pris'ner in a pocket . henceforth if you will keep your watch , this do , pocket your watch , and watch your pocket too . a song , with the latine to it . when as the nightingale chanted her vesper , and the wild forresters couch'd on the ground , venus invited me in the evenings whisper unto a fragrant field with roses crown'd , where she before had sent her wishes complement , which to her hearts content plaid with me on the green : never mark anthony dallied more wantonly with the fair egyptian queen . the latin. cantu luscinia somnum ●rritat , salvi vagi sunt in cubilibus : hoc me silentio venus invitat , ad viridarium fragrantius ; vbi promiserat , qui mentem flexerat gaudia temperat sic mihi solida . o non dux amasius lusit beatius cum regina nilotica . de vino & venere . dote neither on women , nor on wine , for to thy hurt they both alike incline : venus thy strength , and bacchus with his sweet and pleasant grape debilitates the feet . blind love will blab what he in secret did , in giddy wine there 's nothing can be hid . seditious wars oft cupid hath begun , raechus to arms makes men in fury run : venus ( unjust ) by horrid war lost troy ; bacchus by war the lapiths did destroy . when thou with both or either are possest , shame , honesty , and fear oft flies thy brest : in fetters venus keep , in gyves bacchus tye , lest by their free gifts they thee damnifie . use wine for thirst , venus for lawful seed ; to pass these limits , may thy danger breed . on wine . he that with wine , wine thinks t' expel , one ill would with another quell : a trumpet , with a trumpet drown : or with the cryer of the town still a loud man : noise deaf with noise , or to convert a bawd , make choice of a pander : pride with pride shame thus , or put a cook down by calistratus ; discord by discord think to case , or any man with scoffs appease : so war by battel to restrain , and labour mitigate by pain : command a sudden peace between two shrill scolds in the height of spleen : by drink to queneh drink is all one , as is by strife , strife to attone . a song called hide-park . the tune , honour invites you to delights , come to the court , and be all made knights . 1. come all you noble , you that are neat ones , hide-park is now both fresh and green : come all you gallants that are great ones , and are desirous to be seen : would you a wife or mistriss rare , here are the best of england fair : here you may chuse , also refuse , as you your judgments ple●se to use . 2. come all you courtiers in your neat fashions , rich in your new unpaid-for silk : come you brave wenches , and court your stations , here in the bushes the maids do milk : come then and revel , the spring invites beauty and youth for your delights , all that are fair , all that are rare , you shall have license to compare . 3. here the great ladies all of the land are , drawn with six horses at the least : here are all that of the strand are , and to be seen now at the best . westminster-hall , who is of the court , unto his place doth now all resort : both high and low here you may know , and all do come themselves to shew . 4. the merchants wives that keep their coaches , here in the park do take the air ; they go abroad to avoid reproaches , and hold themselves as ladies fair : for whilst their husbands gone are to trade unto their ships by sea or land : who will not say , why may not they trade , like their own husbands , in their own way . 5. here from the countrey come the girls flying for husbands , though of parts little worth : they at th' exchange have been buying the last new fashion that came forth : and are desirous to have it seen , as if before it ne're had been : so you may see all that may be had in the town or countrey . 6. here come the girls of the rich city . aldermens daughters fair and proud , their jealous mothers come t' invite ye , for fear they should be losti'th ' croud : who for their breeding are taught to dance , their birth and fortune to advance : and they will be as frolick and free , as you your self expect to see . to his coy mistris . 1. coy one , i say , be gone , my love-days now are done : were thy brow like iv'ry free , yet 't is more black than jet to me . 2. might thy hairy tress compare with daphne's sporting with the air , as it is worse fetter'd far than th' knotty tuffs of mandrakes are . 3. were there in thy squint eyes found true native sparks of diamond ; as they are duller sure i am , than th' eye-lamps of a dying man , 4. were thy breath a civet scent , or some purer element ; as there 's none profess thee love , can touch thy lips without a glove . 5. were thy nose of such a shape , as nature could no better make ; as it is so skrewed in , it claims acquaintance with thy chin. 6. were thy breasts two rising mounts , those ruby nipples milky founts , as these two so fairly move , they 'd make a lover freeze for love . 7. could thy pulse affection beat , thy palm a balmy moisture sweat ; as their active vigor's gone , dry and cold as any stone . 8. were thy arms , legs , feet , and all , that we with modesty can call ; nay , were they all of such a grace , as 't might be stil'd , love amorous place . 9. as all these yield such weak delight , they 'd fright a bridegroom the first night : and hold it a curse for to be sped of such a fury in his bed . 10. could thine high improved state , vye with the greatest potentate : as in all their store i find mole-hills to a noble mind . 11. wert thou as rich in beauties form , as thou are held in natures scorn : i vow these should be none of mine , because they are entitled thine . a dialogue concerning hair , between a man and a woman . m. 1. ask me no more why i do wear my hair so far below my ear : for the first man that e're was made did never know the barbers trade , w. 2. ask me no more where all the day the foolish owl doth make her stay : 't is in your locks ; for tak'● from me , she thinks your hair an ivy-tree . m. 3. tell me no more that length of hair can make the visage seem less fair ; for howsoe'r my hair doth sit , i 'm sure that yours comes short of it . w. 4. tell me no more men were long hair to chase away the colder air ; for by experience we may see long hair will but a back friend be . m. 5. tell me no more that long hair can argue deboistness in a man ; for 't is religious being inclin'd , to save the temples from the wind . w. 6. ask me no more why roarers wear their hair ex●ant below their ear ; for having morgag'd all their land , they 'd fain oblige the appearing band. m. 7. ask me no more why hair may be the expression of gentility : 't is that which being largely grown , derives its gentry from the crown . w. 8. ask me no more why grass being grown , with greedy sickle is cut down , till short and sweet : so ends my song , lest that long hair should grow too long . a song . 1. that beauty i ador'd before , i now as much despise : 't is money only makes the whore : she that for love with her crony lies , ●ichaste : but that 's the whore that kisses for pr●●● . 2. let iove with gold his danae woo , it shall be no rule for me : nay , ' ● may be i may do so too , when i 'me as old as he . till then i 'le never bire the thing that 's free●punc ; 3. if coin must your affection imp , pray get some other friend : my pocket ne're shall be my pimp , i never that intend , yet can be noble too , if i see they mend . 4. since loving was a liberal art , how canst thou trade for gain ? the pleasure is on your part , 't is we men take the pain : and being so , must women have the gain ? 5. no , no , i 'le never farm your bed , nor your smock-tenant be : i hate to rent your white and red , you shall not let your love to me : i court a mistris , not a landlady . 6. a pox take him that first set up , th' excise of flesh and skin : and since it will no better be , let 's both to kiss begin ; to kiss freely ; if not , you may go spin . the careless swain . 1. is she gone ? let her go ; faith boys , i care not , i 'l not sue after her , i dare not , i dare not . though she 'as more land than i by many an acre , i have plow'd in her ground , who will may take her . 2. she is a witty one , and she is fair too ; she must have all the land that she is heir too : but as for free land she has not any , for hers is lammas ground , common to many . 3. were it in several , ' ●were a great favour , it might be an inriching to him that shall have her : but hers is common ground , and without bounding , you may graze in her ground , and fear no pounding . a catch for three voices . jack , will and tom are ye come , i think there is mirth in your faces : how glad i 'm to see such lads all agree in tunes and time , and graces . a song . 1. chloris , when i to thee present the cause of all my discontent ; and shew that all the wealth that can flow from this little world of man , is nought but constancy and love , why will you other objects prove ? 2. o do not cozen your desires with common and mechanick fires : that picture which you see in gold , in every shop is to be sold , and diamonds of richest prize men only value with their eyes . 3. but look upon my loyal heart , that knows to value every part : and loves thy hidden virtue more than outward shape , which fools adore : in that you 'l all the treasures find that can content a noble mind . the forsaken maid , a song . 1. nor love , nor fate dare i accuse , for that my love doth me refuse : but o mine own unworthiness , that durst presume so great a bliss ! too mickle 'twere for me to love a man so like the gods above , vvith angels face , and saint-like voice , 't is too divine for humane choice . 2. but had i wisely given mine heart , for to have lov'd him but in part : as only to enjoy his face . or any one peculiar grace ; a , foot , or hand , or lip , or eye : then had i liv'd where now i die . but i presuming all to chuse , am now condemned all to lose . 3. you rural gods that guard the swains , and punish all unjust disdains ; o do not censure him for this , it was my error , and not his . this only boon of you i 'le crave , to fix these lines upon my grave : like icarus , i soar'd too high , for which offence i pine , i die . on a precise taylor . a taylor , but a man of upright dealing , true , but for lying ; honest , but for stealing ; did fall one day extremely sick by chance , and on a sudden fell in a wondrous trance : the friends of hell must'ring in fearful manner , of sundry colour'd silks display'd a banner which he had stoln ; and wish'd , as they did tell , that he might one day find it all in hell. the man affrighted at this apparition , upon recovery grew a great precisian ; he bought a bible of the new translation , and in his life he shew'd great reformation : he walk'd demurely , and he talked meekly , he heard two lectures , and two sermons weekly : he vow'd to shun all company unruly , and in his speech he us'd no oath but truly : and zealously to help the sabbaths rest , the meat for that day on the eve was drest : and lest the custom that he had to steal , might cause him sometimes to forget his zeal , he gives his journey-man a special charge , that if the stuff allow'd fell out to large , and that to filch his fingers were inclin'd , he then should put the banner in his mind . this done , i scarce can tell the rest for laughter , a captain of a ship came three days after , and bought three yards of velvet & three quarters , to make his vest so large to hang below his garters , he that precisely knew what was enough , soon slip● away a quarter of the stust : his man espying it , said in derision , remember , master , how you saw the vision . peace , fool , quoth he , i did not see one rag of such like colour'd stuff within the flag . the scotch girls complaint for an englishmans going away , when my lord monk came for england . 1. ill tide this cruel peace that hath gain'd a war on me , i never fancied laddy till i saw mine enemy : o methoughts he was the bl●●hest one that e're i set mine eyes upon : vvell might have fool'd a wiser one , as he did me : he look'd so pretty , and talk'd so witty , none could deny , but needs must yield the fort up , gude faith , and so did i. 2. tantara went the trumpets , and strait we were in arms , vve dreaded no invasions , embrances were our charms . as we close to one another sit , did according to our mothers wit , but hardly now can smother it , it will be known , alack and welly , sick back and belly , never was maid , a soldier is a coming , though young , makes me afraid . 3. to england bear this sonnet , direct it unto none , but to the brave monk-heroes , both sigh and singing moan : some there are perhaps will take my part , at his bosom cupid shake his dart , that from me he ne'r may part , that is mine own : o maist thou never wear bow and quiver , till i may see once more the happy feature of my lov'd enemy . on fairford curious church-windows , which scap'd the war and the puritan . tell me , you anti-saints , why glass to you is longer liv'd than bras● ; and why the saints have scap'd their falls better on vvindows than on vvalls ? is it because the brothers fires maintain a glass-house at blackfriers ? next , why the church stands north and south , and east and vvest the preachers mouth ? or is 't because such painted ware resembles something what you are ? so pied , so seeming , so unsound in doctrine and in manners found , that out of emblematick wit you spare your selves in sparing it ? if it be so , then fairford boast , thy church hath kept what all hath lost : it is preserved from the bane of either vvar or puritan ; whose life is coloured in thy paint , the inside dross , but outside saint . the soldiers praise of a lowse . 1. will you please to hear a new ditty , in praise of a six footed creature : she lives both in countrey and city , she 's woundrous loving by nature . 2. she 'l proffer her service to any , she 'l stick close but she will prevail : she is entertained by many , till death no master she 'l fail . 3. your rich men she cannot endure , nor can she your shifter abide : but still she sticks close to the poor , though often they claw her hide . 4. the non-suited man she 'l woo him , or any good fellows that lack : she will be as nigh a friend to him as the shirt that sticks to his back . 5. your neat landress she perfectly hates , and those that do set her awork : and still in foul linen delights , that she in the seams on 't may lurk . 6. corruption she draws like a horse-leech , being big , she grows a great breeder : at night she goes home to her cottage , and in the day is a devillish feeder . 7. to commanders and soldiers in purging i 'm sure her receipts are good : for she saves them the charge of a surgeon in sucking and letting of blood . 8. she 'l venture in a battel as far as any commander that goes : she 'l play iack a both sides in war , and cares not a pin for her foes . 9. she 's always shot-free in fight , to kill her no sword will prevail : and if took prisoner by flight , she 's crush'd to death with a nail . 10. from her and her breed iove defend us for her company we have had store : let her go to the court and the gentry , and trouble poor soldiers no more . a song . s m●thought the other night i saw a pretty sight that mov'd me much : a fair and comely maid not squeamish nor afraid to let me touch . our lips most sweetly kissing each other never missing : her smiling look did shew content , that she did nought but what she meant . 2. and as our lips did move , the echo still was love , love , love me sweet . then with a maiden blush , instead of crying push , our lips did meet : with musick sweet by sounding , and pleasures all abounding , we kept the burden of the song , which was , that love should take no wrong . a song . 1. o my dearest , i shall grieve thee when i swear , yet sweet believe me . by thine eye , that crystal book in which all crabbed old men look , i swear to thee , though none abhor them , yet i do not love thee for them . 2. i do not love thee for that fair rich fan of thy most curious hair : though the wires thereof are drawn finer than the threds of lawn , and are softer than the sleeves which the subtil spinner weaves . 3. i do not love thee for those flowers growing on thy cheeks , loves bowers ; though such cunning them hath spread , none can part their white and red : loves golden arrows there are shot , yet for them i love thee not . 4. i do not love thee for those sof● red coral lips i 've kist so oft , nor teeth of pearl , though double rear'd to speech , where musick still is heard , though from thence a kiss being taken , would tyrants melt , and death awaken . 5. i do not love thee , o my fairest , for that richest , for that rarest silver pillar which stands under thy lovely head , that glass of wonder : though thy neck be whiter far than towers of polish'd ivory are . 6. nor do i love thee for those mountains hid with snow , whence nectar fountains sug'red sweet , and syrup-berry , must one day run through pipes of cherry : o how much those breasts do move me● yet for these i do not love thee . 7. i do not love thee for thy palm , though the dew thereof be balm : nor thy curious leg and foot , although it be a precious root whereon this stately cedar grows : sweet i love thee not for those . 8. nor for thy wit so pure and quick , whose substance no arithmetick can number down : nor for the charms thou mak'st with embracing arms ; though in them one night to lie , dearest i would gladly die . 9. i love the not for eyes nor hair , nor lips , nor teeth that are so rare ; nor for thy neck , nor for thy breasts , nor for thy belly , nor the rest : nor for thy hand , nor foot , nor small , but would'st thou know , dear sweet , for all . an old song on the spanish armado . 2. some years of late in eighty eight , as i do well remember , it was some say , nineteenth of may , and some say in september , and some say in september . the spanish train , lanch'd forth amain , with many a fine bravado their ( as they thought ) but it prov'd not , invincible armado , invincible armado . 3. there was a little man that dwelt in spain , who shot well in a gun a , don pedro hight , as black a wight as the knight of the sun a , as the knight of the sun a. 4. king philip made him admiral , and bid him not to stay a but to destroy , both man and boy , and so to come away a , and so to come away a. 5. their navy was well victualled with bisket , pease , and bacon , they brought two ships , well fraught with whips , but i think they were mistaken . but i think they were mistaken . 6. there men were young , munition strong , and to do us more harm a , they thought it meet to joyn their fleet , all with the prince of parma . all with the prince of parma . 7. they coasted round about our land , and so came in by dover : but we had men set on'um then , and threw the rascals over , and threw the rascals over . 8. the queen was then at tilbury , what could me more desire a , and sir francis drake for her sweet sake , did set them all on fire a , did set them all on fire a. 9. then strait they fled by sea and land , that one man kill'd threescore a ; and had nor they all ran away , in truth he had kill'd more a , in truth he had kill'd more a. 10. then let them neither brag nor boast , but if they come agen a , let them take heed , they do not speed , as they did you know when a , as they did you know when a. the loyal prisoner . 1. beat on proud billows , boreas blow , swell curled waves high as ioves roof : your incivility shall show , that innocence is tempest proof : though furious nero's frown , my thoughts are calm , then strike affliction , for your wounds are balm . 2. that which the world miscalls a jail , a private closet is to me , whilst a good conscience is my bail , and innocence my liberty : locks , bars , and solitude together met . makes me no pris'ner , but an anchoret . 3. and whilst i wish to be retir'd into this private room was turn'd ; as if their wisdoms had conspir'd the sallam under should be burn'd : or like those sophies , which would drown a fish , i am condemn'd to suffer what i wish . 4. the cynick hugs his poverty , the pellican her wilderness : and ' 〈◊〉 the indians pride to be naked on frozen caucasus . contentment cannot smart , stoicks we see , make torments easie to their apathie . 5. i 'm in this cabinet lock'd up , like some high prized margerite : or like some great mogul or pope , am cloister'd up from publick , sight : retiredness is a piece of majesty ; and thus proud sultan , i 'm as great as thee . 6. these manicles about my arms , i as my mistris favours wear : and for to keep my ankles warm , i have some iron shackles there : these walls are but my garrison , my cell , what men call iail , doth prove my cittadel . 7. so he that stroke at iasons life , thinking to have made his purpose sure , with a malicious friendly knife , was only wounded to a cure . malice , i see , wants wit ; for what is meant mischief oft-times proves favours by th' event . 8. what though i cannot see my king , neither in 's person , nor his coin : yet contemplation is a thing which renders what i have not mine : my king from me what adamants can part , whom i do wear engraven on my heart ? 9. have you not seen the nightingale a pris'ner like , coop'd in a cage ? how she doth chaunt her wonted tale , in that her narrow hermita● ? even then her melody doth plain●y prove , that her boughs are trees , her cage a grove . 10. i am that bird whom they combine thus to deprive of liberty : although they see my corps confin'd , yet maugre hate , my soul is free . although i 'm mew'd , yet i can chirp and sing , disgrace to rebels , glory to my king. on his first love. my first love whom all beauty did adorn , firing my heart , supprest it with her scorn , and since like tinder in my breast it lies , by every sparkle made a sacrifice : each wanton eye , now kindles my desire , and that is now to all , which was intire : for now my wanton thoughts are not confin'd unto a woman , but to woman kind : this for her shape i love , that for her face , this for her gesture , or some other grace : and sometimes when i none of these can find , i chuse them by the kernel , not the rind ; and so do hope , though my chief hope be gone , to find in many what i lost in one . she is in fault which caus'd me first to stray , needs must he wander which hath lost his way : guildess i am , she did this change provoke , and made that charcoal , which at first was oak : for as a looking-glass to the aspect , whilst it is whole , doth but one face reflect ; but crack'd and broken in pieces , there are shown many false faces where first was but one : so love into my heart did first prefer her image , and there plan●ed none but her : but when 't was crack'd and martyr'd by her scorn , many less faces in her sea● were born : thus like to tinder , i am prone to catch each falling sparkle , fit for any match . on his mistris● going to sea. farewel , fair saint , may not the seas and wind swell like the heart and eyes you left behind : but calm and gentle , like the looks they bear , smile in your face , and whisper in your car : l●t no foul billow offer to arise , that it might nearer look upon your eyes ; lest wind and waves enamour'd with such form , should throng and crowd themselves into a storm . but if it be your fate , vast seas , to love , of my becalmed heart learn how to move : move then but in a gentle lovers pace , no wrinckles , nor no furrows in your face ; and you sicrce winds , see that you tell your tale in such a breath as may but fill her sail : so while you court her each a several way , you will her safely to her port convey , and lose her in a noble way of wooing , whilst both contribute to her own undoing . on a blush . stay lusty blood , where wilt thou seek so blest a place as in her cheek ? how canst thou from that cheek retire , where vertue doth command desire ? but if thou canst not stay , then flow down to her panting paps below ; flow like a deluge from her breasts , where venus swans have built their nests ; and so take glory to bestain with azure blew each swelling vein : then boiling , run through every part , till thou hast warm'd her frozen heart : and if from love it would retire , then martyr it with gentle sire : and having search'd each secret place , fly thou back into her face : where live thou blest in changing those white l●llies to a ruddy rose . in praise of a mask . there is not half so warm a fire in fruition as desire : when we have got the fruit of pain , possession makes us poor again . expected form and shape unknown , whets and makes sharp temptation : sense is too nigardly for bliss , and daily pays us with what is . but ignorance doth give us all that can within her brightness fall . veil therefore still , whilst i divine the riches of that hidden mine ; and make imagination tell all wealth that can in beauty dwell . thus the highly valu'd oar , earths dark exchequer keeps in store : and search'd in secret , only quits the travel of the hands and wits ; who dates to ransack all the hoards , that natures privy purso affords . our eye the apprehensions thief , blinds our unlimited belief . when we see all , we nothing see , disclosure may prove robbery . for if you shine not , fairest , be●ug shown , i pick a cabinet for a bristol stone . excuse for absence . you 'l ask , perhaps , wherefore i stay , loving so much , so long away ? do not think 't was i did part ; it was my body , not my heart : for , like a compass , in your love one foot is sixt that cannot move : to ' other may follow the blind guide of giddy fortune , but not slide beyond your service ; nor dares venture to wander far from you the center . to his mistris . keep on your mask , and hide your eye , for with beholding it i die , your fatal beauty , gorgon-like , dead with astonishment doth strike : your piercing eyes , if them i see , are worse than basilisks to me . shut from mine eyes those hills of snow , their melting valley do not show ; those azure paths lead to despair . o vex me ●ot , forbear , forbear : for whilst i thus in torment dwell , the sight of heaven is worse than hell. your dainty voice , and warbling breath , sound like a sentence past for death : your dangling tresses are become the instruments of final doom ; o if an angel torture so when life is done , what shall i do ? to his mistris . i 'll tell you how the rose did first grow red , and whence the lilly whiteness borrowed : you blush'd , and then the rose with red was dight ; the lilly kist your hand , and so came white . before that time each rose had but a stain , the lilly nought but paleness did contain : you have the native colour , those the dye , they slourish onely in your eye . hic jacet john shorthose sine hose , sine shooes , sine breeches , qui fuit dum vixit , sine goods , sine lands , sine riches . on his mistris . is she not wondrous fair ? o but i see she is so much too sweet , too fair for me , that i forget my flames , and every fi●e hath taught me not to love , but to admire : just like the sun , methinks i see her face , which i should gaze on still , but not embrace ; for 't is heavens pleasure that she should be sent as pure to heaven again , as she was lent to us : and bid us , as we hope for bliss , not to profane her with a mortal kiss . then how cold grows my love , and i how hot ? o how i love her , how i love her not ! so doth my ague-love torment by turns , and now it freezeth , now again it burns . a sigh . go thou gentle whisp'ring ' wind , bear this sigh , and if you find where my cruel fair doth rest , cast it in her snowy breast : the sweet kisses thou shalt gain , will reward thee for thy pain . taste her lips , and then confess , if arabia doth possess or the hybla honour'd hill , sweets like those that there distil . having got so , with a fee do another boon for me : thou canst with thy powerful blast heat apace , and cool as fast : then for pity either stir up the fire of love in her , that alike both slames may shine , or else quite extinguish mine . to a spruce and very finely deck'd lady . 2. still to be neat , still to be drest , as if you were going to a feast ▪ still to be powder'd , still perfum'd , lady , it is to be presum'd , though arts hid causes are not found , all is not sweet , all is not sound . 2. give me a look , give me a face , that makes simplicity a grace ; robes largely slowing , hairs as free ; such sweet neglect more taketh me than all th' adulteries of art : they please my eye , but not my heart . the good fellows song . 1. as we went wandring all the night , the brewers dog our brains did bi●e , our heads grew heavy , and our heels grew light , and we like our humour well boys , and we like our humour well . 2. our hostess then bid us pay her sc●re , we call'd her whore , and we paid her no more , and we kick'd our hostess out of the door , and we like our humour well boys , and we like our humour well . 3. and as we went wandring in the street , we trod the kennels under our feet , and fought with every post we did meet , and we like our humour well boys . and we like our humour well . 4. the constable then with his staff and band , he bid us if we were men to stand , we told him he bid us do more than we can , and we like our humour well boys , and we like our humour well . 5. our hostesses cellar it is our bed , upon the barrels we lay our head , the night is our own , for the devil is dead , and we like our humour well boys , and we like our humour well , vpon fasting . the poor man fasts , because he has no meat ; the sick man fasts , because he cannot eat : the userer fasts , to encrease his store : the glutton fasts , 'cause he can eat no more ; the hypocrite , because he 'd be commended : the saints do fast , because they have offended . one wish'd me to a wife that 's fair and young , that hath french , spanish , and italian tongue : i thank'd him , but yet i 'l have none of such ; for i think one tongue for a maid's too much : what , love you not the learned ? yes as my life . the learned scholar , but the unlearned wife . on a lover that would not be beloved again . disdain me still , that i may ever love , for who his love enjoys , can love no more : the war once past , with peace men cowards prove , the ships return'd do rot upon the shore , then frown though i say thou art m●st fair , and still i love thee , though i still despair . as heat to life , so is desire to love , for these once quench'd , both life and love are done : let not my sighs and tears thy virtues move like basest metal do not melt so soon , laugh at my woes although i ever mourn , love surfeits with rewards , his nurse is scorn . a rural song . 1. come lads and lasses , each one that passes , dance a round on the ground whilst green the grass is . for if you 'l ever , with mirth endeavour with heart and voice , rejoyce , come now or never : for the blind boy love was caught and betray'd in the trap that was laid for the poor silly maid . 2. now here , now yonder , with goose and gander , with your ducks , hens , and cocks , safe may you wander , securely may you go , to the market to and fro , iohn and ione all arow , and never fear the foe , for the blind boy love was caught and betray'd in the trap that was laid for the poor silly maid . 3. sweetest come hither , let us thither , where we 'l court , and there sport freely together . we 'l enjoy kisses , with other blisses , so come home , when we have done , and none shall miss us . for the blind boy love was caught and betray'd in the trap that was laid , for the poor silly maid . 4. over you bower ; iove seems to lowre , as he meant to prevent our happiest hour : but the times treasure , giving us leasure in spight of iove , for to prove our chiefest pleasure . for the blind boy love was caught and betray'd in the trap that was laid , for the poor silly maid . a scotch song , called gilderoy . 1. was ever grief so great as mine , then speak dear bearn , i prethee , that thus must leave my gilderoy , o my benison gang with thee . good speed be with you then sir , she said , for gone is all my joy : and gone is he whom i love best , my handsom gilderoy . 2. in muckle joy we spent our time till we were both fifteen , then wantonly he ligg'd me down , and amongst the b●akes so green . when he had done what man could do , he rose up and gang'd his way : i gate my goon , and i followed him , my handsom gilderoy . 3. now gilderoy was a bonny boy , would needs to 'th king be gone , with his silken garters on his legs , and the roses on his shoone : but better he had staid at home with me his only joy , for on a gallow-tree they hung my handsom gilderoy . 4. when they had ta'ne this lad so strong , gude lord how sore they bound him , they carried him to edenb'rough town , and there god wot they hung him : they knit him fast above the rest , and i lost my only joy , for evermore my benison gang with my gilderoy . 5. wo worth that man that made those laws , to hang a man for genee , for neither stealing ox nor ass , or bony horse or meere : had not their laws a bin so strict , i might have got my joy : and ne'r had need tull a wat my check for my dear gilderoy . a song to his mistris . 1. i will not do a sacrifice to thy face or to thy eyes : nor unto thy lilly palm , nor thy breath that wounding balm : but the part to which my heart in vows is seal'd , is that mine of bliss divine which is conceal'd . 2. what 's the golden fruit to me , if i may not pluck the tree : bare enjoying all the rest , is but like a golden feast , which at need can never feed our love-sick wishes : let me eat substantial meat , not view the dishes . the advice . phyllis for shame , let us improve a thousand several ways , these few short minutes stoln by love from many tedious days . whilst you want courage to despise the censure of the grave : for all the tyrants in your eyes , your heart is but a slave . my love is full of noble pride , and never will submit to let that fop discretion ride in triumph over wit. false friends i have as well you , that daily counsel me vain friv'lous trisles to pursue , and leave off loving thee . when i the least belief bestow on what such fools advise , may i be dull enough to grow most miserably wise . a vision . beneath a myrtle shade which iove for none but happy lovers made , i slept , and streight my love before me brought , phillis the object of my waking thought , undrest she came my flames to meet , whilst love strew'd flowers beneath her feet : flowers that so prest by her became more sweet . from the bright visions head , a careless vail of lawn was loosely spread : from her white shoulders fell her shaded hair , like cloudy sun-shine , nor too brown nor fair : her hands , her lips did love inspire , her ev'ry part my heart did fire : but most her eyes , that languish'd with desire . ah charming fair , said i , how long will you my bliss and yours deny ? by nature and by iove this lonesome shade was for revenge of suff'ring lovers made : silence and shades with love agree , both shelter you , and favour me ; you cannot blush , because i cannot see , no , let me die , she said , rather than lose the spotless name of maid : faintly she spoke methought , for all the while she bid me not believe her with a smile . then die , said i : she still deny'd : and is it thus , thus , thus , she cry'd , you use a harmless maid ? and so she dy'd . i wak'd , and straight i knew i lov'd so well , it made my dream prove true . fancy the kinder mistriss of the two , fancy had done what phillis would not do . ah cruel nymph , cease your disdain , while i can dream you scorn in vain : asleep or waking you must ease my pain . the bachelors song . like a dog with a bottle fast ty'd to his tail , like a vermin in a trap , or a thief in a jail , like a tory in a bog , or an ape with a clog , even such is the man , who when he may go free , does his liberty lose in a matrimony noose , and sells himself into captivity . the dog he doth howl when the bottle doth jog , the vermin , the thief , and the tory in vain of the trap , of the jail , of the quagmire complain , but well fare poor pug , for he plays with his clog ; and though he would be rid on 't rather than his life , yet he hugs it and tugs it as a man does his wife . the batchelors satyr re●orted . 1. like a dog that runs madding at sheep or at cows , like a boar that runs brumling after the sows , like a jade full of rancor , or a ship without anchor , such is the libertine whom sense invites to spend his leisures in recoyling pleasures , and prefers looseness unto hymens rites : whereas that honest tedder holds the dog from ranging to the folds ; and the soft tie of sixt desire , keeps men from that boarish mire ; the bit and reins the horse restrains , and th' anchor saves the ship from waves vermin indeed are oft deserv'dly caught in their own traps , venereous claps , which health and wealth and conscience dearly bought . 2. those felons of themselves are their own jails , and by stoln pleasure do their sin intail ; such wandring tories in unknown bogs , and busie urchins are ensaf'd by clogs : but well fare that bird , that sweetly is heard to sing in the contented cage , secure from fears , and all the snares of a licentious and trepanning age , passing a calm harmonious life , just like an honest man and wife . a reply to the batchelors satyr retorted . like a cat with her tail fast hel'd by a peg , like a hog that gruntles when he 's ty'd by the leg , like a gall'd horse in a pownd , or a ship run a ground : such is the man , who ty'd in a nuptial nooze , with the proud stoick , brags of his patches , and his rags and rails at looseness , yet would fain get loose , whereas the cat , not knowing who vext her , tooth and nail assaults the thing that is next her ; and the soft tye of fixt desire binds the hog to the paradise of his dear mire : the horse frisks about , but cannot get out ; and the anchor gives way to the boysterous sea. husbands indeed are oft deserv'dly caught in their own traps , by others claps , or midwives , nurses , cradles dearly bout . these felons to themselves are their own jail : some on the parish do their bratsentail , like tories from thir wives and children run , designing but to do , and be undone : or else like hedghogs under crabtrees roll , to bring home to their drabs a burthen of crabs , and then retire to their hole . but well fare the owl , of all feather'd fowl , that in the contented ivy-bush sings ; she dodders all day , while the little birds play , and at midnight she flutters her wings , hooting out her mopish discontented life , just like and honest man and wife , on a wedding . how pleasant a thing , were a wedding , and a bedding ? if a man could purchase a wife for a twelvemonth and a day : but to live with her all a mans life , for ever and for ay , till she grows as grey as a cat : good faith , mr. parson , excuse me for that . the answer . how honest a thing is a wedding , and a bedding ? if a man but make choice of a virtuous wife , to live with for aye , not a month and a day , but to love and to cherish all days of his life , till both are grown grave , rich , fruitful , and fat : good sooth ( sir ) there needs no excuses for that . and thus against all syrens safely stands the wise ulysles ty'd with nuptial bands . vpon his majesties picture drawn by a fair lady . your hand with nature at a noble strife , hath paid our sovereign a great share of life . strange fate ! that charles did ne'r more firmly stand , then when twice rescu'd by a female hand . fair voucher of the royal head , which we owe though first to madam lane , yet next to you . but here your glory much doth hers out-vie , she us'd disguise , you use discovery : and sure there 's not so much of honour shown to save by hiding , as by making known : yet hence for you the odds do higher lie , she sav'd from death , you from mortality ; who in despight of fate can give reprieve , and in this deathless image make him live . warwicks great worth must quit the leaves of same , there never was a make-●ing till you came . had shiva's queen known thus , she need not roam , sh' had seen the learned monarch nearer home . o how vandike would fret himself , by you baffl'd at once in th' art and object too ! nature her self amaz'd , doth scarce yet know for certain , whether , she drew both , or you : and we , seeing so much life in th' image shown , fear least it speak , and lay a claim to th' crown . and th' vulgar apt to a more gross mistake , should charles but for his pictures picture take . who knows what harm might from your pencil come if painting had not been an art that 's dumb . w●r●'sters strict search had ceas'd , did cromwel know how much of charles your hand could to him show ; and the great rebel would contented be to have him murther'd in this effigie ; wherein he doth so much himself appear , i am i' th' presence whilst i spy him here . his crown he may from others hands receive , but only you charles to himself could give . to be thus lively drawn , is th' only thing could almost make me wish my self a king. go on , fair hand , and by a nobler art make charles a prince compleat in every part : and to the world this rare example show , you can make kings , and get them subjects too , finis . westminster drollery , the second part ; being a compleat collection of all the newest and choicest songs and poems at court and both the theaters . by the author of the first part , never printed before . london , printed for william gilbert at the half-moon in 〈…〉 these to his honoured freind , the author of this book , upon his westminster drollery . having perus'd your book , i there do find the footsteps of a most ingenious mind ; which ( traceing ) i ne're left , until i came vnto the knowledge of the authors name ; which having understood , i needs must show that due respect i to your lines doe owe. how easie is it for a man to know those songs you made , from those collected too ? yours like rich vyands on a table set , invites all pallats for to tast and eat ; t● ' others but garnish are , which only serve to feed a hungry stomach , least it starve ; yours like the sun , when he displayes his face , obscures , and darkens starrs of meaner race : so sir , in every thing you so transcend , that i could wish your drolleries no end : but least my youthful poetry should stray from their intentions , and so lose their way , i 'le wish your fame may be as amply known as he desires , who speaks himself your own . ric : mangic westminster drollery . the late song at the dukes house . since we poor slavish women know our men we cannot pick and choose , to him we like , why say we no ? we both our time and labour loose : by our put offs , and fond delayes , a lovers appetite we pall ; and if too long the gallant stayes , his stomack 's gone for good and all . or our impatient amorous guest unknown to us away may steale , and rather than stay for a feast take up with some course ready meale . when opportunity is kind , let prudent women be so too ; and if a man be to her mind , till , till , — she must not let him goe . the match soon made is happy still , for only love , 't is best to doe for none should marry 'gainst their will , but stand off when their parents woe , and only to their suits be coy ; for she whom jointures can obtain to let a fopp her bed injoy , is but a lawfull wench for gain . a late song called the resolute gallant for a second tryall . how hard a fate have i that must expire by sudden sparkles love hath blown to fire : no paine like mine , 'cause fed with discontent , not knowing how these flames i may prevent . lucinda's eyes affection have compel'd , and ever since in thraldome i have dwelt ; yet which is more , s●● who 's my sole delight belongs unto another man by right . what though she do ? bear up dejected mind , she that is faired doth seldome prove unkind ; she may be so , i 'le put it to a venture ; who tryes no circle , may mistake the center . for joyes themselves are only tr●e when try'd , frui●ion is the comfort of a bride ; and how can he enjoy that ne'r doth try but is dishearted with a female fie ? ( when known to most ) they willingly resigne what they doe seem as willing to decline , why then should i desist , i 'le try agen , they ' steeme the valiant lover the best of men . the subtil girle well fitted . the tune the new boxy . prethee cloris tell me how i 've been to thee disloyal ; in love thou know'st who makes a vow , 't is only but on tryal : for had i found , thy graces sound , which first i did discover , there 's none shou'd be more kind to thee , or halfe so true a lover . 2. i vow'd 't is true , i 'le tell you how , with mental reservation , to try if thou wouldst keep thy vow , and find thine inclination ; but when i saw thou didst withdraw thy faith from me to changing , why shoul'dst thou blame me for the same to take my swing in ranging . 3. no cloris know , the knack i 've found of this thy feigned passion , thou knowst my elder brother's drown'd and chinks with me in fashion ; and likewise know , i 've made a vow to one did ne're deceive me vvho in the worst of times she durst both visit and relieve me . 4. then farewell cloris false and faire , and like thee every woman , nor more will weare thy lock of haire , thy favours now are common ; but i will weare aminta deare vvithin my heart for ever , vvhose faire and kind , and constant mind , to cherish i 'le endeavour . the new scotch song . sit ' tha ' do'on be me , mine awn sweet joy , thouse quite kill me suedst thou prove coy , suedst thou prove coy , and not loove me . vvhere sall i fiend sike a can as thee . 2. is'e bin at weke , and is'e bin at faire , yet neer coo'd i find can with thee to compare ; oft have i sought , yet ne're cood i find ean i loov'd like thee , ' gen you prove kind . 3. thou'se ha' a gay goone , an gea fine , vvith brave buskins thy feet sall shine , vvith the fin'st sloores thy head sall be crownd , an thy pink-patticoat sall be lac't round . 4. vvee'se gang early to the brooke side , vvee'se catch fishes as they do glide , ev'ry little fish thy prisner sall be , thou'fe catch them , an i 'se catch thee . 5. coom lat me kisse thy cherry lip , an praise aw the features , a thy sweet face , thy forehead so smooth and lofty doth rise , thy soft ruddy cheeks , and thy pratty black eyes . 6. i se ligg by thee all the caw'd niete , ' thou's● want neathing for thy deleete ; thouse ha' any thing , thouse ha me , sure i ha soom thing that'le please thee . the answer to the scotch song , and to that tune . 1. sibby cryes to the wood , coom follow me , ●or i'se have a fiene thing my billy for thee , it i like a thing which i mun not tell , yet i ken billy thou'se love it well . 2. billy cryes , wa is me , and sight vary seare cause to his sibby he cood not come neare , at last he tald her with many a greane ise cannot follow sibby for meerter and steane . 3. thou ken'st billy , is'e loove thee wee le , and for thy love my patticoat wa'd sell ; i 'se loove thee dearly wee 'le as myne ean mother , thou'se pull down ean side , & i 'se pull down tother . 4. sibby gang'd to the wail to pull it doone , billy ean the tea side came there as soone ; then she pul'd doon the steane , & billy the meerter , that of his ●●atty sibby he might be the peerter . the rejected lover to his mistriss . 1. what means this strangen●ss now of late , since time doth truth approve , such difference may consist with state , in cannot stand with love . 2. 't is either cunning or distrust , doth such ways allow ; the first is base , the last unjust , let neither blemish you . 3. explaine with unsuspitious looks the riddles of your mind , the eyes are cupids fortune books , where love his fate may find . 4. if kindness crosse your wisht content , dismiss it with a frown , i 'le give thee all the love is spent , the rest shall be my own . the prologue to witt without money : being the first play acted after the fire . so shipwrackt passengers escape to land , so look they , when on bare beach they stand , dropping and cold ; and their first feare scarce o're , expecting famine from a desert shore ; from that hard climate we must wait for bread whence even the natives forc't by hunger fled . our stage does humane chance present to view , but ne're before was seen so sadly true , you are chang'd to , and your pretence to see is but a nobler name of charitie . your own provisions furnish out our feasts whilst you the founders make your selves our guests . of all mankind besides fate had some care , but for poore witt no portion did prepare , 't is left a rent-charge to the brave and faire . you cherisht it , & now its fall you mourne , which blind unmannerd zealots make their scorne , who think the fire a judgment on the stage , which spar'd not temples in its surious rage . but as our new-built city rises higher , so from old theaters may new aspire , since fate contrives magnificence by fire . our great metropolis doth farr surpasse what ere is now , & equald all that was , our witt as far doth forrein wit excell , and like a king should in a pallace dwell . but we with golden hopes are vainely fed , talk high , and entertaine you in a shed : your presence here , for which we humbly sue , will grace old theaters , and build up new . a song . of all the briske da●●s my selina for me , for i love not a woman unlesse she be free ; the affection that i to my mistris do pay grows weary , unless she does meet me half way : there can be no pleasure 'till humours do hit , then jumping's as good in affection as wit. no sooner i came , but she lik't me as soone ; no sooner i askt , but she granted my boon ; and without a preamble , a portion or jointer , she promis'd to meet me , where e're i 'de appoint her ; so we struck up a match , and embrac'd each other without the consent of father or mother . then away with a lady that 's modest and coy , let her ends be the pleasure that we do enjoy ; l●t her tickle her fancy with secret delight , and refuse all the day , what she longs for at night : i believe my selina , who shews they 'r all mad , to feed on dry bones , when flesh may be had . a song . give o're foolish heart , and make hast to despare , for daphne regards not thy vowes nor thy prayer which plead for thy passion , thy paines to prolong ; she courts her gittar , and replyes with a song . no more shall true lovers such beauties adore , were the gods so severe , men would worship no more . no more will i waite like a slave at your doore , i will spend the cold night at the windows no more ; my lungs in long sighs i 'le no more exhale , since your pride is to make me grow sullen & pale ; no more shall amintas your pitty implore , were gods so ingrate men , would worship no more . no more shall your frowns & free humour perswade to worship the idol my fancy hath made ; when your saint's so neglected , your follies give 'ore your deity's lost , and your beauty 's no more ; no more sh●ll true lovers such beauties adore , were the gods so severe , men would worship no mo●● . how weak are the vowes of a lover in paine when flarter'd with hope , or opprest with disdain ; no sooner my daphne's bright eyes i review , but all is forgot , and i vow all anew . no more fairest nymph , i will murmur no more . did the gods seem so faire , men would ever adore . a song . 1. corinna ' false ! it cannot be , let me not hear 't againe , 't is blasphemie , shee 's divine , not the shrine where the vestall flames doe shine holds out a light so constant pure as she ▪ first shall the nights out-burne those taper lights which emulate the one ey'd day ; phaebus rayes shall outgaze titan in his chiefest praise ; snow shall burne , floods returne to their springs , their funerall urne , e're my corinna's constancy decay . 2. not innocence it selfe is free from imputation ; and ' twe●e base in me , where i find love combin'd in a heart of one so kind , to injure vertue with jealousie . still do i strive to keep my joyes alive and vindicate corinna's fame , whilst my brest doth suggest thoughts which violate my rest , and my feares flow in teares whilst they wound me through the eare 's which cast aspersion on corinna's name . 3. 't is sayd , corinna may it be as false as my affection 's true to thee , that thou art ! how my heart greeves such terrors to impart ; not what thou wast before to me . this , this , destroyes my late triumphant joyes which sweld , when in your armes i was intwin'd . loves best wreath you did breath , you vowd to be my love till death sealing this with that blisse , whilst with armes , and every word a kiss our pure soules were as our hearts combin'd . last night i walkt into a grove ●mong shady bowers to bewaile my love , there to find fate so kind as to ease my pensive mind or thoughts of my corinna to remove . but there the nightingale had husht her pretty tale , leaving her ditty 's to the owle , which made me sad and did adde fewel to the flame i had : that poore i now must die unless corinna's constancy takes off this clogg which overwhelmes my soule . the petticoate wagge , with the answer . some say the world is full of holes , and i think many a chinke is unstopt , that were better clos'd , is now unstopt that were better clos'd . to stop them all is more than to build pauls ; wherefore he that would see how men are in private dispos'd , how most men are in private dispos'd then let him looke the world throughout from the oyster-wench to the black bagg , and peepe here , and peepe there , you 'l still find the petticoate wagge . the answer . some say the world is full of pelse , but i think there 's no chinke because i have so little my selfe , because i have now so little my selfe . where pockets are full , there men will borrow , but one must neve● trust 〈◊〉 to be pay'd to day or to morrow , 〈◊〉 to be pay'd to day or to morrow ▪ ● let him look the world throughout from the usurer to his best friend , and ask here , and ask there , but the devil a penny they 'l lend . an invocation to cupid ▪ a song . you powers that guard loves pleasant thron● and guide our passions by your owne , 〈◊〉 downe , send down that golden dart 〈◊〉 makes two lovers weare one heart . sollicite venus that her doves ●hich through their bills translate their loves , may teach my tender love and i to kisse into a sympathy . pray cupid , if it be no sinne 'gainst nature , for to make a twinne of our two soules , that the others eyes may see death cozen'd when one dyes . if oh you powers you can implore thus much from love , know from your store two amorous turtles shall be freed vvhich yearly on your altar bleed ▪ a beautifull and great lady died in march , and was buried in april . march with his winds hath struck a cedar tall , and weeping aprill mournes the cedars fall , and may intends her month no flowres shall bring sith she must loose the flowre of all the spring . then march winds have caused aprill showers , and yet sad may , must loose her flower of flowres . to● of bedlam , and to that tune . a mock to from a dark and dismal state . 1. from the hagg and hungry goblin that into raggs would rend yee , all the spirits that stan by the naked man in the book of moons defend yee , ●hat of your five sound senses you never be forsaken , nor travel from your selves with tom abroad to begg your bacon . chor : nor never sing , any food any feeding , money drink or clothing : come dame or mayd be not asfrayd , poor tom will injure nothing . 2. of 30 bare yeares have i twice twenty bin inraged , and of forty bin three times fifteene in durance soundly caged . ●n the lovely lofts of bedlam , on stubble soft & dainty brave bracelets strong , sweet whips ding dong and who some hunger plenty . cho● . and now i sing , any food , any feeding &c. 3. with a thought i took for mawdlin , and a ●ruse of ●o●kle pottage and a thing thus — tall ( skye blesse you all ) i fell into this do●age . i slept not since the conquest , 'till then i never waked , 'till the roguish boy of love where i lay me found , and stript me naked . chor : and made me sing , any food , &c. 4. when short i have shorne my sowes face , and swigg'd my horned barrell , in an oaken inne , doe i pawn my skin , as a suit of gi●● apparel . the moon 's my constant mistris , and the lovely owle my morrow , the flaming drake , and the night-crow make me musick to my sorrow . chor : while there i sing any food &c. 5. the palsy plague these pounces , when i prigg your piggs or pullen , your culvers take , or matelesse make your chanticleare , and ●ullen ▪ when i want provant , with humphry i su● , and when benighted , to repose in paules , with walking soules , i never am affrighted . chor : but still do i sing , any food &c. 6. i know more than apollo , for oft when he lyes sleeping , i behold the starrs at mortall warrs , and the wounded welkin weeping ; the moon embrace her shepheard , and the queen of love her warriour , whilst the first doth horne , the starre of the morne , and the next the heavenly farrier . 7. the gipsy snap , and tedro , are none of tom's comrades , the punke i scorne , and the cutpurse sworne , and the roaring boyes bravadoes . the sober white , and gentle , me trace , or touch , and spare not ; but those that cross tom's rhinoceros do what the panther dare not . chor : although i sing , any food &c. 8. wich a heart of furious fancies , whereof i am commander , vvith a burning speare , and a horse of aire , to the wilderness i wander ; with a knight of ghosts and shaddowes , i summon'd am to tourney , ten leagues beyond the wide worlds end , methinks it is no journey . chor : all while i sing , any food any feeding . mony drink or clothing come d●me or mayd be not assrayd poor tom will injure nothing the oakerman . to the tune of tom of bedlam . 1. the starr that shines by day light , and his love the midnight walker , vvell guard red-jack , vvith his purple-pack of right north●mbrian auker , cho : while here i sing , any marke any marking , marking red or yellow , come , come , and buy , or say ye why , you deny so brave a fellow . 2. full off a 10 dayes journey into the earth i venture , to shew bright day , old adams clay , from the long benighted center , chor : and then i sing , any mark &c. 3. from the rugged i le of orkney , vvhere the redshanke walkes the marish not a towne of count to the magog-mount , not a village ham or parish , chor : but then i sing any marke &c. 4. the curtaild curr and mastiffe , with this twig i charm from barking ; from packhorse feete , and wells in street , i preserve your babes with marking . chor : while there i sing , any marke &c. 5. the blank denier , and stiver , to gold i turn with wearing and a six-penny pot , for a scarlet groat e●●ic fills me without swearing . chor : while i do sing any mark &c. 6. besides the mort i marry'd , with whom i sometimes slumber , ' tway loves have i , and one ligg by , so we are five in number , chor : and we do sing any marke &c. 7. not one of all my doxyes , so fruitless is or sterril , but breeds young bones , and marking stones to your poultreys further perril . chor : when they shall sing any ma●ke &c. 8. will you red-stones have to tawny your lambskins or your weathers , will ye bole as good , for a flux of blood , as the fu●e of capons feathers . chor : of these i sing any mark &c. 9. will you lead to pounce your paintings , any peakish wherstones will ye , will ye heavenly blewes , or c●ruse use , that scornes to wooe the lilly. chor : of what i sing , any marke &c. 10. the belgian does not scorne me , nor i the eth●opian , i am both one man , to the american , and the white and faire european . chor : although i sing any mark &c. 11. the fiery mars his minion , by the twilight might me follow ; in a morning scene , to the mornings queene , she might take me for apollo . cho : but that i sing , any mark &c. 12. but as disdain'd of fortune , disdaine i shift and sharking , no loves but these , do my fancy please , no delight , or life to marking . chor : wherefore i sing any marking , marking red or yellow , come , come , and buy , or say you why , you deny so brave a fellow . old soldiers . 1. of old soldiers the song you would heare , and we old fid●●rs have forgot who they were but all we remember shall come ●o your eare , chor : that we are old soldier● of the queens , and the queens old soldiers . 2. with an old drake that was the next man , to old franciscus ( who first it began ) to faile through the streights of magellan , chor : like an old soldier &c. 3. that put the proud spanish armado to wrack , and travel'd all ore the old world , and came back in his old ship , laden with gold and old sack , chor : like an old &c. 4. with an old candish that seconded him , and taught his old sailes the same passage to swim , and did them therefore with cloth of gold trim , like an old &c. 5. with an old rawleigh that twice and agen , saild over most part of the seas , and then travel'd all ore the old world with his pen , and an old &c. with an old iohn norreys the generall that at old gaunt made his same immortall , in s●ight of his foes with no losse at all , like an old soldier &c. 7. like old bres●-sort an invincible thing , vvhen the old queen sent him to help the french king , took from the proud foe to the worlds wondring , as an old &c. where an old stout fryer as goes the story , came to push a pike with him in vain glory , but h● was almost sent to his own purgatory by this old souldier &c. with an old ned norrey● that kept ostend , a terrour to soe , and a refuge to freind , and left it impregnable to his last end , like an old souldier &c. that in the old unfortunate voyage of all , marcht ore the old bridge , and knockt at the wall of lisbon the mistris of portugall , like an old souldier &c. with an old tom norreys by the old queen sent , of munster in ireland lord president , where his dayes and his blood in her service he spent , like an old souldier &c. with an old harry norreys in b●ttel wounded in his knee , whose legg was cut off ; and he sed you have spil'd my dancing , and dyed in his bed . an old souldier &c. with an old will norreys the oldest of all , who went voluntary without any call , to 'th old irish wars to 's fame immortall , like an old soldier &c. vvith an old maximilian norreys the last of six old brothers , whose fame the time past could never yet match , nor shall future time wast ▪ he was an old soldier &c. vvith an old dick wenman the first ( in his prime ) that over the wal●s of old cales did climbe , and therefore was knighted , and liv'd all his time . an old souldier &c. vvith an old nando wenman when brest was ore-thrown ▪ into th' aire , into ●h ' seas with gunpowder blown , yet bravely recovering , long after was known , an old souldier &c. vvith an old tom wenman , whose bravest delight vvas in a good cause for his country to fight , and dyed in ireland a good old knight ▪ and an old souldier &c. vvith a yo●ng n●d wenman so valiant and bold , in the w●●rs of bohemia ; as with the old d●serves for his valour to be inrold , an old &c. and thus of old soldiers hear ye the same , but never so many of one house and name , and all of old io●n lord williams of thame , chor : an old souldier of the queens , and the queens old sold●er . a wo●rs expostulation . 1. all day do i sit inventing , vvhile i live so single alone , vvhich way to wed to my contenting , and yet can resolve upon none . there 's a wench whose wealth would inrich me , but she not delights me ; there 's anothers eyes do bewitch me , but her fashion frights me . he that herein has a traveller bin and at length in his longing sped . vvhat shall i doe , tell me who i shall woe , for i long to be lustily wed . 2. shall i with a vviddow marry ; no , no , she such watch will beare to spy how my selfe i doe carry . i shall always live in feare . shall i to a mayd be a wooer , maydens are lov'd of many , knowing not to whom to be sure ▪ are unsure to any . marry with youth , there is love without truth , for the young cannot long be just , and age if ● prove ; there is truth without love , for the old are too cold to lust. the resolution . 1. i dye , when as i do not see her , who is my life , and all to me ; and when i see her then i dye in seeing of her cruel●y , so that to me like m●sery is wrought , both when i see , and when i see her no● . 2. shall i in silence mourn and grieve ? vvho silent sorrowes will relieve ? in speaking not my heart will rend ▪ and speaking i ●●y her ●●●end . so that 'twixt love and death my heart is shot with equall dar●s , speak i , or speak i not . 3. since life and death is in her eye , if her i not behold , i dye ; and if i look on her she kills , i 'le chuse the least of two such ills ; though both be hard , this is the easier lot , to dye and see , than dye and see her not 4. yet when i see her i shall speak ; for if i speak not , heart will break ; and if i speak i can but dye , of two such ills the least i 'le trye ; who dyes unseen or dumb is soon forgot , i 'le see and speak then , dye , or dye i not . love , himselfe in love 1. as in may the little god of love forsook his mothers rosy rest to play , to wanton , and to rove his quiver where it pleas'd him best ▪ vvanting sport in idle sort an arrow where he could not tell from him glanced , so it chanced love thereby in love besell . 2. in sad teares he to his mother pray'd ( to seek his shaft ) to lend him eyes , vvhich she grants : a bright and lovely love taking up his dart espies ; but poore lad he better had neer seen at all , then now too well , for being strook , vvith her faire look love himselfe in love besell . 3. she too true a chastity embrac'd , and from loves courtship , and his 〈◊〉 nicely flew ; but when his houre was pass'd his sorrow with his sight was gone . vvith us swaines , she now remaines ; and every shepheards boy can tell , this is she that love did see vvho seeing her in love besell 4. some thus wish , that love had never shot , ( that thereof with him feel the woe ) some dispute that love a god is not , and think that beauty beares the bow , since this mayd , vvithout his ayd , doth her beholders all compell , now to fall into that thrall vvhere love himself in love befell . 5. simple swaines could wish their eyes were blind for in her speech and every grace , are such chaines to captivate the mind , they love her that ne're saw her face . liking lyes not all in eyes , no● charmes in cheeks do only dwell , love had power , but for an houre , to see , and so in love besell . 6. since in troope of many wretched men i her inchanting looks survay'd , though i droop , i languish , yet agen , to see , and yet to see affrayd . but o why , with shame should i consume for what i love so well ; first i 'le try her love , and dye with fame , where love in love befell . the matchlesse maid . 1. amidst the merry may , when wantons would a playing , a girle as any gay that had no mind a maying , by a cleare fountain brim , shedding teares , shaming him , sate , and said , are all they with their mates gone to may , and on a sun-shiny day must i be cast away , o , to dye a maid . 2. one hand she laid to calme her brest that ever panted , and on her other palme her dewy cheek she planted , all a loft covered ore with the soft silks she wore , and underneath a bed of lillyes had she spred whereon she was , she sed fully determined o to dye a maid . 3. is 't love , quoth she , or lot , whose fault i am not mated ? has cupid me forgot , will fortune have me hated ? o ill men though ye be fewer then wretched we ; must i needs be one , for whom there mate is none , none need her death bemone ( than ) that was borne alone , o , to dye a made 4. and so into a swound she fell ; and in a trembling fell i , when as i found a maid ; & no dissembling : to her quick did i stepp , felt her thick pulses leap , brake her blew belt in twaine , into her cheeks againe , kist that vermilion stain , nature did ne're ordaine . o to dye a maid . 5. but like to him that wrought a face that him inchanted , and life for it besought , which cytherea granted , fared i ( fool ) that should let her dye when she would . for with that soul she brought , back from the shades she sought , am i now deeply caught in love , that ever thought o to die a maid . one and his mistris a dying . 1. shall we die , both thou and i , and leave the world behind us ; come i say and lets away , for no body here doth mind us . 2. why do we gape , we cannot scape the doom that is assign'd us ; when we are in grave , although we rave , there no body needs to bind us . 3. the clark shall sing , the sexton ring , and old wives they shall wind us the priest shall lay our bones in clay , and no body there shall find us . 4. farewel wits , and folly's fits , and griefs that often pin'd us ; when we are dead , vve 'l take no heed what no body says behind us . 5. merry nights , and false delights dieu , ye did but blind us ; vve must to mold , both young and old , til no body's left behind us . a dialogue between a man ( in garrison ) and his wife ( with her company ) storming without . the tune the devils dream . man. hark , hark , the doggs do bark , my wife is coming in with rogues and jades , and roaring blades , they make a devillish din. woman . 2. knock , knock , 't is twelve a clock , the watch will come anon , and then shall wee all be free of the gate house every one . man. 3. hold , hold , who is that so bold that dares to force my doores , here is no roome for such a scum of arrant rogues and whores woman . 4. see , see , this cuckold he denyes to let us in , let 's force the house , drink and carouse , and make him sit and spin . man. 5. so , so , i 'me glad i know your mind , i will provide a bride-well bunne for every one , and lodging there beside . woman . 6. run , run , le ts all be gon , the watch is coming by , they bid 'em stand , away they ran as fast as they could hey . man. 7. watch , watch , i prethee catch some of that flying crew , here 's money for ye , they for it tarry , mean while away they flew . a late poem by a person of quality . vvhat dire aspects wore the inraged skie at the curst moment of my birth : o why did envious fate prolong my loathsome age , since all mankind , yea all the gods ingage to bend their never-ceasing spight on me alone , am i the center of their envy grown ? am i the man on whom they all their venom'd weapons try made for their sport , and mankinds mockery , or was 't ye gods that you did me create only to make me thus unfortunate ? or do i owe a being to some other powers vvho'l make me able to deride all yours ? if so , from these unknown patrons i 'le obtaine a power to stay your deem'd eternall reigne , i 'le ravish nature , from which rape shall come a race , shall ruine your ill guarded throne ; rocks , hills , and mountaines , wee 'l sling at the skye ; whole torne up regions in joves face shall fly . wee 'l drai●e the seas with hills of water , quench the angry starrs ; nor will we put an end to these just wars , 'till conquered iove shall learne to obey , and i more powerfull shall his scepter sway ; the heavens to their first source shall then returne , the earth to her autumnal being run : and stubborne mankind i will new create : on all i will impose new lawes of fate . on women . women are call'd eves , because they came from adams wife , put to t●h , and they are theeves , they rob men of a merry life ; put ls to eve , and then they 're evils , put d before evills , and then they are devils : and thus our eves are made theeves , & theeves are evils and angry women are a thousand times worse than devils . the valentine . 1. as youthfull day put on his best attire to usher morne , and she to greet her glorious guest did her faire selfe adorne ; up did i rise , and hid mine eyes as i went through the street , least i should one that i despise before a fairer meet ; and why was i , think you so nice and fine , well did i wot , who wotts it not , it was st valentine 2. in fields by phaebus great with young of flower 's and hopefull budds , resembling thoughts that freshly sprung in lovers lively bloods , a dam'sel faire and fine i saw , so faire and finely dight , as put my heart almost in aw to attempt a mate so bright : but o , why so , her purpose was like mine , and readily , she said as i , good morrow valentine . 3. a faire of love we kept a while , she for each word i said gave me two smiles , and for each smile i her two kisses pay'd . the violet made hast to appear to be her bosome guest , with first primrose that grew this year i purchast from her brest ; to me , gave she , her golden lo●k for mine ; my ring of jet , for her bracelet , i gave my valentine . 4. subscribed with a line of love , my name for her i wrote ; in silke forme her name she wove , vvhereto this was her mot — as shall this year thy truth appear i still my dear am thine : your mate to day , and love for aye , if you so say , was mine . vvhile thus , on us , each others favours shine , no more have we to change , quoth she , now farewell valentine . 5. alas , said i , ●e● freinds not seeme between themselves so strange , the jewels both we dear'st esteeme you know are yet to change : she answers no , yet smiles as though her tongue her thought denyes ; vvho truth of maidens mind will know , must seek it in her eyes . she blush● , i wisht , her heart as free as mine , she sight and sware , insooth you are too wanton valentine . 6. yet i such further favour won by suit and pleasing play , she vow'd what now was left undone , should finisht be in may. and though perplex'd with such delay ▪ as more augments desire , twixt present griefe , and promis'd joy ; i from my mate re●ire ▪ if she to me preserve her vowes divine and constant troth , she shall be both my love and valentine . on thirsis and phillis . young thirsis the shepheard , that wont was to keep so delightfull slocks and faire , sets eyes upon phillis , and le ts go the sheep to wander he knows not where . the cropping of lillyes , was as became phillis , that seem'd with her brow to compare ; he tuning of verses , was as became thirsis , that more did her beauty declare . 2. why lik'st thou those flowers that are not like thee , thou art far more fresh and gay , or if thou lov'st lillyes , why lov'st thou not me that am love-sick and pale as they ? thy bosome faire phillis yeilds lovlyer lillyes surpassing the sweetness of those , whose beauty so pierces the poor heart of thirsis that these more resemble his woes . 3. art thou a shepherdess , and yet too good for a shepheard to be thy mate ? if wanton opinion , or purenesse of blood , doth make thee disdaine thy estate , let thirsis pluck lillyes , and feed flocks for phillis for her love his duty to show , whilst phillis rehearses , the poesies of thirsis in his love her beauty to know . 4. if goridons jealousie cannot admit young thirsis his rival to be , thy heart is too young to be singular yet , and too old to be lov'd is he . then try what the skill is of young men faire phillis ere age thou dost simply retaine ; if any love pierces thee deeper than thirsis , let thirsis love phillis in vaine , 5. thus thirsis went , on but phillis more wise conceales the delight she find , for women their likings have skill to disguise , but men cannot masque their minds . he mounts where the hill is , the proud hill where phillis , is wonted to rest with her sheep ; and with his ●lock thirsis , so seldome converses , we think he with phillis doth keep . a song . 1. to love thee without flattery were a sin , since thou art all inconstancy within , thy heart is govern'd only by thine eyes , ●he newest object is thy richest prize , love me then just as i love thee , that 's 'till a fairer i can see . 2. i hate this constant doating on a face , content ne're dwells a week in any place ; why then should you and i love one another longer than we can our fancy smother ; love me then just as i love thee , that 's 'till a fairer i can see ▪ a song . 1. vvhen thirsis did the splendid eye of phillis his faire mistris spye , was ever such a glorious queen said he , unlesse above , t were seen . 2. faire phillis with a blushing aire , hearing those words became more faire ; away , says he , you need not take fresh beauty , you more fair to make . 3. then with a winning smile and looke , his candid flattery she took ; o stay , sayd he , 't is done i vow , thirsis is captivated now . a catch for three voices , made from a true story . 1. a knot of good fellowes were making moane , their meeting was spoild , their pig was gon ▪ whee , quoth a frenchman to ioan , its dark , hark there , cryes mounseir , pig , wee l make him pork ; they caught him , & stuck him , wee ' wee ' , what you do to serve you like the mother of the meaz'ld sow ? begar me no bacon , you english dogge ; weeh , weeh , you rask all frenchman , wee 'l dresse you like a hogg ? they kept such a weehing that home came the pigg , which made them all dance , and drinke as long as they could swig , they cry the mounseir pardon , & forth let him pass no more for a pigge , but now for an asse . a catch of 3 parts . 1. my mistriss will not be content to take a jest , i mean a jest as chaucer meant : but following still the womens fashion , allowes it , allowes it , in the last translation ; for with the word shee 'l not dispence , and yet , and yet , and yet , i know she loves the sence . on loyalty in the cavaliers . 1. he that is a cleare cavalier will not repine , although his fortune grow so very low that he cannot get wine . fortune is a lass , she will embrace , and strait destroy ; free-borne loyaltie will ever be , sing vive le roy. chorus . ●ertue is her own reward , and fortune is a whore , there 's none but knaves and fools regard her , or do her power implore . a reall honest man , might a'bin utterly undone , to shew his allegiance , his love and obedience ; honour will raise him up , and still praise him up , virtue stayes him up , whilst your loose courtiers dine with their full bowles of wine , honour will stick to it fast ; and he that fights for love , doth in the way of honour move ; he that is a true roger , and hath serv'd his king , although he be a ragged souldier ; whilst those that make sport of us , may become short of us , ●te will flatter e'm , and will scatter e'm , whilst that loyalty waits on royalty , he that waits peacefully , may be successfully crown'd with crowns at last . 2. firmly let us then be honest men , and kick at fate , we shall live to see loyaltie , valued at a high rate . he that bears a word or a sword , gainst the throne , or doth prophanely prate to wrong the state , hath but little for his own . chorus . what though the plumes of painted players . be the prosperous men , yet wee 'l attend our own affaires , when we come to 't agen . treachery may be fac't with light , and leachery lin'd with furre , a cuckold may be made a knight , 't is fortune de la gar ; but what is that to us boyes , that now are honest men ? wee 'l conquer and come agen , beat up the drum agen , hey for cavaliers , joy for cavaliers , pray for cavaliers , dub a dub dub , have at old belzebub , oliver stinks for fear . fist-monarchy must down-boyes and every sect in town , wee 'l rally , and to 't agen , give 'em the rout agen , when they come agen , charge 'em home agen , face to the right about , tantararara , this is the life of an honest poor cavalier . the irish footmans , o hone , 1. now chree'st me save , poor irish knave , o hone , o hone , round about , the town throughout , is poor shone gone , mayster to find , loving and kind , but shone to his mind is ne're the neare , shone can find none here , which makes him cry for feare o hone , o hone , shone being poore , him 's foot being sore , for which hee 'l no more trot about , to find mayster out , fai● i 'le rather go without and cry o ●one . 2. i was so crost , that i was for●'● , to go barefoo● , with stripes to boot , and no shooes none nill english could i speak , my mind for to break , and many laught to hear the moane i made , and i like a tyr'd jade , that had no worke nor trade but cry'd o hone . cause church to go , whither i 'de or no , ●le dye or do so , grace a chreest ; ●or i love popish preest a poor catholick thou seest , o hone , o hone . ● good honest shone , make no more moane , for thy lost , ●do intend , somthing to spend on catholicks thus crost ; take this small gift , and with i● make a shift , and be not thou berest ; of thy mind ; although he was unkind , ●o leave thee thus behind , to cry o hone . here take this beer , and with it make good cheere , ●othing's for thee too deare ; so a due , ●e constant still and true , this country do not true , nor cry o hone , 4. good shentlemen , that do intend , to help poore shone at 's need ; my patron here , has given me beer , and meat where●n to feed , yea and moneys too , so i hope that you will do as he did do , for my reliefe , to ease my pain & griefe . i le eat no ●owder'd beef , what e're ensue . but i will keep my fast , as i did in times past , to get more stomack for my hungry throat , and 〈◊〉 for friends i sought , they call'd me all te're naught song . i went to the tavern , and then , i went to the tavern , and then , i had good store of vvine , and my cap full of coyne and the world went well with me then , then , and the world went well with me then . ● i went to the tavern agen , where i ran on the score and was turn'd out o' th' door , and the world went ill with me then , then , &c. ● when i was a batchelor then i had a saddle and a horse , and i took my own course , and the world went well with me then , then , &c. 4. but when i was marry'd , o then my horse and my saddle vvere turn'd to a cradle , and the world went ill with me then , then , &c. 5. vvhen i brought her home mony , then she never would pout , but clip me about , and the world went well with me then , then , &c. 6. but when i was drunk , o then , she 'd kick , she 'd fling , till she made the house ring , and the world went ill with me then , then , &c. 7. so i turn'd her away , and then , i got me a miss , to clip and to kiss , and the world went ill , &c. 8. but the pariter came , and then i was call'd to the court , vvhere i pay'd for my sport , and the world went ill &c. 9. i took my wife home agen , but i chang'd her note , for i cut her throat , and the world went well with me then , &c. 10. but when it was known , o then , in a two-wheeld charret , to tiburn i was carry'd , and the world went ill , &c. 11. but when i came there , o then , they for●'t me to swing . to heaven in a string , and the world went well with me then , then . and the world went well with me then . the moons love. 1. the moon in her pride , once glanced aside her eyes , and espied the day , as unto his bed , in wastcoat of red , faire phoebus him led the way ; such changes of thought , in her chastitie wrought . that thus she besought the boy , o tarry , and marry the starry diana , that will be thy jem , and joy. 2. i will be as bright at noon as at night , if that may delight the day ; come hither and joine thy glories with mine , together wee 'l shine for aye . the night shall be noon , and every moon as pleasant as june or may ; o tarry and marry &c. 3. enamour'd of none i live chast and alone , though courted of one , some say ; and true if it were ●o frivolous feare let never my dear dismay , i 'le change my opinion , and turne my old minion , the sleepy endimion away , o tarry and marry , &c. 4. and but that the night , should have wanted her light or lovers in sight should play , or phoebus should shame to bestow such a dame ( vvith a dow'r of his flame ) on a boy , or day should appear , eternally here , and night otherwhere , the day had tarry'd , and marry'd , the starry'd diana , and she been his jem and joy ▪ on dulcina . 1. as at noone dulcina rested , in her sweet and shady bower , came a shepheard and requested , in her lapp to sleep an houre ; but from her look , a wound he took so deep , that for a further boon , the nimph he prayes , vvhere to she sayes , foregoe me now , come to me soone . 2. but in vaine did she conjure him , to depart her presence so , having a thousand tongues to allure him , and but one to bid him go . vvhere lipps invite , and eyes delight , and cheeks as fresh as rose in iune , perswade to stay , vvhat boots her say , foregoe me now , come to me soon . words whose hopes might have injoin'd him to let dulcina sleep , could a mans love be confin'd , or a mayd her promise keep ; but he her waste , still holds as fast , as she was constant to her tune and still she spake , for cupid sake foregoe me now , come to me 〈◊〉 4. he demands what time or pleasure . can there be more soon than now ? she sayes night gives love that leasure , that the day doth not allow . the suns kind sight , forgives delight , quoth he , more easily than the moon . and venus playes : he told , she sayes , fore●oe me now , come to me soon . 5. but no promise nor prosession , from his hands could purchase scope ; who would sell the sweet possession of such beauty for a hope ? or for the sight of lingring nigh● , foregoe the present joyes of noon , though ner'e so faire , her speeches were , foregoe me now , come to me soon . 6. how at last agreed these lovers , he was ●aire , and she was young , ton●●● ma● tell what eye discovers , joy●●●●●seen are never sung . did she consent , or he relent , accepts he night , or grants she noon , left he her mayd , or not ? she said foregoe me now , come to me soon . the saylers song . 1. the raging waves , and roaring wind ( my mates ) i list no longer hide , a gentler passage now i find , and saile upon a calmer tide of neptunes man , his mate i prove , and serve with him the master love . 2. my bosome now my ocean is , wherein my amorous thoughts do steere , my hopefull heart in waves of blisse , whereto her voice and smiling cleare . my wind and weather be : her eyes are both my loadstar , and my prize . 3. no saile , nor wind , nor sun i need , her favours pass the silken saile , her smiles the sunshine day exceed , and her sweet voice the softest gale ? i take no height of starres above , nor seek adventures , but her love . 4. and if her heart i compass can , vvhere i my hopes have anchor'd all ; he that the ●leece of cholchos wan , made voyage poorer than i shall , by how much living pearl's above dead gold , and wealth is short of love . to live and dye . 3. a creature so strange , so wretched a one as i can there be sound , for now alas i live , and anon i die , feeling no wound ; when but a look of my love i gaine , o what a life it doth infuse ! but when i tast of her sharpe disaine , o how i dye , how can i chuse ? 2. like as the sun gives life to the flowers , vvhen may painteth the field , so when she smiles , her eye like the powers , of joy doth to me yeild , but as the autumn's envious raine , soon doth the summers pride confuse dasht with the stormes of her disdaine , so do i dye , how can i chuse . 3. then 't is no wonder that here is a man , can live now , and now dye ; since there 's a beauty that life and death can both give out of her eye ler her the wonder of time remaine , and that i live let no man muse , vvhile she me loves ; and if she disdaine , must not i dye , how can i chuse ? 4. has not her favour force to revive a heart dying with paine ? and has her ●corne not power to deprive that part of life againe ? is there not life and death in her frame b●th at her powerfull will to use , then at her powerfull will i am , living or dead , how can i chuse ? the hunting of the gods. 1. songs of shepheards , and rusticall roundlayes , form'd of san●yes , and whistled on reedes , 〈◊〉 ; to solace young nimphs upon holy dayes , are too unworthy for wonderfull deeds . 〈◊〉 ingenious ●r winged cylenius his lofty genius , may seem to declare , in verse better coyn'd , and voice more refin'd how states devin'd , once hunted the ha●e . ●●●rs enam●●●'d wi●h pastimes olympi●all , 〈◊〉 and planets that beautifull shone , would no longer that earthly men only shall swim in pleasure , and they but look on ; round about horned lucina they swarmed , and her informed how minded they were ; each god and goddesse , to take humane bodyes , as lords and ladies , to follow the hare . 3 , chast diana applauded the motion , and pale proserpinae set in her place , lights the welkin , and governs the ocean , while she conducted her nephewes in chace , and by her example , her father to trample the old and ample earth , leave the aire , neptune the water , the wine liber pater , and mars the slaughter , to follow the hare . 4. light god cupid was hor●●● upon pegasus , borrow'd of muses with kisses and prayers , strong alcides upon cloudy caucasus , mounts a centaure that proudly him beares . postillian of the skye , light heel'd mercury , makes his courser fly fleet as the aire , yellow apollo , the kennel doth follow , and whoop and hollow after the hare hymen ushers the ladies ; astreaa the just , took hands with minerva the bold ; ceres the brown , with bright cytherea ; with thet is the wanton , bellona the old ; shamefac't aurora , with subtil pandora ; and may with flora , did company beare ; iuwo was stated , too high to be mated , but yet she hated not hunting the hare . 6. drown'd narcissus , from his metamorphosis rais'd by eccho , new manhood did take ; snoring somnus upstarted in cineris , that this thousand year was not awake , to see club-footed old mulciber booted , and paen promoted on chirons mare ; proud faunus pouted , and aeolus shouted , and momus flouted , but follow'd the hare . deep melompus , and cunning ichnobates , ●●pe , and tigre , and harpy● the skyes rent wit roaring , whilst huntsman-like hercules ●inds the plentifull horne to their cryes , till with varieties , to solace their pieties , the wary deities repos'd them where we shepheards were seated , and there we repeated , what we conceited of their hunting the hare . young amintas suppos'd the gods came to breath ( after some battels ) themselves on the ground , ●●rsis thought the stars came to dwell here beneath , and that hereafter the earth would go round , coridon aged , with phillis ingaged , was much inraged with jealous despaire ; but fury vaded , and h● was perswaded , when i thus applauded their hunting the hare . 9. starr's but shadows were , state were but sorrow had they no motion , nor that no delight ; joyes are lovial , delight is the marrow of life , and action the axle of might . pleasure depends upon no other friends , and yet freely lends to each vertue a share , only as measures , the jewell of pleasures , of pleasure the treasures of hunting the hare . 10. three broad bowles to the olympical rector , his troy borne eagle he brings on his knee , iove to phoebus carowses in nector , and he to hermes , and hermes to me ; wherewith infused , i pip'd and i mused , in songs unused this sport to declare ; and that the rouse of iove , round as his sphere may move , health to all that love hunting the hare . the reading beauty . ● as to these lines she lent a lovely look , whereon not minding me she mused , ●er faire aspect became my book , and i her eyes ( as they these lines ) perused ; ●ove songs she read , to learn what love should be , and faster than she read she taught it me . 2. for as no studyed rules like starrs above can teach the knowledg of the skyes . to dive into the depth of love , there is no rule , no learning like her eyes : why stoops she then to things below her reach ? why reads she love , that she her self can teach ? 3. alas though we no other learning need in love , that may behold her face ; she seeing not her selfe must read , to see what we so much desire to embrace . o that her selfe she saw : but o why so ? she otherwise her self ●●o much doth know . 4. some nicer lover would to see her muse bare envy to that happy book whereon she seems to doate , and use to grant her slander by but halse her locke : but such to me let her aspect be still ; if one eye wounds so sore , two eyes will kill . the more then faire . 1. be more kind than you are , sweet love , or else lesse faire , so shall i feel lesse care , and you be no lesse rare . to wound the heart . is beauties part ; but to restore the love-sick sore , is to be more than saire 2. if possible it were not to be what you ar● be more kind , or lesse saire , use lips , and eyes forbeare ; your smiles are lures , my eyes adore , but lipps implore : the kind are more than faire . the beauteous are not faire , ●hose coyness breeds despaire ; 〈◊〉 those that freindly are , 〈◊〉 beauteous , though not faire , since to be kind , a beauteous mind , doth best explore ; be kind therefore , and be far more than faire . no longer let my care ●nsume my love in aire , 〈◊〉 kindnesse to me bare , ●●at i may say and swear os such as are but only faire , i knew before , the world had store . but you are more than faire bright eyes and smiles to beare , 〈◊〉 but a common weare : 〈◊〉 you without compare , will be as kind as faire , and make me then more blessed than men , as far as ore , your sexes store , your selfe are more than faire . of jonny and jinny . 1. the pretty sweet iinny sate on a hill , where ionny the swain her see ; he tun'd his quill , and sung to her still , whoop jinny come down to me . 2. though ionny the valley , and iinny the hill , kept far above his degree ; he bore her good will , and sung to her still , whoop jinny come down to me . 3. but high was she seated , and so was she minded , his heart was humble as he ; her pride had her blinded , his love had him bended , whoop jinny , &c. 4. the mountain is bare , and subject to aire , here meddowes , here shaddowes be ; there burneth the sun , here rivers do run , whoop jinny &c. 5. all flowers do grace the vallyes greenface , the mountain hath none but thee ; why wilt thou grow there , and all the rest here ? whoop jinny &c. 6. narcissus his rose , adonis here growes , that may thy examples be , since they be came slaine , for pride and disdaine , whoop jinny &c. 7. there jinny keeps sheep , here ionny will keep thy selfe and thy slock for thee ; if ionny be worthy to keep thy slock for thee , whoop jinny &c. 8. but pretty sweet iinny was lov'd of so many , that little delight had she to think upon ionny , that thought her so bonny , whoop jinny &c. 9. though iinny thought ill of ionny's good will , yet ionny to iinny was free ; he followes quill , and he hollowes her still , whoop jinny come down to me . a song . 1. o love whose force and might no power ere withstood ; thou forcest me to write , come turne about robbin hood . 2. her cresses that were wrought most like the go●den sn●re , my loving heart has caught ; as mos did catch the mare . 3. grant pitty , else i dye , love so my heart bewitches , with griefe i 'le howle and cry , o how my elbow itches . 4. teares overflow my sight with floods of daily weeping , that in the silent night i cannot rest for sleeping . 5. what is 't i would not do to purchase one sweet smile ; bid me to china go , faith i 'le sit still the while . 6. but since that all reliefe and comfort doth forsake me , i 'le kill my self with grief , nay then the devil take me . 7. mark well my dolefull hap , iove , rector of the thunder , send down a fiery clap , and tear her smock asunder . the rhodomontade , i le tell you of a l●●t , with ● n●se live a spout , which some c●ll a s●out , and was so siout , that he had often sought , full many about , with many asc●●● , and at 'em would sh●●● , then put 'um to 〈◊〉 nay beat ' 〈…〉 , though in a greet 〈…〉 , at men he would ●ront , and at women 〈…〉 , his sood still was 〈◊〉 , which bred him the gout he was a true trout to good alc when he mout and did allways allow'● this yo● must not doubt i 've heard him to vow 't as he went in and out . and his wife . his wise's name was grac● and had a good face yet had but little grace , shee 'd kiss in any place , nay , to gather a brace , which some say is base , and some did her ch●c● into a pittifull case , she lov'd cloves and mace he● father car'd the mace for the mayor in a place she still wears lace , and will keep on her pace when she 〈◊〉 a race for a very great space she fishes with a dace when she takes any place when she dances she 'l race she 'l not ba●e you an ace of the truth of this she says . the sonne jack . their sons name was jack who was very black and got many a knack and seldome did lack vnlesse milk cal'd la● at card●s he would pack and was counted a qu●e● nay , bin brought to the rack , for siring a 〈◊〉 of corn , in a back side , like a mad back made 's bones to crack nay sometimes to cack , till they gav● him som sack nay , they h●ld him ●ack and did him thwac● and never did slack till he went to wrack , yet with 's lips he would smack and 〈◊〉 is true of jack . the daughter nel. their daughters nams nel who poor thing did dwell full long in a cell and there t was she fell that one rang her knell being sallen into hell the devills to quell and there i do smell that sh● then did sell her ware very well she made 'em to yell and likewise to swell so they writ on a sh●ll a very great spell at long as an ●ll that she bore 〈◊〉 〈◊〉 for abusing in h●ll she had no 〈◊〉 a'l this her self did tell , and all d●ne by nell . a song . come hang up your care , and cast away sorrow ; drink on , hee 's a so● that e're thinks of tomorrow : good store of terse-claret s●upplyes every thing , for a man that is drunk is as great as a king ; let no one with crosses , or losses repine , but take a full dose of the juice of the wine . diseases and troubles are nere to be found , but in the damp place where the glass goes not round . a song . the tune , i 'le go no more to the new exchange . never will i wed a girle that 's coy , nor one that is too free ; but she alone shall be my joy , that keeps a mean to me ; for if too coy , then i must court for a kisse as well as any ; and if too free , i fear o' th' sport i then may have too many . 2. nelly a girle was proud and coy , but what good got she by it ? vvhen they 'd a mind to kisse and toy , then shee 'd be still unquiet ; for of the four or five she had , they all have left her now , her impertinent tricks did make 'em madd and so t wou'd me , or you . 3. nanny was a lasse that was too free , and amorous withall ; shee 'd ne're with any disagree , but ready at their call ; that some her freeness did impute unto good nature in her , others have said , without dispute shee 'd prove a private sinner . 4. then for a girle , that 's not too free , or coy , but at my call ; yet handsome i wou'd have her be , and oblieging unto all ; that i may never say i have wed a girle that 's starcht with pride , or sool , or ugly , or ill bred , i 'de rather want a bride . an invitation to enjoyment . 1. come , o come , i brook no stay , he doth not love that can delay ; see how the stealing night , hath blotted out the light , and tapers do supply the day . 3. see the first ' tapers almost gone , thy flame like that will strait be none and i as it expire , not able to hold fire , she looseth time that lyes alone 4. o let us cherish then these powers , whilst we may yet call them ours ; then we best spend our time , when no dull zealous chime , but sprightful kisses strike the houres . the rurall dance about the may-pole . the tune , the first figure dance at mr. young's ball in may 1671. 1. come lasses and ladds , take leave of your dadds , and away to the may-pole hey ; for every he has got him a she with a minstrill standing by ; for willy has gotten his iill , and ionny has got his ione , to jigg it , jigg it , jigg it , jigg it , jigg it up and down . 2. strike up sayes wat , agreed sayes kate , and i prethee fidler play , content sayes hodge , and so sayes madge : for this is a holliday . then every man did put his hat off to his lasse , and every girle did curchy . curchy , curchy on the grasse . 3. begin sayes hall , i , l , says mall , wee 'l lead up packintons pound ; no no , says noll , and so says doll , wee 'l first have scllengers round ; then every man began to foot it round about ; and every girle did jet it , jet it , jet it in and out . 4. y' are out , says dick , 't is a lye , says nick , the fidler playd it false ; 't is true , says hugh , and so says sue , and so says nimble alice ; the fidler then began to play the tune agen , and every girle did trip it , trip it , trip it to the men . le ts kiss , says iane , content , says nan , and so says every she ; how many says batt , why three says matt , for that 's a maidens fee ; bu● they instead of three did give 'em halfe a score , and they inkindnesse , gave 'em , gave 'em , gave ' em , as many more . 6. then after an hour they went to a bower and play'd for ale and cakes , and kisses too untill they were due , the lasses kept the stakes . the girles did then begin to quarrel with the men , and bid 'em take their kisses back , and give 'em their own agen . 7. yet there they sate , until it was late , and tyr'd the fidler quite , with singing and playing , without any paying from morning untill night . they told the fidler then they 'd pay him for his play , and each a 2 pence , 2 pence , 2 pence gave him , and went away . the unconstant lover . 〈◊〉 tune , the second figure dance at mr. young's ball may 1671. now out upon this constant love , i never was unto 't inclin'd , ● hate within that sphear to move , where i to one must be confin'd . ● love to range about , and gaze , and often haunt the parke and playes , a purpose for a mistress new , then bid the old one quite adue . 2. for he 's for me , and only he that 's constant to unconst●ancie ; ● day or two i can approve , but after that farewell to love : ●or every thing 's to change inclin●d , as women , and the moon , and wind ▪ ●hen why not wee as well as they , since they have shew'd us all the way . ● . for constancie in love is thought to bring poor lovers to their end ; ●hen constancy in love is naught , when change brings every day a friend . the constant fool is whining still , but never can his fancy fill ; whilst we can sing , and sport , and play , and change our pleasure every day . a mock to one that drank nothing but water . the tune , a lover i 'me born , and a lover i 'le be . 1. for bacchus i 'me born , and for bacchus i 'le be and wish from good wine i may n●ver be free ; let drinking abound , ' ●is wi●e makes the creature , it strengthens the braine , and helps decay'd nature ; for he that by ●●inking can turne the world round ▪ by bac●hus and 〈◊〉 deserves to be crown'd . 2. with health after health let the glass keep the motion till ● make our brains dance like a ship on the ocean when our senses are pal'd , and our reason does fail a little sound sleep will supply a fresh gale . then wi●h wi●e that is brisk , & a girle that is woon wee 'l drink , &c wee 'l kiss , & wee 'l never have done . the drinking song on two mistrisses ▪ the one furnish● th●● with wine , and ●'other with money . the tune , the gang. ● . come boyes , leave off your toyes , and trole about the sack ; we know 't is good to chear the blood , and fortifie the back . ●tis that will make you fat , and cherrish still the braine ; nay studd the face with such a grace , like rubies dy'd in grain . 2. drink about , 'till all be out the drawer will fill t agen , a ●pox o' th' watch , ne're shut the hat●h , the clock has struck but ten ; then a glasse to th' jovial lass● , that fill'd our pates with wine ; and here 's another to the tother , that furnish't us with coine . 3. come drink , we want no chink , hark how my pockets sound , away with 't then , com●●oo't agen , begin another round ; then iack , this glass of sack unto thy pretty nell ; and here 's to thine , this bowle of wine , dear tom , thou lov'st so well . 4. come says one , le ts all be gone , for our pates are throughly lin'd ; y●● he was bang'd , nay some say hang'd , that left his drink behind ; then all , began to call , come drawer what 's to pay ? each took the cup , and drank it up , and so they went away . a song . 1. let fortune and phillis frown if they please , i 'le no more on their deities call , nor trouble the fates , but give my self ease , and be happy in spight of 'em all ; i will have my phillis , if i once go about her ; or if i have not , i 'le live better without her . ● . if she prove vertuous , oblieging and kind , perhaps i 'le vouchsafe for to love her ; but if pride or inconstancy in her i find , i 'de have her to know i 'me above her ; for at length i have learn't , now my fetters are gone , to love if i please , or to let it alone . a song . 1. as i walkt in the woods one evening of late , a lass was deploring her haplesse estate , in a la●guishing posture poor maid she appears , all swell'd with her sighs●and blub'd with her tears : she sigh'd and she sob'd , and i found it was all , for a little of that which harry gave doll . 2. at last she broke out , wretched she said , will no youth come succour a languishing maid , with what he with ease and with pleasure may give , without which alass poor i cannot live . shall i never leave sighing and crying and all , for a little of that which harry gave doll . 3. at first when i saw a young man in the place , my colour wou'd fade , and then flush in my face ; my breath wou'd grow short , and i shiver'd all o're , my brests never popt up and down so before ; i scarce knew for what ▪ but now find it was all , for a little of that which harry gave doll . a song . o the sad day when friends shall shake their heads , and say of miserable me : hark how he groanes , look how he pants for breath , see see how he struggles with the pangs of death ; when they shall say of these dear eyes , how hollow and how dim they be . marke how his b●est doth swell and ●ise against his potent enemy : when some old friend shall step to my beds side , and touch my chill face , & thence shall gently slide ; but when his next companions say , how does he do , what hopes ? shall turne away , answering only with a lift up ▪ hand , who who can his fate withstand ? then shall a gaspe or two do more than e're my rhetorick could before , perswade the world to trouble me no more , no more , perswade the world to trouble me no more . a song . o sorrow , sorrow say where dost thou dwell ? in the lowest room of hell : art thou born of humane race ? no , no , i have a furial face : art thou of city , or town , or court ? i to every place resort . why , o why , into the world was sorrow sent ? men afflicted best repent . what dost thou seed on ? broken sleep . what tak'st thou pleasure in ? to weep , to sob , to pine , to groane , to wring my hands , to sit alone . when , o when , shall sorrow quiet have ? never , never , never , never , never till she finds a grave , never 'till she finds a grave , a song . cheare up my mate's , the wind does fairly blow , clap on more saile , and never spare ; farewell all lands , for now we are in the wide sea of drink , and marrily , merrily , merrily we go . blesse me'tis ho● , another bowle of wine , and we shall cut the burning line . hey boyes she sends away , and by my head i know , we round the world are sailing now . what dulmen are those to tarry at home , when abroad they may wantonly roame , and gain such experience , and spie to such countries and wonders as i do ? but prethee good pilot take heed what you do , and fail not to touch at peru ; with gold there the vessel wee 'l store , and never never be poor , no never be poor any more . the foolish proud lover . 1. nor love , nor fate , can i accuse of hate , that my clariada now is from me gone ; but i confesse , 't is my unworthiness that i in sorrow thus am left alone : i doated on her , and thought to 'a won her , but wo is me i still must think upon her , which is the cause of all my smart ; she lookt so pretty , and talkt so witty , none that ere i saw in town or in city ere like her could thus surprize my heart . 2. had i set my heart , to have lov'd her but in part , as only to enjoy her angels face , her curious eye , or cheeks of rosie die , or lip , or any one peculiar grace ; butmy sad refusing one , must all be loosing , o that i had us'd discretion in my chusing , then i might a liv'd , and not a dy'd : but like i●arus i by soaring up too high , with his waxen wings so ne●e the sun to fly , am justly punisht for my foolish pride . o you powers divine , i 'le offer at your shrine , if you will grant me this when i am gone ; that no punishment on her her may e're be sent , the fault was only mine , and mine alone : also i do crave , this benefit to have , that this motto may be fixt upon my grave ; here 's lyes one by foolish pride was slaine , that who ere comes near may gently shed a tear on my hearse , and say , o 't was severe , so small offence should breed such mic kle paine , on his mistresse's garden of herbs . hearts-case , an he●b that sometimes hath bin seen in my loves garden plot to flourish green , is dead and wit●er'd with a wind of woe , and bitter rue in place thereof doth grow : the cause i find to be , because i did neglect the herb call'd time , which now doth bid me never hope , nor look once more againe to gaine hearts-case , to ease my heart of paine ; one hope is this , in this my wosul case , my rue , though bitter , may prove herbe of grace . the ita●i●n pedlar . 1. maids see what you lack ere i open my pack , for here is that will please you ; do you dreame in your beds , or with your maiden-heads be you troubled , i will ease you . 2. is there any one among these marry'd men strong , has a head of his wives making ? i have capps to be worne , that shall cover his ho●ne , and keep his brow fro●●aking . 3. does any man mistrust , that his wife is unjust , or that she loves to be ranging ? i have that in my box , which excee 's italian locks , 't will keep her chast : that 's a strange thing . 4. is there any woman here , has bin married a year , and not bin made a mother ? i have that at my back , shall supply her of that lack , and i 'le use her sor't , like a brother . 5. i have fine gloves for you and your loves , bands , handkerchers , and laces ; and i've knots and roses , and many pretty posies ▪ and mask ▪ for your bad faces . 6. i have sine bodkins to , that i can furnish you , to keep your coises from tearing ; and i have precious stones , ordained for the nonce , will delight you in the wearing . 7. i have that wherewith if you well rub your teeth , they will look like alabafter ; and powder for your hair , that will make you look fair ▪ i wender you come no faster . then come away , and do not stay , for hence i must i tell you ; or when that i am gone , you will hardly find one that such precious ware can sell you . in pra●se of the black-iack . 1. be your liquor small , or as thick as mudd , the cheating bottle cryes , good , good , good , whereat the master begins to storme , 'cause he said more than he could performe , and i wish that his heires may never want sack , that first devis'd the bonny black jack . 2. no tankerd , flaggon , bottle nor jugg are halfe so good , or so well can hold tugg , for when they are broke or full of cracks , then they must fly to the brave black jacks , and i wish that his , &c. 3. when the bottle and jack stands together , o fie on 't , the bottle looks just like a dwarfe to a gyant ; then had we not reason jacks to chuse , for this ' l make boots , when the bottle mends shooes , and i wish &c. 4. and as for the bottle you never can fill it without a tunnell , but you must spill it , 't is as hard to get , in as 't is to get out : t is not so with a jack , for it runs like a spout . 5. and when we have drank out all our store , the jack goes for barme to brew us some more ; and when our stomacks with hunger have bled , then it marches for more to make us some bread , and i wish &c. 6. i now will cease to speak of the jack , but hope his assistance i never shall lack , and i hope that now every honest man , instead of jack will y'clip him iohn , and i wish that his heirs may never want sack , that first devis'd the bonny black iack. a song . 1. caelia i lov'd thee though in vain you boast ; but since i have prov'd thee , i find my labour lost , many may to love pretend ; but you will never find , seek country o're , try any freind , one half so true , so kind ; 2. farewell unkind one , since you so designe , and see if ●ou can find one , whose love can equal mine ; if by chance you meet a man , that m●y your fancy take , be wise , be kind , do what you can , and love him for my sake ; yet in your chiefest pleasure think how my poor heart doth ake . 3. each hour sporting , nothing can be more ; each minute courting , like one ne●e lov'd before . but should he forsake his nest , and being wellfeather d fly from you , to be anothers guest , you 'd sigh , and with me cry , i lov'd , and was not lov'd again . and so for love must die . the jealous , but mistaken girle . to the scotch tune also . 1. prethee tell me phillis , why so pensive now , i see that sadness still is fixt upon thy brow ▪ and those charming eyes that were of late so bright , in sighs and tears , and other fears , have almost lost their sight ; let this suffice , i sympathize with thee both day and night . 2. damon dost thou aske it , thou art the cause of all , therefore do not mask it , for thou hast wrought my fall ; for i gave thee a ring which thou hast coelia gave , our true-loves band , t was on her hand , which ring thy life did save ; but wo is me , thy falsitie has brought me to my grave . 3. damon then began on phillis for to smile , she call'd him perjur'd man , and should no more beguile , no my dearest phill , i blame thy jealousie ; our true-loves band 〈◊〉 my hand which thou didst give to me ; and coridon made coelia one , by that which came from thee . 4. long she sate ashamed , and hid her bashfull head ; her jealousie she blamed , and said she was but dead , unlesse that gentle damon pardon this offence , and let me rest upon his brest , and there my suite commence ; i shall not doubt to sue it out before i came from thence . ● . then he did embrace her , and gave her kis●es store , and vow'd that he would place her where none was ere before , that is , within his heart , which none shou d e're remove ▪ in spite of fate would be her mate , and constant be in love , and i say she as true to thee , as is the turtle-dove . the faire but cruel girle . 1. the nymph that undoes me is fair and unkind , no lesse than a wonder by nature design'd ; she 's the grief of my heart , but joy of my eye , the cause of my flame , that never can dye . 2. her lips , from whence wit obligingly flowes , has the colour of cherryes , and smell of the rose ; love and destiny both attends on her will , she saves with a smile , with a frown she can kill . 3. the desperate lover can hope no red●esse , where beauty and rigour , are both in excesse : in coelia they meet , so unhappy am i ; who sees her must love , who loves her must die . the bathing girles : to the common galliard tune . 1. it was in iune , and 't was on barnaby bright too , a time when the days are long , and nights are short , a ●rew of merry girles , and that in the night too , resolv●d to wash in a river , and there to sport ; and there ( poore things ) they then resolv●d to be merry too , and with them did bring good store of jun-ketting stuffe , as bisket , and cakes , and suger , and syder , and perry too , of each such a quantity , that was more than enough . 2. but mark what chanc●t unto this innocent crew then , who thought themselves secure from any eare ; they knew 't was dark , that none cou d take a view then , and all did seem to be voyd of any feare ; then every one uncas'd themselves , both smock & all and each expected first who should begin ; and that they might stay but an houre , they told the clock and all : then all in a te-he-ing vaine did enter in . ● . but now comes out the tale i meant to tell ye , for a crew of jovial lads were there before , and finding there some viands for their belly , they eas'd em then poor hearts of all their store ; then every lad sate down upon the grasse there , and whisper'd thanks to th' girls for their good cheare ▪ in which they drank a health to every lass there , that then were washing & rinsing without any fear . 4. and when they had pleas'd ( and fill'd ) their bellies and pallats too , they back did come unto the foresaid place , and took away their smocks , and both their wallets too ▪ which brought their good bubb , and left them in pittifull case , for presently they all came out toth ' larder there , that it put 'em unto their shifts their smocks to find ; i think , says one , my shift is a little farder there , i , i , sayes another , for yours did lye by mine . 5. at last , says one , the divel a smock is here at all , the devil , a bit of bread , or drop of drink , they 've took every morsel of our good cheare and all and nothing but gowns and petticoats left , as i think , at last , says one , if they 'd give us our smocks agen , and likewise part of what we hither brought , we shall be much oblieg d , and think'em gentlemen , and by this foolish example be better taught . 6. although in the river they were as many as crickets there , 'twixt laughing and fretting their state they did condole ; and then came one of the lads from out of the thickets there and told 'em hee 'd bring 'em their smocks , and what was stole , they only with petticoats on , like jipsies were clad then , he brought 'em their smocks , and what he had promis'd before . they fell to eat , and drink as if they 'd been mad there , and glad they were all , they 'd got so much of their store . 7. and when they all had made a good repast there , they put on their cloths , and all resolv'd to be gone ; then out comes all the ladds in very great hast there , and every one to the other then was known ; the girles did then conjure the ladds that were there , to what had past their lipps shou●d still be seal●d , nay more than that they made 'em all to swear there , to which they did , that nothing should be reveal d. 8. then each at other did make a pass at kissing then , and round it went to every one level coile , but thinking that at home they might be missing then , and fear'd that they had stay'd too great a while ; then hand in hand they alltogether marcht away , and every lad convey'd his mistris home , agen they kist , then every lass her man did pray , that what had past , no more of that but mum. the unparalel'd lady : the tune , 'twixt greece and troy. 1. vvhen first i saw my coeli'as face , o how my heart was inflam'd with love ; i deem'd her of no humane race , but angell-like drop't from above ; her star-like eyes with their glim'ring glances then shin'd so bright , like the greatest comet , when we look upon i● 'till it takes away the sight . 2. her nose is like a promontory , which over-looks some pleasant place , her cheeks like roses in their glory , and teeth of oriental race ; her corall lipps , like the cherryes when they 're growing on the tree ; but the greatest bliss is , thence to gather kisses , wou'd the cropp belong'd to me . 3. and underneath her snow-white neck , there you may find an ivory plaine , on which two christal mounts are set tipt with a ruby-fount in graine , this is the place , which formerly was call'd the milky-way . o that i might tipple still at such a nipple , and forever there might s●ay . 4. her hands are of so pure a white , that with the swan they dare to vie ; but when upon a lu●e they light , then you will hear such harmony : but when her voice and that together then play their parts , you 'd think the spheres united , and thither had invited all , to captivate their hearts . 5. her feet were so epitomiz'd , like peeping-mice did still appear , that all the crew were then surpriz'd to see her dance a measure there ▪ she mov'd so well , you 'd think she had not danc't then , but flown : i would spend a talent , for to be her gallant , and call her still mine own . the politick girle . the tune the duke of mo●mouths iigge . 1. my dearest katy , prethee be but constant now , and whatsoe're is pa●t , i shall forget i vow ; do thou be kind , and give me but thy hand upon 't , and for my faith thou need'st not doubt or stand upon 't ; i 'le furnish thee with all the cakes in season s●ill , and whatsoe're thou shalt desire in reason still ; nay more than that , thy annal due i 'le pay to thee , and in all moderate things will still give way to thee . 2. i must confess thy pension came but flow of late , which is the cause i think that thou didst change thy mate ; for when the sinewy-part of love is took away , we know the strength thereof will lessen every day : but now thou know'st the tide is turn'd my bonny kate , my fathers dead , and we shall want no mony kate ; for he by will has made me heire of all my dear , that we no more in debt i hope shall fa●l my dear . 3. thou seest how plainly now i 've told my mind to thee , and also find'st that i will still be kind to thee ; what remora then can stop the course of joining now our hearts and hands , come katy no repining now ; she told him then , do you forgive but my past faults , and i will likewise pardon all your by past faults ; he call'd her then his mistriss and his goddess to , and then they join'd their hands & lip 's & body to . 4. thus have you seen this jarring couple now agree , and all mistakes are now knit up in amitie , she slighted all addresses he did make to her . because she found his purse could never speak to her ; but when she saw the ginny birds to fly agen , she then resolv'd the knot of love to ●ye agen , and so 't will last 'till all the birds are fled and gone , then march her self , and give it out she 's dead and gone , the amorous girle . to the tune of the crab of the wo●d . 1. there 's none so pretty , as my sweet betty , she bears away the bell ; for sweetness and neatnesse , and all compleatness , all other girles doth excell . 2. when ever we meet , shee 'l lovingly greet me still with a how dee' doe ; well i thank you , quoth i , then she will reply , so am i sir the better for you 3. i askt her how , she told me , not now , for walls had cares and eyes ▪ nay she bid me take heed , what ever i did , for 't is good to be merry and wise . 4. then i took her by th' hand , which she did not withstand , and i gave her a smirking kiss ; she gave me another just like the tother ; quoth i , what a comfort is this ? 5. this put me in heart to play o're my part that i had intended before ; but she bid me to hold , and not be too bold , untill she had fastned the doore . 6. then she went to the hatch , to see that the latch and cranies were all cocksure , and when she had done , she bid me come on , for now we were both secure . 7. and what we did there , i dare not declare , but think that silence is best ; and if you will know , why i kist her , or so , but i 'le leave you to guess at the rest . the two vertuous sisters : the tune the gun-steet . 1. my cozen moll 's an arrant whore , and so is her sister kate , they kickt their mother out o dore , and broke their fathers pate ; and all because they crav'd a bit , i mean a bit alone sir , for they with a bit would give 'em a knock , that 's a bit and a knock , or none sir. 2. they 'r cleanly too , i needs must say , as any girles i' th towne . they sweep the house a new found way , that 's once a quarter round ; so fine 't is kept , that when 't is swept , i speak ● in their defence sir , ▪ t will yeild at a spur● , in dust and dirt . come fourteen or fifteen pen●● 〈◊〉 . 3. so fine and neate they dresse the●● meat , i thought it alway●● best to let it alone , till all was gone , and then to eat the rest ; for he that puts a bit in his guts , and did but see the dressing , no physick could e're give a vomit so cleare , which i think is a notable blessing . 4. some whores are counted shifters to ▪ but they did hate 'em all , they shift their smocks with much adoe but every spring and fall. they say 't is good to cleanse the blood , and think 'em worth the turning , and when they 're black upon their back , they call it inside mourning . 5. they will be drunk a little to , i mean but twice a day , they i swear and roare , and drink and spew , and then they down will lay ; and so they 'l sleep , ▪ till day gin peep , then call for more by dozens , and to my freind there s now an end of both my dirty cozens . the beneficial wedding . the tune , phil : porters dreame . and i have a mind to be marry'd , and so has you know who , wee both too long have tarry'd , and therefore i mean to woe : then i did give her a buss , and she gave me a ring , and so we bust , and kist and bust , and kist like any thing . 2. her grandsire gave her a cow , and her grannam a ewe and lambe , she say'd shee l suckle it too , untill it had left the dam ; her uncle gave her a hogge , her aunt a teeming sow , for bacon and sowse , to keep the house , and make em puddings enow . 3. her father gave her a gowne , her mother a petticote , which was of a mingl d brown , the best that cou'd be bought , her brother gave her a cock , and her sister a breeding hen , to tread and breed , and breed and tread . and tread , and breed agen . 3. her cozen took a care , to give her a rug was new , his wife did give her a paire of sheets and blankets too ; but she had a speciall friend that was a young upholster , you must not know the reason now , did give her a bed , and a bolster . 4. a friend did give her a wastcoat , and hose , and shooes , and hat , another did give her a la●'t coat , but 't is no matter for that so long as 't is our own , no matter how it come , they keep her fine , and give her vvine ▪ but no more of that but mum. 5. another did take her a house , and pay d a twelvemonths ren● , and furnis●'d me and my spouse with what at the wedding was spent ; then we desir'd to know , what trade we both should drive ; they say'd good ale wou'd neve● fail if ever we meant to thrive . 6. we both are ●itted now i think , with store of houshold stuff , and likewise cloths and meat and drink as much as is enough ; but if we chance to want , my wife has store of freinds , which i connive at , because they 'r private , and so our wedding ends . a song . 1. get you gone , you will und● me , if you love me ●on't p●●●ue me , let that inclination ●erish , which i dare ●o longer ● errish , be content y'av● won the 〈◊〉 , 't were base to hurt me , now i yield . 2. with harmless thoughts i did begin , but in the crow'd love 〈…〉 i knew him not , 〈…〉 , so innocent , ●o full of play . is ported thus with young desire , chear'd with his light , freed from his fire . 3. but now his teeth and clawes are grown , let me this fatal lyon shun ; you found me harmless , leave me so , for were i not , you 'd leave me too ; but when you change remember still , 't was my misfortune not my will. a song . being an answer to give o're foolish heart , or were the gods so severe , and to t●at tune . 1. he 's a fool in his heart , that takes any care of womens vain words be they never so fair ; though she sigh and pretends unto love ne'r so long , shee s double in heart , and betrays with her tongue : they still are as false as they were heretofore , their nature is such , they can ne'r give it o're . 2. they would by their craft's of which they have store , inveigle mens hearts their looks to adore , and if they once find they cannot prevail , overcharg'd with despight their faces grow pale ; there 's nothing that can their fancy please more , than to see foolish men their feature adore . 3. they would by their frowns to observance perswade , the men they do fancy their slaves they have made , and to be sure they will tyranize more , if a man do but once their pitty implore . why then should we men frail women adore , since their pride is so great , and their pitty no more , 4. but sure all that sex can ne'r prove so vain , to sport or delight in a true-lovers pain ; when a languishing eye in a lover they view to their cruelty sure , they must needs bid adieu ; where good humour i find , i there will adore , say the world what it will , i will never give o're . a mock to the song of harry gave doll , and to that tune . 1. as i walk t in the woods one evening of late , a girl was deploring her hapless estate ; ●he sigh'd and she sob'd ; ah! wretched she said , will no youth come sucker la anguishing maid ? shall i sigh and cry , and look pale and wan , and languish for ever for want of a man ? shall i sigh and cry and look pale and wan , and languish &c. 2. alas when i saw a young man in the place , my colour did fade , and then flusht in my face , my breath wou d grow short , and i shiver'd all o're , i thought 't was an ague , but alas it was more : for e're since i have sigh'd , and do what i can , i find i must languish for want of a man ; for e're since i have sigh'd ; and do what i can , i find i must , &c. 3. in bed all the night , i weep on my pillow , to see some maids happy , whilst i wear the willow , i revenge my self on the innocent sheet , wherein i have oft made my teeth for to meet , but i fear 't is in vain ▪ let ●●e do what i can , i must languish for ever for want of ● man ; but in my dispair , i 'le dye if i can and languish no longer for want of a man. a late song . 1. how charming are those pleasant pains , which the successful lover gains . o● how the longing spirit flyes , on scorching sighs from dying eyes , whose intermixing rayes impart , loves welcome message from the heart ? 2. then how the active pulse growes warm to every s nse gives the allarm but oh the rashness , and the qualmes when love unites the melting palmes ! what extasies , what hopes and feares , what pretty talk , and amorous tears ? 3. to these a thousand vows succeed , and then , o me , still we proceed , 'till sense and souls are bath'd in bliss , think dear aminda think on this , and curse those hours we did not prove the ravishing delights of love. a theatre song . i must confess not many years ago . 't was death when e're my mistress answear●d no ; then i was subject to her female yoak , and stood or fell by every word she spoke ; but now i find the intregues of love to be , nought but the follies of our infancy . 2. i can a rich or handsome lady court , either for my convenience or for sport ; but if the one be proud or the other coy , i cannot break my sleep for such a toy ; my heart is now for all assaults prepar d , and will not be commanded or insnar'd . the new song in charles the eighth set by mr. pelham humphrey's . oh love if ere thou wilt ease a heart that ownes thy power divine , and bleeds with thy too cruel dart , take pitty now on mine ; under thy shades i fainting lye , a thousand times i wish'd to die ; but when i find cold death too nigh , i grieve to lose my pleasing pain and call my wishes back again . and thus as i sat all alone in the shady mirtle grove ; and to each gentle sigh and moan some neighbouring eccho gave a groan , came by the man i love ; o how i strove my greif to hide , i panted , blusht and almost dyed . and did each tatling ecchoe chide , for fear some breath of moving air should to his ears my sorrow bear . and oh you powers , i dye to gain but one poor panting kiss , glad yet i 'de be on racks of paine , ere i 'de one thought or wish retain that honour thinks amiss : thus are poor maids unkindly us'd , by love and nature both abus'd , our tender hearts all ease refuse ; and when we burn with secret flame , must bear our greifs , or dye with shame . on his mistris that lov'd hunting . 1. leave coelia , leave the woods to chase , 't is not a sport , nor yet a place for one that has so sweet a face . 2. nets in thy hand , nets in thy brow , in every limb a snare , and thou dost lavish them thou car'st not how . 3. fond girle these wild haunts are not best to hunt : nor is a savage beast a fit prey for so sweet a breast . 4. o do but cast thine eyes behind , i 'le carry thee where then shalt find a tame heart of a better kind . 5. one that hath set soft snares for thee , snares where if once thou fettered be , thou ● never covet to be free . 6. the dews of april , the vvinds of may that flowr's the meads , and glads the day , are not more soft , more sweet than they . 7. and when thou chancest for to kill , thou needst not fear no other ill than turtles suffer when they bill . on a scriv'ner . here to a period is a scriv'ner come ; this is his last sheet , full point and total sum of all aspersions , i excuse him not , 't is plain , he liv'd not without many a blot ; yet he no ill example shew'd to any , but rather gave good coppies unto many . he in good letters allwayes had been bred , and hath writ more , then many men have read . he rulers had at his command by law , although he could not hang , yet he could draw . he did more , bondmen make then any , a dash of 's pen alone did ruine many , that not without all reason we may call his letters great or little , capitall ; yet t is the scrivner s fate as ●ure as just , when he hath all done , then he falls to dust . on a sexton . i many graves have made , yet injoy'd none , this which i ma e not , i possess'd alone ; each corps withoug imbalming it did serve my life like precious balsome to preserve ; but death then kind was , now cruel found i have ; robbing me of life , without my living grave ; and yet 't was kind still to , for in the grave where once i labour had , now peace i have ; i made good use of time , and night and day took care and heed , how th' hours go away , i still was ready for a grave , nor shall i grieve at what i most joy'd , a funeral as i was wont , no not so prone as then , out of the grave i shall arise agen . on a fart . i sing the praises of a fart , that i may doo 't by terms of art ; i will invoke no deitie , but butter'd pease and furmetie ; and think their help sufficient to fit and furnish my intent ; when virgils gnat , and ovids flea , and homers frog strove for the day ; there is no reason in my mind , why a fart should come behind , since that we may it paralel , with any thing that doth excell ; musi●k is but a fart that s sent , from the guts of an instrument ; the scholler farts , when he gains learning with cracking of his brains , and when he hath spent much pain and oyl , thomas and others to reconcile , for to learn the distracting art . what doth he get by it ? not a fart ; the thunder that does roar so loud is but the farting of a cloud ; and if withall the wind do stirr up rain , then 't is a farting sirrup ; the soldier makes his foes to run , with bu● the farting of a gun , that 's if he make the bullets whistle , else 't is no better then a sizle ; ●ine boats that by the times about , are but farts several docks let out ; they are but farts , the words we say , words are but words , and so are they ; farts are as good as land , for both we hold in tail , and let 'em both ; as soon as born they by and by fart-like bu● only sing and dye ; applause is but a fart , the rude blast of the whole multitude ; and what is working ale i pray ; but farting barme , which makes a way out at the bunghole , by farting noise , when we do hear it's sputtring voice ; and when new drank , and without hopps , it makes us fart , and seldom stops . i more of farts would write i vow ; but for my gutts i cannot now , for now they wonderfully rumble , and my stomack begins to grumble , which makes me think that farts e're long will at my nock there find a tongue , and there sing out their own praises , in thundring and in choaking phrases ; where i leave them , and them to you , and so i bid you all adieu . what i have said take in good part , if not , i do not care a fart . silence the best wooer . 1. wrong not dear empress of my heart , the merits of true passion , with thinking that he feels no smart , that sues for no compassion . 2. since that my thoughts serve not to prove the conquest of your beauty , it comes not from defect of love , but from excess of duty . 3. for think you that i sue to serve a saint of such perfection as all desire , but none deserve a place in her affection . 4. i rather chuse to want relief , than venture the relieving , vvhen glory recommends the grief , despair distrust's th'atchieving . 5. thus the desires that aim too high for any mortal lover , vvhen reason cannot make ▪ em dye , discretion doth them cover . 6. yet when discretion doth believe , the plaints that they shall utter ; then thy discretion may perceive , that silence is a sutor . 7. silence in love bewrayes more woe , than words though nere so witty ; ●he begger that is dumb you know deserveth double pitty . 8. then mis-conceive not , dearest heart , my true though secret passion ; he smarteth most that hides his smart , and sues for no compassion . beauty is not the guide to affection . of beauty there 's no rule , neither can be , since that i like , pleases not him , nor thee . one likes a dimpled cheek , a double chin , one likes a sparkling eye , and so agen ; one likes a lusty lass , to quench his fire , another , might he have but his desire , would reject all we have nam'd before , and nor double chin , nor dimpled cheek adore , neither would care for sparkling eye a bit , and reject lustiness , but adore vvit ; one likes a lady that is short , and small ; another one perhaps that 's big and tall ; you like a lady cause shee 's very free , i don't , for fear i should cornuted be ; one likes a vvoman , for such , and such a grace , one cares for nothing but a handsome face ; one loves to see flaxen locks hang down , another man delights in lovely brown . thus all men vary you do see , and now where 's the good man i pray that kiss'd the cow ? finis . loues solace; or the true lovers part, & in his conclusion he shews his constant heart he still doth praise her for her beauty rare, and sayes there's none with her that can compare. to a new court tune called the damaske rose. m. p. (martin parker), d. 1656? 1632 approx. 7 kb of xml-encoded text transcribed from 1 1-bit group-iv tiff page image. text creation partnership, ann arbor, mi ; oxford (uk) : 2008-09 (eebo-tcp phase 1). a08968 stc 19252 estc s119371 99854578 99854578 20005 this keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the early english books online text creation partnership. this phase i text is available for reuse, according to the terms of creative commons 0 1.0 universal . the text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. early english books online. (eebo-tcp ; phase 1, no. a08968) transcribed from: (early english books online ; image set 20005) images scanned from microfilm: (early english books, 1475-1640 ; 1607:18) loues solace; or the true lovers part, & in his conclusion he shews his constant heart he still doth praise her for her beauty rare, and sayes there's none with her that can compare. to a new court tune called the damaske rose. m. p. (martin parker), d. 1656? 1 sheet ([1] p.) : ill. printed for francis grove, on snow-hill, london : [1632] signed: m. p., i.e. martin parker. publication date from stc. verse "the damaske rose nor lilly faire,". in two parts; woodcuts at head of each part. reproduction of the original in the british library. created by converting tcp files to tei p5 using tcp2tei.xsl, tei @ oxford. re-processed by university of nebraska-lincoln and northwestern, with changes to facilitate morpho-syntactic tagging. gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. eebo-tcp is a partnership between the universities of michigan and oxford and the publisher proquest to create accurately transcribed and encoded texts based on the image sets published by proquest via their early english books online (eebo) database (http://eebo.chadwyck.com). the general aim of eebo-tcp is to encode one copy (usually the first edition) of every monographic english-language title published between 1473 and 1700 available in eebo. eebo-tcp aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the text encoding initiative (http://www.tei-c.org). the eebo-tcp project was divided into two phases. the 25,363 texts created during phase 1 of the project have been released into the public domain as of 1 january 2015. anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. users should be aware of the process of creating the tcp texts, and therefore of any assumptions that can be made about the data. text selection was based on the new cambridge bibliography of english literature (ncbel). if an author (or for an anonymous work, the title) appears in ncbel, then their works are eligible for inclusion. selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. in general, first editions of a works in english were prioritized, although there are a number of works in other languages, notably latin and welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. image sets were sent to external keying companies for transcription and basic encoding. quality assurance was then carried out by editorial teams in oxford and michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet qa standards were returned to the keyers to be redone. after proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. any remaining illegibles were encoded as <gap>s. understanding these processes should make clear that, while the overall quality of tcp data is very good, some errors will remain and some readable characters will be marked as illegible. users should bear in mind that in all likelihood such instances will never have been looked at by a tcp editor. the texts were encoded and linked to page images in accordance with level 4 of the tei in libraries guidelines. copies of the texts have been issued variously as sgml (tcp schema; ascii text with mnemonic sdata character entities); displayable xml (tcp schema; characters represented either as utf-8 unicode or text strings within braces); or lossless xml (tei p5, characters represented either as utf-8 unicode or tei g elements). keying and markup guidelines are available at the text creation partnership web site . eng ballads, english -17th century. 2007-08 tcp assigned for keying and markup 2007-08 aptara keyed and coded from proquest page images 2007-09 mona logarbo sampled and proofread 2007-09 mona logarbo text and markup reviewed and edited 2008-02 pfs batch review (qc) and xml conversion loues solace ; or the true lovers part , & in his conclusion he shews his constant heart . he still doth praise her for her beauty rare , and sayes there 's none with her that can compare . to a new court tune called the damaske rose . the damaske rose nor lilly faire , the couslip nor the pancy , with my true loue cannot compare , for beauty loue and fancy , she doth excell the rarest dame , in all the world that may be , which makes me thus extoll her fame , so sweet is the lasse that loues me . if i should speake of my true loue , as i am bound in dnty ; she doth surpasse the gods abone , in each degree for beauty , iuno , pallas , nor venus faire , shine not so bright and louely , ther 's none with her that may compare , so sweet is the lasse that loues me . when first i saw her péerelesse face , i did admire her beauty , and i did séeke with heart and voyce , to offer her all duty , which willingly she did accept , so kind and louing was she , which makes me thus with all respect , say sweet is the lasse that loues me . mars though he be the god of warre , could not so deepely wound me , as cupi● with a little skarre , which i haue plainely showne you , boreas with all his blustring stormes , never pierst so sorely : cupids arrowes pricke like thornes , so sweet is the lasse that loues me . for her swéet sake i le vndertake , any thing she requireth , to sayle the seas like captaine drake , whose deeds there 's some admireth what ever she commands is done , so much her loue doth moue me , she is a precious paragon , so sweet is the lasse that loues me . bright cinthia in her rich robes , my loue doth much resemble , whose beautious beams such rares affords that makes my heart to tremble , yet is the saint so chast so rare , which vnto fancy moues me , and makes my ioyes without compare , so sweet is the lasse that loues me . diana and her darlings deare , that lived in woods and vallies : and spent her time so chast and rare , she with no mankind dallies : yet is she not more chast than my loue , i hope none can disproue me , o no my mind shall nere remoue , so sweet is the lasse that loues me . swéet loue adieu i pray be true , and thinke of what is spoken , change not thy old friend for a new , let not thy vow he broken , swéet loue i leaue thée for this time , for so it doth behoue me , but still my heart doth me combine , to say sweet is the lasse that loues me . the second part , to the same tune . the maidens kind answer wherein she doth agree , that he shall be her loue , and none but onely he . my loue , my life , my ducke my deare , now will i yeeld vnto thee , all thou hast said i well did heare , and now thy words doth moue me , for to reply in answer kind , and so thy selfe shall proue me , i will not change like to the wind , so sweet is the lasse that loues thee . be thou my louely pyramus , i le be thy constant thysbe , and i am now resolved thus , never to displease thee . true loue surpasseth craesus gole , t is not thy wealth that moues me , hereafter let my loue be bold , and say sweet is the lasse that loues me . i le proue as chast vnto my loue , as euer could be any , no fond inticements me shall moue , although i am vrged to many , i will indure for ever kind , as it doth best behoue me , a truer mate thou shalt not find , so sweet is the lasse that loves thee . my daily care shall alwaies be , onely for to delight thée , and i my selfe still will be she that shall with ioyes vnite thee , i will shine bright at noone and night , if i may so content thée , like cinthia i will shine bright , vnto the lad that loues me . doe not despaire my onely deare , let not vaine thoughts torment thée , of my true heart haue thou no feare , nor doe not thou absent me , i will remaine for ever sure , though i a while did prooue thée , till death depart i le thine indure , so sweet is the lasse that loues thee . no gold nor gaine shall me obtaine , to fancy any other , all those that seeke my loue to gaine , their wishes i doe smother , i answer them vnto their kind , for so it doth behoue me , i will not change like to the wind , so sweet is the lasse that loues thee . so loue adieu i pray be true , i am thine owne for ever , the next time that i méet with you , wée le not so soone dissever , although we part i leaue my heart , with him that dearely loues me , t is hymens bands must ease my smart , and i am the lasse that loues thee . o my sweet loue and onely deare , thou hast renued my pleasure , thou in my sight dost more appeare than any earthly treasure ; i doe reioyce much in my choyce , and so it doth behoue me , i le sing thy praise with heart and voice . so sweet is the lasse that loues me . m. p. finis . london printed for francis groue , on snow-hill .