this ebook was one of project gutenberg's early files produced at a time when proofing methods and tools were not well developed. there is an improved edition of this title which may be viewed as ebook (#23045) at https://www.gutenberg.org/ebooks/23045 ******************************************************************* ******************************************************************* this ebook was one of project gutenberg's early files produced at a time when proofing methods and tools were not well developed. there is an improved edition of this title which may be viewed as ebook (#23045) at https://www.gutenberg.org/ebooks/23045 ******************************************************************* generously made available by internet archive (https://archive.org) note: project gutenberg also has an html version of this file which includes the original illustrations. see 56023-h.htm or 56023-h.zip: (http://www.gutenberg.org/files/56023/56023-h/56023-h.htm) or (http://www.gutenberg.org/files/56023/56023-h.zip) images of the original pages are available through internet archive. see https://archive.org/details/viennahistorycons00mald vienna 1683 the history and consequences of the defeat of the turks before vienna, september 12, 1683 by john sobieski, king of poland and charles leopold, duke of lorraine by henry elliot malden london kegan paul, trench & co., 1, paternoster square 1883 "think of that age's awful birth, when europe echoed, terror-riven, that a new foot was on the earth, and a new name come down from heaven when over calpe's straits and steeps the moor had bridged his royal road, and othman's sons from asia's deeps the conquests of the cross o'erflowed. * * * * * "think with what passionate delight the tale was told in christian halls, how sobieski turned to flight the muslim from vienna's walls; how, when his horse triumphant trod the burghers' richest robes upon, the ancient words rose loud, 'from god a man was sent whose name was john.'" lord houghton. (_the rights of translation and of reproduction are reserved._) preface. the historical scholar will find nothing new in the following pages; but i have thought it worth while to tell to the general reader a story worth the telling, and to explain not only the details, but the wider bearings also, of a great crisis in european history, no satisfactory account of which exists, i believe, in english, and the two hundredth anniversary of which is now upon us. my principal authorities are "sobieski's letters to his queen," edited by count plater, paris, 1826; starhemberg's "life and despatches," edited by count thürheim, vienna, 1882; "campaigns of prince eugene, of savoy," vienna, 1876, etc.; schimmer's "sieges of vienna;" von hammer's "history of the turks;" salvandy's "history of poland;" "memoirs of eugene," by de ligne; "memoirs of charles, duke of lorraine, and his military maxims," published late in the seventeenth century; "works of montecuculi;" de la guillatière's "view of the present state of the turkish empire, etc.," translated, london, 1676, etc. i have been obliged to reject some statements of salvandy's, such, for instance, as that the _crescent moon_ was eclipsed on the day of the battle before vienna. i regret that i have been unable to use the account of the campaign of 1683 published in vienna, by the director of the war archives, since this went to press. some of the matter of it is, i believe, contained in the "campaigns of eugene," published under the same authority mentioned above, and in schimmer's work. kitlands, 1883. synopsis of events. 1663. ahmed kiuprili grand vizier. 1664. montecuculi defeats the turks at st. gotthard. twenty years' truce with austria, by which the turks retain most of hungary. 1669. the turks take candia from the venetians. 1671. conspiracy in hungary against the emperor crushed. 1672. french attack upon holland provokes a general war. treaty of buksacs between the turks and poles. poland cedes most of podolia and the ukraine, and pays tribute to turkey. 1673. the polish nobles break the treaty. great victory of sobieski over the turks at choczim. 1675. sobieski crowned king of poland. 1676. treaty of zurawna between turks and poles; the former retain most of their conquests. 1677. death of ahmed kiuprili. kara mustapha grand vizier. 1678. tekeli heads an insurrection in hungary against the emperor. the french intrigue with him. 1678-79. treaties of nimuegen between the french and the allies. 1681. louis xiv. seizes strassburg and makes other aggressions upon the empire. treaty between holland and sweden against france. 1682. treaty of laxenberg between the emperor and the upper german circles against france, followed by similar treaties between the other circles, the emperor and sweden. the turks openly aid the hungarians. 1683. league of the empire, poland and the pope, supported by other anti-french powers, against the turks. turkish invasion of austria. siege of vienna. defeat of the turks by john sobieski and the duke of lorraine, september 12. the french attack the spanish netherlands in the autumn. 1684. truce of ratisbon between france and the empire. 1686. buda recovered from the turks. league of augsburg between the emperor and the circles of western germany, joined ultimately by spain, holland, the pope, savoy and other princes of the empire, against the french. 1688. the english revolution secures england for the side of the league, which she joins next year. general war with france follows. 1696. death of sobieski. 1697. treaty of ryswick between france and the allies. eugene defeats the turks at zenta, in hungary. 1699. peace of carlowitz. the turks cede nearly all hungary, transylvania, podolia, the ukraine, the morea and azof. the first great diminution of turkish territory in europe. vienna. 1683. chapter i. at the present moment, in 1883, the power of austria is driven as a wedge into the midst of the former dominions of the sultan. that this is so, perhaps that austria even exists as a great power, and can hope to be a greater in south-eastern europe, is owing in no small degree to the polish aid which in 1683 defeated the turkish armies before the gates, and saved vienna. the victor, john sobieski, king of poland, then deserved and enjoyed the gratitude of christendom. but the unequal fate of a man great in character and in abilities, but born out of due time, in an incongruous age and in a state unworthy of him, has seldom been more conspicuously illustrated than in his career. the great men of the last quarter of the seventeenth century whom we most readily remember are men of western europe. louis xiv., with the resources of france behind him, william iii., wielding the power of england, of holland, and of protestant germany, are the kings who fill the stage. the half-crazy hero, charles xii. of sweden, is a more familiar character than the great polish king, the deliverer first of poland, secondly of germany, perhaps of europe. the causes are not far to seek. the country which he ruled has disappeared from the roll of european nations. the enemy whom he defeated has become, in his last decrepitude, the object merely of scorn, or of not disinterested care. it seems now so incredible that the turks should have been a menace to europe, that it is no great claim to remembrance to have defeated them. sobieski, too, in his greatness and in his weakness, was a mediæval hero. he was out of place in the age of louis xiv. he was a great soldier rather than a great general, a national hero rather than a great king. his faith had the robust sincerity of that of a thirteenth-century knight, his character was marred by the violent passions of a mediæval baron. his head was full of crusading projects--of the expulsion of the turks, of the revival of a catholic greek state, not without principalities for his own house. his plans would have commanded support in the days of st. louis, but were impracticable in a europe whose rulers schemed for a balance of power. poland herself perished, partly through clinging to a mediæval constitution in the midst of modern states. her mediævally-minded king and his exploits are eclipsed by other memories, even upon the scene of his greatest achievement. for the traveller who from the tower of st. stephen's, in the centre of the old-town of vienna, looks down upon the places made remarkable by great historic actions in the valley of the danube, has his eye turned first northward and eastward upon the marchfeld. there, he is told, are aspern and essling, where the archduke charles beat napoleon in 1809. there is the island of lobau, where napoleon repaired his forces, and whence he issued to fight yonder the great and terrible conflict of wagram. the scene, not of a greater slaughter, not of a more obstinately contested fight, than wagram, but the scene of a battle more momentous in its consequences, lies upon the other side. among the vineyards, villages, and chateaux which cover the lower slopes of the wiener wald, among the suburbs of nussdorf and of hernals, charles of lorraine and john sobieski smote the turkish armies in 1683. there at one blow they frustrated the last great mohammedan aggression against christendom, and set free the minds and arms of the germans to combine against french ambition upon their western frontier. the victory was one of those decisive events which complete long pending revolutions, and inaugurate new political conditions in europe. the treaties of nimuegen in 1678-79 had marked a pause in a general european contest. france and the empire, holland, spain, sweden, brandenberg, all retired from their active conflicts, to plot and strive in secret, till an advantageous opening for war should again present itself. poland and the porte had a little earlier concluded their strife by the peace of zurawna. but in the general breathing-time the eyes of all were turned with anxiety upon eastern europe. so much of hungary as was not in the hands of the sultan was in insurrection against the emperor. the insolence of the turks, and their support to the insurgents, were continually becoming greater. the whole east resounded with warlike preparations, and it was without doubt evident that a great enterprise was being prepared which might make the reign of mahomet iv. as illustrious for islam, as calamitous for christendom, as that of mahomet ii. had been. rome, venice, vienna, were the three capitals in more immediate danger, but the whole continent was interested, and all other designs were necessarily suspended till it became clearer where this storm would fall, and what resistance could be made to it. for, two hundred years ago, the ottoman empire still stood high among the greatest of european powers. spain ruled over wider territories; but the dominions of spain were scattered over the old and new worlds, and her european lands, in the netherlands and in italy, were divided from her by the sea, or isolated by the interposition of the frontiers of powerful and often hostile neighbours. a compact yet widely spread collection of kingdoms and of provinces obeyed the head of the mohammedan world. northern africa, western asia, eastern europe were ruled from the bosphorus. all the chief centres of ancient civilization, rome alone excepted, thebes, nineveh and babylon, carthage, athens and constantinople, bowed beneath the crescent. the southern frontiers of the sultan's territories reached beyond the tropic of cancer, the northern touched nearly the latitude of paris. the modern kingdoms of greece, servia, roumania were wholly his; the kingdom of hungary, the dominions of austria and of russia were in part his also. the black sea was entirely encircled with turkish or tributary territory; no other power possessed the same extent of coast line on the mediterranean. not only the euphrates, the tigris, the nile, but the danube, the boug, the dneister, the dneiper and the don flowed for a great part of their course between banks subject or tributary to the porte, and reached the sea by mouths wholly under turkish control. [illustration: _territory ceded by turkey in 1699._] the armies of the sultan were unapproachable in numbers, unsurpassable in valour, by those of the christian powers. their discipline and warlike science were no longer what they once had been, the first in europe; but their inequality in these respects to their enemies was not yet so marked as at present. military and administrative skill were yet to be found in their empire. from the first appearance of the turks in europe mohammedan rule had been, on the whole, extending. the christian reconquest of spain was balanced by the inroads of this new enemy upon the eastern empire. the spanish reconquest of grenada, in the fifteenth century, was more than counterbalanced by the turkish conquest of hungary in the sixteenth. the turks upon the middle danube were a menace at once to poland, germany, and to northern italy. nor was this a mere temporary inroad of theirs. two-thirds of hungary were then more firmly held in their grasp than macedonia is at present, and their frontiers were not going back. in the seventeenth century the ottoman power still more than held its own in eastern europe. though the spaniards and venetians had destroyed their fleet at lepanto in 1571, though montecuculi at the head of the imperial troops had routed their armies at st. gotthard in 1664, though sobieski and the poles made the great slaughter of choczim in 1673, yet the frontiers of the turks were advanced by every war. after lepanto, the peace confirmed them in the possession of the newly acquired cyprus; after st. gotthard, they retained the strong city of neuhausel, which they had just won, in hungary, and conquered candia; after choczim, they were confirmed in their possession of the province of podolia, and their supremacy over the ukraine, the marchland of poland. of their soldiers the most formidable were the janissaries. the policy of the earlier sultans had demanded a tribute of boys from their christian subjects. these children, early converts to islam, were brought up with no home but the camp, no occupation but war; and, under the title of janissaries, or the new troops, were alternately the servants and the masters of the ottoman sultans. the strength of the christians was drained, the strength of the ottoman armies multiplied, and the fields of paradise replenished at once, in the judgment of pious mussulmans, by this policy. at this time the ranks of the janissaries were not solely filled by this levy, but it has been computed that 500,000 christian boys may have become instruments for the subjugation of christendom, from the first institution of the tax in the fourteenth century down to the final levy made in 1675. our commiseration for the christian parents may be mitigated by the consideration that to sell their children into slavery, uncompelled, was a not unknown practice among the subjects of the eastern emperors, before the mohammedan conquest. these janissaries formed a disciplined body of regular infantry. in the seventeenth century the turks clung to the sabre, the musket, and even bows and arrows, as their arms, neglecting the pike, "the queen of infantry weapons," as montecuculi calls it, just as afterwards they neglected the bayonet. but in the use of their arms every man of the janissaries was a trained expert. the turkish horsemen were famed for their rapidity of action, being generally more lightly armed and better mounted than the germans or poles. the spahis, or royal horseguards, were the flower of the cavalry. the feudal levy from lands held by military tenure, swelled the numbers of their armies, and every province wrested from the christians provided more fiefs to support fresh families of soldiers. thus the children and lands of the conquered furnished the means for new conquests. light troops, who were expected to live by plunder, spread far and wide before an advancing ottoman host, eating up the country, destroying the inhabitants, and diverting the attention of the enemy. the ottoman artillery was numerous, and the siege pieces of great calibre. auxiliaries, such as the tartars of the crimea, the troops of moldavian, wallachian, transylvanian, and even hungarian princes, made a formidable addition to their forces. these armies lay, a terror to the inhabitants, a constant anxiety to the rulers, upon the frontiers of germany and of poland;--a black storm of war, ever ready to break in destructive energy upon them. whatever schism divided turks and persians, towards europe at least, from the caspian to morocco, islam presented an unbroken front, contrasting powerfully with the bitter divisions of christendom. massinger, in the "renegade," puts into the mouth of a moslem what many a christian must have thought of with shame and terror:- "look on our flourishing empire, if the splendour, the majesty, and glory of it dim not your feeble sight; and then turn back and see the narrow bounds of yours, yet that poor remnant, rent in as many factions and opinions as you have petty kingdoms."[1] united islam, which had preceded her western rival spain in greatness, seemed also destined to long outlive that power's decay. when spain, in the sixteenth century, had been at the zenith of her power under charles v., the turks, under their great emperor solyman, had been not unworthy rivals to her. even then solyman had penetrated to the walls of vienna, in 1529, and probably the lateness of the season, october, and the absence of his heavy artillery, stuck deep in the soil of hungarian roads, saved the capital of the austrian dominions more effectually than the valour of the garrison or the relieving forces of charles could have done. then the tide of turkish power touched its farthest limit, but the fear of its return was not destroyed till after the lapse of one hundred and fifty years. till after the siege of 1683, it is said that a crescent disgraced the spire of st. stephen's, the cathedral of vienna--a sign to avert the fire of turkish gunners. in the seventeenth century, when the great empire of spain was fast approaching dissolution, when france was the great power of western europe, the turks were still the great power of the east, with territories even more widely extended than in the previous age. it is true that, after the death of solyman, a series of incapable rulers and the natural decay of an eastern despotism had paralyzed the great powers of turkey; but the stern reforming vigour of amurath iv. (1623-40), and, still more, the wise administration of the first two grand viziers of the house of kiuprili, had done much to restore good government, vigour and efficiency to the ottomans.[2] their empire, the speedy downfall of which had been predicted by the english ambassador, sir thomas roe, at the beginning of the seventeenth century, had since fully recovered its former reputation. a clever frenchman, m. de la guillatière, who visited the camp of kiuprili in candia in 1669, formed the highest estimate of the military genius of the turks, and of their political insight into the power and designs of the christians. he judged of the greatness of the sultan by considering the number and quality of the persons who feared his displeasure. "when he makes any great preparation, malta trembles, spain is fearful for his kingdoms of naples and sicily, the venetian anxious for what he holds in greece--dalmatia and friuli, the germans apprehensive for what remains to them in hungary, poland is alarmed, and the consternation passes on as far as muscovy, and, not resting there, expands itself to the christian princes in gourgistan and mingrelia; persia, arabia, the abyssinians are all in confusion, whilst neither man nor woman nor beast in all this vast tract but looks out for refuge till they be certain whither his great force is intended."[3] it is a striking estimate of turkish power, but not beyond what experience confirmed. it was not till the second siege of vienna, and her relief by sobieski in 1683, that the real instability of the power of the sultan was disclosed, that his armies were routed, his frontiers curtailed, his power rolled back within the save and the carpathians. not for the first time, in the summer of that year, europe trembled at the progress of the crescent. since then, the tide of victory has run almost uninterruptedly in favour of the cross, and turkey has sunk from being the terror to the position of protégée, tool, victim, or tolerated scandal of europe. the decline of her forces, the reversal of the former position of turk and christian in the east, date from this great catastrophe of islam. for eastern europe at least the battle before vienna was a decisive battle. we must remember, indeed, what is meant by a decisive battle, or by any other so-called decisive event. they are rather the occasions than the causes of the transference of power. the causes lie deep which can produce such great and such lasting results. the operation of many influences, throughout a length of time, brings about ultimately the striking revolutions in the history of mankind. no chance bullet which strikes down, or avoids, a commander; no brilliant display of military genius in the person of one man; no incapacity of a single officer, can do more than alter the minor circumstances of great events. the great man is not successfully great, unless his genius can seize upon the opportunities offered by a rising tide of popular opinion, or profit by the accumulated energy of a nation. the incapable leader can seldom make shipwreck of a power unless it be built upon unsafe lines. the presence of a thoroughly incapable commander argues something rotten in his cause. the revolution, the reformation, the reaction, the transference of empire will come; if not in one way, in another; if not in one year, in the next, or in following years. the foundations of success and of failure, are laid deep in the moral, religious and political habits and institutions of nations. the invincible determination and high political and military training of the roman aristocracy bore them safely through the catastrophes of a second punic war and the revolt of their allies. the ordered liberty, and the generations of successful adventure, which were the heritage of the english nation, had won trafalgar before a shot had been fired from the _victory_. the persian host went forth predestined to choke the gulf of salamis with corpses. no kosciusko's valour could redeem the long anarchy and blindness of poland. napoleon, marching from victory to victory, but approached the nearer to that fall, which must await one man against a continent in arms. so the turkish myriads, victorious at vienna, would have fallen upon some less noble field before the skill of some other sobieski. but the genius and courage of individuals may well determine the fate of armies for a day. one day's victory may call for years of warfare to accomplish its undoing. a few years of delay may work great changes in the fortunes of men. it is no mistaken estimate of the relative value of causes, it is no unintelligent interest which makes us prone to linger over the one dramatic moment--that moment when the courses of the tendencies of ages are declared within the compass of a day. by no hard effort of imagination we identify our interest with that of the actors in the scene. to them, however confident, the result is never clear; to them the delay of a few years in the overthrow of some inevitably falling wrong may make that difference for which no ultimate success can compensate. it was cold comfort to the inhabitants of vienna, or to the king of poland, to know that even if st. stephen's had shared the fate of st. sophia and become a mosque of allah, and if the polish standards had been borne in triumph to the bosphorus, yet that, nevertheless, the undisciplined ottomans would infallibly have been scattered by french, german and swedish armies on the fields of bavaria or of saxony. vienna would have been sacked; poland would have been a prey to internal anarchy and to tartar invasion. the ultimate triumph of their cause would have consoled few for their individual destruction. prompted by feelings such as these we dwell upon the decisive hours, when the long assured superiority asserts itself, for good and all. we can hail marathon, salamis, tours, or vienna as the occasion, if not the cause, of the triumph of civilization over barbarism, of europe over asia. we must remember, too, that, if the day for a permanent advance of turkish power was over, yet that a temporary turkish victory, and a protracted war in germany, could not have been confined in their influence to the seat of war alone. so cool and experienced a diplomatist as sir william temple did indeed believe, at the time, that the fall of vienna would have been followed by a great and permanent increase of turkish power.[4] putting this aside however, there were other results likely to spring from turkish success. the turks constantly made a powerful diversion in favour of france and her ambitious designs. turkish victories upon the one side of germany meant successful french aggressions upon the other, and turkish schemes were promoted with that object by the french. the author of the memoirs of prince eugene writes bitterly, but truly enough, of this crisis: "_le roi très-chrétien avant d'être dévot, secourait les chrétiens contre les infidèles_ (at st. gotthard and at candia), _devenu pourtant un grand homme de bien, il les agaçait contre l'empereur, et soutenait les rebelles de hongrie. sans lui ils ne seraient jamais venus, les uns et les autres, aux portes de vienne._" "if france would but stand neutral, the controversy between turks and christians might soon be decided," says the duke of lorraine. but france would not stand neutral. footnotes: [1] "renegade," act. iv. sc. 3. [2] ahmed kiuprili, the second vizier of his race, was one of the greatest ministers of his day. he was described by the turkish historians as "the light and splendour of the nation, the preserver and administrator of good laws, the vicar of the shadow of god, the thrice learned and all accomplished grand vizier." he seems to have really deserved some of the praise. [3] de la guillatière, "account of a late voyage, etc., and state of the turkish empire." trans. 1676. [4] "if the turks had possessed this bulwark of christendom (vienna), i do not conceive what could have hindered them from being masters immediately of austria, and all its depending provinces; nor, in another year, of all italy, or of the southern provinces of germany, as they should have chosen to carry on their invasion, or of both in two or three years' time; and how fatal this might have been to the rest of christendom, or how it might have enlarged the turkish dominions, is easy to conjecture."--sir w. temple, works, iii. 393, edit. 1814. chapter ii. the emperor was exposed on either side to these two implacable enemies. at versailles, as at the porte, had the destruction of the house of austria been sworn. but france was the power which, in the latter half of the seventeenth century, menaced most seriously the independence of her neighbours. turkey was, perhaps, from her internal weakness and faulty constitution, in no condition to effect a lasting conquest, however great her mere destructive energies might be. an ingenious nation and an ambitious king, able ministers and skilful generals, revenues, ships, colonies, commercial enterprise, a central situation among divided foes, combined to render france the dominant power of the age. the great turkish vizier, the restorer of order and prosperity, ahmed kiuprili, had had a greater counterpart in the french minister, cardinal richelieu. the sultan, mahomet iv., was wanting in all those qualities which made louis xiv. for long the successful administrator of a despotic power. the armies of france, under the leadership of a condé, a turenne, a luxembourg, were the finest of the world, the envy of neighbouring princes, the pattern for all soldiers. the duke of marlborough and john sobieski both learnt their first lessons in military affairs under french command. prince eugene vainly sought employment in the french troops; their opposition to himself taught william iii. the art of war. nor was the french ascendency won by arms alone. the order and splendour of her government, the genius of her authors, the attractions of her society, the diplomatic skill of her ambassadors, made a french party in every court in europe. portugal may be said to have owed her independent existence to france; holland till 1672 ranked as a french ally; sweden, too far removed to be a rival, was an almost constant friend, till louis' aggressions alienated her also in 1681. france had a party in poland; the petty princes and republics of italy vacillated between her and the empire; in england she had had cromwell as an ally, and she held both charles ii. and his opponents in her pay. she maintained an understanding with turkey. discontented romanists in england and ireland, unruly protestants in hungary, were alike taught to look to her for advice and for assistance. her frontiers were steadily advancing at the expense of spain and of the german princes. neither force nor treaties seemed to avail aught against her superior strength and cunning. the lotharingian bishoprics and their dependencies; elsass, breisach and bar, roussillon, franche comté, parts of flanders, of artois, of hainault and luxemburg, the free imperial city of strassburg, the territory of orange, were steadily absorbed by her, and thoroughly incorporated with the french kingdom. her opponents saw no possibility of resistance, save in a great confederacy against her. her power was not finally checked, nor her ambition confined within bounds, till such a confederacy was made. but it is hardly too much to say that such a confederacy would have been scarcely possible had the turks been completely victorious at vienna in 1683. three years later than that deliverance, in 1686, the league of augsburg was formed. it was ultimately the union of the emperor, the german princes, sweden, spain, holland and the pope, against an ambition that menaced all. this league was the basis of that grand alliance which finally defeated france under marlborough and eugene. but the true foundations of a similar alliance had been laid before, in 1682, principally by the endeavours of the prince of waldeck, in the treaty of laxenberg between the circles of upper germany and the emperor. this incipient league against france had been practically suspended by the turkish invasion. a turkish success must have dissolved it. the pope had been zealous in forming the "holy league" against the turks and in promoting union against france. had vienna fallen, fear of the sultan would have driven him into the arms of louis, and he would have drawn the catholic powers at least along with him. probably all the states united in the "holy league" must have demanded french support for their own salvation. with austria and poland beaten, france, and france alone, could have assumed the leadership of europe against the east. the german protestant princes would have been ranged under the command of luxembourg and of vendôme; louis would have triumphed upon the danube; the house of austria would have existed only by the sufferance of her ancient enemy; and french influence would have been riveted, as a chain, by the force of admiration and of gratitude, upon the neck of europe. such an event louis expected, and the emperor feared. as the turks drew near, the french armies lay ready upon the frontier, ready to take advantage of the approaching catastrophe--ready to avenge, but not to save the empire. we in england, safe as we were from turkish invasion, were by no means unaffected by the struggle. nothing which tended to increase or diminish the power of france or of the german princes could be indifferent to us, and at that particular time our fortunes were closely bound up with those of the powers opposing france. the motive which induced the dutch government and the other allies of augsburg to sanction the descent of william iii. upon our shores, and to withdraw, at a critical moment, the flower of their forces upon such a doubtful enterprise, was the necessity of including england in their league. though james ii. would no doubt have awakened resistance in some form or other anyhow, the plot which actually overthrew him was hatched abroad among the allies, and executed by the help of foreign troops and foreign money. english men, ships, and money were needed to beat the french. no method was open for obtaining them except by the superseding of king james, entirely or practically, by william, as king or regent. no personal aims nor admiration of whig principles would have justified the risks william ran. in truth, neither the allies nor the dutch government would have allowed him to run such risk at all, save for the common good of the league and of europe. but a turkish victory at vienna would have meant the probable non-existence of the league, by the rallying of half its members to the side of france. it would certainly have meant such a change of circumstances upon the continent, as would have rendered it highly improbable that an army, principally furnished from germany, could be spared to go to england. james and the whig nobility would have fought their quarrel alone, with the high-church tory majority of the country as arbiters of the strife. therefore, had the battle of vienna been fought differently, the boyne, la hogue and blenheim might never have been fought at all. forces supplied by england, or paid by england, commanded by marlborough at blenheim and at ramilies, broke french power. the power of making the alliance which fought at blenheim and at ramilies was won at vienna. to turn to sir william temple's views again, so convinced was he that a turkish invasion of austria would tend to the great advantage of france, that he believed that the turks themselves would see it, and for that very reason refrain from the enterprise; it being against their interest to make any one christian power so strong as france would then become.[5] it is certain that louis xiv. fully appreciated the value of that diversion of their attention from himself, which an attack from hungary upon the rear of the german powers would cause. it is equally certain that he, the eldest son of the church, the most christian king, the persecutor of the huguenots, had some understanding with mohammedans and with hungarian protestant malcontents. and this, too, at a time when religious passions still ran high; when the forces of europe were everywhere divided, owing to religious intolerance; when france herself was about to be fatally injured by the revocation of the edict of nantes. louis, however, intrigued as readily with hungarian protestants as with irish romanists, and the intolerance of the emperor gave every opportunity for interference. indeed, the attacks of the emperor leopold upon the religion of some of his hungarian subjects well nigh proved fatal to austria. the protestants preferred mohammedan rule, which, if contemptuous, may he just, and is not avowedly persecuting, to the oppressions of a court dominated by the jesuit fathers. attempts to germanize their nation and to override their laws united hungarians of all religions in a common hostility to vienna. a dangerous conspiracy, fomented by france, was discovered, and crushed in 1671 by the execution of the principal leaders. but emerich count tekeli, the son of one of the chiefs involved, escaping into transylvania, threw himself upon the protection of the turks, and with their assistance commenced a guerilla warfare in hungary. numbers of the inhabitants, irrespective of their religion, joined his standard. a levy, under french officers, was made even in poland for the assistance of the insurgents. with the almost open aid of the pasha of buda, their operations assumed the character of regular warfare, and they fully held their own against the imperial generals. it was fortunate for austria that, just as the obligations of a peace and internal confusion had prevented the turks from attacking hungary during the thirty years' war, so this rising was not taken advantage of by the porte, in spite of french solicitations, till after the peace of nimuegen in 1679. during the contest with france, from 1673 to 1679, the polish war had occupied the attention of the turks, and the austrian government had been untroubled. they had not at the same time to wage open war with the east and west. yet even now, though peace nominally continued in western europe, france was glad to avail herself of those difficulties of the court of vienna, to which she herself was contributing. louis seized strassburg, and quietly annexed other places by the pretended legal decisions of packed tribunals. he attacked the spanish netherlands, and conceived himself to be acting generously in that he refrained from taking luxemburg. it was enough that austria should be spared the task of fighting, at the same time, on behalf of spain against the french, and on her own behalf against the infidels. that the house of bourbon should strive to embarrass the house of hapsburg, by intrigues in turkey, in hungary and in poland, was but in accord with a traditional policy, which no danger to their common christendom could be expected to overrule. but 1683 was a year of disaster for louis. in that year he lost two of his natural sons, his queen, and his greatest minister, colbert. above all, in that year his designs against the emperor were destined to be foiled by the interference of sobieski, the _deus ex machina_ for christendom and for the empire. footnote: [5] "if the grand vizier (kiuprili) be so great a man as he is reputed in politics as well as in arms, he will never consent, by an invasion of hungary, to make way for the advance of french progress into the empire, which a conquest of the low countries would make easy and obvious; and so great accessions (with others that would lie fair and open in the spanish provinces upon the mediterranean) would make france a formidable power to the turk himself, and greater than i suppose he desires to see any in christendom."--sir w. temple, works, ii. 212, edit. 1814. chapter iii. to return, therefore, to the troubles in hungary, which gave occasion for french intrigue and for the interference of the porte. the turks, reinvigorated by the policy of the late vizier kiuprili, but directed no longer by his cool experience and judgment, were now not slow to take advantage of the difficulties of austria. after their defeat at the hands of montecuculi at st. gotthard in 1664, they had consented to a twenty years' truce, by which they were still left in possession of the greater part of hungary, and of that part where the pure magyar population most prevailed. this truce had not expired when the oppressions exercised in the part of their country remaining to the emperor drove the hungarians to arms, and count tekeli to seek aid from the sultan. ordinarily scrupulous in the observance of their treaty obligations, the turks were on this occasion overcome by the temptations held out to them of an easy extension of their frontier and of their influence. with the active aid of the hungarians, and with the tacit consent of france, they deemed it possible to deal a mortal blow at the house of austria. the sultan, mahomet iv., was perhaps not over ambitious, but he was spurred on by the zeal of a servant. the grand vizier, kara mustapha, though a nephew of the great minister kiuprili, owed his advancement more to the beauty of his person and to the favour of the sultana validé, or queen mother, who ruled the ruler of islam, than to other connexions or to ability. his ambition, however, was believed to aim at no less than a dependent kingdom for himself in hungary or at vienna. here, at all events, and not against the poles or russians, did kara mustapha determine to gather his laurels and his booty. he had, indeed, already essayed a russian campaign with little profit. a more striking success and greater glories, more abundant plunder with fewer toils, seemed to be promised by a campaign in the valley of the danube, than by one among the marshes and forests of poland, or of the ukraine. too late, in 1681, the court of vienna attempted a conciliatory policy in hungary. the spirit of rebellion had been aroused, and the offers of redress and justice made by the emperor were distrusted as a veil for treachery, or despised as the confession of weakness. tekeli defied the emperor, and assumed the offensive even beyond the borders of hungary. neither was the porte to be propitiated. in vain an imperial embassy to constantinople sought a prolongation of the truce, which was on the point of expiring at the end of the stipulated twenty years. the demands of the turks rose with the progress of their preparations. a principality for their ally, count tekeli, in hungary; extension of territory, with the strongest border fortresses for themselves; a great war indemnity--such were the terms which implied a determination not to negotiate. the ambassador, count caprara, was compelled as a prisoner himself to witness the departure of the turkish hosts for the frontier. at the end of the year 1682 the main body were drawn together at adrianople. mahomet iv. encouraged his troops by his countenance in the camp, and beguiled the tedium of winter quarters by his favourite pastime of hunting. the sport was carried on upon a gigantic scale with thirty thousand beaters, many of whom perished by exhaustion. "no doubt they have spoken ill of me, and god hath dealt them their reward," was the reasonable conjecture of the sultan upon their fate. this mighty hunter, however, relieved his army of his presence when the spring of 1683 saw it finally set in motion for the danube. kara mustapha was invested with complete command. accounts vary as to the precise point where mahomet left his army. the ambition of his vizier perhaps was interested in removing so soon as possible from the field the sultan, to whom the glory of success would have been necessarily ascribed. similar motives had, according to m. de la guillatière, caused others before this to keep the easily persuaded prince back from the camp, whither his first impulse would have led him. oriental exaggeration is prone to magnify the hosts which asiatic despots can command for their service. the muster-roll, found in the tent of the grand vizier after his defeat, affords a better basis for calculation. we find there, in round numbers, 275,000 fighting men enumerated, as the original strength of the turkish army. judging by the analogy of our indian armies, the attendants and camp followers of all descriptions must have doubled these numbers. in hungary, the vizier effected a junction with count tekeli, who was at the head of nearly 60,000 men--hungarians, transylvanians, turks and tartars. even french officers and engineers were to be found in tekeli's ranks; and the character of his cause was vindicated by coins which he caused to be struck with the inscription, _pro deo et patria_. half a million of men probably, of all creeds and races that lie between the carpathian mountains and the arabian deserts, were arrayed under the standard of the prophet in the valley of the danube. again, according to the turkish returns, of these 50,000 men perished in the operations before the decisive battle that relieved vienna. of the whole vast multitude not more than 50,000 it was computed, ultimately regained the turkish frontier. but even if drawn up with the best intentions, the accuracy of such returns and estimates can never be more than an approximation to the truth. it is sufficient that hundreds of thousands were marshalled beneath the crescent to burst in a storm of desolating war upon the christian lands. for the struggle between turk and christian was not of the character of those operations to which the term of civilized warfare is conventionally applied. prisoners were seldom made. the christian slaughtered; the turk, if he spared, sold into slavery his captives; prisoners we cannot call them to whom future release was denied. far and wide before the turkish armies, the tartars and the irregular horsemen, whose sole pay was plunder, whose diversion and whose business at once was rapine, spread in a desolating cloud over the country. the whole of the unconquered hungary, the austrian duchy, the plains of moravia and the mountains of styria were swept or threatened by the scourge. poland they had long held to be their licensed field of plunder, and now bavaria, and bohemia even, trembled at the terror of their approach. the painful curiosity of their friends has attempted an estimate of the numbers of turkish captives taken in this invasion. 32,000 grown persons, the great majority women, 204 of whom were maiden daughters of the nobility; 26,000 little children were, they tell us, carried off into slavery. this return seems to make no mention of lads, nor of elder girls, who would perhaps form the majority of those spared for the slave-market. how many of these perished under their hardships, or by the turkish disasters; how many others tasted death, but before slavery; how many others may have lost home, wealth and honour, must remain beyond enumeration or even conjecture. it is said that in lower austria and on the frontiers of hungary alone, 4936 villages and hamlets were given to the flames in 1683. to meet this torrent of devastation, the emperor leopold could muster but scanty forces. a full half of the territory now united under the austro-hungarian monarchy was in the hands of the turks, or of the hungarian rebels; or then formed part of the territories of poland. the finances of vienna have never been a source of strength. "business men laugh at our finance, for my part i weep over it," said eugene to the emperor not long afterwards, lamenting the want of the sinews of war. the imperial influence of leopold in germany was small. the german princes were distant, jealous, slow to move. brandenberg was irritated over the silesian claims, that fruitful source of future war. france was all but openly hostile. spain was powerless. venice, a shadow of her former self. poland alone, under her heroic monarch, john sobieski, might give present and substantial assistance. yet all knew that to lean upon the support of poland was to risk leaning upon a bruised reed indeed. poland was, indeed, to all appearance, still a great country. the russian province of poland, lithuania, gallicia, posen, part of prussia proper, were polish. roughly speaking, her frontiers stretched from the dneiper to near the oder, from the baltic to the carpathians. but a great territory does not make a great nation. the approaching fall of poland was foreshadowed by her fortunes, even in the seventeenth century. the extraordinary calamities of that country should not blind us to the means by which she brought some of her misfortunes upon her own head. her constitution seemed skilfully contrived to unite the vices of aristocratic and democratic governments with the virtues of neither. her people were turbulent without freedom, proud without steadiness of purpose. she lacked the equality and the popular support proper to a republic, as she lacked the fixed succession to the highest office and the consistent policy which are supposed to be the advantages of monarchy. a mob of tens of thousands of armed citizens pretended to form a deliberative diet. their convention was always a signal for confusion; their dissolution was often the prelude to civil war. in the huge concourse a single _veto_ could stay proceedings, unless indeed the malcontent paid for his opposition with his life. an attempt to introduce representative assemblies was always resented, and the experiment restricted, by the jealousy of the citizens. delegates, not representatives, came to the meetings. they were vigilantly observed, and strictly cross-examined on their return, by self-constituted judges, as to the performance of their mandate. real debate and deliberation, free judgment and rational decision, were as impossible in one kind of assembly as in the other. below these citizen-nobles, the people were slaves. the two halves of the state, poland and lithuania, were set against each other continually. the monarchy became purely elective in the sixteenth century. the king was the nominee of some foreign court, or of some domestic party, or family. factions nourished from abroad were thus kept alive. once elected, the king found his power curtailed on every side; and was generally as solicitous for the advancement, and future succession perhaps, of his family, as for the good of the state. he might be a stranger, or he might owe his position to the support of a foreign power. he seldom or never could be more than the nominee of some faction, the king of a party to the end of his days. john sobieski, the polish king, and himself once a polish nobleman, was not a candidate put forward by france for the polish crown, but was generally supposed to lean towards a french connexion. his wife was french; he had passed some of his earlier years in france, and had served in louis' musketeers of the guard. his most formidable rival for the crown had been charles leopold of lorraine,[6] the austrian candidate, who was now commanding the imperial armies. an ill omen for any unity of action in the future, between the two, against the turks. sobieski had fought his way to royalty. he had contended against the enemies, from sweden to turkey, with whom poland was continually embroiled. his medals bore the proud device of a sword piercing three laurel crowns, with on its point a royal diadem, and the truthful motto below, _per has ad istam_. poland had been afflicted by cossack insurrection, tartar devastation and turkish conquest. the king, michael, had signed the disgraceful peace of buksacs, by which the poles became turkish tributaries. sobieski and the other nobles repudiated the treaty; and at choczim, in 1673, sobieski overthrew the turks with such slaughter that "the turbans were floating thick as autumnal leaves upon the dneister." the crown of poland rewarded his victory; but the turbulence and inconstancy of his subjects prevented his reaping the fruits of success. at the most critical moments he was left destitute of men and of money, in the face of a host of turks and tartars. at lemberg before his coronation, and at zurawna after it, he was glad to have successfully defended the remainder of his country. the peace named from the latter town, left part of the ukraine and nearly all podolia with the fortress of kaminiec, in turkish hands. the turks scrupulously observing their part of the agreement, believed that they thereby secured the neutrality of poland. sobieski had suffered injuries and affronts at the hands of austria. the punctilious pride of the emperor was likely to add to the difficulty of forgetting these. at the last moment only would leopold consent to address the man who was to save his empire by the title of majesty. the poles either were loth to begin a new turkish war at all, or represented the advantage which might be gained by holding aloof, till both combatants were exhausted. if they fought, podolia, not hungary, the recovery of kaminiec in the former, not the relief of vienna, should be their object. the lithuanians were specially jealous of sobieski, and slow to move. the cossacks were not to be depended upon. the country was exhausted of men and money by former campaigns. the french ambassador, forbin, cardinal de janson, was instructed to work upon the king by promises of the future support of louis, of visionary crowns in hungary, and of lands in silesia as the price of his inactivity. no means were to be spared to detach poland from austria. the cardinal worked cautiously, being an old friend and in expectation of future favours from sobieski; but a special agent who was with him, the marquis de vitry, spared no pains to foment jealousies and to excite fears, and distributed money among the partisans of a peace policy. an abortive scheme was entertained for supplanting the king himself by another, more amenable to french influence. but the conspiracy was discovered, and the effect was disastrous to the french faction. the poles rallied round the victor of choczim and of lemberg, and the authors of the intrigue against him were thrown into prison, or left the country. the french agent, vitry, himself retired from poland. fortunately also for christendom, and for the house of austria, the wife of sobieski, marie casimire de la grange d'arquien, a frenchwoman, had determined to thwart the diplomacy of her native land. the failure of an intrigue, by which her father, a needy marquis, was to have been converted into a wealthy duke; a refusal of the french court to receive her, a french subject by birth, as an equal should she revisit france;--these causes made her an austrian partisan. sobieski, at the age of fifty-three, still burned with youthful ardour for his wife of forty-one, though scandal would have it that this king arthur had his lancelot in the field-marshal jablonowski, one of the foremost of his officers. "his incomparable maria," as the king addressed his queen in his frequent letters, was at all events vain and intriguing, and seldom influenced for good the husband whom she also adored. yet on this occasion her persuasions seconded the arguments which would undoubtedly have swayed sobieski apart from her. his true atmosphere was that of the battle-field. his most glorious victories were won over the infidels. the danger which menaced austria was a common menace to christendom. warsaw itself would not be safe if vienna fell. the foremost champion of the cross would not be wanting in such a crisis. in his enthusiasm he deemed it possible to unite the jarring elements of european society in a grand crusade. visions floated before him of a great league, including the christian powers and the persians, by which the turkish empire should be overthrown, constantinople recovered, moldavia and wallachia united to the polish crown, and a republic of athens and the morea established. a scheme too great for accomplishment in the face of the selfishness of france and austria and the inherent weakness of poland. but a general subscription was needed to put any army into the field at all. rome and italy were foremost in contributions; even ecclesiastical property was allowed to be mortgaged in the cause. the pope, an economical reformer in rome, as befitted the member of a banking family, the odescalchi, was able to provide two million _scudi_. christina, ex-queen of sweden, bestirred herself to increase the fund. the regent of portugal sent money, and sanctified the gift by a simultaneous holocaust of jews. 1,200,000 florins were to be advanced by the emperor to pay the polish troops. the pope undertook to guarantee the repayment, and contributions were expected from the king of spain. both these latter alike were swayed by the double motive--fear of the turks, and the desire to set free the empire to act against france again. leopold, as his contribution to the harmony of the allies, had condescended to yield the title of "majesty" to the king of poland, and had held out hopes of a marriage between the son of sobieski and an austrian archduchess, which might ensure the succession of the former to his father's throne. a dispensation from the pope released the poles from the duty of keeping their oaths to the turks. the emperor and the king exchanged oaths not to resort to such a dispensation from their engagements to each other. the treaty of alliance was signed; but before the polish troops could be mustered in any numbers, the turkish armies had united with those of tekeli, and were pouring across the frontier. footnote: [6] the duke of lorraine had married the emperor's sister, the widow of the late polish king, michael. the french had driven him from his hereditary states, and he found employment at the head of his brother-in-law's armies, against them and the turks. chapter iv. charles of lorraine, the imperial commander, had under his orders less than 40,000. the levy _en masse_ of hungary produced 3000 soldiers only for the emperor's service, so wide was the sway of the turks, or so universal the sympathy for tekeli. six thousand hungarians, supposed to be raised for the emperor, went over to the enemy as soon as they advanced. yet, contrary to his own opinion, lorraine began with offensive operations against the turkish fortress of neuhausel. a partial success was followed by a disastrous repulse, and the army withdrew south of the danube, as the main turkish force approached upon that same side of the river. lorraine had some idea of making a stand near the raab to cover the austrian frontier, but the number of the enemy and the temper of his own soldiers rendered such an attempt too hazardous. he determined to retreat, and await the reinforcements already promised by the princes of the empire. garrisons were hastily flung into raab, komorn, and leopoldstadt.[7] the infantry then recrossed the danube and fell back towards vienna along the schütt island, under count leslie's orders. the cavalry marched upon the southern side of the river, but the superior rapidity of their retreat did not save them from molestation. on july 7 at petronel, some twenty miles below vienna, 15,000 spahis and tartars burst upon their march. for a time count taaffe, with the rear guard of 400 men, was in extreme danger. the exertions of lorraine and of louis of baden rallied the cavalry and speedily repulsed their disorderly assailants, but in the confusion several of the officers fell, including prince aremberg and julius louis of savoy, an elder brother of prince eugene, and much of the baggage became the prey of the tartars. altenburg and haimburg, posts upon the danube, had been already stormed, after a brief resistance, by the turkish infantry. those stragglers who first leave the field are always apt to cover their own flight by the report of an universal overthrow. so fugitives came galloping to vienna with a tale of disaster. they spread the rumour that the duke of lorraine was killed and the army totally defeated, while their alarm seemed amply confirmed by the glow of burning villages that brightened upon the twilight of the eastern horizon. the imperial court, which had delayed its flight so far, in the hope that the enemy might linger about the fortresses of raab or of komorn, tarried now no longer. "leopold could never bear to hear plain truths but when he was afraid," says eugene. he had refused to recognize the imminence of the peril until now; and by his confidence had involved in his destruction others, who had not the same means of escape at the last moment which he himself possessed. yet means of escape were barely open to him, when at length he understood that he must defend or abandon his capital. the roads to upper austria and to bavaria, along the southern shore of the danube, were rightly distrusted. the emperor, his empress, and the empress mother, with all their train of courtiers, of ladies, and of servants, shorn of pomp and bereft of dignity in their flight, poured over the leopoldstadt island and the tabor bridge in all the misery of panic fear. the prompt destruction of the bridge of crems, above vienna, is said alone to have saved their route from interception by the tartars. a part of their baggage actually became the prey of the marauders. the whole court, including even the empress herself, who was far advanced in pregnancy, were driven to seek rest in farms and cottages. once they passed the night under a temporary shelter of boughs. in the universal panic, small room was left for hopes of a return to the capital and to the palaces that they had quitted. milan, innspruck, prague were thought of as their future refuge. on to lintz, and from lintz to the frontier they fled, till their confidence at last returned behind the fortifications of the bavarian city of passau. but they were not the only fugitives from vienna. the bold march of the vizier upon the city, leaving raab, komorn, and presburg in his rear, to fall an easy prey when once the great prize was captured; this had taken the citizens by surprise. the retreat of lorraine, and the skirmish at petronel, had filled them with abject terror. people from the surrounding country who had taken shelter in vienna no longer relied upon her as a stronghold, but turned their thoughts to an escape to bavaria, or to styria, or even to the distant tirol. from nine o'clock in the evening till two o'clock in the morning, on the 7th and 8th of july, a never-ending stream of carriages and of fugitives were following in the track of the imperial _cortège_. east and south, upon the horizon, the glare of burning villages told that the turkish horsemen were there. high on the summit of the kahlenberg, the flames of the camalduline convent dreadfully illuminated the track of the fugitives. sixty thousand persons, it was believed, left the city in the course of a few days. of those who, crossing the danube, took the roads into upper austria or into moravia, some fell into the hands of the hungarian and tartar marauders. but few of those who attempted to escape into styria succeeded in reaching a place of safety. they perished by thousands, enveloped by the flying squadrons of the invaders. in vienna herself, deserted by her leaders and by so many of her children, violent tumult raged against the government, and against the jesuits, who were supposed to have instigated the persecution of the protestants of hungary. there was ample cause for terror. the fortifications were old and imperfect, the suburbs encroached upon the works, the number of the defenders was small. thirteen thousand infantry, supplied by the army of lorraine, and seven thousand armed citizens formed the garrison; and, besides these, about sixty thousand souls were in the city. the command was entrusted to ernest rudiger count starhemberg, an officer of tried skill and courage. he had served with montecuculi against the turks, and against both condé and turenne with the same commander and with the prince of orange. he entered the city as the fugitives forsook it. he set the people to work upon the fortifications, organized them for defence, and assured them that he would live and die with them. but while writing to the emperor that he would joyfully spend the last drop of his blood in defence of his charge, he confesses that the place is in want of everything, and the inhabitants panic-stricken. fortunately he and others with him were the class of men to restore confidence in the rest. under him served many noble volunteers, for the example of the emperor was not universally followed. the bishop of neustadt, once himself a soldier and a knight of malta, was conspicuous among many brave and devoted men for his liberal donations to the troops, and for his superintendence of the sanitary state of the city. in one respect alone the place was well furnished; three hundred and twenty-one pieces of artillery were supplied by the imperial arsenal for the fortifications.[8] the city was defended after the existing fashion, with ten bastions, the curtains covered by ravelines, with a ditch mostly dry. on the side of the danube was merely a wall with towers and platforms, and all the works were more or less uncared for and decayed. the work of fixing palisades was postponed till the turkish army was in sight. it is possible that by a slightly more rapid march the vizier might have secured vienna by a _coup de main_. on july 13, the turkish regular cavalry came in sight, preceding the infantry of the main army; and at the last possible moment fire was set to the suburbs, which impeded the defence. a high wind speedily caused them to be consumed. on the 14th, the turkish army took up its position, encamping in a semicircle, round the whole of the circuit of the defences not washed by the danube. a city, surpassing in size and population the beleaguered capital, sprang up about the walls of vienna. the tents of the vizier were pitched opposite the burg bastion, in the suburb of st. ulric. the camp was crowded not only by soldiers, but by the merchants of the east, who thronged thither as to a fair to deal in the plunder of the christians. the imperial troops still attempted to hold the leopoldstadt island; but on july 16, the turks threw bridges across the arm of the danube, and shortly drove the christians to the northern bank of the river. the houses of the leopoldstadt were given up to fire by the turks; and the bridge, leading to the northern shore, destroyed by the imperialists. the investment of vienna was now completed upon every side. batteries from the leopoldstadt, and from the south and west, crossed it with fire in all directions. trenches were opened, and the elaborate approaches and frequent mines of the turks, advancing with alarming rapidity, enveloped the western and south-western face of the works from the scottish gate to the burg bastion. upwards of three hundred pieces of artillery played upon the crumbling defences and the devastated city. the pavement of the streets was torn up, that the balls might bury themselves in the soft earth where they fell. the upper floors and roofs of the houses were barricaded with heavy timber, or covered with sandbags, to guard against the fire of the dropping shells. the streets themselves were blocked behind the walls, chains drawn across them, and the houses loop-holed and prepared for defence to the last extremity. all the gates had been walled up but one, the stuben gate, which, being partially covered by the stream of the wien, was left open as a sally-port. early in the siege, the assailed, frequently issuing forth, returned the attacks of the enemy, frustrated their operations, and even captured provisions in the hostile lines. but as time went on, the diminishing numbers of the garrison forbade the waste of life incurred even in successful sorties. [illustration: map] the progress of the turks was rapid with sap and mine. they were famed for their skill with entrenching and engineering tools, and the christians learnt much from them, though their approaches were unlike the ordinary european works. instead of parallel lines to the defences they drew curves, overlapping each other and continually approaching the place attacked. the trenches were deep, and fifteen or sixteen feet wide at the bottom where the ground allowed. the depth of the turkish works effectually protected their soldiers, even when they had made a lodgment in the ditch; for the besieged could not depress their cannon sufficiently to hurt them.[9] they were protected skilfully by bomb-proof shelters of timber and of turf, beneath which thousands of men, hidden and shielded, crouched ready for attack, or for the repulse of sorties. their mines penetrated in every direction to the counterscarp of the place, and ultimately to the walls themselves. at length the very cellars of the nearest houses were threatened by a subterranean enemy; and water and drums strewn with peas were placed in them, to tell, by the slightest vibration, of the work of the turkish miner's pick below. the turkish miners were bolder than those of the garrison. the latter were hired labourers of the lowest class, of whom starhemberg wrote to lorraine that nothing would induce them to re-enter a mine after they had heard the sound of the enemy working near them. on the part of the enemy, men who had applied for a _timar_, or military fief, often volunteered as miners to prove their courage and to win its reward. at the very beginning of operations the city all but perished through a fire, which actually reached the windows of the imperial arsenal stored with eighteen hundred barrels of powder. an explosion there would have opened a road for the turkish army into vienna, at once deprived of the means of resistance and reduced to ruins. the exertions of captain count guido starhemberg, nephew of the commandant, who personally superintended the removal of the powder through the opposite windows, together with a lucky change of wind, saved the city. rightly or wrongly, an incendiary was suspected. the fear of treachery was added to the legitimate terrors of the citizens. desertions took place to the enemy, and spies were actually apprehended within the walls. hungarians and other christians were arrayed upon both sides, and this community of language and manners, between besiegers and besieged, rendered such a danger more real. but from the open force of the attack the worst calamities were to be feared. on the 23rd, 25th, and 27th of july the opening assaults were delivered. all were repulsed, but with loss of lives ill-spared. closer and closer crept the turkish sappers. assault after assault upon the outer fortifications gradually wrested important positions from the besieged. the burg and löwel bastions, with the connecting curtain between them and the burg ravelin, were reduced to an almost shapeless ruin by the turkish mines and artillery. every device was tried to retard the attack. the arts and ingenuity of a great city were at the service of the besieged. they made their own powder; and, when hand-grenades began to fail, the invention of an officer supplied their place with grenades of earthenware. nevertheless, on august 7, the turks made a lodgment upon the counterscarp, after twenty-three days of firing and terrible losses upon both sides. the janissaries now stood upon the very threshold of the city. hand to hand fighting was carried on in the ditches. the citizens armed with scythes upon the end of poles contended with advantage from above against the turkish sabres. boiling pitch and water stood continually ready to overwhelm the assailants as they struggled up the shattered slope of the ramparts. besiegers and besieged were continually within pistol shot of each other, and showers of turkish arrows descended on the town. as yet no footing was obtained by the turks within the body of the place, though the streets and houses stood ready barricaded against such an event. but the vizier commanded two hundred thousand men, starhemberg but twenty thousand. disease and the toils and losses of the defence told fearfully upon the latter. starhemberg himself was disabled by dysentery early in the siege, and did all that man could do, carried in a chair from post to post, amidst the hottest of the fire. on the other side, kara mustapha made his rounds in a litter rendered shot-proof by plates of iron. the chief engineer of the garrison, rimpler, fell. colonel bärner, commanding the artillery, and the prince of wurtemberg were disabled. five thousand men, more than a third of the regular soldiers, perished. food became scarce, vermin were eagerly sought for by the poor, and dysentery followed inevitably in the train of want. fever sprang from the confinement, filth, and bad air inseparable from their condition. sixty persons a day were dying of dysentery alone towards the conclusion of the siege. but the humour of the viennese asserted itself still among their calamities, and the spoils of nocturnal chase upon the tiles were sold as "roof hares" in the market. the courage of long endurance, that rarest of all courage, was tried to the uttermost. the bishop of neustadt, bravest of the brave defenders, laboured unremittingly among the sick, nor cared less for the safety of the whole, by undertaking the control of sanitary measures. the otherwise useless non-combatants were organized by him into bands of scavengers, hospital attendants, and carriers of the wounded. a despatch from starhemberg, dated august 18, came safely to the hands of lorraine. the commandant wrote boldly, perhaps with an eye to the probability of his intelligence reaching the turkish and not the imperial general. "i must in the first place, tell your highness that we have up to this moment disputed the works with the enemy, foot by foot, and that they have not gained an inch of ground without paying for it dearly. every time that, sword in hand, they have attempted a lodgment, they have been vigorously repulsed by our men, with such loss that they no longer dare to put their heads out of their holes." nevertheless, he was providing for the worst. "i have caused a new work, well ditched, to be made in the middle of the burg ravelin; the löwel and burg bastions are also defended by a second line; and i am even now beginning another work behind these same bastions. i write this that your highness may know that we are forgetting nothing, that we are wide awake, and taking all imaginable precautions. as in duty bound i assure your highness, that to show myself worthy of the confidence which your highness, and more especially his majesty my master, repose in my small services, i shall never yield the place but with the last drop of my blood." this despatch was safely carried to lorraine by kolschitzki, a pole. many other letters had miscarried, for few messengers penetrated, at the risk of life, between the city and the slowly mustering forces of lorraine. some swam the arms of the danube. the most skilful, however, was this kolschitzki, who relied upon his knowledge of the turkish tongue and manners, and in turkish dress penetrated the besieging lines, much as a countryman of our own relied on similar knowledge in a scarcely less memorable siege. the name of kolschitzki of vienna may be named side by side with that of "lucknow" kavanagh, though the pole not only passed out through the besiegers, but succeeded in returning again in a like manner into the city with despatches, to sustain the courage of the defenders. from his stone chair, high up in the fretted spire of st. stephen's, the watchman saw the rockets which rose as signals from the christian outposts north of the danube. but from the southern bank must the march be made for the deliverance of the city; and was it possible that lorraine, or even sobieski, could carry a force across the river in the face of such an army? the garrison record, with painful exactness, the terrible annals of the siege; what ravelin is deluged with the blood of assailants and of defenders; where mines have blown the counterscarp into the ditch, or shattered the salient angle of a bastion; what new quarter of the city is devastated by the cannonade; what much-prized life is taken; when the bread begins to fail; what false hopes of relief, or what exaggerated tidings of calamity, circulate among the citizens. these details, of overwhelming interest to every man at the moment, and printed indelibly upon his mind, bring to the distant observer but one confused and appalling panorama of suffering and of endurance, of courage and of despair. the growing anxiety of the city appears in a second despatch of starhemberg's, dated august 27. he still tells of attacks repulsed, of sorties boldly executed, and of mines discovered and foiled, but he acknowledges the need of succour. "we are losing many men and many officers, more from dysentery than from the enemy's fire, the deaths from that disease alone are sixty daily. we have no more grenades, which were our best defence; our guns are some of them destroyed by the enemy's fire, some of them burst before firing fifty rounds, from the bad material used by the founder; and the enemy, seeing they can hold their lodgments in the ditch with a few men, are massing great numbers on the counterscarp, to have a large force ready there for some extraordinary effort.... we await, therefore, your highness's arrival with extreme impatience; for my own part not so much from a wish to be relieved as that i may have the honour of respectfully assuring your highness of my obedience, being, as i am, your highness's most humble and obedient servant, starhemberg." the courtly bravado of the subscription is in strong contrast with the hurried postscript that follows:--"my miners tell me that they hear the enemy working beneath them under the burg bastion; they must have run their gallery from the other side of the ditch, and there is no time to be lost." when this despatch was written, both sides believed that the supreme crisis was at hand. the 29th of august was looked for as the decisive day. on that anniversary stuhlweissenberg and belgrade had fallen before the ottomans.[10] above all, on that day the strength of hungary had been smitten, and her king, louis, had died, before the hosts of the great solyman, on the disastrous field of "the destruction of mohacs"--that battle which first opened hungary and austria to the invader. but the 29th came and passed, with no general attack from the besiegers. a mine was sprung under the burg ravelin, nearly completing the ruin of the work; and three or four hundred turks attempted to establish themselves upon the remains, but were driven back again. another mine was sprung by the burg bastion, but no assault followed. from st. stephen's considerable movement was noticed among the turkish detachments on the left bank of the danube, occasioned by the march of lorraine's army. in the camp murmurs and dissensions ran high. the janissaries clamoured at their lengthy detention in the trenches. they openly accused the incapacity, or worse faults, of the vizier. there seems little doubt but that he had it in his power to have overwhelmed the defenders by a general and prolonged assault, towards the end of august. ottoman leaders had known well how to avail themselves of the obedience and fatalist courage of their soldiers. amurath iv., when he won back baghdad from the persians, mahomet ii., at the taking of constantinople, had shown how cities could be won. before the city of the khalifs for three days, before the city of the cæsars from a may sunrise till well nigh noon, had torrent after torrent of brave, devoted, undisciplined soldiers wearied the arms and exhausted the ammunition of the defenders, until the janissaries arose, fresh and invincible for the decisive charge. wave after wave of stormers, fed from inexhaustible multitudes, had rolled upon the besieged, and, like broken waves, had rolled back in ruin, until the last and greatest should burst in overwhelming force upon the breaches. such an assault would have been surely successful against vienna. but the vizier, in vain security, pictured to himself the advantages of a surrender, which should preserve the city as a trophy of his conquest--the seat, perchance, of his sovereignty. the riches which he dreamed it to contain, he hoped to receive as his own spoil; not to yield as the booty of the army after a storm. so, while the decisive days passed, the signal for attack was delayed, except by small bodies upon single points, until the courage of his soldiers was dissipated and their confidence destroyed. on the contrary, the unexpected reprieve gave courage to the defenders. the janissaries, on the other hand, impatiently invoked the appearance of the relieving army to end their sojourn in the trenches by the decisive event of a stricken field. slowly, but at last, ere yet too late, that army was approaching. footnotes: [7] that is the leopoldstadt over against neuhausel, not the island suburb of vienna. [8] together with forty-two guns and eight howitzers from the city arsenal. among the emperor's pieces were eleven gigantic mortars, described as 100, 150, and 200-pounders, but two hundred and fifty-three of the guns were smaller than 12-pounders. [9] starhemberg to duke of lorraine, august 18. [10] not pesth and rhodes, which are sometimes added. rhodes fell on christmas day. chapter v. the duties which had been imposed upon charles of lorraine were of the most arduous kind. with a handful of troops, but slowly reinforced by the german levies, whose assistance was rendered less useful by the jealousies of the sovereign princes in command, he was opposed both to the turks and to tekeli. he was expected to be ready to support the garrisons of presburg and of komorn, to hinder the incursions of the enemy into upper austria and into moravia--above all, to prepare the bridges above vienna, by which alone a relieving army could arrive. though driven from the leopoldstadt island, and from all immediate communication with the city, his presence yet animated the besieged with hope of succour. he fixed his head-quarters finally at krems, on the danube, where the saxon contingent presently arrived, followed by the troops of the circles and the bavarians. before their arrival, towards the end of august, he felt strong enough to advance and rescue presburg from tekeli. he followed up the operation by a defeat inflicted on the combined forces of the turks and hungarians upon the marchfeld. a detachment of four thousand polish horse, under lubomirski, originally raised to assist tekeli, were already present with the army of lorraine. but decisive operations were of necessity postponed till after the coming of the king of poland with the bulk of his forces, and of the rest of the german troops. lorraine, in these movements, undoubtedly proved his title to generalship; but nothing except the extraordinary apathy of the vizier rendered them possible. a skilful employment of the enormous force of turkish cavalry must have forced the imperial army to retire for want of supplies. the ravage, aimlessly and mercilessly inflicted upon austria and the confines of moravia, would, if directed against poland, have probably prevented the march of sobieski. an able commander, with such forces at his command, might have prevented, or at least hindered, the junction of the poles and germans. nor were any steps taken by the vizier to stop the construction of the bridges at krems and at tuln, nor to guard the defiles of the wiener wald, over which the christian army must advance to raise the siege. so extraordinary indeed was the neglect of the enemy, that a secret understanding has been supposed between tekeli and sobieski, by which, in return for the future good offices of the latter, the former was not to molest poland nor hinder the junction of the christian forces. be that as it may, the secret information of the poles was as good as that of the turks was bad, and the king knew thoroughly with what foes he had to deal.[11] meanwhile, in spite of french intrigues, in spite of backwardness in lithuania and of distrust in poland, sobieski had left warsaw for cracow on july 18. up to the last moment the turks disbelieved in his coming in person, and the emperor and the french king both doubted it. he was gouty, he was rheumatic, he was too fat to ride; such was the tenour of the information of the baffled french agent vitry. nevertheless, on the 22nd of august, he was on the silesian frontier with the main part of his army. it consisted mostly of cavalry, of those polish horsemen matchless in prowess, but the most unstable of forces. his infantry was less numerous and inferior, their shabby accoutrements contrasting sharply with the gaudy equipment of the cavaliers. "they have sworn to dress themselves better in the spoils of the enemy," said the king of one regiment, deprecating the criticism of the germans. his march lay through silesia and moravia, through the borders of the lands devastated by the tartars, where the trembling inhabitants thronged around him, hailing him already as their deliverer. urged by message after message from lorraine, he left his army to follow under the leadership of the field-marshal jablonowski, and hurried on himself at the head of two thousand cavalry, his son prince james by his side. we can follow every movement of the campaign from the letters which, amid the hurry of the march, during short hours snatched from sleep, once at least during the thunder of a turkish cannonade, he found time to despatch continually to his queen. _seule joie de mon âme, char__mante et bien-aimée mariette_, as he calls her. her letters in reply are his continual consolation amid the labours of the campaign, the ingratitude of the emperor, and the insubordination of his subjects. "i read all your letters, my dear and incomparable maria, thrice over--once when i receive them, once when i retire to my tent and am alone with my love, once when i sit down to answer them." such is his answer to her expression of a fear that the distractions of his enterprise may leave no time for interest in aught besides. on august 29 he writes, from near brunn in moravia, sending the news of the retreat of tekeli after his defeat by lorraine, and adding that he hopes the next day, on nearing the danube, to hear the cannon which tell that vienna is still untaken. on the 31st he is near tuln, above vienna. he has passed the distant thunder of the cannonade upon his left hand, and has effected his junction with the army of lorraine. despairing of the arrival of the lithuanians, he has distributed the arms intended for them among the imperfectly equipped poles. still more is he distressed at the non-appearance of the cossacks, whom he expected, and whom he knew as invaluable for outpost duty. menzynski, who should have conducted them, is lingering at lemberg. "_c'est un grand misérable._" most interesting of all is the passage in which he gives his wife his first impressions of his future colleague, the duke of lorraine. lorraine had been a competitor with sobieski for the crown of poland, and it must have been a singular meeting when the rivals first came face to face co-operating together in a mighty enterprise. sobieski the king, whose offspring were not to reign; charles the duke, the destined ancestor of the imperial line of austria.[12] the one in the semi-oriental magnificence of his country, he went into action before vienna in a sky-blue silk doublet; the other in the dress of a campaigner, best described in sobieski's own words. the duke he finds modest and taciturn, stooping, plain, with a hooked nose, marked with small-pox; clad in an old grey coat, with "a fair wig ill-made," a hat without a band, "boots of yellow leather, or rather of what was yellow three months ago." "_avec tout ça, il n'a pas la mine d'un marchand, mais d'un homme comme il faut, et même d'un homme de distinction. c'est un homme avec qui je m'accorderais facilement._" the friendship of the former rivals was cemented by a banquet, and the duke's accustomed monitor being first overcome, lorraine himself was induced to proceed from his native moselle, which he drank usually mixed with water, to the strong hungarian wines--to the improvement, as the king tells his wife, of his conversation. besides lorraine, sobieski found a crowd of german princes awaiting his arrival: john george of saxony, speaking no french nor latin, and very little german; waldeck, of the house of waldeck-wildungen,[13] william the third's right hand man in the netherlands, here commanding the troops of the circles, and winning high praise from the king for his activity and zeal; maximilian of bavaria, whose courage and ill-fortune were hereafter to be signalized at blenheim and at ramilies, now aged twenty-one, wins notice as "better dressed than the others." there were two wurtembergers and the prince of brunswick-lüneburg, afterwards our george i.; the prince of saxe-lauenberg; a hohenzollern and a hessian; three princes of anhalt; hermann and louis of baden, the latter was with marlborough at schellenberg; two sons of montecuculi, the conqueror of st. gotthard; last and youngest, though not least, eugene of savoy, the future conqueror of zenta and of belgrade, and the colleague of marlborough in his greatest battles. there was count leslie, of that scotch house which had given generals to half the armies of europe; count taaffe, the irishman, afterwards sir francis taaffe and earl of carlingford, whose elder brother fell fighting for king james at the boyne, but whose services to the allies secured the earldom from forfeiture. there were gathered veterans of the thirty years' war, men who might have seen gustavus or wallenstein, and men who were to reap their brightest laurels hereafter in the war of the spanish succession. as was wittily said, the empire would have been there had only the emperor been present. the brandenberg troops also were wanting. the "great elector" was jealous of poland--once his superior in the prussian duchy--had formerly been injured by sobieski acting with the swedes in the interests of france, and moreover was not on the best terms with the emperor. brandenberg, then as ever, was playing with skill and patience her own game. the fortunes of the future prussian monarchy were not to be lightly risked for the sake of austria. but the emperor himself must not be rashly charged with want of courage for his absence from the camp. he was not trained to war; the presence of his court would have been embarrassing to the operations, perhaps would have been inseparable from intrigues and jealousies that would seriously have crippled the army. a certain stubborn manhood leopold had shown in not yielding to the pressure put upon him to make terms with louis xiv. in this extremity. the aid of france could have been purchased by the election of the dauphin as king of the romans, probably by smaller sacrifices. the diet at ratisbon had been not disinclined to yield, but the emperor had stedfastly refused to subject either his own house or the empire to french dictation. that one crowned head was in the field was of the greatest importance, especially when that one was the king of poland. everywhere the most cheerful deference was rendered to sobieski by all who were present. the princes, jealous of each other before, now vied with each other in zealous obedience to the conqueror of choczim. his experience of turkish warfare was unique, his personal character commanding. he tells his wife how lorraine, waldeck, saxony, bavaria would send or even come personally for his commands. the ascendancy exercised by sobieski is nowhere more decisively illustrated than in the conduct of five hundred janissaries, a trophy of his victories, who now formed his body guard. he offered them leave of absence from the battle, or even a free passage to the turkish camp, but they besought leave to live and die with him.[14] the king himself was fully prepared to accept the advice of generals like lorraine and waldeck. he had left his royal dignity behind at warsaw, as he told lorraine, and at once agreed with the latter upon a plan for crossing the danube at krems and at tuln, concentrating at tuln and marching over the kahlenberg to vienna. he only complained of the backward condition of the bridges and of the slow assemblage of the troops, whereas the emperor had by letter assured him that all was ready before he had left poland. when finally assembled, the united armies numbered eighty-five thousand men. the poles were more than twenty-six thousand strong. but allowing for detachments, not more than seventy-seven thousand men were available upon the battle-field. the artillery numbered one hundred and sixty-eight pieces, of which few came into action. on september 4, the king still writes from near tuln. if an excess of glory is often the share of a successful commander, yet an excessive toil is his always. sobieski tells his wife that he has a continual cold and headache, and is night and day in the saddle. the french stories were so far true that he could not mount without assistance, yet in the midst of such operations no rest is possible. the turks are, he says, either really ignorant of his presence, or refuse to believe it. the vizier was incredibly ill-supplied with information. he really was uncertain whether sobieski was in the field; and whether the polish army, or partisan corps only, like that of lubomirski, had joined lorraine. the smallest resistance would seriously have retarded the passage of the danube, performed by the germans at krems, by the poles at tuln. as it was, the difficulties were terrible. the pontoons sank under the weight of the artillery and waggons. the latter had to find fords over the smaller branches of the river, while the bridges upon the main stream were strengthened to sustain them. even then much baggage was left north of the danube; much more upon the southern side, entrenched and defended. on september 8, when the concentration of the army upon the southern bank was being completed, marco aviano, the emperor's confessor, celebrated a solemn mass, and gave a formal benediction to the christian army. sobieski then stepped forward, and after addressing some words of encouragement to the assembled officers, bestowed the honour of knighthood upon his son james.[15] an enthusiastic votary of his religion, he desired to impress upon his army that their cause was the cause of god, against the enemies of the faith. even the lutheran saxons and north germans could, with more justice than the hungarian renegades, claim to be fighting _pro deo et patria_. upon the coming struggle depended the question whether the frightful devastation, which had desolated hungary and austria, was or was not to be repeated in all the south german lands. the flat ground upon the southern side of the danube, from near krems to tuln, the tullner feld, offered a convenient space for the mustering of the army after passing the river. vienna was not further than about sixteen miles as the crow flies, but the intervening country was of a difficult nature, even should the turks attempt no interruption to the movements of the relieving forces. the wiener wald, rising to more than nine hundred feet above the level of the danube, runs into a north-easterly direction between tuln and vienna, and advances up to the very current of the river, which flows north-eastward and then south-eastward round the mountain barrier. the roads were few and difficult, and trees covered the slopes of the hills. sobieski had decided to advance with his left wing covered by the danube, and to throw succour into vienna upon that side; while with the right he threatened the rear of the turkish camp on the side of dornbach and hernals. with this object the march was directed upon the leopoldsberg and the kahlenberg, the last heights or ridges of the mountains above the danube, to the north-west of vienna. and at length, on the 10th of september, the forward movement upon the kahlenberg began. already as early as the morning of the 6th, a reconnaissance had been pushed to the summit, and as evening fell had cheered vienna with a flight of signal rockets, in answer to the fiery messengers of distress which nightly rose from the spire of st. stephen's. but to carry an army up the kahlenberg was a harder task. sobieski wrote that the country was horribly wasted. there was neither food for man nor forage for horses, beyond what the army could carry with them. indeed, the leaves of the trees upon the kahlenberg had to eke out the supplies of the latter. there was all need for despatch. the last despairing message had come from starhemberg, borne by a swimmer on the danube to lorraine, in language as brief as significant, "_no time to be lost; no time indeed to be lost._" footnotes: [11] salvandy, p. 96, vol. ii. [12] the grandson of the duke of lorraine married maria theresa, queen of hungary, and was himself emperor. the grand-daughter of sobieski was the mother of charles edward, the hero of the forty-five. [13] of the family, not an ancestor, of the present duchess of albany. [14] salvandy. [15] schimmer, "sieges of vienna;" count thürheim, "life of starhemberg;" and salvandy, "hist. de pologne," p. 172, vol. ii. misplace this solemn benediction of the army and the knighting of prince james on the morning of the 12th. sobieski's own testimony, in his letters to his queen, is decisive for the 8th. nor on the 12th was there time for the ceremony. chapter vi. there was no time to be lost indeed. the fortifications of vienna were a mere heap of ruins. the imperial palace was battered to pieces. nearly one whole quarter of the city was in ashes. on the 3rd of september, the long contested burg ravelin was yielded to the turks. on the 4th, the salient angle of the burg bastion was blown into the air, and an attack was with difficulty repelled. on the 6th, a similar mine and assault following cumbered the löwel bastion with ruin and with corpses. for a moment, the horse tails were planted upon the ramparts. driven back thence with difficulty, the turks still clung to the burg ravelin, and four pieces of cannon planted there, at frightfully close quarters, completed the ruin of the works. but no new attack came. informed of the advance of lorraine, though still incredulous of the presence of sobieski, the vizier began to draw his troops towards the foot of the kahlenberg. he still clung to the batteries and trenches; still kept the pick of his janissaries grappling with the prize which but for him they might have already won. he rejected the advice of the pasha of pesth, to withdraw across the wien and fortify a camp on the wienersberg, secure that if the christians attacked and failed vienna would fall. he withdrew his troops indeed from the leopoldstadt, and threw up some slight works towards the kahlenberg, but remained otherwise irresolute, halting between his expected booty and her deliverer. sobieski had already taken the measure of his opponent. in reply to desponding views of lorraine at tuln, he had said, "be of good cheer; which of us at the head of two hundred thousand men would have allowed this bridge to have been thrown within five leagues of his camp?" to his wife he wrote, "a commander who has thought neither of entrenching his camp, nor of concentrating his forces, but who lies encamped there as if we were one hundred miles off, is predestined to be beaten." viewing the turkish force from the kahlenberg, he said to his soldiers, "this man is badly encamped, he knows nothing of war; we shall beat him." it was well for the christians and for vienna that none of the great warriors who had served the porte was now in command. no man like kiuprili, or even like ibrahim "the devil," the last turkish commander against whom sobieski had contended, was there, to use the fidelity of the janissaries and the valour of the spahis to advantage. the march up the defiles of the kahlenberg presented, even without interruptions, extraordinary difficulties. the king himself pushed forward to superintend the exploration of the way. he was so long parted from his polish troops that they became anxious for his safety. he rejoined them at mid-day on the 11th, and encouraged them as they marched, or, as he says, rather _climbed_ to the summit. some saxon troops, first arriving, with three guns, opened fire upon a turkish detachment marching too late to secure the important position. the turks retired, and the distant sound of the firing announced to vienna the first tidings of deliverance. it was not till the evening of the 11th, however, that the main body of the army had reached the ridge. even then many had lagged behind; the paths were nearly impracticable for artillery, and the germans abandoned many of their guns in despair between tuln and the kahlenberg. but few pieces indeed were fired after the first beginning of the battle on the following day, polish guns, for the most part, brought up by the vigour of the grand marshal of the artillery, kouski, the same officer who had directed the polish field-pieces against the turkish camp at choczim. "an hour before sunset," september 11, as sobieski and the generals stood at length upon the crest of the hill, "they saw outspread before them one of the most magnificent yet terrible displays of human power which man has seen. there lay the valley and the islands of the danube, covered with an encampment, the sumptuousness of which seemed better suited for an excursion of pleasure than for the hardships of war. within it stood an innumerable multitude of animals--horses, camels, and oxen. two hundred thousand fighting men moved in order here and there, while along the foot of the hills below swarms of tartars roamed at will. a frightful cannonade was raging vigorously from the one side, in feeble reply from the other. beneath the canopy of smoke lay a great city, visible only by her spires and her pinnacles, which pierced the overwhelming cloud and flame."[16] sobieski estimated the force before him at one hundred thousand tents and three hundred thousand men. including the non-combatants, he was, perhaps, not far wrong; but the fighting men in the turkish army by this time would be by many fewer than that number. one hundred and sixty-eight thousand men is the most which may be allowed from the muster-rolls found in the vizier's tent, and that certainly exceeds the truth.[17] all around, except where in the encampment the magnificence of the invader was proudly flaunted in the face of the ruin that he had made, the prospect was desolated by war. whatever might be the fortune of the coming day, a generation at least must elapse before those suburbs are rebuilt, those villages restored and repeopled, those fields fully cultivated again. the army felt that it lay with them, under god, to provide against that further extension of the ravage which would follow, should the bulwark of the _oesterreich_, the eastern march of the empire, be forced by hun and tartar. not distinguishable from the distance at which they stood, thousands of christian captives lay in the encampment below. the morrow might deliver up the people of vienna to a like fate with theirs. the city, as the king declared on entering it after the relief, could not have held out five days. as the wind now lifted the cloud of smoke, where should have been the fortifications, the eye could discern nothing but a circle of shapeless ruin, reaching from the scottish gate to what had been the burg bastion. up to and on to it climbed the curving lines of the turkish approaches. sobieski had only hoped gradually to fight his way into a position whence he could communicate with the besieged, and he had arranged his plan of battle at tuln with that idea. but the inequalities of the country between the kahlenberg and vienna, broken with vines, villages, small hills and hollow ways, together with the unexpectedly rapid development of the attack when once it began, seem to have interfered with his original disposition. his army occupied a front of half a polish mile, or about an english mile and three quarters. it was drawn up in three supporting lines that faced south-eastward. the first line of the right wing was composed of nineteen polish (cavalry) divisions and four battalions; the second, of six polish and eight austrian divisions, and four polish battalions; the third, of nine polish, six austrian, three german divisions, three polish and one german battalion. the centre was composed in the first line of nine austrian and eleven german divisions, and thirteen german battalions; in the second, of six german divisions, ten german and six austrian battalions; in the third, of five german and two austrian battalions. the left wing shewed in the first line, ten austrian and five german divisions, and six austrian battalions; in the second line, four german and eight austrian divisions; in the third line, three german and seven austrian battalions. lubomirski with his irregular poles was on the left; the polish field-marshal, jablonowski, commanded on the right; the prince of waldeck, with the electors of bavaria and saxony, the centre; the duke of lorraine and louis of baden, with counts leslie and caprara, were on the left. the king was upon the right or right centre throughout the day. the total force, including detachments not actually engaged, was 46,700 cavalry and dragoons, 38,700 infantry; in all 85,400 men, with some irregulars, and 168 guns, many of them not in action at all. the dragoons fought on foot in the battle.[18] the army was, roughly, one-third poles, one-third austrians, one-third bavarians, saxons, and other germans.[19] the fatigues of the march from tuln would naturally diminish the number of effective soldiers on the day of battle; and the troops were not all in position when the evening of saturday, september 11, fell. as the night however wore away, the rear guard gained the summit of the hills, and snatched a brief repose before the labours of the morrow. but for the king there was no rest. the man whom the french ambassador had described as unable to ride, who was tormented certainly by wearing pains, after three days of incessant toil, passed a sleepless night preparatory to fourteen hours in the saddle upon the battle-field. the season of repose was dedicated to the duties of a general and the affection of a husband. at three a.m. on sunday, the 12th, the king is again writing to his _bien-aimée mariette_. he has been toiling all day in bringing his troops up the ravines. "we are so thin," he writes, "we might run down the stags on the mountains." as to the pomp or even comfort of a king, that is not to be thought of. "all my luggage which we have got up here is in the two lightest carts." he has some more upon mules, but has not seen them for forty-eight hours. he had no thought of sleep; indeed, the thunder of the turkish cannon made it impossible; and a gale of wind, which he describes as "sufficient to blow the men off their horses," bore the noise of their discharge with redoubled clamour to the relieving army. moreover, the king writes, he must be in the saddle before daybreak, riding down from the right to the extreme left, to consult with lorraine, opposite whom the enemy lies in force; not entrenched, he hopes, as on that side he means to break through to the city. a two days' affair, at least, he thinks. then, "my eighth letter to your sixth," he adds, with other familiar and gentle conversation, with tidings of her son and of other friends, but with no word of fear or of apprehension. he had made his will before setting out from warsaw, but he entertained no thought of failure. then closing his wife's letter, the affectionate husband becomes again the heroic king and careful general. he rides from right to left along the lines, in that boisterous autumnal morning, makes the last dispositions with lorraine, with him and with a few others takes again the holy communion from the hands of marco aviano before the sun has risen, and then returns to his post upon the right wing, ready for the advance that was to save vienna. his next letter to his wife was dated "september 13, night. the tents of the vizier." footnotes: [16] coyer, "memoires de sobieski." [17] the roll includes the forces of tekeli, who was not in the turkish camp at all, and takes no count of the last losses which the turkish detachments had suffered, nor of the loss from desertion the night before the battle, when many of the irregulars went off with their booty. the turks had lost, according to this roll, 48,500 men before the battle.--see thürheim's "starhemberg," pp. 150 and _seq._ [18] the dragoons were mounted infantry, using horses to reach the scene of action only. they carried the infantry weapons, sword and musket, but not pikes. the bayonet was just coming into use, but was still fixed in the muzzle of the gun, and had to be removed before firing. [19] count thürheim, "starhemberg," p. 163 and _seqq._; and sobieski to his wife, september 13. chapter vii. the position of the christian army on the kahlenberg was, from the left wing, the nearest point, about four miles from vienna. the centre and right were further removed. the intervening country, far from being a plain, as sobieski had been led to believe when he formed his first plan of battle, is broken up into hillocks and little valleys, intersected by streams, full of vineyards, and interspersed with the ruins of numerous villages burnt by the turks. beyond these lay the turkish encampment and approaches, mingled with the vestiges of the suburbs destroyed by starhemberg at the beginning of the siege. the turkish army was stretched over a front of about four miles from point to point, but slightly curving with the convex side towards the attacking force. their right rested upon the danube, and held the nussberg before the villages of nussdorf and heiligenstadt; their left reached towards breitensee near the wien, and the tartars swarmed still further on the broken ground beyond. their camp straggled in an irregular half-moon from the river above vienna to beyond the wien, and their troops were, at the beginning of the action, drawn up before it. some hasty entrenchments had been thrown up by them here and there, of which the most considerable was a battery between währing, gerstorf and weinhaus;[20] but the bulk of their artillery remained in their lines, pointed against the city, and the clamour of the ensuing battle was swelled by the continuous roar of their bombardment, kept up as on previous days. in the trenches lay a great body of janissaries; and the turkish army was further weakened by the dispersal of tartars and irregulars on the night before the fight, doubtful of the event, and anxious at any rate to secure their plunder. as the king had said, the turks were badly posted, their camp was long and straggling, too valuable to be abandoned and not easy to defend. in case of a reverse, their right wing would run the risk of being driven into the danube, or else have to fall back upon their centre and left, to the confusion of the whole army. fighting with a river and a fortified city upon their flank and rear, repulse for them would mean certain disaster. but the incapacity of the vizier could not be fully fathomed till the attack began. we have the assurance of sobieski himself that he hoped upon the first day merely to bring his army within striking distance of the enemy, and to establish his left well forward near the bank of the danube, ready to deal a decisive blow, or to throw succour into vienna on the morrow or following day. he closed his letter to his wife in the grey of the windy morning of the 12th of september, ignorant that the decisive moment, bringing a victory greater than that of choczim, was at hand. the turks had pushed their outposts forward up the banks of the river, and soon after daybreak lorraine upon the left was engaged, and the fight thickened as his attack towards nussdorf and heiligenstadt was developed. eugene of savoy began his distinguished career in arms by carrying tidings from lorraine to the king that the battle had commenced in earnest. eugene, barely twenty, had left paris that year, slighted by louis, and had entered the service of the emperor. his memoirs dismiss briefly this his first essay in war. "the confusion of that day can be but confusedly described. the poles, who had clambered up to the leopoldsberg--i know not why--went down again like madmen and fought like lions. the turks, encamped where i threw up lines in 1703, did not know which way to front, neglected the eminences, and behaved like idiots."[21] the young aide-de-camp, carrying orders through the hottest of the fire, could not yet penetrate the system which underlay the apparent confusion of the march and battle. advancing in columns with a comparatively narrow front down the difficult slope of the hills, the infantry gradually deployed right and left upon the lower ground, while the cavalry of the second line advanced to fill the gaps thus left in the foremost the turks resisted gallantly, but they were principally dismounted spahis, not a match for lorraine's favourite troops, the german foot, though regaining their horses they would retreat with great rapidity, to again dismount, and again resist, as each favourable position offered itself. the fighting was obstinate, and the losses heavy upon both sides, but the tide of fight rolled steadily towards vienna. the germans carried the height of the nussberg, above nussdorf, and their guns planted there disordered the whole of the turkish right with their plunging fire. osman ogoli, pasha of kutaya, the turkish general of division, pushed forward three columns in a counter-attack, boldly and skilfully directed. the imperial infantry were shaken, but five saxon battalions, inclining to their left from the christian centre, checked in turn the onset of the ottomans, and restored the current of the battle. but had the whole force of the enemy been commanded as their right wing, the allies would scarcely that night have been greeted in vienna. no false move in the advance escaped the skill of osman. as the turkish attack recoiled, the prince of croy had dashed forward with two battalions to carry with a rush the village of nussdorf. checked and overwhelmed, he fell back again, himself wounded, his brother slain. louis of baden, with his dismounted dragoons, came up to the rescue, and checked the pursuing enemy. as they recoiled slowly the fight grew fiercer, and then more stationary about nussdorf and about döbling. houses, gardens, and vineyards formed a series of entrenchments, sharply attacked and obstinately defended. a third time the fiery valour of the turks, charging home with their sabres among the pikes and muskets, disordered the allies, and all but regained the summit of the nussberg. again the superior cohesion of the christians prevailed, and the turkish column outflanked fell back, still stubbornly contesting every foot of ground. from the long extended centre and left of their line no support came to them, as the vizier in anxious irresolution expected the advance of the centre of the allies and of the poles upon their right. his infatuation, moreover, had kept in the batteries the bulk of his artillery, and in the trenches the best of his janissaries. in dire want of the guns, which roared idly upon the already shattered defences of the city, osman was driven through nussdorf and through heiligenstadt, upon the fortified defiles of döbling, where at last a battery of ten guns and a force of janissaries opposed a steadier resistance to the advancing germans. it was now noon. lorraine had already won the position which had been marked out for his achievement for the day, and slackened his attack while he reformed his victorious battalions. the centre and right of the christian army, separated by a longer distance from their foes, had been slowly gaining the field of action, and had scarce fired a shot nor struck a blow, except for the support accorded to the left by the centre. the whole of the infantry and cavalry had at mid-day gained the positions assigned to them, and, in the absence of most of his artillery, sobieski would have hesitated to continue his advance had not his lines, upon the left especially, become so deeply involved that it was difficult to suspend the conflict for long. yet a momentary lull succeeded to the sharp sounds of close combat. a sultry autumn day had followed the boisterous night and morning, and the heat was oppressive.[22] the poles upon the right halted and snatched a hasty meal from the provisions they had brought with them. but as the rattle of the small arms and the clash of weapons died away, the roar of the battering guns and the answering fire of the city rose in overwhelming distinctness. behind the smoky veil, starhemberg and his gallant garrison could perchance barely guess, by sounds of conflict, the progress of their deliverers. tidings from the watch-chair on st. stephen's would spread alternate hope and despair among the citizens. the fate of vienna trembled in the balance. the garrison stood ready in the breaches, the rest of the inhabitants cowered upon the housetops to watch, or knelt in the churches to pray; but to the vizier came swiftly tidings of the foe with whom he had to deal, the foe whose presence he had obstinately refused to credit. reforming after their brief delay, the polish cavalry in gorgeous arms came flashing from the woods and defiles near dornbach on his left. those who had before fought against him, knew the plume raised upon a spear point, the shield borne before him, the _banderolles_ on the lances of his body guard, which declared the presence of the terrible sobieski. "by allah, but the king is really among them," cried gieray, khan of the crimea. and all doubt was at an end as the shout of "_vivat sobieski_" rolled along the christian lines, in dread and significant answer to the discordant clamour of the infidels. profiting, however, by the interruption in the battle, the vizier had reformed his line, brought up infantry from the trenches, and now directed his attack upon the poles and the most formidable of his opponents, hoping by their overthrow to change the fortune of the day, while the imperialists and saxons still halted before his entrenchments at döbling. the turks advanced with courage. for a moment a regiment of polish lancers were thrown into confusion, and the officers, members of the nobility of poland, who strove to rally their lines, fell; but waldeck, moving up his bavarians from the centre, restored the fight. the attack was defeated, and advancing in turn the headlong valour of the poles drove the turks back from point to point, over the alserbach and its branches upon the confines of their camp. to relieve the pressure upon the right and centre, lorraine had renewed his attack with the left of the allies. horses and men had recovered breath and order, and their artillery had moved up in support. the defiles of döbling were cleared by the saxons; and at about four or five o'clock the turkish redoubt before währing was carried by louis of baden with his dismounted dragoons. falling back in confusion upon their approaches and batteries, the turks desperately endeavoured, too late, to turn the siege guns upon the enemy, whose advance now threatened them upon all sides. the caution of sobieski had, up to the last moment, inclined him to respect the superior numbers and the desperation of his foes, and to rest content with the advantage won; but now, in the growing confusion, he saw that the decisive hour had arrived. the elector of bavaria and the prince of waldeck hastening from the centre already saluted him as conqueror. the desperate efforts of the vizier to gain room by moving troops towards his left from the centre, and so extending his lines beyond the polish right, served but to increase the confusion. the field-marshal jablonowski covered that wing, and the queen of poland's brother, the count de maligni, pushing forward with infantry, seized a mound, whence his musketry fire dominated the spot where the vizier stood. the last shots were fired from the two or three cannon which had kept pace with the advance. a french officer rammed home the last charge with his gloves, his wig, and a packet of french papers. already the roads to hungary were thronged with fugitives, whose course was marked by dust in columns, when the king decided to seize the victory all but in his grasp already. _non nobis, non nobis, domine exercituum, sed nomini tuo des gloriam_, he cried in answer to the congratulations of his friends, as he began the decisive movement. concentrating as rapidly as possible the bulk of the cavalry of the whole army, german and polish, upon the right wing,[23] he led them to the charge, directly upon the spot where the vizier with blows, tears, and curses, was endeavouring to rally the soldiers, whom his own ill-conduct had deprived of their wonted valour. the turkish infantry without pikes, their cavalry without heavy armour, were incapable of withstanding the shock of the heavy german cuirassiers, or of arresting the rush of the polish nobles, whose spears, as they boasted to their kings, would uphold the heavens should they fall. their king at their head, they came down like a whirlwind to the shout of "god preserve poland." the spears of the first line were splintered against the few who awaited them, but their onset was irresistible. spahis and janissaries, tartars and christian allies alike went down before the polish lances, or turned and fled in headlong confusion. the old pasha of pesth, the greatest of the turkish warriors in reputation, had fled already. the pashas of aleppo and of silistria perished in the _melée_. "can you not help me?" cried the vizier, turning to the khan of the crimea. "no," was the reply; "i know the king of poland well, it is impossible to resist him; think only of flight."[24] away through the wasted borders of austria, away to the hungarian frontier, to their army that lay before raab, poured the fugitives. there seldom has been a deliverance more complete and more decisive. the terror which had so long weighed upon eastern christendom was dissolved in that headlong rout. it was more than the scattering of an army; the strength of an empire was dissipated on that day. resources which had been accumulating for years were destroyed; and such an expedition, so numerous and so well furnished, never was sent forth by the ottoman again. the victory lacked nothing to render it more striking, either in suddenness, in completeness, or in situation. the whole action had been comprised in the hours between sunrise and sunset, before the gates of one of the greatest capitals in europe. we may borrow indeed the words of eugene, used in his despatch describing the last victory of the war at zenta, to picture the last hours of that evening before vienna. for upon the summits of the weiner-wald, whence the allies had descended that morning to a yet doubtful field, "the sun seemed to linger, loath to leave the day, until his rays had illumined to the end the triumph of the glorious arms" of poland and "of the empire." there was no want of individual courage among the turks. "they made the best retreat you can conceive," wrote the king, for hard pressed they would turn sword in hand upon their pursuers. but the head which should have directed that courage was wanting; and for that want they were a gallant mob, but no longer an army. grateful for the result though we may be, there is something pathetic in the magnificent valour of a race of soldiers being frustrated by such incapacity. the christians, exhausted by the toils of the last few days, could not pursue to any distance. the imperial general dünewald indeed with a few squadrons of austrians and poles, the stoutest steeds or the keenest riders, despising both plunder and fatigue, pushed straight on through the twilight to enzersdorf, where the road crossed the stream of the fischa, ten miles from vienna, and there bursting on the line of flight made a slaughter of the fugitives, which showed how much they owed to the night and to the weariness of their conquerors. but there was no general pursuit on the part of the allies. their commanders were doubtful of the full extent of their victory, and feared lest from such a multitude some part might rally and destroy the too eager followers whom they still outnumbered. but without pursuit their work was done. at seven, louis of baden had opened a communication with the besieged, and the garrison sallying forth joined the relieving army in the slaughter of the janissaries who had remained, neglected or forgotten, in the trenches. even then one miner was found, doggedly toiling in his gallery beneath the ramparts, ignorant of the flight or death of his companions; perhaps from among so many the last staunch soldier of the prophet. i cannot conceive, wrote sobieski, how they can carry on the war after such a loss of _matériel_. the whole of the artillery of the turks, their munitions, and their baggage were the spoil of the victors. three hundred and ten pieces of cannon, twenty thousand animals, nine thousand carriages, one hundred and twenty-five thousand tents, five million pounds of powder are enumerated. the holy standard of the prophet had been saved, but the standard of the vizier, mistaken for it, was sent to the pope by the conqueror, while his gilded stirrups were despatched at once to poland to the queen, as a token of victory. never, perhaps, since alexander stood a victor at issus in the tents of darius, or the greeks stormed the persian camp at platæa, had an european army entered upon such spoil. much money had been saved by the turks in their flight; but precious stuffs and jewelled arms, belts thick with diamonds, intended to encircle the fair captives of vienna, the varied plunder of many a castle of hungary and of lower austria, were found piled in the encampment. in the vizier's quarters were gardens laid out with baths and fountains, a menagerie, even a rabbit warren. his encampment alone formed a labyrinth of tents, by itself of the circumference of a little town, and with its contents declared the character of its late owner. an ostrich, previously taken from an imperial castle, was found beheaded to prevent recapture. a parrot, more fortunate, escaped upon the wing. the polish envoy was discovered in the camp in chains, forgotten during the turmoil, and thus saved from the death promised him if his master should take the field. the imperial agent at the porte, kunitz, had escaped into the town during the battle; but the mass of christian captives had not been so happy. before the battle the vizier had ordered a general massacre of prisoners, and the camp was cumbered with the bodies of men, women, and children, but for the most part of women, foully slaughtered. the benevolent energy of the bishop of neustadt, above-mentioned, found employment in caring for five hundred children, who had, with their mothers in a few cases, escaped the sword. the night was passed in the camp by the victors, who were intent on securing their victory or their plunder. not till the following morning did the king meet lorraine and exchange congratulations upon their success. then, with the commandant starhemberg, they entered the city, passing over those well-contested breaches, which but for them might have been that day trodden by the janissaries. they repaired to the churches for a solemn thanksgiving. sobieski himself sang the _te deum_ in one of them. nothing could exceed the enthusiastic gratitude of the people, who barely allowed a passage to the horse of their deliverer. the priest, after the _te deum_ ended, by a happy inspiration or plagiarism, gave out the words, "_there was a man sent from god, whose name was john._"[25] a salute of three hundred guns proclaimed the victory far and wide, and the shouts of "_vivat sobieski!_" that filled the city out-thundered the thunder of the cannon. their walls were a chaos, their habitations a ruin, but the citizens rejoiced as those rejoice whom the lord hath redeemed and delivered from the hand of the enemy. they were as men released not only from the sword, pestilence, and famine, but from prison besides. they poured forth to taste again the sweets of liberty, wondered at the trenches, or joined in the pillage of the camp, where the air was already sickening from the thousands of the slain, and foul from the refuse of the barbaric encampment. but amid all the popular rejoicing, the king could not but observe the coldness of the magistracy. the emperor could not endure that any but himself should triumph in vienna, and his feelings were reflected in his servants. on hearing of the victory he had returned to the neighbourhood of the city. a council was held to settle the weighty point as to how the elective emperor was to receive the elective king. "with open arms, since he has saved the empire," said lorraine; but leopold would not descend to such an indecorum. he strove to avoid a meeting with the deliverer of his capital, and when the meeting was arranged could barely speak a few cold words in latin, well answered by sobieski, who, saying, "i am happy, sire, to have been able to render you this slight service," turned his horse, saluted, and rode away. a few complimentary presents to prince james and to the polish nobles did not efface the impression of ingratitude. the german writers minimize the coldness of the emperor, but sobieski was at the moment undoubtedly aggrieved, and others were discontented. footnotes: [20] the _turkenschanze_, traces of which lately remained. [21] in 1717 eugene, in like case with the vizier now, was besieging belgrade, and was himself surrounded by a large turkish army. however, he defeated the relieving army and took the city. [22] there is a proverb, "_vienna aut venenosa aut ventosa_." she was giving to her deliverers successive displays of her character. [23] sobieski's letter of september 13. [24] sobieski's letter of september 13. he must have heard of the conversation from the vizier's attendants taken in his encampment. [25] it was the exclamation of the pope, pius v., on hearing of the victory of don john of austria over the turks at lepanto, in 1571. chapter viii. neglected and distrusted by the sovereign whom he had delivered, sobieski found consolation in detailing his victory, his spoil, and his wrongs alike to his wife. we find the great soldier again, in the full flush of his victory, writing indefatigably to his _mariette_. it is on the night of the 13th, in the vizier's late quarters, in the camp still cumbered with the slaughter of the combatants and of prisoners. the loss had been heavy in the fighting upon both sides, he tells us; and such an estimate, formed at such a moment by the victorious general, by far outweighs the accounts by which the french above all tried to minimize the slaughter made, and with it the greatness of the victory won.[26] he begins his letter: "god be blessed for ever. he has given victory to our people; he has given them such a triumph that past ages have not seen the like." all around, the explosions of the turkish ammunition, fired by the plunderers from city and army, "make a din like the last judgment." he plunges into a description of the riches that the camp contains. "the vizier has made me his heir; he has done everything _en galant homme_." "you cannot say to me, 'you are no warrior,' as the tartar women say to their husbands when they return empty-handed." "for two nights and a day plunder has gone on at will; even the townsfolk have taken their share, and i am sure that there is enough left for eight days more. the plunder we got at choczim was nothing to this." there was a touch of the barbaric chieftain in the polish king, and he keenly enjoyed not merely the victory, but the spoil which he had won. at the end of the seventeenth century, the character of this general of the school of montecuculi, this admirer of condé, recalls to us at once the ardour of a crusader, and the affectionate rapacity of a moss-trooper, reserving the richest plunder of a foray to deck his wife at home. he exults in the belts and in the watches studded with jewels, the stuffs and the embroideries which are to adorn his wife's boudoir. but he is still bent on action. "we must march to-morrow for hungary," he says, "and start at the double, to escape the smell of the camp and its refuse, with the thousands of bodies of men and of animals lying unburied." one letter, at least, he had despatched before writing to his wife. he knew well the feelings with which the king of france would regard the salvation of the empire, and the setting free of the attention of germany to be directed to his own designs. in sobieski's own words to his wife, he thus reveals his triumph over the french king, whose intrigues had been ceaselessly directed to prevent his coming: "i have written to the king of france; i have told him that it was to him especially, as to the most christian king, that i felt bound to convey the information of the battle that we have won, and of the safety of christendom." this letter remained unanswered. it is said that the proofs of louis' dealings with the turks had at that moment passed into the hands of the victors, amid the plunder of the vizier's quarters. no sooner had louis heard that the intrigues of his agents had failed, and that sobieski was actually in the field, than his armies were let loose upon the spanish netherlands. unable to anticipate the victory at vienna, the french revenged it by seizing courtrai and dixmunde in the autumn, and bombarding luxemburg before the end of the year. the french nobility had been forbidden to hasten to the defence of christendom; and now were inclined to depreciate, at least in words, the victory they had not shared. amidst the general chorus of admiration and of thankfulness which rose from europe, in france, and in france alone, were the deeds of sobieski slighted. he had cut in pieces not only the turks, but the prophecies which had filled paris of the approaching downfall of the house of austria. the allies of that house took a bolder tone; spain talked of the declaration of that war against louis which he had provoked for so long; the united provinces listened to the warlike councils of the prince of orange; the emperor spoke decidedly of succouring all his friends. far different was to be the progress of louis' aggressions upon germany, now that the overmastering fear of turkish invasion was done away with, and the turkish hold upon hungary loosened. the alliance of laxenberg and the other leagues were now to ripen into the great confederacy of augsburg and the grand alliance. upon the ottoman power the effect of the victory was decisive. turkish rule in hungary had received a blow from which it never recovered. it is true that sobieski, advancing rashly with his cavalry alone, shortly involved himself in a disaster, near the bridge of the danube, opposite gran. the king himself had to ride for his life from the turkish horsemen. the check, however, was avenged by the complete destruction of the force which had inflicted it; and the fortress of gran, the most important place upon that side of hungary, became the prize of the conqueror. the views of sobieski embraced the reduction of buda, and, perhaps, of the whole of hungary, in this campaign. but this was forbidden by the lateness of the season, still more by the jealousy of the emperor. the king warred against the turks, but not against the hungarians. he sympathized with their efforts to regain their liberties, and strove to reconcile rather than to subdue tekeli. leopold was fearful of the establishment of a polish interest in the country, and showed a studied neglect of his allies. but had other causes allowed, the insubordination of the poles would have prevented further conquests. the polish nobility, the political masters of their king, were foremost in clamouring for a return to their native country. a prolonged career of conquest was impossible at the head of such a state and army. the hopes of a hungarian alliance died away. tekeli, after much hesitation, refused to enter into the negotiations which the king proposed; and reluctantly the deliverer of christendom withdrew through upper hungary into poland again, reducing some towns upon the road, but leaving his great work half done. his army melted in his hands. the tardy lithuanians, too late for the fighting, arrived to add to his vexation in moravia, where they disgraced their country by pillaging the people whom they had not helped to save. but sobieski was not alone in suffering from the emperor's ingratitude. starhemberg, the defender of the city, was deservedly rewarded; but most of the others, from lorraine downwards, who had participated in the battle, had little recompense for their services. even the ardour of the elector of bavaria was for a time cooled by the coolness of the emperor, though he returned again to the service of his future father-in-law. the elector of saxony, waldeck, and others left the scene of the campaign to enjoy their triumph, or to plunge into other enterprises; but under lorraine, and a series of generals, culminating in that eugene of savoy, who had seen his first service at vienna, the turks were driven foot by foot from hungary. kara mustapha shortly paid for his defeat, as ottoman commanders did pay--with his head, suffering not unjustly. but his successors, though less incompetent, were scarcely on the whole more fortunate than he. in vain a new kiuprili was found to head the turkish armies and to reform the turkish state. a short gleam of success under his leadership was ended by his death in battle. in vain a sultan, mustapha ii., again appeared himself at the head of his armies. the means of warfare of the ottomans were to a great extent expended and lost beyond repair in the great disaster at vienna. new enemies rose up against them in their weakness. russia in the ukraine, venice in the morea and in dalmatia, began conquests at the expense of the porte. the war indeed dragged on, delayed by the renewed contest between france and the augsburg league; but the very weakness of austria served merely to show more clearly the fallen fortunes of the turks, who could make no lasting stand against her. steadily upon the whole the fortunes of the ottomans declined, though it was not till the great victory of eugene at zenta, in 1697, that they were driven reluctantly to treat. the peace signed at carlowitz, in 1699, illustrates the altered relations of europe since the beginning of the war, when the turks had been a menace to germany. for the first time, an european conference considered the affairs of turkey. england and holland were mediators of the peace, that the emperor might be more free to act with them in the coming war of the spanish succession. sobieski had nearly three years earlier become a memory, with his victories, his schemes, and his disappointments, in the grave; and with him ended the ever unstable greatness of poland. another yet more notable northern sovereign, peter the czar, was a party to the negotiations. everywhere was territory rent from turkey. to austria, she yielded nearly all of hungary and transylvania, with most of the sclavonian lands between the save and the drave; to poland, she gave up podolia; to russia, azof; to venice, the morea and parts of dalmatia. one point she proudly refused to yield. the hungarian tekeli and his friends, who had sought her hospitality, were retained by her, safe from the vengeance of the emperor; as in 1849 other hungarian exiles were shielded by the turks, against the vengeance of austria and of russia combined. this was the first peace which had permanently reduced the frontiers of the ottomans; it marked the termination of the last of the great mohammedan aggressions upon christendom; it saw the end of the secret understandings by which, since the days of francis i., france had endeavoured to use turkey for the subversion of austria and for the ends of her own ambition. the complete reversal of the former positions of the combatants, the disastrous termination of the war for turkey, the "rolling away of the stone of tantalus that hung above _their_ heads, the intolerable woe for the _germans_",[27] the far-reaching results of the struggle in the future history of europe--all are traceable to the day when the genius of sobieski marked triumphantly, from the windy heights of the kahlenberg, that fatal incapacity which should open for him the way, as victorious deliverer, to the foot of the ruined ramparts of vienna. but naturally, before concluding our consideration of the subject, we ask what gain did poland, or the king of poland, gather from the enterprise in which he had played so glorious a part? for a few months he was the centre of the admiring eyes of christendom. "_l'empire du monde vous serait du si le ciel l'eût réservé à un seul potentat_," wrote christina of sweden from rome, not without a glance at the pretensions of louis xiv. to supremacy, and of leopold to an imperial primacy in europe. never before had poland filled so great a place in the eyes of the world. the cautious venetians sought her special alliance. in the language of diplomacy she was _respublica serenissima_; but untroubled she never was, and her greatness was of short duration. it is true that the frontiers of the state were relieved of a constant fear. the turks were for the time broken, the tartars were crushed, the cossacks of the ukraine again reduced to submission. but sobieski had fought and had conquered for others. his country was incapable of gathering the fruits of victory; incapable of prolonged effort, and therefore of lasting success. at the peace of carlowitz, podolia, with the fortress of kaminiec, was recovered; but moldavia had been in vain invaded by the poles; and the turks, it was soon seen, were beaten for the benefit of austria; the tartars for the benefit of russia. the king of poland, alive to the shortcomings of his countrymen, was unable to correct them. a man who was at least the most eminent soldier, general we may not say, of europe; a man who above all others living fulfilled the character of a hero; a king who had saved his country; a husband who was devoted to his wife, found himself thwarted by his subjects, and distracted by quarrels in his family. no doubt he laboured to render the crown hereditary in his house, a service to his country it would have been had he succeeded; but the jealousy of the poles, still more that of the neighbouring sovereigns, and to some extent the misconduct of his wife, rendered this impossible. he found himself the object of an empty respect, but the wielder of no authority; he saw his country without order, without steadiness of purpose, unable to follow any settled policy in conjunction either with france or with the enemies of france. the factions of the diet left him without soldiers and without money. not for the first, but nearly for the last time, the poles were victorious in battle, but were destined to fail woefully in attaining the objects of war. the end was not far off. sobieski was followed by a foreigner upon the throne, and within ten years of his death, charles xii. of sweden was disposing as a conqueror of the crown of poland. the prey to the ambition of her neighbours his country has remained, now like her king a memory, to serve as a lesson of the consequences of the disregard of those restraints and of that self-control which alone can render freedom safe and liberty a blessing. for want of these her place has vanished from the map of europe, sooner even than that of the foe whom she destroyed. footnotes: [26] a moderate estimate of the christian loss is five thousand men, or about one-fifteenth of those on the field; a loss in about the same proportion as that of both sides at sadowa. the poles alone confessed to the loss of one hundred officers killed, and they were neither so long nor so hotly engaged as the left wing. the loss of the centre was probably less. thürheim and schimmer give of the allies four thousand, and twenty-five thousand turks; but the latter figures are quite uncertain, and the christians made the least of their losses. as the fight was so much hand-to-hand, with little artillery fire, it would resemble ancient battles, where the loss of the vanquished was always disproportionately large. the memoirs of the duke of lorraine simply say, that "for about three hours the fighting was very bloody upon both sides." fighting, however, had began soon after daybreak, and the pursuit lasted till nightfall. [27] [greek: epeidê ton huper kephalas ge tantalon lithon para tis etrepsen ammi theos, atolmaton elladi mochthon.] pindar, isth. viii. 10. written after the repulse of the great persian invasion. the end. printed by william clowes and sons, limited, london and beccles. [illustration: map archiducatus austriae inferioris geographics et noviter emendata accuratissima descriptio. (1697.)] [transcriber's note: this text of _measure for measure_ is from volume i of the nine-volume 1863 cambridge edition of shakespeare. the preface (e-text 23041) and the other plays from this volume are each available as separate e-texts. general notes are in their original location at the end of the play. text-critical notes are grouped at the end of each scene. all line numbers are from the original text; line breaks in dialogue--including prose passages--are unchanged. brackets are also unchanged; to avoid ambiguity, footnotes and linenotes are given without added brackets. in the notes, numerals printed as subscripts are shown inline as f1, f2, q1... texts cited in the notes are listed at the end of the e-text.] the works of william shakespeare edited by william george clark, m.a. fellow and tutor of trinity college, and public orator in the university of cambridge; and john glover, m.a. librarian of trinity college, cambridge. _volume i._ cambridge and london: macmillan and co. 1863. measure for measure. dramatis personæ[1]. vincentio, the duke. angelo, deputy. escalus, an ancient lord. claudio, a young gentleman. lucio, a fantastic. two other gentlemen. provost. thomas, } two friars. peter, } a justice[2]. varrius[2]. elbow, a simple constable. froth, a foolish gentleman. pompey, servant to mistress overdone[3]. abhorson, an executioner. barnardine, a dissolute prisoner. isabella, sister to claudio. mariana, betrothed to angelo. juliet, beloved of claudio. francisca, a nun. mistress overdone, a bawd. lords, officers, citizens, boy, and attendants[2]. scene--_vienna_. footnotes: 1: dramatis personæ] the names of all the actors ff (added at the end of the play). 2: omitted in ff. 3: clowne. ff. measure for measure. act i. scene i. _an apartment in the duke's palace._ _enter duke, escalus, _lords_ and _attendants_._ _duke._ escalus. _escal._ my lord. _duke._ of government the properties to unfold, would seem in me to affect speech and discourse; since i am put to know that your own science 5 exceeds, in that, the lists of all advice my strength can give you: then no more remains, but that to your sufficiency . . . . . . . . . . . . . . . . . . . . as your worth is able, and let them work. the nature of our people, 10 our city's institutions, and the terms for common justice, you're as pregnant in as art and practice hath enriched any that we remember. there is our commission, from which we would not have you warp. call hither, 15 i say, bid come before us angelo. [_exit an attendant._ what figure of us think you he will bear? for you must know, we have with special soul elected him our absence to supply; lent him our terror, dress'd him with our love, 20 and given his deputation all the organs of our own power: what think you of it? _escal._ if any in vienna be of worth to undergo such ample grace and honour, it is lord angelo. _duke._ look where he comes. 25 _enter angelo._ _ang._ always obedient to your grace's will, i come to know your pleasure. _duke._ angelo, there is a kind of character in thy life, that to th' observer doth thy history fully unfold. thyself and thy belongings 30 are not thine own so proper, as to waste thyself upon thy virtues, they on thee. heaven doth with us as we with torches do, not light them for themselves; for if our virtues did not go forth of us, 'twere all alike 35 as if we had them not. spirits are not finely touch'd but to fine issues; nor nature never lends the smallest scruple of her excellence, but, like a thrifty goddess, she determines herself the glory of a creditor, 40 both thanks and use. but i do bend my speech to one that can my part in him advertise; hold therefore, angelo:-in our remove be thou at full ourself; mortality and mercy in vienna 45 live in thy tongue and heart: old escalus, though first in question, is thy secondary. take thy commission. _ang._ now, good my lord, let there be some more test made of my metal, before so noble and so great a figure 50 be stamp'd upon it. _duke._ no more evasion: we have with a leaven'd and prepared choice proceeded to you; therefore take your honours. our haste from hence is of so quick condition, that it prefers itself, and leaves unquestion'd 55 matters of needful value. we shall write to you, as time and our concernings shall importune, how it goes with us; and do look to know what doth befall you here. so, fare you well: to the hopeful execution do i leave you 60 of your commissions. _ang._ yet, give leave, my lord, that we may bring you something on the way. _duke._ my haste may not admit it; nor need you, on mine honour, have to do with any scruple; your scope is as mine own, 65 so to enforce or qualify the laws as to your soul seems good. give me your hand: i'll privily away. i love the people, but do not like to stage me to their eyes: though it do well, i do not relish well 70 their loud applause and aves vehement; nor do i think the man of safe discretion that does affect it. once more, fare you well. _ang._ the heavens give safety to your purposes! _escal._ lead forth and bring you back in happiness! 75 _duke._ i thank you. fare you well. [_exit._ _escal._ i shall desire you, sir, to give me leave to have free speech with you; and it concerns me to look into the bottom of my place: a power i have, but of what strength and nature 80 i am not yet instructed. _ang._ 'tis so with me. let us withdraw together, and we may soon our satisfaction have touching that point. _escal._ i'll wait upon your honour. [_exeunt._ notes: i, 1. scene i. lords and attendants.] singer. lords. ff. and attendants. capell. 5: _put_] _not_ pope. _apt_ collier ms. 7, 8: _remains, but that_] _remains; put that_ rowe. 8, 9: _but that to your sufficiency ..._] _but that to your sufficiency you add due diligency ..._ theobald conj. _but that to your sufficiency you joyn a will to serve us ..._ hanmer. _but that to your sufficiency you put a zeal as willing ..._ tyrwhitt conj. _but that to your sufficiencies your worth is abled_ johnson conj. _but your sufficiency as worth is able_ farmer conj. _your sufficiency ... able_ steevens conj. _but that your sufficiency be as your worth is stable_ becket conj. _but state to your sufficiency ..._ jackson conj. _but thereto your sufficiency ..._ singer. _but add to your sufficiency your worth_ collier ms. _but that_ [tendering his commission] _to your sufficiency. and, as your worth is able, let them work_ staunton conj. _but that to your sufficiency i add commission ample_ spedding conj. see note (i). 11: _city's_] _cities_ ff. 16: [exit an attendant.] capell. 18: _soul_] _roll_ warburton. _seal_ johnson conj. 22: _what_] _say, what_ pope. 25: scene ii. pope. 27: _your pleasure_] f1. _your graces pleasure_ f2 f3 f4. 28: _life_] _look_ johnson conj. 28, 29: _character ... history_] _history ... character_ monck mason conj. 32: _they_] _them_ hanmer. 35, 36: _all alike as if we_] _all as if we_ hanmer. 37: _nor_] om. pope. 42: _my part in him_] _in my part me_ hanmer. _my part to him_ johnson conj. _in him, my part_ becket conj. 43: _hold therefore, angelo:--_] _hold therefore, angelo:_ [giving him his commission] hanmer. _hold therefore. angelo,_ tyrwhitt conj. _hold therefore, angelo, our place and power:_ grant white. 45: _mortality_] _morality_ pope. 51: _upon it_] _upon 't_ capell. _no more_] _come, no more_ pope. 52: _leaven'd and prepared_] ff. _leven'd and prepar'd_ rowe. _prepar'd and leaven'd_ pope. _prepar'd and level'd_ warburton. _prepar'd unleaven'd_ heath conj. 56: _to you_] om. hanmer. 61: _your commissions_] f1. _your commission_ f2 f3 f4. _our commission_ pope. 66: _laws_] _law_ pope. 76: [exit.] f2. [exit. (after line 75) f1. 84: _your_] _you_ f2. scene ii. _a street._ _enter lucio and two _gentlemen_._ _lucio._ if the duke, with the other dukes, come not to composition with the king of hungary, why then all the dukes fall upon the king. _first gent._ heaven grant us its peace, but not the king of hungary's! 5 _sec. gent._ amen. _lucio._ thou concludest like the sanctimonious pirate, that went to sea with the ten commandments, but scraped one out of the table. _sec. gent._ 'thou shalt not steal'? 10 _lucio._ ay, that he razed. _first gent._ why, 'twas a commandment to command the captain and all the rest from their functions: they put forth to steal. there's not a soldier of us all, that, in the thanksgiving before meat, do relish the petition well that 15 prays for peace. _sec. gent._ i never heard any soldier dislike it. _lucio._ i believe thee; for i think thou never wast where grace was said. _sec. gent._ no? a dozen times at least. 20 _first gent._ what, in metre? _lucio._ in any proportion or in any language. _first gent._ i think, or in any religion. _lucio._ ay, why not? grace is grace, despite of all controversy: as, for example, thou thyself art a wicked 25 villain, despite of all grace. _first gent._ well, there went but a pair of shears between us. _lucio._ i grant; as there may between the lists and the velvet. thou art the list. 30 _first gent._ and thou the velvet: thou art good velvet; thou'rt a three-piled piece, i warrant thee: i had as lief be a list of an english kersey, as be piled, as thou art piled, for a french velvet. do i speak feelingly now? _lucio._ i think thou dost; and, indeed, with most painful 35 feeling of thy speech: i will, out of thine own confession, learn to begin thy health; but, whilst i live, forget to drink after thee. _first gent._ i think i have done myself wrong, have i not? 40 _sec. gent._ yes, that thou hast, whether thou art tainted or free. _lucio._ behold, behold, where madam mitigation comes! i have purchased as many diseases under her roof as come to- 45 _sec. gent._ to what, i pray? _lucio._ judge. _sec. gent._ to three thousand dolours a year. _first gent._ ay, and more. _lucio._ a french crown more. 50 _first gent._ thou art always figuring diseases in me; but thou art full of error; i am sound. _lucio._ nay, not as one would say, healthy; but so sound as things that are hollow: thy bones are hollow; impiety has made a feast of thee. 55 _enter mistress overdone._ _first gent._ how now! which of your hips has the most profound sciatica? _mrs ov._ well, well; there's one yonder arrested and carried to prison was worth five thousand of you all. _sec. gent._ who's that, i pray thee? 60 _mrs ov._ marry, sir, that's claudio, signior claudio. _first gent._ claudio to prison? 'tis not so. _mrs ov._ nay, but i know 'tis so: i saw him arrested; saw him carried away; and, which is more, within these three days his head to be chopped off. 65 _lucio._ but, after all this fooling, i would not have it so. art thou sure of this? _mrs ov._ i am too sure of it: and it is for getting madam julietta with child. _lucio._ believe me, this may be: he promised to meet 70 me two hours since, and he was ever precise in promise-keeping. _sec. gent._ besides, you know, it draws something near to the speech we had to such a purpose. _first gent._ but, most of all, agreeing with the proclamation. 75 _lucio._ away! let's go learn the truth of it. [_exeunt lucio and gentlemen._ _mrs ov._ thus, what with the war, what with the sweat, what with the gallows, and what with poverty, i am custom-shrunk. 80 _enter pompey._ how now! what's the news with you? _pom._ yonder man is carried to prison. _mrs ov._ well; what has he done? _pom._ a woman. _mrs ov._ but what's his offence? 85 _pom._ groping for trouts in a peculiar river. _mrs ov._ what, is there a maid with child by him? _pom._ no, but there's a woman with maid by him. you have not heard of the proclamation, have you? _mrs ov._ what proclamation, man? 90 _pom._ all houses in the suburbs of vienna must be plucked down. _mrs ov._ and what shall become of those in the city? _pom._ they shall stand for seed: they had gone down too, but that a wise burgher put in for them. 95 _mrs ov._ but shall all our houses of resort in the suburbs be pulled down? _pom._ to the ground, mistress. _mrs ov._ why, here's a change indeed in the commonwealth! what shall become of me? 100 _pom._ come; fear not you: good counsellors lack no clients: though you change your place, you need not change your trade; i'll be your tapster still. courage! there will be pity taken on you: you that have worn your eyes almost out in the service, you will be considered. 105 _mrs ov._ what's to do here, thomas tapster? let's withdraw. _pom._ here comes signior claudio, led by the provost to prison; and there's madam juliet. [_exeunt._ _enter provost, claudio, juliet, and _officers_._ _claud._ fellow, why dost thou show me thus to the world? 110 bear me to prison, where i am committed. _prov._ i do it not in evil disposition, but from lord angelo by special charge. _claud._ thus can the demigod authority make us pay down for our offence by weight 115 the words of heaven;--on whom it will, it will; on whom it will not, so; yet still 'tis just. _re-enter lucio and two _gentlemen_._ _lucio._ why, how now, claudio! whence comes this restraint? _claud._ from too much liberty, my lucio, liberty: as surfeit is the father of much fast, 120 so every scope by the immoderate use turns to restraint. our natures do pursue, like rats that ravin down their proper bane, a thirsty evil; and when we drink we die. _lucio._ if i could speak so wisely under an arrest, i 125 would send for certain of my creditors: and yet, to say the truth, i had as lief have the foppery of freedom as the morality of imprisonment. what's thy offence, claudio? _claud._ what but to speak of would offend again. _lucio._ what, is't murder? 130 _claud._ no. _lucio._ lechery? _claud._ call it so. _prov._ away, sir! you must go. _claud._ one word, good friend. lucio, a word with you. 135 _lucio._ a hundred, if they'll do you any good. is lechery so look'd after? _claud._ thus stands it with me:--upon a true contract i got possession of julietta's bed: you know the lady; she is fast my wife, 140 save that we do the denunciation lack of outward order: this we came not to, only for propagation of a dower remaining in the coffer of her friends; from whom we thought it meet to hide our love 145 till time had made them for us. but it chances the stealth of our most mutual entertainment with character too gross is writ on juliet. _lucio._ with child, perhaps? _claud._ unhappily, even so. and the new deputy now for the duke,- 150 whether it be the fault and glimpse of newness, or whether that the body public be a horse whereon the governor doth ride, who, newly in the seat, that it may know he can command, lets it straight feel the spur; 155 whether the tyranny be in his place, or in his eminence that fills it up. i stagger in:--but this new governor awakes me all the enrolled penalties which have, like unscour'd armour, hung by the wall so long, that nineteen zodiacs have gone round, and none of them been worn; and, for a name, now puts the drowsy and neglected act freshly on me: 'tis surely for a name. _lucio._ i warrant it is: and thy head stands so tickle 165 on thy shoulders, that a milkmaid, if she be in love, may sigh it off. send after the duke, and appeal to him. _claud._ i have done so, but he's not to be found. i prithee, lucio, do me this kind service: this day my sister should the cloister enter 170 and there receive her approbation: acquaint her with the danger of my state; implore her, in my voice, that she make friends to the strict deputy; bid herself assay him: i have great hope in that; for in her youth 175 there is a prone and speechless dialect, such as move men; beside, she hath prosperous art when she will play with reason and discourse, and well she can persuade. _lucio._ i pray she may; as well for the encouragement 180 of the like, which else would stand under grievous imposition, as for the enjoying of thy life, who i would be sorry should be thus foolishly lost at a game of tick-tack. i'll to her. _claud._ i thank you, good friend lucio. 185 _lucio._ within two hours. _claud._ come, officer, away! [_exeunt._ notes: i, 2. scene ii.] scene iii. pope. 12: first gent. _why, 'twas_] 1. gent. _why? 'twas_ ff. first gent. _why?_ luc. _'twas_ singer. 15: _before_] _after_ hanmer. see note (ii). _do_] _doth_ hanmer. _does_ warburton. 22-26: lucio. _in any proportion ... language._ first gent. _i think ... religion._ lucio. _ay, why not?... all grace._] lucio. _not in any profession ... language, i ... religion._ 2. gent. _and why not?... controversy._ lucio. _as for ... all grace._ hanmer. see note (iii). 29: _lists_] _list_ anon. conj. 42: here ff have _enter bawde_, transferred by theobald to line 56. 43: scene iv. pope. bawd coming at a distance. hanmer. 44: _i have_] 1. gent. _i have_ pope (ed. 2). _he has_ halliwell. 48: _dolours_] rowe. _dollours_ ff. _dollars_ pope. 56: scene iv. johnson. 65: _head_] _head is_ rowe. _head's_ capell. 81: scene v. pope. 88: _with maid_] _with-made_ seymour conj. 91: _houses_] _bawdy houses_ tyrwhitt conj. 96: _all_] om. pope. 110: scæna tertia. ff. juliet] ff. gaoler. halliwell. om. collier ms. see note (iv). [transcriber's note: pope's scene i.vi is not mentioned, but presumably begins here.] 113: _lord_] om. f2 f3 f4. 115: _offence_] _offence'_ (for _offences_) s. walker conj. 115, 116: _by weight the words_] ff. _by weight; i' th' words_ hanmer. _by weight. the words_ warburton (after davenant). _by weight--the sword_ roberts conj. _by weight the word_ halliwell. _by weight.--the word's_ becket conj. _by weight--the works_ jackson conj. see note (v). 117: _yet still 'tis just_] _yet 'tis just still_ s. walker conj. 121: _every scope_] _liberty_ wheeler ms. 124: _a thirsty evil_] _an evil thirst_ davenant's version. _a thirsted evil_ spedding conj. 128: _morality_] rowe (after davenant). _mortality_ ff. 141: _denunciation_] _pronunciation_ collier ms. 143: _propagation_] f2 f3 f4. _propogation_ f1. _prorogation_ malone conj. _procuration_ jackson conj. _preservation_ grant white. 147: _most_] om. hanmer. 148: _on_] f1. _in_ f2 f3 f4. 151: _fault and_] _flash and_ johnson conj. _foult or_ id. conj. _foil and_ anon. conj. _fault and_] _flash and_ johnson conj. _fault or_ id. conj. _foil and_ anon. conj. _glimpse_] _guise_ anon. conj. 161: _nineteen_] _fourteen_ whalley conj. 165: _it is_] _so it is_ hanmer (who prints line 165-167 as four verses ending _stands, milkmaid, off, him._ 166: _she be_] _she be but_ hanmer. 173: _voice_] _name_ wheler ms. 175: _youth_] _zenith_ johnson conj. 176: _prone_] _prompt_ johnson conj. _pow'r_ id. conj. _proue_ becket conj. 177: _move_] ff. _moves_ rowe. _beside_] _besides_ capell. 181: _under_] f1. _upon_ f2 f3 f4. _on_ hanmer, who prints 179-185 as six verses ending _may, like, imposition, be, tick-tack, lucio._ _imposition_] _inquisition_ johnson conj. (withdrawn). 182: _the enjoying of_] om. hanmer. _who i would_] _which i'd_ hanmer. 184: _her_] _her strait_ hanmer. scene iii. _a monastery._ _enter _duke_ and friar thomas._ _duke._ no, holy father; throw away that thought; believe not that the dribbling dart of love can pierce a complete bosom. why i desire thee to give me secret harbour, hath a purpose more grave and wrinkled than the aims and ends 5 of burning youth. _fri. t._ may your grace speak of it? _duke._ my holy sir, none better knows than you how i have ever loved the life removed, and held in idle price to haunt assemblies where youth, and cost, and witless bravery keeps. 10 i have deliver'd to lord angelo, a man of stricture and firm abstinence, my absolute power and place here in vienna, and he supposes me travell'd to poland; for so i have strew'd it in the common ear, 15 and so it is received. now, pious sir, you will demand of me why i do this? _fri. t._ gladly, my lord. _duke._ we have strict statutes and most biting laws, the needful bits and curbs to headstrong weeds, 20 which for this fourteen years we have let slip; even like an o'ergrown lion in a cave, that goes not out to prey. now, as fond fathers, having bound up the threatening twigs of birch, only to stick it in their children's sight 25 for terror, not to use, in time the rod becomes more mock'd than fear'd; so our decrees. dead to infliction, to themselves are dead; and liberty plucks justice by the nose; the baby beats the nurse, and quite athwart 30 goes all decorum. _fri. t._ it rested in your grace to unloose this tied-up justice when you pleased: and it in you more dreadful would have seem'd than in lord angelo. _duke._ i do fear, too dreadful: sith 'twas my fault to give the people scope, 35 'twould be my tyranny to strike and gall them for what i bid them do: for we bid this be done, when evil deeds have their permissive pass, and not the punishment. therefore, indeed, my father, i have on angelo imposed the office; 40 who may, in the ambush of my name, strike home, and yet my nature never in the fight to do in slander. and to behold his sway, i will, as 'twere a brother of your order, visit both prince and people: therefore, i prithee, 45 supply me with the habit, and instruct me how i may formally in person bear me like a true friar. more reasons for this action at our more leisure shall i render you; only, this one: lord angelo is precise; 50 stands at a guard with envy; scarce confesses that his blood flows, or that his appetite is more to bread than stone: hence shall we see, if power change purpose, what our seemers be. [_exeunt._ notes: i, 3. scene iii.] scena quarta ff. scene vii. pope. 3: _bosom_] _breast_ pope. 10: _and witless_] f2 f3 f4. _witless_ f1. _with witless_ edd. conj. _keeps_] _keep_ hammer. 12: _stricture_] _strictness_ davenant's version. _strict ure_ warburton. 15: _for_] _far_ f2. 20: _to_] f1. _for_ f2 f3 f4. _weeds_] ff. _steeds_ theobald. _wills_ s. walker conj. 21: _this_] _these_ theobald. _fourteen_] _nineteen_ theobald. _slip_] ff. _sleep_ theobald (after davenant). 25: _to_] _do_ dent. ms. 26: _terror_] f1. _errour_ f2 f3 f4. 26, 27: _the rod becomes more ... decrees_] pope (after davenant). _the rod more ... decrees_ ff. _the rod's more ... most just decrees_ collier ms. 27: _mock'd_] _markt_ davenant's version. 34: _do_] om. pope. 37: _be done_] om. pope. 39: _the_] _their_ dyce conj. _indeed_] om. pope. 42, 43: _fight to do in slander_] _sight to do in slander_ pope. _fight so do in slander_ theobald. _sight to do it slander_ hanmer. _sight, so doing slander'd_ johnson conj. _sight to draw on slander_ collier ms. _right to do him slander_ singer conj. _light to do it slander_ dyce conj. _fight to do me slander_ halliwell. _win the fight to die in slander_ staunton conj. _never ... slander_] _ever in the fight to dole in slander_ jackson conj. 43: _and_] om. pope. 45: _i_] om. pope. 47: _in person bear me_] capell. _in person beare_ ff. _my person bear_ pope. 49: _our_] f1. _your_ f2 f3 f4. scene iv. _a nunnery._ _enter isabella and francisca._ _isab._ and have you nuns no farther privileges? _fran._ are not these large enough? _isab._ yes, truly: i speak not as desiring more; but rather wishing a more strict restraint upon the sisterhood, the votarists of saint clare. 5 _lucio_ [_within_]. ho! peace be in this place! _isab._ who's that which calls? _fran._ it is a man's voice. gentle isabella, turn you the key, and know his business of him; you may, i may not; you are yet unsworn. when you have vow'd, you must not speak with men 10 but in the presence of the prioress: then, if you speak, you must not show your face; or, if you show your face, you must not speak. he calls again; i pray you, answer him. [_exit._ _isab._ peace and prosperity! who is't that calls? 15 _enter lucio._ _lucio._ hail, virgin, if you be, as those cheek-roses proclaim you are no less! can you so stead me as bring me to the sight of isabella, a novice of this place, and the fair sister to her unhappy brother claudio? 20 _isab._ why, 'her unhappy brother'? let me ask the rather, for i now must make you know i am that isabella and his sister. _lucio._ gentle and fair, your brother kindly greets you: not to be weary with you, he's in prison. 25 _isab._ woe me! for what? _lucio._ for that which, if myself might be his judge, he should receive his punishment in thanks: he hath got his friend with child. _isab._ sir, make me not your story. _lucio._ it is true. 30 i would not--though 'tis my familiar sin with maids to seem the lapwing, and to jest, tongue far from heart--play with all virgins so: i hold you as a thing ensky'd and sainted; by your renouncement, an immortal spirit; 35 and to be talk'd with in sincerity, as with a saint. _isab._ you do blaspheme the good in mocking me. _lucio._ do not believe it. fewness and truth, 'tis thus:-your brother and his lover have embraced: 40 as those that feed grow full,--as blossoming time, that from the seedness the bare fallow brings to teeming foison,--even so her plenteous womb expresseth his full tilth and husbandry. _isab._ some one with child by him?--my cousin juliet? 45 _lucio._ is she your cousin? _isab._ adoptedly; as school-maids change their names by vain, though apt, affection. _lucio._ she it is. _isab._ o, let him marry her. _lucio._ this is the point. the duke is very strangely gone from hence; 50 bore many gentlemen, myself being one, in hand, and hope of action: but we do learn by those that know the very nerves of state, his givings-out were of an infinite distance from his true-meant design. upon his place, 55 and with full line of his authority, governs lord angelo; a man whose blood is very snow-broth; one who never feels the wanton stings and motions of the sense, but doth rebate and blunt his natural edge 60 with profits of the mind, study and fast. he--to give fear to use and liberty, which have for long run by the hideous law, as mice by lions--hath pick'd out an act, under whose heavy sense your brother's life 65 falls into forfeit: he arrests him on it; and follows close the rigour of the statute, to make him an example. all hope is gone, unless you have the grace by your fair prayer to soften angelo: and that's my pith of business 70 'twixt you and your poor brother. _isab._ doth he so seek his life? _lucio._ has censured him already; and, as i hear, the provost hath a warrant for his execution. _isab._ alas! what poor ability's in me 75 to do him good? _lucio._ assay the power you have. _isab._ my power? alas, i doubt,-_lucio._ our doubts are traitors, and make us lose the good we oft might win by fearing to attempt. go to lord angelo, and let him learn to know, when maidens sue, 80 men give like gods; but when they weep and kneel, all their petitions are as freely theirs as they themselves would owe them. _isab._ i'll see what i can do. _lucio._ but speedily. _isab._ i will about it straight; 85 no longer staying but to give the mother notice of my affair. i humbly thank you: commend me to my brother: soon at night i'll send him certain word of my success. _lucio._ i take my leave of you. _isab._ good sir, adieu. 90 [_exeunt._ notes: i, 4. scene iv.] scena quinta ff. scene viii. pope. 5: _sisterhood, the votarists_] _sister votarists_ pope. 27: _for that which_] _that for which_ malone conj. 30: _make me not your story_] _mock me not:--your story_ malone. _make me not your scorn_ collier ms. (after davenant). _make ... sport_ singer. _it is true_] steevens. _'tis true_ ff. om. pope. _nay, tis true_ capell. 31: _i would not_] malone puts a full stop here. 40: _have_] _having_ rowe. 42: _that ... brings_] _doth ... bring_ hanmer. _seedness_] _seeding_ collier ms. 44: _his_] _its_ hanmer. 49: _o, let him_] f1. _let him_ f2 f3 f4. _let him then_ pope. 50: _is_] _who's_ collier ms. 52: _and_] _with_ johnson conj. _do_] om. pope. 54: _givings-out_] rowe. _giving-out_ ff. 60: _his_] _it's_ capell. 63: _for long_] _long time_ pope. 68: _hope is_] _hope's_ pope. 70: _pith of business 'twixt_] _pith of business betwixt_ hanmer. see note (vi). _pith of_] om. pope. 72: _so seek_] _so, seeke_ ff. _so? seek_ edd. conj. _has_] _h'as_ theobald. 71-75: ff end the lines thus:-_so,--already--warrant--poor--good._ capell first gave the arrangement in the text. 73: _as_] om. hanmer. 74: _a warrant for his_] _a warrant for's_ ff. 78: _make_] pope. _makes_ ff. 82: _freely_] f1. _truely_ f2 f3 f4. enter _provost_ inserted by capell. act ii. scene i. _a hall in angelo's house._ _enter angelo, escalus, and a _justice, provost, officers_, and other _attendants_, behind._ _ang._ we must not make a scarecrow of the law, setting it up to fear the birds of prey, and let it keep one shape, till custom make it their perch, and not their terror. _escal._ ay, but yet let us be keen, and rather cut a little, 5 than fall, and bruise to death. alas, this gentleman, whom i would save, had a most noble father! let but your honour know, whom i believe to be most strait in virtue, that, in the working of your own affections, 10 had time cohered with place or place with wishing, or that the resolute acting of your blood could have attain'd the effect of your own purpose, whether you had not sometime in your life err'd in this point which now you censure him, 15 and pull'd the law upon you. _ang._ 'tis one thing to be tempted, escalus, another thing to fall. i not deny, the jury, passing on the prisoner's life, may in the sworn twelve have a thief or two 20 guiltier than him they try. what's open made to justice, that justice seizes: what know the laws that theives do pass on thieves? 'tis very pregnant, the jewel that we find, we stoop and take't, because we see it; but what we do not see 25 we tread upon, and never think of it. you may not so extenuate his offence for i have had such faults; but rather tell me, when i, that censure him, do so offend, let mine own judgement pattern out my death, 30 and nothing come in partial. sir, he must die. _escal._ be it as your wisdom will. _ang._ where is the provost? _prov._ here, if it like your honour. _ang._ see that claudio be executed by nine to-morrow morning: bring him his confessor, let him be prepared; 35 for that's the utmost of his pilgrimage. [_exit provost._ _escal._ [_aside_] well, heaven forgive him! and forgive us all! some rise by sin, and some by virtue fall: some run from brakes of ice, and answer none; and some condemned for a fault alone. 40 _enter elbow, and _officers_ with froth and pompey._ _elb._ come, bring them away: if these be good people in a commonweal that do nothing but use their abuses in common houses, i know no law: bring them away. _ang._ how now, sir! what's your name? and what's the matter? 45 _elb._ if it please your honour, i am the poor duke's constable, and my name is elbow: i do lean upon justice, sir, and do bring in here before your good honour two notorious benefactors. _ang._ benefactors? well; what benefactors are they? 50 are they not malefactors? _elb._ if it please your honour, i know not well what they are: but precise villains they are, that i am sure of; and void of all profanation in the world that good christians ought to have. 55 _escal._ this comes off well; here's a wise officer. _ang._ go to: what quality are they of? elbow is your name? why dost thou not speak, elbow? _pom._ he cannot, sir; he's out at elbow. _ang._ what are you, sir? 60 _elb._ he, sir! a tapster, sir; parcel-bawd; one that serves a bad woman; whose house, sir, was, as they say, plucked down in the suburbs; and now she professes a hot-house, which, i think, is a very ill house too. _escal._ how know you that? 65 _elb._ my wife, sir, whom i detest before heaven and your honour,-_escal._ how? thy wife? _elb._ ay, sir;--whom, i thank heaven, is an honest woman,- 70 _escal._ dost thou detest her therefore? _elb._ i say, sir, i will detest myself also, as well as she, that this house, if it be not a bawd's house, it is pity of her life, for it is a naughty house. _escal._ how dost thou know that, constable? 75 _elb._ marry, sir, by my wife; who, if she had been a woman cardinally given, might have been accused in fornication, adultery, and all uncleanliness there. _escal._ by the woman's means? _elb._ ay, sir, by mistress overdone's means: but as she 80 spit in his face, so she defied him. _pom._ sir, if it please your honour, this is not so. _elb._ prove it before these varlets here, thou honourable man; prove it. _escal._ do you hear how he misplaces? 85 _pom._ sir, she came in great with child; and longing, saving your honour's reverence, for stewed prunes; sir, we had but two in the house, which at that very distant time stood, as it were, in a fruit-dish, a dish of some three-pence; your honours have seen such dishes; they are not china 90 dishes, but very good dishes,-_escal._ go to, go to: no matter for the dish, sir. _pom._ no, indeed, sir, not of a pin; you are therein in the right: but to the point. as i say, this mistress elbow, being, as i say, with child, and being great-bellied, and 95 longing, as i said, for prunes; and having but two in the dish, as i said, master froth here, this very man, having eaten the rest, as i said, and, as i say, paying for them very honestly; for, as you know, master froth, i could not give you three-pence again. 100 _froth._ no, indeed. _pom._ very well;--you being then, if you be remembered, cracking the stones of the foresaid prunes,-_froth._ ay, so i did indeed. _pom._ why, very well; i telling you then, if you be remembered, 105 that such a one and such a one were past cure of the thing you wot of, unless they kept very good diet, as i told you,-_froth._ all this is true. _pom._ why, very well, then,- 110 _escal._ come, you are a tedious fool: to the purpose. what was done to elbow's wife, that he hath cause to complain of? come me to what was done to her. _pom._ sir, your honour cannot come to that yet. _escal._ no, sir, nor i mean it not. 115 _pom._ sir, but you shall come to it, by your honour's leave. and, i beseech you, look into master froth here, sir; a man of fourscore pound a year; whose father died at hallowmas:--was't not at hallowmas, master froth?-_froth._ all-hallond eve. 120 _pom._ why, very well; i hope here be truths. he, sir, sitting, as i say, in a lower chair, sir; 'twas in the bunch of grapes, where, indeed, you have a delight to sit, have you not? _froth._ i have so; because it is an open room, and 125 good for winter. _pom._ why, very well, then; i hope here be truths. _ang._ this will last out a night in russia, when nights are longest there: i'll take my leave, and leave you to the hearing of the cause; 130 hoping you'll find good cause to whip them all. _escal._ i think no less. good morrow to your lordship. [_exit angelo._ now, sir, come on: what was done to elbow's wife, once more? _pom._ once, sir? there was nothing done to her once. 135 _elb._ i beseech you, sir, ask him what this man did to my wife. _pom._ i beseech your honour, ask me. _escal._ well, sir; what did this gentleman to her? _pom._ i beseech you, sir, look in this gentleman's face. 140 good master froth, look upon his honour; 'tis for a good purpose. doth your honour mark his face? _escal._ ay, sir, very well. _pom._ nay, i beseech you, mark it well. _escal._ well, i do so. 145 _pom._ doth your honour see any harm in his face? _escal._ why, no. _pom._ i'll be supposed upon a book, his face is the worst thing about him. good, then; if his face be the worst thing about him, how could master froth do the constable's 150 wife any harm? i would know that of your honour. _escal._ he's in the right. constable, what say you to it? _elb._ first, an it like you, the house is a respected house; next, this is a respected fellow; and his mistress is a respected woman. 155 _pom._ by this hand, sir, his wife is a more respected person than any of us all. _elb._ varlet, thou liest; thou liest, wicked varlet! the time is yet to come that she was ever respected with man, woman, or child. 160 _pom._ sir, she was respected with him before he married with her. _escal._ which is the wiser here? justice or iniquity? is this true? _elb._ o thou caitiff! o thou varlet! o thou wicked 165 hannibal! i respected with her before i was married to her! if ever i was respected with her, or she with me, let not your worship think me the poor duke's officer. prove this, thou wicked hannibal, or i'll have mine action of battery on thee. 170 _escal._ if he took you a box o' th' ear, you might have your action of slander too. _elb._ marry, i thank your good worship for it. what is't your worship's pleasure i shall do with this wicked caitiff? 175 _escal._ truly, officer, because he hath some offences in him that thou wouldst discover if thou couldst, let him continue in his courses till thou knowest what they are. _elb._ marry, i thank your worship for it. thou seest, thou wicked varlet, now, what's come upon thee: thou art 180 to continue now, thou varlet; thou art to continue. _escal._ where were you born, friend? _froth._ here in vienna, sir. _escal._ are you of fourscore pounds a year? _froth._ yes, an't please you, sir. 185 _escal._ so. what trade are you of, sir? _pom._ a tapster; a poor widow's tapster. _escal._ your mistress' name? _pom._ mistress overdone. _escal._ hath she had any more than one husband? 190 _pom._ nine, sir; overdone by the last. _escal._ nine! come hither to me, master froth. master froth, i would not have you acquainted with tapsters: they will draw you, master froth, and you will hang them. get you gone, and let me hear no more of you. 195 _froth._ i thank your worship. for mine own part, i never come into any room in a taphouse, but i am drawn in. _escal._ well, no more of it, master froth: farewell. [_exit froth._] come you hither to me, master tapster. what's your name, master tapster? 200 _pom._ pompey. _escal._ what else? _pom._ bum, sir. _escal._ troth, and your bum is the greatest thing about you; so that, in the beastliest sense, you are pompey the 205 great. pompey, you are partly a bawd, pompey, howsoever you colour it in being a tapster, are you not? come, tell me true: it shall be the better for you. _pom._ truly, sir, i am a poor fellow that would live. _escal._ how would you live, pompey? by being a 210 bawd? what do you think of the trade, pompey? is it a lawful trade? _pom._ if the law would allow it, sir. _escal._ but the law will not allow it, pompey; nor it shall not be allowed in vienna. 215 _pom._ does your worship mean to geld and splay all the youth of the city? _escal._ no, pompey. _pom._ truly, sir, in my poor opinion, they will to't, then. if your worship will take order for the drabs and 220 the knaves, you need not to fear the bawds. _escal._ there are pretty orders beginning, i can tell you: it is but heading and hanging. _pom._ if you head and hang all that offend that way but for ten year together, you'll be glad to give out a commission 225 for more heads: if this law hold in vienna ten year, i'll rent the fairest house in it after three-pence a bay: if you live to see this come to pass, say pompey told you so. _escal._ thank you, good pompey; and, in requital of your prophecy, hark you: i advise you, let me not find 230 you before me again upon any complaint whatsoever; no, not for dwelling where you do: if i do, pompey, i shall beat you to your tent, and prove a shrewd cæsar to you; in plain dealing, pompey, i shall have you whipt: so, for this time, pompey, fare you well. 235 _pom._ i thank your worship for your good counsel: [_aside_] but i shall follow it as the flesh and fortune shall better determine. whip me? no, no; let carman whip his jade: the valiant heart is not whipt out of his trade. [_exit._ 240 _escal._ come hither to me, master elbow; come hither, master constable. how long have you been in this place of constable? _elb._ seven year and a half, sir. _escal._ i thought, by your readiness in the office, you had 245 continued in it some time. you say, seven years together? _elb._ and a half, sir. _escal._ alas, it hath been great pains to you. they do you wrong to put you so oft upon't: are there not men in your ward sufficient to serve it? 250 _elb._ faith, sir, few of any wit in such matters: as they are chosen, they are glad to choose me for them; i do it for some piece of money, and go through with all. _escal._ look you bring me in the names of some six or seven, the most sufficient of your parish. 255 _elb._ to your worship's house, sir? _escal._ to my house. fare you well. [_exit elbow._ what's o'clock, think you? _just._ eleven, sir. _escal._ i pray you home to dinner with me. 260 _just._ i humbly thank you. _escal._ it grieves me for the death of claudio; but there's no remedy. _just._ lord angelo is severe. _escal._ it is but needful: mercy is not itself, that oft looks so; 265 pardon is still the nurse of second woe: but yet,--poor claudio! there is no remedy. come, sir. [_exeunt._ notes: ii, 1. 6: _fall_] _fell_ warburton conj. 8, 9, 10: _let ... that, in the_] _let ... whom i believe to ... whether in the_ hanmer. _let ... whom i believe to ... virtue, and consider this, in the_ capell. 12: _your_] rowe (after davenant) _our_ ff. 15: _which now you censure him_] _you censure now in him_ hanmer. _which now you censure him for_ capell. _where now you censure him_ grant white. 19: _the_] _a_ collier ms. 22: _justice seizes_] _justice ceizes_ ff. _justice seizes on_ pope. _it seizes on_ hanmer. _know_] pope. _knowes_ f1 f2. _knows_ f3 f4. 23: _very_] om. hanmer, ending lines 21, 22, 23 at _made- seizes on-pregnant._ 31: _sir_] om. pope. 31: after this line ff have 'enter provost.' 36: [exit provost] rowe. om. ff. 37: [aside] s. walker conj. 38: this line is printed by ff in italics. 39: _from brakes of ice, and_] _through brakes of vice and_ rowe. _from brakes of vice, and_ malone. _from brakes of justice,_ capell. _from breaks of ice, and_ collier. _from brakes, off ice and_ knight conj. 41: scene ii. pope. 57: _they_] _you_ rowe. 78: _uncleanliness_] f1. _uncleanness_ f2 f3 f4. 79: _the_] _that_ hanmer. 85: [to ange. capell. 87: _sir_] om. f4. 88: _distant_] f1. _instant_ f2 f3 f4. 96: _but two_] f1. _no more_ f2 f3 f4. 107: _very_] om. pope. 113: _me_] om. pope. _we_ grant white. 115: _nor_] om. pope. 117: _into_] _unto_ collier ms. 120: _all-hallond_] _all-holland_ pope. 122: _chair, sir_] _chamber, sir_ capell conj. _chamber_ anon. conj. 126: _winter_] _windows_ collier ms. 132: scene iii. pope. 186: _you_] _ye_ f4. 194: _hang_] _hang on_ heath conj. 198: scene iv. pope. 207: _in_] f1. om. f2 f3 f4. 214: _nor_] _and_ pope. 216: _splay_] _spay_ steevens. 221: _the knaves_] f1. _knaves_ f2 f3 f4. 222: _are_ f2 f3 f4. _is_ f1. 225: _year_] ff. _years_ rowe. 226: _year_] f1 _years_ f2 f3 f4. 227: _bay_] _day_ pope. 234: _pompey_] om. f4. 237: [aside] staunton. 241: scene v. pope. 245: _your_] pope. _the_ ff. 260: _home_] f1. _go home_ f2 f3 f4. 267: _there is_] _there's_ pope. scene ii. _another room in the same._ _enter provost and a _servant_._ _serv._ he's hearing of a cause; he will come straight: i'll tell him of you. _prov._ pray you, do. [_exit servant._] i'll know his pleasure; may be he will relent. alas, he hath but as offended in a dream! all sects, all ages smack of this vice; and he 5 to die for 't! _enter angelo._ _ang._ now, what's the matter, provost? _prov._ is it your will claudio shall die to-morrow? _ang._ did not i tell thee yea? hadst thou not order? why dost thou ask again? _prov._ lest i might be too rash: under your good correction, i have seen, 10 when, after execution, judgement hath repented o'er his doom. _ang._ go to; let that be mine: do you your office, or give up your place, and you shall well be spared. _prov._ i crave your honour's pardon. what shall be done, sir, with the groaning juliet? 15 she's very near her hour. _ang._ dispose of her to some more fitter place, and that with speed. _re-enter _servant_._ _serv._ here is the sister of the man condemn'd desires access to you. _ang._ hath he a sister? _prov._ ay, my good lord; a very virtuous maid, 20 and to be shortly of a sisterhood, if not already. _ang._ well, let her be admitted. [_exit servant._ see you the fornicatress be removed: let her have needful, but not lavish, means; there shall be order for 't. _enter isabella and lucio._ _prov._ god save your honour! 25 _ang._ stay a little while. [_to isab._] you're welcome: what's your will? _isab._ i am a woeful suitor to your honour, please but your honour hear me. _ang._ well; what's your suit? _isab._ there is a vice that most i do abhor, and most desire should meet the blow of justice; 30 for which i would not plead, but that i must; for which i must not plead, but that i am at war 'twixt will and will not. _ang._ well; the matter? _isab._ i have a brother is condemn'd to die: i do beseech you, let it be his fault, 35 and not my brother. _prov._ [_aside_] heaven give thee moving graces! _ang._ condemn the fault, and not the actor of it? why, every fault's condemn'd ere it be done: mine were the very cipher of a function, to fine the faults whose fine stands in record, 40 and let go by the actor. _isab._ o just but severe law! i had a brother, then.--heaven keep your honour! _lucio._ [_aside to isab._] give't not o'er so: to him again, entreat him; kneel down before him, hang upon his gown: you are too cold; if you should need a pin, 45 you could not with more tame a tongue desire it: to him, i say! _isab._ must he needs die? _ang._ maiden, no remedy. _isab._ yes; i do think that you might pardon him, and neither heaven nor man grieve at the mercy. 50 _ang._ i will not do't. _isab._ but can you, if you would? _ang._ look, what i will not, that i cannot do. _isab._ but might you do't, and do the world no wrong, if so your heart were touch'd with that remorse as mine is to him. _ang._ he's sentenced; 'tis too late. 55 _lucio._ [_aside to isab._] you are too cold. _isab._ too late? why, no; i, that do speak a word, may call it back again. well, believe this, no ceremony that to great ones 'longs, not the king's crown, nor the deputed sword, 60 the marshal's truncheon, nor the judge's robe, become them with one half so good a grace as mercy does. if he had been as you, and you as he, you would have slipt like him; but he, like you, 65 would not have been so stern. _ang._ pray you, be gone. _isab._ i would to heaven i had your potency, and you were isabel! should it then be thus? no; i would tell what 'twere to be a judge, and what a prisoner. _lucio._ [_aside to isab._] ay, touch him; there's the vein. 70 _ang._ your brother is a forfeit of the law, and you but waste your words. _isab._ alas, alas! why, all the souls that were were forfeit once; and he that might the vantage best have took found out the remedy. how would you be, 75 if he, which is the top of judgement, should but judge you as you are? o, think on that; and mercy then will breathe within your lips, like man new made. _ang._ be you content, fair maid; it is the law, not i condemn your brother: 80 were he my kinsman, brother, or my son, it should be thus with him: he must die to-morrow. _isab._ to-morrow! o, that's sudden! spare him, spare him! he's not prepared for death. even for our kitchens we kill the fowl of season: shall we serve heaven 85 with less respect than we do minister to our gross selves? good, good my lord, bethink you; who is it that hath died for this offence? there's many have committed it. _lucio._ [_aside to isab._] ay, well said. _ang._ the law hath not been dead, though it hath slept: 90 those many had not dared to do that evil, if the first that did the edict infringe had answer'd for his deed: now 'tis awake, takes note of what is done; and, like a prophet, looks in a glass, that shows what future evils, 95 either now, or by remissness new-conceived, and so in progress to be hatch'd and born, are now to have no successive degrees, but, ere they live, to end. _isab._ yet show some pity. _ang._ i show it most of all when i show justice; 100 for then i pity those i do not know, which a dismiss'd offence would after gall; and do him right that, answering one foul wrong. lives not to act another. be satisfied; your brother dies to-morrow; be content. 105 _isab._ so you must be the first that gives this sentence. and he, that suffers. o, it is excellent to have a giant's strength; but it is tyrannous to use it like a giant. _lucio._ [_aside to isab._] that's well said. _isab._ could great men thunder 110 as jove himself does, jove would ne'er be quiet, for every pelting, petty officer would use his heaven for thunder. nothing but thunder! merciful heaven, thou rather with thy sharp and sulphurous bolt 115 split'st the unwedgeable and gnarled oak than the soft myrtle: but man, proud man, drest in a little brief authority, most ignorant of what he's most assured, his glassy essence, like an angry ape, 120 plays such fantastic tricks before high heaven as make the angels weep; who, with our spleens, would all themselves laugh mortal. _lucio._ [_aside to isab._] o, to him, to him, wench! he will relent; he's coming; i perceive't. _prov._ [_aside_] pray heaven she win him! 125 _isab._ we cannot weigh our brother with ourself: great men may jest with saints; 'tis wit in them. but in the less foul profanation. _lucio._ thou'rt i' the right, girl; more o' that. _isab._ that in the captain's but a choleric word, 130 which in the soldier is flat blasphemy. _lucio._ [_aside to isab._] art avised o' that? more on't. _ang._ why do you put these sayings upon me? _isab._ because authority, though it err like others. hath yet a kind of medicine in itself, 135 that skins the vice o' the top. go to your bosom; knock there, and ask your heart what it doth know that's like my brother's fault: if it confess a natural guiltiness such as is his, let it not sound a thought upon your tongue 140 against my brother's life. _ang._ [_aside_] she speaks, and 'tis such sense, that my sense breeds with it. fare you well. _isab._ gentle my lord, turn back. _ang._ i will bethink me: come again to-morrow. _isab._ hark how i'll bribe you: good my lord, turn back. 145 _ang._ how? bribe me? _isab._ ay, with such gifts that heaven shall share with you. _lucio._ [_aside to isab._] yon had marr'd all else. _isab._ not with fond shekels of the tested gold, or stones whose rates are either rich or poor 150 as fancy values them; but with true prayers that shall be up at heaven and enter there ere sun-rise, prayers from preserved souls, from fasting maids whose minds are dedicate to nothing temporal. _ang._ well; come to me to-morrow. 155 _lucio._ [_aside to isab._] go to; 'tis well; away! _isab._ heaven keep your honour safe! _ang._ [_aside_] amen: for i am that way going to temptation, where prayers cross. _isab._ at what hour to-morrow shall i attend your lordship? _ang._ at any time 'fore noon. 160 _isab._ 'save your honour! [_exeunt isabella, lucio, and provost._ _ang._ from thee,--even from thy virtue! what's this, what's this? is this her fault or mine? the tempter or the tempted, who sins most? ha! not she; nor doth she tempt: but it is i 165 that, lying by the violet in the sun, do as the carrion does, not as the flower, corrupt with virtuous season. can it be that modesty may more betray our sense than woman's lightness? having waste ground enough, 170 shall we desire to raze the sanctuary, and pitch our evils there? o, fie, fie, fie! what dost thou, or what art thou, angelo? dost thou desire her foully for those things that make her good? o, let her brother live: 175 thieves for their robbery have authority when judges steal themselves. what, do i love her, that i desire to hear her speak again, and feast upon her eyes? what is't i dream on? o cunning enemy, that, to catch a saint, 180 with saints dost bait thy hook! most dangerous is that temptation that doth goad us on to sin in loving virtue: never could the strumpet, with all her double vigour, art and nature, once stir my temper; but this virtuous maid 185 subdues me quite. ever till now, when men were fond, i smiled, and wonder'd how. [_exit._ notes: ii, 2. scene ii.] scene vi. pope. [transcriber's note: pope's scene vii is not identified. scene viii begins at line 161.] 1: _he will_] _he'll_ pope. 4: _but as offended_] _offended but as_ grant white. 5: _sects_] _sorts_ s. walker conj. _of this_] _o' th'_ hanmer. 9: _dost thou_] om. hanmer. 12: _go to_] om. hanmer. 14: _honour's_] om. pope. 17: _fitter_] _fitting_ pope. 22: _well_] om. pope. 25: _for't_] _for it_ pope. _god save_] _'save_ ff. 26: _a little_] _yet a_ pope. 28: _please_] _'please_ ff. _well_] om. pope. 30: _and most_] _and more_ rowe. 32: _must not plead, but that_] _must plead, albeit_ hanmer. _must now plead, but yet_ johnson conj. 40: _to fine_] _to find_ theobald. _faults_] _fault_ dyce. 46: _more tame a_] _a more tame_ rowe. 53: _might you_] _you might_ s. walker conj. 55: _him._] _him?_ ff. 56: _you are_] _yo art_ f2. _thou art_ collier ms. 58: _back_] f2 f3 f4. om. f1. _well,_] _and_ hanmer. _well, believe_] _well believe_ knight. 59: _'longs_] theobald, _longs_ ff. _belongs_ pope. 73: _that were_] _that are_ warburton. 76: _top_] _god_ collier ms. 80: _condemn_] _condemns_ rowe. 82: _must die_] _dies_ pope. 83: printed as two lines in ff, the first ending _sudden_. 85: _shall we serve_] _serve we_ pope. 92: _the first_] ff. _the first man_ pope. _he, the first_ capell (tyrwhitt conj.). _the first one_ collier ms. _but the first_ grant white. _the first he_ spedding conj. _the first that_] _he who first_ davenant's version. _did the edict_] _the edict did_ keightley conj. 95: _that shows what_] _which shews that_ hanmer. 96: _either now_] _or new_ pope. _either new_ dyce. 99: _ere_] hanmer. _here_ ff. _where_ malone. 104: _be_] _then be_ pope. 107: _it is_] _'tis_ pope. 108: _it is_] om. hanmer. 111: _ne'er_] _never_ f1. 113: _would_] _incessantly would_ hanmer. 114: _heaven_] _sweet heaven_ hanmer. 116: _split'st_] _splits_ f1. 117: _but_] f1. _o but_ f2 f3 f4. _proud_] _weak, proud_ malone conj. 120: _glassy_] _grassy_ lloyd conj. 126: _we_] _you_ collier ms. _cannot_] _can but_ anon. conj. _ourself_] _yourself_ theobald (warburton). 127: _saints_] _sins_ anon. conj. 129: _i' the right_] _i' th right_ f1 f2. _i' right_ f3 f4. _right_ pope. _in the right_ steevens. 132: _avised_] _avis'd_ f1 f2. _advis'd_ f3 f4. _thou advis'd_ hanmer. _more on't_] _more on't, yet more_ hanmer. 140: _your_] _you_ f2. 142: _breeds_] _bleeds_ pope. 149: _shekels_] pope. _sickles_ ff. _cycles_ collier conj. _circles_ collier ms. see note (vii). 150: _rates are_] johnson. _rate are_ ff. _rate is_ hanmer. 157: _amen_] _amen! i say_ hanmer. see note (viii). 159: _where_] _which your_ johnson conj. 160: _your lordship_] _you lordship_ f2. _you_ hanmer. 161: _'save_] _god save_ edd. conj. 161: scene viii. pope. 163: _ha!_] om. pope. 166: _by_] _with_ capell. 172: _evils_] _offals_ collier ms. 183: _never_] _ne'er_ pope. 186: _ever till now_] f1. _even till now_ f2 f3 f4. _even till this very now_ pope. _ever till this very now_ theobald. _even from youth till now_ collier ms. scene iii. _a room in a prison._ _enter, severally, duke disguised as a friar, and provost._ _duke._ hail to you, provost!--so i think you are. _prov._ i am the provost. what's your will, good friar? _duke._ bound by my charity and my blest order, i come to visit the afflicted spirits here in the prison. do me the common right 5 to let me see them, and to make me know the nature of their crimes, that i may minister to them accordingly. _prov._ i would do more than that, if more were needful. _enter juliet._ look, here comes one: a gentlewoman of mine, 10 who, falling in the flaws of her own youth, hath blister'd her report: she is with child; and he that got it, sentenced; a young man more fit to do another such offence than die for this. 15 _duke._ when must he die? _prov._ as i do think, to-morrow. i have provided for you: stay awhile, [_to juliet._ and you shall be conducted. _duke._ repent you, fair one, of the sin you carry? _jul._ i do; and bear the shame most patiently. 20 _duke._ i'll teach you how you shall arraign your conscience, and try your penitence, if it be sound, or hollowly put on. _jul._ i'll gladly learn. _duke._ love you the man that wrong'd you? _jul._ yes, as i love the woman that wrong'd him. 25 _duke._ so, then, it seems your most offenceful act was mutually committed? _jul._ mutually. _duke._ then was your sin of heavier kind than his. _jul._ i do confess it, and repent it, father. _duke._ 'tis meet so, daughter: but lest you do repent, 30 as that the sin hath brought you to this shame, which sorrow is always towards ourselves, not heaven, showing we would not spare heaven as we love it, but as we stand in fear,-_jul._ i do repent me, as it is an evil, 35 and take the shame with joy. _duke._ there rest. your partner, as i hear, must die to-morrow, and i am going with instruction to him. grace go with you, _benedicite!_ [_exit._ _jul._ must die to-morrow! o injurious love, 40 that respites me a life, whose very comfort is still a dying horror! _prov._ 'tis pity of him. [_exeunt._ notes: ii, 3. scene iii.] scene ix. pope. act iii. scene i. johnson conj. 7: _crimes that i may_] _several crimes that i may_ seymour conj. 9: enter juliet] transferred by dyce to line 15. 11: _flaws_] f3 f4. _flawes_ f1 f2. _flames_ warburton (after davenant). 26: _offenceful_] _offence full_ f1. 30: _lest you do repent_] f4. _least you do repent_ f1 f2 f3. _repent you not_ pope. 33: _we would not spare_] ff. _we'd not seek_ pope. _we'd not spare_ malone. _we would not serve_ collier ms. _we'd not appease_ singer conj. 36: _there rest_] _tis well; there rest_ hammer. 39: _grace_] _so grace_ pope. _may grace_ steevens conj. _all grace_ seymour conj. _grace go with you_ is assigned to juliet by dyce (ritson conj.). 40: _love_] _law_ hanmer. scene iv. _a room in angelo's house._ _enter angelo._ _ang._ when i would pray and think, i think and pray to several subjects. heaven hath my empty words; whilst my invention, hearing not my tongue, anchors on isabel: heaven in my mouth, as if i did but only chew his name; 5 and in my heart the strong and swelling evil of my conception. the state, whereon i studied, is like a good thing, being often read, grown fear'd and tedious; yea, my gravity, wherein--let no man hear me--i take pride, 10 could i with boot change for an idle plume, which the air beats for vain. o place, o form, how often dost thou with thy case, thy habit, wrench awe from fools, and tie the wiser souls to thy false seeming! blood, thou art blood: 15 let's write good angel on the devil's horn; 'tis not the devil's crest. _enter a _servant_._ how now! who's there? _serv._ one isabel, a sister, desires access to you. _ang._ teach her the way. o heavens! why does my blood thus muster to my heart, 20 making both it unable for itself, and dispossessing all my other parts of necessary fitness? so play the foolish throngs with one that swoons: come all to help him, and so stop the air 25 by which he should revive: and even so the general, subject to a well-wish'd king, quit their own part, and in obsequious fondness crowd to his presence, where their untaught love must needs appear offence. _enter isabella._ how now, fair maid? 30 _isab._ i am come to know your pleasure. _ang._ that you might know it, would much better please me than to demand what 'tis. your brother cannot live. _isab._ even so.--heaven keep your honour! _ang._ yet may he live awhile; and, it may be, 35 as long as you or i: yet he must die. _isab._ under your sentence? _ang._ yea. _isab._ when, i beseech you? that in his reprieve, longer or shorter, he may be so fitted 40 that his soul sicken not. _ang._ ha! fie, these filthy vices! it were as good to pardon him that hath from nature stolen a man already made, as to remit their saucy sweetness that do coin heaven's image 45 in stamps that are forbid: 'tis all as easy falsely to take away a life true made, as to put metal in restrained means to make a false one. _isab._ 'tis set down so in heaven, but not in earth. 50 _ang._ say you so? then i shall pose you quickly. which had you rather,--that the most just law now took your brother's life; or, to redeem him, give up your body to such sweet uncleanness as she that he hath stain'd? _isab._ sir, believe this, 55 i had rather give my body than my soul. _ang._ i talk not of your soul: our compell'd sins stand more for number than for accompt. _isab._ how say you? _ang._ nay, i'll not warrant that; for i can speak against the thing i say. answer to this:- 60 i, now the voice of the recorded law, pronounce a sentence on your brother's life: might there not be a charity in sin to save this brother's life? _isab._ please you to do't, i'll take it as a peril to my soul, 65 it is no sin at all, but charity. _ang._ pleased you to do't at peril of your soul, were equal poise of sin and charity. _isab._ that i do beg his life, if it be sin, heaven let me bear it! you granting of my suit, 70 if that be sin, i'll make it my morn prayer to have it added to the faults of mine, and nothing of your answer. _ang._ nay, but hear me. your sense pursues not mine: either you are ignorant, or seem so, craftily; and that's not good. 75 _isab._ let me be ignorant, and in nothing good, but graciously to know i am no better. _ang._ thus wisdom wishes to appear most bright when it doth tax itself; as these black masks proclaim an enshield beauty ten times louder 80 than beauty could, display'd. but mark me; to be received plain, i'll speak more gross: your brother is to die. _isab._ so. _ang._ and his offence is so, as it appears, 85 accountant to the law upon that pain. _isab._ true. _ang._ admit no other way to save his life,-as i subscribe not that, nor any other, but in the loss of question,--that you, his sister, 90 finding yourself desired of such a person, whose credit with the judge, or own great place, could fetch your brother from the manacles of the all-building law; and that there were no earthly mean to save him, but that either 95 you must lay down the treasures of your body to this supposed, or else to let him suffer; what would you do? _isab._ as much for my poor brother as myself: that is, were i under the terms of death, 100 the impression of keen whips i'ld wear as rubies, and strip myself to death, as to a bed that longing have been sick for, ere i'ld yield my body up to shame. _ang._ then must your brother die. _isab._ and 'twere the cheaper way: 105 better it were a brother died at once, than that a sister, by redeeming him, should die for ever. _ang._ were not you, then, as cruel as the sentence that you have slander'd so? 110 _isab._ ignomy in ransom and free pardon are of two houses: lawful mercy is nothing kin to foul redemption. _ang._ you seem'd of late to make the law a tyrant; and rather proved the sliding of your brother 115 a merriment than a vice. _isab._ o, pardon me, my lord; it oft falls out, to have what we would have, we speak not what we mean: i something do excuse the thing i hate, for his advantage that i dearly love. 120 _ang._ we are all frail. _isab._ else let my brother die, if not a feodary, but only he owe and succeed thy weakness. _ang._ nay, women are frail too. _isab._ ay, as the glasses where they view themselves; 125 which are as easy broke as they make forms. women!--help heaven! men their creation mar in profiting by them. nay, call us ten times frail; for we are soft as our complexions are, and credulous to false prints. _ang._ i think it well: 130 and from this testimony of your own sex,-since, i suppose, we are made to be no stronger than faults may shake our frames,--let me be bold;-i do arrest your words. be that you are, that is, a woman; if you be more, you're none; 135 if you be one,--as you are well express'd by all external warrants,--show it now, by putting on the destined livery. _isab._ i have no tongue but one: gentle my lord, let me entreat you speak the former language. 140 _ang._ plainly conceive, i love you. _isab._ my brother did love juliet, and you tell me that he shall die for it. _ang._ he shall not, isabel, if you give me love. _isab._ i know your virtue hath a license in't, 145 which seems a little fouler than it is, to pluck on others. _ang._ believe me, on mine honour, my words express my purpose. _isab._ ha! little honour to be much believed, and most pernicious purpose!--seeming, seeming!- 150 i will proclaim thee, angelo; look for't: sign me a present pardon for my brother, or with an outstretch'd throat i'll tell the world aloud what man thou art. _ang._ who will believe thee, isabel? my unsoil'd name, the austereness of my life, 155 my vouch against you, and my place i' the state, will so your accusation overweigh, that you shall stifle in your own report, and smell of calumny. i have begun; and now i give my sensual race the rein: 160 fit thy consent to my sharp appetite; lay by all nicety and prolixious blushes, that banish what they sue for; redeem thy brother by yielding up thy body to my will; or else he must not only die the death, 165 but thy unkindness shall his death draw out to lingering sufferance. answer me to-morrow. or, by the affection that now guides me most, i'll prove a tyrant to him. as for you, say what you can, my false o'erweighs your true. [_exit._ 170 _isab._ to whom should i complain? did i tell this, who would believe me? o perilous mouths, that bear in them one and the self-same tongue, either of condemnation or approof; bidding the law make court'sy to their will; 175 hooking both right and wrong to the appetite, to follow as it draws! i'll to my brother: though he hath fall'n by prompture of the blood, yet hath he in him such a mind of honour, that, had he twenty heads to tender down 180 on twenty bloody blocks, he'ld yield them up, before his sister should her body stoop to such abhorr'd pollution. then, isabel, live chaste, and, brother, die: more than our brother is our chastity. 185 i'll tell him yet of angelo's request, and fit his mind to death, for his soul's rest. [_exit._ notes: ii, 4. scene iv.] scene x. pope. 2: _empty_] om. seymour conj. 3: _invention_] _intention_ pope. 4: _heaven_] _heaven's_ rowe. _heaven is_ capell. 5: _his_] _its_ pope. 9: _fear'd_] _scar'd_ hanmer. _sear_ heath conj. _stale_ anon. conj. see note (ix). 10: _take_] _took_ seymour conj. 12: _for vain. o place,_] f4. _for vaine. o place,_ f1 f2 f3. _for vane. o place,_ or _for vane o' the place._ manlone conj. 15: _thou art blood_] _thou art but blood_ pope. _thou still art blood_ malone. 17: _'tis not_] _is't not_ hanmer. _'tis yet_ johnson conj. 18: _desires_] _asks_ pope. 21: _both it_] _both that_ pope. _it both_ collier ms. 22: _all_] om. hanmer, who makes lines 19-23 end at _blood, both that, dispossessing, fitness._ 27: _subject_] f1 f2 f3. _subjects_ f4. 28: _part_] _path_ collier ms. 31: scene xi. pope. 33: _demand_] _declare_ hanmer. _your brother_] _he_ hanmer. 34: _your honour_] _you_ hanmer. 45: _sweetness_] _lewdness_ hanmer. 46: _easy_] _just_ hanmer. 48: _metal_] theobald. _mettle_ ff. _means_] _mints_ steevens conj. _moulds_ malone conj. 50: _'tis ... earth_] _'tis so set down in earth but not in heaven_ johnson conj. 51: _say_] _and say_ pope. _yea, say_ s. walker conj. ending lines 50, 51 at _heaven, then i._ 53: _or_] rowe (after davenant), _and_ ff. 58: _for accompt_] _accompt_ pope. 68: _were ... charity._] _were't ... charity?_ hanmer. _'twere ... charity._ seymour conj. 70: _of_] om. pope. 71: _make it my morn prayer_] _make't my morning prayer_ hanmer. 73: _your_] _yours_ johnson conj. 75: _craftily_] rowe (after davenant). _crafty_ ff. 76: _me_] om. f1. 80: _enshield_] _in-shell'd_ tyrwhitt conj. 81: _mark me_] _mark me well_ hanmer. 90: _loss_] _loose_ singer ms. _toss_ johnson conj. _list_ heath conj. _force_ collier ms. 94: _all-building_] ff. _all-holding_ rowe. _all-binding_ johnson. see note (x). 97: _to let_] _let_ hanmer. 103: _have_] _i've_ rowe. _i have_ capell. _had_ knight. see note (xi). _sick_] _seek_ johnson (a misprint). 104, 105: capell (conj.) and collier end the first line at _must_. 106: _at_] _for_ johnson conj. 111: _ignomy in_] _ignomie in_ f1. _ignominy in_ f2 f3 f4. _an ignominious_ pope. 112, 113: _mercy is nothing kin_] ff. _mercy sure is nothing kin_ pope. _mercy is nothing akin_ steevens. see note (xii). 117: _oft_] _very oft_ hanmer, who ends lines 116, 117 at _me ... have_. 118: _we would_] _we'd_ steevens. this line printed as two in ff. 122: _feodary_] f2 f3 f4. _fedarie_ f1. 123: _thy weakness_] _by weakness_ rowe. _to weakness_ capell. _this weakness_ harness (malone conj.). 126: _make_] _take_ johnson conj. 127: _their_] _thy_ edd. conj. 135: _you be_] _you're_ pope. 140: _former_] _formal_ warburton. 143: _for it_] pope. _for't_ ff. 153: pope ends the line at _world_. 163: _redeem_] _save_ pope. 171: _should_] _shall_ steevens. 172: _perilous_] _most perilous_ theobald. _these perilous_ seymour conj. _pernicious_ s. walker conj. 175: _court'sy_] _curtsie_ ff. 179: _mind_] _mine_ jackson conj. 185: inverted commas prefixed to this line in ff. act iii. scene i. _a room in the prison._ _enter duke disguised as before, claudio, and provost._ _duke._ so, then, you hope of pardon from lord angelo? _claud._ the miserable have no other medicine but only hope: i've hope to live, and am prepar'd to die. _duke._ be absolute for death; either death or life 5 shall thereby be the sweeter. reason thus with life: if i do lose thee, i do lose a thing that none but fools would keep: a breath thou art, servile to all the skyey influences. that dost this habitation, where thou keep'st, 10 hourly afflict: merely, thou art death's fool; for him thou labour'st by thy flight to shun, and yet runn'st toward him still. thou art not noble; for all the accommodations that thou bear'st are nursed by baseness. thou'rt by no means valiant; 15 for thou dost fear the soft and tender fork of a poor worm. thy best of rest is sleep, and that thou oft provokest; yet grossly fear'st thy death, which is no more. thou art not thyself; for thou exist'st on many a thousand grains 20 that issue out of dust. happy thou art not; for what thou hast not, still thou strivest to get. and what thou hast, forget'st. thou art not certain; for thy complexion shifts to strange effects, after the moon. if thou art rich, thou'rt poor; 25 for, like an ass whose back with ingots bows, thou bear'st thy heavy riches but a journey, and death unloads thee. friend hast thou none; for thine own bowels, which do call thee sire, the mere effusion of thy proper loins, 30 do curse the gout, serpigo, and the rheum, for ending thee no sooner. thou hast nor youth nor age. but, as it were, an after-dinner's sleep, dreaming on both; for all thy blessed youth becomes as aged, and doth beg the alms 35 of palsied eld; and when thou art old and rich, thou hast neither heat, affection, limb, nor beauty, to make thy riches pleasant. what's yet in this that bears the name of life? yet in this life lie hid more thousand deaths: yet death we fear, 40 that makes these odds all even. _claud._ i humbly thank you. to sue to live, i find i seek to die; and, seeking death, find life: let it come on. _isab._ [_within_] what, ho! peace here; grace and good company! _prov._ who's there? come in: the wish deserves a welcome. 45 _duke._ dear sir, ere long i'll visit you again. _claud._ most holy sir, i thank you. _enter isabella._ _isab._ my business is a word or two with claudio. _prov._ and very welcome. look, signior, here's your sister. 50 _duke._ provost, a word with you. _prov._ as many as you please. _duke._ bring me to hear them speak, where i may be concealed. [_exeunt duke and provost._ _claud._ now, sister, what's the comfort? 55 _isab._ why, as all comforts are; most good, most good indeed. lord angelo, having affairs to heaven, intends you for his swift ambassador, where you shall be an everlasting leiger: 60 therefore your best appointment make with speed; to-morrow you set on. _claud._ is there no remedy? _isab._ none, but such remedy as, to save a head, to cleave a heart in twain. _claud._ but is there any? _isab._ yes, brother, you may live: 65 there is a devilish mercy in the judge, if you'll implore it, that will free your life, but fetter you till death. _claud._ perpetual durance? _isab._ ay, just; perpetual durance, a restraint, though all the world's vastidity you had, 70 to a determined scope. _claud._ but in what nature? _isab._ in such a one as, you consenting to't, would bark your honour from that trunk you bear, and leave you naked. _claud._ let me know the point. _isab._ o, i do fear thee, claudio; and i quake, 75 lest thou a feverous life shouldst entertain, and six or seven winters more respect than a perpetual honour. darest thou die? the sense of death is most in apprehension; 75 and the poor beetle, that we tread upon, in corporal sufferance finds a pang as great as when a giant dies. _claud._ why give you me this shame? think you i can a resolution fetch from flowery tenderness? if i must die, 80 i will encounter darkness as a bride, and hug it in mine arms. _isab._ there spake my brother; there my father's grave did utter forth a voice. yes, thou must die: thou art too noble to conserve a life 85 in base appliances. this outward-sainted deputy, whose settled visage and deliberate word nips youth i' the head, and follies doth emmew as falcon doth the fowl, is yet a devil; his filth within being cast, he would appear 90 a pond as deep as hell. _claud._ the prenzie angelo! _isab._ o, 'tis the cunning livery of hell, the damned'st body to invest and cover in prenzie guards! dost thou think, claudio?-if i would yield him my virginity, 95 thou mightst be freed. _claud._ o heavens! it cannot be. _isab._ yes, he would give't thee, from this rank offence, so to offend him still. this night's the time that i should do what i abhor to name, or else thou diest to-morrow. _claud._ thou shalt not do't. 100 _isab._ o, were it but my life, i'ld throw it down for your deliverance as frankly as a pin. _claud._ thanks, dear isabel. _isab._ be ready, claudio, for your death to-morrow. _claud._ yes. has he affections in him, 105 that thus can make him bite the law by the nose, when he would force it? sure, it is no sin; or of the deadly seven it is the least. _isab._ which is the least? _claud._ if it were damnable, he being so wise, 110 why would he for the momentary trick be perdurably fined?--o isabel! _isab._ what says my brother? _claud._ death is a fearful thing. _isab._ and shamed life a hateful. _claud._ ay, but to die, and go we know not where; 115 to lie in cold obstruction and to rot; this sensible warm motion to become a kneaded clod; and the delighted spirit to bathe in fiery floods, or to reside in thrilling region of thick-ribbed ice; 120 to be imprison'd in the viewless winds, and blown with restless violence round about the pendent world; or to be worse than worst of those that lawless and incertain thought imagine howling:--'tis too horrible! 125 the weariest and most loathed worldly life that age, ache, penury, and imprisonment can lay on nature is a paradise to what we fear of death. _isab._ alas, alas! _claud._ sweet sister, let me live: 130 what sin you do to save a brother's life, nature dispenses with the deed so far that it becomes a virtue. _isab._ o you beast! o faithless coward! o dishonest wretch! wilt thou be made a man out of my vice? 135 is't not a kind of incest, to take life from thine own sister's shame? what should i think? heaven shield my mother play'd my father fair! for such a warped slip of wilderness ne'er issued from his blood. take my defiance! 140 die, perish! might but my bending down reprieve thee from thy fate, it should proceed: i'll pray a thousand prayers for thy death, no word to save thee. _claud._ nay, hear me, isabel. _isab._ o, fie, fie, fie! 145 thy sin's not accidental, but a trade. mercy to thee would prove itself a bawd: 'tis best that thou diest quickly. _claud._ o, hear me, isabella! _re-enter duke._ _duke._ vouchsafe a word, young sister, but one word. _isab._ what is your will? 150 _duke._ might you dispense with your leisure, i would by and by have some speech with you: the satisfaction i would require is likewise your own benefit. _isab._ i have no superfluous leisure; my stay must be stolen out of other affairs; but i will attend you awhile. 155 [_walks apart._ _duke._ son, i have overheard what hath passed between you and your sister. angelo had never the purpose to corrupt her; only he hath made an assay of her virtue to practise his judgement with the disposition of natures: she, having the truth of honour in her, hath made him that 160 gracious denial which he is most glad to receive. i am confessor to angelo, and i know this to be true; therefore prepare yourself to death: do not satisfy your resolution with hopes that are fallible: to-morrow you must die; go to your knees, and make ready. 165 _claud._ let me ask my sister pardon. i am so out of love with life, that i will sue to be rid of it. _duke._ hold you there: farewell. [_exit claudio._] provost, a word with you! _re-enter provost._ _prov._ what's your will, father? 170 _duke._ that now you are come, you will be gone. leave me awhile with the maid: my mind promises with my habit no loss shall touch her by my company. _prov._ in good time. [_exit provost. isabella comes forward._ _duke._ the hand that hath made you fair hath made 175 you good: the goodness that is cheap in beauty makes beauty brief in goodness; but grace, being the soul of your complexion, shall keep the body of it ever fair. the assault that angelo hath made to you, fortune hath conveyed to my understanding; and, but that frailty hath examples for 180 his falling, i should wonder at angelo. how will you do to content this substitute, and to save your brother? _isab._ i am now going to resolve him: i had rather my brother die by the law than my son should be unlawfully born. but, o, how much is the good duke deceived in 185 angelo! if ever he return and i can speak to him, i will open my lips in vain, or discover his government. _duke._ that shall not be much amiss: yet, as the matter now stands, he will avoid your accusation; he made trial of you only. therefore fasten your ear on my advisings: to 190 the love i have in doing good a remedy presents itself. i do make myself believe that you may most uprighteously do a poor wronged lady a merited benefit; redeem your brother from the angry law; do no stain to your own gracious person; and much please the absent duke, if peradventure 195 he shall ever return to have hearing of this business. _isab._ let me hear you speak farther. i have spirit to do any thing that appears not foul in the truth of my spirit. _duke._ virtue is bold, and goodness never fearful. have you not heard speak of mariana, the sister of frederick the 200 great soldier who miscarried at sea? _isab._ i have heard of the lady, and good words went with her name. _duke._ she should this angelo have married; was affianced to her by oath, and the nuptial appointed: between 205 which time of the contract and limit of the solemnity, her brother frederick was wrecked at sea, having in that perished vessel the dowry of his sister. but mark how heavily this befell to the poor gentlewoman: there she lost a noble and renowned brother, in his love toward her ever most 210 kind and natural; with him, the portion and sinew of her fortune, her marriage-dowry; with both, her combinate husband, this well-seeming angelo. _isab._ can this be so? did angelo so leave her? _duke._ left her in her tears, and dried not one of them 215 with his comfort; swallowed his vows whole, pretending in her discoveries of dishonour: in few, bestowed her on her own lamentation, which she yet wears for his sake; and he, a marble to her tears, is washed with them, but relents not. _isab._ what a merit were it in death to take this poor 220 maid from the world! what corruption in this life, that it will let this man live! but how out of this can she avail? _duke._ it is a rupture that you may easily heal: and the cure of it not only saves your brother, but keeps you from dishonour in doing it. 225 _isab._ show me how, good father. _duke._ this forenamed maid hath yet in her the continuance of her first affection: his unjust unkindness, that in all reason should have quenched her love, hath, like an impediment in the current, made it more violent and unruly. 230 go you to angelo; answer his requiring with a plausible obedience; agree with his demands to the point; only refer yourself to this advantage, first, that your stay with him may not be long; that the time may have all shadow and silence in it; and the place answer to convenience. this 235 being granted in course,--and now follows all,--we shall advise this wronged maid to stead up your appointment, go in your place; if the encounter acknowledge itself hereafter, it may compel him to her recompense: and here, by this, is your brother saved, your honour untainted, the poor 240 mariana advantaged, and the corrupt deputy scaled. the maid will i frame and make fit for his attempt. if you think well to carry this as you may, the doubleness of the benefit defends the deceit from reproof. what think you of it? 245 _isab._ the image of it gives me content already; and i trust it will grow to a most prosperous perfection. _duke._ it lies much in your holding up. haste you speedily to angelo: if for this night he entreat you to his bed, give him promise of satisfaction. i will presently to 250 saint luke's: there, at the moated grange, resides this dejected mariana. at that place call upon me; and dispatch with angelo, that it may be quickly. _isab._ i thank you for this comfort. fare you well, good father. [_exeunt severally._ 255 notes: iii, 1. 1: _of_] _for_ hanmer. 4: _i've_] _i'have_ ff. 5: _either_] _or_ pope. 8: _keep_] _reck_ warburton. _thou art_] om. hanmer. 10: _dost_] ff. _do_ hanmer. 20: _exist'st_] theobald. _exists_ ff. 24: _effects_] _affects_ johnson conj. 25: _if_] _though_ hanmer. 28: _unloads_] _unloadeth_ pope. 29: _sire_] f4. _fire_ f1 f2 f3. see note (xiii). 31: _serpigo_] rowe. _sapego_ f1. _sarpego_ f2 f3 f4. 34: _all thy blessed_] _pall'd, thy blazed_ warburton. _all thy blasted_ johnson conj. _all thy boasted_ collier ms. 35: _as aged_] _an indigent_ hanmer. _assuaged_ warburton. _assieged_ becket conj. _engaged_ staunton conj. _enaged_ grant white conj. _abased_ edd. conj. 37: _beauty_] _bounty_ warburton. 38: _yet_] om. pope. 40: _more_] _moe_ ff. _a_ hanmer. 46: _sir_] _son_ mason conj. 49: _look_] om. pope. 53: _bring me to hear them speak_] malone (steevens conj.). _bring them to hear me speak_ f1. _bring them to speak_ f2 f3 f4. _bring me to stand_ capell. 54: _concealed_] _conceal'd_ f1. _conceal'd, yet hear them_ f2 f3 f4. _conceal'd, yet hear them speak_ capell. _bring me where i conceal'd may hear them speak_ davenant's version. 55: scene ii. pope. _sister_] _good sister_ hanmer. 57: _most good, most good indeed_] _most good indeed_ pope. _most good in speed_ hanmer. _most good. indeed_ blackstone conj. see note (xiv). 60: _leiger_] _ledger_ capell. _lieger_ staunton. 62: _set on_] _set out_ pope. 64: _to_] _must_ hanmer. 70: _though_] pope. _through_ ff. 79: _can a resolution fetch_] _want a resolution fetch'd_ hanmer. 80: _tenderness?_] _tenderness._ dyce (heath conj.). 86: _appliances_] _appliance_ hanmer. 88: _head_] _bred_ grey conj. 89: _falcon_] _falconer_ grey conj. 90, 91: _filth ... pond_] _pond ... filth_ upton conj. 91, 94: _prenzie_] f1. _princely_ f2 f3 f4. _priestly_ hanmer. _precise_ knight (tieck conj.). _rev'rend_ staunton. _saintly_ hickson conj. _pensive_ anon. (n. & q.) conj. _frenzy!--princely_ knight conj. _printsy_ taylor conj. _pious_ delius conj. _phrenzied_ anon. (n. & q.) conj. _primsie_ anon. (n. & q.) conj. _pensie_ bullock conj. see note (xv). 93: _damned'st_] _damnest_ f1. 94: _guards_] _garb_ collier ms. 97: _give't_] _grant_ hanmer. _give_ warburton. _from_] _for_ hanmer. 103: _dear_] _dearest_ pope. 105: _he_] _he then_ hanmer. 111: _why_] _why,_ hanmer. 118: _delighted_] _dilated_ hanmer. _benighted_ (anon. conj. ap. johnson). _delinquent_ upton conj. _alighted_ anon. conj. _delated_ anon. conj. in fras. mag. see note (xvi). 119: _reside_] _recide_ f1 (and 249). 120: _region_] _regions_ rowe. 124, 125: _those that ... thought imagine_] _those, that ... thought, imagine_ ff. _... thoughts ..._ theobald. _those--that ... thought--imagine_ hanmer. _those whom ... thought imagines_ heath conj. (after davenant). 127: _penury_] f2 f3 f4. _periury_ f1. _and_] om. pope. 138: _shield_] f1. _shield:_ f2 f3 f4. _grant_ pope. 141: _but my_] _my only_ pope. 145: _nay_] om. pope. 148: [going. capell. 149: scene iii. pope. re-enter duke] capell. duke steps in. f2. om. f1. enter duke and provost. rowe. 155: [walks apart] capell. 163: _satisfy_] _falsify_ hanmer. 168: [exit c.] exit. f2, after line 167, om. f1. see note (xvii). 174: exit ... forward] edd. [exit. f2 om. f1. 176: _cheap_] _chief_ collier ms. 177: _in goodness_] _in such goodness_ hanmer. 179: _to you_] _on you_ hanmer. 183: _him:_] _him,_ dyce. 190, 191: _advisings: ... good_] pope. _advisings,... good;_ ff. 192: _uprighteously_] _uprightly_ pope. 197: _farther_] _, father_ f4. 204: _she_] _her_ pope. _was_] _he was_ hanmer. 205: _by_] om. f1. _and_] om. f4. 217: _few_] f1 f2. _few words_ f3 f4. _her on_] _on her_ capell conj. 219: _a marble_] _as marble_ anon. conj. _tears_] f1. _ears_ f2 f3 f4. 228: _unkindness_] _kindness_ pope. 236: _granted in course,--and now_] _granted incourse, and now_ ff. _granted, in course now_ pope. 241: _scaled_] _foiled_ grant white. 244: _from_] _and_ rowe. 255: [exeunt severally] [exit ff. scene ii. _the street before the prison._ _enter, on one side, duke disguised as before; on the other, elbow, and _officers_ with pompey._ _elb._ nay, if there be no remedy for it, but that you will needs buy and sell men and women like beasts, we shall have all the world drink brown and white bastard. _duke._ o heavens! what stuff is here? _pom._ 'twas never merry world since, of two usuries, 5 the merriest was put down, and the worser allowed by order of law a furred gown to keep him warm; and furred with fox and lamb-skins too, to signify, that craft, being richer than innocency, stands for the facing. _elb._ come your way, sir. 'bless you, good father friar. 10 _duke._ and you, good brother father. what offence hath this man made you, sir? _elb._ marry, sir, he hath offended the law: and, sir, we take him to be a thief too, sir; for we have found upon him, sir, a strange picklock, which we have sent to the deputy. 15 _duke._ fie, sirrah! a bawd, a wicked bawd! the evil that thou causest to be done, that is thy means to live. do thou but think what 'tis to cram a maw or clothe a back from such a filthy vice: say to thyself, 20 from their abominable and beastly touches i drink, i eat, array myself, and live. canst thou believe thy living is a life, so stinkingly depending? go mend, go mend. _pom._ indeed, it does stink in some sort, sir; but yet, 25 sir, i would prove-_duke._ nay, if the devil have given thee proofs for sin, thou wilt prove his. take him to prison, officer: correction and instruction must both work ere this rude beast will profit. 30 _elb._ he must before the deputy, sir; he has given him warning: the deputy cannot abide a whoremaster: if he be a whoremonger, and comes before him, he were as good go a mile on his errand. _duke._ that we were all, as some would seem to be, 35 from our faults, as faults from seeming, free! _elb._ his neck will come to your waist,--a cord, sir. _pom._ i spy comfort; i cry bail. here's a gentleman and a friend of mine. _enter lucio._ _lucio._ how now, noble pompey! what, at the wheels 40 of caesar? art thou led in triumph? what, is there none of pygmalion's images, newly made woman, to be had now, for putting the hand in the pocket and extracting it clutched? what reply, ha? what sayest thou to this tune, matter and method? is't not drowned i' the last rain, ha? 45 what sayest thou, trot? is the world as it was, man? which is the way? is it sad, and few words? or how? the trick of it? _duke._ still thus, and thus; still worse! _lucio._ how doth my dear morsel, thy mistress? procures 50 she still, ha? _pom._ troth, sir, she hath eaten up all her beef, and she is herself in the tub. _lucio._ why, 'tis good; it is the right of it; it must be so: ever your fresh whore and your powdered bawd: an 55 unshunned consequence; it must be so. art going to prison, pompey? _pom._ yes, faith, sir. _lucio._ why, 'tis not amiss, pompey. farewell: go, say i sent thee thither. for debt, pompey? or how? 60 _elb._ for being a bawd, for being a bawd. _lucio._ well, then, imprison him: if imprisonment be the due of a bawd, why, 'tis his right: bawd is he doubtless, and of antiquity too; bawd-born. farewell, good pompey. commend me to the prison, pompey: you will turn good 65 husband now, pompey; you will keep the house. _pom._ i hope, sir, your good worship will be my bail. _lucio._ no, indeed, will i not, pompey; it is not the wear. i will pray, pompey, to increase your bondage: if you take it not patiently, why, your mettle is the more. 70 adieu, trusty pompey. 'bless you, friar. _duke._ and you. _lucio._ does bridget paint still, pompey, ha? _elb._ come your ways, sir; come. _pom._ you will not bail me, then, sir? 75 _lucio._ then, pompey, nor now. what news abroad, friar? what news? _elb._ come your ways, sir; come. _lucio._ go to kennel, pompey; go. [_exeunt elbow, pompey and officers._] what news, friar, of the duke? 80 _duke._ i know none. can you tell me of any? _lucio._ some say he is with the emperor of russia; other some, he is in rome: but where is he, think you? _duke._ i know not where; but wheresoever, i wish him well. 85 _lucio._ it was a mad fantastical trick of him to steal from the state, and usurp the beggary he was never born to. lord angelo dukes it well in his absence; he puts transgression to't. _duke._ he does well in't. 90 _lucio._ a little more lenity to lechery would do no harm in him: something too crabbed that way, friar. _duke._ it is too general a vice, and severity must cure it. _lucio._ yes, in good sooth, the vice is of a great kindred; 95 it is well allied: but it is impossible to extirp it quite, friar, till eating and drinking be put down. they say this angelo was not made by man and woman after this downright way of creation: is it true, think you? _duke._ how should he be made, then? 100 _lucio._ some report a sea-maid spawned him; some, that he was begot between two stock-fishes. but it is certain that, when he makes water, his urine is congealed ice; that i know to be true: and he is a motion generative; that's infallible. 105 _duke._ you are pleasant, sir, and speak apace. _lucio._ why, what a ruthless thing is this in him, for the rebellion of a codpiece to take away the life of a man! would the duke that is absent have done this? ere he would have hanged a man for the getting a hundred bastards, 110 he would have paid for the nursing a thousand: he had some feeling of the sport; he knew the service, and that instructed him to mercy. _duke._ i never heard the absent duke much detected for women; he was not inclined that way. 115 _lucio._ o, sir, you are deceived. _duke._ 'tis not possible. _lucio._ who, not the duke? yes, your beggar of fifty; and his use was to put a ducat in her clack-dish: the duke had crotchets in him. he would be drunk too; that let me 120 inform you. _duke._ you do him wrong, surely. _lucio._ sir, i was an inward of his. a shy fellow was the duke: and i believe i know the cause of his withdrawing. 125 _duke._ what, i prithee, might be the cause? _lucio._ no, pardon; 'tis a secret must be locked within the teeth and the lips: but this i can let you understand, the greater file of the subject held the duke to be wise. _duke._ wise! why, no question but he was. 130 _lucio._ a very superficial, ignorant, unweighing fellow. _duke._ either this is envy in you, folly, or mistaking: the very stream of his life and the business he hath helmed must, upon a warranted need, give him a better proclamation. let him be but testimonied in his own bringings-forth, 135 and he shall appear, to the envious, a scholar, a statesman and a soldier. therefore you speak unskilfully; or if your knowledge be more, it is much darkened in your malice. _lucio._ sir, i know him, and i love him. 140 _duke._ love talks with better knowledge, and knowledge with dearer love. _lucio._ come, sir, i know what i know. _duke._ i can hardly believe that, since you know not what you speak. but, if ever the duke return, as our prayers 145 are he may, let me desire you to make your answer before him. if it be honest you have spoke, you have courage to maintain it: i am bound to call upon you; and, i pray you, your name? _lucio._ sir, my name is lucio; well known to the 150 duke. _duke._ he shall know you better, sir, if i may live to report you. _lucio._ i fear you not. _duke._ o, you hope the duke will return no more; or 155 you imagine me too unhurtful an opposite. but, indeed, i can do you little harm; you'll forswear this again. _lucio._ i'll be hanged first: thou art deceived in me, friar. but no more of this. canst thou tell if claudio die to-morrow or no? 160 _duke._ why should he die, sir? _lucio._ why? for filling a bottle with a tun-dish. i would the duke we talk of were returned again: this ungenitured agent will unpeople the province with continency; sparrows must not build in his house-eaves, because 165 they are lecherous. the duke yet would have dark deeds darkly answered; he would never bring them to light: would he were returned! marry, this claudio is condemned for untrussing. farewell, good friar: i prithee, pray for me. the duke, i say to thee again, would eat mutton on 170 fridays. he's not past it yet, and i say to thee, he would mouth with a beggar, though she smelt brown bread and garlic: say that i said so. farewell. [_exit._ _duke._ no might nor greatness in mortality can censure 'scape; back-wounding calumny 175 the whitest virtue strikes. what king so strong can tie the gall up in the slanderous tongue? but who comes here? _enter escalus, provost, and _officers_ with mistress overdone._ _escal._ go; away with her to prison! _mrs ov._ good my lord, be good to me; your honour 180 is accounted a merciful man; good my lord. _escal._ double and treble admonition, and still forfeit in the same kind! this would make mercy swear and play the tyrant. _prov._ a bawd of eleven years' continuance, may it 185 please your honour. _mrs ov._ my lord, this is one lucio's information against me. mistress kate keepdown was with child by him in the duke's time; he promised her marriage: his child is a year and a quarter old, come philip and jacob: 190 i have kept it myself; and see how he goes about to abuse me! _escal._ that fellow is a fellow of much license: let him be called before us. away with her to prison! go to; no more words. [_exeunt officers with mistress ov._] 195 provost, my brother angelo will not be altered; claudio must die to-morrow: let him be furnished with divines, and have all charitable preparation. if my brother wrought by my pity, it should not be so with him. _prov._ so please you, this friar hath been with him, 200 and advised him for the entertainment of death. _escal._ good even, good father. _duke._ bliss and goodness on you! _escal._ of whence are you? _duke._ not of this country, though my chance is now 205 to use it for my time: i am a brother of gracious order, late come from the see in special business from his holiness. _escal._ what news abroad i' the world? _duke._ none, but that there is so great a fever on goodness, 210 that the dissolution of it must cure it: novelty is only in request; and it is as dangerous to be aged in any kind of course, as it is virtuous to be constant in any undertaking. there is scarce truth enough alive to make societies secure; but security enough to make fellowships accurst:- 215 much upon this riddle runs the wisdom of the world. this news is old enough, yet it is every day's news. i pray you, sir, of what disposition was the duke? _escal._ one that, above all other strifes, contended especially to know himself. 220 _duke._ what pleasure was he given to? _escal._ rather rejoicing to see another merry, than merry at any thing which professed to make him rejoice: a gentleman of all temperance. but leave we him to his events, with a prayer they may prove prosperous; and let 225 me desire to know how you find claudio prepared. i am made to understand that you have lent him visitation. _duke._ he professes to have received no sinister measure from his judge, but most willingly humbles himself to the determination of justice: yet had he framed to himself, 230 by the instruction of his frailty, many deceiving promises of life; which i, by my good leisure, have discredited to him, and now is he resolved to die. _escal._ you have paid the heavens your function, and the prisoner the very debt of your calling. i have laboured 235 for the poor gentleman to the extremest shore of my modesty: but my brother justice have i found so severe, that he hath forced me to tell him he is indeed justice. _duke._ if his own life answer the straitness of his proceeding, it shall become him well; wherein if he chance to 240 fail, he hath sentenced himself. _escal._ i am going to visit the prisoner. fare you well. _duke._ peace be with you! [_exeunt escalus and provost._ he who the sword of heaven will bear should be as holy as severe; 245 pattern in himself to know, grace to stand, and virtue go; more nor less to others paying than by self-offences weighing. shame to him whose cruel striking 250 kills for faults of his own liking! twice treble shame on angelo, to weed my vice and let his grow! o, what may man within him hide, though angel on the outward side! 255 how may likeness made in crimes, making practice on the times, to draw with idle spiders' strings most ponderous and substantial things! craft against vice i must apply: 260 with angelo to-night shall lie his old betrothed but despised; so disguise shall, by the disguised, pay with falsehood false exacting, and perform an old contracting. [_exit._ 265 notes: iii, 2. scene ii.] om. ff. scene iv. pope. enter ... pompey] enter elbow, clowne, officers. ff. 5: _usuries_] _usancies_ collier ms. 7: punctuated as in hanmer. ff place a semicolon after _law_. pope a full stop. warburton supposes a line or two to be lost. _furred gown_] _furred lambskin gown_ capell. 8: _fox and lamb-skins_] _fox-skins_ capell. _fox on lamb-skins_ mason conj. 11: _father_] om. johnson conj. 22: _eat, array myself_] theobald (bishop conj.). _eat away myself_ ff. 24: _go mend, go mend_] _go mend, mend_ pope. 25: _does_] _doth_ pope. 36: _from our faults_] f1. _free from our faults_ f2 f3. _free from all faults_ f4. _as faults from seeming_] _as from faults seeming_ hanmer. _or from false seeming_ johnson conj. _or faults from seeming_ id. conj. 36: scene v. [enter lucio. pope. 37: _waist_] johnson, ed. 1778. _wast_ f1 f2 f3. _waste_ f4. 40: _wheels_] _heels_ steevens. 43: _it_] pope. om. ff. 44, 45: _this tune ... is't not_] _this? tune ... method,--is't not?_ johnson conj. 45: _matter and method] the matter and the method_ hanmer. _is't not ... rain_] _it's not down in the last reign_ warburton. 46: _trot_] _to't_ dyce (grey conj.). _troth_ jackson conj. 52: _her_] _the_ pope. 69, 70: _bondage: ... patiently,_] theobald. _bondage ... patiently:_ ff. 80: scene vi. pope. 93: _general_] _gentle_ warburton. 95: _a great_] _great_ rowe. 98: _this_] ff. _the_ pope. 104: _is a motion generative_] _is a motion ungenerative_ theobald. _has no motion generative_ hanmer. _is not a motion generative_ capell. _is a motion ingenerative_ collier ms. _is a notion generative_ upton conj. _is a mule ungenerative_ anon. conj. 114: _detected_] _detracted_ capell. 123: _shy_] _sly_ hanmer. 126: _i_] om. rowe. 142: _dearer_] hanmer. _deare_ f1 f2. _dear_ f3 f4. 157: _little_] _a little_ hanmer. _again._] _again?_ ff. 168: _this claudio_] _this: claudio_ edd. conj. 171: _he's not past it yet, and i say to thee_] hanmer. _he's now past it, yet (and i say to thee)_ ff. _he's now past it: yea, and i say to thee_ capell. 172: _smelt_] _smelt of_ rowe. 173: _said_] _say_ pope. 179: scene vii. pope 183: _swear_] _swerve_ hanmer. _severe_ farmer conj. 202: _even_] f4. _'even_ f1 f2 f3. 207: _see_] theobald. _sea_ ff. 212: _and it is as_] f3 f4. _and as it is as_ f1 f2. 213: _undertaking. there_] _undertaking, there_ collier. 220: _especially_] _specially_ pope. these two lines are printed as verse by ff, ending _strifes, ... himself._ 232: _leisure_] _lecture_ capell conj. 234: _your function_] _the due of your function_ collier ms. 243: scene viii. pope. [exeunt....] capell. [exit. f2. om. f1. 246, 247: _pattern ... go_] _patterning himself to know, in grace to stand, in virtue go_ johnson conj. _pattern in himself, to show grace and virtue. stand or go_ becket conj. 247: _and virtue go_] _virtue to go_ collier ms. 249: _self-offences_] _self offences_ collier. 256-258: _may ... to draw_] _many ... draw_ harness. 256: _likeness made in crimes_] ff. _that likeness made in crimes_ theobald. _that likeness shading crimes_ hanmer. _such likeness trade in crimes_ heath conj. _likeness wade in crimes_ malone conj. (withdrawn). _likeness mate in crimes_ leo conj. 257: _making practice_] _mocking, practise_ malone conj. _make sin practise_ jackson conj. _masking practice_ collier ms. 258: _to draw_] _draw_ theobald. _so draw_ staunton conj. act iv. scene i. _the moated grange at st luke's._ _enter mariana and a boy._ _boy sings._ take, o, take those lips away, that so sweetly were forsworn; and those eyes, the break of day, lights that do mislead the morn: but my kisses bring again, bring again; 5 seals of love, but sealed in vain, sealed in vain. _mari._ break off thy song, and haste thee quick away: here comes a man of comfort, whose advice hath often still'd my brawling discontent. [_exit boy._ _enter duke disguised as before._ i cry you mercy, sir; and well could wish 10 you had not found me here so musical: let me excuse me, and believe me so, my mirth it much displeased, but pleased my woe. _duke._ 'tis good; though music oft hath such a charm to make bad good, and good provoke to harm. 15 i pray you, tell me, hath any body inquired for me here to-day? much upon this time have i promised here to meet. _mari._ you have not been inquired after: i have sat here all day. _enter isabella._ _duke._ i do constantly believe you. the time is come 20 even now. i shall crave your forbearance a little: may be i will call upon you anon, for some advantage to yourself. _mari._ i am always bound to you. [_exit._ _duke._ very well met, and well come. what is the news from this good deputy? 25 _isab._ he hath a garden circummured with brick, whose western side is with a vineyard back'd; and to that vineyard is a planched gate, that makes his opening with this bigger key: this other doth command a little door 30 which from the vineyard to the garden leads; there have i made my promise upon the heavy middle of the night to call upon him. _duke._ but shall you on your knowledge find this way? 35 _isab._ i have ta'en a due and wary note upon't: with whispering and most guilty diligence, in action all of precept, he did show me the way twice o'er. _duke._ are there no other tokens between you 'greed concerning her observance? 40 _isab._ no, none, but only a repair i' the dark; and that i have possess'd him my most stay can be but brief; for i have made him know i have a servant comes with me along, that stays upon me, whose persuasion is 45 i come about my brother. _duke._ 'tis well borne up. i have not yet made known to mariana a word of this. what, ho! within! come forth! _re-enter mariana._ i pray you, be acquainted with this maid; she comes to do you good. _isab._ i do desire the like. 50 _duke._ do you persuade yourself that i respect you? _mari._ good friar, i know you do, and have found it. _duke._ take, then, this your companion by the hand, who hath a story ready for your ear. i shall attend your leisure: but make haste; 55 the vaporous night approaches. _mari._ will't please you walk aside? [_exeunt mariana and isabella._ _duke._ o place and greatness, millions of false eyes are stuck upon thee! volumes of report run with these false and most contrarious quests 60 upon thy doings! thousand escapes of wit make thee the father of their idle dreams, and rack thee in their fancies! _re-enter mariana and isabella._ welcome, how agreed? _isab._ she'll take the enterprise upon her, father, if you advise it. _duke._ it is not my consent, 65 but my entreaty too. _isab._ little have you to say when you depart from him, but, soft and low, 'remember now my brother.' _mari._ fear me not. _duke._ nor, gentle daughter, fear you not at all. he is your husband on a pre-contract: 70 to bring you thus together, 'tis no sin, sith that the justice of your title to him doth flourish the deceit. come, let us go: our corn's to reap, for yet our tithe's to sow. [_exeunt._ notes: iv, 1. scene i. enter m.] ff. m. discovered sitting. steevens. 5, 6: f4 omits the refrain in l. 6. rowe omits it in both lines. 6: _but_] _though_ fletcher's version. 13: _it_] _is_ warburton. 17: _meet_] _meet one_ hanmer. 19: enter i.] transferred by singer to line 23. 24: scene ii. pope. _well come_] ff. _welcome_ warburton. 32, 33, 34: _there have i made my promise upon the heavy middle of the night to call upon him._] s. walker conj. _there have i made my promise, upon the heavy middle of the night to call upon him._ ff. _there on the heavy middle of the night have i my promise made to call upon him._ pope. _there have i made my promise to call on him upon the heavy middle of the night._ capell. _there have i made my promise in the heavy middle...._ singer. _there have i made my promise on the heavy middle...._ dyce. delius and staunton read with ff. but print as prose. 38: _action all of precept_] _precept of all action_ johnson conj. 49: scene iii. pope. 52: _have_] _i have_ pope. 58-63: _o place ... fancies_] these lines to precede iii. 2. 178. warburton conj. 60: _these_] _their_ hanmer. _base_ collier ms. _quests_] _quest_ f1. 61: _escapes_] _'scapes_ pope. 62: _their idle dreams_] pope. _their idle dreame_ ff. _an idle dream_ rowe. 63: _welcome, how agreed?_] _well! agreed?_ hanmer. scene iv. pope. 65: _it is_] _'tis_ pope. 74: _tithe's_] _tithes_ f1 f2 f3. _tythes_ f4. _tilth's_ hanmer (warburton). _our ... sow_] _our tythe's to reap, for yet our corn's to sow_ capell conj. ms. scene ii. _a room in the prison._ _enter provost and pompey._ _prov._ come hither, sirrah. can you cut off a man's head? _pom._ if the man be a bachelor, sir, i can; but if he be a married man, he's his wife's head, and i can never cut off a woman's head. _prov._ come, sir, leave me your snatches, and yield me 5 a direct answer. to-morrow morning are to die claudio and barnardine. here is in our prison a common executioner, who in his office lacks a helper: if you will take it on you to assist him, it shall redeem you from your gyves; if not, you shall have your full time of imprisonment, and 10 your deliverance with an unpitied whipping, for you have been a notorious bawd. _pom._ sir, i have been an unlawful bawd time out of mind; but yet i will be content to be a lawful hangman. i would be glad to receive some instruction from my fellow 15 partner. _prov._ what, ho! abhorson! where's abhorson, there? _enter abhorson._ _abhor._ do you call, sir? _prov._ sirrah, here's a fellow will help you to-morrow in your execution. if you think it meet, compound with 20 him by the year, and let him abide here with you; if not, use him for the present, and dismiss him. he cannot plead his estimation with you; he hath been a bawd. _abhor._ a bawd, sir? fie upon him! he will discredit our mystery. 25 _prov._ go to, sir; you weigh equally; a feather will turn the scale. [_exit._ _pom._ pray, sir, by your good favour,--for surely, sir, a good favour you have, but that you have a hanging look,-do you call, sir, your occupation a mystery? 30 _abhor._ ay, sir; a mystery. _pom._ painting, sir, i have heard say, is a mystery; and your whores, sir, being members of my occupation, using painting, do prove my occupation a mystery: but what mystery there should be in hanging, if i should be 35 hanged, i cannot imagine. _abhor._ sir, it is a mystery. _pom._ proof? _abhor._ every true man's apparel fits your thief: if it be too little for your thief, your true man thinks it big 40 enough; if it be too big for your thief, your thief thinks it little enough: so every true man's apparel fits your thief. _re-enter provost._ _prov._ are you agreed? _pom._ sir, i will serve him; for i do find your hangman is a more penitent trade than your bawd; he doth 45 oftener ask forgiveness. _prov._ you, sirrah, provide your block and your axe to-morrow four o'clock. _abhor._ come on, bawd; i will instruct thee in my trade; follow. 50 _pom._ i do desire to learn, sir: and i hope, if you have occasion to use me for your own turn, you shall find me yare; for, truly, sir, for your kindness i owe you a good turn. _prov._ call hither barnardine and claudio: [_exeunt pompey and abhorson._ 55 the one has my pity; not a jot the other, being a murderer, though he were my brother. _enter claudio._ look, here's the warrant, claudio, for thy death: 'tis now dead midnight, and by eight to-morrow thou must be made immortal. where's barnardine? 60 _claud._ as fast lock'd up in sleep as guiltless labour when it lies starkly in the traveller's bones: he will not wake. _prov._ who can do good on him? well, go, prepare yourself. [_knocking within._] but, hark, what noise?-heaven give your spirits comfort! [_exit clandio._] by and by.- 65 i hope it is some pardon or reprieve for the most gentle claudio. _enter duke disguised as before._ welcome, father. _duke._ the best and wholesomest spirits of the night envelop you, good provost! who call'd here of late? _prov._ none, since the curfew rung. 70 _duke._ not isabel? _prov._ no. _duke._ they will, then, ere't be long. _prov._ what comfort is for claudio? _duke._ there's some in hope. _prov._ it is a bitter deputy. _duke._ not so, not so; his life is parallel'd 75 even with the stroke and line of his great justice: he doth with holy abstinence subdue that in himself which he spurs on his power to qualify in others: were he meal'd with that which he corrects, then were he tyrannous; 80 but this being so, he's just. [_knocking within._ now are they come. [_exit provost._ this is a gentle provost: seldom when the steeled gaoler is the friend of men. [_knocking within._ how now! what noise? that spirit's possessed with haste that wounds the unsisting postern with these strokes. 85 _re-enter provost._ _prov._ there he must stay until the officer arise to let him in: he is call'd up. _duke._ have you no countermand for claudio yet, but he must die to-morrow? _prov._ none, sir, none. _duke._ as near the dawning, provost, as it is, 90 you shall hear more ere morning. _prov._ happily you something know; yet i believe there comes no countermand; no such example have we: besides, upon the very siege of justice lord angelo hath to the public ear 95 profess'd the contrary. _enter a messenger._ this is his lordship's man. _duke._ and here comes claudio's pardon. _mes._ [_giving a paper_] my lord hath sent you this note; and by me this further charge, that you swerve not from the smallest article of it, neither in time, matter, or other circumstance. 100 good morrow; for, as i take it, it is almost day. _prov._ i shall obey him. [_exit messenger._ _duke._ [_aside_] this is his pardon, purchased by such sin for which the pardoner himself is in. hence hath offence his quick celerity, 105 when it is borne in high authority: when vice makes mercy, mercy's so extended, that for the fault's love is the offender friended. now, sir, what news? _prov._ i told you. lord angelo, belike thinking me remiss 110 in mine office, awakens me with this unwonted putting-on; methinks strangely, for he hath not used it before. _duke._ pray you, let's hear. [transcriber's note: in order to preserve the marked line breaks without losing readability, each line of the quoted message has been split into two equal halves.] _prov._ [_reads_] whatsoever you may hear to the contrary, let claudio be executed by four of the clock; and in the afternoon barnardine: for my 115 better satisfaction, let me have claudio's head sent me by five. let this be duly performed; with a thought that more depends on it than we must yet deliver. thus fail not to do your office, as you will answer it at your peril. what say you to this, sir? 120 _duke._ what is that barnardine who is to be executed in the afternoon? _prov._ a bohemian born, but here nursed up and bred; one that is a prisoner nine years old. _duke._ how came it that the absent duke had not 125 either delivered him to his liberty or executed him? i have heard it was ever his manner to do so. _prov._ his friends still wrought reprieves for him: and, indeed, his fact, till now in the government of lord angclo, came not to an undoubtful proof. 130 _duke._ it is now apparent? _prov._ most manifest, and not denied by himself. _duke._ hath he borne himself penitently in prison? how seems he to be touched? _prov._ a man that apprehends death no more dreadfully 135 but as a drunken sleep; careless, reckless, and fearless of what's past, present, or to come; insensible of mortality, and desperately mortal. _duke._ he wants advice. _prov._ he will hear none: he hath evermore had the 140 liberty of the prison; give him leave to escape hence, he would not: drunk many times a day, if not many days entirely drunk. we have very oft awaked him, as if to carry him to execution, and showed him a seeming warrant for it: it hath not moved him at all. 145 _duke._ more of him anon. there is written in your brow, provost, honesty and constancy: if i read it not truly, my ancient skill beguiles me; but, in the boldness of my cunning, i will lay my self in hazard. claudio, whom here you have warrant to execute, is no greater forfeit to the 150 law than angelo who hath sentenced him. to make you understand this in a manifested effect, i crave but four days' respite; for the which you are to do me both a present and a dangerous courtesy. _prov._ pray, sir, in what? 155 _duke._ in the delaying death. _prov._ alack, how may i do it, having the hour limited, and an express command, under penalty, to deliver his head in the view of angelo? i may make my case as claudio's, to cross this in the smallest. 160 _duke._ by the vow of mine order i warrant you, if my instructions may be your guide. let this barnardine be this morning executed, and his head borne to angelo. _prov._ angelo hath seen them both, and will discover the favour. 165 _duke._ o, death's a great disguiser; and you may add to it. shave the head, and tie the beard; and say it was the desire of the penitent to be so bared before his death: you know the course is common. if any thing fall to you upon this, more than thanks and good fortune, by the saint 170 whom i profess, i will plead against it with my life. _prov._ pardon me, good father; it is against my oath. _duke._ were you sworn to the duke, or to the deputy? _prov._ to him, and to his substitutes. _duke._ you will think you have made no offence, if the 175 duke avouch the justice of your dealing? _prov._ but what likelihood is in that? _duke._ not a resemblance, but a certainty. yet since i see you fearful, that neither my coat, integrity, nor persuasion can with ease attempt you, i will go further than i 180 meant, to pluck all fears out of you. look you, sir, here is the hand and seal of the duke: you know the character, i doubt not; and the signet is not strange to you. _prov._ i know them both. _duke._ the contents of this is the return of the duke: 185 you shall anon over-read it at your pleasure; where you shall find, within these two days he will be here. this is a thing that angelo knows not; for he this very day receives letters of strange tenour; perchance of the duke's death; perchance entering into some monastery; but, by 190 chance, nothing of what is writ. look, the unfolding star calls up the shepherd. put not yourself into amazement how these things should be: all difficulties are but easy when they are known. call your executioner, and off with barnardine's head: i will give him a present shrift and 195 advise him for a better place. yet you are amazed; but this shall absolutely resolve you. come away; it is almost clear dawn. [_exeunt._ notes: iv, 2. scene ii.] scene v. pope. 2-4: printed as verse in ff. 37-42: abhor. _sir,.......thief_] abhor. ***clown.*** _sir, it is a mystery._ abhor. _proof.--_ clown. _every ... thief_ (42) hanmer. pom. _proof ... thief_ (42) lloyd conj. 39-42: _every......thief_] capell. abh. _every....thief_ (39). clo. _if it be ... thief_ (41) ff. abh. _every ... thief, clown: if it be......thief_ (42) theobald. 45: _your_] _you_ f2. 53: _yare_] theobald. _y'are_ ff. _yours_ rowe. 56: _the one_] _th' one_ ff. _one_ hamner. 58: scene vi. pope. 63: _he will not wake_] f1 f2. _he will not awake_ f3 f4. _he'll not awake_ pope. 64: _yourself_] _yourself_ [ex. claudio.] theobald. 65: _comfort!_ [exit claudio.] _by and by.--_] capell. _comfort: by and by,_ ff. 70: _none_] f1. _now_ f2 f3 f4. 71: _they_] _she_ hawkins conj. _there_ collier ms. 85: _unsisting_] f1 f2 f3. _insisting_ f4. _unresisting_ rowe. _unresting_ hanmer. _unshifting_ capell. _unlist'ning_ steevens conj. _resisting_ collier conj. _unlisting_ mason conj. _unfeeling_ johnson conj. _unwisting_ singer. 86: ....provost] ....provost, speaking to one at the door, after which he comes forward. capell. 91: _happily_] _happely_ f1 f2. _happily_ f3 f4. see note (xviii). 96: scene vii. pope. _lordship's_] pope. _lords_ ff. om. capell. 96, 97: _this ... man._ duke. _and ... pardon_] knight (tyrwhitt conj.). duke. _this ... man._ pro. _and ... pardon_ ff. 98-101: printed as verse in ff. 113: _you_] om. f4. 114: prov. [reads] rowe. the letter. ff. 117: _duly_] _truly_ capell (a misprint). 131: _it is_] ff. _is it_ pope. 136: _reckless_] theobald. _wreaklesse_ f1 f2 f3. _wreakless_ f4. _rechless_ pope. 138: _desperately mortal_] _mortally desperate_ hanmer. 161-165: printed as verse in ff. rowe. 167: _tie_] f1 f4. _tye_ f2 f3. _tire_ theobald conj. _dye_ simpson conj. 168: _bared_] malone. _bar'de_ f1 f2 f3. _barb'd_ f4. 179: _persuasion_] ff. _my persuasion_ rowe. 188: _that_] f1 f2 f3. _which_ f4. 191: _writ_] _here writ_ hanmer. scene iii. _another room in the same._ _enter pompey._ _pom._ i am as well acquainted here as i was in our house of profession: one would think it were mistress overdone's own house, for here be many of her old customers. first, here's young master rash; he's in for a commodity of brown paper and old ginger, nine-score and seventeen 5 pounds; of which he made five marks, ready money: marry, then ginger was not much in request, for the old women were all dead. then is there here one master caper, at the suit of master three-pile the mercer, for some four suits of peach-coloured satin, which now peaches him a 10 beggar. then have we here young dizy, and young master deep-vow, and master copper-spur, and master starve-lackey the rapier and dagger man, and young drop-heir that killed lusty pudding, and master forthlight the tilter, and brave master shooty the great traveller, and 15 wild half-can that stabbed pots, and, i think, forty more; all great doers in our trade, and are now 'for the lord's sake.' _enter abhorson._ _abhor._ sirrah, bring barnardine hither. _pom._ master barnardine! you must rise and be hanged, 20 master barnardine! _abhor._ what, ho, barnardine! _bar._ [_within_] a pox o' your throats! who makes that noise there? what are you? _pom._ your friends, sir; the hangman. you must be 25 so good, sir, to rise and be put to death. _bar._ [_within_] away, you rogue, away! i am sleepy. _abhor._ tell him he must awake, and that quickly too. _pom._ pray, master barnardine, awake till you are executed, and sleep afterwards. 30 _abhor._ go in to him, and fetch him out. _pom._ he is coming, sir, he is coming; i hear his straw rustle. _abhor._ is the axe upon the block, sirrah? _pom._ very ready, sir. 35 _enter barnardine._ _bar._ how now, abhorson? what's the news with you? _abhor._ truly, sir, i would desire you to clap into your prayers; for, look you, the warrant's come. _bar._ you rogue, i have been drinking all night; i am not fitted for 't. 40 _pom._ o, the better, sir; for he that drinks all night, and is hanged betimes in the morning, may sleep the sounder all the next day. _abhor._ look you, sir; here comes your ghostly father: do we jest now, think you? 45 _enter duke disguised as before._ _duke._ sir, induced by my charity, and hearing how hastily you are to depart, i am come to advise you, comfort you and pray with you. _bar._ friar, not i: i have been drinking hard all night, and i will have more time to prepare me, or they shall beat 50 out my brains with billets: i will not consent to die this day, that's certain. _duke._ o, sir, you must: and therefore i beseech you look forward on the journey you shall go. _bar._ i swear i will not die to-day for any man's persuasion. 55 _duke._ but hear you. _bar._ not a word: if you have any thing to say to me, come to my ward; for thence will not i to-day. [_exit._ _duke._ unfit to live or die: o gravel heart! 60 after him, fellows; bring him to the block. [_exeunt abhorson and pompey._ _re-enter provost._ _prov._ now, sir, how do you find the prisoner? _duke._ a creature unprepared, unmeet for death; and to transport him in the mind he is were damnable. _prov._ here in the prison, father, 65 there died this morning of a cruel fever one ragozine, a most notorious pirate, a man of claudio's years; his beard and head just of his colour. what if we do omit this reprobate till he were well inclined; 70 and satisfy the deputy with the visage of ragozine, more like to claudio? _duke._ o, 'tis an accident that heaven provides! dispatch it presently; the hour draws on prefix'd by angelo: see this be done, 75 and sent according to command; whiles i persuade this rude wretch willingly to die. _prov._ this shall be done, good father, presently. but barnardine must die this afternoon: and how shall we continue claudio, 80 to save me from the danger that might come if he were known alive? _duke._ let this be done. put them in secret holds, both barnardine and claudio: ere twice the sun hath made his journal greeting to the under generation, you shall find 85 your safety manifested. _prov._ i am your free dependant. _duke._ quick, dispatch, and send the head to angelo. [_exit provost._ now will i write letters to angelo,-the provost, he shall bear them,--whose contents 90 shall witness to him i am near at home, and that, by great injunctions, i am bound to enter publicly: him i'll desire to meet me at the consecrated fount, a league below the city; and from thence, 95 by cold gradation and well-balanced form, we shall proceed with angelo. _re-enter provost._ _prov._ here is the head; i'll carry it myself. _duke._ convenient is it. make a swift return; for i would commune with you of such things 100 that want no ear but yours. _prov._ i'll make all speed. [_exit._ _isab._ [_within_] peace, ho, be here! _duke._ the tongue of isabel. she's come to know if yet her brother's pardon be come hither: but i will keep her ignorant of her good, 105 to make her heavenly comforts of despair, when it is least expected. _enter isabella._ _isab._ ho, by your leave! _duke._ good morning to you, fair and gracious daughter. _isab._ the better, given me by so holy a man. hath yet the deputy sent my brother's pardon? 110 _duke._ he hath released him, isabel, from the world: his head is off, and sent to angelo. _isab._ nay, but it is not so. _duke._ it is no other: show your wisdom, daughter, in your close patience. 115 _isab._ o, i will to him and pluck out his eyes! _duke._ you shall not be admitted to his sight. _isab._ unhappy claudio! wretched isabel! injurious world! most damned angelo! _duke._ this nor hurts him nor profits you a jot; 120 forbear it therefore; give your cause to heaven. mark what i say, which you shall find by every syllable a faithful verity: the duke comes home to-morrow;--nay, dry your eyes; one of our covent, and his confessor, 125 gives me this instance: already he hath carried notice to escalus and angelo; who do prepare to meet him at the gates, there to give up their power. if you can, pace your wisdom in that good path that i would wish it go; 130 and you shall have your bosom on this wretch, grace of the duke, revenges to your heart, and general honour. _isab._ i am directed by you. _duke._ this letter, then, to friar peter give; 'tis that he sent me of the duke's return: 135 say, by this token, i desire his company at mariana's house to-night. her cause and yours i'll perfect him withal; and he shall bring you before the duke; and to the head of angelo accuse him home and home. for my poor self, 140 i am combined by a sacred vow, and shall be absent. wend you with this letter: command these fretting waters from your eyes with a light heart; trust not my holy order, if i pervert your course.--who's here? 145 _enter lucio._ _lucio._ good even. friar, where's the provost? _duke._ not within, sir. _lucio._ o pretty isabella, i am pale at mine heart to see thine eyes so red: thou must be patient. i am fain to dine and sup with water and bran; i dare not for my 150 head fill my belly; one fruitful meal would set me to't. but they say the duke will be here to-morrow. by my troth, isabel, i loved thy brother: if the old fantastical duke of dark corners had been at home, he had lived. [_exit isabella._ _duke._ sir, the duke is marvellous little beholding to 155 your reports; but the best is, he lives not in them. _lucio._ friar, thou knowest not the duke so well as i do: he's a better woodman than thou takest him for. _duke._ well, you'll answer this one day. fare ye well. _lucio._ nay, tarry; i'll go along with thee: i can tell 160 thee pretty tales of the duke. _duke._ you have told me too many of him already, sir, if they be true; if not true, none were enough. _lucio._ i was once before him for getting a wench with child. 165 _duke._ did you such a thing? _lucio._ yes, marry, did i: but i was fain to forswear it; they would else have married me to the rotten medlar. _duke._ sir, your company is fairer than honest. rest you well. 170 _lucio._ by my troth, i'll go with thee to the lane's end: if bawdy talk offend you, we'll have very little of it. nay, friar, i am a kind of burr; i shall stick. [_exeunt._ notes: iv, 3. scene iii.] scene viii. pope. 5: _paper_] _pepper_ rowe. 11: _dizy_] f2 f3 f4. _dizie_ f1. _dizzy_ pope. _dicey_ steevens conj. 14: _forthlight_] ff. _forthright_ warburton. 15: _shooty_] f2 f3 f4. _shootie_ f1. _shooter_ warburton. _shoo-tye_ capell. 17: _are_] _cry_ anon. conj. see note (xix). _now_] _now in_ pope. 25: _friends_] f1 f2. _friend_ f3 f4. 32: _his_] _the_ pope. 49: _i_] om. f4. [transcriber's note: the text does not specify which occurrence of "i" is meant. the speech begins "not i: i have..."] 57: _hear_] _heave_ f2. 59: scene ix. pope. 60: _gravel heart_] _grovelling beast_ collier ms. 61: given by hanmer to _prov._ 69: _his_] f1. om. f2 f3 f4. _do_] om. pope. 76: _whiles_] _while_ pope. 83: _both barnardine and claudio_] _claudio and barnardine_ hanmer. see note (xx). 85: _the under_] hanmer. _yond_ ff. _yonder_ pope. 86: _manifested_] _manifest_ hanmer. 88: _quick_] _quick, then,_ capell. 96: _well-_] rowe. _weale-_ f1 f2 f3. _weal_ f4. 102: scene x. pope. 103: _she's come_] _she comes_ pope. 106: _comforts_] _comfort_ hanmer. 107: _ho,_] om. pope. 113, 114, 115: ff make two lines ending at _other ... patience._ text as proposed by spedding. 114, 115: _show ... patience_] _in your close patience, daughter, shew your wisdom_ capell. 114: _your wisdom_] _wisdom_ pope. 115: _close_] _closest_ pope. 119: _injurious_] _perjurious_ collier ms. 120: _nor hurts_] _not hurts_ f4. _hurts not_ rowe. 122: _say_] _say to you_ collier ms. _find_] _surely find_ pope. 124: _nay_] om. pope. 125: _covent_] ff. _convent_ rowe. 126: _instance_] _news_ pope. 129: _if you can, pace_] rowe. _if you can pace_ ff. _pace_ pope. s. walker thinks a line is lost after 131. 129, 130: _if you can pace ... wish it, go,_ edd. conj. 137: _to-night_] om. pope. 141: _combined_] _confined_ johnson conj. (withdrawn). 145: _who's_] _whose_ f1. 146: scene xi. pope. 154: [exit isabella] theobald. om. ff. 155: _beholding_] ff. _beholden_ rowe. 163: _not true_] _not_ rowe. 172: _it_] om. f2. scene iv. _a room in angelo's house._ _enter angelo and escalus._ _escal._ every letter he hath writ hath disvouched other. _ang._ in most uneven and distracted manner. his actions show much like to madness: pray heaven his wisdom be not tainted! and why meet him at the gates, and redeliver our authorities there? 5 _escal._ i guess not. _ang._ and why should we proclaim it in an hour before his entering, that if any crave redress of injustice, they should exhibit their petitions in the street? _escal._ he shows his reason for that: to have a dispatch 10 of complaints, and to deliver us from devices hereafter, which shall then have no power to stand against us. _ang._ well, i beseech you, let it be proclaimed betimes i' the morn; i'll call you at your house: give notice to such men of sort and suit as are to meet him. 15 _escal._ i shall, sir. fare you well. _ang._ good night. [_exit escalus._ this deed unshapes me quite, makes me unpregnant, and dull to all proceedings. a deflower'd maid! and by an eminent body that enforced 20 the law against it! but that her tender shame will not proclaim against her maiden loss, how might she tongue me! yet reason dares her no; for my authority bears of a credent bulk, that no particular scandal once can touch 25 but it confounds the breather. he should have lived, save that his riotous youth, with dangerous sense, might in the times to come have ta'en revenge, by so receiving a dishonour'd life with ransom of such shame. would yet he had lived! 30 alack, when once our grace we have forgot, nothing goes right: we would, and we would not. [_exit._ notes: iv, 4. scene iv.] scene xii. pope. a room ... house.] capell. the palace. rowe. 2, sqq.: angelo's speeches in this scene collier prints as verse. 5: _redeliver_] capell. _re-liver_] f1. _deliver_ f2 f3 f4. 13: a colon is put after _proclaim'd_ by capell, who prints lines 13-16 as verse. 19: _and_] om. hanmer. 23: _dares her no;_] ff. _dares her:_ pope. _dares her: no,_ hanmer. _dares her no_ warburton. _dares her? no:_ capell. _dares her note_ theobald conj. _dares her not_ steevens conj. _dares her on_ grant white (becket conj.). _reason ... no_] _treason dares her?--no_ jackson conj. 24: _bears of a credent bulk_] f1 f2 f3. _bears off a credent bulk_ f4. _bears off all credence_ pope. _bears a credent bulk_ theobald. _bears such a credent bulk_ collier ms. _here's of a credent bulk_ singer. _bears so credent bulk_ dyce. _bears up a credent bulk_ grant white. scene v. _fields without the town._ _enter duke in his own habit, and friar peter._ _duke._ these letters at fit time deliver me: [_giving letters._ the provost knows our purpose and our plot. the matter being afoot, keep your instruction, and hold you ever to our special drift; though sometimes you do blench from this to that, 5 as cause doth minister. go call at flavius' house, and tell him where i stay: give the like notice to valentius, rowland, and to crassus, and bid them bring the trumpets to the gate; but send me flavius first. _fri. p._ it shall be speeded well. [_exit._ 10 _enter varrius._ _duke._ i thank thee, varrius; thou hast made good haste: come, we will walk. there's other of our friends will greet us here anon, my gentle varrius. [_exeunt._ notes: iv, 5. scene v.] scene xiii. pope. friar peter] see note (xxi). 6: _go_] om. hanmer. _flavius'_] rowe. _flavio's_ ff. 8: _to valentius_] _to valencius_ ff. _unto valentius_ pope. _to valentinus_ capell. scene vi. _street near the city-gate._ _enter isabella and mariana._ _isab._ to speak so indirectly i am loath: i would say the truth; but to accuse him so, that is your part: yet i am advised to do it; he says, to veil full purpose. _mari._ be ruled by him. _isab._ besides, he tells me that, if peradventure 5 he speak against me on the adverse side, i should not think it strange; for 'tis a physic that's bitter to sweet end. _mari._ i would friar peter-_isab._ o, peace! the friar is come. _enter friar peter._ _fri. p._ come, i have found you out a stand most fit, 10 where you may have such vantage on the duke, he shall not pass you. twice have the trumpets sounded; the generous and gravest citizens have hent the gates, and very near upon the duke is entering: therefore, hence, away! [_exeunt._ 15 notes: iv, 6. scene vi.] scene xiv. pope. 2: _i would_] _i'd_ pope. 3: _i am_] _i'm_ pope. 4: _to veil full_] malone. _to vaile full_ f1 f2 f3. _to vail full_ f4. _t' availful_ theobald. _to 'vailful_ hanmer. act v. scene i. _the city-gate._ _mariana veiled, isabella, and friar peter, at their stand. enter duke, varrius, lords, angelo, escalus, lucio, provost, officers, and citizens, at several doors._ _duke._ my very worthy cousin, fairly met! our old and faithful friend, we are glad to see you. _ang._ } happy return be to your royal grace! _escal._} _duke._ many and hearty thankings to you both. we have made inquiry of you; and we hear 5 such goodness of your justice, that our soul cannot but yield you forth to public thanks, forerunning more requital. _ang._ you make my bonds still greater. _duke._ o, your desert speaks loud; and i should wrong it, to lock it in the wards of covert bosom, 10 when it deserves, with characters of brass, a forted residence 'gainst the tooth of time and razure of oblivion. give me your hand, and let the subject see, to make them know that outward courtesies would fain proclaim 15 favours that keep within. come, escalus; you must walk by us on our other hand: and good supporters are you. _friar peter and isabella come forward._ _fri. p._ now is your time: speak loud, and kneel before him. _isab._ justice, o royal duke! vail your regard 20 upon a wrong'd, i would fain have said, a maid! o worthy prince, dishonour not your eye by throwing it on any other object till you have heard me in my true complaint, and given me justice, justice, justice, justice! 25 _duke._ relate your wrongs; in what? by whom? be brief. here is lord angelo shall give you justice: reveal yourself to him. _isab._ o worthy duke, you bid me seek redemption of the devil: hear me yourself; for that which i must speak 30 must either punish me, not being believed, or wring redress from you. hear me, o hear me, here! _ang._ my lord, her wits, i fear me, are not firm: she hath been a suitor to me for her brother cut off by course of justice,-_isab._ by course of justice! 35 _ang._ and she will speak most bitterly and strange. _isab._ most strange, but yet most truly, will i speak: that angelo's forsworn; is it not strange? that angelo's a murderer; is't not strange? that angelo is an adulterous thief, 40 an hypocrite, a virgin-violator; is it not strange and strange? _duke._ nay, it is ten times strange. _isab._ it is not truer he is angelo than this is all as true as it is strange: nay, it is ten times true; for truth is truth 45 to th' end of reckoning. _duke._ away with her!--poor soul, she speaks this in th' infirmity of sense. _isab._ o prince, i conjure thee, as thou believest there is another comfort than this world, that thou neglect me not, with that opinion 50 that i am touch'd with madness! make not impossible that which but seems unlike: 'tis not impossible but one, the wicked'st caitiff on the ground, may seem as shy, as grave, as just, as absolute as angelo; even so may angelo, 55 in all his dressings, characts, titles, forms, be an arch-villain; believe it, royal prince: if he be less, he's nothing; but he's more, had i more name for badness. _duke._ by mine honesty, if she be mad,--as i believe no other,- 60 her madness hath the oddest frame of sense, such a dependency of thing on thing, as e'er i heard in madness. _isab._ o gracious duke, harp not on that; nor do not banish reason for inequality; but let your reason serve 65 to make the truth appear where it seems hid, and hide the false seems true. _duke._ many that are not mad have, sure, more lack of reason. what would you say? _isab._ i am the sister of one claudio, condemn'd upon the act of fornication 70 to lose his head; condemn'd by angelo: i, (in probation of a sisterhood,) was sent to by my brother; one lucio as then the messenger,-_lucio._ that's i, an't like your grace: i came to her from claudio, and desired her 75 to try her gracious fortune with lord angelo for her poor brother's pardon. _isab._ that's he indeed. _duke._ you were not bid to speak. _lucio._ no, my good lord; nor wish'd to hold my peace. _duke._ i wish you now, then; pray you, take note of it: and when you have 80 a business for yourself, pray heaven you then be perfect. _lucio._ i warrant your honour. _duke._ the warrant's for yourself; take heed to't. _isab._ this gentleman told somewhat of my tale,-_lucio._ right. 85 _duke._ it may be right; but you are i' the wrong to speak before your time. proceed. _isab._ i went to this pernicious caitiff deputy,-_duke._ that's somewhat madly spoken. _isab._ pardon it; the phrase is to the matter. 90 _duke._ mended again. the matter;--proceed. _isab._ in brief,--to set the needless process by, how i persuaded, how i pray'd, and kneel'd, how he refell'd me, and how i replied,-for this was of much length,--the vile conclusion 95 i now begin with grief and shame to utter: he would not, but by gift of my chaste body to his concupiscible intemperate lust, release my brother; and, after much debatement, my sisterly remorse confutes mine honour, 100 and i did yield to him: but the next morn betimes, his purpose surfeiting, he sends a warrant for my poor brother's head. _duke._ this is most likely! _isab._ o, that it were as like as it is true! _duke._ by heaven, fond wretch, thou know'st not what thou speak'st, 105 or else thou art suborn'd against his honour in hateful practice. first, his integrity stands without blemish. next, it imports no reason that with such vehemency he should pursue faults proper to himself: if he had so offended, 110 he would have weigh'd thy brother by himself, and not have cut him off. some one hath set you on: confess the truth, and say by whose advice thou camest here to complain. _isab._ and is this all? then, o you blessed ministers above, 115 keep me in patience, and with ripen'd time unfold the evil which is here wrapt up in countenance!--heaven shield your grace from woe. as i, thus wrong'd, hence unbelieved go! _duke._ i know you'ld fain be gone.--an officer! 120 to prison with her!--shall we thus permit a blasting and a scandalous breath to fall on him so near us? this needs must be a practice. who knew of your intent and coming hither? _isab._ one that i would were here, friar lodowick. 125 _duke._ a ghostly father, belike. who knows that lodowick? _lucio._ my lord, i know him; 'tis a meddling friar; i do not like the man: had he been lay, my lord, for certain words he spake against your grace in your retirement, i had swinged him soundly. 130 _duke._ words against me! this's a good friar, belike! and to set on this wretched woman here against our substitute! let this friar be found. _lucio._ but yesternight, my lord, she and that friar, i saw them at the prison: a saucy friar, 135 a very scurvy fellow. _fri. p._ blessed be your royal grace! i have stood by, my lord, and i have heard your royal ear abused. first, hath this woman most wrongfully accused your substitute, 140 who is as free from touch or soil with her as she from one ungot. _duke._ we did believe no less. know you that friar lodowick that she speaks of? _fri. p._ i know him for a man divine and holy; not scurvy, nor a temporary meddler, as he's reported by this gentleman; and, on my trust, a man that never yet did, as he vouches, misreport your grace. _lucio._ my lord, most villanously; believe it. _fri. p._ well, he in time may come to clear himself; 150 but at this instant he is sick, my lord, of a strange fever. upon his mere request,-being come to knowledge that there was complaint intended 'gainst lord angelo,--came i hither, to speak, as from his mouth, what he doth know 155 is true and false; and what he with his oath and all probation will make up full clear, whensoever he's convented. first, for this woman, to justify this worthy nobleman, so vulgarly and personally accused, 160 her shall you hear disproved to her eyes, till she herself confess it. _duke._ good friar, let's hear it. [_isabella is carried off guarded; and mariana comes forward._ do you not smile at this, lord angelo?-o heaven, the vanity of wretched fools!-give us some seats. come, cousin angelo; 165 in this i'll be impartial; be you judge of your own cause. is this the witness, friar? first, let her show her face, and after speak. _mari._ pardon, my lord; i will not show my face until my husband bid me. 170 _duke._ what, are you married? _mari._ no, my lord. _duke._ are you a maid? _mari._ no, my lord. _duke._ a widow, then? 175 _mari._ neither, my lord. _duke._ why, you are nothing, then:--neither maid, widow, nor wife? _lucio._ my lord, she may be a punk; for many of them are neither maid, widow, nor wife. 180 _duke._ silence that fellow: i would he had some cause to prattle for himself. _lucio._ well, my lord. _mari._ my lord, i do confess i ne'er was married; and i confess, besides, i am no maid: 185 i have known my husband; yet my husband knows not that ever he knew me. _lucio._ he was drunk, then, my lord: it can be no better. _duke._ for the benefit of silence, would thou wert so too! _lucio._ well, my lord. 190 _duke._ this is no witness for lord angelo. _mari._ now i come to't, my lord: she that accuses him of fornication, in self-same manner doth accuse my husband; and charges him, my lord, with such a time 195 when i'll depose i had him in mine arms with all th' effect of love. _ang._ charges she more than me? _mari._ not that i know. _duke._ no? you say your husband. _mari._ why, just, my lord, and that is angelo, 200 who thinks he knows that he ne'er knew my body, but knows he thinks that he knows isabel's. _ang._ this is a strange abuse. let's see thy face. _mari._ my husband bids me; now i will unmask. [_unveiling._ this is that face, thou cruel angelo, 205 which once thou sworest was worth the looking on; this is the hand which, with a vow'd contract, was fast belock'd in thine; this is the body that took away the match from isabel, and did supply thee at thy garden-house 210 in her imagined person. _duke._ know you this woman? _lucio._ carnally, she says. _duke._ sirrah, no more! _lucio._ enough, my lord. _ang._ my lord, i must confess i know this woman: and five years since there was some speech of marriage 215 betwixt myself and her; which was broke off, partly for that her promised proportions came short of composition; but in chief, for that her reputation was disvalued in levity: since which time of five years 220 i never spake with her, saw her, nor heard from her, upon my faith and honour. _mari._ noble prince, as there comes light from heaven and words from breath, as there is sense in truth and truth in virtue, i am affianced this man's wife as strongly 225 as words could make up vows: and, my good lord, but tuesday night last gone in's garden-house he knew me as a wife. as this is true, let me in safety raise me from my knees; or else for ever be confixed here, 230 a marble monument! _ang._ i did but smile till now: now, good my lord, give me the scope of justice; my patience here is touch'd. i do perceive these poor informal women are no more but instruments of some more mightier member 235 that sets them on: let me have way, my lord, to find this practice out. _duke._ ay, with my heart; and punish them to your height of pleasure. thou foolish friar; and thou pernicious woman, compact with her that's gone, think'st thou thy oaths, 240 though they would swear down each particular saint, were testimonies against his worth and credit, that's seal'd in approbation? you, lord escalus, sit with my cousin; lend him your kind pains to find out this abuse, whence 'tis derived. 245 there is another friar that set them on; let him be sent for. _fri. p._ would he were here, my lord! for he, indeed, hath set the women on to this complaint: your provost knows the place where he abides, 250 and he may fetch him. _duke._ go do it instantly. [_exit provost._ and you, my noble and well-warranted cousin, whom it concerns to hear this matter forth, do with your injuries as seems you best, in any chastisement: i for a while will leave you; 255 but stir not you till you have well determined upon these slanderers. _escal._ my lord, we'll do it throughly. [_exit duke._] signior lucio, did not you say you knew that friar lodowick to be a dishonest person? 260 _lucio._ 'cucullus non facit monachum:' honest in nothing but in his clothes; and one that hath spoke most villanous speeches of the duke. _escal._ we shall entreat you to abide here till he come, and enforce them against him: we shall find this friar a 265 notable fellow. _lucio._ as any in vienna, on my word. _escal._ call that same isabel here once again: i would speak with her. [_exit an attendant._] pray you, my lord, give me leave to question; you shall see how i'll handle 270 her. _lucio._ not better than he, by her own report. _escal._ say you? _lucio._ marry, sir, i think, if you handled her privately, she would sooner confess: perchance, publicly, she'll be 275 ashamed. _escal._ i will go darkly to work with her. _lucio._ that's the way; for women are light at midnight. _re-enter officers with isabella; and provost with the duke in his friar's habit._ _escal._ come on, mistress: here's a gentlewoman denies all that you have said. 280 _lucio._ my lord, here comes the rascal i spoke of; here with the provost. _escal._ in very good time: speak not you to him till we call upon you. _lucio._ mum. 285 _escal._ come, sir: did you set these women on to slander lord angelo? they have confessed you did. _duke._ 'tis false. _escal._ how! know you where you are? _duke._ respect to your great place! and let the devil 290 be sometime honour'd for his burning throne! where is the duke? 'tis he should hear me speak. _escal._ the duke's in us; and we will hear you speak: look you speak justly. _duke._ boldly, at least. but, o, poor souls, 295 come you to seek the lamb here of the fox? good night to your redress! is the duke gone? then is your cause gone too. the duke's unjust, thus to retort your manifest appeal, and put your trial in the villain's mouth 300 which here you come to accuse. _lucio._ this is the rascal; this is he i spoke of. _escal._ why, thou unreverend and unhallow'd friar, is't not enough thou hast suborn'd these women to accuse this worthy man, but, in foul mouth, 305 and in the witness of his proper ear, to call him villain? and then to glance from him to the duke himself, to tax him with injustice? take him hence; to the rack with him! we'll touse you joint by joint, but we will know his purpose. 310 what, 'unjust'! _duke._ be not so hot; the duke dare no more stretch this finger of mine than he dare rack his own: his subject am i not, nor here provincial. my business in this state made me a looker-on here in vienna, 315 where i have seen corruption boil and bubble till it o'er-run the stew; laws for all faults, but faults so countenanced, that the strong statutes stand like the forfeits in a barber's shop, as much in mock as mark. 320 _escal._ slander to the state! away with him to prison! _ang._ what can you vouch against him, signior lucio? is this the man that you did tell us of? _lucio._ 'tis he, my lord. come hither, goodman bald-pate: do you know me? 325 _duke._ i remember you, sir, by the sound of your voice: i met you at the prison, in the absence of the duke. _lucio._ o, did you so? and do you remember what you said of the duke? _duke._ most notedly, sir. 330 _lucio._ do you so, sir? and was the duke a flesh-monger, a fool, and a coward, as you then reported him to be? _duke._ you must, sir, change persons with me, ere you make that my report: you, indeed, spoke so of him; and 335 much more, much worse. _lucio._ o thou damnable fellow! did not i pluck thee by the nose for thy speeches? _duke._ i protest i love the duke as i love myself. _ang._ hark, how the villain would close now, after his 340 treasonable abuses! _escal._ such a fellow is not to be talked withal. away with him to prison! where is the provost? away with him to prison! lay bolts enough upon him: let him speak no more. away with those giglets too, and with the other 345 confederate companion! _duke._ [_to provost_] stay, sir; stay awhile. _ang._ what, resists he? help him, lucio. _lucio._ come, sir; come, sir; come, sir; foh, sir! why, you bald-pated, lying rascal, you must be hooded, 350 must you? show your knave's visage, with a pox to you! show your sheep-biting face, and be hanged an hour! will't not off? [_pulls off the friar's hood, and discovers the duke._ _duke._ thou art the first knave that e'er madest a duke. first, provost, let me bail these gentle three. 355 [_to lucio_] sneak not away, sir; for the friar and you must have a word anon. lay hold on him. _lucio._ this may prove worse than hanging. _duke._ [_to escalus_] what you have spoke i pardon: sit you down: we'll borrow place of him. [_to angelo_] sir, by your leave. 360 hast thou or word, or wit, or impudence, that yet can do thee office? if thou hast, rely upon it till my tale be heard, and hold no longer out. _ang._ o my dread lord, i should be guiltier than my guiltiness, 365 to think i can be undiscernible, when i perceive your grace, like power divine, hath look'd upon my passes. then, good prince, no longer session hold upon my shame, but let my trial be mine own confession: 370 immediate sentence then, and sequent death, is all the grace i beg. _duke._ come hither, mariana. say, wast thou e'er contracted to this woman? _ang._ i was, my lord. _duke._ go take her hence, and marry her instantly. 375 do you the office, friar; which consummate, return him here again. go with him, provost. [_exeunt angelo, mariana, friar peter and provost._ _escal._ my lord, i am more amazed at his dishonour than at the strangeness of it. _duke._ come hither, isabel. your friar is now your prince: as i was then 380 advertising and holy to your business, not changing heart with habit, i am still attorney'd at your service. _isab._ o, give me pardon, that i, your vassal, have employ'd and pain'd your unknown sovereignty! _duke._ you are pardon'd, isabel: 385 and now, dear maid, be you as free to us. your brother's death, i know, sits at your heart; and you may marvel why i obscured myself, labouring to save his life, and would not rather make rash remonstrance of my hidden power 390 than let him so be lost. o most kind maid, it was the swift celerity of his death, which i did think with slower foot came on, that brain'd my purpose. but, peace be with him! that life is better life, past fearing death, 395 than that which lives to fear: make it your comfort, so happy is your brother. _isab._ i do, my lord. _re-enter angelo, mariana, friar peter, and provost._ _duke._ for this new-married man, approaching here, whose salt imagination yet hath wrong'd your well-defended honour, you must pardon 400 for mariana's sake: but as he adjudged your brother,-being criminal, in double violation of sacred chastity, and of promise-breach thereon dependent, for your brother's life,-the very mercy of the law cries out 405 most audible, even from his proper tongue, 'an angelo for claudio, death for death!' haste still pays haste, and leisure answers leisure; like doth quit like, and measure still for measure. then, angelo, thy fault's thus manifested; 410 which, though thou wouldst deny, denies thee vantage. we do condemn thee to the very block where claudio stoop'd to death, and with like haste. away with him! _mari._ o my most gracious lord, i hope you will not mock me with a husband. 415 _duke._ it is your husband mock'd you with a husband. consenting to the safeguard of your honour, i thought your marriage fit; else imputation, for that he knew you, might reproach your life, and choke your good to come: for his possessions, 420 although by confiscation they are ours, we do instate and widow you withal, to buy you a better husband. _mari._ o my dear lord, i crave no other, nor no better man. _duke._ never crave him; we are definitive. 425 _mari._ gentle my liege,- [_kneeling._ _duke._ you do but lose your labour. away with him to death! [_to lucio_] now, sir, to you. _mari._ o my good lord! sweet isabel, take my part; lend me your knees, and all my life to come i'll lend you all my life to do you service. 430 _duke._ against all sense you do importune her: should she kneel down in mercy of this fact, her brother's ghost his paved bed would break, and take her hence in horror. _mari._ isabel, sweet isabel, do yet but kneel by me; 435 hold up your hands, say nothing,--i'll speak all. they say, best men are moulded out of faults; and, for the most, become much more the better for being a little bad: so may my husband. o isabel, will you not lend a knee? 440 _duke._ he dies for claudio's death. _isab._ most bounteous sir, [_kneeling._ look, if it please you, on this man condemn'd, as if my brother lived: i partly think a due sincerity govern'd his deeds, till he did look on me: since it is so, 445 let him not die. my brother had but justice, in that he did the thing for which he died: for angelo, his act did not o'ertake his bad intent; and must be buried but as an intent 450 that perish'd by the way: thoughts are no subjects; intents, but merely thoughts. _mari._ merely, my lord. _duke._ your suit's unprofitable; stand up, i say. i have bethought me of another fault. provost, how came it claudio was beheaded 455 at an unusual hour? _prov._ it was commanded so. _duke._ had you a special warrant for the deed? _prov._ no, my good lord; it was by private message. _duke._ for which i do discharge you of your office: give up your keys. _prov._ pardon me, noble lord: 460 i thought it was a fault, but knew it not; yet did repent me, after more advice: for testimony whereof, one in the prison, that should by private order else have died, i have reserved alive. _duke._ what's he? _prov._ his name is barnardine. 465 _duke._ i would thou hadst done so by claudio. go fetch him hither; let me look upon him. [_exit provost._ _escal._ i am sorry, one so learned and so wise as you, lord angelo, have still appear'd, should slip so grossly, both in the heat of blood, 470 and lack of temper'd judgment afterward. _ang._ i am sorry that such sorrow i procure: and so deep sticks it in my penitent heart, that i crave death more willingly than mercy; 'tis my deserving, and i do entreat it. 475 _re-enter provost, with barnardine, claudio muffled, and juliet._ _duke._ which is that barnardine? _prov._ this, my lord. _duke._ there was a friar told me of this man. sirrah, thou art said to have a stubborn soul, that apprehends no further than this world, and squarest thy life according. thou'rt condemn'd: 480 but, for those earthly faults, i quit them all; and pray thee take this mercy to provide for better times to come. friar, advise him; i leave him to your hand. what muffled fellow's that? _prov._ this is another prisoner that i saved, 485 who should have died when claudio lost his head; as like almost to claudio as himself. [_unmuffles claudio._ _duke._ [_to isabella_] if he be like your brother, for his sake is he pardon'd; and, for your lovely sake, give me your hand, and say you will be mine, 490 he is my brother too: but fitter time for that. by this lord angelo perceives he's safe; methinks i see a quickening in his eye. well, angelo, your evil quits you well: look that you love your wife; her worth worth yours. 495 i find an apt remission in myself; and yet here's one in place i cannot pardon. [_to lucio_] you, sirrah, that knew me for a fool, a coward, one all of luxury, an ass, a madman; wherein have i so deserved of you, 500 that you extol me thus? _lucio._ 'faith, my lord, i spoke it but according to the trick. if you will hang me for it, you may; but i had rather it would please you i might be whipt. _duke._ whipt first, sir, and hang'd after. 505 proclaim it, provost, round about the city, is any woman wrong'd by this lewd fellow, as i have heard him swear himself there's one whom he begot with child, let her appear, and he shall marry her: the nuptial finish'd, 510 let him be whipt and hang'd. _lucio._ i beseech your highness, do not marry me to a whore. your highness said even now, i made you a duke: good my lord, do not recompense me in making me a cuckold. 515 _duke._ upon mine honour, thou shalt marry her. thy slanders i forgive; and therewithal remit thy other forfeits.--take him to prison; and see our pleasure herein executed. _lucio._ marrying a punk, my lord, is pressing to death, 520 whipping, and hanging. _duke._ slandering a prince deserves it. [_exeunt officers with lucio._ she, claudio, that you wrong'd, look you restore. joy to you, mariana! love her, angelo: i have confess'd her, and i know her virtue. 525 thanks, good friend escalus, for thy much goodness: there's more behind that is more gratulate. thanks, provost, for thy care and secrecy: we shall employ thee in a worthier place. forgive him, angelo, that brought you home 530 the head of ragozine for claudio's: the offence pardons itself. dear isabel, i have a motion much imports your good; whereto if you'll a willing ear incline, what's mine is yours, and what is yours is mine. 535 so, bring us to our palace; where we'll show what's yet behind, that's meet you all should know. [_exeunt._ notes: v, 1. the city-gate] capell. the street. rowe. a public place near the city. warburton. capell adds: a state with chairs under it. mariana ... stand.] capell. om. ff. provost, officers] malone. om. ff. 4: _thankings_] f1. _thankings be_ f2 f3. _thinkings be_ f4. _thanks be_ pope. 5: _we have_] _we've_ pope. 9: _wrong it_] f1. _wrong_ f2 f3 f4. 13: _me_] f3 f4. _we_ f1 f2. 14: _subject_] _subjects_ theobald. 19: scene ii. pope. ... come forward.] capell. enter ... ff. 21: _i would_] _i'd_ pope. 25: _given_] _give_ f4. 26: printed as two lines in ff, ending _wrongs ... brief._ 32: two lines in ff, ending _you ... heere._ _hear me, o hear me, here!_] f3 f4. _heare me: oh heare me, heere_ f1 f2. _o hear me here._ pope. _o, hear me, hear me!_ theobald. 35: _by_] om. pope. 36: _and strange_] f1. om. f2 f3 f4. _and strangely_ collier ms. 37: _strange, but yet_] _strangely yet_ collier ms. 42: _it is_] om. pope. 47: _infirmity_] _infirmiry_ f4. 48: _o prince, i conjure thee,_] _o, i conjure thee, prince,_ pope. _o prince, i do conjure thee,_ capell. 54, 55: _as absolute as_] f4. _as absolute: as_ f1 f2 f3. 57: _believe it_] _trust me_ pope. 63: _e'er_] _ne'er_ capell conj. _o_] om. pope. 64: _nor_] _and_ pope. 65: _inequality_] _incredulity_ collier ms. 65, 66: _serve to make the truth_] _serve to make truth_ pope. 67: _and hide_] _not hide_ theobald (warburton). _and hid,_ phelps. 67: _that are_] om. hanmer. 68: two lines in ff, ending _reason ... say?_ 73: _lucio_] _lucio being_ hanmer. 74: _as_] _was_ johnson. 82: _your honour_] _your honour, sir_ hanmer. 83: _take heed_] _be sure, take heed_ hanmer. _to't_] _to it_ capell. 84: _somewhat_] f1. _something_ f2 f3 f4. 91: _mended_] _mend it_ malone conj. _the matter;_] _the matter then;_ hanmer. om. capell. _the matter? now_ collier ms. 92: _process_] f1. om. f2 f3 f4. 94: _refell'd_] _repell'd_ pope. 98: _concupiscible_] _concupiscent_ pope. 99: _and_] om. pope. 101: _but the_] om. pope. 102: _surfeiting_] theobald. _surfetting_ f1 f2 f3. _forfeiting_ f4. 107: _first_] om. pope. 108: _next_] om. pope. 109: _vehemency_] _vehemence_ pope. 110-113: hanmer ends the lines _so ... by ... one ... say._ 111: _he would_] _he'd_ hanmer. 123: _needs_] om. pope. 124: _your_] _our_ pope. 131: _this 's_] _this'_ f1 f2 f3. _this_ f4. _this is_ rowe. see note (xxii). 137: _blessed_] _bless'd_ hanmer. _royal_] om. hanmer. 142, 143: hanmer ends the lines _believe ... lodowick._ 143: _that she speaks of_] f1. _which she speaks of_ f2 f3 f4. om. hanmer. 145: _temporary_] _tamperer and_ johnson conj. 147: _trust_] _truth_ collier ms. _troth_ singer. 149: _villanously;_] _villanously he did;_ hanmer. 152: _strange_] _strong_ s. walker conj. 154: _'gainst_] f1. _against_ f2 f3 f4. 156: _what he with_] _he upon_ pope. 157: _and_] _by_ pope. 158: _whensoever he's convented_] _whenever he's conven'd_ pope. _whenever he's convented_ warburton. 162: [isabella, &c.] stage direction to this effect inserted here by capell. hanmer, &c. to johnson place it after line 166, where ff have: enter mariana. 166: _i'll be impartial_] _i will be partial_ theobald. 168: scene iii. pope. _her face_] f2 f3 f4. _your face_ f1. 170-178: printed as four verses by steevens (capell conj.). 175: _a widow_] _widow_ capell. 177: _why_] _what_ capell. _you are_] f1. _are you_ f2 f3 f4. 186, 167: _husband knows not_] ff. _husband knows not_ pope. 195: _with such a time_] _with such, a time_ edd. conj. 199: _no?_ om. hanmer. 202: _he knows_] _he knew_ hanmer. 213: _my lord_] om. hanmer. 221: _with her, saw her, nor_] _with, saw, or_ hanmer. 234: _informal_] _informing_ hanmer. 235: _mightier_] _mighty_ pope. 238: _to_] _unto_ pope. _even to_ capell. 242: _against_] f1. _gainst_ f2. _'gainst_ f3 f4. 251: _go_] om. pope. 255-257: _while ... you; but ... determined upon_] spedding conj. _while will ... have well determin'd upon_ ff. _while will ... well determined upon_ theobald. _while will ... have determin'd well upon_ hanmer. 258: scene iv. pope. 275: _would_] f1. _should_ f2 f3 f4. _she'll_] f1 f2 f3. _she'ld_ f4. _she'd_ rowe. 278: re-enter ...] enter duke, provost, isabella. ff (after line 276). 289: malone supposes a line preceding this to be lost. 290: _and_] _then_ collier ms. 295: _at least_] _at least i'll speak_ hanmer. 296: _fox?_] f2 f3 f4. _fox;_ f1. _fox,_ dyce. 299: _retort_] _reject_ collier ms. 305: _in_] _with_ theobald. 307-311: capell ends the lines: _villain? ... himself ... hence; ... by joint, ... unjust?_ 307: _to glance_] _glance_ pope. 309: _you_] _him_ malone conj. 310: _joint by joint_] _even joint by joint_] hanmer. _his_] _this_ hanmer. _your_ collier ms. 311: _what,_] _what? he_ hanmer. 311, 312: _the duke dare no more_] capell. _the duke dare no more_ ff. 311-313: pope ends the lines: _stretch ... own ... not._ 319: _forfeits_] _forceps_ jackson conj. 321: two lines in ff. 340: _close_] _gloze_ collier ms. 345: _giglets_] _giglots_ capell. 347: [to provost] capell. 352: _hanged an hour!_] _hanged! an hour?_ hanmer. _hanged--an' how?_ johnson conj. _hanged anon!_ lloyd conj. 353: stage direction inserted by rowe. 354: _madest_] _mad'st_ ff. _made_ capell. 373: _e'er_] _ere_] f1. _ever_ f2 f3 f4. om. hanmer, who divides the lines: _come ... thou contracted ... lord._ 378: scene v. pope. 379: _of it._] _of--_ capell. 381: _and_] _all_ hanmer. 390: _remonstrance_] _demonstrance_ staunton (malone conj.). 391: _so be_] f1 f2 f3. _be so_ f4. 394: _brain'd_] _bain'd_ warburton. _but_] _but now_ hanmer. 398: scene vi. pope. 400: _pardon_] _pardon him_ hanmer. 401: _he adjudged your brother_] _a judge_ hanmer. 402: _being criminal, in double violation_] _being doubly criminal in violation_ hanmer. 403: _of promise-breach_] _in promise-breach_ hanmer. _of promise_ malone conj. 410: _fault's thus manifested;_] ff. _faults are manifested;_ rowe. _faults are manifest;_ hanmer. _fault thus manifested--_ dyce. 411: _deny, denies_] _deny 'em, deny_ hanmer. 413: _haste._] _haste,_ f4. 421: _confiscation_] f2 f3 f4. _confutation_ f1. 422: _withal_] f4. _with all_ f1. _withall_ f2 f3. 426: [kneeling.] johnson. 441: [kneeling.] rowe. 452: _but_] om. hanmer, who ends lines 448-452 at _o'ertake ... but ... way ... thoughts._ 456: _it was commanded so_] _'twas so commanded_ hanmer. 465: _what's he?_] _and what is he?_ hanmer. see note (xx). 466: _would_] f1. _wouldst_ f2 f3 f4. _wish_ capell (corrected in ms. to _would_). 470: _the heat_] _heat_ pope. 476: scene vii. pope. muffled] om. ff. c. behind, and j. both muffl'd up. capell. _my lord_] _my good lord_ hanmer. 480: _according_] _accordingly_ f4. 482: _and_] f1. _i_ f2 f3 f4. 484: _your hand_] _you_ hanmer. 489: _is he pardon'd_] _he's pardoned_ hanmer. _is he too pardon'd_ capell. 490: _and say you will_] _say you'll_ hanmer. 491: _he is_] _and he's_ hanmer, ending the line here. 495: _her worth worth yours_] _her worth works yours_ hanmer. _her worth's worth yours_ heath conj. 500: _so deserved_] _deserved so_ pope. _so well deserv'd_ collier ms. _so undeserv'd_ s. walker conj. 507: _is any woman_] edd. _if any woman_ ff. _if any woman's_ hanmer. 519: _executed_] _execute_ hanmer. 522: [exeunt ... lucio] dyce. 527-532: johnson conjectures: ang. _the offence pardons itself._ duke. _there's more behind that is more gratulate. dear isabel, ..._ 537: _that's_] f2 f3 f4. _that_ f1. notes. note i. i. 1. 8, 9. the suggestion that a line has been lost in this place came first from theobald. it is scarcely necessary to say that there is no mark of omission in the folios. malone supposes that a similar omission has been made ii. 4. 123. the compositor's eye (he says) may have glanced from 'succeed' to 'weakness' in a subsequent hemistich. in order to relieve the plethoric foot-note we set down in this place some conjectures for which we are indebted to mr halliwell's note on the passage. (1) _then no more remains to your sufficiency as your worth is able but that you let than work._ wheler ms. (2) _but task to your sufficience ..._ dent. ms. (3) _but that your sufficiency as your worth be able ..._ monck mason. (4) _then no more remains: to your sufficiency your worth be added, and let them work._ t. hull's ms. commentary. (5) _... i let them work._ chalmers. the reading assigned in the foot-note to steevens is found in a note to the edition of 1778. he afterwards changed his mind. note ii. i. 2. 15. hanmer's reading is recommended by the fact that in the old forms of 'graces' used in many colleges, and, as we are informed, at the inns of court, the prayer for peace comes always after, and never before, meat. but as the mistake may easily have been made by shakespeare, or else deliberately put into the mouth of the 'first gentleman,' we have not altered the text. note iii. i. 2. 22-26. in the remainder of this scene hanmer and other editors have made capricious changes in the distribution of the dialogue, which we have not thought it worth while to chronicle. it is impossible to discern any difference of character in the three speakers, or to introduce logical sequence into their buffoonery. note iv. i. 2. 110. we retain here the stage direction of the folio, '_enter ... juliet, &c._' for the preceding line makes it evident that she was on the stage. on the other hand, line 140 shows that she was not within hearing, nor near claudio while he spoke. we may suppose that she was following at a distance behind, in her anxiety for the fate of her lover. she appears again as a mute personage at the end of the play. note v. i. 2. 115, 116. johnson in the first edition, 1765, says, 'i suspect that a line is lost.' this note was omitted in the edition of 1778. note vi. i. 4. 70. 'to soften angelo: and that's my pith of business.' we have left this line as it is printed in the folios. there is a line of similar length and rhythm in _the two gentlemen of verona_, iv. 2. 16. 'but here comes thurio: now must we to her window.' note vii. ii. 2. 149. a writer, 'a. e. b.' in _notes and queries_ (vol. v. p. 325) points out that in wickliffe's bible, 'shekels' is spelt 'sickles,' which he says ought, therefore, to be retained. there is no doubt of the meaning; but we, in accordance with our custom, have modernized the spelling. note viii. ii. 2. 155-161. the printing in the folios gives no help towards the metrical arrangement of these and other broken lines. in the present case we might read: '_ang._ well, come to me to-morrow. _luc._ go to: 'tis well; away! _isab._ heaven keep your honour safe! _ang._ amen: for i, &c.' or, considering the first two lines as prose, we might read the last: '_isab._ heaven keep your honour safe! _ang._ amen: for i am that way going to temptation where prayers cross.' note ix. ii. 4. 9. 'fear'd.' mr collier, in _notes and queries_, vol. viii. p. 361, mentions that in lord ellesmere's copy of the first folio the reading is 'sear'd.' note x. ii. 4. 94. 'all-building.' 'mr theobald has _binding_ in one of his copies.' johnson. note xi. ii. 4. 103. 'that longing have been sick for.' delius says in his note on this passage, 'das _i_ vor _have_ lässt sich nach shaksperischer licenz leicht suppliren.' the second person singular of the governing pronoun is frequently omitted by shakespeare in familiar questions, but, as to the first and third persons, his usage rarely differs from the modern. if the text be genuine, we have an instance in this play of the omission of the third person singular i. 4. 72, 'has censured him.' see also the early quarto of the _merry wives of windsor_, sc. xiv. l. 40, p. 285 of our reprint: 'ile cloath my daughter, and aduertise _slender_ to know her by that signe, and steale her thence, and vnknowne to my wife, shall marrie her.' note xii. ii. 4. 111-113. mr sidney walker adopts steevens' emendation, and affirms that among all the metrical licenses used by shakespeare, the omission of the final syllable of the line is not one. but if the reading of the first folio be allowed to stand, we can find many instances of lines which want the final syllable. the line immediately preceding may be so scanned: 'ignomy in ransom and free pardon.' and in this same scene, line 143, we have 'and you tell me that he shall die for't.' and in v. 1. 83: 'the warrant's for yourself; take heed to't.' it is conceivable that 'mercy' may be pronounced as a trisyllable; but in all the undoubted examples of such a metrical license, the liquid is the second of the two consonants, not the first. see, however, s. walker's _shakespeare's versification_, pp. 207 sqq. possibly a word may have dropt out, and the original passage may have stood thus: 'ignomy in ransom and free pardon are of two _opposed_ houses: lawful mercy is nothing kin to foul redemption.' note xiii. iii. 1. 29. mr collier's copy of the second folio has 'sire.' _notes and queries_, vol. vi. p. 141. note xiv. iii. 1. 56, 57. the metrical arrangement is uncertain here. it is not probable that the last word of the duke's speech, 'concealed,' should be the first of a line which would be interrupted by his exit. perhaps, too, the true reading of the following line may have been: 'as comforts all are good, most good indeed.' note xv. iii. 1. 91, 94. the word 'prenzie,' occurring, as it does, twice in this passage, rests on such strong authority that it is better to seek to explain than to alter it. it may be etymologically connected with 'prin,' in old french, meaning 'demure;' also with 'princox,' a 'coxcomb,' and with the word 'prender,' which occurs more than once in skelton: e.g. 'this pevysh proud, this prender gest, when he is well, yet can he not rest.' mr bullock mentions, in support of his conjecture, that 'pensie' is still used in some north-country dialects. 'primsie' is also found in burns' poems with the signification of 'demure, precise,' according to the glossary. note xvi. iii. 1. 118. johnson says the most plausible conjecture is 'benighted.' it does not appear by whom this conjecture was made. note xvii. iii. 1. 168. we must suppose that claudio, as he is going out, stops to speak with his sister at the back of the stage within sight of the audience. note xviii. iv. 2. 91. this is a case in which we have thought it best to make an exception to our usual rule of modernizing the spelling. the metre requires 'haply' to be pronounced as a trisyllable. perhaps it would be well to retain the spelling of the first two folios 'happely,' and as a general rule it would be convenient if an obsolete spelling were retained in words used with an obsolete meaning. we have, however, abstained from introducing on our own authority this, or any other innovation in orthography. in iv. 3. 126, we have retained 'covent,' which had grown to be a distinct word from 'convent,' and differently pronounced. shakespeare's ear would hardly have tolerated the harsh-sounding line 'one of our cónvent and his cónfessor.' note xix. iv. 3. 17. the reading 'cry' (i.e. 'crie') for 'are' was suggested by a passage in nashe's _apologie for pierce pennilesse_, 1693, quoted by malone: 'at that time that thy joys were in the _fleeting_, and thus _crying_ 'for the lord's sake' out at an iron window.' note xx. iv. 3. 83. in order to avoid the unmetrical line 83, as given in the folios and by all editors to johnson inclusive, the lines 82-85 have been arranged as five, thus: _if ... let ... in secret ... ere ... to the under_ ... capell. _if ... let ... both ... the sun ... the under_ ... steevens. _if ... let ... both ... ere ... to yonder_ ... collier. _if ... let ... both ... the sun ... to yond_ ... singer. perhaps the best arrangement, because requiring the least change from the printing of the folio, would be to put the words 'and claudio' in a line by themselves. many examples of such a broken line in the middle of a speech may be found (e.g. v. 1. 448), and it would add to the emphasis with which the duke commends claudio to the provost's care. the long line v. 1. 465, might be similarly reduced by reading 'his name is barnardine.' note xxi. iv. 5. 1. mr spedding suggests that act v. should begin here. dr johnson says: "this play has two friars, either of whom might singly have served. i should therefore imagine that 'friar thomas,' in the first act, might be changed without any harm to 'friar peter:' for why should the duke unnecessarily trust two in an affair which required only one? the name of friar thomas is never mentioned in the dialogue, and therefore seems arbitrarily placed at the head of the scene." note xxii. v. 1. 131. mr sidney walker, in his _shakespeare's versification_, pp. 80 sqq. suggests that in this and other passages we should read '_this_,' because '_this is_ is not unfrequently, like _that is_, &c. contracted into a monosyllable.' for the reason assigned in note (iii) to _the tempest_, i. 2. 173, we have preferred the more familiar spelling _this's_. * * * * * * * * * * * * * * sources: the editors' preface (e-text 23041) discusses the 17thand 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. the following editions may appear in the notes. all inset text is quoted from the preface. folios: f1 1623; f2 (no date given); f3 1663; f4 1685. "the five plays contained in this volume occur in the first folio in the same order, and ... were there printed for the first time." early editions: rowe 1709 pope 1715 "pope was the first to indicate the _place_ of each new scene; as, for instance, _tempest_, i. 1. 'on a ship at sea.' he also subdivided the scenes as given by the folios and rowe, making a fresh scene whenever a new character entered--an arrangement followed by hanmer, warburton, and johnson. for convenience of reference to these editions, we have always recorded the commencement of pope's scenes." theobald 1733 hanmer ("oxford edition") 1744 warburton 1747 johnson 1765 capell 1768; _also capell's annotated copy of f2_ steevens 1773 malone 1790 reed 1803 later editions: singer, knight, cornwall, collier, phelps, halliwell, dyce, staunton * * * * * * * * * * * * * * errata in act iii, scene 1, the overlapping line numbers are as in the original. the two lines called 75 occur before and after a page break. pope's scenes i.vi and ii.vii are not identified in the textual notes. ii. 2. 149 note: ... see note (vii). ii. 2. 157 note: ... see note (viii). [_endnote references vii, viii reversed_] iv. 2. 37-42 note: [_all asterisks are in the original._] v. 1. 131 note: ...see note (xxii) [_text has (xxi)._] note xii. ... 'the warrant's for yourself; take heed to't.' [_close quote missing_] transcriber's note: 1. page scan source: http://books.google.com/books?id=zqozaaaayaaj 2. the diphthong oe is represented by [oe]. 3. lacunae in english version were compared to the german edition (ehre). corrections to english version are shown in bold. page 72, 3rd para., end of last sentence: wird zur gewißheit. linda's mutter hat ihn betrogen? linda weiß nichts! becomes certain that linda's mother has deceived him; linda knows nothing! page 72, 4th para, first sentence: da fordert der priester sein "ja!" then the priest demands his "yes!" page 73, para. 1: --reine farbenpatzen.--sind von einer schlamperei diese franzosen!--daß sich wirklich noch jemand von ihnen prellen läßt!" so schließt papa harfink, der kunstkritiker. --regular daubs of colors. these frenchmen are tricky. really, people are cheated by them. thus concludes papa harfink, the art critic. page 244, para. 2: sie aß ohne ziererei und ohne gier, nippte nur an dem champagner, lächelte gutwillig über die frechsten scherze, ob sie selbe verstand oder auch nicht verstand, mit der resignation eines geschöpfes, das es gewohnt ist, sich auf diese weise sein brot zu verdienen. she ate without affectation and without greediness--only sipped the champagne, smiled good-naturedly at the boldest jokes, whether she understood them or not, with the resignation of a being who was accustomed to earn her bread in this manner. page 244, para. 3: die alte manuela schnarchte längst. einige der offiziere waren melancholisch geworden, ... the old manuela had long been snoring. some the officers had grown melancholy, ... page 245, para. 4: er pflegte sie, wie ein bräutigam die rosenknospe, die ihm seine liebe braut geschenkt hat--ja, so pflegte felix die welke gelbe blume, die der coulissenstaub beschmutzt--auf die ein akrobat getreten haben mochte! he cherished it like a lover the rose-bud which his dear one had given him; yes, thus would felix cherish the faded yellow flower which the dust [in the wings] of the stage had soiled--upon which an acrobat might have trodden. [illustration: elsa springs up--she listens breathlessly.] felix lanzberg's expiation by ossip schubin translated by élise l. lathrop illustrated new york worthington company 747 broadway 1892 copyright, 1892, by worthington company press of j. j. little & co. astor place, new york felix lanzberg's expiation. i. "my dear falk, do not tear past me so unheedingly, i beg you! do you, then, not recognize me?" thus a stout old lady cries in a deep rough voice to a gentleman whose arm she has energetically grasped with both hands. the gentleman--his carriage betokens a retired officer; his wrinkles betray him to be a contemporary of the lady--starts back. "oh! it is you, baroness!" cries he, and half recalls that forty years or so ago he was an admirer of hers, and remembers very distinctly that last winter he had quarrelled with her at whist on account of a revoke. "i am indescribably pleased," he adds, with well-bred resignation, and at the same time glances after a passing blonde chignon whose coquettish curls float to and fro as if they said "catch me!" "ah, ah! age does not protect you from folly!" laughs the old woman. "she interests you, the person with the yellow hair, eh? dyed, my dear man, dyed, i assure you. it is not worth the trouble to run after her. her back is pretty, _mais pour le reste!_ hm! sit down and talk to me for a little!" the yellow chignon has vanished round a corner and the energetic old woman has drawn her ex-adorer down on a bench in the meagre shade of a watering-place promenade, upon a grass-green bench under gray-brown trees. it is in franzensbad in july; afternoon; around them the sleepy stillness of a place where there is nothing to do and one cannot amuse one's self. some ladies, pale, sickly, dressed with the grotesque elegance which is permissible in a watering-place, pass, some with arms bare to the elbow, others with pearls round their necks, still others with floating hair. "how glad i am, my dear colonel!" cries the old baroness to her captive, for at least the tenth time. "but how are you, pray tell me? no! where do you get your elixir of life? you remain so fabulously young!" in fact the colonel, closely shaven and dressed in the latest fashion, slender and active as he is, at a hundred paces looks like a young dandy; at twenty paces, at least like the mummy of one. still he parries the old lady's compliments, while he shakes his head and shrugs his shoulders disparagingly. "positively--positively!" croaks the old woman. "and now tell me what is the news with you people in marienbad? it is not in vain that they call you 'le figaro de marienbad.'" marienbad, a few hours distant from franzensbad, is the present stopping place of the colonel. "news? news?" grumbles the colonel. "a mill burned down yesterday, three head of cattle and two men with it." "oh, cease such ordinary, horrible stories. what does society?" "rejoices that it has opportunity of diversion through a fair for charity." "so? ah!--and what else?" "last night princess barenburg's groom hung himself. perhaps that interests you?" "ah, very agreeable that! poor clémence is unfortunate!" says the baroness, compassionately. "yes, the pancini also!" remarks the colonel, and looks down indifferently at the flower in his buttonhole. "why she?" "what? you do not know!" cries the colonel in astonishment. "her last admirer, the polish prince with the unpronounceable name, has turned out to be a circus rider." "the handsome blond with the mysterious political past." "it seems to have been merely a politic silence," jokes the colonel. "_tiens, tiens!_--how delightful--how delightful! but do you know it positively?" she asks with anxious excitement. "positively! nicki arenhain, two years ago in madrid, saw him dressed in a green satin jacket and white tights springing through hoops--she identified him at once. famous story, quite famous." the colonel rubs his hands with satisfaction--the old baroness knocks enthusiastically on the ground with her umbrella, like an animated amateur who applauds her favorite virtuoso. "excellent!" croaks she. "it serves her right, that pancini, who permits herself to be as arrogant as a born lady. it serves her right, the soap-boiler's daughter." "pardon! her father was a pawn-broker--or was in some banking business--i really do not remember----" "it is all the same--she will have to step down now. bravo! bravo!" "i know something else, baroness," says the colonel proudly, and smiling slyly. "a decided bit of news, _pour la bonne bouche_!" "well?" "felix lanzberg is to be married." the baroness is speechless; she opens her mouth, stares at the colonel, clutches his arm, and only after several seconds she stammers softly: "the--the--certain--lanzberg?" "yes--it is considered certain." "whom?" "look around." the baroness looks around. in the back seat of a carriage just rolling past them sit two ladies, one of whom, a woman in the fifties, tastelessly dressed, loaded with cameos and florentine mosaics, has the piercing eyes, the excessive thinness as well as the aimless, twitching movements of a very uneasy temperament, while her neighbor at the left, beautiful and young, lazily crumpling her striking toilet, leans back among the cushions, the embodiment of dissatisfied indolence. a student with a bright red cap occupies the small seat opposite. on the box, usurping the coachman's raised seat, is a short individual with a crimson cravat between a blue shirt and purple face, a short, bright yellow foulard coat and large panama hat. he smacks his lips incessantly at the horses, in driving holds his elbows far out from his sides so that one could easily place a travelling bag under each arm, and groans and puffs from exertion and attention. near him, faultlessly erect, arms solemnly crossed on his chest, sits a majestic coachman, every feature expressing the despair of a distinguished servant who, in a weak hour, had let himself be persuaded to enter the service of an ordinary millionnaire. "who is this elegant gentleman?" asked the baroness, raising her lorgnon, still wholly absorbed in contemplating the interesting foulard back. "felix lanzberg's future father-in-law, mr. harfink." "he?" sighs the baroness, emphatically. "poor felix! he does not deserve such punishment." the colonel shrugs his shoulders. "what punishment? he is not marrying the father, and the daughter is charming--a refined beauty, a truly aristocratic girl, and i do not believe that she will ever worry lanzberg by especial clinging to her parental house. now i must part from you, _nolens volens_, baroness--regret it deeply--i have a letter to deliver to the countess dey." "i will go with you, i will go with you," cries the old lady, animatedly. "give me your arm and imagine it was forty years ago." and he, in his quality of man of the world condemned to perpetual politeness, gives her his arm and walks on laughing and chatting, at the side of the colossally stout woman with the servile, nodding little head--a martyr of _bon ton_. the colonel and his friend were both fond of gossip--with the difference that the colonel, an independent man, related scandal for his own pleasure, while the baroness very often did so to please others. her name was baroness klettenstein, but usually she was simply called _klette_ (burr) because she could never be shaken off. she also had a second equally pretty nickname. in consequence of her indestructible life at the cost of others--she was remarkably robust for her sixty-six years--she had been christened the "immortal cantharide." hungrily she crept from one house to another, gained admission by a budget of malicious news, which, as we have seen, she collected indefatigably, at times even invented. she always rendered homage to the rising, never remembered even to have known the setting sun. and when, weary of her tiring parasitism, she rested in her tiny room at prague, which was the only home she possessed, she swore that she would have been just as unselfish, just as truth-loving and discreet as others, if only her income had sufficed for her needs. out of breath and panting, she entered the park on the arm of the colonel. the bandmaster, a pole with an interesting, revolutionist face, swings the baton with graceful languor. the ladies, leaning back in their white chairs on either side of the broad gravel walk, look weary, limp, and melancholy in their gay gowns, like flowers which a too hot sunbeam has withered and faded. they are worn, thin, and colorless, but for their toilets; but the transparent paleness of their faces, the excessive thinness of their forms lends them a certain charm, something fairylike and distinguished, refinedly aristocratic and undine-like. invalidism is less becoming to the men at the cure; many of them resemble corpses which an enterprising physiologist has exhumed to experiment upon. the first row of tables are already occupied, but an attendant, understanding the klette's glance, brings forward another from the rear and places it where she is told. hereupon the baroness calls for coffee for two, and invites the colonel in the most polite manner to sit beside her, and as he cannot deny that from this spot, purposely chosen by the klette for a fine view of all present, he can soonest espy countess dey whom he has sought in vain, he resolves to await her here. slowly the guests stroll along the promenade: most noticeable of all, admired or at least stared at by all, linda harfink. her large, dark hat with its scarlet feather throws a mysterious shadow on her pale face; a black lace scarf is twisted round her throat and tied in a careless knot behind. her pale green dress clings tightly, and yet in folds around her figure. near her walks a young man, blond and handsome; in spite of his handsome figure and nero-profile, too foppish and dandified, too strikingly dressed in the latest fashion, to be taken for any one but an elegant _parvenu_. "who is he?" asks klette, her mouth full of bread, a coffee cup in her hand. "a young baron rh[oe]den, born grau. the family was ennobled five years ago, and since then only call themselves by the predicate," replies the colonel. "a cousin of linda--very nice fellow--_garçon coiffeur_, but very nice for his sphere--seems to be uncommonly smitten with his cousin." through the evening air floats a sentimental potpourri from the "flying dutchman." the harfinks, who wish to return the same evening to marienbad, where they are staying, have left the park. gazing down in coquettish silence at a rose in her hand, linda has vanished through the gateway of the park, on the arm of her cousin, in the golden light of the setting sun. "colonel!" now cries a gay voice. "ah, countess!" intently gazing after linda's seductive apparition, the colonel had not noticed the approach of the so-long-awaited countess dey. now he springs up, "falls at her feet, kisses her hands," naturally only with words, and searches all his pockets for the letter for her. the countess meanwhile, with lorgnon at her eyes, indifferently gazes at her surroundings. "i just met a little person who is considered a great beauty--hopfing or harpfink is her name, i believe. they say that lanzberg is engaged to her--that cannot be true?" "i have heard so too," says the colonel. "curious match--what do you say to it, countess?" "felix lanzberg is as unfortunate as ever," murmurs the countess. but klette shrugs her fat shoulders and hisses: "what does it matter if a certain lanzberg makes a mésalliance?" ii. a tall form, slender, perhaps too narrow-shouldered, with too long arms, a small head with bushy, light brown hair fastened in a thick knot low on her neck, a golden furze at neck and temples, a pale, almost sallow, little face with large blue eyes, which love to look up and away from the earth like those of a devout cherub, a short, small nose, a little mouth which, with the corners slightly curving up, seems destined by nature for continual laughter, but later evidently disturbed by fate in this gay calling, in every movement the dreamy grace of a woman who, when scarcely grown, had experienced a great misfortune or a severe illness, all this pervaded by a breath of fanciful earnestness, melancholy tenderness, and united into an harmonious whole--elsa--the sister of the "certain felix lanzberg," and since five years the wife of the freiherr von garzin. she is like a flower, but not like one of those proud, luxuriant roses which pass their life amid sunbeams and butterflies, but rather one of those delicate, white blossoms which have grown in deep shadow during a cold spring, and which close their petals from the sun. "mamma, the letters dance again to-day," complains a little voice, the voice of felicie, elsa's four-year-old daughter, who with bare legs, her little form encased in a red embroidered gray linen frock, her towzled yellow curls fastened with a red ribbon, stands before her mamma. elsa sits in a deep arm-chair, an alphabet on her knees. "look very hard at the naughty letters and they will be quiet," says she with a smile. she finds that felicie makes that excuse of dancing letters too often. the child tries to look hard at the letters. "m--a," spells she. "mamma," she cries in great triumph at having spelled out a word which she knows so well. "bravo, litzi!" litzi leans closely, closely against her mother's knees. "mamma, the letters are tired," whispers she, "they want to go to sleep." and elsa this time thinks that one cannot expect too much industry from such a tiny little bit of humanity, so she kisses the child and says, "well, put them to bed, then." whereupon, litzi, with much pretext of business, puts the alphabet away in the drawer, while elsa, leaning back comfortably in her arm-chair, her feet crossed, her arms clasped around her knees, gives herself up to that lazy thinking which with happy people is called reverie, with unhappy ones brooding. the room in which she sits, half boudoir, half library, furnished with tall book-cases, étagères, old faience and japanese lacquer work, and filled with the perfume of the sweetest flowers, is an ideal nest for a young woman of good taste and serious habits. "mamma, why must i learn to read?" asks litzi after a while. "so as to be a wise girl," replies elsa, absently. "mamma, can the dear god read too?" "the dear god can do everything that he wishes," says elsa, with difficulty restraining her laughter. "everything?" asks the little one, with great, surprised eyes. "could he make fido into a cow?" fido, a white bull-dog with pointed black ears and a black spot on his shoulder, raises his upper lip and shows his teeth pleasantly as a sign that he, clever dog that he is, notices when he is spoken of. "the dear god does not wish to do foolish things," says elsa, very seriously. "but if he wanted to?" the door opens. fido rises from the streak of sunlight in which he has been lying. "papa!" cries litzi, and a young man, blond, with unusually attractive dark eyes, seizes her under the shoulders, and raising her to him he says: "litzi, litzi, you are a dear little mouse, but a great big goose. accustom yourself to the conditional." "what is conditional?" "a form of expression which leads one to much useless conjecture." "but, erwin!" laughingly admonishes elsa. "perhaps you did not wholly understand me, litzi?" he asks, drolly staring at the child. she shakes her head, and says somewhat vexedly, "you are laughing at me, papa." "only a very little bit, so that you may get used to it, you pretty little scamp, you," says he, tenderly pinching her cheeks, "and now you may go to mlle. angelique, and ask her to put a clean dress and a pretty sash on you, for uncle felix is coming to dinner. can you find the way?" he has placed her on the ground, and led her to the door, then looks after her until, calling "angelique! angelique!" she is met by a pretty french _bonne_. "and how is your highness?" he now turns to his wife, who holds out both hands to him. "how long it is since one has seen you to-day," says she. "has 'one' missed me a little?" "do not ask such foolish questions!" "thanks! i was very busy or else i should have burdened you with my presence sooner," says he, gayly. "and now give me your keys, so that i can put away your money." "oh, my quarterly allowance. how much is it?" he hands her a little bundle of bank-notes. "count!" "i do not understand, it is different every time. you always give me more than is due me," replies she, shaking her head. "leave me this innocent pleasure. you are always in debt," says he, while he locks the notes in a drawer of her writing-desk. erwin never would acknowledge the equal rights of woman with regard to the cares of life. he was pleased that elsa, who read the most abstract treatises on political economy, did not understand an iota of business. he had purposely left her in this darkness, and she did not fight against it. he paid her the interest of her property, insisted that she should spend it exclusively upon her poor and her own fancies, and she never asked what he did with the capital. "may i write here?" he asks over his shoulder, sitting down at her writing-desk then, without waiting for an answer. "a lady's writing-desk without invitations and charitable circulars. the inspector has become confused about that farm business of your little _protégé_ in johannesthal." he writes quickly. "the inspector is good for nothing," grumbles elsa. "that is to say, he is newly married." erwin defends his bailiff. "there, that is done. you can tell your little friend that it is all arranged. hm! elsa! do you think that i would have been much more practical during our honeymoon than my inspector?" "ah, you," says elsa, who evidently does not understand how her husband can compare himself to his overseer, cibulka. he has laid aside his pen and now pushes his chair lazily up to hers. "you will make marks in my carpet, you careless man," says she. "do not cry," he says, consolingly. "i will buy you a new one, as the banker said to his daughter when her husband died." "i congratulate you on your fine comparison," says she, kissing his hair lightly. "now i must dress for dinner." "already? am i to be sentenced to read the paper?" it was a little more than five years ago that erwin garzin had come to his estate of steinbach adjoining the beautiful lanzberg traunberg in order to arrange his business after the death of his father. elsa, with whom he had as boy played many a trick, he had found a grown girl. at that time nineteen years old, her mind, matured by pain, was far in advance of her years, her body far behind. she had the slender, undeveloped form of a child too quickly grown, and carried her head always bent forward, like a young tree over which a cold storm has passed, and was always sad and depressed. at times, to be sure, she smiled suddenly like a true child, but only for a moment, and her eyes were almost always moist. she spoke little and had a hollow, almost too deep voice. and yet the first time that erwin heard this hollow voice his heart beat strangely, and that night he lay awake and was angry at the sweet song of a nightingale which disturbed him in his efforts to remember that hollow voice. it was spring-time then, a mixture of showers and rainbows, flowers heavy with dew, bright foliage and mild air. erwin fell hopelessly in love with the pale daughter of old mr. lanzberg. she, however, avoided him, not with that pretty maidenly reserve behind which the coquetry of the future woman usually lurks, but with the shy despondency of a sick owl dreading the light. when he had at length accustomed her to his society he was still miles from his aim. she did not think of what most young girls do. she was wholly absorbed in consoling her bowed father, in pitying her unfortunate brother, at that time dwelling in a far distant land. her heart was full, longed for no other feeling, suspected none, and yet slowly her whole being warmed; something like a cure was effected in her, and the day came when she laid her small hand firmly and confidingly in erwin's and for the first time he whisperingly called her his betrothed. but he had not yet won. soon she expressed her scruples at dragging the shadow which made her so sad under his roof, then at leaving her father. when they proved to her that nothing could so help the bowed man as the consolation of seeing at least one of his children happy, the wedding day was at length appointed. a strange turn suddenly seized her when erwin one day asked her in what part of vienna she would prefer to live. "in vienna?" cried she. "we are to live in the city?" whereupon he replied: "my treasure, you know that i am not a rich man, and the rents of steinbach only just suffice for the support of a very economical couple. therefore i, and you with me are dependent upon my career. but i like to work. i have fine connections, and the times are favorable to ambitious people. you will yet be the wife of an excellency, elsa!" from her pale face it could be read that she did not see the slightest pleasure in being the wife of a governor, ambassador, or minister. her hand grew limp and cold in his, she evaded his caresses, and every time that evening that his glance met hers, her eyes were filled with tears. her exaggerated aversion to the world disquieted him, without seeming to him other than a symptom of diseased nerves; he thought that his loving patience must vanquish it, and when the next morning his servant brought him a letter from elsa, he admired the strange, energetic, large letters of the address, and played with it, firmly convinced that it could not contain anything important. it contained the following: "above all things, many, many thanks for the sympathizing friendship which you have always showed to us, my father and me. never should i have allowed myself to be persuaded into an engagement with you. i should be a lamentable wife for you. i will not hinder you in your career, and i cannot live in the world even for your sake. therefore i give you back your word. i wish you all joy and happiness in the world, and as to me, when you have become a great man, keep a little friendly remembrance of the spring of '70. elsa." what could he do but rush over to traunberg, overwhelm her with tender reproaches, represent to her subtly and incontrovertibly that her shyness was morbid, her yielding to this mood fairly wrong. "am i then nothing to you?" he finally cried, vexedly. then she raised her large eyes, eyes such as raphael has painted in the sweet face of the little john, as he kneels near the sleeping child jesus, his god and his king. "i believe you love a quite different person from me--you do not know me!" she whispered, shaking her head. and erwin flushed crimson and was ashamed of his brutal egoism. he kissed her hands, he would torment her no longer--but he could not give her up. he gave her eight days to consider it--all that remained of his vacation. but he did not gain a step during these eight days. with a heavy heart and hoarse voice he took leave. she smiled. and yet he never felt more plainly that she loved him. her love was that emotion which is above earthly considerations, which is capable of the most painful sacrifices, the most complete renunciation, although, or perhaps because she scarcely thought of marriage; in a word, it was the love of a very young girl. it did not resemble his in the slightest. how shallow his life in vienna and his career now seemed to him; how unattractive, how far away and vague his aim, and even if he did attain all for which he strove. the justifications of a true, warm, longing love are always quite incontrovertible for him whom it guides. elsa stood before the park, under one of the black lindens. it was summer, the lindens bloomed, and a dreamy hum of bees pervaded their gnarled branches. elsa looked through the clear summer air in the direction in which castle steinbach shone white above the wooded valley. then she heard a step--she looked around. it was erwin, thin, in spite of the flush of heat, looking very badly, but with sparkling eyes. "where do you come from?" cried she, trembling with surprise, with happiness. "from the castle, where i sought you in vain. your father did not know where you were." "he was asleep--did you wake him?" "very possibly, but i had no time to reproach myself! oh, elsa, are you not in the least glad to see me? i have resigned--i cannot live without you!" she stood there with loudly beating heart, and embarrassed smile, like a surprised child before a christmas tree. "you pay a high price for a miserable little thing," murmured she, and fairly wept. "happiness desires to be paid dearly for--it seems to me a small one!" whispered he. thereupon she was silent for a moment, looked at him anxiously, solemnly; was it possible that he clung to her, such a weak, insignificant creature? then suddenly, with her lovely look of embarrassment, she threw both arms around him. "oh you----" she cried, and paused because she found no word that in her opinion was great and splendid enough for him. "how i will love you!" it was a risky experiment, to tear himself away from his customary occupation and society, and wish to pass the rest of his life at the side of a nervous misanthropical wife. how did it succeed? he had feared having too little to do, had provided himself with books, quite like a diplomat sent to japan. to his astonished delight, he soon found not only how much there was to occupy him but how much he could accomplish with the income from steinbach, which he had been accustomed to estimate at two or three per cent., and which now daily increased; for the many lives around him whose weal and woe he held in his hands, from the overseer and farmers to the day-laborers, and then elsa! how beautiful she grew after he had slowly kissed away the deep sadness from her face--and how lovely! the frivolous love of pleasure and gayety which is considered normal in young women never developed in her; she always remained quiet, but a dreamy happiness shone continually in her eyes, she was so blissfully happy. what a charming companion! she rode with the endurance and indifferent courage of a man, read everything, was interested in everything, noticed everything, spoke of the most forgotten historical characters as if she had met them yesterday. she rather spurred him on than dragged him down. instead of, as he had feared, growing rusty in the country, he had time for making good much that he had neglected. she went on long journeys with him, but at home associated as little as possible with her neighbors. in these years elsa was apparently one of the happiest women in the world. she was only sad when she thought of felix. her father, shortly after her marriage, blessing her a thousandfold, had died in her arms. felix had returned to his home. iii. the two brothers-in-law sit alone in the circle of light which a garden lamp throws in a corner of the garden shaded by elder trees. dinner is long over, they have ceased laughing at litzi's childish pranks and remarks; she has become sleepy, and elsa has taken her away to lay her in her pretty little white bed. the two men, meanwhile, are smoking their cigars in the open air. "erwin, do you happen to know these harfinks?" felix asks his brother-in-law quite suddenly, in the embarrassed tone of a humiliated, bored man, and with the slightly husky voice which distinguishes all generations of indulgent and effeminate races. the "certain lanzberg" is indisputably of an attractive appearance--the beauty of his sister in a man--and yet softer. all the lines of his face are rounder, less decided; the features of a faultless regularity, the eyes still bluer, and yet the whole face lacks elsa's lovely, evident peace; the eyes are always weary and half closed; his full lips wear a suffering, tormented expression, and the light brown color of his complexion, in its natural color like elsa's, is nevertheless ashy in comparison to her healthy pallor, and furrowed with little wrinkles. "do you know these harfinks?" he asks, softly. "harfink fitted up my sugar factory," replies erwin, and glances closely at his brother-in-law. "in consequence i have met him several times. recently, in marienbad, he reminded me of our acquaintance, and introduced me to his wife and daughter." "strange man!" says felix, shaking his head. "yes, strange, silly! his wife is repulsive, both are very ordinary." "yes, both," repeats felix, and with the toe of his boot draws figures in the sand. "but the daughter?" "well, the daughter?" erwin glances still more attentively at his brother-in-law's face. "she is very well educated," murmurs the latter, indistinctly. "her education was probably acquired in a very noble boarding-school," remarks erwin, dryly. "during the ten minutes of our acquaintance, she used the word 'aristocratic' three times, and twice complained that society in the kursaal was so mixed. besides that, she found the country monotonous, the weather dull, the music '_agacante_,' and concluded by saying, one rails at marienbad and yet it was tiresome everywhere, for her friend laure de lonsigny wrote her quite desperate letters from luchon." felix has flushed more and more deeply during this pitiless account. "poor girl, how embarrassed she must have been," says he, excusingly. "embarrassed?" erwin shrugged his shoulders. "she had a great deal of self-possession." "is not a certain kind of self-possession only a form of embarrassment?" asked felix, shyly. but erwin evidently has no inclination to be lenient to linda's faults. he suspects the approach of something which must shatter felix's undermined existence, and seeks a means of meeting it. "you, perhaps, do not even think her pretty," says felix, vexedly, hesitating. "pretty, no; but dazzlingly beautiful. it is a pity that she has parents who, with all their perversity, are yet so respectable," says erwin with unmistakable emphasis. then felix bursts out: "it is not only horrible, but absolutely indecent to speak of a girl with whom, by your own account, you have spoken for scarcely ten minutes, in such a repulsive manner." and as his brother-in-law, astonished at such an unusual outbreak from felix, yet looks at him without the slightest harshness or coldness, the "certain lanzberg" grows red and murmurs, "pardon that i ventured to reprove you." erwin clenches his fist and opens it again with the gesture of a man who has conquered a painful excitement. such feelings often came over him in intercourse with his brother-in-law, although he felt great pity and much sympathy for the good, shy fellow; but his association with him was never wholly free, open, but always contained a tinge of sympathetic politeness, and there was never that warm abruptness which is a healthy symptom of manly friendship. sad yielding on one side; on the other good-natured advances. this, after a half year's acquaintance, was the relation of the two brothers-in-law. one must--alas! it could not be otherwise--treat felix as a precious but broken and only artificially mended cup of sèvres porcelain. "why does my opinion of the harfinks interest you?" asks erwin, now going straight to his object. for a while there is perfect silence, only animated by the soft voices of the night, and the fluttering of a moth which has wandered behind the tall shade of the garden lamp and has been singed. "erwin!" cries felix, his hands convulsively clasped, in his large feverish eyes a look such as erwin had only once before seen, and then in a dying man's who suddenly longed to live. "do you think that a man like me has a right to marry?" [illustration: "do you think a man like me has a right to marry?"] "no!" sounded harshly and firmly. it was not erwin who answered. in the circle of light which the garden lamp shed amid the gray moonlight, a tall white form had placed itself opposite felix, behind erwin's chair. "no!" erwin himself shudders; his wife seems uncanny. so beautiful, so pale, with such deathly tenderness, must have looked the angel when he drove the beings whom he loved out of paradise. felix lets his head sink in his hands. elsa bends over him and caresses him like a sick child. erwin wishes to withdraw, but felix calls him back. "stay, there are no secrets between us. i should have never dared take the hand which you held out to me, had i not been convinced that you know---yes, elsa," he continued, very bitterly, "you despise me, it was cowardly, it was unconscionable to even think of it, but if you knew what it is to be weary and alone, with no one on whom to lean for support! to have no one to whom one can be anything, for whom one can sacrifice oneself, to be perpetually condemned to think of oneself when thought is torment and loathing--to be sometimes permitted by pitying people to look on at happiness which awakes all the furies in one--yes, at first it was a comfort to me to flee to you, to breathe the same air with two happy people--but then--your beaming eyes, the little tendernesses of your child, even the alms of love which you gave me, all made my blood hot and me giddy. my god! i have injured no one but myself! must i be condemned for life? ten years is usually considered enough for a heavy crime, and i would gladly exchange these last ten years with any galley slave." since his return to his fatherland no one had heard him say so much; the gentle, quiet man is not to be recognized. elsa stands near him, white and sad, tears are in her eyes, but the severe expression of her mouth has not softened. erwin is more moved than she. "felix," says he, "you go too far. you must not marry the young harfink; she is worldly and selfish, and would seek in a marriage with you only the satisfaction of her social vanity." felix laughs bitterly. "but the world is large. you must find a girl who loves you for yourself, who will raise you above yourself, who----" felix's eyes rest on his brother-in-law, then they turn to elsa. "it is all of no use, erwin;" he suddenly interrupts him and rises. "and even if i found what is not to be found, and even if an angel came down from heaven to console me, i must repulse her. i have no right to marry for the sake of the children who would bear my name. ask elsa for her opinion." elsa bows her head and is silent. he gives erwin his hand, seizes his hat and, without having bid elsa good-night, with the bearing of an offended man, takes a few hasty steps--then he turns, and as he sees elsa still standing motionless, her face drawn with deepest misery, near the chair which he has left, he hurries back to her and takes her in his arms. "i was wrong to be angry, elsa," murmurs he. "i know you must love me to have forgiven me. it may well be indifferent to him," with a half nod to erwin. "i was not myself to-day; have patience with me." the tears of the brother and sister mingle. then felix tears himself away. "will you come back to-morrow?" asks elsa. "yes, to say farewell." "my god! what are you going to do?" "i am going away--it is better for me elsewhere--and you, you are very good to me, but----you do not need me." with that he goes. erwin accompanies him. then he returns to his wife, whom he finds where he had left her. she is not one of those who for long yield themselves to the weak enjoyment of tears. her eyes are dry again, but so indescribably sad and staring that erwin would rather see them wet. he draws her on his knees and whispers a thousand calming words of tenderness to her, but she remains absent. "so the young harfink has robbed him of his senses?" she murmurs interrogatively. "so it seems!" "poor felix!--i was very hard to him--i dared not be otherwise. i fear, i fear it is all in vain--he will yield. you have the same thought!" "to dissuade any obstinate man is hard, but sometimes at least successful--to dissuade a weak man is quite easy, but always unsuccessful," replies erwin. "nevertheless let us hope." "concerning felix, hope fails," said elsa. "o erwin, erwin, often it seems to me that father had no right to persuade him to live at that time!" iv. felix rode home. it was a moonlight night, but none of those which remind one of theatre scenery and silver-flecked green paint, such, as painted in oil, endanger all german art societies; the objects did not float in that universal green-black indistinctness; on the contrary, they stood out in sharp relief. the tall poplars and the short bushy grass at the edge of the road, the yellow fields of grain with their dark piles of sheaves, the pale flowers in the ditches, the red and black roofs of a distant village sleeping between green lindens, a round church cupola and a cemetery with its low, white wall, and the dark rows of crosses and monuments--all could be seen plainly, only with somewhat faded colors, and over all was a misty veil like thin smoke, and a white light shone on the poplar leaves, rustling and turning in the night wind. the reapers were still working. through the mild air sounded their song, hollow and monotonous, with the quiet sadness which characterizes slavonian folk-songs. their scythes sparkle in the moonlight; occasionally the pleasant face of a young woman, nodding to a youth, rises before felix's eyes from the crowd of workers, irradiated by the mystic half light. felix watched them as he slowly rode on. he would gladly have been one of them, and would have taken upon himself all their burdens in exchange for the one he bore. he could have wished that the night had been less beautiful, that a dead, winter stillness had prevailed around him instead of this strange charm of the mild july moonlight. the night wind, warm and gentle, caressed his face and his hands, and awakened the strangest longing in his heart. his head grew heated; the allurements with which his imagination tormented his despondent heart grew more and more intense. the monotonous pace of his horse, the melancholy reaper's song lulled him not to sleep, but to that half slumber which produces dreams. he did not wholly lose the consciousness of motion; the open road, the trees, the wheat-fields, with everything, was mingled a light form; two large eyes sparkled half in sadness, half defiantly, and two full red lips smiled at him. an indescribable breath of youth and fresh life met him. the yellow fields and the reapers have sunken into the earth--folk-song and the swing of the scythes have long sounded only like a vague murmur of waters to his distracted ear. his horse stumbles, a twig strikes him in the face, he starts. the white dream-form has vanished, all is dark around him, a solemn, far-distant murmur breaks the stillness, and gigantic trees meet over the head of the solitary rider. the horse trembles under him, then rears suddenly, and as he checks it he sees in the distance something low and black hurrying away in great leaps, sees there--there, close before him, a light figure which slowly rises from the ground. he breathes heavily--for heaven's sake is he still dreaming? that is surely she--linda! "ah! baron lanzberg, you here? thank god," cries she. "you seem to have met with an unpleasant adventure," says felix confusedly, coughs and springs from his horse without thinking what he is doing. "a very unpleasant one," says she in her high, fresh, girlish voice. "that is what comes of insisting upon riding a donkey. we set out on foot, my brother and i, to the burned mill, to have the great enjoyment of seeing charred beams and skeletons of hens, and devouring black bread and sour milk, we---have you a weakness for sour milk, baron?" looking up at him with a childish glance and smile. "no, not exactly." "i was not at all satisfied with my expedition," she continued, with the self-satisfied fluency of all young girls who are accustomed to have their chatter listened to for the sake of their pretty faces. "not at all. then i discovered two donkeys, one of them had a saddle like an arm-chair. raimund must hire them. i left him no peace! his donkey goes splendidly, but mine! i cannot move him from the spot. i call to my brother, but he does not hear, he is singing college songs, thunders like a whole chorus and has ears for his own voice only. i do not love raimund's singing, but as it gradually sounded further and further away, and finally ceased entirely, i had quite a curious sensation. then my donkey threw back his ears, opened his mouth, and--here i lay. i am so glad that i met you." the moonlight breaks through the green net-work of the woods, shines between the rushes, flowers and brambles of the ditch along the road, lights up linda's face, the beautiful white face with the large dark eyes. her hair is tumbled, she has lost her hat, her gown is torn, the affectation which usually conceals her inborn grace completely vanished. "i do not know the way," says she, "and what will mamma think when raimund comes home without me?" after he has overcome his first fright, felix tells himself that his dread of her charm must not prevent him from helping her. "if you will trust yourself to my guidance and will take this path across the fields, you can reach marienbad in a half hour," he remarks, and tries to fasten his horse by the bridle to the low branch of an oak. "ah, it will inconvenience you so; if you will only point out the way----" "you surely do not imagine that i could let you go alone, in the pitch-dark night? no." he smiles at her encouragingly. "what a child you still are, miss linda. come." he goes ahead, carefully pushing aside all branches for her. the air becomes more and more sultry, an enervating damp odor rises from the ground, in the tree-tops rustle wonderful melodies. an intoxicating shudder runs over him at the thought of being alone with her in the great, silent, lonely woods. then he becomes alarmed, quickens his steps, in order to run away from his thoughts and shorten the way. then a voice behind him calls laughingly and complainingly: "how you hurry--do not make fun of me, i am tired--one moment, only one moment!" linda stands there out of breath, heated, with half-closed eyes and half-opened mouth, her hair loosened by the rough caresses of the thicket, hanging over her shoulders. how beautiful she is. shall he offer her his arm? no, no, no! he is one of those warm and weak natures in whom passion in one moment drowns everything, annihilates, crushes everything, intellect, honor and duty. he has more conscience than others, but not that prudent, warning conscience, which withholds one from a wrong deed, but only that malicious, accusing one which points the finger, grins and hurls sly insults in the face after the deed is done. "if you wish to spare your mother a fright, we must hurry," says felix, with the last remnant of prudence which is left in him. they go on. before their feet opens an abyss, barely ten feet broad; in its depths filters a small thread of water which the moonlight colors a bluish silver. at the edge of the abyss, curiously looking down into it, bending deeply down to it, grows a bush of wild roses, covered thickly with white blossoms, trembling slightly, like a living being; with outstretched wings it vibrates over the depths, as if it hesitated between the longing to fly up to the sacred mystery of heaven, and the desire to plunge down into the alluring enigma of the abyss. a small plank leads over it, slippery and tottering. felix strides across it quickly and then looks around for linda. there, in the middle of the board, trembling, her teeth set in her lip, stands linda, and cannot advance. "i am giddy!" she gasps. there are few more attractive things in the world than a pretty, frightened woman. felix rushes up to her, takes her in his arms and carries her over. all is forgotten, he holds her closely to him, his lips lose themselves in her loosened hair, burn on her forehead, seek her mouth, but then he suddenly pauses. the enormity of his deed occurs to him. "for heaven's sake pardon me!" cries he. whereupon she replies with a naïve smile and tender glance: "pardon? ah, i knew that you loved me." "that indeed a blind man could have seen," murmurs he bitterly. "but, linda, could you resolve to be my wife?" "could i resolve?" she murmurs with tender roguishness. "and why not?" "in spite of my past?" past! the word has a romantic charm for her. it wakes in her an idea of baccaret and mabille, of a brilliantly squandered fortune, of ballet-dancers and duels. a "past" in her mind belongs to every true nobleman of a certain age. "if your heart is now wholly mine, what does your past matter to me?" says she softly. then he kisses her hand. "linda you are an angel," whispers he, and silent and happy, they finish their walk. ten minutes later, before the ambitious singer, raimund, reaches home, linda was in the house. she stood on the balcony of the "emperor of china," between dead-looking oleander trees which exhale a tiresome odor of bitter almonds: she stands there, her arms resting on the balustrade when raimund and his donkey emerge from the shadows of the street. his red cap pushed back, his face shining as if freshly shaven, with glance directed upward in terror he comes along, the picture of bankrupt responsibility on a donkey. a gay laugh greets him. "linda, where are you?" "here." "here! i have been looking for you for an hour," says he, scarcely believing his eyes. "where? in the sky apparently--i have not been there, and have no wish to go. do not stare at me so, please, as if i were my own ghost. come up here, i have such a lovely secret." with that she withdraws from the balcony, but the secret with which she has enticed him she does not tell him when he comes up. "to-morrow, to-morrow," says she, clapping her hands, leaning far back in an old-fashioned arm-chair. raimund cannot get a word from his pretty, capricious sister. "who brought you home then?" he asks finally. "ah! that is just it, ha-ha-ha!" answered she. "linda! you have met lanzberg--he has declared himself!" cries raimund, excitedly. "will you be silent?" replies she, laughing--triumphant. meanwhile her parents, who have been to the farewell performance of a famous vienna artiste at the theatre, enter. "hush!" cries she with a decided gesture to her brother. "good evening, papa and mamma!" without leaving her arm-chair. "i am frightfully fond of you, for, if you only knew of it, i am to-day, for the first time, glad to be in the world." papa harfink smiles delightedly, mamma harfink asks, "what is it?" and all her cameos and mosaic bracelets rattle with excitement. "she----" begins raimund. "hush, i tell you!" cries linda, then laying her arms on the old-fashioned arms of the easy-chair, her head thrown teasingly back, she asks: "is baron lanzberg a good _partie_?" "his affairs are very well arranged. i saw in the country register. he has scarcely any debts," says papa harfink. "and he is of the good old nobility, is he not?" asks linda. "did not his father receive a tip in the form of an iron crown from some tottering ministry?" "the lanzbergs descend from the twelfth century," says mamma. "they are the younger line of the counts lanzberg, who are now known as the counts dey." "oh! and what was his mother's maiden name?" linda continues her examination. "she was a countess böhl." "why does he associate so little with people, and is so sad?--because of his past?" linda's eyes sparkle and shine, and capricious little dimples play about the corners of her mouth. "what do you know of his past?" bursts out mamma. "oh, nothing; but i should so like to know something about it--it is not proper, eh?" "he had at one time a _liaison_, hm--hm--was deceived"--murmurs mrs. harfink--"never got over it." "ah!--but it seems so--for--in a word, if all does not deceive me, he will come to-morrow to ask for my hand." without leaving her arm-chair, her little feet dance a merry polka of triumph on the floor. "and do you love him?" "i?"--linda opens her eyes wide--"naturally; he is the first man with a faultless profile and good manners whom i have met--since laure de lonsigny's father!" old harfink, wholly absorbed in gazing at his tongue in a hand-glass, has not heard the bold malice of his daughter. raimund, on the contrary, says emphatically, "i find your delight at marrying a nobleman highly repulsive," and leaves the room. and felix? he does not undress that night. motionless his face buried in the pillows, he lies on his bed and still fights a long-lost battle. the air is heavy with the fragrance of linden blossoms and the approaching thunder-storm. a massive wall of clouds towers above the horizon like a barrier between heaven and earth. v. susanna blecheisen, now mrs. harfink, usually called madame von harfink, was a famous blue-stocking. as a young girl she was interested in natural sciences, studied medicine, complained of the oppression of the female sex, and wrote articles on the emancipation of woman, in which with great boldness she described marriage as an antiquated and immoral institution. in spite of the energetic independence of her character, in her twenty-eighth year she succumbed to the magnetic attraction of a red-cheeked clerk in her father's office, and generously sacrificed for him her scorn of manly prejudice and ecclesiastical sacraments--she married him. hereupon she moved with her husband to vienna, and soon enjoyed a certain fame there on account of her fine german, and because she subscribed to the _revue des deux mondes_, and had once sat beside humboldt at a dinner, perhaps also because her husband was a very wealthy manufacturer. soon convinced of the inferior intellect of this man, she did not give herself up to cowardly despair at this discovery, but did her best to educate him. she patiently read to him works on capital, during which he incessantly rattled the money in his pockets, as if he would say, how does the theoretical analysis of capital concern a practical man, as long as he relies solely upon the actual substance? this rubbish furnished occupation for poor wretches, he thought to himself, which opinion he finally announced to his wife. but when she told him that carl marx and lassalle were both very wealthy men, he listened to her dissertations with considerably heightened respect. from political economy, which she treated as a light recreation, fitted to his case, she led him into the gloomy regions of german metaphysics, and plunged him confusedly into the most dangerous abysses of misused logic. he listened calmly, without astonishment, without complaining, with the lofty conviction that to cultivate one's self, as every kind of tasty idleness, was a very noble occupation, and, like many more clever people, he made a rule of despising everything which he did not understand. instead of any other comment, during his wife's readings he merely rubbed his hands pleasantly, and murmured as long as he was not asleep, titteringly, "this confusion, this confusion." yet, however mrs. susanna strove, his mental wings did not strengthen, and his digestion remained the most absorbing interest of his life. he always fell back again into his insignificant commonness, like a dog whom one wishes to train to walk upon two legs, but who always falls back upon four again. at an æsthetic tea, for which his wife had most conscientiously prepared him, most generously lent him her intelligence, she heard him, in the midst of a conversation upon schopenhauer and leopardi, say to his neighbor: "have you a weakness for pickles, ma'am? i have a great weakness for pickles, but--he-he-he!--i--it is really very unusual--i always feel such a disagreeable prickling in my nose when i eat anything sour." with years, susanna somewhat neglected the difficult education of this hopeless specimen, and transferred her pedagogic capabilities to the bringing up of her son, of whom she tried to make a genius. she designed him for jurisprudence. he, however, devoted himself to song. instead of poring over law books in consideration of his examination, he passed two-thirds of his time at the piano, diligently trying to attain the summit of his ambition, high c, while he did not fail to twist himself into the original contortions which on such occasions all particularly ambitious but faulty voices find so effectual. with linda, mamma harfink from the first could do nothing, and in consequence she sent her to a swiss pension. there she learned, besides a little french and piano thumping, to carry her head very high, learned to go into nervous spasms over creaking boots--in a word, she acquired the refined delicacy of feeling of the "princess with the pea." what torture when upon her return home she lay upon not a single pea, alleviated by comfortable mattresses, but upon a whole sack of undisguised peas! her home was frightful to her. the unrestrained, coarse admiration which the young men of her circle offered her seemed unbearable to her. discontented, weary of life, without an aim that was not bound up in vanity, she vegetated from one day to another; in desperate moments thought of going on the stage, or perpetrating some outrageous act to make herself notorious. the only consolation of this desolate time was the intercourse with her cousin, eugene von rhoeden, who had been educated in the theresanium, had learned to turn up his nose more frequently and with more fine distinction than she herself, but to her misery, had his brand new title of freiherr, and a couple of intimate friends of very old family beside. a passionate enemy of his relatives, he had greeted her enthusiastically with the words, "_sapperment_, you are wholly different from your family, linda!" "do not call me linda, that sounds so operatic," she had answered him. "my friends always called me linn!" eugene rhoeden immediately perceived that linda had a knowledge of _bon ton_--evidently knew that all austrian countesses are called piffi, pantschi, nina, like _grisettes_ or little dogs. her romantic name was odious to her, but in a circle where the women called each other theresa and rosalie, she must rejoice at being named linda and not rosalinda. a superficial confidence arose between her and her noble cousin. so stood matters when felix "accidentally" made the acquaintance of the harfinks while walking. this was the family into which fate and his weakness had thrown him. vi. is marienbad cheaper than franzensbad because it is not so select, or is it less select because it is cheaper? i do not know. but certain it is that marienbad does not possess the same stamp of distinction as franzensbad, which latter, together with all the guests, seems about to slowly perish of its excessive distinction. the guests at marienbad also lack that transparent thinness of the franzensbad invalids, which so claims sympathy: they all look "not ill but only too healthy." as the marienbad invalids do not look like invalids, so marienbad does not look like a water cure. it wholly lacks that fairylike appearance of a cure where invalidism is an elegant pastime. it is so severely commonplace, so ordinary that one is forced to believe in its reality. fortunately there is some compensation in the country round about, and when the guests look from the windows of the miserable hotel rooms, beyond the plainness of the dusty streets to the green beautiful woods, the most pretentious are satisfied. the marienbad woods are so charming, not those barbaric gloomy woods like the bohemian forests for example, which with their black branches grumblingly bar the way to the sunbeams, and groan so continually that the song birds from pure terror have all died or gone away. in the woods near marienbad, the trees sing the whole day in competition with the birds, and the sunbeams fall between gay, dancing, quivering shadows, and the blue sky laughs through a thousand breaks in the lofty, floating leafy roof. the harfink family live in the mühle strasse, and have a view directly into the woods. it is half past eight in the morning. papa harfink, who is taking the cure, and every morning at six o'clock stands beside the spring, has drunk his seven glasses, taken the prescribed walk, and afterwards breakfasted; now he has gone to be weighed. the student, his son, is amusing himself by following a young lady who travels with many diamonds but without a chaperon, and who is entered in the register as a "singer." linda is still at her toilet. mamma harfink is busy in the drawing-room with a medical pamphlet. then the maid brings her a note. "a messenger from traunberg brought it; he is waiting for an answer," declared the maid. before mrs. harfink had opened the letter linda enters and asks: "we need expect no visitor before twelve o'clock, mamma? if the baron chances to come, you know where i am--in the kursaal. at twelve o'clock i take my turkish bath. adieu! i shall be back at one o'clock." with that she vanished. mrs. harfink had concealed the letter from her daughter. she secretly suspects that it contains matters of which linda need know nothing. scarcely has her daughter vanished when she hastily opens it. in an uncharacteristic handwriting, occupying a great deal of paper: "my dear madam: you have surely already learned from your daughter what has occurred between us. that i ventured, under the circumstances which you, madam, certainly know, to offer her my hand, seems to me now, upon calm consideration, incomprehensible and unpardonable." mamma harfink starts. will the baron take back his word? what can he mean by "under the circumstances"? linda's unprotectedness in the great lonely woods? or does he, perhaps, refer to his fatal past? she resolves to read further. "your daughter's manner proves to me plainly that she has no suspicion of the stain upon my honor. i have not the courage to make my confession to her myself; do it for me, my dear madam, and kindly write me whether miss linda, after she has learned all, will yet hear anything of me, or will turn away from me. in the latter case i will go away for some time. "with the deepest respect, your submissive "lanzberg." "absurd, eccentric man! he will yet spoil everything with his foolish scruples!" cries she, then, looking at the letter once more: "horribly blunt, awkward style; no practised pen, but undeniably the sentiments of a refined gentleman." mrs. harfink folded her hands and thought. should she read this letter to linda? she had been so pleased at the prospect of linda's advantageous match. but the strange girl was capable of giving up this brilliant _parti_ for the sake of a trifle like this spot in lanzberg's past. mrs. harfink, in intercourse with the world very sensitive and wholly implacable, possessed theoretically that far-reaching consideration for any individuals attacked by scandal which has become so fashionable among the philanthropists of the present time. she always treated all city officials as calumniators and all accused as martyrs. "oh, if i were only in linda's place, i would be angry that i had so little to pardon in him," cried she dramatically; "but linda is so narrow, so petty. her intellect does not reach to the comprehension of the eternal divine morality; she understands merely the narrow prejudiced morality of good society, which divides sins as well as men into 'admissible and not admissible;' to-day calmly overlooks a crime, to-morrow screams itself hoarse over a fault which offends against its customs." while the harfink satisfied her philanthropic heart with this subtle, humane eloquence, the girl stood waiting at the door. "the messenger begs an answer," she remarked shyly. mrs. harfink bit her lips impatiently. she was not capable of a decided deception, she must twist and turn it before her conscience until it took on a quite different aspect from the original one. must, in a word, carry it out in such a highly virtuous manner that she could later deny it to her conscience. "the messenger begs an answer!" mrs. harfink seated herself at her writing-table and wrote: "my dear lanzberg: come, if possible, at once--in any case before twelve. linda expects you. "with cordial greeting, yours sincerely, "s. harfink." two, almost three hours passed. susanna's excitement became painful. what should she tell felix? the best would be to tell him that linda knew all. and did she not indeed know all? she had conscientiously told her daughter of a _liaison_ which had formerly been the unhappiness of the baron. the _liaison_ was, on the whole, the principal thing, everything else only a detail. only chance, which did not in the slightest accord with the whole life of the baron before and since, and of which respectable people hesitate to speak, and which one should not exhume from the past in which it lay buried. she was in duty bound to conceal the affair from linda, as one must conceal certain things in themselves wholly innocent from children, because their intellect, not yet matured by experience, is not capable of rightly comprehending them. in all her circle of acquaintances, mrs. harfink was the only one who knew anything definite of lanzberg's disgrace. by chance, and through the acquaintance of a high official of the law, she had learned the sad facts. she thought of the envious glances with which all her friends had followed lanzberg's attentions to linda. linda had somewhat forced the acquaintance with him. the good friends were horrified at her boldness--at her triumph. mrs. harfink remembered her sister, rhoeden; what had she not done to marry her daughter to a coughing, bald-headed, wurtemburg count, a gambler, whose debts they had been forced to pay before the marriage. quarter of twelve struck--was lanzberg not coming, then? in a short time linda would be back. then a carriage stopped before the "emperor of china." a minute later there was a knock at the door, and felix lanzberg entered the room, pale, worn, with great uneasy, shy eyes. mamma harfink reached him both hands, and merely said, "my dear lanzberg!" then she let him sit down. he was silent. many times he tried to speak, but the words would not come, and he lowered his eyes helplessly to his hat, which he held on his knees. at last mamma harfink took his hat from his hand and put it away. "you will stay to dinner with us?" "if you will permit me, madam," said he, scarcely audibly. "oh, you over-sensitive man!" cried she, with her loud, indelicate sympathy. how she pained him! "does linda think that i am an over-sensitive man?" said he, almost bitterly, and without looking at his future mother-in-law. mamma harfink pondered for a last time. "i do not understand how you could doubt linda for a moment," replied she. he scarcely heard her, and only cried hastily "was she surprised?" "my dear lanzberg!" mrs. harfink called the baron as often as possible "her dear lanzberg," in order to show him that she already included him in her family--"a man who can oppose to his fault a counter-balance such as your whole subsequent life is, has not only expiated his fault but he has obliterated it." madame harfink very often spoke of her husband's views, and liked to allow him to participate before the world in her wealth of thought. if she herself could no longer cherish any illusions about him, she nevertheless carefully concealed his nullity from friends as well as she could in a sacred obscurity. "that may all be true," cried felix, almost violently, "but nevertheless i cannot expect this philosophical consideration from a young girl. oh, my dear madam, do you not deceive yourself?" from without sounded the gay click of high heels. linda had returned sooner than her mamma had expected. the blood rushed to her face, she trembled so with excitement that, thanks to her cameos, she rattled like a rickety weather-vane in a storm. "linda pardons you everything," cried she, hastily. "linda loves you, she only begs you one thing, that you will never speak to her of your past. that would be too painful for her!" the door opened. linda entered, her hair in charming disorder, and her large straw hat carelessly pushed back from her forehead. when she perceived felix she started slightly and joyously, then she rested her large eyes, radiant with happiness, upon him. "_a tantôt_, you dear people," cried mrs. harfink, and, gracefully waving her hand, this courageous and philanthropic liar left the room. for a few seconds there was utter silence. linda gazed in astonishment at felix, who stood there deathly pale and motionless, his hand resting on the corner of the table. that the charm of her person so confused him flattered her, it seemed to her interesting and romantic to cause such deep heart wounds, still his manner remained enigmatical to her. she tapped her foot in pretty impatience and coughed slightly. then he looked up, his eyes full of pleading tenderness and dread. "linda, will you really consecrate your young, blooming life to me?--me--a broken man who----" he paused. the situation became more dramatic, and pleased her better and better. she came close up to him. "if you ever permit yourself, in the presence of your betrothed, to remember your past, and look so sad, i will run away, do you hear, and will never know anything more of you." her voice sounded so gentle, so sweet, her warm little hand lay so coaxingly and confidingly on his arm. "poor felix!" murmured she, looking up at him tenderly. he closed his eyes, blinded with tears and happiness, then he took her violently in his arms, and kissed her. her hat slipped from her head and fell to the floor. she laughed at it very charmingly. he released her in order to look at her better. he was happy--he had forgotten. he drew a ring from his finger. "it was my mother's engagement ring," he whispered, and placed it on her finger. then it proved that the ring was almost too small for her. "what slender fingers you must have!" cried she, and gazed with pride at his slender, aristocratic hand. then there was a knock at the door. "ah!" cried linda, with a displeasure which her _fiancé_ found bewitching. eugene von rhoeden entered, a bouquet of white flowers in his hand. "gardenias, lin! gardenias!" he cried, triumphantly. "what do you say to this progress of marienbad civilization? ah, baron--excuse me--i really had not----" he glances from one to the other, sees the diamond ring sparkling on linda's hand. "what a magnificent ring you have, lin!" "a present," replies linda, with a pretty gesture toward felix. "may one accept gardenias from a relative?" she asks him, coaxingly--and takes one from the bouquet to place in his buttonhole. "ah!" cries eugene, suddenly changing an acid expression into a polite smile. "may i congratulate you, or will my congratulations not be received?" felix gives him his hand with emotion. "congratulate me, congratulate me," he murmurs. "i do not know which of you is more to be congratulated," says eugene, with tact and feeling. in the adjoining room is heard a selection from the huguenots, which breaks off in the middle, then a great, terrible howl, whereupon the improvised rarol, red as his cravat, bursts in and cries, "did you hear, linda? that was c." "unfortunately," says she, laughing. raimund starts back. as he notices guests, he cries, "i will not disturb----" and vanishes. "and i also will not disturb you," says rhoeden, with indescribably loving accent. "adieu!" and kissing linda's hand, whereupon he says to felix, "your betrothed, my cousin," he disappears. vii. the music-stand in franzensbad is torn down, the whining potpourries have ceased, the park is deserted, legions of dry leaves whirl on the sand, and exchange cutting remarks with the autumn wind upon the perpetual change of every earthly thing, which short-sighted humanity calls transitoriness. it is the 18th of october, the "certain baron lanzberg's" wedding-day. the week of torture in which he could not resolve to tell the severe elsa of his betrothal is past, and when he at length resolved upon it, he received only a sad glance and a silent shrug of the shoulders as answer from her--past are the happy hours of the betrothal time--almost past. if the intoxication, the confusion which never becomes consciousness is happiness, then felix was very happy in this time. passion had numbed everything in him which did not refer to the present or to the 18th of october. he existed only in a feeling of longing and expectation. he had no time to tell himself that linda's happy coquetries proved a very flippant conception of the serious situation--he himself had forgotten the gravity of the situation. he did not think, he only felt and saw a white, ever-changing face, a face which can smile in at least two hundred ways--felt a perpetual warm excitement, felt something like an electric shock when two soft lips touched his temples and left them quickly like butterflies which will not be caught, when two soft hands played round his neck. yes, ft is the 18th of october, felix lanzberg's wedding-day. the wedding was to be solemnized at castle rineck, the harfinks' new possession, and in a white circular chapel, with small windows shaded by ivy, and an altar-piece which was dark as the catholic religion. the castle is crowded with guests, mostly honest manufacturers, who are proud of their fortunes acquired by their own ability, and others also less honest, who, after they have retired from business, wish to know nothing more of their money-making past. needless to say, the wedding preparations were unpleasant to the infatuated felix. the bride had joined in his request for a quiet wedding, for the contact with so much industry of which a considerable part had not yet become "finance," little pleased her; but the parents could not let the opportunity pass without displaying their wealth to the astonished throng. the afternoon is gray and moist. mrs. von harfink--for the past week, no longer through the obligingness of her acquaintances, but through the obligingness of a democratic ministry thus titled--mrs. von harfink, then, composes a toast for her husband to deliver at the wedding dinner. raimund stands beside the piano--to sing while sitting might injure his voice--and strives to render the cry of the valkyrs in wagner's worthy accents; a sympathetic poodle seconds him in this melodious occupation. outside in the park linda wanders alone through the damp october air. the dead foliage lies thick on the lawn, and between the leaves shines the grass, bright and fresh as hope which lies under all the load of shattered joys of broken life, undisturbed. the bushes, glowing in autumnal splendor, look like huge moulting birds who shiveringly lose their feathers. many flower-beds are already empty, only a couple of stiff georginias and chrysanthemums still raise their heads proudly and solitary in the universal desolation. linda is quite alone; her friends, none of whom are very dear to her, are too zealously busied with cares of the toilet to disturb her solitude; they are also afraid to expose their complexions to the morning air. linda feels no anxiety about her complexion, it is too beautiful for that. with her loosened hair which, brown as the dead leaves, falls over her back, and with the red cloak, in which she has wrapped herself, she is a bright spot in the park. [illustration: she is a shy bride and not at all melancholy.] she is not a shy bride, and not at all melancholy. her eyes shine, her lips quiver with excitement--distinguished acquaintances, foreign entertainments of which she will be queen. in mind, she already sees herself on the arm of one and another prince of the blood royal. she could clap her hands with joy that to-day at six o'clock she will no longer be called harfink. she remains standing beside a pond where near the bank four swans, shivering and melancholy, swim round a yellow bath-house. then a hand is laid lightly on her shoulder. "felix!" whispers she with the charming smile which she always has in readiness for her betrothed. "no, not felix--only eugene," replies a gay voice, and blond, handsome, with clothes a trifle too modern, and a too pronounced perfume of ylang-ylang, her cousin and former admirer stands near her. "ah, have you really come?" says she, joyously. "why naturally," replies he. "you do not think that for the sake of a few forlorn chamois i would stay away from your wedding?" rhoeden has come from steinmark, to be the cavalier of his cousin's second bridesmaid. "we had already begun to fear--that is, emma was afraid," said linda, coquettishly. "naturally it was indifferent to me." "wholly indifferent? i do not believe it," said he. his arm has slipped down from her shoulder, he has seated himself upon a low iron garden chair, from which, with elbows on his knees, his face between his hands, with the boldness which she likes so well in him, he can look at her as much as he pleases. "wholly indifferent!" she repeats, and throws a pebble between the swans, who dip their black bills greedily in the green water. "o lin! you naughty lin! and nothing that concerns you is indifferent to me!" he groans. "the trauns did not wish to let me go from them--but rather than not see you to-day i would have fought a duel with all the trauns in the world!" linda has slowly approached him; flattered vanity speaks from her shining eyes and glowing lips. he seizes her hand and draws her to him. "do you know, lin, that i was once absurdly in love with you?" she nods. "yes, i know it." "and you?" "and i? do not ask indiscreet questions, eugene!" "but this question interests me so much," he excuses himself. "tell me, lin, if lanzberg had not come between us--yes, if i only, most unfortunately, had not been born a grau," he continues sighing, "could i have cherished a little, very little hope?" "it is quite possible," says she, shrugging her shoulders, and coquetting with him over her shoulder. "but it is better so for us both." "for you, certainly," says he, "but i shall feel quite peculiarly to-day when i see you with your bridal wreath, lin! you will drive people mad with your beauty. you are the most beautiful person whom i have ever met in my life. where the devil did you get your look of high breeding?" eugene rhoeden, with his gay boldness and graceful impudence, his unconscionable aplomb, and his denial from principle of all personal dignity, is what is called in the vienna slang a _gamin_. gamin as he is, no one knows how to bewitch linda's small nature, how to feed her excessive vanity with such delicate bits as eugene von rhoeden. he understands her, she understands him; they are fairly made for each other, and for one moment, one very brief moment, linda thinks almost with repugnance of the black raven in the red field which greets her from the lanzberg coat-of-arms. "eugene!" murmurs she. "ah!" with that she suddenly turns to an elderly maid, who comes out from among the bushes. "are you looking for me, fanny?" "yes, miss." "i am probably to try my train for the twenty-ninth time. ah, eugene! there is something tiresome about a wedding-day!" then she breaks a red chrysanthemum as she passes, throws it to him, and vanishes. about seven hours later the wedding takes place in the castle chapel, adorned with greenhouse flowers. the blossoms tremble as if they were cold or afraid. their sweet, exhilarating fragrance mingles with the odor of wax candles, and that of perfumery and cosmetics, which is always noticeable in select assemblies. the wind creeps curiously through the window cracks, creeps up to the altar, makes the flames of the candles flicker, and blows cold upon the bare shoulders of the bride and bridesmaids. the bride, loaded with the richest jewels, resembles a proud narcissus in the morning dew. elsa is deathly pale, even her lips are colorless. erwin displays the inexpressive gravity which the occasion demands of a well-bred man. mrs. von harfink looks continually at the decorations, and starts when a white rose falls from the wall. mr. von harfink looks as if his collar were too tight for him. eugene von rhoeden, his bridesmaid's wrap on his arm, a sceptical smile on his lips, his hand at his mustache, his glance resting now on his uncle, now on the priest, now on the bride, stands there, the image of a little society philosopher of the nineteenth century, who laughs at all vanity and cannot himself give up his own. raimund looks like a radical who is paying an immense tribute to prejudice, and tries to look more distinguished than his brother-in-law. and felix? felix is as if paralyzed. the moment is here; his feverish longing nears its aim--happiness. then the ivy taps on the window, the wind seizes him with ice-cold hands. felix shudders and glances at his bride. how beautiful she is, and--how proud. proud? felix lanzberg's bride proud? it is impossible--it cannot be. a suspicion which, however he may deny it to his conscience, has occurred to him again and again during their whole engagement, strikes him for the last time and becomes certain that linda's mother has deceived him; linda knows nothing! then the priest demands his "yes!" he hesitates; hesitates so long that linda looks at him in surprise; two large, greenish eyes shine at him through the filmy, white bridal veil. "yes!" says he firmly and shortly. a long dinner follows, a long, complicated dinner, which no one enjoys except papa harfink, who studies the menu with the tenderest pleasure, and with a small pencil marks the numbers for love of which he thinks to extend considerably his elastic appetite. he sits between elsa and the wife of his nephew, the freiherr, the elder rhoeden, and, as he gulps down his _potage à la reine_, tells both ladies of his new achenbach, which cost him 4,000 gulden, which does not seem at all dear to him; as, besides a great deal of sunset, there are thirty-four figures in the picture--he has counted them--and in the background something else, he does not know whether it is a buffalo or ruins. "they almost persuaded me to buy a daubigny, a frenchman, i think--a green sauce--what a sauce! i said no, thank you. i like spinach and eggs, i said; but spinach and cows--but--and such cows! without tails or horns--regular daubs of colors. these frenchmen are tricky. really, people are cheated by them." thus concludes papa harfink, the art critic. elsa only half listens to him. her eyes wander wearily over the table with its stiff floral decorations and its heavy silverware, "real silver, and not plate," assures papa harfink. of the men, the last generation are broad-shouldered, red-faced; a sparse beard curls around their full cheeks, a sharp glance, on the lookout for profit, shoots from their small eyes. the past generation breathe loudly, pick their teeth continually, wear too tight rings on too fat fingers, and without exception, a thick gold chain with a diamond medallion over their stomachs. the present generation are sickly, dissipated, and have something of the jockey and something of the valet who copies his master. the pride of the whole family is centred in eugene von rhoeden, the blond good-for-nothing, who has as many debts as a cavalier, who was educated in the theresanium, and once had a quarrel with a watchman. of the women, some are pretty, none are pleasing; they have all good dressmakers; none are well dressed. the usually pale face of a "certain baron lanzberg" begins to flush feverishly; without eating a mouthful he hastily swallows one glass of wine after another. "try this delicious salmon; permit me to help you," the charming host turns to elsa. she makes a desperate attempt to do justice to the salmon. "strange," remarks von harfink, "my mother used to say that when she was young salmon was cheaper than beef, now it is very dear." elsa has laid down her fork in despair. "i am behind the times," says she. "i still am frightened by a telegram, and always feel nervous at a wedding." she smiles sadly, and two charming dimples appear in her cheeks. papa harfink continues to urge her to eat. "you must taste this salmi, baroness," he entreats. "monsieur galatin, my cook, would be unhappy if he learned that every one had not eaten some of his salmi. _pâte à la kotschubey_, he calls it. only to-day, this galatin said to me: '_ah, monsieur le chevalier_, when i think how often prince kotschubey got his stomach out of order with my salmi. the physicians said he died of gastrosis, ah! he died of my salmi.'" "you have a dangerous cook," says elsa. "but i understand this kotschubey, do you know," continues papa harfink. "since i have had this cook, i really have to go to marienbad twice every year. and besides, he is a splendid fellow, talks politics like a deputy. he formerly served only with the highest nobility. i took him with the castle from count sylvani. a peculiar fellow--this galatin; will not stay away from the swans and the park. a poetic creature; do you know, baroness, he reads victor hugo and the medisations of lamartine." "ah really, the medisations of lamartine," says elsa, smiling. susanna harfink rushes to the assistance of her distressed husband. "ha! ha! ha!" says she, with her shrill laugh. "my husband always calls meditations medisations--very malicious, do you not think so, but a good joke." papa harfink, sadly conscious that it always means a curtain lecture when his wife before people laughs so energetically at one of his "jokes," of which he feels innocent, with much grace and melancholia licks his knife on both sides. his wife looks as if she were weary of pulling the lion-skin again and again over the long ears. the moment has arrived when he is to speak his toast. he rises hesitatingly, the glass trembles in his hand. fear and champagne have made him lose the last recollection of the few words prepared by his wife. "this is a great day for me--a day of pride and pain--no, that is not it!" thoughtfully raising his hand to his upper lip. "i hope that my brother-in-law, no, my son-in-law--su--su--sanna!" he murmurs, helplessly. his cheeks seem to inflate, his eyes grow smaller and more shining, he has set down his glass, and twists his napkin like a conscientious washerwoman. susanna rises, she is fairly roman. "as my husband, overcome with emotion, cannot speak," she begins. "i will say, this is for----" for a moment she hesitates, then for the first time in her life, she resolutely denies her husband, emancipates herself from the "us" with which for long years she has protected him, and says: "this is for me a day of pain and of joy. i lose a daughter, gain a son; may my children always find the highest happiness in each other, and a safe retreat in their parental home." "he is getting a dreadful mother-in-law, this lanzberg," whispers eugene rhoeden to his neighbor, a gay, more than audacious brunette. "something between a roman matron and a quarrelsome landlady from a bachelor boarding-house." the tasteful raimund contributes a toast to the fusion of nobleman and citizen. the older rhoeden hopes that his beautiful cousin will lend a new charm to the noble name of lanzberg. much similar follows. eugene, for whom this rosary of _parvenu_ platitudes becomes too long, murmurs: "shall we not soon have paid sufficient thanks for the honor of being allied with baron lanzberg?" this mocking remark was only meant for his neighbor, its bitterness was only meant for the fawning of the harfinks. but felix heard it; ashy pale, with glowing eyes, half rising from his chair, he stares at the impertinent young man. the latter says good-naturedly and thoughtlessly: "yes, lanzberg, i will jeer at myself. _parole d'honneur_, i am a little ashamed to be quite so delighted at receiving an honest man into the family!" thereupon the "certain baron lanzberg" lowers his eyes to the table-cloth, and remains silent. viii. three years have passed since linda left her father's house, and was no longer condemned to be called harfink--three years and seven months. the trees have only recently lost their snowy blossoms; all are wrapped in soft young green, the whole earth seems bathed in new hope. it is a day in which death and misfortune seem like ghost stories, invented by old women--no one believes them. the birds twitter joyously, and without all is fragrance, sunshine and flowers. fragrance and sunshine fill the room where elsa sits, her youngest child in her lap. elsa looks youthful and girlish, quite as much so as at the time when we first made her acquaintance. the same heavy brown hair, as if sprinkled with gold, clusters at her temples, and her eyes still shine with the old dreamy light of happiness, but her cheeks are thinner, her figure frail and thin. the existence of the little creature in her lap has deprived her of so much health. she has not yet recovered since baby's birth, and has not had time to think of her health, for baby was a sickly child, and great skill was required to bind the little soul, which seemed so anxious to fly back to heaven, to this earth. day and night, in spite of her own delicateness, elsa has nursed and cared for the child, holding her tender mother-hand protectingly before the little light which every breath of air threatened to extinguish. erwin, who usually had such influence with her, this time could not induce her to spare her weakened strength. now the little girl is a year old, and laughs and smiles at her mother gayly, and the physician said recently, "you may be proud of the child, baroness. how you have raised her, god only knows. all doctors can learn from a mother. but now think of yourself a little." and the physician shook his head as he looked at the young woman. yes, the air is full of perfume and sunshine, but, in the midst of the charming spring life, elsa looks like a frail white flower. she has bathed baby, put on her little embroidered shirt, and wrapped her in a flannel slumber-robe, and now, with a fine towel, wipes the last drops from the tender pink little feet, and the little neck on which the water drops down from the small golden head. the nurse is meanwhile busy removing the bathing utensils, while litzi, who is now a big girl, wearing long stockings, stands near her little sister and holding perfectly still, allows her long hair to be pulled. "fie, you wild little thing, you will hurt her!" cries elsa at last, as baby pulls harder and harder, and winds her tiny fist in litzi's hair. then baby throws her head back, shows her four teeth, laughs with all her little body, and finally leans her cheek sleepily against mamma's shoulder. "go down-stairs, my litzi, go to miss sidney; baby wishes to go to sleep," whispers elsa to her big daughter, whereupon litzi goes away on tip-toes. dreamily humming a lullaby, elsa cradles the child in her arms, and then lays it down in its pretty white bed. but when she thinks it asleep, it opens its blue eyes, and stretching out its arms, murmurs something which, with a vivid imagination, one can declare to be "papa." "did you hear him come sooner than i, baby?" says elsa, while garzin, sitting on the edge of the bed, strokes the child's head until she closes her eyes. there she lies, her hair full of golden lights, the unusually long, black lashes resting on the round cheeks, lengthened by their own shadow, the full little mouth half open, like the calyx of a red flower, one fat little arm thrown up over its head. "she is pretty, my little one, is she not?" says elsa proudly, as she sees the quiet smile with which her husband watches the child. "and the doctor thinks i need have no more anxiety about her." "yes, the little rogue is healthy enough," says erwin, sighing, as he softly leaves the nursery with elsa. "i wish i could say the same of her mamma. poor elsa, how thin you are." "do i not please you any longer?" she replies, half laughing. "you are not very sensible!" "probably not," replies she seriously. "with such old married people as we are, there can be no more talk of 'pleasing.'" "do you think so?" "and if i should have small-pox, would it make any difference to you?" she asks him, looking at him curiously; the noblest woman is not ashamed to be loved a little because of her beauty. "certainly," he replies, "i should love you just as much as before, but i would be bitterly sorry for your pretty face." jestingly he passes his finger over her cheeks. they go into the garden; all is gay as if for a feast, the whole earth with her blooming mixture of white, blue and violet elder, golden rain and red acacias--a gay, shimmering picture under an endless blue sky. everything lives and breathes. the birds twitter, the insects hum, every blade of grass seems to have a voice, and join in the great triumphal chorus of the newly-risen nature. there is a rustling, a murmuring, a whispering, a nodding, a quiver of life and pleasure, and in the enchanting music suddenly mingles a soft crackling, the crackling of dead leaves, which play at the foot of the trees. garzin has led his wife to a bench, over which an elder tree bends its branches of bushy white blossoms. elsa gazes before her at the lovely nature, the mixture of luxuriant green and gay blossoms, of short black shadows amid dazzling light. "how young the earth looks," says she dreamily. erwin draws her to him. i do not know whether he loves her even more now when she is pale and ill; at any rate he is more conscious of his feeling for her, and treats her more tenderly, is more thoughtful of her, and she leans on him like a sick child. her whole being has become softer, less independent. "i received a letter from felix to-day," says garzin after a pause. "ah!" murmurs elsa somewhat bitterly. "does he write for money again?" "yes, i am to raise some money for him," says erwin looking troubled. "ah!" "he has a fine property, but that cannot last," he remarks thoughtfully. "if it makes him happy," elsa shrugs her shoulders, and her voice sounds harsh. "hm! to ruin one's self is at the time a very pleasant occupation, but to be ruined--a very unpleasant condition, especially with a wife like linda. i do not believe that felix will be willing to live on the income of his wealthy wife." during this remark elsa continues silent. "do you believe that felix is happy?" erwin continues; "his letters give a desperately depressed impression. did you ever hear a really happy man assure one in every letter: 'i am very happy'--'everything goes well with us'--'i am very contented.' happy people are silent about their happiness." elsa lowers her head, and remembers that in the first years of her marriage she had never written anything to her brother but: "i cannot express how i feel!" "as i know him," continues erwin, "his present frequent contact with the world must be a continual torment."' elsa frowns and grows very pale. "i do not understand linda!" she cries. "how can she under--under the circumstances rush into society? i no longer try to understand felix. hm!--he is weak--could never refuse a woman anything; if one had asked him for his hand, he would have let it be cut off for her. as far as i am concerned he can give her his hand--but--but----" a strange fire glows in elsa's eyes, her face takes on a rigid expression and she grows stiff and clutches both elbows convulsively. "poor devil!" murmurs erwin. "you pity him for my sake!" cries elsa, bitterly. "it is not necessary. i know that you think his conduct unanswerable--that you must think so. he has forfeited all the sympathy which his blameless conduct for years had won. i will never forget the tone in which marie dey said to me last spring, when she returned from rome: 'i have often met your sister-in-law; she goes a great deal into society--one sees her everywhere. your brother does not seem to find as much pleasure in society as his wife!' and marie was always a friend to felix. i know that in parisian society felix is called '_le revenant_,' for which name he has naturally to thank some kind austrian. evidently the whole story, which was forgotten, has been warmed up again." "the world is very malicious," says erwin, evasively. "certainly! but after one has passed sixteen years, one knows it, and guards one's self!" cries elsa, and adds with a bitter smile: "i suppose he is a great philosopher and thinks nothing of it." "elsa! elsa!" admonished erwin. she shook her head. "see!" said she, dully, "to spare felix a humiliation, i would give my life, but now i cannot think of him without anger. heavens, when i think of his return i tremble! i know he will be very badly received, and as his wife's whole existence turns upon being received----" erwin bites his lips. "felix writes me that his wife plans to return in the latter part of june or the first of july. he will come to traunberg with his little son somewhat sooner." "he will return?" murmurs elsa, slowly. "well, he must sooner or later." "certainly!" cries elsa, with a shudder. "erwin, what will strangers think of his return, if i myself am not able to rejoice?" "strangers do not take the situation so tragically," says erwin, hastily and precipitately, looking away. "well, to be sure!" sighs elsa. "it is of no consequence to strangers whether he has acted without any tact, yes, unresponsibly. to think evil of one who is far from one is a pleasure to malicious people, and to the best is simply indifferent. but to be forced to think evil of one whom one loves is the most painful thing in the world." for a moment she is silent. "if felix insists upon coming," she then continues, "i will do my utmost to make life endurable for him and his wife. i cannot persuade him to return." ix. about a week after the conversation between erwin and elsa, recorded in the last chapter, a bowed man appeared in steinbach whom at first elsa did not recognize, but into whose arms she fell with a cry when he stretched out two trembling hands to her with a sad smile. she had forgotten his unsuitable behavior; every bitter word which she had pronounced against him fell heavily on her heart; she no longer felt anything for him but boundless, compassionate love. the sight of him shocked her, his hair had grown gray, his voice hoarse. an anxious habit of raising his shoulders, and pressing his elbows against his ribs, that shy manner of poor tutors and other despised individuals, who seem to strive to make themselves as small as possible, to deprive others of as little room as they can--lent his figure a sickly, narrow-chested look. he spoke a great deal, with forced fluency, often repeating himself. he whom for so long elsa had at most only heard laugh fondly at litzi's little wise sayings, now laughed continually, loudly and harshly at the slightest provocation, whereupon the wrinkles grew deeper in his face, the shadows under his eyes darker. often after such an outburst of nervous hilarity, his face suddenly grew flabby, as if wearied by too great exertion, and for a moment displayed the stony features, the rigid pain of one who has died a hard death. he had travelled in advance of his wife, who was staying with friends at the italian lakes, in order to prepare everything for her reception. he talked a great deal about his son, whom he could not bring to elsa because the day was cold, and the little fellow was somewhat hoarse. all the little habits of the child, his manner of pronouncing words, he told his patiently listening sister. his voice sounded sadder than ever when he spoke of the child, and from time to time he sighed, "poor boy, poor boy!" "what he must have suffered!" sobbed elsa, when she was alone again with erwin. "what he must have suffered!" yes, what he had suffered! not even those who saw the evident traces of suffering in this thin, gray, feverish man, could imagine the greatness of his misery, could judge the darkness of his soul which his intercourse with the world had caused. immediately after the intoxication of the honeymoon, even during the wedding trip, which at linda's wish they had made to egypt, when he began to learn to know his wife, he came to the sad conviction that the most trivial acquaintance would have offered him as much distraction as this marriage. pretty, coquettish, graceful, seductive. linda was all these, but she had absolutely no mind. like all narrow women without intelligence she became, after continued acquaintance, tiresome. incessantly occupied with the ambition to appear a true aristocrat, in whom one could not perceive the _parvenue_, she had no room for other thoughts. her joy at being now a "lanzberg" was fairly naïve. he really could not be angry with her when she displayed her little vanities to him. she wished to flatter him. he looked at her compassionately at such times and turned away his head. from cairo she had dragged him to paris. there, at first, they had led an irregular, stranger life, with half-packed trunks in the grand hotel, went to the theatre and drove in the bois de boulogne. linda for a while was satisfied with the acquaintances which she made in the hotel reading-room, at the skating-rink, etc. felix always avoided a _table a'hôte_, which linda, even if the _tête-à-tête_ meals were at times a bore to her, never opposed, as an elegant custom. then she was one day accidentally asked by one of her friends whether she should attend the last _soirée_ of the austrian ambassador. a pang went through linda's heart. she enveloped her denial of the simple question in a confusion of excuses and explanations--she had only recently married, she had not yet thought of paying visits. scarcely was she alone with felix when she asked him if he knew the ambassador. yes, felix knew him, but had not seen him for years. naturally linda ascribed his evident objection to visiting his excellency to the shyness which his _mésalliance_ caused in him. a scene followed, tears, cutting remarks--headache. the next morning, felix stood mournfully before one of froment-meurice's windows and asked himself whether he should not buy his wife a diamond cluster of wheat to calm her anger, when some one seized his arm and cried, "why, how are you, felix?" felix turned, discovered an old friend, who, many years younger, had served a degree lower in the same regiment with him at that time. now the friend was attaché at the embassy, and a favorite with the parisian ladies, a gay, hot-blooded comrade for whom some one had found the nickname, "scirocco." "how are you, felix?" he cried a second time, offering his former comrade his hand. felix started. no one in all austria knew his story better than this very scirocco, and scirocco offered him his hand. "thank you, rudi," he murmured softly. "it is very good in you to still remember me." poor scirocco grew very hot and uncomfortable. lovable and impulsive, he had spoken to felix without thinking for a moment how hard it is to associate with "such a man." felix looked so miserable, so depressed that scirocco would have told all the lies which might occur to him to talk him out of his sadness. "i was going to run after you in the bois the other day," he went on, "but you were walking with your wife, and i did not wish to intrude. _sapristi!_ how long have you been married? here in foreign parts one loses all austrian news. your wife is a sensational beauty. do not take it amiss that i do not even know who she is. i absolutely do not remember to have seen any one who could remind me of this fairy-like apparition a few years ago in short clothes." "you certainly never knew her," replied felix. "she is the daughter of a viennese manufacturer--harfink." "ah!" somewhat robbed of his self-possession scirocco, hastily leading the conversation from an unpleasant subject, stumbles upon yet more dangerous topics. "do you live in jealous honeymoon solitude, do you not go out at all?" felix looks pleadingly at him. "you know that i cannot go out," he murmurs. and scirocco hurries over that--he will not understand. "nonsense!" he cries. "people are wiser here than with us at home. mind and beauty count for as much as nobility." poor scirocco, he was never guilty of a more trivial platitude. "you must take your wife to the x's," he continued. x was the ambassador at that time. "never!" said felix, violently. they had reached the grand hotel now. "when may i call upon your wife?" asked scirocco. felix had averted his face from his former friend. "when you wish, rudi," he murmured, then, suddenly turning towards him, "god reward you for your kindness, but do not force yourself." scirocco saw that tears rolled over the cheeks of the "certain lanzberg." scirocco did not philosophize over the weakness of his former comrade, he was far too deeply shocked. the result of his great cordiality to felix was an uneasy conscience, the feeling that with the best intentions he had acted with a want of tact, and the need of inflicting punishment upon some one for felix's tears. "poor felix! such a splendid fellow!" he murmured to himself. scirocco, whom we must introduce to our readers by his name count sempaly, was noted for his good-natured precipitation and thoughtless generosity, by which he was often subsequently forced pitilessly to harshness which would be spared a less lovable but more prudent man. for instance, at one time there was the american smythe, who had been guilty of a breach of etiquette in a parisian circle at cards, and whom society had avoided, without harshness, with the assurance that he had assuredly been only stupid. they bowed to him on the street, they invited him to large entertainments, but they hoped that he would not accept the invitations; they cut him dead when he accepted them. then there was the marquis de coup de foudre, who was accused of cheating on the race-track, and who, from indignation--hm!--retired from the track. he was not wholly given up, but every one would only see him as far off as his neighbor did, in the beautiful bond of mutual responsibility which holds society together. then finally there was lady jane nevermore, who had permitted herself several little irregularities with her husband, and who now, divorced, with a grown daughter, rendered paris and nice uneasy. how he had defended these people, with what deep respect, with what sympathy he had spoken of them--showed himself with them on public occasions, made good all their lack of tact (people in an uncertain social position always develop a particular genius for this). he lent them more of his shadow than the devoted bendel lent his master, peter schemil, procured the widest social credit for them. he made a legion of enemies, but the clouds which rested on lady jane, coup de foudre and smythe--their names here stand for many--rested on him. people said at last that he must have his reasons for defending these people. weary, angry, he then suddenly withdrew from his _protégés_, whom by this he injured much more than he had benefited, and who now could, without opposition, proclaim their social bankruptcy. like many foolhardy heroes, at the last moment he was forced to beat a shameful retreat, when a perfectly respectable withdrawal would have been possible before. but with however a wounded heart he might return from his campaign against public opinion, he always ventured into battle again. after this philosophical interlude, we would perhaps do better to return to scirocco, who is meanwhile breakfasting in the "café riche." he was not hungry--he pondered. lanzberg's fall did not in the least remind one of smythe's, coup de foudre's, or lady jane's. in regard to these people, to a certain extent, prejudice had been justified, as if prejudice is not always to a certain extent justified! scirocco's pondering ended in the resolution to launch lanzberg in parisian society as one launches an unpopular _débutante_ of the theatre. the next day he called upon linda, and the day after count x---paid his visit. how high she held her head among her acquaintances of the reading-room and skating-rink: "x----, an old friend of my husband," etc., etc. she took an apartment in the avenue de l'imperatrice, an apartment with a large cold _salon_ which was distinguished by gilded mouldings and white walls, pink doors, conventional chairs, and sky-blue satin upholstering. linda very soon understood that this dazzling elegance, which at first had blinded her inexperienced eyes, was intolerably "_dentiste_," as they say on the boulevard. she surrounded herself with old brocades, with modern bronzes, with smyrna rugs--an irregular confusion of picturesque treasures whose unsuitableness justified the temporary look of the whole establishment. scirocco helped her in everything. he found out auction sales in the hôtel drouot for her, stood for half the afternoon on an old flemish chair, to drive a nail with his own hands in the wall for her to hang a diaz or a corot upon--procured all the invitations for her which she wished--in short, was unweariedly obliging, and, _nota bene_, he only paid her enough attention to make her the fashion. she was clever enough to take with him the good-natured, brusque tone of a woman who may permit herself little liberties because she is sure of her heart and of the respect of the man with whom she associates. she lived in the seventh heaven. to drive every day, leave orders with worth and fanet, not to dine at home a single day, to attend two balls and three routs in one night, never to have a moment for reflection, to be always out of breath with pleasure, and besides this, to be surrounded by a crowd of young men with distinguished attractions and fine names, animated by the consciousness that for her sake an attaché, in despair over her virtuous harshness, had had himself transferred to persia--oh! in her romantic boarding-school dreams she had never suspected such a lovely life. and felix. scirocco had proposed him in the most exclusive club. felix had not resisted this, and came seldom to the club. he could not avoid playing little games of _écarté_. he won. his opponent doubled, increased tenfold the stakes--felix continued to win. the sweat stood on his brow; he was deathly pale. "do not play with me--i always win--it is a curse!" he cried suddenly, throwing down the cards and completely losing his self-control. scirocco grew embarrassed and nervously bit his nails. "if he had anything to reproach himself with!" he thought to himself. "but that is absolutely not the case, absolutely not!" the others who did not know baron lanzberg's history only laughingly called him "_un drôle de corps!_" the story went that felix lanzberg had once lost his mind from an unfortunate love-affair, and had spent two years in an insane asylum. scirocco had probably invented this rumor and set it in motion to take away room for other rumors. except scirocco and count x, none of the austrians in paris at that time knew the true state of affairs. a single one had a suspicion, wrote to vienna to inform himself, and received for answer--this and that. but this one was a _parvenu_, and when he wished to spread his news the others listened to him with mocking smiles, shrugged their shoulders arrogantly, and condemned the communication so harshly that he never again referred to it. he noticed that it was considered the thing to believe in lanzberg. felix grew daily more unsociable, and liked to go to places only where he was sure of meeting no one whom he knew, no people of society. he took long trips on the steamboats, passed the afternoon in the quiet peace of the gardens, sometimes stood for a quarter of an hour gloomily before a half-decomposed corpse in the morgue, or wandered through the quiet rooms of the louvre, which are so persistently avoided by certain parisians. formerly knowing as little of art as any other austrian uhlan officer, he now daily found greater pleasure in the pictures. his natural taste for glaring coloring, _décolleté_ cigarette beauties, humorous or sentimental _genre_ pictures disappeared. the soft harmonies of the old masterpieces had a strangely soothing effect upon his sick nerves. with slow, dragging steps, his eyes dreamily wandering from one picture to another, he sauntered through the long rooms. the gallery officials soon knew him, and with french talkativeness often spoke to him of the weather or politics. he never became a critic, but he had his favorites. for instance, he felt a quite inexplicable preference for greuze, the guido reni of the eighteenth century, of whom one might think that he had mixed his colors of tears, moonbeams, and the dust of withered flowers, and instead of beatrice cenci had painted a "cruche cassé." every day he stood for a while before the "cruche cassé" and murmured "poor child!" in one of the galleries there was the gloomy portrait of a woman from the hand of the jansenist, philippe von champaigne, pale with dark, mournful eyes; in the carriage of the emaciated frame the weary rigidity of vanquished pain. everything in the appearance was so dead and ethereal that one almost fancied one could see the flesh dying around the soul. felix stood before this picture every day. he loved the samaritan and the christ on the road to emmaus--masterpieces in which the sublime mystery of the rembrandt colors glorifies the harsh reality. he could not gaze often enough at the mysterious eyes of the christ, the eyes in which compassion is as large as the world, the eyes which pardon all, and yet ever sad, despairing, seek the means of salvation for sinful creation. but the picture which beyond all attracted and repelled him, which he loved and which yet terrified him, was watteau's pierot, pale, ghost-like, with glassy eyes in a rigid face; it looks down from the wall of the salle lacaze. to-day he has gone to a mask-ball to distract himself, and his weary eyes ask in disappointment, "is that all?" to-morrow he lies perhaps in the morgue, and his glassy eyes gaze with the same look at the solved riddle of eternity, as yesterday, at the hollow show--the same gaze which asks, "is that all?" felix almost daily passed a couple of hours in the louvre. "_bonjour!_" a diligent little artist cried to him here and there, some little person whom perhaps he had given some small assistance, and who greeted him as an habitué. except for this all was silence. no one speaks in the louvre; one only whispers. a hollow mutter and murmur woven of a thousand soft echoes pervade the old rooms in their vast monotony like the faint echo of the great tumult of the world, or like the murmur of the eternal stream of time. a year later, in a pretty country-house in ville d'avray, where they had passed the summer, a little son was laid in felix's arms. the tiny creature, wrapped in white lawn, grew indistinct before his eyes; he scarcely saw it, only felt something warm, living, between his hands, something the touch of which caused him a wholly new, tender sensation, and lightly and carefully he kissed his son's little rosy face. then remembrance smote his heart, a convulsive sob overcame him, and in a broken voice he murmured, "poor child! poor child!" from ville d'avray linda dragged felix to biarritz, then to rome, where they passed three winters. these were still worse than the winter in paris. rome is the city of social consideration, a kind of free city for dubious characters. felix's martyr nimbus had vanished through his intercourse with society in paris. scirocco who had been removed to rome, was vexed with linda for following him. her manner of chaining herself to his protection irritated him, but he still assisted her social advancement where he could. the other austrians were not exactly unfriendly to felix, but cold and distant. on their faces could be read, "we are surprised that you show yourself," or even, "we will not turn our backs upon you--we are in rome." with the certain feeling of kinship which characterizes the austrian nobility, they, to be sure, never spoke of his affairs with a stranger, but so much the more among each other. at last rome was tired of, and even london, where linda spent a season and enjoyed her greatest triumph. but one place remained to try--traunberg. it was a cool, unpleasant evening when felix returned to traunberg from his short visit in steinbach. gray and white strangely scattered clouds rose along the horizon, the lindens shivered, and threw long pale shadows over the smoothly-shaven lawn and the yellow gravel. the sun hung on the horizon almost without light, behind a pale mist like a half-faded spot of blood. life had never been as hard to bear for a "certain baron lanzberg" as on this evening. slowly he wandered through the large, gloomy rooms of the castle, in which the cold air was as close and mouldy as in a cloister, and where every step seemed to charm a remembrance from the floor. he saw elsa, tall, somewhat pale, with the charming awkwardness of her fourteen years, hurry to meet him, shy before her handsome, brilliant brother who, a week before, had won a race--her brother of whom she was so proud. he saw his father, as he smiled joyfully at him, and pulling his ear, cried: "do you amuse yourself, my boy? do you amuse yourself? have you debts? out with it--not many? always tell me what you need; i no longer know what circumstances require. you are my golden boy, you are your old father's joy!" he remembered the expression with which the freiherr had surveyed him, a glance in which a kind of exaggerated paternal pride was glorified by the deepest love, and the gesture with which he had merrily cried to the old family portraits, "are you satisfied with my boy?" his memory did not spare poor felix a word. he had passed through one after another of the large rooms. in some of them stood great piles of furniture which linda had sent here. suddenly he found himself before a picture which hung in a dark corner, concealed by a curtain, in his father's former room. hastily he drew back the curtain, then he clutched his temples and turned away from the painting with the short, dull groan of a dying animal. what had he seen? the portrait of an unusually handsome, merry, good-tempered young officer, who smiled at him through the twilight. felix hurried away. in the lofty, arched corridor, the echo doubled the sound of his footsteps. it seemed to him as if that gay comrade had stepped down from the frame, and now, relating old stories, wandered at his side. the sweat of terror was on his brow. he met a servant, and hastily commanded him to remove the picture from the green corner room. his voice was always sharp when he spoke to servants, and yet he was the best, most generous master in the world. he entered his child's room. the french _bonne_ laid her finger on her lips to signify to him that the child slept. he bent over the little creature, who, with one little arm under his cheek, with the other clasping a gay gilded doll to him, lay in the embroidered pillows. without, the lindens, sighing compassionately, shook their great black heads, the tower clock, indifferent as time which it serves, played its old piece in a flat tone, hesitating and pausing--a minuet to which the grandparents had courtesied and bowed. felix listened, listened, like an old man who suddenly hears once more the cradle song with which he used to be lulled to sleep. it overcame him. he bent down deeper over his little son, and murmured softly, "poor child, poor child!" and the words woke the child, he opened his large eyes and lisped, unabashed, "why, poor child? is gery sick?" x. "elsa, dear elsa, this is lovely in you! what an surprise! i only know you from my husband's accounts, and from my wedding-day, but i shall love you frightfully, that i feel already." crying out these words, linda had jumped out of the carriage with which felix had met her at the railway station, and greeted elsa, who, at her brother's wish, had come to traunberg to welcome the young wife to her new home. then leaving elsa, linda let her eyes wander over the façade of the castle. "_charmant! magnifique!_" she cried. "a portal like a church, gray walls, cracked window-sills, balconies and volutings, small-paned old cloister windows! i am charmed, felix--charmed! _c'est tout a fait seigneurial!_ if you knew, elsa, how tired i am of modern villas, stucco and plate glass. ah, you poor, little creature! i had half forgotten you;" with this linda bends down to her son, who had first stamped his little feet with joy and excitement at his mother's arrival, but then, ever more and more abashed by the flow of words which had carelessly been uttered over his head, with his finger in his mouth, now seemed to take a mournful pleasure in crying. "have all children a habit of sticking their fingers in their mouths, or is it an invention of my young hopeful?" asks linda, after she has hastily kissed and caressed the child. "he will be pretty, the little brat. it is a pity that his hair will not grow. when he had typhoid fever or measles--what was it, felix?" "scarlet fever," he replied, tenderly raising the tiny man in his arms. "oh, yes, scarlet fever; we had to cut his hair, and since then it has never grown long." "i think you can be satisfied with him as he is," says elsa, looking approvingly at the handsome child. "yes, he is a nice little thing," admits linda; "he has splendid eyes, the true lanzberg eyes. oh, i am so glad that he resembles felix." "well, his beauty would not have suffered if he had resembled you," replies elsa, with an admiring glance at her sister-in-law. linda's physique has developed splendidly. the discontented expression which formerly disfigured her face has vanished, has given place to a bewitching smile and brilliant glance. negligence and grace are united in her carriage. she displays the gayety and cordiality of a person who is satisfied with herself. laying her arm caressingly around elsa's waist, she whispers: "so you really do not find me too homely for a lanzberg; one would not guess from my looks where i come from, eh?" "where you come from?--from the world of society--that certainly," says elsa. "bah! from an iron foundry!" cries linda, laughing. elsa glances once more at the picturesque distinction of the slender figure near her. "no," says she, decidedly. indeed linda does not look like the daughter of a self-made manufacturer; rather like a parisian actress with a talent for aristocratic rôles. "and now you must show me everything in my new domain, elsa, everything," cries the young woman, and elsa says, "are you not tired, will you not first have a cup of tea?" then linda says animatedly, "no, no, i must first see everything, everything!" felix has disappeared with his little darling. elsa leads her sister-in-law through the rooms of the ground floor and first story, shows her the elegantly furnished rooms which elsa has herself helped arrange for her. "oh, you poor elsa, how you have tormented yourself for me!" cries linda, and finds everything splendid and charming, with the affability of a newly married queen who, entering her kingdom, wishes to make herself popular. "there! i will reserve the attic rooms. i begin to feel the dust of travel. it is now much too late to take tea; as soon as i have changed my clothes, i will join you in the drawing-room. i do not yet know the way to my room--oh, yes--that is the room for my maid---_parfait, parfait--au revoir_, my dear heart!" and before she leaves her, linda presses another kiss upon elsa's cheek. on her way to the drawing-room, elsa heard a little voice prattling and laughing behind one of the tall doors which open on the corridor. "may i come in?" she asked, and without waiting for an answer, she entered the room where felix, his child on his knee, sat in an arm-chair and held a sugar-plum high in the air, while the child climbed up on him, half laughing, half vexed at his vain attempt to overcome his father's teasing resistance. both were so absorbed in their occupation that they did not notice elsa's entrance. she gazed at the pretty group with emotion--the gray-haired man, the blond child, until finally felix surrendered the sugar-plum, and the child ate it with a very important air, smacking his lips, and with contortions of the face by which he seemed to show the ambitious desire of resembling as much as possible his little friend the monkey in the london zoo. then elsa laid her hand lovingly on her brother's shoulder. "oh, how you play with the child," said she. he raised his face to her, the pale face with the sunken eyes and hollow cheeks, in which everything was old but pain, which appeared fresh and young every morning, and said hastily: "i must love him doubly now. who knows whether later he will have anything to do with me?" xi. "i could not resolve to dress; to appear at dinner in a _peignoir_ is a fault which is pardoned in convalescents, and after twenty-four hours of railway travel, i feel at least like a convalescent. ah, how pretty it is here!" so cried linda, entering the drawing-room where felix and elsa awaited her, a half hour later. what she called a _peignoir_ was a confusion of yellowish lace and india muslin with elbow sleeves and the unavoidable watteau plait in the back. her soft hair hung loose over her shoulders. "i have a headache, and cannot bear a comb, and as we are _entre nous_----" she excused herself smilingly at elsa's astonished glance, as she pushed back the heavy waves from temples and neck. her gestures were full of seductive grace, and her whole form was pervaded with a moist, sweet perfume which reminded one of a summer morning after a storm, and which exhales from a woman who has just taken a perfumed bath. in her whole appearance lay something which excited elsa's nerves without her being able to explain it--which wounded her feelings of delicacy. linda suspected nothing of the impression which she made. "it is pretty here," she repeated, with a lazy glance of satisfaction around the room--"i thank you so much, elsa! one sees everywhere that a woman's tact has superintended the furnishing--a workman never produces such an impression. everything looks so cosey, so irregular. how happy i am to be home at last!" and linda took her sister-in-law's slender, sallow hand in her white, rosy-tipped one, and kissed it with childish exaggeration. "who is already here besides the deys?" she asked then. "before next week i must really think of paying calls." elsa was spared an answer by the quick rolling of a carriage. springing up she cried--whether her emotion betrayed merely a severe feeling of propriety, and did not also display an unconscious premonition of jealousy i cannot say--"linda, it is erwin who has come for me. put up your hair; it would be unpleasant for you to meet a strange man so!" with a peculiar expression in glance and smile, linda fulfilled her sister-in-law's wish. elsa quickly helped her to twist up her hair, and thereby breathed the peculiar perfume which baroness lanzberg used. she will think of this perfume in many terrible hours which fate has in store for her. with both hands at her neck, her beautiful figure clearly outlined, her white arms exposed to the elbow by the falling back sleeves, linda is just fastening a pin in her improvised _coiffure_, when erwin enters the drawing-room. "i did not think that you would take the trouble to come over here," stammers linda, childishly, shyly offering him her hand, "or else you should have found me in more correct toilet." elsa starts. instead of answering, erwin has kissed the warm white hand of his sister-in-law. the garzins remained to dinner in traunberg. linda would not hear of their return to steinbach, she was so happy at last to have an opportunity of learning to know her relations better. she asked advice and indulgence so childishly, was so gay, so amusing, so charming, that elsa's antipathy to her increased and erwin's rapidly lessened. soon he fell into the tone of indifferent gallantry with her which in society almost every man takes with every woman who does not inspire a direct repugnance in him. but elsa, inexperienced as she was, did not know this tone, did not know that one can listen with an expression of the most intense interest to a woman without having the slightest idea half an hour later of what she had said; that one pays her the little flatteries for which she hungers as one picks up her handkerchief--from polite habit; that for the time which one devotes to her, one is obliged, if not absolutely to forget the charms of all other women, still in no case to remind her of them. linda behaved very cleverly with her brother-in-law, displayed a naïve wish to please him--no forward coquetry. she knew that naturalness, lack of reserve in a really pretty woman is always the most dangerous charm--she was refinedly natural. she told the drollest parisian stories, made the drollest faces without the slightest regard for her symmetrical features; she made use of a momentary absence of the servants to throw a bread-ball in felix's face with all the skill of a full-blooded street-boy, and as felix frowned and erwin could not conceal a slight astonishment, she excused herself so penitently, told with so much emphasis of how marie antoinette in her time had bombarded louis xvi. with bread balls in trianon, that erwin was the first to console her, while there was something in his conventional courtesy of the encouraging consideration which a mature man shows to a spoiled child. after dinner linda offered to sing something. "she had to be sure no voice, not even so much as a raven or mlle. x----" she remarked smilingly, "but she relied upon her dramatic accent and----" as she remorsefully admitted--"she had taken such expensive lessons. would not elsa accompany her?" elsa refused gently, almost with embarrassment. she could scarcely read the notes, and erwin? he could read notes and could play enough to strum his favorite operatic airs by ear in weak moments. he would try to accompany linda if she would promise to be very patient. "the worse you play, so much the more excuse will there be for my faulty singing," cried linda gayly, and opened that charming, foolish cuckoo song from "marbolaine." a pretty confusion followed, a laughing, correcting, her little hands playing between his. "can we begin?" she cried finally, and still half leaning over him with one finger pointing to the notes, she began to sing "cuckoo!" her voice, in truth, did not remind one in the least of the gloomy organ of a raven, or the passionate hoarseness of the x----, rather of a child's laugh, it was so clear and boldly gay, even if somewhat thin and shrill. felix, who had meanwhile been telling elsa of gery's scarlet fever with most interesting explicitness, grew silent, not, perhaps, because the cuckoo song was even half as interesting to him as gery's parched lips and little hands--no! but because he noticed that the usually so patient and sympathetic elsa no longer listened to him. her eyes were fixed on linda; that thin, flippant voice pained _her_, could it please erwin? then the last note ceased. "i am so sorry that i have hindered you by my miserable playing," he excused himself. "you sing so very charmingly! another one, i beg you." for the first time in her life elsa was vexed that she was not musical. xii. "cuckoo," hummed erwin absently to himself as he drove back with his wife to steinbach through the capricious, flickering evening shadows. a filmy confusion of pink and white, a tumbled knot of pale brown hair, two large, cold eyes, mysterious greenish riddles in a flattering, open child-face, a seductive, rococo figure which leaned over the stone balustrade of the terrace, and threw gay kisses after the departing carriage, this is the last impression which erwin takes away with him from traunberg, in the landau in which he now sits beside his pale wife. "she has changed greatly for the better. it is a pity that she has such bad manners," he breaks the silence after a while. "do you really think that she has such bad manners?" replies elsa, without looking at him. "there can scarcely be any doubt as to that," says he. "some people may certainly think that it is becoming to her. nevertheless i should wish that she gave them up. you must undertake her neglected education, child!" "oh, i will leave that to you," she replies, coldly, almost irritably. "linda is not a person who will learn anything from women." "do not be harsh," he whispers, reproachfully, perhaps with a trace of impatience. the gloomy traunberg lindens are far behind them, only show as a dark spot on the horizon. the carriage rolls on between gigantic poplars; the sun has set and the shadows have vanished with it. over the earth is that dull gray light which might be called dead light. the new moon floats in the heavens, small and white, like a tiny cloud; pale yellow and reddish tints are on the horizon, above the violet distant mountains. at the left, only separated by a blooming clover-field, is the forest. "elsa, do you feel strong enough to walk home through the woods?" whispers erwin to his wife, coaxingly, and as she nods assent he stops the carriage, and they take a path through the clover to the shady woods. "now, was not that a good idea of mine, is it not pretty here?" he asks, gayly and proudly, as if he had made the wood, surveying all its beauties. "lovely," whispers she, but her voice sounds sad. at her feet the ground is blue with forget-me-nots; under the wild rose-bushes already lie many white petals. a sob and a sigh pass through the gloomy trees as if spring mourned that the first roses were dead. all is grave and solemn, the air spiced with the odor of withered generations of leaves, with the perfume of fading or still blooming flowers. erwin teasingly waits for elsa to speak to him--he waits in vain. with head thrown back and earnest eyes she wanders near him, and does not rest her little hands tenderly on his arm as usual. what is the matter with her? that she can be jealous does not occur to him. they have almost crossed the forest; the meadow which separates it from steinbach park shines between the sparse trees, then erwin discovers a striking trace of game; he bends down to observe it more closely. "a roebuck," he murmurs. "strange--in this region." "is there no other way across?" asks elsa, who has meanwhile crawled close to the edge of the meadow, and casting a somewhat anxious glance over the knee-high, dewy grass. "no, wait a moment," he replies, still absorbed in contemplating the strange trace. "it will cost me a pair of shoes," she murmurs somewhat vexedly, raises her gown, and resolutely prepares for a very cold foot-bath. "elsa, what are you doing?" cries he, perceiving her intention, and, leaving his hunter's problem, he hurries quickly up to her. "with your genius for taking cold." before she has time to answer he has taken her in his arms and carries her through the dew. he has wholly forgotten linda lanzberg, and also that he had been vexed with his poor nervous wife's unjust, childish antipathy for linda. he looks down tenderly upon the dear head, which rests with half-closed eyes on his shoulder. "how light you are," he remarks softly and anxiously; "you do not weigh much more than litzi now, my mouse." elsa does not answer, but her slender arms twine round his neck, and as his lips seek her pale face, he feels that she is crying. "what is the matter, my darling?" he asks. "i do not know myself," she murmurs with a slight shiver. "i am afraid." xiii. "we really must invite her," says, in a mournful tone, countess mimi dey, a large stately woman, with a too high forehead, a feature which has the proud advantage of being a family inheritance in the sempaly family, an aristocratic, small, turn-up nose, a benevolent smile, and a near-sighted glance. the countess is the best woman in the world, of proverbial good nature and unfeigned condescension in association with music-teachers, governesses, companions, maids, tutors and officials, and such poor devils who are paid and supported by the aristocracy, and politely courtesy to them; but she is unapproachably stiff to the upper middle classes, those persons who demand a place in society. she belongs to that exclusive coterie which considers itself the sole patented extract of humanity, and looks upon all the rest of the world as only a common herd, a mob which, under certain circumstances, permits itself to pay its servants better, and to give more to charitable aims than princely houses, a mob which speaks french, wears swedish gloves, and lives in palaces. she has a vague idea that it speaks incorrect french, that under the gloves coarse hands are concealed, that the palaces are always furnished with the taste of first-class waiting-rooms, but knows nothing definite about it, does not know "these people" at all, does not see them, although they are everywhere--they do not exist for her. they tell an amusing anecdote of her: that once at the opera on a patti evening, her cousin pistasch kamenz entered her box, and asked her, "is any one in the theatre to-night?" she, after she had glanced around the crowded building, answered mournfully, "not a soul!" what particularly amuses the countess is that, as she hears, this great class of _bourgeoise_, "which one does not know," is, on its side, divided by various differences in education and condition into classes which do not "know" each other. "i really must invite her," she repeats, mournfully. she leans back in a deep arm-chair in a large drawing-room with brown wainscoting and numerous family portraits, and smokes a cigarette. "pardon me that i really cannot so deeply pity you as you seem to expect," replies scirocco sempaly, who, now on leave, occupies a second armchair opposite his sister. "hm! i do not care about the positive fact; last week i dined with my bailiff's wife, but--it is a matter of principle." "_cent a'as_," says, with indifferent gravity, an old acquaintance of ours, eugene von rhoeden, who sits by an open window before a mediæval inlaid table and plays bézique with the above-mentioned cousin of the hostess, count pistasch kamenz. "_cent d'as_," he says, apparently wholly absorbed in his cards, and moves an ivory counter. a mild gentle rain is falling, the perfume of half-drowned roses and fresh foliage floats into the room. in one corner sits the only daughter of the widowed hostess, countess elli, a dark little girl in a white muslin frock, and near her, in a black silk gown, the governess. the obligatory half hour which elli must spend in the drawing-room so as to become accustomed to society, is over. elli is rejoiced, sixteen-year-old girl that she is. she takes no particular pleasure in the society of grown people, who can no longer pet her as a child, and who must not yet treat her as a young lady. a rustle of silk and muslin, a shy "_bon soir!_" and mademoiselle retreats with her charge. scirocco rises to open the door for the governess, makes her a deep bow as she disappears. rhoeden also rises, only pistasch indolently remains seated. "pistasch, you might trouble yourself to say good evening to mademoiselle," says the countess half jokingly. "pardon," replies pistasch, "pure absent-mindedness, mimi, and then she is so homely." "that simplifies matters ten-fold," replies scirocco, hastily. "one can never be too polite to homely governesses--it is only the pretty ones that are troublesome." "i do not understand that," says pistasch, and marks double bézique. "one never knows how one can be attentive enough to them so as not to vex them, and yet reserved enough not to impress them," says scirocco, dryly. "hm! you have very virtuous principles, rudi; for some time you have moved wholly in the icy regions of lofty feelings of duty, where the tender flowers of the affections never bloom," laughs pistasch. "i admire you, upon my word, but--hm--i do not trace the slightest desire to follow you into this rare atmosphere," and he rubbed his hands with satisfaction. he considered his cousin's conscientiousness either feigned or morbid. how could one be conscientious with women? conscientious in regard to debts of honor, that is something quite different, that is self-understood; but regarding governesses--bah! "count pistasch kamenz is a charming man." so at least say all the ladies and also all the men who have not yet come in conflict with him. he has the handsomest blond cinque-cento face, speaks the viennese jargon with the most aristocratic accent, and possesses the most enviable talents. he rides like renz, dances like frappart, and more than that, in private theatricals he is like blasel, matras and knaak in one person. in all austria, no man has a greater talent for representing polish jews, poverty-stricken czechs, drunken valets, provincials of all kinds. but his greatest triumph is the "vienna shoemaker's boy." what accuracy of costume and grimaces! the ladies say he has a pug nose when he plays the shoemaker's boy, and a way of sticking out his tongue--ah! he has played for benevolent objects a hundred times, and in vienna is a universally known and boundlessly popular individual, because he is intimate with actresses, occasionally from a freak rides in an omnibus, or another time is seen in the standing place of the opera house (for a half act), because one sometimes meets him in sausage houses, because in rainy weather he walks with an umbrella and upturned trousers, because once even--the gods and a pretty girl alone know why--he travelled from salzburg to vienna second class. the public see in him a pleasant, affable man without pride, and feel drawn to him like a brother. poor public! i would not advise you to stretch out your hardened hand to him, for between ourselves count pistasch is one of the most arrogant of austrian cavaliers. the actors with whom he one evening drinks friendship, and the next greets with "hm!--ah--you, mr.---what do you call him," can tell this. one of them once challenged him. this was a great joke to the count; he laughed until he cried, could not control himself, and finally settled it thus: "you are a fine fellow, am very sorry, etc., deserve an order for personal bravery--ah--if i can be of any service to you," etc. he has never been outside of austria, possesses the vaguest ideas of history. the french revolution is a kind of accidental calamity for him, something between the earthquakes of lisbon and the pest in florence. he is a strict catholic from aristocratic tradition, has very good manners when he wishes, speaks french well, and we can assure our readers, that just as he is, without a suspicion of the "principles of '89," he would be received with open arms in the most republican _salons_ of paris, and would be admired by the ladies for his "_pureté de race_" and "_grand air_." now we need only add that he naturally was not christened pistasch--that this is a humorous nickname which was given him as a boy, by reason of his idealistic "greenness," but which now, when this greenness has long withered, is preserved for the sake of contrast. "well, have you decided upon the day when you will invite the lanzberg?" asks scirocco of his sister, who, after long pondering, gold pencil in hand over a little velvet-bound book in which she enters her social obligations, now closes it. "it is very hard," complains the countess. "when did this unfortunate madame lanzberg call upon you? oh, yes. wednesday. have you returned her call yet?" "no; i must show her from the first that i am in no hurry to associate with her," says the countess. "hm!" says scirocco, his hands in his pockets, his eyes fixed upon the ceiling. "do you not think, mimi, that as quite a near relation of lanzberg it would be the thing for you to smooth the way a little for his wife? it would be an act of christian charity." "the matter is very complicated, rudi," replied mimi dey. "i was always very sorry for felix--you know i decidedly took his part. i have nothing against his wife; her manner is indeed deplorable, but on the whole, if some little poverty-stricken sempaly or dey had married her, i should have been the last to withdraw my protection from her. in felix's unfortunate circumstances, he has proved by his marriage that he no longer belongs to his caste; he has abdicated, _voilà_." rhoeden and pistasch have finished their game of bézique, and now devote themselves to the building of interesting card-houses. they spice this intelligent occupation by considerable wagers, which he shall win whose card-house remains standing the longest. up to now rhoeden has had the advantage. but the countess's words seem to have excited him a very little--his card-houses no longer stand. scirocco bites his lips, every finger quivers--how can he counsel his sister to silence or at least consideration? in vain he turns his back to rhoeden, so as to make an impression upon her by energetic scowling. soon he notices, like many subtle diplomats, that he has naïvely exposed himself to the enemy. his energetic play of expression beams at him from a mirror in which the attentively watching rhoeden could certainly solve the interesting riddle--but it wholly escapes his short-sighted sister. "as she, nevertheless, must be invited, it would perhaps be better to fix the day," cries scirocco, somewhat impatiently. "it cannot be this week," answers the countess, counting over the days. "thursday, friday and saturday are the days of the fair for the flooded people in marienbad; sunday, the ladies of the committee dine at the m----'s, monday there are private theatricals at the m----'s, thursday, the l----'s dine with me----" "well, invite them for thursday," cries scirocco. "she is really very nice, sings chansonettes like judic; she will amuse you greatly." "do you think so?" cries the countess. "before felix was married, l---would hardly bow to him, how will it be now? no, wednesday. wednesday will be the best, but still i cannot exactly invite her _en famille_." "hardly," says scirocco, dryly. "and whom can i ask to meet her? one has an antipathy to felix, others to her----" the countess laughs lightly and kindles a fresh cigarette. "one must be so careful--it would be very disagreeable for me if toward evening some one should accidentally come over from marienbad, and should meet her here." "have a warning fastened over the door as when one has small-pox in the house," laughs pistasch. "invite the garzins," proposes scirocco. "yes, that is something, but a strange element is still desirable," remarks the countess. "what do you say to the klette?" scirocco frowns. "i do not understand how respectable people can tolerate this poisonous old gossiping viper under their roofs," he answers, angrily. "neither do i," replies mimi dey, obligingly, "but still every one does." "i make you another proposition, mimi," cries pistasch: "invite old harfink by telegram; i think he will come by special train." the countess smiled. "i should certainly do it," remarks she, "but i believe the lanzberg would look upon it as a mortal insult. besides, when did you make his acquaintance?" "i met him once on the train, and thereupon he invited me to dinner," explains pistasch. "and you accepted?" asks the countess, raising her eyebrows. "why of course--i thought i should amuse myself as well as at the carl theatre. yes--that was what i fancied. what a disappointment! the dinner was not bad, perfectly correct, alas! the wife spoke of nothing but the evils of the social question. i did not know where to look, and the husband spoke of nothing but the evils of his stomach. except for that, they were both very charming, on my word. paid me compliments to my face with a _sans gêne_. bah! i was never very kindly disposed to felix, but i pity him on account of this match. for my part i should rather marry into a hottentot family than such people." i do not believe that during this speech eugene rhoeden felt exactly upon roses. there are _parvenus_ who listen in society to such speeches with self-satisfied indifference; yes, even laugh at them, and applying the english proverb, "present company always excepted," to their own case, fancy themselves unreferred to. but rhoeden does not belong to these enviable ones. he smiles slightly to himself, and after the conversation had continued for some time in a similar manner he begins: "there was once a french poet named voltaire, and once when he went to london the street boys laughed at him, and sang mocking songs about frenchmen. then the poet turned round and said: 'you good people, is it not hard enough not to have been born among you? really, you should pity us, not despise us!'" after this little anecdote a universal silence followed, then scirocco cried, "bravo, rhoeden!" the good-natured countess dey blushed and said: "we had entirely forgotten that you are related to these people," which sounds like a _betise_, but is balm for eugene's vanity. pistasch, however, puts on an irritated expression, and cries with his colossal impertinence, "i pity you uncommonly!" half an hour later the countess is conferring in her dressing-room with her maid concerning her costume for to-morrow, and pistasch has seated himself in a bad temper at the piano, where with his handsome, unpractised hands he thumps out the march from norma, the only achievement of a ten years' study of music. scirocco and rhoeden stand below on the rain-wet terrace. "your cigar bores me," cries scirocco, "throw it away and fill your lungs with pure air," and he draws a deep breath so as to enjoy the fragrance of the summer evening after the rain. eugene does as he is invited, and then asks, "do you not admire my compliance?" "you are a good fellow; one can get along with you," answers scirocco in his abrupt manner. "thanks for the acknowledgment," says rhoeden, not without bitterness. "sometimes i ask myself whether it would not be better and more sensible for me to pack my trunk." "don't see the necessity," growls scirocco. "i am really not sure," says rhoeden; "for between ourselves it is pleasanter to hear pistasch make fun of my uncle than to hear my uncle rave over pistasch when the latter has accidentally met him and said: 'ah! good day, mr.---what is your name--mr. harfink?'" "curious world!" murmurs scirocco, smiling to himself. rhoeden, seeing him in a particularly good temper, makes use of the opportunity to ask him: "say, what is the story about lanzberg?" scirocco is silent for a while; looks apparently absently before him, and then suddenly cries brusquely, "what did you ask?" "whether you think we will have fine weather to-morrow," replies rhoeden. scirocco glances at him peculiarly with a half smile, behind which the words "clever dog" may be read. that evening eugene writes in the diary in which, instead of sentimental impressions, he notes down all freshly-acquired worldly wisdom: "never ask society, except concerning things which you already know." xiv. klette was invited after all, or rather invited herself. at the fair in marienbad she met mimi dey, and upon the latter remarking carelessly: "how are you, caroline; when are we to see you in iwanow?" assured her generously, "i am at your service as soon as you send the horses for me. i have been intending to spend a few days with you." and she stays a few days; the first of these, the eventful wednesday, has already dawned, is in fact nearly over. klette and the countess are chatting in the drawing-room. the three gentlemen are firing at sparrows in the park, quite a bloodless occupation, which the sparrows seem to consider a good joke, and they laugh at the shooting with their ironical black eyes. they flutter about like will-o'-the-wisps. in vain does pistasch, who seems particularly bent upon this sport, approach softly the trees where they crouch--krrm--and they are gone. for probably the tenth time pistasch has cried, "the infamous sparrows are cleverer than i," has at last fixed his eye upon a comfortable old grandfather sparrow, who sleepily philosophizes on the thick branch of a nut-tree, but before he has aimed he hears from the open windows of the drawing-room loud laughter, the gay ripple of the countess, and the deep, rough ha! ha! ha! of klette. "how amused the ladies seem to be," he says, turning to his companions, forgetting the sparrow patriarch. "i do not understand how any one can laugh at that cantharis," grumbles scirocco. "oh, she is surely relating something piquant about us," says pistasch. "it is incredible how greatly interested the ladies are in our doings, that is to say, in our evil doings." now the shadows have become much longer. klette has withdrawn to don a wonderful cap of yellow lace and red ribbons, and the men have returned from their bloodless hunt, to exchange their gay shirts and light summer suits for solemn black and dazzling white. "rudi," cries the countess, as she hears a light and yet somewhat dragging step--scirocco limps a little--passing her dressing-room door. "have you any commission, mimi?" asks scirocco, with his good-natured obligingness, as he enters the room. the countess has dismissed her maid, is already in dinner toilet, suppressed laughter sparkles in her bright brown eyes, the corners of her mouth twitch merrily. "no!" she replies to his question. "what commission should i have for you!--ah! you came from the greenhouse?" pointing to a couple of flowers in his hand. "yes. i wished to give the gardener some directions in regard to the flowers for your guests. i remember that elsa cannot bear gardenias, and linda--hm--the lanzberg raves over stephanotis." "you really might have omitted the bouquets today," says mimi, vexedly. "my greenhouses without this--thanks to the fair and those stupid theatricals--are pretty well stripped." "elsa has never dined here without finding her favorite flowers beside her plate," remarked scirocco, calmly. "i can neither pass over linda, nor will i punish elsa for the misfortune of having a miss harfink for sister-in-law. why are you laughing so, mimi, what seems so amusing to you?" "my own simplicity," cries the countess. "i was so very stupid." "mimi, i do not understand you in the least," says he in astonishment. "oh, i took your protection of this pretty lanzberg for unselfish philanthropy!" the countess interrupts herself to laugh. "unselfish philanthropy! say rather ordinary justice," cries he, becoming somewhat violent. "what are you thinking of? what are you driving at?" "your discretion is admirable! you understand no hints." "ah, indeed!" cried scirocco, pale with rage. "ah, indeed! and the cantharis told you that--that was what you were laughing over so immoderately?" "but rudi, never mind. i do not take it amiss in you," cries the countess good-naturedly, restraining her levity. "but i take it amiss in myself to have given rise by my thoughtless inconsiderateness to such infamous inventions!" cried scirocco, "for, once for all, mimi, mrs. lanzberg is horribly calumniated by such." "there are cases where perjury is permissible," says the countess, indifferently. "do not trouble yourself, i will never speak of the matter." then scirocco steps close up to his sister. "mimi!" cries he, hoarsely, "do you know that i am wounded, seriously wounded by your suspicion? pray consider the meanness which you ascribe to me! i have worked for felix's rehabilitation so as to be able to carry on a convenient love affair with his wife, on the risk that the world, bad as it is, discredited as he is, should say that he voluntarily paid this price for my assistance. his wife was indifferent to me, but even if she had charmed me i would have avoided her like the plague rather than throw another shadow on felix's compromised existence. poor felix! and i imagined that i had been of some use to him." impossible not to believe in his honest excitement. "pardon, rudi," whispers the countess, "i had not thought." "never mind that, mimi," he murmured, "besides it is better that i know what people say. i can at least act accordingly--to-day. this venomous serpent will surely watch my every glance. however, i must hurry--_à tantôt_, mimi!" with that he rushed out, had only just time to change his clothes when he heard a carriage approach. "poor felix!" he murmured thoughtfully and sadly, "i can do nothing more for you; they have tied my hands." thus the last shadow of pleasure which linda might have had at the dinner has vanished. the lanzbergs arrived a few minutes before the garzins. scirocco received them at the foot of the terrace, offered linda his arm, with somewhat formal politeness, and escorted her to his sister in the drawing-room, not in the cosey, brown wainscoted one, but in a ceremonious chamber hung with gobelins. the countess rose at her entrance and took two steps to meet her, then introduced her to those present with her usual absent-mindedness, naturally to rhoeden also, at which linda began to laugh; but as no one joined in her merriment, her pretty, attractive face suited itself to the universal gravity. poor linda, she so petted, so spoiled, to-day sees not a welcoming face, even among the men. the countess exchanges polite commonplaces with her, while she addresses remarks to klette in between. the chair near the sofa on which linda sits remains empty. pistasch, whose humorous talents are to-day wholly imperceptible, presents the appearance of a distinguished statue, and exchanges a few words with eugene, while scirocco with unnatural liveliness has entered into a conversation with felix. at last the garzins appear--every one thaws. the countess does not walk, no, she runs to meet elsa, kisses her on both cheeks, scolds garzin for permitting his wife to look so pale, accidentally steps on linda's train, turns round and says, "ah, pardon me, baroness!" a perfectly polite little phrase which makes linda feel as if cold water had been thrown over her. the dinner is announced. scirocco takes linda in with the same strange formality which she perceives in him to-day for the first time. at the table a charming surprise does indeed await her--a bouquet of stephanotis and gardenias. "oh, scirocco!" cries she, perhaps a very little too loudly, "that is too lovely! it reminds me of rome," she adds softly. she is already so nervous that she would like to burst into tears at the pretty attention. her eyes sparkle, and a fleeting blush crimsons her cheeks. scirocco is sorry for her. "i am glad that you appreciate my good memory," says he, bending slightly towards her. then he notices how suddenly no less than three pairs of eyes watch him closely, those of klette, pistasch, and rhoeden; he feels that linda's excited manner is most suited to strengthen this distrustful trio in their suspicion, and immediately turns to elsa. "i could not conjure up any white elder, unfortunately, snowdrop," says he, shaking his handsome head vexedly. "even with the assistance of all the seasons, you could hardly have found anything more beautiful than these white roses," she replies. she sits at scirocco's left. linda cannot eat, and finds no opportunity to speak, and relate the gay little stories which are her specialty. pistasch, who sits at her right, contents himself by from time to time dutifully making some remark to her concerning the weather, the country, and such perfectly neutral subjects, excluding all intimate conversation, and scirocco, her old friend, on whose homage she had relied so surely, to-day has nothing but etiquette for her. she listens to his conversation with elsa. elsa and he were playmates together. she calls him by his given name, he calls her snowdrop, which pretty nick-name he had discovered for her years before. both laugh lightly over old reminiscences which they share, and ask each other about old, half-forgotten friends. pleasant confidence on her part, smiling courtesy on his, marks their manner to each other. linda feels more and more depressed. felix, more gloomy and embarrassed than usual, scarcely raises his eyes from his plate. except scirocco, who absolutely cannot help her, nor dares, only one notices and pities her misery--erwin. "what has become of your wild gypsy, snowdrop?" asks scirocco, among other things. "my wild gypsy has become a very tame gypsy, who lets my little daughter ride her very good-naturedly," replies elsa. "ah, litzi rides already; then i must accompany her some day soon," says scirocco. "do not break her heart. she likes you better than any one else now," says elsa. "that is quite mutual," he assures her. "i hope you will bring litzi up for me." "since we have been at traunberg i have not yet been able to find a suitable saddle-horse." linda turns to scirocco. "if you are not a grandfather before litzi thinks of marriage," elsa laughingly answers his last remark. "do you know that you are beginning to grow gray?" whereupon be, turning to his right, says: "you will find the country very pleasant for riding, baroness--many meadows," and to the left: "you always were accustomed to discover the mote in my eye, snowdrop!" "why did you never mention your wish to me, linda?" asks erwin across the table. "i can place a horse at your disposal which might suit you." "riding is a very pleasant pastime--will be a great resource for you, baroness," remarks pistasch. "ah! do you think that i will need many resources in traunberg?" asks linda, bitterly. "well, life in the country is always monotonous," he says politely but somewhat hesitatingly. "these _pâtis_ are excellent, mika," now says the bass voice of klette, at his right. she has known him all his life, has dandled him on her knees when he wore short dresses, still calls him by his christian name, and is one of the few people who remember that he was really baptised michael. he gives a servant a sign. "shall i help you?" he asks with droll gallantry. "i have nothing against it--two, please," she replies. "how is marienbad looking? any new beauties?" he asks. "don't be so lazy, and come over and see for yourself," says she with her mouth very full. "i was there saturday at the fair. ruined myself buying cigar-cases. i place six at your disposal, caroline. but on my word, it is astonishing what trash they had at the fair." "you distinguished yourself," cries the hostess, laughingly. "yes, unfortunately i took a ring street beauty for the f---from the carl theatre, and asked her how much a kiss cost. her ladyship entered into the joke, and answered that she only sold cuffs, and as i persisted--_pour la bonne cause_, she replied in perfectly good french, '_la bonne cause s'en effaroucherait_,' then i grew urgent. 'count kamenz!' cried a warning voice near me. i look up, and behold beside me, the picture of offended dignity, the husband." "and how did you get out of the scrape? what did you say?" asks klette. "i?--what could i say?--'ah, pardon'--and decamped!" "cool! very!" remarks rhoeden, who has been reconciled to pistasch again, laughing. "i only wondered that he knew my name so well," says pistasch, meditatively, with feigned simplicity. "i do not know to this day what his name is. his wife was a magnificent creature, on my word--what a pity!" "i think she was sadder at the interruption than you," says rhoeden. "possibly," replies pistasch, calmly. the trivial little story has seemed diverting enough to all present except linda. is that the way in which young people of society speak of pretty women out of their sphere, to whom they pay attentions? she asks herself. xv. now the dinner is over. they have left the drawing-room to wander through the park. there are thunder-clouds in the sky, the air is close and breathless, sultry, but at times a sharp gust of wind rises. the birds fly close to the ground, as if the black sky frightened them, and the flowers smell strangely sweet. in vain has linda sent inviting glances at scirocco; he clings to elsa as a sinner might cling to a saint through whose protection he hoped to gain admission to paradise. rhoeden who, whether from policy or convenience, plays the rôle of an injured man and is very reserved, polite and attentive as he is, has undertaken to be the young elli's partner at lawn-tennis, by which game he can meet her in the park. erwin has good-naturedly joined his pretty sister-in-law; chatting gayly, he tries to drive away her bitter mood. there is something in the shape of his eyes which makes them look sentimental, one might almost say loving. his temperament is such that he can be with no one, especially no woman, without trying to make her existence agreeable. elsa who, walking with scirocco, meets her husband, linda on his arm, remembers neither the one thing nor the other; the smile with which, with head slightly lowered, he listens to her chat, the glance which he rests on her, are in elsa's eyes half crimes. after a few superficial words the two couples separate again. erwin as he goes turns round and calls to scirocco, "see that you do not take my wife into a draught, sempaly. she is strangely imprudent." "what admirable thoughtfulness," says elsa, half aloud, and draws down the corners of her mouth so deeply that scirocco, as an old friend, permits himself to remark laughingly, "i did not know that you could look so gloomy, snowdrop!" whereupon elsa blushes. linda and erwin join the lawn-tennis players. linda has studied this modern pastime thoroughly in england, and likes to play; besides that, she knows very well that nothing is more becoming to her slender yet voluptuous figure than the quick litheness required in lawn-tennis. her voice reaches elsa from a distance, gay, shrill, then the soft half-laughing voice of erwin. "you look so tired, snowdrop," says sempaly, sympathetically, "will you not rest a little?" with that he points to a bench in a niche of thick elder-bushes. "yes, i am tired," says elsa, dully, and sits down. "tired after a two-hour drive and a little stroll through the park, snowdrop," remarks scirocco, anxiously. "i do not recognize you any more. you used to endure so much. do you know that your health makes me anxious?" "nonsense! my health interests you about as much as that of the emperor of brazil. if you receive notice of my death some day you will shrug your shoulders and sigh sympathetically, 'poor garzin!'" "you are intolerable, snowdrop," says scirocco, laughing. "besides, the wind is rising and you are beginning to shiver. let us go to the house." "no, i like it here," she cries with a pretty childishness. "i should like to see the sun set from here, and am curious as to whether the flora there"--pointing to a statue--"will become flushed pink. prove your friendship and get me a wrap." he goes away, but remains longer than the nearness of the castle seems to justify. elsa does not notice his long absence. she prefers to be alone in this spot. the bench reminds her of old times, and is therefore dear to her. whether the flora becomes pink or not is perfectly indifferent to her--she does not look outward, she gazes inward. she thinks of the day when she sat there with erwin, her betrothed. (count dey was still alive then.) she remembers--oh, something foolish--the little beetle which had fallen in her hair and which erwin had brushed away with light hand; his caressing touch; how he looked lovingly at the beetle because it had touched his love's hair; how, instead of throwing the insect away, he had carried it with him when they left the bench, and had placed it carefully in the heart of the most beautiful rose which they passed. how he loved her then! how passionately and at the same time how tenderly! "ah! those were such lovely times," she sighs with the old song. the voices of the lawn-tennis players are still heard. how can they play in such a gale? suddenly she hears her name spoken near by. "how this poor mrs. garzin has gone off!" cries the klette's bass voice. "i scarcely recognized her." "she looks badly," replies count pistasch's distinguished husky voice. "she has grown old, fearfully old; she looks as if she were forty," asserts the klette. "ah, bah! she looks rather like a consumptive pensioner," replies pistasch. "what can be the matter with her? i hope no trouble is worrying her." "don't you think that this good garzin is a little too fond of his pretty sister-in-law?" "nonsense, caroline!" says pistasch, reprovingly. "you are always imagining something. recently you asked me whether poor rudi----" "well, that is evidently over;" the klette heaves a sigh of disappointment; "but she must coquet, poor mrs. lanzberg, to amuse herself, there is not much else for her to do; and say yourself--i do not assert that the good garzin has already knelt to her, but would it not be natural? it would really serve this arrogant elsa right. to force garzin, a man of such a gay, sociable nature, to absolute solitude; to take away from him his career, his occupation, in short, everything." elsa springs up; she listens breathlessly. what does she care that it is ill-bred to listen? but the voices die away. pistasch and the klette turn into another path without noticing the white form in the dark elder niche. scirocco at length comes back. "i could not find either your things or mimi's maid all this time," he excuses himself for his long delay. "i hope this belongs to you," offering her a white crêpe shawl. she takes it, but immediately starts back with a violent gesture. "that belongs to my sister-in-law," she cries; "my things are never so strongly perfumed. only smell it, how strange!" "yes, truly," says he, holding the shawl to his face; "that is a harem perfume which some one brought her from constantinople. but what is the matter, snowdrop?" "i feel the storm approach," she murmurs, tonelessly. "let us go to the house." they go. the swallows fly yet lower, the clouds hang heavier, almost touch the black tree-tops. there is a whistling and hissing in the leaves. elsa hears nothing. with dragging, and yet overhasty, steps she walks near sempaly. "who knows whether he would even say 'poor garzin' if i should die?" she thinks to herself. the lawn-tennis party, which pistasch and the klette have now also joined, growing more and more animated, has lasted until the first drops of rain have driven them away. somewhat dishevelled and heated, her morbid self-consciousness healed by the admiration which pistasch, escaped from his cousin's control, had unreservedly displayed for her, linda enters the drawing-room where the countess, felix, elsa and scirocco are assembled. "how did your lawn-tennis come on?" asks scirocco, as the countess, vexed at linda's triumphant look, does not condescend to address her. "oh, excellently," cries linda. "count kamenz and my brother-in-law display the greatest talent for this noble occupation." "to whom do you give the palm?" cries kamenz. "i cannot decide that to-day," says she with as much gravity as if she were deciding upon the fortieth _fauteuil_ of the paris academy. "one judges talent not from what it first offers, but according to its subsequent development." this pedantic phrase from her fresh lips is so irresistibly droll that pistasch and erwin laugh heartily, and even scirocco cannot suppress a slight smile. "we have come to the conclusion that the ground here is not favorable," continues linda, turning to scirocco, "and the gentlemen are coming over to traunberg to-morrow to practise. will you be one of the party, count sempaly?" "if you will permit me, i will have the pleasure, baroness," he replies with a bow. "you are as full of phrases as an old copy-setter to-day," cries she, shrugs her shoulders, laughs lightly, and sinks into the arm-chair which pistasch pushes forward for her. pistasch seats himself opposite her. his light laugh as he leans forward, her satisfied leaning back, the continuous conversation wholly incomprehensible to the others, indicated a dawning flirtation. what did it matter to pistasch whether linda's father's name was harfink or schmuckbuckling? a man never troubles himself about such a thing when he is paying court to a pretty woman. poor mimi! for years she has treated pistasch as her exclusive property, she grows nervous, glances discontentedly in the direction of the two. "rudi, will you order the carriage?" asks felix, uneasily. scirocco stretches out his hand to the bell, but asks politely, "will you not wait until the rain has ceased?" "i have no desire to get wet in our open carriage," interposes linda. "i could place a close carriage at your disposal," remarks the nervous countess, irritated even more by pistasch's manner than by linda's victorious expression, and adds constrainedly, "however, i really see no reason for haste." hardly can permission to remain be given in a colder tone. but linda replies with astonishing aplomb, "neither do i," and has a sweet, naïve smile for the countess, and for pistasch, on the contrary, a comical, expressive glance which delights him. he finds it quite in order that she should refresh herself with a little impertinence. "she is piquant as an actress," he thinks. then the door opens; unannounced, like very old friends, a lady and gentleman enter. she, small, fat, lively, cries out, hurrying up to the countess, "we flee to thee, mimi, the rain has surprised us. ah, you have guests--how are you, elsa? do i really see you at last?" he, tall, thin, with a velasquez nose, don quixote manner, and arrogant eyes, looking out through glasses, has meanwhile chivalrously kissed the hand of the countess. now he looks round, recognizes erwin, greets him heartily, comes up to felix, starts slightly, goes past him to rhoeden, as if he had never seen felix in his life before. felix stands motionless, ashy, rigid, with bluish lips and half-closed eyes. scirocco has lived through many unpleasant moments, but never a more painful one. still he rapidly collects himself, takes the new guest by both shoulders and turns him toward felix. "that is lanzberg. did you not recognize him, max?" he cries. after that nothing remains for count l---but to murmur in apology, so as not to insult the guests of the house in which he is, "i am so near-sighted," and to stretch out two arrogant fingers to felix. "order the carriage, rudi," begs felix, very hoarsely. linda, who has not noticed the little scene, gives pistasch a glance at the interruption of their _tête-à-tête_, which flatters his vanity. xvi. "you have slept badly, mouse; look at your poor eyes. you worry me, you pale person." with these words erwin greets his wife the next morning at breakfast, kisses her lightly on the forehead, then reads his letters, swallows a cup of coffee in great haste, greets miss sidney, who enters with her little pupil, absently though pleasantly, lets himself, still pleasantly but somewhat passively, be embraced by his little daughter, puts his letters in his pocket and hurries away, but turns at the door and cries: "do not expect me to lunch, elsa; i have a great deal to do in radewitz." now he has gone, elsa's eyes have grown sad. for a few minutes after miss sidney has led litzi away elsa remains at the deserted breakfast table and crumbling a roll, murmurs, "he has forgotten." to-day is their wedding-day, a day which erwin has always made much of, which has always been a day of sweetest recollections. she had remained in her room this morning longer than usual, because she had hoped that he would seek her. in vain! then she, poor elsa, had expected a little surprise at the breakfast table--in vain! so now she sits there and hopes that perhaps he will return. yes, he returns--his steps rapidly approach, her heart beats fast, the door opens, erwin bursts in with hat on his head, and cries: "elsa, don't forget to send the white duchess to traunberg. i have not time to give the order," and disappears. "he has forgotten--decidedly forgotten!" cries elsa, "for the first time!" then she leaves the breakfast room. time passes slowly and sadly for her. "it is a trifle not worth speaking about," she tells herself again and again. "i should have reminded him," but then she feels herself grow hot. "he did not forget linda's horse," she murmurs bitterly, and adds still more bitterly: "he is bored. every diversion is welcome to him. poor erwin!" the day passes--the dinner hour draws near, several minutes before five erwin at length returns. heated and irritable he seeks her in her room. "how vexed i have been!" he cries as he enters. she smiles, a little excitement overcomes her. but soon it turns out that he has not been vexed at his forgetfulness--oh, no!--only at the cheating and roguery of his sugar factory director. "it serves you right," remarks elsa, coldly. she cannot deny herself the satisfaction of making some sharp remark to him. "when he introduced himself to you, you told me 'the man is repulsive to me!' and when he came back again you engaged him. you always do so. at the first glance you judge men according to your instincts, and very justly; at the second glance you judge them by the universal statutes of lofty philanthropy, and always falsely. i know no one for whom it is more unpleasant to believe ill of his neighbor than you." "god be praised and thanked that the counterbalance of a desperately distrustful wife is given me, then," cried erwin, somewhat irritably. then a pair of large eyes meet his gloomily. "my distrust is a disease, and you know the cause," says she, earnestly. the shrill dinner-bell at this point interrupts the conversation. after dinner--miss sidney has gone into the garden with litzi to play grace hoops--the husband and wife sit vexedly silent in the drawing-room, when a servant presents a letter to erwin from traunberg. elsa has at once perceived that it is in linda's, not in felix's handwriting. erwin has opened it, apparently indifferently, then suddenly the blood rushes to his cheeks, almost violently he throws the letter away, kneels before elsa and takes both her hands in his. "how could i forget the 27th? elsa, are you very angry with me?" he cries. it would be hard to remain angry with him, if he had not been reminded of his duty by just linda. but this vexes elsa so much that she answers his warm glance and pleasant smile only with a cool "why should i be angry?" as indifferently and calmly as if the 27th no more concerned her than the date of the battle of leipzig. "had you forgotten, also?" he asks, wounded. "forgotten?--what?" asks she, dully. "that to-day is my lucky day--the loveliest day of all the year for me? oh, elsa! has it become indifferent to you?" his voice goes deep to her heart, but she is ashamed to be so moved by his first warm words--is ashamed to show him how his forgetfulness has pained her. in proud fear of having shown too much feeling, she hardens her heart, and with the peculiar histrionic talent which is at the disposal of most women in critical moments, and which they love to display, so as to thereby ruin the happiness of their life, she says calmly, pleasantly, half laughingly: "ah, indeed!--i should tease you for your lack of memory!" "elsa!" confused and surprised he looks in her eyes. "do you not remember how we have always valued the day; do you not remember the first year? you had forgotten it, then?--and when i put the ring on your finger--perhaps you do not wear it any longer?" "oh, yes;" and elsa looks down at the large diamond which sparkles like a dewdrop or a tear near her wedding-ring. "well, you were ashamed, then, not to have thought of me," he continued, "and then--then you repeated to me, half crying, half laughing, very tenderly a little childish wish: 'had i an empire i would lay it at thy feet, alas, i can offer you nothing but a kiss,' do you not remember, elsa?" but elsa only replies coldly, almost mockingly: "it is very long ago--hm! what does linda write to you besides that to-day is the 27th?" "i have not read all of her letter, read it yourself if you wish," and with that he hands his wife the letter. elsa at first struggles with herself, but then she reads it, and half aloud: dear erwin:--it is really too charming in you to so kindly gratify my thoughtless wish. many, many thanks for the beautiful white duchess. felix just tells me that to-day is the 27th, a day on which you will have no pleasure in playing lawn-tennis with me. you might perhaps force yourself to come so as not to vex me, solitary as i am now. therefore i release you from your promise. kiss elsa for me, and, with most cordial greetings, sincerely yours, linda lanzberg. "how well she writes," says elsa, who is sorry that she can find nothing to complain of in the letter, and with the firm resolve not to let her jealousy be perceived in the slightest, she continues: "i should be sorry if our foolish lovers' traditions should prevent you from amusing yourself a little, my poor erwin." she had taken up some fancy work and seemed to ponder over a difficulty in it. "pray go over to traunberg and invite linda to dinner sunday." erwin gazes angrily before him. "you send me away, elsa--you--to-day--on our wedding-day?" says he then, slowly. she laughs lightly and threads a fresh needle. "ah! do not be childish, erwin," cries she. "it is not suited to our age now." he pulls the bell rope violently. "elsa," he whispers once more before the servant enters, but with such intolerable cordiality she says, "well, erwin?" that he turns away his head and calls to the servant, who just then appears, "tell franz to saddle my horse." xvii. a small room with large windows opening on the park, innumerable flowers in vases of different forms standing about the room, a perfume as intoxicating and painfully sweet as poison which gives one death in a last rapture; on the walls, hung with silver-worked rococo damask, a few rare pictures, only five or six; two greuze heads with red-kissed lips and tear-reddened eyes, eyes which look up to heaven because earth has deceived them; then a corot, a spring landscape, where dishevelled nymphs dance a wild round with dry leaves which winter has left; a watteau, in which women, in the bouffant paniers of the time of the regents, with bared bosoms and hair drawn high up on their heads, touch glasses of champagne with gallant cavaliers, a picture in which everything smiles, and which yet makes one deeply mournful; a picture in which men and women, especially women, seem to have no heart, no soul, no enjoyment on earth, no belief in heaven; but in deepest _ennui_ float about like butterflies, tormented by the curse of the consciousness that their life lasts only from sunrise to sunset; a rembrandt, a negress, brutally healthy, bestially stupid, with dull glance, broad, hungry lips, huge, homely, and wholly satisfied with herself and creation; about the room soft, inviting furniture; no dazzling light, pale reddish reflections; draperies in roman style, artistic knick-knacks and soft rugs--this is what erwin finds as, pushing aside the drawn portières, he enters linda's boudoir without announcement. amid these surroundings she sits at an upright piano, and softly and dreamily sings an italian love-song. erwin comes close up to the piano. "ah!" cries she, springing up. it would be impossible not to see what unusual pleasure his visit gives her. her eyes shine, and a faint blush passes over her cheeks. "erwin, did you not receive my letter?" she cries almost shyly, and gives him a soft hand which trembles and grows warm in his. "certainly," he replies. "it was very nice in you to consider our foo----" in spite of all the bitterness which for the moment he feels toward elsa, he cannot use the byword foolish, and rather says--"little traditions. i only came for a moment, i----" he hesitates. "elsa hopes that you will do us the pleasure of dining with us sunday." "sunday?" repeats linda, letting her fingers wander absently in dreamy preluding over the keys. "have you planned anything else?" asked erwin, who had meanwhile taken a very comfortable chair. "what should i have planned?" asked she, shrugging her pretty shoulders. "no, no, i will come gladly. you are very good to me, erwin, and i am inexpressibly thankful to you." a strangely exaggerated feeling was in her accent, in her moist glance, and the quick gesture with which she stretched out both hands to him. "where is felix?" he asked, turning the conversation. "felix is, i believe, over in lanzberg," she answered. "he has 'something to attend to.' he always has 'something to attend to' when i expect people," she added, bitterly. "it makes my position so uncommonly easy, erwin! can you account for his behavior? would you, if you had once resolved to choose a wife of unequal birth, afterward be so passionately ashamed of her as felix is?" "how can you talk so foolishly, linda?" erwin interrupted the young wife, uneasily. "foolishly!" linda shook her head with discouragement. "if you only saw him! lately he made a scene before i could be permitted to accept the deys' invitation; then, at the last moment, he had a headache, and expressed the wish that i should join elsa and go without him." "strange idea to hang this monster in your pretty rococo nest!" cried erwin, growing more and more embarrassed, and abruptly changing the conversation from felix to the rembrandt negress. "the monster pleases me, i like contrasts--but to return to felix----" "you expect pistasch and sempaly, do you not?" "they wished to come this evening--alas--i could renounce their society; to-day i should like greatly to confide in you, erwin. you are the only person who is sorry for me." there was a pause in the conversation of the two. without, a murmur like a sigh of love sounds through the trees, and a few withered rose-leaves are blown into the room. erwin's glance rests dreamily upon the young woman. she pleases him in somewhat the same manner as the greuze head on the wall; no, differently--there is always something dead about a picture. a picture is either a recollection preserved in colors or a dream, and has the charm of a recollection, of a dream; while linda has the charm of a foreboding, of a riddle, and above all things, the charm of life, of full young life. then a carriage approaches. "pistasch and sempaly," cries erwin, looking out of the window and seizing his hat. "on sunday, eh, linda?" says he in a tone of farewell. "now you run away from me just like felix," cries she, pouting. "please stay; it is so unpleasant for me to receive young people without a protector." and he stays. "you have come late; we have scarcely three-quarters of an hour of daylight left." with these words, spoken in a very indifferent tone, linda receives the young men. "shall we set about it at once?" she continues. the lawn-tennis court is in a broad flat meadow in the park. the ground is not yet dry from yesterday's rain, still the players are unwearied, erwin, after a short time, as animated as the others. he competes vigorously with pistasch, whose skill he soon surpasses, and enjoys the society of the two agreeable and to-day good-tempered young men, who are both old acquaintances of his. pistasch in old times he has pulled by the ear, paid his youthful debts, and on holidays taken him away from the theresanium; with scirocco, who is but little younger than erwin himself, he has taken an oriental trip, they were both overturned in the same drag, both raved over the same dancer, etc. merry reminiscences pass between the players almost as quickly as the tennis balls, and linda encourages all these reminiscences most charmingly; her smile lends a new spice to the play and the conversation. erwin is of a much too lovable nature, is far too much occupied with the happiness of others and too little with his own, to think of what might have been if he had not, for love of elsa, renounced the world. he possesses a decided disinclination for the "if," always looks straight before him, never behind him. it does not even occur to him to-day, when he is vexed with elsa, to complain of the serious monotony of his life, to philosophize, but he feels well, likes to amuse himself again, laughs frequently, and is not unsusceptible to the evident wish to please him which linda shows. no objection can be found to her behavior to-day--it is animated without being loud, cordial without being coquettish. the three-quarters of an hour are over, the daylight has become first pale, then gray, the balls have flown aimlessly, like plump night birds through the air; they have laughed, ridiculed the opposite side for their faults, finally lost several balls, and come to the conclusion that for the present nothing more can be done. the players have now assembled for a light supper in the somewhat gloomy dining-room, from whose walls a few old portraits, gentlemen with huge wigs and large flowered brocade vests, ladies with wasp waists and immoderately high powdered coiffures, look down upon them. the light of the lamps is reflected in the crystal decanters, in which red and white wine sparkles; the flowers, a mixture of transparent ribbon-grass and wild roses, move softly in their vases in the middle of the table, trembling in the night air which streams in through the open windows. beautiful fruit shines fresh and inviting, in silver dishes, and linda presides, somewhat flushed, cordial and wonderfully pretty. no annoying servants disturb the pleasant little repast. pistasch behaves like the perfect gentleman which he is when he does not consider it his duty to be a perfect boor, or does not take pleasure in representing a perfect street arab. he entertains the little circle by gay anecdotes, is attentive without impertinence to the hostess. scirocco, more serious in manner, nevertheless laughs at his cousin's jokes, and often interposes a witty little remark. erwin is as gay as the two others, but from time to time, however, his conscience reminds him that this is not the place for him, and that it is time for him to return home. "but can i leave my young sister-in-law alone with the two men?" he calms his inconvenient conscience. "impossible!" he must wait for felix to return. that kamenz and sempaly, well-bred as both are, and with no cause for importunity, would both leave as soon as he should start, he does not tell himself. then a carriage rolls up to the castle. linda rises to go to the window. "felix!" she cries in her clear, childish voice. no answer follows. her eyes become gloomy, she listens, evidently listens to see whether he will go to his room without appearing to his guests. then a dragging, stumbling step is heard in the corridor. "felix!" cries linda, excitedly and imperiously. the door opens, felix enters, he stumbles into the dining-room, his face is red and swollen, his eyes have a watery look, his knees bend at every step, and a repulsive flabbiness is betrayed in his whole form. "you have guests?" he says, thickly. "sit down, you are not well," cries erwin, seizing the staggering man by the arm, and forcing him into a chair. "no--but--the----" begins felix, and breaks off, not able to finish the sentence. a pause ensues. the little company seem paralyzed with alarm and disgust. then sempaly rises. "we thank you for a very pleasant evening, baroness," he turns politely to linda, and he and his cousin withdraw. linda is as white as the table-cloth. "come, felix, lie down," says erwin to his brother-in-law, whose condition he does not wish to expose to the impertinent curiosity of servile lackeys. "a cigar," murmurs felix, excusing himself like all drunkards. "come;" erwin urges him more sharply. felix is about to make some reply, when he discovers his wife, turns his head away, and trembling throughout his entire frame, lets himself be taken to his room without resistance. when erwin returns to the dining-room to bid farewell to linda, he finds her still deathly pale, with gloomy eyes, sitting in the same place. "linda, you are wrong to take this so seriously," says he, softly and consolingly; "it is really often an accident, a glass of poor wine----" at his first kind word she has burst into tears. "it is not the first time," she replies, with difficulty restraining her tears. "ah! if it--if it was only because the wine went to his head or--but no--a year ago he was the most temperate man in the world--it began in london. it cannot all be my fault. what is the matter with him? my god! what is concealed from me?" a new light dawns upon erwin's mind; linda's lack of tact is excused; a boundless pity overcomes him. at a violent motion of her pretty head her hair has become loosened and now hangs in silken splendor over her shoulders. "calm yourself, fasten up your hair, be prudent, my poor little sister-in-law!" says erwin. softly and involuntarily, as one would do to a child, he strokes the hair back from her temples. she tries to fasten it up, but suddenly she lets her arms sink, and looking directly at erwin out of moist but not disfigured eyes, she whispers, "i cannot reach so high, and do not wish to be seen thus by my maid--it would be strange." "can i help you?" she nods. simply, but without undue haste or uneasiness, he twists the beautiful hair, fastens it firmly as one who is accustomed to perform such services. she keeps her head covered, breathes regularly, deeply, audibly--accidentally he touches her little glowing ear, then she starts. a clock strikes. "half past ten!" cries erwin, startled. "good night, baroness; poor elsa will not know how to explain my absence," and he rushes out. "your horse must be saddled," says linda, but he does not return--a few minutes later she hears him galloping rapidly away. "when he thinks of his wife he always calls me baroness," she murmurs to herself with a peculiar smile. an hour later erwin knocks at his wife's door. "who is it?" an indifferent, sleepy voice asks from within. "i." "ah, you, erwin!" elsa unlocks the door, and comes out in the corridor, where only a single lamp breaks the darkness. "have you anything particular to ask me?" says she, and her feverish sparkling eyes contradict the indifferent voice. "nothing," he whispers, softly. "i merely could not resolve to retire without having bid you good night; i felt that you must be still awake. do you insist upon receiving me in the corridor?" he asks, smilingly, as she has closed the door behind her. "the baby is asleep," replies elsa, coldly, rubbing her eyes with ostentation. "my voice will not wake her," he says, softly, taking elsa's hand. "elsa, my dear pouting elsa, forgive me," he whispers. "i had no right to be angry and run away, merely because you were intolerable. it has been a horrid day, let it at least have a good ending!" he sees how she trembles, how she blushes, and tenderly he takes her thin little face between both hands. then, then she changes color, her eyes open in wild horror, and she starts back from him with a gesture of decided aversion, but quickly collecting herself, and forcing herself to smile, she gives him her hand and says, "good night!" how she has pained him! is her love dead? he cannot understand her manner. how could he? he does not notice that on his hands, in his clothes has remained the peculiar perfume which a gallant diplomat had brought linda from constantinople. xviii. "one cannot please people," sighs pistasch, several days after the lawn-tennis party, while, cigar between his teeth, a hat adorned with a cock's plume on the back of his head, his smoking jacket open over his broad chest, he tries to solve a difficult problem in billiards. "one cannot please people." "hm! i think this sentence belonged to solomon's _répertoire_ of phrases," grumbles sempaly, who, stretched out in a deep arm-chair, is looking over an old _revue des deux mondes_. "solomon! solomon!" says pistasch, clutching his soft golden hair. "was not that the jew in the leopoldstadt, whose money rate was so cheap, only three per cent, _per mese_?" count kamenz considers it "chic" to have forgotten his bible history. "do not make yourself out stupider than you are," scirocco admonishes him. "we can be quite satisfied without that." "thanks, you see one can never please people," repeats pistasch, shrugging his shoulders in droll despair. "after the sacrificial meal, mimi rejoices me with a remark upon my stiffness to the lanzberg. i show the latter much-calumniated beauty some slight attention and accept an invitation to lawn-tennis at her house. mimi reproaches me concerning my morals. in order to satisfy her demands i yesterday paid court to a sixteen-year-old dove; she reproaches me for my inconsequence, says with feeling, 'one does not trifle with love!'--there, it sounds as if it were a bit from a play." pistasch turns to sempaly. "yes, it is the title of a play in which at the end some one is stabbed," says scirocco, looking up from his reading. "thank you, rudi; one can always learn from you," assures pistasch. "you are the first who has discovered that--i pity you," replies sempaly, sarcastically. "surely not because i am weak in history and literature," says pistasch, phlegmatically. "bah! if one of us only knows who he is, he knows what he needs." "yes, everything else would only confuse him," says scirocco, seriously. "precisely," answers pistasch, coolly. he now sits on the corner of the billiard table, both hands in his pockets, in the large room with its faded leather furniture. "but confess that your sister maltreats me, after i have tried so hard to please her." "too hard, perhaps," says scirocco, and looks gloomily at his cousin. is the latter the only one who does not perceive that the countess would prefer to preserve him in a cage, secure from the attacks of audacious women and mothers? "'_ce sont toujour les concessions qui ont perdu les grands hommes_,' philippe egalité remarked on his way to execution," he continues, and takes his cousin's ostentatious _naïveté_ for what it is really worth. "that might be called forcing history," cries rhoeden, entering at this moment, and hearing the last phrase. "who was philippe egalité?" asks pistasch, with unembarrassed--yes, boasted ignorance. "a man who, in order to make himself loved by the masses, voted for the death of his cousin, the king, made himself riding trousers of the _ancien régime_, and was beheaded by the masses by way of thanks." "ah! my historical knowledge is extensively widened--but if i only knew to whom to make love!" "_il y avait une fois un séducteur qui cherchait de l'ouvrage_," remarks eugene. "_je crois men qu'il cherchait!_" yawns pistasch. "really, it is not only on mimi's and morality's account that i do not dare try it with the lanzberg--but she is so magnificently prudish! now i do not object to a little prudishness, that is piquant, but quite so much! recently she, for really nothing at all----" "ah, really, for nothing at all?" repeats scirocco, looking sharply at his cousin. "well, not exactly for nothing at all," the latter admits, grumblingly, "but on my word, for a very slight cause, she gave me a dissertation upon her dignity, and that she felt bound to keep the honorable name which she bears spotless." "she is quite right," declares sempaly, sharply. pistasch laughs rudely. "well, rudi, between ourselves, it is nevertheless a little droll to think so much of this name, to boast of its spotlessness--hm!" rhoeden displays the indifference of a man who knows that the conversation is upon delicate subjects, and retires to a window recess, where he unfolds a letter. a servant enters and reports that "the countess begs the baron to come to the music-room," whereupon rhoeden vanishes. scarcely has the door closed behind him when scirocco bursts out violently: "you are a muttonhead, pistasch; the little banker is a hundred times cleverer than you." "he needs it," says pistasch, coolly. "can you not be silent before him?" scirocco attacks him. "no," replies pistasch, lazily; "i have never accustomed myself to keeping secrets; respectable people have no secrets. besides, lanzberg begins to be fairly unbearable, his manner has become so unsteady, so nervous; he no longer finishes a single sentence correctly, has not an opinion of his own, and crouches like a whipped dog. he makes me nervous." "are you of stone, have you no heart?" cries scirocco. "i am under no obligations to lanzberg," grumbles pistasch, very defiantly. "i----" "yes, you would be ashamed to protect him a little," says scirocco, cuttingly. "recently when l---remarked to you that you seemed to associate with lanzberg a great deal, you replied, 'yes, he has a pretty wife!' really, pistasch, at that moment, in my eyes, you stood morally lower than poor felix." "really," pistasch imitates his cousin's tragic tone, "i think i have blundered into an educational institution! lectures and nothing but lectures! first you, then mimi. how you can permit yourself to compare me with a man like a 'certain lanzberg.'" "do not talk yourself into useless heat, my dear fellow," says scirocco, laying his hand on his shoulder. "at present i feel just as inclined to fight a duel with you as i should to cut my own brother's throat. consider a little and you will come to the conclusion that you are in the wrong." scirocco leaves the billiard-room. for a while pistasch pushes the ivory balls over the green table with furious zeal, then he throws himself irritably into an arm-chair. yes, he feels plainly that he is in the wrong, but he cannot resolve to change his behavior to felix. he might at least avoid him, but just now, because and in defiance of linda's prudishness, he does not wish to. his prejudice against linda was nothing but arrogant affectation, but his antipathy to felix is sincere; it almost resembles that aversion which many egoistic men feel for one mortally ill. rhoeden spends an hour in teaching the countess--a totally unmusical woman who does not know a note, has no feeling for rhythm, but possesses a good voice and a great desire to shine in that direction--twelve bars of a new italian romance of tosti. he goes his little way, pursues his little aim, and will attain it. only two years ago young aristocrats invited him exclusively to stag parties, hunts, etc.; then count f---wrote a little operetta for a society tenor. the tenor, a young diplomat, after the first rehearsal of the operetta was transferred to constantinople--universal consternation. they had about resolved to surrender the operetta, which was to be performed for a charitable object, to a professional when pistasch proposed his old theresanium comrade, eugene. eugene, with his unusually beautiful voice, sang the little rôle charmingly; all were delighted with his singing, his graceful acting. at one stroke he became the fashion. his passion for linda, eugene had long buried under his worldly egoism; he was glad that he had been prevented from the foolishness of a marriage with her. he planned quite a different match, made use of his opportunities, and meanwhile was in no hurry. he knew very well on what footing he stood with society, knew that they wished to fasten upon him countess fifi r----, who was red-haired and somewhat hump-backed, or even countess clarisse, who was scrofulous and had been much gossiped about, knew it and laughed at it. he was still young and could wait. social vanity was his religion, the world his god, to whom, however, he did not pay such passionate, credulous homage as linda, for example, but always with an ironical smile on his lips. after he had gone through the romance with the countess for perhaps a hundred times, had finally taught her text, melody, and even a sentimental mordent, and is now dismissed from duty, eugene looks into the billiard-room again before he goes to his own room, and finds pistasch, between thick clouds of smoke, occupied with a tschibouk. "do i disturb you?" he asks, gayly. "oh, heavens, no! i have long been weary of my own society," sighs pistasch with feeling. "i have an amusing bit of news for you, pistasch," continues rhoeden, approaching him. "my uncle harfink"--eugene always speaks of his relations in a mocking tone, somewhat as one kind of cripples speak of their humps--"my uncle harfink--you remember his first wife, whom you knew, is dead--well, he has married again!" "wish him much happiness," replies pistasch, who does not see why that should interest him particularly. "he has married, and none other than the famous juanita," says rhoeden, with the calmness of a virtuoso who is sure of his effect. pistasch drops his pipe, springs up from his armchair. "harfink--married--juanita, the----" he interrupts himself. "yes," says rhoeden, calmly, "the same juanita who in her day ruined poor lanzberg." "hm! so you know the story?" asks pistasch, breathing freely in the consciousness that now all discretion is unnecessary. "it will go no further through me," rhoeden assures him solemnly. "but is not that delightful? my uncle writes me that he has married the aforesaid celebrity, and as his digestion is still not as good as it might be, they have gone to marienbad for their wedding trip. he begs me to reconcile his daughter to his step, and to find out what kind of a reception his wife may expect in traunberg. piquant, eh? very piquant!" a shrill bell announces lunch. "rudi! mimi!" cries pistasch, rushing into the dining-room, where both these, together with elli and mademoiselle, are assembled, "old harfink has married the juanita, and has gone to marienbad for his wedding trip. is not that magnificent, is not that famous?" xix. "a modern donna elvira!" this sarcastic nickname originated at the time when the charming privy councellor dey, whose wife we are acquainted with, was still alive. count dey was a red-haired gnome, who was continually mistaken for his own tutor which, as the facetious pistasch maintained with conviction to this day, was very annoying to the tutor. besides, count dey was eighteen years older than his wife, who, if not beautiful, was still uncommonly attractive, and still the poor woman embittered her young life with the most painful jealousy, followed her husband about distrustfully, accompanied him on the briefest visits of inspection to his estates, shivering and heroic, shared with him the cold inconveniences of his grouse hunt in the tyrol. the world maliciously delighted in the industry with which she defended her rights, and also in the fact that, in spite of her astonishing and extensive precautions, she was continually deceived by her red-haired spouse. mimi dey now served as a warning example for elsa. she, elsa, had not the slightest wish to undertake the rôle of the "modern donna elvira," and expose herself to universal mockery. therefore she concealed her jealousy from erwin with spartan self-control, and smiled with the most charming loftiness, while the poisonous mistrust tore her bosom as pitilessly as the young fox tore the brave little lacedæmonian. when, the day after the lawn-tennis party, erwin remorsefully sought the cause of her changed manner in his own behavior, and after he had tried to drive away her displeasure by a thousand loving attentions, put his arm around her and whispered to her softly: "elsa, confess why you were so angry with me yesterday--only because i stayed away so long?" frightened that he had so nearly touched upon her secret, she displayed the most arrogant indifference. "you surely do not think that i am vexed if you amuse yourself with linda a little?" she replied, with an irritating smile. "i am glad that you have found a little amusement, my poor erwin," she continued. he looked at her in some surprise. "yes, but then i do not understand----" he murmured. "what is the real matter with you?--does anything worry you?---tell me--two can bear it more easily." "no, no, i have nothing to tell," she replied, hastily. "nothing at all--i am tired, not very well." "yes, that you decidedly are not," he admitted, and anxiously scrutinized her thin cheeks and the dark shadows under her eyes. "we must consult a physician." "we consulted him four weeks ago," she answered, "and he advised me to drink louisen-quelle, and i drink louisen-quelle." she folded her hands resignedly over her breast, with an expression as if to say how little faith she had in louisen-quelle, and how indifferent her health was to her. "perhaps a trip to the sea-shore would do you good," proposed erwin. "could you go away now?" she asked, apparently calmly, but with her heart full of distrust. "now? hardly! but you could take miss sidney and litzi with you, or, as far as i am concerned, both children." "with the necessary servants that would cost a good deal," replies elsa, discouragingly. "well, we are not quite such beggars that we need think of that when it is a question of your health," he cries, almost angry. "we have saved long enough and can now spend something. decide upon cowes; perhaps i can join you there later." for a while she gazes silently and gloomily before her, then a slight shudder runs over her. "elsa! you seriously alarm me!" cries erwin: "something must be done!" "yes, certainly; i will go to cowes," she decides, as if it was a decision to let herself be bound upon the wheel, then she turns her head to look at an approaching carriage. "oh, linda," she cries, and her voice betrays absolutely nothing, not even antipathy to her sister-in-law, and erwin begs, "be a little good to her--for felix's sake. she needs women friends and has none but you." these naïve words may give the impression that erwin is very obtuse. but he certainly was not, only his knowledge of human nature was always bounded by a great good-will, his keen sight blinded by good-nature. he possessed a true passion for making every one who came near him happy, and also the impractical habit of never thinking evil of his fellow-men, except when he absolutely could not otherwise. therefore he saw to-day in linda's visit nothing but a praiseworthy wish of coming nearer to elsa. linda wore a very simple gown, which was very becoming to her; she had brought a work-basket, and sewed almost the whole time of her visit upon a little collar for gery which had a very exemplary appearance. she made the most modest and tender attempts to be friends with elsa, and without the slightest touch of familiarity, took a tone of comradeship towards erwin which pleased him greatly--perhaps so much the more as a charming, childlike smile accompanied this tone, and the merriest little stories. when evening had already become night, and felix had still not appeared, as linda seemed to have expected, to fetch her, and she confessed that she was afraid to return alone with her groom only, in the low pony carriage, erwin good-naturedly escorted her on horseback to traunberg. this was really unwelcome to him, but elsa suspected the contrary, and as he had not the common habit of afterwards complaining of his obligingness, she remained of the same opinion. she herself had behaved perfectly charmingly to linda. no one could have suspected that jealousy could smile so! no one--but linda. and how she triumphed! how flattered vanity quivered in her every fibre, and how the drive home with erwin amused her! she drove herself, and really she did not overdrive the ponies. around them was the sultry, gloomy charm of the summer night. long-drawn sighs and sweetly monotonous murmurs passed through the trees, the short grass trembled as if caressed by invisible hands. from time to time a glow-worm shot through the gray air like a falling star. "how beautiful!" said linda to herself. "yes, charming!" erwin admitted, and secretly looked at his watch. in spite of the fact that he galloped home at a very sharp pace, it was midnight before he arrived there, which confirmed elsa's strange idea. almost every evening after tea erwin was accustomed to read aloud to his wife, and this had originated in their honeymoon, when erwin, very young, very much in love, still shyly coquetted with his little talents. he read well, and liked to read, and elsa had until now always looked forward to the confidential chat, the happy fact of being alone together, which was a part of the reading hour, and both did not know which they really preferred: the wild, stormy winter evenings, in which elsa sat as near the fireplace as possible, and contrary to his sensible prohibition, held one foot at a time over the glowing coals, until he stopped reading, and crouching on a stool, took the little feet from their light house slippers, and rubbed them warm between his hands; or the mild, fragrant summer evenings, when elsa, gazing through the window at the sky, often interrupted the bitter earnestness of st. simon, or the graceful bitterness of voltaire, and with childish joy signalled a shooting star, and as erwin laughingly asked her whether she had availed herself of the opportunity to wish something very beautiful, softly, with lips close to his ear, whispered, "oh, yes, that it may always be so." usually he read serious books aloud, but sometimes he brought the old musset which had accompanied him on his wedding journey, and then they vied with each other in gay recollections of their honeymoon, and laughed when they came to verses the meaning of which had been dark to her, and had made her ask the most remarkable questions. they contradicted each other animatedly as to who had the most faithful memory for every foolish, tender jest, and elsa, whose remembrance exceeded his, faintly whispered softly, "do you see i have not let a single joy be lost out of my life. i have laid-them all away for my old days." the day after linda's visit, elsa made no move to leave the drawing-room when erwin asked her softly, "how about our mahon?" (they were just then reading this knightly pedant's english history), but replied discouragingly, "i am going to retire early this evening," and engaged miss sidney in a conversation upon english philanthropy. erwin smoked a cigarette, glanced over a paper, finally, looking out of the window, remarked that it was a beautiful moonlight night and he was going shooting, kissed elsa's forehead, bowed to miss sidney, and was about to leave the room when from elsa's lips came anxiously: "but----!" "do you want anything?" "are you going to take any one with you?" "why?" asked he, and raised his eyebrows; then suddenly laughing aloud he added, "would you perhaps like to accompany me, mouse? the night is mild, i will find you an easy path; we need not go far." she hesitated, only for a moment she hesitated. she had formerly often gone with him; he had bought her a small rifle, and with anxious carefulness taught her to shoot, and as long as her health was good enough they had often hunted gayly together like good comrades. why must just now mimi dey and the grouse hunt in the tyrol come to her mind? "thank you, i dare not venture out in the dew;" thus politely, but without a trace of warmth she refused his good-natured offer, and he shrugged his shoulders slightly and vanished. english philanthropy suddenly lost all interest for elsa. she took leave of miss sidney quite absently, and went to her room which, since baby's existence, she had shared with the delicate little creature. she passed two tormenting hours; she was tortured by the most nonsensical fancies; she thought only of poachers and assassins; she did not close her eyes until she heard erwin's step creep thoughtfully, softly past her door, but at least she had not been like mimi dey. sempaly and pistasch had accepted the invitation to dine in steinbach on the sunday for which linda was invited. elsa had been able to secure no ladies. never had linda been more beautiful than on this sunday. she wore a dazzling toilet; "from worth," she replied, in explanation to some polite remark which elsa had made upon her dress. "from worth, but i had to change it entirely. i cannot bear worth any longer; he is too american. and how do you like my gown, erwin?" she turned to him. "linda, you surely are not trying to make me think that you care anything about the taste of such a rusty hayseed as i am!" cried he, laughingly. "ah, you know very well that you are the only one, yes, the only one on god's earth from whom i will accept fault-finding," answered linda, and putting her arm around elsa's neck, she whispered in the latter's ear, "your husband has bewitched me, elsa. if i did not wish you the best of everything, i really could envy you him." oh, the serpent! she feels very well that elsa shivers in her arms, and she is happy. during the dinner elsa suffered fearful torments. monosyllabic she sat between scirocco, who, more quiet and melancholy than usual, did not help her to talk, and pistasch who, gazing at linda, forgot to talk. linda, on the contrary, chatted unweariedly, entertained the whole table with her odd little stories, and knew how to absorb erwin so deeply by her artfully naïve flatteries and carefully veiled coquetries that he, the most polite man in the world, scarcely found time to address a few pleasant phrases to the englishwoman who, for the sake of symmetry, sat at his left. after dinner linda sang. erwin accompanied her, and pistasch lost his tongue with enthusiasm, except for the three words, "superb! magnificent! delicious!" which he burst forth with again and again, gasping for breath. elsa, who took no interest in french chansonnettes, and sempaly, who did not care to hear them rendered by respectable women, or those who at least should be so, stood together in a window recess half chatting, half silent, like people who know and understand each other well. but suddenly scirocco was silent, his glance wandered to felix, who sat in the darkest corner of the drawing-room, and in order to give himself countenance, stroked erwin's great hunting-dog. a little rattle of glasses had attracted sempaly's notice. he went up to felix, and after he had spoken a few words to him returned with him to elsa. elsa was frightened at sight of her brother. his cheeks were flushed to his forehead, the features swollen, the eyes shining as in one who has a severe fever. when everything had become quiet again in steinbach, and elsa was alone with erwin in the drawing-room, she went to the table from which sempaly had brought felix away, and discovered there the _corpus delicti_ in the shape of a half-emptied flask of chartreuse. "ah!" cried she shuddering, and turned to erwin. "do you know the latest?--felix drinks!" erwin lowered his head. "drinks--drinks!" he murmured with embarrassment but excusingly. "you must not call it that exactly; it is not yet so bad!" "you--you seem to have known it," cried elsa, staring at him. he looked away. elsa paces twice through the room, her arms crossed on her breast. her short, unequal breaths can be heard. then she stops before erwin; the blood has rushed to her cheeks, and causes there two uneven red spots under her eyes. her hatred for linda suddenly bursts forth. "oh, this repulsive, ordinary, tactless person! how deeply she has dragged him down!" she says, with set teeth. erwin, to whom the cause of this unlovely and immoderate anger is wholly inexplicable, is displeasedly silent. this irritates elsa still more, and in an even more unpleasant tone she continues, "well, do you, perhaps, doubt that she and only she has ruined felix by her incredible lack of tact?" for the first time since erwin has known his wife he lost patience with her, and shrugging his shoulders, replied, "i find it hard to expect tact from a person who does not suspect the complicated difficulties of her position." "erwin!--erwin!--you--you surely do not believe that felix would have married linda without telling her of his circumstances?" she was now quite pale again, she trembled, her voice sounded weak and hoarse. he was terribly sorry for her, at this moment he would have given everything to be silent. he took refuge in vague phrases. "a mere suspicion--i spoke without thinking." but elsa shook her head; an indescribable pain curved her lips. "no, erwin," cried she, "you may not be the demi-god whom for nine years i have worshiped in you, but you are not capable of saying anything so degrading about my brother upon a mere suspicion. from whom do you know that?" she stood before him, drawn up to her full height, and looked him in the eyes with an expression which one could not lie to. "i judge so from questions which she has asked me," he stammers, and immediately adds, hastily, "certainly felix would not purposely have concealed the affair from her; he may have told her mother----" "that is all the same," interrupts elsa. "his action remains unanswerable, for the first as well as the second time. erwin, you poor man, into what a family have you married! why would you have me? i did not wish it--i knew that it would be for no good." she is almost beside herself. "no good! think of the nine years which we leave behind us," he replies, gently. "think of the twenty, thirty years which we have before us," cries she. "the sacrifice which you made for me was too great." "i know of no sacrifice," he replies, warmly. "it is pure childishness which makes you bring that up again. once for all, elsa, i would not exchange a life at your side for the most brilliant career--to which, besides, i could scarcely have been called." with these words he goes up to her, and lays his hand gently under her chin to raise her face to his, but she breaks loose from him. "i thank you," says she, with hateful mockery. she thought of the thousand pretty speeches and charming attentions with which he had satisfied linda's greedy vanity to-day. she was sick with suppressed jealousy. the bright light which erwin's communication threw upon linda's whole manner, and which so excused linda, and on the other hand, so lowered felix, mingled a new pain in all her morbid feelings. she literally no longer knew what she said, her voice became more and more cutting: "i thank you," she repeated. "you are very polite, you have a particular talent for politeness, you are the most charming man i know, but--but, i am sorry you had your way at that time." "sorry, elsa? for god's sake take that back," cried he. the pain which she had caused him was too deep for him to consider how much of her words were to be ascribed to true conviction, and what to her over-excited nerves. she shook her head obstinately. "yes, i am sorry," she continued in her insensate speech. "at that time you could not live without me"--she spoke very bitterly--"yes, you would have been unhappy without me--a month, perhaps a year--who knows?--but then you would have consoled yourself, and it would have been better for you and for me. good night!" and with head held high, with rigid face and trembling limbs she tottered out of the room. x. marienbad at six o'clock in the morning. the air is still fresh and fragrant, the long, slanting sunbeams fall between the damp coolness of the woody shadows. the guests crowd along the narrow spring walk, their glasses in their hands. they form a line before the spring after they have emptied their goblets, considerately turn and conscientiously take exercise. the sand beneath their feet, moist with the night dew, is of a dark reddish color. on the leaves of the graceful trees sparkle little drops of dew like finest enamel. in the turf which borders the sand walk great drops shine like diamonds. a white mist, too transparent to be called a fog, fills the distance. thicker and thicker the guests crowd around the spring. marienbad is overfull this year. pleased landlords rub their fat hands, and push up prices to a most unheard-of amount. guests who have omitted to engage rooms by telegraph can find no decent accommodations, seek shelter in the most miserable private houses, offer gold mines to shoemakers, tailors and glove-makers for one room. a whole excursion trainful pass the night in the waiting-room. the daughter of some reigning family, travelling incognito under the name "comtesse stip," has engaged the greatest part of the largest hotel for herself and her little prince in scottish costume. a swarm of distinguished moths from every country has followed the princely light, and a crowd of _parvenus_, like a swarm of insects of the night, has followed the moths, who pass their time in marienbad bandying strangely unselfish compliments. the famous vienna artists play every evening in the stuffy theatre; princesses and dramatic _coryphées_ meet each other on the spring promenade. to-day a new animation is displayed by the spring pilgrims. all gaze at a couple who have this morning appeared for the first time upon the promenade. the aristocratic curiosity seems even more awakened than the plebeian, and all the thirty or forty pairs of eyes of marienbad "society" are fixed upon the same spot--upon the knight of harfink and his young wife. "that is the juanita, the carini; how badly she is dressed, how fat she has grown, how homely!" goes from mouth to mouth. "and not even an artistic temperament--a woman who could be sensible enough to marry a 'checked' iron founder. when she sees lanzberg--how he must feel!" thus says society. meanwhile, not noticing the voices hissing around her, juanita, the widowed marchesa carini, upright and stiff, with the consequential manner of a retired dancer, walks between the knightly harfink and his son, beaming with pride and satisfaction. how she looked fifteen years ago, at the time when she so fatally crossed the path of life of felix lanzberg, it would be difficult to determine. today she looks like all elderly spaniards, who to our unpractised northern eyes resemble each other almost as much as elderly negresses. an immoderately fleshy form, not very tall, with high bust, and unnaturally compressed waist, the hands tiny, like accidental appendages to her fat arms, the feet still incomparably beautiful, but too short to support the huge figure, the gait waddling, the face yellow and fat, mouth, eyes, and nose almost hidden by a pair of enormous cheeks--that is juanita. she who, in her day, had worn the bandeaux of her nation coming down over her ears, now, probably because this manner of wearing the hair seems to her peasant-like, wears the hair drawn back from her withered temples, falling in black ringlets on her forehead, a hat on the back of her head, a green silk gown and diamonds. her tiny shoes and stockings are the only parts of her costume which are faultless. the former, charming little black satin affairs, the latter of open-work black silk. in consequence of this, she wears her gown short beyond all bound in front, which increases the width of the whole appearance. she continually exchanges the most tender, loving glances with her husband, and a happy honeymoon smile illumines her yellow face when he addresses her. as she uses the cure with the same conscientiousness as he, she stands beside him at the spring. little comtesse l----, a lively lady whom nothing escapes, asserts that every time before emptying her goblet, juanita coquettishly hits it against that of the "retired iron founder." the "checked iron founder" is a name given mr. von harfink on account of his immoderate preference for striking green and blue checked clothes. for two weeks juanita has borne his name--for two weeks he has known how badly he really fared under susanna's rule. the aforesaid susanna had died a year after linda's marriage. linda, who at that time had not fully recovered from gery's birth, expressed no wish to go to vienna for her mother's burial or her father's consolation. mr. von harfink had been left to bear the heavy loss alone. at the funeral baron von harfink shed many tears into a black-bordered handkerchief, and displayed all the symptoms of honest emotion; after the funeral he fell into a condition of silent apathy. the flame which had given light to his mind was extinguished, all was dark within him. he felt like an actor of poor memory whose excellent prompter has died. about a week after the catastrophe, his nearest relatives assembled at a dinner in his house, with the good-natured view of diverting him. he sat in their midst, silently bent over his plate. they had adjourned to the drawing-room for coffee, and still he had not spoken a word. "the poor fellow! it has gone harder with him than we thought," the relatives whispered to each other. then stretching himself comfortably in an arm-chair, and rubbing his stomach, he began, "ah! things have not tasted so good to me as they did to-day for a long time." the feeling of an immense relief had awakened in him. no longer to be afraid of making stupid remarks, no longer, when he had put on his favorite checked vest, to be reproved with, "anton, your vest insults my æsthetic feeling," or, when he had given himself up to the comfortable enjoyment of a favorite dish, to be frightened with, "anton, a day-laborer is nothing in comparison with you;" to be forced to listen to no more articles from the _rundschau_ and the _revue des deux mondes_,--it was very pleasant. scarcely had susanna been three weeks in her grave, when mr. von harfink stopped the subscriptions to the _revue_ and its german cousin, the _rundschau_, retired to his estate, played nine-pins with his brewer and cook, and in his shirt sleeves, ordered those new checked plush vests, and ruined his stomach three times a week. soon he displayed the most peculiar matrimonial intentions. he made love to the former companion of his deceased wife, an elderly spinster with thin hair and a very deep feeling for a blond theology student who, at that time in magdeberg, sued for her hand. the improbable occurred; the companion refused the knight and his three millions, although after his death a settlement of seven hundred thousand guldens was assured her. the family was astonished at this unexpected unselfishness, and from thankfulness, and to prevent the romantic maiden from changing her mind later, married her to her student, with a splendid dowry. after they had met this model of prudence, the relations wrung their hands. if the charms of a forty-year-old, half bald companion had almost brought him to the altar, how should they protect him from a _mésalliance_? only by the sharpest oversight was mr. von harfink prevented from marrying his housekeeper. fearful conflicts burst forth on his estate--the castle became an inn. "susie must have been cleverer than i accredited her with being," once remarked eugene von rhoeden, who indifferently looked on upon his relative's movements. "it certainly takes skill to govern the rhinoceros. none of you equal her!" at length the relatives were weary, and left baron von harfink to the guidance of his son, that is, to his fate. raimund was far too much engaged in cultivating his high c to watch his father. the poor young man, who had been destined by his mother to be a genius, at this time suffered from deep depression. he had failed everywhere--at the university, on the stage, finally in literature. after long efforts, he had obtained an engagement in a bohemian watering-place, and under the stage name of remondo monte-chiaro, had sung raoul in a beautiful pale violet costume of real silk velvet. the audience hissed and laughed; he sprained his ankle by the leap from the window, and appeared no more. then he prepared a comedy which fell through in p----, an accident which he attributed to the lack of cultivation of the audience there; then he wrote essays upon the love affair of george sand and alfred de musset, the murder of the ambassador at rastadt, and the iron mask. these effusions were published in a vienna paper. the superficial public found the themes old, and did not read the articles. the intimate friends of the author read the first five sentences, had the satisfaction of discovering a grammatical error therein, and as, with the malice with which friendship meets every young striver, they sought nothing else in the articles, they laid them aside, satisfied. raimund felt deeply wounded. the world seemed to him nothing more than an immense porcupine, which, with all its quills of prejudice, repelled his genius. he passed his days in gloomy brooding--then a message from his humorous cousin, eugene von rhoeden, in venice, waked him. "help what can be helped," he wrote. "he is going courting again; this time it is in earnest." yes, it was in earnest. in marienbad, the year before, he had first made her acquaintance; he had followed her to venice. she had there, under the name juanita, tried to obliterate the reputation of pepita. later she had borne the name of a marchese carini. she had been obliged to dance even as a marchesa, for the marchese did not disdain to make use of his wife's talent, and had dragged her from theatre to theatre. at one of her brilliant performances in st. petersburg she broke her leg, and since then could dance no more. now she became fat, sleepy, devout and irritable; the marchese gambled away the greater part of her fortune, and died of galloping consumption. ignorant of all business, continually deceived by her lovers, the marchese carini would have come to a sad end if the knight of harfink had not appeared as rescuer in her need. he married her in the beginning of june. raimund, very depressed and deeply in debt, did not refuse to offer to kiss his new mamma's hand dutifully. she knew how so to fascinate him at the first meeting, that he was almost as slavishly submissive to her as his father. juanita desired social position. she insisted upon being introduced to linda. harfink did not know that she had formerly had strange relations with felix--she did not touch upon it; on the contrary, she reserved her power over felix, which she had so boundlessly misused, for a favorable moment. mr. von harfink told his nephew, eugene, when he met him in marienbad, his wife's desire. "i really do not know what to do; linda is so curious," he said. and rhoeden answered with his sly smile, "write linda and ask her when you may bring her new mamma to see her--or, really i see no reason why you should not quietly drive over one of these days without announcing yourself." "i do not understand what any one could have against chuchu!" said the young husband, enthusiastically. "what a woman she is! she has diamonds from the emperor of ---and a gold coat of mail from the duke of ----, and with all that, she is nevertheless all domesticity and love! she calls me tony, and darns my socks from pure love." xxi. at this time life was for poor felix only a heavy, oppressing burden. he knew that juanita was staying in marienbad; knew that she had married his father-in-law. he felt neither horror nor astonishment at this step; nothing which she did would have astonished him, but he felt oppressed by the sense of her nearness; a true superstitious fear of the magic charm which her beauty had for him weighed upon him. his recollections, his imagination, had been busy with the picture of her which he still possessed--had invested it with the most refined charms. for felix, the only excuse for his inexcusable conduct, by which he had ruined his life, lay in the demoniac fascination of the dancer. linda had written her father, before his marriage, an annihilating letter, to which she had received no answer. she believed her father angry, and therefore expected nothing less than a visit from him. felix, who thought her opinion sensible, nevertheless showed from time to time a certain fear, and thereby excited the spirit of contradiction in linda. "one can be glad that papa has done nothing worse," she remarked once, indifferently. "it is not to be supposed that they will have children--_et pour le reste_, such a marriage with a dancer has a certain _cachet_. i shall make no advances to her, but if she comes i must receive her!" felix shuddered and was silent. bitterly ashamed of himself, for a time he had tried to restrain his thirst for liquor. but he could control himself no longer. when the old remembrance began to burn in his heart like eating poison, he at first tried hard to occupy himself. he read, but, unaccustomed to all mental activity, a book scarcely chained his attention. he took long walks, he was too uneasy to become tired; he rode, he was too good a horseman to have any trouble with his horse. his heart grew more and more heavy, and he drank--drank privately in his room so as not to be surprised in an unreliable condition. he was always temperate at table. no one saw him now with flabby lips and tottering knees, and his friends did not notice that he was really never quite sober now. his hands shook perpetually, there was a watery look in his staring, hollow eyes. a slight bluish flush colored his nostrils, and his voice was quavering. meanwhile linda, careless and indifferent, fluttered around him, bitterness in her heart, on her lips a charming smile and malicious jests. a butterfly with a wasp's sting, scirocco had called her, and pistasch repeated it to her. it had greatly pleased her. at this time pistasch came to traunberg almost daily. linda coquetted with him, but her coquetry was vague and cold, and was neither challenging nor encouraging. he made no progress, as he expressed himself to scirocco. "she has no temperament and no heart," he grumbled, and once he added, "perhaps i am not the right one----" "what do you mean?" replied scirocco, impatiently, remembering the suspicion which had been cast upon him. but pistasch only answered crossly, "garzin!" "impossible!" replied scirocco, unwillingly. pistasch only shrugged his shoulders, and when sempaly began to consider the matter, he must admit that garzin went oftener than was necessary to traunberg, that linda had quite a different glance and voice when she was with him from what she had for others, that she made concessions to him which she granted no one else, never wore again the most becoming toilets if he had once condemned them, and did not sing the most piquant couplets if he shrugged his shoulders over them, and, once on the slippery path of distrust, scirocco told himself also that the charming sisterly confidence which linda permitted herself with her brother-in-law was scarcely in place in such a beautiful woman with such a young man. he was angry with garzin. "he really does not think of wrong, but he should be careful--for----" like all people of his stamp, scirocco, in affairs of passion, did not believe in free will, but so much the more in the compelling influence of opportunity. "you have a new bracelet, linda," said felix one day, after dinner, to his wife as she smoked a cigarette with him in the drawing-room. "do you like it?" said she, and held out her white arm to him. the bracelet consisted of a thick gold chain to which a little coin was fastened. "charming!" answered felix, apparently indifferently. "did you buy it in marienbad?" "no; kamenz gave it to me to-day--he owed me a philopena," replied linda. "hm!" felix looked gloomy, but did not know exactly how to put his vexation into words. he asked himself, "have i the right to reprove my wife?" "ah, the bracelet seems to please you less since you know where it comes from," said linda, smiling maliciously. "poor felix! are you, perhaps, jealous of this handsome, silly pistasch? he is about as dangerous to me as that dandy there," and she pointed to a dainty meissner figure in knee breeches and flowered vest, who with cocked hat under his arm, smiled down from a bracket. "well, i certainly do not wish to disturb your little amusement," stammered felix, "but you do not know how much gossip arises from intercourse between a woman like you and a man like pistasch, and if he is really so indifferent to you--why--then--perhaps you might receive him somewhat less frequently." "hm!" said linda, thoughtfully. "however indifferent that porcelain dandy yonder is to me, i have not the slightest inclination to throw him out of the window." she blew a few whiffs of smoke up to the ceiling. "but there is no question of that," replied felix, "only see him less often----" linda would not let him finish. "but do you not see, my dear felix," said she, knocking the ashes from her cigarette, "to the house of a woman like me, who--let us speak plainly--really does not belong to his set, a man like pistasch either comes not at all or every day. i am of a sociable nature--i must associate with some one, or else i should die of _ennui_. if no ladies will come, then i will receive men." "i cannot understand why you do not get on better with elsa," remarked felix, uneasily. "i was there recently; she has not returned my visit," said linda. "i cannot force her to come. i believe she is vexed with me because erwin amuses himself with me. heaven knows our intercourse is of wholly an innocent nature!" the young woman rocked softly back and forth in her chair and laughed to herself, striking the finger-tips of her loosely clasped hands together. "i do not doubt that for a moment, but you should have some consideration for elsa--she is nervous and sensitive." "ah! and i am to suit my behavior to her interesting nervous condition," laughed linda. "that is to say, i am to be intolerable to erwin. _eh bien, non merci!_ he is the only man of my present acquaintance of whom i think anything." felix was silent. then without was heard a rustling and puffing as of a heavy silk gown and an asthmatic person. a foreboding distressed felix. linda half rose. "that is surely not----?" she murmured, but already the servant had opened the door. "baron and baroness harfink!" he announced. very red-faced, even fatter than formerly, with confident bearing, shining with happiness and perspiration, and with the air of a youthful dandy, linda's father approached his daughter. although she had thought that she remembered him very well, she is still somewhat abashed at his astonishing appearance. nevertheless she makes the best of a bad game, and condescendingly offers him her cheek to kiss. he kisses her loudly on the mouth. "ah, you look splendidly--no matter, you wrote me a foolish letter, but the past shall be forgotten. here i bring your new mamma to you. she was good-hearted enough to pay you the first visit. you have certainly heard of the marchesa carini." "also of juanita," says linda, giving the tips of her fingers to her step-mother. "i am indescribably pleased to make the acquaintance of such a great _coryphée_. i have never yet had the pleasure of seeing a dancer except on the stage." the colossal insolence of her words is lost upon juanita, owing to her stupidity and deficient knowledge of german, but the depreciation in tone and glance is perceptible to the dancer. she feels helpless and irritated. "does marienbad please you?" continues linda, with the insolent condescension which she has studied from the best examples. "very pretty," murmurs the spaniard, twisting her handkerchief between her hands. she speaks poor german. linda is delighted with her pronunciation, and does not take the trouble to speak french, for which cosmopolitan language the dancer had forgotten her mother-tongue. "if i remember rightly, i once had the pleasure of seeing you dance--it was in '67, in vienna--my first theatre evening." "in vienna?" said the dancer. "oh! that was a small performance--that was at first--later, when i travelled with my husband, the marchese carini, _je n'ai jamais travaillé_ except in st. petersburg, paris, london and baden-baden." "ah!" says linda; the conversation pauses. papa harfink, leaning somewhat forward, his heels under his chair, rests in a low arm-chair, and monotonously strokes his leg from the knee upwards and back again. and felix? pressed tightly into a dark corner, where the hope of being forgotten and overlooked chains him, he stands motionless. as light perspiration which does not cool, but rather burns, moistens his whole body, the blood sings in his ears, his tongue cleaves to his teeth. he has not self-possession enough to hear her, he has not the courage to look at her; she floats before his mind, the most seductive siren, the most bewitching woman that ever, trifling and playing with a man, ruined his honor. he still dreads the disturbing might of her beauty. curiosity compels him to gaze at her; he looks and does not trust his eyes. where is the juanita? near his wife he sees a yellow, bloated woman, prematurely old, tastelessly dressed, squeezed into a black _moiré antique_ gown, with folds under her round eyes, little fan-shaped wrinkles on her temples, and black down about the corners of her mouth. common, fat, awkward, she sits there, a double chin resting on her fat bosom, her hands clasped over a lace-edged handkerchief in her lap! felix cannot believe his eyes. that must be a mistake--that cannot be juanita! then, beneath the hem of her gown, he sees a tiny foot in a black satin shoe, and now he knows that this is juanita! he notices a light brown mole on her neck--it disgusts him, but then he remembers how this mole had once pleased him, how often he had jokingly kissed it! his cheeks burn--he has lost his last illusion--the whole vulgarity of the temptress to whom he had yielded is pitilessly exposed to him. involuntarily he makes a movement. papa harfink discovers him. "ah, felix," he cries, already somewhat out of temper, "are you hiding from me? i should think," he adds, relying upon the power of his millions, "that such a father-in-law as i is not to be despised." slowly felix advances. "my husband," says linda to the dancer. but the latter's face has taken on a prepossessing smile, and with the confidential expression which appeals to old times, she says, "i know him already, _tout à fait un ami_ from my _débutante_ period; is it not so?" she gives him her hand. the hand, only covered by a lace mitt, is flabby, and as juanita, half rising, presses this hand against the lips of felix, who is bowing to her, his face changes, plainly expresses disgust, and he lets the hand fall unkissed. juanita trembles with rage. "let us go," screams she--"let us go! oh, sir baron, you think that i am only a dancer--and--and----" speech fails her, she gasps for breath. "let us go, let us go!" she pants. "my chuchu! my beloved wife!" cries mr. von harfink, and not honoring felix and linda with a word, he leads the spaniard out of the room. the carriage rolls away with the wedded pair. scarcely has the door closed behind the harfinks when linda bursts into loud, happy laughter. her husband's stiff manner, his way of ignoring her father, which, under other circumstances, would another time have irritated her from pure capriciousness, have this time chanced to delight her. "you are unique, felix, wholly unique!" she cries to him. "you were so deliciously arrogant! but what is the matter with you? are you ill? _tiens!_ juanita is your great secret! poor boy!" she taps him on the shoulder, she laughs yet. "what a disappointment, eh! but what is the matter? no, listen; it is humiliating for me that the meeting with this comedian has so robbed you of your self-control, felix!" his secret still has a charm for her, surrounds his poor bent form with a romantic light. something startling, shockingly horrible, she seeks behind this, but not something dishonorable! with a teasing tenderness, which she has never shown him since their honeymoon, she strokes his cheeks, and begs, "tell me what distresses you." then felix's conscience torments him; he feels as if he would rather die than keep his secret longer. for a moment he almost counts upon mercy from this soft childish creature who has seated herself beside him on the arm of his old-fashioned chair. "linda," he begins, "when i married you i did not know--that you--suspected nothing of--of this matter. your mother assured me that she had told you of my past----" he hesitates. "oh, my mother spared my youth, and only made the vaguest allusions!" he draws a deep breath. "a terrible story is connected with this spaniard,"--he hesitates--she looks closely and curiously at him; a sudden idea occurs to her: "you shot a friend in a duel on her account?" she cries, and then, as she sees him start but shake his head, she says softly, with indistinct articulation and hollow voice, "or--or not in a duel--from jealousy?" he lowers his head--he cannot speak--then slowly rising he totters out of the room. she remains alone--staring before her--her heart beats loudly--then she was right! all his enigmatical behavior is explained; she now even understands her fellow men, and strangely enough, she almost pardons him. felix, beside himself with jealousy, thirsting for revenge, plunging a knife into the breast of his friend--the scene has something dazzling, something which compels her sympathy. she pictures the scene to herself; the luxurious apartment of the dancer--the two men, both deathly pale--she has seen something similar in the porte st. martin theatre. a peculiar excitement overpowers her corrupted nature, thirsting for strong stimulants. she loves felix! two minutes later she knocks at his locked door. "let me in, me, your wife, who wishes to console you!" felix does not open the door. xxii. it is already twilight. eugene von rhoeden sits with his cousin raimund in the harfinks' drawing-room. as pistasch had ridden to traunberg, where rhoeden seldom accompanied him, the countess dey was in bed with a headache, and scirocco had one of those fits of desperate melancholy which so often tormented him, and was wandering about the woods, eugene had nothing to do in iwanow. for a change he had ridden over to marienbad. at the forest spring, where the guests were assembled around the music-stand, he had met raimund, and had heard from him that "the old man" had driven over with his wife to see the arrogant linda; he, raimund, had spared them his society. eugene resolved to await the return of the pair; it interested him to learn something about the result of the visit. the two cousins soon came to the conclusion that the music and the crowd around the pavilion were intolerable as well as the heat, and betook themselves to the _mühl strasse_, where papa harfink, more conservative than superstitious, and besides wholly secure in his new happiness from indiscreet visits of susanna's ghost, occupied the same apartments in which for long years he had "suffered" every summer with the deceased. with a tinge of bitterness eugene looked about him as he entered the bright room in which he had passed so many sweet hours with linda. there stood the old-fashioned arm-chair yet, with the same covering, now, to be sure, worn at all the corners, the chair in which she used to lean back in the sultry summer afternoons, teasingly pulling to pieces his last gift of flowers with her delicate fingers, while papa harfink snored in the adjoining room; mamma harfink, in her maid's room, discussed the cut of her new toilet with the latter, but he, eugene, crouching at the feet of the young girl, told her gay, trifling little stories, many times half-jokingly interspersing a tender word. then she threw a flower in his face; her hand remained imprisoned in his, and he kissed it for punishment. thus it went on for hours, until papa harfink entered the room with scarcely opened eyes and hair tumbled by sleep, and asked, "are we going to have coffee at home to-day?" eugene had never seen the room since he had rushed into it, now more than five years ago, the bunch of white gardenias in his hand, and had found his cousin lanzberg's _fiancée_. at that time he had not changed his expression, had not by one word betrayed his passion, knowing well that a man like him who wishes to rise in the world is condemned to perpetual agreeableness. how he had felt at that time! his was no sentimental nature, but he had a faithful memory, and remembered distinctly how he had murmured the most polite phrases of congratulation; had drawn a comparison between himself and the man of old family, and beside, felix had seemed to himself like a handsome dry-goods clerk. his love for linda--it had been genuine of its kind--had long fled, but the wound which her vanity had inflicted in his still burned. the wish to repay linda for her arrogance still animated him. the hour was near. outside a carriage was heard, then loud, creaking steps on the wooden stairs; a hoarse, croaking woman's voice gasped out from time to time furious and incomprehensible words; the door opened and juanita entered. crimson, with swollen veins and sparkling eyes, she threw her fan, broken in the middle, upon the table. in vain did papa harfink again and again stretch his short arms out to her and cry, "lovely angel, calm yourself!" she had no time for love. "to insult me!--me--me!" she beat her breast; "me, juanita, the marchesa carini--bah!" she clenched her fist, "he, a criminal--a----" "who has insulted you, who is a criminal?" asks raimund. "he--he--this lanzberg!" she gasps. "oh, i will revenge myself--they shall see--i will revenge myself--caro, caro!" screams the spaniard. caroline is the maid, who enters at her mistress's loud cry. "bring me the little black casket with the golden bird!" commands juanita. the maid disappears; soon she returns with the casket, which she places upon the table before her mistress, whereupon she withdraws. the blood throbs in eugene's finger-tips, but, apparently perfectly indifferent, he stoops for the lace scarf which, with a quick gesture, juanita has thrown from her upon the floor. papa harfink, who took the matter very phlegmatically, rang to order a flask of spring water and a lemon. juanita rummaged for a long time among old newspapers in which her triumphs were recorded. she turned them over more and more uneasily. papa harfink had long since ordered his spring water, when at last juanita "found it." "there it is!" cried she. "will you read it?" eugene von rhoeden refused. raimund read it aloud. it was an article in a scandalous journal which appeared in vienna early in the sixties, but since then had failed or been suppressed. in that impertinent tone of cheap wit which seeks intellect in mockery, knowledge of human nature in cynicism, the story was told of a very arrogant young blue blood who in a weak hour had forged his father's name and who "now could further cultivate his talent for drawing in the prison of t----." the name of the young man was given as baron l----. some one had written "lanzberg" above it. "that is not possible!" cried raimund. "oh, if you please--if you please--possible!" screamed juanita. "it is all true--perfectly true!" "i once heard something of that," declared harfink, senior, whom the whole story troubled very little, and who had not enlightened susanna. rhoeden was silent. "and this despicable rascal has dared to marry into our honest family!" cried raimund, beside himself. "susie knew of it! he-he-he!" burst out mr. harfink, who now only too gladly accused the deceased. "my mother knew it!" raimund struck his forehead. "linda surely does not know it!" "leave her in her delusion," said eugene, sweetly. "one cannot change matters in the slightest, and all these years felix has behaved so blamelessly, so nobly, so----" he knew that his praise of lanzberg would bring forth a new burst of rage from juanita. "indeed!" now repeated the spaniard, with malevolent emphasis, "nobly, blamelessly!" and seized the paper. "no; linda must know it; i shall write to her this very day!" cried raimund. "that you will not do," said eugene, firmly. "why?" "because it would be vulgar." with that eugene rose and took his hat. juanita had meanwhile added to the time-obliterated pencil-mark a new, heavier one, had wrapped up the paper with remarkable deftness, and addressed it. "will you put that in the post-box?" she asked. "no, my dear madam," he replied, gravely, bowed and left. behind him he heard the voice of the spaniard: "caro, caro--to the post--but immediately!" through the damp evening shadows he trotted to iwanow. he enjoyed the pleasant conviction of having behaved throughout as an eminently upright man, and also the pleasant conviction that he had attained his aim. at a turn of the road, castle traunberg shone gray and ghost-like between the dark old lindens. eugene took off his hat, smiling ironically, and murmured, "good evening, linda!" xxiii. linda knocked in vain at her husband's door. in spite of her coaxing requests she had not been admitted. more and more horrible thoughts occurred to her. in ever more interesting colors her imagination painted her husband's secret. she expected that he would appear at tea; he excused himself, and did not leave his room again that day. she grew more and more excited--she did not sleep that night, only towards morning did she close her eyes. felix was no longer in the house when she had risen; he had ordered a horse saddled at six o'clock that morning, and had ridden over to lanzberg. linda grew impatient. "can i find old letters anywhere?" thought she. "in any case i must look through the attic rooms some day." she ordered the keys of the upper story. mrs. stifler, the housekeeper, looked upon it as understood that the young wife would require a guide for her wanderings, and prepared to accompany her. but, pleasantly as she treated all the servants, and especially those who had been in the family from one generation to another, linda declined the old woman's company. at first she had difficulty in finding the right key for the different keyholes. as the rooms for the most part opened into each other, and only the doors into the corridor were locked, that was soon overcome. none of the rooms were quite empty and none were fully furnished. an odor of mould and dry flowers and close, oppressive air filled them. on all objects dust lay like a gray seal of time. some of the rooms had such thick curtains that only here and there a bluish white streak of light lay on the floor, amid the dark shadows; others, and the most, had neither curtains nor blinds, and the light in them was dazzlingly bright. there stood a gilded carved arm-chair with brocade covering of the style brought from france in those days when maria theresa called the pompadour "_ma chère cousine_," and near by a whole row of spindle-legged chairs with lyre-shaped backs in the stiff style of the empire. and the arm-chair looked handsome and arrogant, the chairs hideous and pretentiously solid--and both alike were long ago unavailable and did not know it! alabaster and porcelain clocks with pillars for ornaments, and thin arabian figures on large white dials, slept away the time on yellow commodes with inlaid wood arabesques. many family portraits of long-ago generations hung on the walls, mostly oil paintings, the men all standing in very narrow coats with very large revers, their hands on their hips, their eyes contracted to that narrow exclusive gaze which overlooks all unpleasant circumstances of life and worldly affairs, characteristic of the manly _ancien régime_; the women all seated, with broad sleeves and curls arranged in the english fashion; in the eyes that charming, unabashed gaze which on their side characterizes the women of the _ancien régime_, a gaze which sees in poverty only picturesque objects at the side of their path; a gaze which, mild and loving as it is, yet pains because it is accustomed to nothing but the beautiful, expects nothing but the beautiful, and therefore humiliates misery and hideousness. linda felt embarrassed at so much of the past; a certain hesitation, which did not accord with her indiscreet, egotistical, pushing nature, paralyzed her hands, while she, prying into felix's secret, opened old chests and pulled out drawers. she found trophies of the hunt, an old brocade gown, in a wardrobe a bridal wreath and a half dozen old riding boots; she found old notes, books, albums full of copied poems, books of latin and greek exercises, and an ambitious plan for dramatizing le cid, in round, childish writing, old bills, receipts, but she found no old letters. in one of the last rooms she discovered a newer secretary, which was ornamented with painted porcelain tablets, on which pink and sky-blue ladies walked in brilliant green landscapes. linda opened every drawer, knew how to fathom the most secret compartments, and finally discovered a bundle of old letters tied with a black ribbon. her heart beat rapidly; she was about to hurry away when a picture with face turned to the wall attracted her attention. the dust upon it was more recent than upon the other objects. not without difficulty she turned it around, and uttered a little "ah!" of admiration. the picture was no better painted than most modern family portraits, but it represented the handsomest young man who ever wore the green uniform of the austrian uhlans, of '66. the carriage of the young officer, who sat there carelessly, with head slightly bent forward and sabre between his knees, was well portrayed. linda thought that she had never seen a more fascinating man; the pleasant mouth, the shy and yet confident glance, the naïve arrogance of the whole expression--all pleased her. who could that be? she went down stairs and commanded two servants to bring the picture to the drawing-room at once. one of the servants--it was felix's old valet--permitted himself to remark, "the baron did not like the picture, and in consequence had banished it to the second story." linda insisted that her command should be executed. "do you know whom the picture represents?" she asked, as she passed. the old man seemed surprised and hesitated. "the baron, himself." "ah!" linda bit her lips, and made a gesture of dismissal. when the man had gone away with the servant to fetch the picture, linda laughed to herself, gayly--the joke seemed to her delicious. scarcely was she alone when she bent over the letters. they were written in a flippant, haughty tone which harmonized well with the portrait. the first dated from a polish garrison; in all was evident the naïve selfishness of a good-hearted but uncommonly indulged man. the letters pleased linda very well. from time to time she glanced at the portrait, which, in accordance with her wishes, had been brought in. "what a pity that i did not know him at that time," said she, and then added, shrugging her shoulders, "at that time he would scarcely have wished to have anything to do with me." when felix returned from his ride he found in the vestibule, among other letters arrived in the morning, an old newspaper in a wrapper addressed in very poor writing to his wife. he looked at it, read the post-mark, marienbad--he recognized juanita's writing. his heart throbbed violently. the idea of suppressing the paper flashed through his mind; he seized it, then a kind of fury with himself overcame him. he was weary of striving to prevent his last great humiliation, and like one in deep water who, when the waves reach up to his throat, weary of exertion, defiantly flings himself into the horrible element in order to make an end of it, so he sent the paper to his wife himself, by a servant. then he went to his room. he seated himself at his writing-desk, and resting his head on one hand, with the other mechanically smoothing a newspaper which lay before him, he waited, half with dread, half with longing, like a criminal condemned to death, for the message which should summon him to the gallows. then he heard a fearful, piercing scream. "ah!" said he, "she knows it!" will she come to him? there is a rustle in the corridor, the door of the room is flung open, and linda enters, or rather bursts in. her face is distorted; a lock of loosened hair hangs over her ashy pale cheeks. "it is a calumny, it cannot be true!" she cried, and threw the paper which juanita had sent her before him upon the table. he is silent. her vanity believes in him until the last moment; has expected an explanation from him, but he is silent. she grasps his shoulder. "for god's sake is it true that you were sentenced to two years' imprisonment for forgery?" then he murmurs so softly that his voice seems only an echo, "yes!" she staggers back, remains speechless for a moment, and then bursts into not convulsive, not hysterical, no, only indescribably mocking laughter. "and i was proud to bear the name of lanzberg," she murmurs. "now at last i know how i came by that honor." she feels not one iota of pity for the mortally wounded man who has quivered at each of her words as beneath the blow of a whip; she feels nothing at all but her immense humiliation. the wish to pain him as much as possible burns within her, and for a moment she pauses in her speech because she can think of nothing that is cutting and venomous enough. "and if you had even informed me of the situation, had given me the choice whether i would bear a branded name or not," she at length begins again. then he who had until this moment sat there perfectly silent, with anxiously raised shoulders, his hand over his eyes, raises his head wearily. "linda, i begged your mother to tell you of my disgrace--she assured me that she had done so. on my word of----" he pauses, a horrible smile parts linda's lips. "go on," cries she, "your word of honor. i will believe you--it is possible that you speak the truth. my mother suppressed your confession, good; but every glance and word of mine during our engagement must have convinced you that she had suppressed it. you cannot answer that to your conscience," she hissed. to that he replies nothing, but sits there motionless and silent. she wishes to force him to proclaim his shame by an outcry, a gesture of supplication. "i have borne a branded name for five years--i have brought into the world a branded child," says she quickly and distinctly, her eyes resting intently upon him. at length he shudders; he looks at her with a glance which pleases her, it shows such fearful misery--her eyes sparkle. "and all for the sake of a juanita!" she cries again scornfully, and leaves the room. she rushes down stairs breathlessly; there in the large drawing-room stands the picture, the package of letters lies on a table. tears of rage rush to linda's eyes. she pulls the bell sharply. "take that picture away!" she commands the servant who appears. she would like to declare to the servant that she knew nothing of the lanzberg disgrace when she married a lanzberg. xxiv. "all for the sake of a juanita!" that was the most biting remark linda had made, was what made felix feel most keenly his degradation. he had heard of people who sinned for a good object, who had forged their fathers' names from generous precipitancy to save the honor of a friend, with the ideal conviction that the father himself must declare that he was satisfied with the wrong action on account of the unfortunate complications. but he? no false idea of sacrifice, no desire for martyrdom had confused him; as the cause of his action he found nothing but egoism and search for enjoyment, a brutal passion for an unworthy woman. the explanation of his act lay in the hot-blooded temperament of a thoroughly spoiled and indulged man, whose first ungratified wish robs him of his senses--the excuse of his act lay nowhere. he also had never sought it, and had never for one instant forgiven himself, but all these years, wherever he went, had dragged about with him the consciousness of his degradation. it had weighed so heavily upon him that this in itself had prevented every moral elevation in him. had his sense of honor not been by nature and education so fanatic, so morbidly sensitive, he would perhaps have learned in time to accustom himself to his situation, and become a commonplace, anxiously respectable man who contented himself with playing first fiddle in circles which were a step lower than his own. but however he was situated, he never learned to reckon with his detracted honor. it could not satisfy him to represent an ordinary, respectable man. "how was it possible; oh, god, how was it possible that i, felix lanzberg, could so forget myself?" he groaned. he let his head fall upon his folded arms on his writing-desk. then through his weary mind, like a triumphal fanfare of temptation, rang the melody of a spanish national dance, with its exciting, sharply accented rhythm and perfidious modulations. the portion of his past in which his present grief had root rose vividly and with the most minute particulars to his memory. it dated back--oh, that beautiful unrecallable time--twenty-three years. very wealthy, handsome, of good family, fond of gay life and without any serious aims, he liked to amuse himself, rendered homage to his colonel's wife, as is obligatory in every young officer, supported here a factory-girl, there a glove-maker, but at that time his great passion was really four-in-hand driving. on the whole, he was of too ideal temperament to find enjoyment in light-minded passions, and had no talent for such. in association with all other beings--his superiors, comrades, subordinates, tradespeople and proletaries--full of a certain good-nature, self-satisfied. in intercourse with women he was almost shy, stiff, grave, and well-bred to the finger-tips. he was everywhere considered sentimental and solid. the last easter he had raved over countess adelina l----, the sister of the same count l---whom he had encountered so unpleasantly at mimi dey's--had danced three cotillons with her, lost two philopenas to her, and passed much time at receptions, seated in a low arm-chair beside her, gazing at her with enraptured eyes, and accompanying his glances with a few anxious, very involved and equally unmeaning phrases. it only required some sharp elderly friend of the countess to make matters plain to him--that is, to call his attention to the fact that he was really betrothed. he seemed made to marry early, to adore his wife, and to bore his intimate friends with accounts of the wonderful peculiarities of his children. then, on a mild, damp spring evening, after a good dinner, and not quite sober, he chanced to go with several comrades to the orpheum, which later, owing to an american who walked a telegraph wire with much ease and grace, became a great attraction, but which then tried its fortune with spanish dancers and a lion-tamer. the dance production began with four spaniards, two women, two men, all four old, homely, and so thin that they did not need castanets to rattle, danced with convulsive charm, smiled like painted death's heads, and on the whole reminded one strongly of certain repulsive pictures of goya, which are usually voted exaggerated, so as to allay the horror which they cause. the officers cried "brava!" with biting irony, the audience hissed, several indignant voices grumbled at the director. then the first bars of the madrilèna resounded through the atmosphere impregnated with tobacco smoke and the odor of eatables. a new apparition stepped upon the stage. a smile--a glance--the deepest indignation changed to the most breathless astonishment. with the voluptuous bowing and swaying of a spanish dance, the most beautiful woman that was ever called senorita floated over the stage. that was juanita! the horrible background of the quartette heightened the luxuriant charm of her figure. she was no practised dancer, none of our conventional ballerinas, whose perfect flexibility destroys all individual charm; her limbs had not been disfigured by year-long torture; they possessed neither the pitiful thinness nor the dazzling rapidity of a race-horse. she did not know how to execute with the lower extremities the most ambitious figures, while--as is considered essential--the upper body remained stiff; she did no gymnastics--she danced! and not only with her limbs--she danced with her whole body. oh, what an intoxicating bending and swaying! a proud drawing up of the body, and caressing sinking backward! her dancing had nothing animated, challenging about it, but something subtly alluring, almost magically seductive. her whole appearance suggested longing weariness, as when in a storm the flowers shudderingly bend their heads earthward. and she was beautiful! the short oval of her face, the low brow, the short, straight nose, the delicate, quivering nostrils, the high cheek-bones, the slightly sunken cheeks, the long, deep-set eyes, full of loving dreaminess and passion, the full, curved lips, turning upward with an expression of languishing weariness--all this reminded one not in the least of the ideal, gentle brunette madonnas of murillo. it reminded one of nothing holy, nothing classical--but it was the most seductive earthly beauty which one could imagine! the audience raved; the officers screamed themselves hoarse with "brava! brava!" some of them made poor jokes about the dancer, others hummed or whistled reminiscences of the spanish music. only felix was silent. "you act like one to whom a ghost has announced death," jested prince hugo b----, and thereupon proposed that the officers should go upon the stage in a body and give juanita an ovation. how he remembers all that to-day! the large half-lighted room near the stage, the dusty old rafters, the ropes, the torn scenes, the dim gas-lights, the crowd of actors and actresses huddled together, the trapeze artist who wore a brown waterproof over his pink doublet and green tights, and in the midst of this unsavory crowd--juanita. in a shabby gray dress, and green and blue checked shawl, she stood near an elderly very shabby woman, and smiled with her languishing lips most indifferently, while the men vied with each other in paying her the most effusive compliments in imaginary spanish or bad french. when they withdrew felix stumbled over something. it was the yellow flower which juanita had worn in her hair, dusty, withered, trodden upon. carefully he wiped the dust from it, and tried to revive the faded, crumpled petals. "deuce take it! we should invite her to supper," cried prince b----, suddenly standing still. "why, hugo?" stammered felix. the former laughed, turned on his heel, gave his invitation, and juanita nodded perfectly contentedly. she had no objection to sup with the gentlemen. to be sure, she took her theatre mother with her. how felix recalled all this! the glaring gas-light in the long narrow room of the restaurant; the sleepy, blinking waiter; manuela--that was the name of the dancer's protecting angel--who, without removing hat or wrap, and also without saying a word, with the usual appetite of all theatre mothers, bent over her plate; the officers who, with faces flushed with wine, proposed clumsy toasts, and juanita who, seated beside the prince upon a red divan, again and again rubbed her large weary eyes with her little hands, like a sleepy child. she ate without affectation and without greediness--only sipped the champagne, smiled good-naturedly at the boldest jokes, whether she understood them not, with the resignation of a being who was accustomed to earn her bread in this manner. the old manuela had long been snoring. some the officers had grown melancholy, the others were noisy only by fits and starts--juanita's eyes closed. "let her go, she is tired," remarked an elderly captain. "before we part, i beg one especial favor," cried prince b----. "that the senorita give us each a kiss." the dancer made a few gestures of dissent, because that was a part of her trade, and then yielded. patiently she let one after the other of the young men press his mustache, smelling of wine and smoke, upon her beautiful mouth. at length felix's turn came, but he avoided her lips, profaned by the kisses of his comrades, and only kissed her hand very softly. misunderstanding the tenderness of his action, she believed that he despised her kiss. a few minutes later the two sleepy spaniards rolled away to their home in a carriage which prince b---had paid for. "a beautiful creature, but a perfect goose," remarked b---to felix, as he strolled back to the barracks with him. the other officers drove. "besides, she is at least twenty-five or six years old; that is old for a spaniard," chatted the prince. felix walked silently beside him, a hot, unsatisfied feeling in his heart, a withered flower in his hand. he cherished it like a lover the rose-bud which his dear one had given him; yes, thus would felix cherish the faded yellow flower which the dust in the wings of the stage had soiled--upon which an acrobat might have trodden. he placed it in a glass of water, and finally pressed it in a book of poems. explain it who will! in the moment when felix had avoided her lips, the narrow-minded spaniard had taken a decided dislike for him, a dislike which more intimate acquaintance with him did not overcome, but which increased to aversion. neither his unusual, truly somewhat effeminate, beauty, nor his reserved, chivalrous manners, pleased her. b----, with his bold, condescending ways, had more success with her, but her deepest, tenderest feelings were for the trapeze artist of the orpheum, a young man with strongly developed muscles and bushy hair, who apparently seldom washed his face and never his hands; but, on the other hand, used the strongest-smelling pomade, and always wore the most brilliant cravats. one met him often when one visited juanita. at that time juanita lived in the rossau, in a very plain locality, which continually smelt of mutton tallow and onions, because manuela, in spite of the warm time of year, loved to cook unappetizing national dishes upon the drawing-room stove. manuela was never seen without her crumpled black satin hat and her green shawl adorned with red palms. around the old woman's waist, on a worn-out cord hung a pocket from which protruded a gay paper fan, and which beside this lodged a pack of cards, a rosary and cigarettes. juanita lay from morning to night upon a divan, clad in a loose white wrapper, without corsets, without stockings, a rose behind her ear, and tiny black satin slippers upon her small bare feet. but how beautiful she was thus! the soft white clinging garment outlined her form distinctly. one could think of nothing more charming than her little feet, scarcely as long as one's palm, so narrow, beautifully arched, with pink soles and dainty dimples, and with blue veins around her ankles as they peeped out of the satin slippers. except for a few fairly brutal bursts of rage, juanita was uncommonly phlegmatic. she really loved nothing but cigarettes, sweet drinks mixed with ice, and a horrible spanish national salad of garlic and cucumbers which she called a _gaspacho_. the time which she did not devote to her dancing exercises and her lovers, she passed smoking, laying cards, and telling the beads of her rosary. she tolerated felix around her, like a poor actress who wishes to quarrel with no one and tolerates every one; she did not encourage him. her coldness excited his feeling to madness; his boundless submission increased her repugnance for him. in association with her, he had no self-respect, no pride, no will, but the low-spirited air of a shy student. he grovelled at her feet, and spent half the day pasting gold spangles on one of her old costumes which manuela was freshening up. he had known her for weeks without daring to send her anything but bouquets and candy. then one evening he saw her in a box of a theatre. she wore her hair arranged in the spanish manner, with a veil and high comb, and a black satin gown which fitted like a glove, adorned with a silver girdle. the whole audience was interested in the beautiful spaniard. in the second act, prince b---appeared in her box. the people whispered, laughed. felix was half dead with jealousy. the next day there was a violent altercation between the prince and him, at which the former good-naturedly declared that he would a hundred times rather break with juanita than with felix; he did not care anything about her, she bored him; he had only sent her to the theatre, dressed beautifully, to mystify the viennese, etc. then felix hired a charming entresol in k---street, and had it furnished in three days by the first upholsterer in vienna. juanita made no trouble about occupying it. she laughed and clapped her hands with joy over the magnificent furniture, gave up her loose wrappers, wore the clothes which felix had made for her, and in honor of the beautiful apartment, played the great lady. surprise and thankfulness, or perhaps a suddenly awakened covetousness for a time killed in her every other feeling. felix revelled in a few weeks of mad happiness. to-day, however, his hair stood on end when he thought of this happiness. juanita gave herself up to mad extravagance. her ideal of elegance and style was mlle. x----, the _première danseuse_ of the opera house. juanita must have duplicates of everything: the toilets, the newfoundland and the equipages. finally she insisted upon dancing at the same theatre as the x----, and felix succeeded in securing a performance for her. and yet how badly she treated him in spite of everything. often he rattled his frail chains, but lacked the strength to break them. he made scenes for juanita almost every day--it was owing to his jealousy; he left her and swore he would never come again. for an entire week he remained away from her, but in what a condition of excitement, fever, and longing! he ate nothing, he slept no longer, he ran into passers-by in the street because he saw no one; the whole world was a dark chaos to him--the only spot of light was juanita. with bowed head, a bitter smile on his lips, the full consciousness of his degradation expressed by bearing and glance, he then dragged himself back to juanita. she did with him what she wished. all vienna spoke about him and her; from the lips of young matrons mysterious phrases floated about the ears of innocent young girls--the pretty countess l---cried her blue eyes out. and the summer passed. september arrived. the spaniard had become more submissive--sometimes she was almost tender. the great moment of her début in the opera house approached, and made her timid. one more wish she expressed, a last one. never before had she taken trouble to inform felix of one of her expensive wishes with so many caressing digressions. with both arms round his neck, her lips close to his ear, she informed him that she would not appear at the opera house without a pair of diamond screws such as mlle. x---always wore in her ears when she danced. when he begged her only to wait a very little while, she fell back into her old phlegmatic, yes, apathetic manner, pouting angrily. he went to a jeweller whom he knew, of whom he had already purchased different ornaments for juanita, but the man did not seem inclined to extend felix's credit further. too prudent to bluntly refuse such a distinguished customer he pretended that he had no stones of the size which the baron required. he could perhaps obtain them from a business friend "for cash." felix left the shop angrily, and now sought his old acquaintance, ephraim staub. but the latter shrugged his shoulders, said that he had already done a great deal for the baron for the sake of his respectful devotion to him; he relied upon his honor, but still the notes of a minor were not legal, and all men were mortal, and if anything should happen to the young baron who would answer to him, ephraim staub, that the young gentleman's papa would not throw him together with his notes, which in the eyes of the law were not legal, out of the door? felix chewed the knob of his riding-whip angrily. then carefully feeling his way, the usurer ventured an infamous proposition. "certainly a note with your father's acceptance--that would be safe--the old gentleman would certainly redeem that--one could always apply the thumbscrews to one's papa." ephraim could assure the baron that young people of the best families--he must, alas, conceal the names--had given him this kind of guarantee. for a long time the true signification of this speech was wholly dark to felix, but at length he understood, then he did not even take the trouble to fall into a rage, only threw back his head arrogantly and raised his riding-whip to the usurer as one strikes a cur who has ventured too near. how did it happen that three days later he returned to ephraim staub and made out the note in the shameful manner which the latter had desired of him? yes; how did it happen? felix no longer knows. if he knew, he could perhaps understand his crime to-day, but he does not understand it. his memory is a blank concerning the three days in which he had slowly sunk to forgery; there is a dark spot, a chasm in his recollection; he can only take it up again in the moment when, exhausted as if after weeks of fever, bathed in cold sweat, and groping along the walls, he crept from ephraim's shop to the jeweller's; how suddenly he was frightened at the gargoyle on the cornice of a house, frightened because the head laughed. from this moment he was not happy for a second, not even with juanita. strangely enough, his passion for her now was completely in the background; it fled. it seemed to him that a monster sat upon his back and buried two iron claws in his shoulders, and blew in his ears with his hot, terrible breath. the evening on which juanita was to show her splendid beauty and her empirical dancing to the audience of the opera house arrived. a warm, september evening. there had been a hard shower; there was an odor of wet stone and marble as felix went to the theatre. by turns he shook with cold and grew feverish, he suffered with a severe cold. the theatre was still only sparsely filled. when he took his seat in one of the front rows he noticed that people pointed him out to each other and whispered his name. he was a celebrity--juanita's lover! and all the soft voices pierced his ears, and yet no one could know that. the ballet had been introduced into an opera, he could not have said into which one; he heard nothing, he saw nothing which took place upon the stage. the triumphal fanfare of the madriléna roused him from his brooding. how beautiful she was! a cloud of black lace and satin floated about her. on her breast was a bunch of white roses, in her ears sparkled two great drops like frozen tears. felix saw nothing of the whole apparition but these great sparkling drops. he would have liked to scream out, "hold her fast, she wears my honor in her ears!" poor felix; he was delirious. the triumph which juanita had experienced at the orpheum was nothing to her present one at the opera house. a foreign prince, who chanced to be in the house, clapped his hands in approval; the x---saw it in her box, and grew green with envy. then juanita threw her last kiss and vanished. the opera proceeded. felix sat in his place as if petrified. at last, at the close of the act, he rose to go behind the scenes. that uneasy hum, which in the world follows a triumph or a fiasco, prevailed there. juanita was nowhere to be seen. he knocked at her dressing-room door, her maid alone answered him. juanita was gone, had just driven away. "his highness prince arthur"--the girl was a born viennese--"had arranged a supper in all haste in honor of the senorita, and--she thought the baron knew of it----" felix heard nothing more; in mad haste he rushed down the narrow stairs to the stage entrance, and out across the open square before the theatre. he saw a closed carriage turn a corner. felix did not know whom the carriage contained--probably a perfect stranger--and still he rushed after it--rushed after it like an insane man for a long distance. the earth trembled beneath him; with a hoarse, breathless gasp, he sank to the ground. when he was picked up, he was unconscious. for weeks he lay senseless, with a severe nervous fever. his father came to vienna to care for him. after about eight weeks the physicians declared that for the present there was no danger--he could be transported to traunberg, as was the urgent desire of his father. at that time felix was still so weak that he had to be carried; he slept almost continuously, spoke indistinctly, and had forgotten the immediate past. ephraim staub hated felix because of the manner in which, without removing his cap, with one finger on the visor, he would enter ephraim's house, yawning, and say, "you, i want money!" and because of the manner in which he carelessly crumpled the bank-notes--which ephraim never handled except reverently--and thrust them in his pockets, and because of the cut of the whip with which felix had answered his perfidious proposition the first time. he discounted the note. the old baron's lawyer learned that a note with his name upon it was in circulation, and inquired by letter whether the baron wished it redeemed for family considerations. the baron knew nothing of juanita. naturally, felix had never written him of his relations with her, and a stranger would never have ventured to inform the violent old lanzberg of anything discreditable to his son. felix had of late asked his father for no great sums of money, and the father knew him to be always scrupulously honorable. how could he look upon the scarcely veiled insinuation of the advocate as other than an insult? enraged at the suspicion cast upon his son, he did not even take the trouble to think the matter over, but wrote at once, in his first indignation, a brusque letter to his advocate, in which he declared that he knew nothing of the matter--it could take its course. it did not even occur to him to excite the invalid felix with this horrid story--he told him nothing of it. slowly felix recovered his health, but his happy temper did not return, he remained always gloomy and monosyllabic--not rude but deeply sad. his father often gazed anxiously into his eyes, which then every time looked away from him, and he stroked his cheeks compassionately, which then always flushed beneath his touch. and once he took the convalescent's thin hand in his, and said, "does anything worry you, my poor boy? it is surely some heart trouble which often comes to one of your age," and as felix, who at the beginning of this speech had paled, now was silent, flushing more and more deeply, the baron added, clapping him good-naturedly on the shoulder, "you need not worry about your secret. i will ask you no more about it if it annoys you; i only thought it might relieve you to unburden your heart." felix buried his face in his hands, and burst into tears. to this day he can hear in his ears the caressing consolation of his father, the soft, monotonous voice with which he murmured again and again, "do not excite yourself, child; poor fellow, poor fellow!" that felix's melancholy could have anything in connection with the lawyer's communication, did not occur to the baron. the next day felix confessed to his father. it was after breakfast; they sat alone, opposite each other, at a little round table. for a moment the old man stared before him with fixed, dull gaze; then rising helplessly and slowly from his chair, stretching out his trembling hands, he fell upon his face, senseless. what cut felix most bitterly, most deeply to his heart was, that when the baron recovered from his swoon he had not a word of reproof for his son--not a word. oh, if he had raged, had cursed and execrated him, all this felix could have borne more easily than the sight of the terrible, helpless sadness with which from time to time the baron struck his hands together and murmured: "i was indiscreet; oh, furious old fool, i was indiscreet, indiscreet!" the meaning of these words only later became clear to felix. the baron telegraphed to the lawyer--he went to vienna the same day. it was too late! all the steps which were taken to spare felix the publication of his fault and the degrading punishment, were in vain. the affair occurred in an unfavorable epoch for him, as the courts felt obliged shortly after an _éclat_ to be doubly severe, as the consideration which had recently been shown in a similar case for a noble name had called forth the justest indignation from the liberal press. felix was sentenced to two years' imprisonment. his father begged an audience of his majesty. all that he attained was that the sentence should be diminished to one year. an example must be made. and the farewell. the last, long, trembling embrace of his father, the moment when the guards who were to conduct the convict away busied themselves with their sabres and compassionately withdrew while the father whispered imploringly to his son, "promise me that you will do no harm to yourself!" and the time in the prison. the fearful despair of the first weeks, when he longed for death, and the promise which he had given his father continually weighed upon and tormented him like a fetter; the brooding stupor into which this despair changed, and which in its turn gave place to a gradual reviving and accustoming himself to his circumstances. he remembered very well the day when he began to look around at his companions, began anxiously to seek manifestations of their good qualities; to search among them for young people of blameless lives who had sinned in a moment of madness. what did he find? a few convicts who by alternating imprisonment and crime had gradually become dull and stupid, others who had wholly degenerated to rough, terrible, malicious animals; besides these, two or three sons of good family, who confessed their sins with brutal cynicism, scornfully derided their relatives and procured through the jailer wine, cards and evil romances. the sight of these people caused felix boundless misery. how he loathed them; how they astonished him; the importance which trifles had for them, and that they had the heart to rail at the poor food! the doubt came to him whether the idea which he had of himself was not a mere illusion. he dissected his most secret impulses, criticised all his instincts--in short, tormented himself into a pitiable condition. the remnant of self-respect which he had taken into the prison shrunk away to nothing. all who had anything to do with him showed him the warmest sympathy. he was so quiet, so obliging; he never asked for anything except more work. the degraded officers were at that time employed in the office work. felix fulfilled the tasks allotted him with the most painful punctiliousness. at the prison he accustomed himself to that correct regular handwriting which differed so greatly from the careless writing of his gay youth. the old baron had begged that some consideration might be shown felix on account of his weakened health. they were perfectly willing to do so, but felix would hear nothing of this. the money which his father sent him to procure little comforts, he gave to assistants. at last the year was over. felix had received a letter from his father, in which the latter, too considerate to personally accompany his son from the prison, told him that he would meet him at this or that station, to take a long trip with him. but felix could not resolve to meet his father immediately after this degrading imprisonment. it was in the year 1866. war was expected. felix enlisted in a regiment as a private soldier. he performed his duties with fanatic zeal. the soldiers, who knew nothing of his sad story, looked upon his serving in their ranks as the "whim of a great gentleman," such as is not unusual in excited times, and met him with defiant opposition. but he took such sincere trouble to win their liking, so willingly shared their whole life, that they soon became devoted to him. their unfeigned liking was more pleasant to him than the sentimental humanity which he met with later in life. often one of his present comrades pushed him away from some work which he considered unworthy of felix, and murmured with good-natured embarrassment, "that you are not used to, sir." the officers, who at first had been very ill at ease with him, gradually understood how painful it was to him if any difference was made between him and his comrades, and gave up attempting to make an exception of him. he never complained, ate the coarsest food without changing his expression in the slightest, conscientiously polished the buttons of his uniform, and always chose the worst place to bivouac. the first cannon was fired. felix fought at trautenau; fought without enthusiasm, without melodramatic heroism; he fought with the sober, unbounded bravery of a man who does not need the hurrahs to be spurred on by, whose life is wholly indifferent to him, and who hopes and wishes for no other reward for his self-sacrificing performance of his duty than--death. the leaden rain of the prussian vanguard--it was wholly unknown to the austrians who did not fight in schlesing--had a soothing effect upon his nerves. the breathless excitement of battle did him good. what pained him was the moment before the conflict, when old veterans passed each other their field-flasks, and expressed indifferent opinions about the weather; and the young soldiers, scarcely grown recruits, with shining eyes and pale cheeks, cried "hurrah!" and inflated their chests, while the guns shook in their hands. what pained him was the moment after the battle, when the last smoke of powder, and a dull echo of the noise of battle filled the air, and the soldiers, confused and stunned, met in camp, and one or another, rousing from the stupor which followed the fearful excitement of battle, asked fearfully, "where is f----? where is m----?" and then with a shudder remembered that he, himself, had seen f---and m---fall. what pained him was, when in the night the wounded cried and groaned, until their comrades' compassion changed to impatience, and they complained over the noise which prevented them from sleeping. then came the third of july, the day of sadowa. it was damp, cold weather, no sun in the heavens. on the earth trodden-down grain, soiled with dirt and blood; a confusion of blue and white soldiers, partly arranged in compact, geometrically exact figures, partly scattered in sheltered positions, partly crouching behind earthworks, so far separated that prussians and austrians mostly saw each other as points or masses. hostile, without hostility, they stood opposite each other; perhaps not one among the thousands upon thousands here and yonder hated the other, and yet each one was ready to do his utmost to kill the unknown enemy. fog mixed with the powder-smoke. there was a wild confusion of screams, groans, rolling of wheels, rattling of sabres, and stamping of horses. in the distance chaos seemed to prevail; at the spot where felix was stationed a kind of monotony, a kind of order ruled. the ranks close over the fallen. "fire!" commands the officer. there is a click of the gun hammers, the flames shine redly on the gun-barrels--sch--sch whistle the hostile balls around felix; crashing, ear-splitting, like sharp hail, answer the riflemen. felix was at swiepwald, with the regiment of riflemen of which the austrians only speak with tears in their eyes, the prussians with hands on their caps! for a while the losses were slight. all went well. then came a moment when the riflemen received the hostile balls indifferently. many of them were weary and found time to say so, still more were hungry--few austrian soldiers received anything to eat on that memorable day, the day of sadowa. felix had given his last rations to a young recruit who, as he thought, needed nourishment more than he; but felix had overestimated his strength, an unusual faintness suddenly overcame him, he begged his neighbor for his flask, and crash!--a shell--and the neighbor lay on the ground with shattered feet. from this moment the losses are immense. man after man falls. little brownish-red streams of blood trickle through the ruts of the ground, the pine-trees become bare, their needles fall unpleasantly, prickingly, upon the faces of the riflemen. with the whistling of the musket-balls mingles the groaning shots of the artillery like the deafening, reechoing thunder in a mountainous country. the atmosphere is unbearably impregnated with the peculiar odor of battle. with the smell of powder and heated iron mingles the odor of perspiration of an excited mass of men, and the repulsive, terrible, salt smell of their blood. the fog becomes more and more thick. the riflemen see nothing near them but dead comrades, and before, a white wall behind which death lurks. they no longer know what is taking place at the other end of the field, do not know that the prussian crown prince has arrived; but all feel that they are fighting for a lost cause, and that their resistance is nothing more than a heroic demonstration. always in the front rank, felix fights on. twice have the men at his right and left fallen, but all the balls whistle past him--from second to second he expects death, but it comes not. there are not thirty men left of his battalion; orderlies fly to and fro, the officers are hoarse, then suddenly the cry, "retreat!" retreat! felix stands as if rooted to the ground--retreat! what, shall he flee? no! but captivity, in which, bound as he is by his promise, he would not have the right to take his life! and he retreats with the others, who now join the great mass. their pace becomes more and more irregular and hurried. the evening is dark, the enemy behind them, the few riflemen are among the last. a standard-bearer sinks down, wounded in the knee by a stray shot. no one troubles himself about him or the flag. what is the flag? nothing but a soiled, torn rag. nothing but--the symbol of the regiment's honor. honor! the word has a mysterious, alluring sound for felix, somewhat as the word water has for one perishing in the desert. honor! honor! he takes the flag from the standard-bearer's hand, who pleads piteously that he may at least be pushed into a ditch and not trodden upon like a worm. felix performs this service for him, and remains far behind his comrades. at length he raises the flag and is about to proceed with it. but, deathly wearied as he is, he can scarcely carry it, so he tears the flag from the pole, and breaking this over his knee he wishes to bury both pieces in the slime of the ditch, but before he has accomplished this a little band of prussian cavalry approaches. he lays his hand on his gun, but if he defends himself, defends himself so that they must kill him, the flag is forfeited. he then stretches himself in the mire of the road, flat on his face over the flag, as to-day he has seen many of his comrades, shot through the heart. the horses trot past him; one of them starts back from him, this rider looks before him, sees what he takes for a corpse and passes on. the horse, who takes the leap required of him with the timidity which every human body inspires in his species, strikes felix with his hoof. when the riders are out of sight, and all is still, felix rises, a stinging pain in his left arm. at first he thought the arm was broken, but no, only a severe contusion causes the pain. he thrusts his hand into his coat, wraps the flag around it, and creeps wearily forward. in his ears a single word rings: "honor!" he totters to the elbe, which separates him from his comrades; there is no longer a bridge there; he does not trust his strength to swim across. ah! and even if he does drown in the bottom of the river, the prussians cannot find the flag, and he cares nothing for his life. he flings himself into the stream, the waves plash around his ears: "honor!" the cold water strengthens him, and for the moment prevents the pain in his arm. he reaches the opposite shore, he himself never knew how. he staggers on in his clothes, made heavy by the water. his mind is not clear, only grasps the idea that he must go on. he stumbles along--slowly--slowly; often he sinks down and lies still for a while, then he suddenly springs up again, feels for the flag and totters on. he does not know where he is, the austrian camp lies before him--he does not see it--then something red shines through the gray morning light. felix gathers up his strength; breathless, gasping, he drags himself up to what he soon recognizes as an austrian uhlan picket. he reaches the picket, he can no longer speak, hands the flag to an officer, and falls to the ground. the uhlans--there were two or three officers among them--crowd around him. when they see his lamentable condition they speak with pride of the fidelity to his flag of this common soldier, and they say it aloud, and felix hears it and it does him good; it seems to him that the blot upon his honor is washed away. then one of the officers bends over him, and suddenly starting, he cries to the others, "that is certainly lanzberg!" "what do you say? 'the certain lanzberg?'" ask they, hastily. they thought felix unconscious, but he was not. the word, thoughtlessly spoken and not unkindly meant, goes to his heart. from that moment he knew that there was no regeneration for his honor. he might level mountains and dam rivers, but the world in its astonishment, in its admiration, would yet find no other name for him than "the certain lanzberg!" he opened his large, mournful eyes. the officers were ill at ease, then they all stretched out their hands to him and cried, "we admire you; we envy you!" but he only turned his head away from them with a groan. his incomparable actions during the campaign had softened the harshest of his social judges toward him. the emperor, by a proclamation, had restored to him his forfeited social rights. his father awaited him longingly, and begged him by letters to telegraph his arrival in traunberg, so that he could personally meet him at the railway station. but felix dreaded the idea of being received by his father, and unannounced, in civilian clothes, he one day alighted in t----, the nearest station to traunberg, from a third-class compartment, which he had taken so as to meet none of his acquaintances. he went on foot to the castle. he felt a kind of shyness of every tree, every stone, which formerly returning home after long absence, he had greeted joyously. the quick trot of horses' hoofs smote his ear; looking up he saw elsa coming galloping along the park driveway toward him, at the side of his old playmate, sempaly. anxiously he drew back among the trees, and the two rushed past, and thought no more of the man in the plain gray coat. silently he crept up to the castle and to his father's room. no one met him. softly he opened the door. a thin, bowed, gray-haired man sat reading in an arm-chair. felix took a few hesitating steps forward, he trembled throughout his entire frame. "papa!" he stammered. one moment more and the father had clasped him in his arms. then the old man pushed him back from him to see him more plainly. "my hero!" he cried. felix started nervously and gazed pleadingly at his father. "you have grown gray, papa," he cried, as if startled. "people grow old, my boy," replied the baron, hastily smoothing his whitened hair. "old at forty-nine?" murmured felix. a quarter of an hour later, as felix sat beside his father, answering his questions, elsa entered. she had grown tall and slender. but that was not the only change which felix perceived in her: she had lost her light, springing girlish step, her merry smile. a reserved sadness had drawn harsh lines about her mouth, and a deep shade darkened her eyes. at her entrance he had risen awkwardly, and she, not seeing him distinctly, and taking him for some bailiff discussing business with her father, bowed formally. her father glanced impatiently at her, then he cried, in irritation and anger, "it is felix; do you not recognize him?" elsa grew pale with excitement. "god greet you," said she, going quickly up to him. his trembling lips barely touched her forehead. now came a hard, hard time for felix, made hardest of all by the touching kindness of his father, who overwhelmed him with tender attentions, had forgotten none of felix's former fancies--surprised him now with a splendid horse, now with a gun of a new, improved kind, or a pointer dog with fabulous traits--in short, anticipated every wish which felix had formerly expressed. but felix no longer wished for anything but to hide himself, and this his father would not hear of. he everywhere pushed his son forward; with the servants and overseer it was always, "i am growing old, go to the young master." and poor felix, humiliated by the striking submission of the people, confused and without an idea or opinion of his own, gave orders in a shy, weak voice as modestly and reservedly as he could. however urgently he begged his father to leave him in the protecting shade of the background, the old man could not be induced to consent. he pressed the keys of his safe upon felix, gave him free disposal of the largest sums of money. painfully distrustful of all the rest of humanity, especially of his servants, since his misfortune, the baron almost crushed his son by this ostentatious, conspicuous confidence. one day he desired felix to pay a visit with him in the neighborhood. but this felix opposed. elsa supported his opposition. the old baron took that amiss in her. at that time elsa was scarcely sixteen years old. she suffered with the lanzberg arrogance, as felix had suffered from it; she was hurt to the heart by felix's deed. and yet she loved her brother, and did not wish to let him feel how heavily his disgrace weighed upon her. but she could find no natural tone in intercourse with him. he had been a kind of idol for her, who good-naturedly descended from his pedestal to tease and caress his little sister. he had called her liesel and mietzel, pulled her ear or kissed her hand, mystified her with the strangest tales, gave her costly presents; then again, when his friends or important pleasures came between them, for days wholly ignored her insignificant existence. but this time the idol had not descended from his pedestal; he had fallen down, and had become a broken man. his former teasing courtesy had changed into the shyest politeness. he never pulled her ears, and never kissed her hand, never called her liesel or mietzel--his manners had wholly lost their playful aplomb. he was now helpless and awkward, sat at table like a poor sinner, ate little, never spoke a word, and, rendered clumsy by embarrassment, soiled the table-cloth. he was so boundlessly obliging and considerate that it made elsa embarrassed. he broke a refractory horse for her with the greatest patience, took care of all her favorite flowers, accompanied her on her visits to the poor, and never forgot to take with him a warm wrap for her. he had really become a much better and lovable man than before, but the world had no use for this goodness and lovability. even elsa did not know how to value it. she was always constrained in intercourse with him, because she was always thinking of being kind to him. the old baron gave her endless lectures concerning her behavior. unweariedly attentive and tender to felix, toward his other fellow men he was almost unbearably capricious, irritable and unjust, especially to elsa. once he overwhelmed her for so long with imprudent reproaches for her heartlessness and lack of tact, that at last she cried out defiantly and refractorily, "why was felix so?" then her father struck her for the first and last time, and cried, "god punish you for your hard heart!" when the baron had left her, and she began to almost hate felix, angry at the injustice done her, he emerged from a dark corner, from which he had been forced to witness the scene, softly went up to her, and said, with his gentle sad smile, stretching out his hand hesitatingly to her, "forgive him--he has not his head; he does not know any longer what he does; only think how he must feel." then she threw herself with passionate violence into his arms. "he was right a hundred times," cried she, "only not in thinking that i do not love you, for i do love you, but i did not know how to show it to you." from that day the relation between brother and sister was touchingly tender. elsa was almost as anticipating and unendingly tender in her attentions to felix as her father himself. the first week after felix's arrival, sempaly discreetly remained away from traunberg. he also had taken part in the campaign, but a very trifling part, and described the battle of sadowa with charming flippancy, while he added, "pity that it turned out so badly." for the first week, then, he remained away from traunberg. but then he appeared there again, and, in fact, with the good-natured intention of paying felix a special visit. but scarcely had the latter heard the voice of his former comrade, when with dog and gun he crept softly out of the castle. from then sempaly came no more to traunberg. felix knew that formerly he had come two or three times a week, and asked elsa about it. "you have surely begged him to come no longer, poor elsa," said he, gazing deep into her eyes. her embarrassment answered him. he saw that for his sake elsa must give up all society, and also noticed that she had caught his morbid shyness. her future was at stake. then, carefully concealing his reasons, he begged leave of his father to go to south america. with a heavy heart, and after much opposition, the old man let him go. felix did not return until he received the news of elsa's marriage. after the death of his father he left europe a second time, and had really only returned home for a visit, when he met linda. poor felix! there he sat, his head resting on the table, all his thoughts in the past, when suddenly a little voice roused him from his dull brooding. gery, whose little hand could not reach the doorknob, banged at the door outside, and screamed, "papa! papa!" felix rose and admitted him. the child was crying, and his left cheek was red and swollen. "papa, mamma slapped me, and said she could not bear me," complained the little fellow. "she struck you because you are the son of 'the certain lanzberg,'" murmured felix with fearful bitterness. "perhaps others will also make you do penance for that yet!" xxv. the gulf which malicious fortune and elsa's overwrought nerves had opened between the two married people had not lessened, but on the contrary had daily become deeper, colder, and broader. erwin found no explanation for his wife's changed manner; after some time he ceased to seek one. his was no brooding nature, and had no time to become one. that elsa could be jealous of linda any more than of a pretty work of art or an amusing book which unsuitably claimed a great deal of his attention, erwin had never understood. "poor elsa, she is worried about felix," he said to himself; "she will come to her senses again," and for several days he kept away from her, to give her time to calm herself. but three, four days passed, and she still had the same pale face and stiff manner. then he tried a different plan, and once when they chanced to be alone together--it happened very seldom--he laid his hand under her chin and began: "well, mouse----" but she did not lean her cheek against his hand as formerly when she was remorseful, neither did she resist his caress, as when she was refractory, but simply tolerated him as if she were a statue of stone or bronze. and she looked at him so coldly that all the loving words which he had in readiness faded from his memory and his hand sank down from her chin. he turned away from her with impatience and irritation. it was not the first time that she had been unjust and capricious to him. her only fault was an easily awakened irritability; but formerly her vexation had been of short duration, and her bad mood had soon dissolved into the most remorseful tenderness. she had never begged his forgiveness after she had made a scene. her proud obstinacy was not capable of that; she was not one of those sympathetic, dependent women who like to make little blunders so as to be able to coquet with their charming penitence. no! but an anxious, half-suppressed smile hesitated on her lips, when he returned to her several hours after the vexatious scene, and he could see by the book which she was reading, by the gown which she had put on, by the dinner which was ordered, how she had thought of him during his absence. but her manner now was of a quite different kind. what could he think but that her love for him had become less; that with elsa, as with all good mothers, her children had gradually won the precedence in her heart, and there was nothing to do for it. and erwin smiled peculiarly, shrugged his shoulders, for the first few days felt painfully wounded, and finally began to accustom himself to the situation. he hunted a great deal, and also occasionally rode to traunberg, where he was always sure of a hearty reception, often met gay society, and from whence he brought back the comfortable conviction that he had the best influence over a lovable but superficial human being. now, after elsa had barricaded herself on all sides with diligence and pains and praiseworthy energy, against happiness, she was terrified at her own work, and she would gladly have annihilated it, but she now lacked the power. erwin had become distant; formerly she would have silently slipped her hand into his and with that all would have been said, he would have understood. but now, now she no longer dared; she was as shy and embarrassed as a bride. that it was hateful, yes, fairly inexcusable to suspect a man who in all the different situations of his life had acted so severely honorably as erwin, of such disgraceful conduct as her jealousy suggested to her, she knew, but---"the lanzberg shadow has fallen upon my happiness," she sometimes thought sadly; "it must come so," but in the next moment she said, "no, it must not come so. i--i myself am to blame that it has come; why did i send him away from me on our wedding-day, from silly, childish obstinacy? if i believed in danger for him, i should have tried doubly hard to chain him to me; instead of this i have done everything to make myself disagreeable to him, only because my pride did not consider a threatened happiness worth defence. if what i feared now happens, then----" but here her thoughts paused. "that cannot be," she murmured impatiently; "it is not possible." then suddenly she thought of her brother, who in his time had stood almost as high in her respect as erwin, and who in one instant had sunken, oh, so deeply! "if that were possible, then everything is possible in this world," she decided, sternly. one day after another passed--a cloud had shown itself in her sky so small and transparent that a single sunbeam would have sufficed to kiss it away; but the cloud had grown larger, and now covered the whole sky so that it could not even be seen. an unpleasant accident contributed to embitter elsa's feelings completely. for a long time she had been urged by her heart to show erwin some little attention, and she ransacked her brains to think of something which could please him, and yet would not be a too direct reminder of her love. at last it occurred to her to have a photograph taken for him of baby, who with her childish coquetries had gradually become dearer and dearer to her father's heart. she put the frock which erwin liked best upon the little creature herself, one which showed off baby's charms most advantageously. she kissed and smoothed the child's short curls, and hung a golden heart on a thin chain round her neck, of which the vain rogue was not a little proud, and tugged at it with both little fists to admire it, or put it in her mouth. then elsa ordered the carriage and drove over to marienbad with baby. baby made the most attentive observations from the lap of her mamma; from time to time she stretched out her hand for some object which especially pleased her or was new to her, and gave a little clear joyous cry, or uttered some of those disconnected syllables which have significance for a mother's ear only. the novelty of the situation at the photographer's impressed her; the first attempt did not succeed. the photographer remarked that if the baroness would hold the child herself, it would perhaps be better. elsa replied blushingly that she did not wish to appear in the picture. but baby would not have it otherwise. now the trial succeeded admirably. the photographer showed the negative in which baby's delicate face, with the solemn, staring eyes, and the shy, smiling mouth could plainly be recognized. elsa nodded with satisfaction, but begged that he would wash out her figure. then the old photographer--he knew elsa from her childhood--surveyed his work with the look of an artist, and said, "ah, baroness, it would be a shame for the pretty picture. has the baroness one of the last photographs which i took of her as a bride? it is just the same face." and elsa let him have his way; involuntarily the delight with which he held the dim negative against his rough coat-sleeve amused her, and she even stole a glance in the mirror, the first glance for a long time, and thought that although somewhat pale and thin, she did not look so very old and faded as she had thought. she rejoiced at this discovery, and rejoiced that her richly embroidered black gown was so becoming, and rejoiced over baby's picture, and looked forward to the moment when she should take it to erwin. when she now got into the carriage waiting below with baby, and the servant closed the door, the child suddenly almost sprang out of her mother's lap, and stretched out her little arms, and cried in a clear, bell-like voice, "papa! papa!" as baby's vocabulary is still very limited, and she had recently bestowed the title of papa upon litza's pony, elsa glanced somewhat sceptically in the direction in which the child's arm pointed, but really saw erwin about to enter a jeweller's shop. linda lanzberg was on his arm! elsa grew deathly pale. when the carriage, as upon entering she had directed, stopped before a toy store, she did not alight, but ordered, "home!" all reconciling feelings toward erwin changed into a condition of boundless excitement; for the moment she felt a kind of hatred for him. when at dinner he asked, "elsa, were not you in marienbad to-day? it seemed to me that i saw the carriage pass when i was in stein's," she answered, coldly, "i was there. i had something to attend to. and did you buy anything of stein?" she then asked, as if casually. "will he mention linda?" she thought, but he replied half laughingly, "a pink coral necklace for the little one. to-morrow is, if i am not mistaken, her christening day." in fact baby had been named after the countess dey, the sensible name, marie. this explanation did not relieve elsa in the slightest. the most innocent significance which she could ascribe to his presence there with linda was that he had asked her advice in the choice of an ornament for the child. it did not occur to her that he could have met linda in marienbad quite accidentally. the rest of the evening she was in a hopelessly bad humor. every word that erwin spoke pained her, his manner of laying a pair of scissors on the table vexed her. with that, fever shone in her eyes and burned in her cheeks. the kiss which every evening he imprinted upon her forehead had long become a conventional ceremony, but to-day she wished to evade this formality. she disappeared from the drawing-room immediately after tea, upon some pretext, and did not return again. the next day was a holiday, baby's christening day, the day after juanita's visit to traunberg. most exceptionally, this time erwin did not appear at breakfast, and when elsa asked after him, the word was, "the baron breakfasted in his own room, and had then gone away." about half-past eleven, as elsa sat in the nursery, weary and languid, holding baby on her lap, the door opened and erwin entered. baby stretched out her little hands joyously, but elsa's eyes grew gloomy and she struck the child's hand reprovingly. erwin grew deathly pale, pale as she had never seen him before. "later, baby," he murmured somewhat hoarsely, and left the room. but baby began to cry bitterly, and would not stay in her mother's lap. after lunch, during which erwin did not address another word to elsa, she heard him down in the garden, talking and playing with the little one; she heard baby's soft happy laugh; she went to the window, stretched out her head, and saw him swinging the child in the air. when baby was finally weary of play, she laid her little arm around her father's neck, and leaned her delicate flower-like face against his sun-browned cheeks. elsa's head ached; she burned with fever from head to foot, every nerve quivered and her thoughts were gloomy. slowly she dragged herself up and down, finally seated herself with hands clasping her temples, upon a divan. she was losing consciousness when suddenly she started up and listened. she heard erwin's horse pawing the ground in front of the house. where was he going so suddenly? she roused herself, and holding to the walls, crept slowly down-stairs. then, hidden by the turn of the stairs, in the shadow of the hall, she heard erwin's voice: "if the baroness asks for me, martin, tell her that you do not know where i am; in no case shall she wait dinner for me," said he, quickly and softly. with that he mounted his horse and rode away at a rapid pace. where? elsa's heart stopped beating. had anything happened? she crossed the hall--she would force old martin to speak; but he had gone also. then something on the floor rattled, a gray paper which the hem of her dress had touched; she stooped for it--it lay there crumpled as if it had just fallen from a violent hand. she committed no voluntary indiscretion, she only looked at it as one scrutinizes a paper to see whether one shall pick it up or throw it away. it was not her fault that, thanks to the writing, which was as plain as print, at the first glance her eyes had comprehended the whole contents. dear erwin: come soon--to-day, now--at once--i expect you. linda. she took the note, carried it to erwin's room, and laid it conscientiously upon his writing-desk. then her knees trembled, and she had to sit down. not that he had received the note surprised her. what fault was it of his if linda wrote foolish notes? but what she did not understand, what remained absolutely incomprehensible to her was the fact that he had taken his valet into his confidence, that he had not been ashamed to make him his confidant. had she not heard wrong? had he gone to traunberg? now, when the facts spoke strongest against him, she weighed most justly the probabilities for and against his fault; she had acted imprudently towards him, and since the birth of the last child, devoting herself entirely to her maternal duties, had neglected him. he had borne this with goodness and patience; then linda had suddenly appeared, with her dazzling beauty, her picturesque elegance, her coquettish heartlessness. for hours elsa sat there and waited. at five o'clock she sat down to dinner; immediately after this she left the dining-room--she had no more control over herself. "it is all possible," she cried, giving way, desperate; her breath came heavily and so feverish that it burned her lips--black clouds swam before her eyes. she looked at the clock. what kept him away from home so long--with her? another fifteen minutes passed--he must be with her. she could no longer endure her distrustful suspense--she would go to traunberg. she ordered the carriage. on the way she started at every sound, at every shadow, everywhere she saw him and her. a fearful dread of the certainty came over her; at the last moment she clung to uncertainty. she wished to return, but she was ashamed of displaying such inconsequence before the servants, and just then the carriage drove through the iron gate into the traunberg park. the lackey in the vestibule announced that the baroness was not at home. elsa sighed with relief; if linda were not home, she could receive no guests, and erwin could not be there. that she could have denied herself did not occur to her. it was pleasant to her to enjoy traunberg once more, without parisian anecdotes and french _chansonnettes_--without linda. all was as if dead; it reminded her of the old traunberg, where she had lived in loving solitude with her father. she did not think of returning at once; the great tension of her nerves had suddenly given way to vague dreaminess--the danger was not over but postponed. she went out into the garden; her heart grew more and more heavy, and her step slow. her dress caught upon a branch. it seemed to her that a warning hand held her back. in mysterious dread of choosing the very gloomy path which lay before her, she took another. her heart beat rapidly, she stood still, resolved to return. between the trunks of the lindens, the water of the large pond which bounded one side of the traunberg park shone in the sunset glow. with the gentle murmur of the water mingled the regular strokes of oars. elsa stood still, she listened. who could it be? linda was not home. elsa glanced at the pond. in a little boat she saw two figures, one, linda, leaning back in the end of the little skiff, flowers in her hair and in her lap, one hand in the water, an evil light in her eyes, something luxuriantly melancholy in her whole form. opposite her, with his back to elsa, sat a man, slender, broad-shouldered, in a light summer suit, with close-cropped hair of that striking light blond which shines like molten gold in the sunlight. elsa started back--it was surely erwin--she turned away, she would see no more--but no--it seemed to her that she must call after him--there--the little row-boat had reached the small island covered with roses which was in the middle of the lake. in the gray-white august twilight she saw the two figures turn into the overgrown thicket of the island--they disappeared behind the bushes as if immersed in shadow. elsa was as if paralyzed by a kind of gloomy numbness; a fearful excitement overcame her--she must go--where she did not know, only far, far away from the accursed spot. she did not think of ordering her carriage, of driving home. she scarcely thought of anything, only moved mechanically on, and instinctively took the path to steinbach, as an animal wounded unto death seeks its hole to die in. she groped before her with her hands, she blinked as if blinded by a terrible light, she hit blindly against the trees as she passed, like a bat--she saw nothing but two light figures disappearing amid gloomy shadow. she hurried on and on--at first very rapidly--it seemed to her that she could fly, but she was mistaken. the unrest which raged within her was that of fever, of over-exhaustion, not of unused strength. soon her feet felt like lead, and a heavy weight seemed resting upon her breast; she dragged herself wearily on like one in a bad dream, who wishes to flee from some monster and cannot. the more weary her body became, the more clear what had really frightened her became to her. "he and linda," she murmured to herself, "he and my brother's wife." and with a desperate smile, a smile which condemned faith, hope and love to death, she added, "yes, everything is possible in this world!" how good he had formerly been, how loving! the loveliest moments of her married life came to her mind with the sad charm of the irrevocably lost. on she tottered, in her wide-open eyes the wild look which seeks nothing more, which looks away from everything, the look of a being who has seen happiness die. "i was happy," she murmured to herself with unspeakable bitterness. but soon the poisonous breath of doubt tainted the happiness which had been also. how did she know how false it might have been, whether she had not merely been "considerately deceived"? then it seems as if a frost falls upon her loveliest recollections, even upon those which until now she has treasured in the most secret corner of her heart. the past is desecrated--she has nothing more. she does not think of her children--in this moments he has forgotten that she has children. slowly she drags herself through the wood, the same path which she had taken with erwin before. over her head the trees sing in melancholy peace their old song. elsa can scarcely proceed; now the wood lies behind her, before her the dew on the meadow sparkles in the gray twilight, the colors are all dead--she shudders--here is the spot where he had carried her over that evening when for the first time she had been apprehensive for her happiness. here he had put his arms round her and clasped her tightly to him and called her his treasure. she trembles in her whole body, then she gives a short gasping cry and sinks to the ground. she sobs, she has forgotten everything, she exists only in the feeling of weeping, of wishing convulsively to throw off a weight which oppresses her chest, and behind her the primeval forest still sings its melancholy peaceful song. how long she lies there she does not know; she does not notice either that the gray evening darkens to black night, does not notice that the dew falls heavier and heavier, that its cool dampness steals through her light gown to her weakened frame. xxvi. while elsa lay so despairingly at the edge of the forest, two riders came slowly towards steinbach--sempaly and erwin. they returned from a farm at some distance from, but belonging to steinbach, which together with a part of the adjacent village had been burned this afternoon. before them the castle of steinbach, with its windows shining peacefully in the moonlight, between the shady trees; around them sweet fragrance and peaceful stillness; behind them a village, for the greater part in ashes, deserted ruins blackened with soot, as if clad in deepest mourning, animated by a few bent figures which could no longer speak from pain and fright, yes, could scarcely even complain more, and anxiously, with trembling hands, sought in the soaked heaps of ashes, in which fire still smouldered, for some pitiful remnant of their annihilated possessions. they rode through the park gate, their clothes were drenched and smelled of smoke and soot. when sempaly heard of the breaking out of the fire, he had ridden from iwanow to billwitz, and had then joined erwin honestly in the wildest confusion of the fire, and now accompanied him home. they only seldom exchanged a word. they were both weary from the help they had rendered, and saddened by the thought of how little they had been able to help. when they reached the castle, sempaly was about to turn off towards iwanow, but erwin held him back. "take tea with us, rudi," said he. "in these clothes?" replied sempaly, glancing at his soiled clothes; then he added, "well, snowdrop will be considerate," and dismounted. he had really from the first intended to remain at steinbach, and looked forward to relating to elsa, while fresh, all the little heroic deeds by which erwin had distinguished himself during the fire. he felt a kind of indebtedness to erwin on account of the hateful suspicion which for a moment he had cherished against him, and which to-day, when he once more thoroughly recognized erwin's nobility, seemed to him foolish and inexcusable. erwin asked for his wife; the servant informed him that she was not yet back from traunberg. "has a second message come from traunberg?" asked erwin, surprised. the valet glanced at the servant. "no!" it was certain that no second messenger came from traunberg. erwin and sempaly went out again in the black shadows of the mild august moonlight night. "what does she seek in traunberg?" murmured erwin, aloud, ponderingly. "did she know that you were at the fire?" asked sempaly, with sudden inspiration. "i think not. i expressly requested the servants not to tell her where i went," replied erwin. "what in all the world did she go to traunberg for?" then scirocco looked at him peculiarly. "you," said he. "me?" erwin did not yet comprehend the situation. but sempaly stamped his foot impatiently. "are you stupid, garzin?" cried he. "do you not see what everybody sees, that your wife is consumed with jealousy of her sister-in-law?" "my wife jealous of my sister-in-law? sempaly--you----" erwin had burst out very violently at first, now he was suddenly silent. he called to mind elsa's strange manner of late, much that was enigmatical was explained. he did not understand that he had been so obtuse. they had walked somewhat further into the park; then a low cry of pain vibrated through the painful stillness of the night. erwin listened with beating heart. once more it penetrated to him, somewhat louder. a cold shudder ran over him. he hurried toward the meadow from which the sound came. with sight sharpened by excitement he surveyed the gray dewy field. there at the edge of the wood he saw something white gleaming in the twilight, a misty spot which in the gloom he had almost taken for a thick cluster of immortelles. his anxiety drove him a few steps further. "elsa!" cried he, and stretched his arms out to her. then she raised her head, and rested her large, feverish, shining eyes upon him. "i forgive you," cried she with failing voice, and starting back from him. "i forgive you, but go--go--leave me." his eyes met hers. "you have nothing to forgive me," said he gravely, almost sternly. "but if you promise solemnly, very solemnly, to be very much ashamed of yourself i will forgive you." she stared at him without understanding, confused, stupefied; then he took hold of her dress; he was frightened to feel how cold and wet it was. "for god's sake!" cried he, violently, and with efficacious inconsiderateness, "before everything else see that you take off these wet things; there is time enough to speak of your mad freak later." with that he picked her up and carried her across, as he had done on the day of linda's arrival. she did not resist him. at first she did not even know what had happened to her; then, when near the castle, she suddenly heard a gentle voice, kindly and reprovingly, as one speaks to an imprudent child, "why, snowdrop!" she looked around; this sudden exclamation recalled her to reality, which had been far from her confused mind. "how comes sempaly here?" she asked, hastily. "we were at the fire in billwitz together," said erwin, without standing still. "he returned with me." "fire--billwitz----" murmured elsa, then she trembled violently and burst into a flood of tears of relief. a little later elsa lay in her pretty white bed feverish and hoarse, but with a light heart, and her soul full of a sweet mixture of remorse, happiness and shame. erwin sat near her, and tried to be angry with her, and yet was only worried. but scirocco had found that this was not the evening to take tea in steinbach, and had gone away. and while elsa with touching conscientiousness now confessed all the particulars of her hideous mistrust and her obstinate jealousy, and upon erwin's lips, at first closed sternly, a smile had become more and more plain, linda sat in her boudoir with scornfully curved lips and angry, staring eyes, which thirsted for spite. she wore a white gown, whose hem was slightly soiled, only as if it had perhaps brushed the dew from a flowerbed. on her breast rested a bunch of dark red roses. some of them were withered, and others began to fade, others still to fall, and the red petals strewed her gown. to her excited gaze they seemed like drops of blood. she shuddered at sight of them; she shuddered to-day at everything, even at herself. her whole being rose against the huge wrong which had been done her--the wrong which forced her to be wicked. that there was another outlet for her she did not acknowledge; that it was beautiful to forgive, she did not understand; that one has duties even toward those who have sinned against one, she did not believe. she railed against the system of the world, and her affairs in particular. the only man whom she had ever loved, so at least it seemed to her in her dramatic, gloomy excitement, this man had despised her. after she had been enlightened as to felix's past, she had immediately written that letter to erwin which had caused so much painful confusion in steinbach. she had wished to sink into his compassionate arms, and had relied upon the demoniac charm of her beauty. she fancied that after the disgrace which she had suffered from, she had a right to sin. as answer to her note, she had received the following lines: dear linda: i am very sorry that, on account of urgent business, i cannot come to-day. i hope it is a question of nothing important. e. garzin. she loved him, and he wrote to her in this tone! she grew crimson for perhaps the first time in her life when she read the lines--but not with shame, with anger. pistach came during her wildest excitement. he had won the game. now he had gone; she was alone again! she buried her face in her hands; she sobbed convulsively. the roses on her breast fell one after the other, and the blood-red petals slid down to the soiled hem of her white gown. the next day linda and count kamenz had disappeared! the whole country round about was horrified and dismayed at the affair; only one laughed in his sleeve: eugene von rhoeden. the last obstacle to his plans had been removed. countess elli blushed crimson when he took leave of iwanow. he found opportunity to press a kiss upon her hand. a white handkerchief waved after him from one of the castle windows, as he drove in an open phaeton from iwanow to the railway station. xxvii. by her fantastic walk from traunberg to steinbach, elsa had brought on inflammation of the lungs. she convalesced so slowly that the physician whom erwin consulted advised a long sojourn in the south. at first she could not resolve to leave her unhappy brother, and only went after he had promised to follow her as soon as possible to san remo, where she would pass the winter with erwin and the children. she left in the middle of september. felix did not keep his promise. "as soon as possible" was capable of such varied conceptions. september, with its variegated foliage, and the long, tender farewell of the sunbeams vanished, and october came. the leaves withered, blood-red or pale-yellow they fell from the branches sadly and submissively, like all hopeless ones, and november followed october, and came in with an important bluster, like a lackey sent on before to make room for his master. he tore the last leaves from the branches, and sometimes tore away the branches with them, and he kissed the last roses dead and annihilated the unblossomed buds, covered the heavens with mournful clouds, blew so chill and poisonously in the face of the sun that he also sickened, and looked almost as pale as the moon. and at length all was desolate, all ready--the earth strewn with dead leaves and withered flowers for the solemn reception of the new-comer. coldly and gravely winter entered his kingdom, the bare trees shivered a last time, and crackled one more sigh, and all is still--dead! the angels in heaven shook their wings, thicker and thicker fell the white down. january was long past and felix still in traunberg. after the last fearful blow which had fallen upon him he never rallied. since linda's flight he never left the park, seldom the castle, often scarcely left his room. there were days on which he would not even allow his little son admission, and other days on which he would allow no servant to wait upon him, because it was unbearable for him to even meet the eyes of a servant. on all faces he thought he could discover mocking, criticising expressions. when his overseers came to him to desire his signature or to ask his wishes concerning important business, with his hot, nervous hands he fumbled over the papers which were placed before him, read two or three lines, murmured something, and signed his name. the questions which were put to him he always answered with the same, "as you will," and then drummed impatiently upon the top of his writing-desk and glanced irritably at the door. he neglected his attire, his beard grew long; he did not even care for cleanliness. often for days he ate nothing, always very little; but, on the other hand, he was always thirsty, and--drank. but the strongest spirits had ceased to procure relief for him. he no longer forgot; never more! he had a piano brought to his room, although he had almost never played before, and now strummed on it continually. strange modulations sprang from beneath his stiff, unpractised fingers. he purposely sought the shrillest dissonances, which seemed to do him good. again and again he struck the same piercing chord and never found a resolution for it. he always began to play so as to drown the madrilèna, which rang in his ears so often and so unbearably distinctly, and every time he ended by groping over the keys for the melody of this same madrilèna. each tone went through his heart like the stab of a dagger, his forehead was covered with sweat, and with a long sigh he closed the piano. intercourse with his child became of a strange nature. he indeed frequently overwhelmed the little one with passionate tenderness, but the games, the caressing teasing, which had formerly occupied them when together, and which had so delighted the boy, had ceased. gery grew shy, pale and nervous. more and more often the fear of injuring the child by his presence crept over felix. erwin, who came from san remo once during the winter, in order, as he said, to look after the house, was frightened at the confusion which, as he soon noticed, existed in felix's business matters, as well as the terrible change in his whole appearance. compassionately and kindly he urged his brother-in-law to accompany him to italy, in order, as he had promised, to spend some time, together with gery, with his sister. but felix trembled visibly when it was a question of his leaving traunberg, and going to a place where he must meet other people, were it only in the most passing way. erwin promised him perfect quiet and seclusion from all intercourse with strangers--in vain. "leave me," felix repeated again and again; "leave me, i must be alone." erwin ceased his pleadings, discouraged. elsa's health did not permit her stay in the south to be shortened, so that her presence might alleviate her brother's painful condition. for one moment erwin suspected a positive mental derangement in his brother-in-law, but soon convinced himself of the falsity of this opinion. the balance of his accounts was correct; as soon as his attention was excited he decided correctly, never made a mistake in a reckoning, and made no disconnected remarks. only, exhausted as he was, everything concerning present affairs irritated him indescribably. the train of his thought flowed always backward. his mind rested continually upon that spot in the past where his happiness lay buried with his honor. he passed almost the whole of his time in living over again his life from the first meeting with juanita to the signing of the fatal note. his memory, strangely faithful, and sharpened by practice, revived again and again new particulars of the juanita period, with the distinctness of hallucinations. on a mild, sunny april day elsa appeared in traunberg, restored to health, more beautiful than ever, and with eyes radiant with happiness. she was shocked when she perceived her brother; what she saw was so much worse than what erwin had considerately prepared her for. but felix's misery only increased the tenderness of her sympathy. she spoke of the tender, intimate intercourse which should now exist between the two families, and said that baby was now large enough for a playmate for her cousin; and baby who, chubby-cheeked and gay, with great laughing eyes and tiny mouth with a drolly serious expression, sat on her mamma's knee, stretched out her fat little arms and said, "where gery?" then the nurse--gery's french _bonne_ had not been able to endure the winter solitude of traunberg, and had long since left--brought the child. she had smoothed down his curly hair with a horrible, strong-smelling pomade, and had hidden his pretty little form in a heavy cloth costume, suitable for much older children. he looked pale, was awkward, and clung anxiously to his father. when he gradually lost his shyness through elsa's soft voice and caressing manner, and approached her and answered her questions, she noticed that he had adopted the common broad accent of the nurse. it did not escape felix's morbidly sharpened glance, that behind the pleasant smile with which elsa met the child, surprise and compassion were hidden. "you probably find that he has changed for the worse?" he asked suddenly, gazing sharply at her. "what will you? everything about me goes to ruin." when elsa, after urgently and most tenderly begging felix and his boy to come soon to steinbach, had driven away, felix took his boy on his knees, and kissed him passionately, murmuring again and again, "poor child, poor branded child!" an unpleasant habit, common to most human beings living very much alone, he had adopted of late, that of talking to himself. the words which most frequently escaped him, which he probably repeated a dozen times, were, "the certain lanzberg," and while he said that, his voice and his face expressed all the shades of bitterness, mockery and despair. and one evening, three or four days after elsa's visit, gery crept shyly up to him, and laying his little hand anxiously upon his father's arm, he asked in his gentle, somewhat sad little voice, "what is that, 'the certain lanzberg'?" felix started; he gave a long-piercing gaze into the innocent eyes of the child, then he pushed him violently away and hurried out of the room. the same night felix heard sobs outside his door, and as he opened it and looked out into the corridor, he discovered gery, who stood there clad only in his little embroidered night-shirt, and barefoot. "papa, you did not say good-night to me. papa, was i naughty?" sobbed the child, with the morbid nervous excitement which proved his solitary life. then felix took him in his arms. it was a fresh spring night, and the child, who had stood for a long time outside, clad only in the thin night-shirt, shivered. felix rubbed his little hands and feet warm. then the nurse knocked at the door, seeking the child in anxious excitement. but gery would not hear of returning to the nursery. he clung to his father and pleaded, "let me stay with you, papa." then felix sent the nurse away, and took him into his bed. the child fell asleep nestled tenderly against him, slept soundly and unbrokenly. felix lay awake. the opal-colored glow of the spring morning tinged the heavens, and felix still was awake. he thought of old times, times which lay far back of the juanita period; some jest over which he had laughed some twenty years ago occurred to him and pained him--he groaned; the child awoke; throwing his little arms around felix's neck, he begged, coaxingly, "dear papa, i sleep so well with you, let me always sleep with you." then suddenly it flashed through felix's mind, "ah, if i could only die while he still loves me!" and suddenly the storm within him ceased--all became quiet within his heart, quiet as the grave. xxviii. they passed the day happily together, felix and his son. felix bathed and dressed the child himself, with a thousand jests and little teasing ways. gery had not seen his papa so gay for a long time, and rubbed against him again and again, like a young dog or kitten. the sky was blue, the earth white with blossoms, the first butterflies floated around the bushes. after lunch felix drove with the child to steinbach for the first time, in spite of elsa's warm invitation. how warm and bright everything was in steinbach. it almost seemed to him that there was a different sun there from traunberg. litzi received a holiday, so she could play with her little cousin to her heart's delight. baby gave the little fellow her greatest treasure, a pot of ripe strawberries, which she had to clasp with both little arms when she carried it to him. felix remained to dinner; they overwhelmed him with attentions, but still at heart he felt that erwin and elsa would have been happier and less constrained without him, which they would not, indeed, have admitted. as they did not wish to separate felix from his boy during the meal, as a great exception they installed baby in her high-chair at the table also, between erwin and litzi, an honor of which she proved herself wholly worthy, as she watched the others eating with great seriousness without desiring anything for herself. only toward the end a little misfortune befell her: in a moment of extravagant tenderness, she tried to embrace her mother across the table, overturned a beer-glass, and showed herself so surprised and ashamed at this accident, that erwin had to take her on his knee and console her. felix felt plainly that erwin's calm, playful good-nature to the child did not in the least remind one of the stormy immoderate caresses with which he overwhelmed his own son sometimes. after dessert, while the children played in the garden under miss sidney's care, and felix sat somewhat apart with elsa on a garden bench and watched them, felix started suddenly. "what is the matter, felix?" asked his sister, anxiously. he could not explain himself; he had heard the child laugh, and it had occurred to him how seldom the little one laughed at home--almost never. "elsa," he asked after a while, "the child is growing very nervous and timid with me; will you do me the kindness to keep him with you for a while?" "certainly, i will gladly keep the child," replied elsa, "only you must promise me to visit him every day." then felix said, with a strange gaze, lost in the distance, and which she often later remembered, "yes, i will visit him every day if i can." a short time after he took leave of gery, who at first would not remain without his father, but grew quiet when felix promised to visit him the next morning. the next morning! the carriage rolled away, and several minutes later felix returned once more. "have you forgotten something, felix?" asked erwin, who stood before the portal of the castle, talking in a low voice. "yes, my revolver," replied felix, uneasily and absently. when erwin wished to go into the castle to help his brother-in-law find it, the latter held him back. "oh, it is of no importance," he stammered. "i will get it--to-morrow. where are the children?" "there," said elsa, and in the distance, between the feathery green foliage, he saw the children at their play. they flew about and shouted like little gnomes, gery the merriest of them all. "i will not disturb him," murmured felix, after he had watched the children for a long time, without approaching them. he went. xxix. returned to traunberg, he wandered slowly through all the rooms of the castle. then he had tea served in his room, drank a cupful, and ate a trifle. he laid his watch upon the table. at twelve o'clock all should be finished, he decided. the cold calm of resolution gave way to the exciting feeling of expectation. he seated himself at his writing-table, thoughtfully he rested his head in his hand, then he dipped the pen into ink, and wrote a long letter. he read it through with a certain pedantry, added here and there a comma, or made a letter plainer, placed the letter in an envelope, and addressed it to elsa. his glance fell upon the watch--the hands pointed to quarter past eleven. he rose and walked up and down uneasily. he began to ask himself whether he had forgotten nothing, began to unconsciously seek reasons for postponing his act. his brow was bathed with cold sweat. he looked for his revolver and toledo dagger, which both had formerly lain upon his table. they were gone. evidently his valet had removed them. the razors also were hidden. felix smiled bitterly. then he drew a little english penknife from his pocket, sharpened it upon an ash-receiver, and laid it on the table beside his bed. then, with folded hands, he crouched for a few minutes beside his bed. he thought of the promise not to kill himself which he had once given to his father. the promise could have no weight except during the life of the old man. when he looked again, the hands of the watch pointed to quarter before twelve. his heart beat loudly. a moment of irresolution came. then from without a little soft bird cry floated in to him. he suddenly heard again gery's voice, "who is 'the certain lanzberg,' papa?" then he undressed himself, took the penknife, and with firm stroke cut through the veins and arteries in his left wrist and ankle. he rose once more to extinguish the candles on the table beside his bed, then he sank back among the pillows. he felt the warm blood flowing from him, and experienced a kind of disgust; then he murmured with a sigh, "blood washes all things clean." the triumphal fanfare of the madrilèna vibrated around him; the excitement which had burned within him throughout the whole time was for a moment increased tenfold. but the madrilèna died away, and the fearful memories faded, the great painful weariness which had almost paralyzed him recently, preventing him from sleeping, vanished--he felt easier and easier. a comfortable drowsiness overcame him, and a thousand pictures changed before his dreamy dim eyes. he saw himself in the school-room, beside his tutor, and smiled at the expression with which the tutor drew his cuffs down over his knuckles when elsa's french _bonne_ entered the room. the present had vanished, his thoughts wandered further and further back into the past. he sits beside his mother in the church, small and sleepy. through an open window the fresh spring air blows in to the atmosphere of mould and incense of the sacred edifice. from half-closed eyes he sees a crowd of red peasant women, sees the little school-boys who crowd as near as possible to the carved _prie-dieus_ of the gentry. one of them winks at him. the priest elevates the host. little felix's tired eyes close, the peasants fade into a large red spot, the colored shadows of the church windows lie on the bare, gray stone pavement like a carpet. his head sinks upon his mother's arm. all is rosy vapor around him. then his mother kisses him on the forehead and whispers, "it is over; wake up!" xxx. the next morning a messenger came breathlessly to steinbach. with gloomy obstinacy he refused to gratify the domestic's urgent questions. he desired to speak personally with the baron. erwin came. he was fearfully startled at the messenger's communication. then as with distressed slowness he crossed the corridor to elsa's room, she met him, pale as death, but calm. "a messenger has come from traunberg. felix has taken his life," she said in a hollow voice, with eyes fixed upon erwin. she had guessed. with hand on her heart, her eyes closed, she remained for a moment speechless. erwin feared a swoon, and with gentle force tried to lead her back to her room, but she resisted. "order the carriage," she begged with almost inaudible voice; "i should like to go over there." erwin accompanied her. an uneasy quiet, broken by the mysterious whispers of the domestics, pervaded castle traunberg. the servants all stood around in solemn idleness. mrs. stifler and the valet were busied with the corpse. they withdrew when elsa entered the chamber of death. slowly she approached the bed. there he lay--felix!--his corpse. his head rested gently on the pillow; one saw that a lovely dream had helped the dying man across the threshold of eternity. the original beauty of his features, which life, with its shattering conflicts, had almost destroyed, death had restored again. elsa kissed the corpse; she wept quietly and bitterly; she reproached herself a thousand times with not having shown her brother love enough, with not having helped him bravely enough to bear the heavy burden of his life. then she noticed a letter, addressed to her, upon the table beside the bed. a quarter of an hour later she joined erwin, who waited for her in the adjoining room. there were still tears on her cheeks, but in her eyes shone a kind of solemn pride. she handed erwin the open letter. he read: dear elsa: you will be startled at what i have done. forgive me this, as you have already forgiven me so much. i die not as a cowardly suicide, but as a man who has sentenced himself to death. the conviction has strengthened in my mind, that my life is of use and pleasure to no one. my own child begins to be saddened by the oppressive atmosphere which surrounds me. my shadow has long darkened your existence. after my death you will reproach yourself, dear, good heart; will fancy that you could have been better and more considerate to me than you have already been. do not torment yourself. i remember nothing of you but unwearied love and tender compassion. may god bless you a thousand times, you and yours. take my poor child to your home. erwin will bring the boy up better than i could have done. do not show my corpse to him, and put no mourning on him. i do not wish to be the cause of a single bitter hour to his poor little heart. tell him i have gone on a journey. he will forget me. never tell him, i beg you, of my disgrace, and if he learns of it through strangers, then--then tell him that i loved him beyond everything, and that i took my life so that i need never blush before him. lay the little lock of golden hair which i cut from his head in rome upon my breast. you will find it in the upper left drawer of my writing-desk, and put the old soldier's coat which i wore at sadowa upon me. (stifler knows where it is.) it is the only article of clothing in which i dare stretch myself out beside my ancestors for eternal rest, or appear before them for eternal reconciliation; who knows! a last kiss for my child. farewell! and forgive "the certain lanzberg." erwin's eyes were moist. "he was indeed a noble nature," said he gently and hoarsely, as he gave the letter back to elsa. "yes," cried she, with a kind of pride. "he was really noble; therefore he tormented himself to death." erwin drew the convulsively sobbing woman to his breast. three days later the funeral took place. all the inhabitants of the country round of his rank were present; even count l---came to show felix the last honors. all were deeply shocked. suicide, against which in general they cherished the catholic abhorrence, seemed to them in this case justified. they saw in this act almost the repayment of an outlawed debt. from that day the byword with which they had formerly designated felix changed. they never again called him "the certain lanzberg," but now always "the unfortunate lanzberg." he was rehabilitated! http://www.freeliterature.org (images generously made available by the internet archive.) the road to the open by arthur schnitzler authorised translation by horace samuel london: howard latimer limited great queen street, kingsway 1913 i george von wergenthin sat at table quite alone to-day. his elder brother felician had chosen to dine out with friends for the first time after a longish interval. but george felt no particular inclination to renew his acquaintance with ralph skelton, count schönstein or any of the other young people, whose gossip usually afforded him so much pleasure; for the time being he did not feel in the mood for any kind of society. the servant cleared away and disappeared. george lit a cigarette and then in accordance with his habit walked up and down the big three-windowed rather low room, while he wondered how it was that this very room which had for many weeks seemed to him so gloomy was now gradually beginning to regain its former air of cheerfulness. he could not help letting his glance linger on the empty chair at the top end of the table, over which the september sun was streaming through the open window in the centre. he felt as though he had seen his father, who had died two months ago, sit there only an hour back, as he visualised with great clearness the very slightest mannerisms of the dead man, even down to his trick of pushing his coffee-cup away, adjusting his pince-nez or turning over the leaves of a pamphlet. george thought of one of his last conversations with his father which had occurred in the late spring before they had moved to the villa on the veldeser lake. george had just then come back from sicily, where he had spent april with grace on a melancholy and somewhat boring farewell tour before his mistress's final return to america. he had done no real work for six months or more, and had not even copied out the plaintive adagio which he had heard in the plashing of the waves on a windy morning in palermo as he walked along the beach. george had played over the theme to his father and improvised on it with an exaggerated wealth of harmonies which almost swamped the original melody, and when he had launched into a wildly modulated variation, his father had smilingly asked him from the other end of the piano--"whither away, whither away?" george had felt abashed and allowed the swell of the notes to subside, and his father had begun a discussion about his son's future with all his usual affection, but with rather more than his usual seriousness. this conversation ran through his mind to-day as though it had been pregnant with presage. he stood at the window and looked out. the park outside was fairly empty. an old woman wearing an old-fashioned cloak with glass beads sat on a seat. a nursemaid walked past holding one child by the hand while another, a little boy, in a hussar uniform, with a buckled-on sabre and a pistol in his belt, ran past, looked haughtily round and saluted a veteran who came down the path smoking. further down the grounds were a few people sitting round the kiosk, drinking coffee and reading the papers. the foliage was still fairly thick, and the park looked depressed and dusty and altogether far more summer-like than usual for late september. george rested his arms on the window-sill, leant forwards and looked at the sky. he had not left vienna since his father's death, though he had had many opportunities of so doing. he could have gone with felician to the schönstein estate; frau ehrenberg had written him a charming letter inviting him to come to auhof; he could easily have found a companion for that long-planned cycle-tour through carinthia and the tyrol, which he had not the energy to undertake alone. but he preferred to stay in vienna and occupy his time with perusing and putting in order the old family papers. he found archives which went as far back as his great-grandfather anastasius von wergenthin, who haled from the rhine district and had by his marriage with a fräulein recco become possessed of an old castle near bozen which had been uninhabitable for a long period. there were also documents dealing with the history of george's grandfather, a major of artillery who had fallen before chlum in the year 1866. the major's son, the father of felician and himself, had devoted himself to scientific studies, principally botany, and had taken at innsbruck the degree of doctor of philosophy. at the age of twenty-four he had made the acquaintance of a young girl of an old family of austrian officials, who had brought her up to be a singer, more with a view to rendering her independent of the limited, not to say impoverished, resources of the household, than because she had any real vocation. baron von wergenthin saw and heard her for the first time at a concert-performance of the missa solemnis and in the following may she became his wife. three years later the health of the baroness began to fail, and she was ordered south by the doctors. she did not recover as soon as was anticipated, with the result that the house in vienna was given up, and the baron and his family lived for several years a kind of hotel-life, as they travelled from one place to another. his business and studies frequently summoned the baron to vienna, but the sons never left their mother. the family lived in sicily, rome, tunis, corfu, athens, malta, merano, the riviera, and finally in florence; never in very great style, but fairly well nevertheless, and without curtailing their expenditure sufficiently to prevent a substantial part of the baron's fortune being gradually eaten up. george was eighteen when his mother died. nine years had passed since then, but the memory of that spring evening was still as vivid as ever, when his father and brother had happened to be out, and he had stood alone and helpless by his mother's death-bed, while the talk and laughter of the passers-by had flowed in with the spring air through the hastily opened windows with all the jar of its unwelcome noise. the survivors took their mother's body back to vienna. the baron devoted himself to his studies with new and desperate zeal. he had formerly enjoyed the reputation of an aristocratic dilettante, but he now began to be taken quite seriously even in academic circles, and when he was elected honorary president of the botanical society he owed that distinction to something more than the accident of a noble name. felician and george entered themselves as law students. but after some time their father himself encouraged the boys to abandon their university studies, and go in for a more general education and one more in accordance with their musical tendencies. george felt thankful and relieved at this new departure. but even in this sphere which he had chosen himself, he was by no means industrious, and he would often occupy himself for weeks on end with all manner of things that had nothing at all to do with his musical career. it was this same trait of dilettantism which made him now go through the old family documents as seriously as though he were investigating some important secrets of the past. he spent many hours busying himself with letters which his parents had exchanged in years gone by, wistful letters and superficial letters, melancholy letters and placid letters, which brought back again to life not merely the departed ones themselves but other men and women half sunk in oblivion. his german tutor now appeared to him again with his sad pale forehead just as he used to declaim his horace to him on their long walks, there floated up in his mind the wild brown boyish face of prince alexander of macedon in whose company george had had his first riding lessons in rome; and then the pyramids of cestius limned as though in a dream with black lines on a pale blue horizon reared their peaks, just as george had seen them once in the twilight as he came home from his first ride in the campagna. and as he abandoned himself still more to his reverie there appeared sea-shores, gardens and streets, though he had no knowledge of the landscape or the town that had furnished them to his memory; images of human beings swept past him; some of these, whom he had met casually on some trivial occasion, were very clear, others again, with whom he might at some time or other have passed many days, were shadowy and distant. when george had finished inspecting the old letters and was putting his own papers in order, he found in an old green case some musical jottings of his boyhood, whose very existence had so completely vanished from his memory, that if they had been put before him as the records of some one else he would not have known the difference. some affected him with a kind of pleasant pain, for they seemed to him to contain promises which he was perhaps never to fulfil. and yet he had been feeling lately that something had been hatching within him. he saw his development as a mysterious but definite line which showed the way from those first promising notes in the green case to quite new ideas, and this much he knew--the two songs out of the "westöstliche divan" which he had set to music this summer on a sultry afternoon, while felician lay in his hammock and his father worked in his armchair on the cool terrace, could not have been composed by your ordinary person. george moved back a step from the window as though surprised by an absolutely unexpected thought. he had never before realised with such clearness that there had been an absolute break in his life since his father's death down to to-day. during the whole time he had not given a single thought to anna rosner to whom he had sent the songs in manuscript. and he felt pleasurably thrilled at the thought that he could hear her melodious melancholy voice again and accompany her singing on that somewhat heavy piano, as soon as he wished. and he remembered the old house in the paulanergasse, with its low door and badly lighted stairs which he had not been up more than three or four times, in the mood in which a man thinks of something which he has known very long and held very dear. a slight soughing traversed the leaves in the park outside. thin clouds appeared over the spire of the stephan tower, which stood directly opposite the window, on the other side of the park, and over a largish part of the town. george was faced with a long afternoon without any engagements. it seemed to him as though all his former friendships during the two months of mourning had dissolved or broken up. he thought of the past spring and winter with all their complications and mad whirl of gaiety, and all kinds of images came back into his memory--the ride with frau marianne in the closed fiacre through the snow-covered forest. the masked ball at ehrenberg's with else's subtly-naive remarks about "hedda gabler" with whom she insisted she felt a certain affinity, and with sissy's hasty kiss from under the black lace of her mask. a mountain expedition in the snow from edlach up to the rax with count schönstein and oskar ehrenberg, who, though very far from being a born mountaineer, had jumped at the opportunity of tacking himself on to two blue-blooded gentlemen. the evening at ronacher's with grace and young labinski, who had shot himself four days afterwards either on account of grace, debts, satiety, or as a sheer piece of affectation. the strange hot and cold conversation with grace in the cemetery in the melting february snow two days after labinski's funeral. the evening in the hot lofty fencing-room where felician's sword had crossed the dangerous blade of the italian master. the walk at night after the paderewski concert when his father had spoken to him more intimately than ever before of that long-past evening on which his dead mother had sung in the missa solemnis in the very hall which they had just come out of. and finally anna rosner's tall quiet figure appeared to him, leaning on the piano, with the score in her hand, and her smiling blue eyes turned towards the keys, and he even heard her voice reverberating in his soul. while he stood like this at the window and looked down at the park which was gradually becoming animated, he felt a certain consolation in the fact that he had no close ties with any human being, and that there were so many people to whom he could attach himself once more and whose set he could enter again as soon as the fancy took him. he felt at the same time wonderfully rested and more in the vein for work and happiness than he had ever been. he was full of great bold resolutions and joyfully conscious of his youth and independence. he no doubt felt a certain shame at the thought that at any rate at the present moment his grief for his dead father was much alleviated; but he found a relief for this indifference of his in the thought of his dear father's painless end. he had been walking up and down the garden chatting with his two sons, had suddenly looked round him as though he heard voices in the distance, had then looked up towards the sky and had suddenly dropped down dead on the sward, without a cry of pain or even a twitching of the lips. george went back into the room, got ready to go out and left the house. he intended to walk about for a couple of hours wherever chance might take him, and in the evening to work again at his quintette, for which he now felt in the right mood. he crossed the street and went into the park. the sultriness had passed. the old woman in the cloak still sat on the seat and stared in front of her. children were playing on the sandy playground round the trees. all the chairs round the kiosk were taken. a clean-shaven gentleman sat in the summer-house whom george knew by sight and who had impressed him by his likeness to the elder grillparzer. by the pond george met a governess with two well-dressed children and received a flashing glance. when he got out of the park into the ringstrasse he met willy eissler who was wearing a long autumn overcoat with dark stripes and began to speak to him. "good afternoon, baron, so you've come back to vienna again." "i've been back a long time," answered george. "i didn't leave vienna again after my father's death." "yes, yes, quite so.... allow me, once again...." and willy shook hands with george. "and what have you been doing this summer?" asked george. "all kinds of things. played tennis, and painted, rotted about, had some amusing times and a lot of boring ones...." willy spoke extremely quickly, with a deliberate though slight hoarseness, briskly and yet nonchalantly with a combination of the hungarian, french, viennese and jewish accents. "anyway, i came early to-day, just as you see me now, from przemysl," he continued. "drill?" "yes, the last one. i'm sorry to say so. though i'm nearly an old man, i've always found it a joke to trot about with my yellow epaulettes, clanking my spurs, dragging my sabre along, spreading an atmosphere of impending peril, and being taken by incompetent lavaters for a noble count." they walked along by the side of the railing of the stadtpark. "going to ehrenbergs' by any chance?" asked willy. "no, i never thought of it." "because this is the way. i say, have you heard, fräulein else is supposed to be engaged?" "really?" queried george slowly. "and whom to?" "guess, baron." "come, hofrat wilt?" "great heavens!" cried willy, "i'm sure it's never entered his head! becoming s. ehrenberg's son-in-law might result in prejudicing his government career--nowadays." george went on guessing. "rittmeister ladisc?" "oh no, fräulein else is far too clever to be taken in by him." george then remembered that willy had fought a duel with ladisc a few years back. willy felt george's look, twirled somewhat nervously his blonde moustache which drooped in the polish fashion and began to speak quickly and offhandedly. "the fact that rittmeister ladisc and myself once had a difference cannot prevent me from loyally recognising the fact that he is, and always has been, a drunken swine. i have an invincible repulsion, which even blood cannot wash out, against those people who gorge themselves sick at jewish houses and then start slanging the jews as soon as they get on the door-steps. they ought to be able to wait till they got to the café. but don't exert yourself any more by guessing. heinrich bermann is the lucky man." "impossible," said george. "why?" asked eissler. "it had to be some one sooner or later. bermann is no adonis, i agree, but he's a coming man, and else's official ideal of a mixture of gentleman-rider and athlete will never turn up. meanwhile she has reached twenty-four, and she must have had enough by now of salomon's tactless remarks and salomon's jokes." "salomon?--oh, yes--ehrenberg." "you only know him by the initial s? s of course stands for salomon ... and as for only s standing on the door, that is simply a concession he made to his family. if he could follow his own fancy he would prefer to turn up at the parties madame ehrenberg gives in a caftan and side-curls." "do you think so? he's not so very strict?" "strict?... really now! it's nothing at all to do with strictness. it is only cussedness, particularly against his son oskar with his feudal ideals." "really," said george with a smile, "wasn't oskar baptised long ago? why, he's a reserve officer in the dragoons." "that's why ... well, i've not been baptised and nevertheless ... yes ... there are always exceptions ... with good will...." he laughed and went on. "as for oskar, he would personally prefer to be a catholic. but he thought for the time being he would have to pay too dearly for the pleasure of being able to go to confession. there's sure to be a provision in the will to take care that oskar doesn't 'vert over." they had arrived in front of the café imperial. willy remained standing. "i've got an appointment here with demeter stanzides." "please remember me to him." "thanks very much. won't you come in and have an ice?" "thanks, i'll prowl about a little more." "you like solitude?" "it's hard to give an answer to so general a question," replied george. "of course," said willy, suddenly grew serious and lifted his hat. "good afternoon, baron." george held out his hand. he felt that willy was a man who was continually defending a position though there was no pressing necessity for him to do so. "au revoir," he said with real sincerity. he felt now as he had often done before, that it was almost extraordinary that willy should be a jew. why, old eissler, willy's father, who composed charming viennese waltzes and songs, was a connoisseur and collector, and sometimes a seller of antiquities, and objets d'art, and had passed in his day for the most celebrated boxer in vienna, was, what with his long grey beard and his monocle, far more like a hungarian magnate than a jewish patriarch. besides, willy's own temperament, his deliberate cultivation of it and his iron will had made him into the deceptive counterpart of a feudal gentleman bred and born. what, however, distinguished him from other young people of similar race and ambition was the fact that he was accustomed to admit his origin, to demand explanation or satisfaction for every ambiguous smile, and to make merry himself over all the prejudices and vanities of which he was so often the victim. george strode along, and willy's last question echoed in his ears. did he love solitude?... he remembered how he had walked about in palermo for whole mornings while grace, following her usual habit, lay in bed till noon.... where was she now...? since she had said goodbye to him in naples he had in accordance with their arrangement heard nothing from her. he thought of the deep blue night which had swept over the waters when he had travelled alone to genoa after that farewell, and of the soft strange fairy-like song of two children who, nestling closely up against each other and wrapped, the pair of them, in one rug, had sat on the deck by the side of their sleeping mother. with a growing sense of well-being he walked on among the people who passed by him with all the casual nonchalance of a sunday. many a glad glance from a woman's eye met his own, and seemed as though it would have liked to console him for strolling about alone and with all the external appearances of mourning on this beautiful holiday afternoon. and another picture floated up in his mind.--he saw himself on a hilly sward, after a hot june day, late in the evening. darkness all around. deep below him a clatter of men, laughter and noise, and glittering fairy-lamps. quite near, girls' voices came out of the darkness.... he lit the small pipe which he usually only smoked in the country; the flare of the vesta showed him two pretty young peasant wenches, still almost children. he chatted to them. they were frightened because it was so dark; they nestled up to him. suddenly a whizz, rockets in the air, a loud "ah!" from down below. bengal lights flaring violet and red over the invisible lake beneath. the girls rushed down the hill and vanished. then it became dark again and he lay alone and looked up into the darkness which swam down on him in all its sultriness. the night before the day on which his father died had been one such as this. and he thought of him for the first time to-day. he had left the ringstrasse and taken the direction of the wieden. would the rosners be at home on such a beautiful day? at all events the distance was so short that it was worth trying, and at any rate he fancied going there rather than to ehrenbergs'. he was not the least in love with else, and it was almost a matter of indifference to him whether or no she were really engaged to heinrich bermann. he had already known her for a long time. she had been eleven, he had been fourteen when they had played tennis with each other on the riviera. in those days she looked like a gipsy girl. black-blue tresses tossed round her cheeks and forehead, and she was as boisterous as a boy. her brother had already begun to play the lord, and even to-day george could not help smiling at the recollection of the fifteen-year old boy appearing on the promenade one day in a light grey coat with white black-braided gloves and a monocle in his eye. frau ehrenberg was then thirty-four, and had a dignified appearance though her figure was too large; she was still beautiful, had dim eyes, and was usually very tired. george never forgot the day on which her husband, the millionaire cartridge-manufacturer, had descended on his family and had by the very fact of his appearance made a speedy end of the ehrenbergian aristocracy. george still remembered in his mind's eye how he had sprung up during the breakfast on the hotel terrace; a small spare gentleman with a trimmed beard and moustache and japanese eyes, in badly-creased white flannels, a dark straw hat with a red-and-white striped ribbon on his round head and with dusty black shoes. he always spoke very slowly and in an as it were sarcastic manner even about the most unimportant matters, and whenever he opened his mouth a secret anxiety would always lurk beneath the apparent calm of his wife's face. she tried to revenge herself by making fun of him; but she could never do anything with his inconsiderate manners. oskar behaved whenever he had a chance as though he didn't belong to the family at all. a somewhat hesitating contempt would play over his features for that progenitor who was not quite worthy of him, and he would smile meaningly for sympathy at the young baron. only else in those days was really nice to her father. she was quite glad to hang on his arm on the promenade and she would often throw her arms round his neck before every one. george had seen else again in florence a year before his mother's death. she was then taking drawing lessons from an old grizzled german, about whom the legend was circulated that he had once been celebrated. he spread the rumour about himself that when he felt his genius on the wane he had discarded his former well-known name and had given up his calling, though what that was he never disclosed. if his own version was to be believed, his downfall was due to a diabolical female who had destroyed his most important picture in a fit of jealousy; and then ended her life by jumping out of the window. this man who had struck the seventeen-year-old george as a kind of fool and impostor was the object of else's first infatuation. she was then fourteen years old, and had all the wildness and naïveté of childhood. when she stood in front of the titian venus in the uffizi gallery her cheeks would flush with curiosity, yearning and admiration, and vague dreams of future experiences would play in her eyes. she often came with her mother to the house which the wergenthins had hired at lungarno, and while frau ehrenberg tried in her languid blasé way to amuse the ailing baroness, else would stand at the window with george, start precocious conversations about the art of the pre-raphaelites, and smile at her old childish games. felician too would come in sometimes, slim and handsome, cast his cold grey eyes over the objects and people in the room, murmur a few polite words, sit down by his mother's bedside, and tenderly stroke and kiss her hand. he would usually soon go away again, though not without leaving behind, so far as else was concerned, a very palpable atmosphere of old-time aristocracy, cold-blooded fascination and elegant contempt of death. she always had the impression that he was going to a gaming-table where hundreds of thousands were at stake, to a duel to the death or to a princess with red hair and a dagger on her dressing-table. george remembered that he had been somewhat jealous both of the erratic drawing-master and of his brother. the master was suddenly dismissed for reasons which were never specified, and soon afterwards felician left for vienna with baron von wergenthin. george now played to the ladies on the piano more frequently than before, both his own compositions and those of others, and else would sing from the score easy songs from schubert and schumann in her small, rather shrill voice. she visited the galleries and churches with her mother and george; when spring came there were excursion parties up the hill road or to fiesole, and george and else exchanged smiling glances which were eloquent of a deeper understanding than actually existed. their relations went on progressing in this somewhat disingenuous manner, when their acquaintance was renewed and continued in vienna. else seemed pleasurably thrilled all over again by the equable friendly manner with which george approached her, notwithstanding the fact that they had not seen each other for some months. she herself, on the other hand, grew outwardly more self-possessed and mentally more unsettled with each succeeding year. she had abandoned her artistic aspirations fairly early, and in the course of time she came to regard herself as destined to the most varied careers. she often saw herself in the future as a society woman, an organiser of battles of flowers, a patroness of great balls, taking part in aristocratic charity performances; more frequently she would believe herself called to sit enthroned as a great appreciator in an artistic salon of painters, musicians and poets. she would then dream again of a more adventurous life: a sensational marriage with an american millionaire, the elopement with a violin virtuoso or a spanish officer, a diabolical ruination of all the men who came near her. sometimes she would think a quiet life in the country by the side of a worthy landowner the most desirable consummation; and then she would imagine herself sitting with prematurely grey hair at a simply-laid table in a circle of numerous children while she stroked the wrinkles out of the forehead of her grave husband. but george always felt that her love of comfort, which was deeper than she guessed herself, would save her from any rash step. she would often confide in george without ever being quite honest with him; for the wish which she cherished most frequently and seriously of all was to become his wife. george was well aware of this, but that was not the only reason why the latest piece of intelligence about her engagement with heinrich bermann struck him as somewhat incredible--this bermann was a gaunt clean-shaven man with gloomy eyes and straight and rather too long hair, who had recently won a reputation as a writer and whose demeanour and appearance reminded george, though he could not tell why, of some fanatical jewish teacher from the provinces; there was nothing in him which could fascinate else particularly or even make a pleasurable appeal. this impression was no doubt dispelled by subsequent conversation. george had left the ehrenbergs' in company with him one evening last spring, and they had fallen into so thrilling a conversation about musical matters that they had gone on chatting till three o'clock in the morning on a seat in the ringstrasse. it is strange, thought george, what a lot of things are running through my mind to-day which i had scarcely thought of at all since they happened. and he felt as though he had on this autumn evening emerged out of the grievous dreary obscurity of so many weeks into the light of day at last. he was now standing in front of the house in the paulanergasse where the rosners lived. he looked up to the second story. a window was open, white tulle curtains pinned together in the centre fluttered in the light breeze. the rosners were at home. the housemaid showed george in. anna was sitting opposite the door, she held a coffee-cup in her hand and her eyes were turned towards the newcomer. on her right her father was reading a paper and smoking a pipe. he was clean-shaven except for a pair of narrow grizzled whiskers on his cheeks. his thin hair of a strange greenish-grey hue was parted at the temples in front and looked like a badly-made wig. his eyes were watery and red-lidded. the stoutish mother, around whose forehead the memory of fairer years seemed as it were to hover, looked straight in front of her; her hands were contemplatively intertwined and rested on the table. anna slowly put down her cup, nodded and smiled in silence. the two old people began to get up when george came in. "please, don't trouble, please don't," said george. then there was a noise from the wall at the side of the room. josef, the son of the house, got up from the sofa on which he had been lying. "charmed to see you, herr baron," he said in a very deep voice, and adjusted the turned-up collar of his yellow-check rather shabby lounge jacket. "and how have you been all this time, herr baron?" inquired the old man. he remained standing a gaunt and somewhat bowed figure, and refused to resume his seat until george had sat down. josef pushed a chair between his father and sister, anna held out her hand to the visitor. "we haven't seen one another for a long time," she said, and drank some of her coffee. "you've been going through a sad time," remarked frau rosner sympathetically. "yes," added herr rosner. "we were extremely sorry to read of your great loss--and so far as we knew your father always enjoyed the best of health." he spoke very slowly all the time, as if he had still something more to say, stroking his head several times with his left hand, and nodded while he listened to the answer. "yes, it came very unexpectedly," said george gently, and looked at the faded dark-red carpet at his feet. "a sudden death then, so to speak," remarked herr rosner and there was a general silence. george took a cigarette out of his case and offered one to josef. "much obliged," said josef as he took the cigarette and bowed while he clicked his heels together without any apparent reason; while he was giving the baron a light he thought the latter was looking at him, and said apologetically, with an even deeper voice than usual, "office jacket." "office jacket straight from the office," said anna simply without looking at her brother. "the lady fancies she has the ironic gift," answered josef merrily, but his manifest restraint indicated that under other conditions he would have expressed himself less agreeably. "sympathy was universally felt," old rosner began again. "i read an obituary in the _neuen freie presse_ on your good father by herr hoffrat kerner, if i remember rightly; it was highly laudatory. science too has suffered a sad loss." george nodded in embarrassment, and looked at his hands. anna began to speak about her past summer-outing. "it was awfully pretty in weissenfeld," she said. "the forest was just behind our house with good level roads, wasn't it, papa? one could walk there for hours and hours without meeting a soul." "and did you have a piano out there?" asked george. "oh yes." "an awful affair," observed herr rosner, "a thing fit to wake up the stones and drive men mad." "it wasn't so bad," said anna. "good enough for the little graubinger girl," added frau rosner. "the little graubinger girl, you see, is the daughter of the local shopkeeper," explained anna: "and i taught her the elements of pianoforte, a pretty little girl with long blonde pig-tails." "just a favour to the shopkeeper," said frau rosner. "quite so, but i should like to remind you," supplemented anna, "that apart from that i gave real lessons, i mean paid-for ones." "what, also in weissenfeld?" asked george. "children on a holiday. anyway, it's a pity, herr baron, that you never paid us a visit in the country. i am sure you would have liked it." george then remembered for the first time that he had promised anna that he would try to pay her a visit some time in the summer on a cycling tour. "i am sure the baron would not have found a place like that really to his liking," began herr rosner. "why not?" asked george. "they don't cater there for the requirements of a spoilt viennese." "oh, i'm not spoilt," said george. "weren't you at auhof either?" anna turned to george. "oh no," he answered quickly. "no, i wasn't there," he added less sharply. "i was invited though.... frau ehrenberg was so kind as to ... i had various invitations for the summer. but i preferred to stay in vienna by myself." "i am really sorry," said anna, "not to see anything more of else. you know of course that we went to the same boarding-school. of course it's a long time ago. i really liked her. a pity that one gets so out of touch as time goes on." "how is that?" asked george. "well, i suppose the reason is that i'm not particularly keen on the whole set." "nor am i," said josef, who was blowing rings into the air.... "i haven't been there for years. putting it quite frankly ... i've no idea, baron, of your views on this question ... i'm not very gone on israelites." herr rosner looked up at his son. "my dear josef, the baron visits the house and it will strike him as rather strange...." "i?" said george courteously. "i'm not at all on intimate terms with the ehrenberg family, however much i enjoy talking to the two ladies." and then he added interrogatively, "but didn't you give singing lessons to else last year, fräulein anna?" "yes. or rather ... i just accompanied her...." "i suppose you'll do so again this year?" "i don't know. she hasn't shown any signs of life, so far." "perhaps she's giving it all up." "you think so? it would be almost better if she did," replied anna softly, "for as a matter of fact, it was more like squeaking than singing. but anyway," and she threw george a look which, as it were, welcomed him afresh, "the songs you sent me are very nice. shall i sing them to you?" "you've had a look at the things already? that is nice of you." anna had got up. she put both her hands on her temples and stroked her wavy hair gently, as though making it tidy. it was done fairly high, so that her figure seemed even taller than it actually was. a narrow golden watch-chain was twined twice round her bare neck, fell down over her bosom, and vanished in her grey leather belt. with an almost imperceptible nod of her head she asked george to accompany her. he got up and said, "if you don't mind...." "not at all, not at all, of course not," said herr rosner. "very kind of you, baron, to do a little music with my daughter. very nice, very nice." anna had stepped into the next room. george followed her and left the door open. the white tulle curtains were pinned together in front of the open window and fluttered slightly. george sat down at the cottage-piano and struck a few chords. meanwhile, anna knelt down in front of an old black partly gilded whatnot, and got out the music. george modulated the first chords of his song. anna joined in and sang to george's song the goethean words, deinem blick mich zu bequemen, deinem munde, deiner brust, deine stimme zu vernehmen, war mir erst' und letzte lust. she stood behind him and looked over his shoulder at the music. at times she bent a little forward, and he then felt the breath of her lips upon his temples. her voice was much more beautiful than he remembered its having ever been before. they were speaking rather too loudly in the next room. without stopping singing anna shut the door. it had been josef who had been unable to control his voice any longer. "i'll just pop in to the café for a jiffy," he said. there was no answer. herr rosner drummed gently on the table and his wife nodded with apparent indifference. "goodbye then." josef turned round again at the door and said fairly resolutely: "oh, mamma, if you've got a minute to spare by any chance----" "i'm listening," said frau rosner. "it's not a secret, i suppose." "no. it's only that i've got a running account with you already." "is it necessary to go to the café?" asked old rosner simply, without looking up. "it's not a question of the café. the fact is ... you can take it from me that i'd prefer myself not to have to borrow from you. but what is a man to do?" "a man should work," said old rosner gently, painfully, and his eyes reddened. his wife threw a sad and reproachful look at her son. "well," said josef, unbuttoning his office coat, and then buttoning it up again--"that really is ... for every single gulden-note----" "pst," said frau rosner with a glance towards the door, which was ajar, and through which, now that anna had finished her song, came the muffled sound of george's piano-playing. josef answered his mother's glance with a deprecatory wave of his hand. "papa says i ought to work. as though i hadn't already proved that i can work." he saw two pairs of questioning eyes turned towards him. "yes of course i proved it, and if it had only depended on me i'd have managed to get along all right. but i haven't got the temperament to put up with things, i'm not the kind to let myself be bullied by any chief if i happen to come in a quarter of an hour late--or anything like that." "we know all about that," interrupted herr rosner wearily. "but after all, as we're already on the subject, you really must start looking round for something." "look round ... good ..." answered josef. "but no one will persuade me to go into any business run by a jew. it would make me the laughing-stock of all my acquaintances ... of my whole set in fact." "your set ..." said frau rosner. "what is your set? café cronies?" "well if you don't mind, now that we are on the subject," said josef--"it's connected with that gulden-note, too. i've got an appointment at the café now with young jalaudek. i'd have preferred to have told you when the thing had gone quite through ... but i see now that i'd better show my hand straight away. well, jalaudek is the son of councillor jalaudek the celebrated paper-merchant. and old jalaudek is well-known as a very influential personage in the party ... very intimate with the publisher of the _christliche volksbote_: his name is zelltinkel. and they're looking out on the _volksbote_ for young men with good manners--christians of course, for the advertisement business. and so i've got an appointment to-day with jalaudek at the café, because he promised me his governor would recommend me to zelltinkel. that would be ripping ... it would get me out of my mess. then it wouldn't be long before i was earning a hundred or a hundred and fifty gulders a month." "o dear!" sighed old rosner. the bell rang outside. rosner looked up. "that must be young doctor stauber," said frau rosner and cast an anxious glance at the door, through which the sound of george's piano-playing came in even softer tones than before. "well, mamma, what's the matter?" said josef. frau rosner took out her purse and with a sigh gave her son a silver gulden. "much obliged," said josef and turned to go. "josef," cried herr rosner, "it's really rather rude--at the very minute when we have a visitor----" "oh thank you, but i mustn't have all the treats." there was a knock, doctor berthold stauber came in. "i apologise profusely, herr doctor," said josef, "i'm just going out." "not at all," replied doctor stauber coldly, and josef vanished. frau rosner invited the young doctor to sit down. he took a seat on the ottoman and turned towards the quarter from which the piano-playing could be heard. "baron wergenthin, the composer. anna has just been singing," explained frau rosner, somewhat embarrassed. and she started to call her daughter in. doctor berthold gripped her arm lightly but firmly, and said amiably: "no, please don't disturb fräulein anna, please don't. i'm not in the least hurry. besides, this is a farewell visit." the latter words seemed jerked out of his throat; but berthold nevertheless smiled courteously, leant back comfortably in his corner and stroked his short beard with his right hand. frau rosner looked at him as if she were positively shocked. "a farewell visit?" herr rosner asked. "has the party allowed you to take a holiday, herr stauber? parliament has only been assembled a short time, as one sees in the papers." "i have resigned my seat," said berthold. "what?" exclaimed herr rosner. "yes, resigned," repeated berthold, and smiled nervously. the piano-playing had suddenly stopped, the door which had been ajar was now opened. george and anna appeared. "oh, doctor berthold," said anna, and held out her hand to the doctor, who had immediately got up. "have you been here long? perhaps you heard me singing?" "no, fräulein, i'm sorry i was too late for that. i only caught a few notes on the piano." "baron wergenthin," said anna, as though she were introducing. "but of course you know each other?" "oh yes," answered george, and held out his hand to berthold. "the doctor has come to pay us a farewell visit," said frau rosner. "what?" exclaimed anna in astonishment. "i'm going on a journey, you see," said berthold, and looked anna in the face with a serious, impenetrable expression. "i'm giving up my political career ... or rather," he added jestingly, "i'm interrupting it for a while." george leant on the window with his arms crossed over his breast and looked sideways at anna. she had sat down and was looking quietly at berthold, who was standing up with his hand resting on the back of the sofa, as though he were going to make a speech. "and where are you going?" asked anna. "paris. i'm going to work in the pasteur institute. i'm going back to my old love, bacteriology. it's a cleaner life than politics." it had grown darker. the faces became vague, only berthold's forehead, which was directly opposite the window, was still bathed in light. his brows were twitching. he really has his peculiar kind of beauty, thought george, who was leaning motionless in the window-niche and felt himself bathed in a pleasant sense of peace. the housemaid brought in the burning lamp and hung it over the table. "but the papers," said herr rosner, "have no announcement at all so far of your resigning your seat, doctor stauber." "that would be premature," answered berthold. "my colleagues and the party know my intention all right, but the thing isn't official yet." "the news is bound to create a great sensation in the circles affected by it," said herr rosner--"particularly after the lively debate the other day in which you showed such spirit and determination. i suppose you've read about it, baron?" he turned to george. "i must confess," answered george, "that i don't follow the parliamentary reports as regularly as i really ought to." "ought to," repeated berthold meditatively. "there's no question of 'ought' about it really, although the session has not been uninteresting during the last few days--at any rate as a proof of how low a level a public body can sink to." "the debate was very heated," said herr rosner. "heated?... well, yes, what we call heated here in austria. people were inwardly indifferent and outwardly offensive." "what was it all about then?" inquired george. "it was the debate arising out of the questions on the golowski case.... therese golowski." "therese golowski ..." repeated george. "i seem to know the name." "of course you know it," said anna. "you know therese herself. she was just leaving the house when you called the last time." "oh yes," said george, "one of your friends." "i wouldn't go so far as to call her a friend; that seems to imply a certain mental sympathy that doesn't quite exist." "you certainly don't mean to repudiate therese," said doctor berthold smiling, but dryly. "oh no," answered anna quickly. "i really never thought of doing that. i even admire her; as a matter of fact i admire all people who are able to risk so much for something that doesn't really concern them at all. and when a young girl does that, a pretty young girl like therese"--she was addressing herself to george who was listening attentively--"i am all the more impressed. you know of course that therese is one of the leaders of the social democratic party?" "and do you know what i took her for?" said george. "for a budding actress." "you're quite a judge of character, herr baron," said berthold. "she really did mean to go on the stage once," corroborated frau rosner coldly. "but just consider, frau rosner," said berthold. "what young girl is there with any imagination, especially if she lives in cramped surroundings into the bargain, who has not at some time or other in her life at any rate coquetted with such an idea." "your forgiving her is good," said anna, smiling. it struck berthold too late that this remark of his had probably touched a still sensitive spot in anna's mind. but he continued with all the greater deliberation. "i assure you, fräulein anna, it would be a great pity if therese were to go on the stage, for there's no getting away from the fact that she can still do her party a tremendous lot of good if she isn't torn away from her career." "do you regard that as possible?" asked anna. "certainly," replied berthold. "therese is between two dangers, she will either talk her head off one fine day...." "or?" inquired george, who had grown inquisitive. "or she'll marry a baron," finished berthold curtly. "i don't quite understand," said george deprecatingly. "i only said 'baron' for a joke, of course. substitute prince for baron and i make my meaning clearer." "i see ... i can now get some idea of what you mean, doctor.... but how did parliament come to bother about her?" "well, it's like this, last year--at the time of the great coal-strike--therese golowski made a speech in some bohemian hole, which contained an expression which was alleged to be offensive to a member of the imperial family. she was prosecuted and acquitted. one might perhaps draw the conclusion from this that there was no particular substance in the prosecution. anyway the state prosecutor gave notice of appeal, there was an order for a new trial, and therese was sentenced to two months' imprisonment, which she is now serving, and as if that wasn't enough the judge who had discharged her in the court of first instance was transferred ... to somewhere on the russian frontier, from where no one ever comes back. well, we put a question over this business, which in my view was extremely tame. the minister answered somewhat disingenuously amid the cheers of the so-called constitutional parties. i ventured to reply in possibly somewhat more drastic terms than members are accustomed to use, and as the benches on the other side had no facts with which to answer me they tried to overwhelm me by shouts and abuse. and of course you can imagine what the strongest argument was, which a certain type of conservatives used against my points." "well?" queried george. "hold your jaw, jew," answered berthold with tightly compressed lips. "oh," said george with embarrassment, and shook his head. "be quiet, jew! hold your jaw! jew! jew! shut up!" continued berthold, who seemed somewhat to revel in the recollection. anna looked straight in front of her. george thought that this was quite enough. there was a short, painful silence. "so that was why?" inquired anna slowly. "what do you mean?" asked berthold. "that's why you're resigning your seat." berthold shook his head and smiled. "no, not because of that." "you are, of course, above such coarse insults, doctor," said herr rosner. "i won't go quite so far as that," answered berthold, "but one always has to be prepared for things like that all the same. i'm resigning my seat for a different reason." "may one ask what it is?" queried george. berthold looked at him with an air which was penetrating and yet distrait. he then answered courteously: "of course you may. i went into the buffet after my speech. i met there, among others, one of the silliest and cheekiest of our democratic popular representatives, who, as he usually does, had made more row than any one else while i was speaking ... jalaudek the paper-merchant. of course i didn't pay any attention to him. he was just putting down his empty glass. when he saw me he smiled, nodded and hailed me as cheerily as though nothing had taken place at all. 'hallo, doctor, won't you have a drink with me?'" "incredible!" exclaimed george. "incredible?... no, austrian. our indignation is as little genuine as our enthusiasm. the only things genuine with us are our malice and our hate of talent." "well, and what did you answer the man?" asked anna. "what did i answer? nothing, of course." "and you resigned your seat," added anna with gentle raillery. berthold smiled. but at the same time his eye-brows twitched, as was his habit when he was painfully or disagreeably affected. it was too late to tell her that as a matter of fact he had come to ask her for her advice, as he used to do in the old days. and at any rate he felt sure of this, he had done wisely in cutting off all retreat as soon as he entered the room by announcing the resignation of his seat as an already accomplished fact, and his journey to paris as directly imminent. for he now knew for certain that anna had again escaped him, perhaps for a long time. he did not believe for a minute that any man was capable of winning her really and permanently, and it never entered his head for a minute to be jealous of that elegant young artist who was standing so quietly by the window with his crossed arms. it had happened many times before that anna had fluttered away for a time, as though fascinated by the magic of an element which was strange to her. why only two years ago, when she was thinking seriously of going on the stage, and had already begun to learn her parts, he had given her up for a short time as completely lost. subsequently when she had been compelled to relinquish her artistic projects, owing to the unreliability of her voice, she seemed as if she wanted to come back to him again. but he had deliberately refused to exploit the opportunities of that period. for he wanted before he made her his wife to have won some triumph, either in science or in politics, and to have obtained her genuine admiration. he had been well on the way to it. in the very seat where she was now sitting as she looked him straight in the face with those clear but alas! cold eyes, she had looked at the proofs of his latest medico-philosophical work which bore the title _preliminary observations on the physiognomical diagnosis of diseases_. and then, when he finally left science for politics, at the time when he made speeches at election meetings and equipped himself for his new career by serious studies in history and political economy, she had sincerely rejoiced in his energy and his versatility. all this was now over. she had grown to eye more and more severely those faults of his of which he was quite aware himself, and particularly his tendency to be swept away by the intoxication of his own words, with the result that he came to lose more and more of his self-confidence in his attitude towards her. he was never quite himself when he spoke to her, or in her presence. he was not satisfied with himself to-day either. he was conscious, with an irritation which struck even himself as petty, that he had not given sufficient force to his encounter with jalaudek in the buffet, and that he ought to have made his detestation of politics ring far more plausibly. "you are probably quite right, fräulein anna," he said, "if you smile at my resigning my seat on account of that silly incident. a parliamentary life without its share of comedy is an absolute impossibility. i should have realised it, played up to it and taken every opportunity of drinking with the fellow who had publicly insulted me. it would have been convenient, austrian--and possibly even the most correct course to have taken." he felt himself in full swing again and continued with animation. "what it comes to in the end is that there are two methods of doing anything worth doing in politics. the one is a magnificent flippancy which looks on the whole of public life as an amusing game, has no true enthusiasm for anything, and no true indignation against anything, and which regards the people whose misery or happiness are ultimately at stake with consummate indifference. i have not progressed so far, and i don't know that i should ever have succeeded in doing so. quite frankly, i have often wished i could have. the other method is this: to be ready every single minute to sacrifice one's whole existence, one's life, in the truest sense of the word, for what one believes to be right----" berthold suddenly stopped. his father, old doctor stauber, had come in and been heartily welcomed. he shook hands with george, who had been introduced to him by frau rosner, and looked at him so kindly that george felt himself immediately drawn towards him. he looked younger than he was. his long reddish-yellow beard was only streaked by a few grey hairs, and his smoothly combed long hair fell in thick locks on to his broad neck. the strikingly high forehead gave a kind of majesty to the somewhat thick-set figure with its high shoulders. when his eyes were not making a special point of looking kind or shrewd they seemed to be resting behind the tired lids as though to gather the energy for the next look. "i knew your mother, herr baron," he said to george rather gently. "my mother, herr doctor...?" "you will scarcely remember it, you were only a little boy of three or four at the time." "you attended her?" asked george. "i visited her sometimes as deputy for professor duchegg, whose assistant i was. you used to live then in the habsburgergasse, in an old house that has been pulled down long ago. i could describe to you even to-day the furniture of the room in which i was received by your father ... whose premature death i deeply regret.... there was a bronze figure on the secretary, a knight in armour to be sure with a flag, and a copy of a vandyck from the liechtenstein gallery hung on the wall." "yes, quite right," said george, amazed at the doctor's good memory. "but i have interrupted your conversation," continued doctor stauber in that droning slightly melancholy and yet superior tone which was peculiar to him, and sat down in the corner of the sofa. "doctor berthold has just been telling us, to our great astonishment," said herr rosner, "that he has decided to resign his seat." old stauber directed a quiet look towards his son, which the latter answered with equal quietness. george, who had watched this play of the eyes, had the impression that there prevailed between these two a tacit understanding which did not need any words. "yes," said doctor stauber. "i wasn't at all surprised. i've always felt as though berthold were never really quite at home in parliament, and i am really glad that he has now begun to pine as it were to go back to his real calling. yes, yes, your real calling, berthold," he repeated, as though to answer his son's furrowed brow. "you have not prejudiced your future by it, in the least. nothing makes life so difficult as our frequent belief in consistency ... and our wasting our time in being ashamed of a mistake, instead of owning up to it and simply starting life again on a fresh basis." berthold explained that he meant to leave in eight days at the outside. there would be no point in postponing his journey beyond that time, it would be possible too that he might not remain in paris. his studies might necessitate travelling further afield. further, he had decided not to make any farewell visits. he had, he added by way of explanation, completely given up all association with certain bourgeois sets, among whom his father had an extensive practice. "didn't we meet each other once this winter at ehrenbergs'?" asked george with a certain amount of satisfaction. "that's right," answered berthold. "we are distantly related to the ehrenbergs you know. the golowski family is curiously enough the connecting link between us. it would be no good, herr baron, if i were to make any attempt to explain it to you in greater detail. i should have to take you on a journey through the registry offices and congregations of temesvar tarnopol and similar pleasant localities--and that you mightn't quite fancy." "anyway," added old doctor stauber in a resigned tone, "the baron is bound to know that all jews are related to one another." george smiled amiably. as a matter of fact it rather jarred on his nerves. there was no necessity at all, in his view, for doctor stauber as well officially to communicate to him his membership of the jewish community. he already knew it and bore him no grudge for it. he bore him no grudge at all for it; but why do they always begin to talk about it themselves? wherever he went, he only met jews who were ashamed of being jews, or the type who were proud of it and were frightened of people thinking they were ashamed of it. "i had a chat with old frau golowski yesterday," continued doctor stauber. "poor woman," said herr rosner. "how is she?" asked anna. "how is she ... you can imagine ... her daughter in prison, her son a conscript--he is living in the barracks at the expense of the state ... just imagine leo golowski as a patriot ... and the old man sits in the café and watches the other people playing chess. he himself can't even run nowadays to the ten kreuzers for the chess money." "therese's imprisonment must soon be over anyway," said berthold. "it still lasts another twelve, fourteen days," replied his father.... "come, annerl"--he turned towards the young girl--"it would be really nice of you if you were to show yourself once more in rembrandtstrasse; the old lady has taken an almost pathetic fancy to you. i really can't understand why," he added with a smile, while he looked at anna almost tenderly. she looked straight in front of her and made no answer. the clock on the wall struck seven. george got up as though he had simply been waiting for the signal. "going so soon, herr baron?" said herr rosner, getting up. george requested the company not to disturb themselves, and shook hands all round. "it is strange," said old stauber, "how your voice reminds one of your poor father." "yes, many people have said so," replied george. "i, personally, can't see any trace of it." "there isn't a man in the world who knows his own voice," remarked old stauber, and it sounded like the beginning of a popular lecture. but george took his leave. anna accompanied him, in spite of his slight remonstrance, into the hall and left the door half open--almost on purpose, so it struck george. "it's a pity we couldn't go on with our music any longer," she said. "i'm sorry too, fräulein anna." "i liked the song to-day even better than the first time, when i had to accompany myself, only it falls off a bit at the end.... i don't know how to express myself." "oh, i know what you mean, the end is conventional. i felt so too. i hope soon to be able to bring you something better than that, fräulein anna." "but don't keep me waiting for it too long." "i certainly won't. goodbye, fräulein anna." they shook hands with each other and both smiled. "why didn't you come to weissenfeld?" asked anna lightly. "i am really sorry, but just consider, fräulein anna, i could scarcely get in the mood for society of any kind this year, you can quite appreciate that." anna looked at him seriously. "don't you think," she said, "that perhaps one might have been some help to you in bearing it?" "there's a draught, anna," called out frau rosner from inside. "i'm coming in a minute," answered anna with a touch of impatience. but frau rosner had already shut the door. "when can i come back?" asked george. "whenever you like. at any rate ... i really ought to give you a written time-table, so that you may know when i'm at home, but that wouldn't be much good either. i often go for walks or go shopping in town or go to picture galleries or exhibitions----" "we might do that together one day," said george. "oh, yes," answered anna, took her purse out of her pocket and then took out a tiny note-book. "what have you got there?" asked george. anna smiled and turned over the leaves of a little book. "just wait.... i meant to go and see the exhibition of miniatures in the royal library at eleven on thursday. if you too are interested in miniatures, we might meet there." "delighted, i'm sure." "right you are then, we can then arrange the next time for you to accompany my singing." "done," said george and shook hands with her. it struck him that while anna was chatting with him here outside, young doctor stauber would doubtless be getting irritated or offended inside, and he was surprised that he should be more disturbed by this circumstance than anna, who struck him as on the whole a perfectly good-natured person. he freed his hand from hers, said good-bye and went. it was quite dark when george got into the streets. he strolled slowly over the elizabeth bridge to the opera, past the centre of the town and undisturbed by the hubbub and traffic around him, listened mentally to the tune of his song. he thought it strange that anna's voice which had so pure and sound a tone in a small room, should have no future whatsoever before it on the stage and concert platform, and even stranger that anna scarcely seemed to mind this tragic fact. but of course he was not quite clear in his mind whether anna's calmness really reflected her true character. he had known her more or less casually for some years, but an evening in the previous spring had been the first occasion when they had become rather more intimate. a large party had been got up on that occasion in the waldsteingarten. they took their meal in the open air under the high chestnut-trees, and they all experienced the pleasure, excitement and fascination of the first warm may evening of the year. george conjured up in his mind all the people who had come: frau ehrenberg, the organiser of the party, dressed in an intentionally matronly style, in a dark loose-fitting foulard dress; hofrat wilt, wearing as it were the mask of an english statesman with all the sloppy aristocracy of his nonchalant demeanour, and his chronic and somewhat cheap superior manner towards everything and everybody; frau oberberger who looked like a rococo marquise with her grey powdered hair, her flashing eyes and her beauty spot on her chin; demeter stanzides with his white gleaming teeth and that pale forehead that showed all the weariness of an old race of heroes; oskar ehrenberg dressed with a smartness that smacked a great deal of the head clerk in a dressmaking establishment, a great deal of a young music-hall comedian and something, too, of a young society man; sissy wyner who kept switching her dark laughing eyes from one man to another, as though she had a merry secret understanding with every single member of the party; willy eissler who related in his hoarse jovial voice all kinds of jolly anecdotes of his soldier days and jewish stories as well; else ehrenberg in a white english cloth dress with all the delicate melancholy of the spring flowing around her, while her _grande dame_ movements combined with her baby-face and delicate figure to invest her with an almost pathetic grace; felician, cold and courteous, with haughty eyes which gazed between the members of the party to the other tables, and from the other tables beyond into the distance; sissy's mother, young, red-cheeked and a positive chatter-box, who wanted to talk about everything at the same time and to listen to everything at the same time; edmund nürnberger with his piercing eyes and his thin mouth curving into that smile of contempt (which had almost become a chronic mask) for that whirligig of life, which he thoroughly saw through, though to his own amazement he frequently discovered that he was playing in the game himself; and then finally heinrich bermann in a summer suit that was too loose, with a straw hat that was too cheap and a tie that was too light, who one moment spoke louder than the others and at the next moment was more noticeably silent. last of all anna rosner had appeared, self-possessed and without any escort, greeted the party with a slight nod and composedly sat down between frau ehrenberg and george. "i have asked her for you," said frau ehrenberg softly to george, who prior to this evening had scarcely given anna a single thought. these words, which perhaps only originated in a stray idea of frau ehrenberg's, became true in the course of the evening. from the moment when the party got up and started on their merry expedition through the volksprater george and anna had remained together everywhere, in the side-shows and also on the journey home to town, which for the fun of the thing was done on foot, and surrounded though they were by all that buzz of jollity and foolishness they had finished by starting a perfectly rational conversation. a few days later he called and brought her as he had promised the piano score of "eugen onegin" and some of his songs; on his next visit she sang these songs over to him as well as many of schubert's, and he was very pleased with her voice. shortly afterwards they said goodbye to each other for the summer without a single trace of sentimentalism or tenderness. george had regarded anna's invitation to weissenfeld as a mere piece of politeness, just in the same way as he had thought his promise to come had been understood; and the atmosphere of to-day's visit when compared with the innocence of their previous acquaintance was bound to strike george as extremely strange. at the stephansplatz george saw that he was being saluted by some one standing on the platform of a horse-omnibus. george, who was somewhat short-sighted, did not immediately recognise the man who was saluting him. "it's me," said the gentleman on the platform. "oh, herr bermann, good evening." george shook hands with him. "which way are you going?" "i'm going into the prater. i'm going to dine down there. have you anything special on, baron?" "nothing at all." "well, come along with me then." george swung himself on to the omnibus, which had just begun to move on. they told each other cursorily how they had spent the summer. heinrich had been in the salzkammergut and subsequently in germany, from which he had only come back a few days ago. "oh, in berlin?" hazarded george. "no." "i thought perhaps in connection with a new piece----" "i haven't written a new piece," interrupted heinrich somewhat rudely. "i was in the taunus and on the rhine in several places." "what's he got to do on the rhine?" thought george, although the topic did not interest him any further. it struck him that bermann was looking in front of him in a manner that was not only absent-minded but really almost melancholy. "and how's your work getting on, my dear baron?" asked heinrich with sudden animation, while he drew closer round him the dark grey overcoat which hung over his shoulders.[1] "have you finished your quintette?" "my quintette?" repeated george in astonishment. "have i spoken to you about my quintette, then?" "no, not you, but fräulein else told me that you were working at a quintette." "i see, fräulein else. no, i haven't got much further with it. i didn't feel quite in the mood, as you can imagine." "quite," said heinrich, and was silent for a while. "and your father was still so young," he added slowly. george nodded in silence. "how is your brother?" asked heinrich suddenly. "quite well, thanks," answered george somewhat coldly. heinrich threw his cigarette over the rail and immediately proceeded to light another. then he said: "you must be surprised at my inquiring after your brother when i have scarcely ever spoken to him. but he interests me. he represents in my view a type which is absolutely perfect of its kind, and i regard him as one of the happiest men going." "that may well be," answered george hesitatingly. "but how do you come to think so seeing that you scarcely know him?" "in the first place his name is felician freiherr von wergenthin-recco," said heinrich very seriously, and blew the smoke into the air. george looked at him with some astonishment. "of course your name is wergenthin-recco, too," continued heinrich, "but only george--and that's not the same by a long way, is it? besides, your brother is very handsome. of course you haven't got at all a bad appearance. but people whose real point is that they're handsome have really a much better time of it than others whose real point is that they're clever. if you are handsome you are handsome for always, while clever people, or at any rate nine-tenths of them, spend their life without showing a single trace of talent. yes, that's certainly the case. the line of life is clearer so to speak when one is handsome than when one is a genius. of course all this could be expressed far better." george was disagreeably affected. what's the matter with him? he thought. can he perhaps be jealous of felician ... on account of else ehrenberg? they got out at the praterstern. the great stream of the sunday crowd was flowing towards them. they went towards the hauptallee, where there was no longer any crush, and strolled slowly on. it had grown cool. george made remarks about the autumnal atmosphere of the evening, the people sitting in the restaurants, the military bands playing in the kiosks. at first heinrich answered offhandedly, and subsequently not at all, and finally seemed scarcely to be paying any attention. george thought this rude. he was almost sorry that he had joined heinrich, all the more so as he made it an almost invariable practice not to respond straight away to casual invitations. the excuse he gave to himself was that it was simply out of absent-mindedness that he had done it on this occasion. heinrich was walking close to him or even going a few steps in front, as if he were completely oblivious of george's presence. he still held tightly in both hands the overcoat which was swung round him, wore his dark grey felt hat pressed down over his forehead and looked extremely uncouth. his appearance suddenly began to jar keenly on george's nerves. heinrich bermann's previous remarks about felician now struck him as in bad taste, and as quite devoid of tact, and it occurred to him at the psychological moment that practically all he knew of heinrich's literary productions had gone against the grain. he had seen two pieces of his: one where the scene was laid in the lower strata of society, among artizans or factory workers, and which finished up with murder and fatal blows; the other a kind of satirical society comedy whose first production had occasioned a scandal and which had soon been taken out of the repertoire of the theatre. anyway george did not then know the author personally, and had taken no further interest in the whole thing. he only remembered that felician had thought the piece absolutely ridiculous, and that count schönstein had expressed the opinion that if he had anything to do with it pieces written by jews should only be allowed to be performed by the buda-pesth orpheum company.[2] but doctor von breitner in particular, a baptised jew with a philosophical mind, had given vent to his indignation that such an adventurer of a young man should have dared to have put a world on to the stage that was obviously closed to him, and which it was consequently impossible for him to know anything about. while george was remembering all this his irritation at the rude conduct and stubborn silence of his companion rose to a genuine sense of enmity, and quite unconsciously he began to think that all the insults which had been previously directed against bermann had been in fact justified. he now remembered too that heinrich had been personally antipathetic to him from the beginning, and that he had indulged in some ironic remark to frau ehrenberg about her cleverness in having lost no time in adding that young celebrity to the tame lions in her drawing-room. else, of course, had immediately taken heinrich's part, and explained that he was an interesting man, was in many respects positively charming, and had prophesied to george that sooner or later he would become good friends with him. and as a matter of fact george had preserved, as the result of that nocturnal conversation on the seat in the ringstrasse in the spring of this year, a certain sympathy for bermann which had survived down to the present evening. they had passed the last inns some time ago. the white high road ran by their side out into the night on a straight and lonely track between the trees, and the very distant music only reached them in more or less broken snatches. "but where are you going to?" heinrich exclaimed suddenly, as though he had been dragged there against his will, and stood still. "i really can't help it," remarked george simply. "excuse me," said heinrich. "you were so deep in thought," retorted george coolly. "i wouldn't quite like to say 'deep.' but it often happens that one loses oneself in one's thoughts like this." "i know," said george, somewhat reconciled. "they were expecting you in august at auhof," said heinrich suddenly. "expected? frau ehrenberg was certainly kind enough to invite me, but i never accepted. did you stay there a fairly long time, herr bermann?" "a fairly long time? no. i was up there a few times, but only for an hour or so." "i thought you stayed there." "not a bit of it. i stayed down at the hotel. i only occasionally went up to auhof. there was too much noise and bustle there for me.... the house was positively packed with visitors. and i can't stand most of the people who go there." an open fiacre in which a gentleman and lady were sitting passed by. "why, that was oskar ehrenberg," said heinrich. "and the lady?" queried george, looking towards something bright that gleamed through the darkness. "don't know her." they turned their steps through a dark side-avenue. the conversation stuck again. finally heinrich began: "fräulein else sang a few of your songs to me at auhof. i'd heard some of them already too, sung by the bellini, i think." "yes, bellini sang them last winter at a concert." "well, fräulein else sang those songs and some others of yours as well." "who accompanied her, then?" "i myself, as well as i could. i must tell you, my dear baron, that as a matter of fact those songs impressed me even more than when i heard them the first time at the concert, in spite of the fact that fräulein else has considerably less voice and technique than fräulein bellini. of course one must take into consideration on the other hand that it was a magnificent summer afternoon when fräulein else sang your songs. the window was open, there was a view of the mountains and the deep-blue sky opposite ... but anyway, you came in for a more than sufficient share of the credit." "very flattering," said george, who felt pained by heinrich's sarcastic tone. "you know," continued heinrich, speaking as he frequently did with clenched teeth and unnecessary emphasis, "you know it is not generally my habit to invite people whom i happen to see in the street to join me in an omnibus, and i prefer to tell you at once that i regarded it as--what does one say?--a sign of fate when i suddenly caught sight of you on the stephansplatz." george listened to him in amazement. "you perhaps don't remember as well as i do," continued heinrich, "our last conversation on that seat in the ringstrasse." george now remembered for the first time that heinrich had then made a quite casual allusion to the libretto of an opera on which he was busy, and that he had offered himself as the composer of the music with equal casualness and more as a joke than anything else. he answered with deliberate coldness: "oh yes, i remember." "well, that binds you to nothing," answered heinrich, even more coldly than the other. "all the less so since, to tell you the truth, i've not given my opera libretto a single thought till that beautiful summer afternoon when fräulein else sang your song. anyway, what do you say to our stopping here?" the restaurant garden which they entered was fairly empty. heinrich and george sat down in a little arbour next to the green wooden railing and ordered their dinner. heinrich leant back, stretched out his legs, looked with probing almost cynical eyes at george, who maintained an obstinate silence, and said suddenly: "i don't think i am making a mistake if i venture to presume that you've not been exactly keen on the things i have done so far." "oh," answered george, blushing a little, "what makes you think that?" "well, i know my pieces ... and i know you." "me!" queried george, feeling almost insulted. "certainly," replied heinrich in a superior manner. "besides, i have the same feeling with regard to most men, and i regard this faculty as the only indisputable one i've really got. all my others, i think, are fairly problematical. my so-called art in particular is more or less mediocre, and a good deal too could be said against my character. the only thing which gives me a certain amount of confidence is simply the consciousness of being able to see right into people's souls ... right deep down, every one, rogues and honest people, men, women and children, heathens, jews and protestants, yes, even catholics, aristocrats and germans, although i have heard that that is supposed to be infinitely difficult, not to say impossible, for people like myself." george gave a slight start. he knew that heinrich had been subjected to the most violent personal attacks by the clerical and conservative press, particularly with reference to his last piece. "but what's that got to do with me?" thought george. there was another one of them who had been insulted! it was really absolutely impossible to associate with these people on a neutral footing. he said politely, though coldly, with a semi-conscious recollection of old herr rosner's retort to young dr. stauber: "i really thought that people like you were above attacks of the kind to which you're obviously alluding." "really ... you thought that?" queried heinrich, in that cold almost repulsive manner which was peculiar to him on many occasions. "well," he went on more gently, "that is the case sometimes. but unfortunately not always. it doesn't need much to wake up that self-contempt which is always lying dormant within us; and once that takes place there isn't a single rogue or a single scoundrel with whom we don't join forces, and quite sincerely too, in attacking our own selves. excuse me if i say 'we.'" "oh, i've frequently felt something of the same kind myself. of course i have not yet had the opportunity of being exposed to the public as often as you and in the same way." "well, supposing you did ... you would never have to go through quite what i did." "why not?" queried george, slightly hurt. heinrich looked him sharply in the face. "you are the baron von wergenthin-recco." "so that's your reason! but you must remember that there are a whole lot of people going about to-day who are prejudiced against one for that very reason--and manage to cast in one's teeth the fact of one's being a baron whenever they get a chance." "yes, yes, but i think you will agree with me that being ragged for being a baron is a very different matter than being ragged for being a 'jew,' although the latter--you'll forgive me of course--may at times denote the better aristocracy. well, you needn't look at me so pitifully," he added with abrupt rudeness. "i am not always so sensitive. i have other moods in which nothing can affect me in any way nor any person either. then i feel simply this--what do you all know--what do you know about me...." he stopped, proudly, with a scornful look that seemed to pierce through the foliage of the arbour into the darkness. he then turned his head, looked round and said simply to george in quite a new tone: "just look, we shall soon be the only ones left." "it is getting quite cold, too," said george. "i think we might still stroll a bit through the prater." "charmed." they got up and went. a fine grey cloud hung over a meadow which they passed. "the fraud of summer doesn't last after nightfall. it'll soon all be over," said heinrich in a tone of unmitigated melancholy, while he added, as though to console himself: "well, one will be able to work." they came into the wurstelprater. the sound of music rang out from the restaurants, and some of the exuberant gaiety communicated itself to george. he felt suddenly swung out of the dismalness of an inn garden at autumn time and a somewhat painful conversation into a new world. a tout, in front of a merry-go-round, from which a gigantic hurdy-gurdy sent into the open air the pot-pourri cut of the "troubadour" with all the effect of some fantastic organ, invited people to take a journey to london, atzgersdorf and australia. george remembered again the excursion in the spring with the ehrenberg party. it was on this narrow seat inside the room that frau oberberger had sat with demeter stanzides, the lion of the evening, by her side, and had probably told him one of her incredible stories: that her mother had been the mistress of a russian grand prince; that she herself had spent a night with an admirer in the hallstadt cemetery, of course without anything happening; or that her husband, the celebrated traveller, had made conquests of seventeen women in one week in one harem at smyrna. it was in this carriage upholstered in red velvet, with hofrat wilt as her _vis-à-vis_, that else had lounged with lady-like grace, just as though she were in a carriage on derby day, while she yet managed to show by her manner and demeanour that, if it came to the point, she herself could be quite as childish as other persons of happier and less complex temperaments. anna rosner with the reins nonchalantly in her hand, looking dignified, but with a somewhat sly face, rode a white arab; sissy rocked about on a black horse that not only turned round in a circle with the other animals and carriages, but swung up and down as well. the boldest eyes imaginable flashed and laughed beneath the audacious _coiffure_ with its gigantic black feather hat, while her white skirt fluttered and flew over her low-cut patent leather shoes and open-work stockings. sissy's appearance had produced so strange an effect on a couple of strangers that they called out to her a quite unambiguous invitation. there had then ensued a short mysterious interview between willy, who immediately came on the spot, and the two somewhat embarrassed gentlemen, who first tried to save their faces by lighting fresh cigarettes with deliberate nonchalance and then suddenly vanished in the crowd. even the side-show with its "illusions" and "illuminated pictures" had special memories for george. it was here, while daphne was turning into a tree, that sissy had whispered into his ear a gentle "remember" and thus called to his memory that masked ball at ehrenberg's at which she had lifted up her lace veil for a fleeting kiss, though presumably he had not been the only one. then there was the hut where the whole party had had themselves photographed: the three young girls, anna, else and sissy in the pose of classical goddesses and the men at their feet with ecstatic eyes, so that the whole thing looked like the climax of a transformation scene. and while george was thinking of these little episodes there floated up through his memory the way in which he and anna had said goodbye to-day, and it seemed full of the most pleasant promise. a striking number of people stood in front of an open shooting gallery. now the drummer was hit in the heart and beat quick strokes upon his drum, now the glass ball which was dancing to and fro upon a jet of water broke with a slight click, now a _vivandière_ hastily put her trumpet to her mouth and blew a menacing blast, now a little railway thundered out of a door which had sprung open, whizzed over a flying bridge and was swallowed up by another door. when the crowd began to thin, george and heinrich made their way to the front and recognised that the good shots were oskar ehrenberg and his lady friend. oskar was just aiming his gun at an eagle which was moving up and down near the ceiling with outstretched wings, and missed for the first time. he laid his weapon down in indignation, gazed round him, saw the two gentlemen behind him and saluted them. the young lady with her cheek resting on her gun threw a fleeting glance at the new arrivals, then aimed again with great keenness, and pressed the trigger. the eagle drooped its hit wings and did not move any more. "bravo," shouted oskar. the lady laid the weapon before her on the table. "that's my little lot," she said to the boy who wanted to load again. "i've won." "how many shots were there?" asked oskar. "forty," answered the boy, "that's eighty kreuzers." oskar put his hand into his waistcoat pocket, threw a silver gulden down and received with condescension the thanks of the loading boy. "allow me," he then said, while he placed both his hands on his hips, moved the top of his body slightly in front and put his left foot forward, "allow me, amy, to introduce the gentlemen who witnessed your triumph, baron wergenthin, herr von bermann ... fräulein amelie reiter." the gentlemen lifted their hats, amelie returned the greeting by nodding a few times with her head. she wore a simple foulard dress designed in white, and over it a light cloak of bright yellow bordered with lace and a black but extremely lively hat. "i know herr von bermann already," she said. she turned towards him. "i saw you at the first night of your play last winter, when you came on the stage to bow your acknowledgments. i enjoyed myself very much. don't think i am saying this as a mere compliment." heinrich thanked her sincerely. they walked on further between side-shows which were growing quieter and quieter, past inn gardens which were gradually becoming empty. oskar thrust his right arm through his companion's left and then turned to george. "why didn't you come to auhof this year? we were all very sorry." "unfortunately i didn't feel much in the mood for society." "of course, i can quite understand," said oskar with all proper seriousness. "i was only there myself for a few weeks. in august i strengthened my tired limbs in the waves of the north sea; i was in the isle of wight, you know." "that must be very nice," said george. "who is it that always goes there?" "you're thinking of the wyners," replied oskar. "when they used to live in london they went there regularly, but now they only go there every two or three years." "but they've kept the y for austrian consumption as well," said george with a smile. oskar was serious. "old herr wyner," he answered, "honestly earned his right to the y. he went to england in his thirteenth year, became naturalised there and was made a partner when quite a young man in the great steel manufacturing concern which is still called black & wyner." "at any rate he got his wife from vienna." "yes, and when he died seven or eight years ago she came over here with her two children, but james will never get acclimatised here.... lord antinous, you know, that's what frau oberberger calls him. he is now back at cambridge again where strangely enough he is studying greek scholarship. demeter was a few days in ventnor, too." "stanzides?" added george. "do you know herr von stanzides, herr baron?" asked amy. "oh yes." "then he does really exist?" she exclaimed. "yes, but just you listen," said oskar. "she put a lot of money on him this spring at freudenau, and won a lot of money, and now she inquires if he really exists." "what makes you have doubts about stanzides' existence, fräulein?" asked george. "well, you know, whenever i don't know where he is--oskar, i mean--it's always a case of 'i've an appointment with stanzides' or 'i'm riding with stanzides in the prater.' stanzides this and stanzides that, why it sounds more like an excuse than a name." "you be quiet now, will you?" said oskar gently. "not only does stanzides exist," explained george, "but he has the most beautiful black moustache and the most fiery black eyes that are to be found anywhere." "that's quite possible, but when i saw him he looked more like a jack-in-the-box, yellow jacket, green cap, violet sleeves." "and she won forty gulden on him," added oskar facetiously. "and where are the forty gulden?" sighed fräulein amelie.... then she suddenly stood still and exclaimed: "but i've never yet been on it." "well, that can be remedied," said oskar simply. the great wheel was turning slowly and majestically in front of them with its lighted carriages. the young people passed the turnstile, climbed into an empty compartment and swept upwards. "do you know, george, whom i got to know this summer?" said oskar. "the prince of guastalla." "which one?" asked george. "the youngest, of course, karl friedrich. he was there incognito. he's very thick with stanzides, an extraordinary man. you take my word for it," he added softly, "if people like us said one hundredth part of the things the prince says, we'd never get out of prison our whole life long." "look, oskar," cried amy, "at the tables and the people down there. it looks just like a little box, doesn't it? and that mass of lights over there, far off. i'm sure that's going to prague, don't you think so, herr bermann?" "possibly," answered heinrich, knitting his forehead as he stared through the glass wall out into the night. when they left the compartment and got out into the open air the sunday hubbub was subsiding. "poor little girl," said oskar ehrenberg to george, while amy went on in front with heinrich, "she has no idea that this is the last time we are going out together in the prater." "but why the last time?" asked george, not feeling particularly interested. "it's got to be," replied oskar. "things like this oughtn't to last longer than a year at the outside. any way, you might buy your gloves from her after december," he added brightly, though with a certain touch of melancholy. "i am setting her up, you know, in a little business. i more or less owe her that, for i took her away from a fairly safe situation." "a safe one?" "yes, she was engaged, to a case-maker. did you know that there were such people?" in the meanwhile amy and heinrich were standing in front of a narrow moving staircase that went boldly up to a platform and waited for the others. all agreed that they ought not to leave the prater before going for a ride on the switchback. they whizzed through the darkness down and up again in the groaning coach under the black tree-tops; and george managed to discover a grotesque motif in 3/4 time in the heavy rhythmic noise. while he was going down the moving staircase with the others, he knew that the melody should be introduced by an oboe and clarionet and accompanied by a cello and contra bass. it was clearly a _scherzo_ probably for a symphony. "if i were a capitalist," expounded heinrich with emphasis, "i would have a switchback built four miles long to go over fields and hills, through forests and dancing-halls; i would also see that there were surprises on the way." anyway, he thought that the time had come to develop more elaborately the fantastic element in the wurstelprater. he himself, he informed them, had a rough idea for a merry-go-round that by means of some marvellous machinery was to revolve spiral-fashion above the ground, winding higher and higher till eventually it reached the top of a kind of tower. unfortunately he lacked the necessary technical knowledge to explain it in greater detail. as they went on he invented burlesque figures and groups for the shooting galleries, and finally declared that there was a pressing need for a magnificent punch and judy show for which original authors should write pieces at once profound and frivolous. in this way they came to the end of the prater where oskar's carriage was waiting. squashed, but none the less good-tempered, they drove to a wine-restaurant in the town. oskar ordered champagne in a private room, george sat down by the piano and improvised the theme that had occurred to him on the switchback. amy lounged back in the corner of the sofa, while oskar kept whispering things into her ears which made her laugh. heinrich had grown silent again and twirled his glass slowly between his fingers. suddenly george stopped playing and let his hands lie on the keys. a feeling of the dreamlike and purposeless character of existence came over him, as it frequently did when he had drunk wine. ages seemed to have passed since he had come down a badly-lighted staircase in the paulanergasse, and his walk with heinrich in the dark autumn avenue lay far away in the distant past. on the other hand he suddenly remembered, as vividly as though the whole thing had happened yesterday, a very young and very depraved individual, with whom he had spent many years ago a few weeks of that happy-go-lucky life which oskar ehrenberg was now leading with amy. she had kept him waiting too long one evening in the street, he had gone away impatiently and had neither heard nor seen anything of her again. how easy life was sometimes.... he heard amy's soft laugh and turned round. his look encountered that of oskar, who seemed to be trying to catch his eye over amy's blonde head. he felt irritated by that look and deliberately avoided it and struck a few chords again in a melancholy ballad-style. he felt a desire to describe all that had happened to him to-day, and looked at the clock over the door. it was past one. he caught heinrich's eye and they both got up. oskar pointed to amy, who had gone to sleep on his shoulder, and intimated by a smile and a shrug of his shoulders that under such circumstances he could not think of going for the present. the two others shook hands with him, whispered good-night and slipped away. "do you know what i've done?" said heinrich. "while you were improvising so extraordinarily finely on that ghastly piano i tried to get the real hang of that libretto that i spoke to you about in the spring." "oh, the opera libretto! that _is_ interesting. won't you tell me?" heinrich shook his head. "i should like to, but the unfortunate thing is, as you've already seen, that it's really not yet finished--like most of my other so-called plots." george looked at him interrogatively. "you had a whole lot of things on hand last spring, when we saw each other last." "yes, i have made a lot of notes, but to-day i've done nothing more than sentences ... no words, no, just letters on white paper. it's just as if a dead hand had touched everything. i'm frightened the next time i tackle the thing that it will all fall to pieces like tinder. yes, i've been going through a bad time, and who knows if there's a better one in store for me?" george was silent. then he suddenly remembered the notice in the papers which he had read somewhere or other about heinrich's father, the former deputy, doctor bermann. he suspected that that might be the reason. "your father is ill, isn't he?" he asked. heinrich answered without looking at him. "yes, my father has been in a mental home since june." george shook his head sympathetically. heinrich continued: "yes, it's an awful business, even though i wasn't on very intimate terms with him during the last months it is indescribably awful, and goes on being so." "i can quite understand," said george, "not making any headway with one's work under circumstances like that." "yes," answered heinrich hesitatingly. "but it's not that alone. to be quite frank that business plays a comparatively subordinate part in my present mental condition. i don't want to make myself out better than i am. better...! should i be better...!" he gave a short laugh and then went on speaking. "look here, yesterday i still thought that it was the accumulation of every possible misfortune that depressed me so. but to-day i've had an infallible proof that things of no importance at all, positively silly things in fact, affect me more deeply than very real things like my father's illness. disgusting, isn't it?" george looked in front of him. why do i still go on walking with him, he thought, and why does he take it quite for granted that i should? heinrich went on speaking with clenched teeth and unnecessary vehemence of tone. "i received two letters this afternoon. two letters, yes ... one from my mother, who had visited my father yesterday in the home. this letter contained the news that he is bad--very bad; to come to the point he won't last much longer"--he gave a deep breath--"and as you can imagine that involves all kinds of troubles, responsibilities for my mother and my sister and for myself. but just think of it, another letter came at the same time as that one; it contained nothing of importance so to speak--a letter from a person with whom i have been intimate for two years--and there was a passage in that letter which struck me as a little suspicious--one isolated passage ... otherwise the letter was very affectionate and very nice, like all her other letters ... and now, just imagine, the memory of that one suspicious passage, which another man wouldn't have noticed at all, has been haunting me and torturing me the whole day. i've not been thinking about my father in the lunatic asylum, nor about my mother and sister who are in despair, but only about that unimportant passage in that silly letter from a really by no means brilliant female. it eats up all my strength, it makes me incapable of feeling like a son, like a human being ... isn't it ghastly?" george listened coldly. it struck him as strange that this taciturn melancholy man should suddenly confide in so casual an acquaintance as himself, and he could not help feeling a painful sense of embarrassment when confronted with this unexpected revelation. he did not have the impression either that any particular sympathy for him on heinrich's part was the real reason for all these confessions. he rather felt inclined to put it down to a want of tact, a certain natural lack of self-control, something which seemed very well described by the expression "bad breeding," which he had once heard applied to heinrich--wasn't it by hofrat wilt? they went as far as the burg gate. a starless sky lay over the silent town, there was a slight rustle in the trees of the park, they could hear somewhere or other the noise of a rolling carriage as it drove away into the distance. as heinrich was silent again, george stood still and said in as kind a tone as he could: "i must now really say good-bye, dear herr bermann." "oh," exclaimed heinrich, "i now see that you've come with me quite a long way--and i've been tactless enough to tell you, or rather myself in your presence, a lot of things which can't interest you in the least.... forgive me!" "what is there to forgive?" answered george gently. he felt a little moved by this self-reproach of heinrich's and held out his hand. heinrich took it, said "good-bye, my dear baron," and rushed off in a hurry, as though he had suddenly decided that any further word would be bound to be importunate. george looked after him with a mixture of sympathy and repulsion, and suddenly a free and almost happy mood came over him. he felt young, devoid of care and destined for the most brilliant future. he rejoiced at the winter which was coming, there were all kinds of possibilities: work, amusement, sentiment, while he was absolutely indifferent as to who it was from whom these joys might come. he lingered a moment by the opera-house. if he went home through the paulanergasse it would not be appreciably out of his way. he smiled at the memory of the serenades of his earlier years. not far from here lay the street where he had looked up many a night at a window behind whose curtains marianne had been accustomed to show herself when her husband had gone to sleep. this woman who was always playing with dangers in whose seriousness she herself did not believe had never really been worthy of george.... another memory more distant than this one was much more gracious. when he was a boy of seventeen in florence he had walked to and fro many a night before the window of a beautiful girl, the first creature of the other sex who had given her virgin self to him as yet untouched. and he thought of the hour when he had seen his beloved step on the arm of her bridegroom up to the altar, where the priest was to consecrate the marriage, of the look of eternal farewell which she had sent to him from under her white veil.... he had now arrived at his goal. the lamps were still burning at both ends of the short street, so that it was quite dark where he stood opposite the house. the window of anna's room was open, and the pinned curtains fluttered lightly in the wind, just as in the afternoon. it was quite dark below. a soft tenderness began to stir in george's heart. of all the beings who had ever refrained from hiding their inclination for him he thought anna the best and the purest. she was also the first who brought the gift of sympathy for his artistic aspirations. she was certainly more genuine than marianne, whose tears would roll over her cheeks whatever he happened to play on the piano; she was deeper too than else ehrenberg, who no doubt only wanted to confirm herself in the proud consciousness of having been the first to recognise his talent. and if any person was positively cut out to counteract his tendency to dilettantism and nonchalance and to keep him working energetically, profitably and with a conscious object that person was anna. he had thought only last winter of looking out for a post as a conductor or accompanist at some german opera; at ehrenbergs' he had casually spoken of his intentions, which had not been taken very seriously. frau ehrenberg, woman of the world that she was, had given him the motherly advice rather to undertake a tour through the united states as a composer and conductor, whereupon else had cut in, "and an american heiress shouldn't be sniffed at either." as he remembered this conversation he was very pleased with the idea of knocking about the world a bit, he wished to get to know foreign towns and foreign men, to win love and fame somewhere out in the wide world, and finally came to the conclusion that his life was slipping away from him on the whole in far too quiet and monotonous a fashion. he had long ago left the paulanergasse, without having taken mentally any farewell of anna, and was soon home. as he stepped into the dining-room he saw a light shining from felician's room. "good evening, felician," he cried out. the door was opened and felician came out still fully dressed. the brothers shook hands with each other. "only just got home?" said felician. "i thought you had been asleep quite a long time." as he spoke he looked past him, as his manner was, and nodded his head towards the right. "what have you been doing, then?" "i've been in the prater," answered george. "alone?" "no, i met people. oskar ehrenberg with his girl and bermann the author. we shot and went on the switchback. it was quite jolly.... what have you got in your hand?" he said, interrupting his narrative. "have you been out for a walk like that?" he added jestingly. felician let the sword which he held in his right hand shine in the light of the lamp. "i've just taken it down from the wall, i begin to-morrow again in earnest. the tournament is in the middle of november, and i want to try what i can do this year against forestier." "by jove!" cried george. "a piece of cheek, you think, what? but it's still a long time before the middle of november. and the strange thing is i've got the feeling as though i had learnt something fresh in the very six weeks of this summer when i didn't have the thing in my hand at all. it's as though my arm had got new ideas in the meanwhile. i can't explain it properly." "i follow what you mean." felician held the sword stretched out in front of him and looked at it affectionately. he then said: "ralph inquired after you, so did guido ... a pity you weren't there." "you spent the whole day with them?" "oh no, i remained at home after dinner. you must have gone out straight away. i've been studying." "studying?" "yes, i must really do something serious now. i want to pass my diplomatic exam, by may at the outside." "so you've quite made up your mind?" "absolutely. there's no point in my remaining on any more in the stadthalterei. the longer i stay there the clearer it becomes. anyway, the time won't have been wasted. they don't mind at all if one has spent a year or two in home service." "so you'll probably be leaving vienna in the autumn." "presumably." "and where will they send you?" "if one only knew." george looked in front of him. "so the parting is as near as that?" but why did it affect him so much all of a sudden?... why, he himself had determined to go away, and had quite recently spoken to his brother about his plans for next year. was he still as sceptical as ever of his seriousness? if only they could have a good frank brotherly heart-to-heart talk as they had had on that evening after their father's funeral. as a matter of fact, it was only when life revealed its gloomy side to them that they felt absolutely in touch. otherwise there was always this strange constraint between them both. there was obviously no help for it. they just had to talk more or less discreetly to each other like fairly intimate friends. and as though resigned to the situation george went on with his questions. "what did you do in the evening?" "i had supper with guido and an interesting young lady." "really?" "he's in silken dalliance again, you know." "who is it, then?" "conservatoire, jewess, violin. but she didn't bring it with her. not particularly pretty, but clever. she improves him and he respects her; he wants her to be baptised. a humorous affair i can tell you. you would have had quite a good time." george turned his eyes towards the sword which felician still held in his hand. "would you like to fence a bit?" he asked. "why not?" answered felician and fetched a second foil out of his room. meanwhile george had moved the big table in the middle up against the wall. "i haven't had a thing in my hand since may," he said as he took hold of his sword. they took off their coats and crossed blades. george cried _touché_ the next second. "come on," cried george, and thought himself lucky that it was his brother whom he had to face as he stood in an awkward position with the slender flashing weapon in his hand. felician hit him as often as he wanted to without himself being touched a single time. he then lowered his sword and said: "you're too tired to-day, there's no point in it. but you should come more often to the club. i assure you it's a pity, with your talent." george was pleased by his brotherly praise. he laid his sword down on the table, took a deep breath and went to the wide centre window which was open. "what wonderful air," he said. a lonely lamp was shining from the park, there was absolute silence. felician came up to george, and while the latter leant with both hands on the sill the elder brother remained upright and swept over street, park and town with one of his proud quiet glances. they were both silent for a long time. and they knew they were each thinking of the same thing: a may night of last spring when they had gone home together through the park and their father had greeted them with a silent nod of his head from the very same window by which they were now standing. and both felt a little shocked at the thought that they had enjoyed the whole day with such full gusto, without any painful memories of the beloved man who now lay beneath the ground. "well, good-night," said felician in a softer tone than usual as he held out his hand to george. he pressed it in silence and each went into his own room. george arranged the table lamp, took out some music paper and began to write. it was not the scherzo which had occurred to him when he had whizzed through the night with the others under the black tree-tops a few hours ago; and it was not the melancholy folk-ballad of the restaurant either; but a quite new _motif_ that swam up slowly and continuously as though from secret depths. george felt as though he had to allow some mysterious element to take its course. he wrote down the melody, which he thought should be sung by an _alto_ voice or played on the viola, and at the same time a strange accompaniment rang in his ears, which he knew would never vanish from his memory. it was four o'clock in the morning when he went to bed with the calmness of a man to whom nothing evil can ever come in all his life and for whom neither solitude nor poverty nor death possess any terror. [1] a special way of wearing a coat affected in viennese artistic circles. [2] a company celebrated for its risqué plays. ii frau ehrenberg sat with her knitting on the green velvet sofa in the raised bow-window. opposite her else was reading a book. the white head of the marble isis gleamed from out the far dark part of the room behind the piano, while a streak of light from the next room played through the open door over the grey carpet. else looked up from her book through the window to the high tops of the trees in the schwarzenberg park which were waving in the autumn wind and said casually: "we might perhaps ring up george wergenthin, to know if he's coming this evening." frau ehrenberg let her knitting fall on her lap. "i don't know," she said. "you remember what a really charming condolence letter i wrote him and what a pressing invitation i gave him to come to auhof. he didn't come and the coldness of his answer was quite marked. i wouldn't ring him up." "one shouldn't treat him like other people," answered else. "he belongs to the people whom one has occasionally to remind that one is still alive. when he has been reminded he is extremely glad." frau ehrenberg went on with her knitting. "it really won't come to anything," she said quietly. "it's not meant to come to anything," retorted else. "i thought you knew that by this time, mamma. we're good friends, nothing more--and even that only at intervals; or do you really think that i'm in love with him, mamma? yes, when i was a little girl i was, in nice, when we played tennis together, but that is long past." "well--and florence?" "in florence--i was more in love with felician." "and now?" asked frau ehrenberg slowly. "now ... you're probably thinking of heinrich bermann ... but you're making a mistake, mother." "i prefer to be making a mistake. but this summer i really quite had the impression that----" "i tell you," interrupted else a little impatiently, "it isn't anything and never was anything. on one solitary occasion, when we went out boating on a sultry afternoon, you saw us from your balcony with your opera-glasses, no doubt--it was only then that it became a little dangerous. and even supposing we had fallen on each other's neck--which as a matter of fact we never did--it wouldn't have meant anything. it was simply a summer flirtation." "and besides, he's supposed to be involved in a very serious love-affair," said frau ehrenberg. "you mean ... with that actress, mamma?" frau ehrenberg looked up. "did he tell you anything about her?" "tell...? not in so many words, but when we went for walks together in the park or went out in the evening on the lake, why, he practically spoke of nothing but her--of course without mentioning her name ... and the better he liked me--men really are such awfully funny people--the more jealous he became about the other woman.... but if it were only that? what young man isn't involved in a serious love affair? do you think by any chance, mamma, that george wergenthin is not?" "in a serious one ... no, that will never happen to him. he's too cold, too superior for that ... he hasn't got enough temperament." "that's exactly why," explained else, airing her knowledge of human nature. "he'll slip into some whirlpool or other and get taken out of his depth without his having noticed it, and some fine day he'll get married ... out of sheer indolence ... to some person or other who'll probably be absolutely indifferent to him." "you must have a definite suspicion," said frau ehrenberg. "i have." "marianne?" "marianne! but that's been over a long time, mamma. and that was never anything particularly serious, either." "well, who is it then?" "well whom do you think, mamma?" "i have no idea." "it's anna," said else curtly. "which anna?" "anna rosner, of course." "but...." "you can say 'but' as much as you like--it's a fact." "else, you don't seriously think that anna with her reserved character could so far forget herself as to----" "so far forget herself...? really, mamma, the number of expressions you keep on using--anyway, i don't think that's quite a case of one's forgetting oneself." frau ehrenberg smiled, not without a certain pride. the bell rang outside. "it's he at last," said else. "it might quite as well be demeter stanzides," observed frau ehrenberg. "stanzides was to bring the prince along sometime," said else casually. "do you think that will come off?" inquired frau ehrenberg, letting her knitting fall into her lap. "why shouldn't it come off?" said else. "they are so intimate." the door opened. as a matter of fact it was none of the expected visitors who came in, but edmund nürnberger. he was dressed, as always, with the greatest care, though not after the latest fashion. his tail coat was a little too short and an emerald pin was stuck in his voluminous satin tie. he bowed as soon as he had got to the door, though his demeanour expressed at the same time a certain irony at his own politeness. "am i the first?" he inquired. "no one here yet? not a hofrat--nor a count--nor an author--nor a diabolical female?" "only a woman who never was one, i'm sorry to say," answered frau ehrenberg as she shook hands with him. "and one ... who will perhaps become one sometime." "oh, i am convinced," said nürnberger, "that if she only takes it seriously, fräulein else will succeed in that." he stroked his smooth black somewhat glossy hair slowly with his left hand. frau ehrenberg expressed her regret that their expectation of his coming to auhof had not been realised. had he really spent the whole summer in vienna? "why do you wonder so much, my dear madam? whether i am walking up and down among mountain scenery or by the shore of the sea or in my own room, it doesn't really matter much in the end." "but you must have felt quite lonely," said frau ehrenberg. "you certainly realise solitude more clearly when there's no one in the neighbourhood who shows any desire of talking to you.... but let's talk of more interesting and promising men than i am. how are all the numerous friends of your popular family?" "friends!" repeated else. "i should like first to know what you mean by the word?" "well, all the people who say something agreeable to you from whatever motive, and whom you believe in when they say it." the door of the bedroom opened, herr ehrenberg appeared and greeted nürnberger. "are you ready packed?" asked else. "packed and ready," answered ehrenberg, who had on a grey suit that was far too loose and was biting a fat cigar between his teeth. he turned to nürnberger to explain.... "i'm off to-day, just as i am, to corfu ... for the time being; the season is beginning and the ehrenberg 'at homes' make me feel sick." "no one asks you," replied frau ehrenberg gently, "to honour them with your presence." "cute answer, eh," said ehrenberg, puffing at his cigar. "i don't mind, of course, staying away from your real 'at homes.' but when i'd like to dine quietly at home on a thursday and there's an attaché sitting in one corner and a hussar in the other, and some one over there is playing his own compositions and some one else on the sofa is being funny, while by the window frau oberberger is fixing up an assignation with any one who happens to come along ... well, it really gets on my nerves. one can stand it once, but not a second time." "do you think you'll remain away all the winter?" asked nürnberger. "it's possible. i intend, you know, to go further, to egypt, to syria, probably to palestine as well. yes, it's perhaps only because one's getting older, perhaps because one reads so much about zionism and so forth, but i can't help it, i should like to see jerusalem before i die." frau ehrenberg shrugged her shoulders. "those are matters," said ehrenberg, "which my wife don't understand--and my children even less so. what do you know about it, else? no, you don't know anything either. but when one reads what's going on in the world it often makes one inclined to think that there's no other way out for us." "for us?" repeated nürnberger. "i've not observed up to the present that anti-semitism has done you any particular harm." "you mean because i've grown a rich man? well if i were to tell you that i don't give any shakes for money, you would, of course, not believe me, and quite right too. but as sure as you see me here, i swear to you that i would give half my fortune to see the worst of our enemies on the gallows." "i'm only afraid," remarked nürnberger, "that you would have the wrong ones hanged." "there's not much danger," replied ehrenberg. "even if you don't catch the man you're after, the man you do catch is bound to be one of them, too, right enough." "this is not the first time, my dear herr ehrenberg, that i observe that your standpoint towards this question is not ideally objective." ehrenberg suddenly bit through his cigar and with fingers shaking with rage put it on the ash-tray. "if any one here's to tell me ... and even ... excuse me ... or perhaps you're baptised...? one can really never tell nowadays." "i'm not baptised," replied nürnberger quietly. "but on the other hand i am certainly not a jew either. i've ceased to belong to the congregation for a long time, for the simple reason that i never felt myself to be a jew." "if some one were to bash in your top hat in the ringstrasse because, if you will allow me to say so, you have a somewhat jewish nose, you'd realise pretty quick that you were insulted because you were a yiddisher fellow. you take my word for it." "but, papa, how excited you are getting," said else, and stroked him on his bald reddish shiny head. old ehrenberg took her hand, stroked it and asked, apparently without any connection with what he had been saying before: "by-the-bye, shall i have the pleasure of seeing my son and heir before i leave?" frau ehrenberg answered: "oskar's bound to be home soon." ehrenberg turned to nürnberger. "you will doubtless be glad to know that my son oskar is an anti-semite as well." frau ehrenberg sighed gently. "it's a fixed idea of his," she said to nürnberger. "he sees anti-semites everywhere, even in his own family." "that is the latest jewish national disease," said nürnberger. "i myself have only succeeded up to the present in making the acquaintance of one genuine anti-semite. i'm afraid i am bound to admit, dear herr ehrenberg, that it was a well-known zionist leader." ehrenberg could only make an eloquent gesture. demeter stanzides and willy eissler came in and immediately spread an atmosphere of vivid brilliancy around them. demeter wore his uniform lightly and magnificently, as though it were a fancy costume rather than a military dress; willy stood there in a dinner jacket looking tall and pale and as if he had been keeping late hours, and then immediately gathered up the reins of the conversation, while his pleasantly hoarse voice rasped through the air with amiable imperiousness. he gave an account of the preparations for an aristocratic theatrical performance in which he was adviser, producer and actor, just as he had been last year, and described a meeting of the young lords, where, if his account was to be believed, every one had behaved as though they were in a lunatic asylum, and then went on to treat them to a humorous dialogue between two countesses whose mannerisms he managed to take off in a most delightful way. ehrenberg was always very amused by willy eissler. the vague feeling that this hungarian jew managed somehow or other to outwit and make a fool of that whole feudal set, whom personally he hated so much, filled him with respect for the young man. else sat at the little table in the corner with demeter and made him tell her about the _isle of wight_. "you were there with your friend?" she inquired, "weren't you, prince karl friedrich?" "my friend the prince?... that's not quite right, fräulein else. the prince has no friends, nor have i. we're neither of us the type to have friends." "he must be an interesting man according to all one hears." "interesting--i don't know about that. at any rate he's thought over a lot of things which people in his position are not usually accustomed to bother their heads about very much. perhaps he'd have managed to do all kinds of things too, if he'd been left to himself. well, who knows, it was perhaps better for him that they kept a tight hold on him, for him and for the country too in the long run. one man alone can do nothing--never in this life. that's why it's best to let matters slide and get out of things, as he did." else looked at him somewhat coldly. "you're so philosophical to-day, what is it? it seems to me that willy eissler has spoilt you." "willy spoilt me?" "yes, you know you shouldn't associate with such clever people." "why not?" "you should simply be young, shine, live, and then when there's nothing more to do, do whatever you like ... but without bothering about yourself and the world." "you should have told me that before, fräulein else; once a man's started getting clever...." else shook her head. "but perhaps in your case it might have been avoided," she said quite seriously. and then they both had to laugh. the chandelier was lighted up. george wergenthin and heinrich bermann had come in. invited by a smile george sat down by else's side. "i knew that you would come," she said disingenuously but warmly as she pressed his hand; she was more glad than she thought she would have been that he should sit opposite to her after so long an interval, that she could see again his proud gracious face and hear again his somewhat gentle yet warm voice. frau wyner appeared, a little woman with a high colour, jolly and awkward. her daughter sissy was with her. the groups got broken up in the "general post" of mutual greetings. "well, have you composed that song for me yet?" sissy asked george with laughing eyes and laughing lips, as she played with one of her gloves and moved about like a snake in her dark-green shimmering dress. "a song?" asked george. he really didn't remember. "or waltz or something. but you promised me to dedicate something to me." while she spoke her looks were wandering round. they glowed into the eyes of willy, passed caressingly by demeter and addressed a sphinx-like question to heinrich bermann. it seemed as though will-o'-the-wisps were dancing through the drawing-room. frau wyner suddenly came up to her daughter. she flushed deeply. "sissy is really so silly.... what are you thinking of, sissy? baron george has had more important things to do this year than to compose things for you." "oh not at all," said george politely. "you buried your father, that's no trifle." george looked straight in front of him. but frau wyner went on speaking quite unperturbed. "and your father wasn't old, was he? and such a handsome man.... is it true that he was a chemist?" "no," answered george calmly. "he was president of the botanical society." heinrich with one arm on the shut piano-top was speaking to else. "so you've been in germany?" she asked. "yes," replied heinrich. "i've been back a fairly long time, four or five weeks." "and when are you going back again?" "i don't know, perhaps never." "come, you don't believe that yourself--what are you working at?" she added quickly. "all kinds of things," he answered. "i'm going through a rather restless time. i sketch out a lot but i finish nothing. i'm very rarely keen on completing things, obviously i lose all my interest in things too quickly." "and people too," added else. "possibly. only unhappily one's emotions remain attached to people after one's reason has long ago decided to have nothing more to do with them. a poet--if you will allow me to use the expression--must go away from every one who no longer presents any riddle to him ... particularly from any one whom he loves." "they say," suggested else, "that it is just those whom we know least that we love." "that's what nürnberger makes out, but it's not quite right. if it were really so, my dear else, then life would probably be much more beautiful than it is. no, we know those whom we love much better than we do other people--but we know them with a feeling of shame, bitterness and with the fear that others may know them as well as we do. love means this--being afraid that the faults which we have discovered in the person we love may be revealed to others. love means this--being able to look into the future and curse this very gift.... love means this--knowing some one so that it smashes one." else leant on the piano in her childish lady-like way and listened to him curiously. how much she liked him in moments like this! she would have liked to have stroked his hair again consolingly, as she had done before on the lake when he had been torn by his love for that other woman, but when he suddenly retired into his shell, coldly and drily, and looked as though all his fire had been extinguished she felt that she could never live with him, and she would be bound to run away after a few weeks ... with a spanish officer or a violin _virtuoso_. "it is a good thing," she said somewhat condescendingly, "that you see something of george wergenthin. he'll have a sound influence on you. he is quieter than you are. i don't think that he is so gifted as you are, and i am sure that he is not so clever." "what do you know about his gifts?" interrupted heinrich almost rudely. george came up and asked else if they couldn't have the pleasure to-night of hearing one of her songs. she didn't want to. besides she was principally studying opera parts nowadays. that interested her more. as a matter of fact she was far from having a lyrical temperament. george asked her jokingly if she didn't have perhaps the secret intention of going on the stage? "with my little bit of a voice!" said else. nürnberger was standing near them. "that wouldn't be an obstacle," he observed. "why, i feel quite positive that a modern critic would soon turn up who would boom you as an important singer for the very reason that you have no voice, but who would discover some other gift in you by way of compensation, as, for instance, your gift for characterisation, just as we have to-day certain painters who have no sense of colour but only intellect; and celebrated authors who never have the vaguest ideas but who succeed in discovering the most unsuitable epithets for every noun they use." else noticed that nürnberger's manner of speaking got on george's nerves. she turned to him. "i should like to show you something," she said, and took a few steps towards the music-case. george followed her. "here is a collection of old italian folksongs. i should like you to show me the best. i myself don't know enough about it." "i can't understand," said george gently, "how you can stand any one like that man nürnberger near you. he spreads around him an absolute atmosphere of distrust and malice." "as i've often told you, george, you're no judge of character. after all, what do you know about him? he's different from what you think he is; just ask your friend heinrich bermann." "oh, i know well enough that he raves about him, too," replied george. "you're speaking about nürnberger?" asked frau ehrenberg, who had just joined them. "george can't stand him," said else in her casual way. "well, you're doing him a great injustice, if that's the case. have you ever read anything of his?" george shook his head. "not even his novel which made so great a sensation fifteen or sixteen years ago? that is really a shame. we've just lent it to hofrat wilt. i tell you he was quite flabbergasted at the way in which the whole of present-day austria is anticipated in that book, written all that time ago." "really, is that so?" said george, without conviction. "you have no idea," continued frau ehrenberg, "of the applause with which nürnberger was then hailed; one could go so far as to say that all doors sprang open before him." "perhaps he found that enough," observed else, with an air of meditative wisdom. heinrich was standing by the piano engaged in conversation with nürnberger, and was making an effort, as he frequently did, to persuade him to undertake a new work or to bring out an edition of previous writings. nürnberger would not agree. he was filled with positive horror at the thought of seeing his name a prey to publicity again, of plunging again into a literary vortex which seemed to him as repulsive as it was fatuous. he had no desire to enter the competition. what was the point? intriguing cliques that no longer made any attempt at concealment were at work everywhere. did there remain a single man of sound talent and honest aspirations who did not have to face every minute the prospect of being dragged down into the dirt? was there a blockhead in the country who could not boast of having been hailed as a genius in some rag or other? had celebrity in these days anything at all to do with honour, and was being ignored and forgotten worth even a single shrug of regret? and who could know after all what verdicts would pass as the correct ones in the future? were not the fools really the geniuses and the geniuses really the fools? it would be ridiculous to allow himself to be tempted to stake his peace of mind and even his self-respect on a game where even the greatest possible win held out no promise of any satisfaction. "none at all?" queried heinrich. "i'll grant you as much as you like about fame, wealth, world-wide influence--but for a man, simply because all these things are of dubious advantage, to relinquish something so absolutely indubitable as the moments of inner consciousness of one's own power----" "inner consciousness of power? why don't you say straight away the happiness of creating?" "it does exist, nürnberger." "it may be so; why, i even think i remember that i felt something like that myself now and then, a very long time ago ... only, as you no doubt know, as the years went by i completely lost the faculty of deceiving myself." "perhaps you only think so," replied heinrich. "who knows if it is not that very faculty of self-deception which you have developed more strongly than any other as the years went by?" nürnberger laughed. "do you know how i feel when i hear you talk like that? just like a fencing-master feels who gets a thrust in the heart from one of his own pupils." "and not even one of his best," said heinrich. herr ehrenberg suddenly appeared in the doorway, to the astonishment of his wife, who had presumed that he would be by now on his way to the station. he led a young lady by the hand. she was dressed simply in black, and had her hair done extraordinarily high after a fashion that was now out of date. her lips were full and red, the eyes in the pale vivid face had a clear hard gaze. "come along," said ehrenberg with some malice in his small eyes, and led the visitor straight up to else, who was chatting with stanzides. "i've brought a visitor for you." else held out her hand. "but this is nice." she introduced them--"herr demeter stanzides--fräulein therese golowski." therese bowed slightly and let her gaze rest on him for a while with a little embarrassment as though she were scrutinising a beautiful beast, then she turned to else: "if i had known that you had such a lot of visitors." "do you know what she looks like?" said stanzides softly to george. "like a russian student, don't you think?" george nodded. "that's about it. i know her. she is a school-friend of fräulein else's, and now she's playing a leading part among the socialists. just think of it! she's just been in prison for _lèse-majesté_, i believe." "yes, i think i've read something about it," replied demeter. "one should really get to know a person of that type more intimately. she's pretty. her face might be made of ivory." "and her features show a lot of energy," added george. "her brother too is an extraordinary fellow, a pianist and a mathematician, and the father's supposed to be a ruined jewish skin-dealer." "it's really a strange race," observed demeter. in the meanwhile frau ehrenberg had come up to therese. she considered it correct not to show any surprise. "sit down, therese," she said. "and how have you been getting on all this time? since you've devoted yourself to political life you don't bother about your old friends any more." "yes, i'm afraid my work gives me very little time to pay private visits," replied therese, thrusting out her chin, in a way that made her face look masculine and almost ugly. frau ehrenberg vacillated as to whether she should or should not make any reference to the term of imprisonment which therese had just served. it was certainly to be borne in mind there was scarcely another house in vienna where ladies who had been locked up a short time ago, were allowed to call. "and how is your brother?" asked else. "he's doing his service this year," answered therese. "you can imagine pretty well how he's getting on." and she looked ironically at demeter's hussar uniform. "i suppose he doesn't get much opportunity there for playing the piano," said frau ehrenberg. "oh, he's given up all thoughts of being a pianist," replied therese. "he's all for politics now." and turning with a smile to demeter she added: "of course you won't give him away, herr oberlieutenant?" stanzides laughed somewhat awkwardly. "what do you mean by politics?" asked herr ehrenberg. "does he want to get into the cabinet?" "not in austria at any rate," replied therese. "he is a zionist, you know." "what?" exclaimed ehrenberg, and his visage beamed. "that's certainly a subject on which we don't quite agree," added therese. "my dear therese ..." began ehrenberg. "you'll miss your train, my dear," interrupted his wife. "i'm not going to miss my train, and anyway, another one goes to-morrow. my dear therese, this is the only thing i want to say--each person should find happiness in his own way. but in this case your brother and not you is the cleverer of you two. excuse me, i'm perhaps a layman in politics, but i assure you, therese, exactly the same thing will happen to you jewish social democrats as happened to the jewish liberals and german nationalists." "how do you mean?" asked therese haughtily. "in what way will the same thing happen to us?" "in what way...? i'll tell you soon enough. who created the liberal movement in austria?... the jews. by whom have the jews been betrayed and deserted? by the liberals. who created the national-german movement in austria? the jews. by whom were the jews left in the lurch?... what--left in the lurch!... spat upon like dogs!... by the national-germans, and precisely the same thing will happen in the case of socialism and communism. as soon as you've drawn the chestnuts out of the fire they'll start driving you away from the table. it always has been so and always will be so." "we will wait and see," therese replied quietly. george and demeter looked at each other like two friends marooned together on a desert island. oskar, who had come in during the middle of his father's speech, compressed his lips and was very embarrassed. but they all felt a kind of deliverance when ehrenberg suddenly looked at his watch and took his leave. "we certainly shan't agree to-day," he said to therese. therese smiled. "scarcely. hope you will enjoy your journey and i want once more to ... to thank you in the name of...." "hush!" said ehrenberg and vanished. "what are you thanking papa for?" said else. "for a gift of money for which i came to ask him in the most shameless manner. apart from him there is not a single rich man in the circle of my acquaintances. i am not in a position to speak of the purpose for which it is wanted." frau ehrenberg came up to bermann and nürnberger, who were continuing their conversation over the top of the piano, and said softly: "of course you know that she"--then she looked at therese--"has just been released from prison." "i read about it," said heinrich. nürnberger half shut his eyes and cast a glance at the group in the corner where the three girls were talking to stanzides and willy eissler and shook his head. "what cynicism are you suppressing?" said frau ehrenberg. "i was just thinking how easily it might have come about for fräulein else to have languished two months in prison and for fräulein therese to have held receptions in a stylish drawing-room as daughter of the house." "easily come about?" "herr ehrenberg has had good luck, herr golowski bad luck.... perhaps that is the only difference." "look here, now, nürnberger," said heinrich, "you're not going to deny that such a thing as individuality exists in the world.... else and therese are rather different characters you know." "i think so too," observed frau ehrenberg. nürnberger shrugged his shoulders. "they are both young girls, quite gifted, quite pretty ... everything else is more or less of an accidental appanage, just as it is with most young women--most people, in fact." heinrich shook his head energetically. "no, no," he said, "life is really not as simple as all that." "that doesn't make it simpler, my dear heinrich." frau ehrenberg turned her eyes towards the door and beamed. felician had just come in. with all the sureness of a sleep-walker he walked up to the hostess and kissed her hand. "i have just had the pleasure of meeting herr ehrenberg on the steps; he told me he was going off to corfu. it must be awfully beautiful out there." "you know corfu?" "yes, a memory of my childhood." he greeted nürnberger and bermann, and they all talked about the south for which bermann longed and in which nürnberger did not believe. george gave his brother a hand-shake which meant a salutation and a goodbye at the same time. as he unobtrusively disappeared through the open door of the dining-room he looked round again, noticed marianne sitting in the furthest corner of the drawing-room and looking at him ironically through her lorgnette. this woman had always had the mysterious gift of suddenly being present without one realising where she came from. and then a veiled lady came up to him on the steps. "don't be in such a hurry, you can surely wait another moment," she said. "one really shouldn't spoil women so.... i wonder if you'd be in such a hurry, you know, if you were going to keep an appointment with me...? but you prefer to be non-committal. probably because you're afraid that my husband will shoot you when he comes back from stockholm. i mean he's probably got as far as copenhagen to-day. but he places absolute confidence in me. and he's quite right too. for i'm able to swear to you that no one has managed to get any further than a kiss on my hand.... no, to tell the full truth, on my neck, here. of course, you believe, too, that i have had an affair with stanzides? no, he wouldn't be at all in my line! i positively loathe handsome men. i couldn't find anything in your brother felician either...." one could form no idea when the veiled lady would leave off speaking, for it was frau oberberger. similar conduct in other women would have betokened a specific overture, but that was not so in her case. in spite of the dubious impression created by her whole manner the world had never been able to fix her so far with a single lover. she lived in a strange, but apparently happy, childless marriage. her brilliant handsome husband, a geologist by profession, had undertaken scientific expeditions in days gone by, when, so hofrat wilt used to assert, he had set more store by the good travelling and facilities and unimpeachable cooking of the districts in question than on their being actually unexplored. but for some years past he had given up travelling in favour of lecturing and ladykilling. when he was at home he lived with his wife in the best _camaraderie_. george had frequently, though never seriously, considered the possibility of a liaison with frau oberberger. he was even one of those who had kissed her neck, a fact which she probably did not remember herself. and as she threw back her veil now george again surrendered himself with pleasure to the fascination of this face, which though no longer in its first flush of youth was yet both charming and animated. he wanted to take up the conversation, but she went on speaking. "do you know you're very pale? a nice life you must be leading. what kind of a woman is it who is responsible for taking you away from me this time?" hofrat wilt, with his usual silent step, suddenly stood by them. with a casual air of gallantry and superiority he threw them a "good-day, beauteous lady, hullo, baron," and started to go on. but frau oberberger thought it fitting to inform him first that baron george was just going to one of his usual orgies--she then followed hofrat up to the second story at the risk, as she remarked, of his being taken for her ninety-fifth lover if he presented himself at ehrenberg's at the same time as she did. it was seven o'clock before george could settle himself in a fly and drive to mariahilf. he felt quite exhausted by the two hours at ehrenberg's and he was even more than usually glad at the meeting with anna which was before him. since that morning at the miniature exhibition they had seen each other nearly every day; in parks, picture-galleries, at her house. they usually talked about the little incidents of their life or gossiped about books or music. they did not often talk of the past, but when they did it was without doubts or misgivings. for so far as anna was concerned the adventures from which george had just come were far from being surrounded with the uncanny atmosphere of mystery; while george gathered from her own jesting allusions that she herself had already experienced more than one infatuation, though that did not cause him to lose the serenity of his good spirits or even to ask her any further questions. he had kissed her for the first time eight days ago, in an empty room in the liechtentein gallery, and from that moment anna had employed the familiar 'du,' as though a less intimate appellation would have rung somewhat false. the fly stopped at a street corner. george got out, lit a cigarette and walked up and down opposite the house out of which anna was due to come. after a few minutes she came out of the door, he rushed across the street to meet her and kissed her hand ecstatically. following her habit, for she was in the habit of reading on her journeys, she carried a book with her in a pressed leather cover. "it is quite cool, anna," said george, took the book out of her hand and helped her into the jacket which she had been carrying over her arm. "i was a little bit late you see," she said, "and i was very impatient to see you. yes," she added with a smile, "one's temperament will break out now and again. what do you think of my new dress?" she added as they walked on. "it suits you very well." "they thought at my lesson that i looked like a lady-in-waiting." "who thought so?" "frau bittner herself and her two daughters whom i am teaching." "i should rather say, like an arch-duchess." anna nodded with satisfaction. "and now tell me, anna, all that's happened to you since yesterday." she began quite seriously: "twelve o'clock, after i left you at the door of our house, dinner in the family circle. rested a little in the afternoon, and thought about you. pupils from four to six-thirty, then read 'grüner heinrich,' and the evening paper. too lazy to go out again, messed about at home. supper. the usual domestic scene." "your brother?" queried george. she answered with a "yes" that ruled out all further questions. "a little music after supper.... even tried to sing." "were you satisfied?" "it was quite good enough for me, anyway," she said, and george thought he detected a slight note of melancholy in her tone. she quickly went on with her report. "went to bed at half-past ten, slept well, got up early at eight ... one can't lie in bed any longer in our house ... dressed till half-past nine, was about the house till eleven...." "... messing about," added george. "right. then went on to weils, gave the boy a lesson." "how old is he?" asked george. "thirteen," replied anna. "well, after all that is not so young." "quite so," said anna. "but you can set your mind at rest when i inform you that he loves his aunt adele, a sentimental blonde of thirty-three, and is not thinking for the time being of breaking his troth to her.... well, to continue the record. got home at one-thirty, had my meal alone, thank heaven! father already at the office, mamma in a state of sleep. rested again from three to four, thought even more about you, and more seriously too, than yesterday, then went shopping in town, gloves, safety pins and something for mamma, and then drove on the tram, reading all the way to mariahilf, to the two bittner kiddies.... so now you know all. satisfied?" "except for the boy of thirteen." "well, i agree that that might be a bit upsetting. but now we should like to know if you haven't got even more sinister confessions to make to me." they were in a narrow silent street, which seemed quite strange to george, and anna took his arm. "i have just come from ehrenbergs'," he began. "well?" queried anna. "did they try very much to inveigle you?" "no, i can't go so far as that. of course they seemed a little hurt that i did not go to auhof this summer," he added. "did dear little else perform?" anna asked. "no; of course i don't know what happened after i left." "it won't be worth the trouble now," said anna with exuberant mirth. "you are wrong, anna. there are people there for whom it is quite worth while singing." "who?" "heinrich bermann, willy eissler, demeter stanzides...." "oh, stanzides!" exclaimed anna. "now i am really sorry that i wasn't there too." "it seems to me," said george, "that that is a true word spoken in jest." "quite so," replied anna. "i think demeter is really desperately handsome." george was silent for a few seconds and suddenly asked, with more emotion than he usually manifested: "is it he then...?" "what 'he' do you mean?" "the one you ... loved more than me." she smiled, nestled closer up to him and answered simply, though a little ironically: "am i really supposed to have been fonder of any one else than of you?" "you confessed it to me yourself," replied george. "but i also confess to you that i should love you in time more than i have loved or ever could love any one else." "are you quite sure about that, anna?" "yes, george, i am quite certain of it." they had now come again into a more lively street and reluctantly let go of each other's arms. they remained standing in front of various shops. they discovered a photographer's show-case by a house-door and were very much amused by the laboriously-natural poses in which golden and silver wedding couples, cadets, cooks in their sunday best and ladies in masked fancy dress were taken. george asked again in a lighter tone: "so it was stanzides?" "what an idea! i have never spoken a hundred words to him in my life." they went on walking. "leo golowski, then?" asked george. she shook her head and smiled. "that was calf-love," she replied. "that really doesn't count. i should like to know the girl of sixteen who wouldn't have fallen in love in the country with a handsome youth who fights a duel with a real count and then goes about for eight days with his arm in a sling." "but he didn't do it on your account, but for his sister's honour, as it were." "for therese's honour? what makes you think that?" "you told me that the young man had spoken to therese in the forest while she was studying '_emilia galotti_.'" "yes, that is quite true. anyway, she was quite glad to be spoken to. the only thing leo objected to was that the young count belonged to a club of young men who really behaved rather cheekily, and i think showed a touch of anti-semitism. so when therese once went with her brother for a walk by the lake, and the count came up and spoke to therese as though he had known her for ages, while he mumbled his name off-handedly, for the benefit of leo, leo made a bow and introduced himself like this: 'leo golowski, cracow jew.' i don't know exactly what happened further; there was an exchange of words and the duel took place next day in the cavalry barracks at klagenfurt." "so i am quite right," persisted george humorously. "he did fight for his sister's honour." "no, i tell you. i was there when he once discussed the matter with therese, and said to her: 'so far as i am concerned you can do whatever amuses you. you can flirt with any one you like'...." "only it's got to be a jew, i suppose...." added george. anna shook her head. "he's really not like that." "i know," replied george gently. "we have become quite good friends lately, your leo and i. "why, only yesterday evening we met at the café again and he was really quite condescending to me. i think he really forgives me my lineage. besides, i haven't told you that therese was at ehrenbergs', too." and he described the appearance of the young girl in the ehrenberg drawing-room and the impression she had made on demeter. anna smiled with pleasure. later on, when they were again walking arm-in-arm in a quieter street, george began again. "but i still don't know who your great passion was." anna was silent and looked straight in front of her. "come, anna, you promised me, didn't you?" without looking at him she replied: "if you only had an idea how strange the whole thing seems to me to-day." "why strange?" "because the man you're trying to find out was quite an old man." "thirty-five," said george jestingly; "isn't that so?" she shook her head seriously. "he was fifty-eight or sixty." "and you?" asked george slowly. "it is two years ago last summer. i was then twenty-one." george suddenly stood still. "i know now, it was your singing-master. wasn't it?" anna did not answer. "so it was he, then?" said george, without being really surprised, for he was aware that all the celebrated master's pupils fell in love with him in spite of his grey hairs. "and did you love him most," asked george, "of all the men you had come across?" "strange, isn't it? but it's a fact all the same." "did he know it?" "i think so." they had arrived at an open space with a small garden ... that was only scantily lighted. at the back there towered a church with a reddish glow. as though drawn to a quieter place they wandered on under dark softly-waving branches. "and what actually was there between you, if it is not a rude question?" anna was silent, and that moment george felt that everything was possible--even that anna should have been that man's mistress. but underneath the disquiet which he felt at that thought the desire arose gently and unconsciously to hear his fear confirmed. for if anna had already belonged to some one else before she became his, the adventure could proceed as lightly and irresponsibly as possible. "i will tell you the whole story," said anna at last. "it is really not so awful." "well?" asked george, strangely excited. "once, after the lesson," anna began hesitatingly, "he gallantly helped me into my jacket. and then suddenly he drew me to him, took me in his arms and kissed me." "and you...?" "i ... i was quite intoxicated." "intoxicated?..." "yes, it was something indescribable. he kissed me on the forehead and the hair, and then he took my hand and murmured all sorts of things that i didn't hear properly...." "and...." "and then ... then voices came near, he let go my hand and it was all over." "all over?" "yes, over ... of course it was all over." "i certainly don't think it such a matter of course. you saw him again, no doubt." "of course, i still went on learning with him." "and...?" "i tell you it was over ... absolutely ... as though it had never happened." george was surprised that he should feel reassured. "and he never tried again?" he asked. "never. it would have been so ridiculous, and as he was very clever he knew that quite well himself. it is quite true that up to then i had been very much in love with him, but after this episode he was nothing more to me than my old teacher. in some way he seemed even older than he really was. i don't know if you can really understand what i mean. it was as though he had spent all the remains of his youth in that moment." "i quite understand," said george. he believed her and loved her more than before. they went into the church. it was almost dark within the large building. there were only some dim candles burning in front of a side altar, and opposite, behind the small statue of a saint, there shone a feeble light. a broad stream of incense flowed between the dome and the flagstones. the verger was walking, jangling his keys softly. motionless figures appeared vaguely on the seats at the back. george slowly walked forward with anna and felt like a young husband on his honeymoon going sight-seeing in a church with his young wife. he said so to anna. she only nodded. "but it would be very much nicer," whispered george, as they stood nestling close together in front of the chancel, "if we really were together somewhere abroad...." she looked at him ecstatically and yet interrogatively: and he was frightened at his own words. supposing anna had taken it as a serious declaration or as a kind of wooing? was he not obliged to enlighten her that he had not meant it in that way?... he remembered the conversation which they had had a short time ago, when they had gone out hanging on to one umbrella on a rainy windy day in the direction of schönbrunn. he had suggested to her she should drive into the town with him and dine with him in a private room in some restaurant; she had answered with that iciness in which her whole being was sometimes frozen: "i don't do that kind of thing." he had not pressed her further. and yet a quarter of an hour later she had said to him, apropos no doubt of a conversation about george's mode of life, but yet with a smile of many possibilities: "you have no initiative, george." and he had suddenly felt at that moment as though depths in her soul were revealing themselves, undreamt-of and dangerous depths, which it would be a good thing to beware of. he could not help now thinking of this again. what was passing within her mind?... what did she want and what was she ready for?... and what did he desire, what did he feel himself? life was so incalculable. was it not perfectly possible that he should go travelling about the world with her, live with her a period of happiness and finally part from her just as he had parted from many another?... yet when he thought of the end that was inevitably bound to come, whether death brought it or life itself, he felt a gentle grief in his heart.... she still remained silent. did she think again that he was lacking in initiative?... or did she think perhaps "i am really going to succeed, i shall be his wife?..." he then felt her hand stroke his very gently, with a kind of new tenderness that did him great good. "george," she said. "what is it?" he asked. "if i were religious," she replied, "i should like to pray for something now." "what for?" said george, feeling almost nervous. "for you to do something, george--something that really counted. for you to become a genuine artist, a great artist." he could not help looking at the floor, as though for very shame that her thoughts had travelled on paths that were so much cleaner than his own. a beggar held open the thick green curtain. george gave the man a coin; they were in the open air. the street lights shone up, the noise of vehicles and closing shutters suddenly grew near. george felt as if a fine veil which the twilight of the church had woven around him and her had now been torn, and in a tone of relief he suggested a little ride. anna agreed with alacrity. they got into an open fiacre, had the top pulled down over them, drove through the streets, then drove round the ring, without seeing much of the buildings and gardens, spoke not a word and nestled closer and closer to each other. they were both conscious of each other's impatience and their own, and they knew it was no longer possible to go back. when they were near anna's home george said: "what a pity that you have got to go home now." she shrugged her shoulders and smiled strangely. the depths, thought george again, but without fear and almost gaily. before the vehicle stopped at the corner they arranged an appointment for the following morning in the schwarzenberggarten and then got out. anna rushed home and george slowly strolled towards the town. he considered whether he should go into the café. he did not really feel keen on it. bermann would probably stay to supper at the ehrenbergs' to-day, one could rarely count on leo golowski coming: and george was not much attracted by the other young people, most of them jewish writers, with whom he had recently struck up a casual acquaintance, even though he had thought many of them not at all uninteresting. speaking broadly, he found their tone to each other now too familiar, now too formal, now too facetious, now too sentimental: not one of them seemed really free and unembarrassed with the others, scarcely indeed with himself. heinrich too had declared only the other day that he didn't want to have anything more to do with the whole set, who had become thoroughly antagonistic to him since his successes. george regarded it as perfectly possible that heinrich, with his characteristic vanity and hypochondria, was scenting enmity and persecution where it was perhaps merely a case of indifference or antipathy. he for his part knew that it was not so much friendship that attracted him to the young author, as the curiosity to get to know a strange man more intimately. perhaps also the interest of looking into a world which up to the present had been more or less foreign to him. for while he himself had remained somewhat reserved and had specially avoided any reference to his own relations with women, heinrich had not only told him of his distant mistress, for whom he asserted he suffered pangs of jealousy, but also of a blonde and pretty young person with whom he had recently got into the habit of spending his evenings--merely to deaden his feelings as he ironically added; he not only told him of his life as a student and journalist in vienna, which did not lie so far back, but also of his childhood and boyhood in that little provincial town in bohemia where he had come into the world thirty years ago. the half-affectionate and half-disgusted tone, with its mixture of attachment and detachment, in which heinrich spoke of his family and especially of his suffering father, who had been an advocate in that little town and a member of parliament for a considerable period, struck george as strange and at times as almost painful. why, he seemed to be even a little proud of the fact that when he was only twenty years old he had prophesied his blissfully confident parent's fate to the old man himself, exactly as it had subsequently fulfilled itself. after a short period of popularity and success the growth of the anti-semitic movement had driven him out of the german liberal party, most of his friends had deserted and betrayed him, and a dissipated 'corps' student, who described at public meetings the tschechs and jews as the most dangerous enemies of germanism, propriety and morality, while at home he thrashed his wife and had children by his servants, was his successor in the confidence of the electors and in parliament. heinrich, who had always felt a certain amount of irritation at his father's phrases, honest though they were, about pan-germanism, liberty and progress, had at first gloated over the spectacle of the old man's downfall. and it was only when the lawyer who had once been so much in demand began to lose his practice into the bargain, and the financial position of the family got worse from day to day, that the son began to experience a somewhat belated sympathy. he had given up his legal studies early enough, and had been compelled to come to the help of his family with his daily journalistic work. his first literary successes raised no echo in the melancholy household. there were sinister signs that madness was looming over his father, while now that the latter was falling into mental darkness his mother, for whom state and fatherland had ceased to exist, when her husband was not elected to parliament, lost her grip of life and of the world. heinrich's only sister, once a buxom clever girl, had developed melancholia after an unhappy passion for a kind of provincial don juan, and with morbid perverseness she put the blame for the family misfortune on the shoulders of her brother, though she had always got on with him perfectly well in her youth. heinrich also told george about other relations whom he remembered in his early days, and a half-grotesque, half-pathetic series of strict bigoted old-fashioned jews and jewesses swept by george like shadows from another world. he eventually realised that heinrich did not feel himself any homesickness for that small town with its miserable petty squabbles, or any call to return to the gloomy narrowness of his almost ruined family, and saw that heinrich's egoism was at once his salvation and his deliverance. it was striking nine from the tower of the church of st. michael when george stood in front of the café. he saw rapp the critic sitting by a window not completely covered by the curtain, with a pile of papers in front of him on the table. he had just taken his glasses off his nose and was polishing them, and the dull eyes brought a look of absolute deadness into a face that was usually so alive with clever malice. opposite him with gestures that swept over vacancy sat gleissner the poet in all the brilliancy of his false elegance, with a colossal black cravat in which a red stone scintillated. when george, without hearing their voices, saw the lips of these two men move, while their glances wandered to and fro, he could scarcely understand how they could stand sitting opposite each other for a quarter of an hour in that cloud of hate. it flashed across him at once that this was the atmosphere in which the life of the whole set played its comedy, and through which there darted many a redeeming flash of wit and self-analysis. what had he in common with these people? a kind of horror seized on him, he turned away and decided to look up his club once again instead of going into the café, the rooms of which he had not been in for months past. it was only a few steps away. george was soon walking up the broad marble staircase, went into the little dining-room with the light green curtain and was greeted as a long-lost friend by ralph skelton, the attaché of the english embassy, and doctor von breitner. they talked about the tournament which was going to take place and about the banquet that was going to be organised in honour of the foreign fencing-masters; they gossiped about the new operetta at the wiedner theatre where fräulein lovan as a bayadère had come on to the stage almost naked, and about the duel between the manufacturer heidenfeld and lieutenant novotny, in which the injured husband had fallen. george had a game of billiards with skelton after the meal and won. he felt in better spirits and resolved henceforth to pay more frequent visits to these airy prettily-furnished rooms frequented by pleasant well-bred young men with whom one could converse lightly and pleasantly. felician appeared, told his brother that it had been very amusing at the ehrenbergs' and that frau marianne sent her regards. breitner, with one of his celebrated huge cigars in his mouth, joined the brothers, and began to speak about the hanging of the portraits of some of those members of the club who had conferred services on it, mentioning particularly the one of young labinski who had ended all by suicide in the previous year. and george could not help thinking of grace, of that strange hot-and-cold conversation with her in the cemetery in the melting february snow and of that wonderful night on the moonlit deck of the steamer that had brought them both from palermo to naples. he scarcely knew which woman he longed for the most at this particular moment: for marianne whom he had deserted, for grace who had vanished, or for the fair young creature with whom he had walked about in a dusky church a few hours ago like a honeymoon couple in a foreign town, and who had wanted to pray to heaven for him to become a great artist. the memory stirred a gentler emotion. was it not almost as though she set more store by his artistic future than by him himself?... no.... not more. she had only just spoken out what had lain slumbering all the time at the bottom of her soul. it was simply that he forgot as it were only too frequently that he was an artist. but all that must be changed. he had begun and prepared so much. just a little industry and success was assured. and next year he would go out into the world. he would soon get a post as conductor and with a sudden leap he would find himself launched in a profession that brought both money and prestige. he would get to know new people, a different sky would shine above him and white unknown arms stretched towards him mysteriously as though from distant clouds. and while the young people at his side were weighing very seriously the chances of the champions at the approaching tournament, george went on dreaming in his corner of a future full of work, fame and love. at the same time anna was lying in her dark room. she was not asleep and her wide-open eyes were turned towards the ceiling. she had for the first time in her life the infallible feeling that there was a man in the world who could do anything he liked with her. her mind was firmly made up to take all the happiness or all the sorrow that might lie in front of her, and she had a gentle hope, more beautiful than all her dreams of the past, of a serene and abiding happiness. iii george and heinrich dismounted from their cycles. the last villas lay behind them and the broad road with its gradual upward incline led into the forest. the foliage still hung fairly thickly on the trees, but every slight puff of wind brought away some leaves which slowly fluttered down. the shimmer of autumn floated over the yellow-reddish hills. the road ascended higher past an imposing restaurant garden approached by a flight of stone steps. only a few people sat in the open air, most of them were in the glass verandah, as though they did not quite trust themselves to the faltering warmth of this late october day, through which a dangerous and chilly draught kept on penetrating. george thought of the melancholy memory of the winter evening on which he and frau marianne had paid a visit here, and had had the place to themselves. he had been bored as he had sat by her side and listened impatiently to her prattle about yesterday's concert in which fräulein bellini had sung songs; and when he had been obliged to get out of the carriage in a suburban street on his way back on account of marianne's nervousness, he had taken a deep breath of deliverance. a similar feeling of release, of course, almost invariably came over him whenever he left a mistress, even after some more or less beautiful hours. even when he had left anna on her doorstep a few days ago, after the first evening of complete happiness, the first emotion of which he was conscious was the joy of being alone again. and immediately in its train, even before the feeling of gratitude and the dim realisation of a genuine affinity with this gentle creature who enveloped his whole being with such intimate tenderness had managed to penetrate his soul, there fluttered through it a wistful dream of voyages over a shimmering sea, of coasts which approached seductively, of walks along shores which would vanish again on the next day, of blue distances, freedom from responsibility and solitude. the next morning, when the atmosphere of the previous evening, pregnant as it was with memory and with presage, enveloped him as he woke up, the journey was of course put off to a later but not so distant though of course more convenient time. for george knew at this very hour, though without any touch of horror, that this adventure was predestined to have an end however sincerely and picturesquely it had begun. anna had given herself to him without indicating by a word, a look or gesture that so far as she was concerned, what was practically a new chapter in her life was now beginning. and in the same way george felt quite convinced that the farewell to her, too, would be devoid of melancholy or of difficulty; a pressure of the hand, a smile and a quiet "it was very beautiful"; and he felt still easier in his mind when she came to him at their next meeting with a simple intimate greeting, quite free from that uneasy tone of nestling sorrow or accomplished fate which he had heard thrilling in the voice of many another woman, who had woken up to such a morning, though not for the first time in her life. a faintly-defined line of mountains appeared in the distance and then vanished again as the road mounted through thick-wooded country up to the heights. pine-wood and leaf-bearing wood grew peacefully next to each other, and the foliage of beeches and birch-trees shimmered with its autumn tints through the quieter tints of the firs. ramblers could be seen, some with knapsack, alpine-stock and nailed shoes, as though equipped for serious mountaineering; now and again cyclists would come whizzing down the road in a feverish rush. heinrich told his companion of a cycle-tour which he had made along the rhine at the beginning of september. "isn't it strange," said george, "i have knocked about the world a fair bit, but i do not yet know the district where my ancestors' home was." "really?" queried heinrich, "and you feel no emotion when you hear the word rhine spoken?" george smiled. "after all it is nearly a hundred years since my great-grandparents left biebrich." "why do you smile, george? it's a much longer time since my ancestors wandered out of palestine, and yet many otherwise quite rational people insist on my heart throbbing with homesickness for that country." george shook his head irritably. "why do you always keep bothering about those people? it will really soon become a positive obsession with you." "oh, you think i mean the anti-semites? not a bit of it. i am not touchy any more about them, not usually, at any rate. but you just go and ask our friend leo what his views are on this question." "oh, you mean him, do you? well, he doesn't take it so literally but more or less symbolically ... or from the political standpoint," he added uncertainly. heinrich nodded. "both these ideas are very intimately connected in brains of that character." he sank into meditation for a while, thrust his cycle forward with slight impatient spurts and was soon a few paces in front again. he then began to talk again about his september tour. he thought of it again with what was almost emotion. solitude, change of scene, movement: had he not enjoyed a threefold happiness? "i can scarcely describe to you," he said, "the feeling of inner freedom which thrilled through me. do you know those moods in which all one's memories near or distant lose, as it were, their oppressive reality? all the people who have meant anything in one's life, whether it be grief, care or tenderness, seem to sweep by more like shadows, or, to put it more precisely, like forms which one has imagined oneself? and the creations of one's own imagination also come on the scene, of course, and are certainly quite as vivid as the people whom one remembers as having been real; and then one gets the most extraordinary complications between the figures of reality and of one's imagination. i could describe to you a conversation which took place between my great-uncle who is a rabbi and the duke heliodorus, the character you know who is the centre of my opera plot--a conversation which was amusing and profound to a degree which, speaking generally, neither life nor any opera libretto scarcely ever reaches.... yes, such journeys are really wonderful, and so one goes on through towns which one has never seen before, and perhaps will never see again, past absolutely unknown faces which speedily vanish again for all eternity.... then one whizzes again into the street between the rivers and the vineyards. such moods really cleanse the soul. a pity that they are so rarely vouchsafed to one." george always felt a certain embarrassment whenever heinrich became tragic. "perhaps we might go on a bit," he said, and they jumped on to their machines. a narrow bumpy byroad between the forest and fields soon led them to a bare unimpressive two-storied house, which they recognised to be an inn by its brown surly signboard. on the green, which was separated from the house by the street, stood a large number of tables, many covered with cloths which had once been white, others with cloths which were embroidered. ten or twelve young men who were members of a cycling club sat at some pushed-back tables. several of them had taken off their coats, others with an affectation of smartness wore them with their sleeves hanging down. designs in magnificent red and green knitting blazed on the sky-blue sweaters with their yellow edges. a chorus rang out to the sky with more power than purity: "der gott der eisen wachsen liess, der wollte keine knechte." heinrich surveyed the company with a quick glance, half shut his eyes and said to george with clenched teeth and vehement emphasis: "i don't know if these youths are staunch, true and courageous, which they certainly think they are; but there is no doubt that they smell of wool and perspiration, and so i am all for our sitting down at a reasonable distance from them." what _does_ he want? thought george. would he find it more congenial if a party of polish jews were to sit here and sing psalms? both pushed their machines to a distant table and sat down. a waiter appeared in black evening dress sprinkled with the relics of grease and vegetables, cleared the table energetically with a dirty napkin, took their orders and went off. "isn't it lamentable," said heinrich, "that in the immediate outskirts of vienna nearly all the inns should be in such a state of neglect? it makes one positively depressed." george thought that this exaggerated regret was out of place. "oh well, in the country," he said, "you have got to take things as you find them. it is almost part of the whole thing." heinrich would not admit the soundness of this point of view. he began to develop a plan for the erection of seven hotels on the borders of the wienerwald, and was calculating that one would need at the outside three or four millions, when leo golowski suddenly appeared. he was in _mufti_, which, as was frequently the case with him, was not without a certain element of bizarreness. he wore to-day, in addition to a light-grey lounge suit, a blue velvet waistcoat and a yellow silk cravat with a smooth steel tie-ring. both the others greeted him with delight and expressed their astonishment. leo sat down by them. "i heard you fixing up your excursion yesterday evening, and when we were discharged from the barracks at nine o'clock to-day, i at once thought how nice it would be to have a chat for an hour or so in the open air with a couple of keen and congenial men. so i went home, threw myself into mufti and started off." he spoke in his usual tone, which always fascinated george with its charm and semi-naïveté, though when he thought of it afterwards it always seemed to possess a certain touch of irony, of insincerity in fact. he had a knack of conducting serious conversations with a cut-and-dried definiteness that really impressed george. he had recently had an opportunity of listening to discussions in the café between leo and heinrich on questions dealing with the theory of art, especially the relation between the laws of music and mathematics. leo thought he was on the track of the fundamental cause of major and minor keys affecting the human soul in such different ways. george took pleasure in following the chain of his acute and lucid analysis, even though he was instinctively on his guard against the audacious attempt to ascribe all the magic and mystery of sound to the rule of laws, which were as inexorable as those in accordance with which the earth and the planets revolved, and must necessarily spring from the same origin as those eternal principles. it was only when heinrich tried to carry leo's theories still further, and to apply them for instance to the products of literary style, that george became impatient and immediately felt himself tacit ally of leo who invariably smiled gently at heinrich's tangled and fantastic expositions. the meal was served and the young men ate with appetite; heinrich not less than the others, in spite of the fact that he expressed his opinion of the inferiority of the cooking in the most disparaging terms, and was inclined to regard the conduct of the proprietor, not merely as a sign of his personally low mind, but as characteristic of the decay of austria in many other spheres. the conversation turned on the military position of the country, and leo gave a satirical description of his comrades and superiors, with which both the others were very much amused. much merriment, especially, was occasioned by a first-lieutenant who had introduced himself to the volunteer contingent with the ominous words: "i shan't give you anything to laugh about, i am a fiend in human form." while they were still eating a gentleman came up to the table, clicked his heels together, put his hand to his cycle cap by way of salutation, addressed them with a facetious "all hail," added a friendly "hallo" for the benefit of leo, and introduced himself to heinrich. "my name is josef rosner." he then cheerily began the conversation with these words: "i suppose you gentlemen are also on a cycling expedition...." as no one answered him he continued: "one must make the best of the last fine days, the splendid weather won't last much longer." "won't you sit down, herr rosner?" asked george politely. "much obliged but...." he pointed to his party.... "we have only just started out, we have still got a lot in front of us; going to ride down to tull and then via stockerau to vienna. excuse me, gentlemen." he took a wooden vesta from the table and lighted his cigarette with dignity. "what kind of a club are you in then, old chap?" asked leo, and george was surprised at the "old chap," till it occurred to him that they had both known each other from boyhood. "this is the sechshauser cycle club," replied josef. in spite of the fact that no astonishment was expressed, he added: "of course you are surprised, gentlemen, at a real viennese like myself belonging to this suburban club, but it is only because a great friend of mine is the captain there. you see that fat chap there, just slipping into his coat. that is jalaudek, the son of the town councillor and member of parliament." "jalaudek ..." repeated heinrich with obvious loathing in his voice, and said nothing more. "oh yes," said leo, "that's the man, you know, who in a recent debate about the popular education board gave this magnificent definition of science. didn't you read it?" he turned to the others. they did not remember. "'science,'" quoted leo, "'science is what one jew copies from another.'" all laughed. even josef, who, however, immediately started explaining: "he is really not that sort at all--i know him quite well--only he is so crude in political life ... simply because the opposing parties scratch each other's eyes out in our beloved austria. but in ordinary life he is a very affable gentleman. the boy is much more radical." "is your club christian socialist or national german?" asked leo courteously. "oh, we don't make any distinction. only of course as things are going nowadays...." he stopped with sudden embarrassment. "come, come," said leo encouragingly. "it is perfectly obvious that your club is not tainted by a single jew. why, one notices that a mile off." josef thought it was best form to laugh. he then said: "excuse me, no politics in the mountains! anyway, as we are on this topic you are labouring under a delusion, gentlemen. for instance, we have a man in the club who is engaged to a jewish girl. but they are beckoning to me already. goodbye, gentlemen; so long, leo; goodbye, all." he saluted again and swaggered off. the others, smiling in spite of themselves, followed him with their eyes. then leo suddenly turned to george and asked: "and how is his sister getting on with her singing?" "what?" said george, startled and blushing slightly. "therese has been telling me," went on leo quietly, "that you and anna do music together sometimes. is her voice all right now?" "yes," replied george, hesitating, "i believe so; at any rate i think it is very pleasant, very melodious, especially in the deeper registers. it is a pity in my view that it is not big enough for larger rooms." "not big enough?" repeated leo meditatively. "how would you describe it?" leo shrugged his shoulders and looked quietly at george. "it is like this," he said. "i personally like the voice very much, but even when anna had the idea of going on the stage ... to speak quite frankly, i never thought anything would come of it." "you probably knew," replied george with deliberate casualness, "that fräulein anna suffers from a peculiar weakness of the vocal chords." "yes, of course i knew that, but if she were cut out for an artistic career, really had it in her, i mean, she would certainly have overcome that weakness." "you think so?" "yes, i do. that is my decided opinion. that's why i think that expressions like 'peculiar weakness' or 'her voice is not big enough' are more or less euphemisms for something more fundamental, more psychological. it's quite clear that her fate line says nothing about her being an artist, that's a fact. she was, so to speak, predestined from the beginning to end her days in respectable domesticity." heinrich enthusiastically caught up the theory of the fate line, and led their thoughts in his own erratic way from the sphere of cleverness to the sphere of sophistry, and from the sphere of sophistry to the sphere of the nonsensical. he then suggested that they should bask for half an hour in the meadow in the sun. "it will probably not shine so warm again during this year." the others agreed. a hundred yards from the inn george and leo stretched themselves out on their cloaks. heinrich sat down on the grass, crossed his arms over his knees, and looked in front of him. at his feet the sward sloped down to the forest. still deeper down rested the villas of neuwaldegg, buried in loose foliage. the spire-crosses and dazzling windows of the town shone out from the bluish-grey clouds, and far away, as though lifted up by a moving haze, the plain swept away to a gradual darkness. pedestrians were walking over the fields towards the inn. some gave them a greeting as they passed, and one of them, a slim young man who led a child by the hand, remarked to heinrich: "this is a really fine day, just like may." heinrich felt at first his heart go out as it were involuntarily, as it often did towards casual and unexpected friendliness of this description. but he immediately pulled himself together, for of course he realised that the young man was only intoxicated, as it were, with the mildness of the day and the peace of the landscape; that at the bottom of his soul he too felt hostile to him, just like all the others who had strolled past him so harmlessly, and he himself found difficulty in understanding why the view of these gently sloping hills and the town merging into twilight should affect him with so sweet a melancholy, in view of the fact that the men who lived there meant so little good by him, and meant him even that little but rarely. the cycling club whizzed along the street which was quite close to them. the jauntily-worn coats fluttered, the badges gleamed and crude laughter rang out over the fields. "awful people," said leo casually without changing his place. heinrich motioned down below with a vague movement of his head. "and fellows like that," he said with set teeth, "imagine that they are more at home here than we are." "oh, well," answered leo quietly, "they aren't so far out in that, those fellows there." heinrich turned scornfully towards him: "excuse me, leo, i forgot for a moment that you yourself wish to count as only here on sufferance." "i don't wish that for a minute," replied leo with a smile, "and you need not misunderstand me so perversely. one really can't bear a grudge against these people if they regard themselves as the natives and you and me as the foreigners. after all, it is only the expression of their healthy instinct for an anthropological fact which is confirmed by history. neither jewish nor christian sentimentalism can do anything against that and all the consequences which follow from it." and turning to george he asked him in a tone which was only too courteous: "don't you think so too?" george reddened and cleared his throat, but had no opportunity of answering, for heinrich, on whose forehead two deep furrows now appeared, immediately began to speak with considerable bitterness. "my own instinct is at any rate quite as much a rule of conduct for me as the instinct of herren jalaudek junior and senior, and that instinct tells me infallibly that my home is here, just here, and not in some land which i don't know, the description of which doesn't appeal to me the least bit and which certain people now want to persuade me is my fatherland on the strength of the argument that that was the place from which my ancestors some thousand years ago were scattered into the world. one might further observe on that point that the ancestors of the herren jalaudek and even of our friend baron von wergenthin were quite as little at home here as mine and yours." "you mustn't be angry with me," retorted leo, "but your standpoint in these matters is really somewhat limited. you are always thinking about yourself and the really quite irrelevant circumstance ... excuse my saying irrelevant circumstance, that you are an author who happens to write in the german language because he was born in a german country, and happens to write about austrian people and austrian conditions because he lives in austria. but the primary question is not about you, or about me either, or even about the few jewish officials who do not get promoted, the few jewish volunteers who do not get made officers, the jewish lecturers who either get their professorship too late or not at all--those are sheer secondary inconveniences so to speak; we have to deal, in considering this question, with quite another class of men whom you know either imperfectly or not at all. we have to deal with destinies to which, i assure you, my dear heinrich, that in spite of your real duty to do so, i am sure you have not yet given sufficient thorough thought. i am sure you haven't.... otherwise you wouldn't be able to discuss all these matters in the superficial and the ... egoistic way you are now doing." he then told them of his experiences at the bâle zionist congress in which he had taken part in the previous year, and where he had obtained a deeper insight into the character and psychological condition of the jewish people than he had ever done before. with these people, whom he saw at close quarters for the first time, the yearning for palestine, he knew it for a fact, was no artificial pose. a genuine feeling was at work within them, a feeling that had never become extinguished and was now flaming up afresh under the stress of necessity. no one could doubt that who had seen, as he had, the holy scorn shine out in their looks when a speaker exclaimed that they must give up the hope of palestine for the time being and content themselves with settlements in africa and the argentine. why, he had seen old men, not uneducated men either, no, learned and wise old men, weeping because they must needs fear that that land of their fathers, which they themselves would never be able to tread, even in the event of the realisation of the boldest zionist plans, would perhaps never be open to their children and their children's children. george listened with surprise, and was even somewhat moved. but heinrich, who had been walking up and down the field during leo's narrative, exclaimed that he regarded zionism as the worst affliction that had ever burst upon the jews, and that leo's own words had convinced him of it more profoundly than any previous argument or experience. national feeling and religion, those had always been the words which had embittered him with their wanton, yes malignant, ambiguity. fatherland.... why, that was nothing more than a fiction, a political idea floating in the air, changeable, intangible. it was only the home, not the fatherland which had any real significance ... and so the feeling of home was synonymous with the right to a home. and so far as religions were concerned, he liked christian and jewish mythology quite as much as greek and indian; but as soon as they began to force their dogmas upon him, he found them all equally intolerable and repulsive. and he felt himself akin with no one, no, not with any one in the whole world: with the weeping jews in ble as little as with the bawling pan-germans in the austrian parliament; with jewish usurers as little as with noble robber-knights; with a zionist bar-keeper as little as with a christian socialist grocer. and least of all would the consciousness of a persecution which they had all suffered, and of a hatred whose burden fell upon them all, make him feel linked to men from whom he felt himself so far distant in temperament. he did not mind recognising zionism as a moral principle and a social movement, if it could honestly be regarded in that light, but the idea of the foundation of a jewish state on a religious and national basis struck him as a nonsensical defiance of the whole spirit of historical evolution. "and you too, at the bottom of your heart," he explained, standing still in front of leo, "you don't think either that this goal will ever prove attainable; why, you don't even wish it, although you fancy yourself in your element trying to get there. what is your home-country, palestine? a geographical idea. what does the faith of your father mean to you? a collection of customs which you have now ceased to observe and some of which seem as ridiculous and in as bad taste to you, as they do to me." they went on talking for a long time, now vehemently and almost offensively, then calmly, and in the honest endeavour to convince each other. frequently they were surprised to find themselves holding the same opinion, only again to lose touch with each other the next moment in a new contradiction. george, stretched on his cloak, listened to them. his mind soon took the side of leo, whose words seemed to thrill with an ardent pity for the unfortunate members of his race, and who would turn proudly away from people who would not treat him as their equal. soon he felt nearer again in spirit to heinrich, who treated with anger and scorn the attempt, as wild as it was short-sighted, to collect from all the corners of the world the members of a race whose best men had always merged in the culture of the land of their adoption, or had at any rate contributed to it, and to send them all together to a foreign land, a land to which no homesickness called them. and george gradually appreciated how difficult those same picked men about whom heinrich had been speaking, the men who were hatching in their souls the future of humanity, would find it to come to a decision. how dazed must be their consciousness of their existence, their value and their rights, tossed to and fro as they were between defiance and exhaustion, between the fear of appearing importunate and their bitter resentment at the demand that they must needs yield to an insolent majority, between the inner consciousness of being at home in the country where they lived and worked, and their indignation at finding themselves persecuted and insulted in that very place. he saw for the first time the designation jew, which he himself had often used flippantly, jestingly and contemptuously, in a quite new and at the same time melancholy light. there dawned within him some idea of this people's mysterious destiny, which always expressed itself in every one who sprang from the race, not less in those who tried to escape from that origin of theirs, as though it were a disgrace, a pain or a fairy tale that did not concern them at all, than in those who obstinately pointed back to it as though to a piece of destiny, an honour or an historical fact based on an immovable foundation. and as he lost himself in the contemplation of the two speakers, and looked at their figures, which stood out in relief against the reddish-violet sky in sharply-drawn, violently-moving lines, it occurred to him, and not for the first time, that heinrich who insisted on being at home here, resembled both in figure and gesture some fanatical jewish preacher, while leo, who wanted to go back to palestine with his people, reminded him in feature and in bearing of the statue of a greek youth which he had once seen in the vatican or the naples museum. and he understood again quite well, as his eye followed with pleasure leo's lively aristocratic gestures, how anna could have experienced a mad fancy for her friend's brother years ago in that summer by the seaside. heinrich and leo were still standing opposite each other on the grass, while their conversation became lost in a maze of words. their sentences rushed violently against each other, wrestled convulsively, shot past each other and vanished into nothingness, and george noticed at some moment or other that he was only listening to the sound of the speeches, without being able to follow their meaning. a cool breeze came up from the plain, and george got up from the sward with a slight shiver. the others, who had almost forgotten his presence, were thus called back again to actualities, and they decided to leave. full daylight still shone over the landscape, but the sun was couched faint and dark on the long strip of an evening cloud. "conversations like this," said heinrich, as he strapped his cloak on to his cycle, "always leave me with a sense of dissatisfaction, which even goes as far as a painful feeling in the neighbourhood of the stomach. yes really. they just lead absolutely nowhere. and after all, what do political views matter to men who don't make politics their career or their business? do they exert the slightest influence on the policy and moulding of existence? you, leo, are just like myself; neither of us will ever do anything else, can ever do anything else, than just accomplish that which, in view of our character and our capacities, we are able to accomplish. you will never migrate to palestine all your life long, even if jewish states were founded and you were offered a position as prime-minister, or at any rate official pianist----" "oh, you can't know that," interrupted leo. "i know it for a certainty," said heinrich. "that's why i'll admit, into the bargain, that in spite of my complete indifference to every single form of religion i would positively never allow myself to be baptised, even if it were possible--though that is less the case to-day than ever it was--of escaping once and for all anti-semitic bigotry and villainy by a dodge like that." "hum," said leo, "but supposing the mediæval stake were to be lighted again." "in that case," retorted heinrich, "i hereby solemnly bind myself to take your advice implicitly." "oh," objected george, "those times will certainly not come again." both the others were unable to help laughing at george being kind enough to reassure them in that way about their future, in the name, as heinrich observed, of the whole of christendom. in the meanwhile they had crossed the field. george and heinrich pushed their cycles forward up the bumpy by-road, while leo at their side walked on the turf with his cloak fluttering in the wind. they were all silent for quite a time, as though exhausted. at the place where the bad path turned off towards the broad high road, leo remained stationary and said: "we will have to leave each other here, i am afraid." he shook hands with george and smiled. "you must have been pretty well bored to-day," he said. george blushed. "i say now, you must take me for a...." leo held george's hand in a firm grip. "i take you for a very shrewd man and also for a very good sort. do you believe me?" george was silent. "i should like to know," continued leo, "whether you believe me, george. i am keen on knowing." his voice assumed a tone of genuine sincerity. "why, of course i believe you," replied george, still, however, with a certain amount of impatience. "i am glad," said leo, "for i really feel a sympathy between us, george." he looked straight into his eyes, then shook hands once more with him and heinrich and turned to go. but george suddenly had the feeling that this young man who with his fluttering cloak and his head slightly bent forward was striding down-hill in the middle of the broad street was not waiting to any "home," but to some foreign sphere somewhere, where no one could follow him. he found this feeling all the more incomprehensible since he had not only spent many hours recently with leo in conversation at the café, but had also received all possible information from anna about him, his family and his position in life. he knew that that summer at the seaside, which now lay six years back, as did anna's youthful infatuation, had marked the last summer which the golowski family had enjoyed free from trouble, and that the business of the old man had been completely ruined in the subsequent winter. it had been extraordinary, according to anna's account, how all the members of the family had adapted themselves to the altered conditions, as though they had been long prepared for this revolution. the family removed from their comfortable house in the rathaus quarter to a dismal street in the neighbourhood of the augarten. herr golowski undertook all kinds of commission business while frau golowski did needlework for sale. therese gave lessons in french and english and at first continued to attend the dramatic school. it was a young violin player belonging to an impoverished noble russian family who awakened her interest in political questions. she soon abandoned her art, for which, as a matter of fact, she had always shown more inclination than real talent, and in a short time she was in the full swing of the social democratic movement as a speaker and agitator. leo, without agreeing with her views, enjoyed her fresh and audacious character. he often attended meetings with her, but as he was not keen on being impressed by magniloquence, whether it took the form of promises which were never fulfilled or of threats which disappeared into thin air, he found it good fun to point out to her, on the way home, with an irresistible acuteness, the inconsistencies in her own speeches and those of the members of her party. but he always made a particular point of trying to convince her that she would never have been able to forget so completely her great mission for days and weeks on end, if her pity for the poor and the suffering were really as deep an emotion as she imagined. leo's own life, moreover, had no definite object. he attended technical science lectures, gave piano lessons, sometimes went so far as to plan out a musical career, and practised five or six hours a day for weeks on end. but it was still impossible to forecast what he would finally decide on. inasmuch it was his way to wait almost unconsciously for a miracle to save him from anything disagreeable, he had put off his year of service till he was face to face with the final time-limit, and now in his twenty-fifth year he was serving for the first time. their parents allowed leo and therese to go their own way, and in spite of their manifold differences of opinion there seemed to be no serious discord in the golowski family. the mother usually sat at home, sewed, knitted and crocheted, while the father went about his business with increasing apathy, and liked best of all to watch the chess-players in the café, a pleasure which enabled him to forget the ruin of his life. since the collapse of his business he seemed unable to shake off a certain feeling of embarrassment towards his children, so that he was almost proud when therese would give him now and again an article which she had written to read, or when leo was good enough to play a game on sundays with him on the board he loved so well. it always seemed to george as though his own sympathy for leo were fundamentally connected with anna's long-past fancy for him. he felt, and not for the first time, curiously attracted to a man to whom a soul which now belonged to him, had flown in years gone by. george and heinrich had mounted their cycles, and were riding along a narrow road through the thick forest that loomed darker and darker. a little later, as the forest retreated behind them again on both sides, they had the setting sun at their back, while the long shadows of their bodies kept running along in front of their cycles. the slope of the road became more and more pronounced and soon led them between low houses which were overhung with reddish foliage. a very old man sat in a seat in front of the door, a pale child looked out of an open window. otherwise not a single human being was to be seen. "like an enchanted village," said george. heinrich nodded. he knew the place. he had been here with his love on a wonderful summer day this year. he thought of it and burning longing throbbed through his heart. and he remembered the last hours that he had spent with her in vienna in his cool room with the drawn-down blinds, through whose interstices the hot august morning had glittered in: he remembered their last walk through the sunday quiet of the cool stone streets and through the old empty courtyards--and the complete absence of any idea that all this was for the last time. for it was only the next day that the letter had come, the ghastly letter in which she had written that she had wished to spare him the pain of farewell, and that when he read these words, she would already be quite a long way over the frontier on her journey to the new foreign town. the road became more animated. charming villas appeared encircled with cosy little gardens, wooded hills sloped gently upwards behind the houses. they saw once again the expanse of the valley as the waning day rested over meadows and fields. the lamps had been lit in a great empty restaurant garden. a hasty darkness seemed to be stealing down from every quarter simultaneously. they were now at the cross-roads. george and heinrich got off and lit cigarettes. "right or left?" asked heinrich. george looked at his watch. "six,... and i've got to be in town by eight." "so i suppose we can't dine together?" said heinrich. "i am afraid not." "it's a pity. well, we'll take the short cut then through sievering." they lit their lamps and pushed their cycles through the forest in a long serpentine. one tree after another in succession sprang out of the darkness into the radiance of the globes of light and retreated again into the night. the wind soughed through the foliage with increased force and the leaves rustled underneath. heinrich felt a quite gentle fear, such as frequently came over him when it was dark in the open country. he felt, as it were, disillusioned at the thought of having to spend the evening alone. he was in a bad temper with george, and was irritated into the bargain at the latter's reserve towards himself. he resolved also, and not for the first time, not to discuss his own personal affairs with george any more. it was better so. he did not need to confide in anybody or obtain anybody's sympathy. he had always felt at his best when he had gone his own way alone. he had found that out often enough. why then reveal his soul to another? he needed acquaintances to go walks and excursions with, and to discuss all the manifold problems of life and art in cold shrewd fashion--he needed women for a fleeting embrace; but he needed no friend and no mistress. in that way his life would pass with greater dignity and serenity. he revelled in these resolutions, and felt a growing consciousness of toughness and superiority. the darkness of the forest lost its terror, and he walked through the gently rustling night as though through a kindred element. the height was soon reached. the dark sky lay starless over the grey road and the haze-breathing fields that stretched on both sides towards the deceptive distance of the wooded hills. a light was shining from a toll-house quite near them. they mounted their cycles again and rode back as quickly as the darkness permitted. george wished to be soon at the journey's end. it struck him as strangely unreal that he was to see again in an hour and a half that quiet room which no one else knew of besides anna and himself; that dark room with the oil-prints on the wall, the blue velvet sofa, the cottage piano, on which stood the photographs of unknown people and a bust of schiller in white plaster; with its high narrow windows, opposite which the old dark grey church towered aloft. lamps were burning all the way along. the roads again became more open and they were given a last view of the heights. then they went at top speed, first between well-kept villas, finally through a populous noisy main road until they got deeper into the town. they got off at the votive church. "good-bye," said george, "and i hope to see you again in the café to-morrow." "i don't know ..." replied heinrich, and as george looked at him questioningly he added: "it is possible that i shall go away." "i say, that is a sudden decision." "yes, one gets caught sometimes by...." "lovesickness," filled in george with a smile. "or fear," said heinrich with a short laugh. "you certainly have no cause for that," said george. "do you know for certain?" asked heinrich. "you told us so yourself." "what!" "that you have news every day." "yes, that is quite true, every day. i get tender ardent letters. every day by the same post. but what does that prove? why, i write letters which are yet more ardent and even more tender and yet...." "yes," said george, who understood him. and he hazarded the question: "why don't you stay with her?" heinrich shrugged his shoulders. "tell me yourself, george, wouldn't it strike you as slightly humorous for a man to burn his boats on account of a love affair like that and trot about the world with a little actress...." "personally, i should regret it very much ... but humorous ... where does the humour come in?" "no, i have no desire to do it," said heinrich in a hard voice. "but if you ... but if you were to take it very seriously ... if you asked her point blank ... mightn't the young lady perhaps give up her career?" "possibly, but i am not going to ask her, i don't want to ask her. no, better pain than responsibility." "would it be such a great responsibility?" asked george. "what i mean is ... is the girl's talent so pronounced, is she really so keen on her art, that it would be really a sacrifice for her to give the thing up." "has she got talent?" said heinrich. "why, i don't know myself. why, i even think she is the one creature in the world about whose talent i would not trust myself to give an opinion. every time i have seen her on the stage her voice has rung in my ears like the voice of an unknown person, and as though, too, it came from a greater distance than all the other voices. it is really quite remarkable.... but you are bound to have seen her act, george. what's your impression? tell me quite frankly." "well, quite frankly ... i don't remember her properly. you'll excuse me, i didn't know then, you see.... when you talk of her i always see in my mind's eye a head of reddish-blonde hair that falls a little over the forehead--and very big black roving eyes with a small pale face." "yes, roving eyes," repeated heinrich, bit his lips and was silent for a while. "good-bye," he said suddenly. "you'll be sure to write to me?" asked george. "yes, of course. any way i am bound to be coming back again," he added, and smiled stiffly. "_bon voyage_," said george, and shook hands with him with unusual affection. this did heinrich good. this warm pressure of the hand not only made him suddenly certain that george did not think him ridiculous, but also, strangely enough, that his distant mistress was faithful to him and that he himself was a man who could take more liberties with life than many others. george looked after him as he hurried off on his cycle. he felt again as he had felt a few hours before, on leo's departure, that some one was vanishing into an unknown land; and he realised at this moment that in spite of all the sympathy he felt for both of them he would never attain with either that unrestrained sense of intimacy which had united him last year with guido schönstein and previously with poor labinski. he reflected whether perhaps the fundamental reason for this was not perhaps the difference of race between him and them, and he asked himself whether leaving out of account the conversation between the two of them, he would of his own initiative have realised so clearly this feeling of aloofness. he doubted it. did he not as a matter of fact feel himself nearer, yes even more akin, to these two and to many others of their race than to many men who came from the same stock as his own? why, did he not feel quite distinctly that deep down somewhere there were many stronger threads of sympathy running between him and those two men, than between him and guido or perhaps even his own brother? but if that was so, would he not have been bound to have taken some opportunity this afternoon to have said as much to those two men? to have appealed to them? "just trust me, don't shut me out. just try to treat me as a friend...." and as he asked himself why he had not done it, and why he had scarcely taken any part in their conversation, he realised with astonishment that during the whole time he had not been able to shake off a kind of guilty consciousness of having not been free during his whole life from a certain hostility towards the foreigners, as leo called them himself, a kind of wanton hostility which was certainly not justified by his own personal experience, and had thus contributed his own share to that distrust and defiance with which so many persons, whom he himself might have been glad to take an opportunity to approach, had shut themselves off from him. this thought roused an increasing _malaise_ within him which he could not properly analyse, and which was simply the dull realisation that clean relations could not flourish even between clean men in an atmosphere of folly, injustice and disingenuousness. he rode homewards faster and faster, as though that would make him escape this feeling of depression. arrived home, he changed quickly, so as not to keep anna waiting too long. he longed for her as he had never done before. he felt as though he had come home from a far journey to the one being who wholly belonged to him. iv george stood by the window. the stone backs of the bearded giants who bore on their powerful arms the battered armorial bearings of a long-past race were arched just beneath him. straight opposite, out of the darkness of ancient houses the steps crept up to the door of the old grey church which loomed amid the falling flakes of snow as though behind a moving curtain. the light of a street lamp on the square shone palely through the waning daylight. the snowy street beneath, which, though centrally situated, was remote from all bustle, was even quieter than usual on this holiday afternoon, and george felt once more, as indeed he always did when he ascended the broad staircase of the old palace that had been transformed into an apartment house, and stepped into the spacious room with its low-arched ceiling, that he was escaping from his usual world and had entered the other half of his wonderful double life. he heard a key grating in the door and turned round. anna came in. george clasped her ecstatically in his arms, and kissed her on the forehead and mouth. her dark-blue jacket, her broad-rimmed hat, her fur boa were all covered with snow. "you have been working then," said anna, as she took off her things and pointed to the table where music paper with writing on it lay close to the green-shaded lamp. "i have just looked through the quintette, the first movement, there is still a lot to do to it." "but it will be extraordinarily fine then." "we'll hope so. do you come from home, anna?" "no, from bittner's." "what, to-day, sunday?" "yes, the two girls have got a lot behind-hand through the measles, and that has to be made up. i am very pleased too, for money reasons for one thing." "making your fortune!" "and then one escapes for an hour or two at any rate from the happy home." "yes," said george, put anna's boa over the back of a chair and stroked the fur nervously with his fingers. anna's remark, in which he could detect a gentle reproach, as it were, a reproach too which he had heard before, gave him an unpleasant feeling. she sat down on the sofa, put her hands on her temples, stroked her dark blonde wavy hair backwards and looked at george with a smile. he stood leaning on the chest of drawers, with both hands in his jacket pocket, and began to tell her of the previous evening, which he had spent with guido and his violinist. the young lady had, at the count's wish, been for some weeks taking instruction in the catholic religion with the confessor of an arch-duchess; she, on her side, made guido read nietzsche and ibsen. but according to george's account the only result of this course of study which one could report so far was that the count had developed the habit of nicknaming his mistress "the rattenmamsell," after that wonderful character out of _little eyolf_. anna had nothing very bright to communicate about her last evening. they had had visitors. "first," anna told him, "my mother's two cousins, then an office friend of my father's to play tarok. even josef was domesticated for once and lay on the sofa from three to five. then his latest pal, herr jalaudek, who paid me quite a lot of attention." "really, really." "he _was_ fascinating. i'll just tell you: a violet cravat with yellow spots which puts yours quite into the shade. he paid me the honour too of suggesting that i should help him in a so-called charity-performance at the 'wild man,' for the benefit of the wahringer church building society." "of course you accepted?" "i excused myself on account of my lack of voice and want of religious feeling." "so far as the voice is concerned...." she interrupted him. "no, george," she said lightly, "i have given up that hope at last." he looked at her and tried to read her glance, but it remained clear and free. the organ from the church sounded softly and dully. "right," said george, "i have brought you the ticket for to-morrow's 'carmen.'" "thanks very much," she answered, and took the card. "are you going too, dear?" "yes, i have a box in the third tier, and i have asked bermann to come. i am taking the music with me, as i did the other day at lohengrin, and i shall practise conducting again. at the back, of course. you can have no idea what you learn that way. i should like to make a suggestion," he added hesitatingly. "won't you come and have supper somewhere with me and bermann after the theatre?" she was silent. he continued: "i should really like it if you got to know him better. with all his faults he is an interesting fellow and...." "i am not a rattenmamsell," she interrupted sharply, while her face immediately assumed its stiff conventional expression. george compressed the corners of his mouth. "that doesn't apply to me, my dear child. there are many points of difference between guido and me. but as you like." he walked up and down the room. she remained sitting on the ottoman. "so you are going to ehrenbergs' this evening?" she asked. "you know i am. i have already refused twice recently, and i couldn't very well do so this time." "you needn't make any excuses, george, i am invited too." "where to?" "i am going to ehrenbergs' too." "really?" he exclaimed involuntarily. "why are you so surprised?" she asked sharply; "it is clear that they don't yet know that i am not fit to be associated with any more." "my dear anna, what is the matter with you to-day? why are you so touchy? supposing they did know ... do you think that would prevent people from inviting you? quite the contrary. i am convinced that you would really go up in frau ehrenberg's respect." "and the sweet else, i suppose, would positively envy me. don't you think so? anyway, she wrote me quite a nice letter. here it is. won't you read it?" george ran his eye over it, thought its kindness was somewhat deliberate, made no further remark and gave it back to anna. "here is another one too, if it interests you." "from doctor stauber. indeed? would he mind if he knew that you gave it to me to read?" "why are you so considerate all of a sudden?" and as though to punish him she added, "there are probably a great many things that he would mind." george read the letter quickly through to himself. berthold described in his dry way, with an occasional tinge of humour, the progress of his work at the pasteur institute, his walks, his excursions and the theatres he had visited, and quite a lot of remarks also of a general character. but in spite of his eight pages the letter did not contain the slightest allusion to either past or future. george asked casually "how long is he staying in paris?" "as you see he doesn't write a single word about his return." "your friend therese was recently of opinion that his colleagues in the party would like to have him back again." "oh, has she been in the café again?" "yes. i spoke to her there two or three days ago. she really amuses me a great deal." "really?" "she starts off, of course, by always being very superior, even with me. presumably because i am one of those who rot away their life with art and silly things like that, while there are so many more important things to do in the world. but when she warms up a bit it turns out that she is every bit as interested as we ordinary people in all kinds of silly things." "she easily gets warmed up," said anna imperturbably. george walked up and down and went on speaking. "she was really magnificent the other day at the fencing tournament in the musikverein rooms. by-the-bye, who was the gentleman who was up there in the gallery with her?" anna shrugged her shoulders. "i did not have the privilege of being at the tournament, and besides, i don't know all therese's cavaliers." "i presume," said george, "it was a comrade, in every sense of the term. at any rate he was very glum and was pretty badly dressed. when therese clapped felician's victory he positively collapsed with jealousy." "what did therese really tell you about doctor berthold?" asked anna. "ho, ho!" said george jestingly, "the lady still appears to be keenly interested." anna did not answer. "well," reported george, "i can give you the information that they want to make him stand in the autumn for the landtag. i can quite understand it too, in view of his brilliant gifts as a speaker." "what do you know about it? have you ever heard him speak?" "of course i have; don't you remember? at your place." "there is really no occasion for you to make fun of him." "i assure you i'd no idea of doing so." "i noticed at once that he struck you at the time as somewhat funny. he and his father, too. why, you immediately ran away from them." "not at all, anna. you are doing me a great injustice in making such insinuations." "they may have their weaknesses, both of them, but at any rate they belong to the people whom one can count on. and that is something." "have i disputed that, anna? upon my word, i have never heard you talk so illogically. what do you want me to do then? did you want me by any chance to be jealous about that letter?" "jealous? that would be the finishing touch. you with your past." george shrugged his shoulders. memories swam up in his mind of similar wrangles in the course of previous relationships, memories of those mysterious sudden discords and estrangements which usually simply meant the beginning of the end. had he really got as far as all that already with his good sensible anna? he walked up and down the room moodily and almost depressed. at times he threw a fleeting glance towards his love who sat silent in her corner of the sofa, rubbing her hands lightly as though she were cold. the organ rang out more heavily than before in the silence of the room that had suddenly become so melancholy; the voices of singing men became audible and the window-panes rattled softly. george's glance fell on the little christmas-tree which stood on the sideboard and whose candles had burnt the evening before last for the benefit of anna and himself. half-bored, half-nervous, he took a wooden vesta out of his pocket and began to light the little candles one after another. then anna's voice suddenly rang out to him. "there is no one i should prefer to old doctor stauber to confide in about anything serious." george turned coldly towards her and blew out a burning vesta which he still held in his hand. he knew immediately what anna meant, and felt surprised that he had never given it another thought since their last meeting. he went up to her and took hold of her hand. now for the first time she looked up. her expression was impenetrable, her features immobile. "i say, anna...." he sat down by her side on the ottoman with both her hands in his. she was silent. "why don't you speak?" she shrugged her shoulders. "there is nothing new to tell you," she explained simply. "i see," he said slowly. it passed through his mind that her strange sensitiveness to-day was to be regarded as symptomatic of the condition to which she was alluding, and the uneasiness in his soul increased. "but you can't tell definitely for a good time yet," he said in a somewhat cooler tone than he really meant. "and ... even supposing ..." he added with artificial cheerfulness. "so you would forgive me?" she asked with a smile. he pressed her to him and suddenly felt quite transported. a vivid and almost pathetic feeling of love flamed up in him for the soft good creature whom he held in his arms, and who could never occasion him, he felt deeply convinced, any serious suffering. "it really wouldn't be so bad," he said cheerily, "you would just leave vienna for a time, that's all." "well, it certainly wouldn't be as simple as you seem all of a sudden to think it would." "why not? you can soon find an excuse; besides, whom does it concern? us two. no one else. but as far as i am concerned. i can get away any day as you know; can stay away too as long as i want to. i have not yet signed any contract for next year," he added with a smile. he then got up to put out the christmas candles, whose tiny flames had almost burnt down to the end, and went on speaking with increasing liveliness. "it would be positively delightful; just think of it, anna! we should go away at the end of february or the beginning of march. south, of course, italy, or perhaps the sea. we would stay at some quiet place where no one knows us, in a beautiful hotel with enormous grounds. and wouldn't one be able to work there, by jove?" "so that's why!" she said, as though she suddenly understood him. he laughed, held her more tightly in his arms and she pressed herself against his breast. there was no longer any noise from outside. the last sounds of the organ and the men's voices had died away. the snow curtains swept down in front of the window.... george and anna were happy as they had never been before. while they were at peace in the darkness he spoke about his musical plans for the near future, and told her, so far as he was able, about heinrich's opera plot. the room became filled with shimmering shadows. the clatter of a wedding-feast swept through the fantastic hall of an ancient king. a passionate youth stole in and thrust his dagger into the prince. a dark sentence was pronounced more sinister than death itself. a sluggish ship sailed on a darkling flood towards an unknown goal. at the youth's feet there rested a princess, who had once been the betrothed of a duke. an unknown man approached the shining boat with strange tidings; fools, star-gazers, dancers, courtiers swept past. anna had listened in silence. when he had finished george was curious to learn what impression the fleeting pictures had made upon her. "i can't say properly," she replied. "i certainly feel quite puzzled to-day, how you are going to make anything real out of this more or less fantastic stuff." "of course you can't realise it yet to-day--particularly after just hearing me describe it.... but you do feel, don't you? the musical atmosphere. i have already noted down a few _motifs_--and i should be really very glad if bermann would soon get to work seriously." "if i were you, george ... may i tell you something?" "of course, fire ahead." "well, if i were you, i'd first get the quintette really finished. it can't want much doing to it now." "not much, and yet ... besides, you mustn't forget that i've started all kinds of other things lately. the two pianoforte pieces, then the orchestra _scherzo_--i've already got pretty far with that. but it certainly ought to be made part of a symphony." anna made no answer. george noticed that her thoughts were roving, and he asked her where she had run away to this time. "not so far," she replied; "it only just passed through my mind what a lot of things can happen before the opera is really ready." "yes," said george slowly, with a slight trace of embarrassment. "if one could just look into the future." she sighed quite softly and he pressed her nearer to him, almost as though he pitied her. "don't worry, my darling, don't worry," he said. "i am here all right, and i always shall be here." he thought he felt what she was thinking; can't he say anything better than that?... anything stronger? anything to take away all my fear--take it away from me for ever? and he asked her disingenuously, as though conscious of running a risk: "what are you thinking of?" and as she was obstinately silent he said once more: "anna, what are you thinking of?" "something very strange," she answered gently. "what is it?" "that the house is already built, where it will come into the world--that we have no idea where ... that is what i couldn't help thinking of." "thinking of that!" he said, strangely moved. and pressing her to his heart with a love that flamed up afresh, "i will never desert you, you two...." when the room was lighted again they were in very good spirits, plucked the last forgotten sweets from the branches of the little christmas-tree and looked forward to their next meeting among people who were absolutely indifferent to them, as though it were quite a jolly adventure, laughed and talked exuberant nonsense. as soon as anna had gone away george locked his music manuscript up in a drawer, put out the lamp and opened the window. the snow was falling lightly and thinly. an old man was coming up the steps and his laboured breathing sounded through the still air. opposite the silent church towered aloft ... george remained awhile standing at the window. he felt almost convinced at this moment that anna was mistaken in her surmise. he felt almost reassured as there came into his mind that remark of leo golowski's that anna was destined to end her days in respectable middle-class life. having a child by a lover really could not be part of her fate line. it was not part of his fate line either to carry the burden of serious obligation, to be tied fast from to-day and perhaps for all time to a person of the other sex; to become a father when he was still so young, a father ... the word sank into his soul, oppressive, almost sinister. he went into the ehrenbergs' drawing-room at eight o'clock in the evening. he was met by the sound of waltz music. old eissler sat at the piano with his long grey beard almost drooping on to the keys. george remained at the entrance in order not to disturb him, and met welcoming glances from every quarter. old eissler was playing his celebrated viennese dances and songs with a soft touch and powerful rhythm, and george enjoyed, as he always did, the sweet crooning melodies. "splendid," said frau ehrenberg, when the old man got up. "keep your big words for great occasions, leonie," answered eissler, whose time-honoured privilege it was to call all women and girls by their christian names. and it seemed to do everybody good to hear themselves spoken to by this handsome old man with his deep ringing voice, in which there quivered frequently, as it were, a sentimental echo of the vivid days of his youth. george asked him if all his compositions had appeared in print. "very few, dear baron. unfortunately i can scarcely write a single note." "it would certainly be an awful pity if these charming melodies were to be absolutely lost." "yes, i have often told him that," put in frau ehrenberg, "but unfortunately he is one of those men who have never taken themselves quite seriously." "no, that is a mistake, leonie. you know how i began my artistic career: i wanted to compose a great opera. of course i was seventeen years old at the time and madly in love with a great singer." frau oberberger's voice rang out from the table towards the corner: "i am sure it was a chorus girl." "you are making a mistake, katerina," answered eissler. "chorus girls were never my line. it was, as a matter of fact, a platonic love, like most of the great passions of my life." "were you so clumsy?" queried frau oberberger. "i was often that as well," replied eissler, in his sonorous voice and with dignity. "for as far as i can see i could have had as much luck as a hussar riding-master, but i don't regret having been clumsy." frau ehrenberger nodded appreciatively. "then one would not be making a mistake, herr eissler," remarked nürnberger, "if one attributed the chief part in your life to melancholy memories?" frau ehrenberger nodded again. she was delighted whenever any one was witty in her drawing-room. "why did you say," she inquired, "that you could have had as much happiness as a hussar riding-master? it is not true for a minute that officers have any particular luck with women, even though my sister-in-law once had an affair with a first-lieutenant...." "i don't believe in platonic love," said sissy, and beamed through the room. frau wyner gave a slight shriek. "fräulein sissy is probably right," said nürnberger; "at any rate i am convinced that most women take platonic love either as an insult or an excuse." "there are young girls here," frau ehrenberg reminded him gently. "one sees that already," said nürnberger, "from the fact of their joining in the conversation." "all the same, i would like to take the liberty of adding a little anecdote to the chapter of platonic love," said heinrich. "but not a jewish one," put in else. "of course not. a blonde little girl...." "that proves nothing," interrupted else. "please let him finish his story," remonstrated frau ehrenberg. "well then, a blonde little girl," began heinrich again, "once expressed her conviction to me, quite different, you see, from fräulein sissy, that platonic love did, as a matter of fact, exist, and do you know what she suggested as a proof of it? giving ... an experience out of her own life. she had, you know, once spent a whole hour in a room with a lieutenant and...." "that is enough!" cried frau ehrenberg nervously. "and," finished heinrich, quite unperturbed and in a reassuring voice, "nothing at all happened in that hour." "so the blonde girl says," added else. the door opened. george saw a strange lady enter in a clear blue square-cut dress, pale, simple and dignified. it was only when she smiled that he realised that the lady was anna rosner, and he felt something like pride in her. when he shook hands with his love he felt else's look turn towards him. they went into the next room, where the table was laid with a moderate show of festivity. the son of the house was not there. he was at neuhaus at his father's factory. but herr ehrenberg suddenly turned up at the table when the supper was served. he had just come back from his travels, which as a matter of fact had taken him to palestine. when he was asked by hofrat wilt about his experiences he was at first reluctant to let himself go; finally it turned out that he had been disappointed in the scenery, annoyed by the fatigue of the journey, and had practically seen nothing of the jewish settlements which, according to reliable information, were in process of springing up. "so we have some ground to hope," remarked nürnberger, "that we may keep you here even in the event of a jewish state being founded in the imminent future?" ehrenberg answered brusquely: "did i ever tell you that i intended to emigrate? i am too old for that." "really," said nürnberger, "i didn't know that you had only visited the district for the benefit of fräulein else and herr oskar." "i am not going to quarrel with you, my dear nürnberger. zionism is really too good to serve as small talk at meals." "we'll take it for granted," said hofrat wilt, "that it is too good, but it is certainly too complicated, if only for the reason that everybody understands something different by it." "or wants to understand," added nürnberger, "as is usually the case with most catchwords, not only in politics either--that's why there is so much twaddle talked in the world." heinrich explained that of all human creatures the politician represented in his eyes the most enigmatic phenomenon. "i can understand," he said, "pickpockets, acrobats, bank--directors, hotel--proprietors, kings ... i mean i can manage without any particular trouble to put myself into the souls of all these people. of course the logical result is that i should only need certain alterations in degree, though no doubt enormous ones, to qualify myself to play in the world the rôle of acrobat, king or bank-director. on the other hand i have an infallible feeling that even if i could raise myself to the _n_th power i could never become what one calls a politician, a leader of a party, a member, a minister." nürnberger smiled at heinrich's theory of the politician representing a particular type of humanity, inasmuch as it was only one of the superficial and by no means essential attributes of his profession to pose as a special human type, and to hide his greatness or his insignificance, his feats or his idleness behind labels, abstractions and symbols. what the nonentities or charlatans among them represented, why, that was obvious: they were simply business people or swindlers or glib speakers, but the people who really counted, the people who did things--the real geniuses of course, they at the bottom of their souls were simply artists. they too tried to create a work, and one, too, that raised in the sphere of ideas quite as much claim to immortality and permanent value as any other work of art. the only difference was that the material in which they worked was one that was not rigid or relatively stable, like tones or words, but that, like living men, it was in a continual state of flux and movement. willy eissler appeared, apologised to his hostess for being late, sat down between sissy and frau oberberger and greeted his father like a friend long lost. it turned out that though they both lived together they had not seen each other for several days. willy was complimented all round on his success in the aristocratic amateur performance where he had played the part of a marquis with the countess liebenburg-rathony in a french one-act play. frau oberberger asked him, in a voice sufficiently loud for her neighbours to catch it, where his assignations with the countess took place and if he received her in the same _pied-à-terre_ quarter as his more middle-class flames. the conversation became more lively, dialogues were exchanged and became intertwined all over the room. but george caught isolated snatches, including part of a conversation between anna and heinrich which dealt with therese golowski. he noticed at the same time that anna would occasionally throw a dark inquisitive look at demeter stanzides, who had appeared to-night in evening dress with a gardenia in his buttonhole; and though he had no actual consciousness of jealousy he felt strangely affected. he wondered if at this moment she was really thinking that she was perhaps bearing a child by him under her bosom. the idea of "the depths ..." came to him again. she suddenly looked over to him with a smile, as though she were coming home from a journey. he felt an inner sense of relief and appreciated with a slight shock how much he loved her. then he raised his glass to his lips and drank to her. else, who up to this time had been chatting with her other neighbour demeter, now turned to george. with her deliberately casual manner and with a look towards anna she remarked: "she does look pretty, so womanly. but that's always been her line. do you still do music together?" "frequently," replied george coolly. "perhaps i'll ask you to start accompanying me again at the beginning of the new year. i don't know why we have not done so before." george was silent. "and how are you getting on"--she threw a look at heinrich--"with your opera?" "nothing is done so far. who knows if anything will come of it?" "of course nothing will come of it." george smiled. "why are you so stern with me to-day?" "i am very angry with you." "with me! why?" "that you always go on giving people occasion to regard you as a dilettante." this was a home thrust. george actually felt a slight sense of malice against else, then quickly pulled himself together and answered: "that perhaps is just what i am. and if one isn't a genius it is much better to be an honest dilettante than ... than an artist with a swollen head." "nobody wants you to do great things all at once, but all the same one really should not let oneself go in the way you do in both your inner and your outward life." "i really don't understand you, else. how can one contend.... do you know that i am going to germany in the autumn as a conductor?" "your career will be ruined by your not turning up to the rehearsals at ten o'clock sharp." the taunt was still gnawing at george. "and who called me a dilettante, if i may ask?" "who did? good gracious, why it has already been in the papers." "really," said george feeling reassured, for he now remembered that after the concert in which fräulein bellini had sung his songs a critic had described him as an aristocratic dilettante. george's friends had explained at the time that the reason for this malicious critique was that he had omitted to call on the gentleman in question, who was notoriously vain. so that was it once again. there were always extrinsic reasons for people criticising one unfavourably, and else's touchiness to-day, what was it at bottom but sheer jealousy.... the table was cleared. they went into the drawing-room. george went up to anna, who was leaning on the piano, and said gently to her: "you do look beautiful, dear." she nodded with satisfaction. he then went on to ask: "did you have a pleasant talk with heinrich? what did you speak about? therese, isn't that so?" she did not answer, and george noticed with surprise that her eyelids suddenly drooped and that she began to totter. "what is the matter?" he asked, frightened. she did not hear him, and would have fallen down if he had not quickly caught hold of her by the wrists. at the same moment frau ehrenberg and else came up to her. "did they notice us?" thought george. anna had already opened her eyes again, gave a forced smile and whispered: "oh, it is nothing. i often stand the heat so badly." "come along!" said frau ehrenberg in a motherly tone. "perhaps you will lie down for a moment." anna, who seemed dazed, made no answer and the ladies of the house escorted her into an adjoining room. george looked round. the guests did not seem to have noticed anything. coffee was handed round. george took a cup and played nervously with his spoon. "so after all," he thought, "she will not finish up in middle-class life." but at the same time he felt as far away from her psychologically, as though the matter had no personal interest for him. frau oberberger came up to him. "well, what do you really think about platonic love? you are an expert, you know." he answered absent-mindedly. she went on talking, as was her way, without bothering whether he was listening or answering. suddenly else returned. george inquired how anna was, with polite sympathy. "i am certain it is not anything serious," said else and looked him strangely in the face. demeter stanzides came in and asked her to sing. "will you accompany me?" she turned to george. he bowed and sat down at the piano. "what shall it be?" asked else. "anything you like," replied wilt, "but nothing modern." after supper he liked to play the reactionary at any rate in artistic matters. "right you are," said else, and gave george a piece of music. she sang the _das alte bild_ of hugo wolf in her small well-trained and somewhat pathetic voice. george played a refined accompaniment, though he felt somewhat _distrait_. in spite of his efforts he could not help feeling a little annoyed about anna. after all no one seemed to have really noticed the incident except frau ehrenberg and else. after all, what did it really come to?... supposing they did all know?... whom did it concern? yes, who bothered about it? why, they are all listening to else now, he continued mentally, and appreciating the beauty of this song. even frau oberberger, though she is not a bit musical, is forgetting that she is a woman for a few minutes and her face is quiet and sexless. even heinrich is listening spell-bound and perhaps for the moment is neither thinking of his work, nor of the fate of the jews, nor of his distant mistress. is perhaps not even giving a single thought to his present mistress, the little blonde girl, to please whom he has recently begun to dress smartly. as a matter of fact he does not look at all bad in evening dress, and his tie is not a ready-made one, such as he usually wears, but is carefully tied.... who is standing so close behind me? thought george, so that i can feel her breath over my hair.... perhaps sissy.... if the world were to be destroyed to-morrow morning it would be sissy whom i should choose for to-night. yes, i am sure of it. and there goes anna with frau ehrenberg; it seems i am the only one who notices it, although i have got to attend simultaneously to both my own playing and else's singing. i welcome her with my eyes. yes, i welcome you, mother of my child.... how strange life is!... the song was at an end. the company applauded and asked for more. george played else's accompaniment to some other songs by schumann, by brahms; and finally, by general request, two of his own, which had become distasteful to him personally, since somebody or other had suggested that they were reminiscent of mendelssohn. while he was accompanying he felt that he was losing all touch with else and therefore made a special effort in his playing to win back again her sense of sympathy. he played with exaggerated sensibility, he specifically wooed her and felt that it was in vain. for the first time in his life he was her unhappy lover. the applause after george's songs was great. "that was your best period," said else gently to him while she put the music away, "two or three years ago." the others made kind remarks to him without going into distinctions about the periods of his artistic development. nürnberger declared that he had been most agreeably disillusioned by george's songs. "i will not conceal the fact from you," he remarked, "that going by the views i have frequently heard you express, my dear baron, i should have imagined them considerably less intelligible." "quite charming, really," said wilt, "all so simple and melodious without bombast or affectation." "and he is the man," thought george grimly, "who dubbed me a dilettante." willy came up to him. "now you just say, herr hofrat, that you can manage to whistle them, and if i know anything about physiognomy the baron will send two gentlemen to see you in the morning." "oh no," said george, pulling himself together and smiling; "fortunately, the songs were written in a period which i have long since got over, so i don't feel wounded by any blame or by any praise." a servant brought in ices, the groups broke up and anna stood alone with george by the pianoforte. he asked her quickly "what does it really mean?" "i don't know," she replied, and looked at him in astonishment. "do you feel quite all right now?" "absolutely," she answered. "and is to-day the first time you have had anything like it?" asked george, somewhat hesitatingly. she answered: "i had something like it yesterday evening at home. it was a kind of faintness. it lasted some time longer, while we were sitting at supper, but nobody noticed it." "but why did you tell me nothing about it?" she shrugged her shoulders lightly. "i say, anna dear," he said, and smiled guiltily, "i would like to have a word with you at any rate. give me a signal when you want to go away. i will clear out a few minutes before you, and will wait by the schwarzenbergplatz till you come along in a fly. i'll get in and we will go for a little drive. does that suit you?" she nodded. he said: "good-bye, darling," and went into the smoking-room. old ehrenberg, nürnberger and wilt had sat down at a green card-table to play tarok. old eissler and his son were sitting opposite each other in two enormous green leather arm-chairs and were utilising the opportunity to have a good chat with one another after all this time. george took a cigarette out of a box, lighted it and looked at the pictures on the wall with particular interest. he saw willy's name written in pale red letters down below in the corner on the green field in a water-colour painted in the grotesque style, that represented a hurdle race ridden by gentlemen in red hunting-coats. he turned involuntarily to the young man and said: "i never knew that one before." "it is fairly new," remarked willy lightly. "smart picture, eh?" said old eissler. "oh, something more than that," replied george. "yes, i hope to be able to look forward to doing something better than that," said willy. "he is going to africa, lion hunting," explained old eissler, "with prince wangenheim. felician is also supposed to be of the party, but he has not yet decided." "why not?" asked willy. "he wants to pass his diplomatic examination in the spring." "but that could be put off," said willy; "lions are dying out, but unfortunately one can't say the same thing of professors." "book me for a picture, willy," called out ehrenberg from the card-table. "you play the mæcenas later on, father ehrenberg?" said willy. "as i've said, i'll take you two on."[1] "raise you," replied ehrenberg, and continued: "if i can order anything for myself, willy, please paint me a desert landscape showing prince wangenheim being gobbled up by the lions ... but as realistic as possible." "you are making a mistake about the person, herr ehrenberg," said willy; "the celebrated anti-semite you are referring to is the cousin of my wangenheim." "for all i care," replied ehrenberg, "the lions, too, may be making a mistake. every anti-semite, you know, isn't bound to be celebrated." "you will ruin the party if you don't look out," admonished nürnberger. "you should have bought an estate and settled in palestine," said hofrat wilt. "god save me from that," replied ehrenberg. "well, since he has done that in everything up to the present," said nürnberger, and put down his hand. "it seems to me, nürnberger, that you are reproaching me again for not goin' about peddlin' ole clo'." "then you would certainly have the right to complain of anti-semitism," said nürnberger, "for who feels anything of it in austria except the peddlars ... only they, one might almost say." "and some people with a sense of self-respect," retorted ehrenberg. "twenty-seven ... thirty-one ... thirty-eight.... well, who's won the game?" willy had gone back into the drawing-room again. george sat smoking on the arm of an easy-chair. he suddenly noticed old eissler's look directed towards him in a strange benevolent manner and felt himself reminded of something without knowing what. "i had a few words the other day," said the old gentleman, "with your brother felician at schönstein's; it is striking how you resemble your poor father, especially to one like me, who knew your father as a young man." it flashed across george at once what old eissler's look reminded him of. old doctor stauber's eyes had rested on him at rosner's with the same fatherly expression. "these old jews!" he thought sarcastically, but in a remote corner of his soul he felt somewhat moved. it came into his mind that his father had often gone for morning walks in the prater with eissler, for whose knowledge of art he had had a great respect. old eissler went on speaking. "you, george, take after your mother more, i think." "many say so. it is very hard to judge, oneself." "they say your mother had such a beautiful voice." "yes, in her early youth. i myself never really heard her sing. of course she tried now and again. two or three years before her death a doctor in meran even advised her to practise singing. the idea was that it should be a good exercise for her lungs, but unfortunately it wasn't much of a success." old eissler nodded and looked in front of him. "i suppose you probably won't be able to remember that my poor wife was in meran at the same time as your late mother?" george racked his memory. it had escaped him. "i once travelled in the same compartment as your father," said old eissler, "at night time. we were both unable to sleep. he told me a great deal about you two--you and felician i mean." "really...." "for instance, that when you were a boy you had played one of your own compositions to some italian _virtuoso_, and that he had foretold a great future for you." "great future.... great heavens, but it wasn't a virtuoso, herr eissler. it was a clergyman, from whom, as a matter of fact, i learned to play the organ." eissler continued: "and in the evening, when your mother had gone to bed, you would often improvise for hours on end in the room." george nodded and sighed quietly. it seemed as though he had had much more talent at that time. "work!" he thought ardently, "work!..." he looked up again. "yes," he said humorously, "that is always the trouble, infant prodigies so seldom come to anything." "i hear you want to be a conductor, baron." "yes," replied george resolutely, "i am going to germany next autumn. perhaps as an accompanist first in the municipal theatre of some little town, just as it comes along." "but you would not have any objection to a court theatre?" "of course not. what makes you say that, herr eissler? if it is not a rude question." "i know quite well," said eissler with a smile, as he dropped his monocle, "that you have not sought out my help, but i can quite appreciate on the other hand that you would not mind perhaps being able to get on without the intermediaryship of agents and others of that kind.... i don't mean because of the commissions." george remained cold. "when one has once decided to take up a theatrical career one knows at the same time all that one's bargaining for." "do you know count malnitz by any chance?" inquired eissler, quite unconcerned by george's air of worldly wisdom. "malnitz! do you mean count eberhard malnitz, who had a suite performed a few years ago?" "yes, i mean him." "i don't know him personally, and as for the suite...." with a wave of the hand eissler dismissed the composer malnitz. "he has been manager at detmold since the beginning of this season," he then said. "that is why i asked you if you knew him. he is a great friend of mine of long standing. he used to live in vienna. for the last ten or twelve years we have been meeting every year in carlsbad or ischl. this year we want to make a little mediterranean trip at easter. will you allow me, my dear baron, to take an opportunity of mentioning your name to him, and telling him something about your plans to be a conductor?" george hesitated to answer, and smiled politely. "oh please don't regard my suggestion as officious, my dear baron. if you don't wish it, of course i will sit tight." "you misunderstand my silence," replied george amiably, but not without _hauteur_; "but i really don't know...." "i think a little court theatre like that," continued eissler, "is just the right place for you for the beginning. the fact of your belonging to the nobility won't hurt you at all, not even with my friend malnitz, however much he likes to play the democrat, or even at times the anarchist ... with the exception of bombs, of course; but he is a charming man and really awfully musical.... even though he isn't exactly a composer." "well," replied george, somewhat embarrassed, "if you would have the kindness to speak to him.... i can't afford to let any chance slip. at any rate, i thank you very much." "not at all, i don't guarantee success, it is just a chance, like any other." frau oberberger and sissy came in, escorted by demeter. "what interesting conversation are we interrupting?" said frau oberberger. "the experienced platonic lover and the inexperienced rake? one should really have been there." "don't upset yourself, katerina," said eissler, and his voice had again its deep vibrating ring. "one sometimes talks about other things, such as the future of the human race." sissy put a cigarette between her lips, allowed george to give her a light and sat down in the corner of the green leather sofa. "you are not bothering about me at all to-day," she began with that english accent of hers which george liked so well. "as though i positively didn't exist. yes, that's what it is. i am really a more constant nature than you are, am i not?" "you constant, sissy?"... he pushed an arm-chair quite near to her. they spoke of the past summer and the one that was coming. "last year," said sissy, "you gave me your word you would come wherever i was, and you didn't do it. this year you must keep your word." "are you going into the isle of wight again?" "no, i am going into the mountains this time, to the tyrol or the salzkammergut. i will let you know soon. will you come?" "but you are bound to have a large following anywhere." "i won't trouble about any one except you, george." "even supposing willy eissler happens to stay in your vicinity?" "oh," she said, with a wanton smile and put out her cigarette by pressing it violently upon the glass ash-tray. they went on talking. it was just like one of those conversations they had had so often during the last few years. it began lightly and flippantly, and eventually finished in a blaze of tender lies which were true for just one moment. george was once again fascinated by sissy. "i would really prefer to go travelling with you," he whispered quite near her. she just nodded. her left arm rested on the broad back of the ottoman. "if one could only do as one wanted," she said, with a look that dreamt of a hundred men. he bent down over her trembling arm, went on speaking and became intoxicated with his own words. "somewhere where nobody knows us, where nobody bothers about any one, that is where i should like to be with you, sissy, many days and nights." sissy shuddered. the word "nights" made her shudder with fear. anna appeared in the doorway, signalled to george with a look and then disappeared again. he felt an inward sense of reluctance, and yet he felt that this was just the psychological moment to leave sissy. in the doorway of the drawing-room he met heinrich, who accosted him. "if you are going you might tell me, i should like to speak to you." "delighted! but i must ... promised to see fräulein rosner home, you see. i'll come straight to the café, so till then...." a few minutes later he was standing on the schwarzenberg bridge. the sky was full of stars, the streets stretched out wide and silent. george turned up his coat collar, although it was no longer cold, and walked up and down. will anything come of the detmold business? he thought. oh well, if it is not in detmold it will be in some town or other. at any rate i mean real business now, and a great deal, a great deal will then lie behind me. he tried to consider the matter quietly. how will it all turn out? we are now at the end of december. we must go away in march--at the latest. we shall be taken for a honeymoon couple. i shall go walking with her arm-in-arm in rome and posilippo, in venice.... there are women who grow very ugly in that condition ... but not she, no, not she.... there was always a certain touch of the mother in her appearance.... she must stay the summer in some quiet neighbourhood where no one knows her ... in the thuringian forest perhaps, or by the rhine.... how strangely she said that to-day. the house in which the child will come into the world is already in existence. yes.... somewhere in the distance, or perhaps quite near here, that house is standing.... and people are living there whom we have never seen. how strange.... when will it come into the world? at the end of the summer, about the beginning of september. by that time, too, i am bound to have gone away. how shall i manage it?... and a year from to-day the little creature will be already four months old. it will grow up ... become big. there will be a young man there one fine day, my son, or a young girl; a beautiful little girl of seven, my daughter.... i shall be forty-four then.... when i am sixty-four i can be a grandfather ... perhaps a director of an opera or two and a celebrated composer in spite of else's prophecies; but one has got to work for that, that is quite true. more than i have done so far. else is right, i let myself go too much, i must be different ... i shall too. i feel a change taking place within me. yes, something new is taking place within me also. a fly came out of the heugasse, some one bent out of the window. george recognised anna's face under the white shawl. he was very glad, got in and kissed her hand. they enjoyed their talk, joked a little about the party from which she had just come and found it really ridiculous to spend an evening in so inept a fashion. he held her hands in his and was affected by her presence. he got out in front of her house and rung. he then came to the open door of the carriage and they arranged an appointment for the following day. "i think we have got a lot to talk about," said anna. he simply nodded. the door of the house was open. she got out of the fly, gave george a long look full of emotion and disappeared into the hall. my love! thought george, with a feeling of happiness and pride. life lay before him like something serious and mysterious, full of gifts and full of miracles. when he went into the café, heinrich was sitting in a window niche. next to him was a pale young beardless man whom george had casually spoken to several times, in a dinner-jacket with a velvet collar but with a shirt-front of doubtful cleanliness. when george came in the young man looked up with ardent eyes from a paper that he was holding in his restless and not very well-kept hands. "am i disturbing you?" said george. "oh, not a bit of it," replied the young man, with a crazy laugh, "the larger the audience the better." "herr winternitz," explained heinrich, as he shook hands with george, "was just reading me a series of his poems, but we will break off now." slightly touched by the disappointed expression of the young man george assured him that he would be delighted to hear the poems if he might be permitted to do so. "it won't last much longer," explained winternitz gratefully. "it is only a pity that you missed the beginning. i could----" "what! does it all hang together?" said heinrich in astonishment. "what, didn't you notice?" exclaimed winternitz, and laughed again crazily. "i see," said heinrich. "so it's always the same woman character whom your poems deal with. i thought it was always a different one." "of course it is always the same one, but her special characteristic is that she always seems to be a fresh person." herr winternitz read softly but insistently, as though inwardly consumed. it appeared from his series that he had been loved as never a man had been loved before, but also deceived as never a man had been deceived before, a circumstance which was to be attributed to certain metaphysical causes and not at all to any deficiencies in his own personality. he showed himself, however, in his last poem completely freed of his passion, and declared that he was now ready to enjoy all the pleasures, which the world could offer him. this poem had four stanzas; the last verse of every stanza began with a "hei," and it concluded with the exclamation: "hei, so career i through the world." george could not help recognising that the recitation had to a certain extent impressed him, and when winternitz put the book down and looked around him with dilated pupils, george nodded appreciatively and said: "very beautiful!" winternitz looked expectantly at heinrich, who was silent for a few seconds and finally remarked: "it is fairly interesting on the whole ... but why do you say 'hei,' if it isn't a rude question? positively, no one will believe it." "what do you mean?" exclaimed winternitz. "rather ask your own conscience, if you honestly mean that 'hei.' i believe all the rest which you read to me, i mean i believe it in the highest sense of the term, although not a single word is true. i believe you when you tell me that you have been seducing a girl of fifteen, that you have been behaving like a hardened don juan, that you have been corrupting the poor creature in the most dreadful way. that she deceived you with ... what was it now?..." "a clown, of course," exclaimed winternitz, with a mad laugh. "that a clown was the man she deceived you with, that on account of that creature you had adventures which grew more and more sinister, that you wanted to kill your mistress and yourself as well, and that finally you get fed up with the whole business and go travelling about the world, or even careering as far as australia for all i care: yes, i can believe all that, but that you are the kind of man to cry out 'hei,' that, my dear winternitz, is a rank swindle." winternitz defended himself. he swore that this 'hei' had come from his most inward being, or at any rate from a certain element in his most inward being. when heinrich made further objections, he gradually became more and more reserved, and finally declared that some time or other he hoped to win his way to that inward freedom where he would be allowed to cry out "hei." "that time will never come," replied heinrich positively. "you may perhaps get some time to the epic or the dramatic 'hei,' but the lyrical or subjective 'hei' will remain, my dear winternitz, a closed book to people like you and me for all eternity." winternitz promised to alter the last poem, to make a point of continuing his development and to work at his inward purification. he stood up, a proceeding which caused his starched shirt front to crack and a stud to break, held out his somewhat clammy hand to heinrich and george, and went off to the literary men's table at the back. george expressed discreet appreciation of the poems which he had heard. "i like him the best of the whole set, at any rate personally," said heinrich. "he at least has the good sense to maintain with me a certain mutual reserve in really intimate matters. yes, you need not look at me again as though you were catching me in an attack of megalomania, but i can assure you, george, i have had nearly enough of the sort of people" (he swept the further table with a cursory glance) "who have always got an 'ä soi' on their lips." "what is always on their lips?" heinrich smiled. "you must know the story of the polish jew who was sitting in a railway compartment with an unknown man and behaved very conventionally--until he realised by some remark of the other's that he was a jew too, and on the strength of it immediately proceeded to stretch out his legs on the seat opposite with an 'ä soi' of relief." "quite good," said george. "it is more than that," explained heinrich sternly, "it is deep; like so many other jewish stories it gives a bird's-eye view into the tragi-comedy of present-day judaism. it expresses the eternal truth that no jew has any real respect for his fellow jew, never. as little as prisoners in a hostile country have any real respect for each other, particularly when they are hopeless. envy, hate, yes frequently, admiration, even love; all that there can be between them, but never respect, for the play of all their emotional life takes place in an atmosphere of familiarity, so to speak, in which respect cannot help being stifled." "do you know what i think?" remarked george. "that you are a more bitter anti-semite than most of the christians i know." "do you think so?" he laughed; "but not a real one. only the man who is really angry at the bottom of his heart at the jews' good qualities and does everything he can to bring about the further development of their bad ones is a real anti-semite. but you are right up to a certain point, but i must finish by confessing that i am also an anti-aryan. every race as such is naturally repulsive, only the individual manages at times to reconcile himself to the repulsive elements in his race by reason of his own personal qualities. but i will not deny that i am particularly sensitive to the faults of jews. probably the only reason is that i, like all others--we jews, i mean--have been systematically educated up to this sensitiveness. we have been egged on from our youth to look upon jewish peculiarities as particularly grotesque or repulsive, though we have not been so with regard to the equally grotesque and repulsive peculiarities of other people. i will not disguise it--if a jew shows bad form in my presence, or behaves in a ridiculous manner, i have often so painful a sensation that i should like to sink into the earth. it is like a kind of shame that perhaps is akin to the shame of a brother who sees his sister undressing. perhaps the whole thing is egoism too. one gets embittered at being always made responsible for other people's faults, and always being made to pay the penalty for every crime, for every lapse from good taste, for every indiscretion for which every jew is responsible throughout the whole world. that of course easily makes one unjust, but those are touches of nervousness and sensitiveness, nothing more. then one pulls oneself together again. that cannot be called anti-semitism. but there are jews whom i really hate, hate as jews. those are the people who act before others, and often before themselves, as though they did not belong to the rest at all. the men who try to offer themselves to their enemies and despisers in the most cowardly and cringing fashion, and think that in that way they can escape from the eternal curse whose burden is upon them, or from what they feel is equivalent to a curse. there are of course always jews like that who go about with the consciousness of their extreme personal meanness, and consequently, consciously or unconsciously, would like to make their race responsible. of course that does not help them the least bit. what has ever helped the jews? the good ones and the bad ones. i mean, of course," he hastily added, "those who need something in the way of material or moral help." and then he broke off in a deliberately flippant tone: "yes, my dear george, the situation is somewhat complicated and it is quite natural that every one who is not directly concerned with the question should not be able to understand it properly." "no, you really should not...." heinrich interrupted him quickly. "yes, i should, my dear george, that is just how it is. you don't understand us, you see. many perhaps get an inkling, but understand? no. at any rate we understand you much better than you do us. although you shake your head! do we not deserve to? we have found it more necessary, you see, to learn to understand you than you did to learn to understand us. this gift of understanding was forced to develop itself in the course of time ... according to the laws of the struggle for existence if you like. just consider, if one is going to find one's way about in a foreign country, or, as i said before, in an enemy's country, to be ready for all the dangers and ambushes which lurk there, it is obvious that the primary essential is to get to know one's enemies as well as possible--both their good qualities and their bad." "so you live among enemies? among foreigners! you would not admit as much to leo golowski. i don't agree with him either, not a bit of it. but how strangely inconsistent you are when you----" heinrich interrupted him, genuinely pained. "i have already told you the problem is far too complicated to be really solved. to find a subjective solution is almost impossible. a verbal solution even more so. why, at times one might believe that things are not so bad. sometimes one really is at home in spite of everything, feels one is as much at home here--yes, even more at home--than any of your so-called natives can ever feel. it is quite clear that the feeling of strangeness is to some extent cured by the consciousness of understanding. why, it becomes, as it were, steeped in pride, condescension, tenderness; becomes dissolved--sometimes, of course, in sentimentalism, which is again a bad business." he sat there with deep furrows in his forehead and looked in front of him. "does he really understand me better?" thought george, "than i do him, or is it simply another piece of megalomania...?" heinrich suddenly started as though emerging from a dream. he looked at his watch. "half-past two! and my train goes at eight to-morrow." "what, you are going away?" "yes, that is what i wanted to speak to you about so much. i shall have to say goodbye to you for a goodish time, i'm sorry to say. i am going to prague. i am taking my father away, out of the asylum home to our own house." "is he better, then?" "no, but he is in that stage when he is not dangerous to those near him.... yes, that came quite quickly too." "and about when do you think you will be back?" heinrich shook his shoulders. "i can't tell to-day, but however the thing develops, i certainly cannot leave my mother and sisters alone now." george felt a genuine regret at being deprived of heinrich's society in the near future. "it's possible that you won't find me in vienna again when you come back. i shall probably go away this spring, you see." and he almost felt a desire to take heinrich into his confidence. "i suppose you are travelling south?" asked heinrich. "yes, i think so. to enjoy my freedom once again, just for a few months. serious life begins next autumn, you see. i am looking out for a position in germany at some theatre or other." "really?" the waiter came to the table. they paid and went. they met rapp and gleissner together in the doorway. they exchanged a few words of greeting. "and what have you been doing all this time, herr rapp?" asked george courteously. rapp took off his pince-nez. "oh, my melancholy old job all the time. i am engaged in demonstrating the vanity of vanities." "you might make a change, rapp," said heinrich. "try your luck for once and praise the splendour of splendours." "what is the point?" said rapp, and put on his glasses. "that will prove itself in the course of time. but as a rule rotten work only keeps alive during its good fortune and its fame, and when the world at last realises the swindle, it has either been in the grave for a long time or has taken refuge in its presumable immortality." they were now in the street and all turned up their coat collars, since it had begun again to snow violently. gleissner, who had had his first great dramatic success a few weeks ago, quickly told them that the seventh performance of his work, which had taken place to-day, had also been sold out. rapp used that as a peg on which to hang malicious observations on the stupidity of the public. gleissner answered with gibes at the impotence of the critic when confronted with true genius--and so they walked away through the snow with turned-up collar, quite enveloped in the steaming hate of their old friendship. "that rapp has no luck," said heinrich to george. "he'll never forgive gleissner for not disappointing him." "do you consider him so jealous?" "i wouldn't go as far as that. matters are rarely sufficiently simple to be disposed of in a single word. but just think what a fate it is to go about the world in the belief that you carry with you as deep a knowledge of it as shakespeare had, and to feel at the same time that you aren't able to express as much of it as, for instance, herr gleissner, although perhaps one is quite as much good as he is--or even more." they walked on together for a time in silence. the trees in the ring were standing motionless with their white branches. it struck three from the tower of the rathaus. they walked over the empty streets and took the way through the silent park. all around them the continuous fall of snow made everything shine almost brightly. "by the way, i have not told you the latest news," started heinrich suddenly, looking in front of him and speaking in a dry tone. "what is it?" "that i have been receiving anonymous letters for some time." "anonymous letters? what are the contents?" "oh, you can guess." "i see." it was clear to george that it could only be something about the actress. heinrich had returned in greater anguish than ever from the foreign town, where he had seen his mistress act the part of a depraved creature in a new play, with a truth and realism which he found positively intolerable. george knew that he and she had since then been exchanging letters full of tenderness and scorn, full of anger and forgiveness, full of broken anguish and laboured confidence. "the delightful messages," explained heinrich, "have been coming along every morning for eight days. not very pleasant, i can assure you." "good gracious, what do they matter to you? you know yourself anonymous letters never contain the truth." "on the contrary, my dear george, they always do, but letters like that always contain a kind of higher truth, the great truth of possibilities. men haven't usually got sufficient imagination to create things out of nothing." "that is a charming way of looking at things. where should we all get to, then? it makes things a bit too easy for libellers of all kinds." "why do you say libellers? i regard it as highly improbable that there are any libels contained in the anonymous letters which i have been receiving. no doubt exaggerations, embellishments, inaccuracies...." "lies." "no, i am sure they are not lies; some, no doubt, but in a case like this how is one to separate the truth from the lies?" "there is a very simple way of dealing with that. you go there." "me go there?" "yes, of course that is what you ought to do. when you are on the spot you are bound to get at once to the real truth." "it would certainly be possible." they were walking under arcades on the wet stone. their voices and steps echoed. george began again. "instead of going on being demoralised with all this annoyance, i should try and convince myself personally as to how matters stood." "yes, that would certainly be the soundest thing to do." "well, why don't you do it?" heinrich remained stationary and jerked out with clenched teeth: "tell me, my dear george, have you not really noticed that i am a coward?" "nonsense, one doesn't call that being a coward." "call it whatever you like. words never hit things off exactly. the more precisely they pretend to do so the less they really do. i know what i am. i would not go there for anything in the world. to make a fool of myself once more, no, no, no...." "well, what will you do?" heinrich shook his shoulders as though the matter really did not concern him. somewhat irritated, george went on questioning him. "if you will allow me to make a remark, what does the ... lady chiefly concerned have to say?" "the lady who is chiefly concerned, as you call her, with a wit, which though unconscious is positively infernal, does not know for the time being anything about my getting anonymous letters." "have you left off corresponding with her?" "what an idea! we write daily to each other as we did before. she the most tender and lying letters, i the meanest you can possibly imagine--disingenuous, reserved letters, that torture me to the quick." "look here, heinrich, you are really not a very noble character." heinrich laughed out loud. "no, i am not noble. i clearly was not born to be that." "and when one thinks that after all these are sheer libels----" george for his part had of course no doubt that the anonymous letters contained the truth. in spite of that he was honestly desirous that heinrich should travel to the actual spot, convince himself, do something definite, box somebody's ears or shoot somebody down. he imagined felician in a similar position, or stanzides or willy eissler. all of them would have taken it better or in a different way, one for which he certainly could have felt more sympathy. suddenly the question ran through his brain as to what he would probably do, if anna were to deceive him. anna deceive him ... was that really possible? he thought of her look that evening, that dark questioning look which she had sent over to demeter stanzides. no, that did not signify anything, he was sure of it, and the old episodes with leo and the singing-master, they were harmless, almost childish. but he thought of something that was different and perhaps more significant--a strange question which she had put to him the other day when she had stayed unduly late in his company and had had to hurry off home with an excuse. was he not afraid, she had asked him, to have it on his conscience that he was making her into a liar? it had rung half like a reproach and half like a warning, and if she herself was so little sure of herself could he trust her implicitly? did he not love her? he ... and did he not deceive her in spite of it, or was ready to do so at any moment, which, after all, came to the same thing? only an hour ago, in the fly, when he held her in his arms and kissed her, she had of course no idea that he had other thoughts than for her. and yet at a certain moment, with his lips on hers, he had longed for sissy. why should it not happen that anna should deceive him? after all, it might have already happened ... without his having an idea of it.... but all these ideas had as it were no substance, they swept through his mind, like fantastic almost amusing possibilities. he was standing with heinrich in front of the closed door in the floriani gassi and shook hands with him. "well, god bless you," he said; "when we see each other again i hope you will be cured of your doubts." "and would that be much good?" asked heinrich. "can one reassure oneself with certainties in matters of love? the most one can do is to reassure oneself with bad news, for that lasts, but being certain of something good is at the best an intoxication.... well, goodbye, old chap. i hope we will see each other again in may. then, whatever happens, i shall come here for a time, and we can talk again about our glorious opera." "yes, if i shall be back again in vienna in may. it may be that i shall not come back before the autumn." "and then go off again on your new career?" "it is quite possible that it will turn out like that," and he looked heinrich in the face with a kind of childlike defiant smile that seemed to say: "i'm not going to tell you." heinrich seemed surprised. "look here, george, perhaps this is the very last time we are standing together in front of this door. oh, i am far from thrusting myself into your confidence. this somewhat one-sided relationship will no doubt have to go on on its present lines. well, it doesn't matter." george looked straight in front of him. "i hope things go all right," said heinrich as the door opened, "and drop me a line now and then." "certainly," answered george, and suddenly saw heinrich's eyes resting upon him with an expression of real sympathy which he had never expected. "certainly ... and you must write to me, too. at any rate give me news of how things are at home and what you are working at. at all events," he added sincerely, "we must continue to keep in touch with each other." the porter stood there with dishevelled hair and an angry sleepy expression, in a greenish-brown dressing-gown, with slippers on his bare feet. heinrich shook hands with george for the last time. "goodbye, my dear friend," he said, and then in a gentler voice, as he pointed to the porter: "i cannot keep him waiting any longer. you will find no particular difficulty in reading in his noble physiognomy, which is obviously the genuine native article, the names he is calling me to himself at this particular moment. adieu." george could not help laughing. heinrich disappeared. the door clanged and closed. george did not feel the least bit sleepy and determined to go home on foot. he was in an excited exalted mood. he was envisaging the days which were now bound to come with a peculiar sense of tension. he thought of to-morrow's meeting with anna, the things they were going to talk over, the journey, the house that already stood somewhere in the world, which his imagination had already roughly pictured like a house out of a box of toys, light-green with a bright red roof and a black chimney. his own form appeared before him like a picture thrown on a white screen by a magic lantern: he saw himself sitting on a balcony in happy solitude, in front of a table strewn with music paper. branches rocked in front of the railings. a clear sky hung above him, while below at his feet lay the sea, with a dreamy blueness that was quite abnormal. [1] a reference to the faro game. v george gently opened the door of anna's room. she still lay asleep in bed and breathed deeply and peacefully. he went out of the slightly darkened room, back again into his own and shut the door. then he went to the open window and looked out. clouds bathed in sunshine were sweeping over the water. the mountains opposite with their clearly-defined lines were floating in the brilliancy of the heavens, while the brightest blue was glittering over the gardens and houses of lugano. george was quite delighted to breathe in once more the air of this june morning, which brought to him the moist freshness of the lake and the perfume of the plane-trees, magnolias and roses in the hotel park; to look out upon this view, whose spring-like peace had welcomed him like a fresh happiness every morning for the last three weeks. he drank his tea quickly, ran down the stairs as quickly and expectantly as he had once, when a boy, hurried off to his play, and took his accustomed way along the bank in the grey fragrance of the early shade. here he would think of his own lonely morning walks at palermo and taormina in the previous spring, walks which he had frequently continued for hours on end, since grace was very fond of lying in bed with open eyes until noon. that period of his life, over which a recent though no doubt much-desired farewell seemed to squat like a sinister cloud, usually struck him as more or less bathed in melancholy. but this time all painful things seemed to lie in the far distance, and at any rate he had it in his power to put off the end as long as he wanted, if it did not come from fate itself. he had left vienna with anna at the beginning of march, as it was no longer possible to conceal her condition. in january, in fact, george had decided to speak to her mother. he had more or less prepared himself for it, and was consequently able to make his communication quietly and in well-turned phraseology. the mother listened in silence and her eyes grew large and moist. anna sat on the sofa with an embarrassed smile and looked at george as he spoke, with a kind of curiosity. they sketched out the plan for the ensuing months. george wanted to stay abroad with anna until the early summer. then a house was to be taken in the country in the neighbourhood of vienna, so that her mother should not be far away in the time of greatest need, and the child could without difficulty be given out to nurse in the neighbourhood of the town. they also thought out an excuse for officious inquisitive people for anna's departure and absence. as her voice had made substantial progress of late--which was perfectly true--she had gone off to a celebrated singing mistress in dresden, to complete her training. frau rosner nodded several times, as though she agreed with everything, but the features of her face became sadder and sadder. it was not so much that she was oppressed by what she had just learnt, as she was by the realisation that she was bound to be so absolutely defenceless, poor middle-class mother that she was, sitting opposite the aristocratic seducer. george, who noticed this with regret, endeavoured to assume a lighter and more sympathetic tone. he came closer to the good woman, he took her hand and held it for some seconds in his own. anna had scarcely contributed a word to the whole discussion, but when george got ready to go she got up, and for the first time in front of her mother she offered him her lips to kiss, as though she were now celebrating her betrothal to him. george went downstairs in better spirits, as though the worst were now really over. henceforth he spent whole hours at the rosners' more frequently than before, practising music with anna, whose voice had now grown noticeably in power and volume. the mother's demeanour to george became more friendly. why, it often seemed to him as though she had to be on her guard against a growing sympathy for him, and there was one evening in the family circle when george stayed for supper, improvised afterwards to the company from the meistersingers and lohengrin with his cigar in his mouth, could not help enjoying the lively applause, particularly from josef, and was almost shocked to notice as he went home that he had felt quite as comfortable, as though it had been a home he had recently won for himself. when he was sitting over his black coffee with felician a few days later the servant brought in a card, the receipt of which made a slight blush mount to his cheek. felician pretended not to notice his brother's embarrassment, said good-bye and left the room. he met old rosner in the doorway, inclined his head slightly in answer to his greeting and took no further notice. george invited herr rosner, who came in in his winter coat with his hat and umbrella, to sit down, and offered him a cigar. old rosner said: "i have just been smoking," a remark which somehow or other reassured george, and sat down, while george remained leaning on the table. then the old man began with his accustomed slowness: "you will probably be able to imagine, herr baron, why i have taken the liberty of troubling you. i really wanted to speak to you in the earlier part of the day, but unfortunately i could not get away from the office." "you would not have found me at home in the morning, herr rosner," answered george courteously. "all the better then that i didn't have my journey for nothing. my wife has told me this morning ... what has happened...." he looked at the floor. "yes," said george, and gnawed at his upper lip. "i myself intended.... but won't you take off your overcoat? it is very warm in the room." "no thank you, thank you, it is not at all too warm for me. well, i was horrified when my wife gave me this information. indeed i was, herr baron.... i never would have thought it of anna ... never thought it possible ... it is ... really dreadful...." he spoke all the time in his usual monotonous voice, though he shook his head more often than usual. george could not help looking all the time at his head with its thin yellow-grey hair, and felt nothing but a desolate boredom. "really, herr rosner, the thing is not dreadful," he said at last. "if you knew how much i ... and how sincere my affection for anna is, you would certainly be very far from thinking the thing dreadful. at any rate, i suppose your wife has told you about our plans for the immediate future ... or am i making a mistake...?" "not at all, herr baron, i have been informed of everything this morning. but i must say that i have noticed for some weeks that something was wrong in the house. it often struck me that my wife was very nervous and was often on the point of crying." "on the point of crying! there is really no occasion for that, herr rosner. anna herself, who is more concerned than any one else, is very well and is in her usual good spirits...." "yes, anna at any rate takes it very well, and that, to speak frankly, is more or less my consolation. but i cannot describe to you, baron, how hard hit ... how, i could almost say ... like a bolt from the blue ... i could never, no, never have ... have believed it...." he could not say any more. his voice trembled. "i am really very concerned," said george, "that you should take the matter like this, in spite of the fact that your wife is bound to have explained everything to you, and that the measures we have taken for the near future presumably meet with your approval. i would prefer not to talk about a time which is further, though i hope not too far off, because phrases of all kinds are more or less distasteful to me, but you may be sure, herr rosner, that i certainly shall not forget what i owe to a person like anna.... yes, what i owe to myself." he gulped. in all his memory there was no moment in his life in which he had felt less sympathy for himself. and now, as is necessarily the case in all pointless conversations, they repeated themselves several times, until herr rosner finally apologised for having troubled him, and took his leave of george, who accompanied him to the stairs. george felt an unpleasant aftermath in his soul for some days after this visit. the brother would be the finishing touch, he thought irritably, and he could not help imagining a scene of explanation in the course of which the young man would endeavour to play the avenger of the family honour, while george put him in his place with extraordinarily trenchant expressions. george nevertheless felt a sense of relief after the conversation with anna's parents had taken place, and the hours which he spent with his beloved alone in the peaceful room opposite the church were full of a peculiar feeling of comfort and safety. it sometimes seemed to them both as though time stood still. it was all very well for george to bring guide-books, burckhardt's _cicerone_, and even maps to their meetings, and to plan out with anna all kinds of routes; he did not as a matter of fact seriously think that all this would ever be realised. so far, however, as the house in which the child was to be born was concerned, they were both impressed with the necessity of its being found and taken before they left vienna. anna once saw an advertisement in the paper which she was accustomed to read carefully for that very object, of a lodge near the forest, and not far from a railway station, which could be reached in one and a half hours from vienna. one morning they both took the train to the place in question and they had a memory of a snow-covered lonely wooden building with antlers over the door, an old drunken keeper, a young blonde girl, a swift sleigh-ride over a snowy winter street, an extraordinarily jolly dinner in an enormous room in the inn, and then home in a badly-lighted over-heated compartment. this was the only time that george tried to find with anna the house that must be standing somewhere in the world and waiting to be decided upon. otherwise he usually went alone by train or tramway to look round the summer resorts which were near vienna. once, on a spring day that had come straight into the middle of the winter, george was walking through one of the small places situated quite near town, which he was particularly fond of, where village buildings, unassuming villas and elegant country houses lay close upon each other. he had completely forgotten, as often happened, why he had taken the journey, and was thinking with emotion of the fact that beethoven and schubert had taken the same walk as he, many years ago, when he unexpectedly ran up against nürnberger. they greeted each other, praised the fine day, which had enticed them so far out into the open, and expressed regret that they so rarely saw each other since bermann had left vienna. "is it long since you heard anything of him?" asked george. "i have only had a card from him," replied nürnberger, "since he left. it is much more likely he would correspond regularly with you than with me." "why is it more likely?" inquired george, somewhat irritated by nürnberger's tone, as indeed be frequently was. "well, at any rate you have the advantage over me of being a new acquaintance, and consequently offering more exciting subject-matter for his psychological interest than i can." george detected in the accustomed flippancy of these words a certain sense of grievance which he more or less understood, for, as a matter of fact, heinrich had bothered very little about nürnberger of late, though he had previously seen a great deal of him, it being always his way to draw men to him and then drop them with the greatest lack of consideration, according as their character did or did not fit in with his own mood. "in spite of that i am not much better off than you," said george. "i haven't had any news of him for some weeks either. his father, too, appears to be in a bad way according to the last letter." "so i suppose it will soon be all up with the poor old man now." "who knows? according to what bermann writes me, he can still last for months." nürnberger shook his head seriously. "yes," said george lightly. "the doctors ought to be allowed in cases like that ... to shorten the matter." "you are perhaps right," answered nürnberger, "but who knows whether our friend heinrich, however much the sight of his father's incurable malady may put him off his work and perhaps many other things as well--who knows whether he might not all the same refuse the suggestion of finishing off this hopeless matter by a morphia injection?" george felt again repulsed by nürnberger's bitter, ironic tone, and yet when he remembered the hour when he had seen heinrich more violently upset by a few obscure words in the letter of a mistress than by his father's madness, he could not drive out the impression that nürnberger's opinion of their friend was correct. "did you know old bermann?" he asked. "not personally, but i still remember the time when his name was known in the papers, and i remember, too, many extremely sound and excellent speeches which he made in parliament. but i am keeping you, my dear baron. goodbye. we will see each other no doubt one of these days in the café, or at ehrenbergs'." "you are not keeping me at all," replied george with deliberate courtesy. "i am quite at large, and i am availing myself of the opportunity of looking at houses for the summer." "so you are going in the country, near vienna this year?" "yes, for a time probably, and apart from that a family i know has asked me if i should chance to run across...." he grew a little red, as he always did when he was not adhering strictly to the truth. nürnberger noticed it and said innocently: "i have just passed by some villas which are to let. do you see, for instance, that white one with the white terrace?" "it looks very nice. we might have a look at it, if you won't find it too dull coming with me. then we can go back together to town." the garden which they entered sloped upwards and was very long and narrow. it reminded nürnberger of one in which he had played as a child. "perhaps it is the same," he said. "we lived for years and years you know in the country in grinzing or heiligenstadt." this "we" affected george in quite a strange way. he could scarcely realise nürnberger's ever having been quite young, ever having lived as a son with his father and mother, as a brother with his sisters, and he felt all of a sudden that this man's whole life had something strange and hard about it. at the top of the garden an open arbour gave a wonderfully fine view of the town, which they enjoyed for some time. they slowly went down, accompanied by the caretaker's wife, who carried a small child wrapped in a grey shawl in her arms. they then looked at the house--low musty rooms with cheap battered carpets on the floor, narrow wooden beds, dull or broken mirrors. "everything will be done up again in the spring," explained the caretaker, "then it will look very cheerful." the little child suddenly held out its tiny hand towards george, as if it wanted him to take it up in his arms. george was somewhat moved and smiled awkwardly. as he rode with nürnberger into the town on the platform of the tramway and chatted to him he felt that he had never got so close to him on all the many previous occasions when they had been together, as during this hour of clear winter sunshine in the country. when they said goodbye it was quite a matter of course that they should arrange a new excursion on a day in the immediate future. and so it came about that george was several times accompanied by nürnberger, when he continued his househunting in the neighbourhood of vienna. on these occasions the fiction was still kept up that george was looking for a house for a family whom he knew, that nürnberger believed it and that george believed that nürnberger believed it. on these excursions nürnberger frequently came to speak of his youth, to speak about the parents whom he had lost very early, of a sister who had died young and of his elder brother, the only one of his relatives who was still alive. but he, an ageing bachelor like edmund himself, did not live in vienna, but in a small town in lower austria, where he was a teacher in a public school, where he had been transferred fifteen years ago as an assistant. he could easily have managed afterwards to have got an appointment again in the metropolis, but after a few years of bitterness, and even defiance, he had become so completely acclimatised to the quiet petty life of the place where he was staying that he came to regard a return to vienna as more a sacrifice than anything else, and he now lived on, passionately devoted to his profession and particularly to his studies in philology, far from the world, lonely, contented, a kind of philosopher in the little town. when nürnberger spoke of this distant brother george often felt as though he were hearing him speak about some one who had died, so absolutely out of the question seemed every possibility of a permanent reunion in the future. it was in quite a different tone, almost as though he were speaking of a being who could return once again, that he would talk with a perpetual wistfulness of the sister who had been dead several years. it was on a misty february day, while they were at the railway station waiting for the train to vienna, and walking up and down with each other on the platform, that nürnberger told george the story of this sister, who when a child of sixteen had become possessed as it were by a tremendous passion for the theatre, and had run away from home without saying goodbye in a fit of childish romanticism. she had wandered from town to town, from stage to stage, for ten years, playing smaller and smaller parts, since neither her talent nor her beauty appeared to be sufficient for the career which she had chosen, but always with the same enthusiasm, always with the same confidence in her future, in spite of the disillusions which she experienced and the sorrow which she saw. in the holidays she would come to the brothers, who were still living together, sometimes for weeks, sometimes only for days, and tell them about the provincial halls in which she had acted as though they were great theatres; about her few successes as though they were triumphs which she had won, about the wretched comedians at whose side she worked as though they were great artists, tell them about the petty intrigues that took place around her as though they were powerful tragedies of passion. and instead of gradually realising the miserable world in which she was living a life which was as much to be pitied as that of any one else, she spun every year the essence of her soul into more and more golden dreams. this went on for a long time, until at last she came home, feverish and ill. she lay in bed for months on end with flushed cheeks, raving in her delirium of a fame and happiness which she had never experienced, got up once again in apparent health, and went away once more, only to come back home, this time after a few weeks, in complete collapse with death written on her forehead. her brother now travelled with her to the south; to arco, meran, to the italian lakes, and it was only as she lay stretched out in southern gardens beneath flowering trees, far away from the whirl that had dazed and intoxicated her throughout the years that she realised at last that her life had been simply a racketing about beneath a painted sky and between paper walls--that the whole essence of her existence had been an illusion. but even the little everyday incidents, the apartments and inns of the foreign town, seemed to her memory simply scenes which she had played in as an actress by the footlights, and not scenes which she had really lived, and as she approached nearer and nearer to the grave, there awoke within her an awful yearning for that real life which she had missed, and the more surely she knew that it was lost to her for ever, the clearer became the gaze with which she realised the fullness of the world. and the strangest touch of all was the way in which, in the last weeks of her life, that talent to which she had sacrificed her whole existence without ever really possessing it manifested itself with diabolic uncanniness. "it seems to me, even to-day," said nürnberger, "that i have never heard verses so declaimed, never seen whole scenes so acted, even by the greatest actress, as i did by my sister in the hotel room at cadenabbia, looking out on to the lake of como, a few days before she died. of course," he added, "it is possible, even probable, that my memory is deceiving me." "but why?" asked george, who was so pleased with this _finale_ that he did not want to have it spoiled. and he endeavoured to convince nürnberger, who listened to him with a smile, that he could not have made a mistake, and that the world had lost a great actress in that strange girl who lay buried in cadenabbia. george did not find on his excursions with nürnberger the house in the country for which he was looking. in fact it seemed to become more difficult to find every time he went out. nürnberger made occasional jokes about george's exacting requirements. he seemed to be looking for a villa which was to be faced in front by a well-kept road, while it was to have at the back a garden door which led into the natural forest. eventually george himself did not seriously believe that he would now succeed in finding the desired house, and relied on the pressure of necessity after his return from his travels. it seemed more essential to get as soon as possible into touch with a doctor, but george put this off too from one day to another. but one evening anna informed him that she had been suddenly panic-stricken by a new attack of faintness, had visited doctor stauber and explained her condition to him. he had been very nice, had not expressed any astonishment, had thoroughly reassured her and only expressed the wish to speak to george before they went away. a few days afterwards george went to see the doctor in accordance with his invitation. the consultation hours were over. doctor stauber received him with the friendliness which he had anticipated, seemed to treat the whole matter as being as regular and as much a matter of course as it could possibly be, and spoke of anna just as though she had been a young wife, a method of procedure which affected george in a strange but not unpleasant way. when the practical discussion was over the doctor inquired about the destination of their journey. george had not yet mapped out any programme, only this much was decided, that the spring was to be spent in the south, probably in italy. doctor stauber took the opportunity to talk about his last stay in rome, which was ten years back. he had been in personal touch on this occasion, as he had been once before, with the director of the excavations and spoke to george in almost ecstatic terms of the latest discoveries on the palatine, about which he had written monographs as a young man, which he had published in the antiquarian journals. he then showed george, and not without pride, his library, which was divided into two sections, medicine and the history of art, and took out and offered to lend him a few rare books, one printed in the year 1834 on the vatican collections and also a history of sicily. george felt highly excited as he realised with such vividness the rich days that lay in front of him. he was overcome by a kind of homesickness for places which he knew well and had missed for a long time. half-forgotten pictures floated up in his memory, the pyramids of cestius stood on the horizon in sharp outlines, as they had appeared to him when he had ridden back as a boy into the town at evening with the prince of macedon; the dim church, where he had seen his first mistress step up to the altar as a bride, opened its doors; a bark under a dark sky with strange sulphur yellow sails drew near to the coast.... he began to speak about the several towns and landscapes of the south which he had seen as a boy and as a youth, explained the longing for those places which often seized on him like a genuine homesickness, his joy at being able to take in with mature appreciation all the differing things which he had longed for, reserved for himself and then forgotten, and many new things besides, and this time too in the society of a being who was able to appreciate and enjoy everything with him, and whom he held dear. doctor stauber, who was in the act of putting a book back on the shelf, turned round suddenly to george, looked gently at him and said: "i am very glad of that." as george answered his look with some surprise he added: "it was the first tender allusion to your relationship to annerl that i have noticed in the course of the last hour. i know, i know that you are not the kind of man to take a comparative stranger into your confidence, but if only because i had no reason to expect it, it has really done me good. it came straight from your heart, one could see it; and i should have been really sorry for annerl--excuse me, i always call her that--if i had been driven to think that you are not as fond of her as she deserves." "i really don't know," replied george coolly, "what gave you cause to doubt it, doctor." "did i say anything about doubts?" replied stauber good-humouredly. "but, after all, it has happened before that a young man who has had all kinds of experiences does not appreciate a sacrifice of this kind sufficiently, for it still is a sacrifice, my dear baron. we can be as superior to all prejudices as much as we like--but it is not a trifle even to-day for a young girl of good family to make up her mind to do a thing like that, and i won't conceal it from you--of course i did not let annerl notice anything--it gave even me a slight shock when she came to me the other day and told me all about it." "excuse me, herr doctor," replied george, irritated but yet polite, "if it gave you a shock that is surely some proof against your being superior to prejudices...." "you are right," said stauber with a smile, "but perhaps you will overlook this lapse when you consider that i am somewhat older than you and belong to another age. even a more or less independent man ... which i flatter myself i am ... cannot quite escape from the influence of his age. it is a strange thing, but believe me, even among the young people, who have grown up on nietzsche and ibsen, there are quite as many philistines as there were thirty years ago. they won't own up to it, but it does go against the grain with them, for instance, if some one goes and seduces their sister, or if one of their worthy wives suddenly takes it into her head that she wants to live her own life.... many, of course, are consistent and carry their pose through ... but that is more a matter of self-control than of their real views, and in the old days, you know, the age to which i belong, when ideas were so immovably hide-bound, when every one for instance was quite sure of things like this: one has to honour one's parents or else one is a knave ... or ... one only loves really once in one's life ... or it's a pleasure to die for one's fatherland ... in that time, mind you, when every decent man held up some flag or other, or at any rate had something written on his banner ... believe me, the so-called modern ideas had more adherents than you suspect. the only thing was that those adherents did not quite know it themselves, they did not trust their own ideas, they thought themselves, as it were, debauchees or even criminals. shall i tell you something, herr baron? there are really no new ideas at all. people feel with a new intensity--that's what it is. but do you seriously think that nietzsche discovered the superman, ibsen the fraud of life and anzengruber the truth that the parents who desire love and honour from their children ought to 'come up to the scratch' themselves? not a bit of it. all the ethical ideas have always been there, and one would really be surprised if one knew what absolute blockheads have thought of the so-called great new truths, and have even frequently given them expression long before the geniuses to whom we owe these truths, or rather the courage to regard these truths as true. if i have gone rather too far forgive me. i really only wanted to say ... and you will believe me, i am sure.... i know as well as you, baron, that there is many a virgin girl who is a thousand times more corrupt than a so-called fallen woman; and that there is many a young man who passes for respectable who has worse things on his conscience than starting a _liaison_ with an innocent girl. and yet ... it is just the curse of my period ..." he interpolated with a smile, "i could not help it, the first moment annerl told me her story certain unpleasant words which in their day had their own fixed meaning began to echo through my old head in their old tones, silly out-of-date words like ... libertine ... seduction ... leaving in the lurch ... and so on, and that is why i must ask you once more to forgive me, now that i have got to know you somewhat more intimately ... that is why i felt that shock which a modern man would certainly not own that he experienced. but to talk seriously once again, just consider a minute how your poor father, who did not know anna, would have taken the matter. he was certainly one of the shrewdest and most unprejudiced men whom one can imagine ... and all the same you have not the slightest doubt that the matter would not have passed off without his feeling something of a shock as well." george could not help holding out his hand to the doctor. the unexpectedness of this sudden allusion caused so intense a longing to spring up within him that the only thing he could do to assuage it was to begin to talk of him who had passed away. the doctor was able to tell him of many meetings with the late baron, mostly chance casual encounters in the street, at the sessions of the scientific academy, at concerts. there came another of those moments in which george thought himself strangely guilty in his attitude towards the dead man and registered a mental vow to become worthy of his memory. "remember me kindly to annerl," said the doctor as he said goodbye, "but i would rather you did not tell her anything about the shock. she is a very sensitive creature, that you know well enough, and now it is particularly important to save her any excitement. remember, my dear baron, there is only one question before us now--to see that a healthy child comes into the world, everything else.... well, give her my best regards. i hope we shall all see each other again in the summer in the best of health." george went away with a heightened consciousness of his responsibilities towards the being who had given herself to him and to that other who would wake up to existence in a few months. he thought first of making a will and leaving it behind with a lawyer. but on further consideration he thought it more proper to confide in his brother, who after all stood nearer to him in sentiment than any one else. but with that peculiar embarrassment which was characteristic of the really intimate relationship between the brothers he let day after day go by, until at last felician's departure on the hunting expedition in africa was quite imminent. the night before, on the way home from the club, george informed his brother that he was thinking of taking a long journey in the near future. "really! for how long shall you be away?" asked felician. george caught the note of a certain anxiety in these words and felt that it was incumbent on him to add: "it will probably be the last long journey i shall take for some years. i hope to find myself in a permanent position in the autumn." "so you have quite made up your mind?" "yes, of course." "i am very glad, george, for different reasons, as you can imagine, that you want at last to do something serious. and besides, it's a very sound thing, that it is not a case of one of us going out into the world while the other remains at home alone. that would really have been rather sad." george knew quite well that felician would get a foreign diplomatic post in the following autumn, but he had never realised so clearly that in a few months that brotherly life which had lasted for so many years, that common life in the old house opposite the park, yes, his whole youth so to speak, would be irrevocably over and done with. he saw life lying in front of him, serious, almost menacing. "have you any idea," he asked, "where they will send you?" "there is some chance of athens." "would you like that?" "why not? the society ought to be fairly interesting. bernburg was there for three years and was sorry to leave. and they have transferred him to london, too, and that's certainly not to be sniffed at." they walked in silence for a while and took their usual way through the park. an atmosphere suggesting the approaching spring was around them, although small white flakes of snow still gleamed on the lawns. "so you are going to italy?" asked felician. "yes." "as far down south as last spring?" "i don't know yet." again a short silence. suddenly felician's voice came out of the darkness. "have you heard anything of grace since then?" "of grace?" repeated george, somewhat surprised, for it had been a long time since felician had mentioned that name. "i have heard nothing more of grace. besides, that is what we arranged. we took farewell of each other for ever at genoa. that is already more than a year ago...." a gentleman was sitting on a seat quite in the darkness in a fur coat with a top hat and white gloves. "ah, labinski," thought george for a whole minute; the next minute he of course remembered that he had shot himself. this was not the first time that he had thought he had seen him. a man had sat in broad daylight in the botanical garden at palermo under a japanese ash-tree whom george had taken for a whole second for labinski; and recently george had thought he had recognised the face of his dead father behind the shut windows of a fiacre. the houses gleamed behind the leafless branches. one of them was the house in which the brothers lived. the time has come, thought george, for me to mention the matter at last. and to bring matters to a head, he observed lightly: "besides, i am not going to italy alone this year." "hm! hm!" said felician, and looked in front of him. george felt at the same moment that he had not taken the right tone. he was apprehensive of felician's thinking something like this: "oh yes, he has got an adventure again with some shady person or other." and he added seriously: "i say, felician, i have something serious i should like to talk to you about." "what! serious!" "yes." "well, george," said felician gently, and looked at him sideways, "what is up, then? you are not thinking of marrying by any chance?" "oh no," replied george, and then felt irritated that he had repudiated that possibility with such definiteness. "no, it is not a question of marriage, but of something much more vital." felician remained standing for a moment. "you have a child?" he asked seriously. "no, not yet. that's just it, that is why we are leaving." "indeed," said felician. they had got out of the park. involuntarily both looked up to the window of their house, from which only a year ago their father had so often nodded his welcome to them both. both felt with sorrow that somehow since their father's death they had gradually slipped away from each other--and felt at the same time a slight fear of how much further from each other life could still take them. "come into my room," said george when they got upstairs. "that's the most comfortable place." he sat down on his comfortable chair by his secretary. felician lounged in the corner on a little green leather ottoman which was near the writing-table and listened quietly. george told him the name of his mistress, spoke of her with heartfelt sympathy, and asked felician, in case anything should happen to him, george, in the near future to undertake to look after the mother and her child. he left so much of his fortune as was still available to the child, of course. the mother was to have the usufruct until the child became of age. when george had finished felician said with a smile after a short silence: "oh well, you've got every reason to hope that you will come back as whole and sound from your journey as i will from africa, and so our conversation has probably only an academic significance." "i hope so too, of course. but at any rate it reassures me, felician, that you know all about my secret, and that i can be free from anxiety in every way." "yes, of course you can." he shook hands with his brother. then he got up and walked up and down the room. finally he said: "you have no thought of legitimising your relationship?" "not for the time being. one can never tell what the future may bring forth." felician remained standing. "well...." "are you in favour of my marrying?" exclaimed george with some astonishment. "not at all." "felician, be frank, please." "look here, one should not advise any one in affairs like that. not even one's own brother." "but if i ask you, felician? it seems to me as though there is something in the business you didn't quite like." "well, it is like this, george.... you won't misunderstand me.... i know of course that you are not thinking of leaving her in the lurch. on the contrary, i am convinced that you will behave all through far more nobly than any ordinary man in your position. but the question is really this, would you have let yourself go into the thing if you had considered the consequences from every point of view?" "that of course is very hard to answer," said george. "i mean just this: did you intend ... not to make her your companion for life, but to have a child by her all the same?" "great heavens, who thinks of that? of course if one had wanted to be so absolutely on the safe side----" felician interrupted him. "does she know that you are not thinking of marrying her?" "why, you don't think, surely, i promised her marriage?" "no. but you did not promise to leave her stranded either." "it would have been equally mean if i had promised, felician. the whole thing came about as affairs like that always do, developed without any definite plan right up to the present time." "yes, that is all right. the only question is whether one is not more or less under an obligation to have definite plans in really vital matters." "possibly.... but that was never my line, unfortunately." felician remained standing in front of george, looked at him affectionately and nodded a few times. "that is quite true, george. you are not angry with me.... but now that we are talking about it.... of course i am not suggesting i have any right to lecture you on your mode of life...." "go ahead, felician.... i mean if.... it really does me good." he stroked him lightly on the hand which lay on the back of the ottoman. "well, there is not much more to be said. i only mean that in everything you do there is just ... the same lack of system. look here, to talk of another important matter, i personally am quite convinced of your talent and many others are, too. but you really work damned little, don't you? and fame doesn't come of itself, even when one...." "quite so. but i don't work as little as you think, felician, it is only that work is such a peculiar business with people of my temperament. frequently when one is out for a walk or even asleep one gets all kinds of ideas.... and then in the autumn...." "yes, yes, we hope so, though i am afraid that you won't be able to live on your salary at the commencement, and it is very questionable how long your little money will hold out with your mode of life. i tell you candidly, when you mentioned a few moments ago the sum which you were able to leave to your child i had quite a shock." "be patient, felician. in three or five years, when i have my opera finished...." he spoke in an ironical tone. "are you really writing an opera, george?" "i am beginning one shortly." "who is doing the libretto for you?" "heinrich bermann. of course you scowl again." "my dear george, i have always been very far from lecturing you in any way about the people you associate with. it is quite natural that you with your intellectual tastes should live in a different set and mix with different people to those i do, people whom i should probably find rather less to my taste. but so long as herr bermann's libretto is good you have my blessing ... and herr bermann, of course, too." "the libretto is not ready yet, only the scenario." felician could not help laughing. "so that's how your opera stands! i only hope the theatre is already built at which you are going to get a post as conductor." "come, come," said george, somewhat hurt. "forgive me," replied felician, "i have not really any doubts about your future. i should only like you yourself to do a bit more towards it. i really should be so ... proud, george, if you were to do anything great, and it, i'm sure, only depends on yourself. willy eissler, who is a man of genuine musical gifts, told me again only the other day that he thinks more of you than of most of the young composers." "on the strength of the few songs of mine which he knows? you're a good fellow, felician, but there is really no need for you to encourage me. i already know what i have got in me, only i must be more industrious, and my going away will do me quite a lot of good. it does one good to get out of one's usual surroundings for a time, like this. and this time it is quite different from last. it is the first time, felician, that i have had anything to do with a person who is absolutely my equal, who is more ... whom i can treat as a true friend as well, and the consciousness that i am going to have a child, and by her, too, is, in spite of all the accompanying circumstances, rather pleasant." "i can quite understand that," said felician, and contemplated george seriously and affectionately. the clock on the writing-table struck two. "what, so late already," cried felician, "and i have got to pack early to-morrow. well, we can talk over everything at breakfast to-morrow. well, good-night, george." "good-night, felician. thank you," he added with emotion. "what are you thanking me for, george? you really are funny!" they shook hands and then kissed each other, which they had not done for quite a long time, and george resolved to call his child felician if it was to be a boy, and he rejoiced at the good omen of a name which had so happy a ring. after his brother's departure george felt as deserted as though he had never had another friend. living in the great lonely house, where he seemed to be weighed down by a mood like that which had followed the first weeks after his father's death, made him feel depressed. he regarded the days which still had to elapse before the departure as a transition period, in which it was not worth while starting anything. the hours he spent with his mistress in the room opposite the church became colourless and blank. a psychological change, too, seemed to be now taking place in anna herself. she was frequently irritable, then taciturn again, almost melancholy, and george was often overcome by so great a sense of _ennui_ when he was with her that he felt quite nervous of the next month in which they would be thrown completely into each other's society. of course the journey in itself promised change enough, but how would it be in the subsequent months which would have to be spent somewhere in the neighbourhood of vienna? he must also think about a companion for anna; but he was still putting off speaking to her about it, when anna herself came to him with a piece of news which was calculated to remove that difficulty, and at the same time to raise another one, in the simplest way conceivable. anna had recently, particularly since she had gradually given up her lessons, become more and more intimate with therese, and had confided everything to her, and so it soon came about that therese's mother was also in the secret. this lady was much more congenial to anna than her own mother, who after a slight glimmer of understanding had held aloof, aggrieved and depressed, from her erring daughter. frau golowski not only declared herself ready to live with anna in the country, but even promised to discover the little house which george had not been able to find, while the young couple were away. however much this willingness suited george's convenience, he found it none the less somewhat painful to be under an obligation to this old woman, who was a stranger to him, and in moments when he was out of temper it struck him as almost grotesque that it should be leo's mother and berthold's father, of all people, who should be fated to play so important a part in so momentous an event in anna's life. george paid his farewell visit at ehrenbergs' on a fine may afternoon three days before he went away. he had only rarely shown himself there since that christmas celebration and his conversations with else had remained on the most innocent of footings. she confessed to him, as though to a friend who could not now misunderstand remarks of that character, that she felt more and more unsettled at home. in particular the atmosphere of the house, as george had frequently noticed before, seemed to be permanently overcast by the bad relations between father and son. when oskar came in at the door with his nonchalant aristocratic swagger and began to talk in his viennese aristocratic accent, his father would turn scornfully away, or would be unable to suppress allusions to the fact that he could make an end this very day of all that aristocracy by stopping or lowering his so-called allowance, which as a matter of fact was neither more nor less than pocket-money. if, on his side, his father began to talk yiddish, as he was most fond of doing in front of company, and with obvious malice, oskar would bite his lips and make a point of leaving the room. so it was only very rarely during the last few months that father and son stayed in vienna or in neuhaus at the same time. they both found each other's presence almost intolerable. when george came in to ehrenbergs' the room was almost in darkness. the marble isis gleamed from behind the pianoforte, and the twilight of the late afternoon was falling in the alcove where mother and daughter sat opposite each other. for the first time the appearance of these two women struck george as somewhat strangely pathetic. a vague feeling floated up in his mind that perhaps this was the last time he would see this picture, and else's smile shone towards him with such sweet melancholy, that he thought for a whole minute: might i not have found my happiness here, after all? he now sat next to frau ehrenberg (who was going on quietly knitting) opposite else, smoked a cigarette and felt quite at home. he explained that, fascinated by the tempting spring weather, he was starting on his projected journey earlier than he had intended, and that he would probably prolong it until the summer. "and we are going to auhof as early as the middle of may this time," said frau ehrenberg, "and we certainly count upon seeing you down there this year." "if you are not elsewhere engaged," added else with a perfectly straight face. george promised to come in august, at any rate for some days. the conversation then turned on felician and willy, who had started with their party a few days ago from biskra on their hunting expedition in the desert; on demeter stanzides, who announced his immediate intention of resigning from the army and retiring to an estate in hungary; and finally on heinrich bermann of whom no one had had any news for some weeks. "who knows if he will ever come back to vienna at all?" said else. "why shouldn't he? what makes you think that, fräulein else?" "upon my word, perhaps he'll marry that actress and trot about the world with her." george shrugged his shoulders ... he didn't know personally of any actress with whom heinrich was mixed up, and he ventured to express a doubt whether heinrich would ever marry any one, whether she was a princess or a circus rider. "it would be rather a pity if bermann were to," said frau ehrenberg, without taking any notice of george's discretion. "i certainly think that young people take these matters either too lightly or too seriously." else followed up the idea: "yes, it is strange, all you men are either cleverer or much sillier in these matters than in any other, although really it is just in such crucial moments of one's life, that one ought as far as possible to be one's ordinary self." "my dear else," said george casually, "once one's passions are set going----" "yes, when they are set going," emphasised frau ehrenberg. "passions!" exclaimed else. "i believe that like all other great things in the world, they are really something quite rare." "what do you know, my child?" said frau ehrenberg. "at any rate i've never so far seen anything of that kind in my immediate environment," explained else. "who knows if you would discover it," remarked george, "even though it did come once in a way quite near you? viewed from outside a flirtation and a life's tragedy may sometimes look quite the same." "that is certainly not true," said else. "passion is something that is bound to betray itself." "how do you manage to know that, else?" objected frau ehrenberg. "passions can often conceal themselves deeper than any ordinary trumpery little emotion, for the very reason that there is usually more at stake." "i think," replied george, "that it is a very personal matter. there are, of course, people who have everything written on their forehead, and others who are impenetrable; being impenetrable is quite as much a talent as anything else." "it can be trained too, like anything else," said else. the conversation stuck for a moment, as is apt to occur when the personal application that lies behind some general observation flashes out only too palpably. frau ehrenberg started a new topic. "have you been composing anything nice, george?" she asked. "a few trifles for the piano. my quintette will soon be ready too." "the quintette is beginning to grow mythical," said else discontentedly. "else!" said her mother. "well, it really would be a good thing, if he were to be more industrious." "you are perhaps right about that," replied george. "i think artists used to work much more in former days than they do now." "the great ones," qualified george. "no, all," persisted else. "perhaps it is a good thing that you are going to travel," said frau ehrenberg, "for apparently you've too many distractions here." "he'll let himself be distracted anywhere," asserted else sternly. "even in iglau, or wherever else he happens to be next year." "that's why i've never yet thought of your going away," said frau ehrenberg and shook her head; "and your brother will be in sophia or athens next year and stanzides in hungary ... it's really a great pity to think of all the nicest men being scattered like this to the four corners of the world." "if i were a man," said else, "i would scatter too." george smiled. "you're dreaming of a journey round the world in a white yacht, madeira, ceylon, san francisco." "oh no, i shouldn't like to be without a profession, but i should probably have been an officer in the merchant service." "won't you be kind enough"--frau ehrenberg turned to george--"to play us one or two of your new things?" "delighted, i'm sure." he got up from the recess and walked towards the window into the darkness of the room. else got up and turned on the light on top. george opened the piano, sat down and played his ballads. else had sat down in an arm-chair and as she sat there, with her arm resting on the side of the chair and her head resting on her arm in the pose of a _grande dame_ and with the melancholy expression of a precocious child, george felt again strangely thrilled by her look. he was not feeling very satisfied with his ballad to-day, and was fully conscious that he was endeavouring to help out its effect by putting too much expression into his playing. hofrat wilt stepped softly into the room and made a sign that they were not to disturb themselves. he then remained standing by the door leaning against the wall, tall, superior, good-natured, with his closely-cropped grey hair, until george ended his performance with some emphatic harmonies. they greeted each other. wilt congratulated george on being a free man and being now able to travel south. "i'm sorry to say i can't do it," he added, "and all the same one has at times a vague notion that even though one were not to visit one's office for a year on end, not the slightest change would take place in austria." he talked with his usual irony about his profession and his fatherland. frau ehrenberg retorted that there was not a man who was more patriotic, and took his calling more seriously than he himself. he agreed. but he regarded austria as an infinitely complicated instrument, which only a master could handle properly, and said that the only reason for its sounding badly so often was that every muddler tried his art upon it. "they'll go on knocking it about," he said dismally, "until all the strings break and the frame too." when george went else accompanied him into the empty room. she still had a few words to say to him about his ballads. she had particularly liked the middle movement. it had had such an inner glow. anyway, she hoped he would have a good time on his journey. he thanked her. "so," she said suddenly, when he already had his hat in his hand, "it's really a case now of saying a final farewell to certain dreams." "what dreams?" he asked in surprise. "mine of course, which you are bound to have known about by this time." george was very astonished. she had never been so specific. he smiled awkwardly and sought for an answer. "who knows what the future will bring forth?" he said at last lightly. she puckered her forehead. "why aren't you at any rate as straight with me as i am with you? i know quite well that you are not travelling alone ... i also know who is going with you ... what is more i know the whole thing. good gracious, what haven't i known since we have known each other?" and george heard grief and rage quivering below the surface of her words. and he knew that if he ever did make her his wife, she would make him feel that she had had to wait for him too long. he looked in front of him and maintained a silence that seemed at once guilty and defiant. then else smiled brightly, held out her hand and said once again: "_bon voyage_." he pressed her hand as though he were bound to make some apology. she took it away from him, turned round and went back into the room. he still waited for a few seconds standing by the door and then hurried into the street. on the same evening george saw leo golowski again in the café, for the first time for many weeks. he knew from anna that leo had recently had to put up with a great deal of unpleasantness as a volunteer and that that "fiend in human form" in particular had persecuted him with malice, with real hatred in fact. it occurred to george to-day that leo had greatly altered during the short time in which he had not seen him. he looked distinctly older. "i'm very glad to get a chance of seeing you again before i leave," said george and sat down opposite him at the café table. "you are glad," replied leo, "that you happened to run across me again, while i positively needed to see you once again, that is the difference." his voice had even a tenderer note than usual. he looked george in the face with a kind, almost fatherly expression. at this moment george no longer had any doubt that leo knew everything. he felt as embarrassed for a few seconds as though he were responsible to him, was irritated at his own embarrassment and was grateful to leo for not appearing to notice it. this evening they talked about practically nothing except music. leo inquired after the progress of george's work, and it came about during the course of the conversation that george declared himself quite willing to play one of his newest compositions to leo on the following sunday afternoon. but when they took leave of each other, george suddenly had the unpleasant feeling of having passed with comparative success a theoretical examination, and of being faced to-morrow with a practical examination. what did this young man, who was so mature for his years, really want of him? was george to prove to him that his talent entitled him to be anna's lover or her child's father? he waited for leo's visit with genuine repugnance. he thought for a minute of refusing to see him. but when leo appeared with all that innocent sincerity which he so frequently liked to affect, george's mood soon became less harsh. they drank tea and smoked cigarettes and george showed him his library, the pictures which were hanging in the house, the antiquities and the weapons, and the examination feeling vanished. george sat down at the pianoforte, played a few of his earlier pieces and also his latest ones as well as the ballads, which he rendered much better than he had done yesterday at ehrenbergs', and then some songs, while leo followed the melody with his fingers, but with sure musical feeling. eventually he started to play the quintette from the score. he did not succeed and leo stationed himself at the window with the music and read it attentively. "one can't really tell at all so far," he said. "a great deal of it indicates a dilettante with a lot of taste, other parts an artist without proper discipline. it's rather in the songs that one feels ... but feels what?... talent ... i don't know. one feels at any rate that you have distinction, real musical distinction." "well, that's not so much." "as a matter of fact it's pretty little, but it doesn't prove anything against you either, since you have worked so little--worked very little and felt little." "you think ..." george forced a sarcastic laugh. "oh, you've probably lived a great deal but felt ... you know what i mean, george?" "yes, i can imagine well enough, but you're really making a mistake; why i rather think that i have a certain tendency to sentimentalism, which i ought to combat." "yes, that's just it. sentimentalism, you know, is something which is the direct antithesis to feeling, something by means of which one reassures oneself about one's lack of feeling, one's essential coldness. sentimentalism is feeling which one has obtained, so to speak, below cost price. i hate sentimentalism." "hm, and yet i think that you yourself are not quite free from it." "i am a jew, it's a national disease with us. our respectable members are working to change it into rage or fury. it's a bad habit with the germans, a kind of emotional slovenliness so to speak." "so there is an excuse for you, not for us." "there is no excuse for diseases either if, fully realising what one is doing, one has missed one's opportunity of protecting oneself against them. but we are beginning to babble in aphorism and are consequently only on the way to half or quarter truths. let's go back to your quintette. i like the theme of the adagio best." george nodded. "i heard it once in palermo." "what," said leo, "is it supposed to be a sicilian melody?" "no, it rippled to me out of the waves of the sea when i went for a walk one morning along the shore. being alone is particularly good for my work, so is change of scene. that's why i promise myself all kinds of things from my trip." he told him about heinrich bermann's opera plot, which he found very stimulating. when heinrich came back again, leo was to make him seriously start on the libretto. "don't you know yet," said leo, "his father is dead?" "really? when? how do you know?" "it was in the paper this morning." they spoke about heinrich's relationship to the dead man and leo declared that the world would perhaps get on better if parents would more frequently learn by the experiences of their children instead of asking their children to adapt themselves to their own hoary wisdom. the conversation then turned on the relations between fathers and sons, on true and false kinds of gratefulness, on the dying of people one held dear, on the difference between mourning and grief, on the dangers of memory and the duty of forgetting. george felt that leo was a very serious thinker, was very solitary and knew how to be so. he felt almost fond of him when the door closed behind him in the late twilight hour and the thought that this man had been anna's first infatuation did him good. the remaining days passed more quickly than he anticipated, what with purchases, arrangements and all kinds of preparations. and one evening george and anna drove after each other to the station in two separate vehicles and jestingly greeted each other in the vestibule with great politeness, as though they had been distant acquaintances who had met by accident. "my dear fräulein rosner, what a fortunate coincidence! are you also going to munich by any chance?" "yes, herr baron." "hullo, that's excellent! and have you a sleeping-car, my dear fräulein?" "oh yes, herr baron, berth number five." "how strange now, i have number six." they then walked up and down on the platform. george was in a very good temper, and he was glad that in her english dress, narrow-brimmed travelling hat and blue veil anna looked like an interesting foreigner. they went the length of the entire train until they came to the engine, which stood outside the station and was sending violent puffs of light-grey steam up to the dark sky. outside green and red lamps glowed on the track with a faint light. nervous whistles came from somewhere out of the distance and a train slowly struggled out of the darkness into the station. a red light waved magically to and fro over the ground, seemed to be miles away, stopped and was suddenly quite near. and outside, shining and losing themselves in the invisible, the lines went their way to near and far, into night and morning, into the morrow, into the inscrutable. anna climbed into the compartment. george remained standing outside for a while and derived amusement from watching the other travellers, those who were in an excited rush, those who preserved a dignified calm, and those who posed as being calm--and all the various types of people who were seeing their friends off: the depressed, the jolly, the indifferent. anna was leaning out of the window. george chatted with her, behaved as though he had not the slightest idea of leaving and then jumped in at the last minute. the train went away. people were standing on the platform, incomprehensible people who were remaining behind in vienna, and who on their side seemed to find all the others who were now really leaving vienna equally incomprehensible. a few pocket-handkerchiefs fluttered. the station-master stood there impressively and gazed sternly after the train. a porter in a blue-and-white striped linen blouse held a yellow bag high up and looked inquisitively into every window. strange, thought george casually, there are people who are going away and yet leave their yellow bags behind in vienna. everything vanished, handkerchiefs, bags, station-master, station. the brightly-lighted signal-box, the gloriette, the twinkling lights of the town, the little bare gardens along the embankment; and the train whizzed on through the night. george turned away from the window. anna sat in the corner. she had taken off her hat and veil. gentle little tears were running down her cheeks. "come," said george, as he embraced her and kissed her on the eyes and mouth. "come, anna," he repeated even more tenderly, and kissed her again. "what are you crying for, dear? it will be so nice." "it's easy enough for you," she said, and the tears streamed on down her smiling face. they had a beautiful time. they first stopped in munich. they walked about in the lofty halls of the pinakothek, stood fascinated in front of the old darkening pictures, wandered into the glyptothek between marble gods, kings and heroes; and when anna with a sudden feeling of exhaustion sat down on a settee she felt george's tender glance lingering over her head. they drove through the english garden, over broad avenues beneath the still leafless trees, nestling close to each other, young and happy, and were glad to think that people took them for a honeymoon couple. and they had their seats next to each other at the opera, _figaro_, _the meistersingers_, and _tristan_, and they felt as though a resonant transparent veil were woven around them alone out of the notes they loved so well, which separated them from all the rest of the audience. and they sat, unrecognised by any one at prettily-laid little restaurant tables, ate, drank and talked in the best of spirits. and through streets that had the wondrous atmosphere of a foreign land, they wandered home to where the gentle night waited for them in the room they shared, slept peacefully cheek by cheek, and when they awoke there smiled to them from the window a friendly day with which they could do whatever they liked. they found peace in each other as they had never done before, and at last belonged to each other absolutely. then they travelled further to meet the call of the spring; through long valleys on which the snow shone and melted, then, as though traversing one last white winter dream, over the brenner to bozen, where they basked in the sunbeams at noon in the dazzling market-place. on the weather-worn steps of the vast amphitheatre of verona, beneath the cool sky of an easter evening, george found himself at last in sight of that world of his heart's desire into which a real true love was now vouchsafed to accompany him. his own vanished boyhood greeted him out of the pale reddish distance together with all the eternal memories, in which other men and women had their share as well. why, even a breath of those bygone days when his mother had still lived seemed to thrill already through this air with its familiar and yet foreign atmosphere. he was glad to see venice, but it had lost its magic and was as well known as though he had only left it yesterday. he was greeted in the piazza st. marco by some casual viennese acquaintances, and the veiled lady by his side in the white dress earned many an inquisitive glance. once only, late at evening, on a gondola journey through the narrow canals did the looming palaces, which in the daylight had gradually degenerated into artificial scenery, appear to him in all the massive splendour of the dark golden glories of their past. then came a few days in towns, which he scarcely knew or did not know at all, in which he had only spent a few hours as a boy, or had never been in at all. they walked into a dim church out of a sultry padua afternoon, and going slowly from altar to altar contemplated the simple glorious pictures in which saints accomplished their miracles and fulfilled their martyrdoms. on a dismal rainy day a jolty gloomy carriage took them past a brick-red fort, round which lay greenish-grey water in a broad moat, through a market-square where negligently dressed citizens sat in front of the café; among silent mournful streets, where grass grew between the cobble-stones, and they had perforce to believe that this pitifully-dying petty town bore the resounding name of ferrara. but they breathed again in bologna, where the lively flourishing town does not simply content itself with a mere pride in its bygone glories. but it was only when george gazed at the hills of fiesole that he felt himself greeted as it were by a second home. this was the town in which he had ceased to be a boy, the town in which the stream of life had begun to course through his veins. at many places memories floated up in his mind which he kept to himself; and when in the cathedral, where the florentine girl had given him her final look from beneath her bridal veil, he only spoke to anna about that hour in the altlerchenfelder church in that autumn evening, when they had both begun to talk with some dim presentiment about this journey, which had now become realised with such inconceivable rapidity. he showed anna the house in which he had lived nine years ago. the same shops in which coral-dealers, watch-makers and lace-dealers hawked their wares were still underneath. as the second story was to let george would have had no difficulty in seeing immediately the room in which his mother had died. but he hesitated for a long time to set foot in the house again. it was only on the day before their departure, as though feeling that he should not put it off any more, that alone and without any previous word to anna, he went into the house, up the stairs and into the room. the aged porter showed him round and did not recognise him. the same furniture was still all there. his mother's bedroom looked exactly the same as it had done ten years ago, and the same brown wooden bed with its dark-green silver embroidered velvet coverlet still stood in the same corner. but none of the emotions which george had expected stirred within him. a tired memory which seemed flatter and duller than it had ever been before, ran through his soul. he stayed a long time in front of the bed with the deliberate intention of conjuring up those emotions which he felt it was his duty to feel. he murmured the word "mother," he tried to imagine the way in which she had lain here in this bed for many days and nights. he remembered the hours in which she had felt better, and he had been able to read aloud to her or to play to her on the piano in the adjoining room. he looked at the little round table standing in the corner over which his father and felician had spoken in a soft whisper because his mother had just gone to sleep; and finally there arose up in his mind with all the sharp vividness of a theatrical scene the picture of that dreadful evening, when his father and brother had gone out, and he himself had sat at his mother's bedside quite alone with her hand in his ... he saw and heard it all over again. he remembered how she had suddenly felt ill after an extremely quiet day, how he had hurriedly opened the windows and the laughter and speeches of strange people had penetrated into the room with the warm march air, how she lay there at last with open eyes that were already blank, while her hair that only a few seconds ago had streamed in waves over her forehead and temple lay dry and dishevelled on the pillow, and her left arm hung down naked over the edge of the bed with still fingers stretched far apart. this image arose in his mind with such terrible vividness that he saw again mentally his own boyish face and heard once again his own long sobbing ... but he felt no pain. it was far too long ago--nearly ten years. "_e bellissima la vista di questa finestra_," suddenly said the porter behind him as he opened the window--and human voices at once rang into the room from down below just as they had done on that long-past evening. and at the same moment he heard his mother's voice in his ear, just as he had heard it then entreating, dying ... "george ... george" ... and out of the dark corner in the place where the pillows had used to lie he saw something pale shine out towards him. he went to the window and agreed: "_bellissima vista_," but in front of the beautiful view there lay as it were a dark veil. "mother," he murmured, and once again "mother" ... but to his own amazement he did not mean the woman who had borne him and had been buried long ago; the word was for that other woman, who was not yet a mother but who was to be in a few months ... the mother of a child of which he was the father. and the word suddenly rang out, as though some melody that had never been heard or understood before, were now sounding, as though bells with mystic chiming were swinging in the distant future. and george felt ashamed that he had come here alone, had, as it were, almost stolen here. it was now quite out of the question to tell anna that he had been here. the next day they took the train to rome. and while george felt fresher, more at home, more in the vein for enjoyment, with each succeeding day, anna began to suffer seriously from a feeling of exhaustion with increasing frequency. she would often remain behind alone in the hotel, while he strolled about the streets, wandered through the vatican, went to the forum and the palatine. she never kept him back, but he nevertheless felt himself bound to cheer her up before he went out, and got into the habit of saying: "well, you'll keep that for another time, i hope we shall soon be coming here again." then she would smile in her arch way, as though she did not doubt now that she would one day be his wife; and he himself could not help owning that he no longer regarded that development as impossible. for it had gradually become almost impossible for him to realise that they were to say goodbye for ever and to go their several ways this autumn. yet during this period the words with which they spoke about a remote future were always vague. he had fear of it, and she felt that she would be doing well not to arouse that fear, and it was just during these roman days, when he would often walk about alone in the foreign town for hours on end, that he felt as though he were at times slipping away from anna in a manner that was not altogether unpleasant. one evening he had wandered about amid the ruins of the imperial palace until the approach of dusk and from the height of the palatine hill he had seen the sun set in the campagna with all the proud delight of the man who is alone. he had then gone driving for a while along the ancient wall of the city to monte pincio, and when as he leant back in the corner of his carriage he swept the roofs with his look till he saw the cupola of st. peter's, he felt with deep emotion that he was now experiencing the most sublime hour of the whole journey. he did not get back to the hotel till late, and found anna standing by the window pale and in tears, with red spots on her swollen cheeks. she had been dying of nervousness for the last two hours, had imagined that he had had an accident, had been attacked, had been killed. he reassured her, but did not find the words of affection which she wanted, for he felt in some unworthy way a sense of being tied and not free. she felt his coldness and gave him to understand that he did not love her enough; he answered with an irritation that verged on despair. she called him callous and selfish. he bit his lip, made no further answer, and walked up and down the room. still unreconciled they went into the dining-room, where they took their meal in silence, and went to bed without saying good-night. the following days were under the shadow of this scene. it was only on the journey to naples, when they were alone in the compartment, that in their joy over the new scenery to which they were flying they found each other again. from henceforward he scarcely left her a single minute, she seemed to him helpless and somewhat pathetic. he gave up visiting museums since she could not accompany him. they drove together to posilippo and walked in the villa nationale. in the excursion through pompeii he walked next to her sedan-chair like a patient affectionate husband, and while the guide was giving his descriptive account in bad french, george took anna's hand, kissed it and endeavoured in enthusiastic words to make her share in the delight that he himself felt once more in this mysterious roofless town, which after a burial of two thousand years had gradually returned street by street, house by house, to meet the unchanging light of that azure sky. and when they stopped at a place where some labourers were just engaged in extricating with careful movements of their shovels a broken pillar out of the ashes he pointed it out to anna with eyes which shone as brightly as though he had been storing up this sight for her for a long time, and as though everything which had happened before had simply been leading up to the fulfilment of his purpose of taking her to this particular place at this particular minute and showing her this particular wonder. on a dark blue may night they lay in two chairs covered with tarpaulins on the deck of the ship that was taking them to genoa. an old frenchman with clear eyes, who had sat opposite them at dinner, stood near them for a while and drew their attention to the stars that hung in the infinitude like heavy silver drops. he named some of them by name, politely and courteously, as though he felt it incumbent upon him to introduce to each other the shining wanderers of heaven and the young married couple. he then said good-night and went down into his cabin. but george thought of his lonely journey over the same route and under the same sky in the previous spring after his farewell from grace. he had told anna about her, not so much from any emotional necessity, as in order to free his past from that atmosphere of sinister mystery in which it often seemed to anna to disappear, by the conjuring up into life of a specific shape and the designation of a specific name. anna knew of labinski's death, of george's conversation with grace at labinski's grave, of george's stay with her in sicily. he had even shown her a picture of grace; and yet he thought to himself with a slight shudder how little anna herself knew of this very epoch of his life, which he had described to her with an almost reckless lack of reserve; and he felt how impossible it was to give any other person any idea of a period which that person had not actually lived through, and of the contents of so many days and nights every minute of which had been full of vivid life. he realised the comparative insignificance of the little lapses from truth of which he frequently allowed himself to be guilty in his narrative, compared with that ineradicable taint of falseness to which every memory gives birth on its short journey from the lips of one person to the ear of another. and if anna herself at some later time wanted to describe to some friend, some new lover, as honestly as she possibly could, the time which she spent with george, what after all could that friend really learn? not much more than a story such as he had read hundreds of times over in books: a story of a young creature who had loved a young man, had travelled about with him, had felt ecstasy and at times tedium, had felt herself at one with him, and yet had frequently felt lonely. and even if she should make an attempt to give a specific account of every minute ... there still remained an irrevocable past, and for him who has not lived through it himself the past can never be the truth. the stars glistened above him. anna's head had sunk slowly upon his breast and he supported it gently with his hands. only the slight ripple in the depths betrayed that the ship was sailing onward. but it still went on towards the morning, towards home, towards the future. the _hour_ which had loomed over them so long in silence seemed now about to strike and to begin. george suddenly felt that he no longer had his fate in his own hand. everything was going its course. and he now felt in his whole body, even to the hairs of his head, that the ship beneath his feet was relentlessly hurrying forward. they only remained a day in genoa. both longed for rest, and george for his work as well. they meant to stay only a few weeks at an italian lake and to travel home in the middle of june. the house in which anna was going to live would be bound to be ready by then. frau golowski had found out half-a-dozen suitable ones, sent specific details to anna and was waiting for her decision, though she still continued looking for others in case of emergency. they travelled from milan to genoa, but they could not stand the noisy life of a town any longer and left for lugano the very next day. they had been staying here for a period of four weeks and every morning george went along the road which took him, as it did to-day, along the cheerful shore of the lake, past _paradiso_ to the bend, where there was a view which every time he longed to see again. only a few days of their stay were still before them. in spite of the excellent state of anna's health since the beginning of their stay the time had arrived to return to the vicinity of vienna, so as to be able to be ready confidently for all emergencies. the days in lugano struck george as the best he had experienced since his departure from vienna. and he asked himself during many a beautiful moment, if the time he was spending here was not perhaps the best time of his whole life. he had never felt himself so free from desire, so serene both in anticipation and memory, and he saw with joy that anna also was completely happy. expectant gentleness shone in her forehead, her eyes gleamed with arch merriment, as at the time when george had wooed for their possession. without anxiety, without impatience and lifted by the consciousness of her budding motherhood far above the memory of home prejudices or any question of future complications, she anticipated with ecstasy the great hour when she was to give back to the waiting world as an animate creature, that which her body had drunk in during a half-conscious moment of ecstasy. george saw with joy the maturing in her of the comrade that he had hoped to find in her from the beginning, but who had so frequently escaped him in the course of the last few months. in their conversations about his works (all of which she had carefully gone through), about the theory of the song, about the more general musical questions, she revealed to him more knowledge and feeling than he had ever suspected she had in her. and he himself, though he did not actually compose much, felt as though he were making real strides forward. melodies resounded within him, harmonies heralded their approach, and he remembered with deep understanding a remark of felician's, who had once said after he had not had a sword in his hand for months on end, that his arm had had some good ideas during this period. the future, too, occasioned him no anxiety. he knew that serious work would begin as soon as he got back to vienna, and then his way would lie before him, clear and unencumbered. george stood for a long time by the bend in the road which had been the object of his walk. a short broad tongue of land, thickly overgrown with low shrubs, stretched from here straight into the lake, while a narrow gently sloping path led in a few steps to a wooden seat which was invisible from the street and on which george was always accustomed to sit down a little before returning to the hotel. "how many more times," he could not help thinking to-day. "five or six times perhaps and then back to vienna again." and he asked himself what would happen if they did not go back, if they settled down in some house somewhere in italy or switzerland, and began to build up with their child a new life in the double peacefulness of nature and distance. what would happen?... nothing. scarcely any one would be particularly surprised. and no one would miss either him or her, miss them with real grief. these reflections made his mood flippant rather than melancholy; the only thought that made him depressed was that he was frequently overcome by a kind of homesickness, a kind of desire in fact to see certain specific persons. and even now, while he was drinking in the lake air, surrendering himself to the blue of this half foreign, half familiar sky above him and enjoying all the pleasure of solitude and retirement, his heart would beat when he thought of the woods and hills around vienna, of the ringstrasse, the club and his big room with the view of the stadtpark. and he would have felt anxious if his child had not been going to be born in vienna. it suddenly occurred to him that another letter from frau golowski must have arrived to-day together with many other communications from vienna, and he therefore decided to take the road round by the post-office before going back to the hotel. for following his habit during the whole trip he had his letters addressed there and not to the hotel, since he felt that this would give him a freer hand in dealing with any outside emergency. he did not, as a matter of fact, get many letters from vienna. there was usually in spite of their brevity a certain element in heinrich's letters which, as george quite appreciated, was less due to any particular need of sympathy on the part of the author than to the circumstance that it was an integral part of his literary calling to breathe the breath of life into all the sentences which he wrote. felician's letters were as cool as though he had completely forgotten that last heartfelt talk in george's room and that brotherly kiss with which they had taken leave of each other.... he presumes, no doubt, thought george, that his letters will be read by anna too, and does not feel himself bound to give this stranger an insight into his private affairs and his private feelings. nürnberger had sent a few short answers to george's picture-postcards, while in answer to a letter from rome, in which george had referred to his sincere appreciation of the walks they had had together in the early spring, nürnberger expressed his regret in ironically apologetic phrases that he had told george on those excursions such a lot about his own family affairs which could not interest him in the slightest. a letter from old eissler had reached him at naples, informing him that there was no prospect of a vacancy for the following year at the detmold court theatre, but that george had been invited through count malnitz to be present at the rehearsals and performances as a "visitor by special request," and that this was an opportunity which might perhaps pave the way to something more definite in the future. george had given the proposition his polite consideration, but had little inclination for the time being to stay in the foreign town for any length of time with such vague prospects, and had decided to look out for a permanent appointment as soon as he arrived at vienna. apart from this there was no personal note in any of the letters from home. the remembrances to him which frau rosner felt in duty bound to append to her letters to her daughter made no particular appeal, although recently they had been addressed not to the herr baron but to george. he felt certain that anna's parents were simply resigned to what they could not alter, but that they felt it grievously all the same, and had not shown themselves as broad-minded as would have been desirable. in accordance with his habit george did not go back along the bank. passing through narrow streets between garden walls, then under arcades and finally over a wide space from which there was another clear view of the lake, he arrived in front of the post-office, whose bright yellow paint reflected the dazzling rays of the sun. a young lady whom george had already seen in the distance walking up and down the pavement, remained standing as he approached. she was dressed in white and carried a white sunshade spread out over a broad straw hat with a red ribbon. when george was quite near she smiled, and he now suddenly saw a well-known face beneath the white spotted tulle veil. "is it really you, fräulein therese?" he exclaimed as he took the hand which she held out to him. "how do you do, baron?" she replied innocently, as though this meeting were the most ordinary event imaginable. "how is anna?" "very well, thanks. of course you will come and see her?" "if i may." "but tell me now, what are you doing here? can it be that you"--and his glance swept her in amazement from top to toe--"are making a political tour?" "i can't exactly say that," she replied, pushing out her chin, without that movement having its usual effect of making her face appear ugly, "it's more of a holiday jaunt." and her face shone with a genuine smile as she saw george's glance turn towards the door, from which demeter stanzides had just come out in a striped black-and-white flannel suit. he lifted his grey felt hat in salutation and shook hands with george. "good-morning, baron. glad to see you again." "i am very glad, too, herr stanzides." "no letter for me?" therese turned to demeter. "no, therese. only a few cards for me," and he put them in his pocket. "how long have you been here?" inquired george, endeavouring to exhibit as little surprise as possible. "we arrived yesterday," replied demeter. "straight from vienna?" asked george. "no, from milan. we have been travelling for eight days. we were first in venice, that is the orthodox thing to do," added therese, pulled down her veil and took demeter's arm. "you been away much longer?" said demeter. "i saw a card from you some weeks back at ehrenbergs', the house of the vettii, pompeii." "yes, i've had a wonderful trip." "well, we'll have a look round the place a bit," said therese, "and besides, we don't want to detain the baron any more. i am sure he wants to go and fetch his letters." "oh, there is no hurry about that. anyway, we'll see each other again." "will you give us the pleasure, baron," said demeter, "of lunching with us to-day at the europe? that's where we put up." "thanks very much, but i'm afraid it's impossible. but ... but perhaps you could manage to dine with ... with ... us at the park hotel, yes? at half-past seven if that's all right for you. i'll have it served in the garden, under an awfully fine plane-tree, where we usually take our meals." "yes," said therese, "we accept with thanks. perhaps i'll come in an hour earlier and have a quiet chat with anna." "good," replied george, "she will be very glad." "well, till the evening, baron," said demeter, shook hands with him heartily and added: "please give my kind regards at home." therese flashed george an appreciative look, and then went on her way with demeter towards the bank of the lake. george looked after them. if i hadn't known her, he thought, demeter could have introduced her to me straight away as his wife, née princess x. how strange, those two.... he then went into the hall, had his correspondence given to him at the counter and ran cursorily through it. the first thing which caught his eye was a card from leo golowski. there was nothing on it except "dear george, mind you have a good time." then there was a card from the waldsteingarten in the prater, "we have just emptied our glasses to the health of our runaway friend. guido schönstein, ralph skelton, the rattenmamsell." george wanted to read the letters from felician, frau rosner and heinrich quietly at home with anna. he was also in a hurry to inform anna of the news of the strange couple's arrival. he was not quite free from anxiety, for anna's conventional instincts had a knack of waking up occasionally in a quite unexpected manner. anyway, george decided to tell her of his invitation to demeter and therese as though it were an absolute matter of course and was quite ready, in case she should feel hurt or irritated or even have doubts about the matter, to oppose such an attitude firmly and resolutely. he himself was very glad of the evening which was before him after the many weeks that he had spent exclusively in anna's society. he almost felt a little envious of demeter, who was on an irresponsible pleasure-trip like he himself when he had gone travelling with grace in the previous year. then it occurred to him that he liked therese better than ever. in spite of the numerous pretty women whom he had met in the course of the last month he had never felt seriously tempted, even though anna was losing more and more of her womanly grace. to-day for the first time he felt a desire for new embraces. he soon saw anna's light-blue morning dress shining through the railings of the balcony. george whistled the first notes of beethoven's fifth symphony, which was his usual method of announcing himself, and the pale gentle face of his beloved immediately appeared over the railings and her big eyes greeted him with a smile. he held up the packet of letters, she nodded with pleasure and he hurried quickly up to her room and on to the balcony. she was reclining in a cane chair in front of the little table with the green coverlet, on which some needlework was lying, as was nearly always the case when george came home from his morning walk. he kissed her on the forehead and on the mouth. "well, whom do you think i met?" he asked hurriedly. "else ehrenberg," answered anna, without considering. "what an idea? how could she get here?" "well," said anna slyly, "she might have travelled off to find you." "she might, but she didn't. so guess again. i give you three guesses." "heinrich bermann." "nowhere near it. besides there is a letter from him. so guess again." she reflected. "demeter stanzides," she then said. "what, do you really know something?" "what should i know? is he really here?" "by jove, you are positively blushing. ho ho!" he knew of her weakness for demeter's melancholy cavalier beauty but did not feel the slightest trace of jealousy. "so it is stanzides?" she asked. "yes, it is stanzides right enough. but with all the will in the world i can't find anything remarkable about that. it's not remarkable, either. but if you guess whom he is with...." "with sissy wyner." "but...." "well, i was thinking of marriage.... that happens too sometimes." "no, not with sissy, and not married, but with your friend therese, and as unmarried as possible." "get along...." "i tell you, with therese. they've been travelling for eight days. what have you got to say to that? they have been in venice and milan. had you any idea of it?" "no." "really not?" "really not. you know of course that therese only once wrote me a line, and you read her letter with your well-known interest." "you're not astonished enough." "good gracious, i always knew that she had good taste." "so has demeter," exclaimed george with conviction. "elective affinities," remarked anna, elevating her eyebrows, and went on crocheting. "and so this is the mother of my child," said george, with a merry shake of his head. she looked at him with a smile. "when is she coming to see me, then?" "in the afternoon about six, i think. and ... and stanzides is coming too ... a bit later. they are going to dine with us. you don't mind?" "mind? i'm very glad," replied anna simply. george was agreeably surprised. if anna in her present condition had met stanzides in vienna!... he thought. how being away from one's usual environment frees and purifies! "what news did they tell you?" asked anna. "we stood chatting together at the post-office for scarcely three minutes. he sends his regards to you, by the way." anna made no answer and it seemed to george as though her thoughts were travelling again on extremely conventional lines. "have you been up long?" he asked quickly. "yes, i have been sitting here on the balcony for quite a long time. i even went to sleep a bit, the air is so enervating to-day somehow. and i dreamed, too." "what did you dream about?" "of the child," she said. "again?" she nodded. "just the same as the other day. i was sitting here on the balcony in my dream, and had it in my arms at the breast...." "but what was it, a boy or a girl?" "i don't know. just a child. so tiny and so sweet. and the joy was so.... no i won't give it up," she said softly with closed eyes. he stood leaning on the railing and felt the light noon wind stroke his hair. "if you don't want to give it out to nurse," he said, "well you mustn't." and the thought ran through his mind, "wouldn't it be the most convenient thing to marry her?..." but something or other kept him back from saying so. they were both silent. he had laid the letters in front of him on the table. he now took them up and opened one. "let's see, first, what your mother writes?" he said. frau rosner's letter contained the news that all was well at home, that they would all be very glad to see anna again, and that josef had got a post on the staff of the _volksbote_ with a salary of fifty gulden a month. further, an inquiry had come from frau bittner as to when anna was coming back from dresden, and if it was really certain that she would be back again next autumn, because otherwise they would of course have to look about for a new teacher.... anna stood motionless and expressed no opinion. then george read out heinrich's letter. it ran as follows: "dear george, "i am very glad that you will be back so soon, and prefer to tell you so to-day, because once you are there i shall never tell you how very glad i shall be to see you. a few days ago, when i went for a lonely cycle ride along the danube, i genuinely missed you. what an overwhelming atmosphere of loneliness these banks have! i remember having once felt like that five or six years ago on a sunday, when i was in what is technically known as 'jolly company,' and was sitting in the kloster-neuburger beer-house in the large garden with its view of the mountains and the fields. how it ascends from the depths of the waters, loneliness i mean, which certainly is quite a different thing to what one usually thinks it is. it is very far from being the opposite of society. yet it is only perhaps when one is with other people that one has a right to feel lonely. just take this as an aphoristical humorously untrue special supplement, or treat it as such and lay it aside. to come back to my ride along the banks of the danube--it was on that same rather sultry evening that i had all kinds of good ideas, and i hope soon to be able to tell you a lot of startling news about ägidius, for that's the name that the murderous melancholy youth has got at last, about the deep-thinking impenetrable prince, about the humorous duke heliodorus, the name by which i have the honour of introducing to you the princess's betrothed, and especially about the princess herself, who seems to be a far more remarkable person than i originally supposed." "that's to do with the opera plot?" asked anna, dropping her work. "of course," replied george, and went on reading. "you must also know, my dear friend, that i have finished during the last week some verses for the first act, which so far are not particularly immortal, verses which until some further development, so long i mean, as they are without your music, will hop about the world like wingless angels. the subject-matter appeals to me extraordinarily, and i myself am curious to know what i am really going to make of it. i've begun all kinds of other things as well ... sketched things out ... thought things over. and to put it shortly and with a certain amount of cheek i feel as though a new phase were heralding itself within me. this sounds of course greater cheek than it really is. for chimney-sweeps, ice-cream vendors and colour-sergeants have their phases as well. people of our temperament always recognise it at once. what i regard as very probable is that i shall soon leave the fantastic element in which i now feel so much at home, and will either move up or move down into something extremely real. what would you say, for example, if i were to go in for a political comedy? i feel already that the word 'real' is not quite the right one. for in my view politics is the most fantastic element in which persons can possibly move, the only thing is they don't notice it.... this is the point i ought to drive home. this occurred to me the other day when i was present at a political meeting (untrue, i always get these thoughts). yes--a meeting of working men and women in the brigittenau in which i found myself next to mademoiselle therese golowski, and at which i was compelled to hear seven speeches about universal suffrage. each of the speakers--therese was one of them, too--spoke just as though the solution of that question was the most important thing in the world to him or her personally, and i don't think that any of them had an idea that the whole question was a matter of colossal indifference to them at the real bottom of their hearts. therese was very indignant of course when i enlightened her on the point, and declared that i had been infected by the poisonous scepticism of nürnberger, of whom as a matter of fact i'm seeing far too much. she always makes a point of running him down, since he asked her some time ago in the café whether she was going to have her hair done high or in plaits at her next trial for high treason. anyway, i find it very nice seeing a lot of nürnberger. when i'm having my bad days, there is no one who receives me with more kindness. only there are many days whose badness he doesn't suspect or doesn't want to know of. there are various troubles which i feel that he fails to appreciate and which i've given up talking to him about." "what does he mean?" interrupted anna. "the affair with the actress, clearly," replied george, and went on reading. "on the other hand he is inclined to make up for that by taking other troubles of mine too seriously. that is probably my fault and not his. he manifested a sympathy towards me for the loss i sustained by my father's death, which i confess made me positively ashamed; for though it hit me dreadfully hard we had grown so aloof from one another quite a long time before his madness burst upon him, that his death simply signified a further and more ghastly barrier rather than a new experience." "well?" asked anna, as george stopped. "i've just got an idea." "what is it?" "nürnberger's sister lies buried in the cadenabbia cemetery. i told you about her. i'll run over one of these days." anna nodded. "perhaps i'll go too, if i feel all right. from all i hear of him i find nürnberger much more sympathetic than that horrible egoist your friend heinrich." "you think so?" "but really, the way he writes about his father. it is almost intolerable." "hang it all! if people who have grown so estranged as those two----" "all the same, i haven't really very much in common with my own parents temperamentally either, and yet.... if i.... no, no, i prefer not to talk about such things. won't you go on reading?" george read: "there are more serious things than death, things which are certainly sadder, because these other things lack the finality which takes away the sadness of death, if viewed from the higher standpoint. for instance, there are living ghosts who walk about the streets in the clear daylight with eyes that have died long ago and yet see, ghosts who sit down next to one and talk with a human voice that has a far more distant ring than if it came from a grave. and one might go so far as to say that the essential awfulness of death is revealed to a far greater extent in moments when one has experiences like this, than at those times when one stands near and watches somebody being lowered into the earth ... however near that somebody was." george involuntarily dropped the letter and anna said with emphasis: "well, you can certainly keep him to yourself--your friend heinrich." "yes," replied george slowly. "he is often a bit affected, and yet ... hallo, there goes the first bell for lunch. let's read quickly through to the end." "but i must now tell you what happened yesterday: the most painful and yet ridiculous affair which i have come across for a long time, and i am sorry to say the persons concerned are our good friends the ehrenbergs, father and son." "oh," cried anna involuntarily. george had quickly run through the lines which followed and shook his head. "what is it?" inquired anna. "it is.... just listen," and he went on reading. "you are no doubt aware of the growing acuteness of the relations between oskar and the old man in the course of the last year. you also know the real reasons for it, so that i can just inform you of what has taken place without going into the motives for it any further. well, it's just like this. yesterday oskar passes by the church of st. michael about twelve o'clock midday and takes off his hat. you know that at the present time piety is about the smartest craze going, and so perhaps it is unnecessary to go into any further explanation, as, for example, that a few young aristocrats happened just to be coming out of church and that oskar wanted to behave as a catholic for their special benefit. god knows how often he has previously been guilty of this imposture without being found out, but as luck would have it, it happens yesterday that old ehrenberg comes along the road at the same moment. he sees oskar taking off his hat in front of the church door ... and attacked by a fit of uncontrollable rage he gives his offspring a box on the ears then and there. a box on the ears! oskar the lieutenant in the reserve! midday in the centre of the town! so it is not particularly remarkable that the story was known all over the town the very same evening. it is already in some of the papers to-day. the jewish ones leave it severely alone, except for a few scandal-mongering rags, the anti-semitic ones of course go for it hot and strong. the _christliche volksbote_ is the best, and insists on both the ehrenbergs being brought before a jury for sacrilege or blasphemy. oskar is said to have travelled off, no one knows where, for the time being." "a nice family!" said anna with conviction. george could not help laughing against his will. "my dear girl, else is really absolutely innocent of the whole business." the bell rang for the second time. they went into the dining-room and took their places at a little table by the window which was always laid for them alone. scarcely more than a dozen visitors were sitting at the long table in the middle of the room, mostly englishmen and frenchmen, and also a man no longer in the first flush of youth, who had been there for two days and whom george took for an austrian officer in _mufti_. anyway he bothered about him as little as he did about the others. george had put heinrich's letter in his pocket. it occurred to him that he had not yet read it through to the end, and he took it out again over the coffee and perused the remainder. "what more does he write?" asked anna. "nothing special," answered george. "about people who probably wouldn't interest you particularly. he seems to have got in again with his café set; more in fact than he likes and clearly more than he owns up to." "he'll fit in all right," said anna flippantly. george smiled reflectively. "it is a funny set anyway." "and what is the news with them?" asked anna. george had put the letter down by the cup and now looked at it. "little winternitz ... you know ... the fellow who once recited his poems to me and heinrich last winter ... is going to berlin as reader to a newly-founded theatre. and gleissner, the man who stared at us once so in the museum...." "oh yes, that abominable fellow with the eyeglass." "well, he declares that he is going to give up writing to devote himself exclusively to sport...." "to sport?" "yes, quite a sport of his own. he plays with human souls." "what?" "just listen." he read: "this buffoon is now asserting that he is simultaneously engaged in the solution of the two following psychological problems, which supplement each other in quite an ingenious way. the first is to bring a young and innocent creature to the lowest depth of depravity, while the second is to make a prostitute into a saint, as he puts it. he promises that he will not rest until the first one finishes up in a brothel, and the second one in a cloister." "a nice lot," remarked anna and got up from the table. "how the sound carries over here," said george and followed her into the grounds. a dark-blue day, heavy with the sun, was resting on the tops of the trees. they stood for a while by the low balustrade which separated the garden from the street and looked over the lake to the mountains looming behind silver-grey veils that fluttered in the sunlight. they then walked deeper into the grounds, where the shade was cooler and darker, and as they walked arm-in-arm over the softly-crunching gravel along the high brown ivy-grown walls, and looked in at the old houses with their narrow windows, they chatted about the news that had arrived that day, and for the first time a slight anxiety rose up in their minds at the thought that they would so soon have to leave the friendly secrecy of foreign lands for home, where even the ordinary stereotyped day seemed full of hidden dangers. they sat down beneath the plane-tree at the white lacquered table. this place had always been kept free for them, as though it had been reserved. the newly-arrived austrian gentleman, however, had sat there yesterday afternoon, but driven away by a disapproving glance of anna's had gone away after a polite salutation. george hurried up to his room and fetched a few books for anna and a volume of goethe's poems and the manuscript of his quintette for himself. they both sat there, read, worked, looked up at times, smiled at each other, exchanged a few words, peered again into their books, looked over the balustrade into the open, and felt peace in their souls and summer in the air. they heard the fountain plashing quite near them behind the bushes, while a few drops fell upon the surface of the water. frequently the wheels of a carriage would crunch along on the other side of the high wall, at times faint distant whistles would sound from the lake, and less frequently human voices would ring into the garden from the road along the bank. the day, drunken to the full with sunlight, lay heavy on the tree-tops. later on the noise and the voices increased in volume and number with the gentle wind which was wafted from the lake every afternoon. the beat of the waves on the shore was more audible. the cries of the boatman resounded: on the other side of the wall there rang out the singing of young people. tiny drops from the fountain were sprinkled around. the breath of approaching evening woke once more human beings, land and water. steps were heard on the gravel. therese, still in white, came quickly through the avenue. george got up, went a few steps to meet her and shook hands. anna wanted to get up, too, but therese would not allow it, embraced her, gave her a kiss on the cheek and sat down by her side. "how beautiful it is here!" she exclaimed; "but haven't i come too early?" "what an idea! i'm really awfully glad," replied anna. therese considered her with a scrutinising smile and took hold of both her hands. "well, your appearance is reassuring," she said. "i am very well, as a matter of fact," replied anna, "and you look as if you were too," she joked good-humouredly. george's eyes rested on therese, who was again dressed in white, as she had been in the morning, though now more smartly in english embroidered linen, with a string of light pink corals round her bare throat. while the two women were discussing the strange coincidence of their meeting george got up to give the orders for dinner. when he returned to the garden the two others were no longer there. he saw therese on the balcony with her back leaning against the railing, talking with anna, who was invisible and was presumably in the depths of the room. he felt in good form and walked up and down the avenue, allowed melodies to sing themselves within him, was conscious of his youth and happiness, threw an occasional glance up to the balcony or towards the street, beyond the balustrade, and at last saw demeter stanzides arriving. he went to meet him. "glad to see you," he cried out in welcome from the garden gate. "the ladies are upstairs in the room but will be turning up soon. would you like to have a look at the grounds in the meanwhile?" "delighted." they went on walking together. "do you intend to stay much longer in lugano?" asked george. "no, we go to-morrow to bellaggio, from there to lake maggiore, isola bella. a really good time never lasts. we have got to be home again in a fortnight." "such short leave?" "oh, it is not on my account, but therese has got to go back. i am quite a free man. i have already sent in my papers." "so you seriously mean to retire to your estate?" "my estate?" "yes, i heard something to that effect at ehrenbergs'." "but i haven't got the estate yet, you see. it is simply in the stage of negotiations." "and where are you going to buy one? if it is not a rude question." "where the foxes say good-night to each other. the last place you would think of. on the hungarian-croatian frontier, very lonely and remote but very remarkable. i have a certain sympathy for the district. youthful memories. i spent three years there as a lieutenant. of course i think i shall grow young again there. well, who knows?" "a fine property?" "not bad. i saw it again two months ago. i knew it of course in the old days, it then belonged to count jaczewicz, finally to a manufacturer. then his wife died. he now feels lonely down there and wants to get rid of it." "i don't know," said george, "but i imagine the neighbourhood a little melancholy." "melancholy! well, it seems to me that at a certain period of one's life every neighbourhood acquires a melancholy appearance." and he looked round the balcony, as though to evolve from his surroundings a new proof of the truth of his words. "at what period?" "well, when one begins to get old." george smiled. demeter struck him as so handsome and as still young in spite of the grey hairs on his temple. "how old are you then, herr stanzides? if it isn't a rude question." "thirty-seven. i don't say i am old, but i am getting old. men usually begin to talk about getting old when they have been old for a long time." they sat down on the seat at the end of the garden, just where it runs into the wall. they had a view of the hotel and of the great terrace on the garden. the upper storeys with their verandahs were hidden from them by the foliage of the trees. george offered demeter a cigarette and took one himself. and both were silent for a while. "i heard that you, too, are leaving vienna," said demeter. "yes, that's very probable ... if of course i get a job in some opera. well, even if it isn't this year it is bound to be next." demeter sat with legs crossed over each other, gripped one of them tightly by the knee, and nodded. "yes, yes," he said, and blew the smoke slowly through his lips in driblets. "it is really a fine thing to have a talent. in that case one is bound to feel a bit different sometimes, even about beginning to grow old. that is really the one thing i could envy a man for." "you have no reason to at all. anyway, people with talent are not really to be envied. at any rate, only people with genius. and i envy them probably even more than you do. but i think that talents like yours are something much more definite, something much sounder so to speak. of course one doesn't always happen to be in form.... but at any rate, one always achieves something quite respectable if one can do anything at all, while people in my line, if they are not in form are no better than old age pensioners." demeter laughed. "yes, but an artistic talent like yours lasts longer and develops more and more as the years go on. take beethoven, for instance. the ninth symphony is really the finest thing he did. don't you think so. and what about the second part of _faust_?... while we are bound to go back as the years go on--we can't help it--even the beethovens amongst us. and how early it begins, apart from quite rare exceptions! i was at my prime for instance at twenty-five. i've never done again what i had in me at twenty-five. yes, my dear baron, those were times." "come, i remember seeing you win a race two years ago against buzgo, who was the favourite then.... why, i even betted on him...." "my dear baron," interrupted stanzides, "you take it from me, i know the reason why i left off improving. one can feel a thing like that oneself. and that's why no one knows so well as the sportsman when he's beginning to grow old. and then no further training is any good. the whole thing then becomes purely artificial. and if any one tells you that that's not the case, then he's simply ... but here come the ladies." they both got up. therese and anna were approaching arm-in-arm, one all in white, the other in a black dress, which falling to the ground in wide folds completely hid her figure. the couples met by the fountain. demeter kissed anna's hand. "what a beautiful spot i have the good fortune to see you again in, my dear lady." "it is a pleasant surprise to me, too," replied anna, "quite apart from the scenery." "do you know," said george to anna, "that these good people are travelling off again to-morrow?" "yes, therese has told me." "we want to see as much as possible," explained demeter, "and so far as my recollection goes the other lakes in upper italy are even more magnificent than the one here." "i don't know anything about the others," said anna. "we haven't done them yet." "well, perhaps you will take the opportunity," said demeter, "and make up a party with us for a little tour: bellaggio, pallanza, isola bella." anna shook her head. "it would be very nice but unfortunately i can't get about enough. yes, i am incredibly lazy. there are whole days when i never go out of the grounds. but if george fancies running away from me for a day or two, i don't mind at all." "i have no intention at all of running away from you," said george. he threw a quick glance at therese, whose eyes were sparkling and laughing. they all strolled slowly through the garden while it gradually became dusk, and chatted about the places they had recently seen. when they came back to the table under the plane-tree it was laid for dinner and the fairy-lights were burning in the glass holders. the waiter was just bringing the asti in a bucket. anna sat down on the seat, which had the trunk of the plane-tree for its back. therese sat opposite her and george and demeter on either side. the meal was served and the wine poured out. george inquired after their viennese acquaintances. demeter told them that willy eissler had brought back from his trip some brilliant caricatures both of hunters and of beasts. old ehrenberg had bought the pictures. "do you know about the oskar affair yet?" said george. "what affair?" "oh, the affair with his father in front of st. michael's church." he remembered that he had thought of telling demeter the story some time back before the ladies had appeared, but that he had thought it right to suppress it. it was the wine, no doubt, which now loosened his tongue against his will. he told them briefly what heinrich had written him. "but this is an extremely sad business," said demeter, very much moved, and all the others immediately felt more serious. "why is it a sad business?" asked therese. "i think it is enough to make one laugh till one cried." "my dear therese, you don't consider the consequences it may have for the young man." "good gracious, i know well enough. it will make him impossible in a certain set, but that won't do more than make him realise what a silly ass he has been up to the present." "well," said george, "if oskar really is one of those people who can be made to realise anything.... but i really don't think so." "apart from the fact, my dear therese," added demeter, "that what you call realising doesn't necessarily mean seeing things in their proper light. all sets of people have their prejudices. even you are not free from them." "and what prejudices have we got, i should like to know?" cried therese, and emptied her glass of wine angrily. "we only want to clear away certain prejudices, particularly the prejudice that there is this privileged caste who regard it as a special honour...." "excuse, me, therese dear, but you are not at a meeting now, and i am afraid that the applause at the conclusion of your speech will turn out much fainter than you are accustomed to." "look here," therese turned to anna, "this is how a cavalry officer argues." "i beg your pardon," said george, "the whole business has scarcely anything at all to do with prejudices. a box on the ears in the public street, even though it is from one's own father.... i don't think one has got to be an officer in the reserve or a student." "that box on the ears," cried therese, "gives me a real sense of relief. it represents the well-merited conclusion of a ridiculous and superfluous existence." "conclusion! we hope it's not that," said demeter. "my letter says," replied george, "that oskar has travelled off, no one knows where." "if i am sorry for any one in the business," said therese, "it is certainly for the old man, who, good-hearted fellow that he is, is probably regretting this very day the unpleasant position in which he has placed his beastly snob of a son." "good-hearted!" exclaimed demeter. "a millionaire! a factory owner!... my dear therese...!" "yes, it does happen sometimes. he happens to be one of those people who are at one with us at the bottom of their soul. you remember the evening, demeter, when you had the pleasure of seeing me for the first time. do you know why i was at ehrenbergs' then?... and do you know the object for which he gave me straight away a thousand gulden...? to...." she bit her lips. "i mustn't say, that was the condition." suddenly demeter got up and bowed to somebody who had just passed. it was the austrian gentleman who had arrived yesterday. he lifted his hat and vanished in the darkness of the garden. "do you know that man?" asked george, after a few seconds. "i also seem to know him, but who is it?" "the prince of guastalla," said demeter. "really!" exclaimed therese involuntarily, and her eyes pierced into the darkness. "what are you looking at him for?" said demeter. "he is just a man like any one else." "he is supposed to be banished from court," said george, "isn't he?" "i know nothing about that," replied demeter, "but he is certainly not a favourite there. he recently published a pamphlet about certain conditions in our army, particularly the life of the officers in the provinces. it went very much against him, although as a matter of fact there is nothing really bad in it." "he should have applied to me about that," said therese. "i could have given him a tip or two." "my dear child," said demeter deprecatingly, "what you are probably referring to again is simply an exceptional case. you shouldn't jump at once into generalities." "i am not generalising, but a case like that is sufficient to damn the whole...." "don't make a speech, therese...." "i am speaking about leo." therese turned to george. "it is really awful what he has been going through this year." george suddenly remembered that therese was leo's sister, as though it were a most remarkable thing which he had completely forgotten. did he know that she was here and whom she was with? demeter bit his lips somewhat nervously. "there is an anti-semitic first-lieutenant, you know," said therese, "who rags him in a particularly mean way because he knows how leo despises him." george nodded. he knew all about it. "my dear child," said demeter, "i can't make it out, as i have already told you several times. i happen to know first-lieutenant sefranek, and i assure you it is possible to get on with him. he is not particularly clever, and it may be quite right to say that he has got no particular liking for the israelites, but after all one must admit that there are a lot of so-called opprobrious anti-semitic expressions which really have no significance at all, and which, so far as my experience goes, are used by jews quite as much as by christians. and your worthy brother certainly suffers from a morbid sensitiveness." "sensitiveness is never morbid," retorted therese. "it is only lack of sensitiveness which is a disease, and the most loathsome one i know as a matter of fact. it is notorious that i am as far apart as possible from my brother in my political views. you know that best of all, george. i hate jewish bankers quite as much as feudal landed proprietors, and orthodox rabbis quite as much as catholic priests; but if a man feels himself superior to me because he belongs to another creed or another race than i do, and being conscious of his greater power makes me feel that superiority, i would.... well, i don't know what i would do to a man like that. but anyway i should quite understand leo if he were to take the next opportunity of going tooth-and-nail for herr sefranek." "my dear child," said demeter, "if you have the slightest influence with your brother you should try and stop this tooth-and-nail business at any price. in my view by far the best thing to do in a case like that is to go about things in the respectable, i mean the regulation way. it is really not at all true that that never does any good. the superior officers are mostly quiet people, at any rate they are correct and...." "but leo did that long ago ... as far back as february. he went to the major, the major was very nice to him, and as appears from many indications gave the first-lieutenant a good talking to; the only thing is it unfortunately wasn't the slightest use. on the contrary, the next chance he had the first-lieutenant made a special point of starting his beastly tricks again, and he is continuing them with the most refined malice. i assure you, baron, i am afraid every single day that some misfortune will happen." demeter shook his head. "we live in a mad age. i assure you"--he turned to george--"first-lieutenant sefranek is no more of an anti-semite than you or i. he visits at jewish houses. i even know that he was extremely intimate for years with a jewish regimental doctor. it really seems as though everybody were going mad." "you may be right in that," said therese. "oh, well, leo is so reasonable," said george. "he is so sensible in spite of all his temperament that i am convinced that he won't let himself be swept away by any foolish impulse. after all he must know that it will all be over in a few months; one can manage to put up with it for that time." "do you know, by-the-by, baron," said therese, while following the example of the men she took a cigarette out of a box which the waiter had brought, "do you know that leo was quite charmed with your compositions?" "what, charmed?" said george, while he gave therese a light. "i really hadn't noticed it at all." "well, he liked some things," qualified therese, "and that's practically the same as somebody else being delighted with them." "have you composed anything on your trip?" asked demeter courteously. "only a few songs." "i suppose we shall hear them in the autumn?" said demeter. "good gracious, don't let's talk about the autumn," said therese. "we may be dead or in prison before then." "well, if one really wants to one can manage to avoid the latter alternative," exclaimed demeter. therese shrugged her shoulders. george was sitting near her and believed he could feel the warmth of her body. lights were shining from the hotel windows and a long reddish strip reached the table at which the two couples were sitting. "i suggest," said george, "that we make the best of the fine evening and go for another walk along the shore." "or take a boat," exclaimed therese. they all agreed. george ran up to the room to fetch wraps. when he came down again he found the others standing by the door of the grounds ready to start. he helped anna into her light-grey cloak, hung his own long overcoat over therese's shoulders and kept a dark-green rug over his arm. they went slowly through the avenue to the place where the boats were moored. two boatmen took the party with quick strokes of their oars out of the darkness of the shore into the black shining water. the mountains towered up to the sky, monstrous and gigantic. the stars were not very numerous. tiny bluish-grey clouds hung in the air. the rowers sat on two cross benches; in the middle of the boat on narrow seats the two couples sat opposite each other: george and anna, demeter and therese. all were quite silent at first, it was only after some minutes that george broke the silence. he told them the name of the mountain which separated the lake from the south, drew their attention to a village, which though it seemed infinitely far away as it nestled up to the slope of a cliff could nevertheless be reached in a quarter of an hour; he recognised the white shining house on the height above lugano as the hotel in which demeter and therese were staying and told them about a walk far into the country between sunny vineyards which he had taken the other day. while he spoke anna kept hold of his hand underneath the rug. demeter and therese sat next to each other staidly and correctly, and not at all like lovers who had only found each other a short time ago. it was only now that george gradually recovered his fancy for therese, which had almost vanished during her loud violent speechifying. how long will this demeter affair last? he thought. will it be over when the autumn comes or will it after all last as long or longer than my affair with anna? will this row on the dark lake be some time in the future just a memory of something that has completely vanished, just like my row on the veldeser lake with that peasant girl, which now comes into my mind again for the first time for years?... or like my voyage with grace across the sea? how strange! anna is holding my hand, i am pressing it, and who knows if she isn't feeling at this very minute something similar with regard to demeter to what i am feeling about therese? no, i am sure not.... she carries a child under her heart which has already quickened.... that's why.... hang it all!... why, it's my child as well.... our child is now going for a row on the lake of lugano.... shall i tell it one day that it went for a row round the lake of lugano before it was born? how will it all turn out? we shall be back in vienna again in a few days. does vienna really exist? it will only slowly begin to come into existence again as we train back.... yes, that's how it is.... as soon as i'm home work will start seriously. i shall remain quietly at my home in vienna and just visit anna from time to time; i won't live with her in the country.... or at all events only just before ... and the autumn.... shall i be in detmold? and where will anna be? and the child?... with strangers somewhere in the country. how improbable the whole thing seems!... but it was also very improbable a year ago to-day that i and stanzides should go for a row on the lake of lugano with fräulein anna rosner and fräulein therese golowski respectively. and now the whole thing couldn't be more of a matter of course.... he suddenly heard with abnormal clearness, as though he had just woken up, demeter's voice quite near him. "when does our boat leave to-morrow?" "nine o'clock in the morning," replied therese. "she maps out the plan of campaign you know," said demeter. "i don't need to bother about anything." the moon suddenly shone out over the lake. it seemed as though it had waited behind the mountains and were now coming out to say goodbye. that infinitely distant village by the mountain-slope suddenly lay quite close in all its whiteness. the boat beached. therese got up. she was shrouded in the night and looked strikingly tall. george sprang out of the boat and helped her to disembark. he felt her cool fingers, which did not tremble, in his hand, but moved softly as though on purpose, and caught the breath from her lips quite close. demeter got out after her, then came anna, tired and awkward. the boatman thanked them for their generous tip and both couples started to walk homewards. the prince was sitting on a seat in a long dark cloak in the avenue along the bank. he was smoking a cigar, seemed to be looking out on to the nocturnal lake and turned away his head with the obvious intention of avoiding being saluted. "a man like that could tell a tale," said therese to george, with whom she had fallen further and further behind, while demeter and anna went on in front of them. "so you are going back to vienna as soon as all that?" asked george. "a fortnight. do you think that so soon? at any rate you will be home before us, won't you?" "yes, we shall leave in a few days. we can't put it off any longer. besides, we shall have to break the journey a few times. anna doesn't stand travelling well." "do you know yet that i found the villa for anna just before i left?" said therese. "really, you? did you go looking, too?" "yes, i went into the country a few times with my mother. it is a small fairly old house in salmansdorf with a beautiful garden, which leads straight out to the fields and forest, and the bit of ground in front of the house is quite overgrown.... anna will tell you more about it. i believe it is the last house in the place. then there comes an inn, but a fair distance away from it." "i must have overlooked that house on my house-hunting expeditions in the spring." "clearly, or you would have taken it. there is a little clay figure standing on a lawn near the garden hedge." "can't remember. but do you know, therese, it is really nice of you to have taken all this trouble for us, as well as your mother. more than nice." he thought of adding "when one takes your strenuous life into consideration," but suppressed it. "why are you surprised?" asked therese. "i am very fond of anna." "do you know what i once heard some one say about you?" replied george after a short pause. "well, what?" "that you would either finish up on the scaffold or as a princess." "that's a phrase of doctor berthold stauber. he once told it me himself, you know. he is very proud of it, but it is sheer nonsense." "the betting at present is certainly more on the princess." "who says so? the princess dream will soon be over!" "dream?" "yes, i am just beginning to wake up. it is rather like the morning air streaming into a bedroom." "and then i suppose the other dream will begin?" "what do you mean, the other dream?" "this is what i take to be the case with you. when you are in the public eye again, making speeches, sacrificing yourself for some cause or other, then at some moment or other the whole thing strikes you like a dream, doesn't it? and you think real life is somewhere else." "there is really something in what you say." at this moment demeter and anna, who were standing by the garden gate, turned round towards them both and immediately took the broad avenue towards the entrance of the hotel. george and therese also went on further, unseen outside the railing, into the darkest depths of the shade. george suddenly seized hold of his companion's hand. as though astonished she turned towards him and both now stood opposite each other, enveloped by the darkness and closer than they could understand. they did not know how ... they scarcely meant to, but their lips rested on each other for a short moment that was more charged with the doleful joy of deception than with any other emotion. they then went on, silent, unsatisfied, desirous, and stepped through the garden door. the two others, who were in front of the hotel, now turned round and came to meet them. therese quickly said to george: "of course you don't come with us?" george nodded slightly. they were now all standing in the broad quiet light of the arc-lamps. "it was really a beautiful evening," said demeter, kissing anna's hand. "goodbye then till vienna," said therese and embraced anna. demeter turned to george. "i hope we shall see each other to-morrow morning on the boat." "possibly, but i won't promise." "goodbye," said therese and shook hands with george. she and demeter then turned round to go away. "are you going with them?" asked anna, as they went through the door into the lounge, where men and women were sitting, smoking, drinking, talking. "what an idea?" replied george. "i never thought of it." "herr baron," suddenly called some one behind him. it was the porter, who held a telegram in his hand. "what is this?" asked george, somewhat alarmed, opening it quickly. "oh, how awful!" he exclaimed. "what is it?" asked anna. he read it out while she looked at the piece of paper. "oskar ehrenberg tried to commit suicide early this morning in the forest at neuhaus. shot himself in the temples, little hope of saving his life, heinrich." anna shook her head. they went up the stairs in silence and into anna's room. the balcony door was wide open. george stepped into the open air. a heavy perfume of magnolias and roses streamed in out of the darkness. not a trace of the lake was visible. the mountains towered up as though they had grown out of the abyss. anna came up to george. he laid his arm on her shoulder and loved her very much. it was as though the serious event of which he had just had tidings, had compelled him to realise the true significance of his own experiences. he knew once more that there was nothing more important for him in the whole world than the well-being of this beloved woman who was standing with him on the balcony and who was to bear him a child. vi when george stepped on to the summer heat of the pavement out of the cool central restaurant where he had been accustomed to take his meals for some weeks, and started on his way to heinrich's apartment, his mind was made up to start his trip into the mountains within the next few days. anna was quite prepared for it, and appreciating that the monotonous life of the last few weeks was beginning to make him feel bored and mentally restless had even herself advised him to go away for a few days. they had returned to vienna six weeks ago on a rainy evening and george had taken anna straight from the station to the villa, where anna's mother and frau golowski had been waiting for the overdue travellers for the last two hours in a large but fairly empty room, with a dilapidated yellowish carpet under the dismal light of a hanging lamp. the door on to the garden verandah stood open. outside the pattering rain fell on to the wooden floor and the warm odour of moist leaves and grass swept in. george inspected the resources of the house by the light of a candle which frau golowski carried in front of him, while anna reclined exhausted in the corner of the large sofa covered with fancy calico and was only able to give tired answers to her mother's questions. george had soon taken leave of anna with mingled emotion and relief, stepped with her mother into the carriage which was waiting outside, and while they rode over the dripping streets into the town he had given the embarrassed woman a faithful if forced account of the unimportant events of the last days of their trip. he was at home an hour after midnight, refrained from waking up felician, who was already asleep, and with an undreamt-of joy stretched himself out in his long-lost bed for his first sleep at home after so many nights. since then he had gone out into the country to see anna nearly every day. if he did not feel tempted to make little trips round the summer resorts in the neighbourhood he could easily get to her in an hour on his cycle. but he more frequently took the horse tram and would then walk through the little villages till he came to the low green painted railings behind which stood the modest country house with its three-cornered wooden gable in the small slightly sloping garden. frequently he would choose a way which ran above the village between garden and fields and would enjoy climbing up the green slope till he came to a seat on the border of the forest, from which he could get a clear view of the straggling little place lying in the tiny valley. he saw from here straight on to the roof beneath which anna lived, deliberately allowed his gentle longing for the love who was so near him to grow gradually more and more vivid till he hurried down, opened the tiny door and stepped over the gravel straight through the garden towards the house. frequently, in the more sultry hours of the afternoon, when anna was still asleep, he would sit in the covered wooden verandah which ran along the back of the house in a comfortable easy-chair covered with embroidered calico, take out of his pocket a book he had brought with him and read. then frau golowski in her neat simple dark dress would step out of the dark inner room and in her gentle somewhat melancholy voice, with a touch of motherly kindness playing around her mouth, would report to him about anna's health, particularly whether she had had a good appetite and if she had had a proper walk up and down the garden. when she had finished she always had something to see to in the kitchen or about the house and disappeared. then while george was going on with his reading a fine st. bernard dog which belonged to people in the neighbourhood would come out, greet george with serious tearful eyes, allow him to stroke her short-haired skin and lie down gratefully at his feet. later, when a certain stern whistle which the animal knew well rang out, it would get up with all the clumsiness of its condition, seem to apologise by means of a melancholy look for not being able to stay longer and slink away. children laughed and shouted in the garden next door. now and again an indiarubber ball came over the wall. a pale nursemaid would then appear at the bottom gate and shyly request to have the ball thrown back again. finally, when it had grown cooler, anna's face would show itself at the window that opened on to the verandah, her quiet blue eyes would greet george, and soon she would come out herself in a light house-dress. they would then walk up and down the garden along the faded lilac-bushes and the blooming currant-bushes, usually on the left side, which was bounded by the open meadow, and they would take their rest on the white seat close to the top end of the garden, underneath the pear-tree. it was only when supper was served that frau golowski would appear again, shyly take her place at the table and tell them if asked all the news about her family; about therese, who had now gone on to the staff of a socialist journal; about leo, who being less occupied by his military duties than before was enthusiastically pursuing his mathematical studies; and about her husband, who while he looked on with resignation from the corner of a smoky café at the chess battles of the indefatigable players, always saw new vistas of regular employment display themselves only to close again immediately. frau rosner only paid an occasional visit and usually went away soon after george's appearance. on one occasion, on a sunday afternoon, the father had come as well and had a conversation with george about the weather and scenery, just as though they had met by chance at the house of a mutual acquaintance who happened to be ill. it was only to humour her parents that anna kept herself in complete retirement in the villa. for she herself had grown to lose all consciousness of any false position, feeling just as though she had been george's wedded wife, and when the latter, tired of the monotonous evenings, asked her for permission to bring heinrich along sometimes she had agreeably surprised him by immediately expressing her agreement. heinrich was the only one of george's more intimate friends who still remained in town in these oppressive july days. felician, who had been as affectionate with his brother since his return home as though the comradeship of their boyhood had been kindled afresh, had just taken his diplomatic examination and was staying with ralph skelton on the north sea. else ehrenberg, who had spoken to george once soon after his return by her brother's sick-bed in the sanatorium, had been for a long time at auhof am see with her mother. oskar too, whom his unfortunate attempt at suicide had cost his right eye, though it was said to have saved him his lieutenant's commission, had left vienna with a black shade over his blinded eye. demeter stanzides, willy eissler, guido schönstein, breitner, all were away, and even nürnberger, who had declared so solemnly that he did not mean to leave the town this year, had suddenly vanished. george had visited him before any one else after he came back, to bring him some flowers from his sister's grave in cadenabbia. he had read nürnberger's novel on his journey. the scene was laid in a period which was now almost past; the same period, so it seemed to george, as that of which old doctor stauber had once spoken to him. nürnberger had thrown a grim light over that sickly world of lies in which adult men passed for mature, old men for experienced, and people who did not offend against any written law for righteous; in which love of freedom, patriotism and humanitarianism passed _ipso facto_ for virtue, even though they had grown out of the rotten soil of thoughtlessness or cowardice. he had chosen for the hero of his book a sterling and energetic man who, carried away by the hollow phrases of the period, saw things as they were from the height which he had reached and seized with horror at the realization of his own dizzy ascent, precipitated himself into the void out of which he had come. george was considerably astonished that a man who had created this strong and resounding piece of work should subsequently confine himself to casual cynical comments on the progress of the age, and it was only a phrase of heinrich's to the effect that wrath but not loathing was fated to be fertile that made him understand why nürnberger's work had been stopped for ever. the lonely hour in the cadenabbia cemetery on that dark blue late afternoon had made as strange and deep an impression upon george as though he had actually known and appreciated the being by whose grave he stood. it had hurt him that the gold lettering on the grey stone should have grown faint and that the beds of turf should have been overgrown with weeds, and after he had plucked a few yellow-blue pansies for his friend he had gone away with genuine emotion. he had cast a glance from the other side of the cemetery door through the open window of the death-chamber, and saw a female body on a bier between high burning candles, covered with a black pall as far as her lips, while the daylight and candlelight ran into one another over its small waxen face. nürnberger had not been unmoved by this sympathetic attention on the part of george and on that day they spoke to each other more intimately than they had ever done before. the house in which nürnberger lived was in a narrow gloomy street which led out of the centre of the town and mounted in terraces towards the danube. it was ancient, narrow and high. nürnberger's apartment was on the fifth and top storey, which was reached by a staircase with numerous turns. in the low though spacious room into which george stepped out of a dark hall stood old but well-preserved furniture, while an odour of camphor and lavender came insistently out of the alcove in the recess in front of which a pale green curtain had been let down. portraits of nürnberger's parents in their youth hung on the wall together with brown engravings of landscapes after the dutch masters. numerous old photographs in wooden frames stood on the sideboard. nürnberger fetched a portrait of his dead sister out of a secretary-drawer where it lay beneath some letters that had been yellowed by time. it showed her as a girl of eighteen in a child's costume which seemed to have a kind of historical atmosphere, holding a ball in her hand, and standing in front of a hedge, behind which there towered a background of cliffs. nürnberger introduced all these unknown faraway and dead persons to his friend to-day by means of their portraits, and spoke of them in a tone which seemed to make the gulf of time between the then and the now both wider and deeper. george's glance often swept out over the narrow street towards the grey masonry of ancient houses. he saw small cobwebbed panes with all kinds of household utensils behind them. flower-pots with miserable plants stood on a window-ledge, while fragments of bottles, broken-up barrels, scraps of paper, mouldy vegetables lay in a gutter between two houses, a battered pipe ran down between all this rubbish and disappeared behind a chimney. other chimneys were visible to right and left, the back of a yellowish stone gable could be seen, towers reared up towards the pale blue heaven and a light grey spire with a broken stone cupola which george knew very well, appeared unexpectedly near. automatically his eyes tried to find the quarter where he might be able to fix the position of the house in whose entrance the two stone giants bore on their powerful shoulders the armorial bearings of a vanished stock, and in which his child, which was to come into the world in a few weeks, had been begotten. george gave an account of his trip. he felt the spirit of this hour so deeply that he would have thought himself petty if he had let the matter rest at half-truths. but nürnberger had known the story, and in its entirety too, long ago, and when george showed a little astonishment at this he smiled mockingly. "don't you still remember," he asked, "that morning when we looked over a summer residence in grinzing?" "of course." "and don't you remember too that a woman with a little child in her arms took us round the house and garden?" "yes." "before we went away the child held out its arms towards you, and you looked at it with a certain amount of emotion in your expression." "and that's what made you conclude that i...." "oh well, you know, you're not the man to go in for thrills over the sight of small children, a bit unwashed, too, into the bargain, if they are not linked on to associations of a personal character." "one must beware of you," said george jestingly, but not without some sense of uneasiness. the slight irritation, which he always felt again and again at nürnberger's superior manner, was far from preventing him from cultivating his society more and more. he frequently fetched him from home to go for walks in the streets and parks, and he felt a sense of satisfaction, a sense in fact of personal triumph, when he managed to draw him from the rarefied regions of bitter wisdom into the gentler fields of affectionate intercourse. george's walks with him had become such a pleasant habit that he felt as though his daily life had been impoverished when he found one morning that nürnberger's apartment was closed. some days afterwards came a card of apology from salzburg, which was also signed by a married couple, a manufacturer and his wife, good-natured cheery people, whom george had once got to know slightly through nürnberger in graben. according to heinrich's malicious description the common friend of this married couple had been dragged down the stairs, of course after a desperate resistance, made to sit down in a carriage and been transported to the station more or less like a prisoner. according to heinrich, too, nürnberger had several friends of this innocent kind who felt the need of getting the celebrated cynic to let a few drops of his malice trickle into their palatable cup of life, while nürnberger on his side liked to recuperate in their free-and-easy society from the strain of his acquaintances in literary and psychological circles. the meeting with heinrich had meant a disillusionment to george. after the first words of greeting the author had as usual only spoken about himself, and that, too, in tones of the deepest contempt. he had come at last to the conclusion that he did not really possess any talent but only intelligence, though that of course to an enormous degree. the thing about himself that he cursed the most violently was the lack of harmony in the various phases of his character, which as he well knew not only occasioned suffering to himself but to all who came near him. he was heartless and sentimental, flippant and melancholic, sensitive and callous, an impossible companion and yet drawn towards his fellow-beings ... at any rate at times. a person with such characteristics could only justify his existence by producing something immense, and if the masterpiece which he felt obliged to create did not appear on the scene very soon he would feel that as a decent man he would be obliged to shoot himself. but he was not a decent man.... there lay the rub. "of course you won't shoot yourself," thought george, "principally because you haven't got the pluck to do so." of course he did not give expression to this thought but on the contrary was very sympathetic. he talked of the moods to which after all every artist is liable, and inquired kindly about the material conditions of heinrich's life. it soon transpired that he wasn't in such a bad way by any means. he was even leading a life which as it appeared to george was freer from anxiety than it had ever been before. the maintenance of his mother and sisters for the ensuing years had been assured by a small legacy. in spite of all the hostile influences which were at work against him the fame of his name was increasing from day to day. the miserable affair with the actress seemed to be finished once and for all, and a quite new relationship with a young lady which was as free and easy as could possibly be desired, was actually bringing a certain amount of gaiety into his life. even his work was making good progress. the first act of the opera libretto was as good as ready, and he had made numerous notes for his political comedy. he intended next year to visit the sittings of parliament and attend meetings, and coquetted with the admittedly childish fantastic plan of posing as a member of the social democratic party, trying to tack himself on to the leaders and getting himself taken on, if he could get the chance, as an active member of some organisation or other, simply so as to get a complete insight into the party machinery. still, you know, when he had been talking to any one for five minutes on end, why he had got him absolutely. he would find in some casual word, whose significance would completely escape any one else, a kind of whirlwind which tore the veil from off the souls of men. his dream was to prove himself a master of imagination in his opera poem and a master of realism in his comedy, and thus show the world that he was equally at home both in heaven and on earth. at a subsequent meeting george got him to read as much of the first act of the opera as he had finished. he found the verses very singable and asked heinrich to allow him to take the manuscript to anna. anna could not bring herself to fancy much what george read out to her; but he asserted, though without any real conviction, that what she felt was just the very longing for these verses to be set to music, and that that must necessarily strike her as a weakness. when george came into heinrich's room to-day the latter was sitting at the big table in the middle of the room, which was covered over with papers and letters. written papers of all kinds lay about on the piano and on the ottoman. heinrich still had a sheet of faded yellow paper in his hand when he got up and hailed george with the words, "well, how goes the country?" this was the way in which he was accustomed to inquire after anna's health, a way which george felt afresh every single time to be unduly familiar. "quite well, thanks," he replied. "i have just come to ask you if perhaps you would care to come out there with me to-day." "oh yes, i should like to very much. the thing is, though, that i am just in the middle of putting various papers in order. i can't come before the evening about seven or so. will that suit you?" "quite," said george. "but i see i am disturbing you," he added as he pointed to the littered table. "not at all," replied heinrich. "i am only tidying up, as i just told you. they're my father's posthumous papers. those there are letters to him and here are rough notes more or less like a diary, written for the most part during his parliamentary period. tragic, i tell you! how that man loved his country! and how did they thank him? you've no idea of the refinement with which they drove him out of his party. a complicated network of intrigue, bigotry, brutality.... thoroughly german, to put the matter in a nutshell." george felt a sense of antagonism. "and he dares," he thought, "to hold forth about anti-semitism. is he any better? any juster? does he forget that i am a german myself...?" heinrich went on speaking. "but i will give this man a memorial.... he and no other shall be the hero of my political drama. he is the truly tragi-comic central figure which i have always been wanting." george's antagonism became intensified. he felt a great desire to protect old bermann against his son. "a tragi-comic figure," he repeated, almost aggressively. "yes," retorted heinrich unhesitatingly, "a jew who loves his country.... i mean in the way my father did, with a real feeling of solidarity, with real enthusiasm for the dynasty, is without the slightest question a tragi-comic figure. i mean ... he belonged to that liberalising epoch of the seventies and eighties when even shrewd men were overcome by the catch-words of the age. a man like that to-day would certainly appear merely comic. yes, even if he had finished up by hanging himself on the first nail he came across i could not regard his fate as anything else." "it is a mania of yours," replied george. "you really very often give one the impression that you have quite lost the capacity of seeing anything else in the world except the jewish question, you always see it everywhere. if i were as discourteous as you happen to be at times, i would ... you'll forgive me of course, say that you were suffering from persecution-mania." "persecution-mania ..." replied heinrich dully, as he looked at the wall. "i see, so you call it persecution-mania, that.... oh well." and then he continued suddenly with clenched teeth: "i say, george, i want to ask you something on your conscience." "i'm listening." he placed himself straight in front of george, and with his eyes pierced his forehead. "do you think there's a single christian in the world, even taking the noblest, straightest and truest one you like, one single christian who has not in some moment or other of spite, temper or rage, made at any rate mentally some contemptuous allusion to the jewishness of even his best friend, his mistress or his wife, if they were jews or of jewish descent?" and without waiting for george's answer: "there isn't one, i assure you. you can try another test also if you like. read for instance the letters of any celebrated and otherwise perfectly shrewd and excellent man and observe the passages which contain hostile and ironic expressions about his contemporaries. ninety-nine times out of a hundred it simply deals with an individual without taking any account of his descent or creed. in the hundredth case, where the miserable victim has the misfortune to be a jew, the writer will certainly not forget to mention that fact. that's just how the thing is, i can't help it. what you choose to call persecution-mania, my dear george, is in reality simply an extremely intense consciousness that has been kept continuously awake of a condition in which we jews happen to find ourselves. and as for talking about persecution-mania, why it would be much more logical to talk about a mania for being hidden, a mania for being left alone, a mania for being safe; which though perhaps a less sensational form of disease is certainly a much more dangerous one for its victims. my father suffered from it, like many others of his generation. he at any rate made such a radical cure that he went mad in the process." deep furrows appeared on heinrich's forehead and he looked again towards the wall, straight past george, who had sat down on the hard black leather ottoman. "if that's your way of looking at things," replied george, "why, you have no other logical alternative but to join leo golowski...." "and migrate to palestine with him. is that what you think? as a matter of symbolical politics or actually--what?" he laughed. "have i ever said that i want to get away from here? that i would prefer to live anywhere else except here? above all, have i ever said that i liked living among jews? so far as i at any rate am concerned that would be a purely objective solution of an essentially subjective problem." "i really think so also. and that's why, to tell the truth, i understand less than ever what you want, heinrich. i had the impression last autumn, when you had your tussle with golowski on the sophienalp, that you looked at the matter far more hopefully." "more hopefully?" repeated heinrich in an injured tone. "yes. one felt bound to think then that you believed in the possibility of a gradual assimilation." heinrich contemptuously contracted the corners of his mouth. "assimilation.... a phrase.... yes, that'll come all right some time or other ... in a very very long time. it won't come at all in the way many want it to--it won't come either in the way many are afraid it will.... further, it won't be exactly assimilation ... but perhaps something that beats in the heart of that particular word so to speak. do you know what it will probably look like in the end? that we, we jews i mean, have been a kind of ferment in the brewing of humanity--yes, perhaps that'll come out in anything from one to two thousand years from now. it is a consolation too. don't you think so?" he laughed again. "who knows," said george reflectively, "if you won't be regarded as right--in a thousand years? but till then?" "why, my dear george, there won't be anything in the way of a solution of the question before then. in our time there won't be any solution, that's absolutely positive. no universal solution at any rate. it will rather be a case of a million different solutions. for it's just a question which for the time being every one has got to settle for himself as best he can. every one must manage to find an escape for himself out of his vexation or out of his despair or out of his loathing, to some place or other where he can breathe again in freedom. perhaps there are really people who would like to go as far as jerusalem to find it ... i only fear that many of them, once they arrive at their official goal, would then begin to realise that they had made an utter mistake. i don't think for a minute that migrations like that into the open should be gone in for in parties.... for the roads there do not run through the country outside but through our own selves. every one's life simply depends on whether or not he finds his mental way out. to do that of course it is necessary to see as clearly as possible into oneself, to throw the searchlight into one's most hidden crannies, to have the courage to be what one naturally is--not to be led into a mistake. yes, that should be the daily prayer of every decent man: to make no mistake." where is he getting to again now? thought george. he is quite as morbid in his way as his father was. and at the same time one can't say that he has been personally through bad times. and he has asserted on one occasion that he felt there was no one with whom he had anything in common. it is not a bit true. he feels he has something in common with all jews and he stands nearer to the meanest of them than he does to me. while these thoughts were running through his mind his glance fell on a big envelope lying on the table, and he read the following words written on it in large roman capitals: "don't forget. never forget." heinrich noticed george's look and took the envelope up in his hand. three strong grey seals could be seen on its back. he then threw it down again on the table, drooped his underlip contemptuously and said: "i've tidied up that business as well, you know, to-day. there are days like this when one goes in for a great cleaning-up. other people would have burnt the stuff. what's the point? i shall perhaps read it again with pleasure. the anonymous letters i once told you about are in this envelope, you know." george was silent. up to the present heinrich had vouchsafed no information as to the circumstances under which his relations with the actress had come to an end. only one passage in his letter to lugano had hinted at the fact that it had not been without a certain deep-felt horror that he had seen his former mistress again. almost against his own will the following words came out of george's mouth: "you know, of course, the story of nürnberger's sister who lies buried in cadenabbia?" heinrich answered in the affirmative. "what makes you think of that?" "i visited her grave a few days before i came back." he hesitated. heinrich was looking fixedly at him with a violently interrogative expression which compelled george to go on speaking. "just think now, isn't it strange? since that time those two persons are always associated together in my memory, though i have never seen one of them and have only caught a glimpse of the other one at the theatre--as you know. i mean nürnberger's dead sister and ... this actress." heinrich grew pale to his very lips. "are you superstitious?" he asked scornfully, but it sounded as though he were asking himself. "not at all," cried george. "besides, what has superstition to do with this matter?" "i'll only tell you that everything that has any connection at all with mysticism goes radically against the grain with me. lots of twaddle is passed off in the world for science, but talking about things which one can't know anything about, things whose very essence is that one can never know anything about them, is in my view the most intolerable twaddle of the whole lot." "can she have died, this actress?" thought george. suddenly heinrich took up the envelope again in his hand, and said in that dry tone which he liked to assume at those very moments when he was most deeply harrowed: "writing out these words here is childish tomfoolery or affectation if you like. i could also have added the words daudet put before his sappho: 'to you, my son, when you are twenty years of age....' too silly, anyway. as though the experiences of one man could be the slightest use to another man. the experiences of one man can often be amusing for another, more often bewildering, but never instructive.... and do you know why it is that both those figures are associated in your brain? i'll tell you why. simply because in one of my letters i employed the expression 'ghost' with reference to my former mistress. so that clears up this mysterious embroglio." "that's not impossible," replied george. from somewhere or other came the indistinct sound of bad piano-playing. george looked out. the sun lay on the yellow wall opposite. many windows were open. a boy sat at one of them, his arms resting on the window-ledge, and read. from another two young girls looked down into the garden courtyard. the clattering of utensils was audible. george longed for the open air, for his seat on the border of the forest. before he turned to go it occurred to him to say: "i wanted to tell you, heinrich, that anna too liked your verses very much. have you written any more?" "not many." "it would be nice if you brought along to-day all you have done of the libretto and read it to us." he stood by the piano and struck a couple of chords. "what's that?" asked heinrich. "a theme," replied george "that's just occurred to me for the second act. it is meant to accompany the moment in which the remarkable stranger appears on the ship." heinrich shut the window, george sat down and started to go on playing. there was a knock at the door, and heinrich automatically cried: "come in." a young lady came in in a light cloth skirt with a red silk blouse and a white velvet ribbon with a little gold cross round her neck. a florentine hat trimmed with roses shaded with its broad brim the pale little face from which two big black eyes peered out. "good afternoon," said the strange lady in a low voice, which sounded at the same time both defiant and embarrassed. "excuse me, herr bermann, i didn't know that you had visitors," and she looked inquisitively at george, who had at once recognised her. heinrich grew paler and puckered his forehead. "i certainly had no idea," he began. he then introduced them and said to the lady: "won't you sit down?" "thanks," she answered curtly and remained standing. "perhaps i'll come again later." "please don't," cut in george. "i am just on the point of running off." he watched the look of the actress roving round the room and felt a strange pity for her, such as one frequently feels in dreams for dead people who do not know that they have died. he then saw heinrich's glance rest on this pale little face with inconceivable hardness. he now remembered very clearly seeing her on the stage, with the reddish-blonde hair that fell over her forehead and her roving eyes. "that's not how persons look," he thought, "who are fated to belong only to _one_ man. and to think of heinrich, who plumes himself so much on his knowledge of character, never having felt that! what did he really want of her? it was vanity which burnt in his soul, nothing more than vanity." george walked along the street, which was like a dry oven. the walls of the houses threw back into the air the summer heat which they had absorbed. george took the horse-tram to the hills and woods, and breathed more freely when he was in the country. he walked slowly on between the gardens and villas, then passing the churchyard he took a white road with a gradual incline called sommerhaidenweg, which he regarded as a good omen, and which was used by practically nobody during this late hour of a sunny afternoon. no shade came from the wooded line of heights on his left, only a gentle purring of breezes which had gone to sleep in the leaves. on the right a green incline sloped downwards towards the long stretch of valley where roofs were gleaming between the boughs and tree-tops. further down vineyards and tilled fields struggled up behind garden fences towards meadows and quarries, over which shrubbery and bushes hung in the glittering sun. the path along which george was accustomed to wander was just a thin straight line often lost among the fields, and his eye sought the place on the border of the forest where his favourite seat was situated: meadows and wooded heights at the end of the valley with fresh vales and hills. george felt himself strangely wedded to this landscape and the thought that his own career and his own will called him abroad often wove farewell moods around his lonely walks even now. but at the same time a presentiment of a richer life stirred within him. it was as though many things were coming to birth in his soul which he had no right to disturb by anxious reflection; and there was a murmur of the melodies of days to come in the lower depths of his soul, though it was not yet vouchsafed to him to hear them clearly. he had not been idle, either, in drafting out clearly the rough plan of his future. he had written a letter of polite thanks to detmold, in which he placed himself with reservation at the disposition of the manager for the coming autumn. he had also looked up old professor viebiger, explained his plans to him and requested him if the opportunity presented itself to remember his former pupil. but even though contrary to his expectations he failed to find a position in the autumn he was determined to leave vienna, to retire for the time being to a small town or into the country, and to go on working by himself amid the quietness. he had not clearly worked out how his relations to anna would shape under these circumstances. he only knew that they must never end. he thought vaguely that he and anna would visit each other and go on journeys together at some convenient time; subsequently no doubt she would move to the place where he lived and worked. but it struck him as useless to go deeply into these matters before the actual hour arrived, since his own life had been definitely decided at any rate for the coming year. the sommerhaidenweg ran into the forest, and george took the broad villenweg, which crossed the valley at this point and curved downwards. in a few minutes he found himself in the street, at the end of which stood the little villa in which anna lived. it was close to the forest, near unpretentious yellow bungalows and only raised above their level by its attic and balcony with its triangular wooden gable. he crossed the plot of ground in front of the house where the little blue clay angel welcomed him on its square pedestal in the middle of the lawn between the flower-beds, and went through the narrow passage near which the kitchen lay, and the cool middle room on whose floor the rays of the sun were playing through the dilapidated green venetian blinds and stepped on to the verandah. he turned towards the left and cast a glance through the open window into anna's room, which he found empty. he then went into the garden and walking along the lilac and currant-bushes towards the bottom, soon saw anna some way off, sitting on the white seat under the pear-tree in her loose blue dress. she did not see him coming, but seemed quite plunged in thought. he slowly approached. she still did not look up. he loved her very much at moments like this when she thought she was unobserved and the goodness and peacefulness of her character floated serenely around her clear forehead. the grasshoppers chirruped on the gravel at their feet. opposite them on the grass the strange st. bernard dog lay sleeping. it was the animal which first noticed george's arrival as it woke up. it got up and jogged clumsily towards george. anna now looked up and a happy smile swept over her features. why am i so seldom here? was the thought which ran through george's mind. why don't i live out here and work on top on the balcony under the gable, which has a beautiful view on to the sommerhaidenweg? his forehead had grown damp, for the late afternoon sun was still blazing. he stood in front of anna, kissed her on the eyes and mouth and sat down at her side. the animal had slunk after him and stretched itself out at his feet. "how are you, my darling?" he asked, while he put his arm around her neck. she was very well, as usual, and to-day was a particularly fine day. she had been left quite to herself since the morning, for frau golowski had to go to town again to look after her family. it was really not so bad to be so completely alone with oneself. one could sink then into one's dreams undisturbed. they were of course always the same, but they were so sweet that one did not get tired of them. she had let herself dream about her child. how much she loved it to-day, even before it was born! she would never have considered it possible. did george understand it too?... and as he nodded absent-mindedly she shook her head. no, no ... a man could not understand that, even the very best and kindest man. why, she could feel the little being already moving, could detect the beating of its tender heart, could feel this new incomprehensible soul breathe within her, just in the same way as she felt the flowering and awakening within her of its fresh young body. and george looked in front of him as though ashamed that she was facing the near future. it was true of course that a being would exist, begotten by himself, like himself and itself destined again to give life to new beings; it was true that within the blessed body of that woman, for which he had ceased for a long time now to feel any desire, there was swelling, according to the eternal laws, a life that only a year ago had been undreamt-of, unwished-for, lost in infinity, but which now was forcing its way up to the light like something predestined from time immemorial; it was true that he knew that he was irresistibly drawn into that forged chain that stretched from primal ancestor to future descendant and which he grasped as it were with both hands ... but he did not feel that this miracle made so potent an appeal to him as it really ought. and they spoke to-day more seriously than usual about what was to happen after the child's birth. anna, of course, would keep it with her during the first week, but then they would have to give it to strangers; but at any rate it should live quite near, so that anna could see it at any time without any difficulty. "i say, dear," she said quite lightly and suddenly, "will you often come and visit us?" he looked into her arch smiling face, took both her hands and kissed her. "dearest, what am i to do? tell me yourself. you can imagine how hard it will be for me. but what else is there for me to do? i've got to make a beginning. i've already told you we've given notice to leave the apartment," he added hastily, as though that cut off all retreat. "felician is probably going to athens. yes, it would of course be fine if i could take you with me. but i am afraid that isn't possible. there ought above all to be something more or less certain, i mean one ought--ought at least to be certain that i shall remain in the same place for a longish time." she had listened with quiet seriousness. she then started to speak about her latest idea. he must not believe, she said, that she was thinking of putting the whole burden of responsibility upon him. she was determined as soon as it was feasible to found a music-school. if he left her alone for a long time the school would be here in vienna. if he soon came to fetch her it would be wherever she and he had their home. and when she was once in an independent position she meant to take and keep her child whether she was his wife or not. she was very far from being ashamed of it, he knew that quite well. she was rather proud ... yes, proud of being a mother. he took her hands in his and stroked them. it would all come right enough, he said, feeling somewhat depressed. he suddenly saw himself sitting at supper between wife and child, beneath the modest light of a hanging lamp in an extremely simple home. and this family scene of his imagination wafted towards him, as it were, an atmosphere of troubled boredom. come, it was still too early for that, he was still too young. was it possible, then, that she was to be the last woman whom he was to embrace? of course it might come in years, even in months, but not to-day. as for bringing lies and deceit into a well-ordered home, he had a horror of the idea. yet the thought of rushing away from her to others whom he desired, with the consciousness that he would find anna again just as he had left her, was at once tempting and reassuring. the well-known whistle was heard from outside. the dog got up, made george stroke her yellow-spotted back once again and sadly slunk away. "by jove," said george, "i had almost forgotten all about it. heinrich will be here any minute." he told anna about his visit and did not suppress the fact that he had made the acquaintance of the faithless actress. "did she succeed then?" exclaimed anna, who did not fancy ladies with roving eyes. "i don't think that she succeeded at all," replied george. "heinrich was rather annoyed at her turning up, so far as i could see." "well, perhaps he'll bring her along too," said anna jestingly, "then you will have some one to flirt with again, as you did with the regicide at lugano." "upon my word," said george innocently, and then added casually: "but what's the matter with therese? why doesn't she come to see you any more? demeter is no longer in vienna. she would have plenty of time." "she was here only a few days ago. why, i told you so. don't pretend." "i'd really forgotten it," he answered honestly. "what did she tell you then?" "all there was to tell. the demeter affair is over. her heart is throbbing once more only for the poor and the miserable--until it is called back." and anna confided therese's winter plans to him under the seal of a most rigid silence. disguised as a poor woman she meant to undertake expeditions through shelters, soupand tea-kitchens, refuges for the homeless and workmen's dwellings, with a view to shedding a light into the most hidden corners for the benefit of the so-called golden heart of vienna. she seemed quite ready for it and was perhaps a little sanguine of discovering some horrors. george looked in front of him. he remembered the stylish lady in the white dress who had stood in the sunshine in lugano in front of the post-office, far from all the cares of the world. "strange creature," he thought. "of course she'll make a book out of it," said anna. "but mind you don't tell any one, not even your friend bermann." "shouldn't think of it! but i say, anna, hadn't you better get something ready for this evening?" she nodded. "come, take me downstairs. i'll see what there is and consult marie too ... so far as is possible to do so." they got up. the shadows had lengthened. the children were making a noise in the next garden. anna took her lover's arm and walked slowly with him. she told him the newest instances of the fantastic stupidity of the maid. the idea of my being a husband, thought george, and listened reflectively. when they got to the house he announced his intention of going to meet heinrich, left anna and went into the street. at this precise moment a one-horse carriage jogged up. heinrich got out and paid the driver. "hallo!" he said to george, "have you really waited for me after all? it's not so late then?" "not at all. you're very punctual. we'll go for a short walk if it suits you." "delighted." they walked on into the forest past the yellow inn with the red terraces. "it is wonderful here," said heinrich, "and your villa too looks awfully nice. why don't you live out here?" "yes, it's absurd not to," agreed george without further explanation. then they were silent for a while. heinrich was in a light grey summer suit and carried his cloak over his arm, letting it trail a little behind him. "did you recognise her again?" he asked suddenly, without looking up. "yes," replied george. "she only came up for one day from her summer engagement. she goes back by train to-night. a surprise attack, so to speak. but it didn't come off." he laughed. "why are you so hard?" asked george, and thought of the big envelope with the grey seals and the silly inscription. "there is really no occasion for you to be so. it is only a fluke that she did not get anonymous letters just like you did, heinrich. and who knows, if you hadn't left her alone for god knows what reasons...." heinrich shook his head and looked at george almost as though he pitied him. "do you mean by any chance that it is my intention to punish her or avenge myself? or do you think i'm one of those mugs who don't know what to make of the world because something has happened to them which they know has already happened to thousands before them and will happen to thousands after them? do you think i despise the 'faithless woman' or that i hate her? not a bit of it. of course i don't mean to say that i don't at times assume the pose of hatred and contempt, only of course to produce better results upon her. but as a matter of fact i understand all that has happened far too well for me to...." he shrugged his shoulders. "well, if you do understand it?..." "but, my dear friend, understanding a thing is no earthly good at all. understanding is a game like anything else. a very 'classy' game and a very expensive one. one can spend one's whole soul over it and finish up a poor devil. but understanding hasn't got the least thing in the world to do with our feelings, almost as little as it has to do with our actions. it doesn't protect us from suffering, from revulsion, from ruin. it leads absolutely nowhere. it's a kind of _cul-de-sac_. understanding always signifies the end." as they walked slowly and silently up a side path with a moderate incline, each one engrossed in his own thoughts, they emerged out of the woods into open meadowland, which gave a clear view of the valley. they looked out over the town and then further on towards the haze-breathing plain through which the river ran shining; they looked towards the far line of the mountains, over which a thin haze was spreading. then in the peace of the evening sun they walked on further towards george's favourite seat on the border of the forest. the sun was not visible. george watched the track of the sommerhaidenweg on the other side of the valley run along the wooded hills; it looked pale and cooled. he then looked down and knew that in the garden at his feet there was a pear-tree, beneath which he had sat a few hours before with some one who was very dear to him, and who carried his child under her bosom, and he felt moved. he felt a slight contempt for the women who were perhaps waiting for him somewhere, but that did not extinguish his desire for them. summer visitors were walking about down below on the path between the garden and the meadows. a young girl looked up and whispered something to another. "you are certainly a popular personality in the place here," remarked heinrich, contracting the corners of his mouth ironically. "not that i know of." "those pretty girls looked at you with great interest. people always find an inexhaustible source of excitement in other people not being married. those holiday-makers down there are bound to look upon you as a kind of don juan and ... your friend as a seduced maiden who has gone wrong, don't you think so?" "i don't know," said george, anxious to cut short the conversation. "and i wonder what i represented," continued heinrich unperturbed, "to the theatrical people in the little town. clearly the deceived lover. consequently an absolutely ridiculous character. and she? well, one can imagine. things are awfully simple for lookers-on. but when one gets to close quarters everything looks utterly different. but the question is whether the complexion it has in the distance isn't the right one? whether one does not persuade oneself into believing a lot of rot, if one's got a part to play in the comedy oneself?" he might quite as well have stayed at home, thought george. but as he could not send him home, and with the object at any rate of changing the conversation, he asked him quickly: "do you hear anything from the ehrenbergs?" "i had a rather sad letter from fräulein else a few days ago," replied heinrich. "you correspond with her?" "no, i don't correspond with her. at any rate i have not yet answered her." "she is taking the oskar business much more to heart than she will own," said george. "i spoke to her once in the nursing-home. we remained standing quite a time outside in the passage in front of the white varnished door behind which poor oskar was lying. at that time they were afraid of the other eye as well. it's really a tragic affair." "tragi-comic," corrected heinrich with hardness. "you see the tragi-comic in everything. i'll tell you why, too. because you're more or less callous. but in this case the comic element takes a back seat." "you make a mistake," replied heinrich. "old ehrenberg's box on the ear was a piece of crudeness, oskar's suicide a piece of stupidity, his making such a bad shot at himself a piece of bungling. these elements certainly can't produce anything really tragic. it is a rather disgusting business, that's all." george shook his head angrily. he had felt genuine sympathy for oskar since his misfortune. he was also sorry for old ehrenberg, who had been staying in neuhaus since then, was only living for his work and refused to see any one. they had both paid their penalty, which was heavier than they had deserved. couldn't heinrich see that and feel it just as he did? they really got on one's nerves at times, these people, with their exaggerated jewish smartness and their relentless psychology--these bermanns and nürnbergers. their principal object in life was to be surprised by nothing whatsoever. what they lacked was kindness. it was only when they grew older that a certain gentleness came over them. george thought of old doctor stauber, of frau golowski, of old eissler, but so long as they were young ... they always kept on the _qui vive_. their one ideal was not to be scored off! a disagreeable lot. he felt more and more that he missed felician and skelton, who as a matter of fact were really quite clever enough. he even missed guido schönstein. "but in spite of all her melancholy," said heinrich after a time, "fräulein else seems to be having a pretty good time of it. they are having people down again at auhof. the wyners were there the other day, sissy and james. james got his doctor's degree the other day at cambridge. classy, eh?" the word sissy darted through george's heart like a flashing dagger. he realised it all of a sudden. he would be with her in a few days. his desire surged up so strongly that he himself scarcely understood it. the dusk came down. george and heinrich got up, went down the fields and entered the garden. they saw anna come down the centre path accompanied by a gentleman. "old doctor stauber," said george. "you know him, i suppose?" they exchanged greetings. "i am very glad," said anna to heinrich, "that you should come and see us at last." "us!" repeated george to himself, with a sense of surprise which he immediately repudiated. he went in front with doctor stauber. heinrich and anna slowly followed. "are you satisfied with anna?" george asked the doctor. "things couldn't be going on better," replied stauber, "only she must continue to take exercise regularly and properly." it struck george, who had not seen the doctor before since his return, that he had not yet given him back the books which he had borrowed and he made his apologies. "there's time enough for that," replied stauber. "i am only too glad if they came in handy." and he asked what impressions he had brought home from rome. george told him of his wanderings through the old imperial palaces, of his drives through the campagna in the evening light, of a sultry hour in hadrian's garden just before a storm. doctor stauber begged him to stop, otherwise he might be induced to leave all his patients here in the lurch so as to run away at once to the city he loved so much. then george made polite inquiries after doctor berthold. was there any foundation for the rumour that he would be engaged again in active political life in the approaching winter? doctor stauber shrugged his shoulders. "he comes back in september, that's the only thing certain so far. he has been very industrious at pasteur's and he wants to elaborate at the pathological institute here a great piece of serum research work which he began in paris. if he takes my advice he'll stick to it, for in my humble opinion what he is now doing is much more important for humanity than the most glorious revolution. of course talents vary, and i've certainly nothing to say against revolutions now and again. but speaking between ourselves, my son's talent is far more on the scientific side. it's rather his temperament which drives him in the other direction ... perhaps only his temper. well, we shall see. but how about your plans for the autumn?" he added suddenly, as he looked at george with his good-natured fatherly expression. "where are you going to swing your bâton?" "i only wish i knew myself," replied george. doctor stauber was walking by his side, his lids half closed and his cigar in his mouth, and while george told him about his efforts and his prospects with self-important emphasis he thought he felt that doctor stauber simply regarded everything he said as nothing more than an attempted justification of his putting off his marriage with anna. a slight irritation against her arose within him; she seemed to be standing behind them and perhaps was enjoying quietly that he was, as it were, being cross-examined by doctor stauber. he deliberately assumed a lighter and lighter tone, as though his own personal plans for the future had nothing at all to do with anna, and finished up by saying merrily: "why, who knows where i shall be this time next year? i may finish up in america." "you might do worse," replied doctor stauber quietly. "i have a cousin who is a violinist in boston, a man named schwarz, who earns there at least six times as much as he gets here at the opera." george did not like being compared with violinists of the name of schwarz and asserted with an emphasis which he himself thought rather exaggerated that it was not at all a question of money-making, at any rate at the beginning. suddenly, he did not know where the thought came from, the idea ran through his mind: "supposing anna dies.... supposing the child were her death...." he felt deeply shocked, as though he had committed a crime by the very thought, and he saw in his imagination anna lying there with the shroud drawn over her chin and he saw the candlelight and daylight streaming over her wax-pale face. he turned round almost anxiously, as though to assure himself that she was there and alive. the features of her face were blurred in the darkness and this frightened him. he remained standing with the doctor till anna arrived with heinrich. he was happy to have her so near him. "you must be quite tired now, dear," he said to her in his tenderest tone. "i've certainly honestly performed my day's work," she replied. "besides," and she pointed to the verandah, where the lamp with the green paper shade was standing on the laid table, "supper will soon be ready. it would be so nice, doctor, if you could stay; won't you?" "i'm afraid it's impossible, my dear child. i ought to have been back in town ages ago. remember me kindly to frau golowski. see you again soon. good-bye, herr bermann. come," he added, "is one going to get another chance soon of seeing or reading one of your fine pieces of work?" heinrich shrugged his shoulders, vouchsafed a social smile and was silent. why, he thought, are even the best-bred men usually tactless when they meet people like myself? do i ask him about his affairs? the doctor went on to express in a few words his sympathy with heinrich over old bermann's death. he remembered the dead man's celebrated speech in opposition to the introduction of tschech as the judicial language in certain bohemian districts. at that time the jewish provincial advocate had come within an ace of being minister of justice. yes, times had changed. heinrich started to listen. after all this could be made use of in the political comedy. doctor stauber took his leave. george accompanied him to the carriage which was waiting outside, and availed himself of the opportunity to ask the doctor some medical questions. the latter was able to reassure him in every respect. "it's only a pity," he continued, "that circumstances do not allow anna to nurse the child herself." george stood still meditatively. it could not hurt her, could it?... at any rate, only the child? or her as well?... he asked the doctor. "why talk about it, my dear baron, if it's not practicable? that's all right, don't you worry," he added, with one foot already in the carriage. "one needn't be nervous about the child of people like you two." george looked him straight in the eye and said: "i will at any rate take care that he lives the first years of his life in healthy air." "that's very nice," said doctor stauber gently. "but speaking generally there is no healthier air in the world for children than their parents' home." he shook hands with george and the carriage rolled away. george remained standing for a moment and felt a lively irritation against the doctor. he vowed mentally that he would never allow the conversation with him to take a turn that would as it were entitle him to give unsolicited advice or make veiled reproaches. what did the old man know? what did he really understand about the whole thing? george's antagonism became more and more violent. when i choose to, he said to himself, i will marry her. can't she have the child with her anyway? hasn't she said herself that she will be proud of having a child? i am not going to repudiate it either, and i will do everything in my power. and later on sometime.... but i should be doing an injustice to myself, to her, to the child if i were to make up my mind to-day to do something which at any rate is still premature. he had slowly walked past the short side of the house into the garden. he saw anna and heinrich sitting on the verandah. marie was just coming out of the house, very red in the face, and putting a warm dish on the table, from which the steam mounted up. how quiet anna sits there, thought george, and remained standing in the darkness. how serene, how free from care, as though she could trust me implicitly, as though there were no such things as death, poverty, treacherous desertion, as though i loved her as much as she deserves. and again he felt alarmed. do i love her less? is she not right in trusting me? when i sit over there on my seat on the edge of the forest so much tenderness often wells up in me that i can scarcely stand it. why do i feel so little of that now? he was standing only a few paces away and watched her first carve and then stare into the darkness out of which he was to come, while her eyes began to shine as he stepped suddenly into the light. my one true love, he thought. when he sat down by the others anna said to him: "you've had a very long consultation with the doctor." "it wasn't a consultation. we were chatting. he also told me about his son who is coming back soon." heinrich inquired after berthold. the young man interested him and he hoped very much to make his acquaintance next winter. his speech last year on the therese golowski case, together with his open letter to his constituents, in which he had explained the reasons for his resignation, yes, they had been really first-class performances.... yes, and more than that--documents of the period. a light almost proud smile flew over anna's face. she looked down to her place and then quickly up to george. george also was smiling. not a trace of jealousy stirred within him. did berthold have any idea...? of course. did he suffer?... probably. could he forgive anna? to think of having to forgive at all! what nonsense. a dish of mushrooms was served. on its appearance heinrich could not refrain from asking if it were at all poisonous. george laughed. "you needn't make fun of me," said heinrich. "if i wanted to kill myself i wouldn't choose either poisoned mushrooms or decayed sausage, but a nobler and swifter poison. at times one is sick of life, but one is never sick of health, even in one's last quarter of an hour. and besides, nervousness is a perfectly legitimate, though usually shamefully repudiated, daughter of reason. what does nervousness really mean? considering all the possibilities that may result from an action, the bad and good ones equally. and what is courage? i mean, of course, real courage, which is manifested far more rarely than one thinks. for the courage which is affected or the result of obedience or simply a matter of suggestion doesn't count. true courage is often really nothing else than the expression of an as it were metaphysical conviction of one's own superfluity." "oh, you jew!" thought george, though without malice, and then said to himself, "perhaps he isn't so far out after all." they found the beer so good, although anna did not drink any, that they sent marie to the inn for a second jugful. their mood became genial. george described his trip again. the days at lugano in the broiling sun, the journey over the snowy brenner, the wandering through the roofless city, which after a night of two thousand years had surged up again to the light; he conjured up again the minute in which they had been present, he and anna, when workmen were carefully and laboriously excavating a pillar out of the ashes. heinrich had not yet seen italy. he meant to go there next spring. he explained that he was frequently torn by a desire for, if not exactly italy, at any rate foreign lands, distance, the world. when he heard people talking about travels he often got heart palpitation like a child the evening before its birthday. he doubted whether he was destined to end his life in his home. it might be, perhaps, that after wandering about for years on end he would come back and find in a little house in the country the peace of his later manhood. who knew--life was so full of coincidences--if he were not destined to finish his life in this very house in which he was now a guest and felt better than he had for a long time? anna thanked him with an air which indicated that she was not merely the hostess of the country house but of the whole world itself with its evening calm. a soft light began to shine out of the darkness of the garden. a warm moist odour came from the grass and flowers. the long fields which ran down to the railing swept into view in the moonlight and the white seat under the pear-tree shimmered as though very far away. anna complimented heinrich on the verses in the opera libretto which george had read to her the other day. "quite right," remarked george, smoking a cigar with his legs comfortably crossed, "have you brought us anything fresh?" heinrich shook his head. "no, nothing." "what a pity!" said anna, and suggested that heinrich should tell them the plot consecutively and in detail. she had been wanting to know about it for a long time. she was unable to get any clear idea of it from george's account. they looked at each other. there came up in their minds that sweet dark hour when they had lain in peace with breast close to breast in a dark room in front of whose windows, behind its floating curtain of snow, a grey church had loomed, and into which the notes of an organ had boomed heavily. yes, they now knew where the house stood in which the child was to come into the world. perhaps another house, too, thought george, stands somewhere or other in which the child that has not yet been born will end its life. death! as a man--or as an old man, or.... oh, what an idea, away with it ... away with it! heinrich declared his readiness to fulfil anna's wish, and stood up. "i shall perhaps find it useful myself," he said apologetically. "but mind you don't suddenly switch off into your political tragi-comedy," remarked george. and then, turning to anna: "he's writing a piece, you know, with a national german corps student for its hero who poisons himself with mushrooms through despair of emancipation of the jews." heinrich nodded dissent. "one glass of beer less and you'd never have made that epigram." "jealousy!" replied george. he felt extraordinarily pleased with life, particularly now that he had firmly made up his mind to leave the day after to-morrow. he sat quite close to anna, held her hand in his and seemed to hear the melody of future days singing in the deepest recesses of his soul. heinrich had suddenly gone into the garden outside the verandah, reached over the railing, took his cloak from the chair and threw it romantically around him. "i'm going to begin," he said. "act i." "first, an overture in d. minor," interrupted george. he whistled an impressive melody, then a few notes and finished with an "and so on." "the curtain rises," said heinrich. "feast in the king's garden. night. the princess is to be married to the duke heliodorus next day. i call him heliodorus for the time being, he will probably have another name though. the king adores his daughter and can't stand heliodorus, who is a kind of popinjay with the tastes of a mad cæsar. the king has really given the feast to annoy heliodorus, and not only are all the nobles in the land invited but the youth of all classes, in so far as they have won a right to be invited by their beauty. and on this evening the princess is to dance with any one who pleases her. and there is some one in particular, his name is ägidius, with whom she seems quite infatuated. and no one is more pleased about it than the king. jealousy on the part of heliodorus. increased pleasure on the part of the king. scene between heliodorus and the king. scorn. enmity. then something highly unexpected takes place. ägidius draws his dagger against the king. he wants to murder him. the motives for this attempted murder of course would have to be very carefully worked in if you had not been kind enough, my dear george, to set the thing to music! so it will be enough to hint that the youth hates tyrants, is a member of a secret society, is perhaps a fool or a hero off his own bat. i don't know yet, you see. the attempted murder fails. ägidius is arrested. the king wishes to be left alone with him. duet. the youth is proud, self-possessed, great. the king superior, cruel, inscrutable. that's about my idea of him. he had already sent many men to their death and already seen many die, but his own inner consciousness is so awfully vivid and intense that all other men seem to him to be living in a state of mere semi-consciousness, so that their death has practically no other significance except the step from twilight into gloom. a death like that strikes him as too gentle or too banal for a case like this. he wishes to plunge this youth from a daylight such as no mortal has yet enjoyed into the most dreadful darkness. yes, that's how his mind works. how much he says or sings about this i don't yet know of course. ägidius is taken away just like a prisoner condemned, so everybody thinks, to immediate death, and on the very same ship, too, as that on which heliodorus was to have started on his journey with the princess in the evening. the curtain falls. the second act takes place on the deck. the ship under weigh. chorus. isolated figures come up. their significance is only revealed later. dawn. ägidius is led up from the hold below. to his death, as he is bound, of course, to think. but it turns out otherwise. his fetters are loosed. all bow down to him. he is hailed as a prince. the sun rises. ägidius has an opportunity of noticing that he is in the very best society--beautiful women, nobles. a sage, a singer, a fool, are intended for important parts. but who should come out of the chorus of women but the princess herself; she belongs absolutely to ägidius, like everything else on the ship." "what a splendid father and king!" said george. "no price is too dear for him to pay!" explained heinrich, "for a really ingenious idea. that's his line. there follows a splendid duet between ägidius and the princess. then they sit down to the meal. after the meal dancing. high spirits. ägidius naturally thinks he has been saved. he is not inordinately surprised, because his hatred for the king was always to a great extent inspired by admiration. the twilight begins to loom. suddenly a stranger is at ägidius' side. perhaps he has been there for a long time, one among the many, unnoticed, mute. he has a word to say to ägidius. the feasting and dancing proceed meanwhile. ägidius and the stranger. 'all this is yours,' says the stranger. 'you can rule according to your humour. you can take possession and kill just as you wish. but to-morrow ... or in two or seven years or in one year or in ten, or still later, this ship will approach an island on whose shore a marble hall towers aloft upon a cliff. and there death waits for you--death. your murderer is with you on the ship. but only the one whose mission it is to be your murderer knows it. nobody else knows who he is. nay, nobody else on this ship has any inkling that you are consecrated to death. remember that. for when you let any one notice that you yourself know your fate you are doomed to death that very hour.'" heinrich spoke these words with exaggerated pathos, as though to conceal his embarrassment. he went on more simply. "the stranger vanishes. perhaps i shall have him disembarked on the mainland by two silent attendants who have accompanied him. ägidius remains among the hundreds of men and women of which one or the other is his murderer. which one? the sage or the fool? the star-gazer yonder? one of those yonder, ruminating in the darkness? those men stealing up the steps yonder? one of the dancers? the princess herself? she comes up to him again, is very tender, nay, passionate. hypocrite? murderess? his love? does she know? at any rate she is his. all this is to be his to-day. night on the sea. terror. delight. the ship goes slowly on towards that shore that lies hours or years away in the distance of the far-off mist. the princess is nestling at his feet. ägidius stares into the night and watches." heinrich stopped as though personally affected. melodies rang in george's ear. he heard the music for the scene when the stranger disappears escorted by the mutes, and then gradually the noise of the feast comes to the front of the stage. he did not feel it within him as a mere melody, but he already felt it with all its fulness of instruments. were there not flutes sounding and oboes and clarionets? was not the 'cello singing and the violin? was not a faint beat of a drum droning out of a corner of the orchestra? involuntarily he held up his right arm, as though he had his conductor's bâton in his hand. "and the third act?" asked anna, as heinrich remained silent. "the third act," repeated heinrich, and there was a touch of depression in his voice. "the scene of the third act, of course, will be laid in that hall on the cliff--don't you think so? it must, i think, begin with a dialogue between the king and the stranger. or with a chorus? there are no choruses on uninhabited islands. anyway, the king is there and the ship is in sight. but look here, why should the island be uninhabited?" he stopped. "well?" asked george impatiently. heinrich laid both his arms on the railing of the verandah. "i'll tell you something. this isn't an opera at all...." "what do you mean?" "there are very good reasons for my not getting as far as this part of it. it is a tragedy clearly. i just haven't got the courage to write it. do you know what would have to be described? the inner change in ägidius would have to be described. that is clearly both the difficulty and the beauty of the subject-matter. in other words it is a thing which i daren't do. the opera idea is simply a way of getting out of it, and i don't know if i ought to take on anything like that." he was silent. "but at any rate," said anna, "you must tell us the end of the opera as you have got it in your mind. i must really admit that i'm quite excited." heinrich shrugged his shoulders and answered in a tired voice: "well, the ship hoves to. ägidius lands. he is to be hurled into the sea." "by whom?" asked anna. "i've no idea at all," replied heinrich unhappily. "from this point my mind is an absolute blank." "i thought it would be the princess," said anna, and waving her hand through the air executed a death signal. heinrich smiled gently. "i thought of that, of course, also, but...." he broke off and suddenly looked up to the night sky in a state of nervous tension. "it was to finish with a kind of pardon, so far as your original draft went," remarked george irritably. "but that, of course, is only good enough for an opera. but now, as your ägidius is the hero of a tragedy, of course he will have to be really hurled into the sea." heinrich raised his forefinger mysteriously and his features became animated again. "i think something is just dawning upon me. but don't let's talk about it for the time being, if you don't mind. it's perhaps really been a sound thing that i told you the beginning." "but if you think that i am going to do _entr'acte_ music for you," said george, without particular emphasis, "you are under a delusion." heinrich smiled, guiltily, indifferently and yet quite good-humouredly. anna felt with concern that the whole business had fizzled out. george was uncertain whether he ought to be irritated at his hopes being disappointed or be glad at being relieved of a kind of obligation. but heinrich felt as though the creations of his own mind were deserting him in shadowy confusion, mockingly, without farewell and without promising to come again. he found himself alone and deserted in a melancholy garden, in the society of quite a nice man whom he knew very well, and a young lady who meant nothing at all to him. he could not help thinking all of a sudden of a person who was travelling at this very hour in a badly-lighted compartment in despair and with eyes red with crying, towards dark mountains, worrying whether she would get there in time to-morrow for her rehearsal. he now felt again that since that had come to an end he was going downhill, for he had nothing left, he had no one left. the suffering of that wretched person, the victim of his own agonizing hatred, was the only thing in the world. and who knew? she might be smiling at another the very next day, with those tearful eyes of hers, with her grief and longing still in her soul and a new _joie de vivre_ already in her blood. frau golowski appeared on the verandah. she was flurried and somewhat late, and still carried her umbrella and had her hat on. therese sent her remembrances from town and wanted to arrange to come and see anna again the next day or so. george, who was leaning up against a wooden pillar of the verandah, turned to frau golowski with that studious politeness which he always ostentatiously assumed when talking to her. "won't you ask fräulein therese in both our names if she wouldn't care to stay out here for a day or two? the top room is quite at her service. i'm on the point of going into the mountains for a short time, you know," he added, as though he regularly slept in the little room at all other times. frau golowski expressed her thanks. she would tell therese. george looked at his watch and saw that it was time to start for home. he and heinrich then said good-bye. anna accompanied both of them as far as the garden door, remained standing a little while and watched them till they got on to the height where the sommerhaidenweg began. the little village at the bottom of the valley flowed past them in the moonlight. the hills loomed pale like thin walls. the forest breathed darkness. in the distance thousands of lights glittered out of the night mist of the summer town. heinrich and george walked by each other in silence and a sense of estrangement arose between them. george remembered that walk in the prater in the previous autumn, when their first almost confidential talk had brought them near to each other. how many talks had they not had since? but had they not all, as it were, gone into thin air? and to-day, too, george was unable to walk through the night with heinrich without exchanging a word, as he used to do many a time with guido or with labinski without feeling any loss of real sympathy. the silence became a strain. he began to talk of old stauber, as that was the first subject to occur to him, and praised his reliability and versatility. heinrich was not very taken with him and thought him somewhat intoxicated with the sense of his own kindness, wisdom and excellence. that was another kind of jew which he could not stand--the self-complacent kind. the conversation then turned on young stauber, whose vacillation between politics and science had something extremely attractive about it for heinrich. from that they turned into a conversation about the composition of parliament, about the squabbles between the germans and the tschechs and the attacks of the clericals on the minister of education. they talked with that strained assiduousness with which one is accustomed to talk about things which are absolutely indifferent to one in one's heart of hearts. finally they discussed the question whether the minister ought to remain in office or not after the dubious figure he had cut over the civil marriage question, and had the vaguest ideas after they had finished as to which of them had been in favour of his resignation and which of them against it. they walked along the churchyard. crosses and gravestones towered over the walls and floated in the moonlight. the path inclined downwards to the main road. they both hurried so as to catch the last tram, and standing on the platform in the sultry scented night air drove towards the town. george explained that he thought of doing the first part of his tour on his cycle. obeying a sudden impulse, he asked heinrich if he wouldn't like to join him. heinrich agreed and after a few minutes manifested great keenness. they got out at the schottentor, found out a neighbouring café and after an exhaustive consultation managed, with the help of special maps which they found in encyclopædias, to decide on every possible route. when they left each other their plan was not indeed quite definite, but they already knew that they would leave vienna early, the day after the next, and would mount their cycles at lambach. george stood quite a long time by the open window of his bedroom. he felt intensely awake. he thought of anna, from whom he was to part to-morrow for a few days, and visualised her as sleeping at this hour out there in the country in the pale twilight between the moonlight and the morning. but he felt dully as though this image had nothing at all to do with his own fate, but with the fate of some unknown man, who himself knew nothing about it. and he was absolutely unable to realise that within that slumbering being there slept another being in still deeper mystery, and that this other being was to be his own child. now that the sober mood of the early dawn stole almost painfully through his senses the whole episode seemed more remote and improbable than it had ever been before. a clearer and clearer light showed above the roofs of the town, but it would be a long time before the town woke up. the air was perfectly motionless. no breeze came from the trees in the park opposite, no perfume from the withered flower-beds. and george stood by the window; unhappy and without comprehension. vii george slowly climbed up from the hold on narrow carpeted steps between long oblique mirrors and wrapped in a long dark green rug which trailed behind him, wandered up and down on the empty deck beneath the starry sky. motionless as ever, labinski stood in the stern and turned the wheel, while his gaze was directed towards the open sea. "what a career!" thought george. "first a dead man, then a minister, then a little boy with a muff and now a steersman. if he knew that i were on this ship he would certainly hail me." "look out!" cried behind george the two blue girls, whom he had met on the sea-shore, but he rushed on, wrapped himself in his rug and listened to the flapping of white gulls over his head. immediately afterwards he was in the saloon, down below, sitting at the table, which was so long that the people at the end were quite small. a gentleman near him, who looked like the elder grillparzer, remarked irritably: "this boat's always late. we ought to have been in boston a long time ago." george then felt very nervous; for if he could not show the three music scores in the green cover when he disembarked, he would certainly be arrested for high treason. that was why the prince who had been rushing all over the deck with the wheel all day long often cast such strange side-glances at him. and to intensify his suspicions still more he was compelled to sit at table in his shirtsleeves while all the other gentlemen wore generals' uniforms, as they always did on boats, and all the ladies wore red velvet dresses. "we shall soon be in america," said a raucous steward who was serving asparagus. "only one more station." "the others can sit there quietly," thought george. "they have nothing to do, but i must swim to the theatre straight away." the coast appeared opposite him in the great mirror; nothing but houses without roofs, whose tiers of terraces towered higher and higher, and the orchestra was waiting impatiently up above in a quiet kiosk with a broken stone cupola. the bell on the deck pealed and george tumbled down the steps into the park with his green rug and two pocket handkerchiefs. but they had shipped the wrong one across; it was the stadtpark, as a matter of fact; felician was sitting on a seat, an old lady in a cloak close to him put her fingers on her lips, whistled very loudly and felician said, with an unusually deep voice: "kemmelbach--ybs." "no," thought george, "felician never uses a word like that ..." rubbed his eyes and woke up. the train was just starting again. two red lamps were shining in front of the closed window of the compartment. the night ran past, silent and black. george drew his travelling rug closer round him and stared at the green shaded lamp in the ceiling. "what a good thing that i'm alone in the compartment," he thought. "i have been sound asleep for at least four or five hours. what a strange confused dream that was!" the white gulls first came back into his memory. did they have any significance? then he thought of the old woman in the cloak, who of course was no other than frau oberberger. the lady would not feel particularly flattered. but really, hadn't she looked quite like an old lady, when he had seen her a few days ago by the side of her beaming husband in the box of the little red-and-white theatre of the watering-place? and labinski, too, had appeared to him in his dream as a steersman, strangely enough. and the girls in blue dresses, also, who had looked out of the hotel garden into the piano room through the window as soon as they heard him playing. but what was the really ghostly element in that dream? not the girls in blue, not even labinski, and not the prince of guastalla, who had rushed like mad to the wheel over the deck. no, it was his own figure which had appeared to him so ghostly as it had slunk along by his side multiplied a hundred times over in the long oblique mirrors on both sides. he began to feel cold. the cool night air penetrated into the compartment through the ventilator in the ceiling. the deep black darkness outside gradually changed into a heavy grey and there suddenly rang in george's ears in a sad whisper the words he had heard only a few hours ago in a woman's low voice: how soon will it take you to forget me?... he did not wish to hear those words. he wished they had already become true, and in desperation he plunged back into the memory of his dream. it was quite clear that the steamer on which he had gone to america on his concert tour really meant the ship on which ägidius had sailed towards his sinister fate. and the kiosk with the orchestra was the hall where ägidius had waited for death. the starry sky which spread over the sea had been really wonderful. the air had been bluer and the stars more silvery than he had ever seen them in waking life, even on the night when he had sailed with grace from palermo to naples. suddenly the voice of the woman he loved rang through the darkness again, whispering and mournful: "how long will it take you to forget me?"... and he now visualised her as he had seen her a few hours ago, pale and naked, with her dark hair streaming over the pillows. he did not want to think of it, conjured up other images from the depths of his memory and deliberately chased them past him. he saw himself going round a cemetery in the thawing february snow with grace; he saw himself riding with marianne over a white country road towards the wintry forest. he saw himself walking with his father over the ringstrasse in the late evening; and finally a merry-go-round whirled past him. sissy with her laughing lips and eyes was rocking about on a brown wooden horse. else, graceful and ladylike, was sitting in a little red carriage, and anna rode an arab with the reins nonchalantly in her hand. anna! how young and graceful she looked! was that really the same being whom he was to see again in a few hours? and had he really only been away from her for ten days? and was he ever to see again all that he had left ten days ago? the little angel in blue clay between the flower-beds, the verandah with the wooden gable, the silent garden with the currantand the lilac-bushes? it all seemed absolutely inconceivable. she will wait for me on the white seat under the pear-tree, he thought, and i will kiss her hands as though nothing had happened. "how are you, george dear?" she will ask me. "have you been true to me?" no.... that's not her way of asking, but she will feel without asking at all or my answering that i have not come back the same as i went away. if she only does feel it! if i am only saved from having to lie! but haven't i done so already? and he thought of the letters which he had written from the lake, letters full of tenderness and yearning, which had really been nothing but lies. and he thought of how he had waited at night with a beating heart, his ear glued to the door, till all was quiet in the inn; of how he had then stolen over the passage to that other woman who lay there pale and naked, with her dark eyes wide open, enveloped in the perfume and bluish shimmer of her hair. and he thought of how he and she one night, half drunken with desire and audacity, had stepped out on to the verandah, beneath which the water plashed so seductively. if any one had been out on the lake in the deep darkness of this hour he would have seen their white bodies shining through the night. george thrilled at the memory. we were out of our senses, he thought; how easily it might have happened that i should be lying to-day with a bullet through my heart six feet under the ground. of course there's still a chance of it. they all know. else knew first, though she scarcely ever came down from auhof into the village. james wyner, who saw me with the other woman one evening standing on the landing-stage is bound to have told her. will else marry him? i can understand her liking him so much. he is handsome, that chiselled face, those cold grey eyes which look shrewd and straight into the world, a young englishman. who knows if he wouldn't have turned into a kind of oskar ehrenberg in vienna? and george remembered what else had told him about her brother. he had struck george as so self-possessed, almost mature in fact, on his sick-bed in the nursing-home. and now he was said to be leading a wild life in ostend, to be gambling and gadding about with the most evil associates, as though he wanted to go thoroughly to the dogs. did heinrich still find the matter so tragi-comic? frau ehrenberg had grown quite white with grief. and else had cried her eyes out in front of george one morning in the grounds; but had she only been crying about oskar? the grey in front of the compartment window slowly cleared. george watched the telegraph wires outside sweeping and shifting across each other with swift movements and he thought of how, yesterday afternoon, his own lying words to anna had travelled across one of these wires: "shall be with you early to-morrow morning. fondest love, your own george."... he had hurried back straight from the post-office to an ardent and desperate final hour with the other woman, and he could not realise that even at this very minute, when he had already been away from her for a whole eternity, she should still be lying asleep and dreaming in that same room with the fast-closed windows. and she will be home this evening with her husband and children. home--just as he would be. he knew that it was so and he could not understand it. for the first time in his life he had been near doing something which people would probably have had to call madness. only one word from her ... and he would have gone out with her into the world, have left everything behind, friends, mistress and his unborn child. and was he not still ready to do so? if she called him would he not go? and if he did do so would he not be right? was he not far more cut out for adventures of that kind than for the quiet life full of responsibilities which he had chosen for himself? was it not rather his real line to career boldly and unhesitatingly about the world than to be stuck somewhere or other with his wife and child, with all the bothers about bread-and-butter, his career and at the best a little fame? in the days from which he had just come he had felt that he was living, perhaps for the first time. each moment had been so rich and so full, and not only those spent in her arms. he had suddenly grown young again. the country had flowered with a greater splendour, the arc of the sky had grown wider, the air which he drank had exhaled a finer spice and strength, and melodies had rippled within him as never before. had he ever composed anything better than that wordless song to be sung on the water with its sprightly rocking melody? and that fantasy had risen strangely by the shore of the lake one hour out of depths of his which he had never dreamt of, after he had seen the wondrous woman for the first time. well, herr hofrat wilt would no longer have occasion to regard him as a dilettante. but why did he think of him of all people? did the others know what kind of a man he was any better? didn't it often seem to him as though even heinrich, who had once wanted to write an opera libretto for him, had failed to judge him any more accurately? and he heard again the words which the author had spoken to him that morning when they had cycled from lambach to gmunden through the dew-wet forest. "you need not do creative work in order to realise yourself ... you do not need work ... only the atmosphere of your art...." he suddenly remembered an evening in the keeper's lodge on the alamsee when a huntsman of seventy-three had sung some jolly songs and heinrich had wondered at any one of that age being still so jolly, since one would be bound to feel oneself so near one's death. then they had gone to bed in an enormous room which echoed all their words, philosophised about life and death for a long time, and suddenly fallen asleep. george was still motionless as he lay stretched out in his rug and considered whether he should tell heinrich anything about his meeting with his actress. how pale she had grown when she had suddenly seen him. she had listened, with roving eyes, to his account of the cycle tour with heinrich and then begun to tell him straight away about her mother and her little brother who could draw so wonderfully finely. and the other members of the company had kept staring all the time from the stage door, particularly a man with a green tyrol hat, in which a chamois' beard was stuck. and george had seen her play the same evening in a french farce, and asked himself if the pretty young person who acted and pranced about so wildly down on the stage of the little holiday theatre could really be so desperate as heinrich imagined. not only he but james and sissy as well had liked her very much. what a jolly evening it had been! and the supper after the theatre with james, sissy, old mother wyner and willy eissler! and next day the ride in the four-in-hand of old baron löwenstein, who drove himself. in less than an hour they had reached the lake. a boat was rowing near the bank in the early sunshine. and the woman he loved sat on the rowing-seat with a green silk shawl over her shoulders. but how was it that sissy also had divined the relationship between him and her? and then the merry dinner at the ehrenbergs' up at auhof! george sat between else and sissy, and willy told one funny story after the other. and then on the afternoon, george and sissy had found each other without any rendezvous in the dark green sultriness of the park amid the warm scent of the moss and the pines, while all the others were resting. it had been a wonderful hour, which had floated through this day as lightly as a dream, without vows of troth and without fear of fulfilment. how i like thinking every single minute of it all over again, savouring it to the full, that golden day! i see both of us, sissy and myself, going down over the fields to the tennis-court, hand in hand. i think i played better than i ever did in my life.... and i see sissy again lounging in a cane chair, with a cigarette between her lips and old baron löwenstein at her side, while her looks flamed towards willy. what had become of me at that moment, so far as she was concerned? and the evening! how we swam out in the twilight into the lake, while the warm water caressed me so deliciously. what a delight that was! and then the night ... the night.... the train stopped again. it was already quite light outside. george lay still, as before. he heard the name of the station called out; the voices of waiters, conductors and travellers; heard steps on the platform, station-signals of all kinds, and he knew that in an hour he would be in vienna.... supposing anna had received information about him, just as heinrich had about his mistress the previous winter? he could not imagine that a thing like that could make anna lose control of herself, even if she believed in it. perhaps she would cry, but certainly only to herself, quite quietly. he resolved firmly not to let her notice anything. was not that his plain duty? what was the important thing now? only this, that anna should spend the last weeks quietly and without excitement, and that a healthy child should come into the world. that was all that mattered. how long had it been since he had heard doctor stauber say those words? the child...! how near the hour was, the child.... he thought again; but he could think of nothing except the mere word. he then endeavoured to imagine a tiny living being. but as though to mock him figures of small children kept appearing, who looked as though they had stepped out of a picture-book, drawn grotesquely and in crude colours. where will it spend its first years? he thought. with peasants in the country, in a house with a little garden. but one day we will fetch it and take it home with us. it might, too, turn out differently. one gets a letter like this: your excellency, i have the honour to inform you that the child is seriously ill.... or.... what is the point of thinking about things like that? even though we kept it with us it might fall ill and die. anyway, it must be given to people who are highly responsible. i'll see about it myself.... he felt as though he were confronted with new duties which he had never properly considered and which he had not yet grown able to cope with. the whole business was beginning, as it were, over again. he came out of a world in which he had not bothered about all these things, where other laws had prevailed than those to which he must now submit. and had it not been as though the other people, too, had felt that he was not really one of them, as though they had been steeped in a kind of respect, as though they had been seized by a feeling of veneration for the power and holiness of a great passion, whose sway they witnessed in their own neighbourhood? he remembered an evening on which the hotel visitors had disappeared from the piano-room one after another, as though they had been conscious of their duty to leave him alone with her. he had sat down at the piano and begun to improvise. she had remained in her dark corner in a big arm-chair. first of all he had seen her smile, then the dark shining of her eyes, then only the lines of her figure, then nothing more at all. but he had been conscious the whole time "she is there!" lights flashed out on the other bank opposite. the two girls in the blue dresses had peered in through the window and had quickly disappeared again. then he stopped playing and remained sitting by the pianoforte in silence. then she had come slowly out of the corner like a shadow and had put her hand upon his head. how ineffably beautiful that had been! and it all came into his mind again. how they had rested in the boat in the middle of the lake, with shipped oars, while his head was in her lap! and they had walked through the forest paths on the opposite bank until they came to the seat under the oak. it had been there that he had told her everything--everything as though to a friend. and she had understood him, as never another woman had understood him before. was it not she whom he had always been seeking? she who was at once mistress and comrade, with a serious outlook upon everything in the world, and yet made for every madness and for every bliss? and the farewell yesterday.... the dark brilliance of her eyes, the blue-black stream of her loosened hair, the perfume of her white naked body.... was it really possible that this was over for ever? that all this was never, never to come again? george crumpled the rug between his fingers in his helpless longing and shut his eyes. he no longer saw the softly moving lines of the wooded hills, which swept by in the morning light, and as though for one last happiness he dreamed himself back again into the dark ecstasies of that farewell hour. yet against his will he was overcome by fatigue after the jar and racket of the night in the train, and he was swept away out of the images which he had himself called up, in a route of wild dreams which it was not vouchsafed him to control. he walked over the sommerhaidenweg in a strange twilight that filled him with a deep sadness. was it morning? was it evening? or just a dull day? or was it the mysterious light of some star over the world that had not yet shone for any one except him? he suddenly stood upon a great open meadow where heinrich bermann ran up and down and asked him: are you also looking for the lady's castle? i have been expecting you for a long time. they went up a spiral staircase, heinrich in front, so that george could only see a tail of the overcoat which trailed behind. above, on an enormous terrace which gave a view of the town and the lake, the whole party was assembled. leo had started his dissertation on minor harmonies, stopped when george appeared, came down from his desk and himself escorted him to a vacant chair which was in the first row and next to anna. anna smiled ecstatically when george appeared. she looked young and brilliant in a splendid _décolletée_ evening dress. just behind her sat a little boy with fair hair, in a sailor suit with a broad white collar, and anna said "that's he." george made her a sign to be silent, for it was supposed to be a secret. in the meanwhile leo played the _c sharp minor_ nocturne by chopin in order to prove his theory, and behind him old bösendorfer leaned against the wall in his yellow overcoat, tall, gaunt and good-natured. they all left the concert-room in a great crush. then george put anna's opera cloak round her shoulders and looked sternly at the people round him. he then sat in the carriage with her, kissed her, experienced a great delight in doing so and thought: "if it could only be like this always." suddenly they stopped in front of the house in mariahilf. there were already many pupils waiting upstairs by the window and beckoning. anna got out, said good-bye to george with an arch expression and vanished behind the door, which slammed behind her. "excuse me, sir. ten minutes more," some one said. george turned round. the conductor stood in the doorway and repeated: "we shall be in vienna in ten minutes." "thank you," said george and got up, with a more or less confused head. he opened the window and was glad it was fine weather outside in the world. the fresh morning air quite cheered him up. yellow walls, signal-boxes, little gardens, telegraph poles, streets, flew past him, and finally the train stood in the station. a few minutes later george was driving in an open fiacre to his apartment, saw workmen, shop girls and clerks going to their daily callings; heard the rattle of rolling shutters and in spite of all the anxiety which awaited him, in spite of all the desire which drew him elsewhere, he experienced the deep joy of once more being at home. when he went into his room he felt quite hidden. the old secretary, covered with green baize, the malachite letter-weight, the glass ash-tray with its burnt-in cavalier, the slim lamp with the broad green thick glass shade, the portrait of his father and mother in the narrow mahogany frames, the round little marble table in the corner with its silver case for cigars, the prince of the electorate, after vandyck on the wall, the high bookcase with its olive-coloured curtains; they all gave him a hearty greeting. and how it did one good to have that good home look over the tree tops in the park, towards the spires and roofs. an almost undreamt-of happiness streamed towards him from everything which he found again here, and he felt sore at heart that he would have to leave it all in a few weeks. and how long would it last until one had a home, a real home? he would have liked to have stopped for a few hours in his beloved room but he had no time. he had to be in the country before noon. he had thrown off his clothes and let the warm water swirl round him deliciously in his white bath. to avoid going to sleep in his bath he chose a means he had often employed before. he rehearsed in his mind note by note a fugue of bach's. he thought of a pianoforte that would have to be diligently practised and music scores which would have to be read. wouldn't it really be more sensible to devote another year to study? not to enter into negotiations straight away or to take a post, which he would turn out to be unable to fill? rather to stay here and work. stay here? but where? notice had been given. it occurred to him for a moment to take the apartment in the old house opposite the grey church, where he had spent such beautiful hours with anna, and it was as though he were remembering a long-past episode, an adventure of his youth, gay and yet a little mysterious, that had been over long ago.... he went back into his room, refreshed and wearing a brand-new suit, the first light one which he had put on since his father's death. a letter lay on the secretary which had just arrived by the first post, from anna. he read it. it was only a few words: "you are here again, my love--i welcome you. i do long to see you. don't keep me waiting too long. your anna...." george got up. he did not himself know what it was in the short letter that touched him so strangely. anna's letters had always retained, in spite of all their tenderness, a certain precise, almost conventional element, and he had frequently jokingly called them "proclamations." this was couched in a tone that reminded him of the passionate girl of by-gone days, of that love of his whom he had almost forgotten, and a strangely unexpected anxiety seized on his heart. he rushed downstairs, took the nearest fiacre and drove to the country. he soon felt agreeably distracted by the sight of the people in the streets who meant nothing to him at all; and later, when he was near the wood, he felt soothed by the charm of the blue summer day. suddenly, sooner than george had anticipated, the vehicle stopped in front of the country house. involuntarily george first looked up to the balcony under the gable. a little table was standing there with a white cover and a little basket on it. oh yes, therese had been staying here for a few days. he now remembered for the first time. therese...! where was it now? he got out, paid the carriage and went into the front garden where the blue angel stood on its unpretentious pedestal amid the faded flower-beds. he stepped into the house. marie was just laying the table in the large centre room. "madam's over there in the garden," she said. the verandah door was open. the planks of its floor creaked underneath george's feet. the garden with its perfume and its sultriness received him. it was the old garden. during all the days in which george had been far away it had lain there silently, just as it was lying at this minute; in the dawn, in the sunshine, in the twilight, in the darkness of night; always the same.... the gravel path cut straight through the field to the heights. there were children's voices on the other side of the bushes from which red berries were hanging. and over there on the white seat, with her elbow on its arm, very pale, in her flowing blue morning dress, yes, that was anna. yes, really she. she had seen him now. she tried to get up. he saw it, and saw at the same time that she found it difficult. but why? was she spell-bound by excitement? or was the hour of trial so near? he signed to her with his hand that she was to remain seated, and she really did sit down again, and only just stretched out her arms lightly towards him. her eyes were shining with bliss. george walked very quickly, with his grey felt hat in his hand, and now he was at her side. "at last," she said, and it was a voice which came from as far back as those words in her letter of this morning. he took her hands, shook them in a strange clumsy way, felt a lump in his throat, but was still unable to articulate anything and just nodded and smiled. and suddenly he knelt before her on the grass, with her hands in his and his head in her lap. he felt her lightly taking her hands away, and putting them on his head; and then he heard himself crying quite softly. and he felt as though he were in a sweet vague dream, a little boy again and lying at his mother's feet, and this moment were already a mere memory, painful and far away, even while he was living it. viii frau golowski came out of the house. george could see her from the top end of the garden as she stepped on to the verandah. he hurried excitedly towards her, but as soon as she saw him in the distance she shook her head. "not yet?" asked george. "the professor thinks," replied frau golowski, "some time before dark." "some time before dark," said george and looked at his watch. and now it was only three. she held out her hand sympathetically and george looked into her kind eyes, which were somewhat tired by her nocturnal vigils. the white transparent curtain in front of anna's window had just been slightly drawn back. old doctor stauber appeared by the window, threw george a friendly reassuring glance, disappeared again and the curtains were drawn. frau rosner was sitting in the large centre room by the round table. george could only see from the verandah the outlines of her figure; her face was quite in the shade. then a whimpering and then a loud groan forced their way from the room in which anna lay. george stared up at the window, stood still for a while, then turned round and walked for the hundredth time to-day up the path to the top of the garden. it is clear that she is already too weak to shriek, he thought; and his heart pained him. she had lain in labour for two whole days and two whole nights. the third day was now approaching its end,--and now it was still to last until evening came. on the evening of the first day doctor stauber had called in the professor, who had been there twice yesterday and had remained in the house since noon to-day. while anna had gone to sleep for a few minutes, and the nurse was watching by her bed, he had walked up and down in the garden with george and had endeavoured to explain to him all the peculiar features of the case. for the time being there was no ground for anxiety. they could hear the child's heart beating quite clearly. the professor was a still fairly young man with a long blonde beard, and his words trickled gently and kindly like drops of some anodyne drug. he spoke to the sick woman like a child, stroked her over the hair and forehead, caressed her hands and gave her pet names. george had learned from the nurse that this young doctor exhibited the same devotion and same patience at every sick-bed. what a profession! thought george, who had once, during these three bad days, fled to vienna for a few hours, which enabled a man to have a sound dreamless sleep for six good hours up there in the attic this very night while anna was writhing in pain. he walked along by the faded lilac-bushes, tore off leaves, crunched them in his hand and threw them on the ground. a lady in a black-and-white striped morning dress was walking in the next garden on the other side of the low bushes. she looked at george seriously and almost sympathetically. quite so! thought george. of course she heard anna's screams the day before yesterday, yesterday and to-day. the whole place in fact knew of what was happening there; even the young girls in the _outré_ gothic villa, who had once taken him for the interesting seducer; and there was real humour in the fact that a strange gentleman with a reddish pointed beard, who lived two houses away, should have suddenly greeted him yesterday in the village with respectful understanding. remarkable, thought george, how one can make oneself popular with people. but frau rosner let it be seen that even though she did not regard george as mainly responsible for the seriousness of the position she certainly regarded him as somewhat callous. he did not bear any grudge for this against the poor good woman. she could not of course have any idea how much he loved anna. it was not long since he had known it himself. she had not addressed any question to him on that morning of his arrival when george had lifted his head off her lap after a long silent fit of weeping, but he had read in the painful surprise of her eyes that she guessed the truth, and he thought he understood why she did not question him. she must realise how completely she possessed him again, how henceforth he belonged to her more than he had ever done before, and when he told her in the subsequent hours and days of the time which he had spent far away from her, and that now fateful name resounded casually but yet insistently out of the catalogue of the women whom he had met, she smiled, no doubt, in her slightly mocking way, but scarcely differently than when he spoke of else or sissy, or the little girls in their blue dresses who had peeped into the music-room when he was playing. he had been living in the villa for two weeks, had been feeling well and in good form for serious work. he spread out every morning on the little table, where therese's needlework had lain a short time ago, scores, works on musical theory, musical writing-paper, and occupied himself with solving problems in harmony and counterpoint. he often lay down in the meadow by the edge of the forest and read some favourite book or other, let melodies ring within him, indulged in day-dreams and was quite happy, with the rustling of the trees and the brilliance of the sun. in the afternoon, when anna was resting, he would read aloud or talk to her. they often talked with affectionate anticipation about the little creature that was soon to come into the world, but never about their own future, whether distant or immediate. but when he sat by her bed, or walked up and down the garden with her arm-in-arm, or sat by her side on the white seat under the pear-tree, where the shining stillness of the late summer day rested above them, he knew they were tied fast to each other for all time, and that even the temporary separation with which they were faced could have no power to affect them in view of the certain feeling that they were all in all to each other. it was only since the pains had come upon her that she seemed removed from him to a sphere where he could not follow her. yesterday he had sat by her bed for hours and had held her hand in his. she had been patient, as always, had anxiously inquired if he were quite comfortable in the house, had begged him to work and go for walks as he had done before, since after all he could not help her, and had assured him that since she was suffering she loved him even more. and yet she was not the same, george felt, as she had been during these days. particularly when she screamed out--as she had this morning in her worst pains--her soul was so far away from him that he felt frightened. he was near the house again. no noise came from anna's room, in front of the window of which the curtains moved slightly. old doctor stauber was standing on the verandah. george hastened towards him with a dry throat. "what is it?" he asked hastily. doctor stauber put his hand on his shoulder. "going on nicely." a groan came from within, grew louder, grew into a wild frenzied scream. george passed his hand over his damp forehead and said to the doctor with a bitter smile: "is that what you mean by going on nicely?" stauber shrugged his shoulders. "it is written, 'with pain shalt thou....'" george felt a certain sense of resentment. he had never believed in the god of the childishly pious, who was supposed to reveal himself as the fulfiller of the wishes of wretched men and women, as the avenger and forgiver of miserable human sins. the nameless one which he felt in the infinite beyond his senses, and transcending all understanding, could only regard prayer and blasphemy as poor words out of a human mouth. not even when his mother had died, after the senseless martyrdom of her suffering, not even when his father had died, passing away painlessly so far as he could understand, had he presumed to indulge in the belief that his own personal misfortunes in the world's progress signified more than the falling of a leaf. he had not bowed down in cowardly humility to any inscrutable solution of the riddle, nor had he foolishly murmured against an ungracious power of whose decrees he was the personal victim. to-day he felt for the first time as though somewhere or other in the clouds an incomprehensible game was being played in which his own fortunes were the stakes. the scream within had died away and only groans were audible. "and the beating of the heart?" asked george. doctor stauber looked at him. "it could still be heard clearly ten minutes ago." george fought against a dreadful thought which had been hounded up out of the depths of his soul. he was healthy, she was healthy, two strong young people.... could anything like that be really possible? doctor stauber put his hand on his shoulder again. "go for a walk," he said. "we'll call you as soon as it's time." and he turned away. george remained standing on the verandah for another minute. he saw frau rosner sitting huddled up in solitary brooding on the sofa near the wall in the large room that was beginning to grow dim in the shade of the late afternoon. he went away, walked round the house and went up the wooden stairs into his attic. he threw himself on the bed and shut his eyes. after a few minutes he got up, walked up and down in the room, but gave up doing so as the floor creaked. he went on to the balcony. the score of _tristan_ lay open on the table. george looked at the music. it was the prelude to the third act. the music rang in his ears. the sea waves were beating heavily on a cliff shore, and out of the mournful distance rang the sad melody of an english horn. he looked over the pages far away into the silver-white brilliance of the daylight. there was sunshine everywhere--on the roofs, paths, gardens, hills and forests. the sky was spread out in its azure vastness and the smell of the harvest floated up from the depths. how were things with me a year ago? thought george. i was in vienna, quite alone. i had not an idea. i had sent her a song ... '_deinem blick mich zu bequemen_' ... but i scarcely gave her a thought ... and now she lies down there dying.... he gave a violent start. he had meant to say mentally ... "she is lying in labour," and the words "lies dying" had as it were stolen their way on to his lips. but why was he so frightened? how childish! as though there existed presentiments like that! and if there really were danger, and the doctors had to decide, then of course they would have to save the mother. why, doctor stauber had only explained that to him a few days ago. what, after all, is a child that hasn't yet lived? nothing. he had begotten it at some moment or other without having wished it, without having even thought of the possibility that he might have become a father. how did he know either that in that dark hour of ecstasy, behind closed blinds a few weeks ago he had not ... also become a father without having wished it, without having even thought of the possibility; and perhaps it might have happened without his ever knowing! he heard voices and looked down; the professor's coachman had caught hold of the arm of the housemaid, who was only slightly resisting. perhaps the foundations are being laid here too of a new human life, thought george, and turned away in disgust. then he went back into his room, carefully filled his cigarette-case out of the box that stood on the table, and it suddenly seemed to him that his excitement was baseless and even childish, and it occurred to him: "my mother, too, once lay like that before i came into the world, just as anna is doing now. i wonder if my father walked about as nervously as i am doing? i wonder if he would be here now if he were still alive? i wonder if i would have told him at all? i wonder if all this would have happened if he had lived?" he thought of the beautiful serene summer days by the veldeser lake. his comfortable room in his father's villa swept up in his memory and in some vague way, almost dreamwise, the bare attic with the creaking floor in which he now found himself seemed to typify his whole present existence in contrast to that former life which had been so free from care and responsibility. he remembered a serious talk about the future which he had had a few days ago with felician. immediately after this thought there came into his mind the conversation which he had had with a woman in the country, who had introduced herself with the offer to take charge of the child. she and her husband possessed a small property near the railway, only an hour away from vienna, and her only daughter had died in the previous year. she had promised that the little one should be well looked after, as well, in fact, as though it were not a stranger's at all, and as george thought of this he suddenly felt as though his heart were standing still. it will be there before dark.... the child.... his child, but a strange woman was waiting somewhere to take it away with her. he was so tired after the excitement of the last few days that his knees hurt him. he remembered having previously felt similar physical sensations, the evening after his "leaving-examination" and the time when he had learnt of labinski's suicide. how different, how joyful, how full of hope had been his mood three days ago, just before the pains began! he now felt nothing except an unparalleled dejection, while he found the musty smell of the attic more and more unpleasant. he lit a cigarette and stepped on to the balcony again. the warm silent air did him good. the sunshine still lay on the sommerhaidenweg and a gilded cross shone over the walls from the direction of the churchyard. he heard a noise beneath him. steps? yes, steps and voices too. he left the balcony and the room and rushed down over the creaking wooden staircase. a door opened, steps were hurrying over the floor. the next moment he was on the bottom step opposite frau golowski. his heart stood still. he opened his mouth without asking. "yes," she nodded, "a boy." he gripped both her hands and felt, while he was beaming all over, a stream of happiness was running through his soul with a potency and intense warmth that he had never anticipated. he suddenly noticed that frau golowski's eyes were not shining as brightly as they certainly ought to have. the stream of happiness within him ebbed back. something choked his throat. "well?" he said. then he added, almost menacingly: "does it live?" "it just breathed once.... the professor hopes...." george pushed the woman on one side, reached the great centre room in three strides and stood still as though spell-bound. the professor, in a long white linen apron, held a small creature in his arms and rocked it hurriedly to and fro. george stood still. the professor nodded to him and went on undisturbed with what he was doing. he was examining the little creature in his arms with scrutinising eyes, he put it on the table, over which a white linen cloth had been spread, made the child's limbs execute violent exercises, rubbed its breast and face, then lifted it high up several times in succession, and george always saw how the child's head drooped heavily on to its breast. then the doctor put it on to the linen cloth, listened with his ear on its bosom, got up, put one hand on its little body and motioned gently with the other to george to approach. involuntarily holding his breath george came quite near him. he looked first at the doctor and then at the little creature which lay on the white linen. it had its eyes quite open, strangely big blue eyes, like those of anna. the face looked quite different from what george had expected, not wrinkled and ugly like that of an old dwarf, no; it was really a human face, a silent beautiful child-face, and george knew that these features were the image of his own. the professor said gently: "i've not heard its heart beat for the last hour." george nodded. then he asked hoarsely: "how is she?" "quite well, but you mustn't go in yet, herr baron." "no," replied george and shook his head. he stared at the immobile little body with its bluish shimmer and knew that he was standing in front of the corpse of his own child. nevertheless he looked at the doctor again and asked: "can nothing more be done?" he shrugged his shoulders. george breathed deeply and pointed to the closed bedroom door. "does she know yet----" he asked the doctor. "not yet. let's be thankful for the time being that it is over. she has gone through a lot, poor girl. i only regret that it should turn out to have been for nothing." "you expected it, herr professor?" "i feared it since this morning." "and why ... why?" the doctor answered softly and gently: "a very exceptional case, as i told you before." "you told me...?" "yes, i tried to explain to you that this possibility ... it was strangled, you see, by the umbilical cord. scarcely one or two per cent. of births end like that." he was silent. george gazed at the child. quite right, the professor had prepared him in advance only he had not taken it seriously. frau rosner was standing by him with helpless eyes. george held out his hand to her and they looked at each other like persons whom the sore stress of circumstances has made companions in misfortune. then frau rosner sank down on a chair by the wall. the professor said to george: "i will now go and just have a look at the mother." "mother!" repeated george, and gazed at him. the doctor looked away. "you will tell her?" asked george. "no, not at once. anyway, she will be ready for it. she asked several times in the course of the day if it was still alive. it will not have so dreadful an effect upon her as you fear, herr baron ... at any rate during the first hours, the first days. you mustn't forget what she has gone through." he pressed george's limply-hanging hand and went. george stood there motionless. he was gazing continually at the little creature, and it seemed to him a picture of undreamt-of beauty. he touched its cheeks, shoulders, arms, hands, fingers. how mysteriously complete it all was! and there it lay, having died without having lived, destined to go from one darkness into another, through a senseless nothingness. there it lay, the sweet tiny body which was ready for life and yet was unable to move. there they shone, those big blue eyes, as though with desire to drink in the light of heaven, and completely blind before they had seen a ray. and there was the small round mouth which was open as though with thirst, but yet could never drink at a mother's breast. there it gazed, that white child-face with its perfect human features, which was never to receive or feel the kiss of a mother, the kiss of a father. how he loved this child! how he loved it, now that it was too late! a choking despair rose within his throat. he could not cry. he looked around him. no one was in the room and it was quite still next door. he had no desire to go into that other room, nor had he any fear. he only felt that it would have been rather senseless. his eye returned to the dead child, and suddenly the poignant question thrilled through him whether it was really bound to be true. could not every one make a mistake, a physician as much as a layman? he held his open palm before the child's open lips and it was as though something cool was breathed towards him. and then he held both hands over the child's breast and again it seemed as though a light puff were playing over the tiny body. but it felt just the same as in the other place: no breath of life had blown towards him. he now bent down again and his lips touched the child's cool forehead. something strange, something he scarcely felt tingled through his body to the very tips of his toes. he knew it now; he had lost the game up there in the clouds, his child was dead. then he slowly lifted his head and turned away. the sight of the garden tempted him into the open. he stepped on to the verandah and saw doctor stauber and frau rosner sitting on the seat that was propped against the wall--both silent. they looked at him. he turned away as though he did not know them and went into the garden. the shadow of the house fell obliquely over the lawn, there was still sunlight higher up but it was dull and as though without the strength to illumine the air. why did he want to think of that light which was sun and yet did not shine, that blue in the heights which was heaven and yet did not bless him? what was the point of the silence of this garden, which should console and comfort him, and yet received him to-day as though it were some strange inhospitable place? it gradually occurred to him that just such a twilight had enveloped him in a dream a short time ago with a dreariness of which he had previously had no idea, and had filled his soul with incomprehensible melancholy. what now? he said to himself aloud. he did not seek for any answer, and only knew that something unforeseen and unalterable had happened that must change the face of the world for him for all time. he thought of the day when his father had died. a wild grief had overwhelmed him then; yet he had been able to cry and the world had not suddenly become dark and void. his father had really lived, had once been young, had worked, loved, had children, experienced joys and sorrows. and the mother who had borne him had not suffered in vain. and even if he himself should have to die to-day, however early it might be, he had nevertheless a life behind him, a life full of light and music, happiness and suffering, hope and anxiety, steeped in all the fulness of the world. and even if anna had passed away to-day, in the hour when she gave life to a new being, she would as it were have fulfilled her lot and her end would have had its terrible but none the less deep significance. but what had happened to his child was senseless, was revolting--a piece of irony from somewhere or other, whither one could send no question and no answer. what was the point of it all? what had been the significance of these past months with all their dreams, their troubles and their hopes? for he knew, all in a flash, that the expectation of the wonderful hour in which his child was to be born had always lain in the depths of his soul every single day, even those which were most matter-of-fact, those which were most vacant, or those which were most wanton. and he felt ashamed, impoverished, miserable. he stood by the garden fence at the top end and looked towards the edge of the forest, towards his seat on which he had rested so often, and he felt as though forest and field and seat had previously been his possessions, and that he must now surrender them too, like so much else. in a corner of the garden stood a dark grey neglected summer-house with three little window-apertures and a narrow opening for a door. he had always disliked it, and had only gone in once for a few moments. to-day he felt drawn inside. he sat down on the cracked seat and suddenly felt hidden and soothed, as though all that had happened were less true or could in some inconceivable way be undone. yet this hallucination soon vanished, he left the inhospitable room and stepped into the open. i must now go back into the house again, he thought with a sense of exhaustion, and could not quite realise that the dead body of his child must be resting in the dark room, which he could see from here stretching behind the verandah like an unfathomable darkness. he walked slowly down the garden. anna's mother was standing with a gentleman on the verandah. george recognised old rosner. he stood there in his overcoat, he had laid his hat in front of him on the table. he passed a pocket handkerchief over his forehead and his red-lidded eyes twitched. he went towards george and pressed his hand. "what a pity that it turned out differently," he said, "than we had all hoped and expected!" george nodded. he then remembered that the old gentleman's heart had not been quite right during the past week and inquired after his health. "it is kind of you to ask, herr baron. i am a little better, only i find going uphill rather troublesome." george noticed that the glass door that led to the centre room was closed. "excuse me," he said to old rosner, strode straight to the door, opened it and quickly closed it behind him. frau golowski and doctor stauber were standing near the table and speaking to each other. he walked up to them and they suddenly stopped talking. "well?" he inquired. doctor stauber said: "we have been speaking about the ... formalities. frau golowski will be kind enough to see to all that." "thank you," replied george and held out his hand to frau golowski. "all that," he thought. a coffin, a funeral, a notification to the local registry; a son born of anna rosner, spinster, died on the same day. nothing about the father of course. yes, his part was finished. only to-day? had it not been finished the very second when quite by chance he became a father? he looked at the table. the cloth was spread over the tiny corpse. oh, how quick! he thought bitterly. am i never to see it again? i suppose i may be allowed to, once. he drew the cloth a little away from the body and held it high up. he saw a pale child-face which was quite familiar to him, only since then some one had closed the eyes. the old grandfather's clock in the corner ticked. six o'clock. scarcely an hour had passed since his child had been born and died: the fact was already as indisputably certain as though it could never have been otherwise. he felt a light touch on the shoulder. "she took it quietly," said doctor stauber, standing behind him. george dropped the cloth over the child's face and turned his head towards the side. "she already knows, then...?" doctor stauber nodded. frau golowski had turned away. "who told her?" asked george. "it wasn't necessary to tell her," replied doctor stauber, "was it?" he turned to frau golowski. the latter explained: "when i went in to her she just looked at me, and then i saw at once that she already knew." "and what did she say?" "nothing--nothing at all. she turned her eyes towards the window and was quite still. she asked where you had gone, herr baron, and what you were doing." george breathed deeply. the door of anna's room opened. the professor came out in a black coat. "she is quite quiet," he said to george. "you can go in to her." "did she speak to you about it?" asked george. the professor shook his head. then he said: "i am afraid i must go into town now; you'll excuse me, won't you? i hope things will go on all right. i shall be here early to-morrow any way. good-bye, dear herr baron." he pressed his hand sympathetically. "you'll drive in with me, doctor stauber, won't you?" "yes," said doctor stauber, "i only want to say good-bye to anna." he went. george turned to the professor. "may i ask you something?" "please do." "i should very much like to know, herr professor, whether this is simply imagination. it seems to me, you know"--and he again lifted up the cloth from the tiny corpse--"as though this child did not look like a new-born one, more beautiful, so to speak. i feel as though the faces of new-born children were bound to be more wrinkled, more like old men. i can't tell you whether i have ever seen one or whether i've only read about it." "you are quite right," replied the professor. "it is just in cases of this kind, and also of course when things turn out more fortunately, that the features of the children are not distorted, are frequently, in fact, quite beautiful." he contemplated the little face with professional sympathy, nodded a few times: "pity, pity" ... let the cloth fall down again, and george knew that he had seen his child's face for the last time. what name would it have had? felician.... good-bye, little felician! doctor stauber came out of the next room and gently closed the door. "anna is expecting you," he said to george. the latter gave him his hand, shook hands with the professor again, nodded to frau golowski and went into the next room. the nurse got up from anna's side and disappeared out of the room. opposite the door hung a mirror in which george saw an elegant young gentleman who was pale and was smiling. anna lay in her bed, which stood clear in the middle of the room, with big clear eyes, which looked straight at george. "what kind of a figure do i cut?" he thought. he pushed the chair close to her bed with some ceremoniousness, sat down, grasped her hand, put it to his forehead and then kissed her fingers long and almost ardently. anna was the first to speak. "you were in the garden?" she asked. "yes, i was in the garden." "i saw you come down from the top some time ago." "you had better not talk, anna. don't you feel it a strain?" "these few words! oh no. but you can tell me something...." he was holding her hand in his all the time and looking at her fingers. then he said: "do you know that there is a little summer-house at the top end of the garden? yes, of course you know.... i only mean, we'd never properly realised it." "i was in there a few times during the first week," said anna. "i don't like it." "no, indeed!" "have you done any work this morning?" she then asked. "what an idea, anna!" she shook her head quite gently. "and recently you have been getting on so well with it." he smiled. she remained serious. "you were in town yesterday?" she asked. "you know i was." "did you find any letters? i mean important ones." "you should really not talk so much, anna. i'll tell you everything right enough. well then, i found no letters of any importance. there was nothing from detmold either. anyway, i'll go and see professor viebiger one of these days. but we can talk about these things another time, don't you think? and so far as work goes ... i've been having another look at _tristan_ this morning. i even know it down to the smallest detail. i could trust myself to conduct it to-day, if it came to the point." she was silent and looked at him. he remembered the evening when he had sat by her side at the munich opera, as though enveloped in a transparent veil of the notes he loved so well. but he said nothing about it. it grew dark. anna's features began to grow dim. "are you going to town to-day?" she asked. he had not thought of doing so. but he now felt as though a kind of relief were beckoning to him. yes, he would go in. what, after all, could he do out here? but he did not answer at once. anna began again: "i think you would perhaps like to speak to your brother." "yes, i should like to very much. i suppose you are going to sleep soon?" "i hope so." "how tired you must be," he said as he stroked her arm. "no, it is rather different. i feel so awake ... i can't tell you how awake i feel.... it seems as though i had never been so awake in my whole life. and i know at the same time that i'm going to sleep more deeply than i ever have ... as soon as i've once closed my eyes." "yes, of course you will. but may i stay a bit longer with you? i'd really like to go on sitting here till you've fallen asleep." "no, george, if you are here i can't go to sleep. but just stay a bit longer. it's so nice." he held her hand all the time and looked out on to the garden, which was now lying in the twilight. "you weren't very much up at auhof this year?" said anna indifferently, as though simply making conversation. "oh yes, nearly every day. didn't i tell you?--i think else will marry james wyner and go with him to england." he knew that she was not thinking of else but of some one quite different. and he asked himself: does she perhaps mean ... that that is the reason? a warm puff blew in from outside. children's voices rang in. george looked out. he saw the white seat gleaming under the pear-tree and thought of how anna had waited for him there in her flowing dress, beneath the fruit-laden branches, girdled by the gentle miracle of her motherhood. and he asked himself: "was it fated then that it must end like this? or was it after all so fated at the moment when we embraced each other for the first time?" the professor's remark that one to two per cent. of all births ended like that came into his mind. so it was a fact that since people had started being born one or two in every hundred must perish in this senseless fashion at the very moment when they were brought into the light! and so many must die in their first years, and so many in the flower of their youth, and so many as men. and again a fated number put an end to their own lives, like labinski. and so many were doomed to fail in their attempt, as in oskar ehrenberg's case. why search for reasons? some law is at work, incomprehensible and inexorable, which we men cannot struggle against. who is entitled to complain? why should i be the victim? if it doesn't happen to one, it will happen to another ... whether innocent or guilty like he was. one to two per cent. get hit, that is heavenly justice. the children who were laughing in the garden opposite, they were allowed to live. allowed? no, they _must_ live, even as his own child had had to die, after the first breath it drew, doomed to travel from one darkness into another, through a senseless nothingness. it was twilight outside and it was almost night in the room. anna lay still and motionless. her hand did not move in george's, but when george got up he saw that her eyes were open. he bent down, hesitated a moment, then put his arm round her neck and kissed her on her lips, which were hot and dry and did not answer his touch. then he went. in the next room the hanging lamp was alight over the table on which the dead child had lain some while back. the green tablecloth was now spread out as though nothing had happened. the door of frau golowski's room was open. the light of a candle shone in, and george knew that his child was sleeping in there, its first and last sleep. frau golowski and frau rosner sat next to each other on the sofa by the wall, dumb, and as though huddled together. george went up to them. "has herr rosner gone already?" he turned to frau rosner. "yes, he rode into the town with the doctors," she answered, and looked at him questioningly. "she is quiet." george answered her look. "i think she will sleep soundly." "won't you take something?" asked frau golowski. "you haven't since one o'clock had...." "no thanks, i'm going into town now. i want to speak to my brother. i am also expecting important letters. i'll be here again early to-morrow." he took his leave, went up to his attic, fetched the _tristan_ score from the balcony into the room, took his stick and overcoat, lit a cigarette and left the house. as soon as he was in the street he felt freer. an awful upheaval lay behind him. it had ended unhappily, but at any rate it had ended. and anna was bound to be all right. of course with mothers as well there was the fated percentage. but it was clear that the possibility of an unfortunate issue was according to the law of probabilities necessarily much less than if the child had remained alive. he walked through the straggling village with swift strides, tried not to think of anything and looked with forced attention at every single house by which he passed. they were all mean, most of them positively dreary and squalid. behind them little gardens sloped up to vineyards, cultivated fields and meadows in the evening mist. in an almost empty inn garden a few musicians were sitting by a long table, playing a melancholy waltz on violins, guitars and a concertina. later on he passed more presentable houses, and he looked in through open windows into decently lighted rooms in which there were tables laid for dinner. he eventually took his seat in a cheerful inn garden, as far away as possible from the other not very numerous customers. he took his meal and soon felt a salutary fatigue come over him. on the tram he almost dozed off in his corner. it was only when the conveyance was driving through more lively streets that he thoroughly woke up and remembered what had happened, with an agonising but arid precision. he got out and walked home through the moist sultriness of the stadtpark. felician was not at home. he found a telegram lying on his secretary. it was from detmold and ran as follows: "we request you kindly to inform us if you can possibly come to us within the next three days. this offer is to be considered for the time being as binding on neither party; travelling expenses paid in any event.--faithfully, manager of the hoftheater." next to it lay the red form for the answer. george was in a state of nervous tension. what should he answer now? the telegram clearly indicated that there was a vacancy for the post of conductor. should he ask for a postponement? after eight days it would be quite easy to go there for an interview and then come back at once. he found thinking about it a strain. at any rate the matter could wait till to-morrow, and if that was too late then there would be no essential change in the position after all. he would always be welcomed as a special visitor, he knew that already. it was perhaps better not to bind himself ... to go on working at his training somewhere, without yet taking obligations or responsibilities upon himself, and then to be ready and equipped for the following year. but what paltry considerations these were, when compared with the terrible event of his life which had occurred to-day! he took up the malachite paper-weight and put it on the telegram. what now...? he asked himself. go to the club and rout out felician? yet that was not quite the place to tell him about the matter. it would really be best to stay at home and wait for him. it was in fact a little tempting to undress at once and lie down. but he certainly would not be able to sleep. so he came to think of tidying up his papers a little once again. he opened the drawer in his secretary, sorted bills and letters and made notes in his note-book. the noise of the street came in through the open windows as though from a distance. he thought of how he had read the letters of his dead parents in the same place in the previous summer after his father's death, and how the same noise of the town and the same perfume from the park had streamed in to him just like to-day. the year that had elapsed since then seemed in his tired mind to extend into eternities, then contracted again into a short span of time, and something kept whispering in his soul: what for ... what for? his child was dead. it would be buried in the churchyard by the sommerhaidenweg. it would rest there in consecrated ground, from the toilsome journey which it was fated to take from one darkness into another through a senseless nothingness. it would lie under a little cross, as though it had lived and suffered a whole human life.... as though it had lived! it had really lived from the moment when its heart had already begun to beat in its mother's body. no, even earlier.... it had belonged to the realm of the living from the very moment when its mother's body had received it. and george thought of how many children of men and women were fated to perish even earlier than his own child, how many, wished and unwished, were fated to die in the first days of their life without their own mothers even having an idea. and while he dozed with shut eyes, half asleep and half awake, in front of his secretary, he saw nothing but shining crosses standing up on tiny mounds, as though it were a toy cemetery and a reddish yellow toy sun were shining over it. but suddenly the image represented the cadenabbia cemetery. george was sitting like a little boy on the stone wall which surrounded it, and suddenly turned his gaze down towards the lake. and then there rode in a very long narrow boat, beneath dull yellow sails, with a green shawl on her shoulders, a woman, sitting motionless on the rowing bench, a woman whose face he tried to recognise with vague and almost painful efforts. the bell rang. george got up. what was it? oh, of course, there was no one there to open. the servant had been discharged since the first day of the month, and the porter's wife, who now looked after the brothers, was not in the apartment at this hour. george went into the hall and opened the door. heinrich bermann was standing in the hall. "i saw a light in your room from down below," he said. "it was a good idea my first going past your house. i was going, as a matter of fact, to drive out to your place in the country." is his manner really so excited? thought george, or do i only think it is? he asked him to come in and sit down. "thanks, thanks, i prefer to walk up and down. no, don't light the high lamp. the table lamp's quite enough.... anyway--how are you getting on out there?" "a child was born this morning," replied george quietly. "but unfortunately it was dead." "still-born?" "i don't know if one can say that," replied george with a bitter smile; "for it is supposed to have drawn one breath according to the doctor. the pains lasted for three days on end. it was ghastly. now it's all over." "dead! i'm very sorry--i really am." he held out his hand to george. "it was a boy," said george, "and strangely enough, very beautiful. quite different from what new-born children usually look like." he then told him, too, how he had stayed quite a time in an inhospitable summer-house which he had never gone into before, and the strange way in which the lighting of the country had suddenly altered. "it was a light," said george, "that places in one's dreams sometimes have. quite indefinite ... like twilight ... but rather mournful." while he said this, he knew that he would have described the whole matter quite differently to felician. heinrich sat in the corner of the ottoman and let the other speak. he then began: "it is strange. all this affects me very much, of course, and yet ... it calms me at the same time." "calms you?" "yes. as though certain things which i unhappily had to fear had suddenly grown less probable." "what kind of things?" without listening to him heinrich went on speaking with set teeth. "or is it only because i am in the presence of another man's grief? or is it because i am somewhere else, in a strange flat? that would be quite possible. haven't you noticed that even one's own death strikes one as something highly improbable, when one is travelling for instance; frequently in fact when one is out for a walk. man is subject to incomprehensible illusions like that." heinrich turned round after a few seconds, as though he had regained his self-control, but remained standing by the window with both hands resting on the sill behind him, and said laconically in a hard voice: "there's the possibility, you see, of the girl whose acquaintance you casually made the other day at my place having committed suicide. please don't look so startled. as you know, many of her letters hinted that she would do it." "well?" said george. heinrich lifted his hand deprecatingly. "i never took it seriously at all. but i got a letter this morning which, i don't quite know how to express it, had an uncanny ring of truth about it. as a matter of fact there is nothing in it which she hasn't already written to me ten or twenty times over; but the tone ... the tone.... to come to the point, i am as good as convinced that it has happened this time. perhaps at this very minute!" he stopped and stared in front of him. "no, heinrich." george stepped up to him and put his hand on his shoulder. "no!" he added, more firmly, "i don't believe it at all. i spoke to her a few weeks ago. you know about that. and then she certainly did not give me the impression ... i also saw her playing comedy.... if you had seen her acting in that impudent farce, you wouldn't believe it either, heinrich. she only wants to revenge herself on you for your cruelty. unconsciously, perhaps. probably she has convinced herself on many occasions that she cannot go on living, but the fact that she has stuck it out till to-day.... of course, if she had done it at once...." heinrich shook his head impatiently. "just listen, george. i telegraphed to the summer theatre. i inquired if she were still there, suggesting that it was a question of a new part for her, rehearsal of a new piece of mine, or something like that. i have been waiting at home ... till now ... but there is no answer. if i don't get one, or not a satisfactory one, i'll certainly go there." "yes, but why didn't you simply ask if she...." "if she has killed herself? one doesn't want to make oneself ridiculous, george. i might have asked for news on that point every other day or so, of course.... it would certainly have had a kind of grotesque humour right enough." "look here now--you don't believe it yourself?" "i'll go home now to see if there's a telegram there. good-bye, george. forgive me. i couldn't stand it any more at home, you see.... i am really sorry to have bothered you with my own affairs at a time like this. once more, i ask you to forgive me." "you had no idea.... and even if you had known.... in my case, it's quite--a finished chapter, so to speak. in my case, there is unfortunately nothing more to do." he looked excitedly out of the window, over the tops of the trees, towards the red spires and roofs which towered up out of the faint red light of the evening town. then he said: "i'll come with you, heinrich. i can't start anything at home. i mean.... if you don't mind my society." "mind!... my dear george!..." he pressed his hand. they went. at first they walked along the park in silence. george remembered his walk with heinrich through the prater allee last autumn, and immediately after that he remembered the may evening when anna rosner had appeared in the waldsteingarten later than the others, and frau ehrenberg had whispered to him, "i have asked her specially for you." yes, for him. if it had not been for that evening anna would never have become his mistress, and none of all the events which lay heavy on him to-day would ever have happened. was there some law at work in this? of course! so many children had to come into the world every year, and a certain number of those out of wedlock, and good frau ehrenberg had imagined that inviting fräulein anna rosner for baron von wergenthin had been a matter of her own personal fancy. "is anna quite out of danger?" asked heinrich. "i hope so," replied george. then he spoke about the pain which she had suffered, her patience, and her goodness. he felt the need of describing her as a perfect angel, as though he could thereby atone a little for the wrong he had done her. heinrich nodded. "she really seems to be one of the few women who are made to be mothers. it isn't true, you know, that there are many of that kind. having children--that's what they're all there for; but being mothers! and to think of her, of all people, having to suffer like that! i really never had an idea that anything like that could happen." george shrugged his shoulders. then he said: "i had been expecting to see you out there again. i think you even made some promise to that effect when you dined with us and therese a week ago." "oh yes. didn't we squabble dreadfully, therese and i? it got even more violent on the way home. really quite funny. we walked, you know, right into the town. the people who met us are absolutely bound to have taken us for a couple of lovers, we quarrelled so dreadfully." "and who won in the end?" "won? does it ever happen that any one wins? one only argues to convince oneself, never to convince the other person. just imagine therese eventually realising that a rational person can never become a member of any party! or if i had been driven to confess that my independence of party betokened a lack of philosophy of life, as she contended! why, we could both have shut up shop straight away. but what do you think of all this talk about a philosophy of life? as though a philosophy of life were anything else than the will and the capacity to see life as it really is. i mean, to envisage it without being led astray by any preconceived idea, without having the impulse to deduce a new law straight away from our particular experience, or to fit our experience into some existing law. but people mean nothing more by the expression 'philosophy of life' than a higher kind of devotion to a pet theory, devotion to a pet theory within the sphere of the infinite, so to speak. or they go on talking about a gloomy or cheerful philosophy according to the colours in which their individual temperament and the accidents of their personal life happen to paint the world for them. people in the full possession of their senses have a philosophy of life and narrow-minded people haven't. that's how the matter stands. as a matter of fact, one doesn't need to be a metaphysician to have a philosophy of life.... perhaps in fact one shouldn't be one at all. at any rate, metaphysics have nothing at all to do with the philosophy of life. each of the philosophers really knew in his heart of hearts that he simply represented a kind of poet. kant believed in the thing in itself, and schopenhauer in the world as will and representation, just like shakespeare believed in hamlet, and beethoven in the ninth symphony. they knew that another work of art had come into the world, but they never imagined for a single minute that they had discovered a final 'truth.' every philosophical system, if it has any rhythm or depth, represents another possession for the world. but why should it alter a man's relationship to the world if he himself has all his wits and senses about him?" he went on speaking with increasing excitement and fell, as it seemed to george, into a feverish maze. george then remembered that heinrich had once invented a merry-go-round that turned in spirals higher and higher above the earth, to end finally in the top of a tower. they chose a way through suburban streets, with few people and only moderate lighting. george felt as though he were walking about in a strange town. suddenly a house appeared that was strangely familiar to him, and he now noticed for the first time that they were passing the house of the rosner family. there were lights in the dining-room. probably the old man was sitting there alone, or in the company of his son. is it possible, thought george, that in a few weeks anna will be sitting there again at the same table as her mother and father and brother as though nothing had happened? that she will sleep again night after night behind that window with its closed blinds and leave that house day after day to give her wretched lessons.... that she will take up that miserable life again as though nothing at all had changed? no. she should not go back to her family. it would be quite senseless. she must come to him, live with him, the man she belonged to. the detmold telegram! he had almost forgotten it, but he must talk it over with her. it showed hope and prospects. living was cheap in a little town like that. besides, george's own fortune was a long way from being eaten up. one would be justified in chancing it. besides, this post simply represented the beginning. perhaps he would get another one soon in a larger town. in a single night one might be a success without expecting it--that was always the way--and one would have a name, not only as a conductor, but also as a composer, and it need only be two or three years before they could have the child with them.... the child ... how the thought raged through his brain!... to think of one being able to forget a thing like that even for a minute. heinrich went on speaking all the time. it was quite obvious that he wanted to stupefy himself. he continued to annihilate philosophers. he had just degraded them from poets to jugglers. every system, yes, every philosophic system and every moral system was nothing but a juggle of words, a flight from the animated fulness of phenomena into the marionette fixity of categories. but that was the very thing which mankind desired. hence all the philosophies, all the religions, all the moral laws. they were all taking part in that identical flight. a few, a very few, were given the awful inner faculty of being ready to feel every experience as new and individual--were given the strength to endure standing in a new world as it were, every single minute. and the truth was this: only the man who conquered the cowardly impulse of imprisoning all experiences in words was shown life--that manifold unity, that wondrous thing, in its own true shape. george had the feeling that heinrich, with all his talk, was simply trying to succeed in shaking off any sense of responsibility towards a higher law by refusing to recognise any. and with a kind of growing antagonism to heinrich's silly and extraordinary behaviour he felt that the scheme of the world that had threatened some hours ago to fall to pieces was gradually beginning to put itself together again within his own soul. he had only recently rebelled against the senselessness of the fate which had struck him, and yet he already began to feel vaguely that even what had appeared to him as a grievous misfortune had not been precipitated upon his head out of the void, but that it had come to him along a way which, though darker, was quite as preordained as that which approached him along a far more visible road and which he was accustomed to call necessity. they were in front of the house in which heinrich lived. the concierge stood at the door and informed them that he had put a telegram in heinrich's room a short time ago. "oh," said heinrich indifferently, and slowly went up the stairs. george followed. heinrich lit a candle in the hall. the telegram lay on the little table. heinrich opened it, held it near to the flickering light, read it himself and then turned to george. "she's expected for the rehearsal to-morrow, and has not yet turned up." he took the light in his hand and followed by george went into the next room, put the light on the secretary, and walked up and down. george heard through the open window the strumming of a piano resounding over the dark courtyard. "is there nothing else in the telegram?" he asked. "no. but it's obvious that not only has she been absent from the rehearsal, but that she wasn't to be found in her lodgings either. otherwise, they would certainly have telegraphed that she was ill, or given some explanation or other. yes, my dear george," he breathed deeply, "it has happened this time." "why? there is no proof of it. scarcely anything to go on." heinrich cut short the other's remarks with a curt gesture. he then looked at his watch and said: "there are no more trains to-day.... yes.... what should one do first?" he stopped, remained standing, and suddenly said: "i'll go to her mother's. yes. that's the best.... perhaps--perhaps...." they left the apartment. they took a conveyance at the next corner. "did the mother know anything?" asked george. "damn it all," said heinrich, "about as much as mothers usually know. it is incredible the small amount of thought people give to what is taking place under their very noses, if they are not compelled to do so by some actual occasion. and most people have no idea how much they really know at the bottom of their hearts without owning up to it. the good woman is bound of course to be somewhat surprised at my springing up so suddenly.... i haven't seen her for a long time." "what will you say to her?" "yes, what will i say to her?" repeated heinrich, and bit at his cigar. "i say, i've got a splendid idea. you'll come with me, george. i'll introduce you as a manager, eh? you are travelling through, have got to catch a special train for st. petersburg at eleven o'clock this very day. you've heard somewhere or other that the young lady is staying in vienna, and i as an old friend of the family have been kind enough to introduce you." "do you feel in the mood for comedies like that?" asked george. "please forgive me, george, it's really not at all necessary. i'll just ask the old woman if she has any news.... what do you say?... how sultry it is to-night!" they drove over the ring, through the echoing burghof, through the streets of the town. george felt in a strange state of tension. supposing the actress were now really sitting quietly at home with her mother? he felt that it would mean a kind of disillusionment for him. and then he felt ashamed of that emotion. do i look upon the whole thing as simply a distraction? he thought. what happens to other people ... is rarely more than that, nürnberger would say.... a strange way of distracting oneself in order to forget the death of one's child.... but what is one to do?... i can't alter things. i shall be going away in a few days, thank heaven. the vehicle stopped in front of a house in the neighbourhood of the praterstern. a train was growling over the viaduct opposite; underneath the avenues of the prater ran into the darkness. heinrich dismissed the conveyance. "thank you very much," he said to george. "good-bye." "i'll wait for you here." "will you really? well, i should be awfully grateful if you would." he disappeared through the door. george walked up and down. in spite of the lateness of the hour it was still fairly lively in the street. the strains of a military band in the prater carried to the place where he was. a man and a woman went past him; the man carried in his arms a sleeping child, which had slung its hands round its father's neck. george thought of the garden in grinzinger, of the unwashed little thing which had stretched out its tiny hands to him from its mother's arms. had he been really touched then, as nürnberger had asserted? no, it was certainly not emotion. something else perhaps. the vague consciousness of standing with both hands linked in that riveted chain which stretches from ancestors to descendants, of participating in the universal human destiny. now, he stood suddenly released again, alone ... as though spurned by a miracle whose call he had heard without sufficient veneration. it struck ten o'clock from a neighbouring church tower. only five hours, thought george, and how far away it all seemed! now he was at liberty to knock about the world as he had done before.... was he really at liberty? heinrich came out of the doorway. the door closed behind him. "nothing," he said. "the mother has no idea. i asked her for the address, as though i had something important to communicate to her. i had just come from the prater, and it had occurred to me ... and so on. a nice old woman. the brother sits at a table and copies on a drawing-board out of an illustrated paper a mediæval castle with innumerable turrets." "be candid, for once in a way," said george. "if you could save her by doing so, wouldn't you forgive her now?" "my dear george, don't you see yet that it is not a question of whether i want to forgive her or not? just remember this, i could just have stopped loving her, which can frequently happen without one's being deceived at all. imagine this--a woman who loves you pursuing you, a woman whose contact for some reason or other makes you shudder swearing to you that she'll kill herself if you reject her. would it be your duty to give in? could you reproach yourself the slightest bit if she really went to her death, through the so-called pangs of despised love? would you regard yourself as her murderer? it is sheer nonsense, isn't it? but if you think that it's what other people call conscience which is now torturing me, you are making a mistake. it is simply anxiety about what has happened to a person who was once very dear to me, and is i suppose still very dear to me. the uncertainty...." he suddenly stared fixedly in one direction. "what is the matter with you?" asked george. "don't you see? a telegraph messenger is coming towards the door of the house." before the man had time to ring heinrich was at his side, and said a few words which george could not understand. the messenger seemed to be making objections. heinrich was answering and george, who had come nearer, could hear him. "i have been waiting for you here in front of the door because the doctor gave me stringent orders to do so. this telegram contains ... perhaps ... bad news ... and it might be the death of my mother. if you don't believe me, you just ring and i'll go into the house with you." but he already had the telegram in his hands, opened it hurriedly and started to read it by the light of the street lamp. his face remained absolutely immobile. then he folded the telegram together again, handed it to the messenger, pressed a few silver coins into his hand. "you must now take it in yourself." the messenger was surprised, but the tip put him in a better temper. heinrich rang and turned away. "come!" he said to george. they went silently down the street. after a few minutes heinrich said: "it has happened." george felt more violently shocked than he had anticipated. "is it possible...?" he exclaimed. "yes," said heinrich. "she drowned herself in the lake--where you spent a few days this summer," he added in a tone which seemed to imply that george too was somehow partly responsible for what had happened. "what's in the telegram?" inquired george. "it's from the manager. it contains the news that she has had a fatal accident while out boating. requests her mother to give further directions." he spoke in a cool hard voice, as though he were reading an announcement out of a paper. "that poor woman! i say, heinrich, oughtn't you to...." "what!... go to her? what should i be doing there?" "who is there, except you, who can at a time like this stand by her ... ought to, in fact?" "who except me?" he remained standing. "you think that because it happened more or less on my account? i tell you positively that i feel absolutely innocent. the boat out of which she let herself drop, and the waves which received her could not feel more innocent than i do. i just want to settle that point.... but that i should go in and see the mother.... yes, you are quite right about it." and he turned again in the direction of the house. "i will remain with you if you like," said george. "what an idea, george! just go quietly home. what more am i to ask you to do? and remember me to anna, and tell her how sorry i am.... well, you know that.... ah, here we are. you don't mind my keeping you a few seconds more before i...." he stood silently there. he then began again, and his features became distorted. "i'll tell you something, george. it's like this. it's a great happiness that at certain times one doesn't know what has really happened to one. if one immediately realised the awfulness of moments like this, you know, to the extent one realises them afterwards in one's memory, or realises them before in anticipation--one would go mad. even you, george--yes, even you. and many do really go mad. those are probably the people who are granted the gift of realising straight away.... my mistress has drowned herself, do you see? that's all one can say. has the same kind of thing really happened to any one else before? oh no. of course you think that you have read or heard of something similar. it is not true. to-day is the first time--the first time since the world's been in existence--that anything like this has ever happened." the door opened and closed again. george was alone in the street. his head was dazed, his heart oppressed. he went a few steps, then took a fly and drove home. he saw the dead woman in front of him, just as she had stood in front of the stage door on that bright summer day in her red blouse and short white skirt, with the roving eyes beneath the reddish hair. he would have sworn at the time that she had a _liaison_ with the comedy actor who looked like guido. perhaps that really was the case. that might be _one_ kind of love and what she felt for heinrich another. really there were far too few words. you go to your death for one man, you go to bed with another--perhaps the very night before you drown yourself for the first. and what, after all, does a suicide really mean? only perhaps that at some moment or other one has failed to appreciate death. how many tried again if they had failed once? the conversation with grace came into his mind, that hot-and-cold conversation by labinski's grave on the sunny february day in the thawing snow. she had confessed to him then that she had not felt any fear or horror when she had found labinski shot in front of the door of her flat. and when her little sister had died many years ago she had watched the whole night by the death-bed without feeling even a trace of what other people called horror. but, so she told george, she had learned to feel in men's embraces something that might be rather like that feeling. at first the thing had puzzled her acutely, subsequently she thought she could understand it, but according to what the doctors said she was doomed to barrenness, and that must be the reason why it came about that the moment of supreme delight, which was rendered as it were pointless by this fate, plunged her in terror and apprehension. this had struck george at the time as a piece of affectation. to-day he felt a breath of truth in it for the first time. she had been a strange creature. would he ever meet again a person of a similar type? why not? quite soon, as a matter of fact. a new epoch in his life was now beginning and the next adventure was perhaps waiting for him somewhere or other. adventure...? had he a right still to think about such things?... were not, from to-day onwards, his responsibilities more serious than they had ever been? did he not love anna more than he had ever done before? the child was dead, but the next one would live.... heinrich had spoken the truth: anna was simply cut out to be a mother. a mother.... but he thought with a shiver: was she cut out at the same time to be the mother of _my_ children? the fly stopped. george got out and went up the two storeys to his apartment. felician was not yet home. who knows when he will come? thought george. i can't wait for him, i'm too tired. he undressed quickly, sank into bed, and a deep sleep enveloped him. when he woke up his eyes tried to find through the window a white line between field and forest, the sommerhaidenweg which he had been accustomed to look at for some days. but he only saw the bluish empty sky which a tower was piercing, and suddenly realised that he was at home, and all that he had lived through yesterday came into his mind. yet he felt fresh and alert in mind and body, and it seemed to him as though apart from the calamity which had befallen him there was a piece of good fortune which he had to remember. oh yes, the detmold telegram.... was it really so lucky? he had not thought so yesterday evening. there was a knock at his door. felician came into the room with his hat and stick in his hand. "i didn't know that you slept at home last night," he said. "glad to see you. well, what's the news out there?" george rested his arm on the pillow and looked up towards his brother. "it's over," he said; "a boy, but dead," and he looked straight in front of him. "not really," said felician with emotion, came up to him and instinctively put his hand upon his brother's head. he then put hat and stick on one side and sat down on the bed by him, and george could not help thinking of the morning hours of the years of his childhood, when he had often seen his father sitting like that on the edge of the bed when he woke up. he explained to felician how it had all happened, laying especial stress on anna's patience and gentleness; but he felt with a certain sense of misgiving that he had to force himself a bit to keep the tone of seriousness and depression which was appropriate to his news. felician listened sympathetically, then got up and walked up and down the room. then george got up, began to dress and told his brother of the remarkable developments of the rest of the evening. he spoke about his walks and drives with heinrich bermann and of the strange way in which they had learned at last of the actress's suicide. "oh, that's the one," said felician. "it's already in the papers, you know." "well, what happened?" asked george curiously. "she rowed out into the lake and slipped into the water out of the boat.... well, you can read it.... i suppose you're now going straight out into the country again?" he added. "of course," replied george, "but i have still got something to tell you, felician, something which may interest you." and he told his brother about the detmold telegram. felician seemed surprised. "this is getting serious," he exclaimed. "yes, it's getting serious," replied george. "you have not yet answered?" "no, how could i?" "and what do you mean to do?" "frankly, i don't know. you understand i can't go straight away, particularly under circumstances like this." felician looked reflective. "a little delay probably wouldn't hurt," he said then. "i agree. i must first find out how they're getting on out there. of course i should also like to talk it over with anna." "where have you put the telegram? can i read it?" "it's lying on the secretary," said george, who was at the moment engaged in tying up his shoes. felician went into the next room, took the telegram in his hand and read it. "it is much more urgent," he observed, "than i thought." "it seems to me, felician, that it still strikes you as strange that i am shortly going to have a real profession." felician stood at his brother's side again and stroked his hair. "it is perhaps rather providential that the telegram should have come yesterday." "providential! how so?" "i mean that after such a sad business the prospect of practical occupation ought to do you twice as much good.... but i am afraid i must leave you now. i've still got quite a lot to do. farewell visits among other things." "when are you going then, felician?" "a week to-day. i say, george, i suppose you are probably coming back from the country to-day?" "certainly, if everything is all right out there." "perhaps we might see each other again in the evening." "i should like to very much, felician." "well then, if it suits you i'll be at home at seven. we might go and have supper together--but alone, not at the club." "yes, with pleasure." "and you might do me a favour," began felician again after a short silence. "remember me out there very very kindly ... tell her that i sympathise most sincerely." "thank you, felician. i will tell her." "really, george, i can't tell you how much it touched me," continued felician with warmth. "i only hope that she'll soon get over it.... and you, too." george nodded. "do you know," he said gently, "what it was going to be called?" felician looked at his brother's eyes very seriously, then he pressed his hand. "next time," he said with a kindly smile. he shook hands with his brother again and went. george looked after him, torn by varying emotions. yet he's not altogether sorry, he thought, that it should have turned out like that. he got ready quickly and decided to cycle into the country again to-day. it was only when he had got past most of the traffic that he really became conscious of himself. the sky had grown a little dull and a cool wind blew from the hills towards george, like an autumn greeting. he did not want to meet any one in the little village where yesterday's events were bound to be already known, and took the upper road between the meadows and the garden to the approach from the back. the nearer the moment came when he was to see anna again, the heavier his heart grew. at the railing he dismounted from his cycle and hesitated a little. the garden was empty. at the bottom lay the house sunk in silence. george breathed deeply and painfully. how different it might have been! he thought, walked down and heard the gravel crunch beneath his feet. he went on to the verandah, leaned his cycle against the railing and looked into the room through the open window. anna lay there with open eyes. "good morning," he cried, as cheerfully as he could. frau golowski, who was sitting by anna's bed, got up and said at once: "we've had a good sleep, a good sound sleep." "that's right," said george, and vaulted over the railing into the room. "you're very enterprising to-day," said anna with her arch smile, which reminded george of long-past times. frau golowski informed him that the professor had been early in the morning, had expressed himself completely satisfied and taken frau rosner with him in his carriage into the town. she then went away with a kindly glance. george bent down over anna, kissed her with real feeling on the eyes and mouth, pushed the chair nearer, sat down and said: "my brother--sends you his sincere wishes." her lips quivered imperceptibly. "thank you," she replied gently, and then remarked: "so you came out on your cycle?" "yes," he replied. "one has to keep a look-out you know on the way, and there are times when it's rather a sound thing one has to do so." he then told her how last evening had finished up. he related the whole thing as an exciting story, and it was only in the orthodox way at the end that anna was allowed to find out how heinrich's mistress had ended her life. he expected to see her moved, but she kept a strangely hard expression about her mouth. "it's really dreadful," said george. "don't you think so?" "yes," replied anna shortly, and george felt that her kindness completely failed her here. he saw the loathing flowing out of her soul, not tepidly, as though from one person to another, but strong and deep like a stream of hate from world to world. he dropped the subject and began again. "now for something important, my child." he was smiling but his heart beat a little. "well?" she asked tensely. he took the detmold telegram out of his breast pocket and read it to her. "what do you think of that?" he asked with affected pride. "and what did you answer?" "nothing so far," he replied casually, as though he had never thought of taking the matter seriously. "of course i wanted first to talk it over with you." "well, what do you think?" she asked imperturbably. "i ... shall refuse of course. i'll wire that i ... at any rate, can't come yet awhile." and he seriously explained to her that nothing would be lost by a postponement, that he would at any rate be welcomed as a special visitor, and that this pressing request was only due to an accident that one had no right to expect. she let him go on speaking for a while, then she said: "there you go being casual again. i think you should have made a special point of answering at once and...." "well, and...." "perhaps have even taken the train there straight away this morning." "instead of coming out to see you--eh?" he jested. she remained serious. "why not?" she said, and noticing him jerk his head up in surprise, "i'm getting on very well, thank heaven, george. and even if i were a bit worse you couldn't do any good, so...." "yes, my child," he interrupted, "it seems to me you don't appreciate what it really means! going there, of course, is a fairly simple matter--but--staying there! staying there at least till easter! the season lasts till then." "well, george, i think it quite right that you haven't gone away without first saying goodbye to me. but look here, you've got to go anyway, haven't you? even though we didn't actually speak about it during the last weeks we were both quite well aware of it. for whether you go away in a month's time or the day after to-morrow--or to-day...." george now began to argue seriously. it was not at all the same thing whether he went away in a month's time or to-day. one could manage to get used to certain thoughts in the course of a month, and besides, talk over everything properly--with regard to the future. "what is there so much to talk over?" she replied in a tired voice. "why, in a month's time you'll be.... you'll have as little chance of taking me with you as you have to-day. i even think that there won't be any point in our talking seriously about anything until after your return. a great deal will be bound to be cleared up by then.... at any rate, with regard to your prospects...." she looked out of the window into the garden. george showed mild indignation at her matter-of-fact coolness, which never deserted her, even at a moment like that. "yes, indeed," he said, "when one considers--what it means for you to stay here, and me...." she looked at him. "i know what it means," she said. instinctively he avoided her look, took her hands and kissed them. he felt inwardly harrowed. when he looked up again he saw her eyes resting on him quite maternally, and she spoke to him like a mother. she explained to him that it was _just_ because of the future--and there swept around that word a gentle suggestion of actual hope--that he should not miss an opportunity like that. in two or three weeks he could come back from detmold to vienna for a few days, for the people there would certainly appreciate that he must put his affairs over here in order. but above all it was necessary to give them a proof of his seriousness. and if he set any store by her advice there was only one thing to do: take the train that very evening. he need have no anxiety about her. she felt that she was quite out of danger. she felt that quite unmistakably. of course he would hear from her every day, twice a day if he liked, morning and evening. he did not yield at once, coming back again to the point that the unexpectedness of this separation would occasion a relapse. she answered that she would much prefer a quick separation like this to the prospect of another four weeks spent in anxiety, emotion and the fear of losing him. and the essential point remained that it was not a question of more than half the year, so they had half the year for themselves, and if everything went all right there would not be many periods of separation for the--the future. he now began again: "and what will you do in this half-year, while i'm away? it is really...." she interrupted him. "for the time being it will go on just as it has been going on for years; but i have been thinking this morning about a lot of things." "the school for singing?" "that, too. although of course that is neither so easy nor so simple. and besides," she added, with her arch expression, "it would be a pity if one had to shut it up again too soon. but we'll talk about all that later on. you go now and telegraph." "yes, but what!" he exclaimed in such desperation that she could not help laughing. then she said: "quite simple, 'shall have the honour to present myself at your office to-morrow noon. yours very obediently or faithfully ... or very proudly....'" he looked at her. then he kissed her hand and said: "you're certainly the cleverer of us two." his tone seemed to hint "the cooler too." but a gentle, tender and somewhat mocking look from her turned away the _innuendo_. "well, i'll be back again in ten minutes." he left her with a cheerful face, went into the next room and shut the door. opposite, in that other room, it now occurred to him again forcibly--his dead child lay in its coffin.... for the necessary steps, to use doctor stauber's expression of yesterday, were bound to have been already taken. he felt a paroxysm of grievous yearning. frau golowski came out of the hall. she came up to him and spoke with admiration of anna's resignation and calmness. george listened somewhat absent-mindedly. his looks kept always glancing through the doorway and at last he said gently: "i should like to see it once more." she looked at him, at first slightly shocked and then sympathetically. "nailed down already?" he asked anxiously. "sent away already," replied frau golowski slowly. "sent away!" his face became convulsed with such agony that the old woman laid her hands on his arm as though to calm him. "i went to notify it quite early," she said, "and then the other matter took place very quickly. they took it away an hour ago to the mortuary." "to the mortuary ..." george shuddered. he was silent for a long time as though unnerved from having just learned a terrible and completely unexpected piece of news. when he recovered himself again he still felt frau golowski's friendly hand upon his arm and saw her kind eyes with their tired lines resting on his face. "so it's all finished," he said, with an indignant look upwards, as though his last hope had been maliciously stolen from him. he then shook hands with frau golowski. "and you've undertaken all this, dear lady.... i really don't know ... how i can ever...." a gesture from the old woman deprecated any further thanks. george left the house, threw a contemptuous glance at the little blue angel, which seemed to look anxiously down at the faded flower-beds, and went into the street. on his way to the post-office he worried over the wording of the telegram that was to announce his arrival at the place of his new profession and his new prospects. ix old doctor stauber and his son sat over their coffee. the old man held a paper in his hand and seemed to be trying to find something. "the hearing of the case," he said, "is not yet fixed." "really!" replied berthold, "leo golowski thinks that it will take place in the middle of november, that is to say in about three weeks. therese, you know, visited her brother a few days ago in prison. they say he is perfectly calm and in quite good spirits." "well, who knows? perhaps he will be acquitted," said the old man. "that's highly improbable, father. he ought to be glad, on the other hand, that he isn't being prosecuted for ordinary murder. an attempt was certainly made to get him prosecuted for it." "you certainly can't call it a serious attempt, berthold. you see the treasury didn't bother about the silly libel to which you are referring." "but if they had regarded it as a libel," retorted berthold sharply, "they would have been under an obligation to prosecute the libellers. beside, it is common knowledge that we are living in a state where no jew is safe from being convicted to death for ritual murder; so why should the authorities shrink from taking official cognisance of the theory that jews when they fight duels with pistols with christians manage--perhaps for religious reasons--to ensure for themselves a criminal advantage? that the court didn't lack the good-will to take another opportunity of doing a service to the party in power is best seen by the fact that he still remains under arrest pending the trial, in spite of the fact that the high bail was tendered." "i don't believe the story about the bail," said the old doctor. "where's leo golowski to get fifty thousand gulden from?" "it wasn't fifty thousand, father, but a hundred thousand, and so far leo golowski knows nothing about it. i can tell you in confidence, father, that salomon ehrenberg put up the money." "indeed! well, i'll tell you something in confidence too, berthold." "well?" "it's possible that it won't go to trial at all. golowski's advocate has presented a petition to quash the proceedings." berthold burst out laughing. "on those grounds! and do you think, father, that that can have the slightest prospect of success? yes, if leo had fallen and the first-lieutenant had survived ... then perhaps." the old man shook his head impatiently. "you must always make opposition speeches, my boy, at any price." "forgive me, father," said berthold, twitching his brows. "every one hasn't got the enviable gift of being able to ignore certain tendencies in public life when they don't concern him personally." "is that what i am in the habit of doing, then?" retorted the old man vehemently, and the half-shut eyes beneath the high forehead opened almost bitterly. "but it is you, berthold, much more than i, who refuse to look where you don't want to see. i think you're beginning to brood over your ideas. you're getting morbid. i had hoped that a stay in another city, in another country, would cure you of certain petty narrow ideas, but they have grown worse instead. i notice it. i can neither understand nor approve any one starting fighting like leo golowski did. but to go on standing with your clenched fist in your pocket, so to speak--what's the point of it? pull yourself together, man. character and industry always pull through in the end. what's the worst that can happen to you? that you get your professorship a few years later than any one else. i don't think it is so great a misfortune. they won't be able to ignore your work if it is worth anything...." "it is not only a question of myself," objected berthold. "but it is mostly a matter of second-class interests of that kind. and to come back to our previous topic, it is really very questionable whether if it had been the first-lieutenant who had shot down leo golowski and ehrenberg, or ehrenmann[1] for that matter, would have turned up with a hundred thousand gulden for him. yes, to be sure, and now you are quite at liberty to take me for an anti-semite too, if it amuses you, although i am driving straight into the rembrandtstrasse to see old golowski. well, good-bye, try and come to reason at last." he held out his hand to his son. the latter took it without changing countenance. the old man turned to go. at the door he said: "i suppose we shall see each other this evening at the medical society?" berthold shook his head. "no, father, i am spending this evening in a less edifying place--the 'silberne weintraube,' where there is a meeting of the social political union." "which you can't miss?" "impossible." "well, i wish you would tell me straight out. are you going to stand for the landtag?" "i ... am going to stand." "indeed! you think you're capable now of being able to face the ... unpleasantness which you ran away from last year?" berthold looked through the window at the autumn rain. "you know, father," he replied, twitching his brows, "that i wasn't in the right frame of mind then. i now feel strong and armed, in spite of your previous remarks, which have really touched the actual point. and above all i know precisely what i want." the old man shrugged his shoulders. "i can't understand how any one can give up a definite work ... and you will certainly have to give it up, for a man can't serve two masters ... to think of dropping something definite to ... to make speeches to people whose profession, so to speak, it is to have preconceived opinions--to fight for opinions which are usually not even believed in by the man who puts you forward to represent them." berthold shook his head. "i assure you, father, i'm not tempted this time by any oratorical or dialectical ambition. this time i have discovered the sphere in which i hope it will be possible for me to do quite as definite work as in the laboratory. i intend, you know, if i do any good at all, to bother about nothing else except questions of public health. perhaps i can count on your blessing, father, for this kind of political activity." "on mine ... yes. but how about your own?" "what do you mean?" "the blessing to which one might give the name of the inner call." "you doubt even that," replied berthold, really hurt. the servant came in and gave the old doctor a visiting card. he read it. "tell him i'll be glad to see him in a minute." the servant went away. berthold went on speaking in a state of some excitement. "i feel justified in saying that my training, my knowledge...." his father interrupted him as he played with the card. "i don't doubt your knowledge or your energy or your industry, but it seems to me that to be able to do any particular good in the sphere of public health you need as well as those excellent qualities another one too, which in my view you only have to a very small extent: kindness, my dear berthold, love of mankind." berthold shook his head vehemently. "i regard the love of humanity which you mean, father, as absolutely superfluous and rather injurious. pity--and what else can loving people whom one doesn't personally know really be?--necessarily leads to sentimentalism, to weakness. and when one wants to help whole groups of men then, above all, you must be able to be hard at times, hard to individuals--yes, be ready in fact to sacrifice them if the common good demands it. you only need to consider, father, that the most honest and consistent social hygiene would have the direct result of annihilating diseased people, or at any rate excluding them from all enjoyment of life, and i don't deny that i have all kinds of ideas tending in that way which may seem cruel at the first glance. but the future, i think, belongs to ideas. you needn't be afraid, father, that i shall begin straight away to preach the murder of the unhealthy and the superfluous. but theoretically that's certainly what my programme leads to. do you know, by the way, whom i had a very interesting conversation with the other day on this very subject?" "what subject do you mean?" "to put it precisely, a conversation on the right to kill. with heinrich bermann the author, the son of the late deputy." "but where did you get the opportunity of seeing him then?" "the other day at a meeting. therese golowski brought him along. you know him, too, don't you, father?" "yes," replied the old man, "i've known him for quite a long time." and he added: "i met him again this year in the summer at anna rosner's." berthold's eyebrows again twitched violently. then he said sarcastically: "i thought it was something like that. bermann mentioned, you know, that he had seen you some time ago, but he wouldn't remember exactly where. i concluded that it must have been a case of--discretion. i see. so the herr baron thought he would introduce his friends into her house." "my dear berthold, your tone seems to suggest that you have not got over a certain matter as completely as you previously hinted." berthold shrugged his shoulders. "i have never denied that i have an antipathy for baron wergenthin. that is why the whole business was so painful to me from the very beginning." "is that why?" "yes." "and yet i think, berthold, that you would regard the matter differently if you were to meet anna rosner again some time or other as a widow--even assuming that her late husband was even more antipathetic to you than baron von wergenthin." "that's possible. one can certainly presume that she has been loved--or at any rate respected, not just taken and--chucked away as soon as the spree was over. i'd have found that rather.... well, i won't put it any more definitely." the old man shook his head as he looked at his son. "it really seems as though all the advanced views of you young people break down as soon as your passions and vanities come into question." "so far as certain questions of cleanness or cleanliness are concerned i do not know that i am guilty of any so-called advanced views, father, and i don't think that you would be particularly delighted either if i felt any desire to be the successor of a more or less dead baron wergenthin." "certainly not, berthold. for her sake, especially, for you would torture her to death." "don't be uneasy," replied berthold, "anna's in no peril from my quarter. it's all over." "that's a good reason. but, happily, there's an even better one. baron wergenthin's neither dead nor has he cleared out...." "it doesn't matter, you know, about the actual word." "he has, as you know, a position as a conductor in germany...." "what a piece of luck! he has really been very fortunate over the whole thing. not even having to provide for a child." "you have two faults, berthold. in the first place you are really an unkind man, and in the second place you never let one finish. i was just on the point of saying that it doesn't seem to be anything like all over between anna and baron wergenthin. only the day before yesterday she gave me his kind regards." berthold shrugged his shoulders as though the matter were finished so far as he was concerned. "how's old rosner?" he asked. "he'll pull through all right this time," replied the old man. "anyway, i hope that you've retained a sufficient sense of detachment to realise that his attacks are not due to his grief about the prodigal daughter, but to a sclerosis of the arteries that is unfortunately fairly far advanced." "is anna giving lessons again?" asked berthold after some hesitation. "yes," replied the old man, "but perhaps not much longer." and he showed his son the visiting card which he was still holding in his hand. berthold contracted the corners of his mouth. "do you think," he asked ironically, "he has come here to celebrate his wedding, father?" "i shall soon find that out," replied the old man. "at any rate i'm very glad to see him again--for i assure you he's one of the most charming young men i've ever met." "extraordinary!" said berthold. "a quite unique winner of hearts. even therese raves about him. and heinrich bermann the other day, it was almost funny.... oh well, a slim handsome blonde young man, a baron, a german, a christian--what jew could withstand the magic?... goodbye, father." "berthold!" "well, what?" he bit his lips. "pull yourself together! remember what you are." "i ... remember." "no, you don't. otherwise you couldn't forget so often who the others are." berthold lifted his head interrogatively. "you should really go to rosner's some time. it is not worthy of you to let anna see your disapproval in so--childish a fashion. goodbye ... hope you'll have a good time in the 'silberne weintraube." he shook hands with his son and then went into his consulting-room. he opened the door of the waiting-room and with a friendly nod of the head invited george von wergenthin, who was turning over the leaves of an album, to come in. "i must first apologise to you, herr doctor," said george, after he had sat down. "my departure was so sudden.... unfortunately i had no opportunity of saying goodbye to you, of thanking you personally for your great...." doctor stauber deprecated his thanks. "i am very glad to see you again," he said, "i suppose you are here in vienna on leave?" "of course," replied george. "i've only got three days' leave; they need me there so urgently, you see," he added with a modest smile. doctor stauber sat opposite him in the chair behind his secretary and contemplated him kindly. "you feel very satisfied with your new position, so anna says." "oh yes; of course there are all kinds of difficulties when one plunges into a new kind of life like i did. but taking it all round everything has turned out much easier than i expected." "so i hear. and that you have already had a very good introduction at court." george smiled. "anna of course imagines that episode to be more magnificent than it really was. i played once at the hereditary prince's and a lady member of the theatre sang two songs of mine there; that's all. but what is much more important is that i have a chance of being appointed conductor this very season." "i thought you were already." "no, herr doctor, not yet officially. i have already conducted a few times as deputy, _freischütz_ and _undine_, but for the time being i am only accompanist." in response to further questions from the doctor he told him some more about his activities at the detmold opera. he then got up and said goodbye. "perhaps i can give you a lift part of the way in my carriage," said the doctor. "i am driving to the rembrandtstrasse to the golowskis'." "thanks very much, herr doctor, but that's not on my way. anyway, i intend to visit frau golowski in the course of to-morrow. she's not ill, is she?" "no. of course the excitement of the last weeks is bound to have had some effect upon her." george mentioned that he had written a few words to her and also to leo immediately after the duel. "when one thinks that it might have turned out differently ..." he added. doctor stauber looked in front of him. "having children," he said, "is a happiness which one pays for by instalments." at the door george began somewhat hesitatingly: "i also wanted ... to inquire of you, herr doctor, about the real state of herr rosner's health.... i must say i found him looking better than i had expected from anna's letters." "i hope that he will get all right again," replied stauber. "but of course one must remember that he's an old man. he's even old for his years." "but it's not a case of anything serious?" "old age is a serious business in itself," replied doctor stauber, "especially as his whole antecedent life, his youth and manhood, were not particularly cheerful." george, whose eyes had been roving round the room, suddenly exclaimed: "i've just thought of it, herr doctor. i've never sent you back the books you were good enough to lend me in the spring. and now i'm afraid all our things are at the depository, silver, furniture, pictures and the books as well. so i must ask you, herr doctor, to have patience till the spring." "if you have no worse troubles than that, my dear baron...." they went slowly down the stairs and doctor stauber inquired after felician. "he's in athens," replied george, "i've heard from him twice, not yet in any great detail.... how strange it is, herr doctor, coming back as a stranger to a town where one was at home a short time ago, and staying at an hotel as a gentleman from detmold!..." doctor stauber got into his carriage. george asked him to give his very best regards to frau golowski. "i'll tell her. and i wish you all further success, my dear baron. goodbye." it was five by the stephanskirche clock. george was faced with an empty hour. he decided to stroll slowly into the suburb in the thin tepid autumn rain. he had scarcely slept at all in the train and he had been at the rosners' two hours after his arrival. anna herself had opened the door to him, greeted him with an affectionate kiss, and quickly taken him into the room, where her parents welcomed him with more politeness than sincerity. the mother, who preserved her usual embarrassed and slightly injured tone, did not say much. the father, sitting in the corner of the ottoman, with a blue-coloured rug over his knees, felt it incumbent on him to inquire about the social and musical conditions of the little capital from which george had come. then he had remained alone awhile with anna. they first exchanged question and answer with undue quickness, and subsequently endearments, which were both flat and awkward, and they both seemed disappointed that they did not feel the happiness of seeing each other again with anything like the intensity which their love had given them to expect. very soon a pupil of anna's put in an appearance. george took his leave and hurriedly arranged an appointment for the evening with his mistress. he would fetch her from bittner's and then take her to the opera to see the performance of _tristan_. he had then taken his midday meal by the big window of a restaurant in the ringstrasse, made purchases and given orders at his tradesmen's, looked up heinrich, whom he did not find at home, and finally, obeying a sudden idea, decided to pay his "return-thanks" visit to doctor stauber. he now walked on slowly through the streets which he knew so well and which already seemed to have an atmosphere of strangeness; and he thought of the town from which he came and in which he was feeling at home far more quickly than he had expected. count malnitz had received him with great kindness from the very first moment. he had the plan of reforming the opera in accordance with modern ideas and wanted to win george to him, so the latter thought, as a collaborator and friend in his far-reaching projects. for the first conductor, excellent musician no doubt though he might be, was nowadays more of a court official than an artist. he had been appointed when he was five-and-twenty and had now been stationed in the little town for thirty years, a paterfamilias with six children, respected, contented and without ambition. soon after his arrival george heard songs sung at a concert which a long time ago had spread the fame of the young conductor throughout almost the whole world. george was unable to understand the impression produced by these quite out-of-date pieces, but none the less warmly complimented the composer with a kindly sympathy for the ageing man in whose eyes there seemed to shine the distant glamour of a richer and more promising past. george frequently asked himself if the old conductor still thought of the fact that he had once been taken for a man who was destined to go far, and whether he, like so many other of the inhabitants, regarded the little town as a hub from which the rays of influence and of fame fell far around. george had only found in a few any desire for a larger and more complex sphere of activity; it often seemed to him as though they rather treated him with a kind of good-natured pity because he came from a great town, and in particular from vienna. whenever the name of that town was mentioned in front of people george noticed in their smug and somewhat sarcastic manner that almost as regularly as harmonies accompany the bass, certain other words would be immediately switched into the conversation, even though they were not specifically mentioned: waltzes ... café ... _süsses mädel_[2] ... grilled chicken ... fiacre ... parliamentary scandal. george was often irritated by this and made up his mind to do all he could to improve his countrymen's reputation in detmold. he had been asked to come because the third conductor, a quite young man, had suddenly died, and so george, on the very first day, had to sit at the piano in the little rehearsal-room and perform singing accompaniments. it went off excellently. he rejoiced in his gifts, which were stronger and surer than he had himself hoped, and it seemed to him, so far as he could recollect, that anna had slightly underestimated his talent. apart from this he threw himself more seriously into his compositions than he had ever done before. he worked at an overture which had originated out of the _motifs_ of bermann's opera. he had begun a violin sonata, and the mythical quintette, as else had called it once, was nearly finished. it was going to be performed this very winter in one of the court _soirées_, which were under the direction of the deputy-conductor of the detmold orchestra, a talented young man, the only person in fact in his new home with whom george had so far become at all intimate, and with whom he was accustomed to take his meals at the "elephant." george still inhabited a fine room in this inn, with a view on to the big square planted with lindens, and from day to day put off taking an apartment. he was quite uncertain whether he would be still in detmold next year and he also had the feeling that it would be bound to wound anna, if he were to do anything which looked like settling down as a bachelor for any length of time. yet he had said no word in his letters to her about any of the prospects of the future, just as she, on her side, left off addressing to him doubting or impatient questions. they practically only communicated to each other actual facts. she wrote of her gradual return into her old groove of life, and he of all the new surroundings among which he must first settle down. although there was practically nothing which he had to keep from her, he made a special point of slurring over many things that might easily lead to a misunderstanding. how was one to express in words the strange atmosphere which permeated in the morning the rehearsals in the half-dark body of the theatre, when the odour of cosmetics, perfumes, dresses, gas, old wood and fresh paint came down from the stage to the stalls, when figures which one did not at first recognise hopped to and fro between the rows of seats in ordinary or stage dress, when some breath which was heavy and scented blew gently against one's neck? and how was one to describe a glance which flashed down from the eyes of a young singer while one looked up to her from the keys...? or when one saw this young singer home through the theaterplatz and the königsstrasse in the broad light of noon and used the opportunity not merely to talk about the part of micaela, which one had just been studying with her, but also about all kinds of other, though no doubt fairly innocent, things? could one recount this to one's mistress in vienna without her reading something suspicious between the lines? and even if one had laid stress on the fact that micaela was engaged to a young doctor in berlin who adored her as much as she did him it would scarcely have improved matters, for that would really have looked as though one felt obliged to answer and reassure. how strange, thought george, that it is just this very evening that she is singing the micaela which i practised with her, and that i am going here along this same road out to mariahilf which i used to take a year ago so frequently and so gladly. he thought of a specific evening when he had fetched anna from out there, walked about with her in the quiet streets, looked at funny photographs in a doorway and finally walked with her on the cool stone flags of an ancient church, in a soft but how ominous conversation about an unknown future.... and now all had turned out quite differently to what he had hoped--quite differently.... why did it strike him like that?... what had he anticipated then at that time?... had not the year that had just passed been wonderfully rich and beautiful with its happiness and its grief? and did he not love anna to-day better and more deeply than ever? and had he not frequently yearned for her in that fresh town as hotly as though for a woman who had never yet belonged to him? to-day's early meeting with its flat and awkward endearments in the sinister atmosphere of a grey hour really ought not to lead him astray.... he was at the appointed place. when he looked up to the lighted windows, behind which anna was giving her lesson, a slight emotion came over him, and when she came out of the door the next minute, in a simple english dress and a grey felt hat on her rich dark blonde hair, holding a book in her hand, just as she had appeared a year ago, an unexpected feeling of happiness suddenly streamed over him. she did not see him at once, for he was standing in the shadow of a house. she opened her umbrella and went as far as the corner where she had been in the habit of waiting for him the previous year. he gazed at her for a while and was glad that she looked so fine and distinguished. then he followed her quickly, and caught her up in a few strides. she informed him at once that she could not go to the opera with him. her father had been taken ill this afternoon. george was very disappointed. "won't you at any rate come with me for the first act?" she shook her head. "no, i am not very keen on that sort of thing. it is much better for you to give the seat to some friend. go and fetch nürnberger or bermann." "no," he replied, "if you can't come with me i'd rather go alone. i should have enjoyed it so much. i am not very keen on the performance personally. i'd prefer to stay with you ... so far as i am concerned, even at your people's; but i must go. i have--to make a report." anna backed him up. "of course you must go," and she added: "i wouldn't advise you, too, to spend an evening with us. it's really not particularly jolly." he had taken the umbrella out of her hand and held it over her, while she held his arm. "i say, anna," he said, "i should like to make a suggestion!" he was surprised that he should be looking for a way of leading up to it, and began hesitatingly: "my few days in vienna are, of course, more or less unsettled and cut up--and now there's this depressed atmosphere at your people's as well.... we are not really managing to see anything of each other: don't you agree?" she nodded without looking at him. "so wouldn't you like to come part of the way with me, anna, when i go back again?" she looked at him sideways in her arch way and did not answer. he went on speaking. "i can, you see, quite well manage to get an extra day's leave if i wire to the theatre. it would really be awfully nice if we had a few hours all to ourselves." she consented with sincerity but not enthusiasm and made her decision depend on the state of her father's health. she then asked him how he had spent the day. he told her in detail, and also added his programme for to-morrow. "so we two will see each other in the evening," he said. "i'll come to your place if that's convenient, and then we'll arrange further details." "yes," said anna, and looked in front of her down the damp brown-grey street. he tried again to persuade her to come to the opera with him, but it was futile. he then inquired about her singing lessons and followed that up by speaking about his own activity, as though he had to convince her that after all he was not having a much better time than she was. and he referred to his letters, in which he had written about everything in full detail. "so far as that's concerned ..." she said suddenly in quite a hard voice.... and when, hurt by her tone, he could not help throwing back his head, she proceeded: "what is there really in letters, however detailed they are?" he knew what she was thinking about--he felt a certain heaviness at heart. was there not in the very inexorableness of this silence all that she refused to voice aloud?--question, reproach and rage. he had already felt this morning and now felt again that a certain sense of positive enmity to himself was rising within her, against which she herself seemed to be struggling in vain. was this morning the first time...? had it not dated far longer back? perhaps it had been always there, from the very first moment when they had belonged to each other, and even in the moments of their supreme happiness? had not this hostile feeling been present when she pressed her bosom against his behind dark curtains to the music of the organ, when she waited for him in the room at the hotel in rome, with eyes red with tears, while he had been watching with delight from monte pincio the sun setting in the campagna, and had realised that he was finding this hour of solitary enjoyment the most wonderful in the whole journey? had it not been present when he ran down the gravel path on a hot morning, dropped down at her feet and cried in her lap as though it had been the lap of a mother? and when he had sat by her bedside and looked out into the garden at eventime, while the dead child she had borne an hour ago lay silent on the white linen cloth, had it not been there again, drearier than ever, so that it would have been almost unbearable, if they had not long ago managed to put up with it, in the way one manages to endure so much of the unsatisfactoriness and so much of the sorrow that comes up out of the depths of human intercourse? and now how painfully did he feel this sense of hostility as he walked arm-in-arm with her, holding the umbrella carefully over her, down the damp streets? it was there again--menacing and familiar. the words which she had spoken were still ringing in his ears: "what is there really in letters, however detailed they are?"... but even more solemnly there rang in his ears the unspoken words: what does the most ardent kiss in which body and soul seem to fuse really come to? what does the fact that we travelled together for months through strange lands really come to? what does the fact that i had a child by you come to? what does the fact that you cried out in my lap your remorse for your deception? what does it all come to, when you still go and leave me quite alone?... why, i was alone at the very moment when my body drank in the germ of life which i carried within me for nine months, which was intended to live amongst strangers, though our own child, and which did not wish to remain on earth! but while all this sank heavily into his soul he agreed in a light tone that she was really quite right and that letters--even though they were actually twenty pages long--could not contain much in particular; and while a harrowing pity for her sprang up in him he gently expressed the hope that there would be a time in which they would neither of them any longer be thrown back upon mere letters. and then he found words of greater tenderness, told her of those lonely walks of his in the outskirts of the strange town when he thought of her; told her of the hours in that meaningless hotel room, with its view of the linden-planted square, and of his yearning for her, which was always present whether he sat alone at his work or accompanied singers at the pianoforte or chatted with new acquaintances. but when he stood with her in front of the house door, with her hand in his, and looked up into her eyes as he murmured a bright goodbye, he was shocked to see in them the flickering out of a jaded sense of disillusionment that had almost ceased to be painful. and he knew that all the words which he had spoken to her had meant nothing to her, had meant less than nothing, since the one word, the word she scarcely hoped for any more, and yet longed for all the time, had not come. a quarter of an hour later george was sitting in his stall at the opera. he was first a little depressed and limp, but the pleasure of enjoyment soon began to course through his veins. and when brangäne threw the king's cloak over her mistress's shoulders, kurwenal announced the king's approach and the ship's crew on the deck hailed the land amid all the glory of the resplendent heavens, george had long ago forgotten a bad night in the train, some boring commissions, an extremely forced conversation with an old jewish doctor and a walk on the wet pavement which mirrored the light of the lamps by the side of a young lady who looked decent, distinguished and somewhat depressed. and when the curtain fell for the first time and the light streamed through the enormous room, upholstered in red and gold, he did not feel any unpleasant sense of being brought back to sober life, but he rather felt as though he were plunging his head out of one dream into another; while a reality which was full of all kinds of wretched complications flew impotently past somewhere outside. the atmosphere of this house, so it seemed to him, had never made him so intensely happy as it did to-day. he had never felt so palpably that all the audience, so long as they were here, were protected in some mystic way against all the pain and all the dirt of life. he stood up in his corner seat, which was in front by the middle gangway, saw many a pleased glance turn towards him and felt conscious of looking handsome, elegant and even somewhat unusual. and besides that he was--and this filled him with satisfaction--a man who had a profession, a position, a man who sat in this very theatre with a responsible commission to perform, as a kind of envoy from a german court theatre. he looked round with his opera-glass. from the back of the stalls gleissner greeted him with a somewhat too familiar nod of his head and seemed immediately afterwards to be expatiating on george's personal characteristics to the young lady who sat next to him. who could she be? was it the harlot which the author, with his hobby for experimenting on souls, wanted to make into a saint, or was it the saint whom he wanted to make into a harlot? hard to say, thought george. they'd both look about the same, halfway. george felt the lens of an opera-glass burning on the top of his head. he looked up. it was else, who was looking down to him from a box in the first tier. frau ehrenberg sat near her and between them there bowed over the front of the box a tall young man who was no other than james wyner. george bowed and two minutes later stepped into the box, to find himself greeted with friendliness but not a trace of surprise. else, in a low-cut black velvet dress, with a small pearl necklet round her throat and a somewhat strange though interesting coiffure, held out her hand to him. "and how did you manage to get here? on leave? sacked? run away?" george explained, briefly and good-humouredly. "it was very nice of you," said frau ehrenberg, "to have sent us a line from detmold." "he really shouldn't have done that, either," remarked else. "it was quite calculated to make one think that he had gone off to america with some one or other." james was standing in the middle of the box, tall and gaunt, with his chiselled face and his dark smooth hair parted at the side. "well, george, how do you like detmold?" else was looking at him with dropped eyelashes. she seemed delighted with his way of still always speaking german as though he had to translate it to himself out of english. anyway, she employed the occasion to make a joke and said: "how george likes it in detmold! i am afraid your question is indiscreet, james." then she turned to george. "we are engaged, you know." "we haven't yet sent out any cards, you know," added frau ehrenberg. george offered his congratulations. "lunch with us to-morrow," said frau ehrenberg. "you will only meet a few people. i'm sure they'll all be very glad to see you again--sissy, frau oberberger, willy eissler." george excused himself. he could not bind himself to any specific time, but if he possibly could he would very much like to look in during the course of the afternoon. "quite so," said else in a low voice, without looking at him, while her arm, in its long white glove, lay carelessly on the ledge of the box. "you are probably spending the middle of the day in the family circle." george pretended not to hear and praised to-night's performance. james declared that he liked _tristan_ better than all the other operas by wagner, including the _meistersingers_. else simply remarked: "it's awfully fine, but as a matter of fact i'm all against love-philtres and things in that line." george explained that the love-philtre was to be regarded as a symbol, whereupon else declared that she had a distaste for symbols as well. the first signal for the second act was given. george took his leave and rushed downstairs with only just enough time to take his place before the curtain rose. he remembered again the semi-official capacity in which he was sitting in the theatre to-night, and determined not to surrender himself unreservedly to his impressions. he soon managed to discover that it was possible to produce the love-scene quite differently from the way in which it was being done to-night. nor did he think it right that melot, by whose hand tristan was doomed to die, should be represented by a second-rate singer, as was nearly always the case. after the fall of the curtain on the second act he got up with a kind of increased self-consciousness, stood up in his seat and looked frequently up to the box in the first tier, from which frau ehrenberg nodded to him benevolently, while else spoke to james, who was standing still behind her with crossed arms. it struck george that he would see james's sister again to-morrow. did she still often think of that wonderful hour in the park in the afternoon, amid the dark green sultriness of the park, in the warm perfume of the moss and the pines? how far away that was! he then remembered a fleeting kiss in the nocturnal shadow of the garden wall at lugano. how far away that was too! he thought of the evening under the plane-tree, and the conversation about leo came again into his mind. a remarkable fellow that leo, really. how consistently he had stuck to his plan! for he must have formed it a long time ago. and obviously leo had only waited for the day when he could doff his uniform to put it into execution. george had received no answer to the letter which he had immediately written him after hearing about the duel. he resolved to visit leo in prison if it were possible. a man in the first row greeted him. it was ralph skelton. george arranged by pantomimic signs to meet him at the end of the performance. the lights were extinguished, the prelude to the third act began. george heard the tired sea-waves surging against the desolate beach and the grievous sighs of a mortally wounded hero were wafted through the blue thin air. where had he heard this last? hadn't it been in munich...? no, it couldn't be so far back. and he suddenly remembered the hour when the sheets of the _tristan_ music had been spread open before him on a balcony beneath a wooden gable. a sunny path opposite ran to the churchyard between field and forest, while a cross had flashed with its golden light; down in the house a woman he loved had groaned in agony and he had felt sick at heart. and yet this memory, too, had its own melancholy sweetness, like all else that had completely passed. the balcony, the little blue angel between the flowers, the white seat under the pear-tree, where was it all now? he would see the house again once more, once more before he left vienna. the curtain rose. the shawm rang out yearningly beneath the pale expanse of an unsympathetic heaven. the wounded hero slumbered in the shade of the linden branches, and by his head watched kurwenal the faithful. the shawm was silent, the herdsman bent questioningly over the wall and kurwenal made answer. by jove, that was a voice of unusual timbre! if we only had a baritone like that, thought george. and many other things, too, which we need! if he were only given the requisite power he felt himself able, in the course of time, to turn the modest theatre at which he worked into a first-class stage. he dreamed of model performances to which people would stream from far and wide. he no longer sat there as an envoy, but as a man to whom it was perhaps vouchsafed to be himself a leader in not too distant days. further and higher coursed his hopes. perhaps just a few years--and his own original harmonies would be ringing through a spacious hall of a musical festival, and the audience would be listening as thrilled as the one to-day, while somewhere outside a hollow reality would be flowing impotently past. impotently? that was the question. did he know whether it was given him to compel human beings by his art as it had been given to the master to whom they were listening to-day--to triumph over the difficulty, wretchedness and awfulness of everyday life? impatience and doubt tried to rise out of his soul; but his will and common-sense quickly banished them and he now felt again the pure happiness he always experienced when he heard beautiful music, without thinking of the fact that he often wished himself to do creative work and obtain recognition for doing it. in moments like this the only relation to his beloved art of which he was conscious was that he was able to understand it with deeper appreciation than any other human being. and he felt that heinrich had spoken the truth when they had ridden together through a forest damp with the morning dew: it was not creative work--it was simply the atmosphere of his art which was necessary to his existence. he was not one of the damned, like heinrich, who always felt driven to catch hold of things, to mould them, to preserve them, and who found his world fall to pieces whenever it tried to escape from his creative hand. isolde in brangäne's arms had dropped dead over tristan's body, the last notes were dying away, the curtain fell. george cast a glance up to the box in the first tier. else stood by the ledge with her look turned towards him, while james put her dark-red cloak over her shoulders, and it was only now, that after a nod of the head as quick as though she had meant no one to notice it, she turned towards the exit. remarkable, thought george from a distance: there is a certain ... melancholy romantic something about the way she carries herself, about many of her movements. it is then that she reminds me most of the gipsy girl of nice, or the strange young person with whom i stood in front of the titian venus in florence.... did she ever love me? no. and she doesn't love her james either. who is it then?... perhaps ... it was really that mad drawing-master in florence. or no one at all. or heinrich, of all people?... he met skelton in the _foyer_. "back again?" queried the latter. "only for a few days," replied george. it transpired that skelton had not really known what george was doing and had thought that he was on a kind of musical tour through the german towns for the purposes of study. he was now more or less surprised to hear that george was here on leave and had been practically commissioned by the manager to inspect the new production of _tristan_. "will this suit you?" said skelton. "i've got an appointment with breitner; at the '_imperial_,' the white room." "excellent," replied george. "i'm staying there." doctor von breitner was already smoking one of his celebrated big cigars when the two men appeared at his table. "what a surprise!" he exclaimed, when george greeted him. he had heard that george was engaged as conductor in düsseldorf. "detmold," said george, and he thought: "the people here don't bother about me particularly.... but what does it matter?" skelton described the _tristan_ performance and george mentioned that he had spoken to the ehrenbergs. "do you know that oskar ehrenberg is on his way to india or ceylon?" asked doctor von breitner. "really!" "and whom do you think with?" "some woman, i suppose?" "oh, of course. i've even heard they've got five or seven women with them." "who?--'they.'" "oskar ehrenberg ... and ... have a guess.... well, the prince of guastalla!" "impossible!" "funny, eh? they became very thick this year at ostend or at spa.... _cherchez_ ... et cetera. it seems that just as there are women, you know, for whom people fight duels there's also another class across whom, as it were, you shake hands. now they've left europe together. perhaps they'll found a kingdom on some island or other and oskar ehrenberg will be prime minister." willy eissler appeared. his complexion was sallow, his voice hoarse and he looked as if he had been keeping late hours. "hullo, baron! forgive me not being thunderstruck but i have already heard that you are here. some one or other saw you in the kärtnerstrasse." george requested willy to remember count malnitz to his father. he himself, he was sorry to say, had no time on this occasion to look up the old gentleman, to whom, as he observed with a pretty mock-modesty, he owed his position in detmold. "so far as your future is concerned, baron," said willy, "i never had any anxiety about it, particularly since i heard bellini sing your songs last year--or was it further back? but it is quite a good idea of yours, deciding to leave vienna. you'd have been bound to have been taken for a dilettante here for a cool twenty or thirty years. that's always the way in vienna. i know it. when people know that a man comes of a good family, has a taste too for pretty ties, good cigarettes and various other amenities of life, they don't believe that he has real artistic capacity. you wouldn't be taken seriously here without proof from outside.... so hurry up and furnish us with a brilliant one, baron." "i'll make an effort to," said george. "by the way, have you heard the latest, gentlemen?" began willy again. "leo golowski, the one-year-volunteer who shot first-lieutenant sefranek, is free." "let out on bail?" asked george. "no, he's quite free. his advocate addressed a petition to the emperor to quash the proceedings, and it turned out successful to-day." "incredible!" exclaimed breitner. "why are you so surprised, breitner?" said willy. "it is possible, you know, for something sensible to happen in austria once in a blue moon." "a duel is never sensible," said skelton, "and therefore a pardon for a duel can't be sensible either." "a duel, my dear skelton, is either something very much worse or something very much better than sensible," replied willy. "it is either a ghastly folly or a relentless necessity, either a crime or an act of deliverance. it is not sensible and doesn't need to be so. in exceptional cases, one can't make any headway at all with common-sense, and i am sure you too will concede, skelton, that in a case like the one of which we have just been speaking a duel was inevitable." "absolutely," said breitner. "i can imagine a polity," observed skelton, "in which differences of that kind were settled by a court." "differences of that kind settled by a court! oh, i say!... do you really think, skelton, that in a case where there is no question of right or of possession at issue, but where men confront each other with a stupendous hate, do you really think that a proper settlement could be arrived at by means of a fine or imprisonment? the fact, gentlemen, that refusal to fight a duel in such cases is regarded as a piece of cowardice by all people who possess temperament, honour and honesty has a fairly deep significance. in the case of jews at any rate," he added. "so far as the catholics are concerned it is well known that it is only their orthodoxy which keeps them from fighting." "that's certainly the case," said breitner simply. george wanted to know details of the affair between leo golowski and the first-lieutenant. "quite so," said willy. "of course you've only just arrived. well, the first-lieutenant gave him a fine ragging for the whole year, and as a matter of fact----" "i know the prelude," interrupted george. "part of it from first-hand information." "really! well, the prelude, to stick to that expression, was over on the first of october. i mean leo golowski had finished his year of service. and on the second he placed himself in front of the barracks early in the morning and quietly waited till the first-lieutenant came out of the door. as soon as he did he stepped up to him; the first-lieutenant reached for his sword, but leo golowski grabs hold of his hand, doesn't let it go, puts his other fist in front of his forehead. there is a story, too, that leo is supposed to have flung the following words at the first-lieutenant.... i don't know if it's true." "what words?" asked george curiously. "'you were worth more than i was yesterday, herr first-lieutenant; now we are on an equality for the time being--but one of us will be worth more than the other again by this time to-morrow.'" "somewhat talmudic," remarked breitner. "you, of course, must be the best judge of that, breitner," replied willy, and went on with his story. "well, the duel took place next morning in the fields by the danube--three exchanges of ball at twenty paces without advancing. if that proved abortive the sword till one or other was _hors de combat_.... the first shots missed on both sides, and after the second ... after the second, i say, golowski was really worth more than the first-lieutenant, for the latter was worth nothing, less than nothing--a dead man." "poor devil," said breitner. willy shrugged his shoulders. "he just happened to have caught a tartar. i'm sorry, too, but one must admit that austria would be a different place in many respects if all jews would behave like leo golowski in similar cases. unfortunately...." skelton smiled. "you know, willy, i don't like any one to say anything against the jews when i am there. i like them, and i should be sorry if people wanted to solve the jewish question by a series of duels, for when it was all over there wouldn't be a single male specimen left of that excellent race." at the end of the conversation skelton had to admit that the duel could not be abolished in austria for the present. but he reserved the right of putting the question whether that fact was really an argument in favour of the duel, and not rather an argument against austria, since many other countries--he refrained from mentioning any out of a sense of modesty--had discarded the duel for centuries. and did he go too far if he ventured to designate austria--the country, too, in which he had felt really at home for the last six years--as the country of social shams? in that country more than anywhere else there existed wild disputes without a touch of hate and a kind of tender love without the need of fidelity. quite humorous personal likings existed or came into existence between political opponents; party colleagues, on the other hand, reviled, libelled and betrayed each other. you would only find a few people who would vouchsafe specific views on men and things, and anyway even these few would be only too ready to make reservations and admit exceptions. the political conflict there gave one quite the impression as though the apparently most bitter enemies, while exchanging their most virulent abuse, winked to each other: "it's not meant so seriously." "what do you think, skelton?" asked willy. "would you wink, too, if the bullets were flying on both sides?" "you certainly would, willy, unless death were staring you in the face. but that circumstance, i think, doesn't affect one's mood but only one's demeanour." they went on sitting together for a long time and continued gossiping. george heard all kinds of news. he learned among other things that demeter stanzides had concluded the purchase of the estate on the hungarian-croatian frontier, and that the rattenmamsell was looking forward to a happy event. willy eissler was much excited at the result of this crossing of the races, and amused himself in the meanwhile by inventing names for the expected child, such as israel pius or rebecca portiuncula. subsequently the whole party betook itself to the neighbouring café. george played a game of billiards with breitner and then went up to his room. he made out in bed a time-table for the next day and finally sank into a deliciously deep sleep. the paper he had ordered the day before was brought in with the tea in the morning, together with a telegram. the manager requested him to report on a singer. to george's delight it was the one he had heard yesterday in kurwenal. he was also allowed to stay three days beyond his specified leave, "in order to put his affairs in order at his convenience," since an alteration of the programme happened to allow it. excellent, really, thought george. it struck him that he had completely forgotten his original intention of wiring for a prolongation of his leave. i have got even more time for anna now than i thought, he reflected. we might perhaps go into the mountains. the autumn days are fine and mild, and at this time one would be pretty well alone and undisturbed anywhere. but supposing there is an accident again--an--accident--again!... those were the very words in which the thought had flown through his mind. he bit his lips. was that how he had suddenly come to regard the matter? an accident.... where was the time when he had thought of himself almost with pride as a link in an endless chain which went from the first ancestors to the last descendants? and for a few moments he seemed to himself like a failure in the sphere of love, somewhat dubious and pitiable. he ran his eye over the paper. the proceedings against leo golowski had been quashed by an imperial pardon. he had been discharged from prison last evening. george was very glad and decided to visit leo this very day. he then sent a telegram to the count, and made out a report with due formality and detail on yesterday's performance. when he got out into the street it was nearly eleven. the air had the cool clearness of autumn. george felt thoroughly rested, refreshed and in a good temper. the day lay before him rich with hopes and promised all kinds of excitement. only something troubled him without his immediately knowing what it was.... oh yes, the visit in the paulanergasse, the depressing rooms, the ailing father, the aggrieved mother. i'll simply fetch anna, he thought, take her for a walk and then go and have supper somewhere with her. he passed a flower shop, bought some wonderful dark-red roses and had them sent to anna with a card on which he wrote: "a thousand wishes. goodbye till the evening." when he had done this he felt easier in his mind. he then went through the streets in the centre of the town to the old house in which nürnberger lived. he climbed up the five storeys. a slatternly old servant with a dark cloth over her head opened the door and ushered him into her master's room. nürnberger was standing by the window with his head slightly bent, in the brown high-cut lounge-suit which he liked to wear at home. he was not alone. heinrich, of all people, got up from the old arm-chair in front of the secretary with a manuscript in his hand. george was heartily welcomed. "has your being in vienna anything to do with the crisis in the management of the opera?" asked nürnberger. he refused to allow this observation to be simply passed over as a joke. "look here," he said, "if little boys who a short time ago were only in a position to give formal proof of their connection with german literature on the strength of the regularity of their visits to a literary café, are invited to take appointments as readers on the berlin stage, well, in an age like this i see no occasion for astonishment if baron wergenthin is fetched in triumph to the vienna opera after his no doubt strenuous six weeks' career as the conductor of a german court theatre." george paid a tribute to truth by explaining that he had only obtained a short leave to put his vienna affairs in order, and did not forget to mention that he had seen the new production of _tristan_ yesterday as a kind of agent for his manager, but he smiled ironically at himself all the time. then he gave a short and fairly humorous description of his experiences up to the present in the little capital. he even touched jestingly on the court concerts as though he were far from taking his position, his present successes, the theatre, or indeed life in general with any particular seriousness. conversation then turned on leo golowski's release from prison. nürnberger rejoiced at this unhoped-for issue, but yet firmly refused to be surprised at it, for the most highly improbable things always happened in life, and particularly in austria, as they all knew very well. but when george mentioned the rumour of oskar ehrenberg's yachting trip with the prince as a new proof of the soundness of nürnberger's theory, he was at first inclined nevertheless to be slightly sceptical. yet he finished by admitting its possibility, since his imagination, as he had known for a long time, was invariably surpassed by reality. heinrich looked at the time. it was time for him to say goodbye. "haven't i disturbed you, gentlemen?" asked george. "i think you were reading something, heinrich, when i came in?" "i had already finished," replied heinrich. "you'll read me the last act to-morrow, heinrich?" said nürnberger. "i have no intention of doing so," replied heinrich with a laugh. "if the first two acts are as great a frost in the theatre as they were with you, my dear nürnberger, it will be positively impossible to play the thing through to the end. we'll assume, nürnberger, that you rush indignantly out of the stalls into the open air. i'll let you off the cat-calls and the rotten eggs." "hang it all!" exclaimed george. "you're exaggerating again, heinrich," said nürnberger. "i only ventured to make a few objections," he said, turning to george, "that's all. but he's an author, you know." "it all depends on what you mean by 'objection,'" said heinrich. "after all, it is only an objection to the life of a fellow human being if you cut his head open with a hatchet; only it's a fairly effective one." he pointed to his manuscript and turned to george. "you know what that is? my political tragi-comedy. no wreaths, by request." nürnberger laughed. "i assure you, heinrich, you could still make something really splendid out of your subject. you can even keep the whole scenario and a number of the characters. all you need to do is to make up your mind to be less fair when you revise your draft." "but surely his fairness is a fine thing," said george. nürnberger shook his head. "one may be anywhere else, only not in the drama," and turning to heinrich again, "in a piece like that, which deals with a question of the day, or indeed several questions, as you really intended, you'll never do any good with a purely objective treatment. the theatre public demands that the subjects tackled by the author should be definitely settled, or that at any rate some illusion of that kind should be created. for of course there never is any real solution, and an apparent solution can only be made by a man who has the courage or the simplicity or the temperament to take sides. you'll soon appreciate the fact, my dear heinrich, that fairness is no good in the drama." "do you know, nürnberger," said heinrich, "one perhaps might do some good even with fairness. i think i simply haven't got the right kind. as a matter of fact, you know, i've no desire at all to be fair. i imagine it must be so wonderfully nice to be unfair. i think it would be the most healthy gymnastic exercise for one's soul that one could possibly practise. it must do one such a lot of good to be able really to hate the man whose views you are combating. it saves one, i'm sure, a great deal of inner strength which you can expend far better yourself in the actual fight. yes, if one still preserves fairness of heart.... but my fairness is here," and he pointed to his forehead. "i do not stand above parties either, but i belong to them all in a kind of way, or am against them all. i have not got the divine but the dialectical fairness. and that's why"--he held his manuscript high up--"it has resulted in such a boring and fruitless lot of twaddle." "woe to the man," said nürnberger, "who is rash enough to write anything like that about you." "well, you see," replied heinrich with a smile, "if some one else were to say it, one couldn't suppress the slight suspicion that he might be right. but now i must really go. good-bye, george. i'm very sorry that you missed me yesterday. when are you leaving again?" "to-morrow." "anyway, i shall see you before you leave. i'm home to-day the whole afternoon and evening. you will find a man who has resolutely turned away from the questions of the day and devoted himself again to the eternal problems, death and love.... do you believe in death, by-the-bye, nürnberger? i am not asking you about love." "that somewhat cheap joke from a man in your position," said nürnberger, "makes me suspect that in spite of your very dignified demeanour my criticism has...." "no, nürnberger, i swear to you that i am not wounded. i have rather a comfortable sensation of the whole thing being finished with." "finished with, why so? it is still quite possible that i've made a mistake, and that this very piece, which i didn't think quite a success, will have a success on the stage which will make you into a millionaire. i should be deeply grieved if on account of my criticism, which may be very far from being authoritative...." "quite so, quite so, nürnberger. we must all of us always admit the possibility that we may be mistaken. and the next time i'll write another piece, and one with the following title too: '_nobody's going to take me in_,' and you shall be the hero of it, nürnberger." nürnberger smiled. "... i? that means you'll take a man whom you imagine you know, that you'll try to describe those sides of his character which suit your game--that you'll suppress others which are no use to you, and the result...." "the result," interrupted heinrich, "will be a portrait taken by a mad photographer with a spoilt camera during an earthquake and an eclipse of the sun. is that right, or is there anything missing?" "the psychology ought to be exhaustive," said nürnberger. heinrich took his leave in boisterous spirits and went away with his rolled-up manuscript. when he had gone george remarked: "his good temper strikes me as a bit of a pose, you know." "do you think so? i have always found him in remarkably good form lately." "in really good form? do you seriously think so? after what he has gone through?" "why not? men who are so almost exclusively self-centred as he is get over emotional troubles with surprising quickness. characters of that type, and as a matter of fact other kinds of men as well, feel the slightest physical discomfort far more acutely than any kind of sentimental pain, even the faithlessness and death of the persons they happen to love. it comes no doubt from the fact that every emotional pain flatters our vanity somehow or other, and that you can't say the same thing about an attack of typhoid or a catarrh in the stomach. then there is this additional point about artistic people, for while catarrh of the stomach provides positively no copy at all (at any rate that used to be reasonably certain a short time ago) you can get anything you jolly well like out of your emotional pains, from lyric poems down to works on philosophy." "emotional pains are of very different kinds, of course," replied george. "and being deceived or deserted by a mistress ... or even her dying a natural death ... is still rather a different thing to her killing herself on our account." "do you know for a certainty," replied nürnberger, "that heinrich's mistress really killed herself on his account?" "didn't heinrich tell you, then?..." "of course, but that doesn't prove much. even the shrewdest amongst us are always fools about the things which concern ourselves." such remarks as these on the part of nürnberger produced a strangely disconcerting effect on george. they belonged to the class of which nürnberger was rather fond, and which, as heinrich had once observed, quite destroyed all the point of all human intercourse, and in fact of all human relations. nürnberger went on speaking. "we only know two facts. one is that our friend once had a _liaison_ with a girl and the other that the girl in question threw herself into the water. we both of us know practically nothing about all the intervening facts, and heinrich probably doesn't know anything more about them either. none of us can know why she killed herself, and perhaps the poor girl herself didn't know either." george looked through the window and saw roofs, chimneys and weather-beaten pipes, while fairly near was the light-grey tower with the broken stone cupola. the sky opposite was pale and empty. it suddenly occurred to george that nürnberger had not yet made any inquiry about anna. what was he probably thinking? thinking no doubt that george had deserted her, and that she had already consoled herself with another lover. why did i come to vienna? he thought desultorily, as though his journey had had no other purpose than to listen to nürnberger giving him what had now turned out to be a sufficiently pessimistic analysis of life. it struck twelve. george took his leave. nürnberger accompanied him as far as the door and thanked him for his visit. he inquired earnestly about what george was doing in his new home, about his work and his new acquaintances, as though their previous conversation on the subject had not really counted, and now learned for the first time of the accident which was responsible for george's sudden appointment in the little town. "yes, that's just what i always say," he then remarked. "it is not we who make our fate, but some circumstance outside us usually sees to that--some circumstance which we were not in a position to influence in any way, which we never have a chance of bringing into the sphere of our calculations. after all, do you deserve any credit...? i feel justified in putting this question, much as i respect your talent. nor does old eissler, whose interest in your affairs you once told me about, deserve any credit either for your being wired to from detmold and finding your true sphere of work there so quickly. no. an innocent man, some one you don't know, had to die a sudden death to enable you to find that particular place vacant. and what a lot of other things which you were equally unable to influence, and which you were quite unable to foresee, had to come on the scene to enable you to leave vienna with a light heart--to enable you, in fact, to leave it at all." george felt hurt. "what do you mean by a light heart?" he asked. "i mean a lighter heart than you would have had under other circumstances. if the little creature had remained alive who knows whether you...." "you can take it from me that i would have gone away, even then. and anna would have taken it quite as much as a matter of course as she does now. don't you believe me? why, perhaps i'd have gone with an even lighter heart if that matter had turned out otherwise. why, it was anna who persuaded me to accept. i was quite undecided. you have no idea what a good sensible creature anna is." "oh, i don't doubt it at all. according to all you have told me about her from time to time, she certainly seems to have behaved with more dignity in her position than young ladies of her social status are usually accustomed to exhibit on such occasions." "my dear herr nürnberger, the position really wasn't as dreadful as all that." "come, don't say that. for however much things may have been made easier by your courtesy and consideration, take it from me that the young lady is bound to have felt frequently during the last months the irregularity of her position. i am sure there isn't a single member of the feminine sex, however daring and advanced may be her views, who doesn't prefer in a case like that to have a ring on her finger. and it's all in favour, too, of your friend's sensible and dignified behaviour that she never allowed you to notice it, and that she took the bitter disillusionment at the end of these nine months, which were certainly not entirely a bed of roses, with calmness and self-possession." "disillusionment is rather a mild word. pain would perhaps be more correct." "i dare say it was both. but in this case, as in most others, the burning wound of pain heals more quickly than the throbbing piercing wound of disillusionment." "i don't quite understand." "well, my dear george, you don't doubt, do you, that if the little creature had remained alive you two would have married very quickly; why, you'd even be married this very day." "and you think that now, just because we have no child.... yes, you seem to be of the opinion that ... that ... it's all over between us. but you are quite wrong, quite wrong, my dear friend." "my dear george," replied nürnberger, "both of us would prefer not to speak about the future. neither you nor i know the place where a strand of our fate is being spun at this very moment. you didn't have the slightest inkling, either, when that conductor was attacked by a stroke, and if i now wish you luck in your future career i don't know whose death i have not conjured down by that very wish." they took leave of each other on the landing. nürnberger cried after george from the stairs: "let me hear from you now and then." george turned round once more. "and mind you do the same." he only saw nürnberger's gesture of resigned remonstrance, smiled involuntarily, hurried down the stairs and took a conveyance at the nearest corner. he pondered over nürnberger and bermann on his way to the golowskis'. what a strange relationship it was between them. a scene which he thought he had seen some time or other in a dream came into george's mind. the two sat opposite each other, each held a mirror in front of the other. the other saw himself in it with the mirror in his hand, and in that mirror the other again with his mirror in his hand, and so on to infinity; but did either of them really know the other, did either of them really know himself? george's mind became dizzy. he then thought of anna. was nürnberger right again? was it really all over? could it really ever end? ever?... life is long! but were even the ensuing months dangerous? no. that was not to be taken seriously, however it might turn out. perhaps micaela.... and in easter he would be in vienna again. then there came the summer, they would be together, and then? yes, what then? engagement? herr rosner and frau rosner's son-in-law, joseph's brother-in-law! oh well, what did he care about the family? it was anna after all who was going to be his wife, that good gentle sensible creature. the fly stopped in front of an ugly fairly new house, painted yellow, in a wide monotonous street. george told the driver to wait and went into the doorway. the house looked quite dilapidated from inside. mortar had crumbled away from the walls in many places and the steps were dirty. there was a smell of bad fat coming out of some of the kitchen windows. two fat jewesses were talking on the landing of the first storey in a jargon which george found positively intolerable. one of them said to a boy whom she held by the hand: "moritz, let the gentleman pass." why does she say that? thought george, there's plenty of room; she obviously wants to get into conversation with me. as though i could do her any harm or any good! an expression of heinrich's in a long-past conversation came into his mind: "an enemy's country." a servant-girl showed him into a room which he immediately recognised as leo's. books and papers on the writing-table, the piano open, a gladstone bag, which was still not completely unpacked, open on the sofa. the door opened the next minute. leo came in, embraced his visitor and kissed him so quickly on both cheeks that the man who was welcomed with such heartiness had no time to be embarrassed. "this is nice of you," said leo, and shook both his hands. "you can't imagine how glad i was ..." began george. "i believe you.... but please come in with me. we are having dinner, you know, but it's nearly over." he took him into the next room. the family was gathered round the table. "i don't think you know my father yet," observed leo, and introduced them to each other. old golowski got up, put away the serviette which he had tied round his neck and held out his hand to george. the latter was surprised that the old man should look so completely different from what he had expected. he was not patriarchal, grey-bearded and venerable, but with his clean-shaven face and broad cunning features looked more like an ageing provincial comedian than anything else. "i am very glad to make your acquaintance, herr baron," he said, while one could read in his crafty eyes ... "i know everything." therese hastily asked george the conventional questions: when he had come, how long he was staying, how he was; he answered patiently and courteously, and she looked him in the face with animation and curiosity. then he asked leo about his plans for the near future. "i must first practise the piano industriously, so as not to make a fool of myself before my pupils. people were very nice to me, of course. i had books, as many as i wanted, but they certainly didn't put a piano at my disposition." he turned to therese. "you should certainly flog that point to death in one of your next speeches. this bad treatment of prisoners awaiting trial must be abolished." "it was no laughing matter for him this time yesterday," said old golowski. "if you think by any chance," said therese, "that the good luck which happened to come your way will alter my views you are making a violent mistake. on the contrary." and turning to george she continued: "theoretically, you know, i am absolutely against their having let him out. if you'd simply knocked the fellow down dead, as you would have been quite entitled to do, without this abominable farce of a duel you'd never have been let out, but would have served your five to ten years for a certainty. but since you went in for this ghastly life-and-death gamble which is favoured by the state, because you cringed down to the military point of view you've been pardoned. am i not right?" she turned again to george. the latter only nodded and thought of the poor young man whom leo had shot, who as a matter of fact had had nothing else against the jews except that he disliked them just as much as most people did after all--and whose real fault had only been that he had tried it on the wrong man. leo stroked his sister's hair and said to her: "look here, if you say publicly in your next speech what you've just said to-day within these four walls you'll really impress me." "yes, and you'll impress me," replied therese, "if you take a ticket to jerusalem to-morrow with old ehrenberg." they got up from the table. leo invited george to come into his room with him. "shall i be disturbing you?" asked therese. "i too would like to see something of him, you know." they all three sat in leo's room and chatted. leo seemed to be enjoying his regained freedom without either scruples or remorse. george felt strangely affected by this. therese sat on the sofa in a dark well-fitting dress. to-day was the first occasion on which she resembled the young lady who had drunk asti under a plane-tree in lugano, when she was the mistress of a cavalry officer, and who had subsequently kissed some one else. she asked george to play the piano. she had never yet heard him. he sat down, played something from _tristan_ and then improvised with happy inspiration. leo expressed his appreciation. "what a pity that he is not staying," said therese, as she leaned against the wall and crossed her hands over her high coiffure. "i am coming back at easter," replied george, and looked at her. "but only to disappear again," said therese. "that may be," replied george, and the thought that his home was no longer here, that he had no home at all anywhere, and would not have for a long time, suddenly overwhelmed him. "how would it be," said leo, "if we went on a tour together in the summer?--you, bermann and i? i promise you that you won't be bored by theoretical conversation like you were once last autumn ... do you still remember?" "oh well," said therese, stretching herself, "nothing will come of it anyway. deeds, gentlemen!" "and what comes of deeds?" asked leo. "putting them at the highest, they simply save individual situations for the time being." "yes, deeds which you do for yourself," said therese. "but i only call a real deed what one is capable of doing for others, without any feeling of revenge, without any personal vanity, and if possible anonymously." at last george had to go. what a lot of things he still had to see to. "i'll come part of the way with you," said therese to him. leo embraced him again, and said: "it really was nice of you." therese disappeared to fetch her hat and jacket. george went into the next room. old frau golowski seemed to have been waiting for him; with a strangely anxious face she came up to him and put an envelope in his hand. "what is that?" "the account, herr baron. i didn't want to give it to anna.... it might perhaps have upset her too much." "oh yes...." he put the envelope in his pocket and thought that it felt strangely different to any other.... therese appeared with a little spanish hat, ready to go out. "here i am. goodbye, mamma. shan't be home for dinner." she went down the stairs with george and threw him sideways a glance of pleasure. "where can i take you?" asked george. "just take me along with you. i'll get out somewhere." they got in, the vehicle went on. she put to him all kinds of questions which he had already answered in the apartment, as though she took it for granted that he was now bound to be more candid with her than before the others. she did not learn anything except that he felt comfortable in his new surroundings and that his work gave him satisfaction. had his appearance been a great surprise for anna? no, not at all. he had of course given her notice of it. and was it really true that he meant to come back again at easter? it was his definite intention.... she seemed surprised. "do you know that i had almost imagined...." "what?" "that we would never see you again!" he was somewhat moved and made no answer. the thought then ran through his mind: would it not have been more sensible...? he was sitting quite close to therese and felt the warmth of her body, as he had done before in lugano. in what dream of hers might she now be living--in the dark jumbled dream of making humanity happy, or the light gay dream of a new romantic adventure? she kept looking insistently out of the window. he took her hand, without resistance, and put it to his lips. she suddenly turned round to him and said innocently: "yes, stop now. i'd better get out here." he let go her hand and looked at therese. "yes, my dear george. what wouldn't one fall into," she said, "if one didn't"--she gave an ironic smile--"have to sacrifice oneself for humanity? do you know what i often think?... perhaps all this is only a flight from myself." "why.... why do you take to flight?" "goodbye, george." the vehicle stopped. therese got out, a young man stood still and stared at her, she disappeared in the crowd. i don't think she'll finish up on the scaffold, thought george. he drove to his hotel, had his midday meal, lit a cigarette, changed his clothes and went to ehrenbergs'. james, sissy, willy eissler and frau oberberger were with the ladies of the house in the dining-room taking black coffee. george sat down between else and sissy, drank a glass of benedictine and answered with patience and good humour all the questions which his new activities had provoked. they soon went into the drawing-room, and he now sat for a time in the raised alcove with frau oberberger, who looked young again to-day and was particularly anxious to hear more intimate details about george's personal experiences in detmold. she refused to believe him when he denied having started intrigues with all the singers in the place. of course she simply regarded theatrical life as nothing but a pretext and opportunity for romantic adventures. anyway, she always made a point of thinking she detected the most monstrous goings-on in the _coulisses_ behind the curtain, in the dressing-rooms and in the manager's office. when george had no option but to disillusion her, by his report of the simple, respectable, almost philistine life of the members of the opera, and by the description of his own hardworking life, she visibly began to go to pieces, and soon he found himself sitting opposite an aged woman, in whom he recognised the same person as had appeared to him last summer, first in the box of a little white-and-red theatre and later in a now almost forgotten dream. he then went and stood with sissy near the marble isis, and each sought to find in the eyes of the other during their harmless chatter a memory of an ardent hour beneath the deep shade of a dark green park in the afternoon. but to-day that memory seemed to them both to be plunged in unfathomable depths. then he went and sat next to else at the little table on which books and photographs were lying. she first addressed to him some conventional questions like all the rest. but suddenly she asked quite unexpectedly and somewhat gently: "how is your child?" "my child...." he hesitated. "tell me, else, why do you ask me...? is it simply curiosity?" "you are making a mistake, george," she replied calmly and seriously. "you usually make mistakes about me, as a matter of fact. you take me for quite superficial, or god knows what. well, there's no point in talking about it any more. anyway, my asking after the child is not quite so incomprehensible. i should very much like to see it sometime." "you would like to see it?" he was moved. "yes, i even had another idea.... but one which you will probably think quite mad." "let's hear it, else." "i was thinking, you know, we might take it with us." "who, we?" "james and i." "to england?" "who's told you we're going to england? we are staying here. we've already taken a place in 'cottage'[3] outside. no one need know that it is your child." "what a romantic thought!" "good gracious, why romantic? anna can't keep it with her, and you certainly can't. where could you put it during the rehearsals? in the prompter's box, i suppose?" george smiled. "you are very kind, else." "i'm not kind at all. i only think why should an innocent little creature pay the penalty or suffer for.... oh well, i mean it can't help it.... after all ... is it a boy?" "it was a boy." he paused, then he said gently: "it's dead, you know." and he looked in front of him. "what! oh, i see ... you want to protect yourself against my officiousness." "no, else, how can you?... no, else, in matters like that one doesn't lie." "it's true, then? but how did it...?" "it was still-born." she looked at the ground. "no? how awful!" she shook her head. "how awful!... and now she's lost everything quite suddenly." george gave a slight start and was unable to answer. how every one seemed to take it for granted that the anna affair was finished. and else did not pity him at all. she had no idea of how the death of the child had shocked him. how could she have an idea either? what did she know of the hour when the garden had lost its colour for him and the heavens their light, because his own beautiful child lay dead within the house? frau ehrenberg joined them. she declared that she was particularly satisfied with george. anyway, she had never doubted that he would show what he was made of as soon as he once got started in a profession. she was firmly convinced, too, that they would have him here in vienna as a conductor in three to five years. george pooh-poohed the idea. for the time being he had not thought of coming back to vienna. he felt that people worked more and with greater seriousness outside in germany. here one always ran the danger of losing oneself. frau ehrenberg agreed, and took the opportunity to complain about heinrich bermann, who had lapsed into silence as an author and now never showed himself anywhere. george defended him and felt himself obliged to state positively that heinrich was more industrious than he had ever been. but frau ehrenberg had other examples of the corrupting influence of the vienna air, particularly nürnberger, who now seemed to have cut himself completely off from the world. as for what had happened to oskar ... could that have happened in any other town except vienna? did george know, by-the-by, that oskar was travelling with the prince of guastalla? her tone did not indicate that she regarded that as anything special, but george noticed that she was a little proud of it, and entertained the opinion somewhere at the back of her mind that oskar had turned out all right after all. while george was speaking to frau ehrenberg he noticed that else, who had retired with james into the recess, was directing glances towards him--glances full of melancholy and of knowledge, which almost frightened him. he soon took his leave, had a feeling that else's handshake was inconceivably cold, while those of the others were amiably indifferent, and went. "how funny it all is," he thought in the vehicle which drove him to heinrich's. people knew everything before he did. they had known of his _liaison_ with anna before it had begun, and now they knew that it was over before he did himself. he had half a mind to show them all that they were making a mistake. of course, in so vital an affair as that one should be very careful not to decide on one's course of action out of considerations of pique. it was a good thing that a few months were now before him in which he could pull himself together and have time for mature reflection. it would be good for anna, too, particularly good for her, perhaps. yesterday's walk with her in the rain over the brown wet streets came into his mind again, and struck him as ineffably sad. alas, for the hours in the arched room into which the strains of the organ opposite had vibrated through the floating curtain of snow--where were they? yes, where had these hours gone to? and so many other wonderful hours as well! he saw himself and anna again in his mind's eye, as a young couple on their honeymoon, walking through streets which had the wonderful atmosphere of a strange land; commonplace hotel rooms, where he had only stayed with her for a few days, suddenly presented themselves before him, consecrated as it were by the perfume of memory.... then his love appeared to him, sitting on a white seat, beneath the heavy branches, with her high forehead girdled with the deceptive presentiment of gentle motherhood. and finally she stood there with a sheet of music in her hand while the white curtain fluttered gently in the wind. and when he realised that it was the same room in which she was now waiting for him, and that not more than a year had gone by since that evening hour in the late summer when she had sung his own songs for the first time to his own accompaniment, he breathed heavily and almost anxiously in his corner. when he was in heinrich's room a few minutes afterwards he asked him not to look upon this as a visit. he only wanted to shake hands with him. he would fetch him for a walk to-morrow morning if that suited him.... yes--the idea occurred to him while he was speaking--for a kind of farewell walk in the salmansdorf forest. heinrich agreed, but asked him to stay just a few minutes. george asked him jestingly if he had already recovered from his failure of this morning. heinrich pointed to the secretary, on which were lying loose sheets covered with large nervous writing. "do you know what that is? i have taken up _ägidius_ again, and just before you came i thought of an ending which was more or less feasible. i'll tell you more about it to-morrow if it will interest you." "by all means. i am quite excited about it. it's a good thing, too, that you have settled down to a definite piece of work again." "yes, my dear george, i don't like being quite alone, and must create some society for myself as quickly as possible, people i choose myself ... otherwise, any one who wants to come along, and one is not keen on being at home to every chance ghost." george told him that he had called on leo and found him in far better spirits than he had ever expected. heinrich leaned against the secretary with both his hands buried in his trouser pockets and his head slightly bent; the shaded lamp made uncertain shadows on his face. "why didn't you expect to find him in good spirits? if it had been us ... if it had been me, at any rate, i should probably have felt exactly the same." george was sitting on the arm of a black leather arm-chair with crossed legs and his hat and stick in his hand. "perhaps you are right," he said, "but i must confess all the same that when i saw his cheerful face i found it very strange to realise that he had a human life on his conscience." "you mean," said heinrich, beginning to walk up and down the room, "that it is one of those cases where the relationship of cause and effect is so illuminating that you are justified in saying quietly 'he has killed' without its looking like a mere juggle of words.... but speaking generally, george, don't you think that we regard these matters a little superficially? we must see the flash of a dagger or hear the whistle of a bullet in order to realise that a murder has been committed. as though any man who let any one else die would be in most cases different from a murderer in anything else except having managed the business more comfortably and being more of a coward...." "are you really reproaching yourself, heinrich? if you had really believed that it was bound to turn out like that ... i am sure you would not have ... let her die." "perhaps ... i don't know. but i can tell you one thing, george: if she were still alive--i mean if i had forgiven her, to use the expression you are so fond of using now and then--i should regard myself as guiltier than i do to-day. yes, yes, that's how it is. i will confess to you, george, there was a night ... there were a few nights, when i was practically crushed by grief, by despair, by.... other people would have taken it for remorse, but it was nothing of the kind. for amid all my grief, all my despair, i knew quite well that this death meant a kind of redemption, a kind of reconciliation, a kind of cleanness. if i had been weak or less vain ... as you no doubt regard it ... if she had been my mistress again, something far worse than that death would have happened for her as well ... loathing and anguish, rage and hate, would have crawled around our bed ... our memories would have rotted bit by bit--why, our love would have decomposed whilst its body was still alive. it had no right to be. it would have been a crime to have protracted the life of this love affair which was sick unto death, just as it is a crime--and what is more, will be regarded so in the future--to protract the life of a man who is doomed to a painful death. any sensible doctor will tell you as much. and that is why i'm very far from reproaching myself. i don't want to justify myself before you or before any one else in the world, but that is just how it is. i _can't_ feel guilty. i often feel very bad, but that hasn't the least thing in the world to do with any consciousness of guilt." "you went there just afterwards?" asked george. "yes, i went there. i even stood by when they lowered the coffin into the ground. yes, i trained there with the mother." he stood by the window, quite in the darkness, and shook himself. "no, i shall never forget it. besides, it is only a lie to say that people come together in a common sorrow. people never come together if they're not natural affinities. they feel even further away from each other in times of trouble. that journey! when i remember it! i read nearly the whole time, too. i found it positively intolerable to talk to the silly old creature. there is no one one hates more than some one who is quite indifferent to you and requires your sympathy. we stood together by her grave, too, the mother and i--i, the mother, and a few actors from the little theatre.... and afterwards i sat in the inn with her alone, after the funeral--a _tête-à-tête_ wake. a desperate business, i can tell you. do you know, by-the-by, where she lies buried? by your lake, george. yes. i have often found myself driven to think of you. you know of course where the churchyard is? scarcely a hundred yards from auhof. there's a delightful view on to our lake, george; of course, only if one happens to be alive." george felt a slight horror. he got up. "i am afraid i must leave you, heinrich. i am expected. you'll excuse me?" heinrich came up to him out of the darkness of the window. "thank you very much for your visit. well, to-morrow, isn't it? i suppose you are going to anna now? please give her my best wishes. i hear she is very well. therese told me." "yes, she looks splendid. she has completely recovered." "i'm very glad. well, till to-morrow then. i'm extremely glad that i shall be able to see you again before you leave. you must still have all kinds of things to tell me. i've done nothing again but talk about myself." george smiled. as though he hadn't grown used to this with heinrich. "good-bye," he said, and went. much of what heinrich had said echoed in george's mind when he sat again in his fiacre. "we must see the flash of a dagger in order to realise that a murder has been committed." george felt that there was a kind of subterranean connection, but yet one which he had guessed for a long time, between the meaning of these words and a certain dull sense of discomfort which he had frequently felt in his own soul. he thought of a past hour when he had felt as though a gamble over his unborn child was going on in the clouds, and it suddenly struck him as strange that anna had not yet spoken a word to him about the child's death, that she had even avoided in her letters any reference, not only to the final misfortune, but also to the whole period when she had carried the child under her bosom. the conveyance approached its destination. why is my heart beating? thought george. joy?... bad conscience?... why to-day all of a sudden? she can't have any grievance against me.... what nonsense! i am run down and excited at the same time, that's what it is. i shouldn't have come here at all. why have i seen all these people again? wasn't i a thousand times better off in the little town where i had started a new life, in spite of all my longings?... i ought to have met anna somewhere else. perhaps she will come away with me.... then everything will still come right in the end. but is anything wrong?... are our relations really in a bad way? and is it a crime to prolong them?... that may be a convenient excuse on certain occasions. when he went into rosners' the mother, who was sitting alone at the table, looked up from her book and shut it with a snap. the light of a lamp that was swinging gently to and fro flowed from overhead on to the table, distributing itself equally in all directions. josef got up from a corner of the sofa. anna, who had just come out of her room, stroked her high wavy hair with both hands, welcomed george with a light nod of the head and gave him at this moment the impression of being rather an apparition than real flesh and blood. george shook hands with every one and inquired after herr rosner's health. "he is not exactly bad," said frau rosner, "but he finds it difficult to stand up." josef apologised at being found sleeping on the sofa. he had to use the sunday in order to rest himself. he was occupying a position on his paper which often kept him there till three o'clock in the morning. "he is working very hard now," said his mother corroboratively. "yes," said josef modestly, "when a fellow gets real scope, so to speak...." he went on to observe that the _christliche volksbote_ was enjoying a larger and larger circulation, particularly in germany. he then addressed some questions to george about his new home, and showed a keen interest in the population, the condition of the roads, the popularity of cycling and the surrounding neighbourhood. frau rosner, on her side, made polite inquiries about the composition of the repertoire. george supplied the information and a conversation was soon in progress, in which anna also played a substantial part, and george found himself suddenly paying a visit to a middle-class and conventional family where the daughter of the house happened to be musical. the conversation finally finished up in george feeling himself bound to express a wish to hear the young lady sing once more--and he had as it were to pull himself together to realise that the woman whose voice he had asked to hear was really his own anna. josef made his excuses; he was called away by an appointment with club friends in the café. "do you still remember, herr baron ... the classy party on the sophienalp?" "of course," replied george, smiling, and he quoted: "der gott, der eisen wachsen liess...." "der wollte keine knechte," added josef. "but we have left off singing that now for a long time. it is too like the 'watch on the rhine,' and we don't want to have it cast in our teeth any more that we have a sneaking fancy for the other side of the frontier. we had great fights about it on the committee. one gentleman even sent in his resignation. he's a solicitor, you know, in the office of doctor fuchs, the national german deputy. yes, it's all politics, you know." he winked. they must not think, of course, that now that he himself had an insight into the machinery of public life he still took the swindle seriously. with the scarcely surprising remark that he could tell a tale or two if he wanted, he took his leave. frau rosner thought it time to go and look after her husband. george sat alone with anna, opposite her by the round table, over which the hanging lamp shed its light. "thank you for the beautiful roses," said anna. "i have them inside in my room." she got up, and george followed her. he had quite forgotten that he had sent her any flowers. they were standing in a high glass in front of the mirror. they were dark red and their reflection was opaque and colourless. the piano was open, some music stood ready and two candles were burning at the side. apart from that all the light in the room was what came from the adjoining apartment through the wide opening left by the door. "you've been playing, anna?" he came nearer. "the countess's aria? been singing, too?" "yes--tried to." "all right?" "it is beginning to ... i think so. well, we'll see. but first tell me what you have been doing all to-day." "in a minute. we haven't welcomed each other at all so far." he embraced and kissed her. "it is a long time since----" she said, smiling past him. "well?" he asked keenly, "are you coming with me?" anna hesitated. "but what do you really think of doing, george?" "quite simple. we can go away to-morrow afternoon. you can choose the place. reichenau, semmering, brühl, anywhere you like.... and i'll bring you back in the morning the day after to-morrow." something or other kept him back from mentioning the telegram which gave him three whole days to do what he liked with. anna looked in front of her. "it would be very nice," she said tonelessly, "but it really won't be possible, george." "on account of your father?" she nodded. "but he is surely better, isn't he?" "no, he is not at all well. he is so weak. they wouldn't of course reproach me directly in any way. but i ... i can't leave mother alone now, for that kind of excursion." he shrugged his shoulders, feeling slightly wounded at the designation which she had chosen. "come, be frank," she added in a jesting manner. "are you really so keen on it?" he shook his head, almost as if in pain, but he felt that this gesture also was lacking in sincerity. "i don't understand you, anna," he said, more weakly than he really meant. "to think that a few weeks of being away from each other, to think of ... well, i don't know what to call it.... it is as though we had got absolutely out of touch. it's really me, anna, it's really me...." he repeated in a vehement but tired voice. he got up from the chair in front of the piano. he took her hands and put them to his lips, feeling nervous and somewhat moved. "what was _tristan_ like?" she inquired. he gave her a conscientious account of the performance and did not leave out his visit to the ehrenbergs' box. he spoke of all the people whom he had seen and conveyed to her heinrich bermann's wishes. he then drew her on to his knee and kissed her. when he removed his face from hers he saw tears running over her cheeks. he pretended to be surprised, "what's the matter, child?... but why, why...?" she got up and went to the window with her face turned away from him. he stood up too, feeling somewhat impatient, walked up and down the room once or twice, then went up to her, pressed her close to him, and then immediately began again in great haste: "anna, just think it over and see if you really can't come with me! it would all be so different from what it is here. we could really talk things over thoroughly. we have got such important matters to discuss. i need your advice as well, about the plans i am to make for next year. i've written to you about it, haven't i? it is very probable, you see, that i shall be asked to sign a three years' contract in the next few days." "what am i to advise you?" she said. "after all, you know best whether it suits you there or not." he began to tell her about the kind and talented manager who clearly wished to have him for a collaborator; about the old and sympathetic conductor who had once been so famous; about a very diminutive stage-hand who was called alexander the great; about a young lady with whom he had studied the micaela, and who was engaged to a berlin doctor; and about a tenor, who had already been working at the theatre for twenty-seven years and hated wagner violently. he then began to talk about his own personal prospects, artistic and financial. there was no doubt that he could soon attain an excellent and assured position at the little court theatre. on the other hand one had to bear in mind that it was dangerous to bind oneself for too long; a career like that of the old conductor would not be to his taste. of course ... temperaments varied. he for his part believed himself safe from a fate like that. anna looked at him all the time, and finally said in a half jesting, half meditative tone, as though she were speaking to a child: "yes, isn't he trying hard?" the thrust went home. "in what way am i trying hard?" "look here, george, you don't owe me explanations of any kind." "explanations? but you are really.... really, i'm not giving you any explanations, anna. i'm simply describing to you how i live and what kind of people i have to deal with ... because i flatter myself that these things interest you, in the same way that i told you where i had been yesterday and to-day." she was silent, and george felt again that she did not believe him, that she was justified in not believing him--even though now and again the truth happened to come from his lips. all kinds of words were on the tip of his tongue, words of wounded pride, of rage, of gentle persuasion--each seemed to him equally worthless and empty. he made no reply, sat down at the piano and gently struck some notes and chords. he now felt again as though he loved her very much and was simply unable to tell it her, and as though this hour of meeting would have been quite different if they had celebrated it elsewhere. not in this room, not in this town; in a place, for preference, which they neither of them knew, in a new strange environment, yes, then perhaps everything would have been again just as it had been once before. then they would have been able to have rushed into each other's arms--as once before, with real yearning, and found delight--and peace. the idea occurred to him: "if i were to say to her now 'anna! three days and three nights belong to us!' if i were to beg her ... with the right words.... entreat her at her feet.... 'come with me, come!'... she would not hold out long! she would certainly follow me...." he knew it. why did he not speak the right words? why did he not entreat her? why was he silent, as he sat at the piano and gently struck notes and chords...? why?... then he felt her soft hand upon his head. his fingers lay heavy on the notes, some chord or other vibrated. he did not dare to turn round. she knows it, too, he felt. what does she know?... is it true, then...? yes ... it is true. and he thought of the hour after the birth of his dead child--when he had sat by her bed and she had lain there in silence, with her looks turned towards the gloomy garden.... she had known it even then--earlier than he--that all was over. and he lifted his hands from the piano, took hers, which were still lying on his head, guided them to his cheeks, drew her to him till she was again quite close, and she slowly dropped down on to his knees. and he began again, shyly: "anna ... perhaps ... you could manage to.... perhaps i too could manage for a few days' more leave if i were to telegraph. anna dear ... just listen.... it would be really so beautiful...." a plan came to him from the very depths of his consciousness. if he really were to go travelling with her for some days, and were to take the opportunity honestly to say to her, "it must end, anna, but the end of our love must be beautiful like the beginning was. not dim and gloomy like these hours in your people's house...." if i were honestly to say that to her--somewhere in the country--would it not be more worthy of her and mine--and our past happiness...? and with this plan in his mind he grew more insistent, bolder, almost passionate.... and his words had the same ring again as they had had a long, long time ago. sitting on his knees, with her arms around his neck, she answered gently: "george, i am not--going to go through it another time...." he already had a word upon his lips with which he could have dissipated her alarm. but he kept it back, for if put in so many words it would have simply meant that while he was thinking of course of living again a few hours of delight with her, he did not feel inclined to take any responsibility upon himself. he felt it. all he need say to avoid wounding her was this one thing: "you belong to me for ever!--you really must have a child by me--i'll fetch you at christmas or easter at the outside. and we will never be parted from each other any more." he felt the way in which she waited for these words with one last hope, with a hope in whose realisation she had herself ceased to believe. but he was silent. if he had said aloud the words she was yearning for he would have bound himself anew, and ... he now realised more deeply than he had ever realised before that he wanted to be free. she was still resting on his knees, with her cheek leaning on his. they were silent for a long time and knew that this was the farewell. finally george said resolutely: "well, if you don't want to come with me, anna, then i'll go straight back--to-morrow, and we'll see each other again in the spring. until then there are only letters. only in the event of my coming at christmas if i can...." she had got up and was leaning against the piano. "the boy's mad again," she said. "isn't it really better if we don't see each other till after easter?" "why better?" "by then--everything will be so much clearer." he tried to misunderstand her. "you mean about the contract?" "yes...." "i must make up my mind in the next few weeks. the people want of course to know where they are. on the other hand, even if i did sign for three years, and other chances came along, they wouldn't keep me against my will. but up to the present it really seems to me that staying in that small town has been an extremely sound thing for me. i have never been able to work with such concentration as there. haven't i written to you how i have often sat at my secretary after the theatre till three o'clock in the morning, and woken up fresh at eight o'clock after a sound sleep?" she gazed at him all the time with a look at once pained and reflective, which affected him like a look of doubt. had she not once believed in him! had she not spoken those words of trust and tenderness to him in a twilight church: "i will pray to heaven that you become a great artist"? he felt again as though she did not think anything like as much of him as in days gone by. he felt troubled and asked her uncertainly: "you'll allow me, of course, to send you my violin sonata as soon as it is finished? you know i don't value anybody else's criticism as much as i do yours." and he thought: if i could only just keep her as a friend ... or win her over again ... as a friend ... is it possible? she said: "you have also spoken to me about a few new fantasies you have written just for the pianoforte." "quite right; but they are not yet quite ready. but there's another one which i ... which i ..." he himself found his hesitations foolish--"composed last summer by the lake where that poor girl was drowned, heinrich's mistress you know, which you don't know yet either. couldn't i ... i'll play it to you quite gently; would you like me to?" she nodded and shut the door. there, just behind him, she stood motionless as he began. and he played. he played the little piece with all its passionate melancholy which he had composed by that lake of his, when anna and the child had been completely forgotten. it was a great relief to him that he could play it to her. she must be bound to understand the message of these notes. it was impossible for her not to understand. he heard himself as it were speaking in the notes; he felt as though it was only now that he understood himself. farewell, my love, farewell. it was very beautiful. and now it is over ... farewell, my love.... we have lived through what was fated for both of us. and whatever the future may hold for me and for you we shall always mean something to each other which we can neither of us ever forget. and now my life goes another way.... and yours too. it must be over ... i have loved you. i kiss your eyes.... i thank you, you kind, gentle, silent one. farewell, my love ... farewell.... the notes died away. he had not looked up from the keys while he was playing: he now turned slowly round. she stood behind him solemn and with lips which quivered slightly. he caught her hands and kissed them. "anna, anna ..." he exclaimed. he felt as if his heart would break. "don't quite forget me," she said softly. "i'll write to you as soon as i'm there again." she nodded. "and you'll write to me, too, anna ... everything ... everything ... you understand?" she nodded again. "and ... and ... i'll see you again early to-morrow." she shook her head. he wanted to make some reply as though he were astonished--as if it were really a matter of course that he should see her again before his departure. she lightly lifted her hand as though requesting him to be silent. he stood up, pressed her to him, kissed her mouth, which was cool and did not answer his kiss, and left the room. she stayed behind standing with limp arms and shut eyes. he hurried down the stairs. he felt down below in the street as though he must go up again--and say to her: "but it's all untrue! that was not our goodbye. i really do love you. i belong to you. it can't be over...." but he felt that he ought not to. not yet. perhaps to-morrow. she would not escape him between this evening and to-morrow morning ... and he rushed aimlessly about the empty streets as though in a slight delirium of grief and freedom. he was glad he had made no appointments with any one and could remain alone. he dined somewhere far off in an old low smoky inn in a silent corner while people from another world sat at the neighbouring tables, and it seemed to him that he was in a foreign town: lonely, a little proud of his loneliness and a little frightened of his pride. the following day george was walking with heinrich about noon through the avenues of the dornbacher park. an air which was heavy with thin clouds enveloped them, the sodden leaves crackled and slid underneath their feet, and through the shrubbery there glistened that very road on which they had gone the year before towards the reddish-yellow hill. the branches spread themselves out without stirring, as though oppressed by the distant sultriness of the greyish sun. heinrich was just describing the end of his drama, which had occurred to him yesterday. ägidius had been landed on the island ready after his death-journey to undergo within seven days his foretold doom. the prince gives him his life. ägidius does not take it and throws himself from the cliffs into the sea. george was not satisfied: "why must ägidius die?" he did not believe in it. heinrich could not understand the necessity for any explanation at all. "why, how can he go on living?" he exclaimed. "he was doomed to death. it was with his hand before his eyes that he lived the most splendid, the most glorious days that have ever been vouchsafed to man as the uncontrolled lord upon the ship, the lover of the princess, the friend of the sages, singers and star-gazers, but always with the end before his eyes. all this richness would, so to speak, lose its point: why, his sublime and majestic expectation of his last minute would be bound to become transformed in ägidius's memory into a ridiculous dupe's fear of death, if all this death-journey were to turn out in the end to be an empty joke. that's why he must die." "then you think it's true?" asked george, with even greater doubt than before. "i can't help it--i don't." "that doesn't matter," replied heinrich. "if you thought it true now, things would be too easy for me. but it would have become true as soon as the last syllable of my piece is written. or...." he did not go on speaking. they walked up a meadow, and soon the expanse of the familiar valley spread out at their feet. the sommerhaidenweg gleamed on the hill-slope on their right, on the other side hard by the forest the yellow-painted inn was visible with its red wooden terraces, and not far off was the little house with the dark grey gable. the town could be descried in an uncertain haze, the plain floated still further towards the heights and far in the distance loomed the pale low drawn outlines of the mountains. they now had to cross a broad highway and at last a footpath took them down over the fields and meadows. remote on either side slumbered the forest. george felt a presentiment of the yearning with which in the years to come, perhaps on the very next day, he would miss this landscape which had now ceased being his home. at last they stood in front of the little house with the gable which george had wanted to see one last time. the door and windows were boarded up; battered by the weather, as though grown old before its time, it stood there and had no truck with the world. "well, so this is what is called saying goodbye," said george lightly. his look fell upon the clay figure in the middle of the faded flower-beds. "funny," he said to heinrich, "that i've always taken the blue boy for an angel. i mean i called him that, for i knew, of course, all the time what he looked like and that he was really a curly-headed boy with bare feet, tunic and girdle." "you will swear a year from to-day," said heinrich, "that the blue boy had wings." george threw a glance up to the attic. he felt as though there existed a possibility of some one suddenly coming out on the balcony: perhaps labinski who had paid him no visits since that dream; or he himself, the george von wergenthin of days gone by; the george of that summer who had lived up there. silly fancies. the balcony remained empty, the house was silent and the garden was deep asleep. george turned away disappointed. "come," he said to heinrich. they went and took the road to the sommerhaidenweg. "how warm it's grown!" said heinrich, took off his overcoat and threw it over his shoulder, as was his habit. george felt a desolate and somewhat arid sense of remembrance. he turned to heinrich: "i'd prefer to tell you straight away. the affair is over." heinrich threw him a quick side-glance and then nodded, not particularly surprised. "but," added george, with a weak attempt at humour, "you are earnestly requested not to think of the angel boy." heinrich shook his head seriously. "thank you. you can dedicate the fable of the blue boy to nürnberger." "he's turned out right, once again," said george. "he always turns out right, my dear george. one can positively never be deceived if one mistrusts everything in the world, even one's own scepticism. even if you had married anna he would have turned out right ... or at any rate you would have thought so. but at any rate i think ... you don't mind my saying so, i suppose ... it's sound that it's turned out like this." "sound? i've no doubt it is for me," replied george with intentional sharpness, as though he were very far from having any idea of sparing his conduct. "it was perhaps even a duty, in your sense of the term, heinrich, which i owed to myself to bring it to an end." "then it was certainly equally your duty to anna," said heinrich. "that remains to be seen. who knows if i have not spoilt her life?" "her life? do you still remember leo golowski saying about her that she was fated to finish up in respectable life? do you think, george, that a marriage with you would have been particularly respectable? anna was perhaps cut out to be your mistress--not your wife. who knows if the fellow she is going to marry one day or other wouldn't really have every reason to be grateful to you if only men weren't so confoundedly silly? people only have pure memories when they have lived through something--this applies to women quite as much as men." they walked further along the sommerhaidenweg in the direction of the town, which towered out of the grey haze, and approached the cemetery. "is there really any point," asked george hesitatingly, "in visiting the grave of a creature that has never lived?" "does your child lie there?" george nodded. his child! how strange it always sounded! they walked along the brown wooden palings above which rose the gravestones and crosses, and then followed a low brick wall to the entrance. an attendant of whom they inquired showed them the way over the wide centre path which was planted with willows. there were rows of little oval plates, each one with two short prongs stuck into the ground, on little mounds like sand-castles, close to the planks in a fairly large plot of ground. the mound for which george was looking lay in the middle of the field. dark red roses lay on it. george recognised them. his heart stood still. what a good thing, he thought, that we didn't meet each other! did she hope to, i wonder? "there where the roses are?" asked heinrich. george nodded. they remained silent for a while. "isn't it a fact," asked heinrich, "that during the whole time you never once thought of the possibility of its ending like this?" "never? i don't quite know. all kinds of possibilities run through one's mind. but of course i never seriously thought of it. besides, how could one?" he told heinrich, and not for the first time, of how the professor had explained the child's death. it had been an unfortunate accident through which one to two per cent. of unborn children were bound to perish. as to why this accident should have taken place in this particular case, that, of course, the professor had not been able to explain. but was accident anything more than a word? was not even that accident bound to have its cause? heinrich shrugged his shoulders. "of course.... one cause after the other and its final cause in the beginning of all things. we could of course prevent the happening of many so-called accidents if we had more perception, more knowledge and more power. who knows if your child's death could not have been prevented at some moment or other?" "and perhaps it may have been in my own power," said george slowly. "i don't understand. was there any premonitory symptom or...." george stood there staring fixedly at the little mound. "i'll ask you something, heinrich, but don't laugh at me. do you think it possible that an unborn child can die from one not longing for it to come, in the way one ought to--dying, as it were, of too little love?" heinrich put his hand on his shoulder. "george, how does a sensible man like you manage to get hold of such metaphysical ideas?" "you can call it whatever you like, metaphysical or silly; for some time past i haven't been able to shake off the thought that to some extent i bear the blame for it having ended like that." "you?" "if i said a minute ago that i did not long for it enough i didn't express myself properly. the truth is this: that i had quite forgotten that little creature that was to have come into the world. in the last few weeks immediately before its birth, especially, i had absolutely forgotten it. i can't put it any differently. of course i knew all the time what was going to happen, but it didn't concern me, as it were. i went on with my life without thinking of it. not the whole time, but frequently, and particularly in the summer by the lake, my lake as you call it ... then i was.... yes, when i was there i simply knew nothing about my going to have a child." "i've heard all about it," said heinrich, looking past him. george looked at him. "you know what i mean then? i was not only far away from the child, the unborn child, but from the mother too, and in so strange a way that with the best will in the world i can't describe it to you, can't even understand it myself to-day. and there are moments when i can't resist the thought that there must have been some connection between that forgetting and my child's death. do you think anything like that so absolutely out of the question?" heinrich's forehead was furrowed deeply. "quite out of the question? one can't go as far as that. the roots of things are often so deeply intertwined that we find it impossible to look right down to the bottom. yes, perhaps there even are connections like that. but even if there are ... they are not for you, george! even if such connections did exist they wouldn't count so far as you were concerned." "wouldn't count for me?" "the whole idea which you just tell me, well, it doesn't fit in with my conception of you. it doesn't come out of your soul. not a bit of it. an idea of that kind would never have occurred to you your whole life long if you hadn't been intimate with a person of my type, and if it hadn't been your way sometimes not to think your own thoughts but those of men who were stronger--or even weaker than you are. and i assure you, whatever turn your life may have taken even down by that lake, your lake ... our lake ... you haven't incurred any so-called guilt. it might have been guilt in the case of some one else. but with a man like you whose character--you don't mind my saying this--is somewhat frivolous and a little unconscientious there would certainly be no sense of guilt. shall i tell you something? as a matter of fact you don't feel guilty about the child at all, but the discomfort which you feel only comes from your thinking yourself under an obligation to feel guilty. look here, if i had gone through anything like your adventure i might perhaps have been guilty because i might possibly have felt myself guilty." "would you have been guilty in a case like mine, heinrich?" "no, perhaps i wouldn't. how can i know? you're probably now thinking of the fact that i recently drove a creature straight to her death and in spite of that felt, so to speak, quite guiltless." "yes, that's what i'm thinking of. and that's why i don't understand...." heinrich shrugged his shoulders. "yes. i felt quite guiltless. somewhere or other in my soul and somewhere else, perhaps deeper down, i felt guilty.... and deeper down still, guiltless again. the only question is how deep we look down into ourselves. and when we have lit the lights in all the storeys, why, we are everything at the same time: guilty and guiltless, cowards and heroes, fools and wise men. 'we'--perhaps that's putting it rather too generally. in your case, for example, george, there are far less of these complications, at any rate when you're outside the influence of the atmosphere which i sometimes spread around you. that's why, too, you are better off than i am--much better off. my look-out is ghastly, you know. you surely must have noticed it before. what's the good to me of the lights burning in all my storeys? what's the good to me of my knowledge of human nature and my splendid intelligence? nothing.... less than nothing. as a matter of fact there's nothing i should like better, george, than that all the ghastly events of the last months had not happened, just like a bad dream. i swear to you, george, i would give my whole future and god knows what if i could make it undone. but if it were undone ... then i should probably be quite as miserable as i am now." his face became distorted as though he wanted to scream. but immediately afterwards he stood there again, stiff, motionless, pale, as though all his fire had gone out. and he said: "believe me, george, there are moments when i envy the people with a so-called philosophy of life. as for me, whenever i want to have a decently ordered world i have always first got to create one for myself. that's rather a strain for any one who doesn't happen to be the deity." he sighed heavily. george left off answering him. he walked with him under the willows to the exit. he knew that there was no help for this man. it was fated that some time or other he should precipitate himself into the void from the top of a tower which he had circled up in spirals; and that would be the end of him. but george felt in good form and free. he made the resolve to use the three days which still belonged to him as sensibly as possible. the best thing to do was to be alone in some quiet beautiful country-side, to rest himself fully and recuperate for new work. he had taken the manuscript of the violin sonata with him to vienna. he was thinking of finishing that before all others. they crossed the doorway and stood in the street. george turned round, but the cemetery wall arrested his gaze. it was only after a few steps that he had a clear view of the valley. all he could do now was to guess where the little house with the grey gables was lying; it was no longer visible from here. beyond the reddish-yellow hills which shut off the view of the landscape the sky sank down in the faint autumn light. a gentle farewell was taking place within george's soul of much happiness and much sorrow, the echoes of which he heard as it were in the valley which he was now leaving for a long time; and at the same time there was within his soul the greeting of days as yet unknown, which rang to his youth from out the wideness of the world. [1] a pun on the word _ehre_ which means honour. [2] literally "sweet girl." the phrase was invented by schnitzler himself. [3] a fashionable district in vienna. 