research did not uncover any evidence that the u.s. copyright on this publication was renewed. page 62 original: many hours later, and may miles farther changed to: many hours later, and many miles farther page 69 no change: embitted, there was no warmth in copeland retained embitted project hush by william tenn illustrated by dick francis [transcriber note: this etext was produced from galaxy science fiction february 1954. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] [sidenote: the biggest job in history and it had to be done with complete secrecy. it was--which was just the trouble!] i guess i'm just a stickler, a perfectionist, but if you do a thing, i always say, you might as well do it right. everything satisfied me about the security measures on our assignment except one--the official army designation. project hush. i don't know who thought it up, and i certainly would never ask, but whoever it was, he should have known better. damn it, when you want a project kept secret, you _don't_ give it a designation like that! you give it something neutral, some name like the manhattan and overlord they used in world war ii, which won't excite anybody's curiosity. but we were stuck with project hush and we had to take extra measures to ensure secrecy. a couple of times a week, everyone on the project had to report to psycho for dd & ha--dream detailing and hypnoanalysis--instead of the usual monthly visit. naturally, the commanding general of the heavily fortified research post to which we were attached could not ask what we were doing, under penalty of court-martial, but he had to be given further instructions to shut off his imagination like a faucet every time he heard an explosion. some idiot in washington was actually going to list project hush in the military budget by name! it took fast action, i can tell you, to have it entered under miscellaneous "x" research. well, we'd covered the unforgivable blunder, though not easily, and now we could get down to the real business of the project. you know, of course, about the a-bomb, h-bomb and c-bomb because information that they existed had been declassified. you don't know about the other weapons being devised--and neither did we, reasonably enough, since they weren't our business--but we had been given properly guarded notification that they were in the works. project hush was set up to counter the new weapons. our goal was not just to reach the moon. we had done that on 24 june 1967 with an unmanned ship that carried instruments to report back data on soil, temperature, cosmic rays and so on. unfortunately, it was put out of commission by a rock slide. an unmanned rocket would be useless against the new weapons. we had to get to the moon before any other country did and set up a permanent station--an armed one--and do it without anybody else knowing about it. i guess you see now why we on (_damn_ the name!) project hush were so concerned about security. but we felt pretty sure, before we took off, that we had plugged every possible leak. we had, all right. nobody even knew we had raised ship. * * * * * we landed at the northern tip of mare nubium, just off regiomontanus, and, after planting a flag with appropriate throat-catching ceremony, had swung into the realities of the tasks we had practiced on so many dry runs back on earth. major monroe gridley prepared the big rocket, with its tiny cubicle of living space, for the return journey to earth which he alone would make. lieutenant-colonel thomas hawthorne painstakingly examined our provisions and portable quarters for any damage that might have been incurred in landing. and i, colonel benjamin rice, first commanding officer of army base no. 1 on the moon, dragged crate after enormous crate out of the ship on my aching academic back, and piled them in the spot two hundred feet away where the plastic dome would be built. we all finished at just about the same time, as per schedule, and went into phase two. monroe and i started work on building the dome. it was a simple pre-fab affair, but big enough to require an awful lot of assembling. then, after it was built, we faced the real problem--getting all the complex internal machinery in place and in operating order. meanwhile, tom hawthorne took his plump self off in the single-seater rocket which, up to then, had doubled as a lifeboat. the schedule called for him to make a rough three-hour scouting survey in an ever-widening spiral from our dome. this had been regarded as a probable waste of time, rocket fuel and manpower--but a necessary precaution. he was supposed to watch for such things as bug-eyed monsters out for a stroll on the lunar landscape. basically, however, tom's survey was intended to supply extra geological and astronomical meat for the report which monroe was to carry back to army hq on earth. tom was back in forty minutes. his round face, inside its transparent bubble helmet, was fish-belly white. and so were ours, once he told us what he'd seen. he had seen another dome. "the other side of mare nubium--in the riphaen mountains," he babbled excitedly. "it's a little bigger than ours, and it's a little flatter on top. and it's not translucent, either, with splotches of different colors here and there--it's a dull, dark, heavy gray. but that's all there is to see." "no markings on the dome?" i asked worriedly. "no signs of anyone--or anything--around it?" "neither, colonel." i noticed he was calling me by my rank for the first time since the trip started, which meant he was saying in effect, "man, have you got a decision to make!" "hey, tom," monroe put in. "couldn't be just a regularly shaped bump in the ground, could it?" "i'm a geologist, monroe. i can distinguish artificial from natural topography. besides--" he looked up--"i just remembered something i left out. there's a brand-new tiny crater near the dome--the kind usually left by a rocket exhaust." "rocket exhaust?" i seized on that. "_rockets_, eh?" * * * * * tom grinned a little sympathetically. "spaceship exhaust, i should have said. you can't tell from the crater what kind of propulsive device these characters are using. it's not the same kind of crater our rear-jets leave, if that helps any." of course it didn't. so we went into our ship and had a council of war. and i do mean war. both tom and monroe were calling me colonel in every other sentence. i used their first names every chance i got. still, no one but me could reach a decision. about what to do, i mean. "look," i said at last, "here are the possibilities. they know we are here--either from watching us land a couple of hours ago or from observing tom's scout-ship--or they do not know we are here. they are either humans from earth--in which case they are in all probability enemy nationals--or they are alien creatures from another planet--in which case they may be friends, enemies or what-have-you. i think common sense and standard military procedure demand that we consider them hostile until we have evidence to the contrary. meanwhile, we proceed with extreme caution, so as not to precipitate an interplanetary war with potentially friendly martians, or whatever they are. "all right. it's vitally important that army headquarters be informed of this immediately. but since moon-to-earth radio is still on the drawing boards, the only way we can get through is to send monroe back with the ship. if we do, we run the risk of having our garrison force, tom and me, captured while he's making the return trip. in that case, their side winds up in possession of important information concerning our personnel and equipment, while our side has only the bare knowledge that somebody or something else has a base on the moon. so our primary need is more information. "therefore, i suggest that i sit in the dome on one end of a telephone hookup with tom, who will sit in the ship, his hand over the firing button, ready to blast off for earth the moment he gets the order from me. monroe will take the single-seater down to the riphaen mountains, landing as close to the other dome as he thinks safe. he will then proceed the rest of the way on foot, doing the best scouting job he can in a spacesuit. "he will not use his radio, except for agreed-upon nonsense syllables to designate landing the single-seater, coming upon the dome by foot, and warning me to tell tom to take off. if he's captured, remembering that the first purpose of a scout is acquiring and transmitting knowledge of the enemy, he will snap his suit radio on full volume and pass on as much data as time and the enemy's reflexes permit. how does that sound to you?" they both nodded. as far as they were concerned, the command decision had been made. but i was sitting under two inches of sweat. "one question," tom said. "why did you pick monroe for the scout?" "i was afraid you'd ask that," i told him. "we're three extremely unathletic ph.d.s who have been in the army since we finished our schooling. there isn't too much choice. but i remembered that monroe is half indian--arapahoe, isn't it, monroe?--and i'm hoping blood will tell." "only trouble, colonel," monroe said slowly as he rose, "is that i'm one-_fourth_ indian and even that.... didn't i ever tell you that my great-grandfather was the only arapahoe scout who was with custer at the little big horn? he'd been positive sitting bull was miles away. however, i'll do my best. and if i heroically don't come back, would you please persuade the security officer of our section to clear my name for use in the history books? under the circumstances, i think it's the least he could do." i promised to do my best, of course. * * * * * after he took off, i sat in the dome over the telephone connection to tom and hated myself for picking monroe to do the job. but i'd have hated myself just as much for picking tom. and if anything happened and i had to tell tom to blast off, i'd probably be sitting here in the dome all by myself after that, waiting.... "_broz neggle!_" came over the radio in monroe's resonant voice. he had landed the single-seater. i didn't dare use the telephone to chat with tom in the ship, for fear i might miss an important word or phrase from our scout. so i sat and sat and strained my ears. after a while, i heard "_mishgashu!_" which told me that monroe was in the neighborhood of the other dome and was creeping toward it under cover of whatever boulders were around. [illustration] and then, abruptly, i heard monroe yell my name and there was a terrific clattering in my headphones. radio interference! he'd been caught, and whoever had caught him had simultaneously jammed his suit transmitter with a larger transmitter from the alien dome. then there was silence. after a while, i told tom what had happened. he just said, "poor monroe." i had a good idea of what his expression was like. "look, tom," i said, "if you take off now, you still won't have anything important to tell. after capturing monroe, whatever's in that other dome will come looking for us, i think. i'll let them get close enough for us to learn something of their appearance--at least if they're human or non-human. any bit of information about them is important. i'll shout it up to you and you'll still be able to take off in plenty of time. all right?" "you're the boss, colonel," he said in a mournful voice. "lots of luck." and then there was nothing to do but wait. there was no oxygen system in the dome yet, so i had to squeeze up a sandwich from the food compartment in my suit. i sat there, thinking about the expedition. nine years, and all that careful secrecy, all that expenditure of money and mind-cracking research--and it had come to this. waiting to be wiped out, in a blast from some unimaginable weapon. i understood monroe's last request. we often felt we were so secret that our immediate superiors didn't even want us to know what we we were working on. scientists are people--they wish for recognition, too. i was hoping the whole expedition would be written up in the history books, but it looked unpromising. * * * * * two hours later, the scout ship landed near the dome. the lock opened and, from where i stood in the open door of our dome, i saw monroe come out and walk toward me. i alerted tom and told him to listen carefully. "it may be a trick--he might be drugged...." he didn't act drugged, though--not exactly. he pushed his way past me and sat down on a box to one side of the dome. he put his booted feet up on another, smaller box. "how are you, ben?" he asked. "how's every little thing?" i grunted. "_well?_" i know my voice skittered a bit. he pretended puzzlement. "well _what_? oh, i see what you mean. the other dome--you want to know who's in it. you have a right to be curious, ben. certainly. the leader of a top-secret expedition like this--project hush they call us, huh, ben--finds another dome on the moon. he thinks he's been the first to land on it, so naturally he wants to--" "major monroe gridley!" i rapped out. "you will come to attention and deliver your report. now!" honestly, i felt my neck swelling up inside my helmet. monroe just leaned back against the side of the dome. "that's the _army_ way of doing things," he commented admiringly. "like the recruits say, there's a right way, a wrong way and an army way. only there are other ways, too." he chuckled. "lots of other ways." "he's off," i heard tom whisper over the telephone. "ben, monroe has gone and blown his stack." "they aren't extraterrestrials in the other dome, ben," monroe volunteered in a sudden burst of sanity. "no, they're human, all right, and from earth. guess _where_." "i'll kill you," i warned him. "i swear i'll kill you, monroe. where are they from--russia, china, argentina?" he grimaced. "what's so secret about those places? go on!--guess again." i stared at him long and hard. "the only place else--" "sure," he said. "you got it, colonel. the other dome is owned and operated by the navy. the goddam united states navy!" my lady selene by magnus ludens [transcriber's note: this etext was produced from galaxy magazine april 1963. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] everyone knows the moon is dead. everyone is quite correct--now! on impact he'd had time to see hatter's head jerk loose from the carefully weakened strap. as hatter slumped unconscious he touched the hidden switch. a shock, then darkness. what first came to him out of the humming blackout mist was his own name: marcusson. al marcusson, just turned sixteen that saturday in june, that green-leafed day his father had called him out to the back yard. they had sat on discount-house furniture under the heavy maple, al who wore jeans and sneakers and a resigned expression, his father who wore glasses, a sport shirt, slacks, eyelet shoes and a curious reckless smile, a smile that didn't belong in the picture. "now you're sixteen, al, there's something i have to tell you," his father had begun. "my father told me when i turned sixteen, and his father told him. first, the name of our family isn't marcusson. it's marcopoulos. your name's alexander marcopoulos." "what? dad, you must be kidding! look, all the records...." "the records don't go back far enough. our name was changed four generations back, but the legal records disappeared in the usual convenient courthouse fire. as far as anyone knows, our family's name's always been marcusson. my grandfather went to minnesota and settled among the swedes there. unlike most foreigners he'd taken pains to learn good english beforehand. and swedish. he was good at languages." for a moment the out-of-place smile came back. "all our family is. languages, math, getting along with people, seldom getting lost or confused. you better pay attention, al. this is the only time i'm going to speak of our family, like my father. we never bothered much, by the way, about how our name was written. you can believe me or think i sat in the sun too long, but i'll tell you how our most famous relatives spelled it: marco polo." "oh, now...." "never mind what you think now. besides, i won't answer any questions, anyway. my father didn't and he was right. i found out some things by myself later; you'll probably find out more. for example, the best job for us is still exploring. that's why i became an oil geologist, and it paid off. another thing: learning the legends of the place you're in, if you take up exploring, can mean the difference between success and a broken neck. that's all, boy. guess i'll get your mother some peonies for the supper table." al marcusson had gone up quietly to his room. later, his special gift for languages and math got him through college and engineering school; his sense of direction and lack of inner-ear trouble helped to get him chosen for astronaut training while he was in the air force. while in training at the cape he had met and married a luscious brunette librarian in one of the sponge-fishing towns, a brunette with a rather complicated last name that became forgotten as she turned into mrs. marcusson, and unbeatable recipes for the most bewitching cocktails since circe held the shaker for ulysses. marcusson's hobbies included scuba diving, electronic tinkering and reading. his psychiatrists noted a tendency to reserve, even secrecy, which was not entirely bad in a man who worked with classified material and had to face long periods of time alone. besides, his ability to get along with people largely compensated. * * * * * with slowly returning consciousness the last months of training swam in al marcusson's mind. the orbital flight--the only part of it he'd really enjoyed was the quarter-hour alone with sarah, the electronic beacon, cut off from control and even from the rescue team just over the horizon, alone with the music of wind and sea. for the moon shot he'd been responsible for communications, recording and sensing systems inside the capsule, as hatter had for the life-support systems and their two back-up men for propulsion and ground systems coordination respectively. he relived the maddening, risky business of the master switch to be secretly connected with the capsule's several brains and camouflaged. the strap to be weakened. then the blind terror of launch when his pulse had topped 120; blurred vision, clenched teeth, the suit digging into him, the brief relief of weightlessness erased by the cramped, terrifying ride filled with new sensations and endless petty tasks. the camera eye pitilessly trained on his helmet. the way things had of staying there when you'd put them away. on earth--already it was "on earth," as if earth was a port he'd sailed from--you put things out of your mind, but here they bobbed before you still, like the good luck charm in its little leather bag, for instance, the charm his wife had tied to one of his fastener tabs and that kept dancing in the air like a puppet, jerking every time he breathed. every time he breathed in the familiar sweat-plastic-chemicals smell, familiar because he'd been smelling it in training, in the transfer truck, in the capsule mock-up for months. all that should be new and adventurous had become stale and automatic through relentless training. his eyes rested on the color-coded meters and switches that were associated with nausea in the centrifuge tumbler-trainer. the couch made him think of long hours in the chlorinated pool--he always used to come out with his stomach rumbling and wrinkled white fingers, despite the tablets and the silicone creams. his skin itched beneath the adhesive pads that held the prying electrodes to his body, itched like the salt and sand itch he felt after swimming between training bouts. it was still florida air he breathed, but filters had taken out its oil-fouled hot smell, its whiffs of canteen cooking, fish, seaweed and raw concrete in the sun. hatter's and his own sing-song bit talk, so deliciously new to television audiences, rang trite in his own ears: a makeshift vocabulary, primer sentences chosen for maximum transmission efficiency to control. the control center he remembered from having watched orbital flights himself. machines that patiently followed pulse rate, breathing, temperature. squiggly lines, awkward computer handwriting, screens where dots jumped, screens that showed instrument panels, screens where his own helmet showed, and inside it the squirming blob that was his own face, rendered as a kind of rubberized black-and-white tragic mask. he felt the metal ears turning, questing for signals, the little black boxes, miniaturized colossi tracking, listening, spewing tape. on the capsule itself--all folded in like japanese water flowers--sensors, cameras, listeners, analyzers should have burgeoned on impact, shot up, reached out, grasped, retracted, analyzed, counted, transmitted. but he'd cut the switch. * * * * * al marcusson blinked awake. he set about freeing himself, a task comparable to getting a butterfly alive out of a spider web. every creak of his suit and of the moulded couch sounded loud and flat in the newly silent capsule. his breathing soughed about him. but no signal went out from the electrodes taped to his chest to say that his heart beat had again topped a hundred, that he sweated, that his stomach contracted--even though he was under no gravity strain, the emergency cooling worked, and his latest no-crumbs, low-residue meal had been welcomed by the same stomach an hour earlier. he sat up. the port gave off a pale creamy glow. he leaned forward and could see nothing except for a creamor eggshell-colored mist, even and opaque. he undid his glove-rings and took off his gloves. by the gleam of his wrist-light he checked whether hatter was breathing correctly from his suit, visor down, and not the capsule's air, then put his gloves on again and bled the air slowly out. they were not supposed to leave the capsule, of course. still the possibility of having to check or repair something had had to be considered and it was theoretically possible. he began the nerve-rasping egress procedure, through the narrow igloo-lock that seemed to extend painful claws and knobs to catch at every loop and fold of his suit. at last he gave a frantic wiggle and rolled free. because of the dead switch, turning antennae circled in vain, pens stopped reeling out ink, screens stayed blank. the men in the control room activated emergency signals but got no triggered responses. meanwhile, television reporters sent frantic requests for background material fillers, their "and now back to's" falling thick and fast. al marcusson bounced on a kind of lumpy featherbed two or three times before coming to rest in the same eggshell soup. dust. moon dust that had no particular reason for dropping back now cocooned the ship. he stood up with great care and staggered straight out, putting his feet down slowly to minimize dust puffs. the mist thinned and he rubbed the gloves against his visor and goggled. cliffs, craters, spines, crests and jags stood there as in the photographs except for a curious staginess he realized came from the harsh footlights effect of the twilight zone they'd landed in and from the shorter horizon with its backdrop of old black velvet dusty with stars. but the colors! ruby cliffs, surfaces meteor-pitted in places to a rosy bloom, rose to pinnacles of dull jade that fell again in raw emerald slopes; saffron splashes of small craters punctuated the violet sponge of scattered lava, topaz stalagmites reared against sapphire crests, amethyst spines pierced agate ridges ... and on every ledge, in every hollow, pale moondust lay like a blessing. when you were a kid, did you ever wake up at night in a pullman berth and hear the snoring and looked at the moonwashed countryside knowing you only were awake and hugging the knowledge to yourself? did you ever set off alone at dawn to fish or hunt and watch the slow awakening of trees? did you ever climb the wall into an abandoned estate and explore the park and suddenly come upon a statue half-hidden in honeysuckle, a statue with a secret smile? al marcusson sat by himself on the twilight zone of the moon and watched the sun shining through cloudy glass arches and throwing on moondust the same colored shadows that it throws through the great stained-glass windows on the flagstones of chartres cathedral. he looked up at earth, now in "new earth" position, a majestic ring of blue fire flushed with violet, red and gold at the crescent where clouds flashed white iridescence. he jerked free the little bag that held his good luck charm and waited. they came. * * * * * he could see them silhouetted against earth, the long undulating v of them. now he could discern their wings beating in the vacuum that couldn't support them and heard the wild lonely honking through the vacuum that couldn't transmit sound. white wings surged steadily nearer. soon there was a tempest of white, a tempest that stirred no dust, and the swans settled about him. al marcusson stood up. "my lady selene," he began, speaking carefully although he knew that the sound could not be heard outside his helmet. "my lady luna, my lady of the swans, i greet you. i know of you through legends: i know you are aphrodite the swan-rider, goddess of love that drives to suicide. i know you are the white goddess, the three-women-in-one, who changes your slaves into swans. i know of your twin daughters, helen the fair, bane of troy, and dark clytemnestra, mycenae's destroyer. i know of your flight as the wyrd of death who took great beowulf of the geats, of your quests as diana of the cruel moonlit hunts; i remember your swan-wings shadowing the hosts of prince igor on the steppes, i have seen the rings of your sacred hansa swans decorating the moon-shaped steps of temples in ceylon, your flights of swans and geese on painted tombs beyond the nile. the witches of my own thessaly called upon you to work their spells. on the feast of beltane, on the first of may, with hawthorn branches blooming white as your swans, the celts did you honor. the folk on the rhine brought you figurines of white clay and long remembered your wild walpurgisnacht. but as other beliefs drove out the old, you went from the minds of men to those of children. only in andersen's tales do you still change your slaves into swans, only children understand the spells held in the foolish rhymes of mother goose. children know of the lady who flies on goose's back, her cape dark behind her, and each generation in turn still listens to your spells, my lady of the swans. and sometimes poets, and sometimes hunters, and sometimes lovers look up at the moon and are afraid and acknowledge your power." al marcusson stopped. the birds ringed him in. he held up his good luck charm, a small, carved rock-crystal swan, such as are found in the very ancient tombs of the bronze-age sea kings of the aegean. "my lady selene," he cried, "i bring an offering! i came alone, before the others, to tell you the new beliefs now come to your dwelling. i came to warn you, my lady of the swans, to beg you not to be wrathful against us, unwilling intruders, to ask you to take up your dwelling in another place, but not to deprive us of poetry, of witching spells and dreams, and all that the moon has meant to us." he threw the crystal swan before him. the plumes about him foamed and a snowy form emerged, a moonstone with black opal eyes who smiled and began to sing. marcusson's knees gave and his eyes closed. then she spread great swan wings and soared, circling far lest her shadow fall on the crumpled spacesuited figure. she rose. and her swans--her thousand myriad swans--rose after her out of cracks, caves and craters, from beneath overhangs, from ledges, hollows and rock-falls, their plumes at first stained with the colors of the stone. they winged away, v after sinuous v, across earth and into space. when the last swan had left the moon became just another piece of colored rock. * * * * * al marcusson opened his eyes and made his way dully back into the dust cloud now shot with flashes of red-orange as earth's laser beams searched for the capsule's nerve centers. he bumped against a strut and forced his way in. a hum filled the capsule. ungainly jointed limbs, paddles, calyxes, sprouted from its outside walls. on earth pens jiggled, tapes were punched, rows of figures in five columns appeared on blank pages, pulses jumped and two groggy, worn-out faces appeared on the control room screens. hatter's eyes flickered over the boards and he opened his mouth. some time later his disembodied voice came out of the monitor, reading dials, reporting on systems. then the screens showed al marcusson's eyes opening in turn. control could see him leaning forward towards the port, his face drawn in haggard lines and shadows, then letting his head fall back. "hey," he said, "didn't doc tell you guys dust gives me hay fever?" on earth the men about the screens slapped each other's backs and grinned and wiped their eyes. good old bellyaching marcusson! good old al! the moon was just another piece of rock, after all. but a star went nova in cygnus, and lovers wished on it that night. the snare by richard r. smith illustrated by weiss [transcriber's note: this etext was produced from galaxy january 1956. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] _it's easy to find a solution when there is one--the trick is to do it if there is none!_ i glanced at the path we had made across the _mare serenitatis_. the latin translated as "the sea of serenity." it was well named because, as far as the eye could see in every direction, there was a smooth layer of pumice that resembled the surface of a calm sea. scattered across the quiet sea of virgin moon dust were occasional islands of rock that jutted abruptly toward the infinity of stars above. considering everything, our surroundings conveyed a sense of serenity like none i had ever felt. our bounding path across the level expanse was clearly marked. because of the light gravity, we had leaped high into the air with each step and every time we struck the ground, the impact had raised a cloud of dustlike pumice. now the clouds of dust were slowly settling in the light gravity. above us, the stars were cold, motionless and crystal-clear. indifferently, they sprayed a faint light on our surroundings ... a dim glow that was hardly sufficient for normal vision and was too weak to be reflected toward earth. we turned our head-lamps on the strange object before us. five beams of light illuminated the smooth shape that protruded from the moon's surface. the incongruity was so awesome that for several minutes, we remained motionless and quiet. miller broke the silence with his quavering voice, "strange someone didn't notice it before." * * * * * strange? the object rose a quarter of a mile above us, a huge, curving hulk of smooth metal. it was featureless and yet conveyed a sense of _alienness_. it was alien and yet it wasn't a natural formation. something had made the thing, whatever it was. but was it strange that it hadn't been noticed before? men had lived on the moon for over a year, but the moon was vast and the _mare serenitatis_ covered three hundred and forty thousand square miles. "what is it?" marie asked breathlessly. her husband grunted his bafflement. "who knows? but see how it curves? if it's a perfect sphere, it must be at least two miles in diameter!" "if it's a perfect sphere," miller suggested, "most of it must be beneath the moon's surface." "maybe it isn't a sphere," my wife said. "maybe this is all of it." "let's call lunar city and tell the authorities about it." i reached for the radio controls on my suit. kane grabbed my arm. "no. let's find out whatever we can by ourselves. if we tell the authorities, they'll order us to leave it alone. if we discover something really important, we'll be famous!" i lowered my arm. his outburst seemed faintly childish to me. and yet it carried a good measure of common sense. if we discovered proof of an alien race, we would indeed be famous. the more we discovered for ourselves, the more famous we'd be. fame was practically a synonym for prestige and wealth. "all right," i conceded. miller stepped forward, moving slowly in the bulk of his spacesuit. deliberately, he removed a small torch from his side and pressed the brilliant flame against the metal. a few minutes later, the elderly mineralogist gave his opinion: "it's steel ... made thousands of years ago." someone gasped over the intercom, "thousands of years! but wouldn't it be in worse shape than this if it was that old?" miller pointed at the small cut his torch had made in the metal. the notch was only a quarter of an inch deep. "i say _steel_ because it's _similar_ to steel. actually, it's a much stronger alloy. besides that, on the moon, there's been no water or atmosphere to rust it. not even a wind to disturb its surface. it's _at least_ several thousand years old." * * * * * we slowly circled the alien structure. several minutes later, kane shouted, "look!" a few feet above the ground, the structure's smooth surface was broken by a circular opening that yawned invitingly. kane ran ahead and flashed his head-lamp into the dark recess. "there's a small room inside," he told us, and climbed through the opening. we waited outside and focused our lamps through the five-foot opening to give him as much light as possible. "come on in, marie," he called to his wife. "this is really something! it _must_ be an alien race. there's all kinds of weird drawings on the walls and gadgets that look like controls for something...." briefly, my lamp flickered over marie's pale face. her features struggled with two conflicting emotions: she was frightened by the alienness of the thing and yet she wanted to be with her husband. she hesitated momentarily, then climbed through the passage. "you want to go in?" my wife asked. "do you?" "let's." i helped verana through the opening, climbed through myself and turned to help miller. miller was sixty years old. he was an excellent mineralogist, alert mentally, but with a body that was almost feeble. i reached out to help him as he stepped into the passageway. for a brief second, he was framed in the opening, a dark silhouette against the star-studded sky. the next second, he was thrown twenty yards into the air. he gasped with pain when he struck the ground. "_something_ pushed me!" "are you all right?" "yes." he had fallen on a spot beyond our angle of vision. i started through the passage.... ... and struck an invisible solid wall. * * * * * my eyes were on the circular opening. a metal panel emerged from a recess on one side and slid across the passage. the room darkened with the absence of starlight. "_what happened?_" "the door to this damned place closed," i explained. "_what?_" before we could recover from the shock, the room filled with a brilliant glare. we turned off our lamps. the room was approximately twelve feet long and nine feet wide. the ceiling was only a few inches above our heads and when i looked at the smooth, hard metal, i felt as if i were trapped in some alien vault. the walls of the room were covered with strange drawings and instruments. here and there, kaleidoscopic lights pulsed rhythmically. kane brushed past me and beat his gloved fists against the metal door that had imprisoned us. "miller!" "yes?" "see if you can get this thing open from the outside." i knelt before the door and explored its surface with my fingers. there were no visible recesses or controls. over the intercom network, everyone's breath mingled and formed a rough, harsh sound. i could discern the women's quick, frightened breaths that were almost sobs. kane's breath was deep and strong; miller's was faltering and weak. "miller, get help!" "i'll--" the sound of his breathing ceased. we listened intently. "what happened to him?" "i'll phone lunar city." my fingers fumbled at the radio controls and trembled beneath the thick gloves. i turned the dials that would connect my radio with lunar city.... static grated against my ear drums. _static!_ * * * * * i listened to the harsh, erratic sound and my voice was weak by comparison: "calling lunar city." "static!" kane echoed my thoughts. his frown made deep clefts between his eyebrows. "there's no static between inter-lunar radio!" verana's voice was small and frightened. "that sounds like the static we hear over the bigger radios when we broadcast to earth." "it does," marie agreed. "but we wouldn't have that kind of static over _our_ radio, unless--" verana's eyes widened until the pupils were surrounded by circles of white--"unless we were in outer space!" we stared at the metal door that had imprisoned us, afraid even to speak of our fantastic suspicion. i deactivated my radio. marie screamed as an inner door opened to disclose a long, narrow corridor beyond. simultaneous with the opening of the second door, i felt air press against my spacesuit. before, our suits had been puffed outward by the pressure of air inside. now our spacesuits were slack and dangling on our bodies. we looked at each other and then at the inviting corridor beyond the open door. we went single file, first kane, then his wife marie. verana followed next and i was the last. we walked slowly, examining the strange construction. the walls were featureless but still seemed alien. at various places on the walls were the outlines of doors without handles or locks. kane pressed his shoulder against a door and shoved. the door was unyielding. i manipulated the air-vent controls of my spacesuit, allowed a small amount of the corridor's air into my helmet and inhaled cautiously. it smelled all right. i waited and nothing happened. gradually, i increased the intake, turned off the oxygenating machines and removed my helmet. "shut off your oxy," i suggested. "we might as well breathe the air in this place and save our supply. we may need the oxygen in our suits later." they saw that i had removed my helmet and was still alive and one by one removed their own helmets. * * * * * at the end of the corridor, kane stopped before a blank wall. the sweat on his face glistened dully; his chest rose and fell rapidly. kane was a pilot and one of the prerequisites for the job of guiding tons of metal between earth and the moon was a good set of nerves. kane excited easily, his temper was fiery, but his nerves were like steel. "the end of the line," he grunted. as though to disprove the statement, a door on his right side opened soundlessly. he went through the doorway as if shoved violently by an invisible hand. the door closed behind him. marie threw herself at the door and beat at the metal. "harry!" verana rushed to her side. another door on the opposite side of the corridor opened silently. the door was behind them; they didn't notice. before i could warn them, marie floated across the corridor, through the doorway. verana and i stared at the darkness beyond the opening, our muscles frozen by shock. the door closed behind marie's screaming, struggling form. verana's face was white with fear. apprehensively, she glanced at the other doors that lined the hall. i put my arms around her, held her close. "antigravity machines, force rays," i suggested worriedly. for several minutes, we remained motionless and silent. i recalled the preceding events of the day, searched for a sense of normality in them. the kanes, miller, verana and i lived in lunar city with hundreds of other people. mankind had inhabited the moon for over a year. means of recreation were scarce. many people explored the place to amuse themselves. after supper, we had decided to take a walk. as simple as that: a walk on the moon. we had expected only the familiar craters, chasms and weird rock formations. a twist of fate and here we were: imprisoned in an alien ship. my legs quivered with fatigue, my heart throbbed heavily, verana's perfume dizzied me. no, it wasn't a dream. despite our incredible situation, there was no sensation of unreality. * * * * * i took verana's hand and led her down the long corridor, retracing our steps. we had walked not more than two yards when the rest of the doors opened soundlessly. verana's hand flew to her mouth to stifle a gasp. six doors were now open. the only two that remained closed were the ones that the kanes had unwillingly entered. this time, no invisible hand thrust us into any of the rooms. i entered the nearest one. verana followed hesitantly. the walls of the large room were lined with shelves containing thousands of variously colored boxes and bottles. a table and four chairs were located in the center of the green, plasticlike floor. each chair had no back, only a curving platform with a single supporting column. "ed!" i joined verana on the other side of the room. she pointed a trembling finger at some crude drawings. "the things in this room are food!" the drawings were so simple that anyone could have understood them. the first drawing portrayed a naked man and woman removing boxes and bottles from the shelves. the second picture showed the couple opening the containers. the third showed the man eating from one of the boxes and the woman drinking from a bottle. "let's see how it tastes," i said. i selected an orange-colored box. the lid dissolved at the touch of my fingers. the only contents were small cubes of a soft orange substance. i tasted a small piece. "chocolate! just like chocolate!" verana chose a nearby bottle and drank some of the bluish liquid. "milk!" she exclaimed. "perhaps we'd better look at the other rooms," i told her. * * * * * the next room we examined was obviously for recreation. containers were filled with dozens of strange games and books of instructions in the form of simple drawings. the games were foreign, but designed in such a fashion that they would be interesting to earthmen. two of the rooms were sleeping quarters. the floors were covered with a spongy substance and the lights were dim and soothing. another room contained a small bathing pool, running water, waste-disposal units and yellow cakes of soap. the last room was an observatory. the ceiling and an entire wall were transparent. outside, the stars shone clearly for a few seconds, then disappeared for an equal time, only to reappear in a different position. "hyper-space drive," verana whispered softly. she was fascinated by the movement of the stars. for years, our scientists had sought a hyperspatial drive to conquer the stars. we selected a comfortable chair facing the transparent wall, lit cigarettes and waited. a few minutes later, marie entered the room. i noticed with some surprise that her face was calm. if she was excited, her actions didn't betray it. she sat next to verana. "what happened?" my wife asked. marie crossed her legs and began in a rambling manner as if discussing a new recipe, "that was really a surprise, wasn't it? i was scared silly, at first. that room was dark and i didn't know what to expect. something touched my head and i heard a telepathic voice--" "telepathic?" verana interrupted. "yes. well, this voice said not to worry and that it wasn't going to hurt me. it said it only wanted to learn something about us. it was the _oddest_ feeling! all the time, this voice kept talking to me in a nice way and made me feel at ease ... and at the same time, i felt _something_ search my mind and gather information. i could actually _feel_ it search my memories!" "what memories?" i inquired. she frowned with concentration. "memories of high school mostly. it seemed interested in english and history classes. and then it searched for memories of our customs and lives in general...." * * * * * kane stalked into the room at that moment, his face red with anger. "_do you know where we are?_" he demanded. "when those damned aliens got me in that room, they explained what this is all about. we're guinea pigs!" "did they use telepathy to explain?" verana asked. i suddenly remembered that she was a member of a club that investigated extra-sensory perception with the hope of learning how it operated. she was probably sorry she hadn't been contacted telepathically. "yeah," kane replied. "i saw all sorts of mental pictures and they explained what they did to us. those damned aliens want us for their zoo!" "start at the beginning," i suggested. he flashed an angry glance at me, but seemed to calm somewhat. "this ship was made by a race from another galaxy. thousands of years ago, they came to earth in their spaceships when men were primitives living in caves. they wanted to know what our civilization would be like when we developed space flight. so they put this ship on the moon as a sort of booby-trap. they put it there with the idea that when we made spaceships and went to the moon, sooner or later, we'd find the ship and enter it--_like rabbits in a snare!_" "and now the booby-trap is on its way home," i guessed. "yeah, this ship is taking us to their planet and they're going to keep us there while they study us." "how long will the trip take?" i asked. "six months. we'll be bottled up in this crate for six whole damned months! and when we get there, we'll be prisoners!" marie's hypnotic spell was fading and once more her face showed the terror inside her. "don't feel so bad," i told kane. "it could be worse. it should be interesting to see an alien race. we'll have our wives with us--" "maybe they'll dissect us!" marie gasped. verana scoffed. "a race intelligent enough to build a ship like this? a race that was traveling between the stars when we were living in caves? dissection is primitive. they won't _have to_ dissect us in order to study us. they'll have more advanced methods." "maybe we can reach the ship's controls somehow," kane said excitedly. "we've got to try to change the ship's course and get back to the moon!" "it's impossible. don't waste your time." the voice had no visible source and seemed to fill the room. * * * * * verana snapped her fingers. "so that's why the aliens read marie's mind! they wanted to learn our language so they could talk to us!" kane whirled in a complete circle, glaring at each of the four walls. "where are you? _who_ are you?" "i'm located in a part of the ship you can't reach. i'm a machine." "is anyone else aboard besides ourselves?" "no. i control the ship." although the voice spoke without stilted phrases, the tone was cold and mechanical. "what are your--your masters going to do with us?" marie asked anxiously. "you won't be harmed. my masters merely wish to question and examine you. thousands of years ago, they wondered what your race would be like when it developed to the space-flight stage. they left this ship on your moon only because they were curious. my masters have no animosity toward your race, only compassion and curiosity." i remembered the way antigravity rays had shoved miller from the ship and asked the machine, "why didn't you let our fifth member board the ship?" "the trip to my makers' planet will take six months. there are food, oxygen and living facilities for four only of your race. i had to prevent the fifth from entering the ship." "come on," kane ordered. "we'll search this ship room by room and we'll find some way to make it take us back to earth." "it's useless," the ship warned us. for five hours, we minutely examined every room. we had no tools to force our way through solid metal walls to the engine or control rooms. the only things in the ship that could be lifted and carried about were the containers of food and alien games. none were sufficiently heavy or hard enough to put even a scratch in the heavy metal. * * * * * six rooms were open to our use. the two rooms in which the kanes had been imprisoned were locked and there were no controls or locks to work on. the rooms that we could enter were without doors, except the ones that opened into the corridor. after intensive searching, we realized there was _no way_ to damage the ship or reach any section other than our allotted space. we gave up. the women went to the sleeping compartments to rest and kane i went to the "kitchen." at random, we sampled the variously colored boxes and bottles and discussed our predicament. "trapped," kane said angrily. "trapped in a steel prison." he slammed his fist against the table top. "but there must be a way to get out! every problem has a solution!" "you sure?" i asked. "what?" "_does_ every problem have a solution? i don't believe it. some problems are too great. take the problem of a murderer in our civilization: john doe has killed someone and his problem is to escape. primarily, a murderer's problem is the same principle as ours. a murderer has to outwit an entire civilization. we have to outwit an entire civilization that was hundreds of times more advanced than ours is now when we were clubbing animals and eating the meat raw. damned few criminals get away these days, even though they've got such crowds to lose themselves in. all we have is a ship that we can't control. i don't think we have a chance." my resignation annoyed him. each of us had reacted differently: kane's wife was frightened, verana was calm because of an inner serenity that few people have, i was resigned and kane was angry. * * * * * for several minutes, we sampled the different foods. every one had a distinctive flavor, comparable to that of a fruit or vegetable on earth. kane lifted a brown bottle to his lips, took a huge gulp and almost choked. "whiskey!" "my masters realized your race would develop intoxicants and tried to create a comparable one," the machine explained. i selected a brown bottle and sampled the liquid. "a little stronger than our own," i informed the machine. we drank until kane was staggering about the room, shouting insults at the alien race and the mechanical voice that seemed to be everywhere. he beat his fist against a wall until blood trickled from bruised knuckles. "please don't hurt yourself," the machine pleaded. "_why?_" kane screamed at the ceiling. "why should you care?" "my masters will be displeased with me if you arrive in a damaged condition." kane banged his head against a bulkhead; an ugly bruise formed rapidly. "shtop me, then!" "i can't. my masters created no way for me to restrain or contact you other than use of your language." it took fully fifteen minutes to drag kane to his sleeping compartment. after i left kane in his wife's care, i went to the adjoining room and stretched out on the soft floor beside verana. i tried to think of some solution. we were locked in an alien ship at the start of a six months' journey to a strange planet. we had no tools or weapons. solution? i doubted if two dozen geniuses working steadily for years could think of one! i wondered what the alien race was like. intelligent, surely: they had foreseen our conquest of space flight when we hadn't even invented the wheel. that thought awed me--somehow they had analyzed our brains thousands of years ago and calculated what our future accomplishments would be. they had been able to predict our scientific development, but they hadn't been able to tell how our civilization would develop. they were curious, so they had left an enormously elaborate piece of bait on the moon. the aliens were incredibly more advanced than ourselves. i couldn't help thinking, _and to a rabbit in a snare, mankind must seem impossibly clever_. i decided to ask the machine about its makers in the "morning." * * * * * when i awoke, my head was throbbing painfully. i opened my eyes and blinked several times to make sure they were functioning properly. i wasn't in the compartment where i had fallen asleep a few hours before. i was tied to one of the chairs in the "kitchen." beside me, verana was bound to a chair by strips of cloth from her skirt, and across from us, marie was secured to another chair. kane staggered into the room. although he was visibly drunk, he appeared more sober than the night before. his dark hair was rumpled and his face was flushed, but his eyes gleamed with a growing alertness. "awake, huh?" "what have you done, harry?" his wife screamed at him. her eyes were red with tears and her lips twisted in an expression of shame when she looked at him. "obvious, isn't it? while all of you were asleep, i conked each of you on the head, dragged you in here and tied you up." he smiled crookedly. "it's amazing the things a person can do when he's pickled. i'm sorry i had to be so rough, but i have a plan and i knew you wouldn't agree or cooperate with me." "what's your plan?" i asked. he grinned wryly and crinkled bloodshot eyes. "i don't want to live in a zoo on an alien planet. i want to go home and prove my theory that this problem has a solution." i grunted my disgust. "the solution is simple," he said. "we're in a trap so strong that the aliens didn't establish any means to control our actions. when men put a lion in a strong cage, they don't worry about controlling the lion because the lion can't get out. we're in the same basic situation." "so what?" verana queried in a sarcastic tone. "the aliens want us transported to their planet so they can examine and question us. right?" "right." "ed, remember that remark the machine made last night?" "what remark?" "it said, '_my_ masters will be displeased with _me_ if you arrive in a damaged condition.' what does that indicate to you?" * * * * * i assumed a baffled expression. i didn't have the slightest idea of what he was driving at and i told him so. "ed," he said, "if you could build an electronic brain capable of making decisions, how would you build it?" "hell, i don't know," i confessed. "well, if i could build an electronic brain like the one running this ship, i'd build it with a _conscience_ so it'd do its best at all times." "machines always do their best," i argued. "come on, untie us. i'm getting a crick in my back!" i didn't like the idea of being slugged while asleep. if kane had been sober and if his wife hadn't been present, i would have let him know exactly what i thought of him. "_our_ machines always do their best," he argued, "because we punch buttons and they respond in predetermined patterns. but the electronic brain in this ship isn't automatic. it makes decisions and i'll bet it even has to decide how much energy and time to put into each process!" "so what?" he shrugged muscular shoulders. "so this ship is operated by a thinking, conscientious machine. it's the first time i've encountered such a machine, but i think i know what will happen. i spent hours last night figuring--" "what are you talking about?" i interrupted. "are you so drunk that you don't know--" "i'll show you, ed." he walked around the table and stood behind my chair. i felt his thick fingers around my throat and smelled the alcohol on his breath. "can you see me, machine?" he asked the empty air. "yes," the electronic brain replied. "watch!" kane tightened his fingers around my throat. verana and marie screamed shrilly. my head seemed to swell like a balloon; my throat gurgled painfully. "please stop," the machine pleaded. "what will your masters think of you if i kill all of us? you'll return to them with a cargo of dead people!" * * * * * the machine didn't answer. i waited for the electronic brain to interfere and, with a cold knot in my stomach, realized the machine had said it had no way to control our actions! "your purpose won't be fulfilled, will it?" kane demanded. "not if you return with dead specimens!" "no," the machine admitted. "if you don't take us back to the moon," kane threatened, "i'll kill _all of us_!" the alien electronic brain was silent. by this time, i couldn't see and kane's voice was a hollow, faraway thing that rang in my ears. i tugged at my bindings, but they only tightened as i struggled. "if you take us back to the moon, your masters will never know you failed in your mission. they won't know you failed because you won't bring them proof of your failure." my fading consciousness tried to envision the alien mechanical brain as it struggled with the problem. "look at it this way," kane persisted. "if you carry our corpses to your masters, all your efforts will have been useless. if you return us to the moon alive, you'll still have a chance to carry out your mission later." a long silence followed. verana and marie screamed at kane to let go. a soft darkness seemed to fill the room, blurring everything, drowning even their shrieks in strangling blackness. "you win," the machine conceded. "i'll return the ship to the moon." kane released his grip on my throat. "see?" he asked. "didn't i tell you every problem has a solution?" i didn't answer. i was too busy enjoying breathing again. luna escapade _by h. b. fyfe_ [transcriber's note: this etext was produced from orbit volume 1 number 2, 1953. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] [sidenote: _she was just a crazy brat--or was she?_] [illustration] with over an hour to go before he needed to start braking for his landing on luna, pete dudley sat at the controls of the rocket freighter and tried to think of anything else that needed checking after his spinning the ship. he drummed absently with the fingers of his right hand upon the buckle of the seat strap which restrained him from floating out of the padded acceleration seat. "let's see, tail's right out there in front. i got the angle perfect. guess everything's okay." he noticed his fingers drumming, and stopped. "cut that out!" he told himself. "get nervous now and jack'll be sending some other vacuum on the next mars run. there's ericsson dead center in the screen, waiting for you to plop down beside the domes. you couldn't miss a crater that size if you tried." he leaned back and stared speculatively at the curving tip of the lunar rockies that ended in one of the largest craters on the far side of luna. his eyes squinted slightly and there was a crease between them, as if he spent much time peering into instruments. there were deeper lines beside his mouth, but the thin lips and pointed chin neutralized that evidence of frequent smiling. "are we nearly there?" dudley's brown eyes opened so wide that the whites gleamed in the dim light from his instruments. then he shut them tightly and shook his head quickly. he had thought he heard a woman's voice, and of course he couldn't have. freight rockets were checked out of terran spaceports with only a pilot aboard. a lonely job for a man, but it was really only a way of keeping in practice. he made six round trips to luna a year, but the big one was the three-month kick to mars. then he smelled the perfume, so out of place in the machine-crowded compartment. he turned around slowly. she stood with one hand gripping the lead of a computing machine to keep her feet on the deck. dudley stared her up and down two or three times before he realized his mouth hung open. slim and about five-feet-four, she looked like a nice little girl making her first disastrous experiments with adult make-up. the slack suit of deep blue, revealing a soft white blouse at the neck of the jacket, was in the best of taste, but her heavy application of lipstick was crude. _and her hair isn't naturally ash-blonde_, dudley thought. _yet she looks like such a kid. not pretty, but she might be in a few years._ "what are you doing here?" he demanded harshly. for a second, her eyes were scared. then the expression was supplanted by a hard, make-believe confidence, leaving him merely with a fading sense of shame at his tone. "same as you," she said boldly. "going to luna." dudley snorted. "then relax," he growled, "because i can't stop you now. where the devil did you spend the last thirty-six hours?" she tried a grin. "in the little room where the things are that pump the air. i sneaked in the galley once, when you were asleep. did you miss anything?" "no," he admitted, thinking back. "see? i'm not enough trouble to be noticed!" dudley eyed her sourly. there was trouble behind this somewhere, he was willing to bet, or else why had she stowed away? running from a family fight? when the port checkers at ericsson saw her--! "how old are you, kid?" he asked. "twenty-one." the answer was too pat and quickly given. even the girl seemed to realize that, and she continued talking. "my name's kathi foster. you're the next mars pilot, according to the schedule, aren't you?" "what about it?" she let go of the cable and pushed her weightless body across the control room to his chair. "what's it like on mars?" she asked breathlessly. _what does she expect me to tell her?_ dudley wondered cynically. _that the whole population of the colony is only about four thousand? that they still live mostly on hope, dreams, and regular rocket service? that every one of them represents such a fantastic transportation expense that the commission only sends top-notch people?_ "it's pretty tough," he said. she hesitated over his unhelpful reply, then plunged ahead. "how about taking me along to see for myself?" dudley smiled with one corner of his mouth. "you're not going anywhere except back to terra on the next rocket," he predicted flatly. "and i hope your father still has enough hair on his head to own a hair-brush!" "my father is dead." "then your--." he paused as she shook her head. "well, don't you have any family? jobs on luna are ... limited. the settlements just aren't very big. you're better off down home." kathi's half-defiant, half-wheedling mask cracked. her over-painted lips twitched. "what do you know about where i'm better off? if you knew the kind of family i have--." "oh, calm down!" grunted dudley, somewhat discomforted by the sight of tears spilling from her blue eyes. "things are never as bad as you think when you're just a ... when you're young. when we land, we can say you got left aboard by mistake. they'll just send you back without any trouble." "like hell they will! i won't go!" dudley stared hard at her, until she dropped her gaze. "you don't understand," she said more quietly. "i ... my family has been kicking me around the law courts all my life just because my grandfather left me his money. they're all trying to get their hands on it, or on me to back up their claims. do you realize i'm eight--i'm twenty-one and i never lived a happy day in my life? i'd rather _die_ than go back!" "yeah, sure," said dudley. "what did you really do to make you so scared of going back? smack up grandpop's helicopter, maybe, or flunk out of school?" "no, i got sick and tired of being shoved around. i wanted to get away someplace where i could be myself." "why didn't you buy a ticket on a passenger rocket, if you had such an urge to visit luna?" "my aunts and uncles and cousins have all my money tied up in suits." he leaned back by pushing the edge of the control desk. "pretty fast with the answers, aren't you?" he grinned. "i wonder what you'll think up for the spaceport police when _they_ ask you?" "you don't believe--," she began. he shook his head and to avoid further argument he picked up his sliderule, muttering something about checking his landing curve. actually, he was not as convinced as he pretended that her story was all lies. _but what the hell?_ he thought. _i have my own troubles without worrying because some blonde little spiral thinks she can go dramatic over a family spat. she'd better learn that life is full of give and take._ "you better get attached to something around here," he warned her when the time came for serious deceleration. "i ... i could go back where i was," she stammered. he suddenly realized that for the past hour she had silently accepted his ignoring her. she asked now, "what happens next?" "we cut our speed and come down on the tail as near to the domes of the ericsson settlement as possible without taking too much of a chance. then i secure everything for the towing." "towing? i'm sorry; i never read much about the moon rockets." "natural enough," dudley retorted dryly. "anyway, they send out big cranes to lower the rocket to horizontal so they can tow it on wheels under one of the loading domes. handling cargo goes a lot faster and safer that way. most of the town itself is underground." he began warming up his tele-screen prior to asking the spaceport for observation of his approach. kathi grabbed his elbow. "of course i'm going to talk with them," he answered her startled question. "can they see me here behind you?" "i guess so. maybe not too clear, but they'll see somebody's with me. what's the difference? it'll just save them a shock later." "why should they see me at all? i can hide till after you leave the ship, and--." "fat chance!" grunted dudley. "forget it." "please, dudley! i--i don't want to get you in any trouble, for one thing. at least, let me get out of sight now. maybe you'll change your mind before we land." he looked at her, and the anxiety seemed real enough. knowing he was only letting her postpone the unpleasantness but reluctant to make her face it, he shrugged. "all right, then! go somewhere and wipe that stuff off your face. but stop dreaming!" he waited until she had disappeared into one or another of the tiny compartments behind the control room, then sent out his call to the lunar settlement. the problem did not affect his landing; in fact, he did better than usual. his stubby but deft fingers lacked their ordinary tendency to tighten up, now that part of his mind was rehearsing the best way to explain the presence of an unauthorized passenger. in the end, when he had the rocket parked neatly on the extremities of its fins less than a quarter of a mile from one of the port domes, he had not yet made up his mind. "nice landing, pete," the ground observer told him. "buy you a drink later?" "uh ... yeah, sure!" dudley answered. "say, is jack fisher anywhere around?" "jack? no, i guess he's gone bottom level. we're having 'night' just now, you know. why? what do you want a cop for?" suddenly, it was too difficult. _if she could hide as long as she did, she could have done it all the way_, he told himself. "oh, don't wake him up if he's asleep," he said hastily. "i just thought i'd have dinner with him sometime before i leave." he waited sullenly while the great self-propelled machines glided out over the smooth floor of the crater toward the ship, despising himself for giving in. _well, i just won't know anything about her_, he decided. _let her have her little fling on luna! it won't last long._ he closed the key that would guard against accidental activation of the controls and, enjoying the ability to walk even at one-sixth his normal weight, went about securing loose objects. when the space-suited figures outside signaled, he was ready for the tilt. once under the dome, he strode out through the airlock as if innocent of any thought but getting breakfast. he exchanged greetings with some of the tow crew, turned over his manifesto to the yawning checker who met him, and headed for the entrance of the tunnel to the main part of the settlement. only when he had chosen a monorail car and started off along the tunnel toward the underground city a mile away did he let himself wonder about kathi foster. "her problem now," he muttered, but he felt a little sorry for her despite his view that she needed to grow up. later in the "day," he reported to transportation headquarters. "hiya, pete!" grinned les snowdon, chief of the section. "all set for the ruby planet?" dudley grimaced. "i suppose so," he said. "left my locker mostly packed, except for what i'll need for a couple of days. when do we go out and who's the crew?" "jarkowski, campiglia, and wells. you have three days to make merry and one to sober up." "i sober fast," said dudley. snowdon shook his head in mock admiration. "nevertheless," he said, "the physical will be on the fourth morning from now. don't get in any fights over on level c--or if you do, let the girl do the punching for you! a broken finger, my boy, and you'll ruin the whole martian schedule!" "ah, go on!" dudley grinned, moving toward the door. "they can always stick you in there, and make you earn your pay again." "they're still paying me for the things i did in the old days," retorted snowdon. "until i get caught up, i'm satisfied to keep a little gravity under my butt. oh ... by the way, your pal jack fisher left a call for you. something about dinner tonight." dudley thanked him and went off to contact fisher. then he returned to the pilots' quarters for a shower and strolled along the corridors of the underground city to a lunch-room. food and water were rationed on luna, but not nearly as tightly as they would be for him during the next three months. that night, he joined fisher and his wife for dinner at the view, ericsson's chief center of escape from the drabness of lunar life. it was the only restaurant, according to the boast of its staff, where one could actually dine under the stars. "sometimes i wish that dome wasn't so transparent," said fisher. "sit down, the girls will be back in a minute." dudley eyed him affectionately. fisher was head of the settlement's small police force, but managed to look more like the proprietor of one of the several bars that flourished in the levels of the city just under the restaurant. he was heavy enough to look less than his six feet, and his face was as square as the rest of him. dark hair retreated reluctantly from his forehead, and the blue eyes set peering above his pudgy cheeks were shrewd. "girls?" asked dudley. "we brought along a new arrival to keep you company," said fisher. "she works in one of the film libraries or something like that." [illustration] _which means that's as good an excuse as any for having her at ericsson_, thought dudley. _anyway, i'm glad jack is the sort to be realistic about things like bars and other ... recreation. there'd be more guys turning a little variable from too much time in space without some outlet._ "here she comes with myra," said his host. "name's eileen." dudley smiled at mrs. fisher and was introduced to the red-haired girl with her. eileen eyed him speculatively, then donned her best air of friendliness. the evening passed rapidly. for the next few days, besides seeing the fishers and looking up the men who were to be his crew, dudley spent a lot of time with eileen. there seemed to be little difficulty about her getting time off from whatever her official duties were. she showed him all the bars and movie theatres and other amusements that the underground city could boast, and dudley made the most of them in spite of his recent visit to terra. on the mars-bound rocket, they would be lucky, if allowed one deck of cards and half a dozen books for the entertainment of the four of them. it was on the "evening" of his third day that the specter haunting the back of his mind pushed forward to confront him. he had listened for gossip, but there had been no word of the discovery of an unauthorized arrival. then, as he was taking eileen to her underground apartment, he heard his name called. there she was, with an escort of three young men he guessed to be operators of the machinery that still drilled out new corridors in the rock around the city. somehow she had exchanged the black slack suit for a bright red dress that was even more daring than eileen's. in the regulated temperature, clothing was generally light, but dudley's first thought was that this was overdoing a good thing. "may i have a word with you, dudley?" kathi asked, coming across the corridor while her young men waited with shifting feet and displeased looks. dudley glanced helplessly at eileen, wondering about an introduction. he had never bothered to learn her last name, and he had no idea of what name kathi was using. the redhead had pity on him. "my door's only a few yards down," she said. "i'll wait." she swept kathi with a glance of amused confidence and walked away. it seemed to dudley that she made sure the three young men followed her with their eyes; but then he was kicking off for mars within twenty-four hours, so he could hardly object to that. "have you changed your mind?" demanded kathi with a fierce eagerness. "not so loud!" hushed dudley. "about what? and how did you get that rig?" had he been less dismayed at her presence, he might have remarked that the tight dress only emphasized her immaturity, but she gave him no time to say more. "about mars, dudley. can't you take me? i'm afraid those illegitimate blood-suckers are going to send after me. they could sniff out which way a nickel rolled in a coal-bin." "aren't you just a shade young for that kind of talk?" "i guess i'm a little frightened," she admitted. "you frighten me, too," he retorted. "how are you ... i mean, what do you--?" she tossed her blonde hair. "there are ways to get along here, i found out. i didn't get arrested this time, did i? so why can't you take a chance with me to mars?" "take an eclipse on that," said dudley with a flat sweep of his hand. "it's just out of the question. for one thing, there are four of us going, and you can't hide for the whole trip without _somebody_ catching on." "all right," she said quietly. "why not?" "what do you mean, 'why not?'" "i'm willing to earn my passage. what if there _are_ four of you?" for a long moment, dudley discovered things about himself, with the sudden realization that the idea appealed to some suppressed part of his mind. he had never kidded himself about being a saint. the thing had possibilities. _maybe one of the others can be talked into restraint into her._ he snapped out of it. "don't be a little fool!" he grated. "if you want my advice, you'll--." "well, i _don't_ want your goddam advice! if you're too yellow to try it, i'll find somebody else. there'll be another rocket after yours, you know. maybe they'll have a _man_ on it!" he felt his face go white and then flush as he stared at her. he did not know what to say. she looked like a child, but the outburst was more than a mere tantrum. _sounds as if she's never been crossed before_, he thought. _i ought to haul off and slap a little self-restraint into her._ instead, he beckoned to the three men, who had been edging closer with aggrieved expressions. "how about taking your girl friend along?" he said flatly. one of them took her by the elbow and tried to murmur something in her ear, but kathi shook him off. "if you are afraid for your license, dudley, i'll say i hid without your knowing it. i'll say one of the others let me in. please, dudley. i'm sorry i talked to you like that." she was making a fool of him, and of herself, he decided. and in another minute, she would spill the whole thing, the way she was sounding off. and her friends were beginning to look hostile as it was. "what's the trouble?" asked one of them. "nothing that won't clear up if you pour a couple of drinks into her," said dudley disgustedly. he walked away, and they held her from following. "_dudley!_" she yelled after him. "they'll send me back! please, dudley. i won't go. you remember what i said about going back--." her voice was getting too shrill. someone in the group must have put his hand over her mouth, for when dudley looked back, they were rounding a corner of the corridor more or less silently. eileen waited in the half-open door, watching him quizzically. "friend of yours?" she drawled. "after a fashion," admitted dudley, pulling out a handkerchief to wipe his forehead. "spoiled brat!" he fumbled in a pocket of his jacket, and withdrew a small package. "here's the bracelet that matches that necklace," he said. "i knew i had it in my locker somewhere." her thanks were very adequate. "aren't you coming in?" eileen asked after the pause. "no ... i don't ... i have to get a good night's sleep, you know. we kick off tomorrow." she pursed her lips in a small pout, but shrugged. "then look me up when you get back, pete." "yeah. sure." he kissed her quickly and walked away, drumming the fingers of his right hand against his thigh. except for the tenseness of blasting off and landing, the round trip to mars was as boring as he expected. campiglia won too many chess games at one move per watch, and the deck of cards wore out. for a few days, wells had a slightly infected finger after cutting himself, but it was a small crisis. the layover on mars was short, and the thrill was no longer new. dudley was glad to step out of the big rocket on luna. they had come in during the sleeping period at ericsson, so the four of them had gone to their quarters for a few hours of sleep after the first babble of welcome from those on duty when they landed. dudley was awakened by jack fisher. "so early?" he grunted, squinting at his watch. "what brings you around?" fisher settled his bulk in the only chair of the bedroom that was to be dudley's until his next terra-bound rocket. "liable to be busy today," he said easily, "so i thought i'd have breakfast with you." "fine!" said dudley. "wait'll i shave and i'll be with you." when he returned from the bathroom, he thought that he had perfect control of his features. there might not be anything wrong, but it seemed odd that jack should be around so soon. he wondered if the kathi foster affair was in the background. they went up a few levels to a minor eating place and had scrambled eggs that almost tasted natural. over the coffee, fisher opened up. "had a little excitement while you were gone," he said. "yeah? what?" fisher let him wait while he carefully unwrapped the half-smoked remains of a cigar. tobacco in any form was strictly rationed in all lunar settlements. "ever hear of old robert forgeron?" he asked. "the one they used to call 'robber' forgeron?" "that's right. he had so many patents on airlock mechanisms and space-suit gadgets and rocket control instruments that he made the goddamnedest fortune ever heard of out of space exploration. died a few years ago." dudley maintained a puzzled silence. "seems the old man had strong ideas about that fortune," continued fisher. "left the bulk of it to his only granddaughter." "that must have made headlines," dudley commented. "sure did." fisher had the cigar going, now, and he puffed economically upon it. "especially when she ran away from home." "oh?" dudley felt it coming. "where to?" "here!" fisher held his cigar between thumb and forefinger and examined it fondly. "said her name was kathi foster instead of kathi forgeron. after they got around to guessing she was on luna, and sent descriptions, we picked her up, of course. shortly after you kicked off for mars, in fact." dudley was silent. the other's shrewd little eyes glinted bluely at him through the cigar smoke. "how about it, pete? i've been trying to figure how she got here. if it was you, you needn't worry about the regulations. there was some sort of litigation going on, and all kinds of relatives came boiling up here to get her. all the hullabaloo is over by now." dudley took a deep breath, and told his side of the story. fisher listened quietly, nodding occasionally with the satisfaction of one who had guessed the answer. "so you see how it was, jack. i didn't really believe the kid's story. and she was so wild about it!" fisher put out his cigar with loving care. "got to save the rest of this for dinner," he said. "yes, she was wild, in a way. you should hear--well, that's in the files. before we were sure who she was, snowdon put her on as a secretary in his section." "she didn't look to me like a typist," objected dudley. "oh, she wasn't," said fisher, without elaborating. "i suppose if she _was_ a little nuts, she was just a victim of the times. if it hadn't been for the sudden plunge into space, old forgeron wouldn't have made such a pile of quick money. then his granddaughter might have grown up in a normal home, instead of feeling she was just a target. if she'd been born a generation earlier or later, she might have been okay." dudley thought of the girl's pleading, her frenzy to escape her environment. "so i suppose they dragged her back," he said. "which loving relative won custody of the money?" "that's still going on," fisher told him. "it's tougher than ever, i hear, because she didn't go down with them. she talked somebody into letting her have a space-suit and walked out to the other side of the ringwall. all the way to the foothills on the other side." dudley stared at him in mounting horror. fisher seemed undisturbed, but the pilot knew his friend better than that. it could only mean that the other had had three months to become accustomed to the idea. he was tenderly tucking away the stub of his cigar. "wasn't so bad, i guess," he answered dudley's unspoken question. "she took a pill and sat down. couple of rock-tappers looking for ore found her. frozen stiff, of course, when her batteries ran down." dudley planted his elbows on the table and leaned his head in his hands. "i should have taken her to mars!" he groaned. "she tried that on you, too?" fisher was unsurprised. "no, pete, it wouldn't have done any good. would've lost you your job, probably. like i said, she was born the wrong time. they won't have room for the likes of her on mars for a good many years yet." "so they hauled her back to terra, i suppose." "oh, no. the relatives are fighting that out, too. so, until the judges get their injunctions shuffled and dealt, little kathi is sitting out there viewing the rockies and the stars." he looked up at dudley's stifled exclamation. "well, it's good and cold out there," he said defensively. "we don't have any spare space around here to store delayed shipments, you know. we're waitin' to see who gets possession." dudley rose, his face white. he was abruptly conscious once more of other conversations around them, as he stalked toward the exit. "hey," fisher called after him, "that redhead, eileen, told me to ask if you're taking her out tonight." dudley paused. he ran a hand over his face. "yeah, i guess so," he said. he went out, thinking, _i should have taken her. the hell with regulations and jack's theories about her being born too soon to be useful on mars. she might have straightened out._ he headed for the tunnel that led to the loading domes. ericsson was a large crater, over a hundred miles across and with a beautifully intact ringwall, so it took him some hours, even with the tractor he borrowed, to go as far as the edge of the crater. jack fisher was waiting for him in the surface dome when he returned hours later. "welcome back," he said, chewing nervously on his cigar. "i was wondering if we'd have to go looking for you." he looked relieved. "how did she look?" he asked casually, as dudley climbed out of his space suit in the locker room. dudley peeled off the one-piece suit he had worn under the heating pads. he sniffed. "chee-rist, i need a shower after that.... she looked all right. pretty cute, in a way. like she was happy here on luna." he picked up towel and soap. "so i fixed it so she could stay," he added. "what do you mean?" he looked at fisher. "are you asking as a friend or as a cop?" "what difference does it make?" asked fisher. "well, i don't think you could have tracked me with your radar past the ringwall, so maybe i just went for a ride and a little stroll, huh? you didn't see me bring back a shovel, did you?" "no," said fisher, "i didn't see you bring it back. but some people are going to get excited about this, pete. where did you bury her?" "blood-suckers!" said dudley. "let them get excited! luna is full of mysteries." "all right," said fisher. "for my own curiosity, then, i'm asking as a friend." "i found a good place," said dudley. "i kind of forget where, in the middle of all those cliffs and rills, but it had a nice view of the stars. they'll never find her to take her back! i think i owed her that much." "ummm," grunted fisher. as dudley entered the shower, the other began to unwrap a new cigar, a not-displeased expression settling over his square, pudgy face. under the slow-falling streams of warm water, dudley gradually began to relax. he felt the stiffness ease out of his jaw muscles. he turned off the bubbling water before he could begin imagining he was hearing a scared voice pleading again for passage to mars.... the laboratorians by edward peattie _playing "napoleon" can get to be a habit, especially when a man is devoted to pure science. which was dr. whitemarsh's devotion--until dr. sally chester came along!_ [transcriber's note: this etext was produced from worlds of if science fiction, may 1955. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] "yeah, we drop in just three c.c. from this here tube," said rocco as he expertly twirled the erlenmeyer flask and watched the color shoot past the methyl orange end-point. whitemarsh was annoyed and said so. "that's the sixth straight you've missed, and the acid comes out of the burette, not the tube; and you don't call the graduations c.c., you call them milliliters." "yeah? well, here we call it a tube!" "and why don't you go down to the end-point drop by drop?" "because the book don't say so! that's why! you technos make me sick. here we do all the blasted work, and you try to tell us how to do what we've been doing for ten years!" rocco was beginning to work himself into one of his famous rages. his bull neck was beginning to redden; his eyes started to flash. his entire squat body started to quiver. whitemarsh wasn't impressed. over at the atomic plant, phobus's quercus mountain, he had bossed a pretty quarrelsome crew of isotope wranglers. he had never dodged a fight in his life. but this was in a chemical laboratory and it surprised him to hear the assistants talk back. the only assistants he had ever known were clear-eyed youths taking a year away from their studies to recoup their tuition money and who tried to copy everything the chemists did. but whitemarsh was new to the interspatial research center on the moon, and he still could not figure why the assistants acted as they did. so he waited. rocco banged the flask down on the stone bench, glared at whitemarsh for an instant, and then rushed out of the laboratory, muttering a few obscenities. "queer place this," mused whitemarsh, filling up another flask and finishing the titration himself. "here the helpers tell the chemists what to do and get mad if we ask them what they're doing." he started to look over rocco's notes and ruefully decided all the work would have to be done over again. he was interrupted when a girl opened the door. in the week he had been stationed at irc, he had been introduced to so many scientists that he had forgotten most of the names, but he remembered all the girls. his former atomic plant at quercus mountain had had all too few for him not to appreciate them now. miss sally chester was a statuesque chemist with long blonde hair and a luscious figure which she hid under a white lab robe. he managed to stammer some sort of greeting. "why dr. whitemarsh!" she seemed somewhat puzzled. "you're not actually working with your hands?" "i sure am, unless we're both space struck. why not?" "well, i suppose it's all right other places, here we let the laboratorians do all the manual work. it's sort of their privilege." "yes, but their technique's lousy. i sat here this afternoon and watched that blow-hard rocco muff six straight end-points in a row and when i asked him how come, he blew his top!" she laughed at that. she sat down on the lab desk and said, "you're absolutely right. antonio rocco's color blind and always misses his methyl orange end-points. and he's been doing them for ten years. but it hurts his feelings to be criticized, you should have been more diplomatic. he's probably gone to complain to his boss!" "his boss? aren't we his bosses? on this sheet he's listed as my assistant." "actually yes. but traditionally the shop foreman is the leader of the laboratorians. he certifies them to see that they know their work, signs their time cards and tells them when to take time off. of course we outline the work they do, check their results and write reports from their data. normally we come into the lab as little as possible." "but sally, how the hell do we know that their results are right? this mixed-up outfit is in the hands of a bunch of left-handed prima donnas who don't know beilstein from budweiser!" she smiled again (and he thought of the ads for stargleam toothpaste). "let's go over to the scientists' snack bar and get a cup of coffee, and i'll tell you a little about the history of this laboratory." so he let her lead him out of the individual laboratory into the pastel blue corridor where they followed the spiral runways to the glass enclosed snack bar. here they sat on pale leather chairs and looked out over the expanse of the central laboratory. from where he sat, he could see a square mile of magnificent equipment: serpentine condensers, enormous distillation columns, molecular stills, ultra-centrifuges, electron microscopes, all were spread out before him. surrounding the central laboratory were the innumerable railings of the corridors leading to the individual offices. upstairs and downstairs strolled scientists and laboratorians respectively, all obviously contented. he turned to face miss chester who was lolling in the chair beside him. she had poured him a cup of coffee, given him a plate of rolls and was ready to talk. she reminded him that in 2005 it was found necessary to build research laboratories on the moon to avoid the guided meteorites which the aliens had been hurling toward the earth. since there had also been a shortage of trained scientists, it was necessary to train apprentices to operate the complicated laboratory equipment ... to perform the operations without bothering themselves with the theory. the laboratorians were needed and they did a good job running specification tests on all the equipment necessary for the interplanetary war. after the war, the interspatial corporation had made it the central research laboratory, since this had been the largest aggregation of instruments ever gathered together, and in the ten intervening years, the numbers of college-trained scientists had increased almost ten-fold. as long as the laboratorians confined their work to the equipment they were familiar with, they were unbeatable. to guide them they had the book, as the technical manual of the interspatial corporation was known, and the laboratorians followed its procedures to the letter. "but they don't know _why_ they're doing things," whitemarsh interrupted. "the manual's been in need of revision for the last five years, and research workers don't use the same tests all the time!" "well that's right," admitted sally without disagreement. "i usually have my particular laboratory instructions mimeotyped and bound in a little book. i've also got the instructions so fixed that if they do things wrong, i can catch them. and i've learned not to modify my instructions orally. that only confuses the men and results in chaos. with a little planning, you can get good work done, and if you don't mind humoring their whims a little, there's no reason why you can't get along with them." whitemarsh wasn't so sure. he had no objections to jollying his subordinates, but he did draw the line at sloppy lab technique. he escorted miss chester to her own office, thanked her for the briefing, and then started to worry on his own. he took the speed elevator up to dr. sheridan's office. the laboratory director was sympathetic. he looked at the broad-shouldered young giant, dr. whitemarsh, and reflected that this man was rated the most promising scientist the interspatial corporation ever had. "you're damn right, whitemarsh," he told the younger man, pushing him into a chair and offering him a cigarette. "i've been here three years and spent the first two fighting the system. maybe the trouble goes back to our board of directors. they're all so proud of this shining research station on the moon, that they hate to admit that anything's wrong. they've got the laboratorians responsible to the lunar mines service--and there it stands. "so the only thing we can do is wait. lo presti the master mechanic is up for retirement next year and there's going to be a big organizational shake-up. hold tight. after that we may have a free hand." so whitemarsh thanked him and bided his time. he released rocco back to some other scientist and did his own laboratory work, even though the laboratorian council made a written protest. he also spent many hours in the excellent laboratory library, reading all the reports coming out of the lunar laboratory over the past ten years. his discoveries amazed him. theoretically the lunar lab had one of the best collections of scientific minds in the solar system. every earth university was represented on its staff. new techniques and products had poured out of the laboratory during the ten years of its existence, yet every one of these had been based on doubtful data. certain things worried him. first, notes were kept in a very cavalier manner even by the most experienced scientists. secondly, the younger chemists and physicists never had been exposed to any practical laboratory work after their student days, and consequently had no means of judging the technique of their assistants. finally, the laboratorians were apparently proud of their ignorance, displayed a contempt for "paper work" and were only too willing to fix their results if they thought they could get away with it.... he did not let his social development slide either. lunarport was far more advanced culturally than the crude settlement on phobus. here dr. whitemarsh was able to have a luxurious apartment in the new dome sector, could hear lectures and concerts, and could even indulge in winter sports such as skiing in the lava around the craters (protected of course by a heated suit and an oxygen mask.) he found miss chester a satisfactory companion for such endeavors, even though she spoke little of her private life or how she had avoided marriage in her twenty-five years. but he played a waiting game with her as well as with the lab job. he admitted to himself that a research chemist's life at lunar lab was a pleasant one, particularly if one didn't care how accurate one's results were. unfortunately, the same quirk which had driven him into science also made him suspicious of all easy methods. he had never recovered from the shock of discovering that just because a reaction worked in a book, it did not necessarily have to do so in a laboratory. * * * * * dr. whitemarsh's promotion came within five rather than six months. there was some grumbling among the older scientists, but there was not much they could do about it. kercheval, who had twelve years' service on the moon, did not have his ph.d. and did not care particularly for executive work. neither did sturtevant with a doctorate and ten years service. but others objected; even miss chester, long one of whitemarsh's defenders, felt that the older men deserved at least the chance of refusal. (it never occurred to whitemarsh that she might have had some ambitions of her own.) he called the group leaders together for a conference the day after his appointment. he was now ensconced behind sheridan's desk and was not yet accustomed to having a secretary. the leaders came in grim and resentful. he wasted no words. "i'm going to reorganize the set-up to get the laboratorians under us, whether they like it or not. this sloppy technical data and unsubstantiated findings is not my idea of a good lab--nor yours, i'm sure. it's up to you to show it during the next year. meanwhile you've all been pushed up fifty dollars a month in salary. so long!" his next step was to call on lo presti. the master mechanic's office was outside the lab dome near the shaft of lunar mine no. 1. the old man had been in the preliminary selenium exploration party and never could forget the old days when he drove the men and robots to find the metal that paid for the cost of the expedition. the president of the home office, dr. barker, had never forgotten either, and lo presti was always taken care of. the 200 laboratorians probably caused him more headaches than the five thousand miners ever had, since a delegation visited him every day or so now that dr. whitemarsh was rumored in. but the lo presti knew that times change too, and realized that the brawling space adventurer did not fit into a sleek world of test tubes and retorts. ninety-five years old and arrogant as ever, he sat in his office and greeted dr. whitemarsh with a bonecrushing handshake. he offered a cigar and whitemarsh thanked him, lighting a pipe instead. "i hear from the boys you've been cracking down on them," he stated. "no more than you would if you'd been there yourself. what would you do if a driller split a core?" "why i'd give the careless sap a clout that would wake him up. but the laboratorians aren't drillers!" "that's right, but that's the way some of them are muffing their work." lo presti eyed him appraisingly. "aren't you the same whitemarsh who capped the crater on phobus last year?" "i sure am. and your laboratorians are a bevy of nice nellies compared to that mutinous bunch of space rats i had with me." "well, maybe you're the man for the job at that. the guys don't put out anymore. used to be i knew all the gang. i'd look around and see when they were goofing off. now they're all such experts, i can't tell if they're loafing or just thinking." they both laughed at that. whitemarsh thought it would be a good time to say: "i don't want to do anything to your boys for a while until i get my own gang straightened out!" "don't kid me, doc," responded lo presti, "you know when i retire you're going to move in and crack down. well i'm with you!" so they parted friends. whitemarsh went back to his office in a happy mood. true, miss chester had been avoiding him lately and he had to drink coffee by himself but he now had the foremen on his side and the front office. now was the chance to reform the laboratory. his first bombshell was the requirement that all the junior chemists should take a qualifying examination. that really caused trouble in paradise. apparently, all of the younger set had thrown away their books on graduation and remembered only their own specialties. whitemarsh, from being a pleasant companion at the snack bar who discussed skiing and spaceball, had now become an ogre of the first water. the senior chemists chuckled, since they were exempt, and the laboratorians guffawed aloud to see their harriers in turn harried. in any event there was frenzied activity in the month before the examination and the library staff did yeoman duty. and, no one had threatened to quit. at least almost no one. whitemarsh was musingly staring out of his office's plastoid window at the green eye of earth when he heard a commotion outside in the ante-room. he looked out to see sally chester, and he sensed that their relationship was less than idyllic. "let me see that egotistical ass, whitemarsh," she shouted at his secretary who cowered in silk clad finery as the white-coated valkyrie charged by. "be calm," he advised her, placing himself strategically behind his desk. "calm," she screamed, "how can i be calm when an officious busybody starts getting drunk with power and acting like a twentieth century dictator? after all i've done for this stinking lunar lab, how come that i have to take an exam in freshman chemistry?" "i thought you were exempt," began the chastened director. "sorry, your honor! your order says five years at lunarport. i've only been around this sweat shop for four years and six months. what are you going to do if i fail? throw me out and i'm moving over to campo sano with every one of our trade secrets!" "i'll get you exempted," he offered. "what, and have the other chemists cry favoritism? not on your life, you coffee-swilling judas," she yelled. "and stop grinning at me like a cheshire cat!" he did not answer. he was content only to admire her in her rage. her usually mild face was flushed through the tan and her graceful hands were tightly clenched into fists that pounded on his desk. "answer me, you moron!" she shouted. then she started to cry. within one minute the seething amazon had changed into a defenseless white-coated girl cowering in the visitor's chair, weeping bitterly. whitemarsh approached and held her hand. "listen, sally," he told her, "the only reason i was going to let you out of the test was because you know more chemistry than any of the scientists here. but go ahead and take the test; you'll get the highest grade!" she brightened, "you think so?" "know it," he affirmed gallantly, "now, how about going to the space opera at the symphorium tomorrow? kluchesky is singing in _pomme de terre_." she stiffened slightly and stood up. "listen, mr. frank whitemarsh! privately you're not a bad guy. you even had potentialities. but you're a hell of a failure as a boss and the less i see of you, the happier i'll be. good-bye!" and she was gone. whitemarsh resumed his contemplation of the earth with less interest. * * * * * the results of the examination might have been foretold. the intelligent and professionally alert junior chemists retained enough fundamentals to do well. the majority failed the questions on laboratory technique. consequently whitemarsh enlisted the aid of the older men to conduct a series of refresher lectures to bring up to date the scientific knowledge of those who failed. the laboratorians were delighted with the spectacle presented by these lectures, and loved going home at night while erstwhile bosses sat listening to dr. sturtevant discuss "the theory of washing precipitates", or to hear dr. whitemarsh talk on "balancing the redox equation." the laboratorians' happiness lasted until one day in october. that was the day that lo presti retired. the old man was given a small space ship by the corporation and a space-time chronometer by the laboratorians. then he sorrowfully said farewell. the next day the laboratorians were absorbed into research. somebody had to plan for janitor service, figure where to place time cards, design new proficiency ratings and decide on such complex matters as where the laboratorians were to hang their coats. all these services had been provided for by the miner's shop organization. whitemarsh stayed late at night for a week arranging the new payroll plan and raising the salaries somewhat. all this was handled, if not without incidents, at least without violence. even the janitors and secretaries were now part of a team. all but miss chester. she had stopped speaking to whitemarsh in the halls and had been seen in the company of a younger (and whitemarsh felt) better looking physicist. then whitemarsh dropped his second bombshell. the junior chemists were ordered to rate the laboratorians for proficiency! fresh from six months' study under such taskmasters as whitemarsh and kercheval, the chastened scientists were now able to interpret the antics of their tormentors of yesterday. an old tradition had fallen and the howls extended back to the front office on earth. for a change, miss chester did not object. she was evidently past all comment. she merely wrote out a list of the faults and virtues of all her assistants, rated them all excellent and went back to her research. but rocco was tried and found incapable of running titrations. harry crowe was found to be weighing incorrectly, zachary had been fixing his calculations for the last ten years and even faithful bruno had been found to be adding 15 to all of his iodine numbers in order to pass the specs easier. it suddenly occurred to every one that all the laboratory's reports were based on incorrect data. all work stopped for a week until the scientists found what their assistants had been trying to do all along. and the results were a bit terrifying. when kercheval found that an incorrectly calibrated reflectometer had negated five years of his pet project, he tore up his notebooks, flung them on the floor and stalked into whitemarsh's office. "frank, i'm taking my back vacations and going to venus to forget it all for about six months. and mind you, when i get back i don't want to see my present assistants. i'm going to start from scratch." he left, banging the door. next was sturtevant. "frank, we've got to get interstellar review to hold my last paper. i want to recheck the melting points of some of those diazo compounds." then came the young physicist, dr. slezak, who was rumored to be miss chester's present skiing companion. "dr. whitemarsh," he stammered, "i'm not sure about the data on my last report." "didn't you take it all yourself?" "yes, but i used some of kercheval's data for my fundamental calculations and, if that's wrong, all my conclusions may not be valid." "stop worrying," whitemarsh told him. "when kercheval recalculates his values, you can revise your own report. as long as your own work is right, you have nothing to worry about." the young man left, nervously wringing his hands. whitemarsh couldn't see what sally saw in him. he figured she ought to be along by now. she was. "i told you so," sally said theatrically. "you've got the whole lab mistrusting each other. all the chemists are quarreling like mad and the laboratorians all look like whipped dogs. you've pulled the chair right out from under everything and you sit here gloating." "relax, sally," he told her. "they're just growing pains. take it easy and ride out the storm.... now, how about tearing over to lunar 7 to see the crucial spaceball series between the space rangers and the callisto satellites?" she looked horrified. "i'm afraid you don't take hints very well. i'm not interested in going anywhere with you. actually, i'm going with jack slezak to see 'nova of the leprous soul', and i might suggest a fit subject." she flounced out again and whitemarsh felt lost. he tried to cheer himself with a book on _hyper plutonium elements_. the transition took longer than whitemarsh had bargained for. after the laboratorians were re-educated, and a tiresome process it was, chemists went over the notebooks to look for inaccuracies, doubtful data was examined, all microfilms had to be edited and corrected; and they found that most of the chemicals developed at the laboratory in the past decade had been founded on doubtful data. but since all of them had passed the development group, whitemarsh didn't think it was wise to try to recall them. but new products scheduled for release were re-examined and retested after the fundamental work on them was checked. finally the problems were unscrambled and the laboratory began to run smoothly again. the research projects were reestablished and the work started out anew. frayed tempers were soothed and the scientists finally got around to trusting each others' results again. the laboratorians were now carefully but tactfully watched by the junior chemists who, in turn, were spending more time in the laboratories and less in their offices. when the new, sound results started grinding forth, whitemarsh permitted himself a sigh of relief. lunar lab had lost its individuality, he admitted, even though the easy-going camaraderie he had noticed when he first came was also gone. the results of lunar research lab of interspatial were now as reliable as those of the _campo sano_ and _roque_ laboratories back on earth. but it had been a hard fight. none of the chemists ever stopped around his office any more for small talk about sports and politics. his secretary brought him coffee in his sanctum sanctorum and he did not find himself wandering around the laboratory as he had formerly done. when he did, there was usually a restrained silence and a suspicious neatness. miss chester was apparently irrevocably lost and there were rumors of an engagement with the brilliant dr. slezak. though he had won the day, he had lost something too. the lab was now able to turn out results, but frank whitemarsh had paid a personal price for its new efficiency. * * * * * almost a year after taking over as research director, sheridan, now a vice president, brought him some news. "get ready to pack, frank," he told the younger man as they sat and smoked in the director's office watching the clouds moving over the earth. "the front office like what i did?" asked whitemarsh puffing on his pipe. "well." there was a slight pause. "all the scientists on the board are behind you to a man. but the business men, the advertising boys and accountants, well ... you know how they are." "what's eating them?" "the lab didn't release any new products this past year. development and even advertising are pretty much slowed down." "that's right. we've got some good products about ready, but we're making a final check before release. don't you think we sent out a lot of junk before?" "we sure did, even in my time though i tried to stop it. but the development boys want something, anything." "well?" asked whitemarsh. "so they'd probably rather run the risk of getting something bad than nothing at all." "they won't!" "that's right, they never will again. now, i know that the products you have ready are going to be good and i'm not worried about them. all we have to do is keep the business geniuses out of our hair for another six months." "and?" "so we're kicking you upstairs. it's a good job, don't worry about that, at three times your director's salary." "what if i quit?" "don't be that silly." "what's the other job?" "works manager at quercus mountain on phobus. sole boss of the biggest isotope works in the solar system. you'll have 50,000 men under you and have a free hand at starting any kind of laboratory you want." "no laboratorians?" "right. you can start out from scratch and make the kind of lab you've always dreamed of. here we're thinking of pushing up kercheval if it's all right with you, you always rated him highly. it's just like changing spaceball managers. we all know the space sox won the pennant last year on the team developed by kanter even though balhiser was manager. these wolves will keep off our tail until the new products start coming through and then we'll say we knew it all along." "you've got me half convinced not to quit," said whitemarsh quietly. "now listen frank," came back sheridan just as seriously, "you're too good a man to waste. now take your promotion like a nice boy and keep in line." "i still think i did a good job here." "so do i, but the board of directors can't forgive those retractions, even though you and i know they're necessary. they don't know what scientific truth and pride are. within ten years, on the foundations you laid, we'll have the best research record in the country...." after sheridan had left, whitemarsh cast a last look at his former domain. he called kercheval in to give him the news and then tell him to keep quiet until verified. then he decided to take a last tour around the laboratories. he finally found himself up at the snack bar and his eyes were taking the same look over the laboratory that they had done two years before. the view looked about the same. he had supervised the installation of a new matter probe over in the front center and he was responsible for the atom analyzer, but these were only minor changes. the major change, he thought bitterly, is that no one speaks to me unless spoken to--i've become a pariah. never tamper with the status quo, it disturbs too many people. it's a very lonely job. there was no one else in the snack bar. at least, almost no one else. he heard a discreet cough behind him. he turned and found miss chester seated behind him. she had her legs crossed, a cup of coffee in one hand and the space news want-ads in the other. "hello, napoleon," she greeted him. "have you just been surveying your empire? did you see the stern men of science jumping through the hoops out there? can you remember the happy place this was a year ago when you came? then the laboratorians took pride in their work; now they're flunkies for the green kids fresh from alma mater!" "stop it, sally," he told her. "you're not too far wrong on that napoleon business. i'm taking off for my new st. helena, quercus mountain on phobus." "quercus mountain? that's a big place. lab director?" "no. works manager." "heaven help the poor atomic workers!" "don't be that harsh. dammit! sally, maybe i am a napoleon, but scientific accuracy is too important to play fast and loose with, the way they were around here. you know it. you're the only one who didn't relax that vigilance--who saw to it that everything you turned out was without error. i know now that i forgot the human equation--that i was so eager for errorless research that i trod pretty roughshod over a lot of people. but you're guilty too, you know, you had the secret--you managed to balance the equation when everyone else here didn't. why didn't you help me? sure, you came in and ranted and raved at me--called me all sorts of names, but you didn't help me, you didn't try to show me the way." "i--" "let me finish," he interrupted her. "i love you, you know--have for a long, long, time. i still need help, sally. i don't want to keep playing napoleon and going into exile over and over again. a bigger job with more men under me isn't the answer. when a man is lonely it makes him hard and cruel in circumstances like that. i made all of you here relearn scientific facts, i need to relearn the humanities...." he paused for a moment. "sally, will you teach me?" her eyes were bright with unshed tears and a catch in her throat made the words husky and half-whispered. "i wanted to help--i love you too--but i thought you were arrogant and didn't need me--" she swallowed, controlling a sob. "i'll make it up to you, darling. you won't be alone again--on phobus or anywhere else in the galaxy." transcriber's note: this etext was produced from _astounding science fiction_ september 1955. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed. minor spelling and typographical errors have been corrected without note. subscript characters are shown within {braces}. [illustration] scrimshaw _the old man just wanted to get back his memory--and the methods he used were gently hellish, from the viewpoint of the others...._ by murray leinster illustrated by freas pop young was the one known man who could stand life on the surface of the moon's far side, and, therefore, he occupied the shack on the big crack's edge, above the mining colony there. some people said that no normal man could do it, and mentioned the scar of a ghastly head-wound to explain his ability. one man partly guessed the secret, but only partly. his name was sattell and he had reason not to talk. pop young alone knew the whole truth, and he kept his mouth shut, too. it wasn't anybody else's business. the shack and the job he filled were located in the medieval notion of the physical appearance of hell. by day the environment was heat and torment. by night--lunar night, of course, and lunar day--it was frigidity and horror. once in two weeks earth-time a rocketship came around the horizon from lunar city with stores for the colony deep underground. pop received the stores and took care of them. he handed over the product of the mine, to be forwarded to earth. the rocket went away again. come nightfall pop lowered the supplies down the long cable into the big crack to the colony far down inside, and freshened up the landing field marks with magnesium marking-powder if a rocket-blast had blurred them. that was fundamentally all he had to do. but without him the mine down in the crack would have had to shut down. the crack, of course, was that gaping rocky fault which stretches nine hundred miles, jaggedly, over the side of the moon that earth never sees. there is one stretch where it is a yawning gulf a full half-mile wide and unguessably deep. where pop young's shack stood it was only a hundred yards, but the colony was a full mile down, in one wall. there is nothing like it on earth, of course. when it was first found, scientists descended into it to examine the exposed rock-strata and learn the history of the moon before its craters were made. but they found more than history. they found the reason for the colony and the rocket landing field and the shack. the reason for pop was something else. the shack stood a hundred feet from the big crack's edge. it looked like a dust-heap thirty feet high, and it was. the outside was surface moondust, piled over a tiny dome to be insulation against the cold of night and shadow and the furnace heat of day. pop lived in it all alone, and in his spare time he worked industriously at recovering some missing portions of his life that sattell had managed to take away from him. he thought often of sattell, down in the colony underground. there were galleries and tunnels and living-quarters down there. there were air-tight bulkheads for safety, and a hydroponic garden to keep the air fresh, and all sorts of things to make life possible for men under if not on the moon. but it wasn't fun, even underground. in the moon's slight gravity, a man is really adjusted to existence when he has a well-developed case of agoraphobia. with such an aid, a man can get into a tiny, coffinlike cubbyhole, and feel solidity above and below and around him, and happily tell himself that it feels delicious. sometimes it does. but sattell couldn't comfort himself so easily. he knew about pop, up on the surface. he'd shipped out, whimpering, to the moon to get far away from pop, and pop was just about a mile overhead and there was no way to get around him. it was difficult to get away from the mine, anyhow. it doesn't take too long for the low gravity to tear a man's nerves to shreds. he has to develop kinks in his head to survive. and those kinks-the first men to leave the colony had to be knocked cold and shipped out unconscious. they'd been underground--and in low gravity--long enough to be utterly unable to face the idea of open spaces. even now there were some who had to be carried, but there were some tougher ones who were able to walk to the rocketship if pop put a tarpaulin over their heads so they didn't have to see the sky. in any case pop was essential, either for carrying or guidance. * * * * * sattell got the shakes when he thought of pop, and pop rather probably knew it. of course, by the time he took the job tending the shack, he was pretty certain about sattell. the facts spoke for themselves. pop had come back to consciousness in a hospital with a great wound in his head and no memory of anything that had happened before that moment. it was not that his identity was in question. when he was stronger, the doctors told him who he was, and as gently as possible what had happened to his wife and children. they'd been murdered after he was seemingly killed defending them. but he didn't remember a thing. not then. it was something of a blessing. but when he was physically recovered he set about trying to pick up the threads of the life he could no longer remember. he met sattell quite by accident. sattell looked familiar. pop eagerly tried to ask him questions. and sattell turned gray and frantically denied that he'd ever seen pop before. all of which happened back on earth and a long time ago. it seemed to pop that the sight of sattell had brought back some vague and cloudy memories. they were not sharp, though, and he hunted up sattell again to find out if he was right. and sattell went into panic when he returned. nowadays, by the big crack, pop wasn't so insistent on seeing sattell, but he was deeply concerned with the recovery of the memories that sattell helped bring back. pop was a highly conscientious man. he took good care of his job. there was a warning-bell in the shack, and when a rocketship from lunar city got above the horizon and could send a tight beam, the gong clanged loudly, and pop got into a vacuum-suit and went out the air lock. he usually reached the moondozer about the time the ship began to brake for landing, and he watched it come in. he saw the silver needle in the sky fighting momentum above a line of jagged crater-walls. it slowed, and slowed, and curved down as it drew nearer. the pilot killed all forward motion just above the field and came steadily and smoothly down to land between the silvery triangles that marked the landing place. instantly the rockets cut off, drums of fuel and air and food came out of the cargo-hatch and pop swept forward with the dozer. it was a miniature tractor with a gigantic scoop in front. he pushed a great mound of talc-fine dust before him to cover up the cargo. it was necessary. with freight costing what it did, fuel and air and food came frozen solid, in containers barely thicker than foil. while they stayed at space-shadow temperature, the foil would hold anything. and a cover of insulating moondust with vacuum between the grains kept even air frozen solid, though in sunlight. at such times pop hardly thought of sattell. he knew he had plenty of time for that. he'd started to follow sattell knowing what had happened to his wife and children, but it was hearsay only. he had no memory of them at all. but sattell stirred the lost memories. at first pop followed absorbedly from city to city, to recover the years that had been wiped out by an axe-blow. he did recover a good deal. when sattell fled to another continent, pop followed because he had some distinct memories of his wife--and the way he'd felt about her--and some fugitive mental images of his children. when sattell frenziedly tried to deny knowledge of the murder in tangier, pop had come to remember both his children and some of the happiness of his married life. even when sattell--whimpering--signed up for lunar city, pop tracked him. by that time he was quite sure that sattell was the man who'd killed his family. if so, sattell had profited by less than two days' pay for wiping out everything that pop possessed. but pop wanted it back. he couldn't prove sattell's guilt. there was no evidence. in any case, he didn't really want sattell to die. if he did, there'd be no way to recover more lost memories. sometimes, in the shack on the far side of the moon, pop young had odd fancies about sattell. there was the mine, for example. in each two earth-weeks of working, the mine-colony nearly filled up a three-gallon cannister with greasy-seeming white crystals shaped like two pyramids base to base. the filled cannister would weigh a hundred pounds on earth. here it weighed eighteen. but on earth its contents would be computed in carats, and a hundred pounds was worth millions. yet here on the moon pop kept a waiting cannister on a shelf in his tiny dome, behind the air-apparatus. it rattled if he shook it, and it was worth no more than so many pebbles. but sometimes pop wondered if sattell ever thought of the value of the mine's production. if he would kill a woman and two children and think he'd killed a man for no more than a hundred dollars, what enormity would he commit for a three-gallon quantity of uncut diamonds? * * * * * but he did not dwell on such speculation. the sun rose very, very slowly in what by convention was called the east. it took nearly two hours to urge its disk above the horizon, and it burned terribly in emptiness for fourteen times twenty-four hours before sunset. then there was night, and for three hundred and thirty-six consecutive hours there were only stars overhead and the sky was a hole so terrible that a man who looked up into it--what with the nagging sensation of one-sixth gravity--tended to lose all confidence in the stability of things. most men immediately found it hysterically necessary to seize hold of something solid to keep from falling upward. but nothing felt solid. everything fell, too. wherefore most men tended to scream. but not pop. he'd come to the moon in the first place because sattell was here. near sattell, he found memories of times when he was a young man with a young wife who loved him extravagantly. then pictures of his children came out of emptiness and grew sharp and clear. he found that he loved them very dearly. and when he was near sattell he literally recovered them--in the sense that he came to know new things about them and had new memories of them every day. he hadn't yet remembered the crime which lost them to him. until he did--and the fact possessed a certain grisly humor--pop didn't even hate sattell. he simply wanted to be near him because it enabled him to recover new and vivid parts of his youth that had been lost. otherwise, he was wholly matter-of-fact--certainly so for the far side of the moon. he was a rather fussy housekeeper. the shack above the big crack's rim was as tidy as any lighthouse or fur-trapper's cabin. he tended his air-apparatus with a fine precision. it was perfectly simple. in the shadow of the shack he had an unfailing source of extreme low temperature. air from the shack flowed into a shadow-chilled pipe. moisture condensed out of it here, and co{2} froze solidly out of it there, and on beyond it collected as restless, transparent liquid air. at the same time, liquid air from another tank evaporated to maintain the proper air pressure in the shack. every so often pop tapped the pipe where the moisture froze, and lumps of water ice clattered out to be returned to the humidifier. less often he took out the co{2} snow, and measured it, and dumped an equivalent quantity of pale-blue liquid oxygen into the liquid air that had been purified by cold. the oxygen dissolved. then the apparatus reversed itself and supplied fresh air from the now-enriched fluid, while the depleted other tank began to fill up with cold-purified liquid air. outside the shack, jagged stony pinnacles reared in the starlight, and craters complained of the bombardment from space that had made them. but, outside, nothing ever happened. inside, it was quite different. working on his memories, one day pop made a little sketch. it helped a great deal. he grew deeply interested. writing-material was scarce, but he spent most of the time between two particular rocket-landings getting down on paper exactly how a child had looked while sleeping, some fifteen years before. he remembered with astonishment that the child had really looked exactly like that! later he began a sketch of his partly-remembered wife. in time--he had plenty--it became a really truthful likeness. the sun rose, and baked the abomination of desolation which was the moonscape. pop young meticulously touched up the glittering triangles which were landing guides for the lunar city ships. they glittered from the thinnest conceivable layer of magnesium marking-powder. he checked over the moondozer. he tended the air apparatus. he did everything that his job and survival required. ungrudgingly. then he made more sketches. the images to be drawn came back more clearly when he thought of sattell, so by keeping sattell in mind he recovered the memory of a chair that had been in his forgotten home. then he drew his wife sitting in it, reading. it felt very good to see her again. and he speculated about whether sattell ever thought of millions of dollars' worth of new-mined diamonds knocking about unguarded in the shack, and he suddenly recollected clearly the way one of his children had looked while playing with her doll. he made a quick sketch to keep from forgetting that. there was no purpose in the sketching, save that he'd lost all his young manhood through a senseless crime. he wanted his youth back. he was recovering it bit by bit. the occupation made it absurdly easy to live on the surface of the far side of the moon, whether anybody else could do it or not. sattell had no such device for adjusting to the lunar state of things. living on the moon was bad enough anyhow, then, but living one mile underground from pop young was much worse. sattell clearly remembered the crime pop young hadn't yet recalled. he considered that pop had made no overt attempt to revenge himself because he planned some retaliation so horrible and lingering that it was worth waiting for. he came to hate pop with an insane ferocity. and fear. in his mind the need to escape became an obsession on top of the other psychotic states normal to a moon-colonist. but he was helpless. he couldn't leave. there was pop. he couldn't kill pop. he had no chance--and he was afraid. the one absurd, irrelevant thing he could do was write letters back to earth. he did that. he wrote with the desperate, impassioned, frantic blend of persuasion and information and genius-like invention of a prisoner in a high-security prison, trying to induce someone to help him escape. he had friends, of a sort, but for a long time his letters produced nothing. the moon swung in vast circles about the earth, and the earth swung sedately about the sun. the other planets danced their saraband. the rest of humanity went about its own affairs with fascinated attention. but then an event occurred which bore directly upon pop young and sattell and pop young's missing years. somebody back on earth promoted a luxury passenger-line of spaceships to ply between earth and moon. it looked like a perfect set-up. three spacecraft capable of the journey came into being with attendant reams of publicity. they promised a thrill and a new distinction for the rich. guided tours to lunar! the most expensive and most thrilling trip in history! one hundred thousand dollars for a twelve-day cruise through space, with views of the moon's far side and trips through lunar city and a landing in aristarchus, plus sound-tapes of the journey and fame hitherto reserved for honest explorers! it didn't seem to have anything to do with pop or with sattell. but it did. there were just two passenger tours. the first was fully booked. but the passengers who paid so highly, expected to be pleasantly thrilled and shielded from all reasons for alarm. and they couldn't be. something happens when a self-centered and complacent individual unsuspectingly looks out of a spaceship port and sees the cosmos unshielded by mists or clouds or other aids to blindness against reality. it is shattering. a millionaire cut his throat when he saw earth dwindled to a mere blue-green ball in vastness. he could not endure his own smallness in the face of immensity. not one passenger disembarked even for lunar city. most of them cowered in their chairs, hiding their eyes. they were the simple cases of hysteria. but the richest girl on earth, who'd had five husbands and believed that nothing could move her--she went into catatonic withdrawal and neither saw nor heard nor moved. two other passengers sobbed in improvised strait jackets. the first shipload started home. fast. the second luxury liner took off with only four passengers and turned back before reaching the moon. space-pilots could take the strain of space-flight because they had work to do. workers for the lunar mines could make the trip under heavy sedation. but it was too early in the development of space-travel for pleasure-passengers. they weren't prepared for the more humbling facts of life. pop heard of the quaint commercial enterprise through the micro-tapes put off at the shack for the men down in the mine. sattell probably learned of it the same way. pop didn't even think of it again. it seemed to have nothing to do with him. but sattell undoubtedly dealt with it fully in his desperate writings back to earth. * * * * * pop matter-of-factly tended the shack and the landing field and the stores for the big crack mine. between-times he made more drawings in pursuit of his own private objective. quite accidentally, he developed a certain talent professional artists might have approved. but he was not trying to communicate, but to discover. drawing--especially with his mind on sattell--he found fresh incidents popping up in his recollection. times when he was happy. one day he remembered the puppy his children had owned and loved. he drew it painstakingly--and it was his again. thereafter he could remember it any time he chose. he did actually recover a completely vanished past. he envisioned a way to increase that recovery. but there was a marked shortage of artists' materials on the moon. all freight had to be hauled from earth, on a voyage equal to rather more than a thousand times around the equator of the earth. artists' supplies were not often included. pop didn't even ask. he began to explore the area outside the shack for possible material no one would think of sending from earth. he collected stones of various sorts, but when warmed up in the shack they were useless. he found no strictly lunar material which would serve for modeling or carving portraits in the ground. he found minerals which could be pulverized and used as pigments, but nothing suitable for this new adventure in the recovery of lost youth. he even considered blasting, to aid his search. he could. down in the mine, blasting was done by soaking carbon black--from co{2}--in liquid oxygen, and then firing it with a spark. it exploded splendidly. and its fumes were merely more co{2} which an air-apparatus handled easily. he didn't do any blasting. he didn't find any signs of the sort of mineral he required. marble would have been perfect, but there is no marble on the moon. naturally! yet pop continued to search absorbedly for material with which to capture memory. sattell still seemed necessary, but-early one lunar morning he was a good two miles from his shack when he saw rocket-fumes in the sky. it was most unlikely. he wasn't looking for anything of the sort, but out of the corner of his eye he observed that something moved. which was impossible. he turned his head, and there were rocket-fumes coming over the horizon, not in the direction of lunar city. which was more impossible still. he stared. a tiny silver rocket to the westward poured out monstrous masses of vapor. it decelerated swiftly. it curved downward. the rockets checked for an instant, and flamed again more violently, and checked once more. this was not an expert approach. it was a faulty one. curving surface-ward in a sharply changing parabola, the pilot over-corrected and had to wait to gather down-speed, and then over-corrected again. it was an altogether clumsy landing. the ship was not even perfectly vertical when it settled not quite in the landing-area marked by silvery triangles. one of its tail-fins crumpled slightly. it tilted a little when fully landed. then nothing happened. pop made his way toward it in the skittering, skating gait one uses in one-sixth gravity. when he was within half a mile, an air-lock door opened in the ship's side. but nothing came out of the lock. no space-suited figure. no cargo came drifting down with the singular deliberation of falling objects on the moon. [illustration] it was just barely past lunar sunrise on the far side of the moon. incredibly long and utterly black shadows stretched across the plain, and half the rocketship was dazzling white and half was blacker than blackness itself. the sun still hung low indeed in the black, star-speckled sky. pop waded through moondust, raising a trail of slowly settling powder. he knew only that the ship didn't come from lunar city, but from earth. he couldn't imagine why. he did not even wildly connect it with what--say--sattell might have written with desperate plausibility about greasy-seeming white crystals out of the mine, knocking about pop young's shack in cannisters containing a hundred earth-pounds weight of richness. * * * * * pop reached the rocketship. he approached the big tail-fins. on one of them there were welded ladder-rungs going up to the opened air-lock door. he climbed. the air-lock was perfectly normal when he reached it. there was a glass port in the inner door, and he saw eyes looking through it at him. he pulled the outer door shut and felt the whining vibration of admitted air. his vacuum suit went slack about him. the inner door began to open, and pop reached up and gave his helmet the practiced twisting jerk which removed it. then he blinked. there was a red-headed man in the opened door. he grinned savagely at pop. he held a very nasty hand-weapon trained on pop's middle. "don't come in!" he said mockingly. "and i don't give a damn about how you are. this isn't social. it's business!" pop simply gaped. he couldn't quite take it in. "this," snapped the red-headed man abruptly, "is a stickup!" pop's eyes went through the inner lock-door. he saw that the interior of the ship was stripped and bare. but a spiral stairway descended from some upper compartment. it had a handrail of pure, transparent, water-clear plastic. the walls were bare insulation, but that trace of luxury remained. pop gazed at the plastic, fascinated. the red-headed man leaned forward, snarling. he slashed pop across the face with the barrel of his weapon. it drew blood. it was wanton, savage brutality. "pay attention!" snarled the red-headed man. "a stickup, i said! get it? you go get that can of stuff from the mine! the diamonds! bring them here! understand?" pop said numbly: "what the hell?" the red-headed man hit him again. he was nerve-racked, and, therefore, he wanted to hurt. "move!" he rasped. "i want the diamonds you've got for the ship from lunar city! bring 'em!" pop licked blood from his lips and the man with the weapon raged at him. "then phone down to the mine! tell sattell i'm here and he can come on up! tell him to bring any more diamonds they've dug up since the stuff you've got!" he leaned forward. his face was only inches from pop young's. it was seamed and hard-bitten and nerve-racked. but any man would be quivering if he wasn't used to space or the feel of one-sixth gravity on the moon. he panted: "and get it straight! you try any tricks and we take off! we swing over your shack! the rocket-blast smashes it! we burn you down! then we swing over the cable down to the mine and the rocket-flame melts it! you die and everybody in the mine besides! no tricks! we didn't come here for nothing!" he twitched all over. then he struck cruelly again at pop young's face. he seemed filled with fury, at least partly hysterical. it was the tension that space-travel--then, at its beginning--produced. it was meaningless savagery due to terror. but, of course, pop was helpless to resent it. there were no weapons on the moon and the mention of sattell's name showed the uselessness of bluff. he'd pictured the complete set-up by the edge of the big crack. pop could do nothing. the red-headed man checked himself, panting. he drew back and slammed the inner lock-door. there was the sound of pumping. pop put his helmet back on and sealed it. the outer door opened. outrushing air tugged at pop. after a second or two he went out and climbed down the welded-on ladder-bars to the ground. he headed back toward his shack. somehow, the mention of sattell had made his mind work better. it always did. he began painstakingly to put things together. the red-headed man knew the routine here in every detail. he knew sattell. that part was simple. sattell had planned this multi-million-dollar coup, as a man in prison might plan his break. the stripped interior of the ship identified it. it was one of the unsuccessful luxury-liners sold for scrap. or perhaps it was stolen for the journey here. sattell's associates had had to steal or somehow get the fuel, and somehow find a pilot. but there were diamonds worth at least five million dollars waiting for them, and the whole job might not have called for more than two men--with sattell as a third. according to the economics of crime, it was feasible. anyhow it was being done. pop reached the dust-heap which was his shack and went in the air lock. inside, he went to the vision-phone and called the mine-colony down in the crack. he gave the message he'd been told to pass on. sattell to come up, with what diamonds had been dug since the regular cannister was sent up for the lunar city ship that would be due presently. otherwise the ship on the landing strip would destroy shack and pop and the colony together. "i'd guess," said pop painstakingly, "that sattell figured it out. he's probably got some sort of gun to keep you from holding him down there. but he won't know his friends are here--not right this minute he won't." a shaking voice asked questions from the vision-phone. "no," said pop, "they'll do it anyhow. if we were able to tell about 'em, they'd be chased. but if i'm dead and the shacks smashed and the cable burnt through, they'll be back on earth long before a new cable's been got and let down to you. so they'll do all they can no matter what i do." he added, "i wouldn't tell sattell a thing about it, if i were you. it'll save trouble. just let him keep on waiting for this to happen. it'll save you trouble." another shaky question. "me?" asked pop. "oh, i'm going to raise what hell i can. there's some stuff in that ship i want." he switched off the phone. he went over to his air apparatus. he took down the cannister of diamonds which were worth five millions or more back on earth. he found a bucket. he dumped the diamonds casually into it. they floated downward with great deliberation and surged from side to side like a liquid when they stopped. one-sixth gravity. pop regarded his drawings meditatively. a sketch of his wife as he now remembered her. it was very good to remember. a drawing of his two children, playing together. he looked forward to remembering much more about them. he grinned. "that stair-rail," he said in deep satisfaction. "that'll do it!" he tore bed linen from his bunk and worked on the emptied cannister. it was a double container with a thermware interior lining. even on earth newly-mined diamonds sometimes fly to pieces from internal stress. on the moon, it was not desirable that diamonds be exposed to repeated violent changes of temperature. so a thermware-lined cannister kept them at mine-temperature once they were warmed to touchability. pop packed the cotton cloth in the container. he hurried a little, because the men in the rocket were shaky and might not practice patience. he took a small emergency-lamp from his spare spacesuit. he carefully cracked its bulb, exposing the filament within. he put the lamp on top of the cotton and sprinkled magnesium marking-powder over everything. then he went to the air-apparatus and took out a flask of the liquid oxygen used to keep his breathing-air in balance. he poured the frigid, pale-blue stuff into the cotton. he saturated it. all the inside of the shack was foggy when he finished. then he pushed the cannister-top down. he breathed a sigh of relief when it was in place. he'd arranged for it to break a frozen-brittle switch as it descended. when it came off, the switch would light the lamp with its bare filament. there was powdered magnesium in contact with it and liquid oxygen all about. he went out of the shack by the air lock. on the way, thinking about sattell, he suddenly recovered a completely new memory. on their first wedding anniversary, so long ago, he and his wife had gone out to dinner to celebrate. he remembered how she looked: the almost-smug joy they shared that they would be together for always, with one complete year for proof. pop reflected hungrily that it was something else to be made permanent and inspected from time to time. but he wanted more than a drawing of this! he wanted to make the memory permanent and to extend it-if it had not been for his vacuum suit and the cannister he carried, pop would have rubbed his hands. * * * * * tall, jagged crater-walls rose from the lunar plain. monstrous, extended inky shadows stretched enormous distances, utterly black. the sun, like a glowing octopod, floated low at the edge of things and seemed to hate all creation. pop reached the rocket. he climbed the welded ladder-rungs to the air lock. he closed the door. air whined. his suit sagged against his body. he took off his helmet. when the red-headed man opened the inner door, the hand-weapon shook and trembled. pop said calmly: "now i've got to go handle the hoist, if sattell's coming up from the mine. if i don't do it, he don't come up." the red-headed man snarled. but his eyes were on the cannister whose contents should weigh a hundred pounds on earth. "any tricks," he rasped, "and you know what happens!" "yeah," said pop. he stolidly put his helmet back on. but his eyes went past the red-headed man to the stair that wound down, inside the ship, from some compartment above. the stair-rail was pure, clear, water-white plastic, not less than three inches thick. there was a lot of it! the inner door closed. pop opened the outer. air rushed out. he climbed painstakingly down to the ground. he started back toward the shack. there was the most luridly bright of all possible flashes. there was no sound, of course. but something flamed very brightly, and the ground thumped under pop young's vacuum boots. he turned. the rocketship was still in the act of flying apart. it had been a splendid explosion. of course cotton sheeting in liquid oxygen is not quite as good an explosive as carbon-black, which they used down in the mine. even with magnesium powder to start the flame when a bare light-filament ignited it, the cannister-bomb hadn't equaled--say--t.n.t. but the ship had fuel on board for the trip back to earth. and it blew, too. it would be minutes before all the fragments of the ship returned to the moon's surface. on the moon, things fall slowly. pop didn't wait. he searched hopefully. once a mass of steel plating fell only yards from him, but it did not interrupt his search. when he went into the shack, he grinned to himself. the call-light of the vision-phone flickered wildly. when he took off his helmet the bell clanged incessantly. he answered. a shaking voice from the mining-colony panted: "we felt a shock! what happened? what do we do?" "don't do a thing," advised pop. "it's all right. i blew up the ship and everything's all right. i wouldn't even mention it to sattell if i were you." he grinned happily down at a section of plastic stair-rail he'd found not too far from where the ship exploded. when the man down in the mine cut off, pop got out of his vacuum suit in a hurry. he placed the plastic zestfully on the table where he'd been restricted to drawing pictures of his wife and children in order to recover memories of them. he began to plan, gloatingly, the thing he would carve out of a four-inch section of the plastic. when it was carved, he'd paint it. while he worked, he'd think of sattell, because that was the way to get back the missing portions of his life--the parts sattell had managed to get away from him. he'd get back more than ever, now! he didn't wonder what he'd do if he ever remembered the crime sattell had committed. he felt, somehow, that he wouldn't get that back until he'd recovered all the rest. gloating, it was amusing to remember what people used to call such art-works as he planned, when carved by other lonely men in other faraway places. they called those sculptures scrimshaw. but they were a lot more than that! the end [illustration] trouble on tycho by nelson s. bond isobar and his squeeze-pipes were the bane of the moon station's existence. but there came the day when his comrades found that the worth of a man lies sometimes in his nuisance value. [transcriber's note: this etext was produced from planet stories march 1943. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] the audiophone buzzed thrice--one long, followed by two shorts--and isobar jones pressed the stud activating its glowing scanner-disc. "hummm?" he said absent-mindedly. the selenoplate glowed faintly, and the image of the dome commander appeared. "report ready, jones?" "almost," acknowledged isobar gloomily. "it prob'ly ain't right, though. how anybody can be expected to get _anything_ right on this dagnabbed hunk o' green cheese--" "send it up," interrupted colonel eagan, "as soon as you can. sparks is making terra contact now. that is all." "that ain't all!" declared isobar indignantly. "how about my bag--?" it _was all_, so far as the d.c. was concerned. isobar was talking to himself. the plate dulled. isobar said, "nuts!" and returned to his duties. he jotted neat ditto marks under the word "clear" which, six months ago, he had placed beneath the column headed: _cond. of obs._ he noted the proper figures under the headings _sun spots_: _max freq._--_min. freq._; then he sketched careful curves in blue and red ink upon the mercator projection of earth which was his daily work sheet. this done, he drew a clean sheet of paper out of his desk drawer, frowned thoughtfully at the tabulated results of his observations, and began writing. "_weather forecast for terra_," he wrote, his pen making scratching sounds. the audiophone rasped again. isobar jabbed the stud and answered without looking. "o.q.," he said wearily. "o.q. i told you it would be ready in a couple o' minutes. keep your pants on!" "i--er--i beg your pardon, isobar?" queried a mild voice. isobar started. his sallow cheeks achieved a sickly salmon hue. he blinked nervously. "oh, jumpin' jimminy!" he gulped. "_you_, miss sally! golly--'scuse me! i didn't realize--" the dome commander's niece giggled. "that's all right, isobar. i just called to ask you about the weather in oceania sector 4b next week. i've got a swimming date at waikiki, but i won't make the shuttle unless the weather's going to be nice." "it is," promised isobar. "it'll be swell all weekend, miss sally. fine sunshiny weather. you can go." "that's wonderful. thanks so much, isobar." "don't mention it, ma'am," said isobar, and returned to his work. south america. africa. asia. pan-europa. swiftly he outlined the meteorological prospects for each sector. he enjoyed this part of his job. as he wrote forecasts for each area, in his mind's eye he saw himself enjoying such pastimes as each geographical division's terrain rendered possible. * * * * * if home is where the heart is, horatio jones--known better as "isobar" to his associates at the experimental dome on luna--was a long, long way from home. his lean, gangling frame was immured, and had been for six tedious earth months, beneath the _impervite_ hemisphere of lunar iii--that frontier outpost which served as a rocket refueling station, teleradio transmission point and meteorological base. "six solid months! six sad, dreary months!" thought isobar, "locked up in an airtight dome like--like a goldfish in a glass bowl!" sunlight? oh, sure! but filtered through ultraviolet wave-traps so it could not burn, it left the skin pale and lustreless and clammy as the belly of a toad. fresh air? pooh! nothing but that everlasting sickening, scented, reoxygenated stuff gushing from atmo-conditioning units. excitement? adventure? the romance he had been led to expect when he signed on for frontier service? bah! only a weary, monotonous, routine existence. "a pain!" declared isobar jones. "that's what it is; a pain in the stummick. not even allowed to--yeah?" it was sparks, audioing from the dome's transmission turret. he said, "hyah, jonesy! how comes with the report?" "done," said isobar. "i was just gettin' the sheets together for you." "o.q. but just bring _it_. nothing else." isobar bridled. "i don't know what you're talkin' about." "oh, no? well, i'm talking about that squawk-filled doodlesack of yours, sonny boy. don't bring that bag-full of noise up here with you." isobar said defiantly, "it ain't a doodlesack. it's a bagpipe. and i guess i can play it if i want to--" "not," said sparks emphatically, "in _my_ cubby! i've got sensitive eardrums. well, stir your stumps! i've got to get the report rolling quick today. big doings up here." "yeah? what?" "well, it's roberts and brown--" "what about 'em?" "they've gone outside to make foundation repairs." "lucky stiffs!" commented isobar ruefully. "lucky, no. stiffs, maybe--if they should meet any grannies. well, scoot along. i'm on the ether in four point sixteen minutes." "be right up," promised isobar, and, sheets in hand, he ambled from his cloistered cell toward the central section of the dome. he didn't leave sparks' turret after the sheets were delivered. instead, he hung around, fidgeting so obtrusively that riley finally turned to him in sheer exasperation. "sweet snakes of saturn, jonesy, what's the trouble? bugs in your britches?" isobar said, "h-huh? oh, you mean--oh, thanks, no! i just thought mebbe you wouldn't mind if i--well--er--" "i get it!" sparks grinned. "want to play peekaboo while the contact's open, eh? well, o.q. watch the birdie!" he twisted dials, adjusted verniers, fingered a host of incomprehensible keys. current hummed and howled. then a plate before him cleared, and the voice of the earth operator came in, enunciating with painstaking clarity: "earth answering luna. earth answering luna's call. can you hear me, luna? can you hear--?" "i can not only hear you," snorted riley, "i can see you and smell you, as well. stop hamming it, stupid! you're lousing up the earth!" the now-visible face of the earth radioman drew into a grimace of displeasure. "oh, it's _you_? funny man, eh? funny man riley?" "sure," said riley agreeably. "i'm a scream. four-alarm riley, the cosmic comedian--didn't you know? flick on your dictacoder, oyster-puss; here's the weather report." he read it. "'_weather forecast for terra, week of may 15-21_--'" "ask him," whispered isobar eagerly. "sparks, don't forget to ask him!" * * * * * riley motioned for silence, but nodded. he finished the weather report, entered the dome commander's log upon the home office records, and dictated a short entry from the luna biological commission. then: "that is all," he concluded. "o.q.," verified the other radioman. isobar writhed anxiously, prodded riley's shoulder. "ask him, sparks! go on ask him!" "oh, cut jets, will you?" snapped sparks. the terra operator looked startled. "how's that? i didn't say a word--" "don't be a dope," said sparks, "you dope! i wasn't talking to you. i'm entertaining a visitor, a refugee from a cuckoo clock. look, do me a favor, chum? can you twist your mike around so it's pointing out a window?" "what? why--why, yes, but--" "without buts," said sparks grumpily. "yours not to reason why; yours but to do or don't. will you do it?" "well, sure. but i don't understand--" the silver platter which had mirrored the radioman's face clouded as the earth operator twirled the inconoscope. walls and desks of an ordinary broadcasting office spun briefly into view; then the plate reflected a glimpse of an earthly landscape. soft blue sky warmed by an atmosphere-shielded sun ... green trees firmly rooted in still-greener grass ... flowers ... birds ... people.... "enough?" asked sparks. isobar jones awakened from his trance, eyes dulling. reluctantly he nodded. riley stared at him strangely, almost gently. to the other radioman, "o.q., pal," he said. "cut!" "cut!" agreed the other. the plate blanked out. "thanks, sparks," said isobar. "nothing," shrugged riley "_he twisted_ the mike; not me. but--how come you always want to take a squint at earth when the circuit's open, jonesy? homesick?" "sort of," admitted isobar guiltily. "well, hell, aren't we all? but we can't leave here for another six months at least. not till our tricks are up. i should think it'd only make you feel worse to see earth." "it ain't earth i'm homesick for," explained isobar. "it's--well, it's the things that go with it. i mean things like grass and flowers and trees." sparks grinned; a mirthless, lopsided grin. "we've got _them_ right here on luna. go look out the tower window, jonesy. the dome's nestled smack in the middle of the prettiest, greenest little valley you ever saw." "i know," complained isobar. "and that's what makes it even worse. all that pretty, soft, green stuff outside--and we ain't allowed to go out in it. sometimes i get so mad i'd like to--" "to," interrupted a crisp voice, "what?" isobar spun, flushing; his eyes dropped before those of dome commander eagan. he squirmed. "n-nothing, sir. i was only saying--" "i heard you, jones. and please let me hear no more of such talk, sir! it is strictly forbidden for anyone to go outside except in cases of absolute necessity. such labor as caused patrolmen brown and roberts to go, for example--" "any word from them yet, sir?" asked sparks eagerly. "not yet. but we're expecting them to return at any minute now. jones! where are _you_ going?" "why--why, just back to my quarters, sir." "that's what i thought. and what did you plan to do there?" isobar said stubbornly, "well, i sort of figured i'd amuse myself for a while--" "i thought that, too. and with _what_, pray, jones?" "with the only dratted thing," said isobar, suddenly petulant, "that gives me any fun around this dagnabbed place! with my bagpipe." * * * * * commander eagan said, "you'd better find some new way of amusing yourself, jones. have you read general order 17?" isobar said, "i seen it. but if you think--" "it says," stated eagan deliberately, "'_in order that work or rest periods of the dome's staff may not be disturbed, it is hereby ordered that the playing or practicing of all or any musical instruments must be discontinued immediately. by order of the dome commander_,' that means you, jones!" "but, dingbust it!" keened isobar, "it don't disturb nobody for me to play my bagpipes! i know these lunks around here don't appreciate good music, so i always go in my office and lock the door after me--" "but the dome," pointed out commander eagan, "has an air-conditioning system which can't be shut off. the ungodly moans of your--er--so-called musical instrument can be heard through the entire structure." he suddenly seemed to gain stature. "no, jones, this order is final! you cannot disrupt our entire organization for your own--er--amusement." "but--" said isobar. "no!" isobar wriggled desperately. life on luna was sorry enough already. if now they took from him the last remaining solace he had, the last amusement which lightened his moments of freedom-"look, commander!" he pleaded, "i tell you what i'll do. i won't bother nobody. i'll go outside and play it--" "outside!" eagan stared at him incredulously. "are you mad? how about the grannies?" isobar knew all about the grannies. the only mobile form of life found by space-questing man on earth's satellite, their name was an abbreviation of the descriptive one applied to them by the first lunar exployers: granitebacks. this was no exaggeration; if anything, it was an understatement. for the grannies, though possessed of certain low intelligence, had quickly proven themselves a deadly, unyielding and implacable foe. worse yet, they were an enemy almost indestructible! no man had ever yet brought to earth laboratories the carcass of a grannie; science was completely baffled in its endeavors to explain the composition of graniteback physiology--but it was known, from bitter experience, that the carapace or exoskeleton of the grannies was formed of something harder than steel, diamond, or battleplate! this flesh could be penetrated by no weapon known to man; neither by steel nor flame, by electronic nor ionic wave, nor by the lethal, newly discovered atomo-needle dispenser. all this isobar knew about the grannies. yet: "they ain't been any grannies seen around the dome," he said, "for a 'coon's age. anyhow, if i seen any comin', i could run right back inside--" "no!" said commander eagan flatly. "absolutely, _no_! i have no time for such nonsense. you know the orders--obey them! and now, gentlemen, good afternoon!" he left. sparks turned to isobar, grinning. "well," he said, "one man's fish--hey, jonesy? too bad you can't play your doodlesack any more, but frankly, i'm just as glad. of all the awful screeching wails--" but isobar jones, generally mild and gentle, was now in a perfect fury. his pale eyes blazed, he stomped his foot on the floor, and from his lips poured a stream of such angry invective that riley looked startled. words that, to isobar, were the utter dregs of violent profanity. "oh, dagnab it!" fumed isobar jones. "oh, tarnation and dingbust! oh--_fiddlesticks_!" ii "and so," chuckled riley, "he left, bubbling like a kettle on a red-hot oven. but, boy! was he ever mad! just about ready to bust, he was." some minutes had passed since isobar had left; riley was talking to dr. loesch, head of the dome's physics research division. the older man nodded commiseratingly. "it is funny, yes," he agreed, "but at the same time it is not altogether amusing. i feel sorry for him. he is a very unhappy man, our poor isobar." "yeah, i know," said riley, "but, hell, we all get a little bit homesick now and then. he ought to learn to--" "excuse me, my boy," interrupted the aged physicist, his voice gentle, "it is not mere homesickness that troubles our friend. it is something deeper, much more vital and serious. it is what my people call: _weltschmertz_. there is no accurate translation in english. it means 'world sickness,' or better, 'world weariness'--something like that but intensified a thousandfold. "it is a deeply-rooted mental condition, sometimes a dangerous frame of mind. under its grip, men do wild things. hating the world on which they find themselves, they rebel in curious ways. suicide ... mad acts of valor ... deeds of cunning or knavery...." "you mean," demanded sparks anxiously, "isobar ain't got all his buttons?" "not that exactly. he is perfectly sane. but he is in a dark morass of despair. he may try _anything_ to retrieve his lost happiness, rid his soul of its dark oppression. his world-sickness is like a crying hunger--by the way, where is he now?" "below, i guess. in his quarters." "ah, good! perhaps he is sleeping. let us hope so. in slumber he will find peace and forgetfulness." but dr. loesch would have been far less sanguine had some power the "giftie gi'en" him of watching isobar jones at that moment. isobar was not asleep. far from it. wide awake and very much astir, he was acting in a singularly sinister role: that of a slinking, furtive culprit. returning to his private cubicle after his conversation with dome commander eagan, he had stalked straightway to the cabinet wherein was encased his precious set of bagpipes. these he had taken from their pegs, gazed upon defiantly, and fondled with almost parental affection. "so i can't play you, huh?" he muttered darkly. "it disturbs the peace o' the dingfounded, dumblasted dome staff, does it? well, we'll _see_ about that!" and tucking the bag under his arm, he had cautiously slipped from the room, down little-used corridors, and now he stood before the huge _impervite_ gates which were the entrance to the dome and the doorway to outside. on all save those occasions when a spacecraft landed in the cradle adjacent the gateway, these portals were doubly locked and barred. but today they had been unbolted that the two maintenance men might venture out. and since it was quite possible that brown and roberts might have to get inside in a hurry, their bolts remained drawn. sole guardian of the entrance was a very bored junior patrolman. up to this worthy strode isobar jones, confident and assured, exuding an aura of propriety. "very well, wilkins," he said. "i'll take over now. you may go to the meeting." wilkins looked at him bewilderedly. "huh? whuzzat, mr. jones?" isobar's eyebrows arched. "you mean you haven't been notified?" "notified of _what_?" "why, the general council of all patrolmen! weren't you told that i would take your place here while you reported to g.h.q.?" "i ain't," puzzled wilkins, "heard nothing about it. maybe i ought to call the office, maybe?" and he moved the wall-audio. but isobar said swiftly. "that--er--won't be necessary, wilkins. my orders were plain enough. now, you just run along. i'll watch this entrance for you." "we-e-ell," said wilkins, "if you say so. orders is orders. but keep a sharp eye out, mister jones, in case roberts and brown should come back sudden-like." "i will," promised isobar, "don't worry." * * * * * wilkins moved away. isobar waited until the patrolman was completely out of sight. then swiftly he pulled open the massive gate, slipped through, and closed it behind him. a flood of warmth, exhilarating after the constantly regulated temperature of the dome, descended upon him. fresh air, thin, but fragrant with the scent of growing things, made his pulses stir with joyous abandon. he was outside! he was outside, in good sunlight, at last! after six long and dreary months! raptly, blissfully, all thought of caution tossed to the gentle breezes that ruffled his sparse hair, isobar jones stepped forward into the lunar valley.... how long he wandered thus, carefree and utterly content, he could not afterward say. it seemed like minutes; it must have been longer. he only knew that the grass was green beneath his feet, the trees were a lacy network through which warm sunlight filtered benevolently, the chirrupings of small insects and the rustling whisper of the breezes formed a tiny symphony of happiness through which he moved as one charmed. it did not occur to him that he had wandered too far from the dome's entrance until, strolling through an enchanting flower-decked glade, he was startled to hear--off to his right--the sharp, explosive bark of a haemholtz ray pistol. he whirled, staring about him wildly, and discovered that though his meandering had kept him near the dome, he had unconsciously followed its hemispherical perimeter to a point nearly two miles from the gateway. by the placement of ports and windows, isobar was able to judge his location perfectly; he was opposite that portion of the structure which housed sparks' radio turret. and the shooting? that could only be-he did not have to name its reason, even to himself. for at that moment, there came racing around the curve of the dome a pair of figures, patrolmen clad in fatigue drab. roberts and brown. roberts was staggering, one foot dragged awkwardly as he ran; brown's left arm, bloodstained from shoulder to elbow, hung limply at his side, but in his good right fist he held a spitting haemholtz with which he tried to cover his comrade's sluggish retreat. and behind these two, grim, grey, gaunt figures that moved with astonishing speed despite their massive bulk, came three ... six ... a dozen of those lunarites whom all men feared. the grannies! iii simultaneously with his recognition of the pair, joe roberts saw him. a gasp of relief escaped the wounded man. "jones! thank the lord! then you picked up our cry for help? quick, man--where is it? theres not a moment to waste!" "w-where," faltered isobar feebly, "is _what_?" "the tank, of course! didn't you hear our telecast? we can't possibly make it back to the gate without an armored car. my foot's broken, and--" roberts stopped suddenly, an abrupt horror in his eyes. "you don't have one! you're here _alone_! then you didn't pick up our call? but, why--?" "never mind that," snapped isobar, "now!" placid by nature, he could move when urgency drove. his quick mind saw the immediateness of their peril. unarmed, he could not help the patrolmen fight a delaying action against their foes, nor could he hasten their retreat. anyway, weapons were useless, and time was of the essence. there was but one temporary way of staving off disaster. "over here ... this tree! quick! up you go! give him a lift, brown--there! that's the stuff!" he was the last to scramble up the gnarled bole to a tentative leafy sanctuary. he had barely gained the security of the lowermost bough when a thundering crash resounded, the sturdy trunk trembled beneath his clutch. stony claws gouged yellow parallels in the bark scant inches beneath one kicking foot, then the granny fell back with a thud. the graniteback was _not_ a climber. it was far too ungainly, much too weighty for that. roberts said weakly, "th-thanks, jonesy! that was a close call." "that goes for me, too, jonesy," added brown from an upper bough. "but i'm afraid you just delayed matters. this tree's o.q. as long as it lasts, but--" he stared down upon the gathering knot of grannies unhappily--"it's not going to last long with that bunch of superdreadnaughts working out on it! hold tight, fellows! here they come!" for the grannies, who had huddled for a moment as if in telepathic consultation, now joined forces, turned, and as one body charged headlong toward the tree. the unified force of their attack was like the shattering impact of a battering ram. bark rasped and gritted beneath the besieged men's hands, dry leaves and twigs pelted about them in a tiny rain, tormented fibrous sinews groaned as the aged forest monarch shuddered in agony. desperately they clung to their perches. though the great tree bent, it did not break. but when it stopped trembling, it was canted drunkenly to one side, and the erstwhile solid earth about its base was broken and cracked--revealing fleshy tentacles uprooted from ancient moorings! * * * * * brown stared at this evidence of the grannies' power with terror-fascinated eyes. his voice was none too firm. "lord! piledrivers! a couple more like that--" isobar nodded. he knew what falling into the clutch of the grannies meant. he had once seen the grisly aftermath of a graniteback feast. even now their adversaries had drawn back for a second attack. a sudden idea struck him. a straw of hope at which he grasped feverishly. "you telecast a message to the dome? help should be on the way by now. if we can just hold out--" but roberts shook his head. "we sent a message, jonesy, but i don't think it got through. i've just been looking at my portable. it seems to be busted. happened when they first attacked us, i guess. i tripped and fell on it." isobar's last hope flickered out. "then i--i guess it won't be long now," he mourned. "if we could have only got a message through, they would have sent out an armored car to pick us up. but as it is--" brown's shrug displayed a bravado he did not feel. "well, that's the way it goes. we knew what we were risking when we volunteered to come outside. this damn moon! it'll never be worth a plugged credit until men find some way to fight those murderous stones-on-legs!" roberts said, "that's right. but what are _you_ doing out here, isobar? and why, for pete's sake, the bagpipes?" "oh--the pipes?" isobar flushed painfully. he had almost forgotten his original reason for adventuring outside, had quite forgotten his instrument, and was now rather amazed to discover that somehow throughout all the excitement he had held onto it. "why, i just happened to--oh! _the pipes!_" "hold on!" roared roberts. his warning came just in time. once more, the three tree-sitters shook like dried peas in a pod as their leafy refuge trembled before the locomotive onslaught of the lunar beasts. this time the already-exposed roots strained and lifted, several snapped; when the grannies again withdrew, complacently unaware that the "lethal ray" of brown's haemholtz was wasting itself upon their adamant hides in futile fury, the tree was bent at a precarious angle. brown sobbed, not with fear but with impotent anger, and in a gesture of enraged desperation, hurled his now-empty weapon at the retreating grannies. "no good! not a damn bit of good! oh, if there was only some way of fighting those filthy things--" but isobar jones had a one-track mind. "the pipes!" he cried again, excitedly. "that's the answer!" and he drew the instrument into playing position, bag cuddled beneath one arm-pit, drones stiffly erect over his shoulder, blow-pipe at his lips. his cheeks puffed, his breath expelled. the giant lung swelled, the chaunter emitted its distinctive, fearsome, "_kaa-aa-o-o-o-oro-oong!_" roberts moaned. "oh, lord! a guy can't even die in peace!" and brown stared at him hopelessly. "it's no use, isobar. you trying to scare them off? they have no sense of hearing. that's been proven--" isobar took his lips from the reed to explain. "it's not that. i'm trying to rouse the boys in the dome. we're right opposite the atmosphere-conditioning-unit. see that grilled duct over there? that's an inhalation-vent. the portable transmitter's out of order, and our voices ain't strong enough to carry into the dome--but the sound of these pipes is! and commander eagan told me just a short while ago that the sound of the pipes carries all over the building! "if they hear this, they'll get mad because i'm disobeyin' orders. they'll start lookin' for me. if they can't find me inside, maybe they'll look outside. see that window? that's sparks' turret. if we can make him look out here--" "_stop talking!_" roared roberts. "stop talking, guy, and start blowing! i think you've got something there. anyhow, it's our last hope. _blow!_" "and quick!" appended brown. "for here they come!" [illustration: _isobar played, blew with all his might, while the grannies raged below._] he meant the grannies. again they were huddling for attack, once more, a solid phalanx of indestructible, granite flesh, they were smashing down upon the tree. "_haa-a-roong!_" blew isobar jones. iv and--even he could not have foreseen the astounding results of his piping! what happened next was as astonishing as it was incomprehensible. for as the pipes, filled now and primed to burst into whatever substitute for melody they were prodded into, wailed into action--the grannies' rush came to an abrupt halt! as one, they stopped cold in their tracks and turned dull, colorless, questioning eyes upward into the tree whence came this weird and vibrant droning! so stunned with surprise was isobar that his grip on the pipes relaxed, his lips almost slipped from the reed. but brown's delighted bellow lifted his paralysis. "sacred rings of saturn-look! they _like_ it! keep playing, jonesy! play, boy, like you never played before!" and roberts roared, above the skirling of the _piobaireachd_ into which isobar had instinctively swung, "music hath charms to soothe the savage beast! then we were wrong. they _can_ hear, after all! see that? they're lying down to listen--like so many lambs! keep playing, isobar! for once in my life i'm glad to hear that lovely, wonderful music!" isobar needed no urging. he, too, had noted how the grannies' attack had stopped, how every last one of the gaunt grey beasts had suddenly, quietly, almost happily, dropped to its haunches at the base of the tree. there was no doubt about it; the grannies _liked_ this music. eyes raptly fixed, unblinking, unwavering, they froze into postures of gentle beatitude. one stirred once, dangerously, as for a moment isobar paused to catch his breath, but isobar hastily lipped the blow-pipe with redoubled eagerness, and the granny relapsed into quietude. followed then what, under somewhat different circumstances, should have been a piper's dream. for isobar had an audience which would not--and in two cases _dared_ not--allow him to stop playing. and to this audience he played over and over again his entire repertoire. marches, flings, dances--the stirring _rhoderik dhu_ and the lilting _lassies o'skye_, the mournful _coghiegh nha shie_ whose keening is like the sound of a sobbing nation. _the cock o' the north_, he played, and _mironton_ ... _wee flow'r o' dee_ and _macarthur's march_ ... _la cucuracha_ and-and his lungs were parched, his lips dry as swabs of cotton. blood pounded through his temples, throbbing in time to the drone of the chaunter, and a dark mist gathered before his eyes. he tore the blow-pipe from his lips, gasped, "keep playing!" came the dim, distant howl of johnny brown. "just a few minutes longer, jonesy! relief is on the way. sparks saw us from his turret window five minutes ago!" and isobar played on. how, or what, he did not know. the memory of those next few minutes was never afterward clear in his mind. all he knew was that above the skirling drone of his pipes there came another sound, the metallic clanking of a man-made machine ... an armored tank, sent from the dome to rescue the beleaguered trio. he was conscious, then, of a friendly voice shouting words of encouragement, of joe roberts calling a warning to those below. "careful, boys! drive the tank right up beneath us so we can hop in and get out of here! watch the grannies--they'll be after us the minute isobar stops playing!" then the answer from below. the fantastic answer in sparks' familiar voice. the answer that caused the bagpipes to slip from isobar's fingers as isobar jones passed out in a dead faint: "after you? those grannies? hell's howling acres--_those grannies are stone dead_!" * * * * * afterward, isobar jones said weakly, "but--dead? i don't understand. was it the sound-waves that killed them?" commander eagan said, "no! grannies absolutely cannot hear. that is one thing we do know about them--though we will soon know a great deal more, now that our biologists have a dozen carcasses to dissect, thanks to you. but grannies have no auditory apparatus." "but then--what?" puzzled isobar. "it couldn't be vibration, because our patrolmen tried shootin' 'em with the vibro-ray pistol, and nothin' never happened--" "nevertheless," said dr. loesch quietly, "it _was_ vibration which killed them, isobar. that is, of course, only my conjecture, but i believe subsequent study will prove i am correct. "it was the effect of _dual_, or disharmonic vibration. you see, the vibro-ray pistol expels an ultrasonic wave which disrupts molecular construction sensitive to a single harmonic. the grannies' composition is more complex. it required the impact of two different wave-lengths, impinging on their nerve centers at the same moment, to destroy them." "and the bagpipe--" said isobar with slowly dawning comprehension--"emits two distinct tones at the same time!" the full meaning of his words flashed upon isobar. he turned to commander eagan, sallow cheeks glowing with new color. "then--then what means we've licked our problem!" he cried. "we've found a weapon that'll kill the grannies, and it won't be necessary to live inside domes no more! now we can move out into the open and live like human beings!" "absolutely true!" agreed the commander. "but _you_ will not be living outside, jones. not right away, anyway." "h-uh? w-hat do you mean, commander?" "i mean," said eagan sternly, "that regardless of results, you are still guilty of flagrant disobedience to orders! that, as commander of this outpost, i cannot tolerate. you are hereby sentenced to thirty days confinement to quarters!" "but--" stammered isobar--"but tarnation golly--" "in the course of which time," continued commander eagan imperturbably, "you will serve as instructor for every man in the dome--at double salary!" "you can't _do_ me like this!" wailed isobar. "jinky-wallopers, i won't--huh? what's 'at? instructor? instructor in _what_?" "in the--er--art," said eagan, "of bagpipe playing. if we are to rid luna of the grannies, we must all learn how to perform on that--er--lethal weapon. and, jones, i think i can truthfully say that this punishment hurts me more than it hurts you!" the victor by bryce walton illustrated by kelly freas [transcriber note: this etext was produced from if worlds of science fiction march 1953. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] [sidenote: _under the new system of the managerials, the fight was not for life but for death! and great was the ingenuity of--the victor._] charles marquis had a fraction of a minute in which to die. he dropped through the tubular beams of alloydem steel and hung there, five thousand feet above the tiers and walkways below. at either end of the walkway crossing between the two power-hung buildings, he saw the plainclothes security officers running in toward him. he grinned and started to release his grip. he would think about them on the way down. his fingers wouldn't work. he kicked and strained and tore at himself with his own weight, but his hands weren't his own any more. he might have anticipated that. some paralysis beam freezing his hands into the metal. he sagged to limpness. his chin dropped. for an instant, then, the fire in his heart almost went out, but not quite. it survived that one terrible moment of defeat, then burned higher. and perhaps something in that desperate resistance was the factor that kept it burning where it was thought no flame could burn. he felt the rigidity of paralysis leaving his arms as he was lifted, helped along the walkway to a security car. the car looked like any other car. the officers appeared like all the other people in the clockwork culture of the mechanized new system. marquis sought the protection of personal darkness behind closed eyelids as the monorail car moved faster and faster through the high clean air. well--he'd worked with the underground against the system for a long time. he had known that eventually he would be caught. there were rumors of what happened to men then, and even the vaguest, unsubstantiated rumors were enough to indicate that death was preferable. that was the underground's philosophy--better to die standing up as a man with some degree of personal integrity and freedom than to go on living as a conditioned slave of the state. he'd missed--but he wasn't through yet though. in a hollow tooth was a capsule containing a very high-potency poison. a little of that would do the trick too. but he would have to wait for the right time.... * * * * * the manager was thin, his face angular, and he matched up with the harsh steel angles of the desk and the big room somewhere in the security building. his face had a kind of emotion--cold, detached, cynically superior. "we don't get many of your kind," he said. "political prisoners are becoming more scarce all the time. as your number indicates. from now on, you'll be no. 5274." he looked at some papers, then up at marquis. "you evidently found out a great deal. however, none of it will do you or what remains of your underground fools any good." the manager studied marquis with detached curiosity. "you learned things concerning the managerials that have so far remained secret." it was partly a question. marquis' lean and darkly inscrutable face smiled slightly. "you're good at understatement. yes--i found out what we've suspected for some time. that the managerial class has found some way to stay young. either a remarkable longevity, or immortality. of all the social evils that's the worst of all. to deny the people knowledge of such a secret." the manager nodded. "then you did find that out? the underground knows? well, it will do no good." "it will, eventually. they'll go on and someday they'll learn the secret." marquis thought of marden. marden was as old as the new system of statism and inhumanity that had started off disguised as social-democracy. three-hundred and three years old to be exact. the manager said, "no. 5274--you will be sent to the work colony on the moon. you won't be back. we've tried re-conditioning rebels, but it doesn't work. a rebel has certain basic deviant characteristics and we can't overcome them sufficiently to make happy, well-adjusted workers out of you. however on the moon--you will conform. it's a kind of social experiment there in associative reflex culture, you might say. you'll conform all right." he was taken to a small, naked, gray-steel room. he thought about taking the capsule from his tooth now, but decided he might be observed. they would rush in an antidote and make him live. and he might not get a chance to take his life in any other way. he would try of course, but his knowledge of his future situation was vague--except that in it he would conform. there would be extreme conditioned-reflex therapeutic techniques. and it would be pretty horrible. that was all he knew. he didn't see the pellet fall. he heard the slight sound it made and then saw the almost colorless gas hissing softly, clouding the room. he tasted nothing, smelled or felt nothing. he passed out quickly and painlessly. * * * * * he was marched into another office, and he knew he was on the moon. the far wall was spherical and was made up of the outer shell of the pressure dome which kept out the frigid cold nights and furnace-hot days. it was opaque and marquis could see the harsh black and white shadows out there--the metallic edges of the far crater wall. this manager was somewhat fat, with a round pink face and cold blue eyes. he sat behind a chrome shelf of odd shape suspended from the ceiling with silver wires. the manager said, "no. 5274, here there is only work. at first, of course, you will rebel. later you will work, and finally there will be nothing else. things here are rigidly scheduled, and you will learn the routines as the conditioning bells acquaint you with them. we are completely self-sufficient here. we are developing the perfect scientifically-controlled society. it is a kind of experiment. a closed system to test to what extremes we can carry our mastery of associative reflex to bring man security and happiness and freedom from responsibility." marquis didn't say anything. there was nothing to say. he knew he couldn't get away with trying to kill this particular managerial specimen. but one man, alone, a rebel, with something left in him that still burned, could beat the system. _he had to!_ "our work here is specialized. during the indoctrination period you will do a very simple routine job in coordination with the cybernetics machines. there, the machines and the nervous system of the workers become slowly cooperative. machine and man learn to work very intimately together. later, after the indoctrination--because of your specialized knowledge of food-concentrate preparation--we will transfer you to the food-mart. the period of indoctrination varies in length with the individuals. you will be screened now and taken to the indoctrination ward. we probably won't be seeing one another again. the bells take care of everything here. the bells and the machines. there is never an error--never any mistakes. machines do not make mistakes." he was marched out of there and through a series of rooms. he was taken in by generators, huge oscilloscopes. spun like a living tube through curtains of vacuum tube voltimeters, electronic power panels. twisted and squeezed through rolls of skeins of hook-up wire. bent through shieldings of every color, size and shape. rolled over panel plates, huge racks of glowing tubes, elaborate transceivers. tumbled down long surfaces of gleaming bakelite. plunged through color-indexed files of resistors and capacitances.... _... here machine and man learn to work very intimately together._ as he drifted through the machine tooled nightmare, marquis knew _what_ he had been fighting all his life, what he would continue to fight with every grain of ingenuity. mechanization--the horror of losing one's identity and becoming part of an assembly line. he could hear a clicking sound as tubes sharpened and faded in intensity. the clicking--rhythm, a hypnotic rhythm like the beating of his own heart--the throbbing and thrumming, the contracting and expanding, the pulsing and pounding.... _... the machines and the nervous system of the workers become slowly cooperative._ * * * * * beds were spaced ten feet apart down both sides of a long gray metal hall. there were no cells, no privacy, nothing but beds and the gray metalene suits with numbers printed across the chest. his bed, with his number printed above it, was indicated to him, and the guard disappeared. he was alone. it was absolutely silent. on his right a woman lay on a bed. no. 329. she had been here a long time. she appeared dead. her breasts rose and fell with a peculiarly steady rhythm, and seemed to be coordinated with the silent, invisible throbbing of the metal walls. she might have been attractive once. here it didn't make any difference. her face was gray, like metal. her hair was cropped short. her uniform was the same as the man's on marquis' left. the man was no. 4901. he hadn't been here so long. his face was thin and gray. his hair was dark, and he was about the same size and build as marquis. his mouth hung slightly open and his eyes were closed and there was a slight quivering at the ends of the fingers which were laced across his stomach. [illustration: _when the bells rang they would arise...._] "hello," marquis said. the man shivered, then opened dull eyes and looked up at marquis. "i just got in. name's charles marquis." the man blinked. "i'm--i'm--no. 4901." he looked down at his chest, repeated the number. his fingers shook a little as he touched his lips. marquis said. "what's this indoctrination?" "you--learn. the bells ring--you forget--and learn--" "there's absolutely no chance of escaping?" marquis whispered, more to himself than to 4901. "only by dying," 4901 shivered. his eyes rolled crazily, then he turned over and buried his face in his arms. the situation had twisted all the old accepted values squarely around. preferring death over life. but not because of any anti-life attitude, or pessimism, or defeatism. none of those negative attitudes that would have made the will-to-die abnormal under conditions in which there would have been hope and some faint chance of a bearable future. here to keep on living was a final form of de-humanized indignity, of humiliation, of ignominy, of the worst thing of all--loss of one's-self--of one's individuality. to die as a human being was much more preferable over continuing to live as something else--something neither human or machine, but something of both, with none of the dignity of either. * * * * * the screening process hadn't detected the capsule of poison in marquis' tooth. the capsule contained ten grains of poison, only one of which was enough to bring a painless death within sixteen hours or so. that was his ace in the hole, and he waited only for the best time to use it. bells rang. the prisoners jumped from their beds and went through a few minutes of calisthenics. other bells rang and a tray of small tins of food-concentrates appeared out of a slit in the wall by each bed. more bells rang, different kinds of bells, some deep and brazen, others high and shrill. and the prisoners marched off to specialized jobs co-operating with various machines. you slept eight hours. calisthenics five minutes. eating ten minutes. relaxation to the tune of musical bells, ten minutes. work period eight hours. repeat. that was all of life, and after a while marquis knew, a man would not be aware of time, nor of his name, nor that he had once been human. marquis felt deep lancing pain as he tried to resist the bells. each time the bells rang and a prisoner didn't respond properly, invisible rays of needle pain punched and kept punching until he reacted properly. and finally he did as the bells told him to do. finally he forgot that things had ever been any other way. marquis sat on his bed, eating, while the bells of eating rang across the bowed heads in the gray uniforms. he stared at the girl, then at the man, 4901. there were many opportunities to take one's own life here. that had perplexed him from the start--_why hasn't the girl, and this man, succeeded in dying?_ and all the others? they were comparatively new here, all these in this indoctrination ward. why weren't they trying to leave in the only dignified way of escape left? no. 4901 tried to talk, he tried hard to remember things. sometimes memory would break through and bring him pictures of other times, of happenings on earth, of a girl he had known, of times when he was a child. but only the mildest and softest kind of recollections.... marquis said, "i don't think there's a prisoner here who doesn't want to escape, and death is the only way out for us. we know that." for an instant, no. 4901 stopped eating. a spoonful of food concentrate hung suspended between his mouth and the shelf. then the food moved again to the urging of the bells. invisible pain needles gouged marquis' neck, and he ate again too, automatically, talking between tasteless bites. "a man's life at least is his own," marquis said. "they can take everything else. but a man certainly has a right and a duty to take that life if by so doing he can retain his integrity as a human being. suicide--" no. 4901 bent forward. he groaned, mumbled "don't--don't--" several times, then curled forward and lay on the floor knotted up into a twitching ball. the eating period was over. the lights went off. bells sounded for relaxation. then the sleep bells began ringing, filling up the absolute darkness. marquis lay there in the dark and he was afraid. he had the poison. he had the will. but he couldn't be unique in that respect. what was the matter with the others? all right, the devil with them. maybe they'd been broken too soon to act. he could act. tomorrow, during the work period, he would take a grain of the poison. put the capsule back in the tooth. the poison would work slowly, painlessly, paralyzing the nervous system, finally the heart. sometime during the beginning of the next sleep period he would be dead. that would leave six or seven hours of darkness and isolation for him to remain dead, so they couldn't get to him in time to bring him back. he mentioned suicide to the girl during the next work period. she moaned a little and curled up like a fetus on the floor. after an hour, she got up and began inserting punch cards into the big machine again. she avoided marquis. marquis looked around, went into a corner with his back to the room, slipped the capsule out and let one of the tiny, almost invisible grains, melt on his tongue. he replaced the capsule and returned to the machine. a quiet but exciting triumph made the remainder of the work period more bearable. back on his bed, he drifted into sleep, into what he knew was the final sleep. he was more fortunate than the others. within an hour he would be dead. * * * * * somewhere, someone was screaming. the sounds rose higher and higher. a human body, somewhere ... pain unimaginable twisting up through clouds of belching steam ... muscles quivering, nerves twitching ... and somewhere a body floating and bobbing and crying ... sheets of agony sweeping and returning in waves and the horror of unescapable pain expanding like a volcano of madness.... somewhere was someone alive who should be dead. and then in the dark, in absolute silence, marquis moved a little. he realized, vaguely, that the screaming voice was his own. he stared into the steamy darkness and slowly, carefully, wet his lips. he moved. he felt his lips moving and the whisper sounding loud in the dark. _i'm alive!_ he managed to struggle up out of the bed. he could scarcely remain erect. every muscle in his body seemed to quiver. he longed to slip down into the darkness and escape into endless sleep. but he'd tried that. and he was still alive. he didn't know how much time had passed. he was sure of the poison's effects, but he wasn't dead. they had gotten to him in time. sweat exploded from his body. he tried to remember more. pain. he lay down again. he writhed and perspired on the bed as his tortured mind built grotesque fantasies out of fragments of broken memory. the routine of the unceasing bells went on. bells, leap up. bells, calisthenics. bells, eat. bells, march. bells, work. he tried to shut out the bells. he tried to talk to 4901. 4901 covered up his ears and wouldn't listen. the girl wouldn't listen to him. there were other ways. and he kept the poison hidden in the capsule in his hollow tooth. he had been counting the steps covering the length of the hall, then the twenty steps to the left, then to the right to where the narrow corridor led again to the left where he had seen the air-lock. after the bells stopped ringing and the darkness was all around him, he got up. he counted off the steps. no guards, no alarms, nothing to stop him. they depended on the conditioners to take care of everything. this time he would do it. this time they wouldn't bring him back. no one else could even talk with him about it, even though he knew they all wanted to escape. some part of them still wanted to, but they couldn't. so it was up to him. he stopped against the smooth, opaque, up-curving glasite dome. it had a brittle bright shine that reflected from the moon's surface. it was night out there, with an odd metallic reflection of earthlight against the naked crags. he hesitated. he could feel the intense and terrible cold, the airlessness out there fingering hungrily, reaching and whispering and waiting. he turned the wheel. the door opened. he entered the air-lock and shut the first door when the air-pressure was right. he turned the other wheel and the outer lock door swung outward. the out-rushing air spun him outward like a balloon into the awful airless cold and naked silence. his body sank down into the thick pumice dust that drifted up around him in a fine powdery blanket of concealment. he felt no pain. the cold airlessness dissolved around him in deepening darkening pleasantness. this time he was dead, thoroughly and finally and gloriously dead, even buried, and they couldn't find him. and even if they did finally find him, what good would it do them? some transcendental part of him seemed to remain to observe and triumph over his victory. this time he was dead to stay. * * * * * this time he knew at once that the twisting body in the steaming pain, the distorted face, the screams rising and rising were all charles marquis. maybe a dream though, he thought. so much pain, so much screaming pain, is not real. in some fraction of a fraction of that interim between life and death, one could dream of so much because dreams are timeless. yet he found himself anticipating, even through the shredded, dissociated, nameless kind of pain, a repetition of that other time. the awful bitterness of defeat. * * * * * he opened his eyes slowly. it was dark, the same darkness. he was on the same bed. and the old familiar dark around and the familiar soundlessness that was now heavier than the most thunderous sound. everything around him then seemed to whirl up and go down in a crash. he rolled over to the floor and lay there, his hot face cooled by the cold metal. as before, some undeterminable interim of time had passed. and he knew he was alive. his body was stiff. he ached. there was a drumming in his head, and then a ringing in his ears as he tried to get up, managed to drag himself to an unsteady stance against the wall. he felt now an icy surety of horror that carried him out to a pin-point in space. a terrible fatigue hit him. he fell back onto the bed. he lay there trying to figure out how he could be alive. he finally slept pushed into it by sheer and utter exhaustion. the bells called him awake. the bells started him off again. he tried to talk again to 4901. they avoided him, all of them. but they weren't really alive any more. how long could he maintain some part of himself that he knew definitely was charles marquis? he began a ritual, a routine divorced from that to which all those being indoctrinated were subjected. it was a little private routine of his own. dying, and then finding that he was not dead. he tried it many ways. he took more grains of the poison. but he was always alive again. "you--4901! damn you--talk to me! you know what's been happening to me?" the man nodded quickly over his little canisters of food-concentrate. "this indoctrination--you, the girl--you went crazy when i talked about dying--what--?" the man yelled hoarsely. "don't ... don't say it! all this--what you've been going through, can't you understand? all that is part of indoctrination. you're no different than the rest of us! we've all had it! all of us. all of us! some more maybe than others. it had to end. you'll have to give in. oh god, i wish you didn't. i wish you could win. but you're no smarter than the rest of us. _you'll have to give in!_" it was 4901's longest and most coherent speech. maybe i can get somewhere with him, marquis thought. i can find out something. but 4901 wouldn't say any more. marquis kept on trying. no one, he knew, would ever realize what that meant--to keep on trying to die when no one would let you, when you kept dying, and then kept waking up again, and you weren't dead. no one could ever understand the pain that went between the dying and the living. and even marquis couldn't remember it afterward. he only knew how painful it had been. and knowing that made each attempt a little harder for marquis. he tried the poison again. there was the big stamping machine that had crushed him beyond any semblance of a human being, but he had awakened, alive again, whole again. there was the time he grabbed the power cable and felt himself, in one blinding flash, conquer life in a burst of flame. he slashed his wrists at the beginning of a number of sleep periods. when he awakened, he was whole again. there wasn't even a scar. he suffered the pain of resisting the eating bells until he was so weak he couldn't respond, and he knew that he died that time too--from pure starvation. _but i can't stay dead!_ "_... you'll have to give in!_" * * * * * he didn't know when it was. he had no idea now how long he had been here. but a guard appeared, a cold-faced man who guided marquis back to the office where the fat, pink-faced little manager waited for him behind the shelf suspended by silver wires from the ceiling. the manager said. "you are the most remarkable prisoner we've ever had here. there probably will not be another like you here again." marquis' features hung slack, his mouth slightly open, his lower lip drooping. he knew how he looked. he knew how near he was to cracking completely, becoming a senseless puppet of the bells. "why is that?" he whispered. "you've tried repeatedly to--you know what i mean of course. you have kept on attempting this impossible thing, attempted it more times than anyone else here ever has! frankly, we didn't think any human psyche had the stuff to try it that many times--to resist that long." the manager made a curious lengthened survey of marquis' face. "soon you'll be thoroughly indoctrinated. you are, for all practical purposes, now. you'll work automatically then, to the bells, and think very little about it at all, except in a few stereotyped ways to keep your brain and nervous system active enough to carry out simple specialized work duties. or while the new system lasts. and i imagine that will be forever." "forever...." "yes, yes. you're immortal now," the manager smiled. "surely, after all this harrowing indoctrination experience, you realize _that_!" _immortal. i might have guessed. i might laugh now, but i can't. we who pretend to live in a hell that is worse than death, and you, the managerials who live in paradise._ we two are immortal. "that is, you're immortal as long as we desire you to be. you'll never grow any older than we want you to, never so senile as to threaten efficiency. that was what you were so interested in finding out on earth, wasn't it? the mystery behind the managerials? why they never seemed to grow old. why we have all the advantage, no senility, no weakening, the advantage of accumulative experience without the necessity of re-learning?" "yes," marquis whispered. the manager leaned back. he lit a paraette and let the soothing nerve-tonic seep into his lungs. he explained. "every one of you political prisoners we bring here want, above everything else, to die. it was a challenge to our experimental social order here. we have no objection to your killing yourself. we have learned that even the will to die can be conditioned out of the most determined rebel. as it has been conditioned out of you. you try to die enough times, and you do die, but the pain of resurrection is so great that finally it is impossible not only to kill yourself, but even to think of attempting it." marquis couldn't say anything. the memory called up by the mention of self-destruction rasped along his spine like chalk on a blackboard. he could feel the total-recall of sensation, the threatening bursts of pain. "no...." he whispered over and over. "no--please--no--" the manager said. "we won't mention it anymore. you'll never be able to try any overt act of self-destruction again." the bright light from the ceiling lanced like splinters into the tender flesh of marquis' eyeballs, danced about the base of his brain in reddened choleric circles. his face had drawn back so that his cheekbones stood out and his nose was beak-like. his irises became a bright painful blue in the reddened ovals of his eyes. the manager yawned as he finished explaining. "each prisoner entering here has an identification punch-plate made of his unique electro-magnetic vibratory field. that's the secret of our immortality and yours. like all matter, human difference is in the electro-magnetic, vibratory rates. we have these punch-plates on file for every prisoner. we have one of you. any dead human body we merely put in a tank which dissolves it into separate cells, a mass of stasis with potentiality to be reformed into any type of human being of which we have an identification punch-plate, you see? this tank of dissociated cells is surrounded by an electro-magnetic field induced from a machine by one of the identification punch-plates. that particular human being lives again, the body, its mind, its life pattern identical to that from which the original punch-plate was made. each time you have died, we reduced your body, regardless of its condition, to dissociated cells in the tank. the identification punch-plate was put in the machine. your unique electro-magnetic field reformed the cells into you. it could only be you, as you are now. from those cells we can resurrect any one of whom we have an identification plate. "that is all, no. 5274. now that you're indoctrinated, you will work from now on in the food-mart, because of your experience." * * * * * for an undeterminable length of time, he followed the routines of the bells. in the big food-mart, among the hydroponic beds, and the canning machines; among the food-grinders and little belts that dropped cans of food-concentrate into racks and sent them off into the walls. he managed to talk more and more coherently with no. 4901. he stopped referring to suicide, but if anyone had the idea that marquis had given up the idea of dying, they were wrong. marquis was stubborn. somewhere in him the flame still burned. he wouldn't let it go out. the bells couldn't put it out. the throbbing machines couldn't put it out. and now he had at last figured out a way to beat the game. during an eating period, marquis said to 4901. "you want to die. wait a minute--i'm talking about something we can both talk and think about. a murder agreement. you understand? we haven't been conditioned against killing each other. it's only an overt act of selfdes--all right, we don't think about that. but we can plan a way to kill each other." 4901 looked up. he stopped eating momentarily. he was interested. "what's the use though?" pain shadowed his face. "we only go through it--come back again--" "i have a plan. the way i have it worked out, they'll never bring either one of us back." that wasn't exactly true. _one_ of them would have to come back. marquis hoped that 4901 wouldn't catch on to the fact that he would have to be resurrected, but that marquis never would. he hoped that 4901's mind was too foggy and dull to see through the complex plan. and that was the way it worked. marquis explained. 4901 listened and smiled. it was the first time marquis had ever seen a prisoner smile. he left what remained of the capsule of poison where 4901 could get it. during one of the next four eating periods, 4901 was to slip the poison into marquis' food can. marquis wouldn't know what meal, or what can. he had to eat. the bells had conditioned him that much. and not to eat would be an overt act of self-destruction. he wasn't conditioned not to accept death administered by another. and then, after an eating period, 4901 whispered to him. "you're poisoned. it was in one of the cans you just ate." "great!" almost shouted marquis. "all right. now i'll die by the end of the next work period. that gives us this sleep period and all the next work period. during that time i'll dispose of you as i've said." 4901 went to his bed and the bells rang and the dark came and both of them slept. * * * * * number 4901 resisted the conditioners enough to follow marquis past his regular work room into the food-mart. as planned, 4901 marched on and stood in the steaming shadows behind the hydroponic beds. marquis worked for a while at the canning machines, at the big grinding vats. then he went over to 4901 and said. "turn around now." 4901 smiled. he turned around. "good luck," he said. "good luck--to you!" marquis hit 4901 across the back of the neck with an alloy bar and killed him instantly. he changed clothes with the dead man. he put his own clothes in a refuse incinerator. quickly, he dragged the body over and tossed it into one of the food-grinding vats. his head bobbed up above the gray swirling liquid once, then the body disappeared entirely, was ground finely and mixed with the other foodstuff. within eight hours the cells of 4901 would be distributed minutely throughout the contents of thousands of cans of food-concentrate. within that time much of it would have been consumed by the inmates and managers. at the end of that work period, marquis returned to his cell. he went past his own bed and stopped in front of 4901's bed. the sleep bells sounded and the dark came again. this would be the final dark, marquis knew. this time he had beat the game. the delayed-action poison would kill him. he had on 4901's clothes with his identification number. he was on 4901's bed. he would die--as 4901. the guards would finally check on the missing man in the food-mart. but they would never find him. they would find 4901 dead, a suicide. and they would put the body labeled 4901 in the tank, dissolve it into dissociated cells and they would subject those cells to the electro-magnetic field of 4901. and they would resurrect--4901. not only have i managed to die, marquis thought, but i've managed the ultimate suicide. there won't even be a body, no sign anywhere that i have ever been at all. even my cells will have been resurrected as someone else. as a number 4901. * * * * * "and that's the way it was," no. 4901 would tell new prisoners coming in. sometimes they listened to him and seemed interested, but the interest always died during indoctrination. but no. 4901's interest in the story never died. he knew that now he could never let himself die as a human being either, that he could never let himself become completely controlled by the bells. he'd been nearly dead as an individual, but no. 5274 had saved him from that dead-alive anonymity. he could keep alive, and maintain hope now by remembering what 5274 had done. he clung to that memory. as long as he retained that memory of hope--of triumph--at least some part of him would keep burning, as something had kept on burning within the heart of 5274. so every night before the sleep bells sounded, he would go over the whole thing in minute detail, remembering 5274's every word and gesture, the details of his appearance. he told the plan over to himself every night, and told everyone about it who came in to the indoctrination ward. swimming up through the pain of resurrection, he had been a little mad at 5274 at first, and then he had realized that at least the plan had enabled one man to beat the game. "he will always be alive to me. maybe, in a way, he's part of me. nobody knows. but his memory will live. he succeeded in a kind of ultimate dying--no trace of him anywhere. but the memory of him and what he did will be alive when the new system and the managers are dead. that spirit will assure the underground of victory--someday. and meanwhile, i'll keep 5274 alive. "he even knew the psychology of these managers and their system. that they can't afford to make an error. he knew they'd still have that identification punch-plate of him. that they would have one more plate than they had prisoners. but he anticipated what they would do there too. to admit there was one more identification plate than there were prisoners would be to admit a gross error. of course they could dissolve one of the other prisoners and use 5274's plate and resurrect 5274. but they'd gain nothing. there would still be an extra plate. you see? "so they destroyed the plate. he knew they would. and they also had to go back through the records, to earth, through the security files there, through the birth records, everything. and they destroyed every trace, every shred of evidence that no. 5274 ever existed." so he kept the memory alive and that kept 4901 alive while the other prisoners become automatons, hearing, feeling, sensing nothing except the bells. remembering nothing, anticipating nothing. but 4901 could remember something magnificent, and so he could anticipate, and that was hope, and faith. he found that no one really believed him but he kept on telling it anyway, the story of the plan. "maybe this number didn't exist," someone would say. "if there's no record anywhere--" 4901 would smile. "in my head, there's where the record is. _i_ know. _i_ remember." and so it was that 4901 was the only one who still remembered and who could still smile when sometime after that--no one in the prison colony knew how long--the underground was victorious, and the managerial system crumbled. corbow's theory by lee wallot _it was a terrific theory and it would send man to the stars. but the two men involved had to buck more than physical laws; and so the project was finished, over, done with. unless...._ [transcriber's note: this etext was produced from worlds of if science fiction, october 1956. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] "all right! so we've got it. the same problem rocket designers have been struggling with for five years. nobody's found the answer--and they never will!" bronsen corbow glared at the older man, his lips pressed tightly together to keep from giving voice to the anger mounting inside of him. mars kenton was an argumentative old fool, but the company had made him his assistant and nothing could be done about it. "they've known ever since they discovered that interstellar drive," mars continued, "that they can only make enough carbolium to send four ships a year to the end of our galaxy and back again. is it our fault they have to make the blasted stuff instead of mining it out of the ground?" the words ringing in the quiet of the laboratory seemed to pound in bronsen's ears and he found he could hold his tongue no longer. he leaned toward the older physicist and slammed his hand down on the table. "that's enough, mars. i happen to be the one in charge here, not you." his quiet voice made clear the anger he felt. "reed turned the problem over to us. i say we can lick it. just because my chief assistant is still thinking in terms of ancient history, it's no reason to send back a report from this laboratory saying we can't handle the problem." he ran a trembling hand through his close-cropped hair and swore at himself when he saw mars noticed the trembling. why did he have to start shaking every time he got mad? the person he was mad at invariably took the shaking to be fear, and he would always be forced to drive his point home all the harder in order to get the respect he demanded. mars kenton sneered. "mind telling me just how you are going to eliminate interstellar drive from our rocket ships? or have you cooked up another of your bright ideas to try out at the company's expense?" "i'm fed up with you, mars!" all control over his temper was gone now and the younger man gave full vent to his anger. his powerful body fairly bristled in his rage and in spite of himself mars was forced to cringe beneath the assailing roars that followed. "you may be twenty years older than i am; you may have been one of the pioneers in space travel; you may still be a good man if you could forget that the whole world didn't plot that accident that left you with a bad leg--but you're still taking orders from me. we have some good men in this department, and you can either keep your mouth shut and work with us or you can get out. interstellar drive isn't the only solution to space travel and the answer to the problem is going to come from this laboratory. now take your choice!" mars glared at bronsen and seethed inwardly but swung back to his work table. his right leg twitched convulsively, forcing him into a stumbling limp and he silently cursed the fate that had brought him to such a lowly existance. him! joc kenton! member of the first expedition to land on mars and successfully return to earth. and what was he now? just a second rate design consultant working in a laboratory on the moon. his water blue eyes clouded in his flood of self pity. how beautiful it had been out there ... all blackness, all majesty, the throbbing power of the rockets, the thrill of unknown adventures in the void. his rickety old heart beat faster with remembering. the scorching desolateness of mars was something he would never forget. even now he could see the miles of heat-drenched land, the thick red powder that covered the planet's crust, the stretching reaches of nothing but a barren, dead world. and then--the accident. sure, it was just an accident. how could he know that the port lid was going to break its magnetic field and slam down upon him? it had though, and he had returned an honored man, praised for his self-sacrificing adventure, then pitied because he would spend the rest of his life a crippled man. he twisted his thin, blue-veined hands together, those hands that had piloted a glittering rocket through space, those hands that had sifted through the sands of an alien world, those hands that now were white and fragile, working over drawings and plans for other ships. gone were the dreams, and with their going came the bitterness. he felt his anger melting in his own self pity, decided not to brush away the tears that gathered in his eyes and turned to his board, staring at it through blurred vision. "bong! end of round five. just wait around a minute folks, next round coming up." vern webber peered cautiously around the door as if expecting something to fly at him, then jumped into the room. his youthful face broke into a broad grin as he bowed before the chief designer. "oh great and noble mr. bronsen corbow. is it safe for your lowly servant to approach these hallowed halls in answer to your summons? mine is not to reason why--but i'd still like to leave here with my head on my shoulders." bronsen found himself smiling at his young assistant. vern, although he was twenty-four, had the spirit and air of a teenager and usually succeeded in keeping the lab in a state of high humor. the tenseness of the argument with mars dispelled itself and bronsen relaxed. "get word to the men that we are having a special meeting this afternoon, in the conference room. we're going to blow the lid right off the present concepts of space travel and really give those people out there something that will make their eyes bulge. i'll tell you more about it this afternoon." "aye, aye, sir!" vern clicked his heels, gave an exaggerated salute and was gone. bronsen glanced in returning annoyance at the snort of disgust that issued from mars' corner. that old fool and his rockets, he thought were things of the past. there was only the future now. new ideas, new methods, new successes. why couldn't mars see that? and yet, bronsen himself felt a tiny pulsing of doubt. he cursed himself for that tinge of self-distrust, but could do nothing about it. he was brilliant, he was a master of design and he knew space flight as well as he knew the shape, workings and complexities of the pencil he twirled in his hands. but what if he wasn't right? what if his new theory _was_ a flop--and with it a waste of money, time and human lives? he tore himself from his dismal thoughts with a savage determination and strode into his office. that damned mars was just getting under his skin, that's all. listen to him long enough and he'll have you thinking we should all have stayed back in the horse and buggy days. no problems of space flight then, no old beliefs, ancient ideas, stagnant prejudices to worry about then. not as far as traveling to the stars was concerned, anyway. * * * * * "first, let's review a few points i know you are all familiar with, but that you should keep in mind, starting with the beginning of space travel." bronsen ran his hand through his hair and looked over the eagerly expectant faces of his staff, considering carefully the points he had to make. "first, there were the detorium-driven rockets. fine ships that opened up the realm of travel in outer space." his voice was firm, stringent with his inner excitement, his faith in his idea. "in fact, it was just such a ship as this that joc kenton, mars to you folks, was on when they made their first landing on mars. these ships had their good points and still are excellent over short distances but certainly are of no use for intergalactic flight. they are much too slow, requiring more than a lifetime to make the trip there and back. "then came the interstellar drive, the method we are now using. this drive, utilizing carbolium which we have to manufacture, makes full use of space as a medium of travel. there's only one catch. we can make only a certain amount of carbolium, and the costs of making it are astronomical. however, no matter what the expense, the supply is limited. still, everything's fine. we use the old rockets for short distances and the interstellar drive for intergalactic trips." he paused a minute to let it sink in. "that is everything _was_ fine. as you know, we have found another planet, remarkably similar to earth in the eastrex galaxy, and have succeeded in setting up a colony there. this presents problems. for one, since we can send only four ships a year to naver, this new planet, our colonizing is going to be slowed down to a crawl. also, we will have a mighty hard time trying to get supplies and everything else that a new colony needs to naver within a reasonable length of time. in other words, what we need is a ship that will be cheap to run, fast enough to get there and get back again and also safe enough to carry passengers and cargo, even in small amounts. you've heard of this problem before; i know you've tried independently to work it out and have not had much luck. i think we might have an answer now. "how many of you have shot a rifle or are familiar with a gun?" the expectant faces had gone blank. what was he leading up to anyhow? still, a large number of hands cautiously worked their way into the air. "all right. all you have to do right now is forget about space ships and concentrate on a rifle and a bullet." there was beginning to be the muttering and stirring of a confused group of people. bronsen's muscular hands gripped the table eagerly. they were confused, but they were also interested. "you are familiar with the fields and grooves of a gun barrel," he continued, "and you know they are there to give the bullet a spin when it is fired. now what happens to a bullet when it is fired from a smooth barrel, with no grooves? it is inaccurate, wobbles, has less power and eventually turns end over end. now, take the grooved rifle barrel. the bullet is given a spin, it has many times the velocity of the other, it has a straight line accuracy due to the spiral motion--keep these last two points in mind--and providing the rifle is aimed right in the first place, will hit the target." the group was being split up into two factions, those who leaned forward expectantly once more and those who shook their heads in bafflement. "now, let's go back again to the old rockets, and also our present ones. they all use the same principle to get off the ground--blast off with rockets. but let's add a second type of blasting off area, also using rockets, but one that looks like a monstrous rifle barrel, complete to the fields and grooves. we have a launching apparatus that is like a grooved rifle compared to a smooth barreled one. the smooth barrel that we now use, the rockets taking off straight, gives good acceleration but not enough top speed. our old rockets had that fault and never could get good velocity even when in flight. our new ones take over with the interstellar drive, but we want to eliminate this last method. the spiral take off though, would give much greater velocity right from the start, would enable the ship to hit outer space with a greater speed than it could attain using the other methods and it would continue on in space at a much faster rate. the lack of friction would keep it from slowing down and if we could hit the speed we want before entering outer space, the ship could go right on at that same rate in space. there wouldn't even be need for rocket power while in actual galactic flight. the initial momentum would carry it through to its destination. the rocket could do all this because this spiral launching would give us more 'muzzle velocity', and in a given time after blast off, the spinning ship would have reached a much greater speed than the regularly fired one. this means operating cost will be confined to blast off, landing and to skirt around any sudden dangers that might arise in space. "we therefore have a ship that has the velocity of the drive and maybe more, without the cost of drive. it has safety since our old rockets proved to be remarkably accident-free and this design would actually be working on almost the same principle as the old rockets, except for the blast off. the difference in outer space would be this. the old ships used rockets throughout the trip to increase their velocity. the new ones will be traveling so fast when they enter outer space, they won't have to use any power because they will already have the velocity needed." he paused to swallow the dryness in his mouth and noticed with pleasure that more than one face was twisted in thought. good. all they have to do is be given a theory to think about, the time to do that thinking and they'd be on their way. "that's about it for now. i have some ideas of my own for the design of this ship ... and it's really surprising when you think how simple it is. but i'll save that for some other time. right now, i'd want all of you to think about it. it gets top priority. report back to me with your ideas. i think we can lick this problem and get our bread and butter, inter galactic enterprises, right on top of the pile. good luck." the meeting broke up amidst frantic discussion, wails of misunderstanding, confusion and quiet self-musings. bronsen smiled to himself, his face almost boyishly radiant in his pleasure. the seed had been planted. now all he had to do was give it time to grow and bear fruit. * * * * * vern's cry of amazement rang with reverence as he stood with bronsen looking over the first test rocket as it was slowly wheeled to the launching area. "boy-o-boy! look at that beauty! did you ever see anything like it?" the silver ship lay on its side as it approached the huge tower, but already vern could see its glistening majesty soaring through the sky. "she was a lot of work, vern. let's just keep our fingers crossed. by the way, that design of yours on the rotating cylinder inside the rocket, working independently of the rocket's forced spin, was good. tough thing to lick, but now the pilot can keep a steady 'up' and 'down' no matter how much the outside of the ship is spinning. good work." vern shrugged his shoulders. "just call me the einstein of the 23rd century, that's all. we'll all see how well everything works pretty soon now." bronsen was finding the tension beginning to build up in him. just a few more hours and his theory would be lauded with success or shattered into the dust. he peered at the rocket, at the tiny black figures of the men that were dwarfed by its size and at the giant, black tube, towering hundreds of feet high, waiting patiently to receive her first charge. the needle-nosed space craft glistened in the early morning sun, her thin beauty tantalizing to the senses of a spaceman. her lines swept gracefully back across her smooth expanse until they hit the four fin tips sweeping out from the rotating band of the tail piece, the fin tips that would fit into the slowly spiraling grooves of the launching tower. the field and groove construction first suggested by bronsen had been replaced by lands and grooves when it was found that the fewer grooves gave greater accuracy and better muzzle velocity when tested on the laboratory models. thus, there were only four fins instead of the originally planned eight. the rocket reached the lowering platform and bronsen watched in nervous anxiety as the ship was lowered into the ground tail first, then slowly began its upward ascent into the belly of the launcher. he thought of a thousand things that could happen right then, found that none of them were going to and returned to his office. the rocket was safely nestled in the launcher's belly, patiently waiting for the human crew to arrive and give it life. when they gathered about the launching field that afternoon bronsen found himself sweating in both the heat of the day and the torrid intensity of mars' insistence that the whole thing was going to be one big flop. "just one blast from those rockets and we'll all be blown into the next galaxy, without benefit of a space ship. trying to shoot a 70,000 pound rocket as if it were a toy gun. you'll learn one of these days, corbow, that the old way was still the best. it got us to mars and back and if you'd work on that instead of this, it would be good for intergalactic flight too. but no, you've got to have your name up there in print." "oh, shut up your damned mumbling, mars!" bronsen shot the words out savagely. he gave the older man a withering look and turned his attention again to the ship. the men that were to take her up had disappeared inside the expanse of the launching tower and the other figures darted back and forth, making last minute preparations. the minutes began to tick off. five minutes until blast off. four minutes. three minutes. the field was now completely devoid of human figures. two minutes. one minute. ten seconds, nine, eight. the launcher looked lonely and terrifying in its greatness and bronsen tried to wish the rocket up out of her belly by will power alone. _four, three, two, one...._ the ground trembled as the ear-shattering roar jumped across the lunar landscape. the sound grew louder, sharper, and bronsen began to think his head would split with the noise. the rockets pitched higher, their scream pierced the air and then the silver nose of the ship edged above the top of the launcher. it pulled further into view, the shimmering silver glinting in the sun and bronsen clenched his fists in anxiety. come on baby; show them what you can do. that's it baby, keep right on coming. come on girl! the ship rose clear of the launcher, the distance making it look as if it were shot straight out, but bronsen knew the steadily spinning hull was heading right. suddenly he noticed it. something was wrong! the ship wasn't acting right. what was it? his eyes tried to leap from his head to get closer to the rising needle and then he saw it. it was shaking. the whole ship was trembling as if in human terror. he watched the tremors pass from the nose to the tail, each one more violent than the last, until the whole ship was wracked with a shaking like palsy. why? it had worked so beautifully with the experimental models. what was causing it? the bow of the ship was now visibly shaking, the tremors becoming more savage and then the nose began to dip. with a final shudder of resignation, the rocket pitched over and began its screaming descent. bronsen watched the plunging ship, felt his heart grab in pain in his chest and stumbled back from the observation window unable to watch any longer. the burst of a million shells at once slammed into the unyielding lunar plain. in his mind's eye he could see the twisted, exploding mass of metal and the thought sickened him. the others ran from the room, heading for the wrecked ship. bronsen watched them with dull eyes and made no attempt to follow. what could they do for the four men that had gone to their deaths in his mad creation? what could they do for the millions of dollars that now lay a twisted heap of rubble? he turned to drag his defeated body back to the lab, to twist and mull in his mind what had happened, and found himself looking into the glaring eyes of mars. "i told you, didn't i, mr. corbow?" bronsen covered his ears so that he wouldn't hear. he screamed, "shut up! shut up before i slam you one." mars spat in disgust. "four nice guys in that ship, too. knew 'em, didn't you?" bronsen's hammer-hard first smashed into mars' mouth and the old man was slammed against the wall before falling in a crumpled heap on the floor. he sat there, the blood oozing from his mouth as he stared at the retreating back of the man he never thought would have enough nerve to really hit him. now he was sorry he had said anything and the self pity welled up within him. he really didn't mean half of what he always managed to spit out. what made him do it? he wiped the blood from his mouth and pulled himself to his feet. * * * * * bronsen slumped further down into the soft contours of the chair, eyeing hanson reed with a tortured soul. the president of inter galactic enterprises glared at him from the other side of the desk, every inch of his paunchy frame the body of an outraged executive. he chewed violently on the black cigar in his mouth and waited impatiently for bronsen to explain. bronsen spread his hands helplessly. "i don't know reed. i just don't know." his shoulders heaved in a sigh of dejection. "every single person in the moon lab has been looking for an answer and we still can't find out why the ship crashed. we've tested the laboratory models over and over again. we've gone over every little detail and have nothing but a blank to show for it." reed chewed more savagely at the end of his cold cigar. "we spent two million dollars on research and development and all _we_ have to show for it is a pile of scrap metal and four corpses scattered over the lunar landscape. there's got to be some explanation." "just one in a million chances that an accident like this would happen," bronsen countered desperately. "it's just coincidence that it happened on the first model." "coincidence!" mars' voice was guttural with contempt. "i told you from the start it wasn't practical. i knew...." "all right, mars," reed interrupted. "you were project design engineer, right?" mars nodded in agreement. "was there anything wrong with the design of the ship, any reason why it probably wouldn't have worked, from a design stand-point?" "no," he answered reluctantly. "not that i could see. i just knew from the start it wasn't going to work. i told bronsen that, lots of times, but he just isn't the type to take advice." bronsen roared and leaped to his feet. "you old fool," he bellowed. "technically, theoretically and mechanically, there wasn't one indication that it wasn't going to be a completely successful launching procedure. you know that as well as anyone! ask the men around you. they handled the final application, the mechanics, the construction, the blast off. ask any one of them. every single one of them will tell you the same thing. there was no reason why the ship should have crashed! every item had been checked, double checked and re-checked again. the instruments indicated everything was functioning perfectly at blast off. if you didn't have such a twisted inverted opinion of everything...." mars leaned forward, his body now trembling, "don't you go calling me names, you swell-headed pup!" reed pounded his desk violently. "mars! bronsen!" he shouted impatiently. "this is hardly the time for name-calling and airing personal gripes. we're here to find a good reason for spending more money on this project. we're not children in a schoolyard, arguing over a piece of candy, although that's exactly what it's beginning to sound like. frankly, i'm of the opinion that with so much internal fighting going on, nothing could possibly come of spending more. it would be a waste of both finances and time." bronsen slowly sat down again, his trembling hands clenched into tight fists. "that's one item you don't have to worry about," he growled. "kenton is completely finished as far as i'm concerned. he's out. fired." mars' face fell in shocked surprise. reed tore the cigar from his mouth and glared at bronsen. "no one is being fired, bronsen. you've been a good leader, in my opinion, as well as a friend, but i do the firing around here." bronsen glowered and reddened under the unexpected rebuttal but said nothing. "you are young yet," reed continued. "you've got brains, imagination, leadership and ability. wouldn't be where you are if you didn't. there's just one thing lacking, and mars is the one that has it. experience. and with that experience goes well-used caution. you've got the go-ahead, but he has the wisdom. temperance and drive. that's mars and you. you've got each other. why don't you just learn how to work with and use each other?" bronsen remained in baleful silence. mars glared at the younger man and sneered contemptuously. "that young pup never will know what the word caution means. he's so eager to get his name up...." bronsen rose to his feet, his grey eyes flashing in hate. reed slammed his cigar into the ashtray and threw up his hands. "that's it! it's the last straw! i'm through playing referee for two snarling dogs. the project is closed, finished! if and when somebody can come up with a decent reason why it should be opened again, we'll consider it then. until that time, consider the project non-existent and return to your regular jobs. and cut out the bickering and fighting--or you are both fired!" he pulled out a fresh cigar, bit into it in disgust and dismissed the meeting by returning to the papers on his desk. bronsen felt the anger boiling over within him and suppressed the desire to hand in his resignation on the spot. he looked for mars and saw his thin frame out the door. he wearily passed a hand over his eyes and left the room. * * * * * mars scowled in annoyance at vern's whistling and silently wished the young assistant would get out of the room and let him brood in peace. he chewed the end of his pencil methodically and savagely, his features blushing pink with anger as he remembered the tirade of words exchanged with bronsen a week ago. "stupid, insolent, day-dreaming pup," he snarled half aloud. vern stopped in mid-step, eyeing him in surprise. "huh?" he said. "did you say something to me?" mars grimaced. "no. i was just talking to myself." vern grinned widely. "that's good. i'd sure hate to have anybody think those words were a description of me. good old vern, that's me. combination office boy, slave, master of ceremonies and soothing balm for ruffled egos. that's my description of me. master of all trades, jack of none. of course, i can't say what others think." "you don't make much sense," mars growled thickly, biting again into the pencil. "neither do you," vern countered quickly. "but then again, what man does to a struggling young genius like myself?" "oh dry up," came the reply. "and take that drawing table into the new drafter's room." "oh, sure. you only need about three men to move that monster but...." he left the sentence unfinished and dragged the table from the wall. mars smiled sympathetically, shook his head, and pointed to his bad leg when vern indicated he could use some help. "such is the life of a slave," the younger man sighed and hoisting the clumsy article, headed for the door. "look out!" mars suddenly yelled and jumped forward to catch a falling rocket model as the table edge glanced off it. vern yelped in surprise, jolted backward and fell against the wall, the heavy board crashing down on his foot. "my god, vern. your foot...." the other grinned, withdrew his foot from beneath the board and pulled down his sock. "not this baby," he flipped. "i've got cast-iron insurance. it's plastic from the ankle down, see?" mars stared in shock at the artificial limb and could think of nothing very brilliant to say. "got it in cadet school," vern explained and then answered the question in mars' eyes. "i was training to be a space pilot myself. some fellows and i decided to celebrate our graduation, got drunk and ended up in a wreck. they put me together real good, even taught me how to use the foot so no one would ever know it wasn't the real thing. it washed me out as far as the space corps was concerned though. i drowned my sorrows in alcohol for a couple weeks, told myself i was going to hell with myself and then decided to put what i did know to work. that's how i joined up with this outfit. now i sit back and design the rockets my classmates have to worry about flying.... enough of this chatter ... got to get busy. see you." mars turned thoughtfully back to his desk. "that kid's got only one foot," he mused soberly. he looked down at his own injured leg and savagely kicked it against the wall. "your leg. your poor, crippled leg ... what a fine crutch it has been," he bitterly reproached himself. "it proves you were one of the first in space, and you won't let people forget it. you're a jealous old man. you're afraid to have someone else do what you no longer can do. you want things to stay the way they were when you got hurt, so no one else can live your dream. if time stood still, there would be no trips to new planets, no new discoveries and mars kenton would still be the hero of his dream." he tried to revolt, to denounce the self-accusations. "what about bronsen corbow?" he asked. "does that explain why i've fought him so hard?" his slowly growing conscience laughed at him. "but it does. bronsen ignores your crutch, your proof that the old way worked the best. he's concerned with the future, the future you never want to come." he buried his grey-thatched head in his hands and felt the weariness in his bones. his thoughts returned to the unsuccessful launching. "but it was a crazy idea," he argued weakly. "it would never have worked anyway." it was a poor defense, one that faltered and failed when he finally admitted the truth: he was a jealous, bitter man, fighting anonymity. once more he found himself mulling over the rocket launching, probing for support to his initial decision that it wouldn't work, searching for some point to substantiate his claim. but was he really right in that decision? had he let his hate-ridden heart rule his reasoning mind? he waded back to the beginning of bronsen's theory. bullets ... the test models were the bullets. shells ... the huge rocket itself was a shell compared to the bullets. shells have an ojive, bourrelet, rotating band, but bullets are different. how? he stopped. he reviewed the parts in his mind, then suddenly lurched to the files and pulled out the rocket plans. he compared the ship's construction bit by bit with a shell, his mind working quickly, accurately, with a new enthusiasm.... hours later he leaned back from his drawing table and his voice rumbled out into the quiet reaches of the empty room. "men will fly to the stars like a bullet," he prophesized. "because i know why the rocket crashed." it was dark but the light in bronsen's office was still on. mars pulled himself erect and turned toward bronsen's room, then faltered. "i could just forget it," he mused. "then the idea would be filed away. but someday...." he could not do it. the excitement was beginning to mount inside of him, pushing him forward. he took a deep breath and with a decisive shrug drew back his shoulders, standing straighter and taller than he had in fifteen long years. he strode from the room and headed down the hall. bronsen heard the door behind him open and close softly. he glanced up and saw who it was and returned, scowling, to his work. when mars did not leave, he looked up again, curiosity stirring within him at the expression in the older man's face. "well?" it wasn't really a question, nor an inflection denoting that he wanted to hear what mars had to say. it was more of a compromise between physically throwing him out and grudgingly listening to what he had to say. "i've got it, i know what happened to the ship," mars announced quietly. "i knew it when i saw it come out of the launcher but i couldn't explain it." bronsen returned to his papers with a snort and mars pleaded, "i'm sorry about all those things i said. for god's sake. listen to me!" the tortured pleading in the man's voice made bronsen put down the papers in surprise. "the models worked," mars plunged ahead. "sure they did. but because they were small ... so much smaller than the real ship ... there was no trouble and they worked perfectly. the trouble reveals itself only as the projectile gets larger. the nose, bronsen. a nose band. don't you see what i'm trying to say?" the younger man stared in silence at the pleading ex-space pilot, before the words began to penetrate his whirling thoughts. he forgot the crash of the ship; he forgot the feel of hard teeth splitting the skin across his knuckles; he forgot the animosity that existed between them. his mind could focus on nothing but what mars was trying to say. "the nose of the ship is long. the only guides were on the tail at the rotating band. think of shells. bourrelets. the _big_ shells have bourrelets ... bands around the nose that dig into the grooves and steady the front of the shell. the ship ... its front began trembling because there was nothing to guide the nose in a steady path. the more velocity the rocket had, the worse the trembling became until it threw the whole ship out of control. don't you see? that's all that was wrong with it! it would have been perfect if it had had guide wings on the bourrelet. the guide pieces could be withdrawn when the ship is launched ... but they would have to be there in order to _get_ it launched. i'm right, you know i am! that's your answer. that was the only part wrong with it!" the enormity of mars' words left bronsen speechless. he looked at the suddenly joyous man before him and saw the old bitterness replaced by the rapture of his discovery. yes, that was what had been wrong. it was the solution ... the one tiny piece that made the puzzle into an understandable picture. he paused a moment, as if trying to make a great decision, then grabbed the older man by the arm. "come on! let's get it down on paper!" * * * * * the rocket lay huddled in the belly of the launching tower, her needle-like body quiet, waiting, her control panels flashing signals and instructions to her masters, her circuits buzzing with the tenseness of the seconds before blast off. the steady counting drummed through her wires, tripped relays, and her masters flipped the switches, pressed the buttons and pulled the levers that readied her for her maiden flight. eight seconds, seven seconds. six seconds, five, four. the switch was jerked upward and she felt the power beginning to move in her vitals. _three, two, one!_ the driver button slammed home, her rockets roared out in ferocious birth, snarling, roaring, growing with each passing second. she settled back upon her rockets as if in protest at their screaming growth, then was forced to give ground and the ship moved up the shaft. her rotating band and bourrelet fins dug deep into the spiraling grooves, her body began to turn ... slowly, so slowly. then she suddenly leaped forward, her hull whirling upward; the shaft raced by in dizzy swiftness, her rockets roared louder and she raised her spinning body further. she was free! her body hurtled up and up, her needle nose straight and true, her velocity leaping forward.... "off rockets! set up emergency interstellar drive for instant activation if needed. signal in scanning screens. activate force field and take a breather, boys. we're on our way and the blast off was perfect." the pilot's mechanical sounding voice droned through the speaker in the moon-bound observation room and simultaneously the air was ruffled by the deep exhale of relief, the rustle of slowly relaxing bodies strung tight with the hopeful tenseness of the blast off. mars gazed up at the disappearing silver streak, his blue eyes intent, glistening with pride and excitement. "i never thought i'd see the day," he breathed. "look at her, she's going straight and true. she's the most beautiful thing i ever saw." bronsen's face relaxed into a happy grin as the gleaming rocket hurtled up out of sight. he glanced at mars and gave him a companionable smile. "even more beautiful than mars that day? or the old rockets?" mars looked slightly embarrassed and shuffled his legs into a more comfortable position. "aw hell," he said awkwardly. "can't you forget an old fool's ramblings? we just watched a rocket launched that's going to open up a whole new era in space travel. it was a perfect blast off and we know it'll be a perfect trip and landing." bronsen thoughtfully nodded his head, his grey eyes dancing. "tell you what," mars continued. "i've got a bottle that i've been saving for about fifteen years. got it when we got back from that first trip and never opened it." bronsen grinned and gave the old man's thin shoulder a hearty slap. "let's get that drink!" the winning of the moon by kris neville the enemy was friendly enough. trouble was--their friendship was as dangerous as their hate! [transcriber's note: this etext was produced from worlds of if science fiction, september 1962. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] general finogenov notified major winship that the underground blast was scheduled for the following morning. major winship, after receiving the message, discussed precautions with the three other americans. next morning, before the sunlight exploded, the four of them donned their space suits and went and sat outside the dome, waiting. the sun rose with its bright, silent clap of radiance. black pools of shadows lay in harsh contrast, their edges drawn with geometric precision. major winship attempted unsuccessfully to communicate with base gagarin. "will you please request the general to keep us informed on the progress of the countdown?" "is pinov," came the reply. "help?" "_nyet_," said major winship, exhausting his russian. "count down. progress. when--boom?" "is pinov," came the reply. "boom! boom!" said major winship in exasperation. "boom!" said pinov happily. "when?" "boom--boom!" said pinov. "oh, nuts." major winship cut out the circuit. "they've got pinov on emergency watch this morning," he explained to the other americans. "the one that doesn't speak english." "he's done it deliberately," said capt. wilkins, the eldest of the four americans. "how are we going to know when it's over?" no one bothered to respond. they sat for a while in silence while the shadows evaporated. one by one they clicked on their cooling systems. ultimately, lt. chandler said, "this is a little ridiculous. i'm going to switch over to their channel. rap if you want me." he sat transfixed for several minutes. "ah, it's all russian. jabbering away. i can't tell a thing that's going on." in the airless void of the moon, the blast itself would be silent. a moth's wing of dust would, perhaps, rise and settle beyond the horizon: no more. "static?" "nope." "we'll get static on these things." a small infinity seemed to pass very slowly. major winship shifted restlessly. "my reefer's gone on the fritz." perspiration was trickling down his face. "let's all go in," said the fourth american, capt. lawler. "it's probably over by now." "i'll try again," major winship said and switched to the emergency channel. "base gagarin? base gagarin?" "is pinov. help?" "_nyet._" "pinov's still there," major winship said. "tell him, 'help'," said capt. wilkins, "so he'll get somebody we can talk to." "i'll see them all in hell, first," major winship said. five minutes later, the perspiration was rivers across his face. "this is it," he said. "i'm going in." "let's all--" "no. i've got to cool off." "hell, charlie, i feel stupid sitting out here," capt. lawler said. "the shot probably went off an hour ago." "the static level hasn't gone up much, if at all." "maybe," lt. chandler said, "it's buried too deep." "maybe so," major winship said. "but we can't have the dome fall down around all our ears." he stood. "whew! you guys stay put." * * * * * he crossed with the floating moon-motion to the airlock and entered, closing the door behind him. the darkness slowly filled with air, and the temperature inside the suit declined steadily. at the proper moment of pressure, the inner lock slid open and major winship stepped into the illuminated central area. his foot was lifted for the second step when the floor beneath him rose and fell gently, pitching him forward, off balance. he stumbled against the table and ended up seated beside the radio equipment. the ground moved again. "charlie! charlie!" "i'm okay," major winship answered. "okay! okay!" "it's--" there was additional surface movement. the movement ceased. "hey, les, how's it look?" capt. wilkins asked. "okay from this side. charlie, you still okay?" "okay," major winship said. "we told them this might happen," he added bitterly. there was a wait during which everyone seemed to be holding their breath. "i guess it's over," said major winship, getting to his feet. "wait a bit more, there may be an after-shock." he switched once again to the emergency channel. "is pinov," came the supremely relaxed voice. "help?" major winship whinnied in disgust. "_nyet!_" he snarled. to the other americans: "our comrades seem unconcerned." "tough." they began to get the static for the first time. it crackled and snapped in their speakers. they made sounds of disapproval at each other. for a minute or two, static blanked out the communications completely. it then abated to something in excess of normal. "well," lt. chandler commented, "even though we didn't build this thing to withstand a moonquake, it seems to have stood up all right." "i guess i was just--" major winship began. "oh, hell! we're losing pressure. where's the markers?" "by the lug cabinet." "got 'em," major winship said a moment later. he peeled back a marker and let it fall. air currents whisked it away and plastered it against a riveted seam of the dome. it pulsed as though it were breathing and then it ruptured. major winship moved quickly to cut out the emergency air supply which had cut in automatically with the pressure drop. "you guys wait. it's on your right side, midway up. i'll try to sheet it." he moved for the plastic sheeting. "we've lost about three feet of calk out here," capt. lawler said. "i can see more ripping loose. you're losing pressure fast at this rate." major winship pressed the sheeting over the leak. "how's that?" "not yet." "i don't think i've got enough pressure left to hold it, now. it's sprung a little, and i can't get it to conform over the rivet heads." there was a splatter of static. "damn!" major winship said, "they should have made these things more flexible." "still coming out." "best i can do." major winship stepped back. the sheet began slowly to slide downward, then it fell away completely and lay limply on the floor. "come on in," he said dryly. * * * * * with the four of them inside, it was somewhat cramped. most of the five hundred square feet was filled with equipment. electrical cables trailed loosely along the walls and were festooned from the ceiling, radiating from the connections to the outside solar cells. the living space was more restricted than in a submarine, with the bunks jutting out from the walls about six feet from the floor. lt. chandler mounted one of the bunks to give them more room. "well," he said wryly, "it doesn't smell as bad now." "oops," said major winship. "just a second. they're coming in." he switched over to the emergency channel. it was general finogenov. "major winship! hello! hello, hello, hello. you a okay?" "this is major winship." "oh! excellent, very good. any damage, major?" "little leak. you?" "came through without damage." general finogenov paused a moment. when no comment was forthcoming, he continued: "perhaps we built a bit more strongly, major." "you did this deliberately," major winship said testily. "no, no. oh, no, no, no, no. major winship, please believe me. i very much regret this. very much so. i am very distressed. depressed. after repeatedly assuring you there was no danger of a quake--and then to have something like this happen. oh, this is very embarrassing to me. is there anything at all we can do?" "just leave us alone, thank you," major winship said and cut off the communication. "what'd they say?" capt. wilkins asked. "larry, general finogenov said he was very embarrassed by this." "that's nice," lt. chandler said. "i'll be damned surprised," major winship said, "if they got any seismic data out of that shot.... well, to hell with them, let's get this leak fixed. skip, can you get the calking compound?" "larry, where's the inventory?" "les has got it." lt. chandler got down from the bunk and capt. wilkins mounted. "larry," major winship said, "why don't you get earth?" "okay." capt. wilkins got down from the bunk and capt. lawler ascended. "got the inventory sheet, les?" "right here." squeezed in front of the massive transmitter, capt. wilkins had energized the circuits. there was a puzzled look on his face. he leaned his helmet against the speaker and then shook his head sadly. "we can't hear anything without any air." major winship looked at the microphone. "well, i'll just report and--" he started to pick up the microphone and reconsidered. "yes," he said. "that's right, isn't it." capt. wilkins flicked off the transmitter. "some days you don't mine at all," he said. "les, have you found it?" "it's around here somewhere. supposed to be back here." "well, _find_ it." lt. chandler began moving boxes. "i saw it--" "skip, help look." capt. lawler got down from the bunk and major winship mounted. "we haven't got all day." a few minutes later, lt. chandler issued the triumphant cry. "here it is! dozen tubes. squeeze tubes. it's the new stuff." major winship got down and capt. wilkins got up. "marker showed it over here," major winship said, inching over to the wall. he traced the leak with a metallic finger. "how does this stuff work?" capt. lawler asked. they huddled over the instruction sheet. "let's see. squeeze the tube until the diaphragm at the nozzle ruptures. extrude paste into seam. allow to harden one hour before service." major winship said dryly, "never mind. i notice it hardens on contact with air." capt. wilkins lay back on the bunk and stared upward. he said, "now that makes a weird kind of sense, doesn't it?" "how do they possibly think--?" "gentlemen! it doesn't make any difference," lt. chandler said. "some air must already have leaked into this one. it's hard as a rock. a gorilla couldn't extrude it." "how're the other ones?" asked major winship. lt. chandler turned and made a quick examination. "oh, they're all hard, too." "who was supposed to check?" demanded capt. wilkins in exasperation. "the only way you can check is to extrude it," lt. chandler said, "and if it does extrude, you've ruined it." "that's that," major winship said. "there's nothing for it but to yell help." ii capt. lawler and lt. chandler took the land car to base gagarin. the soviet base was situated some ten miles toward sunset at the bottom of a natural fold in the surface. the route was moderately direct to the tip of the gently rolling ridge. at that point, the best pathway angled left and made an s-shaped descent to the basin. it was a one-way trip of approximately thirty exhausting minutes. major winship, with his deficient reefer, remained behind. capt. wilkins stayed for company. "i want a cigarette in the worst way," capt. wilkins said. "so do i, larry. shouldn't be more than a couple of hours. unless something else goes wrong." "as long as they'll loan us the calking compound," capt. wilkins said. "yeah, yeah," major winship said. "let's eat." "you got any concentrate? i'm empty." "i'll load you," capt. wilkins volunteered wearily. it was an awkward operation that took several minutes. capt. wilkins cursed twice during the operation. "i'd hate to live in this thing for any period." "i think these suits are one thing we've got over the russians," major winship said. "i don't see how they can manipulate those bulky pieces of junk around." they ate. "really horrible stuff." "nutritious." after the meal, major winship said reflectively, "now i'd like a cup of hot tea. i'm cooled off." capt. wilkins raised eyebrows. "what brought this on?" "i was just thinking.... they really got it made, larry. they've got better than three thousand square feet in the main dome and better than twelve hundred square feet in each of the two little ones. and there's only seven of them right now. that's living." "they've been here six years longer, after all." "finogenov had a _clay_ samovar sent up. lemon and nutmeg, too. real, by god, fresh lemons for the tea, the last time i was there. his own office is about ten by ten. think of that. one hundred square feet. and a wooden desk. a _wooden_ desk. and a chair. a wooden chair. everything big and heavy. everything. weight, hell. fifty pounds more or less--" "they've got the power-plants for it." "do you think he did that deliberately?" major winship asked. "i think he's trying to force us off. i think he hoped for the quake. gagarin's built to take it, i'll say that. looks like it, anyhow. you don't suppose they planned this all along? even if they didn't, they sure got the jump on us again, didn't they? i told you what he told me?" "you told me," capt. wilkins said. * * * * * after a moment, major winship said bitterly, "to hell with the russian engineer." "if you've got all that power...." "that's the thing. that's the thing that gripes me, know what i mean? it's just insane to send up a heavy wooden desk. that's showing off. like a little kid." "maybe they don't make aluminum desks." "they've--got--aluminum. half of everything on the whole planet is aluminum. you know they're just showing off." "let me wire you up," capt. wilkins said. "we ought to report." "that's going to take awhile." "it's something to do while we wait." "i guess we ought to." major winship came down from the bunk and sat with his back toward the transmitter. capt. wilkins slewed the equipment around until the emergency jacks were accessible. he unearthed the appropriate cable and began unscrewing the exterior plate to the small transmitter-receiver set on major winship's back. eventually, trailing wires, major winship was coupled into the network. "okay?" "okay," major winship gestured. they roused earth. "this is major charles winship, commanding officer, freedom 19, the american moonbase." at this point, major winship observed for the first time that he was now on emergency air. he started to ask capt. wilkins to change his air bottle, but then he realized his communications were cut off. he reached over and rapped capt. wilkins' helmet. "this is the cape. come in, major winship." "just a moment." "is everything all right?" major winship was squirming nervously, obviously perturbed. "a-okay," he said. "just a moment." "what's wrong?" came the worried question. in the background, he heard someone say, "i think there's something wrong." capt. wilkins peered intently. major winship contorted his face in a savage grimace. capt. wilkins raised his eyebrows in alarm. they were face to face through their helmets, close together. each face appeared monstrously large to the other. major winship made a strangling motion and reached for his throat. one arm tangled a cable and jerked the speaker jack loose. major winship could no longer hear the alarmed expressions from the cape. the effort was not entirely subvocal, since he emitted a little gasping cry in involuntary realism. this, in the course of some 90 seconds, was transmitted to earth. capt. wilkins's lips were desperately forming the word "leak?" air, major winship said silently. leak? bottle! bottle! bottle! it was a frog-like, unvocal expletive. * * * * * comprehension dawned. capt. wilkins nodded and started to turn away. major winship caught his arm and nodded his head toward the loose jack. oh. capt. wilkins nodded and smiled. he reached across and plugged the speaker in again. "... freedom 19! hello, freedom 19! come in!" "we're here," major winship said. "all right? are you all right?" "we're all right. a-okay." major winship, mindful of the extent of his potential audience, took a deep breath. "earlier this morning, the soviet union fired an underground atomic device for the _ostensible_ purpose of investigating the composition of the lunar mass by means of seismic analysis of the resultant shock waves. this was done in spite of american warnings that such a disturbance might release accumulated stresses in the long undisturbed satellite, and was done in the face of vigorous american protests." capt. wilkins tapped his helmet and gestured for him to swivel around. the turn was uncomfortably tight and complicated by the restraining cables. capt. wilkins began replacement of the air bottle. "these protests have proved well founded," major winship continued. "immediately following the detonation, freedom 19 was called on to withstand a moderately severe shifting of the lunar surface. no personnel were injured and there was no equipment damage." capt. wilkins tapped his shoulder to indicate the new air bottle was being inserted. another tap indicated it was seated. major winship flicked the appropriate chest button and nodded in appreciation. "however," he continued, "we did experience a minor leak in the dome, which is presently being repaired." "the soviet union," came the reply, "has reported the disturbance and has tendered their official apology. you want it?" "it can wait until later. send it by mail for all i care. vacuum has destroyed our organic air reconditioner. we have approximately three weeks of emergency air. however, base gagarin reports no damage, so that, in the event we exhaust our air, we will be able to obtain the necessary replacement." the wait of a little better than three seconds for the response gave the conversation a tone of deliberation. a new voice came on. "we tried to contact you earlier, major. we will be able to deliver replacements in about ten days." "i will forward a coded report on the occurrence," major winship said. "let us hear from you again in ... about three hours. is the leak repaired?" "the leak has not yet been repaired. over and out." he nodded to capt. wilkins and leaned back. methodically, capt. wilkins set about disconnecting the major from the transmitter. "wow!" said major winship when he was once more in communication. "for a moment there, i thought...." "what?" capt. wilkins asked with interest. "i could see myself asking them to ask the russians to ask finogenov to get on the emergency channel to ask you to charge the air bottle. i never felt so ... idiotic is not quite strong enough ... there for a minute in my whole life. i didn't know how much emergency air was left, and i thought, my god, i'll never live this down. all the hams in the world listening, while i try to explain the situation. i could see the nickname being entered in my files: aka. the airless idiot. i tell you, that was rough." iii capt. lawler and lt. chandler returned with the calking compound. it occupied the rear section of the land car. lt. chandler sat atop it. it was a fifty-five gallon drum. the airlock to freedom 19 was open. "what is _that_?" asked major winship, squinting out into the glaring sunlight. "that," said capt. lawler, "is the calking compound." "you're kidding," said capt. wilkins. "i am not kidding." capt. lawler and lt. chandler came inside. capt. wilkins mounted a bunk. "why didn't you just borrow a cupful?" major winship said sarcastically. "it's this way," lt. chandler said. "they didn't have anything but 55-gallon drums of it." "oh, my," said capt. wilkins. "i suppose it's a steel drum. those things must weigh...." "actually, i think you guys have got the general wrong," capt. lawler said. "he was out, himself, to greet us. i think he was really quite upset by the quake. probably because his people had misfigured so bad." "he's too damned suspicious," major winship said. "you know and i know why they set that blast off. i tried to tell him. hell. he looks at me like an emasculated owl and wants to know our ulterior motive in trying to prevent a purely scientific experiment, the results of which will be published in the technical press for the good of everybody. i'll bet!" "about this drum," capt. wilkins said. "well, like i said, it's this way," lt. chandler resumed. "i told him we needed about a pint. maybe a quart. but this stuff you have to mix up. he only had these drums. there's two parts to it, and you have to combine them in just the right proportion. he told me to take a little scale--" "a little scale?" asked capt. wilkins, rolling his eyes at the dome. "that's what i told him. we don't have any little scale." "yeah," said captain lawler, "and he looked at us with that mute, surprised look, like everybody, everywhere has dozens of little scales." "well, anyway," lt. chandler continued, "he told us just to mix up the whole fifty-five gallon drum. there's a little bucket of stuff that goes in, and it's measured just right. we can throw away what we don't need." "somehow, that sounds like him," major winship said. "he had five or six of them." "jesus!" said capt. wilkins. "that must be _three thousand pounds_ of calking compound. those people are insane." "the question is," capt. lawler said, "'how are we going to mix it?' it's supposed to be mixed thoroughly." they thought over the problem for a while. "that will be a man-sized job," major winship said. "let's see, charlie. maybe not too bad," said capt. wilkins. "if i took the compressor motor, we could make up a shaft and ... let's see ... if we could...." * * * * * it took the better part of an hour to rig up the electric mixer. capt. wilkins was profusely congratulated. "now," major winship said, "we can either bring the drum inside or take the mixer out there." "we're going to have to bring the drum in," capt. wilkins said. "well," said capt. lawler, "that will make it nice and cozy." it took the four of them to roll the drum inside, rocking it back and forth through the airlock. at that time, it was apparent the table was interposing itself. lt. chandler tried to dismantle the table. "damn these suits," he said. "you've got it stuck between the bunk post." "i _know_ that." "i don't think this is the way to do it," major winship said. "let's back the drum out." reluctantly, they backed the drum out and deposited it. with the aid of capt. lawler, lt. chandler got the table unstuck. they passed it over to major winship, who handed it out to capt. wilkins. captain wilkins carried it around the drum of calking compound and set it down. it rested uneasily on the uneven surface. "now, let's go," said major winship. eventually, they accomplished the moving. they wedged the drum between the main air-supply tank and the transmitter. they were all perspiring. "it's not the weight, it's the mass," said capt. wilkins brightly. "the hell it isn't the weight," said lt. chandler. "that's heavy." "with my reefer out," said major winship, "i'm the one it's rough on." he shook perspiration out of his eyes. "they should figure a way to get a mop in here, or a towel, or a sponge, or something. i'll bet you've forgotten how much sweat stings in the eyes." "it's the salt." "speaking of salt. i wish i had some salt tablets," major winship said. "i've never sweat so much since basic." "want to bet finogenov hasn't got a bushel of them?" "no!" major winship snapped. * * * * * with the drum of calking compound inside, both capt. lawler and lt. chandler retreated to the bunks. capt. wilkins maneuvered the mixing attachment. "i feel crowded," he said. "cozy's the word." "watch it! watch it! you almost hit me in the face plate with that!" "sorry." at length the mixer was in operation in the drum. "works perfectly," said capt. wilkins proudly. "now what, skip? the instructions aren't in english." "you're supposed to dump the bucket of stuff in. then clean the area thoroughly around the leak." "with what?" asked major winship. "sandpaper, i guess." "with sandpaper?" major winship said, emptying the bucket of fluid into the drum. "we don't have any sandpaper." "it's been a long day," capt. wilkins said. "mix it thoroughly," lt. chandler mused. "i guess that means let it mix for about ten minutes or so. then you apply it. it sets for service in just a little bit, finogenov said. an hour or so, maybe." "i hope this doesn't set on exposure to air." "no," capt. lawler said. "it sets by some kind of chemical action. general finogenov wasn't sure of the english name for it. some kind of plastic." "let's come back to how we're going to clean around the leak," major winship said. "say, i--" interrupted capt. wilkins. there was a trace of concern in his voice. "this is a hell of a time for this to occur to me. i just wasn't thinking, before. _you don't suppose it's a room-temperature-curing epoxy resin, do you?_" "larry," said major winship, "i wouldn't know a room-temperature-curing epoxy resin from--" "hey!" exclaimed capt. wilkins. "the mixer's stopped." he bent forward and touched the drum. he jerked back. "ye gods! that's hot! and it's harder than a rock! it _is_ an epoxy! let's get out of here." "huh?" "out! out!" major winship, lt. chandler, and capt. lawler, recognizing the sense of urgency, simultaneously glanced at the drum. it was glowing cherry red. "let's go!" capt. wilkins said. he and the major reached the airlock at the same time and became temporarily engaged with each other. movement was somewhat ungainly in the space suits under the best of conditions, and now, with the necessity for speed, was doubly so. the other two crashed into them from behind, and they spewed forth from the dome in a tangle of arms and legs. at the table, they separated, two going to the left, two to the right. the table remained untouched. when they halted, capt. wilkins said, "get to one side, it may go off like shrapnel." they obeyed. "what--what--what?" capt. lawler stuttered. they were still separated, two on one side of the airlock, two on the other. "i'm going to try to look," capt. wilkins said. "let me go." he lumbered directly away from the dome for a distance of about fifteen feet, then turned and positioned himself, some five feet behind the table, on a line of sight with the airlock. "i can see it," he said. "it's getting redder. it's ... it's ... melting, yes. melting down at the bottom a little. now it's falling over to one side and laying on the air tank. the air tank is getting red, too. i'm afraid ... it's weakening it.... redder. oh, oh." "what?" said capt. lawler. "watch out! there. _there!_" capt. wilkins leaped from his position. he was still floating toward the ground when there was an incredibly bright flare from inside the dome, and a great, silent tongue of flame lashed through the airlock and rolled across the lunar surface. the table was sent tumbling. the flame was gone almost instantly. "there went the air," capt. lawler commented. "we got t-trouble," said lt. chandler. iv during the fifteen-minute wait before they dared venture back, capt. wilkins, interrupted once by what appeared to be a moderately mild after-shock from the previous moonquake, explained the phenomena they had just observed. "a room-temperature-curing epoxy liberates heat during its curing reaction. and the hotter it is when you mix it, the faster it reacts. the drum had been absorbing heat out here for several hours much faster than it could radiate it away. it may have been forty or fifty degrees c when we stirred in the curing agent. at that temperature, a pound mass will normally kick over in five or ten minutes. but here, the only way it can lose the reaction heat is by the slow process of radiation. and that means as the heat builds up, the epoxy goes faster and faster, building up even more heat. and furthermore, we're not talking about a pound, which can maybe get up to 250 c. in air. we're talking about 500 pounds, liberating five hundred times as much heat as one pound, and getting god knows how hot--" "i sure wish you'd have told me this a little bit earlier," major winship said. "i certainly wish you'd told me." capt. wilkins said, "honest, it never occurred to me finogenov would be dumb enough to tell us to mix a whole drum of epoxy." major winship began to curse mechanically. "i don't think he did it deliberately, charlie. i really don't," captain lawler said. "i don't think he knew any better. maybe he was showing off by giving us a whole drum. hell, i know he was showing off. but something like that could kill somebody, and i don't think he'd go that far." "think it's safe, yet?" major winship asked. he was perspiring freely again. "i need some thermal protection. what'll we do? you know damned well. we'll have to go _live_ with them. and that sticks in my craw, gentlemen. that--sticks--in my--craw."' "there's nothing for it," capt. wilkins said helpfully. "let me go in and survey the damage," lt. chandler said. "that's my job," major winship said. "i've got to go in anyway." he lumbered through the airlock and stepped into the total darkness through the razor-edge curtain. "i see it glowing, still," he said. "it's almost as bad in here as out there, now. i guess it's okay. come on. let's bumble around finding the air bottles for the suits and get over there before i'm a boiled lobster. not only is my reefer out, so's my light." "coming." an air of urgency began to accumulate. "what are we going to do with him? it's a half-hour run over there." "think you can make it, charlie?" "i'm damned well hot." "charlie, come out here. in the car. skip, you get the bottles. you drive." major winship came out. "lay down in back," capt. wilkins said. "les, you lay down beside him. i'll lay on top of him. i think we can shield him pretty good that way." "that's good thinking," capt. lawler said from inside. the operation was not easily executed. lt. chandler got in first, and then major winship squeezed beside him. "careful, there," he said as capt. wilkins came aboard. capt. wilkins's foot rolled off one of major winship's thighs. "watch it!" "i am." "oops!" "ufff! i felt that. ugh. thank god for the way these are built." "how's that?" capt. wilkins asked. "i guess.... it's okay, i guess." "cooler?" "it's too soon to tell. man, i'll bet we look silly." capt. lawler came out with the bottles and studied his companions for a moment. "see if we can get up and over a little more, les." "this okay?" "better. how's it feel, charlie?" "okay." cant. lawler deposited the air bottles. "everyone got enough air?" "i guess we're all okay," capt. wilkins said. "don't we look silly?" major winship asked plaintively. "i can't possibly describe my emotions at this minute." "you look all right," capt. lawler said. "still hot?" major winship grunted. he said nothing. "i'll get there as fast as i can." * * * * * after about ten minutes jarring across the lunar surface, major winship said, "i'm not appreciably cooler; but then i'm not appreciably hotter, either." "shut up, charlie. you're a thirty-year man," lt. chandler said. "old soldiers never die, they just become desiccated." "i'd like a beer," major winship said. "a cold, frosty, foamy beer. big collar. gimme a beer, a little shaker of salt--" "finogenov's probably got eight or ten cases." "for once, i hope you're right. try to bounce a little easier, larry." "russians don't drink beer," lt. chandler said. "you sure?" "vodka," capt lawler grunted. "they drink champagne, you idiots," capt. wilkins said. "beggars can't be choosers," major winship said. "champagne is okay by me. if it's just cold." "finogenov will have a few hundred pounds of ice." "cut it out," major winship said. "boy, you wait till we get you back to earth. when it comes time to reup, i'm going to be there. i'm going to remind you of this one." "you're a thirty-year man, too, les," major winship said. "not me," lt. chandler said. "i've had it, dad. i'm going to sell my life story to the movies and spend the rest of my life eating popcorn and watching what an idiot i was. a man can get hurt up here." "so you want to be a civilian?" "you're damned right i do," lt. chandler said. "we're about there," capt. lawler cut in. "you still okay, charlie?" "fine." "here's the little ridge, then. hold on, we're taking the angle up. you riding okay, charlie?" "fine, skip." after a moment, capt. lawler said, "i see the base now. the top. hey!" he slammed on the brakes. "oh, _no_! those ... those fools! those idiots." "what's wrong?" major winship demanded. "skip--_what's wrong?_" "the second little dome is down. it wasn't that way a couple of hours ago. and they've block-and-tackled a drum of calking compound up on the main dome." "_we've got to stop them!_" major winship cried. "skip! skip!" "charlie, there's nothing we can do. the drum's just starting to turn red." there was silence for a while. "it's melting through, now. there it goes. down through the dome. out of sight." after a moment, capt. lawler continued. "funny how things fall so slowly under this low gravity. it floated through their dome just like a feather. you should have seen it." eventually, lt. chandler said, "boys, this is my last hitch." there was more silence. capt. wilkins mused, "i guess they didn't have a little scale either." someone was breathing loudly. at length, major winship said reflectively, "why do you suppose they would try to calk it from the outside?" again silence. major winship asked the question. "okay. let's have it. how's the other little dome?" "other one? oh, sorry," capt. lawler said. "it looks all right." "it better _be_ all right," lt. chandler said. * * * * * in the end, the eleven of them were crowded into the one remaining operational structure of the four available on the moon at sunrise. for perhaps the tenth time, general finogenov offered his apologies. he and major winship were huddled side by side in a corner. they were drinking vodka. "plenty of everything," general finogenov said. "don't concern yourself, major. air, food, water, we have more than enough for a prolonged siege." "accidents will happen." "exactly," said general finogenov, pouring more vodka for himself. "glad you understand." he put the empty bottle down. "we will have another one next week. in the meantime--i very much regret the inconvenience. plenty of food, water, air, though. pinov! pinov! vodka!" pinov answered in russian. general finogenov frowned. "dear, dear," he said. "i'm afraid this must be our last one, major. you see, while we have plenty of everything else, we are, you see.... the truth of the matter is, we didn't foresee visitors. unfortunately, we have no more vodka." "no more vodka," said general finogenov. he stared morosely into the inky distance. "major winship, i have a confession. oh, that second one was a beauty. you didn't feel it?" "our leak sprang on the first one. the second was quite mild, we thought." "we were right on the fault line," general finogenov said. "as you americans say, it was a beauty. i have a confession. one must admit one's mistakes." "yes?" "we used much too large a bomb," he said. "i'm with you," lt. chandler chimed in from somewhere out of the darkness. "but when do you think you're going to get the lights fixed?" the reluctant heroes by frank m. robinson illustrated by don sibley [transcriber's note: this etext was produced from galaxy science fiction january 1951. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] pioneers have always resented their wanderlust, hated their hardships. but the future brings a new grudge--when pioneers stay put and scholars do the exploring! _the very young man sat on the edge of the sofa and looked nervous. he carefully studied his fingernails and ran his hands through his hair and picked imaginary lint off the upholstery._ _"i have a chance to go with the first research expedition to venus," he said._ _the older man studied the very young man thoughtfully and then leaned over to his humidor and offered him a cigaret. "it's nice to have the new air units now. there was a time when we had to be very careful about things like smoking."_ _the very young man was annoyed._ _"i don't think i want to go," he blurted. "i don't think i would care to spend two years there."_ _the older man blew a smoke ring and watched it drift toward the air exhaust vent._ _"you mean you would miss it here, the people you've known and grown up with, the little familiar things that have made up your life here. you're afraid the glamor would wear off and you would get to hate it on venus."_ _the very young man nodded miserably. "i guess that's it."_ _"anything else?"_ _the very young man found his fingernails extremely fascinating again and finally said, in a low voice, "yes, there is."_ _"a girl?"_ _a nod confirmed this._ _it was the older man's turn to look thoughtful. "you know, i'm sure, that psychologists and research men agree that research stations should be staffed by couples. that is, of course, as soon as it's practical."_ _"but that might be a long time!" the very young man protested._ _"it might be--but sometimes it's sooner than you think. and the goal is worth it."_ _"i suppose so, but--"_ _the older man smiled. "still the reluctant heroes," he said, somewhat to himself._ * * * * * chapman stared at the radio key. three years on the moon and they didn't want him to come back. three years on the moon and they thought he'd be glad to stay for more. just raise his salary or give him a bonus, the every-man-has-his-price idea. they probably thought he liked it there. oh, sure, he loved it. canned coffee, canned beans, canned pills, and canned air until your insides felt as though they were plated with tin. life in a cramped, smelly little hut where you could take only ten steps in any one direction. their little scientific home of tomorrow with none of the modern conveniences, a charming place where you couldn't take a shower, couldn't brush your teeth, and your kidneys didn't work right. and for double his salary they thought he'd be glad to stay for another year and a half. or maybe three. he should probably be glad he had the opportunity. the key started to stutter again, demanding an answer. he tapped out his reply: "_no!_" there was a silence and then the key stammered once more in a sudden fit of bureaucratic rage. chapman stuffed a rag under it and ignored it. he turned to the hammocks, strung against the bulkhead on the other side of the room. the chattering of the key hadn't awakened anybody; they were still asleep, making the animal noises that people usually make in slumber. dowden, half in the bottom hammock and half on the floor, was snoring peacefully. dahl, the poor kid who was due for stopover, was mumbling to himself. julius klein, with that look of ineffable happiness on his face, looked as if he had just squirmed under the tent to his personal idea of heaven. donley and bening were lying perfectly still, their covers not mussed, sleeping very lightly. lord, chapman thought, i'll be happy when i can see some other faces. "what'd they want?" klein had one eyelid open and a questioning look on his face. "they wanted me to stay until the next relief ship lands," chapman whispered back. "what did you say?" he shrugged. "no." "you kept it short," somebody else whispered. it was donley, up and sitting on the side of his hammock. "if it had been me, i would have told them just what they could do about it." * * * * * the others were awake now, with the exception of dahl who had his face to the bulkhead and a pillow over his head. dowden rubbed his eyes sleepily. "sore, aren't you?" "kind of. who wouldn't be?" "well, don't let it throw you. they've never been here on the moon. they don't know what it's like. all they're trying to do is get a good man to stay on the job a while longer." "_all_ they're trying to do," chapman said sarcastically. "they've got a fat chance." "they think you've found a home here," donley said. "why the hell don't you guys shut up until morning?" dahl was awake, looking bitter. "some of us still have to stay here, you know. some of us aren't going back today." no, chapman thought, some of us aren't going back. you aren't. and dixon's staying, too. only dixon isn't ever going back. klein jerked his thumb toward dahl's bunk, held a finger to his lips, and walked noiselessly over to the small electric stove. it was his day for breakfast duty. the others started lacing up their bunks, getting ready for their last day of work on the moon. in a few hours they'd be relieved by members of the third research group and they'd be on their way back to earth. and that includes me, chapman thought. i'm going home. i'm finally going home. he walked silently to the one small, quartz window in the room. it was morning--the moon's "morning"--and he shivered slightly. the rays of the sun were just striking the far rim of the crater and long shadows shot across the crater floor. the rest of it was still blanketed in a dark jumble of powdery pumice and jagged peaks that would make the black hills of dakota look like paradise. a hundred yards from the research bunker he could make out the small mound of stones and the forlorn homemade cross, jury-rigged out of small condensed milk tins slid over crossed iron bars. you could still see the footprints in the powdery soil where the group had gathered about the grave. it had been more than eighteen months ago, but there was no wind to wear those tracks away. they'd be there forever. that's what happened to guys like dixon, chapman thought. on the moon, one mistake could use up your whole quota of chances. klein came back with the coffee. chapman took a cup, gagged, and forced himself to swallow the rest of it. it had been in the can for so long you could almost taste the glue on the label. * * * * * donley was warming himself over his cup, looking thoughtful. dowden and bening were struggling into their suits, getting ready to go outside. dahl was still sitting on his hammock, trying to ignore them. "think we ought to radio the space station and see if they've left there yet?" klein asked. "i talked to them on the last call," chapman said. "the relief ship left there twelve hours ago. they should get here"--he looked at his watch--"in about six and a half hours." "chap, you know, i've been thinking," donley said quietly. "you've been here just twice as long as the rest of us. what's the first thing you're going to do once you get back?" it hit them, then. dowden and bening looked blank for a minute and blindly found packing cases to sit on. the top halves of their suits were still hanging on the bulkhead. klein lowered his coffee cup and looked grave. even dahl glanced up expectantly. "i don't know," chapman said slowly. "i guess i was trying not to think of that. i suppose none of us have. we've been like little kids who have waited so long for christmas that they just can't believe it when it's finally christmas eve." klein nodded in agreement. "i haven't been here three years like you have, but i think i know what you mean." he warmed up to it as the idea sank in. "just what the hell _are_ you going to do?" "nothing very spectacular," chapman said, smiling. "i'm going to rent a room over times square, get a recording of a rikky-tik piano, and drink and listen to the music and watch the people on the street below. then i think i'll see somebody." "who's the somebody?" donley asked. chapman grinned. "oh, just somebody. what are you going to do, dick?" "well, i'm going to do something practical. first of all, i want to turn over all my geological samples to the government. then i'm going to sell my life story to the movies and then--why, then, i think i'll get drunk!" everybody laughed and chapman turned to klein. "how about you, julius?" klein looked solemn. "like dick, i'll first get rid of my obligations to the expedition. then i think i'll go home and see my wife." they were quiet. "i thought all members of the groups were supposed to be single," donley said. "they are. and i can see their reasons for it. but who could pass up the money the commission was paying?" "if i had to do it all over again? me," said donley promptly. they laughed. somebody said: "go play your record, chap. today's the day for it." the phonograph was a small, wind-up model that chapman had smuggled in when he had landed with the first group. the record was old and the shellac was nearly worn off, but the music was good. way back home by al lewis. * * * * * they ran through it twice. they were beginning to feel it now, chapman thought. they were going to go home in a little while and the idea was just starting to sink in. "you know, chap," donley said, "it won't seem like the same old moon without you on it. why, we'll look at it when we're out spooning or something and it just won't have the same old appeal." "like they say in the army," bening said, "you never had it so good. you found a home here." the others chimed in and chapman grinned. yesterday or a week ago they couldn't have done it. he had been there too long and he had hated it too much. the party quieted down after a while and dowden and bening finished getting into their suits. they still had a section of the sky to map before they left. donley was right after them. there was an outcropping of rock that he wanted a sample of and some strata he wished to investigate. and the time went faster when you kept busy. chapman stopped them at the lock. "remember to check your suits for leaks," he warned. "and check the valves of your oxygen tanks." donley looked sour. "i've gone out at least five hundred times," he said, "and you check me each time." "and i'd check you five hundred more," chapman said. "it takes only one mistake. and watch out for blisters under the pumice crust. you go through one of those and that's it, brother." donley sighed. "chap, you watch us like an old mother hen. you see we check our suits, you settle our arguments, you see that we're not bored and that we stay healthy and happy. i think you'd blow our noses for us if we caught cold. but some day, chap old man, you're gonna find out that your little boys can watch out for themselves!" but he checked his suit for leaks and tested the valve of his tank before he left. only klein and chapman were left in the bunker. klein was at the work table, carefully labeling some lichen specimens. "i never knew you were married," chapman said. klein didn't look up. "there wasn't much sense in talking about it. you just get to thinking and wanting--and there's nothing you can do about it. you talk about it and it just makes it worse." "she let you go without any fuss, huh?" "no, she didn't make any fuss. but i don't think she liked to see me go, either." he laughed a little. "at least i hope she didn't." * * * * * they were silent for a while. "what do you miss most, chap?" klein asked. "oh, i know what we said a little while ago, but i mean seriously." chapman thought a minute. "i think i miss the sky," he said quietly. "the blue sky and the green grass and trees with leaves on them that turn color in the fall. i think, when i go back, that i'd like to go out in a rain storm and strip and feel the rain on my skin." he stopped, feeling embarrassed. klein's expression was encouraging. "and then i think i'd like to go downtown and just watch the shoppers on the sidewalks. or maybe go to a burlesque house and smell the cheap perfume and the popcorn and the people sweating in the dark." he studied his hands. "i think what i miss most is people--all kinds of people. bad people and good people and fat people and thin people, and people i can't understand. people who wouldn't know an atom from an artichoke. and people who wouldn't give a damn. we're a quarter of a million miles from nowhere, julius, and to make it literary, i think i miss my fellow man more than anything." "got a girl back home?" klein asked almost casually. "yes." "you're not like dahl. you've never mentioned it." "same reason you didn't mention your wife. you get to thinking about it." klein flipped the lid on the specimen box. "going to get married when you get back?" chapman was at the port again, staring out at the bleak landscape. "we hope to." "settle down in a small cottage and raise lots of little chapmans, eh?" chapman nodded. "that's the only future," klein said. he put away the box and came over to the port. chapman moved over so they both could look out. "chap." klein hesitated a moment. "what happened to dixon?" "he died," chapman said. "he was a good kid, all wrapped up in science. being on the moon was the opportunity of a lifetime. he thought so much about it that he forgot a lot of little things--like how to stay alive. the day before the second group came, he went out to finish some work he was interested in. he forgot to check for leaks and whether or not the valve on his tank was all the way closed. we couldn't get to him in time." "he had his walkie-talkie with him?" "yes. it worked fine, too. we heard everything that went through his mind at the end." klein's face was blank. "what's your real job here, chap? why does somebody have to stay for stopover?" "hell, lots of reasons, julius. you can't get a whole relief crew and let them take over cold. they have to know where you left off. they have to know where things are, how things work, what to watch out for. and then, because you've been here a year and a half and know the ropes, you have to watch them to see that they stay alive in spite of themselves. the moon's a new environment and you have to learn how to live in it. there's a lot of things to learn--and some people just never learn." "you're nursemaid, then." "i suppose you could call it that." * * * * * klein said, "you're not a scientist, are you?" "no, you should know that. i came as the pilot of the first ship. we made the bunker out of parts of the ship so there wasn't anything to go back on. i'm a good mechanic and i made myself useful with the machinery. when it occurred to us that somebody was going to have to stay over, i volunteered. i thought the others were so important that it was better they should take their samples and data back to earth when the first relief ship came." "you wouldn't do it again, though, would you?" "no, i wouldn't." "do you think dahl will do as good a job as you've done here?" chapman frowned. "frankly, i hadn't thought of that. i don't believe i care. i've put in my time; it's somebody else's turn now. he volunteered for it. i think i was fair in explaining all about the job when you talked it over among yourselves." "you did, but i don't think dahl's the man for it. he's too young, too much of a kid. he volunteered because he thought it made him look like a hero. he doesn't have the judgment that an older man would have. that you have." chapman turned slowly around and faced klein. "i'm not the indispensable man," he said slowly, "and even if i was, it wouldn't make any difference to me. i'm sorry if dahl is young. so was i. i've lost three years up here. and i don't intend to lose any more." klein held up his hands. "look, chap, i didn't mean you should stay. i know how much you hate it and the time you put in up here. it's just--" his voice trailed away. "it's just that i think it's such a damn important job." klein had gone out in a last search for rock lichens and chapman enjoyed one of his relatively few moments of privacy. he wandered over to his bunk and opened his barracks bag. he checked the underwear and his toothbrush and shaving kit for maybe the hundredth time and pushed the clothing down farther in the canvas. it was foolish because the bag was already packed and had been for a week. he remembered stalling it off for as long as he could and then the quiet satisfaction about a week before, when he had opened his small gear locker and transferred its meager belongings to the bag. he hadn't actually needed to pack, of course. in less than twenty-four hours he'd be back on earth where he could drown himself in toothpaste and buy more tee shirts than he could wear in a lifetime. he could leave behind his shorts and socks and the outsize shirts he had inherited from--who was it? driesbach?--of the first group. dahl could probably use them or maybe one of the boys in the third. * * * * * but it wasn't like going home unless you packed. it was part of the ritual, like marking off the last three weeks in pencil on the gray steel of the bulkhead beside his hammock. just a few hours ago, when he woke up, he had made the last check mark and signed his name and the date. his signature was right beneath dixon's. he frowned when he thought of dixon and slid back the catch on the top of the bag and locked it. they should never have sent a kid like dixon to the moon. he had just locked the bag when he heard the rumble of the airlock and the soft hiss of air. somebody had come back earlier than expected. he watched the inner door swing open and the spacesuited figure clump in and unscrew its helmet. dahl. he had gone out to help dowden on the schmidt telescope. maybe dowden hadn't needed any help, with bening along. or more likely, considering the circumstances, dahl wasn't much good at helping anybody today. dahl stripped off his suit. his face was covered with light beads of sweat and his eyes were frightened. he moistened his lips slightly. "do--do you think they'll ever have relief ships up here more often than every eighteen months, chap? i mean, considering the advance of--" "no," chapman interrupted bluntly. "i don't. not at least for ten years. the fuel's too expensive and the trip's too hazardous. on freight charges alone you're worth your weight in platinum when they send you here. even if it becomes cheaper, bob, it won't come about so it will shorten stopover right away." he stopped, feeling a little sorry for dahl. "it won't be too bad. there'll be new men up here and you'll pass a lot of time getting to know them." "well, you see," dahl started, "that's why i came back early. i wanted to see you about stopover. it's that--well, i'll put it this way." he seemed to be groping for an easy way to say what he wanted to. "i'm engaged back home. really nice girl, chap, you'd like her if you knew her." he fumbled in his pocket and found a photograph and put it on the desk. "that's a picture of alice, taken at a picnic we were on together." chapman didn't look. "she--we--expected to be married when i got back. i never told her about stopover, chap. she thinks i'll be home tomorrow. i kept thinking, hoping, that maybe somehow--" he was fumbling it badly, chapman thought. "you wanted to trade places with me, didn't you, bob? you thought i might stay for stopover again, in your place?" it hurt to look in dahl's eyes. they were the eyes of a man who was trying desperately to stop what he was about to do, but just couldn't help himself. "well, yes, more or less. oh, god, chap, i know you want to go home! but i couldn't ask any of the others; you were the only one who could, the only one who was qualified!" * * * * * dahl looked as though he was going to be sick. chapman tried to recall all he knew about him. dahl, robert. good mathematician. graduate from one of the ivy league schools. father was a manufacturer of stoves or something. it still didn't add, not quite. "you know i don't like it here any more than you do," chapman said slowly. "i may have commitments at home, too. what made you think i would change my mind?" dahl took the plunge. "well, you see," he started eagerly, too far gone to remember such a thing as pride, "you know my father's pretty well fixed. we would make it worth your while, chap." he was feverish. "it would mean eighteen more months, chap, but they'd be well-paid months!" chapman felt tired. the good feeling he had about going home was slowly evaporating. "if you have any report to make, i think you had better get at it," he cut in, keeping all the harshness he felt out of his voice. "it'll be too late after the relief ship leaves. it'll be easier to give the captain your report than try to radio it back to earth from here." he felt sorrier for dahl than he could ever remember having felt for anybody. long after going home, dahl would remember this. it would eat at him like a cancer. cowardice is the one thing for which no man ever forgives himself. * * * * * donley was eating a sandwich and looking out the port, so, naturally, he saw the ship first. "well, whaddya know!" he shouted. "we got company!" he dashed for his suit. dowden and bening piled after him and all three started for the lock. chapman was standing in front of it. "check your suits," he said softly. "just be sure to check." "oh, what the hell, chap!" donley started angrily. then he shut up and went over his suit. he got to his tank and turned white. empty. it was only half a mile to the relief rocket, so somebody would probably have got to him in time, but.... he bit his lips and got a full tank. chapman and klein watched them dash across the pumice, making the tremendous leaps they used to read about in the sunday supplements. the port of the rocket had opened and tiny figures were climbing down the ladder. the small figures from the bunker reached them and did a short jig of welcome. then the figures linked arms and started back. chapman noticed one--it was probably donley--pat the ship affectionately before he started back. they were in the lock and the air pumped in and then they were in the bunker, taking off their suits. the newcomers were impressed and solemn, very much aware of the tremendous responsibility that rested on their shoulders. like donley and klein and the members of the second group had been when they had landed. like chapman had been in the first. donley and the others were all over them. * * * * * how was it back on earth? who had won the series? was so-and-so still teaching at the university? what was the international situation? was the sky still blue, was the grass still green, did the leaves still turn color in the autumn, did people still love and cry and were there still people who didn't know what an atom was and didn't give a damn? chapman had gone through it all before. but was ginny still ginny? some of the men in the third had their luggage with them. one of them--a husky, red-faced kid named williams--was opening a box about a foot square and six inches deep. chapman watched him curiously. "well, i'll be damned!" klein said. "hey, guys, look what we've got here!" chapman and the others crowded around and suddenly donley leaned over and took a deep breath. in the box, covering a thick layer of ordinary dirt, was a plot of grass. they looked at it, awed. klein put out his hand and laid it on top of the grass. "i like the feel of it," he said simply. chapman cut off a single blade with his fingernail and put it between his lips. it had been years since he had seen grass and had the luxury of walking on it and lying on its cool thickness during those sultry summer nights when it was too hot to sleep indoors. williams blushed. "i thought we could spare a little water for it and maybe use the ultraviolet lamp on it some of the time. couldn't help but bring it along; it seemed sort of like a symbol...." he looked embarrassed. chapman sympathized. if he had had any sense, he'd have tried to smuggle something like that up to the moon instead of his phonograph. "that's valuable grass," dahl said sharply. "do you realize that at current freight rates up here, it's worth about ten dollars a blade?" williams looked stricken and somebody said, "oh, shut up, dahl." one of the men separated from the group and came over to chapman. he held out his hand and said, "my name's eberlein. captain of the relief ship. i understand you're in charge here?" chapman nodded and shook hands. they hadn't had a captain on the first ship. just a pilot and crew. eberlein looked every inch a captain, too. craggy face, gray hair, the firm chin of a man who was sure of himself. "you might say i'm in charge here," chapman said. "well, look, mr. chapman, is there any place where we can talk together privately?" they walked over to one corner of the bunker. "this is about as private as we can get, captain," chapman said. "what's on your mind?" * * * * * eberlein found a packing crate and made himself comfortable. he looked at chapman. "i've always wanted to meet the man who's spent more time here than anybody else," he began. "i'm sure you wanted to see me for more reasons than just curiosity." eberlein took out a pack of cigarets. "mind if i smoke?" chapman jerked a thumb toward dahl. "ask him. he's in charge now." the captain didn't bother. he put the pack away. "you know we have big plans for the station," he said. "i hadn't heard of them." "oh, yes, _big plans_. they're working on unmanned, open-side rockets now that could carry cargo and sheet steel for more bunkers like this. enable us to enlarge the unit, have a series of bunkers all linked together. make good laboratories and living quarters for you people." his eyes swept the room. "have a little privacy for a change." chapman nodded. "they could use a little privacy up here." the captain noticed the pronoun. "well, that's one of the reasons why i wanted to talk to you, chapman. the commission talked it over and they'd like to see you stay. they feel if they're going to enlarge it, add more bunkers and have more men up here, that a man of practical experience should be running things. they figure that you're the only man who's capable and who's had the experience." the captain vaguely felt the approach was all wrong. "is that all?" eberlein was ill at ease. "naturally you'd be paid well. i don't imagine any man would like being here all the time. they're prepared to double your salary--maybe even a bonus in addition--and let you have full charge. you'd be director of the luna laboratories." all this and a title too, chapman thought. "that's it?" chapman asked. eberlein frowned. "well, the commission said they'd be willing to consider anything else you had in mind, if it was more money or...." "the answer is no," chapman said. "i'm not interested in more money for staying because i'm not interested in staying. money can't buy it, captain. i'm sorry, but i'm afraid that you'd have to stay up here to appreciate that. "bob dahl is staying for stopover. if there's something important about the project or impending changes, perhaps you'd better tell him before you go." he walked away. * * * * * chapman held the letter in both hands, but the paper still shook. the others had left the bunker, the men of the second taking those of the third in hand to show them the machinery and apparatus that was outside, point out the deadly blisters underneath the pumice covering, and show them how to keep out of the sun and how to watch their air supply. he was glad he was alone. he felt something trickle down his face and tasted salt on his lips. the mail had been distributed and he had saved his latest letter until the others had left so he could read it in privacy. it was a short letter, very short. it started: "dear joel: this isn't going to be a nice letter, but i thought it best that you should know before you came home." there was more to it, but he hadn't even needed to read it to know what it said. it wasn't original, of course. women who change their minds weren't exactly an innovation, either. he crumpled the paper and held a match to it and watched it burn on the steel floor. three years had been a long time. it was too long a time to keep loving a man who was a quarter of a million miles away. she could look up in the night sky when she was out with somebody else now and tell him how she had once been engaged to the man in the moon. it would make good conversation. it would be funny. a joke. he got up and walked over to his phonograph and put the record on. the somewhat scratchy voice sang as if nothing had happened way back home by al lewis. the record caught and started repeating the last line. he hadn't actually wanted to play it. it had been an automatic response. he had played it lots of times before when he had thought of earth. of going home. he crossed over and threw the record across the bunker and watched it shatter on the steel wall and the pieces fall to the floor. the others came back in the bunker and the men of the second started grabbing their bags and few belongings and getting ready to leave. dahl sat in a corner, a peculiar expression on his face. he looked as if he wanted to cry and yet still felt that the occasion was one for rejoicing. chapman walked over to him. "get your stuff and leave with the others, dahl." his voice was quiet and hard. dahl looked up, opened his mouth to say something, and then shut up. donley and bening and dowden were already in the airlock, ready to leave. klein caught the conversation and came over. he gripped chapman's arm. "what the hell's going on, chap? get your bag and let's go. i know just the bistro to throw a whing-ding when we get--" "i'm not going back," chapman said. klein looked annoyed, not believing him. "come on, what's the matter with you? you suddenly decide you don't like the blue sky and trees and stuff? let's go!" the men in the lock were looking at them questioningly. some members of the third looked embarrassed, like outsiders caught in a family argument. "look, julius, i'm not going back," chapman repeated dully. "i haven't anything to go back for." "you're doing a much braver thing than you may think," a voice cut in. it belonged to eberlein. chapman looked at him. eberlein flushed, then turned and walked-stiffly to the lock to join the others. just before the inner door of the lock shut, they could hear chapman, his hands on his hips, breaking in the third on how to be happy and stay healthy on the moon. his voice was ragged and strained and sounded like a top-sergeant's. * * * * * dahl and eberlein stood in the outer port of the relief ship, staring back at the research bunker. it was half hidden in the shadows of a rocky overhang that protected it from meteorites. "they kidded him a lot this morning," dahl said. "they said he had found a home on the moon." "if we had stayed an hour or so more, he might have changed his mind and left, after all," eberlein mused, his face a thoughtful mask behind his air helmet. "i offered him money," dahl said painfully. "i was a coward and i offered him money to stay in my place." his face was bitter and full of disgust for himself. eberlein turned to him quickly and automatically told him the right thing. "we're all cowards once in a while," he said earnestly. "but your offer of money had nothing to do with his staying. he stayed because he had to stay, because we made him stay." "i don't understand," dahl said. "chapman had a lot to go home for. he was engaged to be married." dahl winced. "we got her to write him a letter breaking it off. we knew it meant that he lost one of his main reasons for wanting to go back. i think, perhaps, that he still would have left if we had stayed and argued him into going. but we left before he could change his mind." "that--was a lousy thing to do!" "we had no choice. we didn't use it except as a last resort." "i don't know of any girl who would have done such a thing, no matter what your reasons, if she was in love with a guy like chapman," dahl said. "there was only one who would have," eberlein agreed. "ginny dixon. she understood what we were trying to tell her. she had to; her brother had died up here." "why was chapman so important?" dahl burst out. "what could he have done that i couldn't have done--would have done if i had had any guts?" "perhaps you could have," eberlein said. "but i doubt it. i don't think there were many men who could have. and we couldn't take the chance. chapman knows how to live on the moon. he's like a trapper who's spent all his time in the forests and knows it like the palm of his hand. he never makes mistakes, he never fails to check things. and he isn't a scientist. he would never become so preoccupied with research that he'd fail to make checks. and he can watch out for those who do make mistakes. ginny understood that all too well." "how did you know all this about chapman?" dahl asked. "the men in the first told us some of it. and we had our own observer with you here. bening kept us pretty well informed." * * * * * eberlein stared at the bunker thoughtfully. "it costs a lot of money to send ships up here and establish a colony. it will cost a lot to expand it. and with that kind of investment, you don't take chances. you have to have the best men for the job. you get them even if they don't want to do it." he gestured at the small, blotchy globe of blue and green that was the earth, riding high in the black sky. "you remember what it was like five years ago, dahl? nations at each other's throats, re-arming to the teeth? it isn't that way now. we've got the one lead that nobody can duplicate or catch up on. nobody has our technical background. i know, this isn't a military base. but it could become one." he paused. "but these aren't even the most important reasons, dahl. we're at the beginnings of space travel, the first bare, feeble start. if this base on the moon succeeds, the whole human race will be outward bound." he waved at the stars. "you have your choice--a frontier that lies in the stars, or a psychotic little world that tries and fails and spends its time and talents trying to find better methods of suicide. "with a choice like that, dahl, you can't let it fail. and personal lives and viewpoints are expendable. but it's got to be that way. there's too much at stake." eberlein hesitated a moment and when he started again, it was on a different track. "you're an odd bunch of guys, you and the others in the groups, dahl. damn few of you come up for the glamor, i know. none of you like it and none of you are really enthusiastic about it. you were all reluctant to come in the first place, for the most part. you're a bunch of pretty reluctant heroes, dahl." the captain nodded soberly at the bunker. "i, personally, don't feel happy about that. i don't like having to mess up other people's lives. i hope i won't have to again. maybe somehow, someway, this one can be patched up. we'll try to." he started the mechanism that closed the port of the rocket. his face was a study of regret and helplessness. he was thinking of a future that, despite what he had told dahl, wasn't quite real to him. "i feel like a cheap son of a bitch," eberlein said. * * * * * _the very young man said, "do they actually care where they send us? do they actually care what we think?"_ _the older man got up and walked to the window. the bunkers and towers and squat buildings of the research colony glinted in the sunlight. the colony had come a long way; it housed several thousands now._ _the sun was just rising for the long morning and farther down shadows stabbed across the crater floor. tycho was by far the most beautiful of the craters, he thought._ _it was nice to know that the very young man was going to miss it. it had taken the older man quite a long time to get to like it. but that was to be expected--he hadn't been on the moon._ _"i would say so," he said. "they were cruel, that way, at the start. but then they had to be. the goal was too important. and they made up for it as soon as they could. it didn't take them too long to remember the men who had traded their future for the stars."_ _the very young man said, "did you actually think of it that way when you first came up here?"_ _the older man thought for a minute. "no," he admitted. "no, we didn't. most of us were strictly play-for-pay men. the commission wanted men who wouldn't fall apart when the glamor wore off and there was nothing left but privation and hard work and loneliness. the men who fell for the glamor were all right for quick trips, but not for an eighteen-month stay in a research bunker. so the commission offered high salaries and we reluctantly took the jobs. oh, there was the idea behind the project, the vision the commission had in mind. but it took a while for that to grow."_ _a woman came in the room just then, bearing a tray with glasses on it. the older man took one and said, "your mother and i were notified yesterday that you had been chosen to go. we would like to see you go, but of course the final decision is up to you."_ _he sipped his drink and turned to his wife: "it has its privations, but in the long run we've never regretted it, have we, ginny?"_ war-lords of the moon by linton davies bruce ross, on the earth-moon run, asked a simple question, "how are the stars behaving, harry?" but harrell moore could only stare at him in horror. for the stars had run amok--cosmic engines of destruction in the hands of the twisted genius of the moon! [transcriber's note: this etext was produced from planet stories winter 1939. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] a faint quiver ran through the great hull of the rocket ship, and passed. the harsh drumming of her motors died to a singing drone. flight-commander bruce ross nodded absently. the ship had shaken off the earth-drag, and the speed indicator climbed fast. eleven, twelve hundred miles an hour, the flagship of the rocket-ship fleet sped on its way to the moon. he moved to the forward telescope at the side of the control cabin and squinted at their objective. the pale circular bulk of the moon loomed larger than when he had last observed it. he twisted to look through the rear telescope, and saw with satisfaction that the other seven ships of his fleet were following in echelon, each a mile and somewhat to the right of the one before it. ross grinned with pleasure. it wasn't his first trip to the moon, but on that earlier occasion, when magnus, king of the moon people, had pledged a truce with the earth's council of seven, he had commanded only the flagship. now he had his own flagship, larger and more powerful than that outmoded rocket ship of five years ago, and seven more fighting ships besides. he strolled over to stand behind his navigator, plump, bespectacled harrell moore, who was squinting strainedly through the star-scope. "how are the stars behaving, harry?" moore's forehead was corrugated with concern. without taking his eye from the scope he muttered softly, "something funny going on, bruce." he moved back to let his chief step to the eye-piece. but before the flight-commander could take the seat a sliding door opened with a bang. the two turned, startled. in the opening swayed a white-faced clerk. "sir," he gasped, "there's trouble with communications!" "well?" snapped ross. the clerk brushed sweat off his brow. "the ray-type machine's gone dead, sir, and the ray-phone's crippled. we get only a weak muffled voice from the council of seven headquarters!" "how about the blinkers from the other ships?" snapped ross. "blinkers are working, sir--" the clerk stopped short as ross jumped to the rear of the control room. "jorgens!" snapped ross. "signal each ship, and ask if they've--they can get seven headquarters on the ray-type!" "aye, sir!" the signal chief hastened to the blinker buttons and began to rap out the message. he was half through it when a dull boom echoed like a sigh through the control room. * * * * * ross and moore exchanged startled glances. jorgens, white of face, looked up, his hand poised as if paralyzed over the buttons. then ross jumped to the rear telescope, which commanded a view of his following seven ships. there were only six. where the seventh--the last in the staggered-line--should have been, a faint glow filled the air. ross stared at it, heart-sick. was that blow the last sign of his rear guard? a rocket ship blotted out--destroyed! but how? how? "jorgens!" he snapped. "you had the moon on the ray-type a while ago! try to get that peak one station again!" "aye, sir," breathed jorgens shakily. he tapped the black key, rattling the call signal feverishly, then snapped on the receiver. the prong-like type fingers made no move. "the ray-phone!" rasped ross. the signal chief plugged the yellow cylinder into its gray socket, and flashed the light beside it. "first fleet, calling peak one!" he chanted. "peak one, answer first earth fleet!" ross, moore and jorgens held their breath. no sound came through the ray-phone trumpet. jorgens lifted a gray face toward ross. the fleet commander smiled wryly. "let it go, jorgens. check all the batteries and connections before you try again." as jorgens nodded and disappeared to trail the snaky coils of insulated ray-tubes to their battery reserves, ross turned to moore. "number eight's gone," he said softly. moore blinked. "gone? where?" "where the woodbine twineth," said ross. moore's breath came faster. "wiped out?" he whipped off his spectacles and polished them absently, his jaw working on his half-forgotten chew of tobacco. "gone," he muttered dazedly. a sudden thought struck ross. he gripped his navigator's shoulder. "the stars! you said there was something funny going on!" moore's eyes flashed. "yes!" he slapped his glasses on. "come on! let me show you!" he led the way to the star-scope. ross, following, stopped as a signalman approached with a typed message--the answer to the blinker call that jorgens had started. the first sentence was short and blunt. "number two reports ray-type dead, ray-phone weak." messages from the other five ships were identical except in the case of number seven. an added sentence from the last ship of the line stood out on the page and ross felt sick inside as he read it. "number seven also reports explosion on right quarter where number eight was flying. no sign of number eight." * * * * * at the star-scope moore hovered as ross applied his eye to the powerful lens. "that's denabola you're on." the navigator's jaw worked, his eyes glittering. "dim," muttered ross. "clouds?" "no!" exploded moore. "denabola was bright as ever, then suddenly went dim!" ross sat up quickly, a question in his staring eyes. "you mean--the way the red stars go dim when we drain them of the red rays that power our ships and inter-planet communications?" "just that way," said moore, blinking in excitement. for a long moment their glances were locked. then ross heaved a stifled sigh. "this may mean a lot, harry," he murmured. "i wonder if it might not even mean--" "whatever happened to number eight?" asked moore quickly. slowly ross nodded. "let's see. denabola's a blue star. have you checked on any other blue stars?" moore took the seat at the star scope. "only vega. she's dim, too. let me get sirius." he twirled a knob at the side of the telescope barrel, then another, then straightened, with an explosive gasp. "look at sirius!" ross looked and caught his breath. sirius, the brightest star in all the firmament, was a dull lackluster thing. flight-commander bruce ross sat back at the star-scope and pushed his space helmet off his head. he ran a steady hand through his unruly blond hair, smoothing out the tight wrinkles in his broad forehead as if to silence the urgent question that hammered in his brain. something was happening in the heavens, and all his lore of flying and fighting might be none too much to set against the celestial puzzle. "harry," he asked finally, "the moon men know all about our red-ray work. do you suppose they've gone to work somehow on the blue stars?" moore screwed up his face, blinking behind his glasses. "well," he said finally, "there's horta." ross nodded. "i was thinking of horta," he admitted grimly. he had never forgotten horta, lord of the moon caverns, the darkly hostile savant who had held out so long at that fateful conference when the council of seven, rulers of the earth, had made their all-or-nothing flight to the moon, there to lay the question of peace or war before magnus, the moon king, and his lords. the seven had won horta over finally by offering him all the earth secrets of the red rays that had made earth-moon travel possible. they had even set up a ray reservoir in horta's great cavern, and had shown him how the harnessed rays could provide power for ships and explosive for sky-torpedoes. yet horta had never succeeded in building any but tiny ships that could barely circle the moon, and he had denied any success with the torpedoes. only on the ray-type and the ray-phone, essential to earth-moon intercourse, had he followed instructions with real results. * * * * * "blue rays, then?" muttered ross, staring at moore. he turned as jorgens appeared hesitantly. "well?" "garbled message by ray-phone from our earth station, sir. from censor trowbridge, apparently." jorgens handed over a sheet of paper. "we put it down as we heard it." ross and moore bent over it eagerly. "... trouble ... moon ... four ... magnus killed...." it ended with "... bridge." ross wheeled on jorgens. "magnus--killed? is that what you heard?" jorgens shook his head. "that's what it sounded like," he insisted. he flicked a hand at the ray-phone. "and that's all we got. she went dead on us. but," he added hopefully, "the ray-type seems to be coming to life." "good! work on it, jorgens. and try for the peak one moon station, or peak four." ross watched jorgens join the little group of signalmen toiling over the ray-type machine, and shook his head. "did you get that, harry? magnus killed." moore blinked inquiringly. "do we go on?" "go on?" ross hesitated. he read the mangled dispatch, then squared his shoulders. "nothing here about turning back. so on we go. heaven knows what we'll find." "magnus dead." moore shook his head. "who takes over?" "on the moon? i happen to know, because it came up at the conference five years ago. queen boada and the two chief lords form a council of three. that'll be boada, horta and artana, lord of the peaks. you remember him?" "sure." moore wagged his jaws, chewing reminiscently. "nice kid." "well, he was sixteen then. he'll be twenty-one, grown up. and say! remember the princess? illeria. she was fourteen, she'll be nineteen now. sweet kid." "skinny," grunted moore. "yes," ross agreed absently. "well, we'll get a welcome from boada and artana. maybe horta will kick up a fuss, but he's the minority." the ray-type machine came to life with a faint rattle. jorgens watched it critically, then stared as the words ran out on the page. he waited for the sentence to finish, then snatched the sheet from the machine and held it out in trembling fingers to ross. the message was brief. ross read it, shoved it at moore, and grasped the orders tube. "gun crews!" he sang out. "load fore and after torpedo tubes and stand by!" he waited for the "aye, sir!" to sound from both gun stations, then turned back to moore. the navigator was standing with jaw agape. he repeated the message word for word as if in a hypnotic spell. "nagasaki destroyed. purple death." ross shook his arm. "harry, snap out of it! we've got to fight!" "fight what?" asked moore dazedly. "i don't know," rapped ross savagely. "but at a guess, i'd say the purple death, whatever that may be!" ii the assistant navigator looked back from his post by the helmsman. "coming in to peak one, sir," he called. "what's our speed?" asked ross. "two thousand, sir." "cut her down to a thousand," commanded ross. "any signals from the peak?" the navigator shook his head nervously. "none yet, sir. shall i cut speed if they don't signal?" "yes," ross decided. "slow up as you see fit, and hover at fifty miles if they show no signal." he gestured to his chief navigator. "come on, harry, let's inspect ship." the two passed from the control room to the gleaming engines. here the silent engine crew hearkened to the pulse of the powerful rocket engine, and kept steady eyes on the gauges that showed the compressed ray fuel was feeding steadily into the discharger. out of the engine room they passed to the after gun station. ross tapped one of the six-inch torpedoes, and slapped one of the slim three-inch cylinders in the number two torpedo rack. "we may need them all soon," he told the station chief. the gunnery chief's eyes widened. "we'll be ready, sir. can you--is there anything i can tell the men about--number eight?" ross shook his head. "she's gone," he said briefly. "might have been an accidental explosion--but i don't think so. we're landing soon. just be ready, that's all." he swung away to the forward gun station, saw that all hands were alert, and led the way back to the control room. jorgens was pulling a sheet from the ray-type. he handed it over quickly. it was from the moon. "warning to earth fleet!" it began. "peak one wrecked. come in on peak four." and it was signed "artana." ross strode forward, his blue eyes blazing. "that's all, jorgens?" "no, sir. more coming now." he waited until the flying keys had rattled out two more lines, then ripped the sheet off. this message told more. "peak one wrecked by rebels who assassinated king magnus. signal systems at peaks one, two and three destroyed. greetings to commander ross. artana." "rebels!" exclaimed ross. "horta!" murmured moore. the chief signalman caught the name. "that louse!" he exclaimed in disgust. "pretended we couldn't teach him anything, the time we set up his systems for him. he's raising hell on the moon, commander?" ross frowned. "that's just a guess, jorgens," he reproved the signalman. "we only know this much for sure." he tapped the two sheets. "huh! ten to one that blue-nosed devil's in it," grumbled jorgens, turning back to the ray-type. "want to answer, chief?" "yes." ross thought rapidly. he spoke in a low tone to moore. "this might be a trap." moore blinked. "you mean, artana sent this to decoy us in to four and smash us?" "not artana," corrected ross. "horta." "gosh, yes!" moore fumbled his glasses off. "i hadn't thought of that! no reason why horta couldn't send a message in artana's name!" "it's a possibility," ross grinned sourly. he turned to jorgens. "send this: 'greetings to artana, lord of the peaks, from ross. coming in to peak four.' repeat it, too, in case they aren't getting it any too clear." he wheeled to the helmsman, noted the speed was cut down now to six hundred miles, and nodded approval. "change course for peak four." moore laid an urgent hand on his chief's arm as the helmsman obeyed. "say," bruce, this is risky!" "risky!" ross laughed shortly. "of course it's risky." "wouldn't it be better to stand off and wait for more news?" ross shook his head. his eyes blazed. "harry, there's a lot of hell breaking out on the earth and on the moon, too. we're in the middle. we can't be in both places, but we can find out--i hope--what's going on up here. and if we do, maybe we can put a heavy foot on what's happening to the earth. do you remember what trowbridge's message said?" moore's ordinarily placid features tightened. "the purple death," he whispered. "you're the boss, bruce. all i want is to get in on whatever happens!" * * * * * the earth fleet slid slowly down to the craters. the pale surface of the moon gleamed dully, phosphorescent, lambent where the rays of the sun struck crater tops. off to the left the high peak, peak number one to the earth visitors, loomed dark and sinister. but peak four showed all its lights, bright and steady. ross ordered the six following ships to stand off and await orders, or act on their own judgment if the flagship came to harm. then he took his place beside the helmsman. "take her down slow," he ordered. the rocket ship glided straight and sure for the brightest light. slowly the pin-point of white fire became a circle, then an oval. then it broke up into hundreds of lights surrounding a platform. the helmsman muttered an order, and the rocket ship, answering the urge of her flippers, dived briefly and straightened out into a glide. from the control windows the shape of the platform took form, and dim little figures could be seen scurrying on its edges. moore fidgeted uneasily. "we'll be duck soup for them if it's horta," he muttered. ross chuckled. "where's your sporting blood?" he jibed. "bet you even money it's artana." "that's an easy bet for you," retorted moore. "you won't live long enough to pay off if it's horta." the crew of the ship seemed to share his fears. every man hunched tense at his station. the ship glided lower, to three hundred feet. two hundred. she lost way almost entirely, and grounded with scarcely a jar. "nice set-down," ross complimented the helmsman. instantly the crew sighed in unison. tension was broken. they peered through the windows. "back to your stations!" rapped ross. he glanced through the control port and immediately saw a group advancing toward the ship. for an instant he held his breath. then he whooped. "it's artana!" the crew cheered, briefly, knowing nothing of the importance of that single identification. two artisans stood by the gangway, waiting. "secure your helmets, men!" shouted ross. he adjusted his own headgear, made sure that the thin tubes from his breastplate were feeding their tiny jets of oxygen to his nostrils, and signaled to the artisans. they threw the door wide, and ross stepped forth to meet artana. the young lord of the peaks came forward with a glad cry. "ross!" he exclaimed, and grasped the earth-man's hand warmly. "artana!" cried ross. he eyed the moon lord from head to foot, and grinned. "you've grown, lord of the peaks!" * * * * * the boy he remembered was indeed now a man. matching the six-foot ross in height, he stood straight and slender, carrying easily the weight of the ray-rifle slung on his shoulder, and the poison-pistol at his belt. he smiled briefly at the earth-man's sally, then sobered at once. "you come at a critical time," he murmured, pitching his voice so that his half-dozen followers could not hear. "the moon people are divided by revolt, and the fate of the kingdom is not easy to predict." he caught sight of moore. "ah, my friend harrell moore!" his hand went out in a warm clasp. "hi, artana," returned the navigator awkwardly. "you're looking great. what's the trouble? i'll guess it's horta." "softly!" uneasily the lord of the peaks glanced about him. "let us go to the peak chamber, where we may speak at ease." he led the way from the platform, halting only to allow ross to relay an order for his six ships to land. through a winding subterranean corridor they hastened to the council room of the peak, which marked the administrative center of one of artana's provinces. once inside the great room, artana led them to low divans of stone, covered and made comfortable with soft cellulose-like stuff that rustled as they moved. he gave them the news bluntly, without preamble. "horta has seized power in two-thirds of the kingdom," he cried, his voice breaking with emotion. "king magnus was killed, perhaps not by horta's orders--but who else would have plotted it? the assassination seemed to be the signal for an uprising--and horta issued a proclamation, as one of the three regents, declaring that he would act to preserve order in the caverns and the land beyond where the crater folk live. three of the peaks were overrun, and the signal systems were all destroyed. here at peak four, my soldiers were ready, and all the rebels were slain." "queen boada--and the princess illeria?" asked ross. "they are safe." artana twisted on his couch in his distress. "they were at peak five when the attacks were made, and are coming here, escorted by a strong body of my troops. i expect them soon. but you, my friends? how can i receive you, when my people are embroiled in civil war--for that is what it is?" ross waved his hand deprecatingly. "don't worry about us, artana. of course, we can't take sides here. we can help to preserve the regency, since the truce demands it. but there's one thing i'd like to ask." "of course, my friend." "have you heard of trouble on the earth?" artana looked up quickly. "we have had no word." "or--well, trouble in the sky?" artana shook his head, puzzled. ross answered his unspoken question. "one of our ships was destroyed on our flight from the earth. and i don't think it was an accident." "a rocket ship?" artana sat up. then his eyes flashed. "horta?" he murmured, as if asking himself a question. moore leaned forward. "has horta been up to anything in the ray business?" he asked eagerly. artana shook his head slowly. "lord horta and his savants have made progress in employing the r-ray, drawn from the red stars, as you taught him." he knit his brows. "i have heard of nothing else--but wait. he and his most learned men have worked secretly for many moons, i know not to what purpose. you think--" "we think," cut in ross grimly, "that it's possible that lord horta may be cooking up something new in the ray field." artana's face darkened. "if that is true," he murmured, "we may have the explanation of the disappearance of two of my brigades. i sent them out in force to scout horta's territory. no word has come from them." his hand clenched. "a war of rays--here on the moon!" * * * * * ross and moore exchanged uncomfortable glances. they had fought in the terrible war on the earth when nations battled with the new red ray, and whole fleets of the ancient steel warships were sunk by the first of the ray-torpedoes, before the council of seven was formed to rule all earthly affairs. and they had served in that first moon-flight, and had slain with rays the first moon armies who had resisted the intrusion of the earth-fleet. was history to repeat itself--in reverse, with horta's moon machines raking the earth with death? perhaps that strange purple death of the trowbridge message? ross made his resolve. "if your armies can't find out what horta's doing, artana, perhaps my fleet can." "your fleet?" artana looked up, a flicker of hope in his somber eyes. "you mean that you would fly over the caverns?" ross nodded. "and study the work he has done. photograph it, and report to you and the queen. if you then wish us to try to destroy it, i'll take the responsibility. i feel that the council of seven would approve." artana stood up, his eyes alight. "ah, ross! if you succeed, and bring peace to the moon people, your planet and mine will do you homage!" ross flushed sheepishly. "well, maybe. for my part i'd rather be overlooked. you know, there's an old, old saying where i come from, 'a hero today, a bum tomorrow.'" "a 'bum'?" echoed artana, puzzled. "a-a sort of--" ross remembered in time that there were no beggars on the moon. nor panhandlers, nor paupers, nor hobos. "oh, never mind. we'll take off in the first hour of light, and see what we can see." "in the meantime," artana hastened to say, "you must sleep." he ushered them into a circular chamber, the elevator that would take them to the spacious under-world of the moon. closing the door, he pressed a button. the resultant motion was almost imperceptible, but ross and moore knew they were being hurtled toward the moon's core at hundreds of miles an hour. almost instantly the chamber stopped, the shock of cessation being oddly cushioned. artana opened the door, and the three stepped into the great rotunda whence radiated the life and activity of the province of peak four. moon people hurried to and fro, only a few stopped to stare at the earth-men. bakers were hawking the curious brick-shaped loafs of bread, and the fruits that had grown from the seeds from the earth were stacked on stands. drapers stood by their gossamer-like fabrics. soldiers hurried to and fro in squads, and their presence explained to ross and moore the inhabitants' disinterest in the earth-men. the spacious chamber to which artana led them was guarded by two tall sentries, and tastefully furnished. the lord of the peaks cast a last glance about, said, "i shall call you at the first light," and vanished. moore sank gratefully down upon a high-piled bed. "well, if this is to be my last night's sleep, i'm going to do well with it." "you're always worrying," chaffed ross. but he lay, awake, mind racing, long after moore's even breathing denoted that the chubby navigator's fears had succumbed to his fatigue. iii artana awakened them as he had promised. his first words were of the widowed queen. "boada is here," he told ross. "she has slept, and will greet you after you have eaten." they breakfasted in the chamber, on food that artana had commandeered from the rocket ship, with some of the pale, delicious moon pears beside the familiar earth fare. artana talked fast as the two earth-men ate. "two of the cavern men came in with the queen." as the two flyers looked up in plain surprise, he smiled. "yes, they were horta's men. but they say they do not wish to serve him longer. they say he plans to rule the moon kingdom alone, and will make war with the earth." the two leaned forward, food forgotten. "did they say," asked ross, "how horta plans to make war? with what weapons?" artana shook his head sadly. "they deny all knowledge of such things. they are star savants, and they say all horta's war secrets are known only to his war chiefs." the flyers' disappointment impelled artana to go on. "they do say that horta and most of his forces are gathered in the great cavern, where all his secrets are kept. and that, too, is where he has set up his ray machines." ross narrowed his eyes. "the great cavern, eh? well, that's what we'll have a shot at." "you would have me accompany you?" artana asked eagerly. "ah, no, artana. you are needed here. what if horta were to make a sudden attack? you must give us a guide, though, to show us the great cavern. and i will leave my chief signalman, jorgens, so that we may keep in touch with you." artana assented, somewhat cast down. truly, the great cavern held a secret, and the lord of the peaks was as eager as any to learn it. but he regained his cheerfulness as they sought out the queen. she was in the great chamber where artana had first received the earth-men. erect and haughty, she sat on the central divan, regarding them with brooding eyes as they entered. so much ross saw before his glance went to the slim figure beside her. he caught his breath. a dream! a goddess! this girl--ah, yes, the princess illeria. but a woman now! not the scrawny girl of five years ago. ross tore his eyes from her with a jerk. artana was presenting him to the queen widow. "--commander ross, leader of the earth-fleet, was a visitor at court five years ago," artana reminded the queen. she extended her hand, surveying him with a softening of her austere expression. as he bent over it she said in a harsh voice that was obviously held steady with an effort, "commander ross, you come at an unhappy time." ross murmured condolences, then plunged into the subject that was filling him with impatience. "i seek permission from you, queen, and from the lord artana to fly over the caverns and report on conditions there." queen boada darted a sharp glance at artana, then averted her head. "i see no occasion for such a flight," she said curtly. artana stepped forward. "a rebellion, o queen? surely that is occasion enough?" she met his eyes, frowning. "but these are not our people." "yet," argued artana, "the earth people are at peace with us." ross saw the princess regarding her mother curiously. moore, too, was staring in frank astonishment at the queen. as she sensed their intent regard she relaxed her rigid pose. "oh, very well. but there shall be no fighting?" "none, o queen," ross hastened to say. artana nodded with satisfaction. "there remains, then, the finding of a guide for the fleet. i could send calisto--" the princess spoke for the first time. "calisto has not the gift of the earth-tongue. who guides the commander ross must speak the tongue he knows best." "that's true," muttered artana, taken aback. "who, then--" * * * * * the princess was looking at ross. almost hostilely, he thought confusedly. had she resented his long open stare? she was such a picture, clad in only a single filmy garment, caught at the waist with a gold twisted belt and cut tunic-like at the knee. bare-armed, with softly swelling contours and a skin like peach down, she was an entrancing sight. his confused thoughts were set at rest. the princess had a plan. "i shall go with the commander ross," she said. the queen turned sharply. artana scowled. "no, no!" he cried sharply. "if there should be fighting--" "fighting?" echoed boada in a whip-like tone. "no, no, not fighting," artana hastened to correct himself. "but danger, perhaps." boada's brooding gaze came to rest inquiringly on ross. "there can be no danger, i think," he assured her. and wondered why he did so. for if horta was on the war path, surely the earth ships would be his targets. he felt his heart beat faster as he considered the possibility of this amazing girl standing beside him in the control room of his flagship, then a moment of depression as he reflected that the queen would refuse her consent. but to his surprise boada, after one dark look at the lord of the peaks, nodded. they left at once. there was a moment of delay when illeria, given an oxygen helmet, demurred at the idea of wearing it until she was convinced that it would save her life if the shell of the rocket ship were pierced in the upper air. she wore it with ease, the straps fitting snugly over the flowing golden locks and the oxygen tubes crossing her face to add to the piquant enigmatic look she wore. the flagship took off with a rush, the six following ships keeping their distance. once in the air, they formed the echelon. then ross turned to the princess, and led her to the telescopes trained through the floor of the ship. she studied the crater surfaces wonderingly, like a child with a strange toy. then she remembered her duty. "sail there," she directed, pointing. amusedly, ross gave the order. privately artana had given him a full description of the great cavern, so that once he had sighted it he could map his own course. but the girl had guided him truly. in a few minutes the yawning chasm lay on their bow. he called moore. "all the cameras set?" "all set," grunted moore, squinting through a glass. "going to skirt the cavern?" ross nodded. "no use tipping horta off at the outset. we may get a good look without his knowing we're here." as the last word left his lips a cry from the port lookout froze the three in their places. they turned, fearfully. the lookout's face was working. as they watched, tears began to stream down his face. he tried to speak, but he could only point. ross sprang to the window. the sky was clear, save for the following ships. number two, and four, and five. six? where was six? and seven? he whirled on the lookout. the man gulped, drew a deep breath, and said huskily, "there was a flash, sir, and--and then--nothing! nothing, where number seven was flying! and then number six--went the same way!" ross and moore stared frantically at one another. then ross sprang to the signal post. "jorgens! where's jorgens?" a white-faced signalman spoke up. "he's back at peak four, sir." "oh, yes." ross in his agitation had forgotten. "well, signal ships two, three, four and five to sheer off the cavern and return to peak four!" the man sprang to obey. ross turned to order the course changed. but the crashing din that followed silenced him. his body hurtled against the stanchion, and suddenly he found his arms about the princess illeria. * * * * * her body was soft to his touch, her silky hair caressed his cheek, her breath sweet on his face. but he pushed her aside, and cried out to the helmsman, "how does she fly?" the helmsman, craning his neck as he curled an arm about the wheel, shouted back, "on even keel, sir, but she won't steer!" ross pushed the princess unceremoniously from him and stood erect. he rushed to the window and saw with relief that the ship was circling away from the crater. gauges showed that the ship flew steady except for that odd circling. an artisan, bursting into the control room from the after gun station, explained the mystery. "one rudder flange haywire, sir!" "so that's it!" ross spoke calmly. "shot away?" the man's face worked. "burned away, sir!" "burned--" ross thought fast. he nodded to the artisan, who departed with a scared look about. moore had heard the report. he whistled. "burned away, huh? sounds like a b-ray." "b-ray? what's that?" snapped ross. "b for blue," explained moore affably. "horta's draining the blue stars, or i'm no harvard man." ross eyed the navigator narrowly. "you really think that?" "what else?" countered moore calmly. "horta was a washout on the r-ray--and besides, our red ray doesn't burn like that. i think horta's got something." ross turned to the helmsman, then studied the chart that artana had provided. "we can circle just like this, and make peak four if we can cut that drag a bit. try reducing the speed." it worked. at reduced speed the ship flew more truly, with less pressure on the rudder. ross sighed in relief. "keep her there." he spied the princess leaning against the stanchion, and walked over. "quite a scare, wasn't it?" she regarded him steadily. "you do not like me?" he gaped at her. "why do you say that?" "you pushed me away from you." "oh, that!" ross was nettled. "a man must fight his ship, princess." "yes." she nodded agreement. "but i was afraid. i thought we were doomed. and i wished you to be with me. it is not given to every woman to die with the man of her choice. and you are the man i wish for." ross stared open-mouthed. "say-ay!" he asked cautiously. "you didn't get a knock on the head, did you?" she shook her head unsmilingly. "the earth-girls, they do not speak so to men?" "i'll say they don't," ross assured her feelingly. "oh!" said the princess illeria in a small voice. ross didn't know what to say then. "well," he exclaimed, "we'll soon be back at peak four." he was right. but grim news awaited them at the peak. iv artana met them, his face a thundercloud. he handed ross a ray-typed message. "this came just before you landed," he said tensely. before ross could read the message, the name signed to it caught his eye. horta! the lord of the caverns was coming out of his silence! and with what a greeting! "know, o queen," read horta's message, "that i have destroyed three of the earth-ships, as i shall destroy all who fly against the destiny of the moon kingdom. know, too, that i have destroyed a second earth city, the place called los angeles, as a warning to the earth people that their destiny is not ours." ross read it with a sinking heart. los angeles! a city of two million people, destroyed! then it was horta who had wiped out nagasaki! moore pounced on that thought. "nagasaki, then los angeles!" he muttered. ross turned to artana. "any other news?" artana shook his head. "no. but i have a plan. you know that when the rains come we store them in the great reservoirs, so that our under-world may not be flooded. then why not loose the waters in the reservoirs, and flood the caverns?" ross stared in admiration. but he slowly shook his head. "you'd have to kill half your people, artana, just to dispose of horta." "but," argued artana desperately, "horta will destroy half our people himself, to seize the kingdom. and he will destroy the earth folk, too!" moore spoke up. "the reservoirs are full?" "no," admitted artana. "the rains have not been heavy. the reservoirs are but half full." he sighed. "horta might escape the flood." "that's no good, then," ross said emphatically. "tell you what, moore and i will go and scout the cavern on foot. we may be able to get near enough to the ray works to smash 'em." "you would die," artana said somberly. "horta guards his cavern well." ross nodded. "maybe. but there's no other chance. horta can knock us down out of the air, and he's knocking earth cities to dust. he must be stopped. if we die, you can hold out on the peaks, and flood him out when the rains come." "that's right, artana," moore agreed. "but let me go, chief. i'll take a couple of good men. you stay here." "no dice, harry," ross assured him firmly. "i'm the head man and it's my job. i'd like to have you along, though." "sure," said moore mildly. artana regarded them with admiration. "you are brave men! but what can i do?" "just sit tight, artana, and wait for the rain to fall," grinned moore. "and when it comes, avenge us." "that will i!" swore artana. * * * * * they set out in the dark, moore and ross and the guide whom artana had indicated with a gesture. they had covered only half a mile when ross turned sharply, suspiciously, to the guide. "sure you speak the earth tongue?" he demanded. "if you do, why can't you say something?" the guide threw back the cowl-like head covering and ross caught his breath. "illeria! what are you doing on this tour?" "i go to die with you, my lord," said the princess simply. "my lord!" squawked moore. "excuse me!" he walked forward hurriedly. ross, his face burning in the gloom, took illeria's arm roughly. "this is no job for you, princess! there will be danger!" "even death," agreed the slim princess equably. "no matter. and the lord artana is agreed that i go." "artana agreed?" ross was taken aback. he looked ahead to where moore waited, looked back over the way they had come, then shrugged. "oh, well! here we go!" happily illeria caught his arm, and they strode forward. moore chuckled in the dark. "everything settled?" "yes, dammit," grated ross. "did you ever see such a mess?" moore's reply was sober. "we couldn't have a better guide," he pointed out. "and we know the princess is loyal. how could we be sure of some other guide? a jigger who might sell us out to the first horta sentry?" * * * * * ross grunted agreement, and they trudged on. they saw no one, heard no one, until the first of the craters lay behind, and the moon terrain sloped down and down into the caverns. they came upon the first two sentries suddenly. both swung their ray-guns up, but moore was quicker. his gas-pistol spat twice, and the sentries crumpled. "are they dead?" asked the princess, amazed. "dead to the world--er, i should say, dead to the moon," ross assured her. "they'll stay that way twelve hours, which ought to be long enough for us." moore chuckled. "before then we'll be on top of the world--i mean on top of the moon--or dead heroes." the way was easy, a steady down slope, for a while. then the rock formations began. they slipped and crawled. the princess suffered a cut on her knee, but shrugged at the suggestion of a bandage. the second set of sentries were easily overpowered. they lolled at ease against a ridge, and ross shot twice to gas them to sleep. here the light was better, and ross paused to look them over. they were darker than the peak men, with less color, and their veins stood out against their blue-white skin. they bore the ray-rifle of all the moon soldiers, and another curious weapon besides, a jagged-edged sword with a hooked point. "it's the old moon sword," said illeria. "horta worships the old customs, and swears by the beliefs of the astrologers. it's the astrologers who direct his actions, my mother had said." "it's a dirty weapon," shuddered moore. "i'll take a ray-gun any time." he came within an ace of regretting his choice a moment later, when a whole squad of soldiers rounded an outcrop of rock. ross whispered a warning, and shot fast. moore went into action then, but not before one of the horta men had fired. the ray blasted past them and sheared off a half-ton of rock behind them. "whew, that was close," gasped moore as the last of the soldiers fell. "how about ray-guns now?" gibed ross. "do you know, i think we're in luck. this party is evidently supposed to relieve the sentries we met--so there'll be no alarm over their condition." "you're right!" exclaimed moore. "now all we have to do is to get to that ray machine!" they stood within sight of it when the heavy hand of horta fell. * * * * * in the shadows of the cavern they had crept from arsenal to foundry, until they had inspected from far or near every establishment in this dim and fearsome chasm. and finally they saw it, a great cylinder nestling deep in the ground and looming high in the cavern, supported by guy beams of gleaming metal. "a ray-gun!" cried moore. his incautious exclamation was their undoing. a half-clad foundry worker, looking like a gnome in his eye-shade helmet and drooping gauntlets, gaped at them. ross shot a split second too late to stop the shout of alarm. the foundryman dropped, but a dozen soldiers came on the run. moore and ross fired and fired again, but they went down in a charge of scores of horta soldiers. the flat of a sword struck ross a stunning blow on the side of his head. he came to his senses to find himself in a strange room, bound hand and foot and prone on a stone floor. beside him was moore. "where are we?" muttered ross. "in horta's headquarters," whispered moore. "here's horta." ross twisted his head. he blinked. for horta was an eyeful. the lord of the caverns was a giant. fully seven feet tall, he must have weighed four hundred pounds. but he bore his great bulk with ease and a certain dignity. he strode over to the two prisoners, looked them over with curiosity but without visible rancor, and spoke sharply to a guard in the moon tongue. the guard hastened to free the two flyers. they exchanged glances of surprise. "you don't suppose he's a pal in disguise?" asked moore blandly. he looked up with a start when he heard a rumbling chuckle. horta was amused. "no, earth-man. you are prisoners. but i have no need to bind you, for you cannot escape. yet you need not fear death, for if you will stay and serve me you shall have life and all the blessings that will be showered upon a new kingdom." "new kingdom?" moore blinked. "it's a regency, isn't it?" horta's great laugh boomed out. "nay! i am the king! and for my queen--well, you have delivered her to me!" ross sat up and stared. "you mean--illeria?" horta chuckled as he nodded. "illeria!" ross stifled a curse. his mind raced. the girl was a prisoner, too. he spoke aloud, easily. "well, i guess we can give your royal highness a hand." "hey, bruce!" moore expostulated. "you don't mean--" "why not?" drawled ross. turning to face moore, he winked. "we know a lot that will pay our way with the new kingdom." moore blinked. "of course!" he assented hastily. "sure!" horta stared suspiciously at the two flyers. "make sure, then, that you have no secret longings to return to earth," he warned heavily. "for henceforth there shall be no intercourse between moon and earth. the truce is ended." ross ventured a question. "what'll you do with the men of the peaks?" horta smiled grimly. "they will submit, or die." he gestured imperiously, and the guards pushed the flyers forward as horta strode from the room. as they trailed behind, moore whispered, "he doesn't look like a killer." "probably a fanatic," ross muttered. "what's the play?" "watch our chance, and wreck the ray machine." "and us with it," grumbled moore. "most likely," ross agreed. they entered a softly lit room, in the wake of horta. as their eyes became accustomed to the dim light they gasped. there was illeria. but beside her was the queen--boada! * * * * * she swept them with a glance in which contempt was mingled with a kind of pity. "you did not expect to see me here," she said harshly. "but i serve the destiny of the moon. the wise men have shown me that the moon was never destined to serve the earth, but must stand with the blue stars when the universe is rent asunder. and now the moon is ready to defend itself, thanks to the new king horta!" in the silence that followed ross heard the girl gasp. the queen spoke softly. "and you, my daughter, shall be the new queen, wife of the almighty horta the liberator." "not," ross muttered between his teeth, "if i can help it." "me, too," whispered moore. the girl said nothing. but her eyes sought ross with piteous entreaty. horta broke the silence. "the nuptials shall be solemnized in tomorrow's full light. you, earth-men, shall remain under guard until you have given earnest proof of your fealty." the guards punched the two as horta rapped an order in the moon tongue, and they allowed themselves to be led away. through a dim corridor they passed, and into a stone cell, with oddly fashioned stone bars and a door that slid on a metal base, locking them into their tomb. ross circled the cell, then shook his head. "we couldn't get out of this without a ray machine," he muttered. moore sat down against a wall. "guess not. say, bruce, did you hear the old girl?" "the universe is to be rent asunder," grunted ross. "where does that leave us?" "behind the eight ball, as i believe they used to say back in the twentieth century," grinned moore. "that is, that's where we would be if the universe really were to be rent asunder." "oh!" grunted ross in heavy sarcasm. "so it isn't going to happen?" "gosh, no," chuckled moore. "it's the silliest kind of astrological fake, discredited two centuries ago. where horta picked it up i don't know. probably he got some power from the blue stars by accident, and his faker astrologists strung him along on the big bust-up idea." "nice clean fun," muttered ross. "well, we missed. horta's still got his ray machine. he's also got the princess--and the queen for an ally." "he's also," amended moore dryly, "got us." "and how," grunted ross. "how long do you suppose we'll last if we don't--" he stopped abruptly. a faint noise came to his ears. "hear that?" he asked, puzzled. moore cocked his head to one side. "running water," he remarked. "they haven't got a river down--" a scream, faint and far away, took his breath away. another sounded, and then a chorus, dimmed by space and the stone walls. suddenly ross and moore whirled to face one another. "artana!" cried ross. "he's opened the reservoirs!" gasped moore. they leaped to their feet. ross tried the door, savagely. moore broke the skin of his hands on the stout stone bars of the window. in a moment, water was swirling at their feet. moore stared down at it gloomily. "i was two days on a raft in the middle of the atlantic," he sighed, "and i didn't drown." the water rose to their knees. v ross tugged at the door. "you aren't drowned yet. how did this door open?" "from the outside," grumbled moore, tugging with his chief. "it rolled--ha! it's opening! we've got it!" the door was sliding open. a rush of water swept them half off balance, and they splashed into the flood when the princess illeria catapulted into them. "princess!" yelled moore. "good girl!" ross gripped her arm. "what's going on?" "panic," she panted, clinging to him. "horta and his steadiest men are at the ray machine, fighting to keep the water out of the ray reservoir. the queen went with him. i'm--afraid--" "cheer up," ross consoled her. "and let's get out of this." he led the way out of the cell. water was waist deep in the corridor. ross pointed up an incline, where the swirling waters ran thinly. "looks good," he suggested. he whirled then on illeria. "where do you suppose we could get some guns?" "what good would they do?" growled moore. "there's that ray machine," ross reminded him. "oh! yes. but--" moore shot a glance at the princess. "don't forget--the queen--" ross scowled. "i know." illeria touched his arm. "if the queen must die, that the moon people and the earth folk may be saved, let it be so," she urged simply. the two men bit their lips. "come!" urged the girl. "there is a guardroom above. there must be weapons." "i could use one of those antique hook-'em swords on old horta," growled moore. they burst into the guardroom prepared for sudden and violent action. but the great chamber was empty of moon men. on the walls hung ray rifles. ross and moore each snatched one. "now where?" asked moore. ross surveyed the room. windowed on all sides, it had only two doors, the one they had entered and another opposite. "we'll try that," ross decided. "what we've got to find now is a spot that commands the square where the ray machine is bedded." the sloping corridor led them to such a spot. on a balcony they stood and for a moment were content to watch horta's artisans toiling with sandbags and debris to make barricades against the flood. "they'll do it, too," moore said aloud, voicing his chief's thought. "artana's trick was probably just to help us out," ross judged. "he hadn't enough water to flood 'em out." moore fidgeted. "let's do something, bruce! there's that ray reservoir. think these pop-guns will punch a hole in it?" ross raised his rifle, and lowered it as suddenly. for into sight, beside the giant horta, walked queen boada. moore exclaimed under his breath, fingering his rifle. it was the princess illeria who, snatching the rifle from moore's hands, leveled it swiftly and fired. as ross sought to snatch it from her she faced him defiantly. "let destiny rule us!" she exclaimed. "my mother is an unhappy woman who stands in the way of peace. let me fire again!" her demand left ross irresolute. as he held her hand, moore cried out. "they spotted that shot, bruce! they're looking for us!" it was true. horta stood, legs spread, his fierce glance sweeping the open space. workers had begun to drop sandbags and pick up guns. ross loosed his hold. "let's fire together, then," he said heavily. "the double shot may pierce that thick metal. aim at the muddy mark, illeria! ready--fire!" the two rifles spat together. moore yelled, "you've done it! duck--fast!" they could not take cover fast enough. ross had one glimpse of a tremendous sheet of flame licking out of the hole they had blasted, saw its counterpart high in the sky at the mouth of the ray cylinder, heard a great roar, and seemed to know nothing else. * * * * * he regained consciousness on the platform of peak four, where his flagship, now repaired, rested airily. artana, moore and illeria bent over him solicitously. "what happened?" he asked, fretfully. artana spoke soberly. "the queen is dead." he turned to illeria, dropped to one knee, and bowed his head. "long live the queen!" ross glanced at moore. the navigator winked. "order is restored, chief," he explained. "that blow-up finished horta and all his works. and earth is on the phone. all serene there, since the los angeles disaster. you are ordered to return and report." illeria dropped to her knees beside ross. "you will not go? you will stay--and my people shall make you king!" ross looked long into her eyes, and the earth seemed far away and an unreal world. but he slowly shook his head as he rose and gently lifted her to her feet. "i must go, illeria," he said. "but--perhaps i shall return. good-bye, artana, you will restore peace to the moon." the lord of the peaks bowed his head, "that i will, farewell, ross!" with one last glance at the white-faced princess, ross nodded shortly to moore. they strode to their ship without a backward glance. at a curt order the helmsman took her off, and in seconds the two figures on peak four's platform had dwindled to specks. "you can come back," moore grunted. "think so?" "sure. when the council hears what you've done they'll give you twenty years' leave. with pay." ross smiled. and the smile lingered as he turned to jorgens to dictate a message for the earth. the rocket ship droned on through space. the moon destroyers by monroe k. ruch [transcriber's note: this etext was produced from wonder stories quarterly winter 1932. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed.] [illustration: the tremendous speed of the dive brought them so close that they could see the skeletons of wrecked ships piled up at the base of the precipice.] * * * * * monroe k. ruch the moon is not only the most prominent object in our heavens, but also an integral part of the earth. we are, so to speak, an astronomical unit, and we affect each other for better or for worse. we know that the gravitational attraction of the moon causes our tides, and tends to slow up the earth in her daily rotation. it has also been deemed responsible for earthquakes, causing untold suffering among earth's people. but so far the effect of the moon has been rather an inhuman affair. no man has gone to the moon to see just what conditions are there, and to observe accurately the influence that the moon and earth exercise over each other. but when interplanetary travel does come, when commerce between moon and earth may possibly assume importance in our lives, the influence of the moon upon us may be more accurately determined. and when it is, the amazing series of incidents, pictured in this story, may yet come true. * * * * * professor erickson, head of the international seismographical institute, sat with bowed head and pale face, watching the stylus of the instrument before him trace its path on the slowly revolving drum. the laboratory, situated high in the himalayas, trembled slightly as mid-winter storms roared and whistled around it, but something quite different, and infinitely more sinister, was causing the needle to wander from its ordinarily straight path. suddenly, with horrible certainty, it jumped, wavered back and forth, and then moved rapidly to the right, until its black ink no longer traced a line on the white paper. "holden," shouted erickson to his assistant, "what does the direction and distance finder tell us? the stylus has run clear off the graph." young jack holden was working feverishly over the dials and levers of the panel before him. slender yet strong, he looked like a long-bow of stout old yew as he bent to the task. his steel gray eyes focused intently on the verniers, taking the readings. the muscles in his tanned cheeks were tight as he turned toward his superior. for a moment the very storm seemed to hush, awaiting the words. then he spoke. "it's the laurentian fault!" for a moment both men stared at each other, stunned and helpless. "that means," holden managed to say, "that new york is a mass of ruins." pictures were forming in his mind; he saw the huge steel and glass towers of the city, tossed and torn by the convulsive writhings of the earth beneath. great engineers had said that the city was safe, that no tremors would ever disturb it, but they knew nothing of the terrific force of such a shock as this. those massive buildings, thousands of feet high, would now be mere heaps of twisted junk. holden closed his eyes to shut out the picture, but to no avail. his sister! god! she was probably one of the millions who now lay, crushed, bleeding and helpless beneath the wreckage of the too-proud metropolis. "my boy," the professor was speaking, "we must stay with our work, no matter what happens." his voice was low; his entire family had been wiped out, without doubt, but science must be served. for hours the two sat before their instruments, as shock after shock was recorded. jones came down from the television room above, and his report confirmed their observations in horrible detail. "all communications from the city itself are cut off, but an airliner from england, which was about to dock, has broadcast the scene. aid is being rushed from all over the world, but at a conservative estimate ten million are already dead, and millions more will probably die, buried and hidden as they are beneath the wreckage." at last, nearly five hours after the first shock, the professor stood up. "i think that is all. my prophecies have come true, and at last my theories will be needed. but the cost of it all, the horrible cost!" * * * * * two weeks later a group of men were seated around the conference table in the spacious offices of the department of public safety of the world union. all faces were turned toward the stooped figure of professor erickson, who was speaking from the head of the table. "gentlemen, i have outlined to you, only too briefly, the damage caused by the quake a few days ago. i now state that a repetition of such a disaster is imminent. great faults have formed in the basic granites throughout the entire globe. observations recorded during five centuries since the first conception of the idea by dr. maxwell allen in 1931, show conclusively that earth-tides, set up by the attraction of the moon, cause a sweeping series of stresses and strains. these, coming to a fault, produce earthquakes. now that there are huge faults in the basic rock, these quakes will be of a tremendous force and range which the most modern structures will be unable to resist." "professor," spoke john dorman, secretary of public safety, "if all this is true, and we are assured that it is, what on earth can be done about it?" "gentlemen, during nearly seventy years i have studied that problem, and i have come to only one conclusion. nothing on earth can be done about it, if you permit the remark, but men from earth can do something. _destroy the moon!_" a gasp went up from the great men assembled there. erickson's colleagues nodded in helpless agreement. "but how?" the question came from all sides. famous engineers looked at each other questioningly. "gentlemen." this was a new voice, young and full of energy. "mr. holden," responded the chairman. "professor erickson was so kind as to confide in me several years ago, and since then i have been at work on this problem. i have solved it." eager interest shone on all faces. jack holden was known and liked by many of these men, despite his youth. his discovery of _hexoxen_, the chemical which turned solid matter into almost intangible vapor, had created quite a stir in scientific circles. he now continued his address. "if all the resources of earth are made use of, it would be possible to produce hundreds of tons of _hexoxen_ and sufficient amounts of the element europium to act as a catalyst. that would be plenty to reduce the moon to a gaseous state. the clouds of gas could then be penetrated by anti-gravitational screens, which would cause the smaller pieces to drift off into space, where they will do no harm whatsoever." several distinguished engineers nodded their heads. one of them spoke. "mr. secretary, the plan is entirely feasible. i move that mr. holden be given permission to make use of all the necessary resources to carry out his plan, and that he be placed in sole charge, assisted by an advisory board of which professor erickson shall be chairman." the motion was carried, the papers drawn up, and the meeting adjourned. holden grasped professor erickson firmly by the arm and hurried him to the elevator. "we've got just five minutes to get to the port. we're catching the first airliner for san francisco. there are three of the latest model mars-earth freighters there, which we will use for our expedition. we will also be near the best source of europium. hurry." as the elevator shot downward, the old professor endeavored to congratulate holden on his appointment. "forget it. this was your idea, and they should have named you leader of the expedition, but that really doesn't make much difference. anything you say goes, see?" a crowd was milling around the entrance to the western hemisphere tunnel. an official tried to stop holden and his companion as they pushed their way through the crowd. "the liner is leaving. you can't go in there." "oh, we can't, huh? here." a single glance at the paper shoved under his nose, and the gatekeeper came to life. "right this way, you're just in time." the three ran out on top of the building, where the beautiful silver shape of the liner floated at the top of a short tower. an officer was just giving the command to cast loose, but as holden shouted to him, he countermanded it, for special orders from the union had to be obeyed, even if schedules were spoiled. * * * * * nodding their thanks to the now obsequious gateman, the two scientists hurried up the ladder that had been dropped for them; again came the shouted "cast off," and the huge liner, impelled by powerful motors, rose rapidly to the high altitude at which she traveled. "message for you, sir," said a pleasant voice at holden's elbow, and he turned. a neatly uniformed boy held out to him a thin envelope. breaking the seal, he read rapidly. "will you show us in to the captain, please," he addressed the boy as he finished the message. the lad nodded, and led them down a long hall to the bow of the ship and up to the bridge. "mr. holden, i presume? and professor erickson? i am captain linet." the captain was an immense man, well over six feet, with the build of a prizefighter. his face was pleasant, but there was an expression of intense sorrow in his deep blue eyes. "i understand that you have been appointed to head an expedition to the moon, the nature of which has not been revealed, but which will do away forever with the earthquakes which have become so prevalent. i wish to join that expedition. my beloved wife was in new york at the time of the last quake. you understand." holden nodded sympathetically. he would be glad to have all the men like this he could find, and he expressed that opinion to the captain. "thank you. i will resign my position when we reach san francisco, and will await your orders." "but, captain," holden asked, "how did you know that i was head of the expedition?" "oh, the news has been broadcast everywhere, with instructions to give you any aid possible. but no information was given as to the exact nature of the trip. could i be trusted--?" "why certainly. we are going to destroy the moon, wipe it out of existence, so that it will cease to exert the tremendous gravitational pull that has been causing--." at that moment a petty officer appeared behind the captain. "have you any further orders concerning the cargo to be dumped at new orleans?" "no. i thought i gave you to understand that there were to be no more additions to that cargo. didn't you hear me?" "i beg your pardon, sir," the man said, and walked away. "i wonder how much of our conversation he heard?" mused erickson. "but then, i suppose it makes no difference." after a few minutes of conversation, holden asked the captain if they could be shown their cabins, so that they could get a few hours of rest before reaching their destination. the request was readily granted, and in a few minutes holden was alone in a neat little room, furnished with a comfortable chair, tables along two walls, and a very pleasant looking berth built into the third side. the professor had a similar place a few doors down the hall. holden threw off his shoes and coat and tumbled into the berth. the events of the last weeks were spinning in his head, and a procession of visions passed before his eyes. that terrible catastrophe, the trip to europe, to the capitol of the world union, and now, the appointment as leader of the most important expedition in the history of the universe, with the possible exception of that first epoch-making voyage to mars back in 2350. another vision appeared before his eyes. jean! jean, his own sweetheart, the one person in the world who mattered, gone now for a full year. why had she decided to make the voyage to mars? what could have happened to the ill-fated _gloriana_, with her hundreds of passengers and valuable cargo? a year ago she had left; and, as some people said, merely drifted out into space, never to be heard from again. a deep sob shook holden's body as he thought of that beautiful girl, who, laughing at his fears, had stepped into the space flyer with a smile on her lips, promising to come back in a year and marry him. at last, however, these memories gave way before exhaustion, and he fell into a sleep, troubled by strange dreams. it seemed that a great serpent had attacked him, and, flinging its coils about his body, was slowly squeezing out his life. suddenly, he was wide awake. strong hands were on his throat, the thumbs were pressed tight against his larynx. he struggled to gain his breath, to shout for help, but the pressure closed his throat. in another moment it would be too late. then his mind cleared; raising both hands to the back of his neck, he grasped the little fingers of his assailant, and pulled with all his strength. the man gave a cry of pain and anger and relaxed his grip. holden gulped in a breath of air, and flung himself from his berth, endeavoring to catch and hold the coward who had attacked in the dark. the man, however, was wiry and quick. with a sudden jerk he wriggled loose, gained the door and was gone. when holden reached the corridor, no one was in sight. quickly he walked to professor erickson's room, awakened him, and told him what had happened. erickson rang up a steward, who promised to do everything in his power to apprehend the culprit. "who could it have been?" asked erickson. "i haven't the slightest idea. i have no enemies that i know of. i'm not carrying any valuables. it was probably a case of mistaken identity." the incident was dismissed with that interpretation, and it was several weeks before holden thought of it again, but then he wished fervently that he had investigated more thoroughly. chapter ii a midnight attack it was midnight when the liner reached san francisco, but holden insisted on going at once to the offices of the interplanetary transportation company, where work was carried on day and night. fortunately they found an official of the company who had sufficient power to carry out their instructions. it is unnecessary to go into the details of the meeting, or of the ensuing days. the unlimited power given holden, together with the vital importance of his mission, brought everyone into instant cooperation. three mammoth space ships were turned over to the gang of mechanics he had hired, to be fitted with projectors for the anti-gravitational screens. thousands of chemists all over the world dropped their work to prepare the precious _hexoxen_ while others extracted europium from the rare minerals in which it was found. special freight ships were sent out to gather together the supply of these materials upon which the fate of the earth depended, and rapidly the great quantities of the chemical necessary were stored in the ships. captain linet had proven true to his word, and, with his great executive ability, had made himself invaluable. it was a pleasant sight to see the huge old captain, veteran of many a storm in the air, conferring with the slim young holden, whose pleasant features and soft voice gave no real notion of the immense energy, fiery courage and scientific knowledge which he possessed. crews for the three ships had to be assembled. holden and erickson picked many from among the scientific men of their acquaintance, all experts in their lines. the interplanetary transportation company recommended several of their best men for the positions on board requiring technical knowledge of the handling of space ships, and captain linet also picked up a few of his friends--brave, strong men. there were to be fifty on each ship. the start had been scheduled for the fifteenth of the month, but on the tenth professor erickson received a radiogram from the seismographical institute which read as follows: "observations indicate a series of stresses approaching pacific fault, probably aggravated by unusual tidal action of moon in that area tenth of next month." "gentlemen," the old professor addressed the little group gathered in the office allotted them in the i. t. c. building, "as you know, this is the tenth. without allowing for possible delays, we would just have time, starting tomorrow, to reach the moon, distribute the _hexoxen_ and europium and get out of range by the first. that would leave us only ten days for cutting the gaseous mass into small pieces which will drift harmlessly into space. if we do not have that task accomplished by the time indicated in this message, los angeles, san francisco, portland and seattle will suffer the fate which overtook new york such a short time ago." holden's face was pale as he rose and nodded to the professor. "if captain linet will take the responsibility of getting the crews on board, i will see that we are ready to leave at high noon tomorrow." the meeting adjourned in a flurry of papers, a ringing of bells, and brisk words spoken into television transmitters. all that night and all the next morning work went on. at eleven a. m. the last five hundred tons of _hexoxen_ was loaded on the _san francisco_, which was to be the flagship; at noon exactly the huge doors swung shut, the repulsion tubes at the stern began to glow, and the beautiful cigar-shaped ship rose from the earth, followed immediately by the _los angeles_ and the _ganymede_. they cruised slowly, at about six hundred miles per hour, until they were well out of the earth's atmosphere, when full power was slowly turned on, and the trip to the moon was actually begun. holden and erickson stood in the bow of the _san francisco_, watching the skilful hands of the pilot, edwards, as he spun the dials controlling the steering discharges, keeping the delicate needle in the direction indicator exactly in line with the path indicated on the chart before him. "how are things going, edwards?" holden asked. "fine so far. we have developed our necessary velocity in very good time. if you would allow me a word of advice, i would suggest that you turn in now, as the tremendous acceleration of the last few minutes, and the speed with which we are now traveling, are liable to affect you disagreeably, since this is your first trip. our course has been plotted by the experts of the i. t. c., and there is nothing to do now but to stay on it." * * * * * holden decided that the suggestion was a good one, as he was beginning to feel light-headed and slightly bewildered. erickson, however, chose to go down to the observation room, for a glance at the earth, and the two parted company in the hall which led through the storage compartments, located amidships. as holden continued on down the hall toward his cabin, a sudden feeling of danger came over him. memories of the clutching hands that had endeavored to throttle the life out of him shot into his mind. he laughed to himself, attributing the fear to the mental disorganization suffered by travelers on their first trip into space. he opened the door of his cabin, and stepped inside, instinctively reaching for the light-switch. his hand encountered warm flesh! swiftly he went into action, diving for the stranger's throat, but his unknown antagonist had the advantage of being prepared. holden heard a soft swish, a tremendous weight seemed to descend on him, crushing his entire body. buzzing lights flashed before his eyes. then came darkness, and he sank, unconscious, to the floor. "jack, jack, my boy." the voice came from a great distance, slowly penetrating the great cloud which hung over him. "jack, what's the matter with you?" he realized that someone was talking to him. with a mighty effort, he opened his eyes and endeavored to distinguish the speaker among the thousands of objects which whirled before his eyes. at last things settled down, and he saw the anxious faces of erickson and captain linet bending above him. "somebody was in my cabin, and slugged me over the head with a black-jack when i came in. look at the wall-cabinet, will you, professor, and see if any of the papers are missing?" the professor stepped over to one side of the room, and bent to examine the compartment set in the solid metal of the wall. "holden," he cried, "the intruder tried to open the cabinet, but was unable to do so, or else you came back sooner than he had expected. there are tool marks all around the lock." "that means," exclaimed captain linet, "that the man either has tools in his cabin, or has access to the machine shop here on board." scarcely had he spoken when the floor leaped beneath their feet, a deafening roar sounded from the bow, and the lights went out. sounds of running feet came from the corridor. the three men picked themselves up from the positions into which they had been thrown by the force of the shock, and rushed to the door. the emergency lights had been switched on, and they could see fairly well by the dim illumination. they hurried into the pilot house at the bow. edwards was struggling with the controls, pale but determined. "there's something wrong with the steering apparatus we've run into a group of tiny meteorites, but, thank god, they didn't hit hard enough to penetrate the shell. the other ships seem to be in good shape; they're standing by a few hundred miles away, for i've signaled them not to get themselves tangled up with this shower." at that moment a breathless tube-man came running in. "report for you, sir, from the tube-room. someone tampered with the timing device that controls the feeding of the charges. we can have it repaired in a few hours." "good," snapped edwards. "give me all the power you can from the emergency tubes, and keep the main stern tubes going full." turning to holden, he continued, "i'll try to steer out of this shower by means of the deceleration tubes, but i don't dare use up too much of their power, and they can't be recharged until after we land." "captain linet," holden ordered, "start a search of the ship. go over every man's room first, and pay especial attention to their baggage. read all the private papers you can find, and see if you can't get some clue as to why all this is being done. by the way, do we have any arms on board?" linet smiled. "while your orders didn't cover that matter, sir, i took the liberty to bring with me a very complete arsenal of small arms, and three of the newly developed rapid-fire disintegrators, using your _hexoxen_ as the material for the bullets. very effective, i may add." "fine. as soon as a man is searched, and has been entirely cleared of all shadow of suspicion, arm him." erickson departed with captain linet, and holden remained in the pilot room, helping edwards work the ship onward. after about an hour and a half, they had reached an area free from meteorites of dangerous size. "i think i can handle her myself, now. thanks very much," edwards said, and holden departed to do a little investigating on his own. * * * * * in the tube-room at the stern, he found linet. the doughty captain had evidently been giving the men a thorough raking over, for they were all looking slightly sheepish, as men do when they have had to reveal the most intimate details of their lives. "all in shape here," linet reported. "five of the men i know best are searching the living quarters, under command of professor erickson. if you will come with me now, we will go to the observation room, where the rest of the men are loafing while off duty." as they passed down the central hall in the section where the cabins were located, a man ran out from a side passage, saw them, and turned at full speed for the bow. "stop him," came a shout. holden recognized the voice as erickson's. the man heard it, too, for he whirled in his tracks, whipped an old-fashioned automatic pistol from his pocket, leveled it at holden, and took careful aim. the fraction of a second during which his eye rested along the sights was his undoing. captain linet's hand, hidden under the loose jacket he was wearing, pressed the release on his short-range ray pistol, a light bluish streak touched the man's breast, and he fell forward, his heart literally shattered by the energy of the ray. holden reached him first, and rolled him over. his face was faintly familiar, and doubt changed to recognition as captain linet exclaimed, "it's chambers, a former petty officer on my airliner." it was the man who had come up to the captain while holden and erickson were conversing with him on the bridge. "what on earth could the man have been up to? he must have been mad to attack me on this ship, with no chance of escape," exclaimed holden. "do you know anything of his record, captain?" "nothing whatsoever, except that he seemed honest enough, and hard working. i was the one responsible for his presence on board here, as he had mentioned some knowledge of interplanetary travel, and we needed men." erickson had come up by that time. "we found nothing in this man's cabin except some tools that he had evidently stolen from the machine shop, and a code book of the type used by commercial companies for interplanetary messages. he entered the room while we were searching it, and bolted when he saw us." the thing was puzzling, but most of the men on board accepted the explanation that the man was mad, and had for some reason resorted to desperate measures to assure the safety of the moon. "you know," explained captain linet, "back a few hundred years ago, there was the expression 'moonstruck' applied to people who were mentally deranged." at any rate, the incident was closed, as no one could be found who might possibly have been an accomplice. minor damage caused by the cloud of meteorites was repaired, and the three ships swung in close together, heading for the satellite which they were commissioned to destroy. the men spent as much time as they could in their bunks, for there was hard dangerous work ahead of them. huge cartridges had to be filled with _hexoxen_, caps of europium placed on top, and adjustments made so that, after a certain time had elapsed, the catalyst would come into contact with the _hexoxen_, causing a reaction to take place which would continue almost as long as there was solid material present to be vaporized. one slip of tired hands, one miscalculation and many men, perhaps the entire party, would suffer a terrible fate. holden was busy with one of the latest and best maps of the moon, looking for places where landing could be made, and charting the spots where the cartridges would be buried. the exact time for which every charge was to be set had to be worked out in advance. chapter iii a sudden encounter the map of the moon was not as complete as it could have been, either. no particular interest had been taken in our satellite since the first exploratory expeditions nearly fifty years before, when it had been determined that the moon was of no value to earthmen, either as an outpost for colonization or a station for the production of power from the sun's rays. jack did the best he could, however, and the little dots he placed on the map were close enough together to assure complete vaporization of the solid material in less than the allotted time. at the end of the second day out, by earth-time, the dead satellite loomed immense, only five thousand miles ahead. holden was in the pilot house when edwards began turning on the deceleration tubes. "i flashed your message to the other ships," he said, as his quick fingers touched the buttons which sent messages to the tube-room, "telling them to stand by and land with us. i understand that the plan is to use these ships to travel over the surface of the moon, making landings in such positions that expeditions can be sent out in four directions to plant cartridges. that will certainly give us plenty of time, if nothing goes wrong." "i don't see what could go wrong," replied holden, "since that madman is out of the way." eagerly he watched the dead, dust-covered surface approach, marveling at the huge craters and precipitous peaks. in two hours the five thousand miles had been reduced to less than that many yards, and in a few more minutes the three great ships were settling softly on the smooth surface of the plain at the foot of mount julian. space suits were rapidly donned, the air-locks set in operation, and the men hastily began unloading the first four charges of _hexoxen_ and europium. holden called a meeting of the ship commanders in the pilot room of the _san francisco_. "commander huges," he addressed the man in charge of the _los angeles_, "you will proceed toward mount locke, and continue in that line until you reach the spot marked on this chart, which is directly opposite our present position. rogers, you take the _ganymede_, and go at an angle of 120 degrees to huges' course, toward mount zoga. i will continue over the crater of aristotle. we will keep in constant communication with each other by means of the space phone. time the charges so that they will commence to react on the afternoon of the twenty-eighth, thus giving a sufficient margin of time in case of delays due to parties getting lost. that's all." the _ganymede_ and the _los angeles_ left almost immediately, while men from the _san francisco_ set out to plant the first charges. there were four men to each cartridge, since it was necessary that they travel fast. holden smiled as the lean figure of professor erickson, almost lost in his space-suit, bounded away in great leaps at the head of his party. in five hours they returned, having had no trouble at all. edwards manipulated the controls, and the ship rose quickly to an altitude of about five thousand feet and headed for the rim of the crater of aristotle, barely visible in the distance. as they neared the rim, they rose higher and higher. the mammoth cliffs of black rock towered above them, and the meters registered a height of five miles as they passed through a crack in the cliffs and looked down on the level floor beneath them. suddenly holden, who had been inspecting the country from one of the bow ports, uttered an exclamation of astonishment. "a tiny ship is rising toward us from the floor of the crater, near the cliffs!" there it was, a speck rapidly growing larger, headed straight for them, and gaining velocity with every foot it covered. edwards worked frantically with the controls, diving in a zig-zag path toward the strange craft. captain linet rushed in, carrying one of the light _hexoxen_ guns. holden hurried to help him place it in a specially designed aperture in the bow, while erickson and the regular radio man endeavored to establish communications with the intruder. a voice suddenly spoke from their instrument. "you will consider yourselves our captives. land at once as close as possible to the white spot you see at the base of the cliff. if you do not obey instructions, we will ram you immediately." "don't reply for a moment," holden commanded, focusing his glasses in the direction indicated. as the powerful lenses brought out every detail of the scene below, he paled visibly. "what's the matter?" demanded erickson. "matter enough," was the amazing reply. "we've run into a den of some bandits. they must be the fiends who have been preying on the earth-mars shipping!" * * * * * the tremendous speed of the dive had brought them so close that all could see, without the aid of binoculars, the great skeletons of wrecked ships piled up at the base of the precipice. "tell those rats to go to hell," snapped holden, "and get in touch with our own ships; use code and tell them to get here as quickly as possible, prepared for a fight. get near enough to this pirate ship to open on it with the _hexoxen_ guns. can you keep them from ramming us, edwards?" "i think so, for a time, at least." the enemy's craft was now only a few hundred yards away, and holden scrutinized it closely for any sign that might give a clue to the original builders or present owners. not over a hundred and fifty feet in length, with no visible openings, it looked like a slightly fattened steel needle. its stern tubes were of the ordinary type; they glowed red against the silvery background, as the enemy swooped and circled, trying to get into position for a final, crushing blow. "every man in space suits," holden ordered. "good work, linet," he cried, as he saw a sudden pock-mark appear in the pirate's side, where the devastating _hexoxen_ bullet had struck. "they've certainly got thick plates," remarked the captain, as another direct hit failed to do more than scratch the metal. "probably heavier up in front, if they mean what they say about ramming. i'm going to concentrate on the stern." the dull red surface of the moon, the black walls of the crater, and the twinkling stars of outer space mingled in a fantastic whirl as edwards skilfully kept the _san francisco_ out of the enemy's reach, at the same time giving linet and the men in the observation compartment sufficient opportunity to train their guns on vital spots. it was a hopeless game, though, for the smaller ship was incredibly fast. erickson straightened up from his position behind the operator of the space-phone. "we can't make any connections with either the _ganymede_ or the _los angeles_. probably these pirates have developed a shield which, thrown around their victims, prevents any message from getting to the outside." that looked bad. erickson switched the receiver back to the wave-length of the enemy. a continual stream of taunts and threats came from the loudspeaker. "why don't you surrender?" the gruff voice barked. "you haven't a chance against us, but if you surrender you may be allowed to work with us, for your own benefit as well as ours." "go to hell," the formerly meek erickson roared into the transmitter, surprised at his own rage. then finally, with a desperate dash, the tiny pirate ship darted in. edwards did his best to swerve away from the needle-point, but in vain. there was a shattering crash; holden felt himself hurled through the air, but his heavy space-suit saved him from being crushed as he hit the wall of the room. edwards stayed with the controls, somehow, cursing savagely. "only a glancing blow, but it smashed all the main stern tubes, and evidently disabled the anti-gravitational shield transmitter. we're going down." holden dashed to a port and glanced out. a welcome sight met his eyes. the enemy, also injured, was heading for home as fast as his disabled engines permitted. "those _hexoxen_ bombs must have weakened his plating, so that it sprang when he rammed us," edwards exclaimed when he saw what was happening. slowly the _san francisco_ sank toward the red and black volcanic ash of the crater floor. a hasty inspection revealed that edwards had been correct in his diagnosis of the trouble. extensive repairs would be necessary before they could proceed, but, fortunately, no one was seriously hurt, and the main shell showed no signs of strains or leaks. as soon as edwards had brought them safely to rest on the ground, holden called a council of war. "from the way these chaps fight, it's evident that they have no weapons, other than the bow of their ship, and possibly some short-range ray pistols, or the still more antiquated guns using some form of explosive to expel metal bullets. as soon as the shadow of the cliff throws this section of the crater into darkness, i'm going to do a little exploring, and see if i can't find out where these rats hide, when they're not out in space. linet, you throw a line of pickets around the ship; edwards, get started on repairs, and erickson, keep on trying to get in touch with our companions." * * * * * scarcely had he finished speaking when the light began to fade, and in a few minutes it was pitch black. refusing to take anyone along with him, holden crept out of the air-lock, and with an occasional glance at the compass fastened inside his suit, always pointing toward the _san francisco_, he set out in the general direction of the wrecked space ships he had seen piled along the base of the cliff. he made good time, despite the weight of his suit and the poor footing afforded by the loosely piled dust, and finally saw ahead of him the silvery gleam of a ship's side. afraid to use his light, he crept toward the bow of the craft, past a huge hole, and reached the name-plate. following the deeply engraved characters, he slowly spelled out the name "g-l-o-r-," his heart gave a great thump. _gloriana_, the earth-mars passenger transport into which his own jean had stepped so happily a year previously! a sudden hope flared up and then died down as he remembered the gaping hole he had just passed. the cowards had probably attacked without warning; the terrible cold of outer space had flooded through the opening made by that sharp-pointed prow,--. he could not bear to carry the image further; with a sob in his throat and murderous hatred in his heart, he continued his search for the pirate stronghold. winding his way among other shattered ships, he came to the base of the towering cliff, and turned to the right along it, finding his way by constantly touching the hard rock with his gloved hand. suddenly there was a space where he could touch nothing, then the texture of the material changed. carefully shielding the glow, he flashed a light on the wall for a moment. it was metal, not rock! the pirates had walled in a cave with plates from the captured transports; probably they were living within, in all the luxury of their stolen wealth. a few yards farther on his searching hand touched a seam in the metal, still farther, another, evidently the air-lock through which the pirates took their ship into the cave. holden sat down to think. at that moment the wall against which he leaned began to move slowly outward! a dim ray of light came from the opening, which, as he turned to look, he saw to be an air-lock. the inner door was closed, obviously someone was expected to enter. he drew a deep breath, clasped his gun firmly in his right hand, and plunged in. as soon as he entered, the outer door closed; he heard valves click open, air rushed into the chamber, and the inner door slowly opened, revealing a long hall, dark and ominous. without removing the helmet of his space-suit, he started down the hall, but had gone no more than a few steps before he felt a hand on his sleeve, drawing him through a darkened doorway. the door closed, a light flashed on, and before him stood, smiling and happy, his sweetheart, jean! with a single movement he flung off his helmet and seized her in his arms. for a short, delicious moment she clung to him, whispering those words that lovers know so well. at last she said, "we haven't a minute to lose, jack. let me tell you all i know about this place." "but jean, how did you get here? how does it happen that you had access to the air-lock?" "i was captured by these fiends, and am a prisoner, together with about fifteen others, only five of them being men. all the rest were killed, either when the pirates rammed the ships, or here, when they decided the place was becoming crowded." her face paled at the memory of the horrible massacres, but she went bravely on. "we have no space-suits, and the pirates, of whom there are perhaps seventy-five, let us wander around pretty much as we please. we know of practically everything that goes on. i happened to hear your name mentioned in the phone room the other day, when a spy on your ship sent a message. when the pirates brought their ship in, crippled by the fight, i was sure that you were around somewhere. i have been watching ever since, making use of a sound detector pieced together from some scraps of material i picked up unnoticed. "there aren't any guards because the gang is busy repairing the _silver death_, as they call their ship, preparatory to finishing the job they started today. oh, jack, you must go, now. they may be through at any time. i don't know when i will see you again, if ever, but i couldn't resist talking to you, touching you, just once more." "one moment, dear. i have an idea. is there any compartment, farther back or lower down, where you could gather the prisoners together, and be safe in case the outer wall was broken down?" * * * * * "yes," she replied breathlessly, "one of the older, smaller caves is still airtight, and while the gang is busy on the _silver death_ we could go there and close the locks. what good would that do, though? they are certain you can't get in here, or they wouldn't leave the place unguarded. they have your ship surrounded by a wave-proof shield, so you can't communicate with the others of your fleet, you know." "i know that, but i think i can steal a leaf from their own book. will they all be working, say three hours from now?" "i think so. your guns did a great deal of damage, weakening the forward structures of their craft." "all right. get your friends together in the old cave you mentioned, seal it, and then wait till i come back." tenderly he kissed her good-bye, then hastened away, anxious to get his work done before the shadow of the cliff again receded. thanking the fates for the good fortune that had saved jean, and had led her to the air-lock at the moment he was there, he stumbled over the rocks and dust piles until halted by the picket line surrounding the _san francisco_. he called the men into the ship, and hastened to the pilot room, where edwards was testing the controls. "any luck?" "yes, a lot. can you get the ship in shape to travel in three hours?" "she's in pretty good shape now, although not capable of the trip back to earth." captain linet entered at that moment, and with him professor erickson. holden recounted his adventures of the last hour and then set forth his plan. "the cave is walled up with thin plating from the ships the pirates have brought in here. the entire gang is at work, repairing their own flier; none of them, or at least only a few, are wearing space suits. i propose to drive the bow of the _san francisco_ into the wall of their cave, previously weakening it by a few bursts from the _hexoxen_ guns!" "it is possible," replied edwards, "but it will probably put us out of commission altogether." "in any case," put in erickson, "we will be rid of this damnable shield, and can communicate with our companions." it certainly was the only plan, for, as soon as the pirates had repaired their ship, another unequal battle would be waged, with the result very little in doubt. all hands set to work completing repairs on the main stern tubes, the only ones necessary to drive the _san francisco_ forward. in less than three hours, edwards pronounced the work done to his satisfaction. as the light began to creep in toward the base of the cliff, the huge ship rose slightly off the ground, the tubes glowed red and, guided by a powerful searchlight installed on the bow, edwards pointed his craft toward the gleaming metal patch that marked the position of the pirate cave. at short range, holden, linet, and erickson opened with the three _hexoxen_ guns. they saw the bursts take effect on the metal. edwards turned the power on full, and they felt the floor leaping under them. would the bow of the _san francisco_ hold? would they all be crushed to death at the impact? another moment would tell. holden saw the metal plates dead ahead, could distinguish the seams marking the air-lock. he fired one final shot, and flung himself to the floor of the pilot room, endeavoring to find some means of bracing himself for the shock. then it came! torn from his position, he saw the plates buckling and heaving about him. the lights went out. a great crash sounded in his ears, and everything went black. in a moment he regained consciousness, and staggered to his feet, bruised and dizzy. thank god, his space suit had not been harmed! a faint glow from the outside made things visible and he saw that the shock had torn a huge piece out of the plating of the pilot room. a hand clutched his elbow, and through the phone in his space suit he heard linet's voice. "erickson and edwards are knocked out. let's see what we did to these chaps here." * * * * * rushing back through the corridor, they collected as many of the crew as were able to move, flung open the heavy doors of the air-lock, and scrambled down to the floor of the cave. here and there lay bodies, pirates caught unawares. suddenly holden saw a blue flash. one of the mechanics clutched at his breast and fell, dead in an instant. "some of these fellows are still alive. they're using ray pistols," holden shouted into his suit phone. even as he spoke he heard the sound of running feet from the darkness in the rear of the cave, where the bow of the _silver death_ was barely visible in her cradle, and in a moment at least fifty figures, pirates who had somehow escaped the fatal cold of space, clad in clumsy suits and brandishing pistols, flung themselves desperately upon the smaller party. blue flashes were everywhere as the battle commenced, but the only sound was of struggling feet, with an occasional thud as a body hit the floor. the pirates had been weakened by their long stay on the moon, and moved slowly, but the surprise of their attack, and the superiority of numbers had given them some advantage. it was man to man fighting, savage and merciless. holden, with a neat dive, knocked the feet from under a huge fellow who had trained a pistol on him, and they rolled over and over, each trying desperately to gain a second's advantage. he heard a dull crash to one side, as captain linet, jumping high into the air, landed with stunning force on a bewildered assailant. thinking of jean, waiting for him in some dim corner of the cave, he redoubled his efforts. for a fraction of a second his pistol pointed toward his antagonist's body, and that was enough. he pressed the release, and the deadly ray shot into the body beneath him, dealing instant death. freeing himself from the cold grip, he ducked an empty pistol flung at him by a new assailant. again his finger bent, and another body dropped to join those lying motionless on the floor. a fast-moving shadow caught his eye. he saw one of the pirates detach himself from a writhing group and head for the side of the cave. that was the place where jean had said she would be waiting! pausing only an instant to make sure that his pistol was still charged, holden sprang in pursuit of the fleeing form. he saw him stoop and pick up a heavy bar from the floor. the coward was going to burst open the chamber where the helpless captives waited! it was impossible to aim at that speed, so holden forced his flying feet to move still faster, and foot by foot he drew closer to the man he pursued. metal plates again gleamed in front of him, and he saw the pirate raise the bar high over his head, preparing for a blow which would crush the thin plates. the tiniest hole would mean death to the captives, who had no means of protecting themselves. with one last desperate effort, holden jumped, his earth-trained muscles carrying him high into the air, while his pistol stabbed the partial darkness with vivid rays. dodging and ducking, the pirate evaded the fatal stabs, while his bar beat a loud tattoo against the metal. holden struck at him with his now useless pistol as he landed. the blow missed, and, losing his balance, he staggered and fell, past his foe, who quickly turned, raising his bar for a _coup de grace_ which never landed. the familiar flash of a pistol once more illuminated the scene, the bar dropped from dead hands, and holden scrambled to his feet. a voice was speaking through his suit phone, and he recognized it as erickson's. "i just came to, tumbled out of that hole in the pilot room, saw the flash of your pistol, and here i am." the old professor appeared, wobbling slightly, but still game. the flashes toward the mouth of the cave had grown fewer. leaving erickson to guard the compartment of the captives, holden hurried back to the fight. even as he went, the flashes died out altogether, and he heard linet's hearty voice in the phone. "holden, where are you? we've cleaned out them all down here." light was now flooding in from outside, and bodies could be seen lying thick on the floor, cold and stiff in death. sadly holden recognized many of them as his own men. after a hasty conference with linet, he gathered together fifteen space suits, and with an escort helping to carry them, he hurried back to jean. * * * * * the door of the air-lock opened as his party approached. they went in, heard the swish of air entering, and in a few minutes the inner door swung wide. a happy crowd of men and women surrounded them, as they rid themselves of their helmets. holden felt jean's arms around him, her sweet lips once more on his. for a second they clung together, then parted, for there was work to be done. the space suits were distributed and, as he led the way back to the _san francisco_, jean told him briefly the details of the long year of imprisonment. "they gave us warning before they rammed us, as they wanted to save the women, for a purpose you can guess. fortunately, there were never enough of us to go around, and these men, exiles from two planets, were always quarreling among themselves, so we were quite safe. we just existed, praying that some exploring expedition would find us, or that the _silver death_ would meet a ship too strong for her to ram and, fleeing here for refuge, be trailed." holden sighted captain linet hurrying toward them. in the light now flooding the entire cavern, he could see lines of despair and hopelessness written over the florid face. "what's the matter?" "matter enough," came the ominous answer. "the space phone on our ship is entirely disabled. we won't be able to get in touch with the _ganymede_ or the _los angeles_. in a few days, the _hexoxen_ charges they plant will commence to go off, and that will be the end of us." holden stopped, stunned by the news. fleeting visions of happiness with jean vanished into thin air. he would be destroyed by the chemical he had invented, with which he had hoped to save the world. "i thought we might get out in the _silver death_," continued the captain, "but the entrance is entirely blocked by our own ship, and i'm afraid it will never move again." then jean's clear voice cut in. "how about the space phone on the _silver death_? won't it work?" "why, of course it will," laughed the captain, amused at his own stupidity. stumbling and tripping in their haste, the three hurried through the open air lock of the pirate craft, into the pilot room. holden feverishly set to work, whirling the strange dials, pushing this button, then that. at last a faint roar sounded in the loud speaker. pressing his helmet against the transmitter, so that the vibrations would carry his voice, he shouted, "_ganymede_, _los angeles_, holden calling." "what ho?" came a cheery voice, which he recognized as belonging to huges, commander of the _los angeles_. breathing a sigh of relief, he explained the situation. busy days followed. _hexoxen_ and europium from the _san francisco_ were transferred to the other ships, with as much of the treasure collected by the pirates as could be loaded into the cramped quarters. with huges and rogers assisting, holden revised the schedule for planting the charges. "we simply haven't time," he explained, "to set the charges as close together as i had planned. there's nothing to do but get all of them in that we can, and then hope that conditions in the interior of the moon will be of a nature to promote the action of the _hexoxen_." the ships' crews understood only too well the importance and danger of their work, and during the days that followed they toiled like a gang of madmen. parties raced each other over the rough surface of the dead satellite, grimly determined that their efforts to save the world should not be in vain. even the men of the party which had been rescued, weakened as they were by their long stay in the pirate cave, insisted on giving what help they could. finally came the day when the first charges were set to go off. holden sat in the pilot room of the _ganymede_, his eyes on the chronometer, while captain linet swept the desolate plain with powerful binoculars for the cloud of dust which would signal the return of the last party. "five minutes yet, captain," holden said in a low voice. "tell the _los angeles_ to pull out. the first charges are scarcely two hundred miles from here, and i'm not certain how fast the reaction will travel." five minutes. two minutes. the silver shape of the _los angeles_ was already fading in the distance. suddenly a sharp shock rocked the stony bed on which the _ganymede_ was resting. simultaneously five figures appeared, racing at full speed for the ship. shock after shock tore at the ground beneath their feet. holden stood at the controls, waiting for the signal that his five comrades were safely aboard. to his tensed nerves it seemed hours before the welcome sound came to his ears, and with a sigh of relief he opened the power into the stern tubes, and laughed happily as the huge ship shot away from the heaving surface of the dying moon. anxious seconds passed. from the height to which they had risen, a great part of the moon was visible, and for the first time holden realized the full power of the chemical which his ingenuity had devised. immense tongues of flame ripped through the dust and rock of the satellite, sending dense clouds of vapor bellowing out into space. mighty mountains disappeared in an instant. the _ganymede_ was traveling at full speed, and yet it seemed as though at any moment the conflagration might reach out, consuming the space ship in that all-engulfing reaction. holden manipulated the controls with flying fingers, seeking to get every available bit of speed from the metal monster which was carrying its precious cargo of human beings away from a terrible death. far ahead he could see the shape of the _los angeles_, now safely outside the danger zone. thin clouds of vapor floated around the _ganymede_, then suddenly cleared. captain linet gave a shout of joy as he read the distance recorded on the dials. "jack, my boy, we're safe. we're outside the limit to which the reaction can extend." with the three ships playing their deadly beams on the moon, holden watched the immense craters, the towering mountains, and the desolate plains of the moon slowly vaporize. it was an awe-inspiring sight, as this dead world slowly melted into the nothingness of space, as though a disease of matter were wasting it inexorably away. no doubt, on the earth, as the contours of the moon slowly blurred and became indistinct, with the accumulation of vapor around its now ragged rim, there must have been terror and consternation. and as the moon slowly evaporated in the skies a virtual panic must have ensued among the earth's people. the hand of a terrible fate, or the coming of the end of the world, must have been shouted from city to city as the only explanation of this apparent disaster in the heavens. but the work had to go on.... for days, the _ganymede_ and the _los angeles_ cruised through the thin clouds, spreading between them the anti-gravitational shield, while the sections of vapor, freed of their mutual attraction, drifted out into uncharted space. it was slow, dangerous work, cutting those sections off from the main mass, and maintaining the proper position until they had floated off into space. occasional particles of rock, small but deadly, clattered against the hard shell of the space ship. fortunately, no fragments of appreciable size were encountered; the _hexoxen_ had done its work thoroughly. for eight days the powerful ray sliced and repelled. under its influence huge clouds of vapor, the ghostly remains of the calm globe which had innocently threatened the earth, hurtled off into the farthest reaches of space, there to sink at last into the substance of some flaming star. at last the work was finished, and the two ships, saviors of the earth, turned their bows toward home to carry to the awestruck people of earth the glad news that interplanetary commerce would be as free of pirates thereafter as the earth would be free of the disastrous quakes. and jack holden, at last, faced with a light heart the honors that would be his, knowing that he could now share them with the girl of his dreams. the end. transcriber's note: this etext was produced from planet stories july 1952. extensive research did not uncover any evidence that the u.s. copyright on this publication was renewed. master of the moondog by stanley mullen _idiotic pets rate idiotic masters. tod denver and charley, the moondog, made ideal companions as they set a zigzag course for the martian diggings--paradise for fools._ * * * * * it was charley's fault, of course; all of it.... temperature outside was a rough 280 degrees f., which is plenty rough and about three degrees cooler than hell. it was somewhere over the lunar appenines and the sun bored down from an airless sky like an unshielded atomic furnace. the thermal adjustors whined and snarled and clogged-up until the inside of the space sled was just bearable. [illustration] tod denver glared at charley, who was a moondog and looked like one, and charley glared back. denver was fond of charley, as one might be of an idiot child. at the moment they found each in the other's doghouse. charley had curled up and attached himself to the instrument panel from which be scowled at denver in malignant fury. [illustration] charley was a full-grown, two yard-long moondog. he looked like an oversized comma of something vague and luminous. at the head end he was a fat yellow balloon, and the rest of him tapered vaguely to a blunt apex of infinity. whatever odd forces composed his weird physiology, he was undoubtedly electronic or magnetic. in the physically magnetic sense, he could cling for hours to any metallic surface, or at will propel himself about or hang suspended between any two or more metallic objects. as to his personality, he was equally magnetic, for wherever denver took him he attracted curious stares and comments. most people have never seen a moondog. such creatures, found only on the moons of saturn, are too rare to be encountered often as household or personal pets. but tod denver had won charley in a crap game at crystal city; and thereafter found him both an inseparable companion and exasperating responsibility. he had tried every available means to get rid of charley, but without success. either direct sale or horse-trade proved useless. charley liked denver too well to put up with less interesting owners so charley always came back, and nearly always accompanied by profanity and threats. charley was spectacular, and a monstrous care but denver ended by becoming fond of the nuisance. he would miss the radiant, stupid and embarrassingly affectionate creature. charley had currently burned out a transformer by some careless and exuberant antic; hence the mutual doghouse. scolding was wasted effort, so denver merely sighed and made a face at charley. "mad dogs and martians go out in the lunar sun," he sang as a punishment. charley recognized only the word "dog" but he considered the song a personal insult; as if denver's singing were not sufficient punishment for a minor offense. charley was irritated. charley's iridescence flickered evilly, which was enough to short-circuit two relays and weld an undetermined number of hot switches. charley's temper was short, and short-circuiting all electrical units within range was mere reflex. tod denver swore nobly and fluently, set the controls on automatic-neutral and tried to localize the damage. but for charley and his overloaded peeve, they would have been in crystal city inside the hour. so it was charley's fault, of course; all of it.... * * * * * it was beyond mere prank. denver calculated grimly that his isolated suit would hold up less than twenty minutes in that noon inferno outside before the stats fused and the suiting melted and ran off him in droplets of metal foil and glass cloth. the thermal adjustors were already working at capacity, transmitting the light and heat that filtered through the mirror-tone hull into stored, useful energy. batteries were already overcharged and the voltage regulators snapped on and off like a crackling barrage of distant heat-guns. below was a high gulch of the lunar appenines, a pattern of dazzling glare and harsh moonshadows. ramshackle mine-buildings of prefabricated plastic straggled out from the shrouding blackness under a pinnacled ridge. denver eyed the forbidding terrain with hair-raising panic. he checked the speed of the racing space sled, circled once, and tried to pick out a soft spot. the ship swooped down like a falling rock, power off. denver awaited the landing shock. it was rough. space was too cramped and he overshot his planned landing. the spacer set down hard beyond the cleared strip, raising spurting clouds of volcanic ash which showered his view-ports in blinding glare. skids shrilled on naked rock, causing painful vibrations in the cabin. denver wrenched at controls, trying to avoid jagged tongues of broken lava protruding above the dust-floor. sun-fire turned the disturbed dust into luminous haze blanketing ship and making vision impossible. the spacer ground to an agonized stop. denver's landing was rough but he still lived. he sat blankly and felt cold in the superheated cabin. it was nice and surprising to be alive. without sustaining air the dust settled almost instantly. haze cleared outside the ports. charley whined eagerly. he detached himself from the tilting control panel and sailed wildly about like a hydrophobic goldfish in a bowl of water. a succession of spitting and crackling sounds poured from him as he batted his lunatic face to the view-ports to peer outside. pseudo-tendrils formed around his travesty of mouth, and he wrinkled his absurd face into yellow typhoons of excitement. this was fun. let's do it again! denver grunted uncomfortably. he studied the staggering scene of lunar landscape without any definite hope. something blazing from the peak of the largest mine-structure caught his eye. with a snort of bitter disgust he identified the dazzle. distress signals in interplanetary code! that should be very helpful under the poisonous circumstances. he swore again, numbly, but with deep sincerity. charley danced and flicked around the cabin like a free electron with a careless disregard for traffic regulations and public safety. it was wordless effort to express his eagerness to go outside and explore with denver. in spite of himself, tod denver grinned at the display. "not this time, charley. you wait in the ship while i take a quick look around. from the appearance of things, i'll run into trouble enough without help from you." the moondog drooped from disappointment. with charley, any emotion always reached the ultimate absurdity. he was a flowing, flexible phantom of translucent color and radiance. but now the colors faded like gaudy rags in caustic solution. charley whined as denver went through the grotesque ritual of donning space helmet and zipping up his glass cloth and metal foil suiting before he dared venture outside. charley even tried to help by pouring himself through the stale air to hold open the locker where the tool-belts and holstered heat guns were kept. space suiting bulged with internal pressure as denver slid through the airlock and left the ship behind. walking carefully against the treachery of moonweak gravity, he made cautious way up the slope toward the clustered buildings. footing was bad, with the feeling of treading upon brittle, glassy surfaces and breaking through to bury his weighted shoes in inches of soft ash. a small detour was necessary to avoid upthrusting pinnacles of lavarock. in the shadow of these outcroppings he paused to let his eyes adjust to the brilliance of sunlight. a thin pencil-beam of light stabbed outward from behind the nearer building. close at hand, one of the lava-needles vanished in soundless display of mushrooming explosion. sharp, acrid heat penetrated even the insulating layers of suit. a pressure-wave of expanding gas staggered him before it dissipated. denver flung himself instinctively behind the sheltering rocks. prone, he inched forward to peer cautiously through a v-cleft between two jagged spires. heat-blaster in hand, he waited events. again the beam licked out. the huddle of lava-pinnacles became a core of flaming destruction. half-molten rock showered denver's precarious refuge. he ducked, unhurt, then thrust head and gun-arm above the barricade. * * * * * two dark figures, running awkwardly, detached themselves from the huddled bulk of buildings. like leaping, fantastic shadows, they scampered toward the mounds of deep shadow beneath the ridge. the route took them away from denver, making aim difficult. he fired twice, hurriedly. missed. but near misses because he had not focused for such range. by the time he could reset the weapon, the scurrying figures had disappeared into the screening puddles of shadow. denver tried to distinguish them against the blackness, but it lay in solid, covering mass at the base of a titanic ridge. faintly he could see a ghostly outline, much too large for men. it might be a ship, but it would have to be large enough for a space-yacht. no stinking two-man sled like his spacer. and he could not be sure in that eerie blankness if it even were a ship. besides, the range was too great. uncertainty vanished as a circle of light showed briefly. an airlock door opened and closed swiftly. denver stood clear of the rocks and wondered if he should risk anything further. pursuit was useless with such arms as he carried. no question of courage was involved. a man is not required to play quixotic fool under such circumstances. and there might not be time to return to his spacer for a long-range heat gun. if he tried to reach the strange ship, its occupants could smoke him down before he covered half the distance. if he continued toward the buildings, they might return and stalk him. they would, he knew, if they guessed he was alone. decision was spared him. rockets thundered. the ridge lighted up as with magnesium flares. a big ship moved out of the banked shadows, accelerating swiftly. it was a space-yacht, black-hulled, and showed no insignia. it was fast, incredibly fast. he wasted one blaster charge after it, but missed focus by yards. he ducked out of sight among the rocks as the ship dipped to skim low overhead. then it was gone, circling in stiff, steep spiral until it lost itself to sight in distant gorges. "close!" denver murmured. "too close. and now what?" he quickly recharged the blaster. a series of sprawling leaps ate up the remaining distance to the mine's living quarters. one whole side, where airlock doors had been, was now a gaping, ragged hole. a haze of nearly invisible frost crystals still descended in slow showers. it was bitterly cold on the sharp, opaque edge of mountain-shadow. thermal adjustors in his suiting stopped their irregular humming. automatic units combined chemicals and began to operate against the biting cold. with a premonition of ugly dread, denver clambered into the ruined building. inside was airless, heatless cell, totally dark. denver's gloved hand sought a radilume-switch. light blinked on as he fumbled the button. death sat at a metal-topped table. death wore the guise of a tall, gaunt, leathery man, no longer young. it was no pretty sight, though not too unfamiliar a sight on luna. the man had been writing. frozen fingers still clutched a cylinder pen, and the nub adhered to the paper as the flow of ink had stiffened. from nose, ears and mouth, streams of blood had congealed into fat, crimson icicles. rimes of ruby crystals ringed pressure-bulged eyes. he was complete, perfect, a tableau of cold, airless death. the paper was a claim record, registered in the name of laird martin, earthman. an attached photograph matched what could be seen of face behind its mask of frozen blood. across the foot of the sheet was a hurried scrawl: _claim jumpers. i know they'll get me. if i can hide this first, they will not get what they want. where mitre peak's apex of shadow points at 2017 et is the first of a series of deep-cut arrow markings. follow. they lead to the entrance. old martian workings. maybe something. whoever finds this, see that my kid, soleil, gets a share. she's in school on earth. address is 93-x south palma--_ the pen had stopped writing half-through the word. death had intervened hideously. imagination could picture the scene as that airlock wall disappeared in blinding, soundless flash. or perhaps there had been sound in the pressured atmosphere. his own arrival may have frightened off the claim jumpers, but too late to help the victim, who sat so straight and hideous in the airless tomb. there was nothing to do. airless cold would embalm the body until some bored official could come out from crystal city to investigate the murder and pick up the hideous pieces. but if the killers returned denver made sure that nothing remained to guide them in their search for the secret mine worked long-ago by forgotten martians. it was laird martin's discovery and his dying legacy to a child on distant earth. denver picked up the document and wadded it clumsily into a fold-pocket of his spacesuit. it might help the police locate the heir. in martin's billfold was the child's picture, no more. denver retraced his steps to the frosty airlock valve of his ship. inside the cabin, charley greeted his master's return with extravagant caperings which wasted millions of electron volts. "nobody home, charley," denver told the purring moondog, "but we've picked up a nasty errand to run." it was a bad habit, he reflected; talking to a moondog like that, but he had picked up the habit from sheer loneliness of his prospecting among the haunted desolations of the moon. even talking to charley was better than going nuts, he thought, and there was not too much danger of smart answers. he worked quickly, repairing the inadvertent damage charley's pique had caused. it took ten full minutes, and the heat-deadline was too close for comfort. he finished and breathed more freely as temperatures began to drop. he peeled off the helmet and unzipped the suit which was reaching the thermal levels of a live-steam bath. he ran tape through the charger to impregnate electronic setting that would guide the ship on its course to crystal city. "we were on our way, there, anyhow," he mused. "i hope they've improved the jail. it could stand air-conditioning." ii crystal city made up in violence what it lacked in size. it was a typical boom town of the lunar mining regions. mining and a thriving spacefreight trade in heavy metals made it a mecca for the toughest space-screws and hardest living prospector-miners to be found in the inhabited worlds. saloons and cheap lodging-houses, gambling dens and neon-washed palaces of expensive sin, the jail and a flourishing assortment of glittery funeral parlors faced each other across two main intersecting streets. x marked the spot and life was the least costly of the many commodities offered for sale to rich-strike suckers who funneled in from all luna. the town occupied the cleared and leveled floor of a small ringwall "crater," and beneath its colorful dome of rainbowy perma-plastic, it sizzled. dealers in mining equipment made overnight fortunes which they lost at the gaming tables just as quickly. in the streets one rubbed elbows with denizens from every part of the solar system; many of them curiously not anthropomorphic. glittering and painted purveyors of more tawdry and shopworn goods than mining equipment also made fortunes overnight, and some of them paid for their greedy snatching at luxury with their empty lives. brawls were sporadic and usually fatal. crystal city sizzled, and the lunar police sat on the lid as uneasily as if the place were a charge of high-explosive. it was, but it made living conditions difficult for a policeman, and made the desk-sergeant's temper extremely short. tod denver's experience with police stations had consisted chiefly of uncomfortable stays as an invited, reluctant guest. to a hard-drinking man, such invitations are both frequent and inescapable. so tod denver was uneasy in the presence of such an obviously ill-tempered desk sergeant. memories are tender documents from past experience, and denver's experiences had induced extreme sensitivity about jails. especially crystal city's jail. briefly, he acquainted irritable officialdom with details of his find in the appenines. the sergeant was fat, belligerent and unphilosophical. "you stink," said the sergeant, twisting his face into more repulsive suggestion of a distorted rubber mask. tod denver tried to continue. the sergeant cut him off with a rude suggestion. "so what?" added the official. "suppose you did run into a murder. do i care? maybe you killed the old guy yourself and are trying to cover up. i don't know." he scowled speculatively at denver who waited and worried. "forget it," went on the sergeant. "we ain't got time to chase down everybody that knocks off a lone prospector. there's a lot of punks like you i'd like to bump myself right here in crystal city. even if you're telling the truth i don't believe you. if you'd thought he had something valuable you'd have swiped it yourself, not come running to us. don't bother me. if you got something, snag it. if not, shove it--" the suggestion was detailed, anatomical. charley giggled amiably. startled, the sergeant looked up and caught sight of the monstrosity. he shrieked. "what's that?" "charley, my moondog," denver explained. "they're quite scarce here." charley made eerie, chittering noises and settled on denver's shoulder, waiting for his master to stroke the filaments of his blunt head. "looks like a cross between a bird and a carrot. try making him scarce from my office." "don't worry, he's housebroke." "don't matter. get him out of here, out of crystal city. we have an ordinance against pets. unhealthy beasts. disease-agents. they foul up the atmosphere." "not charley," denver argued hopelessly. "he's not animal; he's a natural air-purifier. gives off ozone." "two hours you've got to get him out of here. two hours. out of town. i hope you go with him. if he don't stink, you do. if i have any trouble with either of you, you go in the tank." tod denver gulped and held his nose. "not your tank. no thanks. i want a hotel room with a tub and shower, not a night in your glue factory. come on, charley. i guess you sleep in the ship." charley grinned evilly at the sergeant. he gave out chuckling sounds, as if meditating. to escape disaster tod denver snatched him up and fled. * * * * * after depositing charley in the ship, he bought clean clothes and registered for a room at the spaceport hotel. after a bath, a shave and a civilized meal he felt more human than he had for many lonely months. he transferred his belongings to the new clothes, and opened his billfold to audit his dwindling resources. after the hotel and the new clothes and the storage-rent at the spaceport for his ship, there was barely enough for even a bust of limited dimensions. it would have to do. as he replaced the money a battered photograph fell out. it was the picture of laird martin's child. a girl, not over four. she was plump and pretty in the vague way children are plump and pretty. an old picture, of course; faded and worn from frequent handling. dirty and not too clear. how could anyone trace a small orphan girl on earth with the picture and the incomplete address? she would be older, of course; maybe six or seven. schools do keep records and lists of the pupils' names might be available if he had money to investigate. which he hadn't. his ship carried three months of supplies. beside the money in his billfold, he had nothing else. nothing but charley, and the sales of him had always backfired. at best, a moondog was not readily marketable. besides, could he part with charley? maybe if he looked into those old martian workings, the money would be forthcoming. after all, the dying laird martin had only asked that a share be reserved for his daughter. put some aside for the kid. use some to find her. keep careful accounting and give her a fair half. more if she needed it and there wasn't too much. it was a nice thought. denver felt warm and decent inside. for the moment some of his thoughts verged upon indecencies. he lacked the price but it cost nothing to look. he called it widow-shopping, which was not a misnomer in crystal city. there were plenty of widows, some lonely, some lively. some free and uninhibited. and he did have the price of the drinks. the impulse carried him outside to a point near the x-like intersection of streets. here, the possibilities of sin and evil splendor dazzled the eye. pressured atmosphere within the domed city was richer than tod denver was used to. oxygen in pressure tanks costs money; and he had accustomed himself to do with as little as possible. charley helped slightly. now the stuff went tingling through nostrils, lungs and on to his veins. it swept upward to his brain and blood piled up there, feeling as if full of bursting tiny bubbles like champagne. he felt gay and feckless, light-headed and big-headed. ego expanded, and he imagined himself a man of destiny at the turning point of his career. he was not drunk, except on oxygen. not drunk yet. but thirsty. the street was garish with display of drinkeries. in neon lights a tilted glass dripped beads of color. there was a name in luminous pastel-tubing: _pot o' stars._ beneath the showering color stood a girl. tod denver's blood pressure soared nimbly upward and collided painfully with blocked safety valves. the look was worth it. tremendous. hot stuff. wow! when bestially young he had dreamed lecherously of such a glorious creature. older, bitter experience had taught him that they existed outside his price class. his eyes worked her over in frank admiration and his imagination worked overtime. she was martian, obviously, from her facial structure, if one noticed her face. martian, of course. but certainly not one of the red desert folk, nor one of the spindly yellow-brown canal-keepers. white. probably sprang originally from the icy marshes near the pole, where several odd remnants of the old white races still lived, and lingered painfully on the short rations of dying mars. she was pale and perilous and wonderful. hair was shimmering bright cascade of spun platinum that fell in muted waves upon shoulders of naked beauty. her eyes swam liquid silver with purple lights dwelling within, and her sullen red lips formed a heartshaped mouth, as if pouting. heavy lids weighed down the eyes, and heavier barbaric bracelets weighted wrists and ankles. twin breasts were mounds of soft, sun-dappled snow frosted with thin metal plates glowing with gemfire. her simple garment was metalcloth, but so fine-spun and gauzelike that it seemed woven of moonlight. it seemed as un-needed as silver leafing draped upon some exotic flowering, but somehow enhanced the general effect. her effect was overpowering. denver followed her inside and followed her sweet, poisonous witchery as the girl glided gracefully along the aisle between ranked tables. as she entered the glittering room talk died for a moment of sheer admiration, then began in swift whispered accents. men dreamed inaudibly and the women envied and hated her on sight. she seemed well-known to the place. her name, denver learned from the awed whispering, was--darbor.... _the pot o' stars_ combined drinking, dancing and gambling. a few people even ate food. there was muffled gaiety, glitter of glass and chromium, and general bad taste in the decoration. the hostesses were dressed merely to tempt and tease the homesick and lovelorn prospectors and lure the better-paid mine-workers into a deadly proximity to alcohol and gambling devices. * * * * * the girl went ahead, and denver followed, regretting his politeness when she beat him to the only unoccupied table. it had a big sign, _reserved_, but she seemed waiting for no one, since she ordered a drink and merely played with it. she seemed wrapped in speculative contemplation of the other customers, as if estimating the possible profits to the house. on impulse, denver edged to her table and stood looking down at her. cold eyes, like amber ice, looked through him. "i know i look like a spacetramp," he observed. "but i'm not invisible. mind if i pull up a cactus and squat?" her eyes were chill calculation. "suit yourself ... if you like to live dangerously." denver laughed and sat down. "how important are you? or is it something else? you don't look so deadly. i'll buy you a drink if you like. or dance, if you're careless about toes." her cold shrug stopped him. "skip it," she snapped. "buy yourself a drink if you can afford it. then go." "what makes you rate a table to yourself? i could go now but i won't. the liquor here's probably poison but who pays for it makes no difference to me. maybe you'd like to buy me a short snort. or just snort at me again. on you, it looks good." the girl gazed at him languorously, puzzled. then she let go with a laugh which sparkled like audible champagne. "good for you," she said eagerly. "you're just a punk, but you have guts. guts, but what else? got any money?" denver bristled. "pots of it," he lied, as any other man would. then, remembering suddenly, "not with me but i know where to lay hands on plenty of it." her eyes calculated. "you're not the goon who came in from the appenines today? with a wild tale of murder and claim-jumpers and old martian workings?" quick suspicion dulled denver's appreciation of beauty. she laughed sharply. "don't worry about me, stupid. i heard it all over town. policemen talk. for me, they jump through hoops. everybody knows. you'd be smart to lie low before someone jumps out of a sung-bush and says boo! at you. if you expected the cops to do anything, you're naive. or stupid. about those martian workings, is there anything to the yarn?" denver grunted. he knew he was talking too much but the urge to brag is masculine and universal. "maybe, i don't know. martian miners dabbled in heavy metals. maybe they found something there and maybe they left some. if they did, i'm the guy with the treasure map. willing to take a chance on me?" darbor smiled calculatingly. "look me up when you find the treasure. you're full of laughs tonight. trying to pick me up on peanuts. men lie down and beg me to walk on their faces. they lay gold or jewels or pots of uranium at my feet. got any money--now?" "i can pay ... up to a point," denver confessed miserably. "we're not in business, kid. but champagne's on me. don't worry about it. i own the joint up to a point. i don't, actually. big ed caltis owns it. but i'm the dummy. i front for him because of taxes and the cops. we'll drink together tonight, and all for free. i haven't had a good laugh since they kicked me out of venusport. you're it. i hope you aren't afraid of big ed. everybody else is. he bosses the town, the cops and all the stinking politicians. he dabbles in every dirty racket, from girls to the gambling upstairs. he pays my bills, too, but so far he hasn't collected. not that he hasn't tried." denver was impressed. big ed's girl. if she was. and he sat with her, alone, drinking at big ed's expense. that was a laugh. a hot one. rich, even for luna. "big ed?" he said. "the scorpion of mars!" darbor's eyes narrowed. "the same. the name sounds like a gangsters' nickname. it isn't. he was a pro-wrestler. champion of the interplanetary league for three years. but he's a gangster and racketeer at heart. his bully-boys play rough. still want to take a chance, sucker?" a waitress brought drinks and departed. snowgrape champagne from mars cooled in a silver bucket. it was the right temperature, so did not geyser as denver unskilfully wrested out the cork. he filled the glasses, gave one to the girl. raising the other, he smiled into darbor's dangerous eyes. "the first one to us," he offered gallantly. "after that, we'll drink to big ed. i hope he chokes. he was a louse in the ring." darbor's face lighted like a flaming sunset in the cloud-canopy of venus. "here's to us then," she responded. "and to guts. you're dumb and delightful, but you do something to me i'd forgotten could be done. and maybe i'll change my mind even if you don't have the price. i think i'll kiss you. big ed is still a louse, and not only in the ring. he thinks he can out-wrestle me but i know all the nasty holds. i play for keeps or not at all. keep away from me, kid." denver's imagination had caught fire. under the combined stimuli of darbor and snowgrape champagne, he seemed to ascend to some high, rarified, alien dimension where life became serene and uncomplicated. a place where one ate and slept and made fortunes and love, and only the love was vital. he smoldered. "play me for keeps," he urged. "maybe i will," darbor answered clearly. she was feeling the champagne too, but not as exaltedly as denver who was not used to such potent vintages as darbor and sg-mars, 2028. "maybe i will, kid, but ask me after the martian workings work out." "don't think i won't," he promised eagerly. "want to dance?" her face lighted up. she started to her feet, then sank back. "better not," she murmured. "big ed doesn't like other men to come near me. he's big, bad and jealous. he may be here tonight. don't push your luck, kid. i'm trouble, bad trouble." denver snapped his fingers drunkenly. "that for big ed. i eat trouble." her eyes were twin pools of darkness. they widened as ripples of alarm spread through them. "start eating," she said. "here it comes!" big ed caltis stood behind denver's chair. iii tod denver turned. "hello, rubber-face," he said pleasantly. "sit down and have a drink. you're paying for it." big ed caltis turned apoplectic purple but he sat down. a waitress hustled up another glass. silence in the room. every eye focused upon the table where big ed caltis sat and stared blindly at his uninvited guest. skilfully, denver poured sparkling liquid against the inside curve of the third glass. with exaggerated care, he refilled his own and the girl's. he shoved the odd glass toward big ed with a careless gesture that was not defiance but held a hint of something cold and deadly and menacing. "drink hearty, champ," he suggested. "you'll need strength and dutch courage to hear some of the things i've wanted to tell you. i've been holding them for a long time. this is it." big ed nodded slowly, ponderously. "i'm listening." denver began a long bill of particulars against big ed caltis of crystal city. he omitted little, though some of it was mere scandalous gossip with which solo-prospectors who had been the objects of a squeeze-play consoled themselves and took revenge upon their tormentor from safe distance. denver paused once, briefly, to re-assess and recapture the delight he took in gazing at darbor's beauty seated opposite. then he resumed his account of the life and times of big ed, an improvised essay into the folly and stupidity of untamed greed which ended upon a sustained note of vituperation. big ed smiled with sardonic amusement. he was in his late forties, running a bit to blubber, but still looked strong and capable. he waited until tod denver ran down, waited and smiled patiently. "if you've finished," he said. "i should compliment you on the completeness of the picture you paint of me. when i need a biographer, i'll call on you. just now i have another business proposition. i understand you know the location of some ancient martian mine-workings. you need a partner. i'm proposing myself." denver paled. "i have a partner," he said, nodding toward the girl. big ed smiled thinly. "that's settled then. her being your partner makes it easy. what she has is mine. i bought her. she works for me and everything she has is mine." darbor's eyes held curious despair. but hatred boiled up in her. "not altogether," she corrected him evenly. "you never got what you wanted most--me! and you never will. i just resigned. get yourself another dummy." but ed stood up. "very good. maudlin but magnificent. let me offer my congratulations to both of you. but you're mistaken. i'll get everything i want. i always do. i'm not through with either of you." darbor ignored him. "dance?" she asked denver. he rose and gallantly helped her from her chair. big ed caltis, after a black look, vanished toward the offices and gambling rooms upstairs. he paused once and glanced back. denver laughed suddenly. darbor studied him and caught the echo of her own fear in his eyes. he mustered a hard core of courage in himself, but it required distinct effort. "when i was a kid i liked to swing on fence-gates. once, the hinges broke. i skinned my knee." her body was trembling. some of it got into her voice. "it could happen again." he met the challenge of her. she was bright steel, drawn to repel lurking enemies. "i have another knee," he said, grinning. "but yours are too nice to bark up. where's the back door?" the music was venusian, a swaying, sensuous thing of weirdest melodies and off-beat rhythms. plucked and bowed strings blended with wailing flutes and an exotic tympany to produce music formed of passion and movement. tod denver and darbor threaded their way through stiffly-paired swaying couples toward the invisible door at the rear. "i hope you don't mind scar tissue on your toes," he murmured, bending his cheek in impulsive caress. he wished that he were nineteen again and could still dream. twenty-seven seemed so aged and battered and cynical. and dreams can become nightmares. they were near the door. "champagne tastes like vinegar if it's too cold," she replied. "my mouth is puckery and tastes like swill. i hope it's the blank champagne. maybe i'm scared." they dropped pretense and bolted for the door. in the alley, they huddled among rubbish and garbage cans because the shadows lay thicker there. * * * * * the danger was real and ugly and murderous. three thugs came boiling through the alley door almost on their heels. they lay in the stinking refuse, not daring to breathe. brawny, muscular men with faces that shone brutally in the blazing, reflected earthlight scurried back and forth, trying locked doors and making a hurried expedition to scout out the street. passersby were buttonholed and roughly questioned. no one knew anything to tell. one hatchetman came back to report. big ed's voice could be heard in shrill tirade of fury. "you fools. don't let them get away. i'll wring the ears off the lot of you if they get to the spaceport. he was there; he was the one who spotted us. he can identify my ship. now get out and find them. i'll pay a thousand vikdals martian to the man who brings me either one. kill the girl if you have to, but bring him back alive. i want his ears, and he knows where the stuff is. now get out of here!" more dark figures spurted from the dark doorway. darbor gave involuntary shudder as they swept past in a flurry of heavy-beating footsteps. denver held her tightly, hand over her mouth. she bit his hand and he repressed a squeal of pain. she made no outcry and the pounding footsteps faded into distance. big ed caltis went inside, loudly planning to call the watch-detail at the spaceport. his word was law in crystal city. "can we beat them to the ship?" denver asked. "we can try," darbor replied.... the spaceport was a blaze of light. tod denver expertly picked the gatelock. the watchman came out of his shack, picking his teeth. he looked sleepy, but grinned appreciatively at darbor. "hi, tod! you sure get around. man just called about you. sounded mad. what's up?" "plenty. what did you tell him?" the watchman went on picking his teeth. "nothing. he don't pay my wages. want your ship? last one in the line-up. watch yourself. i haven't looked at it, but there've been funny noises tonight. maybe you've got company." "maybe i have. lend me your gun, ike?" "sure, i've eaten. i'm going back to sleep. if you don't need the gun, leave it on the tool-locker. if you do, i want my name in the papers. they'll misspell it, but the old lady will get a kick. so long. good luck. if it's a boy, ike's a good, old-fashioned name." tod denver and darbor ran the length of the illuminated hangar to the take-off pits at the far end. his space sled was the last in line. that would help for a quick blast-off. darbor was panting, ready to drop from exhaustion. but she dragged gamely on. gun ready, he reached up to the airlock flap. inside the ship was sudden commotion. a scream was cut off sharply. scurried movement became bedlam. uproar ceased as if a knife had cut through a ribbon of sound. denver flung open the flap and scrabbled up and through the valve to the interior. two of big ed's trigger men lay on the floor. one had just connected with a high-voltage charge from charley. the other had quietly fainted. denver dumped them outside, helped darbor up and closed the ship for take-off. he switched off cabin lights. he wasted no time in discussion until the ship was airborne and had nosed through the big dome-valves into the airless lunar sky. a fat hunk of earth looked like a blueberry chiffon pie, but was brighter. it cast crazy shadows on the terrain unreeling below. darbor sat beside him. she felt dazed, and wondered briefly what had happened to her. less than an hour before she had entered the _pot o' stars_ with nothing on her mind but assessing the clients and the possible receipts for the day. too much had happened and too rapidly. she could not assimilate details. something launched itself through darkness at her. it snugged tightly to shoulder and neck and made chuckling sounds. stiff fur nuzzled her skin. there was a vague prickling of hot needles, but it was disturbing rather than painful. she screamed. "shut up!" said denver, laughing. "it's just charley. but don't excite him or you'll regret it." from the darkness came a confused burble of sounds as charley explored and bestowed his affections upon a new friend still too startled to appreciate the gesture. darbor tried vainly to fend off the lavish demonstrations. denver gunned the space sled viciously, and felt the push of acceleration against his body. he headed for a distant mountain range. "just charley, my pet moondog," he explained. "what in luna is that?" "you'll find out. he loves everybody. me, i'm more discriminating, but i can be had. my father warned me about women like you." "how would he know?" darbor asked bitterly. "what did he say about women like me?" "it's exciting while it lasts, and it lasts as long as your money holds out. it's wonderful if you can afford it. but charley's harmless. he's like me, he just wants to be loved. go on. pet him." "all males are alike," darbor grumbled. obediently, she ran fingers over the soft, wirelike pseudo-fur. the fingers tingled as if weak charges of electricity surged through them. "does it--er, charley ever blow a fuse?" she asked. "i'd like to have met your father. he sounds like a man who had a lot of experience with women. the wrong women. by the way, where are we going?" * * * * * tod denver had debated the point with himself. "to the scene of the crime," he said. "it's not good, and they may look for us there. but we can hole up for a few days till the hunt dies down. it might be the last place big ed would expect to find us. later, unless we find something in the martian workings, we'll head for the far places. okay?" darbor shrugged. "i suppose. but then what. i don't imagine you'll be a chivalrous jackass and want to marry me?" the space sled drew a thin line of silver fire through darkness as he debated that point. "now that i'm sober, i'll think about it. give me time. they say a man can get used to to anything." a ghostly choking sounded from the seat beside him. he wondered if charley had blown something. "do they say what girls have to get used to?" she asked, her voice oddly tangled. tod denver tempered the wind to the shorn lamb. "we'll see how the workings pan out. i'd want my money to last." what darbor replied should be written on asbestos. * * * * * their idyl at the mines lasted exactly twenty-seven hours. denver showed darbor around, explained some of the technicalities of moon-mining to her. the girl misused some precious water to try washing the alley-filth from her clothes. her experiment was not a success and the diaphanous wisps of moonsilver dissolved. she stood in the wrapped blanket and was too tired and depressed even to cry. "i guess it wasn't practical," she decided ruefully. "it did bunch up in the weirdest places in your spare spacesuit. have you any old rag i could borrow?" denver found cause for unsafe mirth in the spectacle of her blanketed disaster. "i'll see." he rooted about in a locker and found a worn pair of trousers which he threw to the girl. a sweater, too shrunken and misshapen for him to wear again, came next. dismayed, she inspected the battered loot; then was inspired to quick alterations. pant-legs cut off well above the baggy knees made passable shorts; the sweater bulged a trifle at the shoulders, it fit adequately elsewhere--and something more than adequately. charley fled her vicinity in extremes of voluble embarrassment as she changed and zipped up the substitute garments. "nice legs," denver observed, which was an understatement. "watch out you don't skin those precious knees again," she warned darkly. time is completely arbitrary on the moon as far as earth people are concerned. one gets used to prolonged light and dark periods. earth poked above the horizon, bathing the heights of the range with intense silver-blue light. but moonshadows lay heavily in the hollows and the deep gorges were still pools of intense gloom. clocks are set to the meaningless twenty-four hour divisions of day and night on earth, which have nothing to do with two-week days and nights on luna. after sunset, with earthlight still strong and pure and deceptively warm-looking, the landscapes become a barren, haunted wasteland. time itself seems unreal. time passed swiftly. the idyl was brief. for twenty-seven earth-hours after their landing at the mines came company...! an approaching ship painted a quick-dying trail of fire upon the black vault of sky. it swooped suddenly from nowhere, and the trapped fugitives debated flight or useless defense. alone, denver would have stayed and fought, however uneven and hopeless the battle. but he found the girl a mental block to all thoughts of open, pitched battle on the shadowy, moonsilvered slopes. he might surprise the pursuers and flush them by some type of ambush. but they would be too many for him, and his feeble try would end either in death or capture. neither alternative appealed to him. with darbor, he had suddenly found himself possessed of new tenacity toward life, and he had desperate, painful desire to live for her. he chose flight. iv the ship dropped short-lived rocket landing flares, circled and came in for a fast landing on the cleared strip of brittle-crusted ash. some distance from the hastily-patched and now hastily abandoned mine buildings, tod denver and darbor paused and shot hasty, fearful glances toward the landed ship. by earthlight, they could distinguish its lines, though not the color. it was a drab shadow now against the vivid grayness of slopes. figures tiny from distance emerged from it and scattered across the flat and up into the clustered buildings. a few stragglers went over to explore and investigate denver's space sled in the unlikely possibility that he and the girl had trusted to its meager and dubious protection. besides the ship, the hunters would find evidence of recent occupation in the living quarters, from which denver had removed the frozen corpse before permitting darbor to assist with the crude remodeling which he had undertaken. afterward, when the mine buildings and exposed shafts had been turned out on futile quest for the fugitives, the search would spread. tracks should be simple enough to follow, once located. denver had anticipated this potential clue to the pursuit, and had kept their walking to the bare, rocky heights of the spur as long as possible. he hoped to be able to locate the old martian working, but the chance was slim. calculating the shadow-apex of mitre peak at 2017 et was complicated by several unknown quantities. which peak was mitre peak? was that shadow-apex earth-shadow or sun-shadow? and had he started out in the correct direction to find the line of deep-cut arrow markings at all? the first intangible resolved itself. one mitre-shaped peak stood out alone and definite above the sharply defined silhouettes of the mountains. it must be mitre peak. it had to be. the next question was the light source casting the shadow-apex. there were two possible answers. it was possible to estimate the approximate location of either sun or earth at a given time, but calculations involved in working out too many possibilities on different earth-days of the lunar-day made the earth's shadow-casting the likeliest prospect. neither location was particularly exact, and probably laird martin had expected his directions to be gone into under less harrowing circumstances than those in which denver now found himself. with time for trial and error one could eventually locate the place. but denver was hurried. he trod upon one of the markings while he still sought the elusive shadow apex. after that, it was a grim race to follow the markings to the old mines, and to get under cover behind defensible barricades in time to repel invasion. they played a nerve-wracking game of hare and hounds in tricky floods of earthlight, upon slopes and spills of broken rock, amid a goblin's garden of towering jagged spires. it was tense work over the bad going, and the light was both distorted and insufficient. in shadow, they groped blindly from arrow to arrow. in the patches of earthglare, they fled at awkward, desperate speed. life and death were the stakes. life, or a fighting chance to defend life, possible wealth from the ancient workings, made a glittering goal ahead. and ever the gray hounds snapped at their heels, with death in some ugly guise the penalty for losing the game. charley was ecstatic. he gamboled and capered, he zoomed and zigzagged, he essayed quick, climbing spirals and almost came to grief among the tangled pinnacles on the ridge of the hogback. he swooped downward again in a series of shallow, easy glides and began the performance all over again. it was a game for him, too. but a game in which he tried only to astound himself, with swift, dizzy miracles of magnetic movement. charley enjoyed himself hugely. he was with the two people he liked most. he was having a spirited game among interlaced shadows and sudden, substantial obstacles of rock. he nuzzled the fleeing pair playfully, and followed them after his own lazy and intricate and incredibly whimsical fashion. his private mode of locomotion was not bounded by the possibilities involved in feet and tiring legs. he scampered and had fun. it was not fun for tod denver and darbor. the girl's strength was failing. she lagged, and denver slowed his pace to support her tottering progress. without warning, the mine entrance loomed before them. it was old and crumbly with a thermal erosion resembling decay. it was high and narrow and forbiddingly dark. tod denver had brought portable radilumes, which were needed at once. inside the portals was no light at all. thick, tangible dark blocked the passage. it swallowed light. just inside, the mine gallery was too wide for easy defense. further back, there was a narrowing. * * * * * denver seized on the possibilities for barricading and set to work, despite numbed and weary muscles. walking on the moon is tiring for muscles acquired on worlds of greater gravity. he was near exhaustion, but the stimulus of fear is strong. he worked like a maniac, hauling materials for blockade, carrying the smaller ingredients and rolling or dragging the heavier. a brief interval of rest brought darbor to his side. she worked with him and helped with the heavier items. fortunately, the faint gravity eased their task, speeded it. for pursuit had not lagged. their trail had been found and followed. from behind his barricade, denver picked off the first two hired thugs of the advance guard as they toiled upward, too eagerly impatient for caution. a network of hastily-aimed beams of heat licked up from several angles of the slope, but none touched the barricade. the slope, which flattened just outside the entrance made exact shooting difficult, made a direct hit on the barricade almost impossible, unless one stood practically inside the carved entrance-way. denver inched to the door and fired. the battle was tedious, involved, but a stalemate. lying on his belly, denver wormed as close as he dared to the break of slope outside the door. there, he fired snap shots at everything that moved on the slopes. everything that moved on the slopes made a point of returning the gesture. some shots came from places he had seen no movement. it went on for a long time. it was pointless, wanton waste of heat-blaster ammunition. but it satisfied some primal urge in the human male without solving anything. until darbor joined him, denver did not waste thought upon the futilities of the situation. her presence terrified him, and he urged her back inside. she was stubborn, but complied when he dragged her back with him. "now stay inside, you fool," she muttered, her voice barely a whisper in his communication amplifier. "you stay inside," he commanded with rough tenderness. they both stayed inside, crouched together behind the barricade. "i think i got three of them," he told her. "there seemed to be eight at first. some went back to the ship. for more men or supplies, i don't know. i don't like this." "relax," she suggested. "you've done all you can." "i guess it's back to your gilded cage for you, baby," he said. "my money didn't last." "sometimes you behave like a mad dog," she observed. "i'm not sure i like you. you enjoyed that butchery out there. you hated to come inside. what did it prove? there are too many of them. they'll kill us, eventually. or starve us out. have you any bright ideas?" denver was silent. none of his ideas were very bright. he was at the end of his rope. he had tied a knot in it and hung on. but the rope seemed very short and very insecure. "hang on, i guess. just hang on and wait. they may try a rush. if they do i'll bathe the entrance in a full load from my blaster. if they don't rush, we sit it out. sit and wait for a miracle. it won't happen but we can hope." darbor tried to hug the darkness around her. she was a martian, tough-minded she hoped. it would be nasty, either way. but death was not pleasant. she must try to be strong and face whatever came. she shrugged and resigned herself. "when the time comes i'll try to think of something touching and significant to say," she promised. "you hold the fort," denver told her. "and don't hesitate to shoot if you have to. there's a chance to wipe them out if they try to force in all at once. they won't, but--" "where are you going? for a walk?" "have to see a man about a dog. there may be a back entrance. i doubt it, since martian workings on the moon were never very deep. but i'd like a look at the jackpot. do you mind?" darbor sighed. "not if you hurry back." deep inside the long gallery was a huge, vaulted chamber. here, denver found what he sought. there was no back entrance. the mine was a trap that had closed on him and darbor. old martian workings, yes. but whatever the martians had sought and delved from the mooncrust was gone. layered veins had petered out, were exhausted, empty. some glittering, crystalline smears remained in the crevices but the crystals were dull and life-less. denver bent close, sensed familiarity. the substance was not unknown. he wetted a finger and probed with it, rubbed again and tested for taste. the taste was sharp and bitter. as bitter as his disappointment. it was all a grim joke. valuable enough once to be used as money in the old days on earth. but hardly valuable enough, then, even in real quantity, to be worth the six lives it had cost up to now--counting his and darbor's as already lost. first, laird martin, with his last tragic thoughts of a tiny girl on earth, now orphaned. then the three men down the slope, hideous in their bulged and congealing death. himself and darbor next on the list, with not much time to go. all for a few crystals of--salt! * * * * * the end was as viciously ironic as the means had been brutal, but greed is an ugly force. it takes no heed of men and their brief, futile dreams. denver shrugged and rejoined his small garrison. the girl, in spite of the comradeship of shared danger, was as greedy as the others outside. instinctively, denver knew that, and he found the understanding in himself to pity her. "are they still out there?" he asked needlessly. darbor nodded. "what did you find?" he debated telling her the truth. but why add the bitterness to the little left of her life? let her dream. she would probably die without ever finding out that she had thrown herself away following a mirage. let her dream and die happy. "enough," he answered roughly. "but does it matter?" her eyes rewarded his deceit, but the light was too poor for him to see them. it was easy enough to imagine stars in them, and even a man without illusions can still dream. "maybe it will matter," she replied. "we can hope for a miracle. it will make all the difference for us if the miracle happens." denver laughed. "then the money will make a difference if we live through this? you mean you'll stay with me?" darbor answered too quickly. "of course." then she hesitated, as if something of his distaste echoed within her. she went on, her voice strange. "sure, i'm mercenary. i've been broke in venusport, and again here on luna. it's no fun. poverty is not all the noble things the copybooks say. it's undignified and degrading. you want to stop washing after a while, because it doesn't seem to matter. yes, i want money. am i different from other people?" denver laughed harshly. "no. i just thought for a few minutes that you were. i hoped i was at the head of your list. but let's not quarrel. we're friends in a jam together. no miracle is going to happen. it's stupid to fight over a salt mine, empty at that, when we're going to die. i'm like you; i wanted a miracle to happen, but mine didn't concern money. we both got what we asked for, that's all. if you bend over far enough somebody will kick you in the pants. i'm going out, darbor. pray for me." the blankness of her face-plate turned toward him. a glitter, dark and opaque, was all he could make out. "i'm sorry," she said. "i know it was the wrong answer. but don't be a fool. he'll kill you, and i'm afraid to be in the dark, alone." "i'll leave charley with you." denver broke the girl's clasp on his arm and edged slow to the doorway. he shouted. "hey, caltis!" there was stunning silence. then a far, muted crackle in his earphones. a voice answered, "yes? i'm here. what's on your mind, funny boy?" "a parley." "nuts, but come on out. i'll talk." "you come up," denver argued. "i don't trust you." big ed caltis considered the proposition. "how do i know you won't try to nail me for hostage?" "you don't. but i'm not a fool. what good would it do even if i killed you. your men are down there. they'd still want the mine. i don't think they care enough about you to deal. they'd kill us anyhow. bring your gun if it makes you feel more like a man." after an interval big ed caltis appeared in the doorway. as he entered denver retreated into the shadow-zone until he stood close beside the rude barricade. "i'll bargain with you, caltis. you can have the workings. let us go free, with an hour's start in my space sled. i'll sign over any share we could claim and agree never to bother you again. it's no use to a corpse. just let us go." caltis gave a short laugh. in the earphones, it sounded nasty. "no deal, denver. i hate your guts. and i want darbor. i've got both of you where i want you, sewed up. we can sit here and wait. we've plenty of air, food and water. you'll run short. i want you to come out, crawling. she can watch you die, slowly, because i'm not giving you any air, water or food. then i want her to squirm a while before i kick her back into the sewers. you can't bargain. i have her, you, the workings. i've got what i want." hate and anger strangled denver's reply. caltis skulked back out of sight. without moving, denver hailed him again. "okay, puttyface!" denver screamed. "you asked for it. i'm coming out. stand clear and order off your thugs or i'll squeeze you till your guts squirt out your nose like toothpaste from a tube. i'll see how much man there is left in you. it'll be all over the slope when i'm through." his taunt drew fire as he had hoped it would. he dodged quickly behind the shelter of the barricade. a beam of dazzling fire penciled the rock wall. it crackled, spread, flaring to incredible heat and light. it exploded, deluging the gallery with glare and spattering rock. after the glare, darkness seemed thick enough to slice. in that second of stunned reaction blindness, denver was leaping the barricade and sprinting toward the entrance. caltis came to meet him. both fired at once. both missed. the random beams flicked at the rough, timbered walls and lashed out with thunderous violence. locked together, the men pitched back and forth. they rocked and swayed, muscles straining. it was deadlock again. denver was youth and fury. caltis had experience and the training of a fighter. it was savage, lawless, the sculptured stance of embattled champions. almost motionless, as forces canceled out. the battle was equal. v while they tangled, both blocked, darbor slipped past them and stood outside the entrance. she was exposed, a clear target. but the men below dared not fire until they knew where caltis was, what had happened to him. she held the enemy at bay. gun ready, darbor faced down the slopes. it was not necessary to pull trigger. not for the moment. she waited and hoped and dared someone to move. neither man gave first. it was the weakened timbering that supported the gallery roof. loose stones rained down. dry, cold and brittle wood sagged under strain. both wild shots had taken shattering effect. timbers yielded, slowly at first, then faster. showering of loose stones became a steady stream. a minor avalanche. darbor heard the sound or caught some vibration through her helmet microphones. the men were too involved to notice. caltis heard her. he got a cruel nosehold, twisted denver's nose like an instrument dial. denver screamed, released his grip. in the scramble, his foot slipped. darbor cried out shrill warning. breaking free, caltis bolted in panic toward the entrance. the fall of rock was soundless. it spilled down in increasing torrents. larger sections of ceiling were giving away. above the prostrate denver hovered a poised phantom of eerie light. charley, bored, had gone to sleep. awakening, he found a game still going on. a fine new game. it was fascinating. he wanted to join the fun. like an angle of reflected light cast by a turning mirror, he darted. the running figure aroused his curiosity. charley streamed through the collapsing gallery. he caught up with caltis just inside the entrance. with a burble of insane, twittering glee, he went into action. it was all in the spirit of things. just another delightful game. like a thunderbolt he hurtled upon caltis, tangled with him. it was absurd, insane. man and moondog went down together in a silly sprawl. sparks flew, became a confused tesseract of luminous motion. radiance blazed up and danced and flickered and no exact definition of the intertwined bodies was possible. glowing lines wove fat webs of living color. it was too swift, too involved for any sane perception. a wild, sprawling of legs, arms and body encircled and became part of the intricacies of speeding, impossible light. it was a mess. some element or combination of forces in charley, inspired by excitement and sheer delight, made unfortunate contact with ground currents of vagrant electricity. electricity ceased to be invisible. it became sizzling, immense flash, in which many complexities made part of a simple whole. it was spectacular but brief. it was a flaming vortex of interlocked spirals of light and color and naked force. it was fireworks. and it was the end of big ed caltis. he fried, and hot grease spattered about him. he sizzled like a bug on a hot stove. when denver reached the entrance, man and moondog lay in a curious huddle of interrupted action. it was over. charley was tired, but he still lived and functioned after his curious fashion. for the moment, he had lost interest in further fun and games. he lay quietly in a corner of rough rock and tried to rebuild his scattered and short-circuited energies. he pulsed and crackled and sound poured in floods of muffled static from the earphones in denver's helmet. but this was no time for social amenities. big ed caltis was dead, very dead. but the others down the slope were still alive. like avenging angels, denver and darbor charged together down the slope. besiegers scattered and fled in panic as twinned beams of dreadful light and heat scourged their hiding places. they fled through the grotesque shadow patterns of lunar night. they fled back, some of them, to the black ship which had brought them. and there, they ran straight into the waiting arms of a detail from space patrol headquarters. * * * * * tod denver's friend, the watchman, had talked. from spaceport he had called the space patrol and talked where it would do some good. a bit late to be of much use, help had arrived. it took the space patrol squads a half hour to round up the scattered survivors. darbor went back to the mine-buildings with the space patrol lieutenant as escort. denver trudged wearily back up the slope to recover charley. the moondog was in a bad way. he bulged badly amidships and seemed greatly disturbed, not to say temperamental. with tenderness and gentle care, denver cradled the damaged charley in his arms and made his way back to the living shack at the mine. space cops were just hustling in the last of the prisoners and making ready to return to civilization. denver thanked them, but with brief curtness, for charley's condition worried him. he went inside and tried to make his pet comfortable, wondering where one would look on the moon for a veterinary competent to treat a moondog. darbor found him crouched over charley's impoverished couch upon the metal table. "i want to say goodbye," she told him. "i'm sorry about charley. the lieutenant says i can go back with them. so it's back to the bright lights for me." "good luck," denver said shortly, tearing his attention from charley's flickering gyrations. "i hope you find a man with a big fat bankbook." "so do i," darbor admitted. "i could use a new wardrobe. i wish it could have been you. if things had worked out--" "forget it," denver snapped. "there'd have been martin's kid. she'd have got half anyhow. you wouldn't have liked that." darbor essayed a grin. "you know, i've been thinking. maybe the old guy was my father. it could be. i never knew who my old man was, and i did go to school on earth. reform school." denver regarded her cynically. "couldn't be. i'm willing to believe you don't know who your father was. some women should keep books. but that kid's not martian." darbor shrugged. "doesn't matter. so long, kid. if you make a big strike, look me up." the space patrol lieutenant was waiting for her. she linked arms with him, and vanished toward the ship. denver went back to charley. intently he studied the weird creature, wondering what to do. a timid knock startled him. for a moment, wild hope dawned. maybe darbor-but it wasn't darbor. a strange girl stood in the doorway. she pushed open the inner flap of the airlock and stepped from the valve. "i was looking around," she explained. "i bummed my way out with the patrol ship. do you mind?" denver scowled at her. "should i?" the girl tried a smile on him but she looked ill-at-ease. "you look like one of the local boy scouts," she said. "how about helping a lady in distress?" "i make a hobby of it," he snarled. "i don't even care if they're ladies. but i'm fresh out of romance and slightly soured. and i'm worried about the one friend who's dumb enough to stick by me. you picked a bad time to ask. what do you want?" the girl smiled shyly. "all right, so you don't look like a boy scout. but i'm still a girl in a jam. i'm tired and broke and hungry. all i want is a sandwich, and maybe a lift to the next town. i should have gone back with the patrol ship but i guess they forgot me. i thought maybe, if you're going somewhere that's civilized, i could bum a lift. what's wrong with your friend?" denver indicated charley. "frankly, i don't know." he balked at trying to explain again just what a moondog was. "but who are you? what did you want here?" the girl stared at him. "didn't you know? i'm soleil. my father owned this mine. he thought he'd found something, and sent for me to share it. it took the last of our money to get me here, but i wanted to come. we hadn't seen each other for twenty years. now he's dead, and i'm broke, alone and scared. i need to get to some place where i can dream up an eating job." "you're martin's kid?" soleil nodded, absently, looking at charley. the moondog gave a strange, electronic whimper. there was an odd expression on the girl's face. a flash of inspiration seemed to enlighten her. "i'll take care of this," she said softly. "you wait outside." somewhat later, after blinding displays of erratic lightnings had released a splendor of fantastic color through the view-ports to reflect staggeringly from the mountain walls, a tired girl called out to tod denver. she met him inside the airlock. in her arms snuggled a pile of writhing radiance, like glowing worms. moonpups. a whole litter of moonpups. "they're cute," soleil commented, "but i've never seen anything quite like this before." "it must have been a delayed fuse," said denver, wilting. "here we go again." he fainted.... * * * * * awakening was painful to denver. he remembered nightmare, and the latter part of his memory dealt with moonpups. swarms of moonpups. as if charley hadn't been enough. he was not sure that he wanted to open his eyes. he thought he heard the outer flap of the airlock open, then someone pounding on the inner door. habit of curiosity conquered, and his eyelids blinked. he looked up to find a strange man beside his bed. the man was fat, fussy, pompous. but he looked prosperous, and seemed excited. denver glanced warily about the room. after all, he had been strained. perhaps it was all part of delirium. no sign of the girl either. could he have imagined her, too? he sighed and remembered darbor. "tod denver?" asked the fat, prosperous man. "i got your name from a sergeant of security police in crystal city. he says you own a moondog. is that true?" denver nodded painfully. "i'm afraid it is. what's the charge?" the stranger seemed puzzled, amused. "this may seem odd to you, but i'm in the market for moondogs. scientific laboratories all over the system want them, and are paying top prices. the most unusual and interesting life form in existence. but moondogs are scarce. would you consider parting with yours? i can assure you he'll receive kind treatment and good care. they're too valuable for anything else." denver almost blanked out again. it was too much like the more harrowing part of his dreams. he blinked his eyes, but the man was still there. "one of us is crazy," he mused aloud. "maybe both of us. i can't sell charley. i'd miss him too much." suddenly, as it happens in dreams, soleil martin stood beside him. her arms were empty, but she stood there, smiling. "you wouldn't have to sell charley," she said, giving denver a curious, thrusting glance. "had you forgotten that you're now a father, or foster-grandfather, or something. you have moonpups, in quantity. i had to let you lie there while i put the little darlings to bed. and it's not charley any more, please. charlotte. it has to be charlotte." denver paled and groaned. he turned hopefully to the fat stranger. "say, mister, how many moonpups can you use?" "all of them, if you'll sell." the man whipped out a signed, blank check, and quickly filled in astronomical figures. denver looked at it, whistled, then doubted first his sanity, then the check. "take them," denver murmured. "take them, quick, before you change your mind, or all this evaporates in dream." a moondog has no nerves. charley--or charlotte--had none, but the brood of moonpups had already begun to get on whatever passed for nerves in his electronic make-up. he was glad and relieved to be rid of his numerous progeny. he, or she, showed passionate and embarrassing affection for denver, and even generously included soleil martin in the display. denver stared at her suddenly while she helped the commission agent round up his radiant loot and make ready for the return to town. it was as if he were seeing her for the first time. she was pretty. not beautiful, of course. just pretty. and nice. he remembered that he was carrying her picture in his pocket. she was even an earth-girl. they were almost as scarce in the moon colonies as moondogs. "look here," he said. "i have money now. i was going out prospecting but it can wait. i kind of inherited you from your father, you know. do you need dough or something?" soleil laughed. "i need everything. but don't bother. i haven't any claim on you. and i can ride back to the city with mr. potts. he looks like a better bet. he can write such big checks, too." denver made a face of disgust. "all women are alike," he muttered savagely. "go on, then--" soleil frowned. "don't say it. don't even think it. i'm not going anywhere. not till you go. i just wanted you to ask me nice. i'm staying. i'll go prospecting with you. i like that. dad made me study minerals and mining. i can be a real help. with that big check, we can get a real outfit." denver stopped dreaming. "but you don't know what it's like out there. just empty miles of loneliness and heat and desert and mountains of bare rock. not even the minimum comforts. nights last two earth weeks. there'd just be you and me and charlotte." soleil smiled fondly. "it listens good, and might be fun. i like charlotte and you. i'm realistic and strong enough to be a genuine partner." tod denver gasped. "you sure know what you want--partner!" he grinned. "now we'll have a married woman along. i was worried about wandering around, unprotected, with a female moondog--" soleil laughed. "i think charlotte needs a chaperone." * * * * * the strange voyage and adventures of domingo gonsales, to the world in the moon. containing